Podcasts about Isaac Hayes

In Episode 180 of Entertainment Law Update, we cover major legal developments including the rare recusal of five Supreme Court justices, leaving a lower court win in the Ta-Nehisi Coates copyright case intact; the Isaac Hayes estate's lawsuit against Donald … Read the rest The post Supreme Court Sidestep, AI Copyright Showdown & Dancing With a Stranger Returns – ELU 180 appeared first on Entertainment Law Update.

Steve & Izzy continue 2025 the Year of the Apocalypse celebrating movies after the fall of man, as they are joined by Chef Robby to discuss 1981's "Escape from New York" starring Kurt Russell, Isaac Hayes, Donald Pleasance & more!!! Would this movie's premise work today? Is this movie almost too simple? How did this movie change Chef Robby's life forever?!? Let's find out!!! So kick back, grab a few brews, call me Snake, and enjoy!!! This episode is proudly sponsored by Untidy Venus, your one-stop shop for incredible art & gift ideas at UntidyVenus.Etsy.com and be sure to follow her on Twitter, Facebook, Instagram & Patreon at @UntidyVenus for all of her awesomeness!!! Try it today!!! Twitter - www.twitter.com/eilfmovies Facebook - www.facebook.com/eilfmovies Etsy - www.untidyvenus.etsy.com TeePublic - www.teepublic.com/user/untidyvenus Learn more about your ad choices. Visit megaphone.fm/adchoices

Den store kompositören Burt Bacharach har upplevt hur hans finessrika melodier färdats i tid och rum, och fått ny mening. Hur de omtolkats av det svarta Amerika. Lyssna på alla avsnitt i Sveriges Radio Play. ”Walk on by” var en hit med Dionne Warwick 1964. Efter mordet på Martin Luther King lyfte en förbittrad Isaac Hayes numret från cocktailpartyt ner på gatan.Ingen hade väntat sig att upprättelsen skulle komma i form av en mörk orkestrering av en smekande, förförisk och tragisk kärlekslåt. Förklädd till något lugnt och trösterikt med kallsvetten och ilskan vilande under ytan. 2023 förvandlade Doja Cat ett parti från samma låt i listettan ”Paint the town red”.Tidlösheten i Burt Bacharachs vindlande melodier är slående. Unga lyssnare söker sig till hans låtskatt. Inte för att få kontakt med det förflutna, en annan värld, utan bara för att uppleva skönheten. Du får Bacharach, som avled 2023 94 år gammal, i ett varmt samtal om livet och låtarna, medan hans främsta uttolkare, sångerskan Dionne Warwick, berättar för Mats Nileskär om resan från en tid då hon trotsade rådande samhällsnormer och förenade människor oberoende av ålder, klass och etnicitet.

No episódio 303 do Boia, Julio Adler, João Valente e Bruno Bocayuva dissecam a Gold Coast com a peixeira do Crocodile Dundee: Filipe finalmente vence, Julian se irrita com a torcida e Yago encosta no Italo(Epa!).Erin Brooks surfa como se o mundo acabasse hoje pras surfistas de ontem mas quem leva o caneco é Bettylou.Timo Järvinen, o Urso Finlandês da fotografia, é invocado nas palavras de Ricardo Bravo. Imagem Falada renasce mais alinhado do que nunca com uma parceria de elegância sem esforço, Maxime, ele mesmo!(www.maxime.com.br) conta sobre a onda da vida.E na vitrola: I Don't Mind, do Buzzcocks (RIP Luis Antônio Melo); Hopper's On Top (Genius), do novo Waterboys e Isaac Hayes com The Look of Love.

The wait is over! Season 3 of BSFS kicks off with John Carpenter's 1981 cult classic, Escape from New York!Starring, Kurt Russell, Lee Van Cleef, Harry Dean Stanton, Adrienne Barbeau, Isaac Hayes, Donald Pleasence, and Ernest Borgnine.

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Robert Watt, former Assistant Principal Horn of the Los Angeles Philharmonic.   Robert Lee Watt was born in Neptune, New Jersey the 4th child of seven. His father, Edward Watt Jr. played trumpet professionally in a Jazz ensemble, “The New Jersey Squires of Rhythm.” When Robert was eight years old he got curious about his father's trumpet, kept high on a shelf. Too short to reach it, Robert conscripted his little brother Tony to help. But with Tony on his shoulders he lost his balance, causing both of them to fall to the floor, trumpet in hand.  Robert then attempted to fix the dents in the instrument by using a hammer. The badly damaged trumpet was the way Robert's father discovered his interest in horns. After a serious reproach, Robert's father tried to teach him trumpet. However, it wasn't until years later that Robert discovered the instrument he really wanted to play.    While helping his father clean out a room in the basement Robert discovered some old 78 recordings. The curious Robert gave the old recordings a spin. It was the “William Tell Overture” on hearing the French horns on that recording he asked his father what instrument came in after the trumpet. His father informed him that it was a “French horn” “A middle instrument that never gets to play the melody like the trumpet…why, do you like that horn?” His father asked. Robert replied, “It gives me chills when I hear it, I love it. That's what I want to play.” His father informed the young Robert that it really wasn't the instrument for him. Explaining that it was an instrument for thin-lipped white boys. “Your lips are too thick to play that small, thin, mouthpiece. You'd be better suited for the trumpet like you father.”  Upon reaching high school Robert seriously pursued the French horn. Approaching the band director of his high school in Asbury Park, Robert was again told that his lips were too thick to play the French horn. After being persistent, the band director gave Robert an old French horn that barely worked.  Nevertheless, Robert advanced quickly and was soon winning auditions for honor bands and orchestras throughout the state of New Jersey, bringing great honor to his high school. After high school Robert was accepted to the New England Conservatory of Music in Boston where he majored in music and studied French horn with Harry Shapiro of the Boston Symphony. Mr. Shapiro took great interest in Robert pushing him hard. At the end of his first year Mr. Watt was asked to perform the Strauss Horn Concerto No. 1, with the Boston Pops Orchestra under Arthur Fiedler. The following summer he received a fellowship to the Berkshire Music Festival at Tanglewood. Returning to the Conservatory for his third year Mr. Watt was informed by the president's office that the Conservatory had financial problems and that all scholarships would be canceled for the coming year. At the end of his junior year at the Conservatory Mr. Watt was informed by his French horn teacher that it was time for him to audition for a position in a major symphony orchestra. On the advice of his teacher, Mr. Watt chose Los Angeles and Chicago. When Mr. Watt returned from his audition journey, he had made the finals at both auditions. Two months later The Los Angeles Philharmonic offered him the position of Assistant First Horn. Making him the first African American French horn player hired by a major symphony orchestra in the United States. Mr. Watt joined the ranks of only a handful of African Americans playing in symphony orchestras in these United States. According to the American Symphony Orchestra League, that represented less than 2% of the total, out of twenty-six top orchestras. Mr. Watt held his position until 2007, a career spanning 37 years.  Mr. Watt performed several times as soloist with the Los Angeles Philharmonic under Zubin Mehta and several orchestras in the Los Angeles area as well as the Oakland Symphony performing the Richard Strauss Second Horn Concerto While a member of the Los Angeles Philharmonic Mr. Watt has performed with principal and guest conductors that included: Leonard Bernstein, Eugene Ormandy, Eric Leinsdrof, Carla Maria Giulini, Pierre Boulez, Zubin Mehta, Henry Lewis, James De Priest, Michael Tilson Thomas, Herbert Blumstedt, Andre Previn, Marin Alsop, Esa-Pekka Salonen and Christoph Von Dohnányi. Included among the many world renown artists he has performed with were:     Yo-Yo Ma, Luciano Pavarotti, Placido Domingo, Jose Carreras, Wynton Marsalias, Henry Mancini, Gladys Night, Isaac Hayes, Quincy Jones, Stevie Wonder, Ray Charles, Barry White, Rihanna, Paula Abdul, Herbie Hancock, Lalo Schifrin, The Carpenters, Benny Carter, Quincy Jones, Bon Jovi, Elton John and film composer, John Williams. He has played on film scores of: Spiderman II, Rush Hour, Mission Impossible, Spike Lee's “Miracle at St. Anna, Golf and many others.  Mr. Watt has played the music for the Twentieth Century Fox cartoons, The Simpsons, American Dad, Family Guy and King of the Hill for the past three years. He played on the five hour TV special “The Jacksons, an American Family” under Harold Wheeler, and played for several years for the TV program “Startrek Voyager.” In the late 80's Mr. Watt helped organize an African American Brass Quintet, “The New Brass Ensemble” which performed throughout the United States and abroad.  Mr. Watt has done public speaking lecturing on music and African history in the Los Angeles area. He was hired as guest professor at Los Angele City College teaching the course, “Music of Black Americans”. Recently Mr. Watt executive produced a short film in memory of his friend Miles Davis. The film is based on the musical composition “Missing Miles” by Todd Cochran, commissioned by Mr. Watt, for French horn and piano. The short film was chosen by the Pan African Film Festival and the Garden State Film Festival.  Mr. Watt is a licensed airplane pilot with an instrument rating. He is a saber fencer and he speaks German and Italian.

Another round of retro reviews begins with Joe's pick, Truck Turner: a 1974 Blaxploitation crime film starring Isaac Hayes as a badass bounty hunter. Jared recommends a new baseball indie, Joe champions a Netflix miniseries, and Michael finds a Malick movie he loves.

On this episode of The Isaac Hayes Show, Isaac shares a powerful moment sparked by overhearing a simple conversation — one that reminded him why, despite its flaws, America remains the greatest country in the world. From real talk to raw perspective, Isaac dives into what makes the U.S. unique, inspiring, and worth fighting for. Don't miss this thought-provoking take on patriotism, perspective, and the power of everyday moments. #TheIsaacHayesShow #AmericanDream #Patriotism #Podcast #MotivationDon't miss this packed episode of The Isaac Hayes Show!Listen now on [Spotify, Apple Podcasts, or wherever you get your podcasts].Link to The Isaac Hayes Show page where you can leave a message, also don't forget to subscribe and share https://podcasters.spotify.com/pod/show/theisaachayesshowhttps://www.facebook.com/theisaachayesshowhttps://thisaachayesshow.wordpress.com The Isaac Hayes Show | A PRIMETIME MEDIA PODCAST

Episode 183: Remembering Marianne Faithfull, Jesse Colin Young And Roy Ayers, Jr. + More March 25, 2025 Welcome back to this hour that we call Tales Vinyl Tells.  It's your chance to hear some of the great album rock from the 60s and 70s mostly.  We've been doing these programs since late 2019 and have covered lots a ground.  You know and I know that we've just scratched the surface of recorded rock, so the new shows keep coming.  The reruns aren't bad either.  They can be heard on your favorite podcast app.  Just search for Tales Vinyl Tells. Today we're going to say thanks and farewell to Marianne Faithfull, Jesse Colin Young of the Youngbloods and vibraphonist Roy Ayers Jr. The music under me is Roy Ayres with Herbie Mann at the 1969 Harlem summer of soul extravaganza with a song cowritten by Isaac Hayes. Those three have entered the room next door, as Henry Diltz coined the phrase. You also get some of the blues with Boz Scaggs and Duane Allman, together. So these are the stories that songwriters and artists want to convey to you. These are the Tales Vinyl Tells. I want to say thank you to all the financial supporters of Tales Vinyl Tells. Whether a small amount monthly or a very generous donation, each of you listeners are very appreciated and if you can and do give monthly, my deepest gratitude goes to you. If you're not a supporter yet and want to know more about becoming a patron of this music program you can go Patron.podbean.com/talesvinyltellssupport. Thank you and rock on! And thanks for listening today.  My email is talesvinyltells@gmail.com.  If you want to hear a Tales Vinyl Tells when it streams live on RadioFreeNashville.org, we do that at 5 PM central time Wednesdays. The program can also be played and downloaded anytime at podbean.com, Apple podcasts, iHeart podcasts, player FM podcasts and many other podcast places. And of course you can count on hearing the Tales on studiomillswellness.com/tales-vinyl-tells anytime.

Recorded 7/24/20. Ep. 244....The night before WrestleMania XV in Philly in March 1999, WWE held a WrestleMania Rage Party at the Pennsylvania Convention Center with legendary musical acts Isaac Hayes, Big Pun, and the... Cherry Poppin' Daddies? It was when WWE was close to if not at its peak in popularity among the masses, so... why not throw a Rage Party the night before the biggest wrestling event of the year? This week, Vaughn and Nick take a deep dive into the Rage Party, as they both watched it separately and took some very detailed notes on the hour-long pre-WrestleMania hype show. It was aired on the USA Network the Saturday night before WrestleMania from 10:00 p.m. to 11:00 p.m. on the east coast. Needless to say, there is A LOT to discuss. Join us on the journey!--Follow us!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠shooterspod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter/X: [⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@_piccone⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@VaughnMJohnson⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠] [⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ShootersRadio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠]Instagram: [⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@shootersradio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠]Threads: [⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@shootersradio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠] [⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@picconenick⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠] [⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@vaughnjohnson166⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠]Bluesky: [⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@shootersradio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠] [⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@piccone⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠] [⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@vaughnjohnson⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠]Facebook: [⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Straight Shooters⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠]Exclusive Patreon content: [⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/shootersradio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠]

