Podcast appearances and mentions of William Friedkin

The beginning of any month now seems like a light week for physical media, so Erik Childress and Peter Sobczynski only have a few titles to talk about. They include the magnificent starpower of Cary Grant and Audrey Hepburn in a comically Hitchcockian caper. Jack Nicholson does much more than order in a diner. There's an early LBGTQ film from William Friedkin and the financially successful but creatively bankrupt attempt at a live-action cartoon. Plus a new extensive documentary on John Carpenter's 1982 horror masterpiece tells you everything you wanted to know and then some.1:47 - Criterion (Charade (4K), Five Easy Pieces (4K))24:00 -- Cinematographe (The Boys in the Band 4K)33:16 - CreatorVC (The Thing Expanded)48:51 - Shout (The Flintstones (4K))1:04:55 - New TV on Blu-ray (Covert Affairs: The Complete Series, Doctor Who (2025): Season Two, The Creep Tapes (Season Two))1:09:14 - New Theatrical Titles on Blu-ray (Hoppers (4K), Protector)1:10:28 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST OR BUY FROM MOVIEZYNGBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations.USE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTSSIGN UP FOR AUDIBLE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Send us Fan MailIn this episode, we talk about the 1985 William Friedkin neo-noir film, To Live and Die In LA. This was a comeback of sorts for Friedkin. We talk about the cast, themes, and that awesome car chase.  Click to listen!

Roger Fires is a production designer—”Nobody”, “Violent Night”, “Psycho Killer”—and one of the films he loves most is William Friedkin's “The Exorcist” (1973). He first encountered it not in a theater but through a wall as a child in Brazil, told not to watch and so he listened in the dark. That experience kept him away for nearly twenty years. At thirty he finally watched it and fell completely in love—and the specificity of that arc is what makes this conversation worth your time.Andy and Pete dig into what Roger calls the “unnoticeably good” standard: the refrigerated set, the spatial geometry, the window that marks two deaths and carries the film's entire theological argument. They cover what makes Friedkin's approach—dread over spectacle, religious drama over horror movie—still impossible to replicate, and Roger talks about his work on “Psycho Killer” and the “Scrubs” reboot along the way. 

Original Release Date: Monday 18 May 2026    Description:   On this second episode of Year 20 (“the year we get it right!”), Dean and Phil have crime on their minds! They start with an appreciation of director Jules Dassin's classic film noir Night and the City. Then a Hitchcockian thriller, Mirage, by Edward Dmytryk, the man largely responsible for Jules Dassin getting blacklisted gets analyzed. Both films show telltale signs of having been directed by men with quite different experiences of the Hollywood blacklist. A neo-noir that never disappoints is Robert Altman's Philip Marlowe adaptation The Long Goodbye. Dean and Phil discuss the film as a “satire of melancholy” and share many stories about the filmmakers and actors' remarkable approaches to telling the story. Another 1970s mystery film, the ill-fated Agatha about the real-life disappearance of the great mystery novelist Agatha Christie for 11 days in 1926 gets reviewed. The final suspense picture on the Chillpak crime blotter this week is Henri-Georges Clouzot's masterful The Wages Fear. Dean reviewed it several weeks back, and now it's Phil's turn to compare and contrast it with William Friedkin's 1977 adaptation of the same source material, Sorcerer. Finally, one new blockbuster, the crowd-pleasing The Devil Wears Prada 2 gets analyzed both as a legacy sequel and as a very hopeful harbinger for the summer movie season.

"CLARENCE CARTER SLIPS AWAY ON THE MYSTERY TRAIN"When we speak of the deep soul drenched days when certain performers inhabited a heart full of soul so captivating and special that they were ordained as high priests of mournful and lustful magic, we will always recall Soul legend Clarence Carter.Clarence boarded The Mystery Train today, May 14, following struggles with prostate cancer and a battle with pneumonia and sepsis. He was 90.This  blind Southern star from Alabama scored two Top 10 hits in the late 1960s and early 1970s with “Slip Away” and “Patches,” After having hits on the R&B charts (including 1965's “Step By Step” and 1967's “Tell Daddy”), Carter landed on the pop charts – as well as, concurrently, the R&B lists – with 1968's “Slip Away,” a song that highlighted Carter's powerful and emotional baritone voice with a lyric in which the singer implores his married lover for a secret rendezvous Two years later Carter released his biggest pop hit, the Grammy-winning (for Best R&B song) “Patches,” which rose to #4 on the Billboard Hot 100. Mr. Carter also recorded a number of raunchy novelty songs eschewed by mainstream radio but finding success in later years: The 1968 “Back Door Santa” was sampled by Run-D.M.C. for the 1987 single “Christmas in Hollis,” and the even more explicit “Strokin'” from 1986 was featured on the soundtrack for Eddie Murphy's 1996 remake of The Nutty Professor as well as in William Friedkin's 2011 film Killer Joe.Sleep Well Clarence. The first of the six covers that appear on Please Please Me is a mid-tempo ballad called “Anna (Go to Him),” which was written and first recorded by Arthur Alexander. Chances are that most people who hear the version sung by John Lennon have no idea who Arthur Alexander is—but the Beatles certainly knew, and so did the Rolling Stones and Bob Dylan: Alexander is reportedly the only songwriter whose tunes have appeared on studio albums by those three hallowed acts. Elvis Presley recorded one of his songs as well—albeit one that Alexander co-wrote—and so did Otis Redding and Tina Turner and Jerry Lee Lewis and Percy Sledge.Don Covay  recorded for several labels, including Blaze, Sue, Big Top, Fire, Arnold, Fleetwood, Columbia, Epic and Scepter, releasing 'Popeye Waddle' b/w 'One Little Boy Had Money' in 1962 for Cameo Parkway, which became a hit.Don was, by now, recording solo material, and material under the name of Don Covay and the Goodtimers.He penned the U.S. number 1 single 'Pony Time' for Chubby Checker, wrote a hit song called 'I'm Hanging Up My Heart for You', for the Soul singer Solomon Burke, and wrote for Gladys Knight & The Pips, penning 'Letter Full of Tears', which made the top 20.Don formed partnerships with several associates including Horace Ott and Ronnie Miller.In 1964, when he signed to the Rosemart label.His debut single there with the Goodtimers, 'Mercy Mercy' featured Jimi Hendrix on guitar.The following year, Jimi Hendrix played again on the follow up single 'Take This Hurt Off Me' b/w 'Please Don't Let Me Know'.Clarence Carter didn't have it easy while growing up in Alabama; and being Black and blind was an extra burden, but he has overcome many other obstacles in so many ways. “I feel incredibly good about what I've been able to accomplish, but it was not easy. Our world presents challenges and barriers to success for people with disabilities, but I always wanted more in life and believe that the ADA helped me get to where I am today.”I would like to say that Carter now has three “B's” behind his name, Black, Blind and Blessed. Carter is known for serious Blues music, which includes a string of R&B hits. The songs “Back Door Santa,” “Slip Away,” “Patches,” “Too Weak to Fight” and the dance hall hit “Strokin” are part of his Blues legacy.

