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Richard Epstein critiques the Supreme Court's 6-3 decision allowing the President to fire independent commission heads. Epstein argues this undermines the separation of powers between prosecution and adjudication. He warns that "presidential accountability" is an illusion in such a unitary power structure. 9
This week-ahead reading for June 29-July 5, 2026 is an excerpt from this week's Somatic Space class with Renee Sills. For the full-length forecast and embodied practice for this week, purchase the recording here. In this episode, Renee reads from this article on coherence by HeartMath Institute.Heads up: Mercury was stationing during this week's class, and technical issues were abundant! Please forgive the audio glitches and bad video. ✨✨✨UPCOMING AT EMBODIED ASTROLOGY:EA IS HOSTING AN IRL/VIRTUAL HYBRID ASTROLOGY POP-UP EXPERIENCE, JULY 6-12: We'll be gathering to play and conduct astrological research, in-person in Boulder, CO and virtually on Zoom. If you're interested in joining us, sign up here.
The Supreme Court issued rulings in a few major cases Monday, and the results were a mixed bag for President Trump. We discuss how the court expanded the president's power to fire the leaders of independent federal agencies but did not restrict mail-in ballots as Trump wanted.This episode: voting correspondent Miles Parks, political correspondent Ashley Lopez, Supreme Court & justice correspondent Carrie Johnson and senior political correspondent Tamara Keith.This podcast was produced by Casey Morell and Bria Suggs, and edited by Rachel Baye.Our executive producer is Muthoni Muturi.Listen to every episode of the NPR Politics Podcast sponsor-free, unlock access to bonus episodes with more from the NPR Politics team, and support public media when you sign up for The NPR Politics Podcast+ at plus.npr.org/politics.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy
Plus: China moves to sue foreign companies damaging national interests. And global tech stocks tumble on reports that OpenAI will delay its IPO. Luke Vargas hosts. Sign up for WSJ's free What's News newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices
Noob Spearo Podcast | Spearfishing Talk with Shrek and Turbo
No host behind the desk for this one. Five of the Noob Spearo crew — Matty, Liv, Noffs, Rhys (No Viz Adventures) and Chiz — hand the mic around in Amed, Bali while they work through their freediving instructor course with Adam Sellars at The Pressure Project. You'll hear the full airport saga (a declared speargun, a false-positive drug swab on the podcast recorder, a phone lost forever), Rhys talking through his first-ever loss of motor control on a static, the mouthfill "great mystery" that throws every spearo sideways at 15 metres, and the mindset gold from Adam — the nana voice, the poo emoji, and diving with no plan B. It's Full Froth, No Ego in the flesh: a crew coming up short, laughing about it, and getting better the next day. Heads up from Shrek — these guys are learning in live time, so take the technical stuff with a grain of salt. For any spearo curious about crossing into proper freediving, or wondering what really happens on an instructor course. KEY TOPICS COVERED: The full travel disaster: declaring a speargun, a false-positive recorder swab, a lost phone Rhys's first LMC on day one — what it felt like and why his ego put him there Knowing when to push (mental) and when to stop (physical) The instructor requirements: 3:30 static, 75m dynamic, 32–40m depth, assignment and presentation Mouthfill from scratch — the mechanics and why it throws every spearo off Adam's mindset tools: the nana voice, the poo emoji, no plan B, and relaxation as king Why free immersion "feels like cheating" to a spearo Honest Amed travel tips and why every boat needs a proper first aid and oxygen kit CONNECT WITH THE CREW: Rhys / No Viz Adventures: [CHECK: channel URL + handle] The Pressure Project (Adam Sellars), Amed, Bali: [CHECK: URL] NOOB SPEARO: Spearfishing Courses and Retreats: spearfishingcourses.com.au Instagram: @noobspearo Website: noobspearo.com Newsletter: noob-spearo.kit.com/floater PARTNER DEALS: Adreno Spearfishing: spearfishing.com.au — use code NOOBSPEARO to save $20 on orders over $200 Neptonics: neptonics.com — use code NOOB10 to save 10% storewide Old Man Blue: oldmanblue.com.au — use code NOOBSPEARO for a free vinyl filleting apron on orders over $300 Aqualyte Hydration: aqualyte.com.au — use code NOOBSPEARO to save 10% Dog & Gun Coffee: dogandguncoffee.com — use code NOOB10 to save 10% HohnkeOutdoors: hohnkeoutdoors.com — use code NOOBSPEARO to save 20%
Southern California has recently been plagued by a massive industrial fire at a warehouse in Boyle Heights, a historically Latino neighborhood in LA.
How in Philabieldia could you have possibly known those four magical words? "The Adventures Of Elliot Devs Were ‘Surprised' That Fans Think The Game's Fairy Companion Talks Too Much" by Rebekah Valentine"The Adventures Of Elliot: The Millennium Tales Makes A Strong Argument For Silent Protagonists" by Steve WattsDiscussed: Elliot Summer, The Adventures of Elliot, Team Asano games, open Zelda design. Spawn era, Wax Heads, past creative endeavors, work life balance, Mina the Hollower, Mina 64, Seasick SteveFind us everywhere: https://intothecast.onlineBuy some merch, if you'd like: https://shop.intothecast.onlineJoin the Patreon: https://www.patreon.com/intothecast---Follow Stephen Hilger: https://bsky.app/profile/stephenhilger.bsky.socialFollow Brendon Bigley: https://bsky.app/profile/bb.wavelengths.onlineProduced by AJ Fillari: https://bsky.app/profile/ajfillari.bsky.social---Season 8 cover art by Scout Wilkinson: https://scoutwilkinson.myportfolio.com/Theme song by Will LaPorte: https://ghostdown.online/---Timecodes:(00:00) - Intro (00:23) - The Adventures of Elliot: The Millennium Tales | Elliot June (14:59) - SPOILERS FOR THE END OF THE DEMO/INCITING EVENT OF THE GAME (20:21) - The Adventures of Elliot: The Millennium Tales | Elliot June (54:50) - Break (54:51) - Tiding from Tom to James! (55:45) - Waxheads | The Age of 1990 (01:30:06) - Break (01:30:08) - Mina the Hollower | An update (01:34:34) - TRINKET SPOILERS (01:38:02) - Mina the Hollower | An update (01:43:40) - Wrapping up ---Thanks to all of our amazing patrons, including our Eternal Gratitude members:Michael CBrian MSuperThisWayNick GStarfallrondoSusan H0nlygh0stsVincent JPatrick KEd ASamantha DNorth HeroSam HSnzznGregory Mark SCmndr BiscuiticemanChristian HRydan BCaleb HArden FEye of the DuckKaleNathan EJ. H. AjoelchronoMellowMatthew BRobin LPSeekingSeakingJimmerszoey!Vinny MMattKerry KBrian MNoah DZach DChristopher TDHugo WToddChris BLukerfuffleStephen YDaniel GEric FTaran WBrendan OChris ZClayton MZach RDylan NFederico VTigerz RevengeLogan HAlan RJohn AMike LmattjanzzDavid MHeavyPixelsKaleb HTyler JCorey ZSusan HBarry TRobert RChris JBrett Allen HDan SJack SGarrett CjimiiboJohn HDirch FJim EJim WTristan LEvan BAwfulHanzomin2Aaron GJean HTodd Nred_wagonNeilPeter BJohn VvErik MRedmage77Joshua JTony LDanny KGibson GKate Duncan BRichard MDaniel NSeth MJamesAndy HDemoEmmaLyn ECorey TCaleb WJake LJesse WMike TCodesMatt BWesleymebezacAlex LSergio LninjadeathdogRory BA42PoundMooseRobert MMichael WAndrewthis_JUSTINRyan O14.3 billion yearsBrendan KMegan BSecretAgentKoalaNoah OArcturusAndrew WhepaheChase ALoveDiesNick QChris MRBKaren HAdam FScott HAlexander SMatt HMurrayDavid PJason KMicah OKamrin HAndrew DKyle SPhilip N ★ Support this podcast on Patreon ★
Andrew, Ben, and Tom discuss oil's drop toward the $60s with WTI at $71.93 and Brent at $75.70 while the 10-year stubbornly holds at 4.48%, Trump directing the DOJ to investigate gasoline prices, Bessent's confidence that inflation is heading back to target, the supply/demand for dollars thesis amid massive cash raises from Google, SpaceX, ByteDance, and SK Hynix's planned $29 billion US listing on July 10, and the rightward shift across South America with Keiko Fujimori becoming Peru's first woman president, Trump-backed Abelardo de la Espriella winning Colombia, and Brazil's election still to come.Join our live YouTube stream Monday through Friday at 8:30 AM EST:http://www.youtube.com/@TheMorningMarketBriefingPlease see disclosures:https://www.narwhal.com/disclosure
Hello and welcome back! In today's story, we head to Hexham, England in 1970's. A pair of young brothers were playing in the garden when they discovered two odd little faces carved into stones. Thrilled with their unique find, the boys brought the stone heads into their home but quickly, disturbing events would transpire. The stones, eventually known as the Hexham Heads, would garner national attention, baffling scientists, archaeologists, geologists and other professionals. But it was the paranormal activity that seemed to follow them wherever they went that left a nation intrigued and horrified. Hang on, friends. This one's a doozy!SOURCEShttps://pastebin.com/7ydSSy3wAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Today's blockchain and crypto news Bitcoin is up slightly at $62,442 Ethereum is up slightly at $1,658 BNB is up slightly at $573 Hut8 agrees to pay over class action THORChain resumes trading US Senate passes 21st Century ROAD to housing act Executive orders target quantum Ark Invest buys SPCX Learn more about your ad choices. Visit megaphone.fm/adchoices
After direct talks with Iran, Vice President JD Vance is heading home and Secretary Rubio will now head to the region. A look at what he hopes to accomplish after conflicting reports about what the vice president got done. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Super Bowl winning QB Brad Johnson sheds light on the importance of the team and being a quality teammate, especially in the role of backup QB, for any team to have success, plus his evaluation of Brock Purdy into becoming a franchise quarterback.See omnystudio.com/listener for privacy information.