CNN, HBO MaxLegendary US singer Dionne Warwick 2025 Inductee Class in the Rock & Roll Hall of FameThe news came shortly after the 82-year-old star became one of the latest recipients of a Kennedy Center Honor, alongside comedian Billy Crystal and actor Queen Latifah.The Don't Make Me Over tour will begin its UK leg at Gateshead's The Glasshouse on Sunday 5 May, 2024, with tickets going on sale via Ticketmaster.  In 2023, we saw the debut of her Documentary that aired on CNN New Year's Day featuring Legendary Music Icons like the late Burt Bachrach, Jerry Blavat, Chuck Jackson, as well as Berry Gordy, Quincy Jones, & Smokey Robinson. She began singing professionally in 1961 after being discovered by a young songwriting team, Burt Bacharach and Hal David. She had her first hit in 1962 with “Don't Make Me Over.” Less than a decade later, she had released more than 18 consecutive Top 100 singles, including her classic Bacharach/David recordings, “Walk on By,” “Anyone Who Had a Heart,” “Message to Michael,” "Promises Promises,” “A House is Not a Home,” “Alfie,” “Say a Little Prayer,” “This Girl's in Love With You,” “I'll Never Fall in Love Again,” “Reach Out For Me,” and the theme from “Valley of the Dolls. ”Together, Warwick and her songwriting team of Burt Bacharach & Hal David, accumulated more than 30 hit singles, and close to 20 best-selling albums, during their first decade together.Warwick received her first GRAMMY® Award in 1968 for her mega-hit, “Do You Know the Way to San Jose?” and a second GRAMMY® in 1970 for the best-selling album, “I'll Never Fall in Love Again.” She became the first African-American solo female artist of her generation to win the prestigious award for Best Contemporary Female Vocalist Performance. This award was only presented to one other legend, Miss Ella Fitzgerald.In 1970, Warwick received her second GRAMMY® Award for the best-selling album, “I'll Never Fall In Love Again,” and began her second decade of hits with Warner Bros. Records. In 1974, she hit the top of the charts with “Then Came You,” a million-selling duet with The Spinners. She then teamed up with Isaac Hayes for a highly successful world tour, “A Man and a Woman.”In 1976, Warwick signed with Arista Records, beginning a third decade of hit-making. Arista Records label-mate Barry Manilow produced her first Platinum-selling album, “Dionne,” which included back-to-back hits “I'll Never Love This Way Again,” and “Déjà vu.” Both recordings earned GRAMMY® Awards, making Warwick the first female artist to win the Best Female Pop and Best Female R&B Performance Awards.Warwick's 1982 album, “Heartbreaker,” co-produced by Barry Gibb and the Bee Gees, became an international chart-topper. In 1985, she reunited with composer Burt Bacharach and longtime friends Gladys Knight, Elton John and Stevie Wonder to record the landmark song “That's What Friends Are For,” which became a number one hit record around the world and the first recording dedicated to raising awareness and major funds (over $3 Million) for the AIDS © 2025 Building Abundant Success!!2025  All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

The crime rate has skyrocketed, New York City has been turned into a maximum-security prison, and only one man can save the President, Snake Plissken. In this week's episode of Born to Watch, the crew dives deep into Escape from New York (1981), John Carpenter's dystopian sci-fi action classic. With Kurt Russell cementing his status as an ‘80s action legend, this film delivers an unforgettable mix of grunge, synth, and one of cinema's most iconic antiheroes.Join Whitey, Damo, and Gow as they break down what makes Escape from New York such a cult favorite. From its gritty, neon-lit depiction of a crumbling NYC to Carpenter's signature synth-heavy score, this movie packs a punch in just 99 minutes. The guys debate whether this is Carpenter's best film (or if The Thing still reigns supreme), dissect the film's incredible cast—including Lee Van Cleef, Ernest Borgnine, and Isaac Hayes—and, of course, question the physics of Snake's impossible glider landing.Expect plenty of laughs, wild tangents (including a deep dive into the weirdest VHS collections), and heated debates over the most ridiculous moments of the film. Plus, find out why Escape from New York still holds up in today's era of dystopian storytelling and why Snake Plissken might just be Kurt Russell's most iconic role.So, strap on your eye patch, fire up the synth soundtrack, and get ready for another action-packed Born to Watch episode!Listen now!https://www.borntowatch.com.au/Rate & Review on your favourite podcast platform!Follow us on social media for more movie madness!https://linktr.ee/borntowatchpodcast#EscapeFromNewYork #KurtRussell #JohnCarpenter #80sMovies #MovieReview #BornToWatch #CultClassics #SnakePlissken #RetroCinema

In this episode, we break down the latest political twists and turns. Did Chuck Schumer and the Democrats cave to Republican pressure to avoid a government shutdown, or was this a strategic retreat? Meanwhile, Gavin Newsom is making waves by interviewing MAGA supporters—what's his real angle, and could it backfire?We also dive into a surprising shift: Why is the left suddenly turning on electric cars? A former environmental group leader says it all comes down to “Musk derangement syndrome.” Plus, protesters take over Trump Tower in support of Mahmoud Khalil, an Illinois Democrat pushes a shocking bill that could legalize attacks on police, and Disney's Snow White remake runs into even more trouble.Don't miss this packed episode of The Isaac Hayes Show!Listen now on [Spotify, Apple Podcasts, or wherever you get your podcasts].Link to The Isaac Hayes Show page where you can leave a message, also don't forget to subscribe and share https://podcasters.spotify.com/pod/show/theisaachayesshowhttps://www.facebook.com/theisaachayesshowhttps://thisaachayesshow.wordpress.com The Isaac Hayes Show | A PRIMETIME MEDIA PODCAST

"If the rain comes they run and hide their headsThey might as well be deadIf the rain comes, if the rain comesWhen the sun shines they slip into the shadeAnd sip their lemonadeWhen the sun shines, when the sun shines"Well, the Rain has finally subsided and the Sun has made an appearance so lets get ready for Spring with 2 hours of terrific tunes on a Saturday afternoon in SoCal. Joining us are The Black Keys, Pat Metheny, Spirit, Steve Miller Band, The Paul Butterfield Blues Band, Phil Collins, The Beach Boys, Jean Luc Ponty, Paul McCartney, The Doors, Guess Who, Paul Revere & The Raiders, Don Henley, The Police, Grateful Dead, Steely Dan, Isaac Hayes, Sergio Mendes & Brasil 66, Simply Red, Simon & Garfunkel and The Beatles...

This hour, Scoot talks about the reason Isaac Hayes may have left the show South Park. Then, Councilmember Freddie King joins the show to share his thoughts on Lt. Gov. Nungesser's letter to the New Orleans City Council urging that the French Quarter cleanup contract be awarded to IV Waste.

On today's show, Scoot talks about if New Orleanians are apathetic to Mayor Cantrell's antics, an Oregon mental health advisor that identifies as a turtle, and the reason Isaac Hayes may have left the show South Park. Also, Scoot has on Lt. Gov. Billy Nungesser to talk about Sidney Torres's IV Waste contract and trash pickup after the Super Bowl. Then, Councilmember Freddie King joins the show to share his thoughts on Lt. Gov. Nungesser's letter to the New Orleans City Council urging that the French Quarter cleanup contract be awarded to IV Waste.

On the March 13 edition of the Music History Today podcast, Eric Clapton & Isaac Hayes leave & Amy Winehouse makes news For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

In this episode, we dive into the biggest political battles making headlines: Who's really to blame for the latest government shutdown threats? We break down the Trump-backed bill, GOP infighting, and accusations that Democrats are holding the budget hostage over Elon Musk. Plus, are Republicans turning on each other? From worker protections after the DOGE firings to saving Biden's climate law, we look at the surprising alliances forming in Congress.Beyond D.C., we discuss Mark Carney's nomination to replace Trudeau and Trump's fresh wave of tariffs on Canada. Meanwhile, Elon Musk blames a “massive cyberattack” for X's outages—what's really going on? And in global news, Ukraine signals a deal with Russia, and we unpack the arrest of Mahmoud Khalil, the controversial Columbia activist.Don't miss this packed episode of The Isaac Hayes Show!Listen now on [Spotify, Apple Podcasts, or wherever you get your podcasts].Link to The Isaac Hayes Show page where you can leave a message, also don't forget to subscribe and share https://podcasters.spotify.com/pod/show/theisaachayesshowhttps://www.facebook.com/theisaachayesshowhttps://thisaachayesshow.wordpress.com The Isaac Hayes Show | A PRIMETIME MEDIA PODCAST

This week, join Pencil and Cellar as they deep dive into the fifth track off Dumpin by the Psychopathic Rydas, "Ryda Hata." Sit back and listen as they dissect the history, lyrics and content of the song, discuss Ice Cube and Isaac Hayes, talk about stars across different generations, and tackle important topics like vulgar lyrics that aren't biologically accurate!        New gimmick: TIME STAMPS! 0:00:00 (Start)    0:06:25 (Movie Reviews/Previews)     0:21:33 (Tale of the Tape)    0:31:20 (Lyrical Deep Dive)     0:58:37 (90s Rewind)    1:03:33 (Wrapping Up)      The LinkTree can be found at https://linktr.ee/juggalorwd. Otherwise here are all of our links -  Youtube: @JuggaloRWD  Twitter/X: @JuggaloRWD  IG: @JuggaloRWD  Facebook: @JuggaloRWD  TikTok: @JuggaloRWD  Threads: @JuggaloRWD  BlueSky: @JuggaloRWD  The website is www.JuggaloRewind.com.  Join us on the ICPWWE Discord and talk to other listeners and podcast hosts about ICP, Twiztid and random juggalo nonsense.  Email us at juggalorwd@gmail.com or call/text us at (810) 666-1570.      Additional music provided by Steve O (aka Analog) of the IRTD and StirCrazy. Voiceover work provided by Christmas (aka Lil Krampus). The Rewind is forever powered by the 20x20 Apparel.   All music played is owned by the respective publishers and copywrite holders and is reproduced for review purposes only under fair use. Except for this season. Fuck your copyright. CopyWRONG, youknowwhatimsayin. #ForTheJuggaloCulture  #RydaRewind

Stax Records and Special Guest Rob BowmanStax Records, founded in 1957 by Jim Stewart and Estelle Axton in Memphis, Tennessee, played a pivotal role in developing soul and R&B music. Originally called Satellite Records, it was rebranded in 1961, merging the founders' last names. Known for its deep, emotive sound, Stax produced timeless hits through iconic artists like Otis Redding, Isaac Hayes, Booker T. & the MG's, and Sam & Dave. The label's house band, Booker T. & the MG's, contributed immensely to its distinctive grooves. Stax also stood out for its progressive integration of black and white artists and staff, which was rare. After a split with Atlantic Records in 1968 and financial troubles, Stax ceased operations in 1975. Despite its short lifespan, Stax's influence endures. Rob Bowman, a renowned Stax historian, continues to highlight its enduring legacy in shaping soul, R&B, and pop music history. Rob Bowman's book Soulsville, U.S.A.The Story of Stax Records offers an in-depth look at the label's history, detailing its origins, rise, and eventual decline. The book also provides comprehensive biographies of the promoters, producers, and performers who contributed to the label's legacy. In addition to the book, there's an HBO Original four-part documentary series titled STAX: SOULSVILLE U.S.A. -the series delves into the rich history of Stax Records. It premiered on May 20, 2024, and is available for streaming on HBO Max.

On today's episode of The Isaac Hayes Show, Trump delivers his speech to a joint session of Congress, and it had its moments of fireworks. Congressmen were asked to leave due to interruptions, Trump called out Democrats, and he declared that we are entering our “golden age” as a country. Isaac breaks it all down and more on this episode, so stay tuned for his insightful remarks!Listen now on [Spotify, Apple Podcasts, or wherever you get your podcasts].Tune in for thought-provoking analysis, straight talk, and no-holds-barred opinions. Don't miss it!Listen now and join the conversation—only on The Isaac Hayes Show!Link to The Isaac Hayes Show page where you can leave a message, also don't forget to subscribe and share https://podcasters.spotify.com/pod/show/theisaachayesshowhttps://www.facebook.com/theisaachayesshowhttps://thisaachayesshow.wordpress.com The Isaac Hayes Show | A PRIMETIME MEDIA PODCAST

