Podcasts about Cardiff

Lisa Boswell passed away this week from complications with a UTI. Ladies, you have to wipe from front to back! We have a tribute to one of our favorites on WATP over the past year. Adam Busch, Vinnie Paulino, and Producer Chris host the show because I was in Dallas on Alex Stein's show at the same time. Tom Myers came on as a guest and really hung in there. Rob Saul talks to Pat Dixon. Cardiff joins as Opie celebrates his birthday with his friends. Annie comes on to play a game and read reviews. Tickets on sale now for Boston on June 21st – http://watplive.com/ Support us, get bonus episodes, and watch live every Saturday and Wednesday: http://bit.ly/watp-patreon https://watp.supercast.tech/ Cardiff's channel – https://www.youtube.com/@cardiffelect Annie's website – https://www.insanneity.com/ Tom has tons of plugs: https://bsky.app/profile/thetommyers.bsky.social Instagram www.instagram.com/the.tom.myers https://www.patreon.com/tommyers YouTube www.youtube.com/@tommyers Website www.tommyers.us Learn more about your ad choices. Visit megaphone.fm/adchoices

Pangolin is coming to Cardiff! I will be on stage interviewing composers, musicians, and conservationists at an incredible concert hosted by Sinfonia Cymru. You can get your tickets here: https://sinfonia.cymru/programme/songs-of-the-skies-world-environment-day/ Also... PANGOLIN PRIDE IS BACK! Useful LinksDon't forget to subscribe to the podcast and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! We are @PangolinPodcast

It was the European finale in Cardiff and Jim, Goodey and Bigs unpack an epic weekend of Champions Cup and Challenge Cup action. We dive into UBB's first-ever title and whether Saints were undone by early injuries, French power, or just Lucu & Jalibert magic. There's post-match beef, Alex Coles stepping up, and debate on what this means for some Lions hopefuls. Plus, Bath look ruthless in dismantling Lyon to claim silverware, with some controversy along the way. We preview the URC quarter-final line-up and try make sense of a chaotic final round in the Prem with top four still up for grabs. Settle in and subscribe on Spotify. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're in Cardiff to bring you immediate reaction to the Champions Cup final as Bordeaux overpower Northampton to win club rugby's biggest prize for the first time. Matt Dawson and Paul Grayson, who lifted the cup with Saints 25 years ago, join Chris to pick the bones out of a thrilling and chaotic final. They discuss the impact of the injuries to Saints duo George Furbank and James Rahm early in the game and the countless TMO interventions. Damien Penaud scored twice to finish the tournament with an incredible 14 tries, but who else caught the eye for the new champions? We analyse Henry Pollock's performance in his first final and ask if Saints' run to the final was a one-off or whether English clubs can continue to compete at the top end of Europe.

Welcome to Friday's Rugby Daily, with Cameron Hill.Coming up, the excitement builds for this weekend's European finals in Cardiff - we'll hear from past winners Brian O'Driscoll and Ronan O'Gara.And after the news that the Ireland men's Sevens programme will be scrapped, there's upheaval for another national side today. Rugby on Off The Ball with Bank of Ireland | #NeverStopCompeting

Joining us this week is a master of observation – an author, journalist and documentarian whose work has delved into the furthest margins of modern life. From conspiracy theorists to the inner world of psychopaths, his stories always keep one foot in the world of misfits and outsiders. It's the brilliant Jon Ronson!In this episode, Jon reflects on his remarkable journey from a bullied teen in Cardiff to one of the most distinctive non-fiction storytellers of our time. He shares how a squatting stint in London and a chance role in the Frank Sidebottom band helped him find his tribe, and how a single regretful sentence written in his twenties changed his entire approach to journalism.Jon also reflects on how being fired from a local Manchester radio station became a painful but pivotal moment that reshaped both his career path and creative outlook. He goes on to explore how his work has evolved alongside the shifting media landscape – from his early days at Smash Hits, to creating the acclaimed BBC podcast Things Fell Apart – and shares why he remains optimistic about the future of factual storytelling, even in the age of AI.Tickets for Psychopath Night, Jon's latest live UK tour, are available now. You can also catch up on both series of Things Fell Apart on BBC Sounds.For all the latest news, click here to follow us on Instagram!***Please take the time to rate and review us on Apple Podcasts or wherever you get your pods. It means a great deal to the show and will make it easier for other potential listeners to find us. Thanks!*** Hosted on Acast. See acast.com/privacy for more information.

Haliey Welch, aka Hawk Tuah, finally gets the chance to tell her side of the $HAWK memecoin debacle. I can't wait for her to take ownership and explain everything she did to make things right with her fans who lost thousands of dollars. Wait, she doesn't do either of those things? Then why is she doing this? Adam Busch is on to discuss the worst question ever asked in the history of podcasting. We check out Stuttering John's appearance on Stutter Talk in 2009 that reinforces the fact that John is not a stutterer. Dalton comes on the show to tell us about running into John at a restaurant while John was on a date with a hot mess. Cardiff joins us to learn Adam was chatting on Rob Saul's show and of course Rob responded to mundane questions with accusations that we're gay followed by his fantasies about our love life. Producer Chris was checking out Right Now with John Goblikon. Opie is back at his beach house and in a really good mood. Annie comes on for another round of “2 Minutes With Tom,” we tease the next episode, read some recent reviews, and finish up with your voicemails. Tickets on sale now for Boston on June 21st – http://watplive.com/ Support us, get bonus episodes, and watch live every Saturday and Wednesday: http://bit.ly/watp-patreon https://watp.supercast.tech/ Cardiff's channel - https://www.youtube.com/@cardiffelect  Annie's website - https://www.insanneity.com/  Learn more about your ad choices. Visit megaphone.fm/adchoices

Rito Hlungwani, Stormers forwards coach, joins John Maytham to discuss the Stormers latest results against Cardiff, and what is next in the URC. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

This week we're checking out a show about video games. Two dudes who worked together at Game Stop 20 years ago talk about their passion for video games. The only problems are they can't talk and they no longer have any passion for video games. But they do like reading books. So there's that. Trucker Andy joins us live in studio to discuss bald guys showing photos of themselves wearing emo wigs and thinking they're hot. Cringe of the Week includes Dave and Chuck the Freak cutting an embarrassing promo and Zac Amico losing it on his guest Akeem Woods. We get into a time machine to learn that Anthony Cumia was actually offered Opie's job 30 years ago. Myster Magenta sent in a hilarious parody song about Aaron Imholte. Frenchie found another crazy trans guest for Pure Genuine. Cardiff Electric joins us as we check out George Santos interviewing former convicts about what he can expect in prison. Ray DeVito had Cardiff on his show and refused to listen or learn anything. Finally we finish with a segment of Net News and our new review girl Megan hops on to play 2 Minutes with Tom, read some recent reviews, and listen to your voicemails. Tickets on sale now for Boston on June 21st – ⁠http://watplive.com/⁠ Andy's podcast: https://allapologiespodcast.com/ Cardiff's new YouTube channel: https://www.youtube.com/@CardiffElect  Support us, get bonus episodes, and watch live every Saturday and Wednesday: ⁠http://bit.ly/watp-patreon⁠ ⁠https://watp.supercast.tech/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Rosa Hunt talks to Phillip Henry, a Rastafarian Beekeeper in Cardiff, about religion and biodiversity. Nestled on a rooftop overlooking Cardiff Bay, Sankofa scientist, Phillip Henry, is helping to create biodiversity corridors for pollinators - bees. Rosa Hunt met with Philip to talk about his background, Rastafarian beliefs, beekeeping, and restorative justice. In this wide ranging discussion, they look at the Bible, from Genesis to Revelation, the history of mining in Wales, and slavery. Phillip Henry also chooses some songs that represent his journey and beliefs.

Will artificial intelligence help you do your job, or will it just straight-up do your job and leave you unemployable? Or will the future bring something else entirely — either between those two extremes or a world that we simply cannot imagine yet? And are we already starting to see signs of that future emerging? On this episode of The New Bazaar, Cardiff is joined by economist Nathan Goldschlag, Research Director at the Economic Innovation Group. Until recently, Nathan was Principal Economist at the U.S. Census Bureau's Center for Economic Studies, where among other things he led research on the impact of technology, including AI, on the economy. Any worthwhile list of the world's best economists on the subject of AI and work would have to include him. Cardiff and Nathan go through Nathan's own research* and also filter out the megaton of nonsense on the topic and discuss some of the work done by others — research, essays, meanderings — that they think is actually worth sharing with listeners. They discuss, among other things: How many businesses are now using AI to produce goods and servicesHow have things changed since the launch and popularization of large language modelsEconomic growth consequences of AIWhether “learn to code” is still good advice The skills that still matter To steer or not to steer the AI future* Nathan's research on AI was done in collaboration with a large team of researchers at the Center for Economic Studies at the U.S. Census Bureau including Emin Dinlersoz, Lucia Foster, David Beede, John Haltiwanger, Zach Kroff, Nikolas Zolas, Gary Anderson, and Eric Childress, along with program area partners including Kathryn Bonney, Cory Breaux, Cathy Buffington, and Keith Savage, as well as academic partners including Daron Acemoglu, Erik Brynjolfsson, Kristina McElheran, and Pascual Restrepo. Related links:The impact of AI on the workforce: Tasks versus jobs?Tracking Firm Use of AI in Real Time: A Snapshot from the Business Trends and Outlook Survey.The Rapid Adoption of Generative AI | NBERAnswering the Call of AutomationAI-2027.comTyler Cowen - the #1 bottleneck to AI progress is humansDriverless trucks are coming and unions aren't happy about itGenerative AI at Work Hosted on Acast. See acast.com/privacy for more information.

