Podcast appearances and mentions of Gordon Parks

Peter Martin is joined by Gordon Parks, Graham McGarry and Stephen McGowan on this week's episode of The Journos. 

In this episode of PhotoWork, host Sasha Wolf has a deeply moving conversation with renowned photographer Jamel Shabazz. They talk about his lifelong love for photography and how he uses it to make a social impact. Jamel opens up about how his life experiences have shaped his approach to art and hard work. The episode also covers his book, “A Time Before Crack,” and its importance to his community at the time. It's a heartfelt conversation that goes beyond just photography. Tune in to hear the insights and stories from a photographer passionate about making a difference. https://www.jamelshabazzphotographer.com ||| https://www.instagram.com/jamelshabazz/ Jamel Shabazz is best known for his iconic photographs of New York City during the 1980s. A documentary, fashion, and street photographer, he has authored 12 monographs and contributed to over three dozen other photography related books. His photographs have been exhibited worldwide and his work is housed within the permanent collections of The Whitney Museum, The Studio Museum in Harlem, The Smithsonian's National Museum of African American History and Culture, The Fashion Institute of Technology, The Art Institute of Chicago and the Getty Museum. Over the years, Shabazz has instructed young students at the Studio Museum in Harlem's “Expanding the Walls” project, The Schomburg Center for Research in Black Culture “Teen Curator's” program, and the Bronx Museum's “Teen Council.” He is also the 2018 recipient of the Gordon Parks award for excellence in the arts and humanitarianism and the 2022 awardee of the Gordon Parks Foundation/Steidl book prize. Jamel is also a member of the photo collective Kamoinge, and a board member of En Foco, another photo collective. His goal as an artist is to contribute to the preservation of world history and culture.

Peter Martin is joined by Alison McConnell, Hugh MacDonald and Gordon Parks in this week's episode of The Journos. 

Felix Hoffmann is an image and cultural scholar and the inaugural Artistic Director of the Center for Photography and Lens-Based Media FOTO ARSENAL WIEN and the Director of FOTO WIEN. From 2005 to 2022, he served as the Chief Curator of the exhibition space C/O Berlin, where he was responsible for exhibitions, programs, and strategy. He curated numerous international exhibitions, including Nan Goldin (2009), Robert Mapplethorpe, Peter Lindbergh (2011), Gordon Parks (2014), Ren Hang and Elfie Semotan (2018), and William Eggleston (2023), as well as thematic exhibitions like Eerily Familiar: Images of Terror (2011), The Last Image: Photography and Death (2018), and Send me an Image: From Postcards to Social Media (2020).  - Follow Felix on Instagram here --> https://www.instagram.com/felix_hoffmann__/   FOTO ARSENAL WIEN is Austria's new center for photography and lens-based media. Since 2023 it has been responsible for the FOTO WIEN festival, and starting in 2025 it will be responsible for the Festival Vienna Digital Cultures with the Kunsthalle Wien. Initiated as a media literacy center by the city of Vienna in fall 2022, FOTO ARSENAL WIEN explores all facets of photography. As a hub for photography and lens-based media in Austria, the institution brings together historical and international topics at the interface between analog and digital worlds as well as between static and moving pictures. FOTO ARSENAL WIEN presents the full spectrum of the medium of photography in up to twelve exhibitions held annually in a one-thousand-square-meter exhibition space—a combination of young talents, still-to-be-discovered photographers, and internationally known artists. - https://www.fotoarsenalwien.at/en/ - https://www.instagram.com/foto_arsenal_wien/   FOTO WIEN is a member of the European Month of Photography (EMOP), a European collaborative project that currently includes photography festivals in Berlin, Brussels, Lisbon, and Luxemburg. Once an insider event for Vienna's lively photography scene, FOTO WIEN has become Austria's largest festival of photographic images in over twenty years of collective commitment. It offers programs for a broad audience that is interested in art and contemporary events as well as a professional audience. FOTO ARSENAL WIEN has been the organizer since 2023. - https://www.fotowien.at/en/ - https://www.instagram.com/foto_wien/   Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 7. March 2025 between Perth (AU) and Vienna (A).

The Antidote opens on what seems like an ordinary Sunday in a fictional town in 1930s Nebraska. But by 3 p.m., apocalyptic clouds cover the sun and make the afternoon look like midnight. Karen Russell's latest novel is set during the Dust Bowl – a period when poor farming practices and drought led to a wave of severe and damaging dust storms. In this bleak setting, we're introduced to a cast of characters, including a woman who stores other people's memories and a photographer tasked with documenting the crisis. In today's episode, Russell speaks with NPR's Scott Simon about the inspiration behind The Antitode's core characters, including the work of photographer Gordon Parks and an image that came to Russell as she finished her first novel.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

"You know, the camera is not meant just to show misery." "The subject matter is so much more important than the photographer." -- Gordon Parks In this episode of Street Shots, Antonio and Ward dive into the life and legacy of the iconic photographer Gordon Parks. They explore his remarkable journey from humble beginnings in Fort Scott, Kansas, to becoming one of the most celebrated photographers of the 20th century. They focus especially on his influential “Segregation Story” photo series, which captures powerful images of racial injustice in mid-20th century America, emphasizing Parks' talent for storytelling through visual imagery. Antonio and Ward also discuss Parks' renowned photograph “American Gothic,” featuring Ella Watson, and how this iconic image vividly illustrated the racial and economic challenges of its time. They touch upon Parks' successful venture into filmmaking, notably directing the groundbreaking movie “Shaft,” highlighting his unique ability to bridge photography and film to address important social issues. Ward shares personal reflections inspired by the “Collected Works of Gordon Parks,” underscoring Parks' lasting influence on visual culture and storytelling.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links: The Gordon Parks Foundation Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

On today's podcast I welcome on photographer Frank Jackson. Frank is a photographer based in Los Angeles,CA and on today's episode I speak with Frank about how he first discovered his passion for photography, his experience traveling the world as Trans America Life's corporate photographer , as well as his approach to lighting. Frank is a photographer who isn't constrained by a particular subject matter or theme as he photographs everything from studio portraits, still life and his everyday life but all are guided by his passion for lighting. I also speak to Frank about his experience photographing iconic photographer Gordon Parks. Frank is a true artist and someone who's work I greatly respect for his ability to turn any object or just everyday life into art. It was a real pleasure getting the opportunity to speak with Frank about his journey with photography so I hope you enjoy and thanks for listening. USE PROMO CODE : "Banter" for 2 months free at picdrop.com Follow Frank's Work www.fotographz.com IG - @fotographz USE PROMO CODE : "Banter" for 2 months free at picdrop.com Follow Frank's Work www.fotographz.com IG - @fotographz

Alison McConnell is joined by Hugh MacDonald and Gordon Parks to discuss Celtic's defeat to Bayern Munich, Rangers' current managerial prediciment as well as chatting about the best stadiums in world football. 