Dr. Gary Null provides a commentary on "Universal  Healthcare"       Universal Healthcare is the Solution to a Broken Medical System Gary Null, PhD Progressive Radio Network, March 3, 2025 For over 50 years, there has been no concerted or successful effort to bring down medical costs in the American healthcare system. Nor are the federal health agencies making disease prevention a priority. Regardless whether the political left or right sponsors proposals for reform, such measures are repeatedly defeated by both parties in Congress. As a result, the nation's healthcare system remains one of the most expensive and least efficient in the developed world. For the past 30 years, medical bills contributing to personal debt regularly rank among the top three causes of personal bankruptcy. This is a reality that reflects not only the financial strain on ordinary Americans but the systemic failure of the healthcare system itself. The urgent question is: If President Trump and his administration are truly seeking to reduce the nation's $36 trillion deficit, why is there no serious effort to reform the most bloated and corrupt sector of the economy? A key obstacle is the widespread misinformation campaign that falsely claims universal health care would cost an additional $2 trillion annually and further balloon the national debt. However, a more honest assessment reveals the opposite. If the US adopted a universal single-payer system, the nation could actually save up to $20 trillion over the next 10 years rather than add to the deficit. Even with the most ambitious efforts by people like Elon Musk to rein in federal spending or optimize government efficiency, the estimated savings would only amount to $500 billion. This is only a fraction of what could be achieved through comprehensive healthcare reform alone. Healthcare is the largest single expenditure of the federal budget. A careful examination of where the $5 trillion spent annually on healthcare actually goes reveals massive systemic fraud and inefficiency. Aside from emergency medicine, which accounts for only 10-12 percent of total healthcare expenditures, the bulk of this spending does not deliver better health outcomes nor reduce trends in physical and mental illness. Applying Ockham's Razor, the principle that the simplest solution is often the best, the obvious conclusion is that America's astronomical healthcare costs are the direct result of price gouging on an unimaginable scale. For example, in most small businesses, profit margins range between 1.6 and 2.5 percent, such as in grocery retail. Yet the pharmaceutical industrial complex routinely operates on markup rates as high as 150,000 percent for many prescription drugs. The chart below highlights the astronomical gap between the retail price of some top-selling patented pharmaceutical medications and their generic equivalents. Drug Condition Patent Price (per unit) Generic Price Estimated Manufacture Cost Markup Source Insulin (Humalog) Diabetes $300 $30 $3 10,000% Rand (2021) EpiPen Allergic reactions $600 $30 $10 6,000% BMJ (2022) Daraprim Toxoplasmosis $750/pill $2 $0.50 150,000% JAMA (2019) Harvoni Hepatitis C $94,500 (12 weeks) $30,000 $200 47,000% WHO Report (2018) Lipitor Cholesterol $150 $10 $0.50 29,900% Health Affairs (2020) Xarelto Blood Thinner $450 $25 $1.50 30,000% NEJM (2020) Abilify Schizophrenia $800 (30 tablets) $15 $2 39,900% AJMC (2019) Revlimid Cancer $16,000/mo $450 $150 10,500% Kaiser Health News (2021) Humira Arthritis $2,984/dose $400 $50 5,868% Rand (2021) Sovaldi Hepatitis C $1,000/pill $10 $2 49,900% JAMA (2021) Xolair Asthma $2,400/dose $300 $50 4,800% NEJM (2020) Gleevec Leukemia $10,000/mo $350 $200 4,900% Harvard Public Health Review (2020) OxyContin Pain Relief $600 (30 tablets) $15 $0.50 119,900% BMJ (2022) Remdesivir Covid-19 $3,120 (5 doses) N/A $10 31,100% The Lancet (2020) The corruption extends far beyond price gouging. Many pharmaceutical companies convince federal health agencies to fund their basic research and drug development with taxpayer dollars. Yet when these companies bring successful products to market, the profits are kept entirely by the corporations or shared with the agencies or groups of government scientists. On the other hand, the public, who funded the research, receives no financial return. This amounts to a systemic betrayal of the public trust on a scale of hundreds of billions of dollars annually. Another significant contributor to rising healthcare costs is the widespread practice of defensive medicine that is driven by the constant threat of litigation. Over the past 40 years, defensive medicine has become a cottage industry. Physicians order excessive diagnostic tests and unnecessary treatments simply to protect themselves from lawsuits. Study after study has shown that these over-performed procedures not only inflate costs but lead to iatrogenesis or medical injury and death caused by the medical  system and practices itself. The solution is simple: adopting no-fault healthcare coverage for everyone where patients receive care without needing to sue and thereby freeing doctors from the burden of excessive malpractice insurance. A single-payer universal healthcare system could fundamentally transform the entire industry by capping profits at every level — from drug manufacturers to hospitals to medical equipment suppliers. The Department of Health and Human Services would have the authority to set profit margins for medical procedures. This would ensure that healthcare is determined by outcomes, not profits. Additionally, the growing influence of private equity firms and vulture capitalists buying up hospitals and medical clinics across America must be reined in. These equity firms prioritize profit extraction over improving the quality of care. They often slash staff, raise prices, and dictate medical procedures based on what will yield the highest returns. Another vital reform would be to provide free medical education for doctors and nurses in exchange for five years of service under the universal system. Medical professionals would earn a realistic salary cap to prevent them from being lured into equity partnerships or charging exorbitant rates. The biggest single expense in the current system, however, is the private health insurance industry, which consumes 33 percent of the $5 trillion healthcare budget. Health insurance CEOs consistently rank among the highest-paid executives in the country. Their companies, who are nothing more than bean counters, decide what procedures and drugs will be covered, partially covered, or denied altogether. This entire industry is designed to place profits above patients' lives. If the US dismantled its existing insurance-based system and replaced it with a fully reformed national healthcare model, the country could save $2.7 trillion annually while simultaneously improving health outcomes. Over the course of 10 years, those savings would amount to $27 trillion. This could wipe out nearly the entire national debt in a short time. This solution has been available for decades but has been systematically blocked by corporate lobbying and bipartisan corruption in Washington. The path forward is clear but only if American citizens demand a system where healthcare is valued as a public service and not a commodity. The national healthcare crisis is not just a fiscal issue. It is a crucial moral failure of the highest order. With the right reforms, the nation could simultaneously restore its financial health and deliver the kind of healthcare system its citizens have long deserved. American Healthcare: Corrupt, Broken and Lethal Richard Gale and Gary Null Progressive Radio Network, March 3, 2025 For a nation that prides itself on being the world's wealthiest, most innovative and technologically advanced, the US' healthcare system is nothing less than a disaster and disgrace. Not only are Americans the least healthy among the most developed nations, but the US' health system ranks dead last among high-income countries. Despite rising costs and our unshakeable faith in American medical exceptionalism, average life expectancy in the US has remained lower than other OECD nations for many years and continues to decline. The United Nations recognizes healthcare as a human right. In 2018, former UN Secretary General Ban Ki-moon denounced the American healthcare system as "politically and morally wrong." During the pandemic it is estimated that two to three years was lost on average life expectancy. On the other hand, before the Covid-19 pandemic, countries with universal healthcare coverage found their average life expectancy stable or slowly increasing. The fundamental problem in the U.S. is that politics have been far too beholden to the pharmaceutical, HMO and private insurance industries. Neither party has made any concerted effort to reign in the corruption of corporate campaign funding and do what is sensible, financially feasible and morally correct to improve Americans' quality of health and well-being.   The fact that our healthcare system is horribly broken is proof that moneyed interests have become so powerful to keep single-payer debate out of the media spotlight and censored. Poll after poll shows that the American public favors the expansion of public health coverage. Other incremental proposals, including Medicare and Medicaid buy-in plans, are also widely preferred to the Affordable Care Act or Obamacare mess we are currently stuck with.   It is not difficult to understand how the dismal state of American medicine is the result of a system that has been sold out to the free-market and the bottom line interests of drug makers and an inflated private insurance industry. How advanced and ethically sound can a healthcare system be if tens of millions of people have no access to medical care because it is financially out of their reach?  The figures speak for themselves. The U.S. is burdened with a $41 trillion Medicare liability. The number of uninsured has declined during the past several years but still lingers around 25 million. An additional 30-35 million are underinsured. There are currently 65 million Medicare enrollees and 89 million Medicaid recipients. This is an extremely unhealthy snapshot of the country's ability to provide affordable healthcare and it is certainly unsustainable. The system is a public economic failure, benefiting no one except the large and increasingly consolidated insurance and pharmaceutical firms at the top that supervise the racket.   Our political parties have wrestled with single-payer or universal healthcare for decades. Obama ran his first 2008 presidential campaign on a single-payer platform. Since 1985, his campaign health adviser, the late Dr. Quentin Young from the University of Illinois Medical School, was one of the nation's leading voices calling for universal health coverage.  During a private conversation with Dr. Young shortly before his passing in 2016, he conveyed his sense of betrayal at the hands of the Obama administration. Dr. Young was in his 80s when he joined the Obama campaign team to help lead the young Senator to victory on a promise that America would finally catch up with other nations. The doctor sounded defeated. He shared how he was manipulated, and that Obama held no sincere intention to make universal healthcare a part of his administration's agenda. During the closed-door negotiations, which spawned the weak and compromised Affordable Care Act, Dr. Young was neither consulted nor invited to participate. In fact, he told us that he never heard from Obama again after his White House victory.   Past efforts to even raise the issue have been viciously attacked. A huge army of private interests is determined to keep the public enslaved to private insurers and high medical costs. The failure of our healthcare is in no small measure due to it being a fully for-profit operation. Last year, private health insurance accounted for 65 percent of coverage. Consider that there are over 900 private insurance companies in the US. National Health Expenditures (NHE) grew to $4.5 trillion in 2022, which was 17.3 percent of GDP. Older corporate rank-and-file Democrats and Republicans argue that a single-payer or socialized medical program is unaffordable. However, not only is single-payer affordable, it will end bankruptcies due to unpayable medical debt. In addition, universal healthcare, structured on a preventative model, will reduce disease rates at the outset.    Corporate Democrats argue that Obama's Affordable Care Act (ACA) was a positive step inching the country towards complete public coverage. However, aside from providing coverage to the poorest of Americans, Obamacare turned into another financial anchor around the necks of millions more. According to the health policy research group KFF, the average annual health insurance premium for single coverage is $8,400 and almost $24,000 for a family. In addition, patient out-of-pocket costs continue to increase, a 6.6% increase to $471 billion in 2022. Rather than healthcare spending falling, it has exploded, and the Trump and Biden administrations made matters worse.    Clearly, a universal healthcare program will require flipping the script on the entire private insurance industry, which employed over half a million people last year.  Obviously, the most volatile debate concerning a national universal healthcare system concerns cost. Although there is already a socialized healthcare system in place -- every federal legislator, bureaucrat, government employee and veteran benefits from it -- fiscal Republican conservatives and groups such as the Koch Brothers network are single-mindedly dedicated to preventing the expansion of Medicare and Medicaid. A Koch-funded Mercatus analysis made the outrageous claim that a single-payer system would increase federal health spending by $32 trillion in ten years. However, analyses and reviews by the Congressional Budget Office in the early 1990s concluded that such a system would only increase spending at the start; enormous savings would quickly offset it as the years pass. In one analysis, "the savings in administrative costs [10 percent of health spending] would be more than enough to offset the expense of universal coverage."    Defenders of those advocating for funding a National Health Program argue this can primarily be accomplished by raising taxes to levels comparable to other developed nations. This was a platform Senator Bernie Sanders and some of the younger progressive Democrats in the House campaigned on. The strategy was to tax the highest multimillion-dollar earners 60-70 percent. Despite the outrage of its critics, including old rank-and-file multi-millionaire Democrats like Nancy Pelosi and Chuck Schumer, this is still far less than in the past. During the Korean War, the top tax rate was 91 percent; it declined to 70 percent in the late 1960s. Throughout most of the 1970s, those in the lowest income bracket were taxed at 14 percent. We are not advocating for this strategy because it ignores where the funding is going, and the corruption in the system that is contributing to exorbitant waste.    But Democratic supporters of the ACA who oppose a universal healthcare plan ignore the additional taxes Obama levied to pay for the program. These included surtaxes on investment income, Medicare taxes from those earning over $200,000, taxes on tanning services, an excise tax on medical equipment, and a 40 percent tax on health coverage for costs over the designated cap that applied to flexible savings and health savings accounts. The entire ACA was reckless, sloppy and unnecessarily complicated from the start.    The fact that Obamacare further strengthened the distinctions between two parallel systems -- federal and private -- with entirely different economic structures created a labyrinth of red tape, rules, and wasteful bureaucracy. Since the ACA went into effect, over 150 new boards, agencies and programs have had to be established to monitor its 2,700 pages of gibberish. A federal single-payer system would easily eliminate this bureaucracy and waste.    A medical New Deal to establish universal healthcare coverage is a decisive step in the correct direction. But we must look at the crisis holistically and in a systematic way. Simply shuffling private insurance into a federal Medicare-for-all or buy-in program, funded by taxing the wealthiest of citizens, would only temporarily reduce costs. It will neither curtail nor slash escalating disease rates e. Any effective healthcare reform must also tackle the underlying reasons for Americans' poor state of health. We cannot shy away from examining the social illnesses infecting our entire free-market capitalist culture and its addiction to deregulation. A viable healthcare model would have to structurally transform how the medical economy operates. Finally, a successful medical New Deal must honestly evaluate the best and most reliable scientific evidence in order to effectively redirect public health spending.    For example, Dr. Ezekiel Emanuel, a former Obama healthcare adviser, observed that AIDS-HIV measures consume the most public health spending, even though the disease "ranked 75th on the list of diseases by personal health expenditures." On the other hand, according to the American Medical Association, a large percentage of the nation's $3.4 trillion healthcare spending goes towards treating preventable diseases, notably diabetes, common forms of heart disease, and back and neck pain conditions. In 2016, these three conditions were the most costly and accounted for approximately $277 billion in spending. Last year, the CDC announced the autism rate is now 1 in 36 children compared to 1 in 44 two years ago. A retracted study by Mark Blaxill, an autism activist at the Holland Center and a friend of the authors, estimates that ASD costs will reach $589 billion annually by 2030. There are no signs that this alarming trend will reverse and decline; and yet, our entire federal health system has failed to conscientiously investigate the underlying causes of this epidemic. All explanations that might interfere with the pharmaceutical industry's unchecked growth, such as over-vaccination, are ignored and viciously discredited without any sound scientific evidence. Therefore, a proper medical New Deal will require a systemic overhaul and reform of our federal health agencies, especially the HHS, CDC and FDA. Only the Robert Kennedy Jr presidential campaign is even addressing the crisis and has an inexpensive and comprehensive plan to deal with it. For any medical revolution to succeed in advancing universal healthcare, the plan must prioritize spending in a manner that serves public health and not private interests. It will also require reshuffling private corporate interests and their lobbyists to the sidelines, away from any strategic planning, in order to break up the private interests' control over federal agencies and its revolving door policies. Aside from those who benefit from this medical corruption, the overwhelming majority of Americans would agree with this criticism. However, there is a complete lack of national trust that our legislators, including the so-called progressives, would be willing to undertake such actions.    In addition, America's healthcare system ignores the single most critical initiative to reduce costs - that is, preventative efforts and programs instead of deregulation and closing loopholes designed to protect the drug and insurance industries' bottom line. Prevention can begin with banning toxic chemicals that are proven health hazards associated with current disease epidemics, and it can begin by removing a 1,000-plus toxins already banned in Europe. This should be a no-brainer for any legislator who cares for public health. For example, Stacy Malkan, co-founder of the Campaign for Safe Cosmetics, notes that "the policy approach in the US and Europe is dramatically different" when it comes to chemical allowances in cosmetic products. Whereas the EU has banned 1,328 toxic substances from the cosmetic industry alone, the US has banned only 11. The US continues to allow carcinogenic formaldehyde, petroleum, forever chemicals, many parabens (an estrogen mimicker and endocrine hormone destroyer), the highly allergenic p-phenylenediamine or PBD, triclosan, which has been associated with the rise in antibiotic resistant bacteria, avobenzone, and many others to be used in cosmetics, sunscreens, shampoo and hair dyes.   Next, the food Americans consume can be reevaluated for its health benefits. There should be no hesitation to tax the unhealthiest foods, such as commercial junk food, sodas and candy relying on high fructose corn syrup, products that contain ingredients proven to be toxic, and meat products laden with dangerous chemicals including growth hormones and antibiotics. The scientific evidence that the average American diet is contributing to rising disease trends is indisputable. We could also implement additional taxes on the public advertising of these demonstrably unhealthy products. All such tax revenue would accrue to a national universal health program to offset medical expenditures associated with the very illnesses linked to these products. Although such tax measures would help pay for a new medical New Deal, it may be combined with programs to educate the public about healthy nutrition if it is to produce a reduction in the most common preventable diseases. In fact, comprehensive nutrition courses in medical schools should be mandatory because the average physician receives no education in this crucial subject.  In addition, preventative health education should be mandatory throughout public school systems.   Private insurers force hospitals, clinics and private physicians into financial corners, and this is contributing to prodigious waste in money and resources. Annually, healthcare spending towards medical liability insurance costs tens of billions of dollars. In particular, this economic burden has taxed small clinics and physicians. It is well past the time that physician liability insurance is replaced with no-fault options. Today's doctors are spending an inordinate amount of money to protect themselves. Legions of liability and trial lawyers seek big paydays for themselves stemming from physician error. This has created a culture of fear among doctors and hospitals, resulting in the overly cautious practice of defensive medicine, driving up costs and insurance premiums just to avoid lawsuits. Doctors are forced to order unnecessary tests and prescribe more medications and medical procedures just to cover their backsides. No-fault insurance is a common-sense plan that enables physicians to pursue their profession in a manner that will reduce iatrogenic injuries and costs. Individual cases requiring additional medical intervention and loss of income would still be compensated. This would generate huge savings.    No other nation suffers from the scourge of excessive drug price gouging like the US. After many years of haggling to lower prices and increase access to generic drugs, only a minute amount of progress has been made in recent years. A 60 Minutes feature about the Affordable Care Act reported an "orgy of lobbying and backroom deals in which just about everyone with a stake in the $3-trillion-a-year health industry came out ahead—except the taxpayers.” For example, Life Extension magazine reported that an antiviral cream (acyclovir), which had lost its patent protection, "was being sold to pharmacies for 7,500% over the active ingredient cost. The active ingredient (acyclovir) costs only 8 pennies, yet pharmacies are paying a generic maker $600 for this drug and selling it to consumers for around $700." Other examples include the antibiotic Doxycycline. The price per pill averages 7 cents to $3.36 but has a 5,300 percent markup when it reaches the consumer. The antidepressant Clomipramine is marked up 3,780 percent, and the anti-hypertensive drug Captopril's mark-up is 2,850 percent. And these are generic drugs!    Medication costs need to be dramatically cut to allow drug manufacturers a reasonable but not obscene profit margin. By capping profits approximately 100 percent above all costs, we would save our system hundreds of billions of dollars. Such a measure would also extirpate the growing corporate misdemeanors of pricing fraud, which forces patients to pay out-of-pocket in order to make up for the costs insurers are unwilling to pay.    Finally, we can acknowledge that our healthcare is fundamentally a despotic rationing system based upon high insurance costs vis-a-vis a toss of the dice to determine where a person sits on the economic ladder. For the past three decades it has contributed to inequality. The present insurance-based economic metrics cast millions of Americans out of coverage because private insurance costs are beyond their means. Uwe Reinhardt, a Princeton University political economist, has called our system "brutal" because it "rations [people] out of the system." He defined rationing as "withholding something from someone that is beneficial." Discriminatory healthcare rationing now affects upwards to 60 million people who have been either priced out of the system or under insured. They make too much to qualify for Medicare under Obamacare, yet earn far too little to afford private insurance costs and premiums. In the final analysis, the entire system is discriminatory and predatory.    However, we must be realistic. Almost every member of Congress has benefited from Big Pharma and private insurance lobbyists. The only way to begin to bring our healthcare program up to the level of a truly developed nation is to remove the drug industry's rampant and unnecessary profiteering from the equation.     How did Fauci memory-hole a cure for AIDS and get away with it?   By Helen Buyniski   Over 700,000 Americans have died of AIDS since 1981, with the disease claiming some 42.3 million victims worldwide. While an HIV diagnosis is no longer considered a certain death sentence, the disease looms large in the public imagination and in public health funding, with contemporary treatments running into thousands of dollars per patient annually.   But was there a cure for AIDS all this time - an affordable and safe treatment that was ruthlessly suppressed and attacked by the US public health bureaucracy and its agents? Could this have saved millions of lives and billions of dollars spent on AZT, ddI and failed HIV vaccine trials? What could possibly justify the decision to disappear a safe and effective approach down the memory hole?   The inventor of the cure, Gary Null, already had several decades of experience creating healing protocols for physicians to help patients not responding well to conventional treatments by the time AIDS was officially defined in 1981. Null, a registered dietitian and board-certified nutritionist with a PhD in human nutrition and public health science, was a senior research fellow and Director of Anti-Aging Medicine at the Institute of Applied Biology for 36 years and has published over 950 papers, conducting groundbreaking experiments in reversing biological aging as confirmed with DNA methylation testing. Additionally, Null is a multi-award-winning documentary filmmaker, bestselling author, and investigative journalist whose work exposing crimes against humanity over the last 50 years has highlighted abuses by Big Pharma, the military-industrial complex, the financial industry, and the permanent government stay-behind networks that have come to be known as the Deep State.   Null was contacted in 1974 by Dr. Stephen Caiazza, a physician working with a subculture of gay men in New York living the so-called “fast track” lifestyle, an extreme manifestation of the gay liberation movement that began with the Stonewall riots. Defined by rampant sexual promiscuity and copious use of illegal and prescription drugs, including heavy antibiotic use for a cornucopia of sexually-transmitted diseases, the fast-track never included more than about two percent of gay men, though these dominated many of the bathhouses and clubs that defined gay nightlife in the era. These patients had become seriously ill as a result of their indulgence, generally arriving at the clinic with multiple STDs including cytomegalovirus and several types of herpes and hepatitis, along with candida overgrowth, nutritional deficiencies, gut issues, and recurring pneumonia. Every week for the next 10 years, Null would counsel two or three of these men - a total of 800 patients - on how to detoxify their bodies and de-stress their lives, tracking their progress with Caiazza and the other providers at weekly feedback meetings that he credits with allowing the team to quickly evaluate which treatments were most effective. He observed that it only took about two years on the “fast track” for a healthy young person to begin seeing muscle loss and the recurrent, lingering opportunistic infections that would later come to be associated with AIDS - while those willing to commit to a healthier lifestyle could regain their health in about a year.    It was with this background that Null established the Tri-State Healing Center in Manhattan in 1980, staffing the facility with what would eventually run to 22 certified health professionals to offer safe, natural, and effective low- and no-cost treatments to thousands of patients with HIV and AIDS-defining conditions. Null and his staff used variations of the protocols he had perfected with Caiazza's patients, a multifactorial patient-tailored approach that included high-dose vitamin C drips, intravenous ozone therapy, juicing and nutritional improvements and supplementation, aspects of homeopathy and naturopathy with some Traditional Chinese Medicine and Ayurvedic practices. Additional services offered on-site included acupuncture and holistic dentistry, while peer support groups were also held at the facility so that patients could find community and a positive environment, healing their minds and spirits while they healed their bodies.   “Instead of trying to kill the virus with antiretroviral pharmaceuticals designed to stop viral replication before it kills patients, we focused on what benefits could be gained by building up the patients' natural immunity and restoring biochemical integrity so the body could fight for itself,” Null wrote in a 2014 article describing the philosophy behind the Center's approach, which was wholly at odds with the pharmaceutical model.1   Patients were comprehensively tested every week, with any “recovery” defined solely by the labs, which documented AIDS patient after patient - 1,200 of them - returning to good health and reversing their debilitating conditions. Null claims to have never lost an AIDS patient in the Center's care, even as the death toll for the disease - and its pharmaceutical standard of care AZT - reached an all-time high in the early 1990s. Eight patients who had opted for a more intensive course of treatment - visiting the Center six days a week rather than one - actually sero-deconverted, with repeated subsequent testing showing no trace of HIV in their bodies.   As an experienced clinical researcher himself, Null recognized that any claims made by the Center would be massively scrutinized, challenging as they did the prevailing scientific consensus that AIDS was an incurable, terminal illness. He freely gave his protocols to any medical practitioner who asked, understanding that his own work could be considered scientifically valid only if others could replicate it under the same conditions. After weeks of daily observational visits to the Center, Dr. Robert Cathcart took the protocols back to San Francisco, where he excitedly reported that patients were no longer dying in his care.    