Podcast appearances and mentions of Gordon Parks

Music photography has always been a listener favorite, and through the years we've gathered countless stories from legendary photographers about what it takes to document all aspects of the music scene. As we temporarily pause in recording new episodes while we build out a studio for video podcasts, we decided to take a trip down memory lane and feature some noteworthy clips from our 10-year archive. This compilation of favorite moments celebrates the intersection of photographic mastery and music history, with talents spanning from Lynn Goldsmith to Mick Rock, Jeanette Beckman to Graham Nash, among the many other dedicated music photographers we've had the pleasure to interview.  If you'd like to take a deeper dive into any of the original episodes, you'll find links in our episode timeline below. Most important, please subscribe to @BHPodcastNetwork to get our latest updates on YouTube, Instagram, and TikTok. Featured Photograph © Jim Marshall, from the new book The Beatles By Jim Marshall: Live At Candlestick Park, in bookstores June 2, 2026 Episode Timeline:   0:58: Excerpt from The Markers of Our Bliss—Lynn Goldsmith and Rock 'n' Roll 4:22: Excerpt from Mick Rock: The Name Says It All 6:59: Excerpt from Master Blaster Charles Daniels Reveals his Unseen '60s Era Photo Archive 12:06: Excerpt from 'Scuse Me While I Kiss the Sky - Rock Photography of the 1960s 15:55: Excerpt from Jazz Photography and "Harlem 1958" by Art Kane 20:38: Excerpt from Hip-Hop Fellini—Anniversary of "The Greatest Day in Hip-Hop," by Gordon Parks, featuring Michael Gonzales, Sheena Lester & Vikki Tobak. 29:24: Episode Break 30:06: Excerpt from A History of Hip-Hop Photography, featuring Vikki Tobak, Jeanette Beckman & Eric Johnson 37:20: Excerpt from Mixing Music with Pictures, with Bootsy Holler & Chris Ortiz 42:41: Excerpt from The Ninja—Concert Photography, with Christie Goodwin  48:45: Excerpt from Graham Nash, Ace Photographer, Digital Printing Pioneer, Music Legend Stay Connected: Lynn Goldsmith Website: https://lynngoldsmith.com/wordpress/ Mick Rock Website: https://www.mickrock.com/ Charles Daniels Facebook: https://www.facebook.com/p/Charles-Daniels-Photography-100088252000625/ Jim Marshall Website: https://www.jimmarshallphotographyllc.com/ Art Kane Website: https://www.artkane.com/ Gordon Parks Website: https://www.gordonparksfoundation.org/ Vikki Tobak Linktree: https://linktr.ee/vikkitobak Jeanette Beckman Website: https://janettebeckman.com/ Eric Johnson Website: https://cargocollective.com/upstairsaterics Chris Ortiz Website: https://www.chris-ortiz.com/ Christie Goodwin Website: https://christiegoodwin.com/ Graham Nash Website: https://grahamnash.com/

Gordon Parks and Hugh MacDonald can fully understand why Hearts fans are angry at Lawrence Shankland moving to Rangers on a free transfer. Many Hearts fans want to know why that deal was agreed. Which player do you think should be in the top 50 in the Premier League since 1975?

Gordon Parks believes Celtic need to look for a new, younger manager and celebrate the legacy of Martin O'Neill's achievements this season. Hugh MacDonald dismisses any sort of strict liability or legislation for pitch invasions. Gordon Parks explains why Steve Clarke omitted Oli McBurnie from his final Scotland squad.

Gordon Parks believes there needs to be a clear-out at Ibrox in the summer and new faces signed to give Rangers a chance of winning the League. Hugh MacDonald fears the worst for St Mirren in the play-off final. Who are the top 50 players in the Scottish Premier League since 1975?

Send us a message.We open with a letter — Rilke's first letter to a young poet, written in 1903 — and the question at the center of it: must I write? Not do I want to, not is it going well, but must I. We talk about what it means to look outward for reassurance while making something, how that search for validation reshapes work before it's even finished, and what happens when you're writing toward an external voice instead of your own.That leads us into a broader conversation about photography as a practice of finding things rather than making them — and what that distinction reveals about why certain work holds and other work doesn't. We walk through what it means to stand in front of a print by Eggleston or Crewdson or Deana Lawson, what a body of work asks of the people presenting it, and what gets lost when criticism becomes a form of signaling rather than a genuine attempt to see. We end somewhere near solitude: the argument that if you've found the thing you need to do, everything else is secondary — and that's been true since at least 1903. -AiSupport the show If you enjoyed this episode, please consider giving us a rating and/or a review. We read and appreciate all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt's YouTube Channel: https://geni.us/MatthewOBrienYT Matt's 2nd Channel: https://geni.us/PhotoVideosYT Alex's YouTube Channel: https://geni.us/AlexCarterYT Matt's Instagram: https://geni.us/MatthewIG Alex's Instagram: https://geni.us/AlexIG 

On this episode of Big Rube's Philly, Reuben Harley takes deputy editor Lauren McCutcheon on a Gordon Parks-style journey through the streets of Philadelphia using his most iconic photographs of neighborhood life. To see the photographs behind the conversation, visit this story on the web. 

We talk with Beach Museum of Art curator Liz Seaton about “Rural America” and how the show connects past images to the realities people live right now. We share the themes artists capture and the stories visitors are leaving in the comment book about what rural communities lose, protect, and still love. • framing historic and contemporary works to reflect rural life today • themes of isolation, hard work, weather, drought, and too much rain • rural strengths like calm, nature, extended family, church, clubs, and preservation • John Steuart Curry's storm-focused Kansas imagery and tornado aftermath • Jeremiah Arias documenting local Kansas newspapers and what happens when they disappear • Gordon Parks church imagery as a center of belonging • visitor reactions highlighting population loss, aging towns, and everyday resilience I hope you'll see the exhibition and the rest of what we have going on at the museum. GMCFCFAs

Peter Martin, Hugh MacDonald and Gordon Parks discuss the nominees for Player of the Year in Scotland. The title race twists and turns and the top sports movies of our time.

Gordon Parks reckons Callum McGregor should call time on his Celtic career for one last payday elsewhere. Hugh MacDonald assesses James Tavernier's legacy at Rangers. Will Hibs derail Hearts' title hopes? The sad demise of Leicester City to League One. What's on your bucket list of stadiums to visit across the world?

On the Journos this week, Gordon Parks has called Rangers' summit on VAR a chance for all 12 clubs to moan, but nothing will happen to change VAR for the better. Stephen McGowan believes Rangers are looking the most capable team to win the league. The panel discuss the best 10 players playing in Scotland to sign in the summer transfer window.

