Podcasts about photographs

IS THERE MORE TO OUR ANCIENT PAST THAN WE'VE BEEN TOLD?JOIN ME ON A TOUR

Ari Emanuel has delivered a remarkably blunt answer about Meghan Markle's Hollywood future following the end of her relationship with William Morris Endeavor. Asked about Meghan by The Sunday Times, Emanuel replied, “Here's the great thing: I don't have to think about that anymore.” Meghan signed with WME in 2023, but the agency stopped representing her in 2025.Meanwhile, Meghan is sharing new hosting advice through As Ever, while a separate report claims she wants guests to sign confidentiality agreements before certain dinners where private family or royal matters could be discussed. That NDA claim comes from unnamed sources in Rob Shuter's Naughty But Nice Substack. Photographs of Archie and Lilibet have also reportedly appeared in an Architectural Digest feature on Gloria Steinem's Manhattan home, including an image of Steinem with Archie and a Sussex family Christmas card.Plus, a branding expert estimates that Prince Harry could command as much as one million dollars for an exclusive appearance, while commentator Angela Levin has some very strong opinions about Harry and Meghan remaining in Britain.And away from the Sussexes, Prince Edward is visiting the United States and Canada, while Sophie, Duchess of Edinburgh, is winning praise after carrying on with a royal tour of Zambia despite her luggage failing to arrive.Questions this episode answers: What did Ari Emanuel say about Meghan Markle? Why did WME stop representing Meghan? Does Meghan Markle require NDAs at private dinners? Were new photographs of Archie and Lilibet revealed? How much could Prince Harry earn for a speaking appearance? What is Prince Edward doing in America? And what happened to Sophie's luggage during her royal tour?Become a supporter of this podcast: https://www.spreaker.com/podcast/palace-intrigue-harry-meghan-the-crown-royal-family-news-and-gossip--4522904/support.Palace Intrigue is a daily British royal family podcast covering King Charles, Meghan Markle, Prince Harry, Kate Middleton and the House of Windsor. New episodes every day. Follow on Apple Podcasts, Spotify, or wherever you listen. Part of the Caloroga Shark Media network.

