Podcasts about tidyman

Hola Gerardo aquí en otro episodio de simplemente Yo; La selección de esta semana es Shaft, Shaft es una película de acción/crimen de Estados unidos de 1971 dirigida por Gordon Parks y escrita por Ernest Tidyman y John D. F. Black. Es una adaptación de la novela del mismo nombre de Tidyman y es la primera entrada en la serie de películas Shaft. La trama gira en torno al detective privado John Shaft que es contratado por un mafioso de Harlem para rescatar a su hija de los mafiosos italianos que la secuestraron. Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Facebook: https://www.facebook.com/fnpod

The Context of White Supremacy hosts the fifth and final study session on Ernest Tidyman's 1970 novel, SHAFT. Tidyman is a White man. He forged a distinguished journalism career working for The New York Times and Ohio's The Plain Dealer. In the midst of the so called Civil Rights Movement and the unrest of the 1960's, Tidyman decided to concoct a narrative around a black private detective named John SHAFT. This relatively short book sparked fifty years of trashy films and a television program, and mightily influenced the thoughts, speech, action, emotions, and wardrobe of generations of black people. Gus has yet to hear of any black people (including Neely Fuller Jr.) who were aware that the SHAFT franchise is the spawn of a White Man. Last week, SHAFT was beaten down by the White thugs who kidnapped Knox Parson's daughter. Following the assault, SHAFT requests a black doctor to repair his injuries. This is a significant difference from 1971 film, where a White doctor bandages a wounded Richard Roundtree. Before being battered, Tidyman has SHAFT chat with one of the mobsters. He tells the black private detective about his thoughts on White Women who have sex with "spades" and insists that these sorts like it "rough." #IsaacHayes INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 720.716.7300 CODE 564943# INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 720.716.7300 CODE: 564943#

Thursday, November 4th 8:00PM Eastern/ 5:00PM Pacific The Context of White Supremacy hosts the fourth study session on Ernest Tidyman's 1970 novel, SHAFT. Tidyman is a White man. He forged a distinguished journalism career working for The New York Times and Ohio's The Plain Dealer. In the midst of the so called Civil Rights Movement and the unrest of the 1960's, Tidyman decided to concoct a narrative around a black private detective named John SHAFT. This relatively short book sparked fifty years of trashy films and a television program, and mightily influenced the thoughts, speech, action, emotions, and wardrobe of generations of black people. Gus has yet to hear of any black people (including Neely Fuller Jr.) who were aware that the SHAFT franchise is the spawn of a White Man. During the third session, Tidyman has White enforcement officials describe the White mafia killing of several black males. They remark that this had to be the work of a White man because black people are not great thinkers. Repeatedly, Tidyman describes Ben Buford, the only character in the book attempting to counter racism, as some type of insect (non-human). At one point, Ben Buford, SHAFT and Knox Parsons have a brawl over the details of the kidnapping. Tidyman has Buford label SHAFT as a "faggot cocksucker." The homoeroticism of the text continues, when Tidyman has a pair of White gangbangers gawk and fantasize about having anti-sex with SHAFT and/or viewing SHAFT engaged in sexual activity. #IsaacHayes INVEST in The COWS – paypal.me/TheCOWS Invest in The C.O.W.S. - Cash App: http://Cash.App/$TheCOWS The C.O.W.S. Radio Program is specifically engineered for black & non-white listeners - Victims of White Supremacy. The purpose of this program is to provide Victims of White Supremacy with constructive information and suggestions on how to counter Racist Woman & Racist Man.  TUNE IN! Phone: 1-720-716-7300 - Access Code 564943# Hit star *6 & 1 to enter caller cue