Send us a text or a voicemailA woman, employed as a website content moderator, comes across a series of offensive audio podcasts that have been reported by listeners. She is torn between sending them a take down notification and subscribing. On Episode 720 of Trick or Treat Radio our feature film discussion is the re-imagining of the cult classic Faces of Death from director Daniel Goldhaber! We also talk about the original viral videos from early VHS shockumentaries, we talk about old commercials, and we react to trailers for the films; The Voices of Our Mother, and The Dead Place. So grab your old VHS copy of Faces of Death, try not to imitate any of its videos, and strap on for the world's most dangerous podcast!Stuff we talk about: Horror authors, Stephen King, Edgar Allan Poe, writers of terror, Dan Ackroyd, big twinkies, Bloodsport, Revenge of the Nerds, RIP Donald Gibb, Old Taco Bell commercials, Mike Mignola, Bee Gees, Andy Gibb, King of the Zombies, Nightmare in Wax, Child of Glass, The House Where Evil Dwells, Conan the Barbarian, The Evil Within, Heavy Mental: A Rock and Roll Bloodbath, Sophia Coppola, Frankenweenie, The Entity, The Day the Time Ended, The Amityville Horror, Kingdom of the Spiders, Natasha Ryan, Danny Huston, Clash of the Titans, 30 Day of Night, Tim Roth, Planet of the Apes, Dark Water, Rob Tapert, Robert Zemeckis, The Frighteners, Tales From the Crypt, Joe Zito, Friday the 13th: The Final Chapter, The Prowler, George Lucas, William Friedkin, Victor Miller, Richard Deacon, Howard the Duck, Top Secret, Real Genius, Val Kilmer, Fassbender, X-Men: Apocalypse, Nunsploitation, Mr. Destiny, The Voices of Our Mother, The Dead Place, David Howard Thornton, Destiny Plays the Radio, The Golden Girls, Quentin Tarantino, Dr. Frances B. Gross, Faces of Death, Traces of Death, Shockumentary, Mondo Films, Hackers, Angelina Jolie, Dacre Montgomery, Barbie Ferreira, Charlie XCX, copycat killers, Censor, video nasties, i screen you screen we all screen for green screen, and traumatized and desensitized.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Movie of the Year: 1971The Finale, Part IIThe 1971 Film Finale Podcast: One Champion RemainsThe 1971 film finale podcast brings the Taste Buds' most ambitious bracket season to its definitive conclusion. Ryan, Mike, and Greg have debated, dismissed, and championed their way through a remarkable field — and now eight films remain. In this episode, four Elite Eight matchups collapse into a single champion, and five major awards close out the season before the final verdict arrives.Furthermore, this finale caps a season that has included some of the most provocative, challenging, and enduring films ever made. From Stanley Kubrick's A Clockwork Orange to William Friedkin's The French Connection, the 1971 bracket has consistently rewarded listeners willing to sit with difficult, boundary-pushing work. The season also covered Straw Dogs, Sweet Sweetback's Baadasssss Song, and Dirty Harry — each one generating strong arguments before falling short of the Elite Eight.Additionally, five competitive award categories — Best Sex, Best Violence, Musical Moment, Best Actor, and Best Actress — draw nominees from across the full season. Consequently, this episode stands as the richest and most content-dense installment of the year.ContentsThe Elite Eight MatchupsThe 1971 AwardsWhy the 1971 Film Finale Podcast Still MattersRelated EpisodesFAQThe Elite Eight MatchupsEight films enter. One leaves as the 1971 champion. The Taste Buds structured the Elite Eight around four head-to-head matchups, and each one forces a different kind of critical argument.A Clockwork Orange vs. The DevilsTwo of the year's most transgressive films meet in the first matchup. A Clockwork Orange arrived as a season-long frontrunner — a Kubrick film operating at the height of his formal powers, one that the Taste Buds covered in depth on their dedicated episode. Ken Russell's The Devils, meanwhile, delivers a fever dream of religious hysteria and state violence that stands as one of the most divisive films the Taste Buds have discussed all season. Moreover, this matchup poses a pointed question: which film earns its provocation more honestly? Both demand something from the viewer. However, only one advances.Harold and Maude vs. McCabe and Mrs. MillerHarold and Maude represents the season's most warmly beloved film — a dark comedy about love, death, and radical living that generated some of the most enthusiastic podcast discussion of the year. By contrast, Robert Altman's McCabe and Mrs. Miller offers a revisionist Western suffused with melancholy and moral exhaustion, its beauty inseparable from its grief. Both films carry passionate advocates among the Taste Buds. Consequently, this matchup ranks among the tightest and most personal bracket debates of the entire season. Above all, it asks whether warmth or ache makes the stronger lasting impression.Wanda vs. The ConformistBarbara Loden's Wanda — a micro-budget American independent masterwork — faces Bernardo Bertolucci's The Conformist, a visually ravishing Italian political drama. Notably, both films center on characters adrift in systems designed to diminish them. Nevertheless, they arrive at very different emotional endpoints: Wanda drifts, the Conformist spirals. The Taste Buds' arguments in this matchup reveal as much about their own critical values as about the films themselves. In practice, this is the bracket's most purely cinephile debate.The French Connection vs. The Last Picture ShowThe bracket's most commercially dominant film — The French Connection, winner of five Academy Awards including Best Picture — faces Peter Bogdanovich's elegiac The Last Picture Show. In practice, this matchup pits Hollywood's muscular genre filmmaking against its more introspective New Wave ambitions. As a result, the debate cuts to the heart of what 1971 cinema actually achieved. Gene Hackman's Popeye Doyle and the dusty streets of Anarene, Texas, represent two entirely different ideas of what a great film should do — and the Taste Buds have strong opinions on which idea wins.The 1971 AwardsBefore the bracket champion is named, the Taste Buds present five awards covering the full sweep of the season. This Movie of the Year 1971 podcast segment features each host nominating the moments they found most memorable, daring, or essential — and the resulting field spans an extraordinary range of films and tones.Best SexThe nominees range from the tender to the violent to the surreal, drawing from three different films and three distinct registers of human sexuality.Jacy and Abilene — The Last Picture ShowThe Pool Party — The Last Picture ShowThe Rape of Christ — The DevilsThe Sex Duel with the Biker Gang — Sweet Sweetback's Baadasssss SongYoung Sweetback and the Sex Worker — Sweet Sweetback's Baadasssss SongBest ViolenceThe nominees span the full tonal range of 1971 action filmmaking — from Dirty Harry's iconic bank robbery standoff to the slow, aching finality of McCabe dying alone in the snow.The Car Chase — The French ConnectionHarry Foils a Bank Robbery — Dirty HarryThe Kid Kills the Cowboy — McCabe and Mrs. MillerThe Ludovico Technique — A Clockwork OrangeMcCabe Dies Alone in the Snow — McCabe and Mrs. MillerMusical MomentThe nominees here demonstrate just how varied 1971's soundtrack was — Cat Stevens, Beethoven, and Gene Wilder all make the shortlist.Maude Sings "If You Want to Sing Out, Sing Out" — Harold and MaudeOpening Funeral March — A Clockwork Orange"Pure Imagination" — Willy Wonka and the Chocolate Factory"Singin' in the Rain" — A Clockwork OrangeThe Tango — The ConformistBest Actor The five nominees represent the full range of 1971 male performance — from Hackman's coiled rage to Wilder's heartbreaking wonder. Additionally, this category generated some of the most contested debates in the entire 1971 film podcast season.Warren Beatty — McCabe and Mrs. MillerGene Hackman — The French ConnectionOliver Reed — The DevilsJean-Louis Trintignant — The ConformistGene Wilder —

Welcome to another episode of How Did I Get Here? From The Vault! Today, we go back to episode 1386 on May 10, 2024 with singer, songwriter, guitar player, and co-founder of Wang Chung, Jack Hues. We talk about the history of Wang Chung, their classic albums and more. Wang Chung is hitting the road this summer as part of the Things Can Only Get Better North American Tour, headlined by fellow British 80s icon Howard Jones. Joining them are The English Beat and Modern English. Find out if they're coming to a town near you at wangchung.com. Below are my original notes from the show. Hello friends! Singer, songwriter, guitar player, and co-founder of Wang Chung, Jack Hues is my guest for episode 1386! Go to wangchung.com for all of your Wang Chung needs. Jack and I have a great conversation about the Abducted By The 80's Tour, their orchestral album ORCHESOGRAPHY recorded in Prague in the Czech Republic featuring rchestral versions of the hits and other lesser known Wang Chung songs, a new greatest hits and rarities collection Clear Light Dark Matter (out in Sept.), the history of Wang Chung, scoring the William Friedkin movie "To Live and Die in L.A.", the cultural impact of "Everybody Have Fun Tonight", keeping Wang Chung going with co-founder Nick Feldman for over 40 years, guitar sounds, his incredible solo music (listen HERE) and his jazz group, Jack Hues & The Quartet (listen HERE), staying inspired, the music business, and much more! I had a great time getting to know Jack. I'm sure you will too. Let's get down! Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod. Go to johnny-goudie.com for all things Johnny.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

This week Matt and I are discussing William Friendkin's 1977 film Sorcerer. This is a must see movie for everyone and I encourage you to make sure you watch it with zero spoilers. Then come back and listen to this episode. 

Movie of the Year: 1971The Finale, Part IIThe 1971 Film Bracket Podcast Reaches the Elite EightThis 1971 film bracket podcast returns with its most dramatic episode yet. Ryan, Mike, and Greg — the Taste Buds — work through the bottom half of the Sweet 16, producing four matchups that nobody saw coming. Furthermore, the episode hands out two major awards: Comedic Performance and Biggest Shithead. The results set the stage for Part III, where the Elite Eight will be whittled down to a single 1971 champion.If you missed Part I of the finale, start there first. The bracket has been full of upsets throughout the season. Consequently, no outcome here should be taken for granted.The Sweet 16: Bottom Half of the 1971 Film BracketThe bottom half of the 1971 Sweet 16 is stacked. These four matchups pit some of the most beloved and argued-over films in the entire bracket against one another. Moreover, the range of cinema on display — from Hollywood blockbusters to European art films to New Hollywood grit — illustrates exactly why 1971 is one of the most fertile film years ever put to a bracket.The Taste Buds debate each matchup using their standard evaluative framework: craft, cultural impact, rewatchability, and gut feeling. Above all, they trust their instincts — and their instincts have produced surprises at every turn this season. Tune in to find out which four films advance to the Elite Eight.Willy Wonka and the Chocolate Factory vs. WandaThis matchup pits one of cinema's most beloved fantasies against one of its most criminally underseen gems. Willy Wonka and the Chocolate Factory needs little introduction — Gene Wilder's performance alone has kept it in the cultural conversation for over fifty years. Nevertheless, Wanda is no pushover. Barbara Loden's Wanda (1971) is a raw, naturalistic landmark of American independent cinema, and its inclusion in the bracket has been a point of pride for whoever seeded it.This is a clash of tone, scale, and intention. One film is a spectacle engineered for maximum delight. The other strips cinema down to its bones. However, the Taste Buds must pick one — and the pick will tell you something about where their tastes landed by the time the 1971 season reached its final stretch.The French Connection vs. Brian's SongTwo films that defined what mainstream American cinema could do with raw emotional and procedural intensity. The French Connection won the Academy Award for Best Picture in 1971. It features one of the most celebrated car chases in film history and a career-defining performance from Gene Hackman as the relentless, morally compromised Popeye Doyle. Additionally, William Friedkin's direction remains a masterclass in gritty, kinetic storytelling.Brian's Song, meanwhile, hit American living rooms as a TV movie and destroyed everyone who watched it. The story of Gale Sayers and Brian Piccolo remains one of the most emotionally devastating sports films ever made. Notably, the Taste Buds covered both films earlier this season — so this rematch in the 1971 film bracket carries the weight of all those prior arguments.The Last Picture Show vs. KluteTwo of New Hollywood's most enduring films square off here, and neither one will go quietly. The Last Picture Show is Peter Bogdanovich's elegiac black-and-white portrait of a dying Texas town — a film the American Film Institute has called one of the greatest ever made. Furthermore, its ensemble cast, including Jeff Bridges, Cybill Shepherd, Cloris Leachman, and Ben Johnson, delivers some of the finest performances in the bracket.Klute, however, has Jane Fonda. Her performance as Bree Daniels earned her the first of her two Academy Awards, and it remains one of the most psychologically intricate portrayals of a woman in crisis in American cinema. Alan J. Pakula's direction is coiled and paranoid in all the right ways. Consequently, this matchup may be the most difficult call in the entire bracket.The Conformist vs. The Panic in Needle ParkThe final Sweet 16 matchup is the most arthouse of the four — and arguably the most fascinating. Bernardo Bertolucci's The Conformist is a landmark of European cinema. Vittorio Storaro's cinematography is among the most studied in film school history, and the film's meditation on fascism, identity, and moral cowardice has only grown richer with time. You can read more about the film at Roger Ebert's review on RogerEbert.com.The Panic in Needle Park, by contrast, is bracingly American — a gritty, unglamorous portrait of heroin addiction on the streets of New York. It introduced Al Pacino to mainstream audiences. Moreover, Jerry Schatzberg's unflinching direction makes the film feel almost documentary in its honesty. These two films represent opposite ends of world cinema in 1971, and the Taste Buds must choose one.Award: Best Comedic Performance — 1971 Film Bracket PodcastThe Taste Buds hand out individual performance awards throughout the season, and the Comedic Performance category drew a fascinating and eclectic field of nominees. The 1971 bracket is not short on laughs — from the anarchic fantasy of Willy Wonka's chocolate factory to the dark comedy of Harold and Maude. Furthermore, the nominees represent a range of comic registers, from broad physical performance to pitch-black wit.The nominees are:David Battley — Willy Wonka and the Chocolate Factory (Mike's pick)Julie Dawn Cole — Willy Wonka and the Chocolate Factory (Greg's pick)Bud Cort — Harold and Maude (Mike's pick)Michael Gothard — The Devils (Ryan's pick)Gene Wilder — Willy Wonka and the Chocolate Factory (Greg's pick)David Battley's turn as the hapless Mr. Turkentine in Willy Wonka is a masterwork of bewildered reaction comedy. Julie Dawn Cole's Veruca Salt is a full-throttle comic creation — spoiled, relentless, and somehow sympathetic. Additionally, Bud Cort's Harold is a genuinely difficult comic achievement: deadpan to the point of catatonia, yet somehow enormously warm.Michael Gothard's Father Barre in The Devils is Ryan's wild-card choice — a performance of manic, committed intensity that functions as dark comedy whether or not Ken Russell intended it. Meanwhile, Gene Wilder's Willy Wonka remains one of cinema's great comic performances — menacing, whimsical, and deeply strange all at once. The winner is waiting for you in the episode.Award: Biggest Shithead of 1971One of the Taste Buds' most beloved recurring awards, the Biggest Shithead category recognizes the most memorably awful person — or entity — in the bracket. Notably, this award rewards commitment. Nominees do not simply do bad things. They do bad things with style, conviction, and a complete lack of self-awareness.The nominees are:Baron de Laubardemont — The Devils (Greg's pick)The Lady at Snakearama — Duel (Ryan's pick)The Motorcycle Cop — Harold and Maude (Greg's pick)Mr. Deltoid — A Clockwork Orange (Mike's pick)Veruca Salt — Willy Wonka and the Chocolate Factory (Mike's pick)Baron de Laubardemont, the cold bureaucratic villain of The Devils, brings state-sanctioned cruelty to the category. The Lady at Snakearama from Duel is Ryan's inspired choice — a brief but indelible portrait of someone who simply should not be in this movie. Furthermore, Harold and Maude's Motorcycle Cop is a monument to institutional pettiness.Mr. Deltoid from A Clockwork Orange is a sweaty, oleaginous masterpiece of ineffectual authority — Mike's nomination is well-argued. Veruca Salt, however, may be the category's most pure entry: a child who has elevated wanting things to an art form. The winner, as always, is in the episode.Why This 1971 Film Bracket Podcast Still MattersThe Sweet 16 is where bracket tournaments reveal their true character. By this stage, the obvious candidates are mostly gone. What remains are the films that survived not on reputation alone but on genuine argument. Moreover, the bottom half of the 1971 Sweet 16 contains some of the season's most debated films — which means every matchup result carries real emotional weight.The year 1971 is one of the most remarkable in cinema history. New Hollywood was hitting its stride. European art cinema was pushing form to its limits. Genre filmmaking was getting stranger, darker, and more personal. Consequently, any bracket drawn from this year produces matchups that feel genuinely impossible to call. The Taste Buds do not pretend otherwise — they argue, they agonize, and they vote.Part III is coming. The Elite Eight will determine the Movie of the Year: 1971 champion. Above all, this episode is the last chance to see which films survive before the final reckoning. Subscribe to PopFilter and follow along — the 1971 film...