Send us Fan MailEver said "bite the bullet" or "the whole nine yards" and wondered where those phrases actually came from? In this episode, the guys dig into the origins of common phrases and sayings, separating the real history from the folk-etymology myths almost everyone repeats.This is part history lesson, part comedy chaos. The crew works through dozens of everyday idioms, busts the popular "obvious" explanations that turn out to be wrong, and then fast-forwards to the modern slang taking over in 2026. If you love language, trivia, and unfiltered conversation, this one's for you. (Heads up: explicit language throughout.)Along the way you'll find out why "saved by the bell" has nothing to do with being buried alive, how "caught red handed" traces back to 15th-century Scottish law, and the surprising claim that "the whole nine yards" may have been born right here in Southern Indiana. The second half shifts gears into Gen Z and Gen Alpha slang, breaking down terms like "delulu," "cooked," "beige flag," and a few that are far less printable. If you've got a weird phrase or saying you want the guys to dig into, drop it in the comments. Hit subscribe so you don't miss the next episode, and share this one with the friend who uses these phrases wrong every single day.TIMELINE:00:00 — Cold open and intro (Brian, Thomas, Cory)00:30 — OMG Con Owensboro recap and comedy panel talk03:00 — Super El Niño weather discussion04:45 — New York Knicks championship reaction06:30 — Charles Barkley and the Cardi B broadcast story08:30 — Topic begins: where do common phrases come from?09:00 — "Saved by the bell" and "dead ringer"10:48 — "Graveyard shift"11:30 — "Caught red handed"12:03 — "Bite the bullet" and cat o' nine tails14:37 — "Kick the bucket"15:12 — "Mad as a hatter" and mercury poisoning17:19 — Kentucky Derby hat tangent18:30 — "Read the riot act"19:30 — "The whole nine yards" and its Indiana origin21:18 — "Rule of thumb"21:45 — "Spill the beans"22:30 — "Break a leg"23:50 — "Cold shoulder"28:32 — "The real McCoy"30:30 — "Tickled pink"31:38 — "Letting the cat out of the bag"31:59 — "Raining cats and dogs"35:35 — "Close but no cigar"36:33 — "Bury the hatchet"37:30 — "Show your true colors" and color vs colour40:00 — "Three sheets to the wind" and "baker's dozen"42:49 — Modern slang begins: delulu, cooked, BFFR44:30 — "Cranking my hog" deep dive46:00 — Urban Dictionary terms: side quest, sleepy juice, more47:47 — Gen Alpha, body doubling, "shookie"••51:00 — Wrap-up and sign-off[The Days Grimm Podcast Links]- YouTube: https://www.youtube.com/c/TheDaysGrimm- Our link tree: linktr.ee/Thedaysgrimm- GoFundMe account for The Days Grimm: https://gofund.me/02527e7c [The Days Grimm is brought to you by]Sadness & ADHD (non-medicated)
0:00 - Giannis is finally done dropping hints of wanting to leave or not wanting to leave or wanting to leave or not wanting to leave Milwaukee. He's taking his talents to South Beach. The Miami Heat are such a desireable destination for a bunch of different reasons. Always will be. It's hard to compete with that. 14:24 - Yesterday, Messi scored 2 more goals in the World Cup. And he missed a PK! He could've had back-to-back World Cup hat tricks! Team USA is off to a really strong start this Cup. They probably won't win the whole thing. That's still a very tall order. But if they win their first game of the knockout round, we'll be satisfied.32:09 - Oh, by the way...Benny Montgomery, who the Rockies selected 8th overall in the 2021 MLB Draft, announced his retirement from professional baseball at the age of 23.Oh, by the way...the PGA announced a completely revamped format starting in 2028. There will be 2 different tours happening at the same time with a relegation system in place. Oh, by the way...someone had to put a sticker over the word "Gillette" on every single seat in Gillette Stadium. Over 60,000 stickers placed on over 60,000 stadium seats because of FIFA's sponsorship rules.
Blaine and Zach begin the hour talking about Michigan Basketball losing Dusty May to the NBA and the Dallas Mavericks and then transition to talking about the Titans agreeing to an extension over the weekend with DT Jeffery Simmons!See omnystudio.com/listener for privacy information.
Joe Giglio and Hugh Douglas analyze the NBA landscape after Giannis Antetokounmpo was traded to the Miami Heat and why the Sixers were right to skip the sweepstakes. They also dive into the Eagles' quarterback room, debating if the organization should consider Jalen Hurts' feelings during a potential pursuit of Brendan Sorsby. 01:55 - Hugh Discusses Murky Water Phobia 06:43 - Harper Leadership Sparks Debate 10:30 - Phillies All-Star Voting Update 18:12 - Hurts' Feelings and Sorsby 29:24 - Giannis Antetokounmpo Trade Reaction 40:50 - NFL Quarterback Motivation Tactics 48:03 - Jalen Carter Trade Rumors
What if the real secret to a lasting writing career isn't talent or luck, but learning to thrive in the mess? Why are in-person events worthwhile even if the maths doesn't add up? How do you protect your creativity when the machines never sleep and the community is at one another's throats? With Mark Leslie Lefebvre In the intro, Has AI Already Killed Non-Fiction [Tim Ferriss]; 9 ways that AI would disrupt authors and the publishing industry over the next decade; Pivoting towards The Transformation Economy; and Who do you serve? This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Mark Leslie Lefebvre is the author of horror and paranormal fiction, as well as non-fiction travel and books for authors. He's also an editor, professional speaker, and the Director of Business Development at Draft2Digital. His latest book is Stark Realities: Stacked Up Lessons Every Writer Needs to Know About the Business of Writing and Publishing. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why print and in-person events are making a comeback for indie authors The case for (and against) licensing your voice clone through ElevenLabs Why we keep selling books in person when the numbers rarely add up Measuring success by creative satisfaction rather than money Being honest about author earnings and the fear of being truly seen Managing stress, divisiveness, and the noise around AI You can find Mark at MarkLeslie.ca. Transcript of the interview with Mark Leslie Lefebvre Jo: Mark Leslie Lefebvre is the author of horror and paranormal fiction, as well as non-fiction travel and books for authors. He's also an editor, professional speaker, and the Director of Business Development at Draft2Digital. His latest book is Stark Realities: Stacked Up Lessons Every Writer Needs to Know About the Business of Writing and Publishing. Welcome back to the show, Mark. Mark: Oh, hey, Jo. It's always an awesome time chatting with you. Jo: You've been on the show lots of times over the years, but the last time was in September 2024, when we talked about selling books in person. So give us a bit of an update. What does your writing and publishing business look like at the moment? How do you manage it alongside the day job and everything else you do? Mark: Oh my God. Well, sleep is—no rest for the wicked, maybe. I'll sleep when I'm dead. It's so funny, it was just this last weekend in Waterloo. I was at Waterloo Book Fest, and somebody came up to my table—another author from one of the other tables—and said, “I heard you on the The Creative Penn Podcast. And then when you mentioned something about Waterloo, I said, ‘He can't be from Waterloo.' And then when you mentioned the skeleton, I said, ‘I know where he lives.'” Jo: That's scary. Mark: So I love the fact that there are so many of your listeners all over the world, and that's usually how people know me. No matter what else I've done, it's like, “Oh, you've been on Joanna Penn's podcast.” I'll say, “Yes, I have.” You know what's really funny? The last time I was on the podcast, we were talking about A Book in Hand, which I was supposed to release that year. Jo: Yes. Mark: I just added another 5,000 words to it this morning. Jo: Wait, it's still not published? Mark: No, and it's so funny. I actually have the first 60,000 words of it with an editor right now, and I told her I'd get her the rest of it, which I thought would be another 20,000 words, by the end of June. But I think it's going to hit 100,000. Here's the weird thing that happened with this. This is trying to accumulate my life of book selling, as well as doubling down on doing in-person events in the last several years. I thought I was going to have the book done in 2024. I ran into some issues where I didn't back it up properly. It was an old version, and I accidentally overwrote the only version I had. Jo: So, for everyone listening, Mark—how many decades have you been an author and a publisher? How come you're still missing deadlines and still not backing up your work properly? Mark: Yes, this is a lesson: no matter how long you've been doing something, you can still make boneheaded errors. So if you, dear listener, have made mistakes, just know that this old guy who's been doing this since the mid-'80s still makes mistakes like that. Don't beat yourself up. I probably did something worse. Anyway, that book I thought was going to be maybe 40, 45,000 words, it's going to be bigger than Wide for the Win—close to 100,000 words. Here's a really important lesson I learned in that, Jo. I thought the book would be something. It became something else. Through my own experiences of doing more in-person events, book signings, and library event. Also in talking to awesome folks like Johnny B. Truant, Katie Cross, Todd Fahnestock, and so many other authors I know, and seeing what Ben Wolf is up to, and a whole bunch of different people who are doing in-person events. In creating case studies for how they interact specifically with a bookstore or library, or how they do in-person selling—I really think the book wasn't ready then. It's like the recipe wasn't ready. I still needed to play with some things. I do sincerely have faith, since I got it into the editorial process, that this will be the year the book actually gets released. Jo: As you said, there are some really good lessons there around sometimes the book not being quite ready. I'd bought an early version from the StoryBundle, which is how I got this book as well, actually. Mark: Yes. Jo: That's another tip for people—storybundle.com. You can go and find some great bundles there. I was also thinking, as you were talking, that maybe one of the reasons this book about in-person events has got so big is because that's a real trend in the community. It feels like indies, we've moved… Back in the day, I said, “I'm not doing print. No way.” This was the early days of digital, because print was really hard back then. So I was like, “Oh, and we've got all the advantages doing digital, so I'm just going to focus on that.” It feels like the pendulum has swung, perhaps even more with the ease of mass production of digital with AI. The focus on print and in person is getting stronger and stronger. Do you think that's happening? Mark: Oh, yes, 100%. I did print in 2004. It was really hard back then, so that's gotten