Null's own colleague at the Institute of Applied Biology, senior research fellow Elana Avram, set up IV drip rooms at the Institute and used his intensive protocols to sero-deconvert 10 patients over a two-year period. While the experiment had been conducted in secret, as the Institute had been funded by Big Pharma since its inception half a century earlier, Avram had hoped she would be able to publish a journal article to further publicize Null's protocols and potentially help AIDS patients, who were still dying at incredibly high rates thanks to Burroughs Wellcome's noxious but profitable AZT. But as she would later explain in a 2019 letter to Null, their groundbreaking research never made it into print - despite meticulous documentation of their successes - because the Institute's director and board feared their pharmaceutical benefactors would withdraw the funding on which they depended, given that Null's protocols did not involve any patentable or otherwise profitable drugs. When Avram approached them about publication, the board vetoed the idea, arguing that it would “draw negative attention because [the work] was contrary to standard drug treatments.” With no real point in continuing experiments along those lines without institutional support and no hope of obtaining funding from elsewhere, the department she had created specifically for these experiments shut down after a two-year followup with her test subjects - all of whom remained alive and healthy - was completed.2   While the Center was receiving regular visits by this time from medical professionals and, increasingly, black celebrities like Stokely Carmichael and Isaac Hayes, who would occasionally perform for the patients, the news was spreading by word of mouth alone - not a single media outlet had dared to document the clinic that was curing AIDS patients for free. Instead, they gave airtime to Anthony Fauci, director of the National Institute of Allergies and Infectious Diseases, who had for years been spreading baseless, hysteria-fueling claims about HIV and AIDS to any news outlet that would put him on. His claim that children could contract the virus from “ordinary household conduct” with an infected relative proved so outrageous he had to walk it back,3 and he never really stopped insisting the deadly plague associated with gays and drug users was about to explode like a nuclear bomb among the law-abiding heterosexual population. Fauci by this time controlled all government science funding through NIAID, and his zero-tolerance approach to dissent on the HIV/AIDS front had already seen prominent scientists like virologist Peter Duesberg stripped of the resources they needed for their work because they had dared to question his commandment: There is no cause of AIDS but HIV, and AZT is its treatment. Even the AIDS activist groups, which by then had been coopted by Big Pharma and essentially reduced to astroturfing for the toxic failed chemotherapy drug AZT backed by the institutional might of Fauci's NIAID,4 didn't seem to want to hear that there was a cure. Unconcerned with the irrationality of denouncing the man touting his free AIDS cure as an  “AIDS denier,” they warned journalists that platforming Null or anyone else rejecting the mainstream medical line would be met with organized demands for their firing.    Determined to breach the institutional iron curtain and get his message to the masses, Null and his team staged a press conference in New York, inviting scientists and doctors from around the world to share their research on alternative approaches to HIV and AIDS in 1993. To emphasize the sound scientific basis of the Center's protocols and encourage guests to adopt them into their own practices, Null printed out thousands of abstracts in support of each nutrient and treatment being used. However, despite over 7,000 invitations sent three times to major media, government figures, scientists, and activists, almost none of the intended audience members showed up. Over 100 AIDS patients and their doctors, whose charts exhaustively documented their improvements using natural and nontoxic modalities over the preceding 12 months, gave filmed testimonials, declaring that the feared disease was no longer a death sentence, but the conference had effectively been silenced. Bill Tatum, publisher of the Amsterdam News, suggested Null and his patients would find a more welcoming audience in his home neighborhood of Harlem - specifically, its iconic Apollo Theatre. For three nights, the theater was packed to capacity. Hit especially hard by the epidemic and distrustful of a medical system that had only recently stopped being openly racist (the Tuskegee syphilis experiment only ended in 1972), black Americans, at least, did not seem to care what Anthony Fauci would do if he found out they were investigating alternatives to AZT and death.    PBS journalist Tony Brown, having obtained a copy of the video of patient testimonials from the failed press conference, was among a handful of black journalists who began visiting the Center to investigate the legitimacy of Null's claims. Satisfied they had something significant to offer his audience, Brown invited eight patients - along with Null himself - onto his program over the course of several episodes to discuss the work. It was the first time these protocols had received any attention in the media, despite Null having released nearly two dozen articles and multiple documentaries on the subject by that time. A typical patient on one program, Al, a recovered IV drug user who was diagnosed with AIDS at age 32, described how he “panicked,” saw a doctor and started taking AZT despite his misgivings - only to be forced to discontinue the drug after just a few weeks due to his condition deteriorating rapidly. Researching alternatives brought him to Null, and after six months of “detoxing [his] lifestyle,” he observed his initial symptoms - swollen lymph nodes and weight loss - begin to reverse, culminating with sero-deconversion. On Bill McCreary's Channel 5 program, a married couple diagnosed with HIV described how they watched their T-cell counts increase as they cut out sugar, caffeine, smoking, and drinking and began eating a healthy diet. They also saw the virus leave their bodies.   For HIV-positive viewers surrounded by fear and negativity, watching healthy-looking, cheerful “AIDS patients” detail their recovery while Null backed up their claims with charts must have been balm for the soul. But the TV programs were also a form of outreach to the medical community, with patients' charts always on hand to convince skeptics the cure was scientifically valid. Null brought patients' charts to every program, urging them to keep an open mind: “Other physicians and public health officials should know that there's good science in the alternative perspective. It may not be a therapy that they're familiar with, because they're just not trained in it, but if the results are positive, and you can document them…” He challenged doubters to send in charts from their own sero-deconverted patients on AZT, and volunteered to debate proponents of the orthodox treatment paradigm - though the NIH and WHO both refused to participate in such a debate on Tony Brown's Journal, following Fauci's directive prohibiting engagement with forbidden ideas.    Aside from those few TV programs and Null's own films, suppression of Null's AIDS cure beyond word of mouth was total. The 2021 documentary The Cost of Denial, produced by the Society for Independent Journalists, tells the story of the Tri-State Healing Center and the medical paradigm that sought to destroy it, lamenting the loss of the lives that might have been saved in a more enlightened society. Nurse practitioner Luanne Pennesi, who treated many of the AIDS patients at the Center, speculated in the film that the refusal by the scientific establishment and AIDS activists to accept their successes was financially motivated. “It was as if they didn't want this information to get out. Understand that our healthcare system as we know it is a corporation, it's a corporate model, and it's about generating revenue. My concern was that maybe they couldn't generate enough revenue from these natural approaches.”5   Funding was certainly the main disciplinary tool Fauci's NIAID used to keep the scientific community in line. Despite the massive community interest in the work being done at the Center, no foundation or institution would defy Fauci and risk getting itself blacklisted, leaving Null to continue funding the operation out of his pocket with the profits from book sales. After 15 years, he left the Center in 1995, convinced the mainstream model had so thoroughly been institutionalized that there was no chance of overthrowing it. He has continued to counsel patients and advocate for a reappraisal of the HIV=AIDS hypothesis and its pharmaceutical treatments, highlighting the deeply flawed science underpinning the model of the disease espoused by the scientific establishment in 39 articles, six documentaries and a 700-page textbook on AIDS, but the Center's achievements have been effectively memory-holed by Fauci's multi-billion-dollar propaganda apparatus.     FRUIT OF THE POISONOUS TREE   To understand just how much of a threat Null's work was to the HIV/AIDS establishment, it is instructive to revisit the 1984 paper, published by Dr. Robert Gallo of the National Cancer Institute, that established HIV as the sole cause of AIDS. The CDC's official recognition of AIDS in 1981 had done little to quell the mounting public panic over the mysterious illness afflicting gay men in the US, as the agency had effectively admitted it had no idea what was causing them to sicken and die. As years passed with no progress determining the causative agent of the plague, activist groups like Gay Men's Health Crisis disrupted public events and threatened further mass civil disobedience as they excoriated the NIH for its sluggish allocation of government science funding to uncovering the cause of the “gay cancer.”6 When Gallo published his paper declaring that the retrovirus we now know as HIV was the sole “probable” cause of AIDS, its simple, single-factor hypothesis was the answer to the scientific establishment's prayers. This was particularly true for Fauci, as the NIAID chief was able to claim the hot new disease as his agency's own domain in what has been described as a “dramatic confrontation” with his rival Sam Broder at the National Cancer Institute. After all, Fauci pointed out, Gallo's findings - presented by Health and Human Services Secretary Margaret Heckler as if they were gospel truth before any other scientists had had a chance to inspect them, never mind conduct a full peer review - clearly classified AIDS as an infectious disease, and not a cancer like the Kaposi's sarcoma which was at the time its most visible manifestation. Money and media attention began pouring in, even as funding for the investigation of other potential causes of AIDS dried up. Having already patented a diagnostic test for “his” retrovirus before introducing it to the world, Gallo was poised for a financial windfall, while Fauci was busily leveraging the discovery into full bureaucratic empire of the US scientific apparatus.   While it would serve as the sole basis for all US government-backed AIDS research to follow - quickly turning Gallo into the most-cited scientist in the world during the 1980s,7 Gallo's “discovery” of HIV was deeply problematic. The sample that yielded the momentous discovery actually belonged to Prof. Luc Montagnier of the French Institut Pasteur, a fact Gallo finally admitted in 1991, four years after a lawsuit from the French government challenged his patent on the HIV antibody test, forcing the US government to negotiate a hasty profit-sharing agreement between Gallo's and Montagnier's labs. That lawsuit triggered a cascade of official investigations into scientific misconduct by Gallo, and evidence submitted during one of these probes, unearthed in 2008 by journalist Janine Roberts, revealed a much deeper problem with the seminal “discovery.” While Gallo's co-author, Mikulas Popovic, had concluded after numerous experiments with the French samples that the virus they contained was not the cause of AIDS, Gallo had drastically altered the paper's conclusion, scribbling his notes in the margins, and submitted it for publication to the journal Science without informing his co-author.   After Roberts shared her discovery with contacts in the scientific community, 37 scientific experts wrote to the journal demanding that Gallo's career-defining HIV paper be retracted from Science for lacking scientific integrity.8 Their call, backed by an endorsement from the 2,600-member scientific organization Rethinking AIDS, was ignored by the publication and by the rest of mainstream science despite - or perhaps because of - its profound implications.   That 2008 letter, addressed to Science editor-in-chief Bruce Alberts and copied to American Association for the Advancement of Science CEO Alan Leshner, is worth reproducing here in its entirety, as it utterly dismantles Gallo's hypothesis - and with them the entire HIV is the sole cause of AIDS dogma upon which the contemporary medical model of the disease rests:   On May 4, 1984 your journal published four papers by a group led by Dr. Robert Gallo. We are writing to express our serious concerns with regard to the integrity and veracity of the lead paper among these four of which Dr. Mikulas Popovic is the lead author.[1] The other three are also of concern because they rely upon the conclusions of the lead paper .[2][3][4]  In the early 1990s, several highly critical reports on the research underlying these papers were produced as a result of governmental inquiries working under the supervision of scientists nominated by the National Academy of Sciences and the Institute of Medicine. The Office of Research Integrity of the US Department of Health and Human Services concluded that the lead paper was “fraught with false and erroneous statements,” and that the “ORI believes that the careless and unacceptable keeping of research records...reflects irresponsible laboratory management that has permanently impaired the ability to retrace the important steps taken.”[5] Further, a Congressional Subcommittee on Oversight and Investigations led by US Representative John D. Dingell of Michigan produced a staff report on the papers which contains scathing criticisms of their integrity.[6]  Despite the publically available record of challenges to their veracity, these papers have remained uncorrected and continue to be part of the scientific record.  What prompts our communication today is the recent revelation of an astonishing number of previously unreported deletions and unjustified alterations made by Gallo to the lead paper. There are several documents originating from Gallo's laboratory that, while available for some time, have only recently been fully analyzed. These include a draft of the lead paper typewritten by Popovic which contains handwritten changes made to it by Gallo.[7] This draft was the key evidence used in the above described inquiries to establish that Gallo had concealed his laboratory's use of a cell culture sample (known as LAV) which it received from the Institut Pasteur.  These earlier inquiries verified that the typed manuscript draft was produced by Popovic who had carried out the recorded experiment while his laboratory chief, Gallo, was in Europe and that, upon his return, Gallo changed the document by hand a few days before it was submitted to Science on March 30, 1984. According to the ORI investigation, “Dr. Gallo systematically rewrote the manuscript for what would become a renowned LTCB [Gallo's laboratory at the National Cancer Institute] paper.”[5]  This document provided the important evidence that established the basis for awarding Dr. Luc Montagnier and Dr. Francoise Barré-Sinoussi the 2008 Nobel Prize in Medicine for the discovery of the AIDS virus by proving it was their samples of LAV that Popovic used in his key experiment. The draft reveals that Popovic had forthrightly admitted using the French samples of LAV renamed as Gallo's virus, HTLV-III, and that Gallo had deleted this admission, concealing their use of LAV.  However, it has not been previously reported that on page three of this same document Gallo had also deleted Popovic's unambiguous statement that, "Despite intensive research efforts, the causative agent of AIDS has not yet been identified,” replacing it in the published paper with a statement that said practically the opposite, namely, “That a retrovirus of the HTLV family might be an etiologic agent of AIDS was suggested by the findings.”  It is clear that the rest of Popovic's typed paper is entirely consistent with his statement that the cause of AIDS had not been found, despite his use of the French LAV. Popovic's final conclusion was that the culture he produced “provides the possibility” for detailed studies. He claimed to have achieved nothing more. At no point in his paper did Popovic attempt to prove that any virus caused AIDS, and it is evident that Gallo concealed these key elements in Popovic's experimental findings.  It is astonishing now to discover these unreported changes to such a seminal document. We can only assume that Gallo's alterations of Popovic's conclusions were not highlighted by earlier inquiries because the focus at the time was on establishing that the sample used by Gallo's lab came from Montagnier and was not independently collected by Gallo. In fact, the only attention paid to the deletions made by Gallo pertains to his effort to hide the identity of the sample. The questions of whether Gallo and Popovic's research proved that LAV or any other virus was the cause of AIDS were clearly not considered.  Related to these questions are other long overlooked documents that merit your attention. One of these is a letter from Dr. Matthew A. Gonda, then Head of the Electron Microscopy Laboratory at the National Cancer Institute, which is addressed to Popovic, copied to Gallo and dated just four days prior to Gallo's submission to Science.[8] In this letter, Gonda remarks on samples he had been sent for imaging because “Dr Gallo wanted these micrographs for publication because they contain HTLV.” He states, “I do not believe any of the particles photographed are of HTLV-I, II or III.” According to Gonda, one sample contained cellular debris, while another had no particles near the size of a retrovirus. Despite Gonda's clearly worded statement, Science published on May 4, 1984 papers attributed to Gallo et al with micrographs attributed to Gonda and described unequivocally as HTLV-III.  In another letter by Gallo, dated one day before he submitted his papers to Science, Gallo states, “It's extremely rare to find fresh cells [from AIDS patients] expressing the virus... cell culture seems to be necessary to induce virus,” a statement which raises the possibility he was working with a laboratory artifact. [9]  Included here are copies of these documents and links to the same. The very serious flaws they reveal in the preparation of the lead paper published in your journal in 1984 prompts our request that this paper be withdrawn. It appears that key experimental findings have been concealed. We further request that the three associated papers published on the same date also be withdrawn as they depend on the accuracy of this paper.  For the scientific record to be reliable, it is vital that papers shown to be flawed, or falsified be retracted. Because a very public record now exists showing that the Gallo papers drew unjustified conclusions, their withdrawal from Science is all the more important to maintain integrity. Future researchers must also understand they cannot rely on the 1984 Gallo papers for statements about HIV and AIDS, and all authors of papers that previously relied on this set of four papers should have the opportunity to consider whether their own conclusions are weakened by these revelations.      Gallo's handwritten revision, submitted without his colleague's knowledge despite multiple experiments that failed to support the new conclusion, was the sole foundation for the HIV=AIDS hypothesis. Had Science published the manuscript the way Popovic had typed it, there would be no AIDS “pandemic” - merely small clusters of people with AIDS. Without a viral hypothesis backing the development of expensive and deadly pharmaceuticals, would Fauci have allowed these patients to learn about the cure that existed all along?   Faced with a potential rebellion, Fauci marshaled the full resources under his control to squelch the publication of the investigations into Gallo and restrict any discussion of competing hypotheses in the scientific and mainstream press, which had been running virus-scare stories full-time since 1984. The effect was total, according to biochemist Dr. Kary Mullis, inventor of the polymerase chain reaction (PCR) procedure. In a 2009 interview, Mullis recalled his own shock when he attempted to unearth the experimental basis for the HIV=AIDS hypothesis. Despite his extensive inquiry into the literature, “there wasn't a scientific reference…[that] said ‘here's how come we know that HIV is the probable cause of AIDS.' There was nothing out there like that.”9 This yawning void at the core of HIV/AIDS “science" turned him into a strident critic of AIDS dogma - and those views made him persona non grata where the scientific press was concerned, suddenly unable to publish a single paper despite having won the Nobel Prize for his invention of the PCR test just weeks before.  10   DISSENT BECOMES “DENIAL”   While many of those who dissent from the orthodox HIV=AIDS view believe HIV plays a role in the development of AIDS, they point to lifestyle and other co-factors as being equally if not more important. Individuals who test positive for HIV can live for decades in perfect health - so long as they don't take AZT or the other toxic antivirals fast-tracked by Fauci's NIAID - but those who developed full-blown AIDS generally engaged in highly risky behaviors like extreme promiscuity and prodigious drug abuse, contracting STDs they took large quantities of antibiotics to treat, further running down their immune systems. While AIDS was largely portrayed as a “gay disease,” it was only the “fast track” gays, hooking up with dozens of partners nightly in sex marathons fueled by “poppers” (nitrate inhalants notorious for their own devastating effects on the immune system), who became sick. Kaposi's sarcoma, one of the original AIDS-defining conditions, was widespread among poppers-using gay men, but never appeared among IV drug users or hemophiliacs, the other two main risk groups during the early years of the epidemic. Even Robert Gallo himself, at a 1994 conference on poppers held by the National Institute on Drug Abuse, would admit that the previously-rare form of skin cancer surging among gay men was not primarily caused by HIV - and that it was immune stimulation, rather than suppression, that was likely responsible.11 Similarly, IV drug users are often riddled with opportunistic infections as their habit depresses the immune system and their focus on maintaining their addiction means that healthier habits - like good nutrition and even basic hygiene - fall by the wayside.    Supporting the call for revising the HIV=AIDS hypothesis to include co-factors is the fact that the mass heterosexual outbreaks long predicted by Fauci and his ilk in seemingly every country on Earth have failed to materialize, except - supposedly - in Africa, where the diagnostic standard for AIDS differs dramatically from those of the West. Given the prohibitively high cost of HIV testing for poor African nations, the WHO in 1985 crafted a diagnostic loophole that became known as the “Bangui definition,” allowing medical professionals to diagnose AIDS in the absence of a test using just clinical symptoms: high fever, persistent cough, at least 30 days of diarrhea, and the loss of 10% of one's body weight within two months. Often suffering from malnutrition and without access to clean drinking water, many of the inhabitants of sub-Saharan Africa fit the bill, especially when the WHO added tuberculosis to the list of AIDS-defining illnesses in 1993 - a move which may be responsible for as many as one half of African “AIDS” cases, according to journalist Christine Johnson. The WHO's former Chief of Global HIV Surveillance, James Chin, acknowledged their manipulation of statistics, but stressed that it was the entire AIDS industry - not just his organization - perpetrating the fraud. “There's the saying that, if you knew what sausages are made of, most people would hesitate to sort of eat them, because they wouldn't like what's in it. And if you knew how HIV/AIDS numbers are cooked, or made up, you would use them with extreme caution,” Chin told an interviewer in 2009.12   With infected numbers stubbornly remaining constant in the US despite Fauci's fearmongering projections of the looming heterosexually-transmitted plague, the CDC in 1993 broadened its definition of AIDS to include asymptomatic (that is, healthy) HIV-positive people with low T-cell counts - an absurd criteria given that an individual's T-cell count can fluctuate by hundreds within a single day. As a result, the number of “AIDS cases” in the US immediately doubled. Supervised by Fauci, the NIAID had been quietly piling on diseases into the “AIDS-related” category for years, bloating the list from just two conditions - pneumocystis carinii pneumonia and Kaposi's sarcoma - to 30 so fast it raised eyebrows among some of science's leading lights. Deeming the entire process “bizarre” and unprecedented, Kary Mullis wondered aloud why no one had called the AIDS establishment out: “There's something wrong here. And it's got to be financial.”13   Indeed, an early CDC public relations campaign was exposed by the Wall Street Journal in 1987 as having deliberately mischaracterized AIDS as a threat to the entire population so as to garner increased public and private funding for what was very much a niche issue, with the risk to average heterosexuals from a single act of sex “smaller than the risk of ever getting hit by lightning.” Ironically, the ads, which sought to humanize AIDS patients in an era when few Americans knew anyone with the disease and more than half the adult population thought infected people should be forced to carry cards warning of their status, could be seen as a reaction to the fear tactics deployed by Fauci early on.14   It's hard to tell where fraud ends and incompetence begins with Gallo's HIV antibody test. Much like Covid-19 would become a “pandemic of testing,” with murder victims and motorcycle crashes lumped into “Covid deaths” thanks to over-sensitized PCR tests that yielded as many as 90% false positives,15 HIV testing is fraught with false positives - and unlike with Covid-19, most people who hear they are HIV-positive still believe they are receiving a death sentence. Due to the difficulty of isolating HIV itself from human samples, the most common diagnostic tests, ELISA and the Western Blot, are designed to detect not the virus but antibodies to it, upending the traditional medical understanding that the presence of antibodies indicates only exposure - and often that the body has actually vanquished the pathogen. Patients are known to test positive for HIV antibodies in the absence of the virus due to at least 70 other conditions, including hepatitis, lupus, rheumatoid arthritis, syphilis, recent vaccination or even pregnancy. (https://www.chcfl.org/diseases-that-can-cause-a-false-positive-hiv-test/) Positive results are often followed up with a PCR “viral load” test, even though the inventor of the PCR technique Kary Mullis famously condemned its misuse as a tool for diagnosing infection. Packaging inserts for all three tests warn the user that they cannot be reliably used to diagnose HIV.16 The ELISA HIV antibody test explicitly states: “At present there is no recognized standard for establishing the presence and absence of HIV antibody in human blood.”17   That the public remains largely unaware of these and other massive holes in the supposedly airtight HIV=AIDS=DEATH paradigm is a testament to Fauci's multi-layered control of the press. Like the writers of the Great Barrington Declaration and other Covid-19 dissidents, scientists who question HIV/AIDS dogma have been brutally punished for their heresy, no matter how prestigious their prior standing in the field and no matter how much evidence they have for their own claims. In 1987, the year the FDA's approval of AZT made AIDS the most profitable epidemic yet (a dubious designation Covid-19 has since surpassed), Fauci made it clearer than ever that scientific inquiry and debate - the basis of the scientific method - would no longer be welcome in the American public health sector, eliminating retrovirologist Peter Duesberg, then one of the most prominent opponents of the HIV=AIDS hypothesis, from the scientific conversation with a professional disemboweling that would make a cartel hitman blush. Duesberg had just eviscerated Gallo's 1984 HIV paper with an article of his own in the journal Cancer Research, pointing out that retroviruses had never before been found to cause a single disease in humans - let alone 30 AIDS-defining diseases. Rather than allow Gallo or any of the other scientists in his camp to respond to the challenge, Fauci waged a scorched-earth campaign against Duesberg, who had until then been one of the most highly regarded researchers in his field. Every research grant he requested was denied; every media appearance was canceled or preempted. The University of California at Berkeley, unable to fully fire him due to tenure, took away his lab, his graduate students, and the rest of his funding. The few colleagues who dared speak up for him in public were also attacked, while enemies and opportunists were encouraged to slander Duesberg at the conferences he was barred from attending and in the journals that would no longer publish his replies. When Duesberg was summoned to the White House later that year by then-President Ronald Reagan to debate Fauci on the origins of AIDS, Fauci convinced the president to cancel, allegedly pulling rank on the Commander-in-Chief with an accusation that the “White House was interfering in scientific matters that belonged to the NIH and the Office of Science and Technology Assessment.” After seven years of this treatment, Duesberg was contacted by NIH official Stephen O'Brien and offered an escape from professional purgatory. He could have “everything back,” he was told, and shown a manuscript of a scientific paper - apparently commissioned by the editor of the journal Nature - “HIV Causes AIDS: Koch's Postulates Fulfilled” with his own name listed alongside O'Brien's as an author.18 His refusal to take the bribe effectively guaranteed the epithet “AIDS denier” will appear on his tombstone. The character assassination of Duesberg became a template that would be deployed to great effectiveness wherever Fauci encountered dissent - never debate, only demonize, deplatform and destroy.    Even Luc Montagnier, the real discoverer of HIV, soon found himself on the wrong side of the Fauci machine. With his 1990 declaration that “the HIV virus [by itself] is harmless and passive, a benign virus,” Montagnier began distancing himself from Gallo's fraud, effectively placing a target on his own back. In a 1995 interview, he elaborated: “four factors that have come together to account for the sudden epidemic [of AIDS]: HIV presence, immune hyper-activation, increased sexually transmitted disease incidence, sexual behavior changes and other behavioral changes” such as drug use, poor nutrition and stress - all of which he said had to occur “essentially simultaneously” for HIV to be transmitted, creating the modern epidemic. Like the professionals at the Tri-State Healing Center, Montagnier advocated for the use of antioxidants like vitamin C and N-acetyl cysteine, naming oxidative stress as a critical factor in the progression from HIV to AIDS.19 When Montagnier died in 2022, Fauci's media mouthpieces sneered that the scientist (who was awarded the Nobel Prize in 2008 for his discovery of HIV, despite his flagging faith in that discovery's significance) “started espousing views devoid of a scientific basis” in the late 2000s, leading him to be “shunned by the scientific community.”20 In a particularly egregious jab, the Washington Post's obit sings the praises of Robert Gallo, implying it was the American scientist who really should have won the Nobel for HIV, while dismissing as “

