Podcasts about build yourself

https://youtu.be/xkCGHOYkdC0 Grant McKinstrie, CEO of Digital Position, is passionate about helping eCommerce brands grow by combining customer insights, data-driven marketing, and emerging technology. With more than two decades of experience in digital marketing, Grant has built a team that helps brands increase revenue through SEO, paid media, conversion optimization, and customer-focused growth strategies. We explore Grant’s DP Growth System: Ask AI where consumers congregate, Immerse yourself in their communities, Create content they crave, Engage them on Reddit and Quora, Have influencers create videos, and Turn craved content into ads. Grant explains why understanding customer conversations is more valuable than relying on assumptions, how online communities reveal unmet needs and buying signals, and how businesses can transform those insights into content, influencer partnerships, and advertising campaigns that drive measurable growth. He also shares how AI is changing marketing, the challenges of scaling an agency, and why innovation remains one of the most important drivers of long-term business success. — Build Yourself a Growth System with Grant McKinstrie  Good day. Steve Preda here with the Management Blueprint Podcast, and today my guest is Grant McKinstrie, the CEO of Digital Position, a full-stack agency that builds a growth system for e-commerce brands. Grant, welcome to the show.  Thank you so much for having me. Good to be here.  Well, it’s great to have you here. And I’d like to start by asking you: What is your personal ‘Why’, and what are you doing to manifest it at Digital Position?  Well, specifically when we think about the eCommerce space, there’s so much crap being sold out there. And also, in terms of what AI has done to the industry, it has allowed a lot of people to start a lot of different businesses, sell a lot of stuff, do a lot of dropshipping, and all these different things. It’s about trying to find the gems. It’s about finding the good people to work with and the businesses that are worth growing at the end of the day. There’s so much good stuff out there that gets pushed down because either they haven’t worked with a good agency or they just don’t know how to market themselves well enough.  And I think the drive behind trying to find those people who are genuinely nice to work with and brands that are absolutely worth promoting and bringing out into the world is awesome and very rewarding. Being able to do that is incredibly fulfilling. That’s not to say that we’re perfect in every way, shape, or form. And it’s not like every single business we work with is perfect either. We do what we can. But all in all, I want to be able to help market products, people, and businesses that are absolutely worth getting out into the world and getting more people to know about.  Yeah. That’s so interesting that you say that because I had a client in this space where you are, and they were a little conflicted because some of the brands they represented, they were not really proud of. And I think it really impacted their culture in turn. They felt that they were not operating with integrity with all of their clients, and that created internal friction. And it kind of held them back to some degree. So that’s fascinating that you talk about this. And I also noted on your website that your average client tenure is over four years, which I think bears testament to this. Yeah. In a large majority of cases, I mean, we’ve had certain clients for six years and, in some cases, even eight years. So when you have tenures like that, they certainly last a long time. And sometimes it just doesn’t work, and we’re also very willing to openly admit that. I don’t want anyone to think, “Oh, if we sign up with you, it’s four years, and then we’re just constantly paying you for, I don’t know, whatever reason it might be.” But genuinely, we’re here to see how we can legitimately grow the business and actually bring you profit dollars that you weren’t seeing otherwise.  Because so many businesses that we come across are just not able to allocate their marketing spend efficiently. And they’re just… I don’t know. Not to get too much into the nitty-gritty of things, but in a general sense, 95% of the businesses we talk to are essentially burning money. And in most cases, they’re being worked through an agency churn-and-burn system. And it hurts to see. Literally, I had a pitch two hours ago before this call where every single platform they were on was just burning money. They were trying to remarket to people who already knew about the brand and spending money on people who already knew about them and were already going to purchase from them.  And the agency was trying to tell them, “Hey, all of our metrics are great.” But the business is suffering because of it. It happens all the time. It generally results in tough conversations for us because agencies have such a bad reputation. And we’re always trying to pick up the pieces and revitalize that relationship. Which has its highs and lows in many ways. But we’re out here doing the best we can. Okay, so that’s a great segue because this podcast is all about frameworks—how to do something that maybe other entrepreneurs are trying to do, don’t know how to do, but you figured out. So do you have some kind of framework? Maybe it’s about getting an eCommerce company up and running on advertising and advertising profitably. Maybe it’s some other area in your business that is easy to explain in three to five steps. Does anything come to mind?  The biggest thing that we have realized lately is what we have deemed community engagement. One, because of AI, you can scrape information so easily across the internet, and you can get fed so much crap that AI is just going to automatically generate for you. But what really matters at the end of the day is: who is your audience, where the heck do they hang out, and what are they talking about?  So we are constantly looking to inject ourselves into Reddit threads, Facebook threads, YouTube comments, Quora—wherever those people possibly are. Get into the subreddits. Get into those Facebook communities. Get into the comments of influencers or whoever is relevant within that space, and talk to them. See what they’re talking about within those threads. Engage with them. Have a conversation so that you can understand what actually makes this person tick. What do they truly care about? What do they call things? What are they talking about on a daily basis?  So that when you start creating content that resonates with those people, you know exactly how to connect with them. Because, as I mentioned earlier, so many people are creating commoditized products and content because of AI, because it’s making it that much easier to do. Nobody is truly trying to connect with the consumer at the end of the day. And therefore, you’re going to have so many people who become numb to anything being thrown in their face unless they actually feel like they’re being spoken to.  So the biggest thing is to get to know the person on the other side of the screen. Go to where they hang out. Go to where they’re engaging. And listen to them. I think a lot of people forget that and want to go straight into data, metrics, spreadsheets, and all this stuff. When there is a human-to-human interaction happening within marketing every single day. And that is what you need to continue to focus on. Okay, so maybe that’s the beginning of the framework. So get to know the person—or the customer—or both.  Yeah. And it sounds really simple. It’s funny, when you put it that way, it’s just: listen to the person you’re trying to sell to. But it’s incredible how infrequently that actually happens. Because a lot of people will talk about, “My product is the best. My product is so good because it does this cool little thing that nobody else does.” But who really cares unless it’s actually solving a problem that somebody has? And unless they’re able to understand exactly how it’s going to make them feel in that moment when that problem is solved or how it connects to their core persona or whatever it might be. It’s a very simple framework. But it is the most important thing that a lot of people tend to neglect.  No, I love it. I love it. So what does the actual framework look like? I understand you go to Reddit, you go to Quora, and you listen. But what is the process? How do you even know which part of Reddit you should go to, what you should listen to, and who the customers are? Give me the rundown. What do you do when a new customer walks through the door and you want to figure out how to make them successful?  Yeah, of course. So I think Reddit is just the easiest example. I think it’s what a lot of people are familiar with, but it also provides value because it’s related to all the LLMs and what they like to cite as sources as well. Funny enough, one of the best ways to start is if you have a brand, a service, or something that you’re looking to build. Feed that into AI—Claude, ChatGPT, whatever works for you—and have it help you understand: “Hey, what subreddits should I be participating in?” If I want to sell vegetable seeds, for example—and that’s an example from a client we’ve worked with—or if I want to get more into gardening, where should I go?  It will point you to gardening, DIY gardening, seasonal gardening, and all these different places that have communities of people who are very specific when it comes to anything you want to know about gardening. Then you jump in there and see people talking about: “When should I start planting my tomatoes?” Or: “When should I do any transplanting?” Or: “How do I need to handle my watering schedule?” And then you have layers and layers of threads, topics, and information that you can gather from. People are giving it to you for free and telling you exactly how they handle those things.  And that turns into content. That turns into ways for you to engage with those people. It turns into ads because if you’re able to understand what their pain point is, then you can make an ad out of that. At the same time, you can pull a lot of that information using AI. But the biggest impact still comes from truly engaging with those people. So you said that when you figure out what those communities are talking about in their Quora or Reddit communities, then you can engage with them. You can create content, you can create ads, and you can engage. And I’m just wondering, are there other forms of engaging with customers other than through content and ads? Good question. So yeah, that’s the main part. You can directly comment within those Reddit threads, or you can start creating your own content within those Reddit communities. If you start to see a trend of multiple people asking, “How do I start planting my tomato seeds?” Or, “Where do I even start with this?” Then you can create an entire guide on your website. Build a blog post around it. Or you can get together with an influencer who’s able to make a video around it and show the entire process through a visual element as well. So you’re not just doing written content, but video too. And then you can even run ads around that.  Because one of the biggest things, for example, with this brand that I’m kind of alluding to, is that every single ad and every single piece of content they were putting out beforehand was very disconnected from the true gardener at the end of the day, or the true DIY gardener. Because everything they showed was a picture of this beautiful, perfect pepper or tomato that nobody ever experiences unless you’re operating a commercialized system with all of the technology they have access to. But somebody in their backyard is not going to have a perfectly round tomato or a perfectly formed pepper. And therefore, no one knows how to get there. So you have to show them the step-by-step process.  What soil do you need to buy? What seeds should you buy? And then you become part of that system because: “Oh, I need to buy seeds. Okay, I’m going to go to this company and buy seeds from them.” And they also helped me throughout this entire process by becoming the subject matter expert on what to do with tomato seeds. It becomes this kind of system that you naturally inject yourself into as you create content that connects with that person. Because the biggest thing was recognizing that all of the content they were putting out beforehand made people think: “Well, my food is never going to look like that if I plant it in my backyard.” Yeah. “But how can I get there so that I feel a lot less stressed about even starting?” And you’re providing this entire guide for me to follow so that I can become a better DIY gardener.  Yeah. I love it. It’s a great approach to basically figure out where to go, talk to the people, and then communicate with them and create helpful guides for them. And the influencer video—that’s also very clever. So that’s how you help drive growth for your clients. But how do you drive growth in your own business?  Yeah, good question. Funny enough, man, it is so much harder to do it for yourself when you are so focused on other people. Reflecting inward is always tough. But what we have recognized lately is that you have to have a good freaking offer. Because so many agencies in this space say the same stuff. I sat on Instagram for two hours one day and rifled through every single ad from marketing agencies in the space.  And everybody says the same thing: “You’re doing your ads wrong.” Or: “You have no idea what’s happening with your attribution.” Or: “Google Ads is making you lose money.” Or: “Meta Ads sucks.” And all these different things. And everyone is saying: “You should let us do a free audit for you.” Or: “Come talk to us and we’ll help show you what’s wrong.” It’s like, okay, there’s a pretty big gap there. I have to spend all this time talking to you just to figure out whether you’re a legitimate business and whether you’re actually going to solve my problem. And you’re not really offering anything other than: “Hey, let’s sit down and talk about it.” When everybody else is doing the exact same thing. So the offer across the industry is generally weak.  There are a few agencies that have well-built offers. What we personally figured out through A/B testing is that we don’t even try to lead with the marketing conversation. Because in some cases, businesses find it difficult to admit: “Hey, our marketing sucks.” Or: “Marketing is our problem.” But a lot of people can identify whether their website sucks. They can look at it and say it’s old or that it’s not converting well. It’s generally easier for people to make that connection than the marketing connection.  So we’ve built an offer around A/B testing. For just about any eCommerce business doing over $1 million in annual revenue, we’d love to do a free A/B test for them. We will build a landing page of their choosing. It could be their homepage. It could be a product page. It could be whatever. We will create a mock-up ourselves and come to the call with it. We’ll show them our version alongside theirs. They can decide whether it seems better or not. And if they want to move forward, we’ll implement it on their site for free. Then we’ll run an A/B test until we reach statistical significance and can determine whether our page or their page performs better.  Either way, there’s no cost to them. We just want to show that we’re capable of providing value. We want to demonstrate that we can create something better than what they currently have. If it works out, awesome. Let’s continue the conversation. If not, no harm, no foul. We weren’t able to improve it for them, and it doesn’t make sense to continue the conversation.  Yeah. That is impressive. So you’re actually building a competing site, and you show them that you could do a better job than they are, essentially. Yeah, exactly. Yeah. And it’s… I don’t know. There’s somebody that I interact with who always says, “There are no sacred cows. There’s no ego in all of this.” It’s just, “We genuinely want to show that we can provide value in any way, shape, or form here.” It has garnered a lot of interest because it’s low friction. It’s, “Hey, at the very least, when we come to the call, we are going to show you something, and hopefully you like it.” And 100% of the time we’ve done this, everybody has loved it.  So it’s been a great source of driving more leads, more conversations, and more at-bats for the business. Simply by having an offer that people want to see value from, as opposed to: “Hey, we’re going to do an audit. There’s going to be a long turnaround time. Then we have to figure out the next steps. Then there’s going to be this big price tag,” or whatever it is. Whereas we’re just going to do something for you for free. If it works, great. If not, you didn’t lose any sleep over it.  Yeah. Love it. That’s pretty cool. And I think what’s really cool about it is that you do it without disrupting their existing business. Exactly. So they don’t feel like, “Okay, maybe it’s at no cost to me. Maybe it’s a marketing thing.” But at the same time, if you’re interfering with my customers, that’s actually a negative. Because it can create damage. That’s my reservation about people who offer to drive business for me. Yeah. But then they want to use my LinkedIn profile, and they can spoil my reputation online. And I’m never going to allow it. Because it interferes with my business. So I love that you found a way around that. That’s pretty cool.  Absolutely. Yeah, and we’re hoping that it just continues to grow. Fortunately, AI has allowed us to move a lot faster with this because I think that historically would have been a major holdup. Mocking up a page is not a very easy task. But because we’re able to understand the business and generate something relatively quickly through our experience and understanding of how a page should be structured, it works out really well. Yeah. Love it. So switching gears here, let me ask you this: What is something that you’re actively trying to figure out in your business?  Ooh, boy. Scale. I think the ability to scale something like this is where I’m trying to figure out what is going to break next. Historically, we’ve struggled to figure out things like: “Oh, we need a really good offer to drive cold outbound leads.” We have historically been a referral-only business. And while that’s worked, it certainly isn’t as sustainable long term as building a proper, predictable cold outbound system.  Now that we have something that is starting to work, and we’re seeing more leads come in, the question becomes: How do we scale this without the business breaking if we suddenly see a significant increase in leads? Because realistically, in the past, it’s been rare that we’ve had so many leads in the pipeline that we didn’t know how to handle them. But we’ve also recognized that the type of service we provide is elevated. We consider ourselves a boutique service. We know we’re not the cheapest in the market. But what we do know is that we can absolutely drive additional profit dollars to your business. Because we’re looking at the full marketing picture.  We’re not just focusing on PPC. We’re not just focusing on SEO. We’re not just focusing on organic social. We’re looking at how all of those things work together. And then we’re looking at the business as a whole and trying to drive an actual P&L impact. Not just say: “Oh, ROAS in Google Ads is good, so everything must be great.” No. That’s not always the case. As I mentioned earlier, that can happen while you’re still burning money because you’re simply retargeting people who already know about your business.  So the goal is understanding that we provide an elevated service and finding the right talent to help deliver it. So that as we continue to scale, we’re able to maintain the level of service that we know we’re capable of providing. And making sure that the people leading those client conversations are able to deliver on that promise every single time as well. Hopefully that answers the question, for the most part.  So if you have the deals coming through, the cold outreach is working, and your offer is working, is it just a question of finding the talent, or are there other things that could break?  Yeah. I think it’s hiring and talent for sure. And then the other piece is continuing to maintain the operational speed behind it as well. Because expectations in the industry are changing dramatically. We went from bi-monthly reporting to weekly reporting, and now people want to know how things are moving every single day. AI has sped things up to the point where people’s expectations are changing at a rate that we need to keep up with. And that is certainly one of the more difficult things to navigate.  Especially when there are 30 to 1,000 new AI tools coming out every single day. Then you need to figure out: “What’s the best one that I’m going to be able to utilize long term, instead of just dumping it and moving to a new one next week?” So yeah, the operational piece has been very interesting over the past couple of years. It went from everybody using ChatGPT, to all of these different AI transcription tools. We moved into Notion. Now we’re using Vector, which is popping off right now. Claude has obviously made a lot of strides as well. And it’s about figuring out how we continue to pivot across all of these different tools. And I’m barely scratching the surface with those examples.  We also have to make sure that the entire team is able to adapt to these changes over time. Because for so long, you could stick with a single tech stack and a handful of tools for years, and not much would change. But now, because of AI, things are adapting, changing, and improving incredibly quickly. And the expectations of the client are moving just as fast. So you need to be able to keep up with that. I’ve always wondered about this thing that Steve Jobs said: The two primary functions of a business are marketing and innovation. And you are doing one of the two primary parts of the business. You could even argue that marketing is innovation as well. So the two things converge. How is it possible for an agency to innovate for multiple clients on a continual basis?  Yeah. That just comes down to trusting the team and having the right people in the right place. And that’s why I think hiring is one of the biggest things that we need to focus on. Because AI has raised the floor for so many people. But it has also really shined a light on the people who are able to work alongside it efficiently, speed up their processes, and use their experience to make decisions really fast. It is more powerful than ever to have a creative mindset and the experience of seeing how things impact multiple different clients. And to understand how you can shift strategy at any point in time. It also requires having that childlike curiosity mindset.  Being willing not to accept everything as fact. Being willing to pivot at any point in time. It’s truly about making sure that the people around you are willing to adapt and accept that they are not going to be right all the time. But they’re willing to keep trying, keep learning, and keep figuring out what the next step is. And not fall into complacency. Because if you do, AI has probably already rocked your world at this point. So the biggest thing is having people around you, a support system, procedures, and training that allow that to happen naturally. And trusting that they will be able to follow that and see the vision—or at least try.  That’s fascinating. If there’s a company trying to figure out what to do, how to make sense of all these different platforms, SEO moving to GEO, AI, Reddit, Quora, rising advertising costs, TikTok, and all these other platforms coming online—and their head is spinning—what do you recommend they do? How do they select an agency? Of course, they should go to you. But how should they select an agency? What criteria should they use to select someone, whether that’s you or somebody else?  Yeah. I mean, really, it just comes down to being growth-minded. And maybe I’m not fully understanding the question, but if you have any passion or drive to grow what you’re doing, you need to surround yourself with people who are constantly looking to push the envelope. Whether that be an agency or an in-house team. And in some cases, it might not make sense for you to have an agency. That really depends on your brand guidelines and how closely you hold them to your chest. Because sometimes bringing in an outside agency can be very difficult.  It takes time to get them up to speed. If you’re looking to develop your own internal style of content because you have a lot of protection around the brand, then building that internally is going to make a heck of a lot more sense. Because they’re constantly going to be able to talk in your language. As opposed to an agency that wants to be an arm of your business, but at the end of the day, it’s difficult for that to always be the case. We try to live and breathe that as much as we can, but we also understand there are limitations. So I would say if you are a brand with extremely tight brand guidelines, then you need to train internally and make sure that is built into the culture and into the marketing team.  Otherwise, everything you put out from that point forward is going to be disjointed from what the brand actually means or is trying to stand for. Therefore, you need to have that in-house and you need more control over it. Otherwise, if you understand that other people have great ideas, and you want to leverage that, and you appreciate that they’re looking at hundreds, if not thousands, of brands and seeing how they succeed in the market, then an agency can be a beautiful way to go. And it’s generally more cost-effective in most cases. You’re going to have an agency with maybe three to five people—sometimes even more—overseeing your account.  And in many cases, that’s for the same cost as a single internal employee. So being able to leverage the minds of five different people with five different viewpoints of the world, and five different pairs of eyes looking at your website, versus just one… In my opinion, you’re going to win every time. Assuming you have the right team behind you. Yeah. That makes a lot of sense. So essentially, you’re outsourcing your marketing function to an expert team. This is all they do. And they’re held to a high standard because they work with a lot of companies in a fast-moving environment. It’s similar to having an internal attorney versus using a law firm with high-flying attorneys who operate at the cutting edge. You can never really replicate that cutting-edge environment, which helps nurture those people on the other side. Yeah. Love it. So if you’re listening to this and you want to take your marketing to the next level, and you want an expert team at your service to figure out how to grow your brand across multiple channels—content, advertising, customer engagement, and all that stuff—then reach out to Grant. But where can they find you, Grant?  You can reach out to us through digitalposition.com. Feel free to connect with me on LinkedIn. I’m happy to chat with anybody. I’m more than happy to share anything I’ve learned along the way, whether you’re another agency, a brand, or whatever it might be. I firmly hold the belief that there is a massive sea of people out there to reach. And I’m happy to share any learnings that I’ve had. Because, boy, there’s so much to digest in this world, and I’m happy to share whatever I know. But yeah, digitalposition.com for anyone who would possibly want to work with us or chat. Otherwise, I’m on LinkedIn and happy to connect there as well.  Well, Grant McKinstrie, CEO of Digital Position, a full-stack agency that builds growth systems for eCommerce brands. Thanks for coming and sharing your experience and your view of the world. And if you enjoyed listening, make sure you follow us on YouTube and Apple Podcasts because every week I come with an exciting entrepreneur who is sharing the best of what they know. So thanks for coming, Grant, and thanks for listening.  Thank you so much for having me. Important Links: Grant’s LinkedIn Grant’s website