Gordon Parks has a chilling warning for anyone upset at the price of tickets at the World Cup, nobody at FIFA cares! The panel discuss the post-split figures and question whether there will be a last-day title decider. Michael Grant has expressed grave concerns for Aberdeen's position in the top flight. Clubs facing financial ruin remains high on the agenda.

Artspeak Radio, Wednesday, April 8, 2026, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd welcomes poet Maryfrances Wagner, Dr. Regina Nouhan, and J.J. McDonald with Gordon Parks Elementary School. MARYFRANCES WAGNER – The Writers Place events for 2026 A Master Class in Screenwriting, April 11, 10:30am – 12:30pm, The Writers Place 31 W. 31st KCMO The Writers Place Reading Series featuring Tony Brewer, Janet Rose, Alarie Tennille April 17, 7pm TWP Open Mic, April 27, 7pm, Quaker House 4405 Gillham Rd. KCMO The Writers Place Reading Series They Crystal Field Scholarship, May 15, 7pm, TWP TWP Reading Series; Script in Hand Reading Opportunity, May 30, TWP David Baker Poetry Workshop, June 20, 1pm – 3pm, TWP The Writers Place is located at The Nonprofit Village at 31 W. 31st St. KCMO www.thewritersplace.wildapricot.org Dr. Regina Nouhan & J.J. McDonald- INSPIRE! is an annual art exhibition and fundraiser that pays homage to the exemplary work and enduring values of our namesake, Gordon Parks. This event aims to create a platform for the community to engage and grow, providing a unique opportunity for fundraising. Through the showcase of artistic expressions, we aspire to inspire both our students and supporters, fostering a deep connection with the mission and vision of Gordon Parks Elementary. By celebrating art, community, and philanthropy, we aim to further cultivate a sense of shared purpose and commitment among our stakeholders, ensuring the continued support for the values championed by Gordon Parks. This year's theme, Unmasked, invites our students to explore identity, truth, and the courage it takes to be seen. Through vibrant, student-created masks and mixed media artworks, our young artists reveal parts of themselves—what they share with the world and what they carry quietly within. The project honors the legacy of our namesake, Gordon Parks, who used his camera as a weapon against injustice and a mirror to the soul. Like Parks, our students are learning to tell powerful stories through visual expression—stories that unmask not just struggle, but also strength, beauty, and hope. Unmasked, April 16, 2026, at Zhou B Art Center KC, 1801 E. 18th St. KCMO info@zhoubartcenterkc.com

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: Don Mcullin https://holburne.org/opening-in-january-don-mccullin-broken-beauty/ and https://www.hauserwirth.com/hauser-wirth-exhibitions/don-mccullin-90/ Gordon Parks https://alisonjacques.com/exhibitions/gordon-parks-we-shall-not-be-moved Catherine Opie https://www.npg.org.uk/whatson/exhibitions/2026/catherine-opie-to-be-seen Jack Davison https://www.cobgallery.com/exhibitions/131-portraits-1416-november-jack-davison/ Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now wherever you buy your books. © Grant Scott 2026

Gordon Parks reckons the pressure will be too great for Hearts as they prepare for the 9 game run-in to the title. Martin O'Neill reckons the huge away support will become a thing of the past. The late statements from Celtic and Rangers are analysed by the panel as well as predictions for all six matches in the Scottish Premiership.

On this episode of the podcast, host Dr Pasquale Iannone is joined by author Ashley Clark to discuss his new book The World of Black Film (2026).Ashley is a writer, critic and broadcaster. He is also Curatorial Director at the Criterion Collection. His previous roles include director of film programming at the Brooklyn Academy of Music. Ashley has curated film series at BFI Southbank and the Museum of Modern Art amongst others. He has written for Film Comment, Reverse Shot, and Sight and Sound, and his first book - on Spike Lee's Bamboozled (2000) - came out in 2015.Spanning more than a century of film history, Ashley's new book The World of Black Film is a fascinating, illuminating survey of black cinema through 100 key works. From avant-garde dramas to action thrillers, blaxploitation films to biopics, comedies to war films. Ashley provides sharp, engaging analysis of  pictures by Ousmane Sembène, Spike Lee, Gordon Parks, Sara Gómez, Horace Ové, Kathleen Collins, Souleymane Cissé, Steve McQueen and many more.Ashley tells Pasquale about the background to the book and his approach to selecting the 100 films. He also reveals some of the personal memories and connections that feed into the book.

In this episode of The Truth In This Art, the guest is Jonene Lee!Who is Jonene Lee: Philadelphia-based curator and owner of No Name Gallery, with roots in photography, dance, and deep ties across the city's music and arts community.In our conversation, Jonene lays out how photography—documenting friends, parties, and performances—shaped her curatorial eye. She talks about organizing Philly DJ Day, uniting around 300 Philadelphia DJs for a single group photograph inspired by Gordon Parks. We get into her dance background and how that sense of rhythm and flow shows up in how she builds exhibitions and events. She also breaks down opening No Name Gallery in Chestnut Hill—learning business on the fly, tapping community support, and expanding the gallery's role beyond a white-wall space to include urban, street, pop, abstract, and contemporary work, plus artist-made home furnishings.At the center is connection: photos that turn into relationships, music that anchors the scene, and a gallery that serves both artists and neighborhood.Be sure to check out No Name Gallery and explore the fantastic artists who are shaping the Philadelphia art scene. Visit NoNameGalleryPhilly.com for all the latest updates! The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Hugh MacDonald and Gordon Parks believe Derek McInnes should get all the credit if Hearts win the title, not Jamestown Analytics. The Edinburgh derby is discussed. The possibility of Celtic changing their signing policy in the summer and Eni Aluko's place in broadcast punditry.

Gordon Parks doesn't think the Rangers fans believe they can win the league. It's Scottish cup weekend for the panel

Gordon Parks reckons Hearts loss to St Mirren is pivotal in the title race as Celtic and Rangers hunt them down at the top of the premiership. The Journos also discuss the business completed in the transfer window and the continuing unrest among Celtic fans towards the board.

Hugh MacDonald believes Rangers' transfer business is geared to winning the league and Champions League qualification this season. The Journos, Peter Martin, Gordon Parks and Graeme McGarry also discuss the Jens factor at Motherwell, transfer window signings, the passing of Scottish legend Eddie McCreadie, Ronaldo's quest for 1000 goals and the best club players ever in the Scottish Premiership.