Thursday, October 28th 8:00PM Eastern/ 5:00PM Pacific The Context of White Supremacy hosts the fourth study session on Ernest Tidyman's 1970 novel, SHAFT. Tidyman is a White man. He forged a distinguished journalism career working for The New York Times and Ohio's The Plain Dealer. In the midst of the so called Civil Rights Movement and the unrest of the 1960's, Tidyman decided to concoct a narrative around a black private detective named John SHAFT. This relatively short book sparked fifty years of trashy films and a television program, and mightily influenced the thoughts, speech, action, emotions, and wardrobe of generations of black people. Gus has yet to hear of any black people (including Neely Fuller Jr.) who were aware that the SHAFT franchise is the spawn of a White Man. During the third session, Tidyman has White enforcement officials describe the White mafia killing of several black males. They remark that this had to be the work of a White man because black people are not great thinkers. Repeatedly, Tidyman describes Ben Buford, the only character in the book attempting to counter racism, as some type of insect (non-human). At one point, Ben Buford, SHAFT and Knox Parsons have a brawl over the details of the kidnapping. Tidyman has Buford label SHAFT as a "faggot cocksucker." The homoeroticism of the text continues, when Tidyman has a pair of White gangbangers gawk and fantasize about having anti-sex with SHAFT and/or viewing SHAFT engaged in sexual activity. #IsaacHayes INVEST in The COWS – paypal.me/TheCOWS Invest in The C.O.W.S. - Cash App: http://Cash.App/$TheCOWS The C.O.W.S. Radio Program is specifically engineered for black & non-white listeners - Victims of White Supremacy. The purpose of this program is to provide Victims of White Supremacy with constructive information and suggestions on how to counter Racist Woman & Racist Man.  TUNE IN! Phone: 1-720-716-7300 - Access Code 564943# Hit star *6 & 1 to enter caller cue

The Context of White Supremacy hosts the fourth study session on Ernest Tidyman's 1970 novel, SHAFT. Tidyman is a White man. He forged a distinguished journalism career working for The New York Times and Ohio's The Plain Dealer. In the midst of the so called Civil Rights Movement and the unrest of the 1960's, Tidyman decided to concoct a narrative around a black private detective named John SHAFT. This relatively short book sparked fifty years of trashy films and a television program, and mightily influenced the thoughts, speech, action, emotions, and wardrobe of generations of black people. Gus has yet to hear of any black people (including Neely Fuller Jr.) who were aware that the SHAFT franchise is the spawn of a White Man. During the third session, Tidyman has White enforcement officials describe the White mafia killing of several black males. They remark that this had to be the work of a White man because black people are not great thinkers. Repeatedly, Tidyman describes Ben Buford, the only character in the book attempting to counter racism, as some type of insect (non-human). At one point, Ben Buford, SHAFT and Knox Parsons have a brawl over the details of the kidnapping. Tidyman has Buford label SHAFT as a "faggot cocksucker." The homoeroticism of the text continues, when Tidyman has a pair of White gangbangers gawk and fantasize about having anti-sex with SHAFT and/or viewing SHAFT engaged in sexual activity. #IsaacHayes INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 720.716.7300 CODE: 564943#

The Context of White Supremacy hosts the third study session on Ernest Tidyman's 1970 novel, SHAFT. Tidyman is a White man. He forged a distinguished journalism career working for The New York Times and Ohio's The Plain Dealer. In the midst of the so called Civil Rights Movement and the unrest of the 1960's, Tidyman decided to concoct a narrative around a black private detective named John SHAFT. This relatively short book sparked a half century of trashy films and a television program, and mightily influenced the thoughts, speech, action, emotions, and wardrobe of generations of black people. Gus has yet to hear of any black people who were aware that the SHAFT franchise is the spawn of a White Man. During the second session, Tidyman introduces Knox Parsons, a black criminal who hopes to hire shaft to find his missing daughter. The film portrays the missing black female as quiet and well-behaved. Tidyman describes her as a promiscuous, street-hustler. We're also introduced to Ben Buford, a black male "revolutionary," who seems to be Tidyman's composite of the many attempted counter-racist groups of the 1960's. Buford and his group do drugs, have no weapons, and are easily slaughtered by the White thugs who kidnapped Parsons's daughter. Tidyman includes fascinating commentary on the faithfulness and support of a good "dark woman," and has SHAFT remark on the so-called blackness of other Victims. #IsaacHayes INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 720.716.7300 CODE: 564943#