This special episode of the Tough Girl Podcast brings together three incredible women—Tori James, Jo Bradshaw, and Rosemary J Brown—for an inspiring conversation about legacy, mountains, and the enduring spirit of women in adventure. We're diving deep into the story of Junko Tabei, the first woman to summit Mount Everest in 1975, and celebrating the 50th anniversary of her historic climb. Despite her groundbreaking achievement, Junko's name is still unfamiliar to many. Tori, Jo, and Rosemary are determined to change that. In this episode, we talk about how Junko inspired a life-changing all-female expedition to Yala Peak in Nepal, the launch of the First Females Podcast (May 16th 2025), and the wider mission to highlight the stories of women who were the first from their countries to stand on the roof of the world. You'll hear about: Rosemary's journey to the mountains in her 70s. Tori's return to Nepal, 18 years after climbing Everest. Jo's vision for a meaningful anniversary tribute. The power of visibility, representation, and saying yes to adventure—at any age. This episode is a beautiful tribute to Junko's legacy, a reminder of the power of community, and a call to action for anyone ready to find their own summit. #MyJunkoJourney *** Past episodes with Jo, Tori & Rosemary: Tori James - https://www.toughgirlchallenges.com/single-post/2015/09/29/tough-girl-tori-james-first-welsh-women-to-climb-everest  Rosemary J Brown - https://www.toughgirlchallenges.com/single-post/brown-1  Jo Bradshaw - https://www.toughgirlchallenges.com/single-post/2016/09/15/tough-girl-extra-catching-up-with-mountaineer-expedition-leader-jo-bradshaw-discussing-he  Jo Bradshaw TGP Extra - https://www.toughgirlchallenges.com/single-post/jo-bradshawtge  ***  New episodes of the Tough Girl Podcast drop every Tuesday at 7 AM (UK time)! Make sure to subscribe so you never miss the inspiring journeys and incredible stories of tough women pushing boundaries.  Do you want to support the Tough Girl Mission to increase the amount of female role models in the media in the world of adventure and physical challenges? Support via Patreon! Join me in making a difference by signing up here: www.patreon.com/toughgirlpodcast.  Your support makes a difference.  Thank you x *** Show notes Speaking to 3 incredible tough girls!  Rosemary Brown - Journalist & writer - drawing attention to women adventurers who have been forgotten.  Working on her next book - women who have mountains named after them  Tori James - 1st Welsh Woman to climb Mt. Everest, plus other record breaking expeditions over the years, mother of 2 children, living in Cardiff and working as a motivational speaker.   Starting a new podcast - The First Females Podcast - launching 16th May 2025   Jo Bradshaw - Everest summiter in 2016 (2nd attempt) on Everest, camp 1 when the earthquake struck in 2015. Working as an expedition leader and motivational speaker.   Yala Peak - a mountain that Junko Tabei climbed in 1977 - 2 years after climbing Mt Everest.   Individual connections Women's Outdoor Expo  Meeting Tori at the end of the the Wales Coast Path  How Jo & Tori first connected at St. James Palace in 2016 How Rosemary met Tori & Jo The History of Women in Exploration Conference in 2018 Junko Tabei having mountains named after her on Pluto  First Females - and celebrating the 1st female ascent of Mt. Everest  Tori climbing Mt. Everest back in 2007 and not knowing about Junko and her achievement  Why didn't we know about Junko? Wouldn't it be great to know who the other first females are from around the world who have summited Mt. Everest  Junko passed away in 2016 Putting the First Females Podcast together  Speaking to Rebecca Stephens as the first British woman who climbed Mt. Everest.   800 women's stories for the Tough Girl Podcast - 10 years There are still so many women's stories that I haven't shared yet Jo coming up with the idea to climb Yala Peak located in Langtang National Park in north Nepal.  Making it at all female commercial expedition Connecting a team of 13 awesome women  Adventurous Ewe What Rosemary's experience was like climbing Yala Peak  Deciding to make the commitment and finally saying yes to go on the trek! Climbing Kilimanjaro 13 years ago, and now being in her 70s Why each day was special Setting off an hour earlier on summit day The joy and experience of climbing the mountain  The universe is your friend  Feeling very grateful for her belief in herself Why it was a life changing experience. Making the trek work for you Tori heading back to Nepal after 18 years since climbing Everest  Spending time at Yala Basecamp (2 days) Wanting to spend more time there! What Junko said on climbing Everest “here is the summit, and I don't have to climb anymore” Junko's story  Book: Honouring High Places: The Mountain Life of Junko Tabei   Her early years and being quite an ill child  Her resilience shining through.  Being encouraged to climb her first peak at 10 years old How restorative it can be, being out in the wildness  Being a pioneer in getting a women's climbing group together. Especially in Japan. What would Junko do? How would she make this happen? Finding it difficult to hear people crush their dreams with the word ‘but' Reaching ‘my' summit if not ‘the' summit Junko was also the first women to complete the 7 summits (which Jo has now completed) Wanting to get her name out more and to share her legacy  Magical moments for Rosemary whilst out on her trek in Nepal Meeting Leo Houlding (Climber & Adventurer)   How Junko's positive mindset shines through Tori getting to speak to Junko's son, husband and best friend Not thinking about failure  Going against the stereotypes of the times How Junko was being supported by her husband - Masanobu Tabei   16th May 2025  #MyJunkoJourney What Jo is doing in Wiltshire - going to climb the highest Hill - “Milk Hill” 12.30pm (Junko Summit Time on Mt. Everest) Becky Bellworthy (climbing Everest 2012)  Rosemary is going to go to the highest point in her town, Islington and going to watch the sunrise as a tribute and reminder to the trek in Nepal Sarah - What will I be doing?  I'll be heading out to climb Moel Famau in Wales. #MyJunkoJourney is happening all year - get involved!  Advice and top tips from Rosemary -  “Life is not a rehearsal, this is it. If you want to do it, you can do it.” Advice and top tips from Jo - being a reframer, and making it work for her. Jo does stuff (adventures), to show women that we are doing it and not that we can do it.   It is possible and that by showing up (which is what Junko did, all the time) you can achieve great things. A lovely Japanese saying, ‘Ganbattekudasai' - Do your best  Advice and top tips from Tori - If you want to get into the mountains, you can do it.  Thank you to Jo, Tori and Rosemary for sharing more about Junko and her 50th Anniversary.    Social Media First Females Podcast - Launching 16th May 2025 - a podcast celebrating the 50th anniversary of the first female ascent of Mount Everest and recognising women in mountaineering.  In 1975, Junko Tabei became the first woman to climb to the summit of Mount Everest. Over the past 50 years, almost 900 women have followed in her footsteps, defying cultural and physical barriers to reach the world's top. Very few people have heard of Junko Tabei. The First Females Podcast is being made to shine a spotlight on her remarkable achievement and to celebrate the incredible stories of women from around the world who were the first from their countries to reach the summit of Everest. In her interviews with female Everest summiteers from around the world, Tori will bring her unique perspective and firsthand experience to the conversation to inspire future generations of women to dream big, climb higher, and break barriers in their own lives. Website https://torijames.com/firstfemalespodcast Spotify - https://open.spotify.com/show/51TEg62SrH7czqxk8Nw3zQ  Tough Girl Resources: Everest Summiters & Their Stories - https://www.toughgirlchallenges.com/mt-everest  

This House Built Garage presents a special episode. We team up with the fitness brand - B42 (Hyrox training) based in Cardiff for a special 1-hour episode of power. Exploring all avenues of house featuring old and brand new classics live in the mix. ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!

Bath suffer their third defeat of the season to Bristol - Gabriel and Tom break it down talking team selection, wasted chances and the day out in Cardiff. The lads then debate the selection plan for the visit of Tigers on Saturday. @bathrugbyplug #ThickandThin

https://www.eventbrite.co.uk/e/sam-and-hanans-salon-behind-the-bins-tickets-1312725981749?aff=oddtdtcreator12th JUNE! CARDIFF! GET YOUR TICKETS NOW! Also, Bath 29th May https://www.ticketsource.co.uk/rondotheatre/sexy-rude-harp-concert/e-ddxvboDroitwich Spa 31st May https://www.rikmayallcomedyfestival.com/events/sexy-rude-harp-concert/

In this special episode, we hear from Cardiff City chairman Mehmet Dalman in his first interview since the club's relegation to League One. He tells our reporter Dafydd Pritchard how the board will appoint a new manager as they seek to bounce straight back to the Championship, and how much the personal abuse from a section of Cardiff fans has affected him.Dafydd then joins Carl to discuss some of the points raised by Dalman and whether his answers will appease the disgruntled fans.

Host Ged is joined by journalist Iestyn Thomas and fan favourite Mighty Murph to unpack a big week in rugby. The panel reacts to Andy Farrell's Lions squad announcement , who earned their ticket to Australia, and who's unlucky to miss out? Off the field, tensions escalate as the WRU clashes with the Scarlets and Ospreys over a controversial funding agreement, with major implications for the regions' futures. On the pitch, the Scarlets grab a vital win in Johannesburg, keeping their playoff hopes alive, while Cardiff hang on by a thread despite a tough loss. Selection shocks, regional politics, and URC playoff drama, it's all in this week's episode. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Lions squad continues to dominate the pod agenda as speculation intensifies around the two extra players Andy Farrell said he would take on tour. Ugo is convinced Owen Farrell will get one of those places, but is there another Englishman who could also get the nod? Danny and Ashy give their take on the 38-man squad and explain just how tough it is to miss out on selection after Mike Brown's comments about his omission in 2017. We also look back on a special farewell for Peter O'Mahony at Thomond Park, hear all about Ashy's eventful train journey back from Cardiff and react to the news that Geoff Parling will replace Michael Cheika as Leicester DOR next season.

Gareth and Lauren are joined by former Wales internationals James Hook and Alex Cuthbert to reflect on the Welsh regions results in the United Rugby Championship ahead of the final weekend of fixtures, and discuss the latest dispute between the regions and the Welsh Rugby Union.

Alfie, Steve, Alex and Will look back on the Premiership action over the weekend including showpiece matches in Cardiff and at Twickenham. They discuss how encouraging those events are for the league and whether all clubs need to buy into them. Plus, they get into the top four shake-up, why Andy Farrell may need to call up more players for the Lions first game in Dublin and some news on the Nations Championship final being played in America in 2030. Hosted on Acast. See acast.com/privacy for more information.

We welcome you all to another couple of hours of our favorite music genres Jazzsoulfunkyafro and stuff !Aja & ClaireCalibro 35 - Jazz Carnival Carlos Nilmmns - Moon DanceNādt Orchestra - DualismCandice Hoyes - Far Away Star (Allt under himmelens fäste) feat. Ted Nash and Vincent GardnerThe Singers and Musicians of Washington High School - The Ladder Gilles Torrent - Danse TropicaleDee C'rell.- Modal Times9-Modal Project - Polylove (feat Peter Marott)Aldorande - Cosmic Boy BADBADNOTGOOD - Celestial HandsTall Black Guy Productions - Tall Black Guy x Snarky Puppy - Da Da Da (TBGRe-Rub).Brian Jackson - It's Your World (feat. Raheem DeVaughn & J. Ivy)Omar - There's Much Love In The WorldJoe Armon-Jones feat Greentea Peng Wu-Lu - Another PlaceNautilus - AtlantisCulrose Cross - HomeAmanda Whiting Ft Alice Russel - What Is It Need Transcendence - Afternoon  Azymuth - Arubuta Joseph Malik Ft Mike Keat & Jo Wallace - Adjust Like DatFlorian Pellissier Quintet - Les Masques AfricainsAbigoba Ft LeaLor - Key Of Liberty 

Send us a textSeason 2 Episode 42Welcome to the Who's Tom & Dick the Podcast! Today, we're back for episode II of our interview with the lovely Griff Rhys Jones to continue his fascinating stories and tales in Radio, TV and Theatre.A celebrated comedian, actor, and writer, Griff has been a beloved figure in British entertainment for decades. Known for his sharp wit and infectious charm, he's starred in iconic shows like "Not the Nine O'Clock News" and "Three Men in a Boat." Beyond the screen, Griff is also an avid traveler and a passionate advocate for the arts. Join us as we delve into his fascinating journey, explore his creative process, and share some laughs along the way!Griffith Rhys Jones was born on 16 November 1953 in Cardiff, the son of Gwynneth Margaret (née Jones) and Elwyn Rhys Jones, a medical doctor. He was six months old when his family moved to West Sussex due to his father's occupation. Griff attended Conifers Primary School in Midhurst , West Sussex, before his family moved to Epping, Essex. Griff came in as a producer of Rowan Atkinson's show The Atkinson People with Frankie Howard, Clive Anderson and Rory McGarth, for the BBC and appeared twice on who's line is it anyway. Griff filled in several minor roles in the first series of Not the nine o'clock news and was brought in as a regular cast member from the second series onwards, replacing Chris Langham. After Not the nine o'clock news Mel Smith and Griff teamed up in 1984, and they appeared in the comedy sketch series Alas Smith and Jones. (the show's title being a pun on the American television series Alias Smith and Jones. After the first series, the two men appeared in the science fiction comedy movie Morons from outer space and then in 1989, then Wilt. Listen to griff explain the trials and tribulations of Radio, TV and the theatre and how recently his film with Mel Smith (Morons form outer space) was finally recognised and notably ahead of its time.Griff was so generous with his time and had some amazing stories and tales we have split the interview into two parts, part 2 will be released next Friday, please come back and listen.#HeartTransplant#eatingdisorder#RareCondition#HealthJourney#LifeChangingDiagnosis#MentalHealth#Vulnerability#SelfCompassion#PostTraumaticGrowth#MedicalMiracle#BBCSports#Inspiration#Cardiology#Surgery#Podcast#Healthcare#HeartHealth#MedicalBreakthrough#EmotionalJourney#SupportSystem#HealthcareHeroes#PatientStories#CardiologyCare#MedicalJourney#LifeLessons#MentalWellness#HealthAwareness#InspirationalTalk#LivingWithIllness#RareDiseaseAwareness#SharingIsCaring#MedicalSupport#BBCReporter#HeartDisease#PodcastInterview#HealthTalk#Empowerment#Wellbeing#HealthPodcast#DNAwww.whostomanddick.comCheck out our website at www.whostomanddick.com

It's the summer, and our focus switches to players who could be leaving and some initial thoughts on players Pompey could bring in. Hugh and Andy are joined by returning co-host Jack Hancock (@HancockAnalysis) to look at the start of the summer and where Pompey goes from here. 06:23 - Hull review, Ben Killip's future at the club and where Christian Saydee fits in next year. 21:04 - Zak Swanson, Kusini Yengi, and Cohen Bramall. Do you extend them, and if not, who can replace them? 40:24 - Where does the squad need to strengthen the most? Is the Championship going to be tougher next season? 45:55 - Murphy and Lang, and keeping hold of our best assets. 50:21 - Cardiff debrief with Tom from Sports Addict Corner (@TomasTaylor4) to chat about their relegation and how they want to rebuild the squad. 1:05:14 - Luton debrief with Phil from OK Football Show (OKFootballShow) to chat about their relegation and how they want to rebuild the squad.