As 2025 comes to a close, we're revisiting interviews with this year's nominees and winners of some of the biggest prizes in literature. Karen Russell's novel The Antidote is set during the Dust Bowl – a period when poor farming practices and drought led to a wave of severe and damaging dust storms. In this bleak setting, we're introduced to a cast of characters, including a woman who stores other people's memories and a photographer tasked with documenting the crisis. In today's episode, Russell speaks with NPR's Scott Simon about the inspiration behind The Antitode's core characters, including the work of photographer Gordon Parks and an image that came to Russell as she finished her first novel.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Peter Martin, Tam McManus, Alan Rough and Gordon Parks discuss the game by game future of Celtic manager, Wilfried Nancy and who decides his fate. The plz team also look ahead to the game of the weekend at Tynecastle where Hearts could kill off Rangers title hopes.

Peter Martin, Hugh Macdonald and Gordon Parks assess all three teams in the title race and pinpoint the key to winning the Scottish Premiership.

Peter Martin, Hugh MacDonald and Gordon Parks react to clickbait criticism of Celtic manager Wilfried Nancy. Is Josh Mulligan going to the World Cup with Scotland? What next for Mo Salah and a fitting tribute to the late great Celtic legend Dixie Deans.

Peter Martin, Hugh MacDonald and Gordon Parks look ahead to the World Cup draw and who they think will win the competition. 

In today's Football Show, we break down the growing disconnect between the Celtic board and the supporters, with fan frustration reaching new levels after recent performances and AGM tensions. We also dive into the major hierarchy shake-up at Rangers as the club begins restructuring behind the scenes. Plus, we react to last night's entertaining clash between Motherwell and Hibs. Join PLZ Premium TODAY! You will receive exclusive benefits via PLZ Soccer YouTube - including member only video content, access to ask questions on our special live stream and special features before anyone else. Plus much more! ✨ Sign up HERE: https://www.youtube.com/@PLZSoccer/join

On The Journalism Salute we talk to journalists about who they are and what they do with the intent of showing that journalists are not the enemy of the people.On this episode we're joined by Babette Hogan and Julie Eisenberg. They are the filmmakers behind Running for the Mountains, a new documentary film about environmental policies and politics and the fight between activists and politicians about this issue in West Virginia. It's available on Amazon Prime and also, if you have a library card, on Kanopy.Babette and Julie talked about the process by which they made their movie, which took 15 years to complete. They explained why they made the movie, how – as outsiders – they gained the trust of West Virginians, and shared some of the adventures they had along the way (including an arrest.Babette and Julie's salutes: Chris Hayes of MS Now, Gasland director Josh Fox, and the movie Knock Down the House, as well as photojournalists Dorothea Lange, Gordon Parks, and Sebastião Salgado. You can find all our episode guides for teachers and professors here,Please support your local public radio station: adoptastation.orgThank you for listening. You can e-mail me at journalismsalute@gmail.com Visit our website: thejournalismsalute.org Mark's website (MarkSimonmedia.com)Bluesky at @marksimon.bsky.socialSubscribe to our newsletter– journalismsalute.beehiiv.com

Peter Martin and Gordon Parks discuss the latest surrounding the Rangers managerial hunt, Hearts chances of keeping the Ibrox side at bay, Brendan Rodgers' future at Celtic. 

Nestes tempos em que Donald Trump manda retirar de exposição uma importante fotografia para a história dos Estados Unidos – a imagem de um homem negro, ex-escravizado, com as costas marcadas pela violência que sofria – o Brasil recebe a mostra de um dos maiores fotógrafos do século 20, Gordon Parks. O norte-americano documentou a vida cotidiana de pessoas negras em estados segregados dos Estados Unidos, a luta organizada por direitos civis, as manifestações culturais e religiosas dessa população sobretudo durante os anos 1940 e 70.Primeiro fotógrafo negro contratado pela revista Life (1948) e colaborador de títulos de moda como a Vogue, Gordon Parks esteve no Brasil nos anos 1960 para uma reportagem no Rio de Janeiro. Agora, seu trabalho é revisitado na exposição "Gordon Parks: A América sou Eu", em cartaz até março de 2026 no Instituto Moreira Salles (IMS), em São Paulo.Essa é a primeira retrospectiva de Parks no Brasil e a maior na América Latina. A curadoria é de Janaina Damaceno, entrevistada deste episódio do Podcast da Semana, da Gama, de Iliriana Fontoura Rodrigues e assistência de Maria Luiza Meneses.Janaina Damaceno é professora do curso de cinema na Faculdade de Educação da Baixada Fluminense (FEBF) da Universidade do Estado do Rio de Janeiro (UERJ), onde coordena o grupo de pesquisas Afrovisualidades: políticas e estéticas da imagem negra. Foi curadora adjunta das exposções de Walter Firmo e de Lita Cerqueira, no Instituto Moreira Salles. Atualmente é curadora da exposição "Gordon Parks: a América sou eu!".Na conversa com Gama ela fala da atuação e da trajetória de Parks, do interesse por fotografia pelas novas gerações e da tentativa de revisionismo histórico na América de Donald Trump.Roteiro e apresentação: Luara Calvi Anic

Peter Martin is joined by Alison McConnell, Gordon Parks and Hugh MacDonald on this week's episode of The Journos. 

Peter Martin is joined by Alison McConnell and Gordon Parks as they discuss Russell Martin's latest Rangers press conference, the upcoming Ibrox protest, Brendan Rodgers' claims Celtic aren't in crisis and the weekend's Premier Sports Cup ties. 

It is a massive week for Scottish clubs as Celtic, Rangers, Hibs and Aberdeen all look to progress into European competitions. We analyse what goes wrong with Scottish teams that makes qualifying for these competitions so difficult. Join PLZ Premium TODAY! You will receive exclusive benefits via PLZ Soccer YouTube - including member only video content, access to ask questions on our special live stream and special features before anyone else. Plus much more! ✨ Sign up HERE: https://www.youtube.com/@PLZSoccer/join

Tonight brings the start of a busy week of European Qualifiers for Scottish clubs. Rangers host Club Brugge at Ibrox in the first leg as they look to secure Champions League football. We discuss what Rangers need to do tonight to be successful andante the importance of getting the crowd on board early doors. Join PLZ Premium TODAY! You will receive exclusive benefits via PLZ Soccer YouTube - including member only video content, access to ask questions on our special live stream and special features before anyone else. Plus much more! ✨ Sign up HERE: https://www.youtube.com/@PLZSoccer/join

Today on the couch we discuss; Are new rules put in place by the SFA overcomplicating Scottish Football? Is Pep Guardiola right to call it quits once his contract at Manchester City expires? Should drinking be allowed at Scottish games? Join PLZ Premium TODAY! You will receive exclusive benefits via PLZ Soccer YouTube - including member only video content, access to ask questions on our special live stream and special features before anyone else. Plus much more! ✨ Sign up HERE: https://www.youtube.com/@PLZSoccer/join  