Host Lee Hawkins investigates how a secret nighttime business deal unlocked the gates of a Minnesota suburb for dozens of Black families seeking better housing, schools, and safer neighborhoods. His own family included.TranscriptIntroLEE HAWKINS: This is the house that I grew up in and you know we're standing here on a sidewalk looking over the house but back when I lived here there was no sidewalk, and the house was white everything was white on white. And I mean white, you know, white in the greenest grass.My parents moved my two sisters and me in 1975, when I was just four years old. Maplewood, a suburb of 25,000 people at the time, was more than 90% white.As I rode my bike through the woods and trails. I had questions: How and why did these Black families manage to settle here, surrounded by restrictions designed to keep them out?The answer, began with the couple who lived in the big house behind ours… James and Frances Hughes.You're listening to Unlocking The Gates, Episode 1.My name is Lee Hawkins. I'm a journalist and the author of the book I AM NOBODY'S SLAVE: How Uncovering My Family's History Set Me Free.I investigated 400 years of my Black family's history — how enslavement and Jim Crow apartheid in my father's home state of Alabama, the Great Migration to St. Paul, and our later move to the suburbs shaped us.My producer Kelly and I returned to my childhood neighborhood. When we pulled up to my old house—a colonial-style rambler—we met a middle-aged Black woman. She was visiting her mother who lived in the brick home once owned by our neighbors, Mr. and Mrs. Hutton.LEE HAWKINS: How you doing? It hasn't changed that much. People keep it up pretty well, huh?It feels good to be back because it's been more than 30 years since my parents sold this house and moved. Living here wasn't easy. We had to navigate both the opportunities this neighborhood offered and the ways it tried to make us feel we didn't fully belong.My family moved to Maplewood nearly 30 years after the first Black families arrived. And while we had the N-word and mild incidents for those first families, nearly every step forward was met with resistance. Yet they stayed and thrived. And because of them, so did we.LEE HAWKINS: You know, all up and down this street, there were Black families. Most of them — Mr. Riser, Mr. Davis, Mr. White—all of us can trace our property back to Mr. Hughes at the transaction that Mr. Hughes did.I was friends with all of their kids—or their grandkids. And, at the time, I didn't realize that we, were leading and living, in real-time, one of the biggest paradigm shifts in the American economy and culture. We are the post-civil rights generation—what I call The Integration Generation.Mark Haynes was like a big brother to me, a friend who was Five or six years older. When he was a teenager, he took some bass guitar lessons from my dad and even ended up later playing bass for Janet Jackson when she was produced by Minnesota's own Jimmy Jam and Terry Lewis.Since his family moved to Maplewood several years before mine, I called him to see what he remembered.MARK HAYNES: "It's a pretty tight-knit group of people,"Mark explained how the community came together and socialized, often –MARK HAYNES: "they—every week, I think—they would meet, actually. I was young—maybe five or six.LEE HAWKINS: And what do you remember about it? I asked. What kind of feeling did it give you?MARK HAYNES: It was like family, you know, all of them are like, uh, aunts and uncles to me, cousins. It just felt like they were having a lot of fun. I think there was an investment club too."Herman Lewis was another neighbor, some years older than Mark—an older teenager when I was a kid. But I remember him and his brother, Richard. We all played basketball, and during the off-season, we'd play with my dad and his friends at John Glenn, where I'd eventually attend middle school. Herman talked to me about what it meant to him.HERMAN LEWIS: We had friends of ours and our cousins would come all the way from Saint Paul just to play basketball on a Friday night. It was a way to keep kids off the street, and your dad was very instrumental trying to make sure kids stayed off the street. And on a Friday night, you get in there at five, six o'clock, and you play till 9, 10 o'clock, four hours of basketball. On any kid, all you're going to do is go home, eat whatever was left to eat. And if there's nothing left to eat, you pour yourself a bowl of cereal and you watch TV for about 15 to 25-30, minutes, and you're sleeping there, right in front of the TV, right?LEE HAWKINS: But that was a community within the community,HERMAN LEWIS: Definitely a community within the community. It's so surprising to go from one side of the city to the next, and then all of a sudden there's this abundance of black folks in a predominantly white area.Joe Richburg, another family friend, said he experienced our community within a community as well.LEE HAWKINS: You told me that when you were working for Pillsbury, you worked, you reported to Herman Cain, right? We're already working there, right? Herman Cain, who was once the Republican front runner for President of the United States. He was from who, who was from the south, but lived in Minnesota, right? Because he had been recruited here. I know he was at Pillsbury, and he was at godfathers pizza, mm hmm, before. And he actually sang for a time with the sounds of blackness, which a lot of people would realize, which is a famous group here, known all over the world. But what was interesting is you said that Herman Cain was your boss, yeah, when he came to Minnesota, he asked you a question, yeah. What was that question?Joe Richburg: Well, he asked me again, from the south, he asked me, Joe, where can I live? And I didn't really understand the significance of that question, but clearly he had a sense of belonging in that black people had to be in certain geographic, geographies in the south, and I didn't have that. I didn't realize that was where he was coming from.Before Maplewood, my family lived in St. Paul's Rondo neighborhood—a thriving Black community filled with Black-owned businesses and cultural icons like photojournalist Gordon Parks, playwright August Wilson, and journalist Carl T. Rowan.Like so many other Black communities across the country, Rondo was destroyed to make way for a highway. it was a forced removal.Out of that devastation came Black flight. Unlike white flight, which was driven by fear of integration, Black flight was about seeking better opportunities: better funded schools and neighborhoods, and a chance at higher property values.Everything I've learned about James and Frances Hughes comes from newspaper reports and interviews with members of their family.Mr. Hughes, a chemist and printer at Brown and Bigelow, and Frances, a librarian at Gillette Hospital, decided it was time to leave St. Paul. They doubled down on their intentions when they heard a prominent real estate broker associate Blacks with “the ghetto.” According to Frances Hughes, he told the group;FRANCES HUGHES (ACTOR): “You're living in the ghetto, and you will stay there.”She adds:FRANCES HUGHES (ACTOR): “I've been mad ever since. It was such a bigoted thing to say. We weren't about to stand for that—and in the end, we didn't.”The Hughes began searching for land but quickly realized just how difficult it could be. Most white residents in the Gladstone area, just outside St. Paul, had informal agreements not to sell to Black families. Still, James and Frances kept pushing.They found a white farmer, willing to sell them 10 acres of land for $8,000.And according to an interview with Frances, that purchase wasn't just a milestone for the Hughes family—it set the stage for something remarkable. In 1957, James Hughes began advertising the plots in the Twin Cities Black newspapers and gradually started selling lots from the land to other Black families. The Hughes's never refused to sell to whites—but according to an interview with Frances, economic justice was their goal.FRANCES HUGHES (ACTOR): “Housing for Blacks was extremely limited after the freeway went through and took so many homes. We wanted to sell to Blacks only because they had so few opportunities.”By the 1960s, the neighborhood had grown into a thriving Black suburban community. The residents here were deeply involved in civic life. They attended city council meetings, started Maplewood's first human rights commission, and formed a neighborhood club to support one another.And over time, the area became known for its beautiful homes and meticulously kept lawns, earning both admiration and ridicule—with some calling it “The Golden Ghetto.”Frances said:FRANCES HUGHES (ACTOR): “It was lovely. It was a showplace. Even people who resented our being there in the beginning came over to show off this beautiful area in Maplewood.”And as I pieced the story together, I realized it would be meaningful to connect with some of the elders who would remember those early daysANN-MARIE ROGERS: In the 50s, Mr. Hughes decided he was going to let go of the farming. And it coincided with the with 94 going through the RONDO community and displacing, right, you know, those people. So, at that time, I imagine Mr. Hughes had the surveyors come out and, you know, divided up into, you know, individual living blocks.That is Mrs. Ann-Marie Rogers, the mother of Uzziel and Thomas Rogers, who I spent a lot of time with as a kid. I shared what I'd uncovered in the archives, hoping she could help bring those early experiences to life.ANN-MARIE ROGERS: So, everyone played in our yard, the front yard, the yard light that was where they played softball, baseball, because the yard light was the home plate, and the backyard across the back was where they played football.Throughout this project, we found similar stories of strength, including one from Jeson Johnson, a childhood friend with another Minnesota musical connection. His aunt, Cynthia Johnson, was the lead singer of Lipps Inc., whose hit song “Funkytown” became a defining anthem of its time when many of us were just kids. We were proud of her, but I now know the bigger star was his grandmother.JESON JOHNSON: She was actually one of the first black chemists at 3M. So what she told me is that they had told her that, well, you have to have so much money down by tomorrow for you to get this house. It was really, really fast that she had to have the money. But my grandmother was she was really smart, and her father was really smart, so he had her have savings bonds. So what she told him was, if you have it in writing, then I'll do my best to come up with the money. I don't know if I'll be able to. She was able to show up that day with all her savings bonds and everything, and have the money to get it. And they were so mad, yes, that when she had got the house, they were so mad that, but they nothing that they could do legally because she had it on paper, right, right? And then that kind of started out in generation out there. It was the NAACP that kind of helped further that, just because she was chemist, they got her in the 3M, and all their programs started there.Decades later, as my friends and I played, I had no concept of any of the struggles, sacrifices and steps forward made by the pioneers who came before us. I checked in with my friend, Marcel Duke.LEE HAWKINS: did they tell you that mister Hughes was the guy that started, that started it?MARCEL DUKE: It probably never was conveyed that way, right to us kids, right? I'm sure back then, it was looked as an opportunity, yes, to get out of the city. Mm, hmm, and and where people that look like us live. And obviously that's the backstory of Mister Hughes, yeah, ultimately, we went out there because he made it known in the city, inner city, that we could move out there and be a community out there.Marcel is about four years older, I figured he may have clearer memories of Mr. Hughes than I do.MARCEL DUKE: I used to cut mister Hughes grass. I was like, like the little hustler in the neighborhood. I wanted to cut because I wanted money to go to spend on candy.Mr. Hughes' significance transcends the extra cash he put in the pockets of neighborhood kids. His granddaughter, Carolyn Hughes-Smith, told us more his multigenerational vision for Black American wealth building. But before he became a historical figure, he was just...grandpa.CAROLYN HUGHES-SMITH: the things that I really remember about him. He could whistle like I not whistle, but he could sing like a bird, you know, always just chirping. That's how we know he was around. He was more of a, like a farmer.He didn't talk much with his grandchildren about how he and Frances had unlocked the gates for Blacks. But she was aware of some of the difficulty he faced in completing that transaction that forever changed Maplewood.HUGHES-SMITH: I just heard that they did not, you know, want to sell to the blacks. And they, you know, it was not a place for the blacks to be living. And so, what I heard later, of course, was that my grandpa was able to find someone that actually sold the land to him out there and it, you know, and that's where it all started, reallyThat someone was a white man named Frank Taurek. He and his wife, Marie, owned the farm that Mr. Hughes and Frances had set their sights on. But the purchase was anything but straightforward. They had to make the deal through “night dealing.” Frances explains in a 1970s interview.FRANCES HUGHES (ACTOR): "It was just after the war. There was a tremendous shortage of housing, and a great deal of new development was going on to try to fix that. But, my dear, Negroes couldn't even buy a lot in these developments. They didn't need deed restrictions to turn us away. They just refused to sell."She describes the weekend visit she and her husband made to put in an offer on the land. By Monday morning, a St. Paul real estate company had stepped in, offering the Taurek's $1,000 more to keep Blacks out.FRANCES HUGHES (ACTOR): "But he was a man of his word, which gives you faith in human nature. The average white person has no idea of how precarious life in these United States is for anybody Black at any level. So often it was a matter of happenstance that we got any land here. The farmer could have very easily accepted the $1,000 and told us no, and there would have been nothing we could have done."What led Frank Taurek to defy norms and his neighbors, to sell the land to a Black family?DAVIDA TAUREK: I'm already moved to tears again, just hearing about it, [but and] hearing you talk about the impact of my, you know, my lineage there. It seems so powerful.This perspective comes from his great-granddaughter, Davida Taurek, a California-based psychotherapist. When I tracked her down, she was astonished to hear the long-buried story of how her white great grandparents sold their land to a Black family, unwittingly setting into motion a cascade of economic opportunities for generations to come.DAVIDA TAUREK: When I received your email, it was quite shocking and kind of like my reality did a little kind of sense of, wait, what? Like that somehow I, I could be in this weird way part of this amazing story of making a difference. You know, like you said, that there's generational wealth that's now passed down that just didn't really exist.I've seen plenty of data about what happens to property values in predominantly white neighborhoods when a Black family moves in. The perception of a negative impact has fueled housing discrimination in this country for decades, you may have heard the phrase: “There goes the neighborhood.” It's meant to be a sneer—a condemnation of how one Black family might “open the door” for others to follow. In this case, that's exactly what the Taurek's facilitated.As Carolyn Hughes- Smith sees it, the power of that ripple effect had a direct impact on her life, both as a youngster, but later as well.CAROLYN HUGHES-SMITH: We were just fortunate that my grandfather gave us that land. Otherwise, I don't, I don't know if we would have ever been able to move out thereHer parents faced some tough times –CAROLYN HUGHES-SMITH: making house payments, keeping food in the house, and that type. We were low income then, and my dad struggled, and eventually went back to school, became an electrician. And we, you know, were a little better off, but that happened after we moved out to Maplewood, but we were struggling.But they persevered and made it through –CAROLYN HUGHES-SMITH: after I grow got older and teen and that, I mean, I look back and say, Wow, my grandfather did all of this out hereOn the Taurek side of the transaction, the wow factor is even more striking. As I dug deeper into his story, it wasn't clear that he Frank Taurek was driven by any commitment to civil rights.Davida never met her great grandfather but explains what she knows about him.DAVIDA TAUREK: What I had heard about him was through my aunt that, that they were, you know, pretty sweet, but didn't speak English very well so there wasn't much communication but when they were younger being farmers his son my grandfather Richard ran away I think when he was like 14 years old. his dad was not very a good dad you know on a number of levels. There's a little bit of an interesting thing of like where Frank's dedication to his own integrity or what that kind of path was for him to stay true to this deal and make it happen versus what it meant to be a dad and be present and kind to his boy.Carolyn Hughes-Smith still reflects on the courage of her family—for the ripple effect it had on generational progress.CAROLYN HUGHES-SMITH: Would the struggle be the same? Probably not. But what makes me like I said, What makes me happy is our family was a big part of opening up places to live in the white community.LEE HAWKINS: Next time on Unlocking The GatesCAROLYN HUGHES-SMITH: The one thing that I really, really remember, and it stays in my head, is cross burning. It was a cross burning. And I don't remember exactly was it on my grandfather's property?OUTRO THEME MUSIC/CREDITS.You've been listening to Unlocking the Gates: How the North led Housing Discrimination in America. A special series by APM Studios AND Marketplace APM with research support from the Alicia Patterson Foundation and Mapping Prejudice.Hosted and created by me, Lee Hawkins. Produced by Marcel Malekebu and Senior Producer, Meredith Garretson-Morbey. Our Sound Engineer is Gary O'Keefe.Kelly Silvera is Executive Producer.