We start off with a nice clip of Jim Norton giving us some props. Then it's right into a new character who has emerged onto the scene in the Dabbleverse - Karmic. He's going on everyone's shows and doing six hour long drunken livestreams. Is he a genius, is he a trainwreck, is he long for this world? Adam Busch is on to discuss Steel Toe's latest attempt to get viewers; a plan that quickly backfires on him. Adam was also checking out Quadfather's BYB podcast where he gets twisted in knots trying to figure out why he hates Shuli and me. Jake Hudson reveals his favorite porn category to Ava Raiza. Stuttering John drops more names than you can shake a stick at while trying to impress the host of Primal Scream. And finally Cardiff joins as we wrap it up with another round of “2 Minutes with Tom” and your voicemails. Tickets on sale now for Boston on June 21st – http://watplive.com/ Support us, get bonus episodes, and watch live every Saturday and Wednesday: http://bit.ly/watp-patreon https://watp.supercast.tech/ Stream Hackamania May 9-11 in Las Vegas with promo code WATP – https://hackamania.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter  or Bluesky for your chance to win the books that have been mentioned in this podcast.Competition ends on 21st May 2025. The winner will be contacted via Bluesky. Show references: Museum Wales website: https://museum.wales/Big Pit National Coal Museum: https://museum.wales/bigpit/Catherine Pinkerton LinkedIn: https://www.linkedin.com/in/catherine-pinkerton-b1905a110/Catherine Pinkerton is the Group Retail Manager at Amgueddfa Cymru - Museum Wales.Having worked in senior management positions for some of the high street's most recognisable brands such as Harrods, Selfridges, Dior and Guerlain to name but a few, Catherine spent 20+ years in London building her management career. Catherine is now the Group Retail Manager for Amgueddfa Cymru (Museum Wales). She is responsible for the management of all aspects of retail operations and development, across the national museums of Wales. Catherine is currently leading on a transformation project to create immersive retail experiences in each of the museum shops, reflecting the visitor experience and collections of each of the varied museums.Guests Also Featured in This Episode:Anya Kirkby, Freelancer - Anya Kirkby Ltd – Product Development and Graphic Design anyakirkby@gmail.comArantxa Garcia, Freelancer - Exibeo VM Creative Studio – Shop Design and Visual Merchandising Arantxa@exhibeovm.co.ukNia Elias, Director Relationships and Funding, Amgueddfa Cymru nia.elias@museumwales.ac.ukGuy Veale, Freelancer – Freelancer - Sound artist/designer - gbveale@gmail.comAmy Samways, Shop Supervisor, Amgueddfa Cymru - amy.samways@museumwales.ac.ukKate Eden, Chair, Amgueddfa Cymru - Members of Board | Museum Wales Transcriptions: Paul Marden: Welcome to Skip the Queue. I'm your host, Paul Marden. So today you join me on the top of a mountain in Blaenavon in Wales at Big Pit, the National Mining Museum. I'm here today for a really special event. I've been invited to the opening of Big Pit's new Museum Retail experience, which is a programme of work that's being done by the Museums Wales Group to improve the sense of place and the sense of feeling for what could be a blueprint for the rest of the group. We're going to be joined by a number of different people that have taken part in the project and without further ado, let's get started on our tour of Big Pit. Catherine Pinkerton: Morning, everybody. Hello, welcome. It is my absolute pleasure to welcome you all today and I know there's been a lot of you'd have travelled far and wide, so thank you so much for your time. I really appreciate you coming to see the amazing store that we've created and I hope you love it. We're just going to cut the river now. Paul Marden: First up I've got Catherine Pinkerton, Group Head of Retail at Museum Wales. Catherine, welcome to Skip the Queue. Catherine Pinkerton: Thank you very much. Thank you so much for having me. Paul Marden: Absolute pleasure. And this is a corker of an episode. I think everybody is going to be really interested in finding out about the retail, the gift shop experience that you guys have introduced at Big Pit and then you're going to go wider into. Into Museums Wales. This is a really weird episode because you and I are recording the morning after the day before. So yesterday was the big launch event and I was with you at Big Pit and I've met lots and lots of people and we're going to cut to them throughout the episode and hear from those people that were taking part in the project. But you and I have got the benefit of having enjoyed yester today's event and we can look back on what that experience was like and talk a little bit about the project. Paul Marden: Before we do that, I think it would be really lovely for you to introduce yourself and tell us a little bit about Museums Wales and Big Pit specifically. Catherine Pinkerton: Absolutely. Okay. So I'm Catherine Pinkerton. So I head up all of the retail stores within Amgueddfa Cymru, which is National Museums of Wales. I've been with the museum just under three years and I'm good that Cymru hosts seven sites. It's an incredible establishment to be part of and I think, you know, coming from a very commercial background, this is very different for me, but I think it's given me lots of insights into bringing kind of. Lots of. Kind of different skill sets, I guess, to this cultural sector. I think when I first initially joined Amgueddfa Cymru, there were lots of challenges. And that's not to say that we still have those challenges as they are in many of our museums. And I think coming from a retail background, it's. It's looking at something that's not. That's commercial, Paul.Catherine Pinkerton: That's key. But actually, how can we make it very collection and story based on our amazing assets that we hold within our museums? And I think that I felt was probably the biggest thing that was missing because I thought we've got these amazing exhibitions, these amazing collections, amazing, you know, opportunities, and how are we putting that into the retail structure and how do we offer that to us, you know, to our visitors? And I think. I think sometimes it may be. Have forgotten that you go around these amazing spaces and it's very based on that visitor focus and how can we make that visitor feel very happy and engaged. But actually the end part of that process is nearly always coming through, exiting through the retail space. Right. Catherine Pinkerton: And if they've had this amazing opportunity to go and, you know, a lot of investment in these amazing spaces, and then they come through that retail space which has some elements, but not all of what our collections hold, there's a confusion there. You know, that end piece. And for me, customer service and visitor experience is absolutely key to how they. How they finish and how they end their day. And if they're ending their day with something, oh, okay, I'll just have a magnet then. Because there's nothing really else here. Yeah, that pains me. That really hurts me. I think, come on, guys, we can do better than this. We are in an element of. We have our own assets, our own elements to be able to kind of display that. Catherine Pinkerton:  And I think very much it would be very easy and to take the kind of easy road of having, you know, let's. Let's pop a dragon on a mug and yeah, we're a Welsh museum. No, we're not. We have assets here. We have beautiful exhibitions, we have beautiful spaces. And actually looking from further afield into. In terms of an emotional connection. And I think, you know, for me, from all of my past kind of previous work, I'm working with Amgueddfa Cymru. It's probably been the most challenging to get perhaps senior management to understand a crazy way of Catherine Pinkerton working into a. What's emotional retail? What does emotive selling mean? This lady is crazy. What's she talking about? But actually, it's really basic, isn't it? Catherine Pinkerton: Because for me, if I take my daughter or my husband to any kind of day trip, I want to take something emotional that I've connected with home with me, and that's so simple. But actually, sometimes it's not thought about in that way. And, you know, for me, I'm all about the emotional connection. And I think we put so much investment in curatorial teams to kind of give that to our visitors. We need to end that. That end part is so important for them to finish, you know, that journey with that emotional connection that they can take home as a souvenir. So, yeah, I've probably said more than I needed to there, Paul, but.Paul Marden: Absolutely. So I think you're capturing the need to curate the. The ending experience because, you know, the nature of. The nature of people's memory is they remember the beginning and they remember the end and the bit that is in the middle is hugely important to the storytelling experience they have whilst they're at the attraction. But if you don't end on a high, then their emotional connection to you and the space and the stories they've heard is not going to be as impactful for them. Catherine Pinkerton:  Absolutely, totally agree. I think it's really key, and not just in the kind of, you know, the cultural sector, but in any sector, really. I think it's really important that connection is instant, really, because that is what you need to. That's the hook, isn't it, of getting that person, you know, and. And actually understanding what the visitor needs. I mean, it's very easy for me to say on a personal level, I'd love to have this collection of products within the shop, but actually, that's not what data tells us. That's not what our demographic tells know, you know. And they are the ones that are important. Our local communities, our demographic is key for us to be successful. Paul Marden: You know, so one of the things that I took from yesterday was the importance that you were moving away from being just any other generic Welsh gift shop to being a gift shop associated with the place. Yeah, that. That's the. That was the nub of I think, what you were trying to get to how do you go about doing that? How did you make it feel so much like a gift shop? About Big Pit? Catherine Pinkerton: It's taken a process of really pulling everything back and getting under the skin, what is the detail and the personality of the site. But actually it's talking to people and being humour. And Paul, you know, I think, very much, as I say, it'd be very ignorant for me to say this is what I think will work. And that's absolutely not what we want. What we want is for the visitors to say, I really. I mean, what was really interesting, actually, is that we did quite a lot of data analysis in terms of the demographics of customers that come through our sites. But also what was really key is areas of the sites that were really kind of, you know, three key areas that they really enjoyed or they really loved. Catherine Pinkerton:  And actually, one of the top ones was the pit ponies that they all love the pit ponies, they love talking about it, they love the stories that the mining team would talk about. It was a really inspiring, you know, inspirational moment for them to think, oh, my gosh, the pit ponies lived underground. This is really so, you know, I think in some respects that was probably missed in terms of our retail offer, because what we did after that is that we had a workshop with all our retail team and we almost did a little bit like a Dragon's Den effect. We said, right, these are the products that we have, right? Can you pick up out of these products, which products represent the pit ponies? Which products represent the shower rooms? Catherine Pinkerton: And actually, when you're talking to the teams in kind of a literal sense, there wasn't a lot within our retail offer that we already had. And I think it was a bit of a light bulb moment, really, for the retail team and said, “Oh, Kath. Right, I see, Yeah, I understand what you mean.” That's not represented in our retail offer. So what's represented currently was wonderful things and lots of Welsh kind of products. But actually, what. What makes that relatable to our site? And so I think what I wanted to do originally is just go on a journey and to kind of really, from a very basic stage, is understand what the site's POS was and actually understand what their personality was and what the curatorial team were trying to push forward as being their identity. Catherine Pinkerton:  And I think once we got the identity, we then broke that down into themes in terms of there's pit ponies. That's a huge part of the, you know, the exhibition. The other huge part of the exhibition were the canaries. So, you know, that was something that was talked about. There's a huge story around that. And then, you know, the kind of mining history and the community was massive. And actually that element was so important to me and the retail team to make sure that we got right. Because this is history, right? And this is. I come from both my grandparents were miners. So for me it was very much a, you know, a very emotional time for me to make sure that we got it right and that it was respectfully done. Catherine Pinkerton:  So that was really key in terms of how do we deliver this. That's really. That we are not stepping on people's toes. We're not profiting from something that was, you know, the strike range is very significant within what we've offered, but we really wanted to make sure that was respectful and that it was done in a tasteful way that people felt they could take a souvenir away, but know that was actually part of the exhibition. So it was those kind of areas that we really wanted to work. So once we have those themes in place in terms of what those looked like, it was then developing that and how do we develop that into an actual concept? Paul Marden: Yeah, and you've drawn in lots of people. You've already mentioned the kind of wide team that you brought in from Big Pit itself, but from the wider team in the group. Talk a little bit about what that experience has been like as a team. Who have you brought into this? Catherine Pinkerton:  So originally, when we wrote the retail concept and the retail strategy, you obviously have to kind of involve quite a lot of internal candidates to be able to allow them to believe that this journey and vision is a good one. And I'm super thankful. I've got the most amazing manager, Marc Simcox. He's the head of enterprises and he is incredible. He's very commercial, but very trusting in terms of understanding what the business should look like and actually giving that freedom to say, yeah, I think this can work. Kath. So you, you go ahead and that. That's huge. Right. We're not talking about a small project here. So that firstly was great for me. And then I think having the, you know, the opportunity to be able to get some key people. Catherine Pinkerton: And Matthew Henderson we've worked with previously and we've, you know, I knew straight away, for me, Matthew Henderson has gotten. Got a very unique way of working and we work very well together. We've got quite similar kind of ways of working, but I think that development and concept phase is really key and I think it really got to the point where we just sat in a room and kind of really understood what are we trying to achieve here, how can we achieve that? And really just making it very basic in terms of the key themes. And then in terms of product development, we brought on Anya Kirkby. So she is an illustrator and a very clever lady indeed. And we have worked with lots of illustrators and lots of suppliers over the years. Catherine Pinkerton: But what we wanted something for Big Pit was to be quite different in terms of the illustration and the product development. Because what we wanted to deliver with Big Pit was something that had been my vision since the very beginning when I started with Amgueddfa Cymru. And that is, you know, going into the shop and having those guidelines, you know, pricing guidelines, information guidelines, those small details which would probably mean nothing to the average person walking through, but actually a price ticket on something that's been illustrated pains me to see, because the work that's gone on behind that is so key. Catherine Pinkerton: And, you know, for most people not understanding that a price ticket on that is so I think those details are really key, Paul, and I think she really worked stringently with me to make sure that was, was, that was kind of a massive aspect of that role. And then Arantxa Garcia, who is just the most incredible designer. She's, she's a genius in what she does. She's incredibly creative and sometimes you have to kind of pull her back and say, okay, you want this? Okay, can you deliver this rancher? Paul Marden: Yeah. Catherine Pinkerton: And what was really interesting with a rancher is that, you know, she's got a huge, amazing CV of working with lots of people within the cultural sector and designing amazing, incredible pieces. But I think were very nervous because the, the original kind of renders that she sent through to us were quite amazing and impressive. And I said, arantha, are you able to deliver this under the kind of, you know, the budget? We've got a tight budget here. Paul Marden: That's the challenge, isn't it? Catherine Pinkerton: I mean, isn't it? Paul Marden: You do not want to be paying, you don't want to be offered the picture of a Maserati when you have got a Ford Fiesta budget, do you need to know that you can afford it. Catherine Pinkerton: Absolutely. And I think with Aranta, she was very, again, super creative lady. And I think I, as soon as I saw that image, I did say to her, right, you need to deliver this now. You've, you've committed to it, Arantia, so this needs to happen. And then finally, Richard Evans, who has, is hugely respected in the cultural sector and he really supported in terms of project management and the, you know, I hate to say this, and you won't mind me saying this, but the kind of boring kind of financial Gantt charts and keeping me in line actually. Right, Cath, we haven't got a budget for that. You can't spend that. Come on, Richard, make it work. Move some things around, you know. Catherine Pinkerton: So I think that was kind of the main area and then internally, Tracy Lucas, who was kind of my right hand woman, is our operations manager within Amgueddfa Cymru and she really supported me along with Amy, the shop manager, shop supervisor to really look at the product development. So I think, you know, and I think it was really nice actually to have them on board because I think it gave an opportunity for them to see what could be. And I think, you know, definitely in terms of retail, it's been an opportunity for us to be able to say, look, this, the impossible can be possible. Catherine Pinkerton: Actually this is an amazing project and I think what was really incredible is that when we decided to work on Big Pit, the Big Pit team and all of the mining team actually just came on board, Paul, they took it on board and I think the reason why they did that is that one of the mining teams said to me, he said, kath, you know, we never get any funding here. It's always in this big cities, you know, we, the Cardiff and it's never here, you know, we're just in the middle of nowhere. And I was like, absolutely not. That is not what this is about. It's about, you know, making sure that the community in that area is solid. Catherine Pinkerton: And I think the mining industry and they're very proud of that in terms of who works there, they're incredibly proud of what they do. And so because we chose that as our first project, they were so helpful in terms of, yeah, we're going to make this work, let's make it a success. Cath, how can we do that? What do you need from me? I mean at one point we had two of the mining staff pulling one of the drums which we upcycled out of it was like a lake or, yeah, I suppose a lake with a tractor. And I was like, this is crazy. This is crazy but just amazing that these team members are willing to do above and beyond to kind of go and help and support.Catherine Pinkerton: Dwayne Smith, finally I have to mention him because he went above and beyond. He, he's an electrical engineer for Amgueddfa Cymru and no feat was kind of Too hard for him. He helped us massively. He's got a huge team of people and anything that we needed done, I'm not, you know, I'm not a trades person, so anything Trady. I was like, Dwayne, yeah, I'm on it, Kath, I'll do it. Which is great because I was like, okay, yes, that was massively helpful, but huge learning curve, Paul. I feel I've never been so excited about drums in my entire working career as I am now. Paul Marden: And I never heard of one until yesterday. But what I found interesting was you see them all the way through the underground experience. I went down in the. The cage to the bottom of the pit head, did the whole tour. You talk about these drams and the importance of them and the transportation of the coal from throughout the mine back up to the top. And then you walk into the shop and it's subtle. The way that you've blended the museum into the shop is a subtle experience. It doesn't feel, it doesn't feel crude. But you've got a dram in the middle of the workshop. Now, I know it's a real one because we talked about it yesterday and I know the pains that you went through, but it's very subtle placed in there so that it doesn't feel crude. Paul Marden: It doesn't feel like you're trying to overwork the metaphor of the mine in the shop. It's very cleverly done. Catherine Pinkerton:  Oh, that's great, great, great to hear. Because that's absolutely what we did not want. And I think in terms of visual merchandising, actually, and picking up on your point there, is that it's very easy for us and this is something that we're doing in a different shop. It's very easy for us to look at some of our assets and pop them on a tote bag and say, there you go, that's done, we'll sell that. But actually, no, what can we do that's different? That's more kind of innovative? That's more creative. That is a hint or perhaps an opportunity for us to show and display something that is. Is then part of the visitors question. So when they're coming into store and they're speaking to our retail teams, they're questioning, is this a real drum? Catherine Pinkerton:  You know, and that is a conversation opener, isn't it? You know, and I think Kerry Thompson, who is the curator for Big Pit, he's a really inspiring man. I could listen to him all day. And he told me lots about kind of the drums and the history of Big Pit and the strikes. He's such an interesting man, but I think having the inspiration from him allowed us to make sure that we did it not in a crude way, actually, Paul, but that it was representative of the site, but not in a way that's, I guess, too obvious, you know. Paul Marden: Look, Kath, we could carry on talking for ages, but let's cut at this point to hear about some of the voices from the team that you worked with, your internal team, some of the partners that you worked with, about the experiences that they've had on the project. Paul Marden: So let's hear from some of the internal team members involved in the project. Firstly, we have Amy Samways, the retail supervisor at Big Pit, followed by Kate Eden, the chair of Museum Wales. And lastly, Nia Elias, the Director of Relationships and Funding at the Museum of Wales. Hey, Amy, how you doing? Lovely to meet you. What's your role at the museum, Amy? Amy Samways: I'm the shop supervisor for Big Pit. Paul Marden: What have you been doing in this whole project? I guess you've been integral to the whole kind of making it all about the place. Amy Samways: Yeah, so I've worked with Anya, who did all the products for the new shop. So we walked around all the exhibitions. We did a lot of underground visits and a lot of museum visits and just put things together. I've done a lot of work before this project for the last two years to try and get things more relevant to us and not just a Welsh souvenir shop. So a lot of those products stayed and then we just expanded them then. Paul Marden: So how do you go about looking for those products that make it local to here? Amy Samways: Well, we've got a fantastic exhibition at the top of the hill. We've got obviously our ex miners and we also have a lot of events through the times as well. So this year was a lot about the strike because obviously it's the 40th anniversary and we've got a massive exhibition down in Cardiff and also there's a smaller one up year as well. So we just walked through the museum and obviously, you know that disasters are obviously a big issue. We didn't want to make a big issue about those, but obviously they need. They're part of history, aren't they? So more books. We made sure we had books around that. And as you walk through, there's a lot of signs that the staff liked as well, because a lot of our guys have been done about the new projects with those as well on. Paul Marden: So do you then go looking for local suppliers to help you with that? And where do you find those? Amy Samways: Etsy, Facebook. Paul Marden: Oh, really? Amy Samways: Yeah, a lot of them. And also online. And then we've also. Because we work with a lot of suppliers as well, I'll say we need this and then they'll say, oh, you should ask so and so, and then we'll go and ask both. Paul Marden: Brilliant. So one of the things that's really interested me this year is talking to people that are running museum retail and that kind of process that goes from you as a buyer, having an idea, what do you want? How do you stock the shop? I think is really interesting process to go through, but flip it on the other side, as a local creator, you've got your thing and you want it in the shop. How do you get it found? Well, yeah, sticking it on Etsy is something that they're going to do, but then that might help them get into the museum. Amy Samways: Even if there is something that we want. Like at the minute, we're looking for NCB soap. Paul Marden: For what? Amy Samways: NCB soap. Paul Marden: What's that? Amy Samways: It's either bright green or bright pink and they used to buy it in the canteen shop and it's just imprinted with NCB. The guides have been asking and asking for it, but we have actually found a supplier now who's going to be working on it. So that should be coming this summer. Paul Marden: Wowzers. Amy Samways: Yeah. That's really exciting for you. Paul Marden:  What was the highlight? What's the one thing about this space, about the whole experience of the project. Amy Samways: That jumps out for me is seeing all the stock we've worked on and somebody actually buying it. Paul Marden:  And what is it that people are picking up? What are they walking in and gravitating to? Amy Samways: Anything Big pet, really. The little enamel little mugs have gone really well. I think the wording on those are great because it says they must not be removed from the premises. So our guides are loving those. And also our retro sign, which we had for our 40th anniversary and three years ago, but we kept it because it's such a brilliant design. It was the original from 1983 and it was on the original road sign as you drove in. So we've had that recreated and that sells really well. Paul Marden:  That's really interesting. So my wife with the family about 25, 30 years ago, came on a family holiday and they had the original guidebook that they picked up when they were here with the kind of the retro. Retro signage on there. Amy Samways: Yeah, we're back selling it again. Kate Eden: Yes, So my name's Kate Eden. I'm chair of the board of Amgueddfa Cymru. Paul Marden:  Tell me a little bit about your involvement in this project. Kate Eden:  As the board, we've been tracking the development of commercial and enterprises over the past year. Really. And really thrown our way, weight and support behind what the team has been trying to do here as a kind of flagship, really, for what we would all like the new benchmark to be across all of the seven sites of anger for Cymru. So seeing it all come together this morning has just been such a special experience. It's absolutely fantastic. I'm going to bring the rest of the board here as soon as I can so the trustees can see this and see the reaction of staff and of visitors as well, because it's a fabulous achievement and it shows us what we can do now as a national museum. Paul Marden: How well does it tie back into the original pitch at trustees? So I'm a trustee of a charity as well. The pressures that we're all under in terms of reducing funding and having to generate our own funding is so hugely important. This must be integral to the conversations that you were having as trustees. Did you have this in mind when you were signing off the agreement to spend the money? Kate Eden: Yeah. So I don't think anybody realised just how successful this could be. We'd had some mock ups and we'd had a presentation, so there was a lot of excitement and there was sort of the fledgling idea years. So we've got a sense of what it could be. But I think importantly for us, it's about that marriage of financial sustainability because it's got to wash its face, it's got to provide a working profit that can go back into the running of Big Pit here.Kate Eden: But it's got to be authentic to this place. It can't be the add on the visitor should shop that you walk through at the end. And it's a bit of a tedious thing to get back to the car park. It's got to be an integral part of the whole visitor experience in this place. And I think that's what they've achieved. Paul Marden: It's so impressive. So impressive. You know, just the structure that they've built to give you the impression of the mine in a really subtle way. The product that they've chosen, the way that they've laid out that, the shop is amazing. I think they've done an amazing job. Kate Eden: That's it. I mean, this is my local site. Paul Marden: Okay. Kate Eden: I live about three miles over the mountain there. So I bring my friends and family here. This is our go to place when I've got visitors. And I think just the way they've opened up the room, they've removed the barriers, which is really important. It's a small thing, but really important so that people feel welcome. They can walk in or they can walk ground. Paul Marden: Yep. Kate Eden: And it's. And it just feels a little bit more inclusive. It feels a bit more kind of, you know, we're here, it's easy to come and see us, you know, and spend time and then spend a little. Paul Marden: A little bit of money. Yeah. So where do we go from here as trustees? Are you fully behind rolling this out now? Kate Eden: Yeah, I mean, I think now that we've seen what we can do and the type of data that's coming through from sales, this is now the new. This is the bar. Paul Marden: Oh. So it has made a discernible difference to say. Kate Eden: So early data from Easter is really promising. Yeah. So this is the benchmark now from all of the other sites. Nia Elias: Hi, Paul. Hi, I'm Nia. Paul Marden: Lovely to meet you. Tell me about your role at the museum. Nia Elias: I am Director of Relationships and Funding. It basically means I get to work with all of the teams across the museum that work on the reputation, the reach, but also the revenue of this wonderful charity and national museum that we are. Because as well as getting funding from Welsh government, we raise our own income so it can be invested.Paul Marden: What sort of split? Nia Elias: What sort of split? So the majority of the money that comes to us does come from Welsh government because we're a public service, we're here free of charge for the people of Wales and we look after the national collection, which is over 5 million items across seven museums and a collection centre. Nia Elias: But there's a proportion then of money that we raise ourselves about sort of 30%, which is from our cafes and our car parks and the experiences that people have, and most importantly, our shops. Paul Marden:  So what was the inspiration for this project? Why kick off a strategy project around the whole retail experience? Nia Elias:  Well, this whole project, in essence started three and a half years ago when the museum decided that it would bring a strategy together for all of its self generated income. So that means our philanthropic income generation and through our enterprise, including our retail. And from a retail perspective, we knew that what we wanted to achieve with all of the money that we raise ourselves is that it's really rooted in the collection, because we have an amazing collection. It tells the story of Wales and it's owned by the people of Wales. Paul Marden: Right. Nia Elias: And from a retail perspective, we knew if people could engage with that and could take away something from the wonderful experience that they've had on site, that it would be something that they would want and it would make it unique that it's only possible to have here. Developing a project like this is quite challenging. You need the time, you need the teams and expertise, some of which are on your permanent team, some of which are naturally not. And also you need investment. And so by starting the thinking and the route of where we wanted to get to three and a half years ago, it meant when we had the funding and the opportunity to do so here at Big Pit, we knew exactly what to do. Paul Marden: Okay, so you. You put all of those pieces together and then came here and did the first cookie cutter stamp. But what's interesting is it's not a cookie cutter stamp, is it? This totally feels like the gift shop for this museum, doesn't it?. Nia Elias:  Yeah. So we feel really strongly that we wanted the balance of knowing that you're at a National Museum Wales site, knowing that you're somewhere unique, but equally that it has a sense of a place. Because all of our seven museums together tell the holistic story of Wales, but you really get a sense of personality on all of those sites, not just from the collection and the buildings and the items, but also from the colleagues that work here as well. Paul Marden: Right. Nia Elias: They're very much a part of that in terms of the stories that they tell, their lived experiences, and we had a sense of responsibility and fun to bring that through in the shop. Not just the ambiance, but also the products themselves, so much of them, the majority of them actually, are grounded in being inspired by the collection in some way, and also has a really strong Welsh and local profit as well. What we think that will come through to our customers and visitors and guests is that because we've worked across all of the teams in the museum, so curators and people who care for the collection, our colleagues here at Big Pit, many of whom are former miners, and our colleagues front of house, it means that everybody will be able to speak about the product. Nia Elias: So as you're walking around picking things up, imagining them in your home or as gifts, our colleagues can talk about what they mean to the place. And that brings something additional that you can't really buy. Paul Marden: Yeah. There's a story to it. There's a background to it that roots it. Yeah. Lovely. For you, what's the standout experience from the whole project? What have you enjoyed the most? Nia Elias: Two things I think in terms of the way that it's been done, the fact that so many teams have worked together behind the scenes to make it happen. That means that as we want to change things or tweak things or improve things, we'll have all of the knowledge and expertise already baked in, especially learning from other suppliers who've come along and helped us. So we've got that baked in now, which is really exciting. And the second thing is that I can stand here knowing that this is the standard of a national museum that our guests and visitors expect and want to see. Paul Marden: And now let's hear from a few of the external partners that Kath brought into the project. Arantxa Garcia was the shop designer and visual merchandiser. Anya Kirkby was responsible for product development. And Guy Veal was responsible for sound design. Tell me about your involvement in the project. Arantxa Garcia: Sure. So I'm the shop designer and visual merchandiser. It's a freelance role, so. So I worked with the team, Matthew, Richard, Anne and Guy. Paul Marden: Excellent. Arantxa Garcia: So we kind of all came as part of a team and each one of us looked after different areas of the project. And my involvement was to kind of reinvent and reimagine what was already here. And the idea was to create a space that was connected to the experience and to the site itself. So we've basically ripped the space apart. We've kind of kept the structure, obviously, but we've opened up the space as well. Before the shop, it would be very separate. You'd have admissions and then you have the shop area, which meant that you were only really accessing the shop if you came to visit the site. But as a local, you wouldn't be able to come, for example. Or you could, but maybe not in such an open way. Paul Marden: Yeah, you wouldn't feel welcome. Arantxa Garcia: Exactly, exactly. You may not want to just because you didn't know, whereas now you can just come in and basically hang around and also browse the shop. Exactly. We took inspiration from life underground, from the mine itself. So before the building was white, the units were white, so it could be a shop anywhere. You know, it didn't really have a DNA, so to speak, or an identity that related it directly to the site. So when visiting down to the underground and King Call as well, the exhibition that we've got just up the hill, we took inspiration from basically sort of like the. The cladding that you've got on the walls. Cladding is not the right word. So if one of the miners hears me saying that, they'll be. Arantxa Garcia: That's not the word that we told you, but the idea is that all the materiality that we're using, it's really evocative of. Of the site and it's the materials that have been used underground. So even, like the safety lamps, they'll set authentic safety lamps. And the team on site, Dwayne Smith, has electrified them. So it means that now they work, obviously, as a normal light, but it's a safety. Paul Marden: But they are the original safety. Arantxa Garcia: They are the original safety. Paul Marden: Wowsers. And what about these styles? Arantxa Garcia: So, yes, I always like going for a hunt on the side. So basically the team took me to different rooms and we just found stuff, if you like. So they're like the pressure gauges, you know, we're gonna use them just to add, again, like, references to the site and the authenticity, of course. So you also find loads of tools that would have been used underground as well. Paul Marden: I would imagine that this has been a really enjoyable project for you. I can see it on your face, how much you've enjoyed it. Arantxa Garcia: It has. And I think for designers, sometimes there's projects that take a bit longer to emerge and you keep changing things because you just don't feel probably quite right. There's something. But with this one, it kind of. After the site visit, it was just. Paul Marden: I clicked immediately.Arantxa Garcia: It just clicked immediately. So we darkened the wall. So we've kind of given that sort of grey background just to kind of creating more of like a cosy and shrinking the space. Paul Marden: But you. It pops the orange. Arantxa Garcia: Exactly. And the orange is everywhere. So, like, we've also changed the lighting, so it's a lot warmer. So again, that hint of orange. Yeah, orange on the back, orange on the miners on here. And then it comes also from the products. So the identity is there, but without going fully corporate, if that makes sense. That's the colour that you remember, isn't it? You've just been on the ground. All our guides and miners wear the orange overalls and the sort of, like the blue jackets over it, whether it's a donkey jacket in the winter or then they wear the soft shells as well. So, yeah, it's all those details, like those hints to the experience that kind of are embedded in the design. And these are regional as well. The drums are regional, all the flatbeds. Arantxa Garcia:  So the team here took the metal sides off and then sort of like left the skeleton of the drum, varnished it. And then our shop fitters aren't here. They did all the sort of the cladding using reclaimed scaffolding boards. But the original Drums would have been made out of wood. Paul Marden: Beautiful. It's so tactile, isn't it? Arantxa Garcia:  It's tactile. Again, we're looking at the DNA all the time. And shops can be more than just shops. Shops can tell stories. You just connect with it in a very different way. And just having the time the team on site involved has been absolutely incredible. Like the sense of pride and belonging and provenance that this kind of has awakened, it's been great. It's your job done really as a designer. When you just feel like everyone owns it, that's your job, that's when you can walk away. Paul Marden: What an amazing testimonial for you and the work that everyone feels like that. Anya, lovely to meet you. Tell me, what was your involvement in the project? Anya Kirkby: So I mainly focused on product development. So we looked at where we could get inspiration from the site and how we could translate that really from the site experience into the shop experience as well. Paul Marden: Okay, so you're coming, you're experiencing what's going on and then looking to the outside world as to how you can source your products. Where do you go for the inspiration for the products? Anya Kirkby: Working with the team a lot. So Amy was a huge help on guiding us on what things would be very useful for visitors, what they really enjoyed when they were on site, what were their key take home messages that they experienced. And then working with Amy and Tracey as well to look at what products people like when they're in the shop anyway and how we can kind of marry those two up. Paul Marden: So what is it that people like when they come to Big Pit? Anya Kirkby: Well, unsurprisingly, the mine, they enjoy the mines, the mining experience. So that was just something that we already had in the shop. So we just expanded on that more if possible. But then we've also taken inspiration from signage. So they already had the original Big Pit signage and we looked at that and kind of again expanded on it. So then we've kind of expanded that to signage that you find in some of the other exhibits. So up in the showers, for example, in the canteen, signage, some of the original pieces from collections. We then translated that into products. So you'll see we've got the designs across mugs, original little metal signs, moved that across to prints, notebooks, postcards. Paul Marden: You've been developing a lot of the products yourself, so bringing that kind of the unifying feel to everything. Anya Kirkby: Yeah. So along with product development and making all the kind of the new things that we can have it's just bringing across the branding through the AC brand really strongly across everything. It's got such a strong message that we may as well have that on as many products as we possibly can do. Paul Marden: And how much of the stuff is actually locally sourced? Anya Kirkby: Oh, it's huge amounts. And the exciting thing is after speaking to Amy, the things that she needs to reorder are the local suppliers, which is so nice. So a lot of the confectionery that's locally sourced candles, soap, the coal figures, the wooden spoons, chocolate boxes, the biscuit boxes. So as much as possible. And then we've worked with local suppliers as well to do photography, to do some of the signage, to do the original signwriting in the shop as well. So beyond products, we've looked at the POS points like elements of the shop as well. So thankfully we've used as many local spires as we possibly can. Paul Marden: You've enjoyed this project, haven't you? Anya Kirkby: I absolutely loved it, yeah. It's fantastic to see it's absolutely amazing. Paul Marden: Yeah. Anya Kirkby: So yeah, it's really special. Paul Marden: And then from here you springboard on to the other seven sites. How do you, how do you come up with the ideas then? Anya Kirkby: Exactly the same process. So working with the teams to find out what it is that visitors absolutely love about their sites and bringing that into the shop experience. So again I get very lucky. I get to go around a lot museums and experience it. Paul Marden: It's a tough job, isn't it?Anya Kirkby: It's tricky. But basically finding out what they love and bringing that through the really things that visitors take home with them anyway and just making it into a product that they can actually physically take a piece of the museum home with them as well. Paul Marden: It's great because there are some pocket money items here because I take kids on school visits and it's a very expensive experience. You know, if they catch take a fiver with them, often they can't get anything with a fiver but they can walk in and they've got pencils, they've got rubbers and they'll walk out happy with those little bits. But at the same time you've got some beautiful stuff that the grown ups can come and pick up and really enjoy. Anya Kirkby: It's the same as any museum visitor. You kind of have to look at who's going to be visiting. It's all types of people that come and just gauging it from that as well. So having an offer for everyone that they can enjoy. Someone said to me once that children for the first time. It's often their first time having a transaction monetary wise. Is that a museum on a school trip? So it's just lovely to kind of have something for them to experience that as well. Paul Marden: Never thought of it like that. They're out on their own. They're not with mum and dad. So they've got the money themselves and they've got to make the decision. So we are at. I took some kids to the science museum last year. Anya Kirkby: Oh. Paul Marden: And the amount of time we took in the shop because of the indecision that they had. Anya Kirkby: It's the indecision decision and then the queue of all them having a five pound note and having all the change come back or not having quite enough. But I think it's such an important. If you can't do that in a museum, where can you do it? Paul Marden: Guy. Hi. Guy Veale: Hi. Paul Marden: I just wanted to talk to you a little bit about what was your part of the project? Guy Veale: I was sound designer for the soundscape which we can't hear when everyone's chatting. Paul Marden: I can hear some birds in the background. Is that. Guy Veale: Is that canaries? Living canaries. Not dead gas. Paul Marden:  Coal mine canary. Guy Veale: So I did a little bit of research sort of towards the end of the project after lots of stuff had been built in, when they decided that some low level sound would be a good part of the experience. And looking at the brief and the shape of the room, the acoustics, a lot of this new ducting that's gone in that was not then easy to put cables into. We had to go for a wireless solution. Paul Marden:  Okay. Guy Veale: As part of that I found a Swedish company that had a system that creates its own network which is like a weird dream because normally you've got to go the IT guys and then something goes wrong and there's some sort of address problems or. Bluetooth is not always reliable. This has been a revolution just in terms of. Guy Veale: Don't if you can see them. There's little. They look like light fixtures that are centrally over these panels. Paul Marden: Oh right. Guy Veale: And they're quite. Paul Marden: Oh. And so they're speaking speakers pointing down onto the panel to separate it. So what. What. The other kind of sound pictures that you're painting. We've got the canary. What else have you got? Guy Veale: So the whole idea is that you're trying to represent the industrial heritage of the site and have as many authentic sounds from the site as possible. Paul Marden: Right. Guy Veale: So we've reused some of the really high quality recordings that also feature at different parts of the site already. Paul Marden: Yep. Guy Veale: But then, also sourced about another 70 or 80 sound from the BBC archive. Paul Marden: Oh, wow. Guy Veale: Paid for. And so. But if you think about those sounds, they're quite punctuated and aggressive. You think of any industrial sound and like chipping away or different tipples working. You know, the idea is that you don't want to surprise someone that while they're shopping and leaning over next to a speaker and hearing. So it needed to be softened in some way. And you know, traditionally the way I've done work is music and sound design is using different textures and tonal design and like a drone, I suppose, is this as a sort of basis that can be moving and organic, not totally static? Paul Marden: Yeah. Guy Veale:  And the idea was to sort of try and include fragments of relevant songs using the male voice choir.Paul Marden:  Really.Guy Veale: And we tried several things and I looked at it and I realised that you might catch someone coming in for five minutes here and they catch a snippet and it's all well and good for them, but the staff and you've got to hear this eight hours a day, every day, you know, four weeks, a month, so forth. So even just one little identifiable recurring melody starts to get too much, even on quite a long five. Paul Marden: Oh, really? Guy Veale: And I found that it wasn't sustainable. So I, in the end, I ended up using the. Almost like the vocal warm ups and breaths of the choir artificially extended out so they're not breathing, just this constant low level, breathy sort of expulsion. I mean, if went quiet now, we'd hear it as the. As a backdrop and it's embedded with a few other little musical elements that just sort of try and soften and support. I think of it like the vowels of the track and then the consonants. Paul Marden: Or the industrial chipping noises and the harsher noises. Guy Veale: So they're harsher but they're there and they're a bit removed and reverberate and in the background. Paul Marden: But it's really interesting how you describe it in that kind of. Using the metaphor of the letters. Guy Veale: Yeah, that's what it felt like. Just trying to find something that was like a vocabulary of work that has to tick so many different boxes, including like a therapeutic retail experience. People leaving the site with a sense of well being. Also like summarising what they've been through, not sort of projecting them out the door with, you know, a completely new thing or somewhere that they haven't been through yet. So, you know, fair few things to try and fit in there and, you know, hopefully it works and we'll see how things are in a year's time. Paul Marden: Yeah. Cath, the last point I wanted touch on before we finish today is oh my God, how happy everybody was at that event yesterday. How positive the experience was for all of the team members. What was for you the big standout moment for the entire project? Catherine Pinkerton: I mean, there's so many, Paul. But I think for me it's an opportunity to see what can be achieved when people collaborate. And I think, you know, joining the museum three years ago is really collaborating with lots of different departments to achieve something as a team.Catherine Pinkerton: Teamwork is absolutely the key to kind of success and I think you can only achieve that by having that really product professional kind of embodiment with all of the collaborative teams to work together for the same goal. And I, I was really proud yesterday that it took a lot of work, but actually without a team of 40 people as well as the wider organisation, it would not have been, it was no mean feat, but it was certainly wasn't just down to one person saying this is my project because it was a team effort. Catherine Pinkerton: And I was so proud of everybody that was there to kind of thank them along the way to say, this is, we've done this and now onwards and upwards. Paul Marden: Yeah, absolutely. You should be so proud. It really was. Catherine Pinkerton: Thank you. Paul Marden:  It's a demonstration of what a museum gift shop experience can really be like when you work together like that, when you collaborate. So well done to all of you. It was such a lovely experience yesterday. Thank you for inviting me. Catherine Pinkerton: Thank you so much for coming, Paul. I appreciate it. Paul Marden: Before we go though, I always ask for a book recommendation from our guests. Now it would have bankrupted me to have asked everybody yesterday for book recommendations. So you have to take the responsibility of a recommendation on behalf of everybody. What have you got for me? Catherine Pinkerton: The secret for me is, you know, that that book seems to be. I always go back to that book very often and I think it's a key one for lots of areas. So that's definitely a takeaway for me. But the other one I'm reading at the moment called A Monk's Guide to Happiness. I'm not sure if you've had enough to read it. Yeah, it's a 21st century take on A Monk's Guide. It's written by Gelong Thubten and he had a very high powered job and he had a burnout and interestingly he changed his whole mindset in terms of what makes him happy and really making it quite basic. Right. Catherine Pinkerton: So it's a, it's a real eye opener in terms of just pulling things back sometimes, you know, at the end of the day, come on, let's just live life and be happy but, you know, not stress out about things. I'm quite easy to do that. So this is very much a. Just breathe, Kath, get through it. But it's a good one. If you want to just strip it back and just kind of understanding the basics of being happy, then, yeah, he's great. Paul Marden: Oh, Cath, that's a great recommendation. If you go over to Bluesky and repost the show message that Wenalyn put out and say, I want Kath's book, then the first person that does that will get a copy of the book sent to them. Kath, it was absolutely delightful. I enjoyed my day wandering around Big Pit yesterday no end. Given that half my family is from the valleys and most of them were miners, I feel like I should have done this a very long time ago. But it was lovely. And to enjoy the experience of the celebration that you had yesterday, it was a real privilege. So thank you. Catherine Pinkerton: Oh, huge privilege to have you there. Paul. Thank you so much. I'm really appreciative. Did you purchase? Paul Marden: I did purchase on my way out. Catherine Pinkerton: Yay. Great, great, great.Paul Marden: Deal. Catherine Pinkerton: Deal. Thank you so much. Paul Marden: So after my trip 90 metres down to the bottom of the mine shaft, where I of course couldn't take microphones, I'm now back up on the surface, microphones back in hand and enjoying myself, wandering around currently in the winding house, which is where all the machinery is for lifting the cages that 90 metres down to the bottom of the pit head. I've had an amazing day here at Big Pit. It's been so interesting to see this museum and to talk to many of the amazing staff that have taken part in this big project to redesign their gift shops. Highly recommend a day trip to Big Pit. Really has been very enjoyable, if for no other reason, to see that amazing new gift shop experience. Paul Marden: Now, as always, if you'd like a copy of Catherine's book, head over to Blue sky and repost the show notice that Wenalyn will post out and say, I want a copy of Catherine's book and the first person to do that will get that copy sent over to them. So all that remains for me to say is thank you to Catherine for inviting me here to Big Pit today. And I'll see you again soon. Take care. Bye Bye. Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others to find us. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them to increase their visitor numbers. You can find show notes and transcripts from this episode and more over on our website, skipthequeue fm.  The 2024 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsDownload the 2024 Rubber Cheese Visitor Attraction Website Survey Report