The unbelievable insider stories of how they “got the shot,” Cinematic Immunity tells the story of New York City's movie industry from the crew members who created the sets, lit the scenes, and shot the film. Focused on the golden age (1950-1990) of New York filmmaking, Cinematic Immunity covers On the Waterfront through The Sopranos. The East Coast film industry, thousands of miles from the Los Angeles executives, existed by its own rules and with little oversight. It was a close-knit and freewheeling community of movie technicians that took on the most outrageous challenges to get every shot perfect. Behind-the-scenes documentaries and books feature “above the line” talent—actors, producers, directors, and writers. For the first time, readers will hear the unvarnished truth of the New York movie industry—tales about union politics, labor strikes, movie families, dangerous locations, difficult shots, volatile directors, anecdotes about actors, pranks, friendships, rivalries, generational shifts, substance use and abuse, technical feats, and more. Readers will hear never heard before stories about classic (and not so classic) films and television shows including: Midnight Cowboy, The Warriors, The French Connection, The Exorcist, The Godfather, The Wiz, The Taking of Pelham 123, Annie Hall, Cruising, Do The Right Thing, When Harry Met Sally, Home Alone 2, The Sopranos, and Law and Order. Expect to discover secrets about how your favorite scenes were shot and the outrageous characters with outsized talents whose personalities sometimes dwarfed actors and directors. Tales of their exploits, what they saw (and did) on these sets was previously only passed among themselves as showbiz lore but now, readers learn of Marlon Brando's pranks on the set of The Godfather, how crews kept William Friedkin from killing them, the actors, and himself, and how consummate New Yorker Sidney Lumet was the angel to Friedkin's demons. Michael Lee Nirenberg has worked as a scenic artist in New York since 2006, and in many cases, alongside many of the people featured in the book. This book is a labor of love comprised of over 150 interviews and hundreds of hours of recordings. Cinematic Immunity includes hundreds of behind-the-scenes images from studio archives and from the technicians who were there. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The unbelievable insider stories of how they “got the shot,” Cinematic Immunity tells the story of New York City's movie industry from the crew members who created the sets, lit the scenes, and shot the film. Focused on the golden age (1950-1990) of New York filmmaking, Cinematic Immunity covers On the Waterfront through The Sopranos. The East Coast film industry, thousands of miles from the Los Angeles executives, existed by its own rules and with little oversight. It was a close-knit and freewheeling community of movie technicians that took on the most outrageous challenges to get every shot perfect. Behind-the-scenes documentaries and books feature “above the line” talent—actors, producers, directors, and writers. For the first time, readers will hear the unvarnished truth of the New York movie industry—tales about union politics, labor strikes, movie families, dangerous locations, difficult shots, volatile directors, anecdotes about actors, pranks, friendships, rivalries, generational shifts, substance use and abuse, technical feats, and more. Readers will hear never heard before stories about classic (and not so classic) films and television shows including: Midnight Cowboy, The Warriors, The French Connection, The Exorcist, The Godfather, The Wiz, The Taking of Pelham 123, Annie Hall, Cruising, Do The Right Thing, When Harry Met Sally, Home Alone 2, The Sopranos, and Law and Order. Expect to discover secrets about how your favorite scenes were shot and the outrageous characters with outsized talents whose personalities sometimes dwarfed actors and directors. Tales of their exploits, what they saw (and did) on these sets was previously only passed among themselves as showbiz lore but now, readers learn of Marlon Brando's pranks on the set of The Godfather, how crews kept William Friedkin from killing them, the actors, and himself, and how consummate New Yorker Sidney Lumet was the angel to Friedkin's demons. Michael Lee Nirenberg has worked as a scenic artist in New York since 2006, and in many cases, alongside many of the people featured in the book. This book is a labor of love comprised of over 150 interviews and hundreds of hours of recordings. Cinematic Immunity includes hundreds of behind-the-scenes images from studio archives and from the technicians who were there. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The unbelievable insider stories of how they “got the shot,” Cinematic Immunity tells the story of New York City's movie industry from the crew members who created the sets, lit the scenes, and shot the film. Focused on the golden age (1950-1990) of New York filmmaking, Cinematic Immunity covers On the Waterfront through The Sopranos. The East Coast film industry, thousands of miles from the Los Angeles executives, existed by its own rules and with little oversight. It was a close-knit and freewheeling community of movie technicians that took on the most outrageous challenges to get every shot perfect. Behind-the-scenes documentaries and books feature “above the line” talent—actors, producers, directors, and writers. For the first time, readers will hear the unvarnished truth of the New York movie industry—tales about union politics, labor strikes, movie families, dangerous locations, difficult shots, volatile directors, anecdotes about actors, pranks, friendships, rivalries, generational shifts, substance use and abuse, technical feats, and more. Readers will hear never heard before stories about classic (and not so classic) films and television shows including: Midnight Cowboy, The Warriors, The French Connection, The Exorcist, The Godfather, The Wiz, The Taking of Pelham 123, Annie Hall, Cruising, Do The Right Thing, When Harry Met Sally, Home Alone 2, The Sopranos, and Law and Order. Expect to discover secrets about how your favorite scenes were shot and the outrageous characters with outsized talents whose personalities sometimes dwarfed actors and directors. Tales of their exploits, what they saw (and did) on these sets was previously only passed among themselves as showbiz lore but now, readers learn of Marlon Brando's pranks on the set of The Godfather, how crews kept William Friedkin from killing them, the actors, and himself, and how consummate New Yorker Sidney Lumet was the angel to Friedkin's demons. Michael Lee Nirenberg has worked as a scenic artist in New York since 2006, and in many cases, alongside many of the people featured in the book. This book is a labor of love comprised of over 150 interviews and hundreds of hours of recordings. Cinematic Immunity includes hundreds of behind-the-scenes images from studio archives and from the technicians who were there. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The unbelievable insider stories of how they “got the shot,” Cinematic Immunity tells the story of New York City's movie industry from the crew members who created the sets, lit the scenes, and shot the film. Focused on the golden age (1950-1990) of New York filmmaking, Cinematic Immunity covers On the Waterfront through The Sopranos. The East Coast film industry, thousands of miles from the Los Angeles executives, existed by its own rules and with little oversight. It was a close-knit and freewheeling community of movie technicians that took on the most outrageous challenges to get every shot perfect. Behind-the-scenes documentaries and books feature “above the line” talent—actors, producers, directors, and writers. For the first time, readers will hear the unvarnished truth of the New York movie industry—tales about union politics, labor strikes, movie families, dangerous locations, difficult shots, volatile directors, anecdotes about actors, pranks, friendships, rivalries, generational shifts, substance use and abuse, technical feats, and more. Readers will hear never heard before stories about classic (and not so classic) films and television shows including: Midnight Cowboy, The Warriors, The French Connection, The Exorcist, The Godfather, The Wiz, The Taking of Pelham 123, Annie Hall, Cruising, Do The Right Thing, When Harry Met Sally, Home Alone 2, The Sopranos, and Law and Order. Expect to discover secrets about how your favorite scenes were shot and the outrageous characters with outsized talents whose personalities sometimes dwarfed actors and directors. Tales of their exploits, what they saw (and did) on these sets was previously only passed among themselves as showbiz lore but now, readers learn of Marlon Brando's pranks on the set of The Godfather, how crews kept William Friedkin from killing them, the actors, and himself, and how consummate New Yorker Sidney Lumet was the angel to Friedkin's demons. Michael Lee Nirenberg has worked as a scenic artist in New York since 2006, and in many cases, alongside many of the people featured in the book. This book is a labor of love comprised of over 150 interviews and hundreds of hours of recordings. Cinematic Immunity includes hundreds of behind-the-scenes images from studio archives and from the technicians who were there. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Send us a text or a voicemailIn 1930s Chicago, Frankenstein asks Dr. Euphronius to help create companions. They give life to a murdered group of former radio hosts, sparking arguments, occasional offensive remarks, and minor self growth. On Episode 717 of Trick or Treat Radio our feature film discussion is The Bride! from director Maggie Gyllenhaal! We also talk about the immense responsibility of remaking a horror classic, which shot on video horror is coming to streaming apps, and we react to trailers for Evil Dead Burn and Clayface. So grab your favorite Ronnie Reed film, get ready to hit the road for a monstrous adventure, and strap on for the world's most dangerous podcast!Stuff we talk about: Curry Barker, Texas Chainsaw Massacre, Obsession, insulting lifelong fans, Milk and Serial, wearing cheaters, The Legend of Sleepy Hollow, She, The Vanishing Shadow, Rattlers, A Touch of Evil, animal horror, Carnage, The Dark Half, Through the Woods, Jamie King, Mother's Day, Black Summer, Sin City, John Hannah, Blood Sweat and Terrors, The Mummy Returns, Circle of Fear, Twilight Zone, Poltergeist the Legacy, Ray Bradbury, Ian Wilson, Immortal or Immoral, William Shakespeare, Theater of Blood, Unmasked Part 25, Milo and Otis, Benicio del Toro, Sensei Sergio, Brian Paulin, Cryptic Plasm, Fawesome App, The Greasy Strangler, shot on video horror, New England Patreons, Tobe Hooper, Chris Rock, Saw: Spiral, David Gordon Green, Todd Sheets, Zombie Bloodbath, smuggling scratch tickets, Darren Lyn Bousman, Cannibal, Werner Herzog, The Mummy, Lee Cronin, Evil Dead Burn, The Last Stop in Yuma County, The Ventriloquist, Adams Family, The Glorious Dead, The Bride!, Mary Shelley, Maggie Gyllenhaal, Jessie Buckley, Christian Bale, Peter Sarsgaard, Penelope Cruz, Jake Gyllenhaal, Annette Bening, Natural Born Killers, Oliver Stone, Creature Commandos, Bonnie and Clyde, time traveling trains, “Timeless” Toni Storm, AEW, Hollywood starlets, Signal to Noise, Fever Ray, Vikings, True Detective, LongerLegs, Julia Ducournau, Alpha, Sorcerer, William Friedkin, To Live and Die in LA, Mark Kermode, Transformers: The Movie in 4K, you got a great ascot, Fawesome County Blues, The TikTok Chainsaw Massacre, Immoral Kombat, and Werner Herzog's Rock and Wrestling Connection.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