Have you ever wondered how to advance your career while staying true to your authentic self? In this insightful episode of The Quiet And Strong Podcast, host David Hall welcomes career and leadership coach Maya Sharfi to explore how professionals – especially introverts and women in leadership – can step confidently into senior roles, negotiate life-changing raises, and build sustainable, fulfilling careers.Listeners will learn how to identify and leverage their unique strengths, overcome internal and external barriers to advancement, and navigate the promotion process with clarity and purpose. Maya Sharfi shares practical strategies for tackling networking in a way that fits your personality, embracing your own leadership style, and moving beyond self-doubt to achieve meaningful results.Tune in to discover how you can advance in your career, develop your leadership skills, and truly enjoy the process—no matter where you start. Embrace who you are, learn from real-world examples and thoughtful advice, and be strong.Episode Link: QuietandStrong.com/279Maya Sharfi helps high-achieving women—many of them introverts—step into senior leadership roles, negotiate life-changing raises, and build careers that are both successful and sustainable. While she identifies as an extrovert, she has spent years partnering closely with introverted leaders, helping them leverage their strengths to advance, increase their visibility, and navigate promotions with confidence. She is the founder of Build Yourself, where she has coached clients to land executive promotions, secure $40K–$100K salary increases, and lead powerfully—without overworking or changing who they are.Connect with Maya: Website | LinkedInSend us Fan MailSupport the show- - -Contact the Host of the Quiet and Strong Podcast:David HallAuthor, Speaker, Educator, Podcasterquietandstrong.comGobio.link/quietandstrongdavid [at] quietandstrong.comNOTE: This post may contain affiliate links. I may earn a commission if you make a purchase, at no extra cost to you.Take the FREE Personality Assessment: Typefinder Personality AssessmentFollow David on your favorite social platform:Twitter | Facebook | Instagram | LinkedIn | Youtube Get David's book:Minding Your Time: Time Management, Productivity, and Success, Especially for IntrovertsGet Quiet & Strong Merchandise

Joining Simon around the After Dinner Leadership table is founder of Build Yourself, Maya Sharfi, who shares practical insights to help professionals take their next step without burning out. They also explore how to leverage AI in career advancement.What's Between You and Your Next Level Role Quizhttps://buildyourselfworkshop.com/ADLMaya Sharfi - LinkedinSend us Fan MailConnect with us on LinkedIn Follow us on Instagram Subscribe on YouTube  If you would like to feature on the Podcast, please get in touch! mailto: info@withleadership.co.uk Thank you for listening!   

Rachel Elizabeth Seed is a Brooklyn and Los Angeles-based nonfiction storyteller working in film, photography, and writing.In 2025, she won the Truer Than Fiction Spirit Award for her debut feature film, A Photographic Memory, which is also a New York Times Critics Pick.Rachel's work has received support from the Sundance Institute, Chicken + Egg Films, the Jewish Film Institute, the California Film Institute, Jewish Story Partners, NYFA, Field of Vision, the Jerome Foundation, NYSCA, the Maine Media Workshops, the Roy W. Dean grant, the National Arts Club, IFP, and many others. Formerly a photo editor at New York Magazine, her photography has been exhibited worldwide, including at the International Center of Photography, and she was a cameraperson on several award-winning feature documentaries. Rachel's writing has been published by No Film School, the Sundance Institute, and Talkhouse and she is Executive Director / Co-founder of the Brooklyn Documentary Club, a NYC-based filmmaker collective with 250+ members.In episode 271, Rachel discusses, among other things:A summary of her mum's characternature vs. nurtureHer mum's Images of Man interviews for ICP/ScholasticWhat inspired her to make a filmHow her own story became interwined with her mum'sDiscovering a family archive of super 8 footageHow she recreated the interviews using actorsThe importance of working with good editorsThe challenge of funding and financingKey advice for anyone wanting to make a personal documentaryThe fine balance between collaboration and having the courage of your convitions as directorWriting for narration as opposed to for readingSharing her personal stories as the film evolved over a ten year period - How to balance life and art‘Selling the film' and what that means in practiceThe Brooklyn Documentary ClubMoving to L.A.Projects she has in developmentWebsite | Instagram Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Featuring:Yasuhiro OgawaMarshall ToLua RibeiraGianluca Gamberini (L'artiere books)Eleonora AgostiniPia-Paulina GuilmothAletheia CaseyBooks/Projects mentioned:Lost in Kyoto, Yasuhiro OgawaBlank Notes, Marshall To44 Irvine Street 1970-1971, Susan MeiselasAgony In The Garden, Lua RibeiraCalling The Bird Home, Cheryl St. OngeAnother England, Phil ToledanoA Study On Waitressing, Eleonora AgostiniFlowers Drink The River, Pia Paulina GuilmothFishworm, Pia Paulina Guilmoth & Jesse B. SaffireA Lost Place, Aletheia Casey Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Ed Kashi is a renowned photojournalist, filmmaker, speaker and educator who has been making images and telling stories for 40 years. His restless creativity has continually placed him at the forefront of new approaches to visual storytelling. Dedicated to documenting the social and political issues that define our times, a sensitive eye and an intimate and compassionate relationship to his subjects are signatures of his intense and unsparing work. As a member of VII Photo, Ed has been recognized for his complex imagery and its compelling rendering of the human condition. Ed's innovative approach to photography and filmmaking has produced a number of influential short films and earned recognition by the POYi Awards as 2015's Multimedia Photographer of the Year. Ed's embrace of technology has led to creative social media projects for clients including National Geographic, The New Yorker, and MSNBC. From implementing a unique approach to photography and filmmaking in his 2006 Iraqi Kurdistan Flipbook, to paradigm shifting coverage of Hurricane Sandy for TIME in 2012, Ed continues to create compelling imagery and engage with the world in new ways.Along with numerous awards from World Press Photo, POYi, CommArts and American Photography, Ed's images have been published and exhibited worldwide. His editorial assignments and personal projects have generated fourteen books.In 2002, Ed in partnership with his wife, writer + filmmaker Julie Winokur, founded Talking Eyes Media. The non-profit company has produced numerous award-winning short films, exhibits, books, and multimedia pieces that explore significant social issues.In 2019, The Enigma Room, an immersive installation, premiered at NYC's Photoville festival, and has since been seen in Israel, the Netherlands, South Korea, and New Mexico, USA.HIs new book is, A Period In Time: Looking Back While Moving Forward, 1977 - 2022. In episode 269, Ed discusses, among other things:Wanting to contribute to positive changeDonating his archive and whyA lesson learned on being assertiveHis new book A Period In TimePublishing extracts from his journal entriesEditing language in response to modern sensibilitiesSeeing the impact of identity politics in the USAHis book project with his wife, Julie, American SketchesAmerica being less divided than we are being led to believeHis interest in ‘advocacy journalism'Website | Instagram Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Paul Sng is a bi-racial British Chinese filmmaker based in Edinburgh, Scotland whose work focuses on people who challenge the status quo. He has directed six feature documentaries, including Poly Styrene: I Am A Cliche (winner of BIFA 2021 Best Documentary, BIFA 2021 Raindance Discovery Award), Tish (Sheffield DocFest 2023 Opening Gala film) and Reality Is Not Enough (Edinburgh International Film Festival 2025 Closing Gala film). Paul strives to make bold and creatively ambitious films that connect emotionally with audiences, working collaboratively with great teams to tell stories about outsiders and amplify rebellious voices. In 2022 he was named as a BAFTA Breakthrough Artist and directed Folding, his first short drama film, funded by Screen Scotland and BFI Network.In episode 268, Paul discusses, among other things:Growing up in London with a single mumHaving outsider syndrome… and imposter syndrome, and using that to your advantageHis educational history, including a couple of false startsMaking a feature as his first ever film with the ‘confidence of ignorance'The importance of finding a good Producer (and what their job involves)The important questions he asks himself in considering whether to make a filmStructure and working with an editorApplying the same narrative principles to documentary as are prevalent in fictionThe creative treatment of actualityFinding an audienceCurrently in production, Little WarriorReferenced:TrainspottingSymposium, PlatoBruce LeeJackie ChanDavid YipJohn WooWong Kar-WaiColin McArthurSleaford ModsNathan HannawinBruce RobinsonOrson WellesRebecca Mark-LawsonJennifer CorcoranMoonage DaydreamThe Atrocity Exhibition, JG BallardThe Man In The White SuitEmma ButtWebsite | IMDB page | InstagramEpisode sponsor:Aftershoot. Your complete AI workflow: Streamline photo culling, editing, and retouching so you can create stunning images, grow your business, and save 18+ hours every month. Try it completely free for a 30 day trial and get a 15% discount at checkout once you sign up with the code SMALLVOICEPOD. Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Fearturing:Merlin DalemanDavid O'MaraJem SouthamMartin ParrChristoph Bangert from PhotobusAyesha JonesMark PowerTom Shaw Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Mike Brodie's first monograph, A Period of Juvenile Prosperity was published by Twin Palms more than a decade ago in 2013, depicting his fellow rail-riders and drifters in a rebellious and wildfire pursuit of adventure and freedom. “Brodie leapt into the life of picture-making as if he was the first to do it,” Danny Lyon wrote about the book in Aperture. Next came Tones of Dirt and Bone, a collection of earlier SX-70 pictures Brodie made when photography first led him to hopping freights, when he was known as “The Polaroid Kidd.” And then Brodie seemed to disappear from the art world as suddenly and mysteriously as he'd first appeared. Maybe his vanishing was another myth. Maybe it was just a necessary retreat. “I was divorcing myself from all that,” he says. “I was growing up. I was pursuing this other life.”In Nashville he became a diesel mechanic. Fell in love. Moved across the country again. Got married. Bought land on the long dusty Winnemucca road Johnny Cash sang about. Started his own business. Built a house. Put down roots. And when that life exploded, the open road called again. Throughout almost all of it, his cameras were with him, and at last those pictures are coming to light.If Michael Brodie's first monograph was a cinematic dream, his latest, Failing, again published by Twin Palms in 2024, is the awakening and the reckoning, a raw, wounded, and searingly honest photographic diary of a decade marked by love and heartbreak, loss and grief — biblical in its scope, and in its search for truth and meaning. Here is the flip side of the American dream, seen from within; here is bearing close witness to the brutal chaos of addiction and death; here are front-seat encounters with hitchhikers and kindred wanderers on society's edges, sustained by the ragtag community of the road. Failing often exists in darkness but is tuned to grace. Brodie's eye stays forever open to the strange and fleeting beauty that exists in forgotten places — the open country and the lost horizons that sweep past dust-spattered windows in a spectral blur.Mike worked on and features in a recently released hour long documentary eponymously entitled Slack, the nickname of his one time girlfriend, Mia Justice Smith, who sadly died of a drug overdose, and to whom the film is dedicated. The film, which is directed by Mike's friend and collaborator Cyrill Lachauer., revisits the freighthopping years and delves into Mike's creative collaboration with Mia.In episode 266, Mike discusses, among other things:The documentary he helped to make about his freighthopping years - SlackHow train hopping and photography went hand in handRomanticism vs. miseryTrain hopping as a performanceLosing his girlfriend, Mia Justice Smith, to a drug overdoseHis attempt at a ‘normal' life and how that impacts his creativityThe success of A Period of Juvenile Prosperity and its downsideHow the title came aboutThe darkness of the pictures in latest book, FailingTussling with the question of exploitation and ethical responsibilityAmbitions to make a feature film one dayThe ongoing push/pull of art v. home lifeThe desire to photograph machines and ways of life and ways of working that are passing awayNext steps in the USA - projects vs. photographing lifeWebsite | Instagram Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Merlin Daleman (b.1977) is a British photographer who has spent most of his adult life living in the Netherlands. He attended South Devon College, Torquay, the University of Central England (now Birmingham City University) in the UK, and graduated from The Royal College of Art in The Hague, the Netherlands. He works as a freelance documentary photographer for leading Dutch publications, including NRC Handelsblad, Dagblad Trouw, Financieel Dagblad, and De Groene Amsterdammer. He is the recipient of awards including the Silver Camera awards for Documentary Photography in the Netherlands in 2008 and 2010 and had received grants from the EU Journalism Foundation Grant and the Robert Bosch Foundation Fellowship. His debut photobook, Mutiny, published by GOST Books in August 2025, builds on his long-term projects, such as the new black lung epidemic in Kentucky, USA and exploring the lives of families separated by labour migration in Ukraine.In episode 265 Merlin discusses, among other things:How the Mutiny project came aboutHow he funded it and set about shooting itSome of the stories behind images in the bookBlack lung story in AppalachiaHow a major motorycle accident helped his photographyWebsite | Instagram Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Eli Reed was born in the US in 1946 and studied pictorial illustration at the Newark School of Fine and Industrial Arts, graduating in 1969. In 1982, he was a Nieman Fellow at Harvard University. At Harvard's Kennedy School of Government, he studied political science, urban affairs, and the prospects for peace in Central America.Eli began photographing as a freelancer in 1970. His work from El Salvador, Guatemala and other Central American countries attracted the attention of Magnum, he was the first African American photographer, and indeed the first person of colour, to join the agency, becoming a full member in 1988.In the same year, Eli photographed the effects of poverty on America's children for a film documentary called Poorest in the Land of Plenty, narrated by Maya Angelou. He went on to work as a stills photographer for major motion pictures. His video documentary Getting Out was shown at the New York Film Festival in 1993 and honored by the 1996 Black Filmmakers Hall of Fame International Film and Video Competition in the documentary category.Eli's special reports include a long-term study which became his first, highly acclaimed book, Beirut, City of Regrets; the ousting of Baby Doc Duvalier in Haiti (1986); US military action in Panama (1989); the Walled City in Hong Kong; and, perhaps most notably, his documentation of African American experience over more than 20 years. Spanning the 1970s through the end of the 1990s, his book Black in America includes images from the Crown Heights riots and the Million Man March. In 2015, he published his first career retrospective, A Long Walk Home.Eli has lectured and taught at the International Center of Photography, Columbia University, New York University, University of Texas and Harvard University and is a member of Kamoinge, the collective of black photographers founded in 1963 and the longest continuously running non-profit group in the history of photography. On episode 264, Eli discusses, among other things:His ongoing mentoring of former studentsHow working in a hospital was good prep for the kind of work he doesGrowing up in the Delaney Homes housing project in Perth Amboy, NJHow a visiting art critic gave him early encouragement at schoolLosing his mum at 12 years oldThe importance of certain teachers and mentors, especially Donal GreenhouseHow his project Black In America came aboutWorking for the San Francisco ExaminerJoining Eugene Smith's workshop after a long waitHow Philip Jones Griffiths invited him to join MagnumWhether he is still an optimist?Photographing TrumpKamoingeA teaser about the book he is writingBeing the first person of colour to join Magnum PhotosReferenced:Jaqueline KennedyRoy De CaravaW Gene SmithBruce DavidsonEugene RichardsSusan MeiselasSon of SamGordon ParksGilles Peress Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Tony Dočekal (Amsterdam, 1992) is a photographer and visual artist. Her work explores identity, belonging, and the friction between autonomy and societal expectations. Working intuitively, she combines personal encounters with quiet observations. Her images balance intimacy and distance, often showing how personal stories and landscapes reflect larger systems.Tony's first book, The Color of Money and Trees, was published by VOID in 2024 and launched at Paris Photo. The work was also exhibited at Biennale Images Vevey alongside her debut short film, Pearls on Credit. She holds a BA in Fine Arts from ArtEZ University of the Arts. In episode 263 Tony discusses, among other things:Her Czech dad and Dutch mum's historyDealing with the ‘weight' of the photographic history of the American road trip genreThe advantage of being an outsiderGetting a dream gig early on - a photobook book about alternative schoolsGoing to Lesbos to cover the refugee crisisWorking with the unhoused for Dutch non-profit the Sheltersuit FoundationThe story behind her picture of a man in a pink frilly dress…… And the one of 9-year-old Lyric in front of a plate of beansThe short film she madeThe amazing 70's-built house she has bought with her partnerReferenced:Josef Koudelka Website | Instagram Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

John Rankin Waddell, or just Rankin, as he is more commonly known, is a British photographer, publisher, and film director. Best known for work that is on the cultural cusp and leading future trends, he has produced rule-breaking campaigns for brands such as Rolls Royce, Unilever, L'Oréal, Lego, and Samsonite; created wide-reaching projects for charities including Women's Aid and Macmillan; and shot music videos for the likes of Miley Cyrus, Rita Ora, and Kelis.As a photographer, Rankin's portfolio ranges from portraiture to documentary. He has shot The Rolling Stones, David Bowie, Kate Moss, Kendall Jenner, Zendaya and Queen Elizabeth II, to name only a few. In 2023, Rankin photographed King Charles III to mark the monarch's 75th birthday for The Big Issue magazine.As a publisher, Rankin co-founded the seminal magazine Dazed & Confused with Jefferson Hack in 1990, and has since published the likes of AnOther and AnOther Man, alongside over 40 books and the fashion and culture publication Hunger.His photography has been published everywhere from his own publications to Elle, Vogue, Esquire, GQ, Rolling Stone, and Wonderland, and exhibited in galleries globally, including MoMA, New York, and the Victoria & Albert Museum, London.Rankin lives in London with his wife Tuuli and their dogs.In episode 262 Rankin discusses, among other things:The magazine and show Faik, a first foray into AIHis love/hate relationship with AI imagery and why he uses it anywayThe way in which AI will also transform the music industryThe importance of critical thinkingThe early days - starting Dazed & ConfusedUsing the magazine as a ‘Trojan Horse'Being confrontationalBeing a ‘dick' and taking cocaineBeing saved by photography and fatherhoodImposter syndrome and the benefit of losing itMaking a conscious decision not to be an ‘artist'Teaching himself photographyCollaborationRankin Live - photographing 'normal' peopleBeing prolificPersonal ProjectsWebsite | Instagram EPISODE SPONSORS:CHARCOAL WORKSHOPS. THE ‘SUMMER SERIES' TAKING PLACE IN PORTLAND, MAINE, SEPTEMBER 15-19, 2025. FEATURING: ANTOINE D'AGATA, TODD HIDO AND CHRISTIAN PATERSON. SIGN UP AT THE LINK! Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Marjolein Martinot is a Dutch photographer, based in France. She was always been drawn to photography from an early age, and has continued using and exploring the medium throughout her life, while raising a family of six children. Her photography touches on the poetic, while striving to remain authentic and true at the same time. She aims to evoke sentiments by using and mixing different photographic approaches and analogue cameras. The prime focus of Marjolein's work is on everyday life: family, friends, and the places and things that touch her. She currently works on personal projects and commissions. Her debut photobook, Riverland, was very recently published by Stanley Barker. On whose website the blurb states:“During times of darkness and moments of deep turmoil in her personal life, Dutch photographer and mother of six, Marjolein Martinot, found herself lost, searching for a renewed sense of self. Each evening, she sought solace in nature, walking to a nearby river in the South of France with her camera in hand. There, she captured the quiet beauty of the natural world in the golden light of dusk, forming connections with the animals and families she encountered at the river's edges—jumping, splashing, climbing, and swinging from the trees.What began as a ritual of aimless wandering and photographing soon became a form of visual journaling—a quiet meditation on healing and transformation. The water, ever-flowing and unpredictable, mirrored her own emotional state, while the families she met, however briefly, embodied the warmth and belonging she longed for.Through these intimate, unguarded moments—children mid-leap, ripples catching the last light of day, trees bending towards the water, and horses galloping in the fading glow—Martinot began to piece together a new sense of self. Her photographs, though deeply personal, transcend autobiography, offering a universal reflection on resilience, connection, and the subtle magical beauty of the everyday.” In episode 261, Marjolein discusses, among other things:The beginnings of her book project, Riverland.How her mum ran a circus when she was a kidWhat makes a good portraitSeeking comfort in nature during difficult timesThe project having a fairy tale elementPhotographing her six childrenThe end of her relationshipWhat she took away from the workshops she's attendedFeedback she's received about the bookReferenced:Vanessa WinshipGeorge GeorgiouIsrael AriñoJH EngstromSally MannEmmet GowanWebsite | Instagram EPISODE SPONSORS:CHARCOAL WORKSHOPS. THE ‘SUMMER SERIES' TAKING PLACE IN PORTLAND, MAINE, SEPTEMBER 15-19, 2025. FEATURING: ANTOINE D'AGATA, TODD HIDO AND CHRISTIAN PATERSON. SIGN UP AT THE LINK!PICDROPTHE EASIEST WAY TO SHARE PHOTO AND VIDEO SHOOTS. CREATE HIGHLY PROFESSIONAL PHOTO GALLERIES IN SECONDS AND LET YOUR CLIENTS DOWNLOAD, SELECT AND COMMENT ON THEIR FAVOURITE SHOTS. SIGN UP WITH THE CODE “ASMALLVOICE” FOR A TWO-MONTH FREE TRIAL! Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Anna Arendt is a photographer and visual artist living and working in Berlin whose images explore memory, silence, loss, and the invisible links between personal history and larger events. Her work often moves between personal, historical, and symbolic worlds, shot in black-and-white to capture places where the past and present meet.Anna was born in the German Democratic Republic and was 24 when The Wall fell, at which time her daughter was two. Her parents were born 1940 in Germany, children of war. Both of her grandfathers had been soldiers, who had been in Poland between 1940 and 1942. One came back 2 years after the war was over, the other one never returned.As a child Anna found a secret shelf that contained photo albums of her family. "It is where I discovered the power of a picture. A picture taken in summer 1940. A young family, my grandmother, her baby and my grandfather in a German uniform. A picture full of contradictions, carrying ambivalent feelings even today."Anna graduated with a degree in Fine Arts and Set Design and then received a one-year grant from the DAAD to study photography at the School of Visual Arts in New York. For 15 years, she worked as a set and costume designer for opera, drama, and puppet theater, collaborating with directors at theaters across Germany and Switzerland.Anna recently published her first book, Vanishing, with Charcoal Press. Photographed mostly between Germany and Poland over 15 years, the work slides back and forth through time like a blood memory. Walking naked through the dark forest, wolves circling, howling. A daughter becoming a mother becoming a grandmother becoming a child. Haunted villages, and souls in jeopardy. The harsh reality of the past merges seamlessly with moments of rapture that feel plucked from a Grimm fairy tale.Photography has now become the center of Anna's creative life. She continues to develop long-term projects that reflect her search for meaning in places marked by beauty, pain, and the mysteries of time. Alongside her artistic work, she also works with disabled people in an art workshop, sharing the joy of creative expression.In episode 260, Anna discusses, among other things:The origins of her photographyGrowing up in East GermanyBeginning to understand her family historyThe fall of the Berlin wall in 1989Being ‘connected to pictures'The importance of visiting Poland and its significance for her familyThe cast of characters in the book, including wolves…….And her friend, who sadly diedAllowing the photograph to tell her what it wants to be (and where)How Charcoal Press came to publish the bookHer collaboration with publisher Jesse LenzHaving a day job and a change of identityWhat she's currently up to in the darkroom EPISODE SPONSORS:CHARCOAL WORKSHOPS. THE ‘SUMMER SERIES' TAKING PLACE IN PORTLAND, MAINE, SEPTEMBER 15-19, 2025. FEATURING: ANTOINE D'AGATA, TODD HIDO AND CHRISTIAN PATERSON. SIGN UP AT THE LINK!PICDROPTHE EASIEST WAY TO SHARE PHOTO AND VIDEO SHOOTS. CREATE HIGHLY PROFESSIONAL PHOTO GALLERIES IN SECONDS AND LET YOUR CLIENTS DOWNLOAD, SELECT AND COMMENT ON THEIR FAVOURITE SHOTS. SIGN UP WITH THE CODE “ASMALLVOICE” FOR A TWO-MONTH FREE TRIAL! Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Mohamed Bourouissa is an Algerian-born French artist (b. 1978) who lives and works in Paris. Mohamed's practice moves between photography, video, sculpture, and installation, often blurring the lines between these mediums. His work explores social issues, power dynamics, and the representation of marginalized communities.He often engages with or embeds himself into specific communities for extended periods, spending significant time with individuals and groups to understand their experiences and perspectives before then creating collaborative works that challenge societal structures and explore the complexities of identity. Mohamed's work frequently addresses the tensions between different social contexts, particularly those related to race, class, and immigration, often questioning how different social groups are represented in media and art, challenging stereotypes and seeking to offer alternative narratives. His work has been exhibited in major museums and biennials worldwide, and in 2020 he received the Deutsche Börse Photography Foundation Prize for his retrospective exhibition featured in the Arles Festival the previous year.Mohamed currently has a major solo show at Fondazione MAST in Bologna Italy, curated by Francesco Zanot. The exhibition is entitled Communautés and features four notable works produced over a twenty year span between 2005 and this year - Péripherique, Horse Day, Shoplifters and Hands. In episode 259, Mohamed discusses, among other things:The sense of community growing up in the Parisian suburbsHis early experiences as a graffiti artistHis first project, Nous Somme HallesThe 2005 riots that preceded PéripheriqueWhy he decided to stage images… and why he sketches the images out firstThe theme of masculinity and his own experience of growing up without a father presentThe challenges of being a dadKnowing that he wanted to be an artistHow artists must value their own work and learn to say noHis project Horse Day and how it came aboutArt as a playgroundHis new project, HandsHow he arrives at the choice of medium and the factors that inflence that choiceWhy he is, in his own words, an ‘extremely bad photographer' Referenced:AnoushkashootJamel ShabazzEmma-Charlotte GobryFletcher Street by Martha Camarillo Website | Instagram EPISODE SPONSORS:CHARCOAL WORKSHOPS. THE ‘SUMMER SERIES' TAKING PLACE IN PORTLAND, MAINE, SEPTEMBER 15-19, 2025. FEATURING: ANTOINE D'AGATA, TODD HIDO AND CHRISTIAN PATERSON. SIGN UP AT THE LINK!PICDROPTHE EASIEST WAY TO SHARE PHOTO AND VIDEO SHOOTS. CREATE HIGHLY PROFESSIONAL PHOTO GALLERIES IN SECONDS AND LET YOUR CLIENTS DOWNLOAD, SELECT AND COMMENT ON THEIR FAVOURITE SHOTS. SIGN UP WITH THE CODE “ASMALLVOICE” FOR A TWO-MONTH FREE TRIAL! Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Paul Seawright is Professor of Photography and Deputy Vice Chancellor at Ulster University in Northern Ireland. His photographic work is held in many museum collections including The Irish Museum of Modern Art, Tate, San Francisco Museum of Modern Art, International Centre of Photography New York, Arts Councils of Ireland, England and N.Ireland, UK Government Collection and the Museum of Contemporary Art Rome. In 2002 he was commissioned by the Imperial War Museum London to undertake a war art commission in Afghanistan and his photographs of battle-sites and minefields have subsequently been exhibited in North America, Canada, Ireland, Spain, France, Germany, Korea, Japan and China. In 2003 he represented Wales at the Venice Biennale of Art and in 1997 won the Irish Museum of Modern Art/Glen Dimplex Prize. He is represented by the Kerlin Gallery Dublin.Paul was appointed Officer of the Order of the British Empire (OBE) in the 2020 Birthday Honours for services to higher education and the arts. In episode 258, Paul discusses, among other things:The influence of studying at Farnham..and Martin Parr……And being at NewportNot taking a position‘Allusive documentary'The danger of losing the meaningThe ethical considerations of working on foreign soilThe essential business of researchHow do you find your next project?His USA projects Volunteer and Things Left UnsaidThe importance of titlesHis work from Rwanda, Beasts of Burden Referenced:Thomas Joshua CooperAnna Fox (Ep. 166)Ken Grant (Ep. 128)Chris ShawMartin Parr (Eps. 91 & 197)Peter Fraser (Ep. 172)Paul Graham (Ep. 149)Jem Southam (Ep. 174)Chris Killip (Ep. 94)Victor BurginAnne WilliamsNewportDaniel Meadows (Ep. 116)Clive LandenIvor Prickett (Ep.204)Anastasia Taylor Lind (Ep.68)Rich GilliganJames MollisonPaul VirilloParr and BadgerRobert Adams, The New WestIan Walker, Desert Stories, or Faith In FactsBaudrillardCalvino, Invisible CitiesGilles Peress The SilenceAlfredo JaarFergal KeaneBrian Keenan Website | Instagram EPISODE SPONSOR: CHARCOAL WORKSHOPS. THE ‘SUMMER SERIES' TAKING PLACE IN PORTLAND, MAINE, SEPTEMBER 15-19, 2025. FEATURING: ANTOINE D'AGATA, TODD HIDO AND CHRISTIAN PATERSON. SIGN UP AT THE LINK! “‘Allusive documentary' is probably a good way to think about it. For me, it's really about - and this is the bit that goes back to my experience of photography in Northern Ireland, which was all about dramacentric imagery - how you can make photographs that have a documentary subject (that might be the closest I come to being a documentarian, that I work with the subject of documentary photography) but with the methodology of an artist. That's kind of the way I like to frame it, and I think that follows through to the work which is nearly always conceived for the gallery wall.” Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Featuring:Francis HodgesonMaria SukkarSophie ParkerAmi BouhassaneTom HunterSilvana Trevale (but not Gabriel Pinto).Zed Nelson Featured in the Positions exhibition:Adam Rouhana (@adam.rouhana), Aikaterini Gegisian (@aikaterini_gegisian), Babak Kazemi (@babakkazemi1), Bibi Manavi (@bibimanavi), Ippolita Paolucci (@ippolitapaolucci), Kalpesh Lathigra (@kalpeshlathigra), Karim El Hayawan (@karimelhayawan), Mieke Douglas (@miekedouglas) and Roberto Conde (@robconde33) Photo London Website | InstagramPeckham24/A Bigger Book Fair Website | Instagram Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

London-born British photographer Marc Wilson's images document the memories, histories and stories that are set in the landscapes that surround us. His long term documentary projects include The Last Stand (2010-2014), A Wounded Landscape - bearing witness to the Holocaust (2015-2021) and The Land is Yellow, the Sky is Blue (2021-2023).Marc's aim is to tell stories through his photography, focusing at times on the landscape itself, and the objects found on and within it, and sometimes combining landscape, documentary, portrait and still life, along with audio recordings of interviews and sounds, to portray the mass sprawling web of the histories and stories he is hoping to tell.Marc has published 6 photo books - Travelogue 2 (2024), The Land is Yellow, the Sky is Blue (2023), Remnants (2022), A Wounded Landscape - bearing witness to the Holocaust (2021), Travelogue 1 (2018), and The Last Stand (2014).Solo exhibitions include those at Impressions Gallery, Bradford, Side Gallery, Newcastle, The Royal Armouries Museum and Focal point Gallery in the UK and Spazio Klien in Italy.Marc's work has been published in journals and magazines ranging from National Geographic, FT Weekend, Leica LFI, Source, Raw Magazine, Wired, Dezeen and others, he also works as a visiting lecturer at various universities in the UK and has given talks about his work both in the UK and abroad.In episode 256, Marc discusses, among other things:What he's working onGetting arrested in MoldovaHis work in UkraineNew book Travelogue 2 - A Thousand Days of LongingTravelling 25,000 miles for his project The Last StandHis initial failed attempt at shooting his holocaust project A Wounded LandscapeHis adventures in self-publishing and tips for those considering itHis route into photographyLoneliness and ‘wandering lost'His project RemnantsWebsite | Instagram Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Dans cet épisode de Build Yourself, je reçois Laura Aimé Lewis, fondatrice de Néesens et créatrice du podcast du même nom. Laura partage son parcours inspirant : celui d'une ingénieure en Formule 1 devenue accompagnante périnatale, guidée par son intuition et l'envie profonde d'accompagner les femmes vers une maternité plus sereine.

Mackenzie Calle is a freelance documentary photographer and National Geographic Explorer based in Brooklyn. In 2024, she was awarded first prize in the World Press Photo Open Format category award (North & Central America) for her project the Gay Space Agency, and was a finalist for the Sony World Photography Awards.She was selected as a Magnum Foundation Counter Histories Fellow in 2022. That same year, she was named one of the Lenscratch 25 to Watch and was shortlisted for the PhMuseum Women Photographers Grant. In 2023, she was named as a Lens Culture Emerging Talent Award winner and received the Dear Dave Fellowship.Mackenzie is a graduate of NYU's Tisch School of the Arts with a degree in Cinema Studies and was awarded the Director's Fellowship to attend ICP's Documentary Practice and Visual Journalism Program. She was selected to Eddie Adams Workshop class XXXV. She is an Adjunct Lecturer at CUNY's College of Staten Island. Prior to her freelance career, she was a photo producer at NBC Universal. Her work has been exhibited at Fotografiska Stockholm, Photoville, Pride Photo Festival, and Noorderlicht International Photo Festival. Clients include National Geographic, The Washington Post, GAYLETTER, Discovery, MSNBC, and The Wall Street Journal.  In episode 255, Mackenzie discusses, among other things:Winning the WPP open categoryTangible and intagible benefits of winningHer journey to photographyHow the idea for the Gay Space Agency came aboutHow she set about making images to tell the storyThe goal to disseminate the story as widely as possibleHer experience of doing the Eddie Adams WorkshopLetting the story tell her what it wantsExperimentation being the fun partHer love of sport......and TV Referenced:Sally RideFrancis FrenchBillie Jean KingChristina De MiddelErika Larson Website | Instagram“For me, it's letting the story tell me what it needs. So it's not so much going in with a preconceived notion. You obviously go into most stories with some idea of what you're going to do, but every idea I have, that work in itself almost reveals or tells me kind of what it should be. So sometimes that means fiction, sometimes that does mean straight photojournalism, sometimes that means entirely imagined and staged projects…” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Tomasz Tomaszewski has a Ph.D from the Academy of Fine Arts in Warsaw, and is a member of the Union of Polish Art Photographers, the Visum Archiv Agency of Hamburg, Germany, the National Geographic Creative Agency of Washington D.C., and the American Society of Media Photographers.He specializes in journalistic photography and has had his photos published in major newspapers and magazines worldwide including National Geographic Magazine, Stern, Paris Match, GEO, New York Times, Time, Fortune, Elle, Vogue. He has also authored a number of books, including Remnants: The Last Jews of Poland, Gypsies: The Last Ones; In Search of America, In the Centre, Astonishing Spain, A Stone's Throw, Overwhelmed by the Atmosphere of Kindness, Things that last, and has co-illustrated over a dozen collective works.He has held numerous individual exhibitions in the USA, Canada, Israel, Japan, Brazil, Madagascar, the Netherlands, Germany, France, Italy, Indonesia and Poland. Tomasz is the recipient of many Polish and international awards for photography. For over thirty years he has been a regular contributor to National Geographic Magazine USA in which eighteen of his photo essays have been published. Tomasz has taught photography in Poland, the USA, Germany and Italy.Tomasz's most recent book, The World Is Where You Stop was published in 2023 by Blow Up Press. In episode 254, Tomasz discusses, among other things:His insecurity about his EnglishTruthThe wisdom of ageHis father's advice ‘don't forget about art'ProgressHis discovery of photographySpending five years working on his first book, smuggled to the states and published in NY.Spending time in the USAHis new book The World Is Where You StopMetaphorPhotography not being dialecticalThe appeal of a good single maltHis teaching academyBravery as the mother of all qualitiesHis dream to play the piano and how music is pure mathematicsReferenced:Raymond ChandlerAristotleUffizi MuseumSusan SontagNasim TalebJames NachtweyGarry WinnograndCartier BressonKeith Jarrett Website | Instagram | Interview in ‘Hot Mirror' “Most of the time when I was working for Geographic, I wanted my photographs to serve a purpose, to tell a story, or explain a person to another human being. But this time I only wanted to capture surprise, maybe, wonder, occassionally joy, amusement, but also discomfort. In short, anything but a desire to tell a story.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Katrin Koenning is a visual artist from Germany whose work travels across still and moving images and text, at times including found materials, painting and collage. Pursuing intimacy and interconnection her work centres around practice as relational encounter. Most stories evolve through years and use returning as a way of drawing closer. Different series often intersect, merging in and out of each other. In her extended image-dialogues, Katrin uses fragments and slippages to suggest narrative spaces, communities and lived experiences that are allied, fluid and multiplicit. Many of her series render non-human human entanglement and intimate kin, positing imaginaries with a greater-than-human world.Katrin has been the recipient of multiple awards, such as the Bowness Photography Prize. Her work is regularly exhibited in Australian and international solo and group exhibitions including presentations at Ishara Art Foundation Dubai, Chobi Mela, Paris Photo, Hamburg Triennial of Photography, Museum of Australian Photography, Centre for Contemporary Photography, Australian Centre for Photography and the National Gallery of Victoria (2023). Koenning's images have been published in The New Yorker, Vogue.com, Zeit Magazine, The Guardian, New York Times, Esquire Italy, Der Spiegel, Yucca Magazine, California Sunday and many other places. Her work is held in numerous institutional and private collections both in Australia and abroad; most recently her large-scale installation While the Mountains had Feet [2020 — 2022] was acquired in whole by the National Gallery of Victoria.Katrin regularly teaches workshops in photographic practice and thinking, working closely with many institutions and festivals locally and across the Asia-Pacific region such as Angkor Photo Festival (Siem Reap Cambodia), Photo Kathmandu (Kathmandu, Nepal), The Lighthouse (Calcutta, West Bengal), Myanmar Deitta (Yangon, Myanmar), Australian Centre for Photography, Perth Centre for Photography, Centre for Contemporary Photography, Museum of Australian Photography,  Palmtree Workshops (Santorini Greece, forthcoming),  and others.Katrin lives and works in Naarm (Melbourne) on unceded Boon Wurrung Woi Wurrung Country. In episode 253, Katrin discusses, among other things:Ankor Photo Festival in CambodiaWorking on her practice dailyComing out of “the most difficult year of her life”Why she chose to shoot Polaroids during that timeResponding to the suicide of her cousin's husbandHow the sudden death of her best friend put her on the path of photographyHow she took pictures with the camera she inherited from him which were all blankHaving a ‘web' of ‘projects'Her practice as a relational encounterHer new book Between The Skin and SeaHer engagement with environmental issuesYounger photographers being more inward lookingHer current engagement with the indigenous community of Riverdale Referenced:Photo KatmanduChobi MelaRMITNational Gallery of Victoria Website | Instagram “This is always the way that I work, I look at what the thing is that is at stake, and what am I trying to talk about? And actually also very much like I'm listening to the thing that I'm trying to talk to. So what does it want from me? You know, what does the story want from me and what does the situation around it ask of me? And therefore how do I need to approach it?” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Ian Macdonald (b. 1946) is an internationally acclaimed photographer born and raised in Middlesbrough, Yorkshire, UK. He studied Graphic Design and Printmaking at Teesside College of Art in 1968 and went on to study Painting and Photography at Sheffield School of Art, Photography and Graphic Design at Birmingham Polytechnic and Education at Lancaster University. He pursued photography alongside drawing – his first love - painting and printmaking.Since 1968, Ian has consistently photographed the people and places of Teesside, one of Europe's most heavily industrialised areas in the north east of England. His love of the region, the beauty of the landscape – great expanses of wildness nestling among industrial settings - and his solid admiration for the people working and living amongst this environment has resulted in a completely honest and passionate depiction of a place and its community.“The most successful of my photographs seem to be a product of an exploration into my environment and the people I live and work amongst and an excitement generated in me by what I confront. Sometimes by-product would seem a more appropriate term, because only rarely do images really come near to saying anything about the strength, humour, vitality, atmosphere, pathos and despair which seems to make up what goes on around us all. Always, I am spurred on by a tingling sensation at the possibility, this time, perhaps, the image may really say something”.Ian's work has been included in various publications, such as England Gone, Smith's Dock Shipbuilders, Images of the Tees, Eton and The Blast Furnace. His work has been exhibited internationally and is included in many private and public photography collections around the world. In 2024 Ian had a major retrospective entitled Fixing Time, covering the first twenty years of his work, displayed across two venues in the north east of England - Sunderland Museum & Winter Gardens and Northern Gallery for Contemporary Art.Ian is currently working on a series of forthcoming books with GOST Books. In episode 252, Ian discusses, among other things: His recent dual exhibitions, Fixing Time, in the North East of EnglandHow his fascination for drawing took him to art collegeHis discomfort with his work being put in the documentary pigeonholeFinding it hard to approach your subjectsA brief description of the area he grew up and photographed inHis transition from drawing to photographyGreatham Creek and the portrait (above) that made him excitedHis early memories of his grandfather and father and wanting to celebrate and document their historyHis year spent as artist in residence at Eton CollegeHis reasons for choosing to teach in a school and not at art college Referenced:Len TabnerCesare PaveseBruce DavidsonBill BrandtVic Allen, Dean Clough GalleryGraham SmithMartin ParrChris KillipTom WoodMax BeckmanGoyaTitianDelacroixWebsite | Short film about Ian by Jamie Macdonald“When I first went to Greatham Creek, there was no history anywhere about it. I couldn't find anything written down. So I wrote a lot down. I talked to people. I went into pretty deep research into archives in the local library and stuff like that. And I guess this was part of the drive for [photographing] both the shipyard and the furnace. Because maybe I did have an inkling, because there was nothing about the creek - where's the stuff about the furnace?… about the men who worked there, like my dad and granddad? Where is their history? And I wanted to celebrate their history. I wanted to celebrate what they were. I wanted a record, a document, a memory of them. And that's what drove me to do it.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

British photographer Mike Abrahams has worked as a freelance photographer for over 40 years having become renowned for his sensitive eye in documenting the lives of ordinary people often in extraordinary situations.In 1981 he was a cofounder of Network Photographers the Internationally renowned picture agency and his work has taken him around the world. His photographs have been published in all the major international news media. In 2024, Mike's much anticipated book This Was Then, was published by Bluecoat Press and has been described as a lyrical portrait of humanity in adverse circumstances. It features photographs taken from 1973 to 2001 in cities from Liverpool to Glasgow. Blackburn to Bradford, Northern Ireland to the coalfields of Kent and London.Mike's work on Faith - A Journey with Those Who Believe, published in 2000, was the culmination of five years work, documenting the extremes and passion of Christian devotion throughout fourteen countries. Awards for this work included the World Press Photo Award in 2000, and the book Faith designed by Browns, was a finalist in the Design Week - Editorial Design: Books. It has been widely exhibited throughout the UK and Europe.Colin Jacobson, picture editor of The Independent Magazine, described Mike's body of work from the conflict in Northern Ireland and published in the book Still War, in 1989 as "Documentary photography at its best - imaginative, comprehensive, confident and concerned". His coverage of the troubles in Northern Ireland was the subjects of a Television documentary Moving Stills.Other important assignments have included coverage of the division of Cyprus, Migrant labour in Southern Africa, the Intifada in the Occupied Territories, the Berlin Wall, the collapse of Communism in Eastern Europe, the rise in the influence of the religious in Israeli politics, the Cult of Assad in Syria, Northern Ireland and documenting Another Britain. In episode 251, Mike discusses, among other things:Discovering the darkroom at 12Growing up in post-war LiverpoolThe infamous Toxteth Riots of the early 80sNetwork Photographers agencyThe story of the IRA bombingHis interest in religious ceremonyGoing back to his archive of British work for the new book, This Was ThenThe impetus behind itThe sustainability of of a long-term careerPersonal work that he is still doingReferenced:Eugene SmithDavid Douglas DuncanLarry BurrowsTim PageNetwork PhotographersJohn SturrockMike GoldwaterJudah PassowChris DaviesLaurie SparhamSteve BenbowMartin SlavinBarry LewisRed SaundersSid SheltonRoger HutchinsChris KillipDaniel MeadowsPeter MarlowPeter Van AgtmaelWebsite | Instagram“You can go here, there and everywhere, and I have travelled a lot and it's been interesting and fascinating, but you're always the outsider coming in. You don't really know the story. It's glamorous, it's exotic, it's fascinating, but I think it's much harder to photograph your home turf. You come to it with quite an honest perspective. It's the land you're living in, you're conscious of the differences in the country between the north, south, east and west, the regions… it's kind of embedded in you, the differences.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Joseph Michael Lopez - JML, (b. 1973) is an independent photographer born in New York City to a Puerto Rican father and a mother who escaped the Cuban Revolution in 1967. He earned his MFA in 2011 at Columbia University. Lopez began his career as an analog cinematographer on the critically acclaimed Bruce Weber film, Chop Suey (2001). Currently, Joseph divides his time between long-form projects, teaching, and commercial work. His photographs have appeared on the covers of M, The Magazine for Leica M Photography, Leica Fotografie International, The Sunday Review of The New York Times, New York magazine and The New Yorker, among others.Joseph's photographs were on exhibit in “Cuban Photography after 1980: Selections from the Museum's Collection”, at The Museum of Fine Arts in Houston. In 2016, a commissioned series of his photographs of New York neighborhoods, “New York at Its Core: Future City Lab”, was installed at The Museum of the City of New York. Photographs from JML NYC, the series from which this commission originated, have also been published in the book Bystander: A History of Street Photography, by Colin Westerbeck and Joel Meyerowitz. JML's first book JML NYC 02-23 was published by GOST in the fall of 2024.  In episode 250, Joseph discusses, among other things:Relocating to Rome from NYCHis intro to NYC via assisting Bruce WeberHis early career as a professional assistantShooting with his Leica as a ‘coping mechanism'The challenge of creating a cohesive narrative from 20 years of single imagesHis Dear New Yorker projectWhy B&W is where his heart is atHow what we see is who we areHis approach towards light and sunUsing digital vs. filmAssisting Mitch EpsteinHow his opinion on grad school has changedControversy surrounding Columbia University prof. Thomas RomaHis plans for working in Rome and going forward Referenced:Bruce WeberDanny Lyon, Knave of HeartsTodd PapageorgeChuck Kelton's darkroomMitch EpsteinThomas RomaMohammad Rasoulof Website | Instagram“Essentially, it's about saying something and having a voice and having a perception of the world that is, like singing a loud song you know, your pictures have to say something. And how do you separate yourself from all the noise that's out there already? You have to have an obsessive, empahtic way to perceive things. I think to a certain extent what we see is who we are in a way.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Dina Litovsky is a Ukrainian-born photographer living in New York City since 1991. Dina's imagery can be described as visual sociology. Her work explores the idea of leisure, often focusing on subcultures and social gatherings.Dina is a regular contributor to National Geographic, The New York Times Magazine, TIME, New Yorker, GQ and New York Magazine. In 2020 Dina won the Nannen Prize, Germany's foremost award for documentary photography. Other awards include the PDN 30, New and Emerging Photographers to Watch; POYi; NPPA Best of Photojournalism, International Photography Awards and American Photography.Selected exhibitions include group and solo shows at the Museum of the City of New York; Noordelicht Festival, Netherlands; Annenberg Space for Photography, LA and the Anastasia Photo Gallery, NYC.In 2022 she started writing the Substack newsletter In The Flash, an ongoing dialogue about the art and craft of creating and thinking about images. In her weekly posts, she discuses the creative process, focusing on the WHY of photography — intent, meaning, and inspiration. She shares her insights into the world of a professional photographer as well as all the things that make her tick and inspire her to create, from photography to art to music.Dina holds a bachelor in psychology from NYU and an MFA in photography from the School of Visual Arts, NY. In episode 248, Dina discusses, among other things:Moving to the U.S. from Ukraine at 12 years oldThe immigrant dream of her parents for her to study medicineThe formative experience of earning her first $40 for shooting a portraitWhy she couldn't hold down a job in her early lifeComing out of wedding photography retirement to write a piece about itHow working on personal work was the key to getting good editorial clientsUntag This Photo and Bacherolette being the projects that got her attentionHow her background in psychology plays into the way she approaches shooting her projectsHer experience of being questioned in a classroom setting - why she does the newsletterHer post about why photographers should stop calling themselves artistsHer approach to Instagram and how she set out to build a huge audienceHow her Substack newsletter began with an invitation from MetaHer strategy around building community rather than earning incomeWhy working for exposure is photography's bigges Ponzi schemeThe importance of pursuing personal workHer projects Fashion Week and MeatpackingWebsite | Instagram“I'm an introvert with a social phobia. So I would never draw attention to myself. But with a camera I could actually go where I wanted to go and photograph and confront people, with a shield. And so I think I was using it more as my own self therapy, like I wanted to be in the middle of the party, and I wanted to be on this dancefloor with the young women, but I couldn't. And so with a camera I was there just photographing it.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Ian Howorth is a documentary photographer based in Brighton, UK. His work deals with themes of identity and culture. Through Setanta Books, Ian sold out his first book, Arcadia, in 2019 and published his second, A Country Kind of Silence, in 2023. Ian's work has been featured in publications including The Guardian, The New York Times, It's Nice That and Huck.In episode 248, Ian discusses, among other things:Striving to spend as much time as possible not compromisingThe benefits of having a full-time jobHis Instagram strategyHis previous life as a videographerAn early fascination for film stockInfluence of cinemaThe contrast between his trips to Peru and CubaHis first book ArcadiaHis origin story in which he lived in 9 homes across 3 countriesHis adventurous dad's influence on him (and his brothers)Having to adapt to a move from Peru to Miami at 12His relationship with England and the things he is drawn to photograph thereCombining documentary with fiction and not wanting to feel constrictedHis second book A A Country Kind of Silence Referenced:Zed NelsonPhil ToledanoRobbie LawrenceMax MiechoswskiStephen ShoreWilliam EgglestonJohn DivolaGregory CrewdsonSean TuckerWillam VerbeeckNational Film & Television SchoolParis TexasTania Franco KleinBill Callaghan Website | Instagram“Wim Wenders and Robby Müller [In Paris Texas] happened to hit on something that made sense artistically but also looks beautiful aesthetically, and that for me is the perfect marriage. Not everyone can achieve it, but that to me became very important. I wasn't doing that. I wasn't smart enough to do that. But at the same time I knew the power of colour - I knew what it did, I understood my emotional response to it. And that was enough for me to pursue it at the time, and I would figure it out later.” Perello Family's Go Fund Me pageBecome a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Ed Sykes is a photographer and visual artist based in London.Ed's practice focuses on landscape and changes to the environment as a result of natural processes and human activity. This approach is in conjunction with a re-working of photographic materials and a disruption of traditional photographic production. The processes and effects of climate change are often replicated during the image making process itself. The series 1000 Degrees used a blow torch to melt photographic negatives at a heat similar to the furnaces that propelled the Industrial Revolution. The work Hanging By A Thread pushed this same notion to the picture frames which were sourced secondhand and then the wooden surrounds were charred in a similar way to the subject matter of wildfires. Other approaches have involved sanding and abrasion echoing the effects of coastal erosion and also the use of soluble paper, the dissolution of an image in water, mimicking flood damage.Ed was the recipient of an Arts Council grant for the project Eco Matters and Sustainable Processes. This saw Ed travel along Britain's east coast and to some of Europe's fastest eroding coastlines, embedding a new creative approach to climate change, environment and the anthropocene. In 2021 he was nominated for Prix Pictet Award with1000 Degrees, a response to the historical, industrial exploitation of natural resources in UK. In episode 247, Ed discusses, among other things:Early days on The IndependentGoing to Somalia for ‘Operation Restore Hope' and being disillusioned by itMoving towards portraiture for magazines……and fashionHaving to take a day job and the feelings that brings upResetting, getting a 4x5 and doing it ‘without compromise'.Environmental themes and concernsDarkroom practiceHis Arts Council grant to pursue the project Eco Matters and Sustainable ProcessesUsing plant-based developer and Agfa Record Rapid paper for the project RockAccepting and embracing mistakes as part of the creative process Referenced:Brian HarrisKalpesh LathigraJames NachtwheyPaul LoweChris Steele PerkinsDelilah SykesRodrigo Arantia Website | Instagram “As a photographer, you want something that drives you on. You need to find something that is close to your heart. And if you have that, you're gonna go the distance. You're gonna persevere, you're gonna get up at four in the morning with the slim chance of getting one picture, because it's important to you.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Featuring:Richard KalvarNatalie KeyssarLorenzo CastoreEdward BurtynskyMitch EpsteinNicole TungLinda TroellerValerie BelinMichael AckermanJulia KochetovaChloé JaféDebi CornwallLouis QuailAbdul KircherDiana MatarKiana HayeriRobbie LawrenceAgnieszka SosnowskaPolly BradenStephan Vanfleteren Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Natural Intelligence Guest Cory Edmund Endrulat, Teacher of Natural Law, Integrative Health Coach and Author Humans invent synthetic technologies with the intention of solving problems and making life easier, yet there are many instances where these so-called advances have ended up creating more problems and complicating life. Pesticides, plastic packaging and processed foods are all prime examples of inventions that have fostered tremendous environmental and health challenges. Do these matters indicate that humans have lost touch with their natural intelligence - that innate ability to coexist in natural balance with all other life forms on earth? Guest Cory Endrulat, author of Natural Intelligence: The Technology of Peace joins us to talk about the natural intelligence of permaculture and voluntaryism as solutions to many of our modern world problems. Permaculture is a form of agriculture that mimics a natural ecosystem, in which each species contributes to the natural process of growing food - channeling rainwater, fixing nitrogen into the soil, helping the soil retain water, creating or decomposing compost and so on. Nature nourishes itself. Voluntaryism is the doctrine that relations among people are cooperative, accomplished with mutual consent. Voluntaryists are advocates of nonpolitical, non-violent strategies to achieve a free and smoothly functioning society. Cory helps us explore the natural and philosophical parallels between permaculture and voluntarism. He is a Teacher of Natural Law, an Integrative Health Coach, a practitioner of permaculture and a video content creator. His content covers health, education, freedom, morality, philosophy and taking action, and this work connects his mission and his message: "Nature Is The Answer," to inform us of a movement created for anyone to use in sharing timeless and universal knowledge. EXTENDED LEARNING RESOURCES View a remarkable photo demonstrating a squirrel's natural intelligence - https://netwalkri.com/walking-journal/f/nuts Follow the work of Cory Endrulat - https://taplink.cc/coryhealth Learn how to create a voluntary world with Liberator News - https://www.theliberator.us/ Join Nature is the Answer, a movement to evolve consciousness - https://www.nita.one/ Check out Cory's new Health Revealed youtube channel - https://www.youtube.com/@Health-Revealed FOOD FOREST PODCASTS Food Forest Gardening with Green Teacher - https://www.podbean.com/media/share/pb-f56t7-1296ecc Food Forest Abundance with Jim Gale - https://dreamvisions7radio.com/food-forest-abundance/ Enchanted Edible Forest with Dani Baker - https://dreamvisions7radio.com/dani-baker-author-home-scale-forest-garden/ Agrohomeopathy with Kristina White - https://dreamvisions7radio.com/agrohomeopathy-for-healthier-farms-and-gardens/ How to Build Yourself a Food Forest with Graham Towerton - https://dreamvisions7radio.com/build-food-forest/ Boston Food Forest Coalition - https://www.youtube.com/@bostonfoodforestcoalition9227 NATURAL AWAKENINGS ARTICLES Natural Awakenings Boston November digital issue - https://issuu.com/naboston/docs/gbri_1124 Blissful Bowls: Celebrating with Seasonal Soups -https://www.naturalawakeningsboston.com/2024/10/31/509821/blissful-bowls-celebrating-with-soup Read about DIPG: Eternal Hope Versus Terminal Corruption by Dean Fachon begin to uncover the truth about cancer - https://dipgbook.com/ Learn more at https://netwalkri.com email wendy@netwalkri.com or call 401 529-6830. Connect with Wendy to order copies of Fiddlesticks, The Angel Heart or Storywalker Wild Plant Magic Cards. Subscribe to Wendy's blog Writing with Wendy at www.wendyfachon.blog. Join Wendy on facebook at www.facebook.com/groups/StoryWalkingRadio

Featuring:Bieke DepoorterJesse LenzLucas FogliaSergio PurtellRichard SharumMark McClennanAlex WebbRebecca-Norris WebbMichal IwanowskiDragana JurisicLisa BarlowToma GerzhaGregory HalpernMark SteinmetzMaxime Riché Website | Instagram Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Stephan Vanfleteren's career began as a staff photographer for the Belgian newspaper De Morgen. He continued to contribute to its weekend magazine as a freelancer until 2009.His radical black and white social documentary work covers the disappearing phenomena of everyday life in his homeland, Belgium. Over the years, Stephan has worked in conflict zones such as Kosovo, Rwanda and Afghanistan and he is a six time winner of the prestigious World Press Photo awards among a number of other international prizes.Stephan's intense portrait photography captures the essence of humanity in subjects ranging from the ordinary man to top politicians, sports idols and celebrities.He has exhibited in Brussels, Amsterdam, Berlin, Paris, London, Liverpool and Verona and his books include: Elvis & Presley (Kruse Verlag, 2001) a road trip across America dressed as Elvis Presley with photographer Robert Huber; Flandrien (Mertz, 2005) on the Flemish obsession with cycling; Belgicum (Lannoo 2007) an enigmatic portrayal of Belgium and Portret 1989-2009 (Lannoo 2009). His most recent books are Atelier published by Hannibal Books, an ode to the ability to observe, represent, elevate, and ultimately, connect, and Present, a journey through his oeuvre, with expansive personal reflections and stories from three decades of encounters and photography, from street photography in world cities like New York to the genocide of Rwanda, from storefront façades to the mystical landscapes of the Atlantic wall, from still lifes to intense portraits, and Charleroi – Il est clair que le gris est noir.In episode 244, Stephan discusses, among other things:MemoryPhotographing (older) menSkin… and lightCutting his teeth in the newspaper worldFlandrien bookRwandaBeing scared of successStill getting nervousAtlantic WallThe intensity of collaboration with a subjectBeing perceived as a ‘traitor' for shooting colourHis project with Robert Huber, Elvis and PresleyDead animalsPhotographing his dad post mortemMoving to digital from filmCharloi residency and his book Charleroi – Il est clair que le gris est noirReferenced:SebastiãoSalgadoJames NachtweyGilles PeressRobert Huber Website | Instagram“I was very scared of success. That was maybe my luck. Success was something I had difficulty dealing with. People are complimenting you on your work at the beginning and I'm just accepting that but it was difficult. And it helped me because I never arrived. I was on my way and the doubts were still there. If you think you know how to do it, it's time to leave. Sometimes if I think ‘ok, I can do that pretty well, Of course other people can do it better, but it's time to change, to have another approach…' So I had that in the early beginning, that feeling that I have to change. I love to begin something new.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Featuring:Javier Hirschfeld MorenoFrancesco ZizolaMelissa SchriekChilli PowerSelf Publishers UnitedBryan SchutmaatTiffany JonesAtong AtemWebsite | Instagram Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Polly Braden is a documentary photographer whose work features an ongoing conversation between the people she photographs and the environment in which they find themselves. Highlighting the small, often unconscious gestures of her subjects, Polly particularly enjoys long-term, in depth collaborations that in turn lends her photographs a unique, quiet intimacy. She works on long-term, self-initiated projects, as well as commissions for international publications.Polly has produced a large body of work that includes not only solo exhibitions and magazine features, but a number of books published by Dewi Lewis, including Holding The Baby (2022), Out of the Shadows: The Untold Story of People with Autism or Learning Disabilities (2018), and China Between (2010), and two published by Hoxton Mini Press: London's Square Mile: A Secret City (2019) and Adventures in the Lea Valley), (2016).Polly teaches regularly at The University of Westminster and London College of Communication (LCC), she is a winner of the Jerwood Photography Prize, The Guardian Young Photographer of the Year, 2002, and the Joanna Drew Bursary 2013. Polly is nominated by Hundred Heroines 2020 and she has exhibited at numerous venues internationally. Her most recent solo exhibition, of her project Leaving Ukraine, just ended at the Foundling Museum in London, where it was on show from March 15th to October 20th 2024. In episode 242, Polly discusses, among other things:Exhitibition at the Foundling Museum, Leaving Ukraine and how it came aboutSome of the people she focussed onHolding The Baby , her project on single parentsJena's storyWhy she has started working with film projectsHer introduction to photographyHer first trip to China: “an exercise in isolation”Her project on Chinese factories and their workersGreat Interactions book on people with learning disabilitiesHer current project she's working onSecuring funding, building partnerships and being an entrepreneurReferenced:Patrick SutherlandCheryl NewmanKatz PicturesBecky Sexton Website | Instagram “I'm not someone who wanted to just jump in, point a camera at someone and walk away. I think I've always been someone who wanted it to feel very collaborative. Whether you're on the street and you've made eye contact and you feel like someone's ok with it, at the very basic level, to now as I get older, when I'd be as interested in someone doing all the work and me just being a vehicle through which someone can tell their story.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Agnieszka Sosnowska was born in Warsaw, Poland and was raised in Boston, Massachusetts. She earned a BFA from Massachusetts College of Art and a MFA from Boston University. She is currently an elementary school teacher. She lives on farmin East Iceland. She is recognised for her self portraits that span 30 years. Currently she is working on series that embodies her life as an immigrant in Iceland. She uses the camera to take inspiration from a land that is otherworldly.“I grew up in Boston and traveled to Iceland 25 years ago on a whim”, says Agnieszka. “I fell in love and remained. With my Icelandic husband I chose to live in nature, not visit it. This decision has not been without tests. Together we have made a life that I feel we are only beginning. Everyday, I search for corners of quiet. When there, I stop and listen for a long time. These places exist around our farm, with friends, and the students I teach. These places are my everyday. They are my everything.”Agnieszka has been the recipient of a number of grants, including a Fulbright Scholars Fellowship to Poland and an American Scandinavian Fellowship to Iceland. She was awarded the Hjálmar R. Bárðarson Photography Grant by the National Museum of Iceland. Her series was awarded the Director's Choice by the Center awards in 2017 and she has been in the Top 50 of Critical Mass on three occasions. Her work has been exhibited in the National Museum of Iceland and the Reykjavik Museum of Photography. She is represented exclusively by Vision Neil Folberg Gallery in Jerusalem.Earlier this year, Agnieszka released her debut photobook, För, published by Trespasser Books and already sold out.Her collaboration with Icelandic poet Ingunn Snædal, entitled RASK, is currently being exhibited at the Reykjavik Museum of Photography until Decembet 2024.In episode 241, Agnieszka discusses, among other things:Early years travelling to Communist PolandWanting to assimilate into the USA as an immigrantEarly education in photography at Mass. ArtHer early interest in self-portraitureNot having a plan… but being a hard workerThe trip to Iceland that changed her life……and her decision to move thereA description of where she livesThe hardest thing to adapt to being the WintersThe first things she started to photograph thereSelf-portaiture and the suckiness of documenting ageingThe freedom of realising that you don't have to work on distinct ‘projects'‘Myth of a Woman' - her attempt at exploring the experience of womanhoodCollaborating with her students on portrait sessionsThe last picture in the bookHer collaboration with Icelandic poet Ingunn Snædal, RASK, currently an exhibition at the Reykjavik Museum of PhotographyReferenced:Cindy ShermanMargaret JohnsonLaura McPheeIngunn SnædalBarbara BosworthWebsite | Instagram“I wanted to grow. I just didn't know how. And I think the only way you grow is not by thinking about it but by doing it and making the mistakes. And I made a lot of mistakes. And thank God I did because in doing the mistakes I started to get more to having the self-portraits be more real. And that's really hard to do. Especially I think as me having done it for so long, and also getting older in front of a camera, as a woman, it's hard.” VOTE HERE FOR ALETHEIA CASEY TO HAVE A SOLO SHOW AT PARIS PHOTO!!Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Robbie Lawrence is a London based Scottish photographer and director represented by Webber Represents. Robbie is acutely attentive to the way images tell a story. Working with a painterly softness and sensitivity to his subjects, he deals in detail and nuance. From portraiture, travel and documentary to editorial work, he places the human experience front and centre to create thoughtful, abstract images, with an emphasis on narrative.Recent books include Blackwater River and A Voice Above The Linn published by Stanley/Barker. Stills gallery in Edinburgh hosted the first UK institutional solo exhibition by Robbie in 2022, bringing together a snapshot of life post-Brexit across Scotland's cities, rural locations and coastal towns.Robbie's new book, Long Walk Home, was just released (September 2024) by Stanley/Barker.Clients Include: UN, Apple, Nike, Hermes, Gucci, The New Yorker, Du Monde, The New York Times Magazine, The Atlantic, I-D and many others. In episode 240, Robbie discusses, among other things:His recent assignment at The OlympicsHis internship in Paris and his time in New YorkHis relationship to painting and writingBuilding a career to encompass commercial and personal workHow working commercially can be a ‘relief'.His ‘macrojournalistic approach'His first book project, Blackwater RiverHis second book, A Voice Above The LinnCollaboration with poet John BurnsideHis new book about the Highland Games, Long Walk Home.Why he threw away three years worth of work and began againWorking digitally with ‘manual' lensesThe difference between myth and historyA reading from John Burnside's essay in the bookReferenced:The Tokyo Olympiad, Kon IchikawaThe French, William KleinJohn BurnsideRenton's rant on why it's ‘shite being Scottish' from the movie Trainspotting Website | Instagram“I like the variety […] I like being on set. You become more like a director. As a photographer you're almost the emotional heartbeat of a set. It's interesting because at school and university I really found exams hellish from an expectation point of view. Like, I would put myself under a lot of pressure. And I would describe some of those more pressurised commercial jobs almost like a school exam where you expected to produce something of quality under a very tight time constraint. As a physical experience it can feel similar, and I suppose maybe it's just experience that I can now recall moments where I've overcome those kind of stresses. So I like the shift.” VOTE HERE FOR ALETHEIA CASEY TO HAVE A SOLO SHOW AT PARIS PHOTO!!Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Visual storyteller Kiana Hayeri grew up in Tehran and moved to Toronto while she was still a teenager. Faced with the challenges of adapting to a new environment, she took up photography as a way of bridging the gap in language and culture. In 2014, a short month before NATO forces pulled out, Kiana moved to Kabul and stayed on for 8 years. Her work often explores complex topics such as migration, adolescence, identity and sexuality in conflict-ridden societies.In 2014, Kiana was named as one of the emerging photographers by PDN 30 Under 30. In 2016, she was selected as the recipient of Chris Hondros Award as an emerging photographer. In 2017, she received a grant from European Journalism Center to do a series of reporting on gender equality out of Afghanistan and received Stern Grant in 2018 to continue her work on the state of mental health among afghan women. In 2020, Kiana received Tim Hetherington Visionary award for her proposed project to reveal the dangers of dilettante “hit & run” journalism. Later that year, she was named as the 6th recipient of the James Foley Award for Conflict Reporting. In 2021, Kiana received the prestigious Robert Capa Gold Medal for her photographic series Where Prison is Kind of a Freedom, documenting the lives of Afghan women in Herat Prison. In 2022, Kiana was part of The New York Times reporting team that won The Hal Boyle Award for The Collapse of Afghanistan and was shortlisted under International Reporting for the Pulitzer Prize. In the same year, she was also named as the winner of Leica Oskar Barnack Award for her portfolio, Promises Written On the Ice, Left In the Sun, an intimate look into the lives of Afghan from all walks of life.Kiana, along with her colloaborator, the researcher Mélissa Cornet, is recipient of the 2024 Carmignac Photojournalism Award for the reportage No Woman's Land, an investigation into the plight of women in Afghanistan under the Taliban and the work will be showcased in a double exhibition this Autumn - from October 25th to November 18th - at the Réfectoire des Cordeliers in Paris as part of the Photo Saint Germain festival.Kiana is a Senior TED fellow, a National Geographic Explorer grantee and a regular contributor to The New York Times and National Geographic. She is currently based in Sarajevo, telling stories from Afghanistan, The Balkans and beyond. In episode 239, Kiana discusses, among other things:Her story for the NYT about FGM in GambiaGender apartheidHer take on winning awards as a photojournalistHaving to Google what the Robert Cap Gold Medal was - having won itHer book When Cages FlyMoving to Canada from Iran as a teenagerHow photography helped her bridge the ‘culture and language gap'.Being at a ‘gifted' schoolHer first trip to AfghanistanComparisons with Iran in terms of relative ‘liberalism'.Her first commission from National GeographicHer story on women in Herat prisonThe moment Afghanistan fell to the Taliban and her guilt over leaving friends behindGender apartheid in Afghanistan specificallyThe dangers of ‘dilettante hit and run journalism' Referenced: Eddie Adams workshopsDominic NahrKitra CahanaEd OuGuy MartinStephen MayesMélissa CornetSarah Leen Website | Instagram “I tell people having a camera is like living a thousand different lives, but you have that camera as an excuse to immerse yourself into something, live it for a while and then walk away when you're ready.” VOTE HERE FOR ALETHEIA CASEY TO HAVE A SOLO SHOW AT PARIS PHOTO!!Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Using photography, testimony and archive, Diana Matar's in-depth bodies of work investigate themes of history, memory and state sponsored violence. Grounded in heavy research and often spending years on a project, Diana attempts to capture the invisible traces of human history and produces installations and books that query what role aesthetics might playin the depiction of power. A graduate of the Royal College of Art, Diana has received the Deutsche Bank Pyramid Award for Fine Art; the International Fund for Documentary Photography; a Ford Foundation Grant for artists making work on history and memory; and twice been awarded an Arts Council of England Individual Artist Grant. Her work is held in public and private collections and has been exhibited in numerous institutions including Tate Modern, London; The National Museum of Singapore; Museum Folkswang, Essen, Germany; The Institut du Monde Arabe, Paris; The Museum of Contemporary Photography, Chicago; and Musee de la Photographie a Charleroi. Her monograph Evidencewas published in 2014 by Schilt Publishing Amsterdam to critical acclaim and chosen by New York Times Photography critic Teju Cole as one of two best photography books of the year. In 2019 Matar was appointed Distinguished Artist at Barnard College Columbia University, New York. In April 2024 Diana's most recent book, My America, was published by GOST Books.  In episode 238, Diana discusses, among other things:Early experiences in Panama and Latin America.How an errand to buy a lightbulb changed everything.A brush with Manuel Noriega.How she met her Libyan husband, the writer Hisham Matar.Why she found doing her M.A. ‘really, really challenging'.Her first book project, Evidence.The inclusion of her own writing in the book.Her latest book, My America.Some of the key factors around the issue of police shootings.The complexities of the subject.How she has “intermalised a European sense of America.”Why she shot the project on her iPhone and the rules she imposed on herself.Whether photographs can ‘bear the burden of history.'What she is currently working on.Her reaction to the bonus questions. Website | Instagram“I think I internalised a European sense of America in several different ways. When I was out on the road a lot of things seemed exotic to me, things that I'd grown up with and were just part of being: the long distances; these buildings that just pop up in the middle of nowhere; the emptiness; the scale… the kind of watching of movies of what is the American west. The internalisation I think has something to do with scale. I live in London - the small streets, you're around people all the time, and then being in this openness, which i miss and i love, but I did find it unnerving and it effected how I made the work actually.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