Melissa Newman is a vocalist, teacher, writer and artist who works primarily in porcelain and stoneware. She has shown work in galleries around the Northeast.  After enjoying a lucrative jingle career she continues to perform frequently with her jazz trio. Melissa spent almost 20 years volunteering and working with the inspiring women at Bedford Hills correctional facility, teaching visual and performing arts there and in other communities. She recently co-edited and designed a coffee table book about her parents, Joanne Woodward and Paul Newman, Head Over Heels, a Love Affair in Words and Pictures published by Little Brown. On the heels of the HBO Max docuseries The Last Movie Stars on Paul Newman and his wife, Joanne Woodward,comes an extraordinary and deeply personal new look inside their private life, affectionately curated by their daughter Melissa Newman. In the lush, illustrated book, HEAD OVER HEELS: Joanne Woodward & Paul Newman: A Love Affair in Words and Pictures (Little, Brown Voracious; October 10, 2023; Hardcover), we are offered a fresh perspective on these storied legends, putting their relationship front and center. Joanne Woodward and Paul Newman became not only movie stars and stage actors, but also artistic collaborators, political activists, and philanthropists whose legacies are expansive and enduringly modern. They are one of America's most indelibly iconic couples and while their love story wasn't always a fairytale, it is the stuff of Hollywood legend. With over 280 photos, including many that have never been published, and text by the book's subjects, all compiled in a luxurious 10”x12” hardcover, the book will be the perfect gift for anyone interested in Hollywood, or in simply celebrating the enduring power of love. Melissa Newman, who purchased her childhood home from her parents, writes in her preface: “In every closet are bags and boxes, layers of ephemera stretching back to the Cretaceous era. Theirs, mine, a sea of words and images.” The book is chock full of handwritten love notes, snapshots and letters; family treasures that have never been released They offer an intimate view of these towering figures in American public life. Along with photographs taken of each other there are well over two hundred taken by some of the most celebrated photographers of our time: Richard Avedon, Sid Avery, Ralph Crane, Bruce Davidson, John Engstead, Leo Fuchs, Milton H. Greene, Philippe Halsman, John R. Hamilton, Leonard McCombe, Gordon Parks, Sanford Roth, Roy Schatt, Lawrence Schiller, Sam Shaw, Bradley Smith, and David Sutton—and  family snapshots capturing candid and telling moments. The photos beautifully illuminate the connection between two complex, passionate artists who opened their hearts and minds to each other for over half a century.Not only will lifelong fans of Paul and Joanne have their love affair with the couple rekindled, but a whole new generation of fans are poised to be drawn into a love affair with Hollywood's golden couple. This book is Melissa's heartfelt gift to her parents—and to all of us.

We meet Misan Harriman, photographer, social activist and Oscar Nominated filmmaker. He is one of the most widely-shared visual storytellers of this age. He is also the first black person in the 104 year history of British Vogue to shoot the cover of its September issue. In July 2021 he commenced his appointment as Chair of the Southbank Centre, London. His strong reportage style and unique eye for narrative has captured the attention of editors and celebrities around the world. From documenting historic moments in history to photographing high profile celebrities, including Meghan Markle & Prince Harry, Angelia Jolie, Jay-Z, Tom Cruise, Julia Roberts, Giorgio Armani, Rhianna, Cate Blanchett and Olivia Colman, Misan is a photographer of extraordinary range. His striking images have featured in Vanity Fair, Vogue UK, Harpers Bazaar, People Magazine and The Telegraph among others. His first film, the After starring David Oyelowo is the first Netflix UK original Short and has been nominated for an Academy Award.Misan is an outspoken activist supporting Diversity and Inclusion in the workplace, he is also a mental health campaigner with a keen interest in Dyslexia and Neurodiversity. He is currently exploring how web3 can help democratise merit based opportunity for disadvantaged artists on a global scale.He is the founder of Culture3 whose mission is to explain and explore what web 3.0 means for culture, commerce, and society. Nigeria born, Misan was educated in England where he developed a life-long love for the arts. This led him to picking up a camera and honing his craft. He is completely self-taught, his work is inspired by Gordon Parks, Sally Mann, Eve Arnold, Bruce Davidson, Norman Parkinson and Peter Lindbergh. SXSW London presents: Misan Harriman: Shoot the People Part of SXSW London 2025. British-Nigerian photographer Misan Harriman investigates how protest movements shape social change. Following his debut White Nanny, Black Child, director Andy Mundy-Castle turns the camera on Oscar-nominated British-Nigerian photographer and activist Misan Harriman, who became the first Black man to shoot a cover of British Vogue in 2021 and has captured modern icons such as Meghan Markle and Prince Harry, Rihanna, Stormzy, Cate Blanchett, and Tom Cruise. In Shoot the People, Harriman examines how protest and organised movements can lead to social change, all while capturing the resilience of activism through his lens. In July 2025, Harriman will have his debut solo exhibition of his photography in London at Hope93 gallery. https://hope93.com/Follow @MisanHarrimanVisit https://www.misanharriman.com/ Hosted on Acast. See acast.com/privacy for more information.

Peter Martin is joined by Alison McConnell, Gordon Parks and Michael Grant on the last episode of The Journos this season. 

In this episode of PhotoWork, host Sasha Wolf has a deeply moving conversation with renowned photographer Jamel Shabazz. They talk about his lifelong love for photography and how he uses it to make a social impact. Jamel opens up about how his life experiences have shaped his approach to art and hard work. The episode also covers his book, “A Time Before Crack,” and its importance to his community at the time. It's a heartfelt conversation that goes beyond just photography. Tune in to hear the insights and stories from a photographer passionate about making a difference. https://www.jamelshabazzphotographer.com ||| https://www.instagram.com/jamelshabazz/ Jamel Shabazz is best known for his iconic photographs of New York City during the 1980s. A documentary, fashion, and street photographer, he has authored 12 monographs and contributed to over three dozen other photography related books. His photographs have been exhibited worldwide and his work is housed within the permanent collections of The Whitney Museum, The Studio Museum in Harlem, The Smithsonian's National Museum of African American History and Culture, The Fashion Institute of Technology, The Art Institute of Chicago and the Getty Museum. Over the years, Shabazz has instructed young students at the Studio Museum in Harlem's “Expanding the Walls” project, The Schomburg Center for Research in Black Culture “Teen Curator's” program, and the Bronx Museum's “Teen Council.” He is also the 2018 recipient of the Gordon Parks award for excellence in the arts and humanitarianism and the 2022 awardee of the Gordon Parks Foundation/Steidl book prize. Jamel is also a member of the photo collective Kamoinge, and a board member of En Foco, another photo collective. His goal as an artist is to contribute to the preservation of world history and culture.