This week I'm reviewing Henri-Georges Clouzot's "The Wages of Fear". This is an adaptation of a novel of the same name and is about four men on a mission to drive two trucks filled with nitro glycerin across the south american jungle. This is a must see movie. It would later be remade as "Sorecerer" directed by William Friedkin. I highly recommend both films and must say that the less you know the btter. Go watch this and/or Sorcerer blind and then come back and listen to this podcast.

Send us a text or a voicemailThe sole survivor of a blood-drenched massacre must team up with a group of washed up radio hosts to defend their inane opinions during a mission transporting gallons of nitroglycerin while fending off an invasion of monsters from another dimension. On Episode 716 of Trick or Treat Radio we have our April Patreon Takeover programmed by Carlitos! He has chosen the films How to Kill Monsters (2023) from director Stewart Sparke, and Sorcerer (1977) from director William Friedkin! We also talk about the differences in filmmaking in the 70s vs. now, describe low budget films with plucky spirit, and react to trailers for the films; Ice Cream Man, Return of the Living Dead, and Passenger! So grab your eldritch blade, secure the nitroglycerin, and strap on for the world's most explosive podcast!Stuff we talk about: Child's Play, Tom Holland, inventive animatronics, Seed of Chucky, Don Mancini, Make Chucky Scary Again, Curse of Chucky, Domo Origato Mr. Sfigato, Mr. Aguila, Taka Michinoku, Old WWF, Michinoku Pro Wrestling, ECW, Rob Van Dam, Impact Players, Tax Day, Dust Devil, Richard Stanley, Gamera The Guardian of the Universe, The Punisher, Space Girls in Beverly Hills, The Scientist, 2001 Maniacs, Claire Foy, Unsane, Under the Bed, Monster Night, Bob Goodie, Lighthouse, Lifeforce, George “The Animal” Steele, Michael Jackson, Rosemary's Baby, Jason Takes Manhattan, Dee Wallace, Night of the Living Dead, Ice Cream Man, Eli Roth, Return of the Living Dead, radio drama, Passenger, Andre Ovredal, Trollhunter, The Autopsy of Jane Doe, gas prices, the path of the podcaster, How to Kill Monsters, Stewart Sparke, Lyndsey Craine, Dead Reset, Edge of Tomorrow, Dead Reset, low budget horror, eldritch blades, LOL Out Loud, Mortal Kombat Annihilation, Assault on Precinct 13, plucky spirit, The Mortuary Assistant, The Spookies, Iron Lung, Sirat, Sorcerer, William Friedkin, Johnny Carson, Jay Leno, Blue Thunder, Roy Scheider, Tangerine Dream, Vangelis, Blade Runner, sweaty dirty grimy movies, Wages of Fear, flash facts, hate watch, The Taxes Chainsaw Massacre, popecorn bucket, dingoes stole my eldridge blade, and William is out of his Friedkin mind! Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

"There are days that define your story beyond your life." For Episode 399, Brandon and David are joined by Paige Klaniecki to continue CineNatin's series on Aliens with ARRIVAL. Listen as the trio discuss a screenwriter's determination to get the movie made, how it was pivotal shift in Denis Villeneuve's career, why Amy Adams got involved in the movie, how they created a "Dirty Sci-Fi" look for the film, how they incorporated linguistics into the film, why some believed Adams was snubbed at the Oscars, and so much more! Get your tickets today for our screening of William Friedkin's SORCERER at Landmark's Nuart Theatre on April 17th: https://tinyurl.com/sorcerer-nuart Use the code cinenation15 on thecinevault.com to get 15% off your online purchase! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation Sorcerer at the Nuart (00:00:00) Opening - Artemis II (00:00:37) Introducing Paige Klaniecki (00:02:48) Recap of the Alien Genre (00:03:18) Intro to Arrival (00:06:11) How Arrival Got to Production (00:12:15) Favorite Scenes (00:28:07) On Set Life - (01:01:47) Aftermath: Release and Legacy (01:10:52) What Worked and What Didn't (01:16:32) Film Facts (01:22:11) Awards (01:22:54) Final Questions on the Movie (01:28:52) Wrapping Up the Episode (01:35:57) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast Visit https://www.missionrejected.com to find out more about Mission: Rejected!

Send us a text or a voicemailA young woman is abducted by a monstrous figure intent on raising her on a diet of only string cheese and cigarettes. On Episode 715 of Trick or Treat Radio our feature film discussion is Dolly from director Rod Blackhurst! We also talk about some of the most memorable and infamous Mondo films, learn the dietary habits of our resident “health nut”, and we react to trailers for the films; Alpha from director Julia Ducournau, and Buffet Infinity from director Simon Glassman. So grab your entire doll (or action figures if that makes you feel better) collection, bring it into the woods to make creepy scenes, and strap on for the world's most dangerous podcast!Stuff we talk about: Jenna Ortega, Beetlejuice, Hereditary, actors who get passed over for roles, Ari Aster, sparking up an intelligent conversation, Christian Cage, turtleneck to mock turtleneck, Milly Shapiro, The Boys, Gen V, Daredevil, Talk is Jericho, Kuarantine, Rascals, PJ Farley, Chris Jericho, Square One Mall, having cops break up your pool party, The Brainiac, Hammer Horror, The Curse of the Crying Woman, The Mephisto Waltz, Family Plot, Tremors 2, The Backlot Murders, The Man With the Screaming Brain, SyFy, Bruce Campbell, Bubba Hotep, Shaun of the Dead, Elle Fanning, Predator: Badlands, Kristen Stewart, Crimes of the Future, Love Lies Bleeding, Jenna Jameson, Zombie Strippers, The X-Files, Supernatural, Fred Dekker, The Monster Squad, Night of the Creeps, Innerspace, The Substance, Dennis Quaid, Ed Wood, Glen or Glenda, Bela Lugosi, Dracula, Faces of Death, real atrocities, steakandcheeseDOTcom, Savage Man Savage Beast, mauled to death by lions and bears, Roar!, Shocking Asia, Traces of Death, Mondo Cane, The Killing of America, Riz Ortolani, Nekromantik, Strange Days, Ralph Fiennes, The House of Frankenstein, Kurando Mitsutake, Krull, Ice Pirates, Julia Ducournau, Alpha, Nick Cave, “what's that static movie?” Simon Glassman, SCTV, Buffet Infinity, Neon Films, Yellow Veil Pictures, how great is the breakfast buffet, string cheese for breakfast, food shaped like cigarettes, Dolly, Texas Chainsaw Massacre, Max the Impaler, Sean William Scott, Rod Blackhurst, Fabianne Therese, Ethan Suplee, Brute 1976, wrestlers playing masked killers, Becky, Day of the Dead, Deranged, William Friedkin, Sorcerer, How to Kill Monsters, Unsolved Mysteries vs. In Search Of, Robert Stack, Leonard Nimoy, Transformers: The Movie, RIP Tigger, The Untrustable Uncrustable, Circumvent Yourself, Oil Your Mohel, and a little tinkle with the ivories.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: Support the show

"We live in secret, we exist in shadow." For Episode 398, Thomas and Brandon continue CineNation's series on Alien movies with the 1997 blockbuster MEN IN BLACK. Listen as they discuss how the story originated as a small comic book, which actors almost ended up in the film over Tommy Lee Jones and Will Smith, the rise of Will Smith, how Steven Spielberg got involved in the project, how Oscar-winning make-up artist Rick Baker created the film's memorable creature effects, what inspired Vincent D'Onofrio's performance, and so much more! Get your tickets today for our screening of William Friedkin's SORCERER at Landmark's Nuart Theatre on April 17th: https://tinyurl.com/sorcerer-nuart Use the code cinenation15 on thecinevault.com to get 15% off your online purchase! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation Sorcerer at the Nuart (00:00:00) Opening - Project Hail Mary (00:00:37) Recap of the Alien Genre (00:08:05) Intro to Men in Black (00:13:54) How Men in Black Got to Production (00:24:17) Favorite Scenes (00:38:31) On Set Life - (01:12:44) Aftermath: Release and Legacy (01:23:50) What Worked and What Didn't (01:36:06) Film Facts (01:44:49) Awards (01:52:03) Final Questions on the Movie (01:54:38) Wrapping Up the Episode (01:59:27) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Tom and Jenny discuss William Friedkin’s stylish neo-noir action thriller, in which a pair of Secret Service agents do some pretty shady things to catch a counterfeiter and killer. Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, like us on Facebook, and follow us on Instagram. Also check out Jenny's … Continue reading Movie Time: To Live and Die in L.A. (1985)