How do you remake a classic?  Well in the case of trying to bring back the LEGENDARY Private Detective John Shaft of the 1971 Gordon Parks cult hit starring Richard Roundtree, acclaimed director John Singleton (Boyz N The Hood, Poetic Justice) teamed with acclaimed writer Richard Writer (The Color of Money, Clockers) to....NOT remake it, they decided to "re-imagine" the character as a former NYPD cop trying to exact justice in late '90's New York City.  Oscar-nominee Samuel L. Jackson now plays the titular character with Roundtree returning to play his uncle.  This time around, Shaft is determined to bring justice for the racially-charged murder of an innocent young man at a NYC club.  The murderer is played by Oscar-winner Christian Bale (The Fighter), the witness whom Shaft has to find is played by Oscar-nominee Toni Colette (The Sixth Sense).....and beyond that, Shaft also has to combat corrupt local cops PLUS local drug kingpin Peoples Hernandez played by Oscar-nominee Jeffrey Wright (American Fiction).  Throw in some high-octane action, Busta Rhymes as Shaft's driver, AND....the iconic Oscar-winning theme song from Isaac Hayes and what do you get?  Besides several Oscar nominees, you happen to get a surprisingly enjoyable (and very timely) action thriller to kick off Black History Month.  Can you dig it? :)    Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

8 Movies again, annnnnnnd here goes.
1. (Halls of Anger 1970) Calvin Lockhart, a young Jeff Bridges and Janet MacLachlan star in this serious look at racism and teaching. Ed Asner makes yet another appearance too.
2. (Skin Game 1971) Same director here as the first movie. Rockford Files and Iron Eagle star with Mom from Webster in yet another film having a heavy dialogue about racism. This one tries to Trojan horse it in with some comedy, does it work, let's see. Oh look, Ed Asner.
3. (Aaron loves Angela 1975) Where the heck is Ed Asner, sigh. Gordon Parks jr. directs this rad 70's film lookin at young love and race, using Romeo and Juliet as a basic template. Irene Cara is in the house.
4.(Hard Times 1975) Warriors director Walter Hill is here, making a film where James Coburn needs to not gamble so much, damn, There's Charles Bronson and boxing too. Bronson is glowing and so expressive, an amazing on screen presence, NOT. 5. (Special Day 1977) Oh my, Italian cinema can be tricky, at least the 70's Italian films that we have seen which are few, but whoa, tricky is a too nice way of saying there's disgusting treatment of women in these films. This film, though not perfect, is an exception, and with some unexpected queer content. Sophia Loren is here, as well as Marcello Mastroianni (who appears to be in every Italian film ever) oh also the dean from Animal House. Special Day is directed by Ettore Scola. Pretty epic stuff.
6.(Skateboard the movie 1978) Silly, dumb, quickly made cash grab about Skateboarding, that I really like and even own the soundtrack. If you like the subject, and fun B movies, this is a win for me, let us tell you all about it. You might have more fun listening with the commentary track on, which means you'd have to buy it, and if yer that interested, you probably already have it. Teen heart throb Leif Garret is here and is the only one who can't skate great. Here also is Kathleen Lloyd of The Car.
7. (The Outsider 1979) Heavy film here about the troubles. It sure got some great images on film in Northern Ireland. Brits out!
8. (Penitentiary 1979) This is final film of rad director Jamaa Fanaka that we get to review. Here Sweet Pea tries to survive prison. Please see also Emma Mae 1976. 
ok enjoy the show, thanks for listening.