The Antidote opens on what seems like an ordinary Sunday in a fictional town in 1930s Nebraska. But by 3 p.m., apocalyptic clouds cover the sun and make the afternoon look like midnight. Karen Russell's latest novel is set during the Dust Bowl – a period when poor farming practices and drought led to a wave of severe and damaging dust storms. In this bleak setting, we're introduced to a cast of characters, including a woman who stores other people's memories and a photographer tasked with documenting the crisis. In today's episode, Russell speaks with NPR's Scott Simon about the inspiration behind The Antitode's core characters, including the work of photographer Gordon Parks and an image that came to Russell as she finished her first novel.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

"You know, the camera is not meant just to show misery." "The subject matter is so much more important than the photographer." -- Gordon Parks In this episode of Street Shots, Antonio and Ward dive into the life and legacy of the iconic photographer Gordon Parks. They explore his remarkable journey from humble beginnings in Fort Scott, Kansas, to becoming one of the most celebrated photographers of the 20th century. They focus especially on his influential “Segregation Story” photo series, which captures powerful images of racial injustice in mid-20th century America, emphasizing Parks' talent for storytelling through visual imagery. Antonio and Ward also discuss Parks' renowned photograph “American Gothic,” featuring Ella Watson, and how this iconic image vividly illustrated the racial and economic challenges of its time. They touch upon Parks' successful venture into filmmaking, notably directing the groundbreaking movie “Shaft,” highlighting his unique ability to bridge photography and film to address important social issues. Ward shares personal reflections inspired by the “Collected Works of Gordon Parks,” underscoring Parks' lasting influence on visual culture and storytelling.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links: The Gordon Parks Foundation Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

On today's podcast I welcome on photographer Frank Jackson. Frank is a photographer based in Los Angeles,CA and on today's episode I speak with Frank about how he first discovered his passion for photography, his experience traveling the world as Trans America Life's corporate photographer , as well as his approach to lighting. Frank is a photographer who isn't constrained by a particular subject matter or theme as he photographs everything from studio portraits, still life and his everyday life but all are guided by his passion for lighting. I also speak to Frank about his experience photographing iconic photographer Gordon Parks. Frank is a true artist and someone who's work I greatly respect for his ability to turn any object or just everyday life into art. It was a real pleasure getting the opportunity to speak with Frank about his journey with photography so I hope you enjoy and thanks for listening. USE PROMO CODE : "Banter" for 2 months free at picdrop.com Follow Frank's Work www.fotographz.com IG - @fotographz USE PROMO CODE : "Banter" for 2 months free at picdrop.com Follow Frank's Work www.fotographz.com IG - @fotographz