Send us Fan MailWhen two co-hosts and their insufferable producer become stranded on a deserted island as the only survivors of a plane crash, they must overcome past grievances and work together to make it out alive, on a very special episode of Trick or Treat Radio. On Episode 714 our feature film discussion is Send Help from director Sam Raimi! We also talk about being able to detect the advances in technology over time in art, pitch our off-the-cuff dream film projects, and react to new trailers for the following films; Backrooms, Mother Mary, and He-Man and the Masters of the Universe. So grab your survival kit in preparation for being stranded, submit your resume to the afterlife so you can be invited to the Hard Party Cabal, and strap on for the world's most dangerous podcast!Stuff we talk about: Nostalgia, Guinness Book of World Records, horror related records, Halloween the Video Game, Michael Myers, finding flaws, Boston, Crow Sting, being a surly old fuck, beefing up numbers, 13 years between films, pole climber, going into business for yourself, Jarret Blinkhorn, Signal to Noise, drones shots are a dime a dozen, Make A Film Foundation, The Black Ghiandola, Guillermo del Toro, out dream director to work with, Panos Cosmatos, Flesh of the Gods, Emilio Estevez, Michael Rosenbaum, Kurt Russell, Sidney Sweeney, Angela Bassitt, James Gunn, Don Cheadle, Benicio del Toro, Crispin Glover, Danny Glover, Keith David, David Keith, Donald Glover, Jamie Lee Curtis, Leonardo DiCaprio, Roger Corman, Jackie “The Jokeman” Earle Haley, Vernon Wells, This Day in Horror History, Evil of Dracula, Inferno, Cat People, Silent Rage, Biker Zombies, The Frightening, Hellboy, The Monster in Phantom Lake, Resident Evil: Afterlife, Land of the Dead, Cry Wolf, Dawn of the Dead, Wrong Turn, Michael Fassbender, Promeus, Christopher Meloni, Elias Koteas, True Blood, Superman: Man of Steel, Debralee Scott, Welcome Back Kotter, Ron Palillo, Alec Guinness, Garry's Mod and Jerry's Mod, the marketing of Neon, A24, Backrooms, “They already got my fux”, Faces of Death, Mother Mary, Charlie XCX, David Lowery, Hunter Schafer, Black Swan, Starry Eyes, Jared Leto, He-Man and the Masters of the Universe, She-Ra, digital pennies, Jay Leno, Mack the Night, Sam Raimi, Rachel McAdams, Dylan O'Brien, Send Help, Misery meets Castaway, Delta 88, Bruce Campbell, Evil Dead, Michelle Pfeiffer, Navy Seals, Major League, Dennis Haysbert, Yellowjackets, bad CGI plane crashes, Doxxing with Dokken, The Nopebook, The Neverending Story, Innerspace, The Tucc is Loose, Dolly, Max the Impaler, Sirat, William Friedkin, Sorcerer, submitting your afterlife resume, Hard Party Cabal, The Wizard of Halloween, Backroom Bacchanalia, The Princess with the Pool, Almost James Edward, Parallel of Power, the smoke rings of Saturn, the wrong Shemp, and Straight Out the Bike Shop.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http:Support the show

Nat Segaloff Front Row Classics is pleased to welcome author/journalist Nat Segaloff. Brandon and Nat discuss the love of film and his passion for writing about film. Topics of discussion include: William Friedkin, Humphrey Bogart, John Huston, The Towering Inferno and even Shari Lewis  & Lamp Chop. You can find links for all of Nat’s … Continue reading Ep. 436- Chatting Film with Nat Segaloff →

On this audio and video episode of the podcast Phillip is joined by friend and fellow podcaster, Craig MacNeil from the Craig & Friends Podcast. They start the show a little different with chatting and talking about the movie, and Phillip plays a Tarantino Talks all about this movie. Then Phillip introduces the show. Phillip starts by giving the general information about this 1971 classic directed by William Friedkin, The French Connection. It's then time for Listener' Opinions from Twitter, Instagram, and Facebook. Then it's time for Phillip and Craig to discuss this movie some more. It's a great conversation full of all kinds of behind the scenes information. Phillip then asks if they noticed anything from this movie that Tarantino might have liked or used in a film. It's then time to individually rate this movie. They then answer whether they would buy this movie, rent it, or find it for free. Phillip then gives his Phil's Film Favorite of the Week; Videoheaven (2025). Craig then recommends a movie; One Battle After Another (2026). They chat some more and have a great time. Then it's time for Phillip to promote next week's show where he will be joined by Rob Papp 1/3 of The Cinemigos Podcast to discuss 1978's Jack Chan classic Drunken Mater. Thanks for watching or listening.Craig & Friends Podcast on Spotify: https://open.spotify.com/show/3Byv1iVRr9BOrdsdV08vP8Craig & Friends Podcast on YouTube: https://www.youtube.com/channel/UCW0xtNUc-e2EbVuJavQtFYgCraig & Friends Podcast on Patreon: https://www.patreon.com/CraigAndFriends

Con Carlos M. Mira conversamos de Código de silencio, una película policiaca considerada de las mejores de Chuck Norris. Nuevo episodio del podcast de cine de esRadio, Par-Impar, con Dani Palacios y Juanma González comentando con el periodista Carlos M. Mira uno de los títulos mejor valorados de Chuck Norris, la cinta policiaca Código de silencio. Estrenada en 1985 y con un guion descartado por Clint Eastwood para su saga de Harry el sucio, la película de Andrew Davis, que después dirigiría El fugitivo con Harrison Ford o Alerta máxima con Steven Seagal, sigue los pasos de un duro policía atrapado en medio de una guerra de bandas. Bajo la vigilancia de sus oficiales intentan llevar a cabo una gran compra de cocaína a una familia sudamericana, pero el plan no resulta y uno de los traficantes los mata a sangre fría. La investigación de los hechos es encargada a Eddie Cusack, un sargento conocido por su determinación a la hora de hacer cumplir la ley. Sin dejar de lado el show de artes marciales y acción que asociamos al actor, Código de silencio tiene muchas otras virtudes, entre otras una visión áspera de la corrupción tanto en estamentos policiales como en los criminales, emparentándose a obras mayores de directores como William Friedkin o Michael Mann. Sin mirarlas frente a frente o abandonar su espíritu de cine de género, esta película sin aparentes pretensiones de Chuck Norris se dibuja como un policial muy a reivindicar. Además, comentamos otras cintas como El héroe y el terror, Los valientes visten de negro y, por supuesto, los clásicos de la Cannon y Norris como Invasión USA o Desaparecido en combate.

In an extension of our Chamber Piece Festival we dive into William Friedkin's underrated and frenetic 2006 film, Bug, starring Ashley Judd and Michael Shannon. Taking a guy home from the bar turns into a wild and intense relationship, where obsession becomes normal. Grwta movie and conversation. Enjoy!

To celebrate our 300th episode, we're shaking things up and discussing the horror film that most of our guests cite as having had the biggest impact on them — “The Exorcist.” Oh, and we're also doing the episode in costume!

Send us Fan MailA chain-smoker, accompanied by his co-host, go looking for their missing producer in North Africa. When their friend from across the pond resurfaces after 16 years, the group reunite to create an unapologetically derivative Shoegaze band in hopes of raising funds to continue their search. On Episode 712 of Trick or Treat Radio we are joined by Linus for his Patreon Takeover! Linus has decided to class up the joint a bit by selecting two Oscar nominated films for us to discuss; Sirāt from director Oliver Laxe, and One Battle After Another from director Paul Thomas Anderson! We also talk about horror's comeuppance, how to live the raver lifestyle, and we react to trailers for the films; Saturnalia and Dune 3! So grab your Modello of Blood, be sure to have a Smokey and the Bandit moment, and strap on for the world's most dangerous podcast!Stuff we talk about: Living under a rock, Horror getting its comeuppance, Nosferatu, The Substance, Academy Awards, Weapons, K-Pop Demon Hunters, Frankenstein, Sinners, Patreon Takeover with Linus, Shoegaze Craze, Buckfast, retiring over and over, The Cabinet of Dr. Caligari, The Face Behind the Mask, Phantom of the Rue Morgue, Death Trap, Michael Caine, Birds II: Lands End, The Void, Urban Nightmare, Dawn of the Dead, Repo Men, The Book of Monsters, 8-Ball Clown, Snakes on a Plane, War of the Worlds, Jake Weber, The Haunting of Molly Hartley, Graveyard Shift, Thriller, Memory, Sublime, Bruce Willis, The Sixth Sense, Grindhouse, Planet Terror, Just Before Dawn, Elvira Mistress of Dark, The Cell, Son of Satan, The Curse of Dracula, Mortuary, The Final Terror, Blade: Trinity, Glenn Close, Mars Attacks, The Girl With All the Gifts, The Stepford Wives, Meryl Streep, Grizzly 2: The Revenge, Lost Boys, Ursula Andress, She, The Alfred Hitchcock Hour, The Adams Family, Todd Slaughter, Danhausen, AEW Revolution, Edge and Christian, The Red Queen Kills Seven Times, Eyes Without a Face, Saturnalia, Claudio Simonetti, Dune 3, Zendaya, Sirāt, Oliver Laxe, Sergi Lopez, doing ecstacy, raves, don't forget to bury your LSD poo, Cliffhanger, Climax, Pan's Labyrinth, raver lifestyle, The Guardian, Sorcerer, William Friedkin, Critters 3, Leonardo DiCaprio, Benicio del Toro, Paul Thomas Anderson, One Battle After Another, Sean Penn, Regina Hall, the Smokey and the Bandit Moment, Sensei Sergio, Modello of Blood, The Lone Ranger, Gore Verbinski, Brexit, Lord Buckethead, Escrima Sticks, unapologetically derivative, power to the peephole, Jared Leto's dead left arm, and Que Sirat Sirat.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: Support the show

It's CR Month, which means it's time to crank up Wang Chung and take a ride on the wrong side of the road in Los Angeles to revisit William Friedkin's ‘To Live and Die in L.A.' starring William L. Petersen, Willem Dafoe, and John Pankow. Producers: Craig Horlbeck, Chia Hao Tat, Eduardo Ocampo, and Matt Pevic Try ZipRecruiter FOR FREE at https://ziprecruiter.com/REWATCHABLES Learn more about your ad choices. Visit podcastchoices.com/adchoices

Comedian Nik Oldershaw joins the show to discuss William Friedkin's classic 1977 thriller Sorcerer.Follow Nik on Instagram and Letterboxd: @NikOldershawFollow Johnny on Instagram and Letterboxd: @JohnnyMocny