What's it like to headline a stage at Glastonbury? Who is more fun to hang out with, Mickey Rourke or Alan Titchmarsh? What item you could buy from a Robert Dyas does Mariah Carey insist on having at her parties? Answering all these questions is DJ Nikki Beatnik! She tells us about Mums That Rave and how her amazing daytime parties are taking over the world. There's a bit of serious chat as we discuss sexism in the music and theatre industries. And we talk about the trials of accepting a prestigious award while simultaneously trying to sort out your son's Roblox login. Plus, we play an amazing round of True or False, and find out how Nikki managed to offend Jordan from New Kids on the Block. We bloody LOVE Mums That Rave and strongly suggest you get yourself down there - this week's event is sold out, but tickets are available for Birmingham on 7 June and London on 12 July. Go to mumsthatrave.com and follow Nikki @djnikkibeatnik and @mumsthatrave.WE ARE BACK ON THE ROAD! Our new show Hot Mess is coming to theatres all over the country in 2025 and beyond. Many shows are SOLD OUT already so get your tickets NOW for Chelmsford, Worthing, Cardiff, Worcester, Trowbridge, Wellingborough, Maidstone, Dorchester, Brighton, Henley-on-Thames, Nottingham, Taunton, and many more... Visit scummymummies.com for dates and tickets. *WE HAVE A SHOP!* Visit scummymummiesshop.com for our ace t-shirts, mugs, washbags, sweatshirts and beach towels. FREE UK DELIVERY! We're on X, Instagram, and Facebook @scummymummies. If you like the podcast, please rate, review and subscribe. Thank you for listening! Hosted on Acast. See acast.com/privacy for more information.