easier. I think there are a few reasons. One of the reasons is, yes, digital made it so much easier for indie authors to get out there and break into the community. But the reality is that print books still outsell e-books in general—overall—despite the fact that indie authors can make six and seven figures a year from selling e-books alone on a single platform. So print has never really gone away. It was just never something indie authors attended to. They were in a different business than traditional publishers were in. And second, obviously I've got these gorgeous books that you've created on Kickstarter, because I like the beautiful books. I've never stopped buying print books. I actually buy more print books. I read more because of audiobooks and e-books, but I buy more print books, especially when I can get a nice signed copy. Then the other reason comes back, again, to your advice—something I've been following for the longest time, and you've long been saying. I do repeat this, and I try my best to offer attribution to you every time I use it: to double down on your humanity, particularly in this age of digital generation and the ability for even non-writers to leverage tools to create content. I think it's so much more important for me, as a creative who will never be able to catch up with the machines, to exploit my humanity. I mean, we both have digital voices of ourselves, right? There's a digital Mark Leslie Lefebvre voice that people can use, and I'm making money off it because people are able to license it through ElevenLabs. But when I'm there in person, so far the holograms aren't good enough to fool people. I think I'm not just selling a book to somebody; I want to create an experience where, “Oh, I'm talking to the author, and we're signing a book together, and we're taking a selfie together.” For me, there's that tactile experience that's really enriching. And it may not be something that lines my pockets as easily, because the investment is more significant. For every $10 I make, it costs me six or seven dollars, as opposed to an e-book, where the cost is amortised in the most beautiful way over millions of copies. Jo: There are a few things there. First of all, let's talk about that ElevenLabs voice licensing, because, as you say, I also have a voice clone. Bones of the Deep, the latest book, that's my voice clone. I haven't gone with the licensing, partly because you don't have control over what someone can do with it. So, for example, someone could create Nazi content, or content that I might not agree with, in my voice. So how have you got over that? Because part of me really does want to license my voice, and the other part doesn't. Mark: This is a great question, Jo, and I'm glad you asked it. It's the same reason I don't worry about people stealing my books—adding DRM onto my e-books and things like that. I may as well make some money off it, because let's be honest: you and I, our voices are out there. Thousands of hours of our voices, right? In your podcast, my podcast, in various interviews we've done over the years. The technology exists for someone to make a copy of my voice themselves anyway. The tools exist. They can do it easily, so why not do it myself and at least make money? I'm actually getting money deposited into my account. Not a lot—maybe $30, $18, something like that every week. Again, I've taken a lot of my non-fiction books that I haven't had the time to record myself, as I like to do, and I can at least load those to ElevenLabs and make my voice the default voice. But wouldn't it be great to be able to listen to my book in your voice? It would sound so much better. Because you can do that. When you listen to a book on that platform, you can choose my voice if you'd rather hear it in my voice, or you can choose Burt Reynolds' voice, or some other folks who've licensed theirs. Again, for me, the whole concept of wide publishing has always been important. It's another small revenue stream that's adding to my numerous revenue streams. So I guess that's how I've justified just licensing the voice. If someone's going to do something with my voice that I can't control, they can do it regardless of whether or not I put it out there myself. Jo: I agree with you. That could happen, and neither of us is famous enough that it's likely to happen anyway. I do quite like the idea of people using our voices, say, for other books for authors, because that would make sense—that's where we fit in the niche. I will rethink that, because I think it's interesting. I wanted to come back to print books. You said sometimes there are easier ways to line your pockets, and I think that's funny. So, getting into the book, this leapt out at me quite near the beginning: Why do we keep doing this when the maths almost never adds up? Mark: Oh, I have a perfect example of that from an event I did a couple of weekends ago in Burlington, Ontario. I think it was a $60 table fee. It was a new event. I believe I made $90 or $95 in sales. So even after the costs of printing and all that stuff, I really didn't make money. I made my table back, which is always a good thing. There were a few encounters I had with people who were really excited to find my Canadian Werewolf series of books, and just so thrilled to get started. Among the four of them, they bought one copy, but they were going to pass it amongst each other. You know what? Okay, they bought a single copy, and I was like, “Well, the e-book is permanently free online. You don't even have to buy a copy”—which is anti-selling. I just want them to read the book and enjoy it. But if they read it and pass it along and start talking about it, they could become readers for a long time. It's an eight-book series, with the ninth book coming out later this year. There was another encounter I had that day. A woman and her teenage daughter came in, and they were looking at my traditionally published books that I buy at a reduced price from a local bookstore and resell. They were looking at these true ghost story books I had, and they were pointing: “Do you have that one?” “Yes, I have this one, I have that one.” And the mother's like, “Well, she collects all your books, and she wants to make sure she has them.” We had this conversation, and she was so excited to meet me in person and to get a signed copy of the book. That experience was such a vanity moment for me as an author. We're lonely. I'm a big loser. Nobody's buying my books. We're always down on ourselves. So that investment of time and energy, in order to get that little pat on the back or that feeling of, “Wow, I really connected with someone who likes my stuff”—those moments are really precious. They're difficult to explain if you only look at the world in a financial way. I guess I'm fortunate enough that I do have enough income from numerous streams, including the consulting I do part-time, that it's okay if not every bookish endeavour leads to more money in my pocket at the end of the day. I can still have these authentic connections with people, which I think is one of the reasons I'm a storyteller. Yes, it's the stories I have to tell, but it's also putting the story into somebody else's hands and eyes and heart and mind. Jo: You're very giving like that. You have that sense about you, whereas I'm just a curmudgeon in the corner. Mark: That is not true. Jo: It is, generally. I don't do events like you do for readers. Mark: But that's because it takes a lot out of you. Jo: Yes, but that doesn't matter. Why do I write? I write for me. Mark: Ah, very good. Jo: At the end of the day—just being entirely selfish about this—when people say, “Oh, if you won the lottery, what would you do?” I'm like, “Well, I'd do pretty much what I'm doing now.” Mark: Yes, I'd just do the same. Of course, I'd write more books. Jo: I'd write more books. So this is where I'm trying to get to for people as well: measuring success in a different way. You were talking about measuring success by how that girl loved your books, and how you feel when someone says they love your books. With Bones of the Deep, this thriller I've just done, I feel like I had the benefit of that book before anyone even read it. As soon as it was finished, I made a nice proof copy from BookVault, and I held it in my hand and said, “I made this. I'm proud of the story, I wrote the story, and it's outside my head now.” I feel like I'm creatively satisfied in that moment. Then, of course, the Kickstarter was great, and I love that the books are going out around the world, but— I think the happiest I felt was that moment of finishing—that creative satisfaction of holding the book in my hand. You know what I mean? Mark: 100%, Jo. I cannot agree with you enough. I love so many aspects of writing. Yes, the connection with people is amazing. But I often say this when I'm doing my one-on-one consulting with authors: focus on the projects that mean the most to you, those passion projects. The process of writing, and the painful rewriting and editing and all the things you go through—when you finish that book, like you said, you hold it in your hands and it is a thing of beauty. It's a huge achievement. You've won. Whether or not you sell a single copy, you've won by doing it. Everything else is gravy: the sales, the money in your pocket or not, the reviews, positive or not, the people who say, “Oh my God, Bones of the Deep, thank you for writing this book. I'm so glad you introduced this into the world and into my life.” Anything beyond the creation itself, which is a pure joy—I love it so much. It's just why I get up at 5:30 every morning and write for hours before the rest of my day begins. I try to get stuff done before the rest of the world wakes up. I want to get the writing done first, when I have the most energy to give myself to the page. Then the rest of the day is kind of gravy for me too. Jo: You talk there about giving yourself to the page, but in Stark Realities— You talk about the fear of truly being seen. What do you mean by that, and how do you manage that feeling? Mark: For anyone who has written anything—fiction, non-fiction, memoir in particular, since it's a bit more closely tied to reality—it's exposing yourself to the world. I'll never forget an interview I did with Canadian science fiction author Julie E. Czerneda, who, before being a fiction writer, was writing biology textbooks, but her real passion was science fiction and fiction. When her first novel came out, she said, “It's like standing naked on the front lawn.” When you release a book, even a novel, people look at it and they're going to judge you and rate you. I remember early on, Jo—we knew each other through Twitter, I think, where we initially met, and then interacted with and finally met in person at London Book Fair. I think you and I have a very similar reaction. When people know us as positive and upbeat and out there helping authors in the community, and then they read our fiction, they go, “Well, Jo, you burned a nun alive on page one.” Or, “Mark, what kind of… they're drinking from the skulls of dead people? What the heck is going on with you