This week's French Connection podcast episode covers one of the most thrilling and morally complicated films of 1971. Ryan, Mike, and Greg revisit The French Connection on Movie of the Year. William Friedkin's Best Picture winner changed what American cinema thought a hero could look like. In addition, this episode features a special Gene Hackman career retrospective.Released in 1971, the film follows New York City detective Jimmy "Popeye" Doyle — based on real NYPD detective Eddie Egan, with partner Sonny Grosso inspiring the character of Russo. Doyle pursues a massive heroin operation with little regard for the law or the people around him. As a result, the film won five Academy Awards, including Best Picture, Best Director, and Best Actor. It remains one of the defining films of the New Hollywood era.This Movie of the Year podcast episode is one of the most anticipated of the 1971 season. Before diving in, check out our recent episodes on The Last Picture Show and A Clockwork Orange.Joining the Taste Buds for this episode is special guest C. Craig Patterson A screenwriter, director, and filmmaker based in Los Angeles. An alum of Columbia University, NYU's Tisch School of the Arts, and USC's School of Cinematic Arts, Patterson brings serious cinematic credentials to the table. His short film Fathead won the Cannes Film Festival Best Student Short Award and earned an NAACP Image Award nomination. His scripts have been recognized by the Sundance Screenwriters Lab, The Black List, and the Academy's Nicholl Fellowship. Patterson also directed the critically acclaimed Roy Wood Jr. comedy special Imperfect Messenger for Paramount+. With projects currently in development at Paramount and Epic Games, he is one of the most exciting emerging filmmakers working today — and exactly the kind of guest who makes a film like The French Connection worth revisiting.The French Connection 1971 Podcast: Popeye Doyle — Hero, Antihero, or Something Worse?The central tension of this French Connection 1971 podcast discussion is what to make of Popeye Doyle. Gene Hackman plays him as a force of nature — relentless, racist, reckless, and completely compelling. He is not a good man, and he is barely a good cop. Nevertheless, the film frames his obsession as heroic, his instincts as genius, and his victory as worth celebrating.Ryan, Mike, and Greg dig into what Friedkin and screenwriter Ernest Tidyman were doing with Doyle. Is the film a critique of the kind of law enforcement he represents? Or is it simply in love with him? The answer is probably both. Ultimately, that ambiguity is what makes the character so difficult and so fascinating fifty years later.The Real Detectives Behind the StoryThe real detectives, Eddie Egan and Sonny Grosso, consulted on the film and even appear in small roles. Consequently, knowing the story is grounded in a real investigation makes Doyle's behavior harder to dismiss. These were not fictional excesses invented for dramatic effect, and the panel takes that seriously.Gene Hackman won the Academy Award for Best Actor for this role, beating out Peter Finch, Walter Matthau, George C. Scott, and Topol. Furthermore, it remains one of the most celebrated performances of the 1970s. The panel uses this episode to look back at Hackman's broader career and make the case for where he stands in the pantheon.For more on Gene Hackman's career, visit the Internet Movie Database.William Friedkin and the New Hollywood Crime FilmDirector William Friedkin approached The French Connection as a documentary-style thriller. He shot on location in New York City with handheld cameras and natural light, refusing to glamorize either the city or its characters. As a result, the film feels unlike almost anything else from 1971 — raw, kinetic, and deeply uncomfortable.The Taste Buds explore how Friedkin's direction shaped the film's identity. Most notably, the legendary car chase under the elevated train tracks in Brooklyn is widely considered one of the greatest action sequences ever filmed. Friedkin shot it on live New York City streets without fully stopping traffic, with a camera mounted to the front of the car. For critical analysis of the chase, the Criterion Collection offers essential reading.Friedkin After The French ConnectionJust two years later, Friedkin directed The Exorcist, cementing his place as one of the defining filmmakers of the decade. The panel discusses what the two films share and what The French Connection reveals about Friedkin's sensibility. In both cases, his camera feels like it is barely keeping up with reality — and that is entirely by design.For more on Friedkin's influence on American cinema, visit the American Film Institute.The French Connection Podcast Discussion: Justice and Its LimitsAt its core, The French Connection is about the gap between justice and the law. Popeye Doyle operates outside the rules, endangers civilians, shoots an unarmed man in the back, and ultimately fails to bring the main target to justice. Despite all of this, the film presents his pursuit not as tragedy but as the cost of doing business.Ryan, Mike, and Greg examine what the film says about the American justice system in 1971 — a moment of profound national disillusionment. Vietnam, the civil rights movement, and the early signs of Watergate were all in the air. Meanwhile, the "good guys" in this film are not good, the "bad guys" are not caught, and the audience is asked to root for the pursuit anyway.Race and Policing in The French ConnectionMoreover, the film's racial politics are impossible to ignore. Doyle's racism is presented as character texture rather than moral failing, and the film never fully grapples with the implications of the policing it depicts. That discomfort is an important part of the conversation this week.For historical context on the real case, visit the DEA's history of the French Connection.Gene Hackman Best Performances: A Career RetrospectiveThis episode includes a special segment on Gene Hackman's best performances. The Taste Buds make their case for the defining Hackman roles and debate his greatest work. In particular, they discuss what made him such an unusual screen presence: his everyman quality, his capacity for rage, and his refusal to tell the audience how to feel about his characters.His breakthrough came in Bonnie and Clyde in 1967, and his Oscar followed here in The French Connection. Subsequently, classics like The Conversation, Mississippi Burning, Unforgiven, and The Royal Tenenbaums cemented one of the most extraordinary bodies of work in American cinema. This segment celebrates an actor who never got quite enough credit for how good he really was.Why The French Connection 1971 Still MattersMore than fifty years later, The French Connection remains essential viewing. Beyond its technical achievements, it functions as a moral document — capturing a specific American mood: exhausted, suspicious, and uncertain about its own institutions.Ultimately, this French Connection podcast episode revisits the film as a living argument about power, obsession, and the stories we tell about law enforcement. It asks hard questions, and this episode doesn't let them off the hook.Related Episodes from Movie of the Year: 1971If you enjoyed this episode, check out the rest of the Movie of the Year 1971 series:The Last Picture Show — Bogdanovich, nostalgia, and a dying Texas townA Clockwork Orange — Kubrick, free will, and the limits of the stateBrowse all Movie of the Year episodesFAQ: The French Connection Podcast and FilmWhat is The French Connection podcast episode about?Ryan, Mike, and Greg discuss William Friedkin's 1971 Best Picture winner. Topics include Popeye Doyle, Friedkin's direction, justice, and a Gene Hackman career retrospective.What is The French Connection about?It follows NYPD detective Popeye Doyle, based on real detective Eddie Egan, as he pursues a massive heroin smuggling operation using methods that are often illegal and always reckless.Who directed The French Connection?William Friedkin directed the 1971...

We're celebrating 100 episodes of Bring Me The Axe with a cool bottle of Cheerwine and our friend Halle Kiefer from the podcast Ruined for a look at one of the all-time greats in horror, William Friedkin's 1973 possession horror, The Exorcist.  When Regan MacNeil, the 12 year old daaughter of movie star Chris MacNeil begins displaying strange, aggressive, and obscene behavior, her mother takes her to a parade of medical professionals to diagnose her problems. But when they fall short and her behavior escalates to the downright paranormal and Chris MacNeil suspects that she may have murdered a friend she turns to Catholic priest Father Damien Karras. Karras, a priest facing a crisis of faith is dubious but when he meets the girl, physically transformed by demonic possession he brings in an experienced exorcist to drive the demon out. A true rite of passage for horror fans, The Exorcist is a notorious exercise, a movie equally beautiful as it is hideous and obscene. Jam-packed with elevated performances from actors at the top tier of their profession, disturbing sound design, and incredible special effects, The Exorcist rules.  Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠  

William Petersen joins me to talk To Live And Die In LA, William Friedkin, Robby Müller, Darlanne Fluegel, Willem Dafoe, Manhunter, Michael Mann, Chicago theatre, 12 Angry Men, Dennis Farina, James Caan, nearly working with Oliver Stone, Richard Chamberlain, Hamlet, working with George C. Scott, what brought him to acting and much much more.The Craig & Friends Movie Club for To Live And Die In LA. The full show features chats with Billy Petersen, Bob Yeoman, Wang Chung, Linda Bass & Gala Avary (and more that I can't reveal at the moment) will be out later this year. Portions of this chat will be included, along with material we taped that's exclusive to the larger show.If you haven't heard the Manhunter Movie Club (with Gala Avary & Rich Johnson) or watched it on YouTube...don't depreive yourself. Get into it, sport.Head over to The Craig & Friends Patreon and get set for raw To Live And Die In LA interviews and other exclusive material. New programming to be announced shortly. Up right now is the Q&A I moderated at Wang Chung's concert for To Live And Die In LA's 40th Anniversary, taped in December at the Belasco Theater in LA.

Danh Vo talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work. Vo was born in 1975 in Bà Rja, Vietnam and raised in Denmark. He lives and works between Germany, where he has a studio in Güldenhof, 80km outside Berlin, and Mexico City. His art is often founded in personal experiences and relationships, but alludes to wider social and political conditions and structures, both present and historical. The way he reflects on his autobiography is distinctive: his art is embedded in his experience as a Vietnamese immigrant to Europe as a child and queer identity, for instance, but his collaborative practice often stems from coincidences or serendipitous occurrences in daily life. Danh uses found objects of different registers, from household items to historic religious sculptures, as well as archival images and texts, and brings them into dynamic relationships, in which the exhibition space and context is often a vital component. He also incorporates the work of other artists and designers into his installations, and his practice has been likened to that of a curator or archaeologist. Ultimately, his vision is entirely his own, but by involving the thinking and making of others, he ensures that it resonates with discussion, providing more questions than answers. He reflects on his idea to set traps for himself through his art in order to question his desires, and how that relates to the viewer's experience of his work. He discusses the balance between his studio life in Güldenhof and his use of the exhibition space as a studio to forge his installations. He reflects on the influence of Felix Gonzalez-Torres and his writing on the work of Roni Horn, he discusses the many collaborations in his work, from that with the artist and writer Julie Ault to his project working with Martin Wong's mother on the collection she built with her son. And he explains why William Friedkin's The Exorcist (1973) has been the source for numerous works. Plus, he answers our usual questions, including the ultimate: what is art for?Danh Vo: πνεῦμα (Ἔλισσα), Stedelijk Museum, Amsterdam, until 2 August; Danh Vo, White Cube, New York, 11 September-10 October Hosted on Acast. See acast.com/privacy for more information.

On this week's episode, we travel back to 1978 for a caper comedy from director William Friedkin. Peter Falk and Peter Boyle lead an all-star cast in The Brink's Job.  Joining us for the main discussion is David Brooks from Blue Print Review. We also have a lively round of trivia and our latest film recommendations.