Alfie and Will look back on Northampton Saints producing one of the greatest upsets in European club rugby history by beating Leinster and progressing into the Champions Cup final. They are also in Bristol where they chat to Ellis Genge and Bristol's Chief Operating Officer Tom Tainton ahead of the club facing rivals Bath in Cardiff on the weekend. Plus, they have big news about a potential Lions starter suffering a serious injury! Hosted on Acast. See acast.com/privacy for more information.

Goodbye 2024/25. It's been quite a ride. Norwich City concluded their Championship campaign with a 4-2 victory at Carrow Road against already-relegated Cardiff at Carrow Road - with farewells and another audition for Jack Wilshere. Join Connor Southwell, Paddy Davitt, Samuel Seaman and Adam Harvey for the latest edition of the Pink Un podcast reflecting on a day of high emotion in NR1. *** With thanks to our podcast sponsor - First Bus. ** Picture: Paul Chesterton/Focus Images Ltd *** You can also hear the Pink Un Podcast on Norwich's Community radio station, Future Radio 107.8FM. *** To get in touch with the podcast now and in future, send any comments and questions into the crew with an email to norfolksport@archant.co.uk or get in touch with us @pinkun on Twitter, where our direct messages are open. And if you're interested in sponsoring the pod, or placing an advert in one of our shows, email connor.southwell@newsquest.co.uk ALSO FIND US AT THE FOLLOWING: Subscribe: pinkun.com/podcast Twitter: twitter.com/pinkun Facebook: fb.me/thepinkun Instagram: instagram.com/the_pinkun Find more details on how you can sign up to Pink Un + here: https://www.pinkun.com/pinkunplus/ #ncfc #norwichcity #podcast

Send us a textSeason 2 Episode 41Welcome to the Who's Tom & Dick the Podcast! Today, we're thrilled to have the legendary Griff Rhys Jones joining us. A celebrated comedian, actor, and writer, Griff has been a beloved figure in British entertainment for decades. Known for his sharp wit and infectious charm, he's starred in iconic shows like "Not the Nine O'Clock News" and "Three Men in a Boat." Beyond the screen, Griff is also an avid traveler and a passionate advocate for the arts. Join us as we delve into his fascinating journey, explore his creative process, and share some laughs along the way!Griffith Rhys Jones was born on 16 November 1953 in Cardiff, the son of Gwynneth Margaret (née Jones) and Elwyn Rhys Jones, a medical doctor. He was six months old when his family moved to West Sussex due to his father's occupation. Griff attended Conifers Primary School in Midhurst , West Sussex, before his family moved to Epping, Essex. Griff came in as a producer of Rowan Atkinson's show The Atkinson People with Frankie Howard, Clive Anderson and Rory McGarth, for the BBC and appeared twice on who's line is it anyway. Griff filled in several minor roles in the first series of Not the nine o'clock news and was brought in as a regular cast member from the second series onwards, replacing Chris Langham. After Not the nine o'clock news Mel Smith and Griff teamed up in 1984, and they appeared in the comedy sketch series Alas Smith and Jones. (the show's title being a pun on the American television series Alias Smith and Jones. After the first series, the two men appeared in the science fiction comedy movie Morons from outer space and then in 1989, then Wilt. Listen to griff explain the trials and tribulations of Radio, TV and the theatre and how recently his film with Mel Smith (Morons form outer space) was finally recognised and notably ahead of its time.Griff was so generous with his time and had some amazing stories and tales we have split the interview into two parts, part 2 will be released next Friday, please come back and listen.#HeartTransplant#eatingdisorder#RareCondition#HealthJourney#LifeChangingDiagnosis#MentalHealth#Vulnerability#SelfCompassion#PostTraumaticGrowth#MedicalMiracle#BBCSports#Inspiration#Cardiology#Surgery#Podcast#Healthcare#HeartHealth#MedicalBreakthrough#EmotionalJourney#SupportSystem#HealthcareHeroes#PatientStories#CardiologyCare#MedicalJourney#LifeLessons#MentalWellness#HealthAwareness#InspirationalTalk#LivingWithIllness#RareDiseaseAwareness#SharingIsCaring#MedicalSupport#BBCReporter#HeartDisease#PodcastInterview#HealthTalk#Empowerment#Wellbeing#HealthPodcast#DNAwww.whostomanddick.comCheck out our website at www.whostomanddick.com

The UFFL is a Fantasy Football League comprised of 12 teams. It's members all came from a triple-wide trailer in the heart of Bristol, CT - where as young Sports Television (think 4 letters) Production Assistants, they battled for pride and very little money in the greatest fantasy football dynasty league...EVER.      On the "UFFL: TOTAL NONSENSE PODCAST" you will hear behind the scenes stories and insider info about the league, it's odd owners, and the current fantasy football season. So stay tuned and learn from fantasy football legends (not really) about football (maybe), fantasy sports (possibly), life (doubtfully), and about the UFFL owners themselves (regrettably)!     It's the Ultimate Fantasy Football League...     in podcast entertainment form...     brought to you for F-R-E-E!!     By God, it's nearly worth every penny!#Recorded Wednesday, April 30th, 2025Mock Draft 2025!  _____________________Episode #1 of 2025 starts with our Rookie Draft Mock Draft!  John B., Chris, and The Commish return for another season of Total Nonsense!  A new season begins, a new Champion will be crowned, and the chase for UFFL Bowl XXII beings - with the Rookie Draft.  So let's hear how the Boys think it will all unfold on May 8th._______________ 2025 UFFL_______________– East Division –1. Waiver Wire Heroes (John B.)2. Free Jamal (Jeremy)3. Mutt & Jeff (Chris)4. Gurley's Gone (John M. and Ben) ____________– Central Division –1. Cardiff Giant The Giant Killer (Matt M.)2. Kick-Ass Philanthropists (Dave)3. Vicious & Delicious (Scott/Commish)4. Impact of Olestra (Jason)  ____________– West Division –1. Compton's Most Wanted (Aladdin and JPete)2. West Coast 4 Life (Thomas)3. Rochester Tschmingus (Brian)4. The Mission (Matt V., Matt C.)_____________2025 Rookie Draft Order:1st Rnd 1. Kick-Ass Philanthropists (from Impact of Olestra)2. The Mission3. Gurley's Gone4. Rochester Tschmingus5. Mutt & Jeff6. Vicious & Delicious7. West Coast 4 Life8. Impact of Olestra (from CMW)9. Free Jamal10. Kick-Ass Philanthropists11. Kick-Ass Philanthropists (from WWH)12. Cardiff the Giant Killer2nd Rnd1. I of O2. The Mission3. GG4. RT5. The Mission (from MJ)6. VD7. WC4L8. CMW9. GG (from FJ)10. KAP11. KAP (from WWH thru MJ)12. CGK3rd Rnd1. KAP (from Impact of Olestra)2. The Mission3. WC4L (from GG thru CMW)4. RT5. MJ6. RT (from VD)7. WC4L8. GG (from CMW)9. RT (from FJ thru KAP)10. WWH (thru KAP)11. GG (from WWH)12. GG (from CGK thru CMW)4th Rnd1. I of O2. KAP (from The Mission thru MJ)3. VD (from GG)4. RT5. WWH (from MJ thru CGK)6. GG (from VD thru CMW)7. WC4L8. WWH (from CMW thru CGK)9. KAP (from FJ)10. KAP11. RT (from WWH)12. CGK5th Rnd1. I of O2. The Mission3. WWH4. RT5. GG (from MJ)6. VD7. GG (from WC4L)8. CGK (from CMW)9. I of O (from FJ thru GG)10. KAP11. WWH12. CGK

Ruairi O'Hagan from Off The Ball is joined by Munster legends Alan Quinlan and Fiona Hayes to discuss a disappointing defeat to Cardiff Blues. And this week, the gang are joined by Jane Clohessy to talk about her maiden Irish cap.The first twenty minutes of this week's podcast is unlocked, but to listen to the full podcast, get on over to the Off The Ball app, or become a member at offtheball.com/join.

Part One: Wrexham legend Mickey Thomas reflects on the club's latest promotion and the pivotal role he played at the start of the incredible journey under Ryan Reynolds and Rob McElhenney. Thomas was centre stage at the Cae Ras alongside the charismatic owners as they celebrated an unprecedented third promotion in a row. The 70-year-old also pays tribute to his friend Mike Peters, the lead singer of The Alarm and huge football fan, who died this week.Part Two: Carl, Iwan and Sam ponder what next for Cardiff City after their relegation to League One. Did the troubled club need to hit "rock bottom" to instigate some of the operational changes many have demanded for such a long time? And is Alan Sheehan the correct man to bring stability and success to Swansea City?

The death of Pope Francis on the 21st April understandably led to a wave of media coverage, but did the BBC get it right? Andrea Catherwood puts your views to Aleem Maqbool, Religion Editor for BBC News, and hears about what it takes to prepare for such a solemn occasion. And what did listeners think of the episode of Witness History that came directly after the Pope's Requiem Mass on the Sunday morning?Listeners talk about Clive Myrie's Music on the Front Line which returned for another series as part of Radio 3's Music Matters this Spring. Clive interviews fellow journalists about the music they've turned to while reporting from some of the world's most dangerous conflict zones. And you might have noticed a questionnaire - Our BBC, Our Future - in your email inbox recently, asking what you watch and listen to and your thoughts on the future of the Corporation. We hear your reactions, and Andrea talks to Professor Matt Walsh, Head of the Journalism School at the University of Cardiff, about the biggest public engagement exercise the BBC has carried out. Producer: Pauline Moore Assistant Producer: Rebecca Guthrie Executive Producer: David PrestA Whistledown Scotland production for BBC Radio 4

As French club rugby thrives, English rugby finds itself at a crossroads. Alex and Tins are joined by Jonny May, Courtney Lawes, and rugby powerbroker Simon Gilham OBE for a timely conversation on what England can learn from across the Channel. From the dominance of ProD2 and the booming Top 14 to the structural chaos at home, the team digs into the future of the English game. Plus: Investec Champions Cup semi-final previews and Courtney's Lions ambitions. Season 5 is sponsored by Continental Tyres.  WOB Group & GB&R Competition Entry Form

The lads are back at AiC HQ and Paddy has had a fork up his arse and Ryan has nearly had the sack from work but they talk Cardiffs relegation from the Championship, Lee Trundle trolling Cardiff fans on social media and Alan Sheehans appointment as manager. The boys talk Wrexhams continued rise through the leagues, was this the worst Premier league season of all time and DAZN/Saudi Arabia absolute shenanigans over the World Club Cup and Ryan's somehow managed to score an own goal past his son. The boys discuss Eubank/Benn, John Phillips BKFC debut, the Kinihan Cartel documentary and Murder for hire plots plus much much more….@ambitioniscritcal1997 on Instagram @TheAiCPodcast on Twitter

The business end of the season is heating up with Leicester peaking at the right time, Sale's masterclass over Jim's Sarries, and Gloucester hammering Exeter. The lads cover all this plus a bit of giant-killing down in Wales with Cardiff and Scarlets getting one over their Irish brethren. We're also joined by Cardiff boss Matt Sherratt to get his thoughts. Plus, new Prem TV deals, academy dramas, new idea from Rassie Erasmus, and plenty more other news. Settle back, enjoy, and make sure you're subscribed on Spotify! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jonny Drury and Lewis Cox return with the latest episode of the Baggies Broadcast - in association with West Midlands Metro. The season continues to limp towards a shocking conclusion for Albion - as Lewis and Jonny reflect on another dismal day on the road at relegated Cardiff. They look at the questions that have been asked about the players and who could potentially be heading for The Hawthorns exit door in the summer. And they discuss the latest in the managerial search, amid talk around QPR'S Marti Cifuentes. They also answer questions from the Baggies fans! Want to have your say? Follow us on Twitter at @AlbionPoddy and get in touch with your questions Title Track: 'King Cyrille' by The King Dukes. (M.Griffiths) This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Gareth and Lauren are joined by former Wales international James Hook and broadcaster Laura-Jane Jones to look back at a weekend of both highs and lows for Welsh rugby.Cardiff, Scarlets and Ospreys are still in the chase for the URC play-offs after impressive wins - but Sean Lynn's Wales women's side suffered another heavy defeat in the Six Nations and they take the wooden spoon once again.

Mark Chapman is joined by Steph Houghton, Chris Sutton and The Observer's Rory Smith for the latest episode of the Monday Night Club.The team discuss Liverpool's 20th title victory, with Stephen Warnock joining the pod to reflect on the season. Celtic also won a title on the weekend, so former striker Chris Sutton weighs in on their season and on the future of Brendan Rodgers. Is the landscape of Welsh football changing, with Cardiff's relegation and Wrexham's promotion? And Steph reflects on Arsenal women's sensational win against Lyon to progress to the Champions League final.Timecodes: 00:41 Liverpool win their 20th league title 10:30 Have Liverpool 'underwhelmed'? Were Arsenal outdone by injuries? 13:51 Arne Slot speaks about Jurgen Klopp, plus how the club transitioned between managers 22:27 Ryan Gravenberch's season as a 6 29:42 Celtic win their 55th league title, and what next for Rodgers? 39:05 Cardiff's relegation and Wrexham's promotion 50:53 Arsenal women's shock win over LyonBBC Sounds / 5 Live commentaries this week: Tue 2000 Arsenal v PSG in the UEFA Champions League, Wed 2015 Man Utd v Chelsea in the Women's Super League, Thu 2000 Athletic Club v Man Utd in the UEFA Europa League, Thu 2000 Tottenham v Bodø/Glimt in the UEFA Europa League.

Fresh from his Ash Splash at the weekend, England and Northampton star Henry Pollock is our special guest on this week's pod. Pollock chats to Ugo and Ashy about the Champions Cup semi-final with Leinster this weekend and his remarkable rise through the ranks over the past 12 months. We also learn how he deals with criticism on social media and how he stays grounded away from the pitch. There is plenty to discuss in the Premiership as Sale impress again. Is George Ford played his way onto the Lions tour? Plus, what's going on at Exeter? Scarlets and Cardiff boost their URC play-off hopes and do the Red Roses have an issue dealing with pressure?

