Podcasts about Richard Avedon

Writer and Frieze editor-in-chief Andrew Durbin talks about: His book tour for "The Wonderful World That Almost Was," which has been hectic; how he became familiar with Peter Hujar's work initially, and why his and Paul Tek's legacies really took off after their deaths; Peter's persona and personality as someone who could be as charming and engaging as can be, but also someone who flew off the handle with a volatile anger at some in his life, and how he actually using photography to deal with some of that anger; how Paul Tek appeared to be thoroughly charming and quintessentially hippie-ish from the various television footage of him in interviews, despite his ultimate distaste for and rebellion against the hippie archetype, and how he had an ongoing contradiction in wanting to be around people and then wanting to get away (he often questioned the love of those who loved him), which he did prolifically, from Miami right out of school to various parts of Italy throughout his adulthood; Peter's troubled relationship with his mother, who was emotionally abusive and neglectful, and whom was described by a boyfriend of Peter's at the time as "very good at being unsatisfied;" how Peter learned much of his photography skills working in commercial photos studios in the '60s and '70s (including that of Richard Avedon) and eventually applied and expanded them in the darkroom for his own work, and to what extent Gar Schneider, his friend and the printer of the work in his estate, will make prints posthumously from the estate;  In the 2nd half of the conversation, available to Patreon supporters, he covers: The legacies of Peter and Paul, including via Linda Rosenkranz's book "Peter Hujar's Day," which became a film by Ira Sachs, and how Andrew's book may just be part of the rise in their respective public profiles; how he was more interested in and relied on their own memories of their childhoods (and adulthoods) as opposed to thru the lenses of family; how Andrew melded with his subjects, and how consuming and  surprisingly somatic the experience of writing the book became, leaving him unsure how to re-fill his time once the writing finally ended; how thru writing the book he had to confront his own fears of AIDS, of death, and his insecurities, and the therapist who guided him gracefully through that process; how, despite the book being published by Farrar, Straus and Giroux, he still maintained his full-time job (editor of Frieze magazine), and in fact how much the book strained his finances, as biographies turn out to be expensive endeavors (with almost no opportunity for grants to support them); how the reason that Andrew's book and Ira Sachs' film (Peter Hujar's Day) are coinciding has to do with a hunger for authenticity, including especially a yearning for a time (the '70s) in New York when artists could live together in a community and scrape by financially on whatever they made, a time long-gone but one that even some young people are aware of; iconic writer/cultural critic Susan Sontag's relationships with Peter and Paul, the latter of whom became infatuated with her, and how Andrew showed her as 'an intoxicating' individual, and what that feels like; Paul's complex relationship with his sexuality, to the extent that he often pursued relationships with women, whom he dated quite often but never got serious with, and how sexuality was something he may have tormented himself over; how the actor who played Peter in "Peter Hujar's Day" could never fill Peter's robust shoes, but at the same time how happy Andrew is for how many people the film has brought to Peter's work; the differences between living in New York and London (where he lives now), including how London actually has more in common with Los Angeles in terms of its size and its more deliberate social dynamics whereas in New York you're constantly running into people everywhere; and how he'll finally be ready to transition to his next project once this one if finally done, as it's been such an immersive, somatic experience.

Oscar-winning filmmaker Ron Howard returns to the Cannes Film Festival with "Avedon", a new documentary about legendary photographer Richard Avedon. From "Apollo 13" to "A Beautiful Mind", Howard reflects on a lifetime of storytelling, the changing face of America and the creative curiosity that still drives him after nearly seven decades in Hollywood.

Em 2026, quando Marilyn Monroe completaria 100 anos, a Cinemateca francesa apresenta uma exposição que revisita sua carreira, entre 1946 e 1962. Com figurinos, filmes e arquivos raros, a mostra Marilyn Monroe: 100 anos! conta como a atriz enfrentou contratos abusivos, censura e misoginia no auge de Hollywood. Morta em 5 de agosto de 1962, aos 36 anos, Marilyn permanece subestimada como intérprete, embora continue celebrada como mito absoluto da cultura do século 20. Na Cinemateca de Paris, principal instituição de preservação do cinema na França, a exposição “Marilyn Monroe, 100 anos” propõe um reencontro com uma figura tão conhecida quanto sistematicamente mal compreendida. Longe de repetir o culto fetichista que costuma cercar a atriz, a mostra parte de uma pergunta incômoda: que tipo de estrela hollywoodiana Marilyn foi, de fato, entre 1946 e 1962, no auge do sistema de estúdios dos Estados Unidos? “Posso ser inteligente quando isso importa, mas a maioria dos homens não gosta disso.” Dita em 1953 no filme Os Homens Preferem as Loiras, a frase escrita por Anita Loos e interpretada por Marilyn funciona como senha e síntese. Ela aponta para o paradoxo central de sua trajetória: celebrada como imagem absoluta de desejo, Marilyn continuou sendo tratada como intérprete menor, mesmo quando diretores e colegas reconheciam publicamente sua inteligência e disciplina. Alfred Hitchcock, por exemplo, resumiu a visão dominante ao afirmar que ela “carregava o sexo no rosto”. Henry Hathaway, em sentido oposto, enfatizava “a inteligência de uma atriz extraordinária, que trabalha muito e quer sempre fazer melhor”. Entre esses dois polos, erguia‑se uma carreira curta, filmada em Technicolor, promovida em telas panorâmicas e atravessada por contratos leoninos. No espaço expositivo, a exuberância visual dos anos 1950 se impõe. Materiais publicitários, figurinos, fotos assinadas por Eve Arnold, Richard Avedon e Andy Warhol compõem o retrato de uma indústria que fabricava glamour ao mesmo tempo em que restringia brutalmente a autonomia de suas estrelas. A curadora Florence Tissot explica que seu ponto de partida foi “mostrar qual estrela hollywoodiana Marilyn Monroe era, e o que isso significava na prática”. "No começo, eu confesso que fiquei bem insatisfeita, porque a gente se depara com uma quantidade enorme de análises que acabam sempre voltando para a biografia dela, interpretando – ou até exagerando – a leitura da vida pessoal. No fim, dá um pouco a sensação de que a gente fica girando em círculo. Então tem também essa questão: como se posicionar diante de todos esses relatos. E depois, outra dificuldade que eu senti foi conseguir acesso aos arquivos", afirmou. Estrela de marketing antes de ser atriz A exposição começa pelas imagens de uma jovem ainda chamada Norma Jean Baker, fotografada como pin‑up enquanto trabalhava em uma fábrica ligada à indústria aeronáutica durante a Segunda Guerra. O sorriso ingênuo, o enquadramento sugestivo e os objetos de conotação claramente fálica revelam, segundo Tissot, “toda a hipocrisia dos anos 50”, quando puritanismo e erotização coexistiam sem constrangimento. Os Estados Unidos viviam a ascensão da revista Playboy e a divulgação do Relatório Kinsey sobre sexualidade feminina. Mas, ao mesmo tempo, enfrentavam o rigor do Código Hays, um conjunto de regras morais que regulou o que podia ou não aparecer nos filmes produzidos por Hollywood durante mais de três décadas.  Oficialmente chamado de Motion Picture Production Code, ele entrou em vigor em 1930, mas só passou a ser aplicado com rigor a partir de 1934, quando os grandes estúdios concordaram em submeter seus filmes a uma censura prévia.   Leia tambémTemporada excepcional de leilões pode tornar retrato de Marilyn obra mais cara do século 20 Nesse contexto, Marilyn tornou‑se o rosto perfeito de uma sensualidade aceitável, desejável e, paradoxalmente, domesticada. Mas o estereótipo da “loira burra” embutia uma ideia profundamente misógina: a de que beleza, desejo e inteligência não poderiam coexistir em uma mulher. A própria Marilyn denunciou isso em uma rara entrevista à NBC, em 1955, ao afirmar que “as pessoas associam as loiras, verdadeiras ou falsas, à estupidez. Não sei por quê. É uma visão muito limitada”. Ainda assim, esse rótulo estruturou boa parte de seus papéis iniciais. Trabalho, estudo e um talento subestimado Ao contrário da imagem de improviso, Marilyn estudou intensamente, antes mesmo de ingressar no famoso Actor's Studio, em Nova York. "Na verdade, desde o começo ela já fazia aulas, por vontade própria. Estudou canto, dança, interpretação e mímica e pantomima", conta Florence Tissot. "Isso não é muito conhecido, mas é importante lembrar, sobretudo diante dessa imagem de atriz meio inconsequente que se criou em torno dela. Na prática, ela queria ser uma boa atriz – isso era fundamental para ela. Era uma pessoa muito determinada", aponta a curadora. Em filmes como Quando a Cidade Dorme e A Malvada, ambos de 1950, Marilyn aparece pouco, mas críticos como James Naremore identificam ali uma intérprete capaz de condensar medo, raiva, sedução e vulnerabilidade em poucos segundos. “Mesmo com cenas breves, ela empurra os limites dos personagens que lhe eram oferecidos”, observa Tissot. Essa dedicação raramente foi reconhecida. As histórias de bastidores, quase sempre narradas do ponto de vista dos diretores homens, consolidaram a imagem de uma atriz atrasada, indisciplinada e emocionalmente instável. Billy Wilder foi um dos que mais vocalizaram esse discurso, ecoado com especial força na crítica francesa do pós‑guerra. Contratos abusivos e uma batalha desigual Em 1953, no auge do sucesso de Os Homens Preferem as Loiras, Marilyn recebeu um salário significativamente menor que o de Jane Russell, sua parceira de cena. Os contratos de exclusividade de sete anos davam aos estúdios o poder de decidir se e quando uma atriz trabalharia. “Eram contratos abusivos”, afirma Tissot, “e Marilyn foi muito mal remunerada durante grande parte da carreira”. A partir de meados da década, ela passa a renegociar. Luta por salários mais altos, pelo direito de escolher papéis e diretores, e cria sua própria produtora. Conquista vitórias parciais, mas nunca alcança a autonomia de estrelas como Mae West. Mesmo em seu último projeto, Something's Got to Give, Marilyn ganhava menos que colegas homens e menos que Elizabeth Taylor. O preço dessa rebeldia foi alto. Segundo Tissot, a indústria responde com um backlash: a loira ingênua cede lugar à mulher neurótica, problemática, instável. Filmes como A Loira Explosiva ridicularizam justamente sua tentativa de se emancipar. Leia tambémLivro publica confissões e trechos de diários de Marilyn Monroe Entre a transgressão e o castigo A cena da saia branca levantada pelo metrô, em O Pecado Mora ao Lado, sintetiza esse conflito. Filmada em 1954, diante de milhares de curiosos, ela violava simbolicamente o Código Hays e gerou uma das imagens mais reproduzidas da história do cinema. Tissot optou por abrir a exposição não com o vestido da cena, mas com fotos da multidão, sublinhando o caráter espetacular e exibicionista da operação. A imagem eclipsou o próprio filme. “O material promocional da estrela passa a se sobrepor à obra”, observa a curadora. Marilyn era, ao mesmo tempo, instrumento de transgressão e alvo de punição moral. "No fundo, isso mostra toda a complexidade que envolve uma estrela como a Marilyn Monroe. Na França, algo parecido aconteceu com a Brigitte Bardot. É uma década cheia de contradições: ao mesmo tempo em que começa um movimento de emancipação das mulheres, existe um discurso constante que reduz essas figuras à sexualidade. E, no contexto norte-americano, isso se soma a um certo puritanismo. Então fica claro que a imagem da Marilyn Monroe está presa nessa espécie de armadilha", analisa Tissot. Nos anos finais, em filmes como Quanto Mais Quente Melhor e Os Desajustados, a vulnerabilidade passa ao primeiro plano. Sua morte, em 5 de agosto de 1962, aos 36 anos, encerra a carreira e inaugura outra coisa: a administração incessante de seu mito. Um mito sem arquivo A curta carreira e a morte precoce dificultaram o trabalho histórico, segundo a curadora. Os pertences de Marilyn foram leiloados e se dispersaram por coleções privadas. Contratos, cartas e objetos raramente estão acessíveis. “Isso explica por que as lendas continuam tão fortes”, diz Tissot. “Há excesso de discurso, mas pouco acesso aos documentos.” A exposição, ao contextualizar imagens, filmes e discursos, não busca absolver nem vitimizar, e, segundo a curadora, pretende recolocar Marilyn Monroe como sujeito histórico, atriz trabalhadora e figura central para entender como Hollywood fabricou suas estrelas – e como as descartou. A mostra fica em cartaz em Paris até 26 de julho de 2026.

Elisabeth Biondi joins Heart of The East End with Gianna Volpe on WLIW-FM to discuss curating The Church Sag Harbor's “A Thousand Words: Photography at The New Yorker” exhibit running through May 3 featuring images by legendary photographers on staff at The New Yorker during Biondi's 15 years as the magazine's visuals editor: Richard Avedon, Ruvén Afanador, Mary Ellen Mark, Gilles Peress, Sylvia Plachy, Platon, Robert Polidori, Steve Pyke, Martin Schoeller and Max Vadakul.Listen to the playlist on Apple Music

« Je peux être intelligente quand c'est important, mais la plupart des hommes n'aiment pas ça. » La célèbre réplique des hommes préfèrent les blondes de Howard Hawks (1953) pourrait, dans un sens, bien résumer les choses : Marilyn Monroe affronte l'impitoyable système des studios pendant sa courte carrière d'actrice à Hollywood (1946-1962) et reste aujourd'hui autant déconsidérée, comme interprète, qu'adulée en tant que star. Du fait de ses possibilités scénographiques, l'exposition est particulièrement appropriée à l'opulence visuelle que Monroe cristallise dans les années 50. Sa trajectoire à l'heure du Technicolor et de l'écran large s'illustre par le matériel publicitaire glamour, la garde-robe sexy, les portraits d'artistes de renom (Eve Arnold, Richard Avedon, Andy Warhol...) mais aussi les actualités analysant chaque décision de la célébrité. Ou commentant sa disparition qui ouvre, à l'âge de 36 ans, le spectaculaire chapitre de « sa vie » post mortem. Cet héritage est célébré dans une installation inspirée de la culture ballroom que Madonna – incarnation de la pop culture dans sa capacité à s'approprier les tendances pour les faire rayonner – popularise bien avant Drag Race. Avec nous pour en parler : - Florence Tissot, commissaire de l'exposition « Marilyn Monroe » - Ginette Vincendeau, historienne du cinéma.

Jock McDonald is a fine art photographer who incorporates woven images, video projection and lenticular printing into his works. (You may have seen them hanging in an airport or projected on the side of a building.) In this episode of Dyslexic Design Thinking, Jock discusses the inspiration behind his most ambitious photography projects, the Richard Avedon anecdote that influenced his approach to portraiture and his experiences living and working with dyslexia.In this episode:Jock McDonald's websiteCraig FrazierAl Farrow“The Duke and Duchess of Windsor, Waldorf Astoria, Suite 28A, New York” by Richard Avedon“Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters” by David Hockney

Richard Avedon: El Hombre que le dio Alma a la Moda no solo fotografió ropa, fotografió personas reales con emociones reales. En este video exploramos cómo Avedon rompió con la rigidez de la moda clásica para introducir movimiento, tensión y humanidad frente a la cámara. Analizamos su estilo, su forma de dirigir a los modelos y por qué sus retratos siguen siendo una referencia obligatoria para fotógrafos de retrato, moda y arte contemporáneo. Si usted quiere entender cómo la fotografía puede contar historias profundas incluso dentro del glamour, este episodio es para usted. Acompáñenos a descubrir el legado visual de uno de los fotógrafos más influyentes del siglo XX y cómo sus imágenes siguen inspirando a nuevas generaciones detrás del lente.#RichardAvedon#FotografíaDeModa#HistoriaDeLaFotografía#RetratoFotográfico#FotógrafosLegendarios#ModaEditorial#FotografíaArtística#IconosDeLaFotografía#FotografíaProfesional#FotógrafoPro

Anjelica Huston has lived many lives, all with grace and charisma. As the daughter of John Huston (director of The African Queen, The Maltese Falcon, and more) she was movie royalty from birth. But she grew up in rural Ireland and went to high school in Swinging-Sixties London. That meant she developed a set of values far removed from Hollywood high society. Her first career was as a high-end fashion model, a favorite subject of Richard Avedon and later a muse of Halston. But she had always wanted to be a movie actress, and she spent time in the trenches, working on her craft in classes and smaller roles before her Oscar-winning turn in Prizzi's Honor. Right as she was leaving the photo studio for the movie studio, she met Jack Nicholson: "he made me laugh," she tells Alec. The couple defined Hollywood cool for almost two decades. Huston tells Alec the story of all of her transitions -- romantic, professional, and geographic. Her two wonderful memoirs are A Story Lately Told and Watch Me. Originally aired April 7th, 2020. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Fifteen years of quarterly magazine Delayed Gratification, US writer EA Hanks discusses her debut memoir, The 10, and we meet the curator of a new exhibition dedicated to celebrated photographer Richard Avedon.See omnystudio.com/listener for privacy information.

In diesem Beitrag geht es um Vorbilder in der Fotografie. Wie sie uns prägen, wie sie uns begleiten und wie wir sie aussuchen. Die im Beitrag genannten Fotografen:Brittany Markert , J. Konrad Schmidt, Oliver Rolf, Jan Saudek, Richard Avedon, David La Chapelle, Nobuyoshi Araki, Martin Parr, Martin Schoeller, Sarah Moon, Ansel Adams, Vincent Peters, Kristian Schuller. Wir sprechen in diesem Podcast über Fotografie und ganz im Speziellen geht es hier um Kreativität, Inspiration, Möglichkeiten der Ausbildung und Tipps für das eigene Business. Es geht darum, wie man sich eine fotografische Persönlichkeit entwickeln und aufbauen kann und ich möchte mit Fotografen Interviews zu diesen Themen durchführen und Sie damit auf ihrem Weg ein Stückchen weiter bringen. Ein großer Schwerpunkt ist dabei die analoge Fotografie. Ein Podcast aus dem XLAB von und mit Rüdiger Schestag und Johannes Koch www.ruedigerschestag.de www.studio-tow-7.de Workshops: https://www.studio-tow-7.de/shop/ https://www.ruedigerschestag.de/workshops/

Paul Mobley and Ian Spanier have much in common: from starting their respective careers in New York City before relocating to the West Coast, to their knack for forging a human bond with portrait subjects, to an unrelenting drive to generate ambitious commercial assignments while being equally dedicated to complex personal projects.  In today's podcast, Paul and Ian compare notes on their photographic journeys from coast to coast, while discussing their shared inspiration for 20th century portrait masters such as Irving Penn, Richard Avedon, and in Ian's case, Harry Benson. A few of the key points covered: Secrets to becoming invaluable as a photo assistant; how no one can ever out hustle a New York photographer; and while great gear is important for reliability, what's more essential is to engage with your subject and shoot for feeling And, when it comes to surviving as an artist amid the latest media challenges, Paul adds a heartening note to the end of our chat: "You know, if we go back to what we started talking about: these pictures are made with our hearts and our minds, AI can never replace that. And if people want to hire us, they really want to know what's inside of us, so for that reason alone, I'm not worried." Guests: Paul Mobley & Ian Spanier Episode Timeline: 3:50: Paul's decision to move from Detroit to New York City after college and his early years as a photo assistant. 7:44: Ian's early photo journey through high school, college, and working as a photo editor in the publishing industry. 10:28: The influence of 20th century master portraitists such as Irving Penn, Richard Avedon, and Harry Benson.  15:28: Comparing the photo industry vibes of New York and Los Angeles. 22:11: The business of being a professional photographer: 10% taking pictures, 90% putting out fires and taking care of business. 28:40: The importance of gear in developing a style—equipment is secondary to what comes out of your heart, your mind, and your eye.  36:44: Episode Break 37:20: Preparation for a portrait shoot, getting the keywords for what a client needs and getting in front of a portrait subject.  43:32: Top challenge—Getting around the gatekeepers to get time with your subject. 49:35: The famous subjects at the top of Paul and Ian's bucket lists.  56:11: Personal projects and what this work lends to Paul and Ian's output.   1:01:44: Staying relevant in today's commercial marketplace, the value of past work, and the influence of hybrid media to getting new jobs. 1:06:38: The question of generative AI in today's creative economy—it's all about adapting, but AI can never replace what's in our hearts and our minds. Guest Bios: Paul Mobley is the quintessential portrait photographer, with a career that bridges high-profile commercial work and deeply human documentary projects. After formal photo training in college and years assisting top image-makers, he developed a clean, direct style rooted in precision and genuine engagement with his subjects. Paul's commercial portfolio includes celebrities, athletes, and major brands, yet his approach remains consistent across both commercial and personal projects: Build trust, find authenticity, and create portraits that capture the soul of his subjects by combining technical clarity with emotional depth. Additionally, he is widely recognized for his long-form documentary books, projects that have taken him across the United States to photograph ordinary people—farmers, centenarians, firefighters, and community heroes—whose stories often go unseen.  Paul splits his time between New York and Los Angeles, where he lives with his wife, Suzanne, and their rescued shar-pei, Jessie. In his spare time, he loves traveling, especially to Mexico, sampling tequila; and visiting Michigan to eat his mother's Italian cooking. In March 2026, Paul will be the first photographer ever to be awarded an Honorary Doctorate degree by his alma mater, The College of Creative Studies in Detroit. Website: https://www.paulmobleystudio.com/  Ian Spanier began making photos at age six, with a point-and-shoot camera received from his parents. A photo major in college, he started out in publishing, where he worked as a photo editor for 13 years, but making pictures never left him. He taught himself to shoot with medium and large formats, in addition to learning lighting techniques. These methods did the trick because Ian has since established a long and distinguished client list within editorial, corporate and entertainment industries.  He has also published several books, including Playboy, A Guide to Cigars, Arturo Fuente: From 1912, Local Heroes: America's Volunteer Fire Fighters and, most recently, Cigars: A Biography, featuring nearly two decades of his work in the cigar industry.  Ian is a brand ambassador for Westcott Lighting, Spider Holster, Tether Tools, ThinkTank, Evoto AI, and several other brands. Additionally, he regularly lectures and creates video content for Canon, B&H Photo, and PP of A.  Previously a New York resident, Ian now lives with his family in sunny California, although his work still takes him around the world. Website: https://www.ianspanier.com/  Credits: Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens  

This week, we herald the coming of the Pastel Grunge Revival, a new wave of candy-colored femininity characterized by an eclectic and deliberately unsettling fusion of childlike innocence and overt sensuality. We discuss the style's influences— soft grunge Tumblr imagery, cartoon nostalgia, Harajuku fashion, sex worker style, and more— and unpack the social functions of age regression, self-objectification, and homosocial fantasy that resonate with young women online. We also provide a brief overview of pastels in visual culture from the 1950s to present, and we explore the myriad reasons why this aesthetic emerged from Los Angeles in particular. Special thank you to Monica @finalformfemale for this episode idea!!Links:Image boardAshley Williams – Vogue Runwayf5ve – I Choose You (Official MV)PGR It Girls and Creative Forces Masterlist: Mazzy Joya, Savannah Hudson, Miss Madeline and Chase Icon, Cannelle, ADÉLA, Manon Macasaet, Lexi Kingery, Kennedy Dechet, Natasha Somerville, Aerin Morenoshopbluedream.us and follow @shopbluedream on instagram for an inspired selection PGR clothingMisc. PGR brands: Lovett, OGBFF, OMIGHTY, Poster Girl, I.AM.GIA, Poison Candy Apple, WeedSlutTikToks of girls posting their younger selves to sad songs Accidentally getting a job as a stripper in Japan TikTok storytimefakemink - Easter Pink (Prod Suzy Sheer) (Official MV)Rhode remakes Richard Avedon's iconic Versace 1994 campaignOG Soft Grunge It Girls: Joanna Kuchta, Shelby Hamilton aka meowshelbs, Erika Kamano fka Erika BowesGwen Stefani and the Harajuku Girls (2005)Nicki Minaj explains Harajuku Barbie (2009) (+ Nicki's iconic pastel necklaces by ONCH)Rapper CeeChynaa shows off her vintage doll collection This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.nymphetalumni.com/subscribe

Visuals: https://getbehindthebillboard.com/btb-100Yes folks it's here. Episode #100!! It's been an incredible time, 100 episodes over six years. Thank you so much to all our amazing guests and listeners for being with us on this journey. It's been rewarding, inspiring and many other things. And it feels like we're just getting started. 2026 is going to be full of great guests and more adventures. But for now sit back with a tipple of your choice and enjoy Sir John Hegarty counting down the greatest billboards of all time, as chosen by the people that write them. Our guests comprise conservatively over 2000 years of experience in the industry so in our humble opinion look nowhere else for your top 100.BBH features many times, so we took the opportunity to discuss BBH past and present with Sir John. Levi's was obviously prominent with the black sheep billboard at number 20. We got behind the story of when the world zigs, zag. Plus a funny bonus story told about the Richard Avedon campaign and how the scrawled headlines came about after Heg told art director Martin Galton his original typography was ‘fucking shit'. Martin left the review in a fit of rage and returned minutes later with three hand written headlines and slung them onto Heg's desk. And the rest is history.We did the no logo debate, discussing whether brands have gone too far in reductive executions.We chatted about how originating a campaign is like launching a rocket - it's the first 6 seconds that count. We went over long running campaigns such as Silk Cut, Economist and Specsavers and pondered why there's a lack of these any more.And of course Sir John revealed the winner.It's an immense collection of work and one sure to fuel debate. Feel free to agree / whoop from the sidelines / add heart emojis. Or rage at what isn't in there / or what was actually a press ad / or what actually ran or not?! It's a brilliant way to sign off the year.A few final thanks to Jon Jones for being a starDitto Rob. And of course huge appreciation for our sponsors:Bauer Media OutdoorView2FillSuper OptimalGAS Music

In this episode of The Mentors Radio, Host Tom Loarie talks with Michael Collopy, one of the preeminent portrait photographers of our time — a man whose camera has revealed the inner soul of saints, world leaders, Nobel Peace laureates, and some of the most recognizable entertainers on the planet. Over 45 years, he has photographed six U.S. presidents, 37 Nobel Peace Prize laureates, and hundreds of global icons — and in the process, he has observed patterns of character, humility, ego, joy, and loneliness that very few people ever get to see up close. Michael Collopy is self-taught, yet mentored by giants like Ansel Adams and Richard Avedon. His life's work has taken him from Mother Teresa's streets of Calcutta, to Pope John Paul II in Mexico City, to Nelson Mandela, to the Rolling Stones in Paris, and everywhere in between. In this episode, you’ll discover what Michael has learned about people — about what truly distinguishes the great from the merely famous, the fulfilled from the restless, and the peacemakers from the performers.  LISTEN TO the radio broadcast live on iHeart Radio, or to “THE MENTORS RADIO” podcast any time, anywhere, on any podcast platform – subscribe here and don't miss an episode! SHOW NOTES: MICHAEL COLLOPY: BIO: https://www.michaelcollopyphotography.com/about/ BOOKS: Courage, by Michael Collopy (Limited Edition, 2020) Architects of Peace: Visions of Hope in Words and Images, by Michael Collopy Works of Love are Works of Peace, by Michael Collopy WEBSITE: https://www.michaelcollopyphotography.com “Michael has consistently shown sensitivity in his work, and it appears that the Muse rests lightly on his shoulder for his work captures the essence of his subjects.”    – DR. MAYA ANGELOU

PHOTOGRAPHER MONK. Nicholas Vreeland, also known as Rato Khensur Thubten Lhundup, is a Tibetan Buddhist monk and the former abbot of Rato Dratsang, an important 14th-century Tibetan Buddhist monastery reestablished in India. The first and only Westerner the Dalai Lama has appointed Abbot of a Tibetan Buddhist monastery, he is a photographer who learned his craft as an assistant to Irving Penn and Richard Avedon. "Once you are a monk, you may receive a teaching from a holy being, a lama or master, on techniques by which you can cultivate concern for others and diminish self-cherishing." "The real person whom I have to remain vigilant over is myself." "The emphasis should be on being a good person."

Rune Lykkeberg taler i denne uge med den amerikanske forfatter og fredsforsker David Cortright om muligheden for fred i en verden, hvor alle opruster og taler om krig --- Krigen rumler i baggrunden, imperativerne om oprustning er alle vegne, og statsministerens 'køb, køb, køb' ligger som en højtaler hen over nationen. Men i Langsomme samtaler insisterer vi på at tale om mulighederne for fred og konfrontere de store trusler gennem fredsforskningens optik. I vores miniserie af 'Langsomme fredssamtaler' taler Rune Lykkeberg i denne uge med amerikaneren David Cortright. Han har skrevet en af de bedste bøger om fredsbevægelsernes historie, Peace: A History of Movement and Ideas fra 2008. Men også hans personlige historie er vævet ind i fredsbevægelsen.  David Cortright blev færdig fra universitetet i 1968, samme år, som han blev indkaldt til militærtjeneste, og Vietnamkrigen var på sit højeste. Han tilhører en generation af soldater, som også blev fredsaktivister – og faktisk blev David Cortright ligefrem et ikon for fredsbevægelsen, da han poserede på en berømt anti-Vietnam-plakat af stjernefotografen Richard Avedon i uniform med en fredsdue i hånden. David Cortright har været aktiv i fredsbevægelsen i over et halvt århundrede og har vejledt regeringer, deltaget i fredsprocesser og lavet forsoningskommissioner. Han har oplevet fredsbevægelsernes storhedstid i 70'erne og 80'erne, men også deres nedgangsperiode. I løbet af samtalen diskuterer Rune Lykkeberg og David Cortright, hvordan man kan skabe momentum for fred i dag, og hvad man kan lære af fredsbevægelsernes fiaskoer. Og så taler de også om, hvordan man kan håndtere en krig som den i Ukraine: Hvad gør man som fredsforsker og fredsaktivist over for en krigsfører som Putin, der ikke vil freden og bruger krigen som sin metode? 

Helen Whitney is an Oscar nominated, and Emmy and Peabody award-winning, producer, director and writer of documentaries and feature films. Her subjects have included youth gangs, presidential candidates, the McCarthy era, mental illness, Pope John Paul II, Great Britain's class structure and photographer Richard Avedon. She's worked with actors like David Straithern, Brenda Fricker and Estelle Parsons. Her works have been featured prominently on PBS, HBO and ABC. Helen has received numerous prizes and awards. She is a Woodrow Wilson Fellow and has presented her films and lectured at universities, museums and churches and seminaries around the country.My featured song is “Hollywood” from the album The PGS Experience by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH HELEN:www.helenwhitney.com—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

A MODERN FORM OF WORSHIP—Name the five photographers who, more than any others, defined the dramatic shift in the approach to magazine photography in the late eighties and early nineties. There's Herb Ritts, Bruce Weber, Steven Meisel. Richard Avedon, of course. Who's missing? I'm getting to that.Today's guest was discovered while still a student at ArtCenter College of Design in Los Angeles, by Andy Warhol no less, whose upstart (and budget-deficient) team at "Interview" couldn't afford to send a crew to LA for a shoot. His first subject, newbie director Steven Spielberg, launched his photography career, and soon he was shooting for every magazine you could imagine.We're talking, of course, about Matthew Rolston. He, and his fellow rebels, changed everything by bringing both a sensuality and a sexuality to newsstands that big publishing hadn't seen before. Readers ate it up. Ask him to explain this transformation and you'll get a hot take that will completely change how you think about media and celebrity:“I think glamour—and glamour photography—is a substitute for god and goddess worship. The altar is the photo studio. So the goddess comes to the dressing room like she would've come to the preparation chamber of a temple. She's anointed with oils and potions—that would be the hair and makeup team. She's dressed in symbolic raiment—that would be the styling. And she's led to the altar where the adherents kneel before her—that would be me on the floor with my camera. It is really the same thing. It's just a modern, twisted version of the same impulses that we have to idolize people and worship them.” Just this year ArtCenter, his alma mater, presented the photographer, director, author, artist, and educator with its prestigious Lifetime Achievement Award, honoring both his creative legacy and his role as a mentor to the next generation. It's the perfect moment to look back on his remarkable career, and to hear directly from Rolston himself.Our Anne Quito caught up with Matthew in the lead up to the premiere of an evocative new body of work, "Vanitas: The Palermo Portraits," a site-specific installation at ArtCenter, which premieres this weekend.—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

Beau Simmons has been a professional photographer since 2009. Initially known for his work as a fashion photographer, collaborating with renowned brands like Marc Jacobs, Guess Jeans, and Converse, he became a sought-after photographer for top modeling agencies like Elite Models, IMG, and Ford Models. However, Beau's heart lies in the Western lifestyle and the beauty of the American landscape. Transitioning away from fashion, he now focuses on capturing the essence of this culture through medium and large-format film photography. He has worked on some of the largest ranches in the United States, both on and off horseback, documenting the lives of cowboys across diverse landscapes. Inspired by masters like Richard Avedon, Slim Aarons, and Steven Shore, his work evokes nostalgia and emotion, preserving authentic moments from a forgotten era. A strong advocate for veterans, Beau's storytelling culminated in his first coffee table book, The Twenty-Year War, created in collaboration with combat veterans, followed by a traveling exhibition in various museums after its release in 2021. He actively supports numerous causes, including cancer research, partnering with organizations like The American Cancer Society and the Careity Foundation. His collaboration with writer and Director of the hit television series Yellowstone, Taylor Sheridan, unveiled the timeless allure of the Four Sixes Ranch, offering an indelible tribute while championing cancer support services. In just three years as an artist, Beau showcased his work at Art Miami, one of the world's largest art fairs, where he gained significant recognition and established a strong presence in the art community. This experience has since opened doors for further leading art fairs, exhibitions, and collaborations, allowing him to share his unique vision with a broader audience. His dedication to authenticity and storytelling continues to inspire, paving the way for new and exciting opportunities in the art world. Beau Simmons Photography: https://www.beausimmonsphotography.com/ Today's Sponsors: Black Rifle Coffee: https://www.blackriflecoffee.com Incogni: Use code "clearedhot" at https://incogni.com/clearedhot to get an exclusive 60% off. 

What does it mean to be naked, in body or in spirit? Why has human nudity so often been revered, feared, sexualized, or weaponised?  This episode was recorded on July 17 - International Naked Day. Our guest Philip Carr-Gomm is a writer, psychologist, spiritual teacher, and for 30 years, leader of the Order of Bards, Ovates and Druids—one of the largest Druid organisations in the world.   His book A Brief History of Nakedness (Reaktion, is a rich, wide-ranging exploration of the role nudity has played in religion, protest, art, and performance, from the ancient world to the modern era. He takes us through everything from Christian flagellants and naked monks to contemporary naturists and political activists who've used nudity to make bold statements. We get into all that, into druidry, the difference between being naked and nude, Lady Godiva, naked Counterculture, Adam and Eve, John and Yoko, Breasts not Bombs, The Naked Rambler - and streaking. And Philip tells why we should all get our kit off and shares some tips on how to get more naked… Allen Ginsberg by Richard Avedon #counterculture #johnandyoko  #naked #nakedness #nude #nudity #naturist #druid #druidry #streaking #ladygodiva #breastsnotbombs #OBOD #nakedrambler

About This Episode For over 100 years, teens from throughout the country have participated in a storied American tradition – the Scholastic Art & Writing Awards. Originally conceived in 1923 as a way to celebrate student artists at a time when most awards focused on athletic achievements, the Awards have gone on to become the nation's longest-running scholarship and recognition program for creative teens and have served as the launching pad for some of the most well-known and respected artists and writers of the last century, including the likes of Robert Redford, Sylvia Plath, Richard Avedon, Andy Warhol, Joyce Carol Oates, John Updike, Zac Posen and Amanda Gorman. In today's episode, host Billy DiMichele is joined by Chris Wisniewski, Executive Director of the Alliance for Young Artists & Writers, Karlotta Frier and Anyango Mpinga, two professional artists and national jurors for the 2025 Scholastic Awards, and Nia Cao, a teen writer and recipient of the 2025 New York Life Award, a sponsored Scholastic Award that recognizes outstanding works dealing with grief. Each of these interviews will explore a particular component of the Scholastic Art & Writing Award—from a work first being submitted through to a national winner taking a bow on the incomparable stage of Carnegie Hall. Listen to hear more about what makes a program like the Scholastic Art & Writing Awards so special, so enduring, and so necessary. Resources About the Scholastic Art & Writing Awards: https://www.artandwriting.org/ About the Alliance for Young Artists & Writers: https://www.artandwriting.org/the-alliance/ About the New York Life Award: https://www.artandwriting.org/scholarships/new-york-life-award Gallery of teen work recognized in the 2025 Scholastic Art & Writing Awards: https://www.artandwriting.org/gallery/ More listening: Scholastic Reads! Celebrating 100 Years of the Scholastic Art & Writing Awards Highlights Chris Wisniewski, Executive Director of the Alliance for Young Artists & Writers “More than anything else, when we talk to teenagers and ask why did you enter the program? It was really about the opportunity to share their work, to have their work celebrated, particularly in their home communities, or even on the stage of Carnegie Hall. That's a really extraordinary thing for a young person who's at a crucial moment in their creative development and really thinking about what's next for them. So that recognition is really important.” “We also see the Scholastic Awards as being almost like a big national tailgate party for art and culture. What we're doing is bringing communities together all around the country to celebrate these young people who are doing extraordinary things in their art and writing.” “When you think about the fact that one out of every four high schools in the country has a young person who enters this program, we can rightfully say that we are conducting a celebration of creative teens on a truly national scale. And when we award 2-3,000 national medals, that really is a recognition of some of the very finest creative work that has happened anywhere in this country over the past year by teenagers.” “With 103 years of Scholastic Awards under our belt, that makes us a unique repository of teen creativity. We can tell a story about what young people were thinking about, and what was on their minds when they were making art and writing over the course of these past 100 years, and that's something that's unique to this program.” “The work that I find tends to resonate most powerfully with our jurors is the work that expresses a unique point of view. So young people who have the courage to really put themselves out there and to go beyond a classroom assignment or a sense of the expected, that's always the best path, not just to winning a Scholastic Award, but to really developing as a creative. To remember to always be true to yourself first.” Karlotta Frier, professional artist and 2025 national juror [On what intrigued her about participating as a juror] “I got invited and didn't know it was going to be so much fun and feel so important to me…Winning an award was really important to my path…and that experience of being seen by someone else other than my mom who always believed in me this whole time, but somebody else, in New York [meant] maybe I can do this.” Anyango Mpinga, professional artist and 2025 national juror [On the message she would want Scholastic Awards participants to hear] “I just want them to know that their voice is valid and to not change for anyone…If you're really connected to who you are, and this is your creativity, the best thing you can do for yourself is cultivate that creativity and become even better than you were yesterday, and stick to it, and make that your voice…you have to stick to your guns, and you have to fight for yourself.” _Nia Cao, teen poet and recipient of the 2025 New York Life Award _ “[My poem] was a really important work to me, and it was the first time that I processed [my uncle's] death. Applying for the New York Life Award, it wasn't something that I hesitated about. This is something that really resonates with my poem and with my work, and I think it was something that really tied into his legacy.” “It's validating to be acknowledged and know that my poem resonated with someone, and it feels as if the judges are saying to me, ‘I see you, I hear you.'” Special Thanks Producers: Allyson Barkan and Anne Sparkman Sound engineer: S. Shin Music composer: Lucas Elliot Eberl

For The New Yorker's series Takes, Carrie Brownstein—the co-creator of Sleater-Kinney and “Portlandia”—writes about an iconic rock-and-roll image. In the summer of 2003, the musician Chan Marshall, better known as Cat Power, was transitioning from an indie darling to a major rock artist, and the staff writer Hilton Als wrote a Profile of her in The New Yorker. Facing his piece was a full-page portrait of Marshall by the celebrated photographer Richard Avedon that puts her in the lineage of rock rebels of generations past. With a long ash dangling from her cigarette, a Bob Dylan T-shirt, and her jeans half unzipped, Cat Power “maybe doesn't give a shit about being in The New Yorker,” Brownstein thinks, “which I can't say is usually the vibe.” Avedon's image reminds Brownstein “to keep remembering … to keep going back to that place that feels sacred and special and uncynical.” Carrie Brownstein's Take on Richard Avedon's portrait of Cat Power appeared in the April 20, 2025, issue. Plus, audiences have been bemoaning the death of the romantic comedy for years, but the genre persists—albeit often in a different form from the screwballs of the nineteen-forties or the “chick flicks” of the eighties and nineties. On this episode from the Critics at Large podcast, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss their all-time favorite rom-coms and two new projects marketed as contemporary successors to the greats: Celine Song's “Materialists” and Lena Dunham's “Too Much.”

Melissa Newman is a vocalist, teacher, writer and artist who works primarily in porcelain and stoneware. She has shown work in galleries around the Northeast.  After enjoying a lucrative jingle career she continues to perform frequently with her jazz trio. Melissa spent almost 20 years volunteering and working with the inspiring women at Bedford Hills correctional facility, teaching visual and performing arts there and in other communities. She recently co-edited and designed a coffee table book about her parents, Joanne Woodward and Paul Newman, Head Over Heels, a Love Affair in Words and Pictures published by Little Brown. On the heels of the HBO Max docuseries The Last Movie Stars on Paul Newman and his wife, Joanne Woodward,comes an extraordinary and deeply personal new look inside their private life, affectionately curated by their daughter Melissa Newman. In the lush, illustrated book, HEAD OVER HEELS: Joanne Woodward & Paul Newman: A Love Affair in Words and Pictures (Little, Brown Voracious; October 10, 2023; Hardcover), we are offered a fresh perspective on these storied legends, putting their relationship front and center. Joanne Woodward and Paul Newman became not only movie stars and stage actors, but also artistic collaborators, political activists, and philanthropists whose legacies are expansive and enduringly modern. They are one of America's most indelibly iconic couples and while their love story wasn't always a fairytale, it is the stuff of Hollywood legend. With over 280 photos, including many that have never been published, and text by the book's subjects, all compiled in a luxurious 10”x12” hardcover, the book will be the perfect gift for anyone interested in Hollywood, or in simply celebrating the enduring power of love. Melissa Newman, who purchased her childhood home from her parents, writes in her preface: “In every closet are bags and boxes, layers of ephemera stretching back to the Cretaceous era. Theirs, mine, a sea of words and images.” The book is chock full of handwritten love notes, snapshots and letters; family treasures that have never been released They offer an intimate view of these towering figures in American public life. Along with photographs taken of each other there are well over two hundred taken by some of the most celebrated photographers of our time: Richard Avedon, Sid Avery, Ralph Crane, Bruce Davidson, John Engstead, Leo Fuchs, Milton H. Greene, Philippe Halsman, John R. Hamilton, Leonard McCombe, Gordon Parks, Sanford Roth, Roy Schatt, Lawrence Schiller, Sam Shaw, Bradley Smith, and David Sutton—and  family snapshots capturing candid and telling moments. The photos beautifully illuminate the connection between two complex, passionate artists who opened their hearts and minds to each other for over half a century.Not only will lifelong fans of Paul and Joanne have their love affair with the couple rekindled, but a whole new generation of fans are poised to be drawn into a love affair with Hollywood's golden couple. This book is Melissa's heartfelt gift to her parents—and to all of us.

"The limitations of photography are in yourself, for what we see is only what we are." -- Ernst Haas   "A photographic portrait is a picture of someone who knows he is being photographed." -- Richard Avedon   In this episode, Ward opens with a deep dive into his Lightroom library, explaining how “hunting” for decisive moments differs from “fishing” for happy accidents—and proving the point with a newly-found two-way-mirror shot in Japan that almost became digital landfill. The chat drifts into portrait philosophy via Richard Avedon, landing on the idea that real power often comes from stripping a set-up down to tripod, subject, and nerve.   Next up is Fuji's just-announced X-Half.  Antonio admits he's already on the preorder list, while Ward likes the film-advance lever but winces at the price.  The boys agree its JPEG-only, half-frame design is less a beginner's toy than a deliberate hand-cuff for photographers who enjoy working inside tight creative fences—much like the old Fuji GA645 or Antonio's beloved X-Pro3 .   Antonio contemplates using his medium format Fuji for big-sensor portraits once he touches down in Nebraska, while Ward packs a Rolleicord TLR for some square-format rodeo portraits. On the lo-fi end, Antonio bolts a recycled disposable-camera lens onto his tiny X-M5, declaring that “expectations set to fun” is a perfectly valid image-quality setting for his upcoming road trip.   The episode rounds out with a vintage-photo detour: Antonio uncovers a century-old log-cabin print, and Ward feeds it to ChatGPT, which promptly pinpoints its location and time period. Maybe. That sparks a brainstorm on turning unlabeled family prints into a themed zine instead of consigning them to attic oblivion or the trash.     Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

durée : 00:02:03 - L'Humeur du matin par Guillaume Erner - par : Guillaume Erner - Guillaume Erner rend hommage au travail plein de vie de Richard Avedon. - réalisation : Félicie Faugère

Have you ever wondered how the “Got Milk?” campaign was started or what it was like to work with the celebrities and the celebrity photographers who helped make the campaign? Well, Bernie Hogya can tell you all about it because he was there from the beginning, all the way to the last frame. And that campaign reversed a 30-year decline in milk sales and became a pop culture phenomenon. In his career, he has worked with celebrities like Taylor Swift, Elton John, Van Halen, Tom Brady, Steven Tyler, Harrison Ford, The Rock and so many more. He also worked with photographers like Annie Liebowitz, Richard Avedon, David LaChapelle, Herb Ritz, and more. Bernie is one of the elites when it comes to being an Art Director and Creative Director in Advertising. Led creative on The Foundation For A Better Life, cited by the OAAA as “The most successful public service campaign in the history of outdoor advertising.” We discuss his band in High School being the first Kiss tribute band ever, how he started out working at Marvel Comics and hid names of friends in the pages of the comic books, what it took to get Annie Liebowitz to agree to be the first “Got Milk?” photographer and what her process is like for a shoot. He also has some great advice for up-and-coming art directors, or anybody really, and we talk about what he's doing now, plus so, so much more. There are some really great stories and behind the scenes information in this episode.So take a listen and let me know what you think.Be sure to Like it, Share, Subscribe and Comment!

durée : 00:14:02 - Les Midis de Culture - par : Marie Labory - La fondation Henri Cartier Bresson présente pour la première fois en Europe l'intégralité des photos qui composent l'ouvrage original "In the American West" de Richard Avedon. - réalisation : Laurence Malonda - invités : Sarah Ihler-Meyer Critique d'art et commissaire d'exposition ; Joseph Ghosn Directeur adjoint de la rédaction de Madame Figaro

durée : 00:27:28 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique deux expositions : "Richard Avedon - In the American West" à la Fondation Henri Cartier Bresson et "Le Monde selon l'IA" au Jeu de Paume - réalisation : Laurence Malonda - invités : Sarah Ihler-Meyer Critique d'art et commissaire d'exposition ; Joseph Ghosn Directeur adjoint de la rédaction de Madame Figaro

In fashion, there are stylists—and then there are image-makers. As the “C” in KCD and one of the first male editors to define women's fashion editorial, Paul Cavaco helped shape the modern visual vocabulary of the 1990s, styling everything from Harper's Bazaar under Liz Tilberis to Madonna's era-defining Sex book with Steven Meisel and Fabien Baron. Tonne Goodman, whose early days included modeling for Richard Avedon and assisting Diana Vreeland, brought that same instinct for clarity and cultural intuition to her longstanding role as the American fashion editor of Vogue. In a moment when the function—and future—of the fashion editor is being reexamined, hearing from two of its originals felt not only timely, but essential. Their conversation is a reminder that while fashion constantly reinvents itself, the value of vision and integrity never goes out of style. "I grew up in the Bronx. There was no fashion in my house. What we had was music, grit, and individuality." - Paul Cavaco  "Everything really does happen for a reason. Even the catastrophic moments usually lead to something better." - Tonne Goodman  Episode Highlights: The Bronx Meets the Upper East Side - Paul and Tonne reflect on their wildly different upbringings—his gritty childhood in the Bronx, hers in a cultured Manhattan household—and how those contrasting backgrounds shaped their approach to fashion and image-making. Modeling Missteps and Vreeland's Memo - Tonne shares how her short-lived modeling career ended with a memorable memo from Diana Vreeland describing her as “not pretty,” but still worth investing in—an early lesson in resilience and reinvention. From the Streets to the Studio - Paul shares how growing up in the Bronx and discovering style through music and street culture gave him a grounded, real-world approach to fashion—one rooted not in fantasy, but in everyday grit and individuality. The Madonna Sex Book and the Power of Play - Paul shares behind-the-scenes stories from the making of Madonna's Sex book, revealing how humor, trust, and improvisation drove one of pop culture's most provocative moments. Working Under Vreeland, Liz Tilberis, and Anna Wintour - Both editors reflect on their experiences working under three of fashion's most legendary editor-in-chiefs, and how those women shaped the way they understood vision, authority, and trust. Amber in Poughkeepsie - Tonne recounts a story of a shoot gone wrong—turned right—thanks to a vintage car parade and quick thinking. A reminder of how the best images often come from the unexpected. What a Fashion Editor Actually Does - They unpack the evolving role of the fashion editor—from doing everything themselves in the early days to navigating the micromanagement of today's content-saturated shoots. The Value of Niceness - In an industry known for egos and elitism, both credit their long-term success to gratitude, empathy, and kindness—and explain why being “nice” is often an underrated superpower. On Creative Longevity and Staying Awake - The key to keeping ideas fresh? Staying alive to the world. For Paul, it's about visual curiosity. For Tonne, it's emotional connection. For both, it's a refusal to become calcified. What's Contemporary Now - Tonne cites empathy and mutual care as the defining principles of the present, while Paul reflects on how enduring values—rather than trends—shape what really matters. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week is the one and only original Supermodel, Janice Dickinson so hold on to your vintage Versace because we are taking you on a wild, unfiltered, and iconic ride with this legendary icon and and it's nothing short of fabulous chaos unleashed. From the second Janice struts into tour boutique, it's clear — this is not just any guest. She's the woman who *coined* the term “first supermodel,” and she's ready to tell it like it is. Get ready for an intimate, hilarious, and refreshingly honest conversation that spans decades of fashion, fame, and fierce moments. We deep dive into Janice's rise to superstardom — from discovering her destiny while flipping through fashion magazines on the floor of a Florida grocery store, to becoming the face that graced every iconic cover around the world. She spills on working with legends like Versace (yes, *Gianni*), Richard Avedon, and being part of the golden age of modeling when cameras had film and fashion had soul. But this isn't just about the glitz. Janice opens up about motherhood, being a glamorous grandma (yes, really!), and surviving breast cancer, pneumonia, and hepatitis C — all with raw vulnerability and her signature sass. Her love for her husband Rocky radiates as she shares what it means to find peace, healing, and joy after a lifetime in the spotlight. You'll also hear some juicy behind-the-scenes tea (while she's drinking her Armenian Coffee) on *America's Next Top Model*, her modeling agency reality show, and how Tyra Banks may have borrowed more than just her presence. Janice talks about reinventing herself as a singer (you'll be humming *“Get Me Out of This Dress”* all day), the tragedy of losing Gianni Versace, and the magic of working with the world's greatest designers — all while throwing in stories of fashion week, Botox threads, Studio 54, and Patrik's infamous BBL reveal. And if that wasn't enough? We get personal. From sex on golf courses to love at first sight in the Waldorf Towers, Patrik dishes on his own modeling days, and how we met, and the party scenes of New York in the ‘90s. Plus: coffee readings, Armenian coffee, and a surprise letter "G" that might just predict Janice's future. **Why You'll Love It:**   It's wild, it's real, it's Janice Dickinson like you've never heard her before — unfiltered, hilarious, and deeply heartfelt and reminds us why legends never fade and why being undressed — emotionally, spiritually, and unapologetically — is always in fashion. We get ✨ *Undressed: Where fashion meets truth, and no topic is too fabulous to unwrap.* This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or the HurrdatMedia YouTube channel! Subscribe to our audio: linktr.ee/undressedpod Follow Pol Atteu:  Instagram: @polatteu  Tiktok: @polatteu  Twitter: @polatteu  www.polatteu.com Follow Patrik Simpson:  Instagram: @patriksimpson  Tiktok: @patriksimpsonbh www.patriksimpson.com Follow SnowWhite90210: Instagram: @snowwhite90210 Twitter: @SnowWhite9010 www.snowwhite90210.com Watch Season 4 of Gown and Out In Beverly Hills on Prime Video.  www.gownandoutinbeverlyhills.com #UndressedPodcast  Armenian Coffee Reading: https://polatteu.com/armenian-coffee-cup-read Learn more about your ad choices. Visit megaphone.fm/adchoices

Crescenzo Notarile, a cinematographer with a rich artistic background, sits with Paris Chong to discuss his early exposure to art through his parents, his photography career, and his transition to cinematography. Crescenzo shares stories about working with notable figures like Richard Avedon and details his experiences in the music video industry, including working with iconic artists like U2 and Michael Jackson. He also reflects on the competitive nature of the cinematography business and offers advice to aspiring cinematographers.Crescenzo also talks about his personal photography projects, such as his nude photography book and his contributions to the 9/11 memorial. He explains his artistic approach to nudes, emphasizing the genre's difficulty and its focus on form and geometry. He also shares anecdotes about working with Farrah Fawcett and Michael Jackson, revealing personal insights into their lives and personalities.The interview further explores Crescenzo's thoughts on the art world, his admiration for other artists, and his creative process. He discusses his involvement with the American Society of Cinematographers (ASC) and his appreciation for the work of his colleagues. Crescenzo and Paris conclude by sharing a lighthearted story about his hair and Crescenzo expressing his gratitude for the interview opportunity.Show Notes:www.theparischongshow.com/episodes/crescenzo-notarile-from-avedon-polaroids-hollywood-lights-9-11-memorial-to-nude-photographyChapter Times:(00:00:00) Intro(00:00:35) Crescenzo Notarile(00:01:34) Getting Started(00:07:20) Working(00:13:44) Being a DP(00:17:12) Composing Shots(00:21:53) The ASC(00:26:59) The LA Wildfires(00:31:03) 9/11 Story(00:38:52) Farrah Fawcett(00:42:59) Micheal Jackson(00:47:35) Hard Year(00:48:44) Nudes(00:58:12) Where to Find More Crescenzo(01:02:15) Outro

“Love is my law. Truth is my worship. Beauty and perfection is my life.”Girlfriend of Brian Jones. Friend to Andy Warhol. Muse to Richard Avedon, David Bailey, and Salvador Dali. She walked for Paco Rabanne and jet-hopped from New York, London, Paris, and Rome. Mannequins were made in her likeness. Harper's Bazaar, Elle, Panorama, Queen, she was in them all. They scandalized her Playboy shoot and called her a kook. She was even the first Black woman on a Vogue cover! But fashion history has forgotten her. The supermodel with an artist's soul, her name is Donyale Luna. Donyale and her story are endlessly fascinating - and you can hear it all on the new Dolls Pod, available wherever you stream your podcasts

Biba Giacchetti"L'arte della fotografia di moda: Giampaolo Barbieri"E' scomparso all‘età di 89 anni Gian Paolo Barbieri, una vera istituzione nell'ambito della fotografia di moda. I suoi ritratti iconici di dive di ieri e di oggi, come Audrey Hepburn e Monica Bellucci, e la sua lunga collaborazione con Vogue Italia, hanno reso il suo stile inconfondibile.Nato nel 1935 in via Mazzini, appena a fianco del Duomo di Milano, da una famiglia di grossisti di tessuti dove acquisì le prime competenze utili per la fotografia di moda, Barbieri mosse i suoi primi passi nell'ambito teatrale come attore, operatore e costumista, tanto che ebbe anche una piccola parte non parlata in Medea di Luchino Visconti. Fu il cinema a dargli quel senso del movimento che trasferì nella fotografia, prima applicata alla Dolce vita romana e poi alla moda, a Parigi.Nel 1964 il ritorno a Milano e l'apertura del primo studio fotografico: iniziò in quel momento quella sfolgorante e sessantennale carriera che lo portò a collaborare con personaggi di primo piano della moda come Diana Vreeland, Yves Saint Laurent e Richard Avedon, a ritrarre le attrici più iconiche di tutti i tempi, da Audrey Hepburn a Veruschka, da Monica Bellucci a Jerry Hall, a scattare le campagne pubblicitarie di marchi internazionali come Valentino, Gianni Versace, Gianfranco Ferré, Armani, Bulgari, Chanel, Yves Saint Laurent, Dolce & Gabbana, Vivienne Westwood.Classificato nel 1968 dalla rivista Stern come uno dei quattordici migliori fotografi di moda al mondo, nel 2018 Barbieri ha vinto il premio Lucie Award 2018 come Miglior Fotografo di Moda Internazionale. Le sue opere sono presenti in istituzioni culturali come il Victoria & Albert Museum e la National Portrait Gallery di Londra, il Kunsforum di Vienna, il MAMM di Mosca e il Musée du Quai Branly di Parigi.    Steve McCurry "Children"Dal 20 dicembre 2024 al 4 maggio 2025 le sale del Palazzo dei Priori di Fermo ospitano la mostra Steve McCurry - Children, ideata e curata da Biba Giacchetti. Oltre cinquanta fotografie dedicate all'infanzia vista attraverso l'obiettivo del grande fotografo Steve McCurry, realizzate nell'arco di quasi cinquant'anni di carriera.Una galleria di ritratti per esplorare tutte le sfaccettature dell'infanzia, accomunate da un elemento universale: lo sguardo dell'innocenza. Le immagini, provenienti da ogni angolo del mondo, ritraggono i più piccoli in scene di vita quotidiana. I bambini negli scatti di McCurry, pur diversi per etnia, abiti e tradizioni, condividono la gioia di vivere e la capacità di giocare anche nei contesti più difficili, spesso segnati da povertà, conflitti o condizioni ambientali estreme. Il pubblico sarà accompagnato in un viaggio ideale in paesi come India, Birmania, Pakistan, Tibet, Afghanistan, Libano, Etiopia e Cuba.“Ogni immagine offre uno spaccato delle condizioni sociali più disparate, rivelando una condizione umana universale fatta di sentimenti comuni e sguardi che affermano la stessa dignità”, spiega la curatrice.“Incontriamo bambini profughi e lavoratori, giovani che trasformano un cannone arrugginito in un gioco, che rincorrono un pallone sotto la pioggia, che creano musica con chitarre fatte di materiali di scarto. Bambini che vivono nelle grandi metropoli o nei villaggi più remoti, protagonisti di storie di gioia e aggregazione, solitudine e resilienza, solidarietà e stupore”.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Join Ocean House owner and author Deborah Goodrich Royce for a conversation with bestselling authors Hank Phillippi Ryan and Carola Lovering as they discuss their new novels One Wrong Word (Phillipi Ryan) and Bye, Baby (Lovering). Hank Phillippi Ryan is the USA Today bestselling author of thirteen award-winning novels of suspense. National reviews have called her a “master at crafting suspenseful mysteries” and “a superb and gifted storyteller.” Her novel, THE HOUSE GUEST, received a starred review from Library Journal, calling it “Binge-worhty.” The rave review from Publishers Weekly says “Ryan is a master of suspense.” Her work has resulted in new laws, people sent to prison, homes removed from foreclosure, and millions of dollars in refunds and restitution for victims and consumers. She's been a radio reporter, a legislative aide in the United States Senate and an editorial assistant at Rolling Stone Magazine, working with Hunter S. Thompson, Richard Avedon and Richard Goodwin. Hank is a founding teacher at Mystery Writers of America University and served as 2013 president of national Sisters in Crime. She blogs at Jungle Red Writers and Career Authors. She is a co-host at FIRST CHAPTER FUN and a founder and co-host of THE BACK ROOM, and the host of A Mighty Mystery on A Mighty Blaze. Carola Lovering is the author of the novels Tell Me Lies, Too Good to Be True, and Can't Look Away. She attended Colorado College, and her work has appeared in New York Magazine, W Magazine, Marie Claire, National Geographic, Outside, and Yoga Journal, among other publications. Her novel, Tell Me Lies, is now a drama series on Hulu. She lives in Connecticut with her husband and two young children. For more information about Hank Phillipi Ryan, visit hankphillippiryan.com. For more information about Carola Lovering, visit carolalovering.com. For details on Deborah Goodrich Royce and the Ocean House Author Series, visit deborahgoodrichroyce.com  

Have you ever wondered how the “Got Milk?” campaign was started or what it was like to work with the celebrities and the celebrity photographers who helped make the campaign? Well, Bernie Hogya can tell you all about it because he was there from the beginning, all the way to the last frame. And that campaign reversed a 30-year decline in milk sales and became a pop culture phenomenon. In his career, he has worked with celebrities like Taylor Swift, Elton John, Van Halen, Tom Brady, Steven Tyler, Harrison Ford, The Rock and so many more. He also worked with photographers like Annie Liebowitz, Richard Avedon, David LaChapelle, Herb Ritz and more. Bernie is one of the elites when it comes to being an Art Director and Creative Director in Advertising. Led creative on The Foundation For A Better Life, cited by the OAAA as “The most successful public service campaign in the history of outdoor advertising.”  We discuss his band in High School being the first Kiss tribute band ever, how he started out working at Marvel Comics and hid names of friends in the pages of the comic books, what it took to get Annie Liebowitz to agree to be the first “Got Milk?” photographer and what her process is like for a shoot. He also has some great advice for up-and-coming art directors, or anybody really, and we talk about what he's doing now, plus so, so much more. There are some really great stories and behind the scenes information in this episode. So take a listen and let me know what you think. Be sure to Like it, Share, Subscribe and Comment!  

Here is the second part of an edition of Mondo Jazz celebrating the birth of James Baldwin, 100 years ago in Harlem, through the countless connections between his life and work, the music he loved and the music he inspired. The playlist features David Linx; Marty Ehrlich; Heroes Are Gang Leaders; Byron Asher; Bessie Smith; Mahalia Jackson; and Viktor Lazlo. Detailed playlist at https://spinitron.com/RFB/pl/19628356/Mondo-Jazz (from "A Lover's Question, Pt. II" onwards). Happy listening! Photo credit: Richard Avedon.

This week on the KORE Women podcast, Dr. Summer Watson welcomes Delia Cohen, who loves turning extraordinary ideas -- involving the arts, cutting-edge technology, and new media -- into reality! Some of the projects Delia has worked on and developed are: helping organize the first and second Clinton Global Initiatives; producing Richard Avedon's last work, a photo-essay on democracy for The New Yorker; rebranding Goldie Hawn's education foundation; managing Nokia's $1million global investment challenge; and she has also been working in the area of criminal justice reform. For the last decade, Delia has been leveraging her unique network of incarcerated and formerly incarcerated people, correctional leadership, activists, entertainers, and entrepreneurs to organize TEDx events in prisons around the United States.  You can follow Delia Cohen on LinkedIn at: Delia Cohen https://www.linkedin.com/in/deliacohen/ Thank you for taking the time to listen to the KORE Women podcast and being a part of the KORE Women experience. You can listen to The KORE Women podcast on your favorite podcast directory - Pandora, iHeartRadio, Apple Podcast, Google Podcast, YouTube, Spotify, Stitcher, Podbean, JioSaavn, Amazon and at: www.KOREWomen.com/podcast. Please leave your comments and reviews about the podcast and check out KORE Women on Instagram, Twitter, and Facebook.  Please leave your comments and reviews about the podcast and check out KORE Women on Instagram, Twitter, and Facebook. You can also learn more about Dr. Summer Watson, KORE Women, High Performance Coaching, how to create a journey you love, and creating an incredible professional community of support at: www.korewomen.com. Again, thank you for listening to the KORE Women podcast! Please share this podcast with your family and friends. #TEDx #PrisonReform #GlobalInitiatives  

We cover the career of Richard Avedon and his photojournalism background, his innovations in fashion photography, creating his best work later in life, personal work vs commercial and more!Send us a Text Message.

At 84 years old, Laura Wilson could run circles around most of us. She throws herself into her creative projects — which often take years to complete — with high energy and optimism. She moves quickly, never dallying when pursuing her creative work (a missed opportunity to photograph John Updike still stings). And her work reveals the humanity and stories behind individuals, communities, and events that we rarely see -- cockfighting, cowboys, drug smuggling searches, debutantes, world-famous authors, and reclusive religious groups. In our conversation, we talk about working with famed photographer Richard Avedon, the keys to her decades-long career, and her induction into the National Cowgirl Hall of Fame (at age 79). TakeawaysHardwork and discipline are as essential to the creative process as creativity and imagination.To complete a project, you must have a laser-like focus and obsession.If you have a creative idea, don't dilly dally. You must move quickly and decisively or you may miss your opportunity.Pay attention and stay alert so you can capture creative moments. Resources Laura WilsonRichard AvedonThe Amon Carter Museum of ArtThe National Cowgirl Hall of FameEudora WeltyMeadows Museum Tim O'BrienTobias WolfCormac McCarthyTom StoppardCarlos Fuentes Marvin Israel

We meet Sir Elton John and David Furnish to discuss their epic, brand new exhibition Fragile Beauty. Opening this weekend, Saturday, 18 May 2024 at the V&A South Kensington.An unparalleled selection of the world's leading photographers, telling the story of modern and contemporary photography. Discover iconic images across subjects such as fashion, celebrity, reportage and the male body. This exclusive episode was recorded in person at the South of France home of Elton & David.Showcasing over three hundred rare prints from 140 photographers, Fragile Beauty is a major presentation of twentieth- and twenty-first-century photography, on loan from the private collection of Sir Elton John and David Furnish. Selected from over seven thousand images, the photographs—many of which are on public display for the first time—are era-defining images that explore both the strength and vulnerability inherent to the human condition.Over the past 30 years, Sir Elton John and David Furnish have carefully built an unrivalled collection of photography. Remarkable in its range and depth, it's a who's who of photographer and subject ranging across disciplines from fashion and film to landscape and reportage.This interview is also included in the accompanying new book which presents 150 of the most important photographs from artists including Diane Arbus, Richard Avedon, Nan Goldin, David LaChapelle, Robert Mapplethorpe, Zanele Muholi, Helmut Newton, Cindy Sherman, Andy Warhol and Ai Weiwei. Featuring an afterword from Sam Taylor-Johnson and an in-depth interview with Sir Elton John and David Furnish by Russell Tovey and Robert Diament, as well as curatorial insights into themes within the collection - Fragile Beauty shares images that are beautiful, dynamic, striking, sometimes disturbing but always inspiring. Buy the book from Waterstone's, the V&A gift shop or wherever you buy your books.Follow @VAMuseum @EltonJohn @DavidFurnishVisit: https://www.vam.ac.uk/exhibitions/fragile-beauty-photographs-from-the-sir-elton-john-and-david-furnish-collectionBuy tickets from the V&A, £20.Exhibition runs from 18th May 2024 – 5th January, 2025Victoria & Albert Museum, Londonwww.vam.ac.ukSpecial thanks to Elton & David, their collection curator Newell Harbin and their wonderful team at Rocket. Thank you to the incredible V&A curator Lydia Caston and the entire museum team including Rebecca Fortey. Hosted on Acast. See acast.com/privacy for more information.

"Reality is the intuition and the imagination and the quiet voice inside my head that says: isn't that extraordinary?" -- Duane Michals "In my years of photography I have learned that many things can be sensed, seen, shaped or resolved in a realm of quiet…" -- Paul Caponigro   In this episode, Antonio and Ward delve into the transformative role of silence in photography, illustrating how it bolsters intuition and enables the creation of emotionally powerful images, as seen in iconic works like "Afghan Girl" and "Migrant Mother." They discuss "silent portraits" by photographers such as Bruce Gilden and Richard Avedon, highlighting the deep emotional connections forged in silence. The conversation also addresses the challenges posed by the digital era and social media, contrasting the reflective nature of traditional photography with the rapid consumption of images today. Concluding with personal reflections, they emphasize the importance of incorporating silence into daily life and creative processes, advocating for a deeper engagement with the world and one's work.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram and Facebook page Ward Rosin's Website, Vero, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio  

Derek Blasberg, a dynamic force in the worlds of fashion and media, boasts a multifaceted career as a writer, editor, and a New York Times bestselling author. Previously YouTube's head of fashion and beauty and director of public figures, Blasberg transformed the platform, earning praise from industry luminaries like Tom Ford. His influence extends to the Gagosian Gallery, where he spearheaded the relaunch of Gagosian Quarterly and collaborated with renowned image makers, especially in celebrating the life and work of legendary American photographer Richard Avedon. After his 2023 Gagosian landmark exhibition Avedon 100 in New York, Blasberg follows with the launch of Iconic Avedon: A Centennial Celebration of Richard Avedon in Paris on January 22, 2024. A graduate of NYU with degrees in dramatic literature and journalism, Blasberg comments on his journey from Vogue assistant to front-row favorite, underlining his extroversion, passion for the fashion industry, and the importance of never saying no—and that's what's contemporary. Episode Highlights: Sweet nostalgia: Blasberg remembers his upbringing in St. Louis, Missouri, as typical and all-American, but not one that facilitated a knowledge of fashion from the get-go. Surrounded by manuscripts: With a mother who was the managing editor of a medical journal, Blasberg had his first connection to documents and texts through medicine and later as a prolific note-passer at school.  Contrasts: “I had a fundamental lack of understanding or loose grasp of the fashion industry, as I now know it today,” Blasberg says. Beginnings: Being predigital but a natural extrovert, Blasberg found an agency and advocated for himself, with his first foray into the fashion world writing biographies for models, later working for Vogue and W magazines.  Hired and fired from Vogue: Blasberg calls it an educational process and experience, even though managing and assisting “was probably not the best fit for me.” The evolving role of the journalist: Though the traditional writer role doesn't exist in the same form it did two decades ago, Blasberg sees the ability to express oneself in written language as more important than ever.  Do readers exist?: Regardless of form, people may not be reading but are still consuming content and “still curious what people have to say and what they have to write,” Blasberg notes. Bazaar Models: Blasberg's books explore successful models and muses in a form that fuses literature, journalism, and sheer curiosity about the lives of talents. Man About Town: Blasberg has a unique freedom and independence in navigating the fashion industry, which he sees as a result of open-minded optimism.  Perspective as a “trader in culture”: Blasberg notes that live streams, online and resale marketplaces, and influencer culture are ways in which the fashion industry, in particular, has changed over the course of just the last few years.  Full-circle moment: A career highlight is the Paris centennial celebration of Richard Avedon, Blasberg's childhood hero.  Driven by passion: Inspired by icons like Richard Avedon and Marilyn Monroe, Blasberg's work at the Gagosian Gallery is unique in its capability to portray other elements of culture and history, such as the Civil Rights Movement. His enthusiasm for the subject matter shines through.  What's contemporary now: For Blasberg, it's never saying ‘no.'

Hairstylist Garren transformed models into supermodels (Linda Evangelista, Karlie Kloss), helped celebrities like Victoria Beckham and Madonna create their looks, and co-founded the hair line R+Co during his long and legendary career. In this interview, he tells us everything: the guidance counselor who told him he wasn't allowed to do hair; the photographers he collaborated with (Irving Penn! Richard Avedon!); and all the things he's learned about people—and their hair—along the way. This interview originally aired in 2019, but we're presenting it with a new intro. We'll be back to our regular schedule next week!Products mentioned in this episode: shopmy.us/collections/230913Episode recap with links: fatmascara.com/blog/hairstylist-garrenSponsor links & discount codes: fatmascara.com/sponsorsPrivate Facebook Group: Fat Mascara Raising a WandSocial media: @fatmascara, @jessicamatlin, @jenn_editSubmit a "Raise A Wand" product recommendation and be featured on the show: email info@fatmascara.com or leave a voicemail at 646-481-8182 Become a member at https://plus.acast.com/s/fatmascara. Hosted on Acast. See acast.com/privacy for more information.

“Why I was different from all the other boys in my town I cannot tell you. I was simply born with the gift of vision.” – ARNOLD SCHWARZENEGGERIs there any better example of the American Dream than Arnold Schwarzenegger? What does it take to make your vision a reality? How do you cultivate iron focus to overcome any obstacle and realize your dreams?On the publication of Arnold Schwarzenegger's limited edition two-volume book published by TASCHEN, we sat down with Senior Editor and Writer Dian Hansen to discuss Schwarzenegger's life, accomplishments, and history of unforgettable performances. The book has been a decade-long collaborative process and along with portraits by leading photographers Richard Avedon, Annie Leibovitz, Robert Mapplethorpe, Herb Ritts, Francesco Scavullo, and Andy Warhol, it is also filled with photos from Arnold's private archive and exclusive interviews. Dian's other works include The Art of Pin-up, Masterpieces of Fantasy Art, and The Fantastic Worlds of Frank Frazetta."It's not just that he grew up in a rural environment too. He was born on July 30th, 1947. And most of us today don't have any understanding or relationship to what Europe was like right after World War II. The winter of 1946/1947 in Austria was the most brutal in decades. The people already had too little food. They were in an occupied country.The summer potato crops failed. As Arnold has said, his mother had to go from farm to farm to farm, begging for food to be able to feed her children. His father, like all the men in the village, was defeated by the war. I mean, they were not just defeated by their side losing, but realizing what their side had stood for, that they were the bad guys.And he saw them all physically, emotionally, intellectually defeated and taking it out on their wives and children, that he was beaten and his mother was beaten. All the neighbor kids were beaten, and they were beaten into a kind of placid defeat. And he alone would not accept that. He could not see that life for himself.And he was, as a child, searching for ways to get out of that. And bodybuilding became that when he learned about bodybuilding as a very poor boy. They lived on the top floor of a house. They had no plumbing. They all bathed once a week in the same tub in the kitchen. And his brother and he had to bring the water in. His mother heated it, and they took baths one by one. Mother first, father second, older brother third, Arnold last in the tub of dirty water. And so he wanted out of that. And as a poor boy, he had nothing but his body to work with. That was it. There was not going to be any college. There was not going to be any of that. There was going to be some kind of menial job, or he could use what he had - his body - to get him out of there."www.taschen.com/en/limited-editions/film/03105/arnold-collector-s-editionwww.schwarzenegger.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastImages courtesy of Taschen. Photo credits: CoverArnold Schwarzenegger for the film End of Days. Sante D'Orazio, 1999Governor Schwarzenegger with the Lincoln Memorial · Photo by Peter Grigsby, 2009 Arnold Schwarzenegger and Lulu at his Los Angeles home · Photo by Tracy Nguyen, 2021

"It's not just that he grew up in a rural environment too. He was born on July 30th, 1947. And most of us today don't have any understanding or relationship to what Europe was like right after World War II. The winter of 1946/1947 in Austria was the most brutal in decades. The people already had too little food. They were in an occupied country.The summer potato crops failed. As Arnold has said, his mother had to go from farm to farm to farm, begging for food to be able to feed her children. His father, like all the men in the village, was defeated by the war. I mean, they were not just defeated by their side losing, but realizing what their side had stood for, that they were the bad guys.And he saw them all physically, emotionally, intellectually defeated and taking it out on their wives and children, that he was beaten and his mother was beaten. All the neighbor kids were beaten, and they were beaten into a kind of placid defeat. And he alone would not accept that. He could not see that life for himself.And he was, as a child, searching for ways to get out of that. And bodybuilding became that when he learned about bodybuilding as a very poor boy. They lived on the top floor of a house. They had no plumbing. They all bathed once a week in the same tub in the kitchen. And his brother and he had to bring the water in. His mother heated it, and they took baths one by one. Mother first, father second, older brother third, Arnold last in the tub of dirty water. And so he wanted out of that. And as a poor boy, he had nothing but his body to work with. That was it. There was not going to be any college. There was not going to be any of that. There was going to be some kind of menial job, or he could use what he had - his body - to get him out of there."“Why I was different from all the other boys in my town I cannot tell you. I was simply born with the gift of vision.” – ARNOLD SCHWARZENEGGERIs there any better example of the American Dream than Arnold Schwarzenegger? What does it take to make your vision a reality? How do you cultivate iron focus to overcome any obstacle and realize your dreams?On the publication of Arnold Schwarzenegger's limited edition two-volume book published by TASCHEN, we sat down with Senior Editor and Writer Dian Hansen to discuss Schwarzenegger's life, accomplishments, and history of unforgettable performances. The book has been a decade-long collaborative process and along with portraits by leading photographers Richard Avedon, Annie Leibovitz, Robert Mapplethorpe, Herb Ritts, Francesco Scavullo, and Andy Warhol, it is also filled with photos from Arnold's private archive and exclusive interviews. Dian's other works include The Art of Pin-up, Masterpieces of Fantasy Art, and The Fantastic Worlds of Frank Frazetta.www.taschen.com/en/limited-editions/film/03105/arnold-collector-s-editionwww.schwarzenegger.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastImage courtesy of Taschen. Photo credit: ARNOLD SCHWARZENEGGER IN VENICE, CALIFORNIA. PHOTO BY ALBERT BUSEK, 1980

“Why I was different from all the other boys in my town I cannot tell you. I was simply born with the gift of vision.” – ARNOLD SCHWARZENEGGERIs there any better example of the American Dream than Arnold Schwarzenegger? What does it take to make your vision a reality? How do you cultivate iron focus to overcome any obstacle and realize your dreams?On the publication of Arnold Schwarzenegger's limited edition two-volume book published by TASCHEN, we sat down with Senior Editor and Writer Dian Hansen to discuss Schwarzenegger's life, accomplishments, and history of unforgettable performances. The book has been a decade-long collaborative process and along with portraits by leading photographers Richard Avedon, Annie Leibovitz, Robert Mapplethorpe, Herb Ritts, Francesco Scavullo, and Andy Warhol, it is also filled with photos from Arnold's private archive and exclusive interviews. Dian's other works include The Art of Pin-up, Masterpieces of Fantasy Art, and The Fantastic Worlds of Frank Frazetta."As Arnold Schwarzenegger says, 'We don't have Republican air. We don't have Democrat water. We all breathe the same air. We all have the same water. It's happening to all of us, and it's happening all over the world. And if we just continue to ignore it so that we can put some money in our pockets, or we can get reelected, what are we leaving for the future?' And you know, his devotion to children and to helping children makes him look at it from a different perspective. He's not one of these heartless old politicians who's just like, well, as long as it doesn't happen while I'm alive, I'm going to get rich off of this. He is always thinking of the next generations. He is always thinking of what he is going to be able to hand down."www.taschen.com/en/limited-editions/film/03105/arnold-collector-s-editionwww.schwarzenegger.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastImages courtesy of Taschen. Photo credits: CoverArnold Schwarzenegger for the film End of Days. Sante D'Orazio, 1999Governor Schwarzenegger with the Lincoln Memorial · Photo by Peter Grigsby, 2009 Arnold Schwarzenegger and Lulu at his Los Angeles home · Photo by Tracy Nguyen, 2021

"As Arnold Schwarzenegger says, 'We don't have Republican air. We don't have Democrat water. We all breathe the same air. We all have the same water. It's happening to all of us, and it's happening all over the world. And if we just continue to ignore it so that we can put some money in our pockets, or we can get reelected, what are we leaving for the future?' And you know, his devotion to children and to helping children makes him look at it from a different perspective. He's not one of these heartless old politicians who's just like, well, as long as it doesn't happen while I'm alive, I'm going to get rich off of this. He is always thinking of the next generations. He is always thinking of what he is going to be able to hand down."“Why I was different from all the other boys in my town I cannot tell you. I was simply born with the gift of vision.” – ARNOLD SCHWARZENEGGERIs there any better example of the American Dream than Arnold Schwarzenegger? What does it take to make your vision a reality? How do you cultivate iron focus to overcome any obstacle and realize your dreams?On the publication of Arnold Schwarzenegger's limited edition two-volume book published by TASCHEN, we sat down with Senior Editor and Writer Dian Hansen to discuss Schwarzenegger's life, accomplishments, and history of unforgettable performances. The book has been a decade-long collaborative process and along with portraits by leading photographers Richard Avedon, Annie Leibovitz, Robert Mapplethorpe, Herb Ritts, Francesco Scavullo, and Andy Warhol, it is also filled with photos from Arnold's private archive and exclusive interviews. Dian's other works include The Art of Pin-up, Masterpieces of Fantasy Art, and The Fantastic Worlds of Frank Frazetta.www.taschen.com/en/limited-editions/film/03105/arnold-collector-s-editionwww.schwarzenegger.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastImage courtesy of Taschen. Photo credit: ARNOLD SCHWARZENEGGER IN VENICE, CALIFORNIA. PHOTO BY ALBERT BUSEK, 1980