“A camera didn't make a great picture any more than a typewriter wrote a great novel.” — Peter Adams “It's not when you press the shutter, but why you press the shutter.” — Mary Ellen Mark   In this episode, Antonio and Ward dig into what makes a photograph worth stopping for in the first place. Antonio shares how teaching a small photography class pushed him to focus less on perfect images and more on attention, curiosity, and the little details people notice once they slow down. Ward brings in recent film work, including medium-format rodeo photos, and the two talk through the special “airiness” and physical feel that film and older cameras can bring to an image. They carry that idea into large-format cameras, field cameras, phone photography, Fuji film simulations, and the creative blocks that can come from too many self-imposed limits. Ward wrestles with a Fuji X-E3 setup that has him feeling stuck, while Antonio considers how newer iPhone camera tools and film-grain textures change the look and feel of everyday shooting. The episode wraps with a recommendation for Mary Ellen Mark's Encounters, a celebration of her social documentary work, and a reminder that gear matters most when it changes how photographers see.   Links & Resources Learning to Notice The Art of Noticing: Better Photographs Close to Home — Antonio's photography class through Southeast Community College in Lincoln. The class focuses on slowing down, noticing overlooked details, and finding worthwhile photographs close to home. Antonio's private photography lessons and workshops Walker Evans — Discussed in connection with photographs of churches, vernacular architecture, and the visual influences photographers carry with them. Ward's Film and Rodeo Work Hand Hills Lake Stampede — The Alberta rodeo where Ward made the medium-format photographs discussed in the episode. Flic Film — The Alberta-based film company and lab that developed and scanned Ward's 120 film. Between Dust and Sky — Ward Rosin and Mark Reierson's book documenting the 100th Hand Hills Lake Stampede. Medium-Format Cameras and Lenses Twin-lens reflex cameras — The waist-level medium-format camera design Ward used to photograph rodeo action. Rolleicord — Ward's Rolleicord, the simpler sibling of the Rolleiflex, dates from around 1959 and uses a Schneider Xenar lens. Minolta Autocord — Another twin-lens reflex camera in Ward's collection. Fujifilm GFX system — Fujifilm's digital medium-format system, discussed in comparison with the look of 120 film. Porch Art Palooza and Large Format Porch Art Palooza — Lincoln's free, self-guided neighborhood art tour, featuring local artists and pop-up galleries on residential porches. Intrepid Camera — The Brighton, UK, company making lightweight modern large-format cameras. Antonio handled one of its portable 4×5 field cameras at Porch Art Palooza. Intrepid 4×5 Kickstarter — The original crowdfunding campaign for the Intrepid field camera. Chamonix View Camera — Maker of handcrafted large-format field cameras. Despite the French-sounding name, Chamonix cameras are made in Zhejiang, China. Chamonix 4×5 cameras — An example of the company's portable 4×5 field-camera designs. Graflex Crown Graphic — The classic press and field camera Antonio has in storage and hopes to put back into use. Alfie [BOXX] Camera — The British wooden camera Antonio backed. It exposes directly onto 6×9 cm photographic paper and uses a film holder that doubles as a portable developing tank. More about the Alfie [BOXX] — Sample images, development news, and details from Alfie Cameras. Scheimpflug principle — The focusing principle Antonio and Ward were trying to name. Tilting the standards changes the orientation of the plane of focus. Ansel Adams: The Camera — Adams's technical guide to 35mm, medium-format, and large-format cameras, including camera movements and extended depth of field. Creative Constraints and Fujifilm Give Ward an assignment: Send him a tightly defined photography project through the Street Shots Substack or Instagram. He is looking for a prompt that will help him break through his creative block with the X-E3. iPhone Photography iPhone 18 Pro and iPhone 18 Pro Max — Antonio discusses the new variable-aperture main camera, manual shutter speed and white-balance controls, exposure histogram, and expanded Photographic Styles. iPhone 18 Pro camera specifications — Includes the four physical aperture settings, Pro controls, focal lengths, and camera formats. Using Photographic Styles — Apple's guide to adjusting tone, color, texture, and simulated film grain. iPhone 18 Pro camera overview — Examples of variable aperture, motion blur, texture controls, and Photographic Styles 3. Book Recommendation: Mary Ellen Mark Explore Mary Ellen Mark's work   Mary Ellen Mark: Encounters — The episode's featured book. Published by Steidl and C/O Berlin in 2023, it contains 204 images across 232 pages, along with contact sheets, letters, magazine spreads, and archival material. Mary Ellen Mark's official archive — Photographs, books, exhibitions, films, and biographical material. Mary Ellen Mark bibliography — Publication history and information about Encounters and her other books. Mary Ellen Mark at the International Center of Photography — An overview of her documentary, editorial, portrait, and film-set photography. Ward 81 and Falkland Road — Background on Mark's work inside the Oregon State Hospital and along Mumbai's Falkland Road. Exposure Photography Festival — The Calgary festival where Ward met Mary Ellen Mark during one of its early editions. Other References and Asides Pentax Spotmatic — Antonio's reference point for the simple manual-camera experience of learning photography. The Score — The Montreal-set heist film starring Robert De Niro, Edward Norton, and Marlon Brando that Antonio recommends near the beginning. The Kids in the Hall and The Rockford Files — Two pop-culture detours prompted by Ward's story about finding an old camera as a child. Monarch migration — Background on the migrating butterflies Antonio photographed with his iPhone, Fujifilm X half, and X100. Follow the Show Street Shots Photography Podcast Listen on Apple Podcasts Listen through Podbean Subscribe to the Street Shots Substack Street Shots on Instagram Street Shots on Facebook Support the podcast on Buy Me a Coffee Antonio M. Rosario Website and portfolio Print store Photography lessons and workshops Instagram: @amrosariophoto Bluesky: @amrosario.bsky.social Facebook Ward Rosin Website and portfolio Books, zines, and prints Between Dust and Sky — Ward and Mark Reierson's Hand Hills Lake Stampede book. Gaijin — Ward's black-and-white Japan zine. Instagram: @wardrosinfineart Facebook X/Twitter: @wrosinphoto