Peter Martin is joined by Hugh MacDonald and Gordon Parks on this week's Journos as they discuss who is the greatest club side of all time. As well as the latest on Stuart Kettlewell's exit from Motherwell. 

New Year, New season of Studio Noize! Your boy JBarber went to see Giants at the High Museum of Art and he has some thoughts. The exhibition featured art from the Dean Collection of Swizz Beats and Alicia Keys. There are so many conversations to be had coming out of the show. There's wealth and celebrity, there's propaganda, and there's phenomenal, awe inspiring art. We owe it to them and their efforts to give a good honest critique of the whole endeavor. The same way we examine a show like Afro Atlantic Histories we should examine the good and bad about Giants. A great way to blast into the new year! Listen, subscribe, and share!Episode 194 topics include:Giants at the High Museum of Art in Atlantacelebrity and wealth in articonographythe who's who of Black artKehinde Wiley's 30ft paintingBarkley Hendrickpropaganda in exhibitionsAbout Giants:Musicians, songwriters, and producers Swizz Beatz (Kasseem Dean) and Alicia Keys have stood as giants in the global cultural landscape for decades. As collectors, the Deans have lived their ethos of “artists supporting artists,” acquiring a world-class collection of paintings, photographs, and sculptures by diverse, multigenerational artists.The exhibition illuminates the renown and impact of legendary and canon-expanding artists. Preeminent “giants” such as Barkley L. Hendricks, Esther Mahlangu, and Gordon Parks push the boundaries of what can be seen on canvas and in photography while building a foundation for today's Black creatives. Contemporary artists like Hank Willis Thomas and Qualeasha Wood use materials like textiles, steel, and beads to celebrate Blackness and critique society, while mesmerizing compositions from Deana Lawson and Mickalene Thomas challenge and add nuance to perceptions of Blackness. Embodying the exhibition's “giant” ethos, the paintings by Amy Sherald and Titus Kaphar command attention through striking monumentality. Together, these works bring to the fore many facets of the term giants and reflect the spirit of the Deans, whose creative lives infuse the exhibition. See more: Giants exhibition at the High MuseumFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

 In this episode of Visual Intonation, we meet Ibrahim K. Muhammad—a director, photographer, cinematographer, and editor who's redefining the boundaries of storytelling. Based in London, Ibrahim's journey began not with a formal film education, but with the lens of a mobile phone and a childhood passion for recreating 'Lego' movies. His path took him through the BRIT School and the University of Westminster, eventually leading him to co-direct his first short film, 'SHEEP', in 2019.  Fast-forward to now, Ibrahim's journey has collided with global names like John Boyega and Converse, resulting in his latest short film, 'ONLY CHILD'. But how did this all start? In a Zoom call with Converse and other emerging filmmakers, Ibrahim found himself stepping into a world where creative potential meets unparalleled resources. The rest, as they say, is history.  But Ibrahim's story isn't just about cameras and editing suites; it's about the power of storytelling itself. His work is a reflection of his deep connection to history, culture, and identity—elements that are woven into every frame he captures. Inspired by figures like Gordon Parks, whose work bridged the worlds of photography and social change, Ibrahim views his craft as a tool for manipulation, not just of light and shadow, but of reality itself. For him, photography and film are more than mediums—they're vehicles for creating truths that resonate far beyond the screen. In this episode, Ibrahim shares his insights on the evolution of his artistry, how he's shaping the future of visual storytelling, and the impact he hopes to leave on the world.  This episode dives deep into Ibrahim's evolution—from weekly cinema visits with his dad to the visual mastery he commands today. We explore his love for photography, his influences from legends like David Fincher and Michel Gondry, and his unique take on visual storytelling. Get ready for a conversation about making art, breaking barriers, and finding your own voice in the ever-changing world of film. Ibrahim K. Muhammad's Instagram: https://www.instagram.com/ikm.films/Ibrahim K. Muhammad's Website: https://ikmfilms.wixsite.com/ibrahimkmuhammadIbrahim K. Muhammad's LinkedIn: https://uk.linkedin.com/in/ibrahim-k-muhammad-059586209Ibrahim K. Muhammad's Twitter: https://twitter.com/ikmfilmsIbrahim K. Muhammad's IMDb: https://www.imdb.com/name/nm13697171/Support the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

Today we're spotlighting art you can see in museums around our area. We finish with a show presented by The Gordon Parks Foundation that examines the photography of a friend of Gordon's: Ralph Ellison, author of Invisible Man. Programs director Michal Raz-Russo discusses Ellison's work and the special relationship between Ellison and Parks. Ralph Ellison: Photographer is on view at The Gordon Parks Foundation in Pleasantville through February 7.

In a countermelody to the media's persistent portrayal of Black bodies as working tirelessly, in constant motion, poet Roger Reeves centers images of Black men in postures of rest and repose. Evoking Muhammad Ali slumbering in a four-poster bed, John Coltrane washing dishes within the four walls of his house, DMX watering orchids, and Mike Tyson caring for his flock of pigeons, Roger reflects on the stillness and silence of their interior worlds as a protest against the control of capitalistic time.  Read the essay. Discover more stories from our latest print edition, Volume 5: Time. Photo by Gordon Parks. Learn more about your ad choices. Visit megaphone.fm/adchoices

Antonio and Ward kick off this episode of Street Shots by chatting about some recent photography finds. Ward got his hands on a Godox Lux Junior flash, a small, retro-style unit that's easy to use and sparks creative fun. Antonio talks about his latest book pick, Segregation Story by Gordon Parks, praising the powerful color photos that vividly depict segregation in America. Ward also discovered East Beats, Osaka 1964-1970 by Yoshihiro Suzuki, a street photography collection capturing everyday life in Osaka with a quiet, observant touch. Both books spark thoughtful discussions on how photographers interpret the world through their lenses.   This naturally leads to a deeper conversation about the unique role of photographers—being both distant observers and fully engaged participants. They explore how taking pictures can be a way of connecting while staying somewhat detached, a tricky balance that often leads to compelling images. They also touch on seasonal isolation and how solitude can sharpen creative focus, inspiring more intentional work. It's a reflective episode about seeing, connecting, and creating while walking that fine line between observer and participant.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links: Godox Lux Junior flash Segregation Story by Gordon Parks East Beats, Osaka 1964-1970 by Yoshihiro Suzuki Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

Kerry Laster, a creative director from Georgia, shares his journey from discovering creativity through Gordon Parks' documentary to leading creative teams. He discusses the importance of authenticity in creative work, finding inspiration through personal curation, and applying sports team mentality to creative leadership. Kerry emphasizes the value of quiet spaces for ideation and the need for vulnerability in the creative industry. His approach combines Southern storytelling traditions with modern creative direction, bringing authenticity to every project. Drawing from his background in journalism and early exposure to creative disciplines, Kerry advocates for a holistic approach to creativity that values truth over trends.Key Takeaways:• True creativity starts with finding the core truth of what you're trying to communicate• Creating quiet spaces for ideation is essential before seeking external inspiration• Personal curation of inspiration helps maintain creative focus and authentic vision• Leadership in creative fields requires ego-free collaboration and individual motivation• Embracing failure and vulnerability is crucial for creative growth• Sports team mentality can effectively translate to creative leadership• Movie theaters provide valuable mental space for creative recharge• Success comes from showing up daily and improving incrementally• Authenticity matters more than technical perfection in creative work• The creative journey requires both solitude for ideation and collaboration for execution Mindful Creative: How to understand and deal with the highs and lows of creative life, career and business Paperback and Kindle > https://amzn.to/4biTwFcFree audiobook (with Audible trial) > https://geni.us/free-audiobookSigned books https://novemberuniverse.co.ukLux Coffee Co. https://luxcoffee.co.uk/ (Use: PODCAST for 15% off)November Universe https://novemberuniverse.co.uk (Use: PODCAST for 10% off)