Thursday, October 21st 8:00PM Eastern/ 5:00PM Pacific The Context of White Supremacy hosts the third study session on Ernest Tidyman's 1970 novel, SHAFT. Tidyman is a White man. He forged a distinguished journalism career working for The New York Times and Ohio's The Plain Dealer. In the midst of the so called Civil Rights Movement and the unrest of the 1960's, Tidyman decided to concoct a narrative around a black private detective named John SHAFT. This relatively short book sparked a half century of trashy films and a television program, and mightily influenced the thoughts, speech, action, emotions, and wardrobe of generations of black people. Gus has yet to hear of any black people who were aware that the SHAFT franchise is the spawn of a White Man. During the second session, Tidyman introduces Knox Parsons, a black criminal who hopes to hire shaft to find his missing daughter. The film portrays the missing black female as quiet and well-behaved. Tidyman describes her as a promiscuous, street-hustler. We're also introduced to Ben Buford, a black male "revolutionary," who seems to be Tidyman's composite of the many attempted counter-racist groups of the 1960's. Buford and his group do drugs, have no weapons, and are easily slaughtered by the White thugs who kidnapped Parsons's daughter. Tidyman includes fascinating commentary on the faithfulness and support of a good "dark woman," and has SHAFT remark on the so-called blackness of other Victims. #IsaacHayes INVEST in The COWS – paypal.me/TheCOWS Invest in The C.O.W.S. - Cash App: http://Cash.App/$TheCOWS   The C.O.W.S. Radio Program is specifically engineered for black & non-white listeners - Victims of White Supremacy. The purpose of this program is to provide Victims of White Supremacy with constructive information and suggestions on how to counter Racist Woman & Racist Man.    TUNE IN! Phone: 1-720-716-7300 - Access Code 564943# Hit star *6 & 1 to enter caller cue

The Context of White Supremacy hosts the second study session on Ernest Tidyman's 1970 novel, SHAFT. Tidyman is a White man. He forged a distinguished journalism career working for The New York Times and Ohio's The Plain Dealer. In the midst of the so called Civil Rights Movement and the unrest of the 1960's, Tidyman decided to concoct a narrative around a black private detective named John SHAFT. This relatively short book sparked a half century of trashy films and mightily influenced the thoughts, speech, action, emotions, and wardrobe of generations of black people. Most of these victims are clueless that their favorite black action hero is the creation of a White man. During the premier session, Gus and listeners were shocked by Tidyman's vulgarity, homoeroticism and slurs. He routinely employs the word "fag," and has SHAFT pretend to set up a date for homosexual/anti-sexual activity with a "gay" White Man. While speaking with the police, Tidyman places SHAFT in a the "butt-cupping grip" of a steel chair. Similar to Romain Gary's WHITE DOG, the White male author obsessives over the black male physique. Tidyman greatly details the black body of John SHAFT, including scars received while fighting in Vietnam. Tidyman was reportedly unhappy that's SHAFT's veteran status was excised from the movie. When not being ogled by the White Men of New York, SHAFT has sexual intercourse with a White Woman. In between all this, a black male dies, and SHAFT gets a shoe shine from a black "shine boy," whom Tidyman describes as neutered. #IsaacHayes INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 720.716.7300 CODE: 564943#

