Podcast appearances and mentions of rosalind davis

In this episode Gary Mansfield speaks to Rosalind Davis (@rosalindnldavis)   Rosalind Davis invited Gary Mansfield to join her in conversation, in front of an audience at Thorp Stavri's FACTORY PROJECT (21.10.2021), a museum scale exhibition where Rosalind was a curator and Gary showed via The Skip Gallery.   As an artist the central concern of Rosalind Davis is the transformation and reconfiguration of architecture and space through multiple disciplines.   Davis works within painting and installation and has exhibited nationally and internationally in a wide range of galleries and has had a number of solo shows in London. Her work is held in a number of private collections and public collections including Soho House. Since 2018 Davis has alongside her own practice is also working on collaborations with artist Justin Hibbs making site specific works for various galleries. Their most recent collaboration has been for ITV Creates with Jamal Sterrett.     For more information on the work of Rosalind Davis go to https://www.rosalinddavis.co.uk/     To Support this podcast from as little as £3 per month: www.patreon/ministryofarts   For full line up of confirmed artists go to https://www.ministryofarts.org Email: ministryofartsorg@gmail.com Social Media: @ministryofartsorg

In this episode Gary Mansfield speaks to Three curators from Thorp Stavri'sThe Factory Project (@thorpstavri)   1. Rosalind Davis (@rosalindnldavis) 2. Fiona & Anna of Recreational Grounds (@recreationalgrounds) 3. Pacheanne (@pacheanneanderson)   The Factory Project is one of the largest curated events during London's Frieze week and will be held at the Thameside Industrial Estate, from 9 - 22 October 2021. Free Tickets   Transforming an out of use Factory in the Thameside Industrial Estate, The Factory Project is an independent museum-scale exhibition, showcasing the work of 10 curatorial partners and over 110 artists. Conceived by curators Eric Thorp and Nicholas Stavri, The Factory Project has been initiated to support emerging to mid-career artists and curators. It is presented as a multi-disciplinary survey project that showcases 10 unique exhibitions within the larger factory site.     For more information on the work of Thorp Stavri go to https://www.thorpstavri.co.uk   For more information on the *Factory Project go to https://www.insidethefactoryproject.com     To Support this podcast from as little as £3 per month: www.patreon/ministryofarts   For full line up of confirmed artists go to https://www.ministryofarts.org Email: ministryofartsorg@gmail.com Social Media: @ministryofartsorg  

Tom Wilmott selects 'The Exorcist' by William Peter Blatty. Published in 1971, the novel portrays the wildly disturbing behaviour of 12 year old Regan, whose mother seeks help from a plethora of medical specialists until, in desperation, she arranges a priest to perform an exorcism of her daughter to cast out the devil. In a fascinating and deeply personal reading of the book, Tom sees the devil as a stand in for depression. We discuss the lengths to which he has shaped his practice in a dedicated effort to keeping his own destructive side at bay and maintain mental wellness. Resulting in a non-commercial art practice, his unique approach has also given rise to charitable initiatives including Painting Pro Bono and Painting Per Diem. (Mixed Tapes is an introductory series recorded in lockdown with variations in audio quality.)   TOM WILMOTT   - tomwilmott.co.uk - instagram tomrtwilmott   BOOKS   - 'Tell Them I Said No' by Martin Herbert - 'On Being an Artist' by Michael Craig-Martin - 'On Truth' by George Orwell   ARTISTS / GALLERIES   - Agnes Martin 1912-2004 - After Nyne Gallery - Bedwyr Williams (featured on 'Chats in Lockdown' with Emma Cousin podcast Episode 11 May 2020) - Douglas Gordon b.1966 (represented by Gagosian Gallery, '24 Hour Psycho' 1993, 'What Have I Done' solo exhibition at Hayward Gallery, Between Darkness and Light (After William Blake) 1997 featured double sided film showing 'The Exorcist', 1973 directed by William Friedkin and 'The Song of Bernadette', 1943 directed by Henry King) - Ed Harris (directed and starred in 'Pollock' 2002) - Robert Motherwell 1915-1991 - Helen Frankenthaler 1928-2011 - Robert Ryman 1930-2019 - Rosalind Davis (featured on 'Art Fictions' podcast Episode 2)