Emily McElwreath, Host of the Art Career Podcast, in conversation with Marilyn Minter and Jasmin Wahi at the Neuburger Museum at Purchase College. Now, more than ever, our work as artists, activists, and advocates is critical in challenging oppressive structures and ensuring our voices are heard. Please join me @neubergermuseum next Thursday, November 14th, at 7pm. I will be speaking with two of the greatest, @marilynminter and @browngirlcurator About the Yaseen Lectures on the Fine Arts: This lecture series, which began in 1974, was endowed by the late Leonard C. Yaseen and his wife Helen, former residents of Larchmont, New York, who financed a similar series at the Metropolitan Museum of Art. Featured speakers have included Gordon Parks, Claes Oldenburg, Maya Angelou, Faith Ringgold, Chuck Close, John Shearer, Hank Willis Thomas, and Purchase College alumnus Fred Wilson. The legacy of the Yaseens's gift continues today through the support of Roger Yaseen and his family in honor of his parents. The Yaseen Lectures on the Fine Arts Fund is stewarded by The New York Community Trust.

Send us a textWelcome back to the Breakfast With Tiffany Show's Four Year Anniversary Special! In this second part of the engaging interview with renowned photographer Matthew Jordan Smith, Tiffany Rossdale continues to explore Matthew's illustrious career and personal experiences. The episode kicks off with an intimate look into Matthew's close relationship with Aretha Franklin, sharing stories from their 13 years of working together during the final stages of her life. Matthew's passion for capturing the essence of his subjects shines through as he recalls how music, specifically Aretha's own playlist, helped create the perfect atmosphere during her shoots. His anecdotes provide listeners with a rare glimpse into the life of the Queen of Soul, offering a unique perspective through his lens.As the conversation progresses, Matthew and Tiffany delve into the importance of trust between photographer and subject. Matthew reveals the key to his success: building genuine connections and making his subjects feel comfortable, allowing their true selves to emerge in front of the camera. Tiffany reflects on her own experiences working with Matthew, emphasizing how his relaxed and empowering approach helped her shine in their photoshoots. The two discuss how music, energy, and trust can make or break a photoshoot, creating a space where magic happens.The discussion also touches on representation and inclusivity in photography. Matthew shares his thoughts on how crucial it is to showcase diversity in his work, especially for marginalized communities like the LGBTQ+ community. He talks about his experience photographing RuPaul early in her career and how he strives to honor each subject's unique identity. By creating a space where everyone feels seen and respected, Matthew's work has become a powerful tool for inclusivity and storytelling, reinforcing the importance of visibility for underrepresented groups.Lastly, Matthew reflects on his career's challenges and triumphs, particularly his personal projects. He shares how pushing past fear and trying new things keeps him motivated, recounting a recent kimono photography workshop he hosted in Japan. Matthew views every setback as a learning experience, offering valuable insights for anyone pursuing their passion. This episode will leave listeners inspired to embrace challenges as opportunities for success.Matthew Jordan Smith's website:https://www.matthewjordansmith.com/Matthew Jordan Smith's exhibit at Kyoto Museum of Photography: https://www.youtube.com/watch?v=iQs3GFcbtBkMatthew Jordan Smith's book, Sepia Dreams:Support the showBreakfast With Tiffany Show Official Facebook Page ~ https://www.facebook.com/breakfastwithtiffanyshow Tiffany's Instagram Account ~ https://www.instagram.com/tiffanyrossdaleofficial/ For coaching sessions & programs with Tiffany, check out her official page ~ https://www.tiffanyrossdale.com Breakfast With Tiffany Show Youtube Channel ~ https://bit.ly/3vIVzhE Breakfast With Tiffany Show Official Page ~ https://www.tiffanyrossdale.com/podcast For questions, requests, collaborations and comments, feel free to reach us via our e-mail ~ breakfastwithtiffanyshow@outlook.com

Gordon Parks knew a picture was worth more than 1,000 words: photographs could be weapons to fight white supremacy. Some saw his career, as a self-taught turned famous photographer, as a way out of the segregated South. But he knew it a way in. _____________ 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. The production team for this podcast includes Cydney Smith, Len Webb, and Lilly Workneh. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. Julian Walker serves as executive producer." To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Send us a textJoin us as we celebrate four incredible years of inspiring stories, transformational journeys, and unforgettable moments! In this special anniversary episode, host Tiffany Rossdale sits down with the illustrious celebrity photographer Matthew Jordan Smith. Known for capturing the essence of icons like Zendaya, Samuel L. Jackson, Angelina Jolie, and Oprah, Matthew's work goes beyond mere images, revealing the depth and character of each subject. With a career spanning several decades and exhibitions in prestigious venues like the Kyoto Museum of Photography, Matthew's artistry continues to leave a profound impact on viewers worldwide.Matthew's achievements don't stop at photography. As a gifted author, he has shared compelling narratives through his books. In "Sepia Dreams," he celebrates African-American achievements, portraying the powerful stories of 50 celebrities. His "Future American President" book captures the hopes and dreams of 100 children across the United States, imagining a brighter future. His latest work, "Aretha Cool: The Intimate Portraits," offers a poignant look at the final years of the legendary Aretha Franklin, celebrated by major media outlets like CNN and The View.In this episode, Tiffany and Matthew dive deep into his journey from New York to Tokyo, exploring how his passion for photography developed and evolved over the years. They discuss the significance of capturing moments in time and the stories behind some of his most iconic photographs. Matthew shares his thoughts on fame, creativity, and the power of photography to connect people across cultures and generations.Tune in for an enlightening conversation filled with wisdom, inspiration, and a few laughs as we celebrate this milestone with Matthew Jordan Smith. It's an honor to have such a talented guest to mark our special anniversary, and we can't wait for you to join us on this journey. Don't miss Part 1 of this extraordinary episode on the Breakfast with Tiffany Show!Matthew Jordan Smith's website:https://www.matthewjordansmith.com/Matthew Jordan Smith's exhibit at Kyoto Museum of Photography: https://www.youtube.com/watch?v=iQs3GFcbtBkMatthew Jordan Smith's book, Sepia Dreams:https://www.amazon.com/Sepia-Dreams-Celebration-Achievement-Through/dp/B000BZEPOQSupport the showBreakfast With Tiffany Show Official Facebook Page ~ https://www.facebook.com/breakfastwithtiffanyshow Tiffany's Instagram Account ~ https://www.instagram.com/tiffanyrossdaleofficial/ For coaching sessions & programs with Tiffany, check out her official page ~ https://www.tiffanyrossdale.com Breakfast With Tiffany Show Youtube Channel ~ https://bit.ly/3vIVzhE Breakfast With Tiffany Show Official Page ~ https://www.tiffanyrossdale.com/podcast For questions, requests, collaborations and comments, feel free to reach us via our e-mail ~ breakfastwithtiffanyshow@outlook.com

You can't spell God without Dog. The birth of Rome. A gay puppy with fleas. Summer hiatus. Heat waves. Join the friends as they visit the group show, Dog Days of Summer at Timothy Taylor in NYC. Artists include: Craigie Aitchison, Trisha Baga, Sophie Barber, Hanna Brody, Gaby Collins-Fernandez, Ann Craven, Scott Csoke, Anthony Cudahy, Alex Da Corte, Armen Eloyan, Camilla Engström, Julia Felsenthal, Louis Fratino, Robert Gober, Camille Henrot, Peter Hujar, Timothy Hull, Paul-Sebastian Japaz, Susumu Kamijo, Alex Katz, Karen Kilimnik, Craig Kucia, Sean Landers, Sophie Larrimore, Sahara Longe, Robert Mapplethorpe, Eddie Martinez, Jesse Mockrin, Matthew Morrocco, Grandma Moses, Rocío Navarro, Justin Liam O'Brien, Gordon Parks, Hilary Pecis, Pablo Picasso, Paula Rego, Robert Roest, Will Ryman, Peter Saul, Allison Schulnik, Dana Schutz, Kiki Smith, Billy Sullivan, David Surman, Alison Elizabeth Taylor, William Wegman, and Jonas Wood.