Jonathan Thomas and guests examine the life and legacy of Pope Francis, from his beginnings in Buenos Aires to his leadership as the head of the Catholic Church. The passing of the 88 year old Pontiff this week came the day after he offered his final Apostolic Blessing on Easter Sunday. Francis famously told all priests to be “shepherds with the smell of the sheep," to connect and empathise with the people they serve. Thousands flocked to Rome for his funeral yesterday; a public reaction that has been echoed globally. We hear of the public response to his death from those visiting St David's Metropolitan Cathedral in Cardiff, and a group of young pilgrims visiting Rome. And we explore the hallmarks of Pope Francis' pontificate. How he will be remembered by both his supporters and critics? We look ahead to the conclave – the election of a new Pope – and the global significance of this at a pivotal time in the Church.With contributions from:Archbishop Mark O'Toole, who mas made a Bishop by Pope Francis; Catherine Pepinster, a former editor of The Tablet (the Catholic Journal), and religious commentator Fr Michael Doyle, Dean of the Metropolitan Cathedral Church of St. David, Cardiff Fr Matt Roche Saunders, Director Director of Youth Mission, based in Cardiff who travelled to Rome this week with a group of young pilgrims

Cardiff, Wales 'Cool Cymru' heroes Super Furry Animals ticked all the boxes and then some with their super-ambitious fifth studio album, 2002's 'Rings Around The World'. From Beach Boys-esque psychedelic pop to 1970s soul to electric gamer prog (OK, we made that last one up), it's a thrilling listen and this week's guest, media and tech consultant Adam Weiner, sat down with Rob to unpack it all.  Songs discussed in this episode: Tradewinds (Acoustic Mix) - Super Furry Animals; Faster - Manic Street Preachers; My Name Is Jonas - Weezer; Fix Idris, Alternate Route To Vulcan Stree, Sidewalk Serfer Girl, (Drawing) Rings Around The World - Super Furry Animals; Silver Machine - Hawkwind; It's Not The End Of The World - Super Furry Animals; Do You Realize - The Flaming Lips; Receptacle For The Respectable, Receptacle For The Respectable (Maccapella Celery) - Super Furry Animals; Vegetables - The Beach Boys; [A] Touch Sensitive, Shoot Doris Day, Miniature, No Sympathy, Juxtaposed With U, Presidential Suite, Run! Christian, Run!, Fragile Happiness, The Roman Road - Super Furry Animals; It's Not The End Of The World (SFA cover) - Pigeon Wigs

It's hard to think of a better guide to the ongoing US-China trade war than Evan Medeiros. A professor at Georgetown University's School of Foreign Service and a lifelong scholar of the US-China relationship, Evan is also the co-author (with James Polk) of a new study, China's New Economic Weapons. Ever since the trade wars of the first Trump term, Chinese officials have been designing a new set of weapons to prepare them for another provocation from the US."Whereas in the past China mainly used basic trade or investment incentives and sanctions," the authors write, "today China is developing, testing, and deploying an entirely new collection of legal and regulatory tools for the explicit purpose of imposing targeted costs on companies and countries it sees as acting against its interests. In effect, these are precision-guided economic munitions, designed to inflict targeted and often substantial pain for political and geopolitical purposes." In other words, China has been preparing for exactly this moment. Cardiff and Evan discuss these new weapons, the long evolution of the US-China relationship, Evan's own experience in policymaking in the Obama White House, how both American and Chinese leaders have changed in the past decade, and the stakes of the current standoff.Related links: China's New Economic WeaponsChina and Russia Will Not Be SplitThe Delusion of Peak ChinaEvan's Faculty Page Hosted on Acast. See acast.com/privacy for more information.

This week we're starting off with Adam Busch's recent appearance on the Quadfather's BYB Podcast. Quadfather has let reddit convince him that he doesn't like me or Shuli but he's not totally sure why. Quad is so lost he thought Stuttering John's story about the Stevie Tomatoes meet up made sense. Adam Busch had to explain to BYB that WATP isn't a scripted show. Then we watch a show that is recorded in a crowded elevator followed by Tim Dillon on Joe Rogan talking about what he wanted to call his new Netflix special. We get into the falling out between Kevin Brennan and Chad Zumock and no, this is not a re-run. Tookie and Cardiff try their best to make MLC a comedy show. Opie is still complaining about his nephew's wedding and how hectic his schedule has become. He's joined by Ron the Waiter who is the worst Opie cohost of all time. Annie joins us for another round of “2 Minutes with Tom,” a new review, and your voicemails.  Support us, get bonus episodes, and watch live every Saturday and Wednesday: http://bit.ly/watp-patreon https://watp.supercast.tech/ Come to Hackamania May 9-11 in Las Vegas with promo code WATP – https://hackamania.com/ Tickets available Friday morning for Boston - http://watplive.com/  Annie's website – insanneity.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Aaron Paul & Jobi McAnuff are joined by Phil Brown as Leeds & Burnley are promoted to the Premier League. Hear from Chris Wilder as Sheffield United have to settle for a play-off place. Luton boss Matt Bloomfield joins the pod with his team inside the relegation zone on goal difference. There are twists and turns at the top of League One and League Two. And will goalkeepers be given a break in 72PLUS 72MINUS?02:05 Phil's Kidderminster title race goes to final day 06:05 Leeds and Burnley promoted to the Premier League 16:10 Sheff Utd have to settle for the play-offs 21:15 WBA, Norwich & Cardiff sack their managers 23:05 Luton boss Matt Bloomfield joins the pod 31:40 Can Charlton gatecrash the League One automatics? 34:30 Doncaster jump to top of League Two 37:30 Jobi's best & worst moments in 72PLUS 72MINUSBBC Sounds / 5 Live / Radio 5 Sports Extra weekend commentaries: Sat 1500 Newcastle v Ipswich in the Premier League, Sat 1715 Crystal Palace v Aston Villa in the FA Cup semis, Sun 1400 Bournemouth v Man Utd in the Premier League, Sun 1400 Chelsea v Barcelona in the Women's Champions League, Sun 1630 Liverpool v Tottenham in the Premier League, Sun 1630 Nottingham Forest v Man City in the FA Cup semis.

Celebrity, campaigner, national treasure... spy. This year, Josephine Baker's memoirs have been made available in English for the first time. The University of Cardiff's Prof. Hanna Diamond tells Morgan Childs more about the extraordinary life of a showbiz spy in wartime France. From SPYSCAPE, the HQ of secrets. A Cup And Nuzzle production. Series producer: Joe Foley. Produced by Morgan Childs. Learn more about your ad choices. Visit megaphone.fm/adchoices

We've got a treat for you all this week: Ambassador De Pluski's back on the pod. He joined Luke, who was fresh home from the Amstel Gold Race, where... well, where he got lost. Long story. In one of the most dramatic Classics of the season, Pog didn't win. Remco didn't win. But Matthias Skjelmose did. Chapeau, Sir. Next up for both Luke (in the car) and De Pluski (on the bike) is Liege-Bastogne-Liege this Sunday. Will it be Pogi vs Remco again? Or will De Pluski pull off a wild long-range attack of his own? Who knows. Maybe if he fuels with the Luke Rowe sandwich, he'll be fine. (You'll have to listen for that one to make sense.) G will be back next week. See you then. Want to try NordVPN? Head to https://nordvpn.com/gtcc for a special sign up deal. We're also hosting a retirement party for G at the Millenium Centre in Cardiff on Sunday 16th November! Tickets are available here: https://www.livenation.co.uk/geraint-thomas-tickets-adp1206752 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Months before trade policy was on anyone's radar, Stephen Miran—now Chairman of the Council of Economic Advisers under President Trump—quietly published "A User's Guide to Restructuring the Global Trading System." In this episode, Ben and Cardiff dive into Miran's roadmap and assess how Trump's policies in practice have diverged from Miran's original vision. Ben and Cardiff explore three key scenarios for the future trajectory: Best Case: International dealmaking leads to a breakthrough, reducing tariffs globally, restoring trade relations, and strengthening US manufacturing sectors. Base Case: A partial rollback of tariffs prevents catastrophic damage, yet still triggers an economic slowdown, accompanied by an interim inflation shock. Worst Case: Continued tariff escalation triggers a severe recession, persistent stagflation, and prolonged economic and geopolitical turmoil. The episode concludes with "surprise scenarios" that could rejuvenate growth despite an adverse economic environment. The hosts emphasize the high stakes and overwhelming uncertainty inherent in America's current economic trajectory. For those who want to read the full, original roadmap: Stephen Miran, A User's Guide to Restructuring the Global Trading System, November 2024 https://www.hudsonbaycapital.com/documents/FG/hudsonbay/research/638199_A_Users_Guide_to_Restructuring_the_Global_Trading_System.pdf — For a deeper dive into these insights and more, be sure to listen to the full episode of the Onward podcast. Have questions or feedback about this episode? Drop us a note at Onward@Fundrise.com.  Onward is hosted by Ben Miller, co-founder and CEO of Fundrise. Podcast production by The Podcast Consultant. Music by Seaplane Armada.  About Fundrise  With over 2 million users, Fundrise is America's largest direct-to-investor alternative asset investment platform. Since 2012, our mission has been to build a better financial system by empowering the individual. We make it easier and more efficient than ever for anyone to invest in institutional-quality private alternative assets — all at the touch of a button.  Please see fundrise.com/oc for more information on all of the Fundrise-sponsored investment funds and products, including each fund's offering document(s).  Want to see the specific assets that make up and power Fundrise portfolios? Check out our active and past projects at www.fundrise.com/assets.

Is there such a thing as a "maths brain"? How do you help a child who's struggling with numbers? And why should you never tell a kid they're clever? Here to answer all these questions is the legendary Bobby Seagull!He tells us how he gave up a career in the city to become a teacher, and ended up going viral after an appearance on University Challenge. We discuss Bobby's dating life, and how he explained it to his mum using a PowerPoint presentation. Ellie attempts a Keir Starmer impression, Helen reveals how she embarrassed herself in front of a hot young man, and we invent a new catchphrase for Britain. Plus: a maths rap and a quiz! Bobby's books, The Life-Changing Magic of Numbers and The Monkman and Seagull Quiz Book, are out now. Follow Bobby on social media for more Seagull magic or visit bobbyseagull.com.WE ARE BACK ON THE ROAD! Our brand new show Hot Mess is coming to theatres all over the country in 2025 and beyond. Many shows are SOLD OUT already so get your tickets NOW for Leeds, Sheffield, Stroud... Then we're off to Dunstable, Chelmsford, Worthing, Cardiff, Worcester, and many more... Visit scummymummies.com for dates and tickets. *WE HAVE A SHOP!* Visit scummymummiesshop.com for our ace t-shirts, mugs, washbags, sweatshirts and beach towels. FREE UK DELIVERY! We're on X, Instagram, and Facebook @scummymummies. If you like the podcast, please rate, review and subscribe. Thank you for listening! Hosted on Acast. See acast.com/privacy for more information.

We're back in the WATP north studio to chat about Stuttering John calling into Kevin Brennan's show. John makes up ridiculous lies about what happened when we had a meet-up at Stevie Tomatoes in Cape Coral last week. And Kevin, being the amazing host that he is, doesn't push back on any of John's confusing and contradicting nonsense. Adam Busch and Producer Chris are both on to witness the demise of Haliey Welch's podcast, Talk Tuah. She's been handed yet another golden opportunity and completely blew it. Scorch is driving the DBL1 through Florida and still doing his show… sort of. He seems to be replacing Meghan with whiskey. Speaking of drinking to deal with sadness, Rob Saul addresses our recent critique of his show and gets it all wrong while lashing out at Adam for being gay and me for having an older wife. Brutal. Opie finally took a shot at Anthony and everyone, including Anthony, is talking about it. We also learn what Opie considers a “busy week.” Cardiff joins the show and Annie pops on for another round of “2 Minutes with Tom.” And we finish up with the teaser, a recent review, and your voicemails. Support us, get bonus episodes, and watch live every Saturday and Wednesday: http://bit.ly/watp-patreon https://watp.supercast.tech/ Come to Hackamania May 9-11 in Las Vegas with promo code WATP – https://hackamania.com/ Cardiff Electric's new channel – https://www.youtube.com/@cardiffelect Annie's website - insanneity.com  Learn more about your ad choices. Visit megaphone.fm/adchoices