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Joseph Michael Lopez - JML, (b. 1973) is an independent photographer born in New York City to a Puerto Rican father and a mother who escaped the Cuban Revolution in 1967. He earned his MFA in 2011 at Columbia University. Lopez began his career as an analog cinematographer on the critically acclaimed Bruce Weber film, Chop Suey (2001). Currently, Joseph divides his time between long-form projects, teaching, and commercial work. His photographs have appeared on the covers of M, The Magazine for Leica M Photography, Leica Fotografie International, The Sunday Review of The New York Times, New York magazine and The New Yorker, among others.Joseph's photographs were on exhibit in “Cuban Photography after 1980: Selections from the Museum's Collection”, at The Museum of Fine Arts in Houston. In 2016, a commissioned series of his photographs of New York neighborhoods, “New York at Its Core: Future City Lab”, was installed at The Museum of the City of New York. Photographs from JML NYC, the series from which this commission originated, have also been published in the book Bystander: A History of Street Photography, by Colin Westerbeck and Joel Meyerowitz. JML's first book JML NYC 02-23 was published by GOST in the fall of 2024. In episode 250, Joseph discusses, among other things:Relocating to Rome from NYCHis intro to NYC via assisting Bruce WeberHis early career as a professional assistantShooting with his Leica as a ‘coping mechanism'The challenge of creating a cohesive narrative from 20 years of single imagesHis Dear New Yorker projectWhy B&W is where his heart is atHow what we see is who we areHis approach towards light and sunUsing digital vs. filmAssisting Mitch EpsteinHow his opinion on grad school has changedControversy surrounding Columbia University prof. Thomas RomaHis plans for working in Rome and going forward Referenced:Bruce WeberDanny Lyon, Knave of HeartsTodd PapageorgeChuck Kelton's darkroomMitch EpsteinThomas RomaMohammad Rasoulof Website | Instagram“Essentially, it's about saying something and having a voice and having a perception of the world that is, like singing a loud song you know, your pictures have to say something. And how do you separate yourself from all the noise that's out there already? You have to have an obsessive, empahtic way to perceive things. I think to a certain extent what we see is who we are in a way.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.
Bystander, a History of Street Photography by Colin Westerbeck & Joel Meyerowitz See my Street Photography at http://ColoradoFaces.com Comments? Send them to me at info@kennethwajdaphotographer.com and find me on IG at https://www.instagram.com/kennethwajda/ and on YouTube at HeresToGoodLight.com - We can post our photo assignment photos and connect on the Daily Photography Blog FB Group at https://www.facebook.com/groups/2151928021601330/ --- Send in a voice message: https://anchor.fm/kenneth-wajda/message Support this podcast: https://anchor.fm/kenneth-wajda/support
Colin Westerbeck is a writer, curator, and teacher of the history of photography. He is also the co-author along with Joel Meyerowitz of , which has recently been released in a new edition. We sat down with Colin to talk about how street photography has changed since the decades since the release of the first version of the book and how he and Joel approached this new edition. Resources: Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Click here to download for Support the work we do at The Candid Frame with contributing to our Patreon effort. You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .
Colin Westerbeck is a writer, curator, and teacher of the history of photography. He is also the co-author along with Joel Meyerowitz of Bystander: A History of Street Photography. This special two-part interview which delves into an in-depth conversation of street photography then and now. http://en.wikipedia.org/wiki/Colin_Westerbeck http://www.amazon.com/gp/product/0821227262?ie=UTF8&camp=1789&creativeASIN=0821227262&linkCode=xm2&tag=thecanfra-20 http://natandvir.com http://streetphotography2015.com http://ibarionex.net/thecandidframe/ info@thecandidframe.com
Colin Westerbeck is a writer, curator, and teacher of the history of photography. He is also the co-author along with Joel Meyerowitz of Bystander: A History of Street Photography. This special two-part interview which delves into an in-depth conversation of street photography then and now. Resources: http://en.wikipedia.org/wiki/Colin_Westerbeck http://www.amazon.com/gp/product/0821227262/ref=as_li_tl?ie=UTF8&camp=211189&creative=373489&creativeASIN=0821227262&link_code=as3&tag=thecanfra-20&linkId=XC3EZJEVDOWGMWCL http://photobizx.com/candid-frame-listeners/ http://ibarionex.net/thecandidframe/ info@thecandidframe.com
Colin Westerbeck, Director of the California Museum of Photography at UCR. Among his publications are Bystander: A History of Street Photography, co-authored with Joel Meyerowitz and Irving Penn, A Career in Photography.
Colin Westerbeck, director of the California Museum of Photography at the University of California, Riverside presents a lecture in which he discusses how the portraiture of Penn and Avedon, dialectically different as it is, right down to the lighting, is, nevertheless, a shared reflection of the times in which they were working. Presented as a part of the symposium "Yousuf Karsh and the Art of Photographic Portraiture." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.