In 1998, the groundbreaking artist Gordon Parks brought 177 rappers and hip hop artists, some of them rivals, together for his photograph, “A Great Day in Hip Hop.” When it was included in an exhibit at the St. Louis Art Museum, Adrian Octavius Walker was chosen to continue Parks' story by photographing a gathering of 116 members of the St. Louis music scene. His photo, ”A Great Day in Saint Louis," highlights the way in which art can bring people together, something that Adrian loves about running.  That wasn't the only honor he received last year; he was also selected to be one of three Bank of America Chicago Distance Series Ambassadors. For complete show notes and links, visit our website at runningforreal.com/episode408. Thank you to Tracksmith, Runna, and Precision Fuel & Hydration for sponsoring this episode.    Tracksmith is an independent running brand inspired by a deep love of the sport. For years the brand has elevated running wear using best-in-class materials and timeless silhouettes that perform at the highest level and can be worn everyday, not just for running.  Tracksmith helps the environment by making comfortable, durable clothes that will last for years, rather than winding up in the landfill. They help athletes who are trying to make the Olympic trials, and they offer scholarships for creatives to work on their crafts.  If you're a new customer, go to http://tracksmith.com/tina and use the code TINANEW at checkout to get $15 off your order of $75 or more. Returning customers can use the code TINAGIVE, and Tracksmith will give you free shipping and donate 5% of your order to TrackGirlz.   Runna is on a mission to make running as easy, effective and enjoyable as possible by providing personalized running plans built by Olympic athletes and expert coaches. They have plans for runners of all abilities, from Couch to 5K to elite level, and offer strength, mobility, and Pilates plans to integrate with your running. They even have a community section on the app, where you can connect with like-minded runners. There's a reason why they're the #1 rated running app in the world - go to https://join.runna.com/lKmc/partnerrefer?deep_link_sub1=RUNNINGFORREAL and use code RUNNINGFORREAL to get two weeks free!   Precision Fuel & Hydration helps athletes crush their fueling and hydration so they can perform at their best. Tina used their electrolytes and fuel when she finished first female and third overall at the Bryce Canyon 50 Miler. You can go to https://visit.pfandh.com/tina-planner for their free Fuel & Hydration planner to understand how much carb, fluid, and sodium you need for your key runs.  If you have more questions, Precision offers free video consultations. Their Athlete Support crew will answer your race nutrition questions and act as a sounding board for your fueling strategy. No hard-sell, just an experienced and friendly human who knows the science and is full of practical advice on how to nail your race nutrition. You can book a call at https://visit.pfandh.com/tina-calls. Once you know what you need to run your best, you can go to https://www.precisionfuelandhydration.com/tina/ for 15% off their range of multi-strength electrolytes and fuel. Thanks for listening! If you haven't already, be sure to subscribe wherever you're listening to this podcast. And if you enjoy “Running for Real,” please leave us a review! Keep up with what's going on at Running for Real by signing up for our weekly newsletter on our website, https://runningforreal.com/. Follow Tina on Instagram, Facebook, and X . You'll find Running for Real on Instagram too! Want to be a member of the Running for Real community? Join #Running4Real Superstars on Facebook!  Subscribe to our YouTube channel (https://www.youtube.com/@TinaMuir) for additional content, including our “RED-S: Realize. Reflect. Recover” series of 50+ videos. Thank you for your support - we appreciate each and every one of you!  

Peter Martin is joined by Alison McConnell, Gordon Parks and Ewing Grahame to discuss the candidates for Player of the Year, why no Old Firm manager was nominated in their category and the Scottish born players to have won the UEFA Champions League. 

In this episode, Chester Higgins Jr. discusses his approach to harnessing the spirit within a photograph. He has photographed Muhammad Ali, Betty Shabazz, Gordon Parks, Maya Angelou, James Baldwin, and many more prominent figures. His work is in the permanent collection of the MOMA. In 2022, he was inducted into the International Photography Hall of Fame museum. The wisdom in this conversation is invaluable. Chester Higgins Jr. can also be found online at: Instagram Website --- Support this podcast: https://podcasters.spotify.com/pod/show/blkshutter/support

Our guest, Rachel Elizabeth Seed, is a DIRECTOR/PRODUCERoriginally from London, and is a Los Angeles and Brooklyn-based nonfiction storyteller working in film, photography and writing. Join us as Rachel talks about her feature documentary Photographic Memory. She says this about the film ... "After a decade+ of shooting, editing, and producing, my debut feature documentary A PHOTOGRAPHIC MEMORY, was launched this month at the True/False Film Festival in Columbia, Missouri to standing ovations and with RogerEbert.com calling it one of the best docs they've seen this year! A PHOTOGRAPHIC MEMORY is an intimate, genre-bending portrait of my attempt to piece together a portrait of my mother, Sheila Turner Seed, an avant-garde journalist I never knew. Uncovering the vast archive she produced, including lost interviews with photographers Henri Cartier-Bresson, Gordon Parks, Cecil Beaton, Lisette Model, and others, the film explores memory, legacy, and stories left untold. It feels amazing to finally share this passion project with the world and to see people connecting with it in meaningful ways. One of my favorite parts of the weekend was witnessing audience members see new possibilities for connecting with departed loved ones, as I do myself in the film."   To learn more about Carole Dean and From the Heart Productions please visit www.FromtheHeartProductions.com. 

Inner tubes, in-and-out, vocab words, apricot juice, what is large format, and paper. Join the friends as they see Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys at the Brooklyn Museum. The show features 98 artworks by Black American, African, and African diasporic artists including Derrick Adams, Deana Lawson, Meleko Mokgosi, Gordon Parks, Kehinde Wiley, Jean-Michel Basquiat, Mickalene Thomas, Hassan Hajjaj, Barkley L. Hendricks, Lorna Simpson, and Amy Sherald.

Rachel Elizabeth Seed is a Los Angeles-based nonfiction storyteller working in film, photography and writing. She is a 2022 Jewish Film Institute fellow, a 2021 California Film Institute fellow and Jewish Story Partners grantee, a 2020 Sundance Institute, Chicken + Egg Pictures, NYFA New York Women's Film Fund fellow, and a 2019 Sundance Edit & Story Lab fellow and Sundance Documentary Fund recipient for her feature documentary, A PHOTOGRAPHIC MEMORY. Rachel's work has also been supported by Field of Vision, the Jerome Foundation, NYSCA, the Maine Media Workshops, the Roy W. Dean grant, and IFP.  Formerly a photo editor at New York Magazine, her photography was included in the International Center of Photography's exhibit on Hurricane Sandy, Rising Waters, and she was a cameraperson on several award-winning feature documentaries including SACRED by Academy-Award-winning filmmaker Thomas Lennon. Rachel's writing has been published by No Film School, the Sundance Institute, and Talkhouse and she is Executive Director / Co-founder of the Brooklyn Documentary Club, a thriving NYC-based filmmaker collective with 250+ members. Rachel directed a film A PHOTOGRAPHIC MEMORY A daughter attempts to piece together a portrait of her mother, an avant-garde journalist and a woman she never knew. Uncovering the vast archive Sheila Turner-Seed produced, including lost interviews with iconic photographers Henri Cartier-Bresson, Gordon Parks, and Lisette Model, the film explores memory, legacy and stories left untold. https://www.rachelseed.com/#/apm/ --- Support this podcast: https://podcasters.spotify.com/pod/show/matt-brown57/support

Peter Martin, Alison McConnell, Hugh MacDonald and Gordon Parks discuss what makes a top Rangers captain, where James Tavernier ranks among Ibrox greats and if Kylian Mbappe will win the Champions League with Real Madrid. 