A ton more new finds, including a new one sent in by Fuzzed Atrocities (Japan) label (@farcompany_ on Instagram). New Razored Raw (NZ) and some oi! from BGP's neck of the woods: Sonoma's Flat Earth Bootboys. Hit us up at brothersgrimpunk@gmail.com and download our music on our Bandcamp page.468 Playlist:The (punk) Word is the byrd...Fill In The Blanks 1:17 Active Minds Split EP w/ Sanctus Iuda UK BLAME 1:19 NARKOTYK NARKOTYK DEMO USA Clock In, Clock Out 1:37 MASSDEAD Compostable Billionaire Bones Pissing It Down The Drain 1:45 The Wankys American WankDetroit TECHNOPHOBiC DiSASTER 3:05 PLATiNUM CRACK! HELL RiDE EP Razored Raw NZ Famine As A Weapon Of War 1:57 Barren Hellscape Anti-Genocide (Demo) Belgium Fuck That Weak Shit 1:06 Röt Stewart 3 Tattoos & A Road Tax Bill Philly MF Recs FUCKSHIT 1:32 GEN GAP Hanging out with GEN GAP Upset Conditions IN RAT RACE 1:29 MISSILE STRATEGY MISSILE STRATEGY UK Violent Mercy    2:08 State Sanctioned Violence State Sanctioned Violence Sweden Drone 1:01 Trench Rot Self-Entitled Sweden Don't get stabbed tonight 2:11 Boredom Boys Total Boredom Austin TX ROCK N ROLL HIGH SCHOOL 1:50 D.A.R.Y.L. ROCK N ROLL HIGH SCHOOL The DiMarcos (bkgrd) from PoDunk Radio Punk Rock Comp Vol. 2 Mexico City Side A song 5:55 Flores Nucleares ST Fuzzed Atrocities MX Basura 1:52 Disakuerdo Sin olvido sin perdón Peru Undead 1:52 VORÁGINE LOBOTOMIA NC Three Day Weekend 1:33 On The Block Gritted Teeth Tampa Lost Cause 1:04 Yield To None Both Demos Calgary Human Regress 1:30 Syphon Demo '24  KC Smoker's Cough 0:59 Failure Drill Visions of War KC I Have a Gun 1:38 CHEESE MAN  Demo Sampler LinkSonoma It's Fuckin Flat! 1:12 Flat Earth Bootboys Bandcamp Singles F*ck What You Heard (bkgrd) 3:15 Fight Music Poster Boys For Birth Control Bring Back Arnie 1:56 Mad Ax 40 Years, 40 Beers, 10 Bad Songs I don't need your help 0:50  Shut the Fuck Up - The Curse of Thinking You're Smart Oakland Legal Terrorists 1:50 Prosthetic Theory of Pain Pitts Atrocious Humanity 0:29 NASTY NANCY Hardcore Hotel WA DC Simulation 0:47 Hologram Build Yourself up so Many Times Only to be Brought Down Again and Again 7” WA DC Brain On Fire 1:34 Kombat In Death We Are All The Same 7" Copy Bands 2:01 Fatal Rage S/T LP 1983 Gee Doc, Thanks 1:33 Scroungers Satan! Satan! Satan! Oi! Oi! Oi! Simi Valley Wanna Be a Slug 1:27 Witch Piss Slugs  Lunchadores and Fight Plan (bkgrd) from PoDunk Radio Punk Rock Comp. Vol. 3 TN Travinski's Got a Pencil Bat 1:13 Vista Blue Help Me, Ron Other ways to hear BGP:Archive.org#468 on ArchiveApple PodcastsYouTube PodcastsPunk Rock Demonstration - Wednesdays 7 p.m. PSTRipper Radio - Fridays & Saturdays 7 p.m. PSTContact BGP:brothersgrimpunk@gmail.com@Punkbot138 on Instagram@BrosGrimPunk on XMore Music:Bandcamp - Follow us and download our albums: Brothers Grim Punk, Fight Music, and more!YouTube - tons of our punk playlists, from Anarchy to Zombies!

Hello la team!!

Wednesday- 05/22/2024 – Build Yourself an Ark – Part 2

Wednesday- 05/15/2024 – Build Yourself an Ark – Part 1

Lancer un blog, se lancer dans l'entrepreneuriat, créer un podcast (Build Yourself), écrire un livre (Build your podcast), créer des formations : Safia a été précurseure dans le monde du business en ligne.Dans ce podcast, tu entendras parler Safia Gourari de son passage dans la trentaine, de l'équilibre vie pro / vie perso, de sa définition du succès.Et de tant d'autres sujets. C'était une discussion que j'ai adoré avoir ! Instagram de Safia : https://www.instagram.com/safiagourari/Site web de Safia : https://safiagourari.fr/Me contacter : myriamzen.coaching@gmail.comSi tu souhaites bénéficier d'un accompagnement en 1:1 avec moi : https://calendly.com/myriamzen-coaching/appel-eclair-de-confianceSi tu souhaites recevoir les e-mails ensoleillés, que j'envoie une fois par semaine sur l'estime de soi, les relations et d'autres sujets : https://elixir.myriamzen.com/les-emails-ensoleillesInstagram : by_myriamzen Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Episode 108: Attracting and Retaining Midcareer WomenWhy are leadership-track women in architecture leaving their firms?Throughout 100+ episodes of Practice Disrupted, we've touched on the missing middle, burnt-out architects, and the challenges in navigating career growth in practice. We wanted to dedicate an entire episode to exploring and understanding why midcareer and even senior-level women are considering leaving their firms. We'll look also discuss the core issues driving retention in the field.We invited career and executive coach Maya Sharfi on the show to discuss her new whitepaper titled, 'Attracting and Retaining Leadership-Track Women in Architecture & Planning.' Maya has been working extensively with women across practice on training and career development. In this episode, she shares her insight and provides recommendations.Guest:Maya Sharfi is a career and executive coach and the founder of Build Yourself. She helps women in design, tech, and innovation advance their careers on their own terms and helps companies grow and promote their rising women leaders through coaching, training, and consulting.Companies Maya has worked with have seen a 3x increase in the rate of women promoted, and 18% of women are more likely to recommend their companies to other women. They've seen more women owning and leading initiatives and setting boundaries that make projects more effective and grow junior staff. Maya's individual clients achieve results like moving into senior director roles, launching new, innovative programs, and achieving $25,000 raises.Maya has trained national industry groups, like Women in Innovation and the American Institute of Architects, and works with leadership and staff at global design and innovation companies such as Stantec, Gensler, and HOK, and she helps women become principals and partners at their firms.

Want to know how to invest $10K, $25K, $50K, or even $100K? The average American household has $41,600 saved. While that's a decent chunk of cash, it's not working very hard for you by sitting in a savings account, is it? Fortunately, there are all types of ways to invest that money and grow your nest egg much faster! Welcome back to the BiggerPockets Money podcast! In this “sequel” to our $100-$5,000 episode, we're looking at ways to invest a much larger amount of money—$10,000-$100,000. Scott and Mindy are joined by guest hosts Kyle Mast and James Dainard, who share their own expertise on where to allocate your capital. Even with the diverse perspectives, all of our hosts agree: don't just sink your money into your primary residence or fancy car and call yourself a millionaire! The moves you make today could determine your financial future. Stay tuned as our hosts offer active and passive investing ideas to consider, depending on your risk tolerance. You'll also learn how to get one-hundred percent financing for real estate deals, ways to build (or buy!) a profitable business, and essential tax planning tips at various income levels! In This Episode We Cover The best ways to invest with $10,000, $25,000, $50,000, or $100,000 Active and passive investment opportunities at every level How to build a nest egg that allows you to live off passive income in retirement Getting one-hundred percent financing for a house flip through hard money and private money How to start and build a profitable business with zero startup costs Strategic tax planning tips to consider at different income levels  And So Much More! Links from the Show BiggerPockets Money Facebook Group BiggerPockets Forums Finance Review Guest Onboarding Join BiggerPockets for FREE Mindy on BiggerPockets Kyle's Website Clarity Financial Kyle's Twitter James on BiggerPockets James's Website Grab Scott's Book, “Set for Life” Listen to All Your Favorite BiggerPockets Podcasts in One Place Apply to Be a Guest on The Money Show Podcast Talent Search! Money Moment The Beginner's Guide to Investing (Start with Just $100!) Codie Sanchez: These “Boring Businesses” Will Make You Rich How to Build Yourself a 6-Figure Income Stream Click here to check the full show notes: https://www.biggerpockets.com/blog/money-448   Interested in learning more about today's sponsors or becoming a BiggerPockets partner yourself? Email us: moneymoment@biggerpockets.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Ty discusses everything you need to know about thought leaders in Web3. What they are, why Web3 thought leadership is important, and how you can become a thought leader yourself. Key Takeaways: 0:00 Being seen as a thought leader 0:26 What does thought leadership mean? 0:55 Main benefits of being a thought leader 1:52 Examples of thought leaders 2:22 Top Tactics to Build Yourself as a Thought Leader 5:24 Working with an Agency 7:27 Conclusion Resources ► Connect with Ty: https://twitter.com/tydanielsmith ► Check out our crypto marketing agency, Coinbound: https://coinbound.io ► Check out our Twitter: https://twitter.com/coinboundio ► More about the Crypto Marketing Podcast: https://coinbound.io/podcast ► Listen on Apple Podcasts: https://coinbound.link/podcast-apple ► Join the #1 NFT Newsletter: https://NFTLately.com/#cryptomarketing #cryptomarketingstrategy #cryptomarketingagency #nftmarketing #nftmarketingstrategy #nftmarketingagency #nftmarketing101 #web3marketing #web3marketingstrategy #thoughtleaders #markcuban #kevinoleary

Episode 108: Attracting and Retaining Midcareer WomenWhy are leadership-track women in architecture leaving their firms?Throughout 100+ episodes of Practice Disrupted, we've touched on the missing middle, burnt-out architects, and the challenges in navigating career growth in practice. We wanted to dedicate an entire episode to exploring and understanding why midcareer and even senior-level women are considering leaving their firms. We'll look also discuss the core issues driving retention in the field.We invited career and executive coach Maya Sharfi on the show to discuss her new whitepaper titled, 'Attracting and Retaining Leadership-Track Women in Architecture & Planning.' Maya has been working extensively with women across practice on training and career development. In this episode, she shares her insight and provides recommendations.Guest:Maya Sharfi is a career and executive coach and the founder of Build Yourself. She helps women in design, tech, and innovation advance their careers on their own terms and helps companies grow and promote their rising women leaders through coaching, training, and consulting.Companies Maya has worked with have seen a 3x increase in the rate of women promoted, and 18% of women are more likely to recommend their companies to other women. They've seen more women owning and leading initiatives and setting boundaries that make projects more effective and grow junior staff. Maya's individual clients achieve results like moving into senior director roles, launching new, innovative programs, and achieving $25,000 raises.Maya has trained national industry groups, like Women in Innovation and the American Institute of Architects, and works with leadership and staff at global design and innovation companies such as Stantec, Gensler, and HOK, and she helps women become principals and partners at their firms.

Camonghne Felix is the author of the memoir Dyscalculia: A Love Story of Epic Miscalculation, available from One World Press. Felix, poet and essayist, is the author of Build Yourself a Boat, which was longlisted for the National Book Award in Poetry, shortlisted for the PEN/Open Book Award, and shortlisted for the Lambda Literary Awards. Her poetry has appeared in or is forthcoming from Academy of American Poets, Freeman's, Harvard Review, LitHub, The New Yorker, PEN America, Poetry Magazine, and elsewhere. Her essays have been featured in Vanity Fair, New York, Teen Vogue, and other places. She is a contributing writer at The Cut. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Launched in 2011. Books. Literature. Writing. Publishing. Authors. Screenwriters. Etc. Available where podcasts are available: Apple Podcasts, Google Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  YouTube TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

In conversation with Sharon G. Flake Camonghne Felix is the author of Build Yourself a Boat, ''an exquisite and thoughtful'' (Bustle) poetry collection that was longlisted for the National Book Award in poetry and shortlisted for the Lambda Literary Award, among other honors. A contributing writer at The Cut, her poetry has appeared in or is forthcoming in numerous places, including The New Yorker, Poetry Magazine, and Harvard Review. In Dyscalculia, Felix uses her childhood learning disorder that caused difficulties with math to explore the trauma of a monumental breakup, past troubles, and the concepts of self-love and acceptance. Acclaimed as a modern classic for middle and high school students, Sharon G. Flake's 1998 debut novel The Skin I'm In depicts the travails of a seventh grader dealing with self-esteem issues connected with race, economics, and academic success. It has been translated into several languages and has sold more than one million copies worldwide. Flake is also the author of a dozen other books of fiction, short stories, and poems, including Money Hungry, You Don't Even Know Me, and The Life I'm In, a companion piece to The Skin I'm In published in 2021. Her many honors include two Coretta Scott King Awards, the John Steptoe Award for New Talent, and the YWCA Racial Justice Award. (recorded 3/1/2023)