Rosalind Davis - artist, curator, author, educator - and I weave in, out and around her paintings, installations and the mysterious diaries of Hungarian painter Janos Lavin from 'A Painter of Our Time' 1958 by John Berger. Rosalind details the decision to build her own art community and the many branches of her practice which have developed as a result. (Mixed Tapes is an introductory series recorded in lockdown with variations in audio quality.)   ROSALIND DAVIS rosalinddavis.co.uk (website) rosalindnldavis (instagram) rosalinddavis (twitter) 'Irreversible Entanglements' 2020 'Vanishing Points' 2019 'Haus Konstruktive' 2018 'Strangelands' 2017 'No one Lives in the Real World' 2015 'Echo Chamber' 2014 Artistic Collaborator : Justin Hibbs justinhibbs.com carolfletcher.com   BOOKS 'Wolf Hall' by Hilary Mantel 'What They Didn't Teach You in Art School' by Rosalind Davis and Annabel Tilley 'Whatever Happened to Interracial Love' by Kathleen Collins 'Autumn' by Ali Smith 'Art Monthly' magazine 'Bringing Up the Bodies' by Hilary Mantel 'G.' by John Berger 'Tell Them I Said No' by Martin Herbert   GALLERIES Koppel Project thekoppelproject.com JGM Gallery jgmgallery.com The Foundry Gallery thefoundrygallery.org No Format Gallery secondfloor.co.uk Collyer Bristow collyerbristow.com/gallery Coffee is My Cup of Tea Instagram/richard_ducker   ARTISTS Tomma Abts davidzwirner.com Jordan Baseman jordanbaseman.co.uk rca.ac.uk/more/staff/jordan-baseman 

In episode 3 of The Delphian Podcast we talk to artist, curator and author Rosalind Davis. In her personal work, Rosalind produces multi-disciplinary works about the transformation of space. She has also been the permanent curator at Collyer Bristow Gallery in London since 2016 and has curated over 30 exhibitions to date. In 2016 she co-authored the book "What they didn't teach you at art school" with Annabel Tilley and she is a regular lecturer at universities, galleries and organisations across the country.

In this episode of Art and Science Punks Kate and Rob talk about making gifts by hand, why we got into that, some of the projects that went well and others that didn't. Some projects we pick are a bit ambitious given our current skills or time available. How do we find the right project and how do we help our kids with that same process? Kate and Rob also share an art pick and a science pick this week: one is a test you don't study for the other is a book of tips. Related Links and Resources Mermaid Tail Blanket Tutorial - Discount Designer Fabric - Fabric.com (https://www.fabric.com/creativity-headquarters-mermaid-tail-blanket-tutorial.aspx?cm_re=Feature4-_-project-_-7.12.16) Lean Into Art Podcast - Making things and reflecting about it, creative process and more for visual storytellers (http://www.leanintoart.com/) Kate's Science Pick: Color | Genetic Testing for Health Risks and Medication Response (https://www.color.com/) Rob's Art Pick: What They Didn't Teach You in Art School: How to survive as an artist in the real world: Rosalind Davis, Annabel Tilley (https://www.amazon.com/What-They-Didnt-Teach-School/dp/1781572968) Art and Science Punks on Twitter (@artsciencepunks) (http://twitter.com/artsciencepunks) Art and Science Punks (@artandsciencepunks) on Instagram (https://www.instagram.com/artandsciencepunks/) Kate Stenzinger on Twitter (http://twitter.com/katestenzinger) Rob Stenzinger on Twitter (http://twitter.com/robstenzinger) Sign up for the Art and Science Punks Newsletter (https://artsciencepunks.fireside.fm/newsletter)

Hey, guys! In this episode, I am chatting with Rosalind Davis, a highly accomplished artist and curator from London. She is a graduate of Royal College of Art and a permanent Curator at Collyer Bristow Gallery, a bespoke gallery with a dynamic exhibition programme. Full Interview notes, guest contacts, key takeaways, and resources: https://artsideoflife.com/rosalind-davis/ Special offer for Art Side of Life listeners

It would appear that people on go bald on their heards, but why? And why not elsewhere? Rosalind Davis has been pulling her hair our over this one with Professor Robert Foley from the University of Cambridge... Like this podcast? Please help us by supporting the Naked Scientists

Artists, curators and founders of Zeitgeist Arts Projects Rosalind Davis & Annabel Tilley will discuss the impact of leaving art school, surviving as an artist and sustaining a practice long term and the impact that artist-led organisations, social media and the wider community can play in this process. Zeitgeist Arts Projects was founded in 2012 by Rosalind Davis and Annabel Tilley to support ambitious artists with practical ways to sustain their practice. At the heart of the ZAP philosophy are the questions: How do we survive as an artist? How do we develop and sustain a critically engaged practice over the long term? Their annual programme: Show & Tell addresses these questions through talks, seminars, art tours and exhibitions that encourage artists to develop networks and learn from other artists. Guest artists have included: Mark Titchner, Susan Collis, Phoebe Unwin, Virginia Verran and Transition Gallery. Their pioneering talk: The A-Z of Surviving as an Artist has toured the country and been hosted by Firstite, De La Warr Pavilion, The Whitstable Biennale and BayArt, Cardiff among others and is informed by Tilley and Davis's differing experiences of the art world and the joys and struggles of sustaining an art career longterm. As curators Tilley and Davis organise exhibitions of outstanding new, mid-career and established artists: Collectible (2012), Discernible (2013) and The Zeitgeist Open (2012 & 2013). These large group shows are significant because they provide a snapshot of what critically engaged artists across the country are doing in their studios now and result in an exciting cross-fertilisation of ideas and networks as well as gaining critical attention from wider public and art world audiences.