Welcome to It's A Wonderful Podcast!! Morgan and Jeannine back with another series of Black Movies on the show, beginning this week with the most famous, impactful and influential Blaxploitation movie of them all, Gordon Parks' SHAFT (1971) starring Richard Roundtree! How it's taken 300 episodes and several other Blaxploitation movies before covering this one is beyond both of them. With it's Oscar winning title song and stunning Isaac Hayes soundtrack, polished grittiness and swaggering attitude, they discuss how and why this movie has such a legacy, making reference to the John Singleton sequel/remake from 2000 starring Samuel L. Jackson Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The It's A Wonderful Podcast Theme by David B. Music. Donate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ IT'S A WONDERFUL PODCAST STORE:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://its-a-wonderful-podcast.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_ Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support

Bourbon and Books returns for 2024!  Join rLj, Kev, and Cousin Jeff as they discuss the Gordon Parks autobiography titled "Voices in the Mirror".  

Peter Martin is joined by Gordon Parks, Moira Gordon and Hugh MacDonald to discuss all the biggest talking points in the world of football. On this week's episode of The Journos; Do short- term managerial appointments work? Should Scottish football fans demand better quality? and Who are the top sporting chmapions in the twilight of their career?

This episode explores Gordon Parks, a self-taught famous photographer, writer, and movie producer. Visit the Instagram page @exploreblackhistory to enroll in Explore Black History online classes for kids, download the free Black History E-Coloring Book, and access the link for the free Discussion Guide for today's episode. Sign up for the next Explore Black History Virtual Story Time, on Sunday, February 18, 2024, at 4:00 p.m. (PST)

Carleton College senior Esme Krohn loves the Perlman Teaching Museum on campus, and she was at the opening night of its new exhibit “Towards a Warm Embrace” by Finnegan Shannon and Ezra Benus. The hands-on, interactive exhibit explores themes of ableism and disability as well as the power of touch in a post-pandemic world. Both artists are New York-based, though Shannon is a Carlton grad, and some of the pieces were created in collaboration with Carlton art students. One such piece that Krohn particularly liked consists of a series of heating pads with original cyanotype prints for covers. The heating pads are in a room with warm lighting, creating a space where she could imagine chilling with friends. Many pieces invite visitors to touch them, and there are numerous places to sit, including a bench whose label says, “This exhibit has made me stand for too long.”  The show runs through April 14. The Perlman Teaching Museum is free and open to visitors. It's located inside the Weitz Center for Creativity on the Carlton College campus in Northfield.  There will be an event connected to the exhibit on Jan. 19, Convocation with Jerron Herman.Sarah Larsson is a Minneapolis-based singer and an organizer of next weekend's Klezmer on Ice. This Friday evening, she's looking forward to Abinnet Berhanu's Ahndenet at Icehouse in Minneapolis. Ahndenet means “unity,” and this performance will combine music from both the East and West African diaspora. Ethiopian drummer and composer Abinnet Berhanu of Minneapolis brings his deep knowledge of Ethiopian and American jazz and pop, featuring the talents of local Ethiopian vocalist Genet Abate. They share the stage with Kevin Washington, who incorporates Afro-Latino, hip hop and R&B beats along with West African diaspora rhythms and jazz. “One thing that I think is really interesting about Abinnet and his music,” says Larsson, is that “he talks a lot about how there are so, so many different styles and traditions of music that come from Ethiopia, but kind of what people tend to hear is only one very kind of sterilized and also almost Americanized style of pop music. And he's been doing a lot of work for many years to go down into the roots and study these very specific different lineages. He names the teachers and the singers of the songs. And what he's trying to do is illuminate and bring together these different styles, by actually naming them and where they come from.” Artist Brian Sago teaches photography and printmaking at Blake School, and he often includes the photography of Gordon Parks (1912 – 2006) in his classes. Sago was excited to see a collection of Parks' photodocumentary work at the Minneapolis Institute of Art. Parks, who lived in St. Paul during his teens and young adulthood, is considered one of the greatest photographers of the 20th century, in addition to his work as a composer, author and filmmaker. He was the only Black photography fellow with the Farm Security Administration when he met Ella Watson, who worked cleaning the building. The 60 photographs on display portray Watson's life and work, which Parks used to document the social inequities in Washington, D.C., in 1942. His most famous photograph shows Watson holding a broom and a mop in front of the American flag — a visual reference to Grant Woods' “American Gothic” painting. Sago says Gordon Parks' photographs offer “a window of the history on what it's like to be a Black American. His photographs give such a nuanced level. They're beautiful to look at: his photographs are all gorgeous. But the sensitivity with which he was taking pictures and the situations he was able to get into by being a Black photographer who was paid by the federal government for much of his career, that's really profound.” “American Gothic: Gordon Parks and Ella Watson” is on display through June 23 at the Minneapolis Institute of Arts. Admission is free. 

Digging in deep on our documentary this week and learning all about Gordon Parks. A man who was behind the camera throughout the 20th century. Let us know your thoughts on this episode and what your favorite photographer is on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠. Don't forget to recommend movies like this for us at any time, just visit our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

[REBROADCAST FROM JUNE 15, 2023] Bisa Butler is a local artist who makes life sized quilts inspired by portraits of Black figures, including those taken by her favorite photographers such as Gordon Parks and Jamel Shabazz. Her solo exhibition, The World Is Yours, inspired by the lyrics of Nas combined textiles, paint, Nigerian hand-dyed batiks and African wax-resist cotton. Butler joins us in studio to discuss her process and the show, which was on view at Jeffery Deitch through June 30.  

On this last episode of 2023, step into the captivating world of Yves François Wilson, a multidisciplinary visual artist whose work transcends the boundaries of traditional art forms. Hailing from Strasbourg, France, Yves is a master of lens-based works on paper and sculptural pieces created from found objects. His artistic journey is a testament to the power of storytelling, lineage, and the creation of new visual histories.  At the heart of Yves' artistic vision lies a profound commitment to exploring the visual narratives of forgotten histories. His creations serve as a bridge between past and present, weaving together elements of traditional photography, printmaking, and repurposed found objects. Through his art, Yves opens a dialogue between the subjects within his works and the audience, inviting viewers to engage with shared experiences and rediscover the past.  Yves' artistic evolution has been enriched by a diverse range of experiences. He worked as a camera assistant alongside renowned studio cinematographers such as Gordon Parks, Rodrigo Prieto, and Bradford Young, honing his technical skills and visual storytelling prowess. Fine art assistantships at esteemed institutions like Deitch Projects (NYC), The Aldrich Museum of Contemporary Art, and Parsons School of Design's Gallery further refined his artistic eye, enabling him to distill his ideas into works of profound expression.  The cultural depth and breadth of Yves' work are palpable, reflecting a deep reservoir of knowledge and a rich vocabulary. His art serves as a brief exchange of shared experiences, an invitation to engage, and a representation of a new history. It's a visual journey that transcends borders and time, resonating with audiences far and wide.  Join us in this podcast as we explore the intricate layers of Yves' artistry. From his formative years at Parsons School of Design and the Royal Melbourne Institute of Design to his accolades as a Sundance Director's Lab participant and Mayor's Neighborhood Arts & Heritage Award recipient, Yves' story is one of creative evolution and cultural resonance. Tune in to unravel the tapestry of an artist who unearths the lost, celebrates the forgotten, and crafts new legacies through the language of art. Yves François Wilson's Website: https://www.yveswilson.com/Yves François Wilson's Instagram: https://www.instagram.com/yvesisaliveYves François Wilson's IMDB: https://www.imdb.com/name/nm2838479Yves François Wilson's Twitter: https://twitter.com/wilsonrepsVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

In 1942—years before becoming the first Black photographer for Life magazine, the director of Shaft, and a style icon the New York Times will hail as the “godfather of cool”—Gordon Parks is a young, ambitious photographer in Washington, D.C., struggling to document the injustice he's found in the nation's capital. Until, one day, he meets Ella Watson. Illustrating her life in photographs changes both of them, putting Parks on the path to fame and Watson in the minds of Americans as the heroic figure in one of the most iconic images of the century—known simply as Government Charwoman. You can see the best-known photo from this series, American Gothic, here: https://collections.artsmia.org/art/100557/american-gothic-gordon-parks You can see more photos from the series here: https://www.loc.gov/collections/fsa-owi-black-and-white-negatives/articles-and-essays/documenting-america/ella-watson-united-states-government-charwoman/