Thursday, October 14th 8:00PM Eastern/ 5:00PM Pacific The Context of White Supremacy hosts the second study session on Ernest Tidyman's 1970 novel, SHAFT. Tidyman is a White man. He forged a distinguished journalism career working for The New York Times and Ohio's The Plain Dealer. In the midst of the so called Civil Rights Movement and the unrest of the 1960's, Tidyman decided to concoct a narrative around a black private detective named John SHAFT. This relatively short book sparked a half century of trashy films and mightily influenced the thoughts, speech, action, emotions, and wardrobe of generations of black people. Most of these victims are clueless that their favorite black action hero is the creation of a White man. During the premier session, Gus and listeners were shocked by Tidyman's vulgarity, homoeroticism and slurs. He routinely employs the word "fag," and has SHAFT pretend to set up a date for homosexual/anti-sexual activity with a "gay" White Man. While speaking with the police, Tidyman places SHAFT in a the "butt-cupping grip" of a steel chair. Similar to Romain Gary's WHITE DOG, the White male author obsessives over the black male physique. Tidyman greatly details the black body of John SHAFT, including scars received while fighting in Vietnam. Tidyman was reportedly unhappy that's SHAFT's veteran status was excised from the movie. When not being ogled by the White Men of New York, SHAFT has sexual intercourse with a White Woman. In between all this, a black male dies, and SHAFT gets a shoe shine from a black "shine boy," whom Tidyman describes as neutered. #IsaacHayes INVEST in The COWS – paypal.me/TheCOWS Invest in The C.O.W.S. - Cash App: http://Cash.App/$TheCOWS   The C.O.W.S. Radio Program is specifically engineered for black & non-white listeners - Victims of White Supremacy. The purpose of this program is to provide Victims of White Supremacy with constructive information and suggestions on how to counter Racist Woman & Racist Man.    TUNE IN! Phone: 1-720-716-7300 - Access Code 564943# Hit star *6 & 1 to enter caller cue

The Context of White Supremacy hosts the debut study session on Ernest Tidyman's 1970 novel, SHAFT. Tidyman is a White man. He forged a distinguished journalism career working for The New York Times and Ohio's The Plain Dealer. In the midst of the so called Civil Rights Movement and the unrest of the 1960's, Tidyman decided to concoct a narrative around a black private detective named John SHAFT. This relatively short book sparked a half century of trashy films and mightily influenced the thoughts, speech, action, emotions, and wardrobe of generations of black people. Most of these victims are clueless that there favorite black action hero is the creation of a White man. Gus is excited to closely scrutinize a work that depicts SHAFT as a "bi-sexual" Vietnam veteran out to stick it to "The Man." The film adaptation of Tidyman's work is also a spectacular illustration of Racial Showcasing. The director was Gordan Parks, Richard Roundtree starred in the film, and Isaac Hayes' legendary soundtrack remains beloved and recognized a half century later. Hayes owns an Academy Award for his contributions to SHAFT. This franchise of films, along with the late Melvin Van Peebles, is credited with introducing the era of "Blaxploitation" films - cheaply made movies, bloated with crime and gratuitous sexual content, featuring mostly black characters. The fictional John SHAFT remains beloved by numerous black people well into the 21st century. #BlackMalePenis INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 720.716.7300 CODE: 564943#

Thursday, October 7th 8:00PM Eastern/ 5:00PM Pacific The Context of White Supremacy hosts the debut study session on Ernest Tidyman's 1970 novel, SHAFT. Tidyman is a White man. He forged a distinguished journalism career working for The New York Times and Ohio's The Plain Dealer. In the midst of the so called Civil Rights Movement and the unrest of the 1960's, Tidyman decided to concoct a narrative around a black private detective named John SHAFT. This relatively short book sparked a half century of trashy films and mightily influenced the thoughts, speech, action, emotions, and wardrobe of generations of black people. Most of these victims are clueless that there favorite black action hero is the creation of a White man. Gus is excited to closely scrutinize a work that depicts SHAFT as a "bi-sexual" Vietnam veteran out to stick it to "The Man." The film adaptation of Tidyman's work is also a spectacular illustration of Racial Showcasing. The director was Gordan Parks, Richard Roundtree starred in the film, and Isaac Hayes' legendary soundtrack remains beloved and recognized a half century later. Hayes owns an Academy Award for his contributions to SHAFT. This franchise of films, along with the late Melvin Van Peebles, is credited with introducing the era of "Blaxploitation" films - cheaply made movies, bloated with crime and gratuitous sexual content, featuring mostly black characters. The fictional John SHAFT remains a beloved by numerous black people well into the 21st century. #BlackMalePenis INVEST in The COWS – paypal.me/TheCOWS Invest in The C.O.W.S. - Cash App: http://Cash.App/$TheCOWS   The C.O.W.S. Radio Program is specifically engineered for black & non-white listeners - Victims of White Supremacy. The purpose of this program is to provide Victims of White Supremacy with constructive information and suggestions on how to counter Racist Woman & Racist Man.    TUNE IN! Phone: 1-720-716-7300 - Access Code 564943# Hit star *6 & 1 to enter caller cue