two?” We are exposing parts of ourselves in our fiction and non-fiction. That's a fear I embrace, but also never get over, if that makes any sense. I write scary stories because I'm a big chicken. So maybe the entire process is just cheap therapy for me. Or not cheap, because it's an expensive pastime, isn't it? Jo: It certainly can be, but I agree. I struggle with fear of judgment still. I think it's also because we do this in public, which comes back to the financial side of things. We do a lot of this in public, and then people judge us on our author businesses too. You could look at Bones of the Deep, which was just on Kickstarter, and compare my Kickstarter to another author's Kickstarter for a fiction book, and judge one or the other person based on numbers. I feel like this is because you and I have done so much in public—for me, almost 20 years, and for you, like 40 years or whatever. Maybe 30 years. You look that old. Mark: Listen there, dearie. Get off my lawn. Jo: Yes, get off my lawn—with those skeletons you have on your lawn. Mark: Yes. They're no longer in my closet. Jo: They're not in your closet. I wonder if that also plays a part of it—the pros and cons of doing this business in public. Mark: Yes, that is a part of it. One thing I try to be very clear about, because there's so much FOMO and so much out there about people thinking that everyone else is making a million dollars from their books and “I'm the only loser who's not”—I try to be clear that I have never made more than a mid-five figures as an author from my author earnings, ever. I haven't yet hit six figures. One of the reasons I try to be transparent in sharing that is I don't want people to think that everyone else is a six- and seven-figure success story, and they're the only one who's only made $100 last year on their books. The reality is, 90 to 99% of the people who are writing and publishing are not going to earn a significant amount of money. I realise I'm also very, very lucky that I've earned this much, and it's taken a long time. I just shared this in a Substack post I posted yesterday: it was 10 years of rejections before I got $5 for my first short story that was published in '92. It wasn't until 2001 that I finally made pro rate, six cents US a word, for a short story that, ironically, Julie Czerneda bought from me back in the day. For me, I've been lucky that it's always been a long, slow slog. It's been a marathon, and I've never instantly sprinted across any dramatic finish line. I've had some really phenomenal moments—doing a book signing in a Costco, walking into Walmart and seeing my books there. Even last night at the Burlington Public Library, going, “Wow, they have eight of my books here—four of my self-published books and four of my traditionally published books, in two different sections.” I was like, “That's kind of cool.” So I've had these amazing moments as a writer, but I've never had the blockbuster—the Brandon Sanderson, or even the Dungeon Crawler Carl, Matt Dinniman, kind of moments. I still think I've had a very fortunate and lucky journey. Even if I wasn't making the money I'm making, I'd still be writing, and I'm sure you would be too. Jo: Oh, yes, for sure. I actually think the thing most of us would probably let go is the marketing. If we won the lottery, we'd carry on with all the creative stuff, the writing, the community stuff, and we'd just literally do no marketing at all. Mark: Well, yes, of course. Or potentially say, “Oh, here, ad agency, here's some money. You just run it, whatever. Let me know if it works or not. I don't care.” Jo: That's a much better idea. Mark: At least I've got the extra disposable income, so I may as well, because I'm helping the world when my books are out there. I know my books will help people. I really honestly think that as storytellers—whether it's fiction or non-fiction, we're still storytellers—what we do in writing and podcasting and all the things we do, the re-sharing on social media, is really helping connect people. I think that is one of the most profound things we can do as writers. And I mean that the writing, in and of itself, is a reward. Jo: Like you said, we met on Twitter when Twitter was what it was back in the day. I do very, very little social media now. But you just mentioned your Substack, and you also have your podcast, Stark Reflections. So how are you balancing what you put on each? I only do this podcast now. I don't even blog. I write books, obviously, and then I do the podcast. So what are you doing differently on Substack to the podcast, and what part do they play in income and marketing? Mark: Great question. I realise most people have never heard of me, or read or listened to the things I put out into the world. And I've been a longtime fan of “reduce, reuse, recycle my IP.” My podcast is not as long-running as yours, but I'm in my ninth year, and I've not missed a single Friday in the full eight years, or eight and a half by now, that I've been doing this. Every week I reflect on what I learned from an interview, or I'll reflect on something you've posted and say, “This episode is not an interview, but Jo said this last week, and I'm going to talk about it.” The podcast itself takes a lot of work. I still do all of it myself, and I know I probably shouldn't, but I like doing it, so it's one of those tasks I enjoy. I also have reflections that aren't going to come out vocally but might come out in writing. Sometimes in the morning I'm not in the mood to write the novel or the non-fiction book I'm writing, but I'm writing some tangent. I just let the creative monster go. I find that re-sharing… I might have reflected on something for a couple of minutes at the end of an interview, but I really want to expand upon it, so I write the Substack article. I try to reuse some of that content. Someone's going to enjoy seeing it on a short video clip I share on YouTube, or whatever the platform is. Someone else is going to listen to it on a podcast, wherever they listen to podcasts, and someone else is going to want to read it. It could be the same information, just shared in a slightly different way, to potentially get it out to other people. So for me, it's part of that wide publishing mentality. I'm trying not to completely duplicate the work, although I am duplicating some of it. I'll give you an example. Hey, Canadian listeners—if you have not registered for Public Lending Right in Canada, please put something in your calendar for February 2027, because the deadline's over. It was May 1st of 2026. Put it in your calendar for next year. I even had somebody at this writers' event I was at this last weekend say, “You mentioned something in a presentation you did for the Canadian Authors Association about Public Lending Right, and thank you, because now I get thousands of dollars a year from this.” So just look up Public Lending Right. I've been saying stuff about Public Lending Right for at least 10 years now. Every time I get my beautiful multi-four-figure cheque from them in February every year, I post on social media and remind authors to check it out. I know it exists in the UK, and it exists in 36 countries in the world—just not the US. Jo: Not the US. Mark: They don't have a programme like this, probably because the big publishers—and probably one of the authors' associations—think that libraries are cannibalising book sales, which is not true. It's been proven time and time again, and that lobbying has prevented it from happening. Whereas here in Canada, the Canada Council for the Arts and the Writers' Union of Canada worked hard to make this happen. Anyway, I talk about something like Public Lending Right and I feel like I must have said this so much that people are sick of it, but every single time I mention it, someone goes, “Oh my God, thanks for saying that. I never heard it.” That's a good reminder, especially for folks like you and me. We know the basics. We know what an ISBN is. We know KDP Select means you can't put the e-book on any other retailer, or even sell it on your own website. We know all these things, but it's hard for us to remember that there are folks coming to this for the very first time who've never heard it, even though we feel like, “Oh my God, I've said this till I'm blue in the face.” I think I got that from retail. When I worked in retail, I recognised that somebody's going to come in and ask for “that blue book that Reese Witherspoon was talking about,” or Oprah was talking about, or whatever. And you do your darn best to help them figure it out rather than mock them. I try to take the same approach when people ask me those questions, because I'm trying to remember what it was like when I honestly did not know the answer, and having someone take the time to help me. I've been very, very lucky that I've had a lot of people take the time to help me. I'll never forget—God rest her soul—Nancy Kilpatrick, a horror writer here from Canada who passed away a few years ago. She gave me a blurb for my very first book in 2004 because she'd acquired one of my short stories for an anthology she'd edited. I was trying to call my short story collection an anthology, and she very kindly took me aside and said, “It's not an anthology if it's a single author. An anthology is a…” Jo: I didn't know that until, like, last year. I got that wrong as well. There are lots of words like that. I want to circle back, because you didn't really answer earlier about the time management. You just mentioned YouTube, on top of Substack and all the things you do. You also have a day job at Draft2Digital—it's part-time, right? You also do part-time at the university, teaching publishing, right? You do all kinds of things. How do you manage your time with all of that? Mark: Well, I mismanage my time more than I manage it, Jo. That's the God's honest truth. Fortunately, most of the things I have that aren't scheduled—like, scheduled to do this lecture at this time, or scheduled to have this meeting at this particular time with Draft2Digital—most of my work is very flexible. I do not work a regular 9:00 to 5:00, Monday to Friday. Well, I never did. I always worked way more. But I have a very flexible schedule. Every single day is a work day, and every single day is a play day for me. So I'm very, very lucky. I do schedule in the very important things, particularly where somebody else is reliant upon me—meetings and connections and stuff like that. Then I make the time first thing in the morning to get the writing done. Everything else is not as important, and it's part of… I guess it's part of playing. You know, like the social media sharing. I don't look at social media as marketing. I just look at it as another way to connect with people, with other creatives, and with readers potentially, all six people who read my stuff. I probably could do a better job of managing my time. I've tried several times over the years to adapt processes to make it better, but I consistently default back to what I do, and so far I guess I've been getting away with it. So I was like, “Do I want to waste more time trying to come up with a process, or do I just want to roll with it?” Because so far I haven't killed myself doing it, and I've been enjoying the journey. So, if it ain't broke… Jo: I think that's the point, if it doesn't feel like it's broken. Having known you for a long time now, and we work together—obviously we co-wrote The Relaxed Author—you do work very, very differently to me. You definitely are a little bit more chaotic. I'm chaotic in some ways too. Mark: Oh, you're very generous. “A little bit chaotic.” Thanks. That was generous, Jo. Jo: You're chaotic in your work practices and scheduling and all that, which I couldn't cope with very well. Even though I feel like a part of my brain is very chaotic—the creative side, I guess, can be quite chaotic—I think I'm actually quite controlling and very scheduled in my work practices. As you say, for someone else on the outside, it might feel to me like you have too many balls in the air. But if you don't feel that, then that's the way of working that works for you. So this is another important thing, isn't it? You can't adapt to what other people say your life should look like. It's what feels good to you. Mark: Oh, for sure. One thing I know about my procrastination tendency is that panic and fear motivate me. So, a deadline—”I have to get this into a publisher by this date, I have to get this manuscript to an editor by that date”—I'm motivated by fear. And I'm afraid of everything, so I guess I'm always motivated. Jo: But I also know that when you hear the word “deadline”—and I know a lot of people who do this—the deadline means you get it in on the deadline, or the day before the deadline. To me, a deadline means I have it ready a month earlier. Mark: I love that. I've done that a few times and shocked myself. I actually had a pre-order up—with the audiobook, the print, and the e-book—a month in advance, and I didn't know what to do with myself. I was like, “Well, what am I going to do now in the next month?” Jo: Work on the next thing. Mark: But I'm so used to working on it up to the last second that I was kind of like, “What do I do?” That actually caught me by surprise, and I honestly felt weird. I was like, “I've never felt this before.” I'm really lucky. I know you have a very supportive and amazing partner, and so do I. My partner, scarily enough, is maybe a bigger procrastinator than me, so she never gives me a hard time. She supports me, and I do the same thing with her own work. I'm up all night with her at the last minute so we can get something turned in. So, fortunately, we really understand one another, and we don't give each other a hard time. We just go, “Well, got away with it again. I guess I'm not going to change my ways.” Jo: We made it. And again, that's the point. You and I could stand up in front of people, both hold up the last book we wrote, and say, “We made this,” and our processes are completely different. Our brains are completely different. We come from different countries. There are lots of things that are different, and yet we both made a book. So hopefully that encourages people. You don't have to do anything that we're telling you, or anyone else tells you. But if you want to be an author, at some point you have to produce a book. Mark: Exactly. As Brian in the classic Monty Python film gets them to say: “Yes, we are all different.” Embrace that difference. I think that's such a powerful reminder that there is no one process for getting anything done. Jo: Given that we co-wrote The Relaxed Author back in 2021—and we did that because we had another show, and we were talking, and we said, “Oh, everyone's stressed and the anxiety levels are really high, and we think there's a better path”—we co-wrote that book, which I think is still a very good book. Definitely people should get it. Interestingly, I think the stress and anxiety might actually be higher now than it was. So what do you think the main stresses are in the community now? You also see a lot with Draft2Digital, I guess, as well. Mark: Oh, for sure. Honestly, Jo, I'm so glad we wrote that book, because I actually pick it up every once in a while to remind myself of the things we tried to help others with. Again, it's therapy for me as well, so I'm so glad we did it. I think we're 10, if not 100, times more stressed. The world events and things going on, the divisiveness—not just in the world in general, in politics and everything else, but the divisiveness in the author community. The witch-hunting that happens, people trying to tear down other authors either because they're successful, or because, “Oh my God, you dared use a new technology.” All of these things are happening, and everyone's at one another's throats. I need to pick that book up and reread it. I'm a lot more stressed than I was. I'm just getting over shingles, which is… Jo: Oh. Which is actually related to stress as well, isn't it? Mark: It is, yes. I was in LA for Writers of the Future—I'm a judge for that science fiction and fantasy conference. I went right from LA, like a week in LA, which was a phenomenal experience getting to mentor the winners. And I mean, come on, it's a free trip to Hollywood, hanging out with Kevin Anderson, having beers and stuff like that. Then I came back to the Toronto Indie Author Conference, run by Tao Wong, here in Toronto. I went right from the airport—didn't even go home—straight to the hotel, because I kicked into another conference. We did a display on how to set up an in-person booth, so I ended up having to hand-bomb boxes, blocks down the street from where I was parked. My chest was really sore when I got home on the Monday, and I thought it was because I hadn't used these muscles, because I'm not in the best shape. Then I took my shirt off and went, “Oh, there's a rash there.” Liz goes, “You have shingles.” Because the pain in my chest, which I thought was the muscle, was actually underneath. I'm one of those lucky people that it's taken the full five weeks, and I'm still in pain even afterwards. So, again, public notice: if you're an older person like me, and there's a vaccine available for shingles, you may want to consider it. Jo: Yep, get it. Mark: Oh my God, it hurts. But, yes, the stress, I think, is higher—even though I didn't know I was feeling it. It was happy stress, right? I was stressed out because I'm there in Hollywood, helping people and doing some good things, and then I'm doing the same thing, interacting with some amazing authors at the Toronto Indie Author Conference. I didn't feel anxious stress. I was happy stress. Is that a thing? Jo: I think possibly… your physical body masks stress, physical stress, because you enjoy all of that stuff. Whereas someone like me, I'll feel it quicker and withdraw. Although I say that, back probably a decade ago, Jonathan would say to me, “You're going too fast, and you're going to hit the wall. And when you hit the wall, it's not going to be fun.” And I did hit the wall. Then, probably in 2021—I mean, that was when I just started going into menopause, and obviously we had the pandemic, and I wrote Pilgrimage, and I was doing all those walks, which I think really helped me. I learned a lot about maybe stopping that before it happened. Becca Syme obviously talks a lot about this too. But I find it interesting with you, because I think you're so positively happy with these events you do that it might mask your physical symptoms in a different way. That's really hard to watch out for. I'll give a tip to you and everyone else listening: schedule the calendar, and look at your calendar and go, “I can't go back-to-back-to-back. I have to put in some rest days.” Mark: Well, thank you. You know, Jo, you and Becca Syme are two of my best unpaid therapists. I appreciate that. Jo: You just don't listen, Mark. Mark: Or sometimes I do. Jo: Just coming back to the community, and the divisiveness there is primarily over AI at the moment, I think that's one of the biggest things. And the arbitrary lines as to what you're allowed to use it for and what you're not allowed to use it for, which is just kind of crazy. Obviously, you know I've opted out of that whole discussion now. How do you think we can move through this [divisiveness over AI], move on? We remember when it was trad versus indie, and then it was wide versus KU. So this will pass—it's just hard, when you're in it, to know when it might pass. Mark: Yes. I think the more generic advice—for whatever may come, whatever has come—is: why are you doing this? Why are you a writer? Heads down, focus on what gives you pleasure, and do that, because everything else is noise. All the marketing tactics and strategies, and all the people yelling at one another. Write your books. Do the things that motivate you. Do the things that give you that intrinsic reward. It's hard to ignore. I get it, it is hard to ignore. I have difficulty ignoring the haters and the yelling and the screaming that happens, but I do my best. Like this morning, when I was in the throes of my manuscript and I looked up and went, “Oh my God, I've got to shower. I'm going to be talking to Jo soon, I should comb my hair”—which I have none of. Because I was so in my book that everything else melted away. That, for me as a storyteller, as a writer, is one of the most beautiful places to be. Jo: I think you're absolutely right. I have a little thing that pops up in my calendar sometimes which says, “If you're feeling all of these things, just go create something.” The moment you refocus on creation—whatever that means to you—things change. It changes the energy. That, or go for a walk. That's my other tip. Mark: Outside. And I have to say, Jo, Pilgrimage is still one of the most profound and powerful books you've written, and you've written a lot of amazing ones. Jo: Oh, you're very sweet. Mark: That one really resonates, not just for me, but with Liz. Because one of the things we often do when we get stressed is go for a walk, ideally in nature. The vitamin N. I think there's something really profound in that, and it really helps me a lot. And again, sometimes going for a walk listening to your podcast, or an audiobook, or sometimes just attending to the environment. A tip I picked up years ago from Brooklyn author Denis Hamill was: go for a walk with your character. Listen to what they see. What do they comment on? How do they approach this environment that you've seen a million times? How do they see it? What do they notice that you don't notice? That's such an incredible experience of creativity—when you're not writing, but writing. That really helps me a lot. Jo: Oh, nice one. Okay, so your latest book is Stark Realities, but you have so many more. Where can people find you and your books and your podcast online? Mark: Jo, you can find everything you want to know about me—and stuff you don't want to know about me—over at MarkLeslie.ca. It links to all the other places from there. Jo: Brilliant. Thanks again for your time, Mark. That was great. Mark: Thanks so much, Jo. Bye-bye. The post Creative Satisfaction, In Person Print Book Sales, And Author Mindset With Mark Leslie Lefebvre first appeared on The Creative Penn.
The Real Housewives of Rhode Island reunion kicked off with exactly what made this season feel like an all-star season, big personalities, hot heads, and zero real loyalties. In part one, we break down how the cast came in ready to go, why no one seemed fully loyal to anyone except Ashley I and Rosie, and how Liz and Jo-Ellen proved they may not have each other's backs the way we expected. We recap the biggest moments from the first reunion episode, the fractured friendships, the messy dynamics, and why this group makes such great reality TV. Plus, we share why we're even more excited for part two, especially with Ruella and Jo-Ellen's conflict taking center stage. Sponsor: Free shipping at Quince.com using code ALLABOUTRH. Get the linen trousers and European linen sheets. Trust me! Subscribe to 'Roxanne & Shantel' on Apple Podcast https://podcasts.apple.com/us/podcast/roxanne-and-shantel-formerly-allabouttrh/id1554996153 Follow Roxanne & Shantel on Spotify https://open.spotify.com/show/79BLlV7530ggskem3tAvjp?si=b060160028aa4f1e Follow Roxanne & Shantel On TikTok Follow Roxanne & Shantel On Instagram Follow Roxanne & Shantel On X Join Rox & Shantel of AllAboutTRH on our Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices
NATO Chief Mark Rutte heads to Washington to meet with President Trump as tensions simmer over defense spending. Meanwhile, Iran negotiations had a shaky start on Sunday after Israeli strikes on Lebanon and Trump's continued threats against Tehran. And the White House is weighing the future of AI regulation as talks with Anthropic continue over safeguards for this rapidly advancing technology. Follow POLITICO here: ➤ X: https://x.com/politico/ ➤ Instagram: / politico ➤ Facebook: / politico For more news and analysis, subscribe to the Playbook newsletter: politico.com/playbook
Send us Fan MailWhat would it really mean to shorten neonatology fellowship training to two years? In this episode, Ben and co-host Dr. Shetal Shah sit down with three division heads, Dr. Jill Maron (Brown), Dr. Patrick McNamara (University of Iowa), and Dr. Sarah Taylor (Yale), to examine the ABP's proposed changes from the perspective of those who run major academic NICUs. From the operational and financial strain of losing an entire class of third-year fellows, to the erosion of scholarly development, dwell time, and faculty wellbeing, the conversation makes clear that the costs of this proposal go far deeper than the curriculum. How do you staff an 80-bed NICU without junior fellows? Who funds the gap? And what happens to the next generation of academic neonatologists if we train them in isolation from the very experiences that shape their identity as clinicians and scholars?Support the showAs always, feel free to send us questions, comments, or suggestions to our email: nicupodcast@gmail.com. You can also contact the show through Instagram or Twitter, @nicupodcast. Or contact Ben and Daphna directly via their Twitter profiles: @drnicu and @doctordaphnamd. The papers discussed in today's episode are listed and timestamped on the webpage linked below.Enjoy!
ITL debates which player they hope becomes the biggest head-turner when training camp gets underway.
Welcome to Omni Talk's Retail Daily Minute, sponsored by Duvo and Mirakl.In today's Retail Daily Minute, Omni Talk's Chris Walton discusses:Kroger posted soft Q1 comp sales of just 1%, but turned an e-commerce profit for the first time ever, and CEO Greg Foran admitted 60% of stores need to step up their game.Ahold Delhaize nominated Claire Peters, Amazon's VP of worldwide fresh, as the next CEO of Ahold Delhaize USA, marking the company's second straight outsider leadership hire this year.Wayfair is expanding its physical footprint with a 135,000-square-foot store coming to Princeton, New Jersey in 2027, joining a fast-growing roster of large-format locations nationwide.The Retail Daily Minute has been rocketing up the Feedspot charts, so stay informed with Omni Talk's Retail Daily Minute, your source for the latest and most important retail insights.
The new legislative year officially begins; Cayman represent at the Overseas Territories Deputy Governors and Heads of Public Service Summit in Bermuda; and Health officials continue to investigate a confirmed case of Legionnaires' disease identified in the Cayman Islands.
Heads up, Deaders, we're comin' in hot! That's right boys and girls, the stoned maestros of the macabre are back in the studio to please your ear holes with some (mostly) horror goodness. So let's get to it with We Belong Dead 160! Want to check out some "classic" WBD episodes? Head over to https://dispatchespodcast.wordpress.com to listen to our ramblings from years past! Have any questions or comments for us? Send us a message to our social media pages or email us directly at webelongdeadpod@gmail.com. Speaking of social media, all you Letterboxd junkies can find us there as well under WeBelongDeadPod! And if you liked the music you heard on this or any other episode, check out the We Belong Dead Tunes playlist on Spotify! And don't forget to look up our sponsors, Pseudo Ludo, Remakes Plethora, Mitch O'Connell, Unlovely Frankenstein, Mani-Yack Monsters, Jeff Brawn, and IBTrav Artworks. They're some of the best spots to find all of the horror, occult, and general weirdo items that your dark little hearts desire! Also, check out our newest addition to our sponsor list, Orbit DVD. They're a stunningly well stocked weirdo film supplier, and are practically guaranteed to make any horror nerd's shriveled little heart happy!
The US vice president, JD Vance, is set to negotiate with Iran in Switzerland after Tehran said it had again shut the Strait of Hormuz - in response to Israel's continuing attacks in Lebanon. The White House disputes the claim that the Strait has been closed. Also: ten Palestinians are killed in the latest Israeli airstrikes on Gaza; Colombians prepare to choose a new president; King Charles is to become Britain's first monarch to reveal his personal tax bill; why the popularity of cassette players endures in Kashmir; and today's obsession with true crime.The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight.Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment.Get in touch: globalpodcast@bbc.co.ukPhoto: US Vice President JD Vance boards a plane for Switzerland for peace talks with IranCredit: Reuters/Elizabeth Frantz
Glue Store just became the latest fashion victim to permanently close its doors after the stores were losing too much money for its owner Australia's biggest insurers have warned home insurance premiums will rise by double digits every year for the foreseeable future BMW has suffered a 6% fall in share price after it hit the brakes on its own profit outlook _ Want to lean how to go from a Saver to Investor in just 7 days - watch our new series here Complete the Budget survey for your chance to win 3 x $100 gift cards - takes only 2 mins Download the free app (App Store): http://bit.ly/FluxAppStore Download the free app (Google Play): http://bit.ly/FluxappGooglePlay Daily newsletter: https://bit.ly/fluxnewsletter Flux on Instagram: http://bit.ly/fluxinsta Flux on TikTok: https://www.tiktok.com/@flux.finance —- The content in this podcast reflects the views and opinions of the hosts, and is intended for personal and not commercial use. We do not represent or endorse the accuracy or reliability of any opinion, statement or other information provided or distributed in these episodes. ____ Important Information: This material has been created with the co-operation of BlackRock Investment Management (Australia) Limited (BIMAL) ABN 13 006 165 975, AFSL 230 523 on 19 May. Comments made by BIMAL employees here represent BIMAL’s views only. This material provides general advice only and does not take into account your individual objectives, financial situation, needs or circumstances. Before making any investment decision, you should obtain financial advice tailored to you having regard to your individual objectives, financial situation, needs and circumstances. Refer to BIMAL’s Financial Services Guide on its website for more information. This material is not a financial product recommendation or an offer or solicitation with respect to the purchase or sale of any financial product in any jurisdiction. See omnystudio.com/listener for privacy information.
WTA Weekly: Noskova wins Berlin, Bouzkova seals Nottingham title | Eala heads to Bad Homburg after Berlin heroics | Serena Williams to play Wimbledon singles | Sabalenka woes continueThis week on WTA Weekly, @nickbc30 and @aces_and_faults break down a huge grass-court weekend as rising Czech star Linda Noskova captured the biggest title of her career at the Berlin Open, defeating Jessica Pegula in a three-set final to claim her first grass-court trophy and move into the WTA Top 10 for the first time. Nick and Amanda also discussed Marie Bouzkova's title-winning run in Nottingham and what it means heading into Wimbledon, while Filipino sensation Alexandra Eala continues to turn heads after a breakthrough Berlin campaign that included wins over top players before her semifinal run ended against Noskova. With Bad Homburg next on her schedule, we assess whether another deep run is on the cards. Plus, the tennis world is buzzing over Serena Williams return to Wimbledon singles competition, and we examine what that could mean for the tournament and her legacy. We also take a closer look at the worrying trend surrounding world No. 1 Aryna Sabalenka, whose grass-court preparations suffered a setback after a semifinal defeat to Jessica Pegula in Berlin. Is it merely a bump in the road, or a genuine concern ahead of SW19? All that and more as Wimbledon fever builds on this week's episode of WTA Weekly.