Tune in to Episode 79 where we've created a live podcast episode with Brooklyn-based street photographer, Andre Wagner, at The International Center of Photography located in New York City. We speak with Andre about his ability to find human connections through street photography. Andre Wagner is a photographer and artist living and working in Brooklyn, NYC. He explores and chronicles the poetic and lyrical nuances of daily life, using the city—particularly his own neighborhood and community—as his subjects. His work and practice fit into the lineage of street photography that investigates the American social landscape, often focusing his lens on themes of race, class, and cultural identity. His work has been seen in The New York Times, the New Yorker, Time, Vogue, and several other publications. He also photographed the key art and campaign photography for Queen & Slim. Andre is the 2022 Gordon Parks fellow. Andre Wagner can be found online at: PortfolioInstagram --- Support this podcast: https://podcasters.spotify.com/pod/show/blkshutter/support

Shaft is a first time watch for both Jim and A.Ron, and they loved it! Directed by Gordon Parks and starring Richard Roundtree, this movie sports killer dialogue, an Oscar-nominated soundtrack, and iconic performances. Roundtree is now being considered for the Bald Move Badass list! Hey there! Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the Club! Join the discussion: Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter | Instagram | Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

We're talking about Shaft! Justin Catchens joins us to talk about the classic 1971 Gordon Parks film and discus knowing the parody before you know the original, earnest sex scenes and much more.

Our guest today is none other than the visionary photographer, Andre D. Wagner. With a lens that tells stories in a way that words cannot, Andre has made a significant mark in the world of photography. He has been commissioned by The New Yorker, The New York Times, Esquire, W Magazine, The Wall Street Journal, Time, Vogue, well, YouTube the picture. In addition to his editorial work, he was the creative force behind the promotional imagery for the film "Queen & Slim" in 2019.His first monograph, Here for the Ride, was published by Creative Future in 2017 and he is currently editing a 10-year body of work titled New City, Old Blues. In 2022, he was awarded the Gordon Parks fellowship, and His photographs have appeared in several solo exhibitions and group shows in Los Angeles, New York, and North Carolina.Be sure to share some of your thoughts on today's episode with us on Instagram at @blackimagination. If you want to stay updated on all our latest news and exclusive content, click on this newsletter link. If you love what we do and like to support the show, click this support link. Key LinksThe Gordon Parks Foundation- permanently preserves the work of Gordon ParksGordon Parks - one of the greatest photographers of the twentieth century, was a humanitarian with a deep commitment to social justice.Andre D. Wagner: New City, Old Blues - Exhibition runs through November 17, 2023Gordon Parks Fellowship The Strivers Row- A multi-cultural marketing agency specializing in content development, talent relations, and event production.Queen & Slim - Stylish, provocative, and powerful, Queen & Slim tells a gripping fugitive story steeped in timely, thoughtful subtext.What to ReadVoices in the Mirror: An Autobiography (Harlem Moon Classics) - Gordon ParksA Choice of Weapons - Gordon ParksThe Camera - Ansel AdamsThe Negative - Ansel AdamsThe Print - Ansel AdamsWhat to listen toLivin' For The

We talk about Gordon Parks and his legendary status as a photographer, his incredible versatility, photography and activism, experimenting with different styles of photography and more!

Gordon Parks knew a picture was worth more than 1,000 words: photographs could be weapons to fight white supremacy. Some saw his career, as a self-taught turned famous photographer, as a way out of the segregated South. But he knew it a way in. _____________ 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. The production team for this podcast includes Cydney Smith, Len Webb, and Lilly Workneh. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. Julian Walker serves as executive producer." To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Through his abstract paintings, the Miami-born, Brooklyn-based artist José Parlá explores themes ranging from memory, gesture, and layering, to movement, dance, and hip-hop culture, to codes, mapping, and mark-making. Coming up in Miami in the late 1980s and early '90s, Parlá spent his adolescence and young adult years steeped in hip-hop culture and an underground scene that involved break dancing, writing rhymes, and making aerosol art. The art form still manifests, in wholly original ways, in his abstract works, which, while decidedly of the 21st century, extend in meaning and method back to ancient wall writings and cave drawings.On the episode, Parlá talks about his recent near-death experience with Covid-19; his activism with the collective Wide Awakes; and how his large-scale murals at locations including the Brooklyn Academy of Music, Barclays Center, and One World Trade Center trace back to his early days of painting elaborate wall works with aerosol.Special thanks to our Season 7 sponsor, Van Cleef & Arpels.Show notes: [07:37] Rey Parlá[11:45] Ciclos: Blooms of Mold[12:19] Augustin Parlá[13:13] Curtiss School of Aviation[14:05] José Martí[16:20] “Phosphene” series[18:27] “Polarities” series[18:32] “Breathing” series[23:25] Wide Awakes[23:26] For Freedoms[23:29] Hank Willis Thomas[23:31] J.R.[23:35] Wildcat Ebony Brown[24:28] “The Awakening”[32:04] “It's Yours”[34:17] Snøhetta[34:45] Ghetto Gastro[36:50] Craig Dykers[36:55] José Parlá's Studio[38:20] James B. Hunt Jr. Library[38:22] “Nature of Language”[38:47] Far Rockaway Writer's Library[56:56] “Brothers Back to Back”[59:51] “Parlá Frères”[01:00:03] Hurricane Andrew[01:00:12] Savannah College of Art and Design[01:01:32] New World School of the Arts[01:01:51] Mel Alexenberg[01:02:29] “Combine” by Robert Rauschenberg[01:06:29] “Gesture Performing Dance, Dance Performing Gesture” at BAM[01:06:30] Barclays Center mural[01:06:32] “One: Union of the Senses” at One World Trade Center[01:06:33] “Amistad América” at the University of Texas at Austin[01:12:08] Gordon Parks fellowship

The Postman is here! We got the esteemed collector Kerry Davis joining the Studio Noize fam. Kerry built his legendary collection while working 30 years as a postman at USPS. How impressive is his collection? Well, it's in the middle of a 5-year national museum tour, and he could have a whole other show from work currently up in his home. The collection includes the biggest names in Black art, from Charles White to Radcliff Bailey, Mo Brooker to Louis Delsarte. The collection alone is enough to discuss, but we go deeper than that. Kerry tells us about the relationships with those names on the wall. Mildred Thomas was his real friend; those personal stories are so great to hear. We talk about how he started touring his collection, got so much incredible work, and all the artists he met and got to know on his journey. Another great episode with that good art talk for you. Listen, subscribe, and share!Episode 176 topics include:-buying art vs collecting art-getting to know artists-Mildred Thomas stories -helping Louis Delsarte in his studio-meeting artists as a postman-organizing a collection-developing an “eye”-touring the Davis collection-how to handle a big collection-appreciating printmaking “It's been called “a museum in a home.” The private collection of art amassed by Kerry and C. Betty Davis over nearly 40 years is one of the richest collections of African American art in the world. The Davises – a retired postal worker and a former television news producer – have invited friends, neighbors, church members and their children's friends into their home to see their art.Now they are sharing their extraordinary collection with a wider audience. “Memories & Inspiration: The Kerry and C. Betty Davis Collection of African American Art” opens Feb. 4 through May 14 at the Taft Museum of Art.The exhibition features 67 of the more than 300 works that grace their suburban Atlanta home. It includes Romare Bearden's colorful portrayal of a jazz quartet, photographer Gordon Parks documentation of racial disparity and abstract pieces by Sam Gilliam, Norman Lewis and Alma Thomas. The show spans from early Black pioneers, such as Elizabeth Catlett and Jacob Lawrence, to contemporary artists.” -Janelle GelfandSee more: Cinncinnati Business Courier:Retired postal worker, wife share their world-class collection of African American art Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Bisa Butler is a local artist who makes life sized quilts inspired by portraits of Black figures, including those taken by her favorite photographers such as Gordon Parks and Jamel Shabazz. Her new solo exhibition, The World Is Yours, inspired by the lyrics of Nas, is on view now, and combines textiles, paint, Nigerian hand-dyed batiks and African wax-resist cotton. Butler joins us in studio to discuss her process and the show, which is on view at Jeffery Deitch through June 30.