Host Lee Hawkins investigates how a secret nighttime business deal unlocked the gates of a Minnesota suburb for dozens of Black families seeking better housing, schools, and safer neighborhoods. His own family included.TranscriptIntroLEE HAWKINS: This is the house that I grew up in and you know we're standing here on a sidewalk looking over the house but back when I lived here there was no sidewalk, and the house was white everything was white on white. And I mean white, you know, white in the greenest grass.My parents moved my two sisters and me in 1975, when I was just four years old. Maplewood, a suburb of 25,000 people at the time, was more than 90% white.As I rode my bike through the woods and trails. I had questions: How and why did these Black families manage to settle here, surrounded by restrictions designed to keep them out?The answer, began with the couple who lived in the big house behind ours… James and Frances Hughes.You're listening to Unlocking The Gates, Episode 1.My name is Lee Hawkins. I'm a journalist and the author of the book I AM NOBODY'S SLAVE: How Uncovering My Family's History Set Me Free.I investigated 400 years of my Black family's history — how enslavement and Jim Crow apartheid in my father's home state of Alabama, the Great Migration to St. Paul, and our later move to the suburbs shaped us.My producer Kelly and I returned to my childhood neighborhood. When we pulled up to my old house—a colonial-style rambler—we met a middle-aged Black woman. She was visiting her mother who lived in the brick home once owned by our neighbors, Mr. and Mrs. Hutton.LEE HAWKINS: How you doing? It hasn't changed that much. People keep it up pretty well, huh?It feels good to be back because it's been more than 30 years since my parents sold this house and moved. Living here wasn't easy. We had to navigate both the opportunities this neighborhood offered and the ways it tried to make us feel we didn't fully belong.My family moved to Maplewood nearly 30 years after the first Black families arrived. And while we had the N-word and mild incidents for those first families, nearly every step forward was met with resistance. Yet they stayed and thrived. And because of them, so did we.LEE HAWKINS: You know, all up and down this street, there were Black families. Most of them — Mr. Riser, Mr. Davis, Mr. White—all of us can trace our property back to Mr. Hughes at the transaction that Mr. Hughes did.I was friends with all of their kids—or their grandkids. And, at the time, I didn't realize that we, were leading and living, in real-time, one of the biggest paradigm shifts in the American economy and culture. We are the post-civil rights generation—what I call The Integration Generation.Mark Haynes was like a big brother to me, a friend who was Five or six years older. When he was a teenager, he took some bass guitar lessons from my dad and even ended up later playing bass for Janet Jackson when she was produced by Minnesota's own Jimmy Jam and Terry Lewis.Since his family moved to Maplewood several years before mine, I called him to see what he remembered.MARK HAYNES: "It's a pretty tight-knit group of people,"Mark explained how the community came together and socialized, often –MARK HAYNES: "they—every week, I think—they would meet, actually. I was young—maybe five or six.LEE HAWKINS: And what do you remember about it? I asked. What kind of feeling did it give you?MARK HAYNES: It was like family, you know, all of them are like, uh, aunts and uncles to me, cousins. It just felt like they were having a lot of fun. I think there was an investment club too."Herman Lewis was another neighbor, some years older than Mark—an older teenager when I was a kid. But I remember him and his brother, Richard. We all played basketball, and during the off-season, we'd play with my dad and his friends at John Glenn, where I'd eventually attend middle school. Herman talked to me about what it meant to him.HERMAN LEWIS: We had friends of ours and our cousins would come all the way from Saint Paul just to play basketball on a Friday night. It was a way to keep kids off the street, and your dad was very instrumental trying to make sure kids stayed off the street. And on a Friday night, you get in there at five, six o'clock, and you play till 9, 10 o'clock, four hours of basketball. On any kid, all you're going to do is go home, eat whatever was left to eat. And if there's nothing left to eat, you pour yourself a bowl of cereal and you watch TV for about 15 to 25-30, minutes, and you're sleeping there, right in front of the TV, right?LEE HAWKINS: But that was a community within the community,HERMAN LEWIS: Definitely a community within the community. It's so surprising to go from one side of the city to the next, and then all of a sudden there's this abundance of black folks in a predominantly white area.Joe Richburg, another family friend, said he experienced our community within a community as well.LEE HAWKINS: You told me that when you were working for Pillsbury, you worked, you reported to Herman Cain, right? We're already working there, right? Herman Cain, who was once the Republican front runner for President of the United States. He was from who, who was from the south, but lived in Minnesota, right? Because he had been recruited here. I know he was at Pillsbury, and he was at godfathers pizza, mm hmm, before. And he actually sang for a time with the sounds of blackness, which a lot of people would realize, which is a famous group here, known all over the world. But what was interesting is you said that Herman Cain was your boss, yeah, when he came to Minnesota, he asked you a question, yeah. What was that question?Joe Richburg: Well, he asked me again, from the south, he asked me, Joe, where can I live? And I didn't really understand the significance of that question, but clearly he had a sense of belonging in that black people had to be in certain geographic, geographies in the south, and I didn't have that. I didn't realize that was where he was coming from.Before Maplewood, my family lived in St. Paul's Rondo neighborhood—a thriving Black community filled with Black-owned businesses and cultural icons like photojournalist Gordon Parks, playwright August Wilson, and journalist Carl T. Rowan.Like so many other Black communities across the country, Rondo was destroyed to make way for a highway. it was a forced removal.Out of that devastation came Black flight. Unlike white flight, which was driven by fear of integration, Black flight was about seeking better opportunities: better funded schools and neighborhoods, and a chance at higher property values.Everything I've learned about James and Frances Hughes comes from newspaper reports and interviews with members of their family.Mr. Hughes, a chemist and printer at Brown and Bigelow, and Frances, a librarian at Gillette Hospital, decided it was time to leave St. Paul. They doubled down on their intentions when they heard a prominent real estate broker associate Blacks with “the ghetto.” According to Frances Hughes, he told the group;FRANCES HUGHES (ACTOR): “You're living in the ghetto, and you will stay there.”She adds:FRANCES HUGHES (ACTOR): “I've been mad ever since. It was such a bigoted thing to say. We weren't about to stand for that—and in the end, we didn't.”The Hughes began searching for land but quickly realized just how difficult it could be. Most white residents in the Gladstone area, just outside St. Paul, had informal agreements not to sell to Black families. Still, James and Frances kept pushing.They found a white farmer, willing to sell them 10 acres of land for $8,000.And according to an interview with Frances, that purchase wasn't just a milestone for the Hughes family—it set the stage for something remarkable. In 1957, James Hughes began advertising the plots in the Twin Cities Black newspapers and gradually started selling lots from the land to other Black families. The Hughes's never refused to sell to whites—but according to an interview with Frances, economic justice was their goal.FRANCES HUGHES (ACTOR): “Housing for Blacks was extremely limited after the freeway went through and took so many homes. We wanted to sell to Blacks only because they had so few opportunities.”By the 1960s, the neighborhood had grown into a thriving Black suburban community. The residents here were deeply involved in civic life. They attended city council meetings, started Maplewood's first human rights commission, and formed a neighborhood club to support one another.And over time, the area became known for its beautiful homes and meticulously kept lawns, earning both admiration and ridicule—with some calling it “The Golden Ghetto.”Frances said:FRANCES HUGHES (ACTOR): “It was lovely. It was a showplace. Even people who resented our being there in the beginning came over to show off this beautiful area in Maplewood.”And as I pieced the story together, I realized it would be meaningful to connect with some of the elders who would remember those early daysANN-MARIE ROGERS: In the 50s, Mr. Hughes decided he was going to let go of the farming. And it coincided with the with 94 going through the RONDO community and displacing, right, you know, those people. So, at that time, I imagine Mr. Hughes had the surveyors come out and, you know, divided up into, you know, individual living blocks.That is Mrs. Ann-Marie Rogers, the mother of Uzziel and Thomas Rogers, who I spent a lot of time with as a kid. I shared what I'd uncovered in the archives, hoping she could help bring those early experiences to life.ANN-MARIE ROGERS: So, everyone played in our yard, the front yard, the yard light that was where they played softball, baseball, because the yard light was the home plate, and the backyard across the back was where they played football.Throughout this project, we found similar stories of strength, including one from Jeson Johnson, a childhood friend with another Minnesota musical connection. His aunt, Cynthia Johnson, was the lead singer of Lipps Inc., whose hit song “Funkytown” became a defining anthem of its time when many of us were just kids. We were proud of her, but I now know the bigger star was his grandmother.JESON JOHNSON: She was actually one of the first black chemists at 3M. So what she told me is that they had told her that, well, you have to have so much money down by tomorrow for you to get this house. It was really, really fast that she had to have the money. But my grandmother was she was really smart, and her father was really smart, so he had her have savings bonds. So what she told him was, if you have it in writing, then I'll do my best to come up with the money. I don't know if I'll be able to. She was able to show up that day with all her savings bonds and everything, and have the money to get it. And they were so mad, yes, that when she had got the house, they were so mad that, but they nothing that they could do legally because she had it on paper, right, right? And then that kind of started out in generation out there. It was the NAACP that kind of helped further that, just because she was chemist, they got her in the 3M, and all their programs started there.Decades later, as my friends and I played, I had no concept of any of the struggles, sacrifices and steps forward made by the pioneers who came before us. I checked in with my friend, Marcel Duke.LEE HAWKINS: did they tell you that mister Hughes was the guy that started, that started it?MARCEL DUKE: It probably never was conveyed that way, right to us kids, right? I'm sure back then, it was looked as an opportunity, yes, to get out of the city. Mm, hmm, and and where people that look like us live. And obviously that's the backstory of Mister Hughes, yeah, ultimately, we went out there because he made it known in the city, inner city, that we could move out there and be a community out there.Marcel is about four years older, I figured he may have clearer memories of Mr. Hughes than I do.MARCEL DUKE: I used to cut mister Hughes grass. I was like, like the little hustler in the neighborhood. I wanted to cut because I wanted money to go to spend on candy.Mr. Hughes' significance transcends the extra cash he put in the pockets of neighborhood kids. His granddaughter, Carolyn Hughes-Smith, told us more his multigenerational vision for Black American wealth building. But before he became a historical figure, he was just...grandpa.CAROLYN HUGHES-SMITH: the things that I really remember about him. He could whistle like I not whistle, but he could sing like a bird, you know, always just chirping. That's how we know he was around. He was more of a, like a farmer.He didn't talk much with his grandchildren about how he and Frances had unlocked the gates for Blacks. But she was aware of some of the difficulty he faced in completing that transaction that forever changed Maplewood.HUGHES-SMITH: I just heard that they did not, you know, want to sell to the blacks. And they, you know, it was not a place for the blacks to be living. And so, what I heard later, of course, was that my grandpa was able to find someone that actually sold the land to him out there and it, you know, and that's where it all started, reallyThat someone was a white man named Frank Taurek. He and his wife, Marie, owned the farm that Mr. Hughes and Frances had set their sights on. But the purchase was anything but straightforward. They had to make the deal through “night dealing.” Frances explains in a 1970s interview.FRANCES HUGHES (ACTOR): "It was just after the war. There was a tremendous shortage of housing, and a great deal of new development was going on to try to fix that. But, my dear, Negroes couldn't even buy a lot in these developments. They didn't need deed restrictions to turn us away. They just refused to sell."She describes the weekend visit she and her husband made to put in an offer on the land. By Monday morning, a St. Paul real estate company had stepped in, offering the Taurek's $1,000 more to keep Blacks out.FRANCES HUGHES (ACTOR): "But he was a man of his word, which gives you faith in human nature. The average white person has no idea of how precarious life in these United States is for anybody Black at any level. So often it was a matter of happenstance that we got any land here. The farmer could have very easily accepted the $1,000 and told us no, and there would have been nothing we could have done."What led Frank Taurek to defy norms and his neighbors, to sell the land to a Black family?DAVIDA TAUREK: I'm already moved to tears again, just hearing about it, [but and] hearing you talk about the impact of my, you know, my lineage there. It seems so powerful.This perspective comes from his great-granddaughter, Davida Taurek, a California-based psychotherapist. When I tracked her down, she was astonished to hear the long-buried story of how her white great grandparents sold their land to a Black family, unwittingly setting into motion a cascade of economic opportunities for generations to come.DAVIDA TAUREK: When I received your email, it was quite shocking and kind of like my reality did a little kind of sense of, wait, what? Like that somehow I, I could be in this weird way part of this amazing story of making a difference. You know, like you said, that there's generational wealth that's now passed down that just didn't really exist.I've seen plenty of data about what happens to property values in predominantly white neighborhoods when a Black family moves in. The perception of a negative impact has fueled housing discrimination in this country for decades, you may have heard the phrase: “There goes the neighborhood.” It's meant to be a sneer—a condemnation of how one Black family might “open the door” for others to follow. In this case, that's exactly what the Taurek's facilitated.As Carolyn Hughes- Smith sees it, the power of that ripple effect had a direct impact on her life, both as a youngster, but later as well.CAROLYN HUGHES-SMITH: We were just fortunate that my grandfather gave us that land. Otherwise, I don't, I don't know if we would have ever been able to move out thereHer parents faced some tough times –CAROLYN HUGHES-SMITH: making house payments, keeping food in the house, and that type. We were low income then, and my dad struggled, and eventually went back to school, became an electrician. And we, you know, were a little better off, but that happened after we moved out to Maplewood, but we were struggling.But they persevered and made it through –CAROLYN HUGHES-SMITH: after I grow got older and teen and that, I mean, I look back and say, Wow, my grandfather did all of this out hereOn the Taurek side of the transaction, the wow factor is even more striking. As I dug deeper into his story, it wasn't clear that he Frank Taurek was driven by any commitment to civil rights.Davida never met her great grandfather but explains what she knows about him.DAVIDA TAUREK: What I had heard about him was through my aunt that, that they were, you know, pretty sweet, but didn't speak English very well so there wasn't much communication but when they were younger being farmers his son my grandfather Richard ran away I think when he was like 14 years old. his dad was not very a good dad you know on a number of levels. There's a little bit of an interesting thing of like where Frank's dedication to his own integrity or what that kind of path was for him to stay true to this deal and make it happen versus what it meant to be a dad and be present and kind to his boy.Carolyn Hughes-Smith still reflects on the courage of her family—for the ripple effect it had on generational progress.CAROLYN HUGHES-SMITH: Would the struggle be the same? Probably not. But what makes me like I said, What makes me happy is our family was a big part of opening up places to live in the white community.LEE HAWKINS: Next time on Unlocking The GatesCAROLYN HUGHES-SMITH: The one thing that I really, really remember, and it stays in my head, is cross burning. It was a cross burning. And I don't remember exactly was it on my grandfather's property?OUTRO THEME MUSIC/CREDITS.You've been listening to Unlocking the Gates: How the North led Housing Discrimination in America. A special series by APM Studios AND Marketplace APM with research support from the Alicia Patterson Foundation and Mapping Prejudice.Hosted and created by me, Lee Hawkins. Produced by Marcel Malekebu and Senior Producer, Meredith Garretson-Morbey. Our Sound Engineer is Gary O'Keefe.Kelly Silvera is Executive Producer.