1. Elon Musk, Capitalism, and Wealth Debate Capitalism vs. criticism: Free enterprise rewards value creation—people voluntarily buy products or invest. Critics are hostile to Musk and supportive of wealth redistribution. Comparison to other billionaires: George Soros is contrasted with Musk as someone whose wealth is seen as aligned with political causes favored by the left Musk could face government targeting if political power shifts. There is much hypocrisy among political figures (e.g., wealthy critics of capitalism). Criticism of media figures and narratives portraying Musk negatively. There is a broader ideological conflict: Free-market capitalism vs. government control Individual innovation vs. redistribution 2. Georgia Election and Political Strategy Focus on candidate Rick Jackson, a businessman with a “self-made” background. He is endorsed as: Conservative Electable Philanthropic (especially in foster care and education) Campaign dynamics: Competition against a Trump-endorsed opponent Strategic late endorsement to influence outcome Election outcome: Jackson wins primary (~52.6% vs 47.4%) Broader implications: Importance of Georgia as a politically competitive (“purple”) state Connection to future Senate control and national politics 3. College Sports Crisis and NIL Reform Problems identified: NIL (Name, Image, Likeness) system chaos Unregulated transfer portal Legal challenges removing rules Rising costs causing: Program cuts (especially non-revenue sports) Financial instability Disparities: Older players competing with younger athletes Risk of collapse: Projection that only 30–50 major football programs would survive Broader impact: Threat to: Non-revenue sports (track, tennis, etc.) Women’s sports Olympic development pipeline Loss of opportunity for: ~500,000 college athletes Students relying on sports scholarships Proposed Legislative Solution A bipartisan Senate bill is introduced: Passed committee (19–9 vote) Expected to pass full Senate and House Goals: Stabilize college sports system Prevent formation of a “super league” dominated by top conferences (SEC, Big Ten) Preserve broad access to college athletics Support: Strong backing from: NCAA-related organizations Professional leagues (NFL, NBA, MLB) Coaches and universities U.S. Olympic Committee Social Value of College Athletics Emphasis on sports is: A pathway to education and upward mobility Especially important for: Low-income students First-generation college attendees Benefits highlighted: Discipline, teamwork, leadership skills Long-term economic and social impact Please Hit Subscribe to this podcast Right Now. Also Please Subscribe to the 47 Morning Update with Ben Ferguson and The Ben Ferguson Show Podcast Wherever You get You're Podcasts. And don't forget to follow the show on Social Media so you never miss a moment! Thanks for Listening YouTube: https://www.youtube.com/@VerdictwithTedCruz/ Facebook: https://www.facebook.com/verdictwithtedcruz X: https://x.com/tedcruz X: https://x.com/benfergusonshowYouTube: https://www.youtube.com/@VerdictwithTedCruzSee omnystudio.com/listener for privacy information.
Mississippi State is set to host sixteen official visitors this weekend. Some commitments are expected. Our Sponsors:* Check out BetterHelp and use my code betterhelp.com for a great deal: https://www.betterhelp.com* Check out BetterHelp and use my code betterhelp.com for a great deal: https://www.betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Hour 3 - How long can the Nationals keep their heads above .500? / What are the Wizards going to do with their #1 pick? / The difference between good and great players in the NBA playoffs
The 365 Days of Astronomy, the daily podcast of the International Year of Astronomy 2009
Hosted by Dr. Pamela Gay. From June 10, 2026. In this episode, we look at the SpaceX SEC initial filing and put its facts and figures in context and ask, can they do it? And can the Earth survive if they succeed? We've added a new way to donate to 365 Days of Astronomy to support editing, hosting, and production costs. Just visit: https://www.patreon.com/365DaysOfAstronomy and donate as much as you can! Share the podcast with your friends and send the Patreon link to them too! Every bit helps! Thank you! ------------------------------------ Do go visit http://www.redbubble.com/people/CosmoQuestX/shop for cool Astronomy Cast and CosmoQuest t-shirts, coffee mugs and other awesomeness! http://cosmoquest.org/Donate This show is made possible through your donations. Thank you! (Haven't donated? It's not too late! Just click!) ------------------------------------ The 365 Days of Astronomy Podcast is produced by the Planetary Science Institute. http://www.psi.edu Visit us on the web at 365DaysOfAstronomy.org or email us at info@365DaysOfAstronomy.org.
Heads up, D-Pads!This episode is coming at you a LITTLE BIT LATE. We sat down to record a check-in in May, but ONE OF US (Mikey) forgot to upload the episode before he fled the country for a 3-week trip.That said, it's still all the things you love about your two favourite hosts, but it's more of a very short time capsule into where we were about 4 weeks ago. Join us as we recap Resident Evil: Requiem, Dave the Diver expansions, Mixtape, our Survivor 50 breakdown, and more!Join us on Twitter: @RetrogradePod, @RetrogradeAndy, @RetrogradeMikeyTikTok: @RetrogradePodOr on Instagram: @theretrogradepodcast Or visit our website at www.theretrogradepod.com/Questions, Comments, and business inquiries can be sent to theretrogradepodcast@gmail.com
As Andy Burnham returns to Parliament after winning the Makerfield by election, the Guardian's Rafael Behr joins the podcast team to discuss a huge week for British politics. How should the prime minister - who insists he would compete in any leadership contest - respond? What does this period of volatility mean for how government works? And what would a prime minister Andy Burnham mean for the way Britain is governed? Hannah White presents. With Giles Wilkes and Cath Haddon. Learn more about your ad choices. Visit podcastchoices.com/adchoices
The Iran war seems to be ending, along with our uncritical support for Israel, and not a moment too soon. No wonder the neocons are hysterical. Paid partnerships with: Dose: Daily supplements for the systems that support you. Use code TUCKER for 35% at https://dosedaily.co/tucker American Financing: NMLS 182334, nmlsconsumeraccess.org. APR for rates in the 5s start at 6.327% for well qualified borrowers. Call 800-685-5696 for details about credit costs and terms. Visit http://www.AmericanFinancing.net/Tucker. Black Rifle Coffee: Promo code "Tucker" for 30% off at https://www.blackriflecoffee.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Shelby Park's Cornelia Fort Airpark is a favorite spot for families, cyclists, skaters, and dogs — so why did they set it on fire last year? Friends of Shelby director of community engagement Grant England joins Marie Cecile Anderson to explain the native grassland reconstruction taking place at the former airport, as well as ways you can help with that and other conservation projects in your own backyard. Heads up: The next airpark restoration closure starts June 22! If you enjoyed today's interview with Tess Rowser, the Marketing Manager of the Water Lantern Festival, learn more here. Learn more about the sponsors of this June 18th episode: Window Nation Andrew Jackson's Hermitage Nashville Predators Greater Birmingham CVB Get more from City Cast Nashville when you become a City Cast Nashville Neighbor. You'll enjoy perks like ad-free listening, invitations to members only events and more. Join now at membership.citycast.fm/nashville Want some more City Cast Nashville news? Then make sure to sign up for our City Cast Nashville newsletter. Follow us @citycastnashville You can also text us or leave a voicemail at: 615-200-6392 Interested in advertising with City Cast? Find more info HERE.
On this special bonus episode of Outdoor Unfiltered, Eoin welcomes the founders of The Rock Fight -- Colin True and Producer Dave Karstad.Colin and Dave share why they decided to go out on top with the Rock Fight at its peak, what drew them to their new roles at Oboz, and what lies ahead for them and the brand.
Radio Analyst for Texas Tech athletics Chris Level
A new Wolfman comic lands, Spider-Man gets a cousin he never knew he had, and then we dive into Benjamin — a strange, psychedelic, literary sci-fi comic about authorship, identity, and whether reality itself is just another story. RSS Feed Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) Thanks for listening to the Major Spoilers Podcast! Subscribe for free to receive new posts and support our work. REVIEWS AMAZING SPIDER-MAN #31 Writer: Joe Kelly Artist: Patrick Gleason Publisher: Marvel Comics Cover Price: $4.99 The Talk... Peter Parker's world will never be the same. Don't miss one of the most pivotal issues in Spider-Man history! UNIVERSAL MONSTERS: BLOOD OF THE WOLFMAN #1 Writer: Joshua Williamson Artist: Pip Martin, Leomacs Publisher: Skybound Entertainment Cover Price: $4.99 Release Date: June 24, 2026 THE WOLF MAN REBORN FOR A NEW GENERATION Adam Jaeger thought he could become someone new at college... but not like this. One moment he was partying, the next he's recovering from a massacre that left almost no survivors. The worst part? He might be responsible... As the monster within tries to claw loose, Adam will do anything he can to stop from becoming...THE WOLF MAN. The superstar team of JOSHUA WILLIAMSON (G.I. JOE, Superman) and LEOMACS (Basketful of Heads, Rogues) presents the next hit horror series of 2026! TRADE DISCUSSION BENJAMIN Writer: Ben H. Winters Artist: Leomacs Publisher: Oni Press Cover Price: $24.99 More than just a writer, more than just a science-fiction icon, Benjamin J. Carp was a cultural revolutionary. Over the course of 44 novels and hundreds of short stories—including the counterculture classic The Man They Couldn't Erase—Carp pushed the boundaries of literary respectability for the sci-fi genre and his readers' perception of reality itself . . . until decades of amphetamine abuse and Southern California excess finally ended a mind-bending career that always just escaped mainstream success. He died in 1982. Until 2025 . . . when Benjamin J. Carp awakens, alive, in a burned-out motel on the fringes of Los Angeles. He remembers dying. He knows he shouldn't exist. Is he a dream? A robot? A ghost? A clone? A simulation? In his own time, Carp pondered all of these scenarios through his fiction—and now, as he treks from Studio City to Venice Beach and onward into the paranoid sprawl of 21st-century Los Angeles, he will be called to investigate his greatest mystery yet: himself. From Edgar Award nominee and Philip K. Dick Award winner Ben H. Winters (EC's Cruel Universe, The Last Policeman trilogy) and rising star Leomacs (EC's Epitaphs from the Abyss, Ghostlore) comes a uniquely fascinating and hilariously deranged excursion into the metatextual nexus where existence and oblivion, past and future, genius and madness, and glitter and grim reality all meet just beyond Hollywood Boulevard. At Major Spoilers, we strive to create original content that you find interesting and entertaining. Producing, writing, recording, editing, and researching require significant resources. We pay writers, podcast hosts, and other staff members who work tirelessly to provide you with insights into the comic book, gaming, and pop culture industries. Help us keep Major Spoilers strong. Become a Patron (and our superhero) today. If you know someone who loves comics, share this post and episode with them!