Photo: International symbol "Tidyman" used on packaging to remind people to dispose of it in a bin instead of littering.The New John Batchelor ShowCBS Audio Network@Batchelorshow London Parks fill with happy trash as the people return. @JosephSternberg @WSJOpinionhttps://www.theguardian.com/football/live/2021/apr/20/european-super-league-backlash-builds-against-breakaway-plan-live?page=with:block-607f7c7f8f08505668d96320

Gordon Parks’ breakthrough detective film resonates with as much or more power than it did when it exploded on the scene back in 1971. Richard Roundtree leads the cast as John Shaft, the hero of Ernest Tidyman’s series of novels. The fact that Tidyman was a white novelist makes this film’s resonance all the more amazing. Below left is one of Gordon Parks’ best known photographs, taken in 1942. Parks became a highly respected photographer, doing much of his best work for LIFE magazine. Rather than retiring, he became a filmmaker in the 1960’s, as well as writing books of poetry and even music for the sequel to Shaft--Shaft’s Big Score!

Who’s the black private dick That’s a sex machine to all the chicks? (Shaft) Ya damn right Who is the man that would risk his neck For his brother man? (Shaft) Can you dig it? Who’s the cat that won’t cop out When there’s danger all about? (Shaft) Right on They say this cat Shaft is a bad mother – (Shut your mouth) But I’m talkin’ ’bout Shaft – (Then we can dig it) He’s a complicated man But no one understands him but his woman (John Shaft) –Theme from Shaft by Isaac Hayes Mention Shaft and most people think of Gordon Park’s seminal 1971 film starring Richard Roundtree in a leather coat, walking the streets of Manhattan to Isaac Hayes’ iconic theme music. But the black private dick that inspired the black action cinema/blaxploitation film genre actually made his debut on the printed page as the creation of white novelist Ernest Tidyman, who was a seasoned journalist down on his luck when he decided to try his hand at fiction. Shaft was the result, giving Tidyman the break he was looking for. The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films and Television Series (McFarland, 2015) is based on the extensive research of Ernest Tidyman’s personal papers, and tells the story of John Shaft from the perspective of his creator the original source. The book also provides new insight and analyses of the writing of the Shaft novels, the films, and the television series. The World of Shaft also features first-ever coverage of the forgotten Shaft newspaper comic strip, and includes previously unseen artwork. Also included are Shaft’s recent 21st century reappearances on the printed page, in both comic book and prose form. Steve Aldous is a British banker by day and an enthusiastic writer, film fanatic and avid reader of crime fiction by night. In addition to The World of Shaft, he has written a number of well-received short stories in a wide range of styles and genres, and has been short-listed in the Writers Forum magazine short story competition. His as yet unpublished novel, a crime thriller entitled Poisoned Veins, features a modern-day black Manchester-based private investigator Joe Gibbs, and is inspired in part by Ernest Tidyman’s Shaft. Aldous resides Bury, Lancashire, UK and is a proud father of three and a loving grandfather. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who's the black private dick That's a sex machine to all the chicks? (Shaft) Ya damn right Who is the man that would risk his neck For his brother man? (Shaft) Can you dig it? Who's the cat that won't cop out When there's danger all about? (Shaft) Right on They say this cat Shaft is a bad mother – (Shut your mouth) But I'm talkin' 'bout Shaft – (Then we can dig it) He's a complicated man But no one understands him but his woman (John Shaft) –Theme from Shaft by Isaac Hayes Mention Shaft and most people think of Gordon Park's seminal 1971 film starring Richard Roundtree in a leather coat, walking the streets of Manhattan to Isaac Hayes' iconic theme music. But the black private dick that inspired the black action cinema/blaxploitation film genre actually made his debut on the printed page as the creation of white novelist Ernest