Garrett Chaffin-Quiray and Ed Rosa discuss a blockbuster that is also one of 2019's critical darlings.***Referenced media:“Reservoir Dogs” (Quentin Tarantino, 1992)“The Adventures of Cliff Booth” (David Fincher, 2026)“Once Upon a Time in Hollywood: A Novel” (2021) by Quentin Tarantino“Pulp Fiction” (Quentin Tarantino, 1994)“Parasite” (Bong Joon Ho, 2019)“Argo” (Ben Affleck, 2012)“The Wrecking Crew” (Phil Karlson, 1968)“Heat” (Michael Mann, 1995)“The White Album” (1979) by Joan Didion“Zodiac” (David Fincher, 2007)“Django Unchained” (Quentin Tarantino, 2012)“The Hateful Eight” (Quentin Tarantino, 2015)“Inglourious Basterds” (Quentin Tarantino, 2009)“The Night They Raided Minsky's” (William Friedkin, 1968)“Joanna” (Michael Sarne, 1968)“The Great Escape” (John Sturges, 1963)“The A-Team” (Frank Lupo and Stephen J. Cannell, 1983-1987)“Psycho” (Alfred Hitchcock, 1960)“Billions” (Brian Koppelman, David Levien, and Andrew Ross Sorkin, 2016-2023)“Band of Brothers” (Tom Hanks and Steven Spielberg, 2001)“Friday the 13th: The Final Chapter” (Joseph Zito, 1984)“Helter Skelter” (Tom Gries, 1976)“Helter Skelter: The True Story of The Manson Murders” (1974) by Vincent Bugliosi and Curt Gentry“Mindhunter” (Joe Penhall, 2017-2019)“The Thing” (John Carpenter, 1982)“The Green Hornet” (George W. Trendle and Fran Striker, 1966-1967)“Enter the Dragon” (Robert Clouse, 1973)“The Movie Critic” (Quentin Tarantino, ND)“I Am Curious (Yellow)” (Vilgot Sjöman, 1967)“I Am Curious (Blue)” (Vilgot Sjöman, 1968)“Les Diaboliques” (Henri-Georges Clouzot, 1955)“Rebel Without a Cause” (Nicholas Ray, 1955)“Jackie Brown” (Quentin Tarantino, 1997)“True Romance” (Tony Scott, 1993)“Kill Bill: Volume 1” (Quentin Tarantino, 2003)“Kill Bill: Volume 2” (Quentin Tarantino, 2004)“Death Proof” (Quentin Tarantino, 2007)Audio quotation:“The Adventures of Cliff Booth | Official Trailer (Brad Pitt, 2026)”, posted by “Entertainment Tonight”, https://www.youtube.com/watch?v=ik0drfECnPo“Argo” (Ben Affleck, 2012), including “Argo” by Alexandre Desplat, https://www.youtube.com/watch?v=j8rnhVty_F0&list=PLLa5IJKUlCqpjmFZfaViCGKOFBEo9-uHG&index=1“The Wrecking Crew” (Phil Karlson, 1968), including “House of 7 Joys” by Mack David and Frank DeVol, https://www.youtube.com/watch?v=QqXtrTEfADk&list=PLPfZYwgBvrXEoh8KJpt9_mf9s4JRjDv9y“Once Upon a Time… in Hollywood” (Quentin Tarantino, 2019), including the songs “Good Thing” and “Hungry” (1966) by Paul Revere & The Raiders, and “Jenny Take a Ride” (1965) by Mitch Ryder and the Detroit Wheels, https://www.youtube.com/playlist?list=PLDisKgcnAC4Tn2kjbXBPiXDu5lVCffkLr“The Hateful Eight” (Quentin Tarantino, 2015), including “Ouverture” by Ennio Morricone, https://www.youtube.com/watch?v=UP_S_UKU64s&list=PLNObdymy4C-pt9t0oSeLWTVFu8UxpEVvV&index=3“Reservoir Dogs” (Quentin Tarantino, 1992), including “Stuck in the Middle With You” (1973) by Stealers Wheel“Rebel Without a Cause” (Nicholas Ray, 1955), including “Main Title” by Leonard Rosenman, 

We are the Mother Aphid! Our experience with drugged out cinema in our theme “Rrrrrreal f*ckin' High on Drugs” takes us to the itchiest corner of cinema with master filmmaker William Friedkin's BUG! We have arguably one of our richest film discussions digging into this fever dream of meth-soaked cinema and along the way we talk more about Cody's Only Child Chair, Super Bowl nonsense, and some classic blindspots!   Go to patreon.com/SHUDcast where you can sign up for all kinds of extra goodies!   00:00 - 15:15ish - Intros - Super Bowl commercials + trailers, Cody's Only Child Chair   15:15ish - 39:00ish - The other stuff we watched this time!   Curtis - Hard Boiled, Hold the Dark, Goat, The Worst Person in the World   Austin - Train Dreams   Lucas - The Northman   Cody - Knight of the Seven Kingdoms, Jeopardy, Sisu: Road to Revenge   39:00ish - 1:15:30ish - BUG - SHUDdown and discussion!   1:15:30ish - End - The fourth and final film of “Rrrrreal f*cking High on Drugs” brought to you by Lucas!

Fan favorite Garrett Smith returns to the podcast to make us a three-man team, trekking across the jungle, and talking about Sorcerer! After sharing the crazy backstory behind this movie (and admiring the equally crazy filmmaking of William Friedkin), we talk about how stressful Sorcerer is -- even if you've seen it before. We talk about the story of four doomed men, the incredible Tangerine Dream score, and an era of guys filming crazy things in movies that have never been seen before and will never be seen again. Joey tells the tale of Martin the Torch. We talk about the immediacy of the tragedy in the film, as well as its ties to both Fast & Furious and Fast Five -- and a theory for Fast Forever. "Where am I going?" Email us: ⁠⁠⁠⁠family@cageclub.me⁠⁠⁠⁠⁠⁠⁠⁠Visit our Patreon page at patreon.com/2fast2forever⁠⁠⁠⁠. ⁠⁠⁠⁠Show your support at the 2 Fast 2 Forever shop⁠⁠⁠⁠!Extra special shout-out to Alex Elonen, Brian Rodriguez (High School Slumber Party), Lane Middleton, Jason Rainey, Wes Hampton, Josh Buckley (Whole Lotta Wolves), Michael Moser, Terra New One, Aaron Woloszyn, and Randy Carter for joining at the “Interpol's Most Wanted” level or above!Intro music by Nico Vasilo. Interlude and outro music by Wes Hampton.

If you think L.A. is Sodom and Gomorrah 2.0 today, it was not exactly Disney World in the 80s either. A movie came out in 1985 that showed the not so glamorous side of L.A. with a story about Secret Service agents chasing down a murderous, psychotic counterfeiter around L.A. That movie is William Friedkin's “To Live And Die In L.A.”, and if Friedkin's name sounds familiar, it's because he also directed “The Exorcist” and “The French Connection.” He brings his gritty, never-know-what-you're-gonna-get style to his action thriller. William L. Peterson plays the main character, Secret Service agent Richard Chance and his target in a quest for vengeance is a clever counterfeiter named Eric Masters, played by Willem Dafoe. Masters murders someone very close to Chance and that triggers a dangerous, frenzied pursuit where you never know who's going to make it out alive. “To Live And Die In L.A.” is also famous for a 80s cool soundtrack by Wang Chung. Is it worth checking out? Check out this episode to find out! “To Live And Die In L.A.” also stars Darlanne Fluegel, John Pankow, Debra Feuer, Dean Stockwell, Steve James and Robert Downey Sr.Support the showFeel free to reach out to me via:@MoviesMerica on Twitter @moviesmerica on InstagramMovies Merica on Facebook

Adam and Nate fall into Ace in the Hole (1951), Billy Wilder's box office flop that Matt Groening reclaimed for the plot of The Simpsons episode “Radio Bart” (S3E13).Also in this episode:• When you get a recommendation from Spike Lee, you accept • Is this the most Simpsons-y plot we've covered to date?• A social satire that we wish wasn't so relevant today• Do this movie's film noir tropes still hold up?Plus, check out our show notes for a complete list of Simpsons references, double feature suggestions, and further readingNext time, director Alex Ross Perry joins the podcast to talk “Mr. Plow” (S4E9) and its parody of another reappraised flop, William Friedkin's Sorcerer (1977).For more Simpsons movie parody content, check out SpringfieldGoogolplex.com, or follow us at @simpsonsfilmpod on Instagram, TikTok, Threads, YouTube, and Letterboxd. Discover more great podcasts on the That Shelf Podcast Network.

ABOUT NAT SEGALOFF'S BOOK HURRICANE BILLYOriginally published in 1990, Hurricane Billy: The Stormy Life and Films of William Friedkin is at last available again with a new foreword and extensive afterword written in assessment of William Friedkin's career following his 2023 death. Biographer Nat Segaloff draws upon his fifty-year friendship with the controversial director of The French Connection, The Exorcist, To Live and Die in L.A., Cruising, and his greatest achievement, Sorcerer.. This was the first book to offer an intimate portrait of the director. BearManor Media is proud to bring this work back into print. Nat Segaloff's Hurricane Billy: The Stormy Life and Films of William Friedkin is an in-depth look at this mercurial filmmaker of "The French Connection," "The Exorcist," Sorcerer" and other dynamic classics. Billy (his friends called him that) was as explosive as his movies. He was known to hit actors, shoot off a handgun to get an effect, and tell people off to their faces regardless of the consequences. Nat knew him for 50 years and wrote "The Exorcist Legacy" (2023) as well as more than 30 other books, mostly about movies. "Hurricane Billy" was written with Friedkin's participation in 1990 and is being republished after disappearing on its publication 35 years ago.ABOUT THOMAS CLAGETT'S WILLIAM FRIEDKIN: FILMS OF ABERRATION, OBSESSIIN & REALITYWilliam Friedkin: Films of Aberration, Obsession, and Reality was first published in 1990 and has been massively revised and expanded it for this new 2026 edition. It covers all of Friedkin's films in detail, and explores the connections between the man and his movies, as well as their cinematic legacy. It is incredibly provocative in showing how Friedkin's films reflect not only the man who made them but also the world he lives in. Tom went to USC and worked on "The Two Jakes" and "St. Elsewhere" as an assistant editor and since then has won awards for his books in the genre of historical fiction.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Welcome back to purgatory!!!!! The boys are back together again and this week we jump into an early 2000's thriller and underrated in our opinions The Hunted directed by the great William Friedkin!!!! The film is written by David & Peter Griffiths and Art Monterastelli!!! The movie stars Tommy Lee Jones, Benicio Del Toro, Connie Nelson, Leslie Stefanson, John Finn, Jose Zuniga, Ron Canada, Mark Pellegrino, Jenna Boyd, Aaron DeCone, Carrick O'Quinn, Lonny Chapman, Rex Linn and Eddie Velez!!! Thanks for checkin us out!!! You can find our past and more recent episodes on Podbean.com and where most other podcasts are found!!!   Intro & Outro tracks from The Hunted soundtrack composed and conducted by Brian Tyler 1. Tabla Drive https://youtu.be/MMLEtcAGiuQ?si=mK7M-0LDb8iIE8HI 2. Tracking Hallam https://youtu.be/dskfBLpLrVQ?si=A_I-5E6JaVe07tS_  