How do you remake a classic?  Well in the case of trying to bring back the LEGENDARY Private Detective John Shaft of the 1971 Gordon Parks cult hit starring Richard Roundtree, acclaimed director John Singleton (Boyz N The Hood, Poetic Justice) teamed with acclaimed writer Richard Writer (The Color of Money, Clockers) to....NOT remake it, they decided to "re-imagine" the character as a former NYPD cop trying to exact justice in late '90's New York City.  Oscar-nominee Samuel L. Jackson now plays the titular character with Roundtree returning to play his uncle.  This time around, Shaft is determined to bring justice for the racially-charged murder of an innocent young man at a NYC club.  The murderer is played by Oscar-winner Christian Bale (The Fighter), the witness whom Shaft has to find is played by Oscar-nominee Toni Colette (The Sixth Sense).....and beyond that, Shaft also has to combat corrupt local cops PLUS local drug kingpin Peoples Hernandez played by Oscar-nominee Jeffrey Wright (American Fiction).  Throw in some high-octane action, Busta Rhymes as Shaft's driver, AND....the iconic Oscar-winning theme song from Isaac Hayes and what do you get?  Besides several Oscar nominees, you happen to get a surprisingly enjoyable (and very timely) action thriller to kick off Black History Month.  Can you dig it? :)    Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