In this explosive episode, we break down the biggest political power plays shaking up the nation. First, tensions hit a boiling point in the White House as Trump and J.D. Vance clash with Zelenskyy in a dramatic Oval Office exchange—was this a strategic move or a diplomatic disaster? Meanwhile, Trump continues to stack his administration with big conservative voices, tapping Kash Patel for FBI director and Dan Bongino as his deputy—what does this mean for the agency's future?We also dive into major election shake-ups: Former Gov. Andrew Cuomo is back, launching a bid for NYC mayor, while Ramaswamy and Rep. Byron Donalds make moves for governor's mansions in their states. Over in Congress, Mitch McConnell, the longest-serving Republican Senate leader, announces his retirement—does this signal the need for term limits and fresh leadership in Washington?Plus, the long-awaited release of Jeffrey Epstein-related documents turns out to be a major letdown, leaving conservatives furious. And in New York, Governor Hochul tightens the leash on Mayor Eric Adams, proving that political alliances can shift in an instant.From high-stakes drama in Washington to power struggles in the states, we're covering it all. Tune in for the unfiltered truth on The Isaac Hayes Show.Listen now on [Spotify, Apple Podcasts, or wherever you get your podcasts].Tune in for thought-provoking analysis, straight talk, and no-holds-barred opinions. Don't miss it!Listen now and join the conversation—only on The Isaac Hayes Show!Link to The Isaac Hayes Show page where you can leave a message, also don't forget to subscribe and share https://podcasters.spotify.com/pod/show/theisaachayesshowhttps://www.facebook.com/theisaachayesshowhttps://thisaachayesshow.wordpress.com The Isaac Hayes Show | A PRIMETIME MEDIA PODCAST

