Podcast appearances and mentions of Agnes Martin

In this first episode of the new series of A brush with…, Ben Luke talks to the painter Celia Paul about her influences—including writers as well as contemporary and historic artists—and the cultural experiences that have shaped her life and work. Paul was born in 1959 in Trivandrum, India, and now lives in London. She makes intense yet ruminative paintings of people close to her, the spaces in which she lives and works, and landscapes of poignant significance. Her paintings are made from life but are pregnant with memory, poetry and emotion, which she imbues in her distinctive painterly language. Her art possesses a rare tranquillity in which one perceives deep feeling; Paul wrote in her memoir that her paintings are “so private and personal that there's almost a ‘Keep Out' sign in front of them”. At once a singular figure yet also connected to strands of recent and historic figurative painting in Britain, she has been admired widely throughout her career but only recently been recognised as a major figure in British art of the past 40 years. She discusses the fact that she began painting before she knew about art, but when she was introduced to Old and Modern Masters, she discovered El Greco and Paul Cezanne, who remain important to her today. She also reflects on the compassion in Rembrandt and Vincent van Gogh, the stillness and scale of Agnes Martin and the elementary power of the novels of the Brontë sisters. She also describes her response in painting to the artists of the School of London, including Lucian Freud, with whom she was once in a relationship, and Frank Auerbach.Celia Paul: Colony of Ghosts, Victoria Miro, London, until 17 April 2025. Celia Paul: Works 1975–2025, published by MACK, £150 (hb) Hosted on Acast. See acast.com/privacy for more information.

Send us a textDe víctima a creador: cómo el arte transforma el dolor en poder

Discover the life and legacy of Agnes Martin, an artist who channeled struggles with mental health into serene, abstract expressionist art, with insights from the co-founders of Nature, Michelle and Ellen._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:MoMA.org Agnes Martin PageBook — Agnes Martin: Painting, Writings, Remembrances by Arne GlimcherThe Guardian Article — Agnes Martin: the artist mystic who disappeared into the desertAbout AgnesAgnes Martin may not be a household name, but her influence on abstract art is profound and lasting. Known for her minimalist grids and soft color bands, she crafted paintings that evoke pure calm and joy, all while living in near-total solitude in the New Mexico desert. Martin's life is as intriguing as her art—she left the bustling New York art scene at the peak of her career to follow a deeply personal path. Though she struggled with mental health challenges, her discipline and commitment to simplicity made her a ‘desert mystic' of the art world. Her story is one of resilience, solitude, and visionary work. Discover her life and legacy on episode 24 of the podcast. About Michelle & EllenWe take a curious and open-minded approach to the work that we do. We ask a lot of questions and have an affinity for both referencing the past and co-creating the future. We value our clients, their trust and their brands over everything. Relationships above all else. Our work is far beyond transactional and the connections that we create with the people we work with usually far out-live the span of the project. We have a lot of repeat clients and we take that as the highest compliment. We don't believe that cold + pixel perfection equals luxury and we ardently swear by moments of wabi sabi and human-ness as drivers of resonance. We think that design done well and that is built from your narrative has the ability to cut through noise and stand out in vivid definition to the right people. Along with our client work we have a tightly edited resource shop for fellow designers. We believe that a rising tide lifts all boats and anything we learn the hard way on this journey we happily share with others.Follow Nature:Instagram: @hellowearenatureWebsite: by-nature.co  ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

To the lighting designer Lindsey Adelman, light is at once ubiquitous and precious, quotidian yet miraculous; it can be easily overlooked or taken for granted, but it also has the potential to become transformative or even otherworldly. Through her craft-forward approach, Adelman creates pieces that defy strict labels and explore the tensions between organic and industrial forms and materials, combining hand-blown glass with industrial and machine-milled components. Since launching her eponymous company in 2006, she has built a formidable business, perhaps becoming best known for her Branching Bubble chandeliers, a series that consists of glass “bubbles” elegantly mounted on the ends of brass, bronze, or nickel “branches.” Adelman also runs an experimental space called LaLAB as a means of exploring and meditating on illumination through the creation of one-off and limited-edition pieces, as well as private commissions.On the episode, she discusses her recent decision to shift her company away from a large-scale production operation and toward a smaller, more intimate “studio” model; the great surprise of having one of her designs installed in Vice President Kamala Harris's Washington, D.C., home; and her love of hosting.Special thanks to our Season 10 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Lindsey Adelman[6:05] Ingo Maurer[6:05] Gaetano Pesce[7:55] Burst Chandelier[12:22] “A Realm of Light”[14:55] Isamu Noguchi's Akari light sculptures[17:20] Yosemite National Park[18:41] James Turrell[18:41] House of Light[20:47] Noguchi's “Lunar Infant”[24:40] Writings by Agnes Martin[26:52] Hiroshi Sugimoto[27:46] David Lynch[29:08] “Paul McCarthy: WS”[29:08] Matthew Barney[30:54] Haruki Murakami[33:14] “A Cacao Ceremony That Brought Close Friends Even Closer”[48:13] Branching Bubble chandelier[48:13] Buckminster Fuller[52:01] Adelman's open-source D.I.Y. light project[52:30] David Weeks[52:30] Lunette[52:46] “The Lighting Designer From Everyone's Dream Brooklyn Brownstone”[52:46] Rich People Problems[52:46] Gwyneth Paltrow

What if chasing your dreams and confronting your fears are two sides of the same coin? Join us on a journey through the intricate dance of art and fear. We unveil the tightrope artists walk between ambition and dread, sharing personal stories and insights on how external expectations and internal critics can often hijack our creative instincts. With a nod to Agnes Martin's studio rituals and Andrew Wyeth's secretive Helga series, we discuss how action and routine can triumph over fear, creating a safe space for authentic artistic expression.The creative process is often a battlefield between personal vision and external validation. We explore this tension and offer a roadmap for minimizing distractions in our tech-driven world. By examining Helen Frankenthaler's patience-first approach to art and the pitfalls of chasing trends, we illuminate the importance of following one's heart amidst the noise. Whether through the lens of cinema's slow storytelling or the raw truth in self-directed growth, the conversation highlights the significance of focusing on the art itself rather than fleeting social media approval.As we navigate the emotional highs and lows of the artistic journey, we celebrate the vital role of community and collaboration. Drawing inspiration from historical art movements and the camaraderie among fellow creators, we emphasize the power of artist friendships. Listen as we share how genuine relationships can inspire creativity and foster healthy competition. Our discussion also touches on the strategic use of social media, encouraging artists to journal their progression with intention, and reminding us that the joy of creation and problem-solving lies at the heart of every artist's path.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

For the third and final installment of our Summer Rep Report series, Sam Fleischner and Courtney Muller, the founding programmers of the Rockaway Film Festival, join Film Comment editor Devika Girish to discuss this year's edition, which runs from August 17 to 25. Launched in 2018 in the Queens, New York oceanside neighborhood, the festival draws upon the cultural history and environmental features of its location to offer a uniquely eclectic program that emphasizes the relationship between cinema and place. Courtney and Sam discuss the history of the festival and point out a few of this year's repertory highlights, including Edward Lachman's Report from Hollywood (1984), playing in a sparkling restoration at the festival; a wonderful retrospective program marking the centennial of pathbreaking animator Faith Hubley; the festival's closing night selection, Gabriel (1976), the only film completed by painter Agnes Martin; and more.

Victoria Chang is the author of 8 books of poetry, including “Obit” and “Barbie Chang”, a work of creative nonfiction, and two children's books. Her newest collection of poems is called “With My Back to the World.” It's inspired by the art and writing of Agnes Martin, a painter who was an influential part of the abstract art movement beginning in the 1950s.  On May 31, 2024, Chang came to the KQED studios in San Francisco to talk to Steven Winn about her creative process and some of the themes in her new collection, including feminism, mental illness, and creative expression.

This week on ‘The Write Question,' host Lauren Korn speaks with poet Victoria Chang, author of ‘With My Back to the World' (Farrar, Straus and Giroux), a collection that engages with the paintings and writings of celebrated abstract artist Agnes Martin.

This week on ‘The Write Question,' host Lauren Korn speaks with poet Victoria Chang, author of ‘With My Back to the World' (Farrar, Straus and Giroux), a collection that engages with the paintings and writings of celebrated abstract artist Agnes Martin.

In this episode, we read one of Victoria Chang's moving poems from her collection OBIT, and discuss how the poem explores the interplay between life, death, grieving, and memory as the poet tries to process her mother's passing. Thanks to Copper Canyon Press (https://www.coppercanyonpress.org/) for granting us permission to read this poem, which was originally published in OBIT. Victoria's newest collection of poems, With My Back to the World, (https://us.macmillan.com/books/9780374611132/withmybacktotheworld)was inspired by the work of Agnes Martin and published earlier this year. To learn more about Victoria Chang, visit her website (https://victoriachangpoet.com/).

Mathematics is a creative pursuit so it's not surprising that there are communalities between maths and art in all its forms. In this episode we explore the intersection between maths and art with physicist Andrzej Herczyński and mathematician Paul Glendinning. Andrzej Herczyński Andrzej and Paul were two of the organisers of the workshop Space, scale and scaling in art, which recently took place at the Isaac Newton Institute for Mathematical Sciences in Cambridge. We find out about the rich dialogue that can ensue between artists and mathematicians, how maths and physics can help us understand the power of art and how we perceive it, and provide insights into how a particular piece of art was made. The Space, scale and scaling in art workshop was part of a larger research programme funded by the National Science Foundation on the intersection of science and art. You can see Agnes Martin's painting Morning, which is mentioned in this episode, here (though the digital version does not do it justice). To see Jackson Pollock's works, which are also discussed in this episode, go to the Jackson Pollock website. The image above has been generated by AI. Paul Glendinning To find out more about some of the topics mentioned in this episode, see the following articles: Fractal expressionism looks at fractal structures in works by the abstract expressionist Jackson Pollock. The Artist's fractal fingerprint explores Pollock's paintings further. Sine language looks at a song by our musician friend Oli Freke which explores the idea of sine waves, and how they relate to other concepts such as the Western tuning system known as equal temperament and even to ancient Greek cosmological ideas. Fractal music has composer Dmitry Kormann explaining how he brings fractal-like patterns to the very structure of his music, with beautiful results. Restoring profanity explores how the heat equation can help restore damaged art works. Where to stand to look at sculptures uses some simple geometry to find the perfect vantage point from which to take in a sculpture (or painting). To see all our content on maths and art see here, and for everything on maths and music see here. This content was produced as part of our collaboration with the Isaac Newton Institute for Mathematical Sciences (INI) – you can find all the content from our collaboration here. The INI is an international research centre and our neighbour here on the University of Cambridge's maths campus. It attracts leading mathematical scientists from all over the world, and is open to all. Visit www.newton.ac.uk to find out more.

Have you ever watched an artist wrestle with their inner demons as they try to capture something ethereal on the canvas? It's this very struggle between ego and insecurity that we unravel in our latest episode, where we uncover how artists balance confidence with vulnerability. We discuss the critical role of ego—not as a symbol of arrogance but as a beacon of assurance—and how this impacts an artist's interaction with the art world. Join us and a panel of artists as we share candid experiences of wrestling with self-doubt, all while boldly owning the title of 'artist' with pride and authenticity.This episode also peels back the layers of complex emotions tied to visibility and recognition in the art world. Imagine the double-edged sword of yearning for acclaim, while simultaneously standing naked to public critique—it's a vulnerability we all know too well, but one that can lead to growth. We navigate the art of celebrating personal achievements, leaning on the strength of a supportive community, and managing the green-eyed monster of jealousy with grace. Our guests open up about the transformative power of encouragement and how fostering connectivity elevates not just individual artists, but the entire creative ecosystem.Finally, we take you on a journey to the seclusion and inspiration of artist residencies like Pooch Cove, where the environment shapes spirit and practice. Through personal stories, we reflect on how spaces like these can catalyze profound shifts in artistic perspectives, illustrated by our own encounters with the vastness of nature and a community that feels like an instant family. We wrap up with heartfelt gratitude to the residencies that have rekindled our creative flames and tease the promise of upcoming museum visits and interviews. If you're an artist or just fascinated by the creative process, this episode is a palette of emotions and revelations not to be missed.Artists in the episode:@tynathanclark @Moksananda@francis.beaty@audreycha.art@jaclyn_gordyan@giannatesone@allisonhudsonart@bonny_thomassen_art (present but not in the episode)Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Kate Wolf speaks with the poet Victoria Chang about her latest collection of poems, With My Back to the World. The book is in deep conversation with the work of the painter Agnes Martin: each poem takes the title of one of Martin's paintings and is also often accompanied by Chang's own visual interpretations of Martin's work. Regarding Martin's intricate grids and spare compositions inevitably allows Chang to reflect on form, emptiness, nature and light; along with more personal reflections on depression, identity, solitude, violence, and destruction. Chang writes about the act of looking along with the feeling of being seen—and the border between the two, especially within everyday encounters on the internet, where, as she writes, “solitude grabs my phone and takes a selfie.”

Kate Wolf speaks with the poet Victoria Chang about her latest collection of poems, With My Back to the World. The book is in deep conversation with the work of the painter Agnes Martin: each poem takes the title of one of Martin's paintings and is also often accompanied by Chang's own visual interpretations of Martin's work. Regarding Martin's intricate grids and spare compositions inevitably allows Chang to reflect on form, emptiness, nature and light; along with more personal reflections on depression, identity, solitude, violence, and destruction. Chang writes about the act of looking along with the feeling of being seen—and the border between the two, especially within everyday encounters on the internet, where, as she writes, “solitude grabs my phone and takes a selfie.”

Have you ever felt the magnetic pull towards the unknown realms of creativity, while the familiar clutches at your sleeves? That's where you'll find us in Pouch Cove, Newfoundland, ensconced in the James Baird Gallery's artist residency. Our latest gathering will come to you in 2 parts, minus the dearly missed Nathan Terbord, his spirit ever-present, delves into the heart of artistic innovation. Through a melding of voices—from the cobblestoned streets of Spain to the hustle of Philadelphia—we unravel the threads of comfort and courage that bind every artist's journey.Think scarcity stifles creativity? Think again! We challenge the more-is-better mindset as we celebrate the ingenuity and the power of creativity under constraint. We cover quotes from Louise Bourgeois, Agnes Martin, Dave Adey, Mark Rothko, Eva Hesse, Jerry Saltz, and Ursula von Rydingsvard. It's a call to arms for artists to embrace vulnerability and authenticity, to create not for applause but for the sheer necessity of expression.Our session wraps with a reflection on personal growth and its indelible mark on our craft. So refill your glass and settle in for an extended session of heartfelt artistic camaraderie, where the lessons shared promise to resonate with your creative spirit and perhaps even light the path for your next breakthrough.Artists in the episode:@Moksananda@francis.beaty@audreycha.art@jaclyn_gordyan@giannatesone@allisonhudsonart@bonny_thomassen_art (present but not in the episode)Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

This podcast features alumnus author David Grosz, class of 1993. David is editorial director and chief digital officer at Cahiers d'Art Institute, a publisher of catalogues raisonnés of leading twentieth and twenty-first century artists and architects, including Frank Gehry, Sam Gilliam, Robert Irwin, Ellsworth Kelly, Sol LeWitt, Agnes Martin, and Niki de Saint Phalle. David is a graduate of Yale University and received an MFA in creative writing from Brooklyn College. His debut novel is “Providence.”

Prudence Peiffer's first book, The Slip, is the never-before-told story of an obscure little street at the lower tip of Manhattan and the remarkable artists who got their start there. For just over a decade, from 1956 to 1967, a cluster of dilapidated former sail-making warehouses became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Lenore Tawney, Delphine Seyrig, and Jack Youngerman. As friends and inspirations to one another, they created a unique community of unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Peiffer pays homage to these artists and the impact their work had on the direction of late 20th-century art and film. This remarkable biography questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—it was one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists' own time, a development battleground for people like Jane Jacobs and Robert Moses. I caught up with Peiffer, in the Fall of 2023 where she unpacked this group portrait, one of my favorite books of the year. Listen to hear Prudence Peiffer discuss the history of Coenties Slip.

The Indonesian ceramic artist Albert Yonathan Setyawan was born in 1983 and is based in Tokyo, Japan. His monumental installation Shelters 2018-19 was commissioned for the national collection in 2018. In this episode of Artists' Artists, host Jennifer Higgie chats with Setyawan about ideas of repetition, silence and materiality in four very different works from the national collection. To find out more visit www.nga.gov.auArtworks Discussed: Giorgio Morandi, Natura morta [Still life] 1956, National Gallery of Australia, Kamberri/Canberra, purchased 1980 © Giorgio Morandi. SIAE/Copyright Agency Wolfgang Laib, Milk stone 1980, National Gallery of Australia, Kamberri/Canberra, purchased 1981 Lucie Rie, Vase c.1979, National Gallery of Australia, Kamberri/Canberra, purchased 1979 Agnes Martin, Untitled # 4 1977, National Gallery of Australia, Kamberri/Canberra, purchased 1977 © Agnes Martin. ARS/Copyright Agency Hosted on Acast. See acast.com/privacy for more information.

Today, it's a brand new installment of the "Interview the Interviewer" series and I'm excited to reveal that this episode's Interviewee is ... me! Thank you so much to artist, Catherine Haggarty, for generously suggesting this collaboration and for asking such wonderful questions about my work. More info about Amy (your beloved host's) work online: amytalluto.com and @talluts Works mentioned (AT unless noted): "The Princesse de Broglie" (Ingres), "Bending Figure & Ingres Eye" 2023, "Rain Cloud" 2022, "Cloud (After Ingres) 1-3" 2023 Catherine Haggarty online: catherinehaggarty.com and @catherine_haggarty Artists mentioned: Jennifer Coates, Phyllis Plattner, Louise Mouton Johnson, Frank Gross & Jean Pichotta Gross of NOCCA, Rita MacDonald, Ever Baldwin, Geoffrey Young, Dee Shapiro, Elisabeth Condon, Dona Nelson, Philip Guston, Judy Glantzman, Jean-Auguste-Dominique Ingres, Agnes Martin, Vija Celmins, Julia Gleich, Shari Mendelson, Courtney Puckett, Matisse, Betty Woodman, Charles Burchfield, Edvard Munch, Robert Rauschenberg, Kathe Bradford Amy's fave podcast: Las Culturistas Amy's fiery crucible of self help: Pep Talks for Writers, Wired to Create, Steal Like an Artist, On Art and Mindfulness, The War of Art, Art & Fear, The Artist's Journey: Bold Strokes to Spark Creativity, Make Art Not Content (Podcast), Big Magic Thank you, Catherine! Thank you, Listeners! And thank you so much, Patreon supporters! ---------------------------- Pep Talks on IG: ⁠⁠⁠@peptalksforartists⁠⁠⁠ Peps has a Patreon! If you are a Peps fan and would love more pep talks in your life, please consider supporting the podcast financially on Patreon at ⁠⁠⁠https://www.patreon.com/PepTalksforArtists⁠⁠⁠! For $5 a month, patrons receive exclusive mini Pep-isodes monthly or bimonthly, delivered directly to their email inbox with a clickable link. No tech savviness required! Also, patrons receive early access to not-yet-released full episodes, fresh out the oven. Join the Peps fam on Patreon and become a part of the Pep Talks Peerage today. Find out more here: ⁠⁠⁠⁠https://www.patreon.com/PepTalksforArtists⁠⁠ Pep Talks on Art Spiel as written essays: ⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠ ⁠⁠⁠BuyMeACoffee⁠⁠⁠ Donations appreciated! All music and effects are by Soundstripe --- Send in a voice message: https://podcasters.spotify.com/pod/show/peptalksforartistspod/message Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support

John Samson Fellows is well known as a member of The Weakerthans, Propagandhi, and as a solo artist. John currently makes music and crafts under the moniker Vivat Virtute with Christine Fellows. Vivat Virtute Bandcamp: https://vivatvirtute.bandcamp.com/ https://www.vivatvirtute.com/ Episode cover art adapted by Jamie Fougere from Agnes Martin, The Islands, 1961. 

In the 1950s and 60s, Coenties Slip—an obscure street on the lower tip of Manhattan overlooking the East River—was home to some of the most iconic artists in history, and who would define American Art during their time there: Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, these artists created a unique community for unbridled creative expression and experimentation. Prudence Peiffer is the kind of art historian who understands the importance of context and place, and her book, “The Slip: The New York City Street that Changed American Art Forever” provides the kind of rich context and human detail that textbooks could only dream of. She joined me to discuss the history of these artists, why we have such a hard time seeing artists as people, the friction between accessible artists and their inaccessible art, why watching Robert Indiana eat a mushroom for 39 minutes is actually totally beautiful, and what it means to authentically nudge art history towards inclusion. Prudence Peiffer is an art historian, writer, and editor, specializing in modern and contemporary art. She is Director of Content at MoMA, New York. She was a Senior Editor at Artforum magazine from 2012-2017, and Digital Content Director at David Zwirner in 2018. Her writing has appeared in the New York Times, New York Review of Books, Artforum, and Bookforum, among other publications.  Her book, “The Slip: The New York City Street that Changed American Art Forever” has been longlisted for the National Book Award. See the images: https://bit.ly/3rOM7vE Music used: The Blue Dot Session, “Skyforager” Rufus Wainwright, “11:11” Support the show: www.patreon.com/lonelypalette

Writer, editor, and art historian Prudence Peiffer joins Kate Wolf to speak about her first book, The Slip: The New York City Street That Changed American Art Forever. The book is a group biography of a collection of luminous American artists including Agnes Martin, Ellsworth Kelly, Robert Indiana, James Rosenquist and Jack Youngerman, as well as his wife, the French actress and filmmaker, Delphine Seyrig. From the late 1950s to the middle of the 1960s, all of them happened to live in the same place: a collection of former sail-making warehouses on Coenties Slip, a dead end street in one of the oldest sections of Manhattan, right next to the river. Rather than jostle their work into well-established art historical movements and categories, Peiffer's book asserts place as the generative frame from which to understand these artists and the connections and influence between them. Though the community was short-lived, their support of one another, the collective solitude they found, even their rivalry, takes shape as integral to their development, and at least one of the reasons that their work survives today. Also, Andrew Leland, author of The Country of the Blind, returns to recommend Darryl by Jackie Ess.

Writer, editor, and art historian Prudence Peiffer joins Kate Wolf to speak about her first book, The Slip: The New York City Street That Changed American Art Forever. The book is a group biography of a collection of luminous American artists including Agnes Martin, Ellsworth Kelly, Robert Indiana, James Rosenquist and Jack Youngerman, as well as his wife, the French actress and filmmaker, Delphine Seyrig. From the late 1950s to the middle of the 1960s, all of them happened to live in the same place: a collection of former sail-making warehouses on Coenties Slip, a dead end street in one of the oldest sections of Manhattan, right next to the river. Rather than jostle their work into well-established art historical movements and categories, Peiffer's book asserts place as the generative frame from which to understand these artists and the connections and influence between them. Though the community was short-lived, their support of one another, the collective solitude they found, even their rivalry, takes shape as integral to their development, and at least one of the reasons that their work survives today. Also, Andrew Leland, author of The Country of the Blind, returns to recommend Darryl by Jackie Ess.

Five months pregnant, fearful of the future, and creatively blocked, JoAnna Novak becomes obsessed with the life, writings, and paintings of Agnes Martin. She fashions a three-week intensive writing regimen in northern New Mexico, where Martin lived and painted (and where Novak writes this book we discuss today). The structure of this retreat is inspired […] The post JoAnna Novak : Contradiction Days appeared first on Tin House.

Episode No. 613 features author Prudence Peiffer and museum director Timothy Potts. Peiffer is the author of "The Slip: The New York City Street That Changed American Art Forever." The book, out this week from Harper, is a group biography of seven artists -- Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman -- who worked on Coenties Slip in the 1950s and '60s. Coenties Slip was a street that overlooked the East River in lower Manhattan. Peiffer's book argues for not only the importance of the artists themselves, but for where and how they worked as being important to the development of post-war art in New York. Peiffer is director of content at the Museum of Modern Art, New York.  Amazon and Bookshop offer "The Slip" for $22-36. Potts discusses the J. Paul Getty Museum's co-acquisition (with the National Portrait Gallery, London) of Joshua Reynolds' Portrait of Mai (ca. 1776). The painting, among Reynolds' finest works, is on view at the National Portrait Gallery. The first presentation at the Getty will be in 2026.

Where does our spirit go when we die? Frances Morris has this question figured out: she will return to the home in which she was born, a Georgian house abreast the Meridian Line in Greenwich. In this deeply personal conversation, Frances explains why her childhood home has such an emotional hold over her. Southeast London has been the backdrop to her whole life, and it's fitting that she has worked at the forefront of its most important cultural institution: Tate Modern. Not only was she the gallery's first female director, but Frances has also redefined the perception of female artists, spearheading retrospectives of Louise Bourgeois, Yayoi Kusama, Agnes Martin and others. Shortly before we recorded this podcast, it was announced that she will be leaving for pastures new. I've come to meet her in her office within the bowels of the gallery, and, understandably, she is in reflective mood. This is one of the most memorable conversations I've ever had. Frances feels like someone I've known for ever, and her background and story have significant parallels with my own. I really hope you enjoy it as much as I did. This conversation was recorded in person at the Tate Modern. For more on Frances Morris:Head over to our website for more images of the places discussedVisit the Tate Modern For more from the The Modern House: Sign up to our newsletter for weekly interior inspiration Subscribe to our YouTube channel Follow us on Instagram Check out Matt Gibberd's latest book, A Modern Way To Live Executive Producer: Kate Taylor of Feast CollectiveProduction: Hannah PhillipsMusic: FatherGraphic Design: Tom Young Hosted on Acast. See acast.com/privacy for more information.

PACE Gallery's Arne Glimcher on painter Agnes Martin --- Support this podcast: https://podcasters.spotify.com/pod/show/noah-becker4/support

What do we do if we get blocked in the studio? It's the absolute worst feeling and we all occasionally come down with this fever plague. I'll look at some books, some artist-to-artist tips, explore the strangely-relevant history of sugar packets, mule labor and much more to give us some tips for busting through any annoying walls that have dared to spring up around our creativity. Books mentioned: "Creative Block" by Danielle Krysa, "Wired to Create" by Scott Barry Kaufman and Carolyn Gregoire, "On Art and Mindfulness" by Enrique Celaya, "Your Creative Brain" by Shelley Carson Artists mentioned: Agnes Martin, William Blake, Louise Bourgeois, Claude Monet, Shannon Rankin, Fiona Ackerman, Hollie Chastain Benjamin Eisenstadt and the story of sugar packets: https://en.wikipedia.org/wiki/Benjamin_Eisenstadt More about Mule Skinners: https://www.allthingsnature.org/what-is-a-mule-skinner.htm ---------------------------- Pep Talks on IG: @peptalksforartists Pep Talks on Art Spiel as written essays: https://tinyurl.com/7k82vd8s Amy's Interview on Two Coats of Paint: https://tinyurl.com/2v2ywnb3 Amy's website: https://www.amytalluto.com/ Amy on IG: @talluts BuyMeACoffee Donations appreciated! --- Send in a voice message: https://anchor.fm/peptalksforartistspod/message Support this podcast: https://anchor.fm/peptalksforartistspod/support

As of July 2023, we won't be posting new episodes but you can connect with Bec & Michele and continue the conversation via the links below.---Bec and Michele chat about their recent visit to the National Gallery of Victoria—which was extra special because it's the first time they've met face-to-face! Meeting outside a busy Melbourne city train station was a bit overwhelming for a pair of introverts but after a cup of green tea (for the Australian) and a coffee (for the American), they were able to enjoy the modern art on display and dive into some juicy and surprising conversations.Unfortunately the plan to record on-the-day didn't work out, but the insights were still fresh for this session a few days later. They talk about imperfect art, surprising materials and surrendering to what wants to be made.The book about Agnes Martin: https://www.amazon.com.au/Agnes-Martin-Painting-Writings-Remembrances/dp/1838663096/Some videos with and about Agnes Martin: https://www.youtube.com/watch?v=cLF6tWblmGchttps://www.youtube.com/watch?v=nVO38tovlsk---Let's continue the conversation in OriginArtFind Michele Luminato@micheleluminato & @originart___micheleluminato.comFind Bec Leigh@becleibeclei.comSong credit: Sunday Groove by Michael Kobrin

Lucas Zwirner returns as host for a conversation with the MacArthur award-winning poet and translator Peter Cole and the renowned critic and scholar of avant-garde poetry, Marjorie Perloff. On the occasion of Peter's new book of poetry, Draw Me After, which is inspired by the work of Terry Winters and Agnes Martin, they come together for a state of the union of art and poetry.  Draw Me After: Poems is available now. 

Gabe Langholtz was born in 1971 and is an American painter, living and working in Austin Texas. His work, although primarily representational, is indebted to American Color Field painting, focusing on color relations, pattern making, form and line, with a heavy emphasis on the two-dimensional surface of the canvas. In the tradition of folk art, Langholtz routinely employs the use of mundane cultural objects and / or activities to establish a contemporary narrative, oftentimes drawing on humor, parody, and pastiche as tools for social commentary.   His work has been featured in New American Paintings and Create! Magazine, and exhibited nationally at Hashimoto Contemporary, Los Angeles, CA, San Francisco, CA, and New York, NY, BravinLee Programs, New York, NY, The Painting Center, New York, NY, and Bowery Gallery, New York, NY. Langholtz is influenced by the work of Mary Fedden, Philip Guston, Agnes Martin and Gary Bunt, while folk art and collage heavily inform his distinctive style.   LINKS:  www.gabelangholtz.com   Instagram:@gabelangholtzart     Sponsors: https://www.itransport4u.com/ https://www.sunlighttax.com/ilyw     I Like Your Work Links: I Like Your Work Black Friday Sale: Use Code BlackFriday30 for 30% off through November 27th! Join The Works Membership waitlist! https://theworksmembership.com/ Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram

Ben Luke talks to Theaster Gates about his influences—including writers, musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work. Gates is an artist whose every gesture is transformative, whether that's in the form of social projects in his native Chicago, works repurposing found materials from significant disused spaces in the city, presentations honouring and reimagining collections of materials he's gathered over time, or the ceramic sculptures that were his earliest medium and remain at the heart of his work today. He discusses his engagement with artists as diverse as El Lissitzky, Agnes Martin and Arthur Jafa; his transformative encounters with Martin Puryear and bell hooks; how he came to be custodian of Chicago House pioneer Frankie Knuckles's personal vinyl collection; and his abiding passion for ceramics, which, he says, are “made for the eternal as much as they are made for tea”. Gates also gives insight into his life in the studio and answers our usual questions, including the ultimate one: what is art for?Theaster Gates: Young Lords and Their Traces, New Museum, New York, until 5 February 2023; Vestment, Gagosian, New York, until 23 December; A Movement in Every Direction: Legacies of the Great Migration, Baltimore Museum of Art, until 29 January 2023. Hosted on Acast. See acast.com/privacy for more information.

Skincare drought, expenses, FTX, tech roundup, ownership, learning, context clues, and thoughts on Agnes Martin.

We meet Alex Rotter, Chairman of Christie's 20/21 Art Departments, to discuss Christie's New York forthcoming auction 'Visionary: The Paul G. Allen Collection' which runs from 9–10 November 2022 at Rockefeller Center. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. Reflecting the depth and breadth of Paul G. Allen's collection, the auctions connect this visionary innovator to a range of ground-breaking artists, joining Paul Cezanne with David Hockney, Alberto Giacometti with Louise Bourgeois, Georges Seurat with Jasper Johns and Agnes Martin with Yayoi Kusama. Valued in excess of $1 billion, The Paul G. Allen Collection is poised to be the largest and most exceptional art auction in history. Pursuant to his wishes, the estate will dedicate all the proceeds to philanthropy.From 29 October – 8 November 2022, view The Paul G. Allen Collection in-person at Christie's Rockefeller Center galleries in New York. Follow @ChristiesInc and visit their official website: https://www.christies.com/en/events/visionary-the-paul-g-allen-collection/overviewFrom Canaletto's famed vistas of Venice and Paul Cezanne's magisterial vision of the Mont Sainte-Victoire to Gustav Klimt's Birch Forest, Georgia O'Keeffe's 'Red Hills with Pedernal, White Clouds', and latterly, David Hockney's joyful depictions of his native Yorkshire, the collection highlights landmark moments in the development of landscape painting through centuries. Botticelli's Madonna of the Magnificat, Georges Seurat's pointillist masterwork Les Poseuses, Ensemble (Petite version) and Lucian Freud's Large Interior, W11 (after Watteau) demonstrate the enduring power of the human figure in art, while the polyvalent practice of artists such as Max Ernst and Jasper Johns show how artists can subvert tradition to move art forward. We explore some of our own personal favourite works by Georgia O'Keeffe, Agnes Martin, David Hockney, Louise Bourgeois, Bridget Riley and Barbara Hepworth.Alex Rotter grew up in a family of art dealers in his native Austria, and studied at the University of Vienna. He currently lives in New York and is responsible for overseeing a global team of specialists spanning the full scope of 20th and 21st Century art. Rotter's progressive approach to presenting extraordinary works of art to the market has yielded many of the most groundbreaking moments in auction history. Career highlights include the 2017 sale of Leonardo da Vinci's Salvator Mundi , which sold for $450 million, becoming the most expensive object ever sold at auction, and Jeff Koons' Rabbit from the Collection of SI Newhouse, which sold for $91.1 million and set a world auction record for a living artist. Hosted on Acast. See acast.com/privacy for more information.

As a super fan, I was thrilled to welcome multi-media artist, Paula Wilson to the podcast this week. Paula joined me to talk about her current show, "Imago," at Denny Dimin Gallery in NYC (up right now through Oct 29, 2022) and also allowed me to pepper her with questions about her work in general. Paula works in expansive ways with collage, large-scale woodcut, video, and painting and lives and works in the remote high desert town of Carrizozo, NM. She uses personal symbols and experimentation to create a unique blend of art and life--all tied to the land. Find Paula online: paulajwilson.com/ (web) and @paulalights Carrizozo AIR Program and MoMAZoZo: https://carrizozoarts.com/air (co-run by Paula Wilson, Mike Lagg, Joan Malkerson & Warren Malkerson) Current and upcoming exhibitions: Denny Dimin Gallery "Imago" (thru Oct 29, 2022) MOCA Tucson "Plein Air" (thru Feb 5, 2023) The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College "Toward the Sky's Back Door" (Jul 15 - Dec 30, 2023) Colby College Museum of Art "Ashley Bryan / Paula Wilson: Take the World into Your Arms" (Feb 17 - July 17, 2023) Albuquerque Museum "Nicola López and Paula Wilson: Becoming Land" (thru Feb 12, 2023) Emerson Dorsch Gallery, Miami, FL (opens late Nov 2022) Artists mentioned: Paula's partner, collaborator & wood-worker, Mike Lagg, Sound artist, Soleil Corazón-Libre, Georgia O'Keeffe, Agnes Martin, Marsden Hartley, The Desert Transcendentalists (Agnes Pelton) Other shoutouts: Octavia Butler's "Xenogenesis" (Lilith) trilogy, Venus de Willendorf as self-portrait?, "Spread Wild: The Pleasures of the Yucca" at Smack Mellon, Turkey vultures, "Salty & Fresh" video work, Episodes 30 & 33 of this podcast Glue Tawk™: Paula uses Fusion 4000, an iron-on adhesive from Talas in Brooklyn AND Padding Compound Pep Talks on IG: @peptalksforartists Amy's website: https://www.amytalluto.com/ Amy on IG: @talluts Donate to the Peps: Buy Me a Coffee or https://anchor.fm/peptalksforartistspod/support. All music tracks and SFX are licensed from Soundstripe. --- Send in a voice message: https://anchor.fm/peptalksforartistspod/message Support this podcast: https://anchor.fm/peptalksforartistspod/support

This week's tips are brought to you buy New York city auction houses. It's going to be a busy fall in the art auction world.   Paul Allen's Art Collection Headed to Auction  The late Microsoft co-founder Paul Allen, was an avid art collector and it's all going to auction. It's valued at 1 billion dollars.  What can you get? One of my favorites is Gustav Klimpt's Birch Trees. It inspired me for more than one of my collage musical tree paintings.   You could also grab Georgia O'Keeffe's White rose and works from Agnes Martin and Louise Bourgeois.   There doesn't seem to be a recession when it comes to major collectors. This is expected to sell for the highest ever in art-auction history.   Grace Hartigan and the Ninth Street Women  Her work received new attention when it was part of an exhibit in Denver. She was also featured in the book Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art.  Elaine and Willem de Kooning   Elaine de Kooning was an accomplished landscape and portrait artist active in the Abstract Expressionist movement of the mid-twentieth century.  I knew about Willem and Elaine de Kooning, but I wasn't aware that they had such a turbulent history. The couple had what was later called an open marriage; they both were casual about sex and about each other's affairs. They separated for years to reunite again later in life.   Elaine's art reflected the turbulence similar to today's world of conflict and uncertainty. You can find out more about her influences in the book Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art.  Check out other books on my book club list here.   MoMA Plans to Auction off $70 Million in Art This Fall  The proceeds are going to be used for digital art and to create a streaming channel. The museum has a wait and see approach to NFT's but many others are all in. Check out my interview about this topic and how some artists are benefitting from the trend.   How Blake Jamieson Makes Money Selling NFTs  Art World Weekend Edition  Did you know that my book Artprenuer is available for pre-sale? I've got the best bonus' for those who purchase early including a trip to NYC for a coaching session with me. Don't miss out. Grab the book and the bonuses here.  

For the tenth episode of "Reading the Art World," host Megan Fox Kelly speaks with Marguerite Steed Hoffman and Gavin Delahunty about the new book, “Amor Mundi: The Collection of Marguerite Steed Hoffman” (Ridinghouse, 2022). The book tells a unique story of carefully considered and inspired collecting, and the motivations behind the collection's creation and its ongoing evolution. “Amor Mundi” presents a selection of over 400 works of modern and contemporary art from the Marguerite Steed Hoffman Collection in Dallas, Texas. The two-volume set features the pieces brought together by Marguerite and her late husband, Robert Hoffman, including works by Robert Rauschenberg, Philip Guston, Jasper Johns, Cy Twombly, Agnes Martin, along with more contemporary artists like Rita Ackermann and Maria Lassnig. Around 30 authors contributed essays for the book, not only art historians but artists writing about other artists and creating unique works for this book."Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications.Megan Fox Kelly is an art advisor and President of the Association of Professional Art Advisors who works with collectors, estates and foundations. For more information, visit meganfoxkelly.com.“Amor Mundi: The Collection of Marguerite Steed Hoffman” can be purchased at artbook.com.  Read more about the book through its publisher, Ridinghouse.Music composed by Bob Golden.

“I realized that stopping before I was done, especially with the process-oriented thesis where I'm not completely in control. I'm like in peripheral control of what's. Not all mine. That leaves room for the viewer to come into it when everything's locked down and every detail is nailed down. I find that work can often be less engaging. If it's got a little space where you can enter into its imperfections maybe, or it's question marks. That seems to go along well with the idea of being process-driven.” – Blair Vaughn-Gruler In this episode of The Abundant Artist Podcast, we are joined by Blair Vaughn-Gruler, Blair makes paintings that are driven by procedure and process. Accumulation, repetition, erasure, and the physical motions made in the process of mark-making harken back to her many years practicing martial arts and foreground the body's relationship to painting. A Michigan native and New Mexico transplant, Vaughn-Gruler has been obsessed with painting since childhood. Her spare, non-objective compositions are exercises in organizing space. Even when shapes or lines repeat themselves to excess, a calm arises out of the chaos. As the conceptual love child of Cy Twombly and Agnes Martin, Blair (born in 1955) makes paintings to reconcile her early modernist training with the lived experience of the information age. She holds a BFA in painting from Northern Michigan University and an MFA in Visual Art from Vermont College of Fine Art. She and her husband Ernst Gruler were owners of GVG contemporary located in Santa Fe, New Mexico which has represented evolving abstract and non-objective Arts, fun, figurative, and functional sculpture and are carefully curated for the past 10 years. Join us as Blair, discusses her process-driven works, sharing her thoughts on how art makes her evoke emotions, dealing better ways with gallery owners, and tips for taking yourself seriously as an artist. Let's tune in to her story! [00:00 - 12:13] A Conversation Between the Media and The Artist: A Process-Driven Work Painting helps you organize your brain chemistry. How it becomes a process-driven work and a conversation between an artist and its medium. Blair describes how her work responds to her and vice versa. She responds emotionally and intellectually The media responds through her process as shown by mark-making. Blair answers how she decides to finish or abandon a piece that is processed. She exhausts all resources. And makes sure to leave a room for the viewer to come into She believes when every detail is nailed down, it would be less engaging than those of that who has A little imperfections and question marks around it. Artist observes that this accessibility comes from the physical sensation of the work, which helps evoke emotion. She shares her breakthrough moment when they were in graduate school and how felt engaged with her paintings “I actually felt like I took them in through my body instead of my intellect” – Blair Vaugh-Gruler [12:14 - 24:10] How to Work Better with Gallery Owners Working with galleries can be difficult. Blair shares tips for avoiding rejection in the Art World. Research to find out if the gallery is interested in artists and if they have a submission process Be ready with a good body of work and be willing to put in the effort to build a relationship with the Gallery. The Many Costs of Running a Gallery and can be difficult to make a profit. [24:11 - 31:40] Expenses of Being an Artist Living in Santa Fe, New Mexico, Blair points that there are many expenses associated with being a successful artist in the city. Payroll, advertising networking fees. Shipments and insurance It's important to established a good gallery relationship if you want to be successful. A good gallery will have salespeople and administrative staff as well as researchers to help you choose the right art pieces for your gallery. [31:41 - 35:31] " Discovering the Art Genealogy of Your Favorite Artists” Genealogy is a passion of Blair Blair's journey into abstract expressionism was influenced by artists like Jackson Pollock For the author, following the lineage of an artist is important to gaining confidence in one's own work Blair recommends reading books or watching films about the artists mentioned in the show. [35:32 - 38:22] Closing Segment   Key Quotes:   “You can put water media on there and it's going to suck the pigment into the clay, but you can't control it. So that's what makes it a conversation like I do this, it does that. I go, oh. That's not what I meant. Okay. Now I have to do this and now it does that. And that's where the conversation comes from. That is the fun part for me” – Blair Vaughn-Gruler   “You have to do some research. you have to figure out where you might want to be.” - Blair Vaughn-Gruler   “I think it's easy to get too focused on the commodity factor, The commodity, getting the physical object and, getting that sold to sort of throwing the baby out with the bath water, because what everybody's looking for in the making and the collecting. Are sort of the connection and the intangible glimpse into the mystery of creativity” – Blair Vaughn-Gruler Resources mentioned: Agnes Martin https://www.moma.org/artists/3787 Jackson Pollock https://www.moma.org/artists/4675 See Blair Vaughn-Gruler works at gvgcontemporary.com The Abundant Artist exists to dispel this notion and teach artists like you about all of the other ways that you can make a living from your art. Connect with us: Website: https://theabundantartist.com IG: https://www.instagram.com/theabundantartist/ Facebook: https://www.facebook.com/theabundantartist/ LEAVE A REVIEW + help someone who wants to know more about the Art Industry and selling their art. Your ratings and reviews help get the podcast in front of new listeners.  

Helloooooo DT fam. As the school year is wrapping up, so is Season One of the DrawTogether Podcast! (Can you believe it?? 26 episodes!) As our Season One finale, we do a big-hearted DrawTogether classic: the blind contour portrait. This is a partner exercise, so grab a family member, friend or stranger, hit play above, and get ready to learn to LOOK in under a few minutes. Because in addition to helping us imagine a world we want to see, drawing teaches us to LOOK at one another. To slow down and pay attention. I deeply believe drawing is one of the most accessible and immediate ways to create connection between people and open doors for deeper relationships. My TED talk features this drawing exercise, and goes deeper on how Drawing helps us slow down, look closely and connect with the world around us - and each other. That drawing is looking, and looking is loving. And that DrawTogether isn’t really about drawing. ;) I hope you enjoy this episode, and continue to do this exercise anytime, anywhere, with anyone. I’ve done it in classrooms, workplaces, in hospitals - I even got a bar full of strangers to draw each other all at once. It’s the ultimate humanity ice-breaker/connection maker. I can’t wait to hear what you think (and see what you see.) Do let me know how it goes. Looking back on the DT Pod for a minute: When we started this podcast 26 episodes ago, we never thought we would come so far. With the help of phenomenal editor Amy Standen, we learned about artists Alma Thomas, Agnes Martin and Ruth Asawa. We talked about the war in Ukraine and drew sunflowers to process our feelings and show our support. We drew the shape of sound with musician Colin Meloy, and visited with children’s book author/illustrator Carson Ellis. We moved our feelings through our bodies and onto the page with five finger drawings and silly emotional fruit, and made a bunch of fun imaginary animals - because why not. We drew SO. MUCH. All these DT podcasts and more are here on Substack and on Apple Podcasts. If you or your kids missed any, they are here for you over the summer. Speaking of Summer: next week I’ll share deets on what’s coming next, what subscribers will be receiving in their inboxes, all that fun stuff. Plus a recap on everything DrawTogether has done in our classrooms program (SO MUCH STUFF) and some pretty awesome partnerships we’ll finally be able to share. For now, a huge thank you so much for being part of DrawTogether. There is no DT without YOU. And as we say at the end of every class, show, podcast episode, and first podcast season (!): Drawing is Looking and Looking is Loving. Also, Everything is better when we DrawTogether. See you soon!xoxow Get full access to DrawTogether with WendyMac at club.drawtogether.studio/subscribe

Ben Luke talks to Stan Douglas about his influences—including writers, film-makers, musicians, and, of course, other artists—and the cultural experiences that have shaped his life and work. Douglas is a video artist and photographer—one of the leading pioneers of video installation and large-scale photography. He scrutinises these different media and explores how they shape our understanding of reality, through often unexpected connections between contemporary and historical events, and rich references to music and literature. Douglas discusses his early interest in Marcel Duchamp, the enduring power of artists as diverse as Francisco de Goya and Agnes Martin, his endless fascination with Samuel Beckett, and how his love of Miles Davis's underrated album On the Corner prompted one of his best works, Luanda-Kinshasa (2013).Stan Douglas's project for the 59th Venice Biennale, 2011 ≠ 1848, is in the Canadian Pavilion in the Giardini and the Magazzini del Sale, Venice, until 27 November. See acast.com/privacy for privacy and opt-out information.

Ep.107 features Marisol Teresa Martinez. Uncommon as her expression, her story begs telling. After cutting her media teeth on the moving picture, the former Vice President of Video at Atlantic Records is now finding her pulse as a visual artist whose use of color reflects a complicated, exuberant life. She is a painter who contrasts both thru color and subject matter, often spatial as well as prismatic. The unguided stillness of each shape is a meditative process individually created to compliment the other. The interconnection of shapes and colors offer insight into Martinez unique experience of the world creating a visually spiritual vocabulary. She confronts the curious, the heartbreaking and the maddening experiences of living life so close to death. Daughter of a funeral director, Martinez inherited her father's business after his passing in 2017. This familial legacy, combined with daily glimpses at the face of death, has allowed Martinez to tap into a spirituality that's become the mystical centerpiece of her work. Martinez has lived and studied in Paris, Miami and Los Angeles. Her works emerge from mornings spent at the funeral home, and afternoons and evenings spent in the studio—and their constant mingling of presences. Broader inspiration follows a family lineage of women whose creativity encouraged Martinez to express herself visually. Artist influences such as Carmen Herrera, Agnes Martin, Alma Thomas, Luchita Hurtado & Josef Albers are deeply faceted components in her process and work. In addition to painting, She earned her BBA in Design/Art Marketing from Parsons School of Design, having attended both New York and Paris campuses. Photo Credit - Alfonso Sjogreen Artist - https://marisolmartinezstudio.com Kates Ferri Projects https://www.katesferriprojects.com/marisol-martinez Latinx Project https://www.latinxproject.nyu.edu/search?q=marisol%20martinez Hudson Hall https://hudsonhall.org/event/look-again/ Future Fairs https://archive.futurefairs.com/journal-posts-2/holiday-market-2021-exhibitors Flaunt https://flaunt.com/content/latchkey-gallery-xx Terremoto https://terremoto.mx/en/online/xx-seis-artistas-mujeres-latinxs-en-latchkey-gallery-eua/ Forbes https://www.forbes.com/sites/abinlot/2020/07/02/support-black-artists-by-placing-a-bid-in-artnoirs-artsy-auction/?sh=4c688fff7510

Fashion critic, journalist and author Charlie Porter joins the show to celebrate the US publication of WHAT ARTISTS WEAR (WW Norton). We talk about the Agnes Martin photo that inspired the book, the ways we look at artists' clothes and what they say about our notions of art, culture, gender & society, Charlie's history with fashion and with art, the liberating nature of writing fashion criticism, the notion of art as infiltration, his fashion-epiphany in Mexico City, the reason he gave Picasso only one line in the book, and more! Follow Charlie on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

For Subscribers: Highlights from a 1976 interview with the reclusive artist & the DT Pod transcript

DrawTogether hereby officially proclaims the 3rd week of April “Agnes Martin Week!”And to celebrate, in the podcast we explore of the work of this legendary artist and draw with a similar technique she used in many of her paintings. Press play and let me know how you grid goes. Agnes Martin’s large, square abstract paintings (which are often drawings) appear simple and clean. I mean really, they’re just criss crossing lines on a canvas, right? They don’t LOOK like anything. But somehow they hold our attention and vibrate with a calm energy. They are filled with beauty and joy. And while they might not be a drawing OF something, they FEEL like something. Her painting “Summer” feels like summer. Her painting “Mountain” feels like a mountain. How is that possible?Perhaps what goes into a painting determines what comes out… (Yup, we talk about this in the podcast.) Agnes Martin said “There’s not such thing as a perfect painting.” And while we might be tempted to try to “get it right” when drawing straight lines, grids and dots, perhaps what makes her work - and our drawing exercise this week - so satisfying is the impossibility of perfection, and the way each of our drawings end up becoming uniquely our own. If you’re doing this exercise with kids or a classroom, this is a great opportunity to refute fussiness and embrace mistakes. The imperfections are truly what makes this simple drawing special. Also, deep breathes, shaking out extra energy and sound effects never hurt. When we learn about an artists life, we unlock a whole new dimension to their art - we get to see it in a whole new way. This is doubly true with Agnes Martin. While I talk a bit about Agnes’ life in the podcast while we’re drawing, I’ll share more in the subscriber email in the coming days, along with the transcript of the podcast. (If you would like a transcript of the DT podcast and aren’t able to make it happen right now, write us and we’ll comp you. No barriers to art!)Alright, grab your pencil, maybe a ruler, and I can’t wait to hear how it goes. Pencils up, friends! Everything is better when we DrawTogether,w Get full access to DrawTogether with WendyMac at club.drawtogether.studio/subscribe

Listen now (11 min) | Creating a simple drawing can become a sublime experience

Pages 449 - 459 │ Nausicaa, part I │ Read by Olivia LaingOlivia Laing is the author of To the River, The Trip to Echo Spring and The Lonely City. In 2018 she was awarded the Windham-Campbell Prize for non-fiction. Her first novel, Crudo, won the James Tait Black Prize.She's written catalogue essays on many contemporary artists, including Andy Warhol, Agnes Martin, Derek Jarman and Wolfgang Tillmans. Her collected essays on art, Funny Weather: Art in an Emergency, were published in 2020. Her most recent book is Everybody: A Book About Freedom. She's currently working on a book about gardens and paradise.Follow on Instagram: https://www.instagram.com/olivialanguage/Buy Everybody here: https://shakespeareandcompany.com/d/9781509857111/everybody*Looking for our author interview podcast? Listen here: https://podfollow.com/shakespeare-and-companySUBSCRIBE NOW FOR EARLY EPISODES AND BONUS FEATURESAll episodes of our Ulysses podcast are free and available to everyone. However, if you want to be the first to hear the recordings, by subscribing, you can now get early access to recordings of complete sections.Subscribe on Apple Podcasts here: https://podcasts.apple.com/gb/channel/shakespeare-and-company/id6442697026Subscribe on Patreon here: https://www.patreon.com/sandcoIn addition a subscription gets you access to regular bonus episodes of our author interview podcast. All money raised goes to supporting “Friends of Shakespeare and Company” the bookshop's non-profit.*Discover more about Shakespeare and Company here: https://shakespeareandcompany.comBuy the Penguin Classics official partner edition of Ulysses here: https://shakespeareandcompany.com/d/9780241552636/ulyssesFind out more about Hay Festival here: https://www.hayfestival.com/homeAdam Biles is Literary Director at Shakespeare and Company. Find out more about him here: https://www.adambiles.netBuy a signed copy of his novel FEEDING TIME here: https://shakespeareandcompany.com/S/9781910296684/feeding-timeDr. Lex Paulson is Executive Director of the School of Collective Intelligence at Université Mohammed VI Polytechnique in Morocco.Original music & sound design by Alex Freiman.Hear more from Alex Freiman here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1Follow Alex Freiman on Instagram here: https://www.instagram.com/alex.guitarfreiman/Featuring Flora Hibberd on vocals.Hear more of Flora Hibberd here: https://open.spotify.com/artist/5EFG7rqfVfdyaXiRZbRkpSVisit Flora Hibberd's website: This is my website:florahibberd.com and Instagram https://www.instagram.com/florahibberd/ Music production by Adrien Chicot.Hear more from Adrien Chicot here: https://bbact.lnk.to/utco90/Follow Adrien Chicot on Instagram here: https://www.instagram.com/adrienchicot/Photo of Olivia Laing by Sophie Davidson See acast.com/privacy for privacy and opt-out information.

Agnes Martin fue una pintora abstracta estadounidense nacida en 1912. Su obra ha sido definida como un ensayo de discreción sobre la interioridad y el silencio. Aunque a menudo se la considera o se la conoce como minimalista, Martin se consideraba a sí misma como una expresionista abstracta. Su larga trayectoria artística la ha llevado a ser miembro de la Royal Canadian Academy of Arts. Además de su virtuoso ojo para el arte, cuenta con un intelecto que, hoy, nos saboreamos: El valor está en el ojo de quien observa. 

In "Wee Man Has Friends," Wee Man Strikes A Chord. PLUS, disabled punks, Agnes Martin, choriço, Botox and The Red House (1947).

Kyle Chakya no busca la felicitat en cap m

Larissa Pham is an artist and writer in Brooklyn. Born in Portland, Oregon, she studied painting and art history at Yale University. She has written essays and criticism for the Paris Review Daily, The Nation, Art in America, Guernica, and elsewhere. She was an inaugural Yi Dae Up fellowship recipient from the Jack Jones Literary Arts Retreat. She is also the author of Fantasian, a novella. -- Like a song that feels written just for you, Larissa Pham's debut work of nonfiction captures the imagination and refuses to let go. Pop Song is a book about love and about falling in love--with a place, or a painting, or a person--and the joy and terror inherent in the experience of that love. Plumbing the well of culture for clues and patterns about love and loss--from Agnes Martin's abstract paintings to James Turrell's transcendent light works, and Anne Carson's Eros the Bittersweet to Frank Ocean's Blonde--Pham writes of her youthful attempts to find meaning in travel, sex, drugs, and art, before sensing that she might need to turn her gaze upon herself. Pop Song is also a book about distances, near and far. As she travels from Taos, New Mexico, to Shanghai, China and beyond, Pham meditates on the miles we are willing to cover to get away from ourselves, or those who hurt us, and the impossible gaps that can exist between two people sharing a bed. Pop Song is a book about all the routes by which we might escape our own needs before finally finding a way home. There is heartache in these pages, but Pham's electric ways of seeing create a perfectly fractured portrait of modern intimacy that is triumphant in both its vulnerability and restlessness.