For decades, the H-1B visa program has been the centerpiece of America's high-skilled immigration system. To its defenders, it is a vital pipeline that brings talented workers from around the world to power the U.S. economy. But, to its critics, it is a system rife with abuse—one that can undermine American workers while also trapping foreign workers in exploitative arrangements. A new book, Wild Wild East: Exiled Americans, Enslaved Indians and the Systemic Abuse of the H-1B Visa Programme, takes readers inside one especially shadowy corner of this world: the universe of so-called “desi consultancies.” These companies—also known as H-1B “body shops”— connect Indian tech workers to American employers through a maze of recruiters, subcontractors, universities, and corporate clients. The book follows the lives of Indian H-1B seekers, displaced American tech workers, and the firms that profit from a deeply broken system. It is at a story about immigration, labor exploitation, globalization, and the darker side of the U.S.-India tech corridor. To talk more about the book, Milan is joined on the show this week by its author, Tanul Thakur. Tanul is an award-winning journalist and film critic. In 2015, he won the National Film Award for Best Film Critic—the youngest critic to receive the honor. Wild Wild East is his first book. Milan and Tanul discuss the latter's firsthand experience with a “desi consultancy,” the exploitation many H-1B workers endure, and the role U.S. higher education plays in this ecosystem. Plus, the two discuss how Andhra Pradesh and Telangana became the epicenter of H-1B-related fraud and the ways in which the H-1B program can be reformed. Episode notes: 1. Aditya Mani Jha, “The human cost of H1-B dream: Review of Tanul Thakur's Wild Wild East,” Hindu, June 11, 2026. 2. Tanul Thakur, “‘Heads they won, tails he lost': How ‘desi consultancies' prey on Indian grads in America,” NewsLaundry, May 24, 2026. 3. Anant Gupta, “Indians slam MAGA ‘war' over H-1B skilled-worker visas as ‘racist,'” Washington Post, January 7, 2025. The audio of this podcast was optimized using Adobe Podcast Enhancer AI. No alterations were made to the substance of the conversation.
The Brendan Sorsby saga continues as he declares he will enter the NFL's supplemental draft instead of playing college football.. Shehan Jeyarajah from CBS Sports kicks things off with his latest on the situation. Plus Bobby Burton from "On Texas Football" stops by as well. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Hour 1 of Scotty G. & The Coach with Scott Garrard and Tim LaComb. Starting Lineup John Tortorella won't return as coach of Golden Knights What You May Have Missed
Scotty G. & The Coach with Scott Garrard and Tim LaComb on June 16, 2026. Hour 1 Starting Lineup John Tortorella won't return as coach of Golden Knights What You May Have Missed Hour 2 Mark Harlan, Utah Athletic Director G, B & U: BYU football safety Faletau Satuala suffered offseason injury The Fried Apple Pie is Back Hour 3 Kurt Helin, NBC Sports and Pro Basketball Talk Bob Casper, Real Golf Radio World Cup Minute Hour 4 NBA offseason storylines Sports Roulette: Dolan asked his team to make some sacrifices to win an NBA championship + MORE
President Trump says a deal has been reached to end the war with Iran and reopen the Strait of Hormuz, but the agreement is set to be signed Friday in Switzerland and leaves out Israel, whose opposition is calling it one of the country's worst failures.Just hours after announcing the deal, President Trump hosted a UFC fight on the White House lawn on his 80th birthday for the nation's 250th. And right after the fight, Trump headed to the G7 summit in the French Alps, where he is expected to arrive in triumph and lean on the same allies he berated for refusing to join the war.Want more analysis of the most important news of the day, plus a little fun? Subscribe to the Up First newsletter.Today's episode of Up First was edited by Tina Kraja, Kelsey Snell, Miguel Macias, Mohamad ElBardicy, and Taylor Haney.It was produced by Ziad Buchh and Ben Abrams.Our director is Christopher Thomas.We get engineering support from Zo van Ginhoven. Our technical director is Carleigh Strange.(0:00) Introduction(01:51) Iran Deal(05:24) UFC Event At White House(08:58) Trump Heads To G7 See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy
Episode 5444: President Trump Heads To G7; Peace In The Middle East
MeidasTouch host Ben Meiselas reports on Donald Trump having a disastrous landing in France as all his plans collapse and all his promises have been exposed as the lies they have always been. Head to https://zbiotics.com/MEIDAS to get 15% off your first order when you use MEIDAS at checkout. Visit https://meidasplus.com for more! Remember to subscribe to ALL the MeidasTouch Network Podcasts: MeidasTouch: https://www.meidastouch.com/tag/meidastouch-podcast Legal AF: https://www.meidastouch.com/tag/legal-af MissTrial: https://meidasnews.com/tag/miss-trial The PoliticsGirl Podcast: https://www.meidastouch.com/tag/the-politicsgirl-podcast Cult Conversations: The Influence Continuum with Dr. Steve Hassan: https://www.meidastouch.com/tag/the-influence-continuum-with-dr-steven-hassan The Weekend Show: https://www.meidastouch.com/tag/the-weekend-show The Ken Harbaugh Show: https://meidasnews.com/tag/the-ken-harbaugh-show Majority 54: https://www.meidastouch.com/tag/majority-54 On Democracy with FP Wellman: https://www.meidastouch.com/tag/on-democracy-with-fpwellman Uncovered: https://www.meidastouch.com/tag/maga-uncovered Learn more about your ad choices. Visit megaphone.fm/adchoices
June 15, 2026 - 6am: The U.S. and Iran reach an initial agreement aimed at ending the war... but it's not a final peace treaty NYT reports that Israel is not happy with the U.S.- Iran agreement Trump heads to G7 Knicks win it in 5! To listen to this show and other MS podcasts without ads, sign up for MS NOW Premium on Apple Podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
The leaders of the US and Iran will sign an agreement on Friday to reopen the Strait of Hormuz, and the annual G7 summit kicks off today. SpaceX's blockbuster IPO tells us a lot about Wall Street's appetite for tech listings, and the New York Knicks won the NBA championship for the first time since 1973. Mentioned in this podcast:Trump says Iran and US agree deal to open Strait of Hormuz and extend ceasefireEmmanuel Macron and Donald Trump test their bruised bromance at G7 summitWall Street digests record fundraising haul as AI race intensifiesSpaceX's surge on debut makes Elon Musk world's first trillionaireNew York Knicks' winning streak should rub off on its owner tooRegister for FT Weekend Festival hereWant to get in touch? Email us at podcasts@ft.comNote: The FT does not use generative AI to voice its podcasts The FT News Briefing is produced by Victoria Craig, Sonja Hutson, Saffeya Ahmed, Katya Kumkova, and Fiona Symon. Our editor is Marc Filippino. Our show was mixed by Alex Higgins and Kelly Garry. Additional help from Peter Barber, Gavin Kallmann, Michael Lello and David da Silva. Our intern is Cole van Miltenburg. Our executive producer is Topher Forhecz. Flo Phillips is the FT's global head of audio. The show's theme music is by Metaphor Music. Hosted on Acast. See acast.com/privacy for more information.
Trump Tells Putin We Must End Ukraine War Now! Leftist Heads Explode After Successful White House UFC Event! Plus, LGBTQPS++ Pedo Events Target Children Nationwide
On this Friday edition of 2 Pros & A Cup Of Joe, Jonas Knox & LaVar Arrington take a newer perspective on the Brendan Sorsby situation after all of Texas Tech had a press conference defending their guy. Plus, the guys go into Wemby's emotions being on the brink and getting eggs thrown at them, we have a Scottish edition of ICYMI, and more!See omnystudio.com/listener for privacy information.
Stan and Scooter have to deal with a mac and cheesy situation full of spaghetti ohs!Heads up, there's some descriptions of food in the second half of the episode.This is a special release from the SWM Vault. It's been remastered and re-edited, but it might be a little looser than a new episode. If you want access to the full vault, you can join Sleep With Me Plus at sleepwithmepodcast.com/plusBe sure to check out Orlando Parkstop's STOP HATE fundraiser for the Trevor Project! Let me know if you donate or purchase something from an auction, and you'll have the chance to win some SWM swag and a LEGO kit!Get your Sleep With Me SleepPhones. Use "sleepwithme" for $5 off!!Are you looking for Story Only versions or two more nights of Sleep With Me a week? Then check out Bedtime Stories from Sleep With MeThis episode is produced by Rusty Biscuit aka Russell Sperberg.Show Artwork by Emily TatGoing through a hard time? You can find support at the Crisis Textline and see more global helplines here.HELIX SLEEP - Take the 2-minute sleep quiz and they'll match you to a customized mattress that'll give you the best sleep of your life. Visit helixsleep.com/sleep and get a special deal exclusive for SWM listeners!ZOCDOC - With Zocdoc, you can search for local doctors who take your insurance, read verified patient reviews and book an appointment, in-person or video chat. Download the Zocdoc app to sign-up for FREE at zocdoc.com/sleepAQUATRU - AquaTru is a countertop water purifier tested & certified to remove 84 contaminants, including chlorine, lead, forever chemicals, and microplastics! Get 20% off your water purifier by going to AquaTru.com and using promo code SLEEP Learn about your ad choices: dovetail.prx.org/ad-choices