Tidyman, who was a seasoned journalist down on his luck when he decided to try his hand at fiction. Shaft was the result, giving Tidyman the break he was looking for. The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films and Television Series (McFarland, 2015) is based on the extensive research of Ernest Tidyman's personal papers, and tells the story of John Shaft from the perspective of his creator the original source. The book also provides new insight and analyses of the writing of the Shaft novels, the films, and the television series. The World of Shaft also features first-ever coverage of the forgotten Shaft newspaper comic strip, and includes previously unseen artwork. Also included are Shaft's recent 21st century reappearances on the printed page, in both comic book and prose form. Steve Aldous is a British banker by day and an enthusiastic writer, film fanatic and avid reader of crime fiction by night. In addition to The World of Shaft, he has written a number of well-received short stories in a wide range of styles and genres, and has been short-listed in the Writers Forum magazine short story competition. His as yet unpublished novel, a crime thriller entitled Poisoned Veins, features a modern-day black Manchester-based private investigator Joe Gibbs, and is inspired in part by Ernest Tidyman's Shaft. Aldous resides Bury, Lancashire, UK and is a proud father of three and a loving grandfather. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Who’s the black private dick That’s a sex machine to all the chicks? (Shaft) Ya damn right Who is the man that would risk his neck For his brother man? (Shaft) Can you dig it? Who’s the cat that won’t cop out When there’s danger all about? (Shaft) Right on They say this cat Shaft is a bad mother – (Shut your mouth) But I’m talkin’ ’bout Shaft – (Then we can dig it) He’s a complicated man But no one understands him but his woman (John Shaft) –Theme from Shaft by Isaac Hayes Mention Shaft and most people think of Gordon Park’s seminal 1971 film starring Richard Roundtree in a leather coat, walking the streets of Manhattan to Isaac Hayes’ iconic theme music. But the black private dick that inspired the black action cinema/blaxploitation film genre actually made his debut on the printed page as the creation of white novelist Ernest Tidyman, who was a seasoned journalist down on his luck when he decided to try his hand at fiction. Shaft was the result, giving Tidyman the break he was looking for. The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films and Television Series (McFarland, 2015) is based on the extensive research of Ernest Tidyman’s personal papers, and tells the story of John Shaft from the perspective of his creator the original source. The book also provides new insight and analyses of the writing of the Shaft novels, the films, and the television series. The World of Shaft also features first-ever coverage of the forgotten Shaft newspaper comic strip, and includes previously unseen artwork. Also included are Shaft’s recent 21st century reappearances on the printed page, in both comic book and prose form. Steve Aldous is a British banker by day and an enthusiastic writer, film fanatic and avid reader of crime fiction by night. In addition to The World of Shaft, he has written a number of well-received short stories in a wide range of styles and genres, and has been short-listed in the Writers Forum magazine short story competition. His as yet unpublished novel, a crime thriller entitled Poisoned Veins, features a modern-day black Manchester-based private investigator Joe Gibbs, and is inspired in part by Ernest Tidyman’s Shaft. Aldous resides Bury, Lancashire, UK and is a proud father of three and a loving grandfather. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who’s the black private dick That’s a sex machine to all the chicks? (Shaft) Ya damn right Who is the man that would risk his neck For his brother man? (Shaft) Can you dig it? Who’s the cat that won’t cop out When there’s danger all about? (Shaft) Right on They say this cat Shaft is a bad mother – (Shut your mouth) But I’m talkin’ ’bout Shaft – (Then we can dig it) He’s a complicated man But no one understands him but his woman (John Shaft) –Theme from Shaft by Isaac Hayes Mention Shaft and most people think of Gordon Park’s seminal 1971 film starring Richard Roundtree in a leather coat, walking the streets of Manhattan to Isaac Hayes’ iconic theme music. But the black private dick that inspired the black action cinema/blaxploitation film genre actually made his debut on the printed page as the creation of white novelist Ernest Tidyman, who was a seasoned journalist down on his luck when he decided to try his hand at fiction. Shaft was the result, giving Tidyman the break he was looking for. The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films and Television Series (McFarland, 2015) is based on the extensive research of Ernest Tidyman’s personal papers, and tells the story of John Shaft from the perspective of his creator the original source. The book also provides new insight and analyses of the writing of the Shaft novels, the films, and the television series. The World of Shaft also features first-ever coverage of the forgotten Shaft newspaper comic strip, and includes previously unseen artwork. Also included are Shaft’s recent 21st century reappearances on the printed page, in both comic book and prose form. Steve Aldous is a British banker by day and an enthusiastic writer, film fanatic and avid reader of crime fiction by night. In addition to The World of Shaft, he has written a number of well-received short stories in a wide range of styles and genres, and has been short-listed in the Writers Forum magazine short story competition. His as yet unpublished novel, a crime thriller entitled Poisoned Veins, features a modern-day black Manchester-based private investigator Joe Gibbs, and is inspired in part by Ernest Tidyman’s Shaft. Aldous resides Bury, Lancashire, UK and is a proud father of three and a loving grandfather. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who’s the black private dick That’s a sex machine to all the chicks? (Shaft) Ya damn right Who is the man that would risk his neck For his brother man? (Shaft) Can you dig it? Who’s the cat that won’t cop out When there’s danger all about? (Shaft) Right on They say this cat Shaft is a bad mother – (Shut your mouth) But I’m talkin’ ’bout Shaft – (Then we can dig it) He’s a complicated man But no one understands him but his woman (John Shaft) –Theme from Shaft by Isaac Hayes Mention Shaft and most people think of Gordon Park’s seminal 1971 film starring Richard Roundtree in a leather coat, walking the streets of Manhattan to Isaac Hayes’ iconic theme music. But the black private dick that inspired the black action cinema/blaxploitation film genre actually made his debut on the printed page as the creation of white novelist Ernest Tidyman, who was a seasoned journalist down on his luck when he decided to try his hand at fiction. Shaft was the result, giving Tidyman the break he was looking for. The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films and Television Series (McFarland, 2015) is based on the extensive research of Ernest Tidyman’s personal papers, and tells the story of John Shaft from the perspective of his creator the original source. The book also provides new insight and analyses of the writing of the Shaft novels, the films, and the television series. The World of Shaft also features first-ever coverage of the forgotten Shaft newspaper comic strip, and includes previously unseen artwork. Also included are Shaft’s recent 21st century reappearances on the printed page, in both comic book and prose form. Steve Aldous is a British banker by day and an enthusiastic writer, film fanatic and avid reader of crime fiction by night. In addition to The World of Shaft, he has written a number of well-received short stories in a wide range of styles and genres, and has been short-listed in the Writers Forum magazine short story competition. His as yet unpublished novel, a crime thriller entitled Poisoned Veins, features a modern-day black Manchester-based private investigator Joe Gibbs, and is inspired in part by Ernest Tidyman’s Shaft. Aldous resides Bury, Lancashire, UK and is a proud father of three and a loving grandfather. Learn more about your ad choices. Visit megaphone.fm/adchoices