New Year, New season of Studio Noize! Your boy JBarber went to see Giants at the High Museum of Art and he has some thoughts. The exhibition featured art from the Dean Collection of Swizz Beats and Alicia Keys. There are so many conversations to be had coming out of the show. There's wealth and celebrity, there's propaganda, and there's phenomenal, awe inspiring art. We owe it to them and their efforts to give a good honest critique of the whole endeavor. The same way we examine a show like Afro Atlantic Histories we should examine the good and bad about Giants. A great way to blast into the new year! Listen, subscribe, and share!Episode 194 topics include:Giants at the High Museum of Art in Atlantacelebrity and wealth in articonographythe who's who of Black artKehinde Wiley's 30ft paintingBarkley Hendrickpropaganda in exhibitionsAbout Giants:Musicians, songwriters, and producers Swizz Beatz (Kasseem Dean) and Alicia Keys have stood as giants in the global cultural landscape for decades. As collectors, the Deans have lived their ethos of “artists supporting artists,” acquiring a world-class collection of paintings, photographs, and sculptures by diverse, multigenerational artists.The exhibition illuminates the renown and impact of legendary and canon-expanding artists. Preeminent “giants” such as Barkley L. Hendricks, Esther Mahlangu, and Gordon Parks push the boundaries of what can be seen on canvas and in photography while building a foundation for today's Black creatives. Contemporary artists like Hank Willis Thomas and Qualeasha Wood use materials like textiles, steel, and beads to celebrate Blackness and critique society, while mesmerizing compositions from Deana Lawson and Mickalene Thomas challenge and add nuance to perceptions of Blackness. Embodying the exhibition's “giant” ethos, the paintings by Amy Sherald and Titus Kaphar command attention through striking monumentality. Together, these works bring to the fore many facets of the term giants and reflect the spirit of the Deans, whose creative lives infuse the exhibition. See more: Giants exhibition at the High MuseumFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Today we're spotlighting art you can see in museums around our area. We finish with a show presented by The Gordon Parks Foundation that examines the photography of a friend of Gordon's: Ralph Ellison, author of Invisible Man. Programs director Michal Raz-Russo discusses Ellison's work and the special relationship between Ellison and Parks. Ralph Ellison: Photographer is on view at The Gordon Parks Foundation in Pleasantville through February 7.

In a countermelody to the media's persistent portrayal of Black bodies as working tirelessly, in constant motion, poet Roger Reeves centers images of Black men in postures of rest and repose. Evoking Muhammad Ali slumbering in a four-poster bed, John Coltrane washing dishes within the four walls of his house, DMX watering orchids, and Mike Tyson caring for his flock of pigeons, Roger reflects on the stillness and silence of their interior worlds as a protest against the control of capitalistic time.  Read the essay. Discover more stories from our latest print edition, Volume 5: Time. Photo by Gordon Parks. Learn more about your ad choices. Visit megaphone.fm/adchoices

Emily McElwreath, Host of the Art Career Podcast, in conversation with Marilyn Minter and Jasmin Wahi at the Neuburger Museum at Purchase College. Now, more than ever, our work as artists, activists, and advocates is critical in challenging oppressive structures and ensuring our voices are heard. Please join me @neubergermuseum next Thursday, November 14th, at 7pm. I will be speaking with two of the greatest, @marilynminter and @browngirlcurator About the Yaseen Lectures on the Fine Arts: This lecture series, which began in 1974, was endowed by the late Leonard C. Yaseen and his wife Helen, former residents of Larchmont, New York, who financed a similar series at the Metropolitan Museum of Art. Featured speakers have included Gordon Parks, Claes Oldenburg, Maya Angelou, Faith Ringgold, Chuck Close, John Shearer, Hank Willis Thomas, and Purchase College alumnus Fred Wilson. The legacy of the Yaseens's gift continues today through the support of Roger Yaseen and his family in honor of his parents. The Yaseen Lectures on the Fine Arts Fund is stewarded by The New York Community Trust.

Gordon Parks knew a picture was worth more than 1,000 words: photographs could be weapons to fight white supremacy. Some saw his career, as a self-taught turned famous photographer, as a way out of the segregated South. But he knew it a way in. _____________ 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. The production team for this podcast includes Cydney Smith, Len Webb, and Lilly Workneh. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. Julian Walker serves as executive producer." To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In 1998, the groundbreaking artist Gordon Parks brought 177 rappers and hip hop artists, some of them rivals, together for his photograph, “A Great Day in Hip Hop.” When it was included in an exhibit at the St. Louis Art Museum, Adrian Octavius Walker was chosen to continue Parks' story by photographing a gathering of 116 members of the St. Louis music scene. His photo, ”A Great Day in Saint Louis," highlights the way in which art can bring people together, something that Adrian loves about running.  That wasn't the only honor he received last year; he was also selected to be one of three Bank of America Chicago Distance Series Ambassadors. For complete show notes and links, visit our website at runningforreal.com/episode408. Thank you to Tracksmith, Runna, and Precision Fuel & Hydration for sponsoring this episode.    Tracksmith is an independent running brand inspired by a deep love of the sport. For years the brand has elevated running wear using best-in-class materials and timeless silhouettes that perform at the highest level and can be worn everyday, not just for running.  Tracksmith helps the environment by making comfortable, durable clothes that will last for years, rather than winding up in the landfill. They help athletes who are trying to make the Olympic trials, and they offer scholarships for creatives to work on their crafts.  If you're a new customer, go to http://tracksmith.com/tina and use the code TINANEW at checkout to get $15 off your order of $75 or more. Returning customers can use the code TINAGIVE, and Tracksmith will give you free shipping and donate 5% of your order to TrackGirlz.   Runna is on a mission to make running as easy, effective and enjoyable as possible by providing personalized running plans built by Olympic athletes and expert coaches. They have plans for runners of all abilities, from Couch to 5K to elite level, and offer strength, mobility, and Pilates plans to integrate with your running. They even have a community section on the app, where you can connect with like-minded runners. There's a reason why they're the #1 rated running app in the world - go to https://join.runna.com/lKmc/partnerrefer?deep_link_sub1=RUNNINGFORREAL and use code RUNNINGFORREAL to get two weeks free!   Precision Fuel & Hydration helps athletes crush their fueling and hydration so they can perform at their best. Tina used their electrolytes and fuel when she finished first female and third overall at the Bryce Canyon 50 Miler. You can go to https://visit.pfandh.com/tina-planner for their free Fuel & Hydration planner to understand how much carb, fluid, and sodium you need for your key runs.  If you have more questions, Precision offers free video consultations. Their Athlete Support crew will answer your race nutrition questions and act as a sounding board for your fueling strategy. No hard-sell, just an experienced and friendly human who knows the science and is full of practical advice on how to nail your race nutrition. You can book a call at https://visit.pfandh.com/tina-calls. Once you know what you need to run your best, you can go to https://www.precisionfuelandhydration.com/tina/ for 15% off their range of multi-strength electrolytes and fuel. Thanks for listening! If you haven't already, be sure to subscribe wherever you're listening to this podcast. And if you enjoy “Running for Real,” please leave us a review! Keep up with what's going on at Running for Real by signing up for our weekly newsletter on our website, https://runningforreal.com/. Follow Tina on Instagram, Facebook, and X . You'll find Running for Real on Instagram too! Want to be a member of the Running for Real community? Join #Running4Real Superstars on Facebook!  Subscribe to our YouTube channel (https://www.youtube.com/@TinaMuir) for additional content, including our “RED-S: Realize. Reflect. Recover” series of 50+ videos. Thank you for your support - we appreciate each and every one of you!