We present our conclusion to Black History Month with actor focus; this time we celebrate the career of Samuel L. Jackson!  We're looking 3 of his starring vehicles Snakes on a Plane, then The Great White Hype and finally Soul Men, also starring the late, great Bernie Mac!Samuel L. Jackson is one of the most iconic, prolific, and versatile actors in modern cinematic history. With a career spanning over five decades, Jackson has appeared in more than 150 films, cementing his status as a cultural icon and a box office powerhouse. His breakthrough role came in Spike Lee's Jungle Fever (1991), but it was his unforgettable performance as Jules Winnfield in Quentin Tarantino's Pulp Fiction (1994) that propelled him to global stardom. That role earned him an Academy Award nomination for Best Supporting Actor and introduced audiences to his signature blend of charisma, intensity, and humor — all delivered with that unmistakable commanding voice.Throughout his career, Jackson has balanced blockbuster success with critically acclaimed performances. He's a staple in Tarantino's films, appearing in Jackie Brown, Django Unchained, and The Hateful Eight, showcasing his ability to deliver complex, morally ambiguous characters with unmatched flair. His work in the Marvel Cinematic Universe as Nick Fury has made him a cornerstone of one of the most successful film franchises in history, introducing him to a new generation of fans.Despite his widespread popularity, Samuel L. Jackson's awards recognition has often lagged behind his cultural impact. In addition to his Oscar nomination for Pulp Fiction, Jackson has received numerous honors, including a BAFTA Award, Golden Globe nominations, and an Honorary Academy Award in 2022, recognizing his lifetime achievements and contributions to cinema.Jackson's legacy is defined not only by his memorable performances but also by his ability to elevate even the most minor roles into something unforgettable. Whether in gritty dramas, high-octane action films, or sharp comedies, his presence demands attention, often turning supporting parts into scene-stealing moments. Beyond acting, Jackson's influence extends to his advocacy for diversity in Hollywood, his mentorship of younger actors, and his efforts to champion independent filmmakers.With a career that seamlessly spans indie gems, blockbusters, and prestige films, Samuel L. Jackson stands as a living legend whose legacy is defined by his versatility, consistency, and undeniable cultural presence — a true icon whose impact will resonate for generations to come.Snakes on a Plane is a 2006 American action thriller[3] film directed by David R. Ellis and starring Samuel L. Jackson. It was released by New Line Cinema on August 18, 2006, in North America and the UK. The film was written by David Dalessandro, John Heffernan, and Sebastian Gutierrez and follows the events of dozens of venomous snakes being released on a passenger plane in an attempt to kill a trial witness.The Great White Hype is a 1996 American sports comedy film directed by Reginald Hudlin. It stars Samuel L. Jackson, Peter Berg, Damon Wayans, Jeff Goldblum, Jon Lovitz, Cheech Marin, John Rhys-Davies, Salli Richardson and Jamie Foxx.The film satirizes racial preferences in boxing, and was inspired by Larry Holmes's 1982 fight with Gerry Cooney (who was known as "The Great White Hope") and Mike Tyson's 1995 return fight vs. Peter McNeeley. Entertainment Weekly called Rev. Fred Sultan (Samuel L. Jackson) a "Don King-clone."Soul Men is a 2008 American musical comedy film directed by Malcolm D. Lee, and starring Samuel L. Jackson, Bernie Mac, Sharon Leal and Sean Hayes, released on November 7, 2008. It was one of three Mac's films that were released after his death (and was actually released on the same date as another posthumous film, Madagascar: Escape 2 Africa).Mac and Isaac Hayes died on August 9 and 10, 2008, respectively. Director Lee said the film was heavily re-edited to soften the tone of the film, as a tribute to the two actors.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Rockshow episode 211 The Story of Stax RecordsStax Records was a pioneering American record label based in Memphis, Tennessee, that played a crucial role in the development of soul, R&B, and funk music. Founded in 1957 by Jim Stewart and his sister Estelle Axton, the label became synonymous with the gritty, raw, and deeply emotional sound that defined Southern soul.Stax was home to legendary artists such as Otis Redding, Booker T. & the M.G.'s, Sam & Dave, Wilson Pickett (through a deal with Atlantic), Isaac Hayes, and The Staple Singers. Unlike Motown, which had a polished and orchestrated style, Stax music was known for its raw energy, tight horn sections, and a heavy gospel influence.One of Stax's most defining characteristics was its integrated roster of musicians, producers, and executives during a time of deep racial segregation in the South. The studio band, Booker T. & the M.G.'s, featured both Black and white musicians, which was groundbreaking in the 1960s.The label thrived throughout the 1960s but faced difficulties after the tragic death of Otis Redding in 1967 and the loss of its distribution deal with Atlantic Records in 1968. It experienced a resurgence in the early 1970s, largely due to Isaac Hayes' massive success with Hot Buttered Soul and Shaft. However, financial struggles led to Stax's bankruptcy in 1975.In later years, Stax was revived as a brand, and its legacy continues through reissues and the Stax Museum of American Soul Music in Memphis. Its impact on music remains profound, influencing countless artists across multiple genres.https://staxrecords.com/https://youtube.com/@staxrecords?si=bPBfHvzs7kxHrb5Dhttps://staxmuseum.org/#StaxRecords #SoulMusic #MemphisSoul #OtisRedding #IsaacHayes #BookerTandTheMGs #SouthernSoul #RNB #ClassicSoul #SamAndDave #TheStapleSingers #SoulLegends #Funk #VintageVinyl #MusicHistory #StaxMuseum #RespectYourRoots