One of our other mini-episodes is now available for your listening pleasure:   Like many of our amusing bloopers, the mics were still on but the Vern, Josh, Will & the main team were all giving a brief salute to actor/podcast host Michael Biehn.   Why was he not as big as other character actor turned leading men like Bill Paxton and Kurt Russell?   What recent comebacks and TV guest spots have we really liked him on?   And why was he not bigger outside of the William Friedkin and James Cameron films he was in?   All you need to end your Terminator week on is just a brief yet amusing honoring of the TRUE Resistance Fighter!     SOUND CLIP INTRO: "Fuck It! We'll Do It Live!!" by Bill O'Reilly

In this episode, we kick off the new year with our first proper film. We felt it was time to circle back to the much-beloved 80s to revisit one of the first directors we geeked out over on this podcast. So join us as we check out William Friedkin's over the top epic To Live and Die in L.A. from 1985. Jason unpacks the mastery on hand during the film's production, and Dustin shares his initial impressions, having surprisingly never seen the flick before. But before all that, we dish on what we've been watching in 2026 so far, and that includes more Shaw Brothers antics and a pair of questionable found-footage horror movies. And so much more! Part of the Prescribed Films Podcast Network (www.thepfpn.com) What We've Been Watching: -Jason: Into the Storm (2015) & Invited (2024) -Dustin: The One-Armed Swordsman (1967) & Return of the One-Armed Swordsman (1969) & The New One-Armed Swordsman (1971) & The Lady Hermit (1971) & Assault of the Party Nerds (1989) Show Notes: -To Live and Die in L.A. Trailer -Go check out all the other fine shows on the Prescribed Films Podcast Network -Related Film: The Exorcist -Related Film: Sorcerer -Related Series: The Walking Dead -Related Film: Searching -Related Film: Zatoichi -Related Series: Up All Night -Related Film: Revenge of the Nerds -Related YouTube: Kings of Horror -Related Band: Wang Chung -Related Novel: To Live and Die in L.A. -Related Song: To  Live and Die in L.A. By Wang Chung -Related Topic: Ronald Reagan -Related Film: Manhunter -Related Series: Hannibal -Related Film: Lethal Weapon -Related Film: Streets of Fire -Related Film: Blow Out -Related Series: Breaking Bad -Related Film: The French Connection -Related Game: Grand Theft Auto: San Andreas  -Related Game: Grand Theft Auto: Vice City -Related Game: Grand Theft Auto V -Related Film: Furious 7 -Related Film: Terminator 2: Judgment Day -Related Film: I Am a Fugitive From a Chain Gang -Related Film: Them! -Related Film: Grease -Related Film: Blue Thunder -Related Film: Repo Man -Related Film: Family Switch -Related Film: The Babysitter -Related Film: The Babysitter: Killer Queen -Related Film: Terminator: Salvation -Related Artist: Rainer Fetting -Related Series: Magnum PI -Related Topic: Tony Scott -Related YouTube: The Corridor Crew -Related Series: Miami Vice -Related Game: Grand Theft Auto: Vice City Stories -Related Film: Cruising -Related Film: The Lighthouse -Related Film: Scream -Related Film: I Know What You Did Last Summer -Related Film: Urban Legends -Related Series: Buffy the Vampire Slayer -Related Series: Angel -Related Film: The Housemaid -Related Film: The Mandalorian and Grogu -Related Series: The Mandalorian -Related Series: The Mandalorian Season 2 -Related Series: The Book of Boba Fett Next Time: Valentine (2001)

Sorcerer (1977), directed by William Friedkin, is a tense, gritty thriller about four desperate men hired to transport unstable explosives through a dangerous jungle. The film is slow-burning but relentlessly stressful, building dread through atmosphere rather than dialogue. Its practical stunts and harsh realism make it feel raw and exhausting in the best way. Often overlooked, Sorcerer is now considered a cult classic.And, one of us wishes for Jesse Ventura to run for president.

Brian & Cargill wonder why (in L.A.) To Live and Die in L.A. might be William Friedkin's darkest movie. …and encourage EVERYBODY to Wang Chung tonight!Support us on Patreon! 

The thirteenth episode of our season on the awesome movie year of 1971 features the Academy Awards Best Picture winner, William Friedkin's The French Connection. Directed by William Friedkin, based on the book by Robin Moore, and starring Gene Hackman, Roy Scheider, Fernando Rey and Tony Lo Bianco, The French Connection was nominated for eight Academy Awards and won five, including Best Picture.The contemporary reviews quoted in this episode come from Roger Greenspun in The New York Times (https://www.nytimes.com/1971/10/08/archives/the-french-connection.html), Charles Champlin in the Los Angeles Times (https://www.latimes.com/archives/story/2022-08-26/from-the-archives-high-adventure-in-connection), and Pauline Kael in The New Yorker (https://www.newyorker.com/magazine/1971/10/30/urban-gothic).Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at

Happy Holidays! This week Tom and Julie put together the Double Threat High Pants Hall of Fame including William Friedkin, James Coco, Mickey Rooney, and more! Plus they watched a few Holiday themed clips submitted by you, such as Christmas Eve in McDonaldland, How To Make Christmas Tree Cheese, John Malkovich playing Santa Claus, and more. We'll see you all in the new year with more Double Threat!CLIPS FROM THIS WEEK'S EPISODE:-Christmas Eve in McDonaldlandhttps://www.youtube.com/watch?v=VxY2KYDrB2Y-How To Make Christmas Tree Cheesehttps://www.youtube.com/watch?v=0GQ1LgggVX4-Amazon.com Christmas Commercial (2001)https://youtu.be/2_HywFG0ErA?si=6_ixLtc660a_GpK6-John Malkovich as Santa Claushttps://www.youtube.com/watch?v=-n9YkTdIcbY&feature=youtu.be&t=02m30sOur brand new Double Threat merch is AVAILABLE NOW at https://doublethreatpod.merchtable.com - Join the Patreon to receive an exclusive discount code at https://patreon.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon is the best way to support Double Threat! Your support keeps the show going and we appreciate it more than we can say. Plus you get weekly bonus episodes, access to monthly livestreams, merch store discounts, and more!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WATCH VIDEO CLIPS OF DOUBLE THREAT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JOIN THE DOUBLE THREAT FAN GROUPS*Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://discord.com/invite/PrcwsbuaJx⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Reddit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.reddit.com/r/doublethreatfriends/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/groups/doublethreatfriends⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SEND SUBMISSIONS TO⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DoubleThreatPod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW DOUBLE THREAT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DOUBLE THREAT IS A FOREVER DOG PODCAST⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://foreverdogpodcasts.com/podcasts/double-threat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme song by Mike KrolArtwork by Joe Frontel00:00 Intro01:10 Statham Steakums07:13 Frank Zappa11:20 William Friedkin19:39 Marty Supreme28:18 Scorsese doc31:10 Our new beef37:03 Michael Caine diarrhea39:44 The High Pants Hall of Fame49:33 Christmas Eve in McDonaldland01:04:07 How To Make Christmas Tree Cheese01:13:55 Amazon.com Christmas Commercial01:22:43 John Malkovich as Santa Claus01:29:55 OutroSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this week's episode of The Business of Watches, we're doing something a little different. We're taking your questions, and we've got a special guest as Hodinkee Editor-In-Chief, James Stacey, joins the podcast to help answer your queries on the business side of the dial. We hit a lot of topics, from the best perpetual calendars under $20,000, to rising watch prices, the recent surge in Swiss watch exports to the U.K., and just how popular is Halloween in Switzerland? It's a fun episode, and we hope you enjoy it. Be sure to leave any thoughts or questions in the comments section, and we'll do our best to respond. Want to subscribe so you never miss an episode? This new show is being published to the original Hodinkee Podcasts feed, so you can subscribe wherever you find your podcasts, including Apple Podcasts, Spotify, or TuneIn.This episode of The Business of Watches is brought to you by Panerai. Click here to learn more about the Luminor Collection.Show Notes:2:30 How Halloween Became Part of Swiss Culture 3:20 William Friedkin's Sorcerer5:20 Simon Brette  5:25 Akrivia / Rexhep Rexhepi 6:10 MB&F 8:05 Sylvain Berneron 9:30 Omega Watches13:00 Omega Speedmaster Professional (White dial)13:30 New Speedmaster Dark Side of The Moon 15:40 Niels Eggerding interview16:20 FC Classic Perpetual Calendar 16:50 Furlan Marri Perpetual One18:00 Jaeger-LeCoultre Master Ultra Thin Perpetual Calendar18:30 Montblanc Heritage Perpetual Calendar 19:30 IWC DaVinci Perpetual Calendar Ref. 3750 (Fratello)19:40 Panerai 22:10 Swiss Watch Export Statistics 29:00 What Richemont and Swatch Financial Results Tell Us About The State of The Swiss Watch Industry35:40 Tissot PRX Powermatic 80 38 MM in Damascus Steel (Hodinkee) 35:45 Longines 35:54 Sinn Watches 

William Friedkin's film The Exorcist terrified audiences upon its release in 1973. They fainted, vomited, and went into hysterics in the theaters. Some overwhelmed viewers left early, only to return the next day, buying another ticket to see if they could make it to the end. But the story behind The Exorcist is just as compelling as the story on the screen. The film's production was marred by tragedy and the unpredictable behavior of its volatile director. The novel the film was based on became a best seller largely by happenstance. And the events that inspired the novel were so horrific and shameful that one man would spend his entire life trying to keep them a secret. To see the full list of contributors, see the show notes at ⁠www.disgracelandpod.com⁠. This episode was originally published on October 28, 2024. The Exorcist is certainly one of the scariest movies and books ever created. What is the scariest book you've ever read? Let Jake know at 617-906-6638, ⁠disgracelandpod@gmail.com⁠, or on socials @disgracelandpod. To listen to Disgraceland ad free and get access to an exclusive mini episode about the music created for The Exorcist, become a Disgraceland All Access member at ⁠⁠disgracelandpod.com⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices