Podcasts about Helen Frankenthaler

Empezamos por ‘La niña de la cabra’, el esperado segundo largometraje de la madrileña Ana Asensio, que triunfó en todo el mundo con su ópera prima ‘Most Beautiful Island’ (2017). La película nos transporta a un barrio madrileño a finales de los años ochenta, donde Elena, una niña de ocho años, afronta la reciente pérdida de su abuela mientras se prepara para hacer la Primera Comunión. Su universo se transforma cuando conoce a Serezade, una niña gitana que siempre va acompañada de su cabra. Este encuentro llevará a Elena a preguntarse si el mundo es realmente como se lo han contado.Aunque el texto fue escrito hace más de diez años, probablemente pocos conocían ‘Música para Hitler’ hasta que ha subido a escena y ha empezado a comentarse en los círculos teatrales. Es una obra de Yolanda García Serrano y Juan Carlos Rubio basada en un episodio real: la visita de tres oficiales nazis al músico Pau Casals en 1943, cuando se encontraba exiliado en Prades. El objetivo de los nazis era convencer al violonchelista catalán para que actuara ante Hitler. A partir de este hecho, los autores han imaginado el posible desarrollo de aquel encuentro. La obra puede verse estos días en los Teatros del Canal de Madrid. La reseña la firma Raúl Losánez.También repasamos cómo ha sido el depósito en la Caja de las Letras del legado de Joan Manuel Serrat, llevado a cabo por el propio cantautor.Cerramos con arte contemporáneo. El Museo Guggenheim Bilbao presenta ‘Helen Frankenthaler. Pintura sin reglas’, una exposición que recorre cronológicamente la obra de esta figura clave del arte abstracto en Estados Unidos. La información nos la ofrece Jon Abascal.Escuchar audio

Schmitz, Rudolf www.deutschlandfunkkultur.de, Fazit

Schmitz, Rudolf www.deutschlandfunk.de, Kultur heute

Eine neue Ausstellung im Museum Sinclair-Haus in Bad Homburg zeigt Pflanzen als "aktive, spürende und handelnde", vielleicht sogar "intelligente" Wesen. Klingt verrückt? Christoph Scheffer spricht mit Kuratorin und Direktorin Kathrin Meyer über ihre faszinierende Ausstellung. Außerdem: „Move and Make“ - Das Museum Reinhard Ernst präsentiert Helen Frankenthaler. Und: „Isa Genzken meets Liebieghaus“ - Aktuelle und antike Kunst begegnen sich.

When starting out, many artists (myself included), struggle to understand how to elevate their work. They often wonder if they need to add more or change their style to make something beautiful happen.  However, the secret isn't in adding MORE, but in utilizing LESS. We're talking about negative space! But it's not a dirty word — it just means the empty space surrounding the subject of an artwork. And it's crucial for creating focus, depth, and complexity in your art.  If you feel like your work is missing something, negative space may be the most POSITIVE step you have taken yet.   Make sure to subscribe to this podcast so you don't miss a thing! And don't forget to come hang with me on Instagram @jodie_king_ Interested in being a guest on a future episode of Honest Art? Email me at amy@jodieking.com! Resources mentioned: Learn more about the Color Course for Rebels 101 & 102: https://www.jodiekingart.com/ccfr    The Dance by Henry Matisse: https://www.henrimatisse.org/the-dance.jsp  First Creatures by Helen Frankenthaler: https://www.artsy.net/artwork/helen-frankenthaler-first-creatures-1  The Story of Art Without Men by Katy Hessel: https://amzn.to/42O0uQK  12 Hawks at 3 O'Clock by Joan Mitchell: https://www.joanmitchellfoundation.org/joan-mitchell/artwork/0170-12-hawks-at-3-oclock  The Mona Lisa by Leonardo Da Vinci: https://www.britannica.com/topic/Mona-Lisa-painting  Pedal to the Metal by Jodie King: https://shop.jodieking.com/collections/available-paintings/products/pedal-to-the-metal  Annie. The Rebel. by Jodie King: https://shop.jodieking.com/collections/the-rebel-series/products/annie-the-rebel  Abe. The Rebel. by Jodie King:  https://shop.jodieking.com/collections/the-rebel-series/products/abe-the-rebel  Subscribe to my Patreon for as little as $1 a month and get access to additional art career resources: patreon.com/honestartpodcast  How are you liking the Honest Art Podcast? Leave us a review on your favorite podcast platform and let us know!     Watch this full episode on my YouTube channel: https://www.youtube.com/channel/UC64Vn6NF5BfiwLNTSb_VnDA  For a full list of show notes and links, check out my blog: www.jodieking.com/podcast    

American composer Kenneth Fuchs discusses the programmes of his two most recent albums in conversation with Raymond Bisha; both recordings feature the Sinfonia of London and soloists under conductor John Wilson. Fuchs describes the unusual conception of his Concerto for Bass Trombone (a commissioning consortium of 21 bass trombonists was involved!) and the formative inspiration and sustained friendship he derived from abstract artist Helen Frankenthaler (1928-2011).

Omg omg omg week 2 of all the abstract expressionism drama!!! Come join us for this weeks episode on two bodacious babes of 20th century art!!! There will be retelling of poor times in the past, there will be cackling, there will be drama, and there will be shit talking on art historians GOD DAMNIT! Alright!!!  WE LOVE YOU SM!   the Baroque B's

Lo scrittore di culto giapponese Haruki Murakami torna in libreria con La città e le sue mura incerte. A Palazzo Strozzi, a Firenze, c'è la più grande retrospettiva mai realizzata di Helen Frankenthaler, maestra dell'espressionismo astratto americano. For your approval è il titolo dello speciale Netflix con cui la comica Ellen DeGeneres torna in tv dopo una lunga assenza. Majazzproject.com è un archivio online di musica e di poesia palestinese che è diventato anche una mostra a Londra. CONAntonio Moscatello, yamatologoLeonardo Merlini, giornalistaClaudio Rossi Marcelli, giornalista di Internazionale Catherine Cornet, arabista Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità . Vai su internazionale.it/podcastScrivi a podcast@internazionale.it o manda un vocale a +39 3347063050Produzione di Claudio Balboni e Vincenzo De Simone.Musiche di Carlo Madaghiele, Raffaele Scogna, Jonathan Zenti e Giacomo Zorzi.Direzione creativa di Jonathan Zenti.Haruki Murakami: https://www.youtube.com/watch?v=lA5R68o9wTIHelen Frankenthaler: https://www.youtube.com/watch?v=pBKNifpTSFkFor your approval: https://www.dailymotion.com/video/x95xkcaMajazz project: https://majazzproject.com/

What if chasing your dreams and confronting your fears are two sides of the same coin? Join us on a journey through the intricate dance of art and fear. We unveil the tightrope artists walk between ambition and dread, sharing personal stories and insights on how external expectations and internal critics can often hijack our creative instincts. With a nod to Agnes Martin's studio rituals and Andrew Wyeth's secretive Helga series, we discuss how action and routine can triumph over fear, creating a safe space for authentic artistic expression.The creative process is often a battlefield between personal vision and external validation. We explore this tension and offer a roadmap for minimizing distractions in our tech-driven world. By examining Helen Frankenthaler's patience-first approach to art and the pitfalls of chasing trends, we illuminate the importance of following one's heart amidst the noise. Whether through the lens of cinema's slow storytelling or the raw truth in self-directed growth, the conversation highlights the significance of focusing on the art itself rather than fleeting social media approval.As we navigate the emotional highs and lows of the artistic journey, we celebrate the vital role of community and collaboration. Drawing inspiration from historical art movements and the camaraderie among fellow creators, we emphasize the power of artist friendships. Listen as we share how genuine relationships can inspire creativity and foster healthy competition. Our discussion also touches on the strategic use of social media, encouraging artists to journal their progression with intention, and reminding us that the joy of creation and problem-solving lies at the heart of every artist's path.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

This week, three major international shows: Claude Monet's Thames views in London, the Henri Matisse retrospective in Basel and Helen Frankenthaler in Florence. An exhibition that Claude Monet hoped to see in his lifetime but which never happened has at last become a reality. A gathering of Monet's views of the Thames—looking from his hotel room at the Savoy and from across the river on a private terrace of St Thomas's hospital—has just opened at the Courtauld Gallery in London. Monet had hoped to stage such an event in London soon after the paintings were exhibited to acclaim in Paris in 1904, but so quickly had they dispersed, he was unable to do so. I spoke to the curator of the show, Karen Serres, first in the very room at the Savoy Hotel where he made many of the paintings, and then in the exhibition itself. Meanwhile, a rare European retrospective of Henri Matisse's work has opened at the Beyeler Foundation in Basel. Matisse: Invitation to the Voyage focuses on the artist's travels, in the world and also in his imagination, through paintings, sculptures and cut-outs made over more than 50 years. Ben Luke went to Basel and spoke to Raphaël Bouvier, the curator. And this episode's Work of the Week is Mediterranean Thoughts (1960) one of the paintings in Helen Frankenthaler: Painting without Rules, a new exhibition at the Palazzo Strozzi in Florence. The Art Newspaper's associate digital editor, Alexander Morrison, spoke to Douglas Dreishpoon, who organised the show.Monet and London: Views of the Thames, Courtauld Gallery, London, until 19 January 2025.Matisse – Invitation to the Voyage, Beyeler Foundation, Basel, Switzerland, until 26 January 2025.Helen Frankenthaler: Painting Without Rules, Palazzo Strozzi, Florence, until 26 January 2025.Subscription offer: get the perfect start to the new academic year with 50% off a student subscription to The Art Newspaper—that's £28, or the equivalent in your currency, for one year. Visit theartnewspaper.com to find out more. Hosted on Acast. See acast.com/privacy for more information.

Discover the transformative journey of Helen Frankenthaler (in her own words), a pioneering artist whose mantra "Let Her Rip" symbolizes a fearless approach to creativity. In this episode, we unpack Frankenthaler's innovative philosophy, where she blends the past and present to achieve a fluid, emotionally rich conversation with her art. From her early encounters with Jackson Pollock's radical drip paintings to her evolution within the Color Field movement, we explore the monumental influences that shaped her six-decade-long career.Find out how achieving a flow state can revolutionize your creative process, guided by insights from Steven Kotler's "The Rise of Superman." We'll discuss how fear can stifle artistic expression and share techniques for letting go of control to engage in a genuine dialogue with your work. Through personal stories and practical advice, we tackle common challenges like overcoming perfectionism, balancing spontaneity with intentionality, and learning to embrace mistakes as opportunities for growth.The episode also highlights the importance of artistic competition and influence in fostering creativity. From Frankenthaler's rebellious use of unconventional materials to the dynamic environment she shared with contemporaries like Grace Hartigan, we shed light on how healthy rivalry and shared inspiration can propel artists to new heights. Join us as we celebrate the courage it takes to push boundaries and the enduring impact of Frankenthaler's legacy on future generations of artists.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

In this episode, Roland-Philippe Kretzschmar, is entering an inspiring and insightful conversation with Scandinavian art world legend Björn Wetterling.1984, in the heart of Stockholm, at the iconic Kungsträdgården 3, something remarkable happened; Wetterling Gallery opened its doors. This moment marked the beginning of what would become a cornerstone in Sweden's contemporary art scene.Under the visionary leadership of Björn Wetterling, the gallery became the gateway for seminal American artists of the time, artists whose names are now synonymous with modern art greatness— Robert Rauschenberg, Frank Stella, Jasper Johns, James Rosenquist, Helen Frankenthaler, and Ed Ruscha, just to name a few.But the Wetterling Gallery's journey didn't stop with the icons of the 80s. Over the decades, it has evolved, embracing a wide spectrum of artistic expressions and stages of career development. Today, while still honoring its roots and the artists who laid its foundation, the gallery is a vibrant platform for both emerging and established talents, particularly those from Scandinavia or based in the region.At the core of the Wetterling Gallery's mission, guided by Björn Wetterling and his dedicated team, is a profound respect for the unique vision and instinct of each artist they represent. It's a place where art is not just seen; it's experienced, where every exhibition is a testament to the gallery's commitment to diversity, innovation, and the unwavering belief in the power of art to inspire and transform.So, join us as we explore the legacy of the Wetterling Gallery, its impact on the art world, and the stories of the artists who have called it home. It's a journey through four decades of artistic excellence, and we're just getting started. Hosted on Acast. See acast.com/privacy for more information.

Unlock the mysteries of artistic mastery with us, as we celebrate the remarkable Hedda Stern, who brought a revolution to the New York Art School and abstract expressionism. This episode is a treasure chest of insights, drawing from the profound connections between Stern's innovative use of commercial spray paint and her influence on art's major movements. Ty and Nathan bring to light the intertwining of technique, vision, and integrity in creating impactful art, reflecting on the patience and courage necessary to make lasting marks on the canvas of history, and how these virtues are essential to the artist's journey.Embark on a philosophical voyage as they explore the essence of mastery in art, looking through the lens of Michelangelo's work ethic and the role of technique as the bridge between vision and expression. Hear the artists dissect the character-building power of artistic practice and how it enriches our understanding of humanity. They also navigate the choppy waters of integrity in art, contemplating the courage required to commit to growth and truth rather than settling for superficial aesthetics. Through their engaging discourse, Ty and Nathan affirm the importance of continuous evolution in honing one's artistic vision while also discussing quotes from Helen Frankenthaler, Julia Child, Oscar Wilde, Maya Angelou and Picasso. Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Heather Stobo and Lisa Casoni, owner and operators of Beato Chocolates, moved to Ojai in 2010. They opened Porch Gallery in 2013 with the goal of pairing up artists of different genres and mediums to "see what happens." They came to Ojai with open minds and hearts and quickly became integral to the community. The Sunday morning impromptu gatherings on the famous porch became an accelerator for the unexpected and incidental encounters that lead to interesting relationships and creative partnerships. Their often odd and always interesting juxtapositions brought an exciting new energy and inspiration to Ojai's arts scene. Some of these artists were regional and even national favorites, like Shana Mubari and Ojai's own Dennis Mukai, others brought a more local sensibility but all of them created something new, vital and bigger than the sum of their parts. Beato Chocolates grew out their shared affinity and admiration for the pioneering ceramicist and "Mama of Dada," whose relationship with Marcel Duchamp and Henri Pierre-Roché was integral to a revolution in the art world. Lisa and Heather discussed the arts scene in Ojai and where and how it's likely to change and evolve in the future, their experiences adapting themselves to Ojai and their journeys here. We did not talk about giant squid, Helen Frankenthaler or Zen & The Art of Motorcycle Maintenance. Learn more at BeatoChocolates.com.

The Bay was painted in 1963 as Frankenthaler had refined her soak and stain process. While Mountains and Sea was made with diluted oil paints, The Bay is acrylic on unprimed canvas. She had found that using acrylics gave her greater control over the viscosity or how fluid the paint was. As I look at The Bay, the title indicates a landscape and the brightness, the organic shapes of blue and green give me a sense of a Bay, but it feels like it is more about a happy, contented sort of tone. There is movement, but it seems gentle like sitting out on a boat drifting in calm waters. The Bay represents a different sort of take on Abstract Expressionism. While many followed Jackson Pollock's and Willem de Kooning's aggressive and agsty style, Helen Frankenthaler's color fields are more gentle and at peace. Her work was a breath of fresh air showing that painting could reduce art to fundamental elements in line with esoteric modernist philosophy and still be beautiful and joyous.  Related episodes: Jackson Pollock Diego Rivera The Bay from 1963 is one of the required artworks for AP Art History. Check out my Spotify playlist, AP Art History Cram Session to learn about other artists and artworks from that curriculum. Check out my other podcasts Art Smart and Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode I have the pleasure of speaking with Hiroki Morinoue, an artist who resides and creates on the Big Island in Hawai'i. Together, we delve into his personal journey with mokuhanga, reflecting on his experiences at MI Lab, exploring his unique color palette, and gaining insights into his meticulous process in crafting mokuhanga prints. Additionally, we uncover Hiroki's life in Hawai'i, his ventures, and his relationships with prominent galleries such as Studio 7 Fine Arts, print studio's like Shark's Ink, and the arts center at Anderson Ranch. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Hiroki Morinoue - Pure Water (2001) 18.5"x38.5" High Tide (2012) 22"x30" Earth Cycle (2007) 37.5"x37" MI Lab - is a mokuhanga artists residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here.    Keiko Hara - is an artist and Professor of Art Emerita at Whitman College in Walla Walla, Washington. She is a painter, and printmaker in various relief mediums, such as mokuhanga.    Verse R - black and white (2017)  13"x11"   Jaqueline Gribbin - is a printmaker who focuses on mokuhanga and intaglio printing techniques. She lives and works in Humpty Doo, New Territory, Australia.    Kisaragi (2012) 18.9" x 25"   pochoir - is a stencilling technique used in printmaking and decorative arts. The term "pochoir" is French for "stencil." In this method, a design is created by cutting or punching holes in a sheet of paper or other material, and then paint or ink is applied through the openings onto a surface below. Pochoir allows for precise and intricate patterns, making it particularly popular in the creation of fine art prints, illustrations, and decorative designs. It has been historically employed in various art movements, including Art Nouveau and Art Deco. More info, here.   Helen Frankenthaler (1928–2011) was a prominent American abstract expressionist painter known for her role in the Color Field painting movement. Her innovative technique involved staining unprimed canvas with thinned oil paint, creating a distinctive luminous effect. "Mountains and Sea" (1952) is a notable example of her influential work. Frankenthaler's contributions have left a lasting impact on postwar American art. Frankenthaler began to make woodcut prints in 1973 and was influenced by Utagawa Hiroshige (1797–1858).  More info about her prints can be found at  the Frankenthaler Foundation, here.      Tale of Genji V (1998) 42"x47"   Donkey Mill Art Center - is a community art center located in Holualoa, Hawaii. It serves as a hub for various artistic activities, workshops, and events, fostering creative expression and engagement with the arts. The center often offers classes and programs in a variety of artistic disciplines, including painting, ceramics, printmaking, and more. More info, here.    Mauna Kea - is the highest peak in the Hawaiian Islands, located on the Big Island. A dormant volcano, it stands at 13,796 feet (4,205 meters) above sea level. The mountain holds cultural significance for Native Hawaiians and is home to unique ecosystems.    Mauna Loa - is an active shield volcano on the Big Island of Hawaii, standing at 13,678 feet (4,169 meters) above sea level. It is the Earth's most massive subaerial volcano, known for frequent non-explosive eruptions and its broad, gently sloping shape. The volcano holds scientific and cultural significance and is closely monitored due to its potential impact on nearby communities. Deepwater Horizon Oil Spill  - occurred in 2010 in the Gulf of Mexico. It was one of the largest environmental disasters in history. The spill resulted from the explosion of the Deepwater Horizon offshore drilling rig, releasing millions of barrels of oil into the Gulf. The incident had severe ecological and economic consequences, impacting marine life, coastal ecosystems, and local economies along the Gulf Coast. Thai mulberry paper - also known as "saa paper" or "kozo paper," is a traditional handmade paper originating from Thailand. It is crafted from the bark of the mulberry tree, specifically the Broussonetia papyrifera tree.  Shark's Ink - established in 1976 as Shark's Lithography Ltd, the studio has partnered with over 160 distinguished artists from the United States and Europe. These artists, known for their strong personal visions, engage in ongoing collaborations, often returning for multiple projects. The resulting prints, marked by inventive techniques, encompass a wide range of artistic approaches. The studio employs various processes, including lithography, monotype, metal leaf, chine collé, embossing, collage, and innovative methods for woodblocks and relief prints, including three-dimensional lithographs. More info, here.  nori - is a type of paste made from starch. It is used when making mokuhanga. You can make nori from any type of material made from starch. For instance, paste can be made with tapioca,  rice, corn, even potato. You can purchase nori pretty much anywhere but making it is more environmentally friendly. Laura Boswell has a great recipe, here.  embossing - refers to a technique where the paper is pressed into the carved woodblocks, creating a raised or textured effect on the printed surface. This technique adds a three-dimensional quality to the print by making certain areas of the paper slightly elevated. Gotō Hidehiko (b.1953) - is a mokuhanga printmaker and tool maker based in Japan. He makes and teaches seminars about the construction of the mokuhanga tool, the baren.  Window (2011) 15"x12" gomazuri - is a mokuhanga technique where slight pressure is used with pigments too make a “spotty” image, what look like sesame seeds. It can add depth to your prints.  Saitō Kiyoshi (1907-1997) - was a Japanese woodblock printmaker and artist who worked in the sōsaku hanga style of mokuhanga. HIs fame outside of Japan was fairly comprehensive with his peak fame being in the 1950's and 1960's. For a comprehensive book on his life and times, Saitō Kiyoshi: Graphic Awakening published by The John & Mable Ringling Museum is an excellent source. Can be found, here. Lecture by Dr. Paget about Saitō can be found, here. My interview with Professor Paget can be found, here.    Winter in Aizu (1969) 18"x23.5" Richard Notkin - is an American ceramic artist known for his pottery and distinctive style that often incorporates political and social commentary.  Notkin has gained recognition for his work in the field of ceramics, particularly his teapots. Meltdown of Reason: Helena MT. (1987) stoneware and porcelain. 10.5"x5.5"x4.5" Mayumi Oda - is a Buddhist teacher and artist based in Hawai'i. Her artwork has gained international recognition, having traveled worldwide. In addition to her artistic pursuits, Mayumi is an environmental activist and resides and works at Ginger Hill Farm, an eco-retreat on the Big Island of Hawai'i. Explore more about Mayumi Oda's work, here. Hands of Compassion  (1986) screen print 37"x25" Andrew Wyeth (1917-2009) - was a renowned American realist painter, known for his detailed and emotive depictions of the rural American landscape. Born in Pennsylvania, he spent much of his life capturing the subtleties of nature, particularly in the Brandywine Valley and coastal Maine.  Christina's World (1948) 32 1/4 x 47 3/4"   © Popular Wheat Productions opening and closing musical credit - The September Of My Years (1965) from the album The September Of My Years released on Reprise Records.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                        

It's 2024!!!! HAPPY NEW YEAR!!!! We meet iconic writer, director, and producer RYAN MURPHY, best known for American Horror Story, Dahmer, Pose, The Andy Warhol Diaries, Ratched, The Watcher and Glee. We explore his love of collecting and preserving artworks including Old Masters, his passion for artists Andy Warhol, Patrick Angus, Helen Frankenthaler, restoring and safeguarding Hans Hofmann's house/studio, how art inspires his own creativity and writing, plus we discuss the forthcoming new TV series Feud: Capote vs The Swans, produced by Ryan and co-starring Talk Art's very own Russell Tovey.Born November 9, 1965 in Indianapolis, Indiana, US as Ryan Murphy is responsible for creating such hits as Nip/Tuck (2003), Glee (2009) and American Horror Story (2011). He attended a Catholic school till the eighth grade and graduated from Warren Central High School. He went on to study journalism at the Indiana University Bloomington, where he was also a member of a vocal ensemble, and went on to intern in the style section of The Washington Post in 1986. In 1990 he got into screenwriting, but only in 1999 was his first story produced: it was Popular (1999), a teen comedy show, which he co-created with Gina Matthews and which run for two seasons. In 2003 he created Nip/Tuck (2003), which brought him his first Emmy nomination. He won the award six years later, when in 2009 he directed the pilot of his hit series Glee (2009) which he co-created with Ian Brennan and Brad Falchuk. In 2011 he and Falchuk co-crated another highly popular series, American Horror Story (2011).In 2015 he was awarded the Award for Inspiration from amfAR, The Foundation for AIDS Research. In 2018 Murphy signed a five-year $300 million development deal with Netflix. He is a pan equal opportunities activist, both through his movies and television projects which very often focus on the LGBTQ+ community, and as a creator of the Half Initiative, which aims at making Hollywood more inclusive for women and minorities. In 2023, Murphy received the prestigious ‘Carol Burnett Award' at the Golden Globes. He has won five Golden Globes and has been nominated 16 times for his work. He's been married to photographer David Miller since 2012. They have three sons, Logan Phineas, Ford, and Griffin Sullivan.Follow @RyanMurphyProductions on Instagram. Stream 'Feud: Capote Vs. The Swans', which premieres on January 31, 2024, on FX and will then stream on Hulu. The series will also be available worldwide to stream via Disney+ including the UK and Europe. Hosted on Acast. See acast.com/privacy for more information.

Sie war die einzige Frau, die sich früh in der Männerriege des abstrakten Expressionismus durchsetzen konnte: Helen Frankenthaler.

Intro to this podcast by Noah Becker --- Support this podcast: https://podcasters.spotify.com/pod/show/noah-becker4/support

The Bay was painted in 1963 as Frankenthaler had refined her soak and stain process. While Mountains and Sea was made with diluted oil paints, The Bay is acrylic on unprimed canvas. She had found that using acrylics gave her greater control over the viscosity or how fluid the paint was. As I look at The Bay, the title indicates a landscape and the brightness, the organic shapes of blue and green give me a sense of a Bay, but it feels like it is more about a happy, contented sort of tone. There is movement, but it seems gentle like sitting out on a boat drifting in calm waters. The Bay represents a different sort of take on Abstract Expressionism. While many followed Jackson Pollock's and Willem de Kooning's aggressive and agsty style, Helen Frankenthaler's color fields are more gentle and at peace. Her work was a breath of fresh air showing that painting could reduce art to fundamental elements in line with esoteric modernist philosophy and still be beautiful and joyous.  Related episodes: Jackson Pollock Diego Rivera The Bay from 1963 is one of the required artworks for AP Art History. Check out my Spotify playlist, AP Art History Cram Session to learn about other artists and artworks from that curriculum. Check out my other podcasts Art Smart and Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Katie Carter is an art lover and former arts reporter for Northern Community Radio. Recently, she made the drive to the Edge Center for the Arts in Bigfork, Minn., where she says she was blown away by Terry Leinbach's show “Wonder.” The show includes 39 large, abstract paintings, which Carter calls “a feast of texture and color” that offers layered imagery whose meaning and emotion seemed to evolve the longer she looked. Leinbach leaves room for this wonder-led interpretation: she numbers — but does not title — each piece. At the center of the gallery space are small wood block creations marked with words that invite the viewer to stop and contemplate. “It struck me in my cells, when I looked at her art,” Carter says. “It just had such a vibrancy and energetic-ness to it ... To me, her stuff could be right next to Helen Frankenthaler.” Leinbach lives near Blackduck, Minn. A retired Head Start teacher, she taught herself painting during the pandemic, working on large canvases repurposed from secondhand stores or stretched by her husband. “Wonder” runs through Sept. 30.  Jim Robinson is co-founder of Table Salt Productions and an alumnus of the Brave New Workshop. He's a big fan of writer and performer Josh Carson. Robinson is looking forward to seeing Carson's show “The (Almost) Complete and (Mostly) Accurate History of Alcohol" which opens Friday at Bryant Lake Bowl in Minneapolis.  Best known for co-creating “A Very Die Hard Christmas,” Carson has also dived into history to create plays on John Wilkes Booth and Nellie Bly, among others. This show explores the way alcohol has shaped our lives, causing — and occasionally solving — problems from ancient Greece through today. “You walk away from these shows breathless because they are so packed with comedy and information,” Robinson says. “He's a brilliant writer.” The show runs through Sept. 30. Poets & Pints marks its 100th show next Wednesday, and poet Charles Curry of Apple Valley says he “wouldn't miss it for the world.” The monthly poetry event takes place at Sisyphus Brewing. Curry describes it as "an exceptionally welcoming show for poets," fostering a friendly environment. Both seasoned and novice poets are invited to perform a wide array of styles, including formal and free verse poetry, as well as spoken word and rap.Poet Tony Plocido is the host and curator of the events. At a typical event, poets fill out a quick form ahead of time for an opportunity to present their work; an open mic follows the scheduled readers. The 100th show features Minnesota poets Shane Hawley, Thadra Sheridan, Joe Davis and Khary Jackson, as well as Shawn Pavey of Kansas City.  The nonprofit show is part of the League of Minnesota Poets, whose local chapter is Cracked Walnut. Shows take place on the third Wednesday of the month. Register to read at future events here. 

We meet leading artist Ilana Savdie from her studio in New York to explore the making of her major new solo exhibition at Whitney Museum!Ilana Savdie explores themes of performance, transgression, identity and power in her vibrant, large-scale paintings. Assembling fragments into finely detailed, fluid compositions, her canvases pulsate with flamboyant colour, conjoining, merging and blending their forms in an aesthetics of riotous excess. At their core, Savdie's paintings aim to dismantle ideas of binary or fixed identity, and to embrace the notion of performance as a transformative tool.Drawing on a range of subjects and environments for her source material, Savdie explores variable textures and forms of mark making across each expansive canvas. Combining areas of stained and blurred colour with passages of thick visible brushwork or smooth, hard-edged marks, she employs acrylic, oil and beeswax into paintings characterised by their dreamlike illusion yet grounded to the physical body.Now living and working in New York, Savdie was raised in Barranquilla, Colombia and draws extensively on the city's tradition of Carnaval in her work. A week-long display of transgressive abundance, Savdie sees the queer potential in the Carnavalesque idea that figures and characters are mutable, with the potential to change at any moment. Connecting this to wider constructs of social and sexual identity, specifically Colombian figures such as the ‘Marimonda' (a monkey/elephant hybrid with a phallic looking mask), assert an element of the transgressive, exemplifying the disruptive, socially-penetrating mockery at the heart of Carnaval display. ‘I loved the concept of this exaggeration of the body as a form of mockery and mockery as a form of protest', Savdie has stated.The influence of Carnaval extends to the artist's use of colour, which is instinctual and often saturated in hue, a saccharine palette of pinks, purples, yellows and greens: ‘There's just something about the excess of colour that feels like seductive subversion,' Savdie has said. While this colourful exuberance points to a tactical subversion, it also makes reference to established visual tropes: to the representation of sexuality in culture and the bright colours associated with ‘queer space'.Recalling the colourful abstract works of Helen Frankenthaler or the extenuated figuration of Francis Bacon, Savdie equally draws on the drama of Baroque painting and, more recently, on film. Her work is particularly attuned to the melodrama of horror and science fiction as an entry point into the aesthetics of excess. Using elements and figures that seem violent and other-worldly, pulling from the aesthetics and behaviours of the parasite, she blends the darkly comic nature of caricature with the euphoric and the grotesque.Ilana Savdie (b. 1986, raised in Barranquilla, Colombia) lives and works in Brooklyn, New York. In 2008 she received her BFA from the Rhode Island School of Design, Providence, USA, and in 2018 she received her MFA from Yale University, New Haven, USA.Visit Ilana's solo show 'Radical Contractions' at the @WhitneyMuseum now open until 29th October 2023: https://whitney.org/exhibitions/ilana-savdieFollow @Ilana_Savdie and @WhiteCube Hosted on Acast. See acast.com/privacy for more information.

Ausgehend von der Ausstellung Helen Frankenthaler – Malerische Konstellationen, die von Dezember 2022 bis März 2023 im Museum Folkwang zu sehen war, nähern wir uns der Künstlerin des Abstrakten Expressionismus auf unterschiedlichen Wegen an: In Ausstellungsrundgängen mit den Maler:innen Ina Gerken und Jacco Olivier sprechen wir darüber, was sie von Helen Frankenthaler für ihre eigene Arbeit gelernt haben. Kuratorin Nadine Engel hebt in einem Vortrag die Rolle von Künstlerinnen im Abstrakten Expressionismus hervor, und die Jazz-Band hilde lässt sich von Frankenthalers abstrakter Malerei zu Kompositionen und Improvisationen inspirieren. Mit welchen Techniken hat Helen Frankenthaler gearbeitet? Wie lassen sich ihre Arbeiten in Musik übersetzen oder mit Musik beantworten? Und was hat die 1928 geborene Malerin jungen Künstler:innen heute noch zu sagen?

The new definition of painterly success just might be having Elisabeth Condon describe your painting. It's truly that satisfying. Elisabeth is back on the pod to describe a painting, and it's a fascinating one: "Untitled" 1968-69 from the Edge Painting series by Sam Francis. Come along as Elisabeth takes us not only through the painting itself, but also through Sam Francis' life and influences: namely that of his beloved Japan. The concept of "ma" or the potential of emptiness, Asian ink painting, and Francis' unique anti-New York gentle lyricism all factor in to make this talk a riveting deep dive into this Californian-born, second-generation Abstract Expressionist artist. See an image of the painting here: https://tinyurl.com/2c487tpr (photo by Christopher Knight/LA Times) and https://tinyurl.com/ms8uxyj2 (photo by Elisabeth Condon) See Sam Francis at LACMA: ⁠"Sam Francis and Japan: Emptiness Overflowing"⁠ is up at LACMA in Los Angeles thru July 16, 2023 More about Sam Francis: https://samfrancisfoundation.org/ Find Elisabeth Condon online: https://www.elisabethcondon.com/ and on IG: @elisabethcondon Check out her work in person at The Golden Foundation in New Berlin, NY in "Made in Paint" (thru Aug 2023) and her mural-sized work at the Judy Genshaft Honors College Building at the University of South Florida (permanent). She is also now preparing for a solo show in December 2023 at Emerson Dorsch Gallery in Miami. Other writers and artists mentioned: Paul Jenkins, Joan Mitchell, Helen Frankenthaler, Morris Lewis, David Hinton (Chinese Art Scholar), Frida Kahlo, Arshile Gorky, Jackson Pollock, Marc Rothko, Pablo Picasso, Jean Miro, Paul Klee, David Park. Fernand Leger, Shirley Jaffe, Jean-Paul Riopelle, Georges DuThuit, Joan Mitchell, Ed Clark, Tachisme Abstraction Lyrique Movement, Jean Dubuffet, Wols, Norman Bluhm, Sherman Lee (Chinese Art Scholar), Sesshū (Sumi-e Master), Moby Dick by Herman Melville, Lee Ufan, Brice Marden, Monoha Group of Hawaii, Kiki Kokolvic, William Wilson (LA Times writer), Cecily Brown, Jackson Pollock, Steve DiBenedetto, Philip Guston, Nihonga Painting, Lisa Beck, Andrea Belag, Matthew Richie, Richard E. Speer (Art writer), Yoshiaki Tono Materials mentioned: Magna Paint, Hoechst Dispersions, Flashe, Guerra Paint Amy's show during Upstate Art Weekend: "Appearances" at the Strange Untried Project Space July 22-23, 11-6pm, More info: https://www.strangeuntried.com/ and on IG: @strange_untried And the Cut Me Up Magazine collage exhibition at the Albany International Airport through Dec 2023. ---------------------------- Pep Talks on IG: ⁠⁠⁠@peptalksforartists⁠⁠⁠ Pep Talks on Art Spiel as written essays: ⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠ Amy's website: ⁠⁠⁠https://www.amytalluto.com/⁠⁠⁠ Amy on IG: ⁠⁠⁠@talluts⁠⁠⁠ ⁠⁠⁠BuyMeACoffee⁠⁠⁠ Donations appreciated! --- Send in a voice message: https://podcasters.spotify.com/pod/show/peptalksforartistspod/message Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support

Splotches, spills, and stains. They can evoke shapes, moods, energy, even music. Yet no one seemed to appreciate their very beauty with the same intuitive, delicate flair as Helen Frankenthaler, who created something fiercely new "between cocktails and dinner," or, more accurately, between the broad shoulders of a relentlessly masculine movement. Not bad for a saddle-shoed girl a year out of Bennington. See the images: https://bit.ly/3ChhuAE Music used: Django Reinhardt, “Django's Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Bedroll,” “A Common Pause,” “Palms Down,” “Desmontes,” “Delamine,” “Greylock,” “Angel Tooth,” “Dear Myrtle” Joe Dassin, “Les Champs-Elysees" Episode sponsor: The Art of Colour: The History of Art in 39 Pigments: https://bit.ly/43Qp1SJ Support the show! www.patreon.com/lonelypalette Register for our Hub & Spoke live show in Woodstock, VT on June 15: https://normanwilliams.org/events/podcasts-a-listening-event/

Jedimanda is a professional seamstress, author and avid costumer. She's been features in numerous publications, won awards for her costuming, and loves travel as much as she loves cosplay. At (1:54) she tells us why C2E2 Chicago is her vary favorite convention…and shares the story of how she learned to sew…and how this led to her first job in college. She takes us through her Senior thesis project and how she made things work to her liking. (5:34) Jedimanda provides a detailed description of the costume she wore during our interview and how she took this idea from imagination to reality. (6:42) How did she discover and get into cosplay? She shares her journey. And how many costumes has she made…listen to find out. (10:12) Convention competitions are a part of every event – she walks us through the specifics of how these work. And opens up about how it feels for her when she participates in one., also talking of how special she feels to interact with other participants. (14:47) Why does she attend conventions? Her friends play a big part in this for her. (16:09) After college, Jedimanda worked for the Louisville Ballet, her love and appreciation for theatre grew exponentially during this time. Hear how this shaped her future. (17:34) She has a deep love and works with SheProp! – a female centered; non-binary LGBTQ centered Facebook Group founded by her good friend Beverly Downing. Jedimanda talks about this group, their work and why it's important to her. (21:00) How did she choose the name Jedimanda? She tells us the story. And what's her brand? At (21:59) she tells us. (23:03) Her brand-new book – her second- “Level-Up Creative Cosplay” recently launched. Hear the myriad topics she covers in this terrific new venture. (25:20) Her 9 to 5 is leading marketing at the Speed Museum in Louisville, KY. Jedimanda calls this her dream job…learn how cosplay was instrumental in her landing this position. Also, learn who she calls her favorite artist. (28:37) What inspires her and what does the cosplay community mean to her? She lets us in on this! (32:32) What's next for her in her competitions and the possible road to the world event in Barcelona? She will take us along with her on that road. Her dream? To be interested, open, and humble. (35:00) And finally, she shares her biggest tips for someone wanting to start in cosplay.If you want to reach out to Jedimanda, you can do so on all social media mostly on Instagram and TikTok as Jedimanda. If you know someone who has an outstanding story that should be shared on this podcast, drop Meg a note to Meg@sewandsopodcast.com or complete the form on our website.

A conversation with Helen Frankenthaler Foundation Executive Director Elizabeth Smith about a new exhibit of Frankethaler's work currently on display at Gagosian's 24th Street gallery in New York. “Drawing within Nature: Paintings from the 1990s” features more than a dozen works by Frankenthaler made during a period when she took inspiration from the environment near her Connecticut studio on Long Island Sound. The conversation touches on Frankenthaler's life, career and this latest exhibit.https://gagosian.com/exhibitions/2023/helen-frankenthaler-drawing-within-nature-paintings-from-the-1990s/https://www.frankenthalerfoundation.org/

Lauren and Chris welcome special guest, Erin Piemont, back to A/V Art Club. This episode's topic is Alexander Nemerov's Fierce Poise: Helen Frankenthaler and 1950s New York. Tune in to hear everyone's take on the book, as well as a discussion on the resounding impact, for better or for worse, of Abstract Expressionism on art today.Check out Lauren's Patreon at:https://www.patreon.com/laurenstarotCheck us out on Instagram at:@laurenpiemont@chrisclampart@avartclubEmail us at:avartclubpodcast@gmail.com

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Break a bottle of bubbly beverage over the hull, because today, Pep Talks is launching the very first installment of..."Elisabeth Condon Describes a Painting!" In this episode, Elisabeth chose to describe Jules Olitski's "Wanderings, Bilbao: Orange Yellow and Blue" acrylic on canvas painting from 2004. She recently saw the painting at The Sam and Adele Golden Gallery in New Berlin, NY, in "Jules Olitski: Late Works." The show is up until March 2023 and another concurrent show of his works is also up at Yares Gallery in New York. It was an honor to have Elisabeth's wild and wonderful way of looking at painting on the pod. Tune in to hear me giggling helplessly for the entire show. Thank you, Elisabeth! Check out an image of the painting here: https://www.juxtapoz.com/media/k2/galleries/71162/Wanderings_Bilbao.jpg Jules Olitski Exhibition info: "Jules Olitski: Late Works" thru March 3, 2023 at The Sam and Adele Golden Gallery, 188 Bell Road, New Berlin, NY "Jules Olitski: 100 Paintings, 100 Years" thru Jan 14, 2023 at Yares Art, 745 5th Ave, 4th Floor, New York, NY Juxtapose Magazine: https://www.juxtapoz.com/news/painting/jules-olitski-late-works-the-sagg-at-golden-artist-colors-in-new-berlin-new-york/ Elisabeth Condon info: Website: https://www.elisabethcondon.com/ IG: https://www.instagram.com/elisabethcondon/ Norte Maar Mural: https://www.nortemaar.org/projects/norte-maar-mural-project The Golden Foundation Artist Residency: https://www.goldenfoundation.org/residency/about-the-golden-foundation-residency/ Shoutouts: Suminagashi marbling technique, Kemper Museum, Writer: Louis Finkelstein, Writer: Karen Wilkin, Jackson Pollock, Claude Monet, Rembrandt's "Self-Portrait" 1658, Velazquez, Man Ray, Hilma Af Klint, Paula Wilson, The Surrealists, Charles Burchfield, Cezanne, Magna Paints, Helen Frankenthaler, Willem DeKooning, Elizabeth Murray, Writer: Norman L. Kleeblat, Eugene Delacroix, The Journal of Eugene Delacroix, Writer: G. K. Chesterton, Meryl Streep, NYC Crit Club, Golden Fellows: Meng-Yu Wen & Marcello Pope, Kohler Residency, Corning Residency, Shari Mendleson, Karl Kelly, Carl Plansky & Williamsburg Paint, Milton Resnick, Pat Passlof, Kiana Vega, Estefania Velez Rodriguez, Angel Garcia, Paulapart ---------------------------- Pep Talks on IG: @peptalksforartists Amy's website: https://www.amytalluto.com/ Amy on IG: @talluts Donate to the Peps: Buy Me a Coffee or https://anchor.fm/peptalksforartistspod/support. All music tracks and SFX are licensed from Soundstripe. --- Send in a voice message: https://anchor.fm/peptalksforartistspod/message Support this podcast: https://anchor.fm/peptalksforartistspod/support

The time and dedication that it takes to make mokuhanga is well known. And if it isn't then it really should be. It feels that it's easy to follow social media, and watch the pretty prints come out of nowhere, but behind all those nice pictures is a lot of hard work, and dedication. One person who is a prime example of this hard work, dedication and passion for the craft, is Lucy May Schofield. Based in England, Lucy has been making mokuhanga for some time. She has travelled the world, using her environment, and her passion to create mokuhanga that is expressive and powerful.  On this episode of The Unfinished Print, I speak with Lucy about how she discovered mokuhanga, her time at MI Lab, Lucy's love of bokashi,  and her mokuhanga relationships; those that have helped her along the way. Lucy also speaks on the Mokuhanga Sisters Collective, how grants and scholarships assist in Lucy's artistic pursuits, as well as how her other artistic endeavours affect her mokuhanga. Lucy's is a story which explores independence, pilgrimage, freedom, and how it affects a persons life.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com  Artists works follow after the note about them. Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Lucy May Schofield - website, Instagram Rebecca Salter - is the President of The Royal Academy of Arts, in London, England. She is also an artist who has written two books about Japanese woodblock printing, Japanese Woodblock Printing (2001), and Japanese Popular Prints (2006). She worked with the Satō Woodblock Print Workshop, documenting their process. Her interview with The Unfinished Print can be found, here.  Untitled 2015-14 (2015) Royal Academy of Arts - is an English art institution which as been in operation for 250 years. More info, here.  Fukuoka, Prefecture, Japan - is a Prefecture in the second most southern part of the Japanese archipelago.  It is known for is temples, hot springs, and natural beauty. Fukuoka tourist website, here. kotatsu - is a low table, electrically heated by an internal heater underneath the table itself, more info, here.  Munakata Shikō (志功棟方) - (1903-1975) arguably one of the most famous modern printmakers, Shiko is famous for his prints of women, animals, the supernatural, and Buddhist deities. He made his prints with an esoteric fervour where his philosophies about mokuhanga were just as interesting as his print work.  Hizakura no Saku (1978) colour lithograph New Year Card - called nengajo (年賀状) in Japanese, these cards have been traditionally passed from person to person  since the Heian Period (794-1185). Mokuhanga practitioners make them as well, creating a new one every year focusing on the zodiac sign of the year as a theme. shina - is a type of wood used in mokuhanga. It is part of the linden family of trees. This wood is produced in various parts of the world, such as Japan and Russia. Not all shina is created equal so buyer beware. magnolia wood - a straight grained hard wood located in North America and Asia. more info, here. washi paper - (和紙) is a type of Japanese paper made with the fibres of either gampi, mitsumata, or mulberry. It is versatile and can be used in many ways.  International Mokuhanga Conference - is a bi-yearly conference dedicated to mokuhanga which started in 2011 by the International Mokuhanga Association. Each conference is themed. The latest conference was in 2021, delayed a year because of the pandemic. More information can be found, here.  Ralph Kiggell (1960-2022) -  was one of the most important mokuhanga practitioners to have made work. Originally from England, Ralph lived and worked in Thailand. Ralph pushed the boundaries of mokuhanga with extremely large pieces, jigsaw carving, and by using fantastic colour for his work. He also worked with the International Mokuhanga Conference to promote mokuhanga around the world. He will be greatly missed. Ralph's work can be found, here. His obituary in The Guardian can be found, here. His interview with The Unfinished Print can be found, here. Pool Diver (1996) Keiko Hara - is an artist who works, and teaches in Walla Walla, Washington. She is a painter, and printmaker in various relief mediums, such as mokuhanga.  Untitled (2019) Keiko Kadota - (d. 2017) was a director of MI Lab and of Nagasawa Art Park, previously. She was a mentor to many mokuhanga practitioners and helped to promote mokuhanga around the world. MI Lab - is a mokuhanga residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here.  Kate MacDonagh - is an Irish mokuhanga printmaker based in Dublin, Ireland. Kanreki was an exhibition curated by Kate MacDonagh at The Model, Sligo. Kate's website. Katsutoshi Yuasa - is a printmaker and artist based in Tokyo, Japan. His work tends to be large scale, and created through photography, bits, and focuses on the overall "image" itself. His interview with The Unfinished Print can be found, here. website, Instagram I-know-not-what (2022) oil-based mokuhanga kirazruri  - is a style of printing which uses mica to give a silver, glittering tone to the print. Mica is used as a lovely addition to your print. You can find more information, here.  Hiroki Satake - is a mokuhanga printmaker, and instructor based in Japan. He has taught at MI Lab, as well as given demonstrations regarding tool sharpening, around the world.  Carol Wilhide Justin - is a mokuhanga printmaker based in London, England. Her work focuses on the natural world and the process of making mokuhanga. Carol's interview with The Unfinished Print can be found, here.  Asemic Writing  Tochigi, Prefecture - is a Japanese Prefecture sandwiched between Saitama, Ibaraki, Fukushima, and Gunma Prefectures. It is famous for its autumnal leaves,  temples, and UNESCO World Heritage Site, Nikkō. More info, here.  Nishijin - is an area in Fukuoka City known for its shopping district.  inaka (田舎) - is a Japanese word for “country-side.” Kurokawa Onsen (黒川温泉) - is a hot spring town located on the island of Kyushu, near Mount Aso, the largest active volcano in Japan. It is famous of its traditional style inns, hot springs, baths, and food. More info, here.   Beppu (別府市) - is a hot spring town located in Kyushu. More info, here. matsuri (祭り）- is the Japanese word for “festival.” Japan is a country famous of it's festivals. Each Prefecture, city, town, municipality has a special festival for their area, connected to the seasons, gods, or harvests.  Itoshima (糸島市) - is a city in Fukuoka Prefecture, popular for its beaches, surfing, and nature.  Northumberland, Britain - is a county located in the northernmost area of Britain. It shares a border with Scotland. It is known for its nature, industry, castles, and history. https://www.visitnorthumberland.com cyanotype -  a type of work which uses iron compounds, and when exposed to UV light creates various blues. More info, here.  Indigo dyeing - made famous in the Edo Period (1603-1968), indigo dyeing has been a part of Japanese handicrafts for a long time. Shikoku is famous for it, towns such as Mima, Wakimachi, Tokushima, amongst others continue to produce hand dyed garments of indigo.More info can be found, here, and here.  Awagami -  is arguably the largest paper making company in Japan at the moment. With a large International name, Awagami sponsors, and promotes its paper all over the world. More information can be found on its website, here.  88 Temple Pilgrimage - associated with the Buddhist priest Kōbō Daishi (Kūkai) [774-835]. It is one of the few circular pilgrimages in the world. You can walk, or drive the pilgrimage. You can also see it in parts, called kuguri-uchi. Essentially you can walk this pilgrimage in order, backwards or frontwards as they are all temples associated with Kūkai. If you do make the pilgrimage by foot, it is a commitment, but extremely rewarding. Pilgrims are called ō-henro. More info, here.   Ō-settai - are gifts, such as lodging, food, money, or clothing. They are given by non-pilgrims to pilgrims on they journey of the 88 Temples. More info can be found, here. QEST - is the Queen Elizabeth Scholarship Trust, and is given to British craftspeople who are given money to pursue training and education in their specific field and medium.  More info, here.  kōzo - is a paper made from the bark of the mulberry bush. It is used in mokuhanga frequently, and comes in various weights. YInMn - is a blue colour discovered by Professor Mas Subramanian in 2009.  Helen Frankenthaler (1928-2011) -  was an American abstract impressionist painter who enjoyed experimenting, discovering new ways of expression through paint. More info, here.  Echizen - is a region in Fukui Prefecture, Japan associated with Japanese paper making. It has a long history of paper making. There are many paper artisans in the area. One famous person is Iwano Ichibei whom Megan mentions in this episode. He is a Living National Treasure in paper making, and the ninth generation of his family still making paper today. More info can be found here in English, and here in Japanese.  Paul Furneaux - is a Scottish born mokuhanga printmaker and teacher who uses the medium of  mokuhanga in order to create pieces of work that are third dimensional, and abstract.  The Mokuhanga Sisters - are a mokuhanga collective consisting of Yoonmi Nam, Mariko Jesse, Lucy May Schofield, Melissa Schulenberg, Kate MacDonagh, Katie Baldwin, Mia-O, Patty Hudak, and Natasha Norman. Instagram Yasuyuki Sato - is the Chair of Center for the Science of Human Endeavor/CfSHE, and Director of the Mokuhanga Conference.  Yoonmi Nam (b. 1974) - is a contemporary mokuhanga printmaker, lithographer, sculptor, and teacher, based in Lawrence, Kansas. Her work can be found, here. Her interview with The Unfinished Print can be found, here. More Beer...For Instance (2013) Katie Baldwin - a woodblock printmaker, letterpress, screen printer. website, Instagram Raft (shore) #2 (2013) Mariko Jesse - is an illustrator, and mokuhanga printmaker based in Tōkyō, London, and California. Her work can be found, here. Mariko is also a part of the collective, wood+paper+box, which can be found, here.  Between Times - folded screen with mokuhanga wood+paper+box - is a collaborative art group made up of Katie Baldwin, Mariko Jesse, and Yoonmi Nam. It is based on their experiences at Nagasawa Art Park, the precursor of MI Lab.  Patty Hudak - is an American artist who splits her time between Vermont and NYC, who works in installation, and mokuhanga. She has travelled the world, and is a part of three artist collectives. Patty's interview with The Unfinished Print can be found, here.    Melissa Schulenberg - is a woodblock printmaker and professor of Art and Art History at St. Lawrence University, Canton, NY. Some of her work can be found, here.  Newcastle University - is a public research university located in Newcastle-Upon-Tyne, Britain. London College of Printing - now called the London College of Communication, is an art college associated with the University of the Arts London.  Toshio Sayama - is an instructor at MI Lab as well as on the MI Lab Committee Board.  Borderless scroll - is the Mokuhanga Sisters collaborative scroll. Shown in Nara during the International Mokuhanga Conference, as well as at the Southern Vermont Art Center. nori - is a type of paste made from starch. It is usually used when making mokuhanga. You can make nori from any type of material made of starch. For instance, paste can be made with tapioca,  rice, corn, even potato. You can purchase nori pretty much anywhere but making it is more environmentally friendly. Laura Boswell has a great recipe, here.  bokashi -  is a Japanese term associated with the gradation of water into ink. There are several types of bokashi. For more information regarding these types of bokashi please check out Professor Claire Cuccio's lecture called “A Story in Layers,” for the Library of Congress, and the book Japanese Printmaking by Tōshi Yoshida, and Rei Yuki. Below are the following types of bokashi. This is from the Yoshida book: ichimonji bokashi - straight line gradation ichimonji mura bokashi - straight line gradation with an uneven edg. Ō-bokashi - a gradual shading over a wide area atenashi bokashi - gradation without definition futairo bokashi - two tone gradation Utamaro - A Prelude To Desire Series - is a series created by Kitagawa Utamaro (1750-1806) in 1799. His designs changed the whole perspective of shunga, erotic prints. Below is as print as designed by Utamaro and Lucy's self-produced print, Prelude To Desire IV.  shunga (春画)- is a type of mokuhanga which is connected with the ukiyo-e period of the Japanese print. The theme is sexuality, whether male-female, or male-male. Many print designers helped to create these prints, and were very popular.  Utagawa Hiroshige (1797-1858) - born in Edo, Hiroshige is famous for his landscape series of that burgeoning city. The most famous series being, One Hundred Famous Views of Edo (1856-1859), and the landcape series, Fifty-Three Stations of the Tōkaidō (1833-1834). His work highlights bokashi, and bright colours. More info about his work can be found, here.  Ōmayagashi - from One Hundred Famous Views of Edo Northumberland National Park - is a park in Northumberland , England. It is considered a “dark skies” park where the night sky is preserved by having no artificial lighting in the area. Holbein -  is a pigment company with offices located in Japan, The United States, and Canada. They offer high end gouache, watercolour, and pigment pastes.  scrolls - called kakemono 掛物 or emakimono 絵巻物  in Japanese. These scrolls contain many different types of themes and subjects. More info can be found, here.  The Legend of Gisho Turner Design Gouache - is a company based in Osaka, Japan. The make acrylic and design (water based) gouache.  Oak gall - is a type of plant swelling, which can be found in various plants. Oak gall is made by the Gall Wasp. The ink and pigment made form oak gall has been used for centuries. hanshita - is a thin sheet of gampi paper that is pasted, reverse side, on a piece of wood. This is a guide, carved onto the block and is generally used for the key block and subsequent colour blocks. Methods such as acetate with water based pigment, can also be used rather than the thin gampi paper, which can cause misregistration if not pasted correctly. The Japanese Paper Place - is a Toronto based Japanese paper store servicing the Mokuhanga community for many years.  Interview with the Nancy Jacobi of the JPP can be found, here. Ozuwashi -  is a brick and mortar paper store located in the Nihonbashi district of Tōkyō. More info here. You can purchase all types of paper that Lucy mentions ion her interview, such as pansion, and sekishu. Chine-collé - is a two layered printmaking process where the paper is  placed onto an inked metal plated run through a press. More info, here.  © Popular Wheat Productions opening and closing musical credit - The Smiths - The Headmaster Ritual from the album Meat Is Murder (1985) logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***    

There isn't a single subject that Adam Gopnik's prose can't bring to life. As staff writer at the New Yorker since 1986, he has written about almost everything, including, just in the last year, Proust, gun control, the Beatles, and the Marquis de Lafayette. But it's when he starts writing about art that things get particularly delectable: “the runny, the spilled…the lipstick-traces-left-on-the-kleenex” life and style of Helen Frankenthaler; “the paint, laid on with a palette knife, that deliciously resembles cake frosting” technique of Florine Stettheimer; “the monumental and mock-monumental that tango in the imagination” of Claes Oldenburg. And perhaps the reason why Gopnik, who has a graduate degree in art history from NYU's Institute of Fine Art, is able to write about art with such lucidness and latitude is that he isn't just knowledgeable about art; he adores it. The charge, the perfume, the misty spray of the orange peel that is evoked when you stand in the Arena Chapel - everything that, if you're not careful, becoming a professional in your creative field will neutralize. We talked about being docents in large museums, how to hook your audience, how to write a poem about art, Vladimir Tatlin, Steve Martin, Stephen Sondheim, the incompatible forces that create beauty, and the noble truths of art creating and art writing: eye to hand, and I to you. Episode webpage: https://bit.ly/3COhnOp Music used: The Blue Dot Sessions, “Balti” Mandy Patinkin, “Finishing the Hat” from Sunday in the Park with George Support the show: www.patreon.com/lonelypalette

Florian Steininger ist seit 2016 künstlerischer Direktor der Kunsthalle Krems und zeichnet in seiner Funktion auch für die aktuell in Krems zu sehende Helen Frankenthaler Ausstellung, „Malerische Konstellationen“, federführend verantwortlich. Weshalb eine solche Ausstellung zur Amerikanerin Frankenthaler und dem abstrakten Expressionismus schon länger auf seiner Wunschliste stand und wie er überhaupt den Weg ins Museum und zur Kunstmeile Krems fand, verrät er in dieser Folge von „Ausgesprochen Kunst“ im Gespräch mit Alexander Giese. Folgen Sie uns in die Welt Frankenthalers und erfahren Sie, weshalb sich ein Museumsbesuch in Krems in jedem Falle lohnt! Kontakt: redaktion@gieseundschweiger.at Website: https://www.gieseundschweiger.at/de/ Redaktion: Fabienne Pohl, Lara Bandion; Musik: Matthias Jakisic; Sprecherin: Sarah Scherer; Grafische Gestaltung: Studio Riebenbauer Link zur Ausstellung: https://www.kunsthalle.at/de/ausstellungen/28-helen-frankenthaler-malerische-konstellationen

Emily Peasgood Composer, sound artist, artist, author Awards Ivors Composer Award for Sonic Art (2018) Emily Anne Peasgood is an Ivors Composer Awards winning English composer and sound artist.  Emily creates research-led and site specific interactive artworks for galleries and outdoor public spaces, ranging from large-scale community events to intimate sound installations. Her work aims to transform how we perceive our environment by creating invitations to connect with people and places that are forgotten, overlooked, or surrounded by histories that can be remembered and celebrated through sound and music. She is best known for her work in outdoor public locations with specific communities of people, often using innovative technology and design that visitors can interact with. Her work is magical, evocative and memorable.   Emily was profiled by the I as the Hip Op Composer. In 2017 she delivered the TEDx Folkestone talk "Emily! Don't do that!". Emily  was awarded a PhD by Canterbury Christ Church University for her thesis Leading with Aesthetic: Creating Accessible, Inclusive and Engaging Musical Artworks Through Experimental Processes in the Community and is a composition tutor at Canterbury Christ Church University. Dr Peasgood is a co-author of The Work of the Military Wives Choirs and The perceived effects of singing on the health and well-being of wives and partners of members of the British Armed Forces: a cross-sectional survey. Works In 2014, Emily created Landscapes a choral work responding to the landscape artworks of J. M. W. Turner and Helen Frankenthaler. It premiered at the exhibition Making Painting: J.M.W. Turner and Helen Frankenthaler at Turner Contemporary. In 2016 she premiered Lifted at Turner Contemporary. In the same year she premiered BIRDS, a sung and spoken word piece observing feminine ritual and behaviour through the lens of a documentary film narrator and Crossing Over, a piece commissioned by Turner Contemporary to premier as part of its event commemorating the Zong massacre as depicted on J.M.W. Turner's painting The Slave Ship (1840).   Halfway to Heaven won the prize for Sonic Art at the 2018 British Composer Awards (renamed the Ivors Composer Awards). In the same year, the "eerily evocative" Requiem for Cross Bones featured at MERGE Bankside and created The Illusion of Conscious Thought for the East Hill Cliff Railway and West Hill Cliff Railway in Hastings as part of the Coastal Currents Arts Festival. In 2019 Never Again was nominated for an Ivors Composer Award in the category of Community or Educational Project. In 2017 Emily Peasgood was nominated in the same category for BIRDS and other Stories and Crossing Over. Visit www.emilypeasgood.com for more info and links To support the podcast and get access to features about guitar playing and song writing visit https://www.patreon.com/vichyland and also news for all the creative music that we do at Bluescamp UK and France visit www.bluescampuk.co.uk For details of the Ikaro music charity visit www.ikaromusic.com Big thanks to Josh Ferrara for the music  

Phillips Auction house has a reputation for creating markets for artists who don't have a track record. Over the last several years, the house has grown rapidly to become a venue for a range of works including some of the biggest lots of the season. In this podcast, we'll talk to Phillips Basquiat expert Scott Nussbaum about the massive Jean-Michel Basquiat painting Phillips will be auctioning for Yusaku Maezawa. We'll also hear from Deputy Chairman Robert Manley about a rare Calder mobile, an early Yayoi Kusama painting, a much in demand Helen Frankenthaler, and a bright red-and-yellow Rothko, as well as works by Hans Hoffmann and Carmen Herrera. It wouldn't be Phillips if we didn't also speak to Rebekah Bowling about the auction debut of Justin Caguiat, the largest work to come to market by Colombian artist Maria Berrio and another rare Amy Sherald painting. The sale takes place in New York on May 18th at 7pm.

Today we asked Elizabeth Smith, art historian and executive director of the Helen Frankenthaler Foundation: Why does an artist's legacy matter? And have you ever wondered: What kinds of scholarly jobs exist in the art world beyond academia and curation? How (and why) are artists' works and belongings managed after their death? How do artist foundations work? What did Helen Frankenthaler want for her work, during and after her lifetime? Get bona fide answers and advice from Elizabeth + behind the scenes of the Frankenthaler Foundation on Episode 6 of Declassified. About Elizabeth: Elizabeth Smith is an accomplished art historian, curator and the present (and first) executive director of the Helen Frankenthaler Foundation, which means she gets to work with and among Georgia's personal favorite portfolio of paintings in the world every single day. Since the beginning of her tenure at HFF, she has helped place countless works in museums and esteemed private collections, giving Helen's paintings wings over a decade after her death. She also allocates the vast resources of Helen Frankenthaler's philanthropic foundation in the form of grants, educational programs and publications. Elizabeth received her undergraduate degree from Barnard and her Masters in Art History from Columbia. She worked as a curator, before becoming a visiting professor at USC, and while teaching in the Public Art Studies program continuing her work as a curator. She has published several books and countless award-winning articles on art and architecture, her specialty being post-war American art. Along with written work, she has put together countless exhibitions as curator at LA's Museum of Contemporary Art, Chicago's MCA and the Art Gallery of Ontario. Find HFF on IG: @helenfrankenthalerfoundation Definitions and more resources on www.declassified-pod.com/episodes/smith & IG @declassified.pod. See you next week!

Helen Frankenthaler fue una pintora expresionista abstracta estadounidense. Fue una de las principales contribuyentes a la historia de la pintura estadounidense de posguerra. Habiendo exhibido su trabajo durante más de seis décadas abarcó varias generaciones de pintores abstractos mientras continuaba produciendo nuevos trabajos en constante cambio. Su trabajo ha sido objeto de varias exposiciones retrospectivas, y se ha exhibido en todo el mundo desde la década de 1950. Hoy nos acercamos a su intelecto atrístico a través de sus palabras: Hay que aprovechar el accidente, saber reconocerlo, y cómo controlarlo. 

Come along this week to find out why I think an episode of the Twilight Zone is the perfect analogy for going on an artist residency ...AND also hear a little radio play I made about going to a Provincetown/Truro dune shack for a week as an Artist in Residence and all about my neighbors: 1,000 gray seals and a single white-footed dune mouse. It will be "Ever so much fun." Further reading/watching/links: "The Twilight Zone" ep "The After Hours" (S1, Ep34, w/ Anne Francis as "Marsha") "Wired to Create" by Carolyn Gregoire & Scott Barry Kaufman Searchable Artist Residencies: Artistcommunities.org Our artist-crowd-sourced list of Artist Residency recommendations from Clubhouse: (LINK) Apply for a Dune Shack here: https://www.nps.gov/caco/learn/historyculture/residency-programs-dune-shacks-of-the-peaked-hill-bars-historic-district.htm *NEW* Artists of Color Dune Shack Residency: https://thecompact.org/dune-shacks Photos from my week at Ray Wells shack (or search #raywellsduneshack on IG): (LINK) Dune shack music is "Haïti" by Joséphine Baker from the birdcage scene of her film Zouzou 1934 (LINK) More about Ray Wells Shack history (Thanks to Tony Lagarto for his research and post on FB): "The long-time shack of Ray Martan Wells, the artist wife of real estate developer and restaurateur Nicholas Wells, founder of The Mews. Coast Guardsman Ellis built the original (central) portion of the shack in 1935 or 1936 with a side gable roof. This part of the building is located on its original site and retains its 1930s orientation, dimensions, and the majority of the structural system. The Wellses added the extant front porch in 1937... According to Gail Cohen, Nicholas and Ray Wells purchased the deed from Eugene O'Neill's wife, Carlotta Monteray...Ray Wells lived to 103 and she inhabited her dune shack up until shortly before her death." --TL (LINK) Artists and writers who worked in Provincetown: Eugene O'Neill, Tennessee Williams, Norman Mailer, Mark Rothko, Robert Motherwell, Helen Frankenthaler, Franz Kline, and Hans Hofmann (LINK) My website: http://www.amytalluto.com Peps on Instagram: @peptalksforartists Support the Pepisodes by making a Donation, reviewing us on Apple Podcasts or following us on Instagram to see more images illustrating this episode: @peptalksforartists. All licensed music is from Soundstripe. --- Send in a voice message: https://anchor.fm/peptalksforartistspod/message Support this podcast: https://anchor.fm/peptalksforartistspod/support

Phil Sanders is a master printer, educator, author and artist, and is the founder and director of PS Marlow—a fine art publisher and creative services consultancy based in Asheville, North Carolina. Phil has worked with celebrated artists like Elizabeth Murray, Jasper Johns, Helen Frankenthaler and Chakaia Booker among many others. Phil talks about his new book Prints and Their Makers, learning about the emotional impact of color while collaborating with painter Wayne Thiebaud, the difference between reproductions and prints, prioritizing other artist's work over his own artwork, the enduring legacy of artist and master printer Robert Blackburn, art history and antiracism, fatherhood and the work/life balance, and how art, artists and our imaginations are vital components of a healthy democracy. Purchase Prints and Their MakersJoin the PATM Book ClubSupport Deep Color

Hello Autumn! We are so ready for you. It's been a disappointing summer weather-wise here in the UK, so we are very excited for a September full of art and exhibitions. New exhibitions include Doron Lamberg at Victoria Miro, Helen Frankenthaler at Dulwich Picture Gallery, Tacita Dean at Frith Street Gallery and Surrealist Female Artists at the Whitechapel. Our main story focuses on Poland, and a controversial ‘anti-cancel culture' art exhibition that was set to open at Ujazdowski Castle Center for Contemporary Art. We discuss some of the 30 artists included, and the protests surrounding it from Poland's anti-fascist league and various LGBTQ+ and Jewish organizers. We also look back on the lives of two artists who passed away recently: Dame Elizabeth Blackadder and Chuck Close, before turning to our Artist Focus: Cindy Sherman. Sherman is an American artist whose work consists primarily photographic self-portraits, depicting herself in many different contexts and as various imagined characters. We try to dig down to the ‘real' Cindy Sherman, if that's possible!SHOW NOTES: Charleston: https://www.charleston.org.uk/ A South London Makers Market: https://asouthlondonmakersmarket.co.uk/ Kate Emma Lee Ceramics: https://kateemmalee.com/ Mimi Dickson Paintings: https://www.etsy.com/uk/shop/mimidickson Harriet Shaw Rugs: https://www.instagram.com/harrietsayshi/?hl=en Doron Lamberg ‘Give Me Love' at Victoria Miro until 6 November 2021: https://online.victoria-miro.com/doron-langberg-london-2021/ Helen Frankenthaler ‘Radical Beauty' at Dulwich Picture Gallery from 15 September 2021 - 18 April 2022: https://www.dulwichpicturegallery.org.uk/whats-on/exhibitions/2021/may/helen-frankenthaler-radical-beauty/ ‘Mixing it up: Painting Today' at Hayward Gallery from 9 September to 12 December 2021: https://www.southbankcentre.co.uk/whats-on/art-exhibitions/mixing-it-painting-today Tacita Dean at Frith Street Gallery from 17 September to 30 October 2021: https://www.frithstreetgallery.com/exhibitions/tacita-dean-4 Phantoms of Surrealism at the Whitechapel Gallery, until 12 December 2021: https://www.whitechapelgallery.org/exhibitions/phantoms-of-surrealism/ Ben Crase: https://www.instagram.com/_gummy_beats_/?hl=en Jenna Gribbon: https://www.instagram.com/jennagribbon/?hl=en Ania Hobson: https://www.aniahobson.com/ 100 Contemporary Female Artists You Need to Know: https://www.marylynnbuchanan.com/blog/100-contemporary-female-artists-you-need-to-know-2021 Dame Elizabeth Blackadder: https://www.theguardian.com/artanddesign/2021/aug/25/dame-elizabeth-blackadder-obituaryChuck Close: https://www.theguardian.com/artanddesign/2021/aug/20/chuck-close-obituary Polish State Museum has put on an anti-cancel culture exhibition: https://www.independent.co.uk/news/warsaw-polish-islamophobic-swedish-jews-b1909742.htmlhttps://news.artnet.com/art-world/ujazdowski-castle-exhibition-2003364 Beyoncé and Jay-Z Pose with Long-Unseen Basquiat in Tiffany Campaign: https://www.artnews.com/art-news/news/beyonce-jay-z-tiffany-basquiat-1234602125/ Cindy Sherman: https://www.theguardian.com/artanddesign/2011/jan/15/cindy-sherman-interview https://www.theguardian.com/artanddesign/2019/jun/08/cindy-sherman-interview-exhibition-national-portrait-gallery

Brief forays into six biographies of Monica Jones and Philip Larkin, D. H. Lawrence, Alfred Hitchcock, Helen Frankenthaler, William Blake, and Napoleon

At the dawn of the 1950s, a promising and dedicated young painter named Helen Frankenthaler, fresh out of college, moved back home to New York City to make her name. By the decade's end, she had succeeded in establishing herself as an important American artist of the postwar period. In the years in between, she made some of the most daring, head-turning paintings of her day and also came into her own as a woman: traveling the world, falling in and out of love, and engaging in an ongoing artistic education. She also experienced anew—and left her mark on—the city in which she had been raised in privilege as the daughter of a judge, even as she left the security of that world to pursue her artistic ambitions. Brought to vivid life by acclaimed art historian Alexander Nemerov, these defining moments—from her first awed encounter with Jackson Pollock's drip paintings to her first solo gallery show to her tumultuous breakup with eminent art critic Clement Greenberg—comprise a portrait as bold and distinctive as the painter herself. Inspired by Pollock and the other male titans of abstract expressionism but committed to charting her own course, Frankenthaler was an artist whose talent was matched only by her unapologetic determination to distinguish herself in a man's world. Fierce Poise: Helen Frankenthaler and 1950s New York (Penguin Press, 2021) is an exhilarating ride through New York's 1950s art scene and a brilliant portrait of a young artist through the moments that shaped her. Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices

Í Víðsjá í dag verður meðal annars rætt við Óttarr Proppé, verslunarstjóra Bóksölu stúdenta, um japanska rithöfundinn Haruki Murakami en í gær kom út á ensku hans nýjasta bók, sagnasafnið First Person Singular sem hefur að geyma átta sögur eftir þennan virta og vinsæla höfund. Óttarr Proppé hefur lengi verið dyggur lesandi verka Murakamis, og hann svarar meðal annars spurningunni: Hvers konar höfundur er Harurki Murakami? í Víðsjá í dag. Einnig verður í þættinum fjallað um bandaríska listmálarann Helen Frankenthaler, sem var ein af abstrakt-expressionistunum svokölluðu í listalífi Bandaríkjanna um miðja síðustu öld, en ný ævisaga er komin út um hana. Og Ólafur Teitur Guðnason segir að gefnu tilefni frá því hvernig textar og lög Megasar hafa komið við sögu í lífi hans, bæði í gleði og sorg, en Megas á einmitt afmæli í dag.

Episode Notes One of the best of the second wave of AbExers, Helen Frankenthaler's Approach is one of the most impressive pieces in the Anderson Collection at Stanford. Find out more at https://three-minute-modernist.pinecast.co

September 5th, 2019 Alicia Longwell talks about Helen Frankenthaler's last summer in Provincetown and a move that enabled her to create large paintings.

August 30th, 2019 Avis Berman is a writer, curator, and historian of American art, architecture, and culture. Join us as Berman gives a talk on Helen Frankenthaler with commentary from Frankenthaler herself through the use of archival excerpts.   Our Friday Night programs at the Parrish are made possible, in part, by presenting sponsor Bank of America, with additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.

August 29th, 2019 Alicia Longwell, the Lewis B. and Dorothy Cullman Chief Curator, gives a talk on Helen Frankenthaler's and Robert Motherwell's work in their shared water-side studio in Provincetown. 

August 23rd, 2019 Introduced by Alicia G. Longwell, Ph.D. The Lewis B. and Dorothy Cullman Chief Curator, this  conversation brings together art historian Alexander Nemerov, who is working on a new book about Frankenthaler, and multi-media artist Clifford Ross. Nemerov is the Carl and Marilyn Thoma Provostial Professor in the Arts and Humanities as well as Chair of the Department of Art and Art History at Stanford University. Ross is a multi-media artist whose work has been widely exhibited in galleries, museums, and public spaces in the United States and abroad and is the Chairman of the Helen Frankenthaler Foundation.   Our Friday Night programs at the Parrish are made possible, in part, by presenting sponsor Bank of America, with additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.