I took an indirect week off but I'm BYKE with the talks and such. In this episode, I write a sincere letter to Fanbase founder Isaac Hayes, III. I would like to see him be effective in these tech and social media streets, so hopefully its reached with love. Also, we talk about community and how that's suppose to look like. Then we speak on transactional friendships and how these relationships are terrible and uncalled for. Lastly, I introduce my new segment: Vision Check. I'm looking forward to expanding that segment to something big. Enjoy the show and make sure to follow and subscribe to all the things. Talk soon. #TOTHETOP Follow all socials and subscribe to Mr. Al Pete's website: https://mralpete.com and subscribe to The MPN Network website: https://mpn-llc.com. Instagram: @mralpete Threads: @mralpeteMPN YouTube: https://youtube.com/@alpete Substack: https://substack.com/@mralpete Discord: https://discord.gg/HVZCDEPY   Powered by The MPN Network

In this episode of The Isaac Hayes Show, we're diving into the latest headlines shaking up politics, finance, and global affairs. We start with Elon Musk's eye-opening claim about millions of Americans in the Social Security database being over 100 years old—what's really going on here? Plus, DOGE uncovers a nearly untraceable $4.7 trillion budget item—how deep does this rabbit hole go?Then, chaos at Toronto Pearson Airport: A Delta plane flips upside down, and the political blame game begins. Karoline Leavitt fires back at Sen. Chuck Schumer's attempt to pin it on Trump—what's fact, and what's fiction?Speaking of Trump, he's making bold moves, ordering the firing of all Biden-era U.S. attorneys. Is this a necessary house-cleaning or a political purge? Meanwhile, the battle over Trump's budget rages on—while the Senate pushes ahead, House Republicans are struggling to get on the same page, with Medicaid emerging as a major flashpoint.And finally, top U.S. and Russian officials meet in Saudi Arabia to discuss the Ukraine war—but without Kyiv at the table. What does this mean for the future of the conflict?Buckle up—this episode is packed with high-stakes drama, political power plays, and the stories you need to know.Listen now on [Spotify, Apple Podcasts, or wherever you get your podcasts].Tune in for thought-provoking analysis, straight talk, and no-holds-barred opinions. Don't miss it!Listen now and join the conversation—only on The Isaac Hayes Show!Link to The Isaac Hayes Show page where you can leave a message, also don't forget to subscribe and share https://podcasters.spotify.com/pod/show/theisaachayesshowhttps://www.facebook.com/theisaachayesshowhttps://thisaachayesshow.wordpress.com The Isaac Hayes Show | A PRIMETIME MEDIA PODCAST

On this episode of The Isaac Hayes Show, we break down DOGE's major court victory and why Democrats are losing their minds over Elon Musk's growing influence. Plus, the USDA slashes millions in wasteful spending, including a bizarre $230K contract for a “Brazilian Forest and Gender Consultant.” Tulsi Gabbard and RFK Jr. shake up the Biden administration with their new roles, while The View spirals into another unhinged Trump prediction. Meanwhile, a Massachusetts town declares itself a transgender sanctuary city, Tom Homan fires back at AOC, and the USA-Canada hockey game turns into an all-out brawl. Buckle up—it's a wild one!Listen now on [Spotify, Apple Podcasts, or wherever you get your podcasts].Tune in for thought-provoking analysis, straight talk, and no-holds-barred opinions. Don't miss it!Listen now and join the conversation—only on The Isaac Hayes Show!Link to The Isaac Hayes Show page where you can leave a message, also don't forget to subscribe and share https://podcasters.spotify.com/pod/show/theisaachayesshowhttps://www.facebook.com/theisaachayesshowhttps://thisaachayesshow.wordpress.com The Isaac Hayes Show | A PRIMETIME MEDIA PODCAST

Singer-songwriter Jimmy Webb on how growing up as the child of an Oklahoma preacher opened up a door to music, and inspired his songwriting (R)Jimmy Webb grew up poor in Oklahoma, where his mother encouraged him to play the piano, revealing a prodigious musical talent.After moving to Los Angeles, Jimmy wrote his first hit for the Fifth Dimension: Up, Up And Away.Shortly after, he met Glen Campbell, who had already recorded Jimmy's song By the Time I Get to Phoenix.Glen asked Jimmy to write a song especially for him - Wichita Lineman, which became another huge hit for Campbell.Jimmy's many other famous songs, including MacArthur Park, Adios, and The Highwayman, have been recorded by artists including Frank Sinatra, Isaac Hayes, Barbra Streisand, Art Garfunkel and Donna Summer.While he's best known as a songwriter, Jimmy is a renowned performer in his own right.This episode of Conversations explores music history, rock music, Americana, Hollywood, the recording industry, the Mid-west, middle America, religion, origin stories, personal stories, celebrity culture, country music, rock n roll, songwriting, yacht rock.

C'est l'aléatoire du mercredi ! Avec un grandiose Isaac Hayes in extensoFunkadelic - “Cosmic Slop” (2017 Moodymann Mix) Jungle - “Keep Me satisfied” Dylan Dylan - “Good Times” People Under The Stairs - “Acid Raindrops” Blasé - “I Need It (From You)” feat Cola Boyy Sonny & Cher - “The Beat Goes on” Bryan Ferry - “Rock of Ages” Annie & The Caldwells - “Wrong” Sunareht - “Cyber Suit Suna (De Grandi Remix) The Rolling Stones - “Fool to Cry” Zelooperz, Real Bad Man - “Lost All Control” Zelooperz, Real Bad Man, MAVI - “Past Life” Squid - “Crispy Skin” Isaac Hayes - Walk On By Valentine Bros - “Money's To Tight To Mention” Chloé & Vassilena Serafimova - “The Dawn”Nia Archives - “Sunrise”Sia & Wookie - “Little Man” (Examen Works)Steven Julien - “Disciple”Risco Connection - “Risco Music”

On this episode ofThe Isaac Hayes Show, we break down the biggest headlines shaking up the nation. The Philadelphia Eagles crushed the Kansas City Chiefs in Super Bowl LIX, stopping their dynasty in its tracks. But the game wasn't just about football—Donald Trump's presence stirred major reactions, with NFL players calling it a “great honor” and Taylor Swift getting booed after he received a raucous cheer.Beyond the Super Bowl, Trump is making waves politically, scoring a stronger approval rating than in his first term and declaring February 9 as “Gulf of America Day.” Meanwhile, Democrats scramble for a strategy in the looming government shutdown battle, but could they end up taking the blame? In Chicago, frustrated residents are backing ICE deportations as the DOJ targets sanctuary policies.Plus, Elon Musk's DOGE hits a legal roadblock, DHS Secretary Noem calls out the FBI, and Trump drops a bombshell by revoking Biden's access to classified information.Don't miss this explosive episode—subscribe now toThe Isaac Hayes Show!Listen now on [Spotify, Apple Podcasts, or wherever you get your podcasts].Tune in for thought-provoking analysis, straight talk, and no-holds-barred opinions. Don't miss it!Listen now and join the conversation—only on The Isaac Hayes Show!Link to The Isaac Hayes Show page where you can leave a message, also don't forget to subscribe and share https://podcasters.spotify.com/pod/show/theisaachayesshowhttps://www.facebook.com/theisaachayesshowhttps://thisaachayesshow.wordpress.com The Isaac Hayes Show | A PRIMETIME MEDIA PODCAST

In this explosive episode ofThe Isaac Hayes Show, we break down the biggest headlines shaking up politics, media, and culture. President Donald Trump takes decisive action, canceling government media contracts following shocking revelations about DOGE-related spending. He also makes waves with a bold executive order banning biological males from competing in women's sports, drawing sharp responses from the NCAA.Meanwhile, the Trump DOJ is taking legal action against Illinois and Chicago over their sanctuary laws, igniting a fierce immigration debate. The FCC stirs controversy by releasing CBS News' raw60 Minutes interview transcript with Kamala Harris, raising questions about media transparency.On Capitol Hill, a Texas Democrat launches the first impeachment articles against Trump over his handling of Gaza, fueling fresh political drama. Meanwhile, Ukrainian President Volodymyr Zelenskyy's calls for nuclear weapons or NATO support are met with skepticism from Trump's special envoy, Keith Kellogg.And in the world of culture, a Christian singer sees their Super Bowl performance as “vindication” after being canceled by the New Orleans mayor. What does this moment mean for free speech and faith in entertainment?All that and more on today's episode. Tune in, share your thoughts, and don't forget to subscribe toThe Isaac Hayes Show!Listen now on [Spotify, Apple Podcasts, or wherever you get your podcasts].Tune in for thought-provoking analysis, straight talk, and no-holds-barred opinions. Don't miss it!Listen now and join the conversation—only on The Isaac Hayes Show!Link to The Isaac Hayes Show page where you can leave a message, also don't forget to subscribe and share https://podcasters.spotify.com/pod/show/theisaachayesshowhttps://www.facebook.com/theisaachayesshowhttps://thisaachayesshow.wordpress.com The Isaac Hayes Show | A PRIMETIME MEDIA PODCAST

In this hard-hitting episode, Isaac Hayes dives into the latest political firestorm shaking up Washington and beyond. With President Trump striking controversial border deals with Mexico and Canada, is America seeing a new era of border enforcement, or is it just political theater? Meanwhile, the southern border turns into a war zone as Mexican cartels ramp up attacks with kamikaze drones—how will the U.S. respond? As the Senate moves forward with key confirmations, Robert F. Kennedy Jr. and Tulsi Gabbard face high-stakes votes that could shift the power balance in Washington, while Pam Bondi steps into the role of Attorney General. But will Senator Bill Cassidy's decision on RFK Jr. cost him his political career? Isaac breaks it all down with expert analysis and insider takes. Overseas, President Trump takes a hardline stance, vowing to “obliterate” Iran if assassination attempts escalate, while his new approach to military aid in Ukraine gets unexpected praise from Zelenskyy. And in the Middle East, Trump makes headlines again, declaring that the U.S. will “take over” and rebuild Gaza—could this be the key to long-term stability, or another geopolitical gamble? With no shortage of drama, political maneuvering, and global stakes, Isaac Hayes delivers the bold commentary you won't hear anywhere else. Don't miss this explosive episode! All that and more on today's episode. Tune in, share your thoughts, and don't forget to subscribe to The Isaac Hayes Show! Listen now on [Spotify, Apple Podcasts, or wherever you get your podcasts]. Tune in for thought-provoking analysis, straight talk, and no-holds-barred opinions. Don't miss it! Listen now and join the conversation—only on The Isaac Hayes Show! Link to The Isaac Hayes Show page where you can leave a message, also don't forget to subscribe and share  https://podcasters.spotify.com/pod/show/theisaachayesshow https://www.facebook.com/theisaachayesshow https://thisaachayesshow.wordpress.com   The Isaac Hayes Show | A PRIMETIME MEDIA PODCAST

How do you remake a classic?  Well in the case of trying to bring back the LEGENDARY Private Detective John Shaft of the 1971 Gordon Parks cult hit starring Richard Roundtree, acclaimed director John Singleton (Boyz N The Hood, Poetic Justice) teamed with acclaimed writer Richard Writer (The Color of Money, Clockers) to....NOT remake it, they decided to "re-imagine" the character as a former NYPD cop trying to exact justice in late '90's New York City.  Oscar-nominee Samuel L. Jackson now plays the titular character with Roundtree returning to play his uncle.  This time around, Shaft is determined to bring justice for the racially-charged murder of an innocent young man at a NYC club.  The murderer is played by Oscar-winner Christian Bale (The Fighter), the witness whom Shaft has to find is played by Oscar-nominee Toni Colette (The Sixth Sense).....and beyond that, Shaft also has to combat corrupt local cops PLUS local drug kingpin Peoples Hernandez played by Oscar-nominee Jeffrey Wright (American Fiction).  Throw in some high-octane action, Busta Rhymes as Shaft's driver, AND....the iconic Oscar-winning theme song from Isaac Hayes and what do you get?  Besides several Oscar nominees, you happen to get a surprisingly enjoyable (and very timely) action thriller to kick off Black History Month.  Can you dig it? :)    Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

On this episode of The Isaac Hayes Show, we're breaking down the hottest stories shaking up politics, culture, and everything in between. • Trump's Trade War Heats Up – Canada and Mexico retaliate with tariffs after Trump imposes new import taxes. Are they proving tariffs work, or just avoiding the real issue—border security? • RFK Jr. in the Hot Seat – Senate confirmation hearings for RFK Jr., Tulsi Gabbard, and Kash Patel. Will RFK Jr.'s abortion stance sink his nomination? • Hakeem Jeffries' Controversial Comments – Is the House Minority Leader calling for riots in the streets to fight Trump's policies? • PETA's Groundhog Day Insanity – They want to replace Punxsutawney Phil with a vegan cake. Can a cake even see its shadow? • Trump Strikes Back – U.S. airstrikes target ISIS leaders in Somalia. A strong message or more endless intervention? • Netflix's Little House on the Prairie Reboot – Should this classic be left untouched, or could a revival do it justice? All that and more on today's episode. Tune in, share your thoughts, and don't forget to subscribe to The Isaac Hayes Show! Listen now on [Spotify, Apple Podcasts, or wherever you get your podcasts]. Tune in for thought-provoking analysis, straight talk, and no-holds-barred opinions. Don't miss it! Listen now and join the conversation—only on The Isaac Hayes Show! Link to The Isaac Hayes Show page where you can leave a message, also don't forget to subscribe and share  https://podcasters.spotify.com/pod/show/theisaachayesshow https://www.facebook.com/theisaachayesshow https://thisaachayesshow.wordpress.com   The Isaac Hayes Show | A PRIMETIME MEDIA PODCAST

In this episode of The Isaac Hayes Show, we cover the stories making waves across politics and culture. Is peace on the horizon as Trump claims Zelenskyy is ready to negotiate with Russia? What do recent mass arrests of illegal immigrants say about Trump's immigration policies? Plus, we delve into the House GOP's investigation of the January 6 committee, Netanyahu's defense of Elon Musk, and Netflix's decision to raise prices. We also discuss Trump's controversial pardons of pro-lifers and the latest drama surrounding Hunter Biden's laptop. Tune in for bold takes and in-depth analysis! Join us for analysis, insights, and unfiltered commentary on a whirlwind start to a transformative presidency. Tune in for thought-provoking analysis, straight talk, and no-holds-barred opinions. Don't miss it! Listen now and join the conversation—only on The Isaac Hayes Show! Link to The Isaac Hayes Show page where you can leave a message, also don't forget to subscribe and share  https://podcasters.spotify.com/pod/show/theisaachayesshow https://www.facebook.com/theisaachayesshow https://thisaachayesshow.wordpress.com

Today on Too Opinionated we sit down with multi-Grammy winning keyboardist George Whitty to talk about his new musical endeavour WHAT!!!! In addition to playing live with the likes of The Brecker Brothers, Herbie Hancock, the late David Sanborn and Chaka Khan, as producer and session keyboardist, Whitty's credits include Santana's blockbuster Supernatural (with Dave Matthews), Celine Dion's Falling Into You and These Are Special Times, Hancock's The Imagine Project and hundreds of others. He has won four Grammys for his work on Chaka Khan's The Woman I Am, Randy Brecker's 34th and Lex, Michael Brecker's Tales From the Hudson and the Brecker Bros.' Out of the Loop. Amidst all the searing soul balladry, deep spirituality, insightful and impactful social consciousness and rousing funk on their infectious dual album In the World, legendary, world-wise cats George Whitty and Ellis Hall – collectively pooling their decades of musical passion as Whitty Hall Artistic Team, aka WHAT!!!! - infuse a beloved, inevitable R&B classic into the enticing mix. Driven by Hall's trademark rousing vocals, their fiery, tight groovin' and brass fired twist on Isaac Hayes' co-penned “I Thank You” takes the 1968 Sam & Dave classic to fresh, exciting heights. It's a way for the duo to express gratitude for their incredible individual careers and all the serendipitous events that led them to this epic moment.   One of many potential hit singles and film licensing opportunities from the 10-track collection, “Die Living” is a simmering blues-soul anthem whose title came to Whitty out of the blue one day and led him to create a powerfully rhythmic gospel-influenced song with a bit of a raw front porch vibe. Hall's combination of vocals and organ drive the track, and he also adds various guitar tracks. In part inspired by a cool response Willie Nelson once gave a journalist who dared to ask if he would ever think of retiring, “Die Living” offers dynamic food for thought about wringing as much meaningful life experience we can during our time on this planet.  WHAT!!!!'s new album In the World releases on February 14th, 2025.  Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

In this episode of The Isaac Hayes Show, we dive into a historic week of change and controversy as Washington DC witnesses a new chapter in leadership. We discuss: • Donald Trump's bold inaugural address declaring the end of America's decline and the dawn of a “new era of national success.” • Joe Biden's last-minute pardons, including clemency for Dr. Fauci, Mark Milley, January 6 Committee members, and even five of his own family members. • Trump's swift action on day one: issuing executive orders, pardoning January 6 defendants, and signaling major policy shifts like withdrawing from the WHO. • The ongoing push for justice and clemency, including pleas to pardon pro-life activists and others imprisoned for activism. • The dismantling of woke policies, as DEI offices close, refugee programs are paused, and federal agencies face an overhaul under Trump's leadership. • Senate Republicans' frustration with Democrats stalling Trump's nominees. • A clash of faith and politics as Trump responds to criticism from a bishop after a politically charged prayer service. Join us for analysis, insights, and unfiltered commentary on a whirlwind start to a transformative presidency. Tune in for thought-provoking analysis, straight talk, and no-holds-barred opinions. Don't miss it! Listen now and join the conversation—only on The Isaac Hayes Show! Link to The Isaac Hayes Show page where you can leave a message, also don't forget to subscribe and share  https://podcasters.spotify.com/pod/show/theisaachayesshow https://www.facebook.com/theisaachayesshow https://thisaachayesshow.wordpress.com

In this episode of The Isaac Hayes Show: We discuss Trump's ambitious plans for over 200 executive orders on his first day back, the controversial return of TikTok after calls for a ban, the bittersweet release of hostages in Israel amid a fragile cease-fire, and new revelations about President Biden's mental state as he exits office. Plus, we explore Biden's vow to remain in the public eye—should he step back or stay involved? Tune in for thought-provoking analysis, straight talk, and no-holds-barred opinions. Don't miss it! Listen now and join the conversation—only on The Isaac Hayes Show! Link to The Isaac Hayes Show page where you can leave a message, also don't forget to subscribe and share  https://podcasters.spotify.com/pod/show/theisaachayesshow https://www.facebook.com/theisaachayesshow https://thisaachayesshow.wordpress.com

PLEASE JOIN US AT DIG THIS!!!!! https://www.facebook.com/digthiswiththesplendidbohos/A MESSAGE FROM STAX RECORDS PRODUCER, SONGWRITER AND VOCALIST DAVID PORTER:To say I am saddened about the loss of Sam Moore would be an understatement. You see, it was the finality of the last living connection I had to God's gift to all of our careers.The experiences we had with each other changed each of our lives in amazing ways. Sam will always be remembered because of what he gave out of his heart and spirit, along with Dave Prater, in the combination of Isaac Hayes and David Porter, some amazing gifts to the world.I believe his memory will be a blessing forever to the world. And now I am the last of that combination, so I must express what I know was in the origin of the spirit for each of us during the course of recording those records. They were always filled with passion, purity, individuality and believability grounded in soul. The combination made each of our lives major. I express my condolences to Sam's family. May his memory be a blessing. -PBS Concert Special Celebrating Bruce Springsteen's ‘Nebraska' Features Eric Church, Emmylou Harris & MoreRecorded in his New Jersey bedroom, Bruce Springsteen's 1982 album Nebraska has proved to be one of his most enduring works, a raw, haunted acoustic record populated by lost souls searching not for salvation but simply a reason to believe. On September 19, 2023, at Analog at the Hutton Hotel in Nashville, famed music biographer Warren Zanes — author of Deliver Me from Nowhere: The Making of Bruce Springsteen's Nebraska — hosted an in-depth exploration of the album and the musician's process.Springsteen's songs were performed by multiple legends in their own right, with Zanes's spoken word storytelling in between.“I wrote a book about Nebraska because the recording stayed with me over decades,” said Zanes. “Every time there was trouble in my life I reached for Nebraska. When I started doing events around the book's publication, I quickly realized the best of them had music. When I went to Nashville, I had a remarkable cast of musicians to help me tell this story."Musical performances from Nebraska include Emmylou Harris (“The Price You Pay,” “Nebraska”), Noah Kahan (“Atlantic City”), Lyle Lovett (“Used Cars,” “My Father's House”) and The Lumineers (“Mansion on the Hill,” “State Trooper”). Two additional songs from Born in the U.S.A. are performed by Eric Church (“Dancing in the Dark”) and Lucinda Williams (“Born in the U.S.A.”). Between songs, Zanes offers insights from his book, about which The Boston Globe wrote: “Anyone interested in how music gets made — both the inspiration and the process — will be fascinated by Deliver Me From Nowhere, an amazing chronicle of one of the most unlikely albums ever recorded. And for students of Springsteen, it's an absolute must.”

Though you might hear laughing, spinning, swinging madly across the sun, it is in fact just two old lags reviewing the current events, which this week include … … the made-up scene in A Complete Unknown which Dylan apparently insisted was included. … the Day of the Locust: do the LA fires spell the end of the Hollywood Dream? … why does no-one write songs about world events anymore? … the unwelcome return of AJ Weberman. … can you date records made between 2000 and 2025? … Sam & Dave, Booker T & the MGs, the Stax horns, Isaac Hayes and David Porter and their purple patch from ‘65-‘68. … Led Zeppelin's five song-stealing court cases – but hadn't what they stole been stolen in the first place? … why most biopics would be better as a six-part TV series. … “where there's a hit there's a writ”. … plus birthday guest John Innes and the best and worst bands names – from Roxy Music to Prefab Sprout.Tickets for Word In Your Ear live here: https://www.eventbrite.co.uk/e/bowie-in-london-and-hollywood-tickets-1118845138929?aff=oddtdtcreatorFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Though you might hear laughing, spinning, swinging madly across the sun, it is in fact just two old lags reviewing the current events, which this week include … … the made-up scene in A Complete Unknown which Dylan apparently insisted was included. … the Day of the Locust: do the LA fires spell the end of the Hollywood Dream? … why does no-one write songs about world events anymore? … the unwelcome return of AJ Weberman. … can you date records made between 2000 and 2025? … Sam & Dave, Booker T & the MGs, the Stax horns, Isaac Hayes and David Porter and their purple patch from ‘65-‘68. … Led Zeppelin's five song-stealing court cases – but hadn't what they stole been stolen in the first place? … why most biopics would be better as a six-part TV series. … “where there's a hit there's a writ”. … plus birthday guest John Innes and the best and worst bands names – from Roxy Music to Prefab Sprout.Tickets for Word In Your Ear live here: https://www.eventbrite.co.uk/e/bowie-in-london-and-hollywood-tickets-1118845138929?aff=oddtdtcreatorFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Don sits down with record producer, song writer, and Founder & CEO of Fanbase, Isaac Hayes III. They dive into the recent incident where Hayes was harassed outside his home, the purpose of Fanbase, and Hayes' recent suit against Donald Trump. Tune in for a conversation you won't want to miss! Learn more about your ad choices. Visit megaphone.fm/adchoices

Outraged public calls for charges against White prison guards seen on videos fatally beating Black man. Former President Jimmy Carter Passes Away at Age 100. A racist Karen tries to prevent Isaac Hayes' son from entering a gate. Host: Dr. Rashad Richey (@rashad_richey) Co-Host: Jackson White *** SUBSCRIBE on YOUTUBE  ☞  https://www.youtube.com/IndisputableTYT FOLLOW US ON: FACEBOOK  ☞   https://www.facebook.com/IndisputableTYT TWITTER  ☞       https://www.twitter.com/IndisputableTYT INSTAGRAM ☞  https://www.instagram.com/IndisputableTYT Learn more about your ad choices. Visit megaphone.fm/adchoices

On This week's episodes, this SEASON FINALE! The LAST EPISODE OF THE SEASON, our Annual Christmas Episode (that is coming out on New Years....) Will, Ian & Nora Welcome Suds... or Aaron Sudbury, BACK to the show, as is Tradition. He picked the movie... Everyone is Sorry, it's the Director's Cut too, so even Longer, and not any better. Some Director's Cuts bring Success, some, not so much, So listen here so you don't have to see the movie. What movie? REINDEER GAMES director's cut (200) R 124 minutes Directed by: John Frankenheimer. Starring: Ben Affleck, Charlize Theron, Gary Sinise, Clarence Williems lll, Donal Logue, Danny Trejo, Dennis Farina, James Frain, Isaac Hayes, Ashton Kutcher and Many Other Talented People! 00:00:45- Aaron's (AKA Suds) pick 00:02:30- First Thoughts 00:10:00- Whatcha Been Watchin'? (Aaron- Gladiator 2, Twilight of the Warriors Walled In. Ian- How the Grinch Stole Christmas (2000), Black Doves, The Day of the Jackal. Nora- The Family Stone, Carry-On, Laid. Will- Skeleton Crew, The Family Stone, Kingdom of Heaven (directors cut)) 00:17:30- REINDEER GAMES directors cut (2000) 00:25:30- Tasty Morsels 00:30:00- Rating/Review 01:14:00- Totals 01:16:00- Thank You Aaron!/See You Next Season (in 2-3 weeks) Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/THELastActionCritics⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Instagram: @TheLastActionCritics email:   ⁠⁠Thelastactioncritics@gmail.com⁠⁠  Next Week: 2 weeks. NEW SEASON a nic cage movie, which, we don't know

Play Podcast: 12-10-24f1weekly1073.mp3 As Nasir celebrates Lewis Hamilton’ journey with Mercedes. Carlos Sainz Jr. listens to Isaac Hayes. F1W congratulates McLaren on the Constructors Championship. Motorsports Mondial continues with what is important and that’s more Motorsports. This week the final segment of the Giorgio Piola Interview, more facts and figures on Abu Dhabi and let’s […] The post F1Weekly Podcast # 1073 appeared first on F1Weekly.com - Home of The Premiere Motorsport Podcast (Formula One, Formula Two, Formula Three, Motorsport Mondial).

Greg digs up a Belgian pop song from 1969 that became a popular sample amongst musicians for decades.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Isaac Hayes III, a visionary entrepreneur and tech innovator, joins Tom and Jeffrey to talk about the journey behind Fanbase, a platform poised to change the game in content creation and monetization. Imagine a space where creators can truly own their narratives and get paid directly for their influence—Isaac shares how this idea became a reality. He opens up about the moment he saw the need to bridge the gap between social media platforms and Black culture, inspiring him to create Fanbase's subscription model, which challenges the norms of traditional engagement.From the music world to the tech space, Isaac's journey is full of lessons in resilience and ingenuity. He delves into his experience bootstrapping Fanbase without traditional venture capital, drawing connections between the power dynamics of record labels and venture funding. With insights into pivotal choices—like bringing on CTO Ramiro Cánovas—Isaac takes us behind the scenes to see how Fanbase's unique subscription model was built to offer monetization opportunities similar to streaming services.We explore the future of content creation and what a decentralized model could mean for influencers, brands, and the broader tech landscape. Isaac sheds light on his journey to raise $10 million through equity crowdfunding, highlighting how ownership and community support are reshaping tech. Plus, he shares his perspective on a key issue—music rights and how they've been handled in recent years, including his thoughts on the controversy surrounding music use in the Trump campaign.This episode is a must-listen for anyone interested in the intersection of innovation, equity, and the power of creators to shape the digital future."Unglossy: Decoding Brand in Culture," is produced and distributed by Merrick Creative and hosted by Merrick Chief Creative Officer, Tom Frank, hip hop artist and founder of Pendulum Ink, Mickey Factz, and music industry veteran, Jeffrey Sledge. Tune in to hear this thought-provoking discussion on Apple Podcasts, Spotify, YouTube, or wherever you catch your podcasts. Follow us on Instagram @UnglossyPod to join the conversation and support the show at https://unglossypod.buzzsprout.com/Send us a textSupport the show

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald, Isaac Hayes, III.  His business career started in 2013 when he served as president and C.E.O of Isaac Hayes Enterprises. Managing the name, image, likeness, brand, masters, and publishing catalog of his soul icon father, the late Isaac Hayes.  He is also a visionary to change social media forever.  That vision is Fanbase.  He used his fearless and savvy use of social media to help elect Atlanta's 61st Mayor, Andre Dickens and has been a civil servant for the community, demanding equality for all creators in the social media space. Fanbase is a Black-owned social media app that focuses on instant monetization with no censorship, making users owners of their own IPs. Isaac is also in a raise for his Fanbase app. Isaac conducted an Investathon, which was star-studded with influencers, leaders, and media personalities. It went extremely well and the details are attached. #BEST #STRAW #SHMS          Support the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald, Isaac Hayes, III.  His business career started in 2013 when he served as president and C.E.O of Isaac Hayes Enterprises. Managing the name, image, likeness, brand, masters, and publishing catalog of his soul icon father, the late Isaac Hayes.  He is also a visionary to change social media forever.  That vision is Fanbase.  He used his fearless and savvy use of social media to help elect Atlanta's 61st Mayor, Andre Dickens and has been a civil servant for the community, demanding equality for all creators in the social media space. Fanbase is a Black-owned social media app that focuses on instant monetization with no censorship, making users owners of their own IPs. Isaac is also in a raise for his Fanbase app. Isaac conducted an Investathon, which was star-studded with influencers, leaders, and media personalities. It went extremely well and the details are attached. #BEST #STRAW #SHMS          See omnystudio.com/listener for privacy information.