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2026 Chico Attendees SeriesPhotographer Stuart Thurlkill joins Michael Chovan-Dalton from the 2026 Chico Review to talk about his photographs of a famous river corridor in Montana. Thurlkill also has some great insight into how the photo review process can be most beneficial.Stuart Thurlkill's work exists at the intersection of observation and intuition. An award-winning filmmaker and photographer, he does not merely capture a subject; he unearths the quiet dialogue between heart and head. His documentary roots provide a foundation of truth, yet his lens often seeks the shadows where nature, community and industry converge in unexpected ways. Whether freezing a fleeting moment in the wild or the stillness of a portrait, Thurlkill invites us to witness the world as it is felt, a lingering presence in a restless world.https://www.stuartthurlkill.comhttps://www.instagram.com/stuartthurlkill/This podcast is sponsored by the Charcoal Book ClubBegin Building your dream photobook library today athttps://charcoalbookclub.comThe Chico Review is the country's premier Photobook Retreat. Organized by Charcoal Book Club, The Chico Review takes place over six nights at Chico Hot Springs Resort, near Livingston Montana. Applicants will spend the week with over twenty of the most influential and creative photographers, book makers, gallerists, museum curators, and photobook publishers in the industry.https://chicoreview.comhttps://www.charcoalworkshops.com

The brothers host the award-winning Palestinian-American poet Fady Joudah to discuss his newest work, Exhibit G: Poems, Essays, and Photographs of Gaza (2026). Watch the livestream on our YouTube channel https://www.youtube.com/watch?v=TnUPf7gMDSs Consider supporting the show for access to the next livestream edition of Madisi Street Reviews! www.patreon.com/makdisistreet

❤️ If you love the podcast and benefit from it, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠please consider joining our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. 

Shop my all-natural skincare products at Arvoti.com.A few years after Wilhelm Reich claimed he'd greened part of the Arizona desert, he was dead in a federal prison, and his publications were being destroyed under court order.In late 1954, Wilhelm Reich took his cloudbuster into the Arizona desert to test whether it could reverse drought in the driest conditions he could find. What he claimed happened next is the part of the cloudbuster story that never gets told.After building my own cloudbuster in my garden and watching haze and wildfire smoke clear within twenty minutes of powering it up, I went digging into his journal, CORE, which describes dozens of atmospheric operations: direction, duration, targets, timing. Reich wasn't only trying to make rain. He was trying to break up what he called DOR, deadly orgone energy, a condition he believed made the atmosphere stagnant, dry, and hazy.Then he went to Tucson, where Mount Catalina grew clearer, humidity rose, and clouds began forming in areas he'd recorded as dead sky. January 1955 came in unusually wet for the region. Photographs from the expedition were even cataloged under phrases like 'The Prairie Reborn', as parts of the desert began greening.A few short years later, Reich was in federal prison. His publications were destroyed under court order. By 1957, he was dead. That sequence is worth questioning.You'll Learn:[0:00] Introduction[3:38] Weather anomalies observed after powering up my garden cloudbuster[5:44] DOR and the idea of a stagnant atmosphere[7:38] Taking the cloudbuster to the Arizona desert[9:21] The Prairie Reborn and greening desert vegetation[11:19] Why the environment is responding is a much larger claim[14:16] How everything around Reich began collapsing[16:17] Operation Sea-Spray and long-hidden atmospheric manipulation[18:06] Trying the backyard science experiment yourselfFind more from Gubba:Gubba Homestead | X | Facebook | Instagram | Pinterest | WebsiteGubba Homestead Products | Shop

On September 20, 1973, singer/songwriter Jim Croce, his musical partner Maury Muehleisen and four others were killed in a plane crash in Natchitoches, Louisiana after finishing a concert at Northwestern State University's Prather Coliseum. His music career cut tragically short, Croce nevertheless produced an amazing catalogue of songs that stand the test of time. This week's guests, Luke Bob Robinson and Jasper Smith of renowned  a cappella group Straight No Chaser, brings us Croce's second posthumous release following his 1973 death - the greatest hits collection Photographs & Memories. Songs discussed in this episode: Bad, Bad Leroy Brown - Frank Sinatra; Goodbye Yellow Brick Road, The 12 Days Of Christmas (1998), No Diggity - Straight No Chaser; Bad, Bad Leroy Brown - Dolly Parton; Bad, Bad Leroy Brown - Jim Croce; Queen Of The Hop - Bobby Darin; Bring Back That Leroy Brown - Queen; Operator (That's Not The Way It Feels), Photographs and Memories, Rapid Roy (The Stock Car Boy) - Jim Croce; Johnny Be Goode - Chuck Berry; Michelle - The Beatles; Time In A Bottle - Jim Croce; That's Me In The Bar - A.J. Croce; New York's Not My Home, Workin' At The Car Wash Blues - Jim Croce; Love American Style theme - Ron Hicklin Singers; I Got A Name - Jim Croce; Sunshine On My Shoulders - John Denver; I'll Have To Say I Love You In A Song, You Don't Mess Around With Jim, Lover's Cross - Jim Croce; Scarborough Fair - Simon & Garfunkle; One Less Set Of Footsteps - Jim Croce; Act Naturally - The Beatles; These Dreams, Roller Derby Queen - Jim Croce; Creep (Live) - Straight No Chaser

JOHN BAER: THE EXTRAORDINARY ORDINARY / A MEMOIR IN PHOTOGRAPHS 1945–1954Andrew Baer and Megan Moynihan join Michael Chovan-Dalton to celebrate the release of John Baer: The Extraordinary Ordinary / A Memoir in Photographs 1945-1954, A Paper Cinema Edition, published by the John Baer Archive. This is, true to its title, an extraordinary collection of the never before published life work of John Baer, Andrew Baer's father. It's also a conversation about how wonderful a collaboration can be between family and professionals such as famed designer Yolanda Cuomo and her team, Alexa Dilworth and Jonno Rattman, Steve Smith at RISD, and Eric Luden at Digital Silver Imaging, who all believe in the work. https://www.johnbaerarchive.comhttps://www.instagram.com/johnbaerarchive/https://www.instagram.com/yolandacuomodesign/JOHN BAER (1920-1994) In 1945, while serving in the 644th Tank Destroyer Battalion, John Baer acquired a Leica camera from a captured German soldier. His first photographs were of his fellow soldiers, weary from war.Soon after the war John and his wife Louise moved to New York City, rented an apartment in the East Village, and connected with a community of artists and writers.In 1950 they journeyed to France and spent the next year living in Montpellier and traveling throughout Postwar Europe. John's photographs capture a world struggling to understand itself following years of war and political realignment. In 1951 John and Louise returned to New York and their apartment in the East Village. John walked the streets, taking pictures that provide glimpses of ordinary people in the unguarded moments of their lives—at work, at rest, at play. He developed negatives and made prints in a make-shift darkroom in the bathroom of their fifth floor walk-up.Sometime in the mid-1950s, John stowed his photographic life away. After his death, in 1994, his son Andrew found boxes containing thousands of negatives and prints from between 1945 and 1954. For 27 years the boxes moved whenever Andrew did. Finally, in 2021, Andrew and his wife Megan Moynihan dove into the boxes to see what stories they held. Stories of Europe emerging from the darkness of war. Stories of New York City brimming with the optimism of the early 1950s. Stories of a generation and stories of John Baer, seen through the lens of his Leica.This podcast is sponsored by the Charcoal Book Club - Begin Building your dream photobook library today at:https://charcoalbookclub.com

Melissa Auf der Maur may have been known best as the bass player for Hole and the Smashing Pumpkins, but the mystical Montrealer is back with more art and more insight into a game changing decade in culture: the 1990s. As an artist who got her start in photography, she has returned as your archivist and documentarian of the last years of analogue and the pre-corporate takeover of rock 'n roll, showing you years 1991-2001 through her personal lens. A photo book companion piece to her memoir, Even The Good Girls Will Cry, will be released September 8 the with an accompanying exhibition at the Art Gallery of Ontario, called My  ‘90s  Rock  Photographs. We dive deep into the stories and memories that shape this new exhibition. Dive in! Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

DON'T EVER TAKE YOUR KIDS INTO A NATIONAL PARK.A family moves to a quiet mountain town bordering a beautiful national park, believing they have finally found their dream home. But strange warning signs begin appearing throughout town, all announcing the mysterious September 7–14 “Week of Remembrance” and warning parents to protect their children.Then the father begins noticing something watching his young son from the forest.A terrifying discovery leads the family deep into the national park, where they find an abandoned fire tower that appears to be connected to the mysterious Remembrance Week. Inside are decades-old names carved into the wood—names that have all been crossed out. When a strange man wearing an old-fashioned park ranger uniform appears, he claims the children belong to him.The boys disappear.And the father learns the horrifying truth: hundreds of children have vanished from the park, and every September, their families begin forgetting that they ever existed. Photographs change. Birth certificates disappear. Names are forgotten. Only the knowledge that something—or someone—is missing remains.Now September 7 is approaching.The search has officially ended.But this father refuses to forget his sons.If you love TRUE SCARY STORIES, national park horror, forest horror, missing person mysteries, creepy park ranger stories, paranormal encounters, supernatural horror, abandoned places, camping horror, wilderness survival stories, and terrifying stories about children disappearing in the woods, this chilling horror narration is for you.

Prince Andrew reportedly vacationed in Phuket, Thailand, with Jeffrey Epstein and Ghislaine Maxwell in 2001, during a period when Andrew's relationship with Epstein was far closer than he would later publicly suggest. According to the reporting, Andrew stayed at the ultra-exclusive Amanpuri resort, where private villas could cost thousands of pounds per night, while Epstein and Maxwell were also in Phuket. Photographs from the trip showed Andrew aboard a yacht surrounded by topless women, and other accounts placed Andrew and Epstein together in Patong, an area notorious for its red-light district, go-go bars and sex tourism. The pair were reportedly seen visiting nightlife venues including Banana Disco and bars staffed by scantily clad dancers. The trip stood out because it showed Andrew and Epstein socializing together internationally and in explicitly adult-oriented settings, rather than merely crossing paths at formal dinners or business events.The Thailand trip also became another piece of evidence undermining Andrew's later effort to portray Epstein as someone he was never particularly close to. Andrew and Epstein were photographed together on the holiday, The Times later reported that Epstein paid for Andrew's trip, and Ghislaine Maxwell was reportedly staying at the same resort. The broader record showed that the three moved through the same social world for years, including private homes, royal properties, Caribbean trips and parties. None of the reporting established that Andrew committed a crime during the Thailand trip, and Andrew has repeatedly denied wrongdoing connected to Epstein. But the episode added to the larger credibility problem surrounding his public narrative: this was not the picture of a distant acquaintance, but of a prince taking an overseas holiday with Epstein andto contact me:bobbycapuci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Here's a Thought… #2741 with Brooks Jensen Looking for Photographs One of the great mistakes of my youth was the assumption that going out with my camera was, at its essence, looking for photographs. That almost never works. Well, at least it almost never results in a photograph that's worth a damn. I can only speak for myself, but I've learned over the decades that the truly artistic life is the pursuit of experiences and responses that can then be interpreted through an art-making medium. Said another way, photographs don't come from cameras; they come from paying attention and experiencing Life. Become a member of LensWork Online and have access to all 2700+ Here's a Thought… commentaries.

Join my online school for eBay sellers here. Get my BOLO books (eBook format) hereGet my BOLO books (printed format) hereFollow me on FacebookJoin my private Facebook group here.Find me on YouTube here.Visit my website here.Email your comments, feedback, and constructive criticism to me at Suzanne@SuzanneAWells.com

On this, our 341st Evolutionary Lens livestream, we discuss two lives well-lived, both of which ended on August 31, 2026: our beloved labrador Maddie, and Wendell Berry. Maddie was adventurous and loyal; she helped raise our children; and she gave unconditional love. Wendell Berry was a writer, an environmentalist, and a philosopher and defender of the land, and of traditional ways of being and doing. He died at 92 at his home in Kentucky, having lived a deep life farming, thinking, and writing.*****Our sponsors:Timeline: Accelerate the clearing of damaged mitochondria to improve strength and endurance: Go to www.timeline.com/darkhorse and use code darkhorse for 20% off your order.Cowboy Colostrum: Get 25% Off Cowboy Colostrum with code Darkhorse at https://cowboycolostrum.com/darkhorse.CrowdHealth: Pay for healthcare with crowdfunding instead of insurance. It's way better. Use code DarkHorse at http://JoinCrowdHealth.com to get 1st 3 months for $99/month.*****Join us on Locals! Get access to our Discord server, exclusive live streams, live chats for all streams, and early access to many podcasts: https://darkhorse.locals.comHeather's newsletter, Natural Selections (subscribe to get free weekly essays in your inbox): https://naturalselections.substack.comOur book, A Hunter-Gatherer's Guide to the 21st Century, is available everywhere books are sold, including from Amazon: https://amzn.to/3AGANGg (commission earned)Check out our store! Epic tabby, digital book burning, saddle up the dire wolves, and more: https://darkhorsestore.orgMusic: "Marble Machine" by WintergatanThis track can be downloaded for free at www.wintergatan.netFree License to use this track in your video can be downloaded at www.wintergatan.net*****Mentioned in this episode:Wendell Berry in 2012 in Humanities: https://www.neh.gov/humanities/2012/mayjune/conversation/wendell-berry-landsmaBerry obit in NYT: https://www.nytimes.com/2026/08/31/us/wendell-berry-dead.htmThe Peace of Wild Things: https://amzn.to/4zQkzE6  (commission earned)The Unsettling of America: Culture & Agriculture: https://amzn.to/4zTQV0S (commission earned)*****Timestamps:00:00:00 A Rough One Today00:02:07 Sponsor: Timeline00:06:01 Sponsor: Cowboy Colostrum00:09:09 Sponsor: CrowdHealth00:11:22 We Lost Maddie on Monday00:14:01 Why Does She Love Me Unconditionally?00:15:38 Dogs May Save the World00:18:03 The Longest-Standing Domesticate00:20:53 Cats See Mothers, Dogs See a Team00:23:43 Please Wait for Dad to Get Home00:30:50 Why We Buried Her Ourselves00:37:26 Sun Lakes and a Dog With a Job00:43:09 Photographs of Maddie00:45:57 Grief Is the Downside of Love00:48:07 What We Surrender to the Market00:55:58 Wendell Berry, 1934-202601:01:02 The Unsettling of America01:02:25 Monoculture of Crops and of Ideas01:07:23 The Cult of the Future01:13:53 Manifesto: The Mad Farmer01:16:46 A Meeting, and GoodbyeSupport the show

Today I have the honor and privilege to speak with poet and physician Fady Joudah about his stunning new book-- Exhibit G: Poems, Essays, and Photographs of Gaza. Along with powerful and demanding texts, Exhibit G features a collection of photographs of Gaza presented in collaboration with Hani Almadhoun and the Gaza Soup Kitchen. Together, we are confronted with a demand to witness without translating the experience into what Joudah calls “Palestine in English.” The totality of the experience is at once devastating, horrifying, but also at times beautiful and literally beyond words. Along with reading portions of the essays and poems, Fady Joudah offers his usual probing readings of Palestinian history, culture, literature, and social life. No other document so forcefully and comprehensively expresses this genocide.Fady Joudah is a Palestinian American physician, poet, and translator. He was born in Austin, Texas, and grew up in Libya and Saudi Arabia. He was educated at the University of Georgia, the Medical College of Georgia, and the University of Texas Health Sciences in Houston. In 2002 and 2005 he worked with Doctors Without Borders in Zambia and Sudan, respectively.Joudah's debut collection of poetry, The Earth in the Attic (2008), won the 2007 Yale Series of Younger Poets competition, chosen by Louise Glück. Joudah followed his second book of poetry, Alight (2013) with Textu (2014), a collection of poems written on a cell phone wherein each piece is exactly 160 characters long. His fourth collection is Footnotes in the Order of Disappearance (2018).  In 2014, Joudah was a Guggenheim Fellow in poetry. As critic Charles Bainbridge observed in a 2008 Guardian review of The Earth in the Attic, “Joudah's poetry thrives on dramatic shifts in perspective, on continually challenging received notions.”Joudah translated  several collections of Palestinian poet Mahmoud Darwish's work in The Butterfly's Burden (2006), which won the Banipal prize from the UK and was a finalist for the PEN Award for Poetry in Translation; and in If I Were Another, which won a PEN USA award in 2010. His translation of Ghassan Zaqtan's Like a Straw Bird It Follows Me (2012) won the Griffin International Poetry Prize in 2013. His other translations include Amjad Nasser's Petra: The Concealed Rose and A Map of Signs and Scents.Joudah lives with his family in Houston, where he works as a physician of internal medicine.   

A day late but definitely not a dollar short, Jeni and Rose welcome a special guest, horror author Alex Grass, to this episode!!! They will talk about a movie where photographs are either real murders or just staged "dead model" looks. Then they chat with their guest to get to know him, what he does, and anything else they decide to chat about. The world is oysters. Listen to this episode to hear all about it.

-- On the Show: -- Donald Trump reaches the end of his self-imposed 60-day deadline to end the Iran war while military operations and blockades continue -- House Speaker Mike Johnson struggles to provide a clear campaign pitch to voters while prices continue to rise under Donald Trump -- Past video clips surface of now-White House executive assistant Natalie Harp showing extreme devotion to Donald Trump -- Donald Trump avoids answering a direct reporter question regarding his assistant Natalie Harp by rambling about White House renovations -- Donald Trump berates a CNN reporter in the Oval Office and declares that opponents of his ballroom project are disloyal to the nation -- Photographs capture Donald Trump holding a presidential briefing card containing guest names, photos, and basic instructions -- Donald Trump submits a mail-in ballot for the Florida Republican primary despite frequently labeling the process as inherently corrupt -- Donald Trump accuses the BBC of legal harassment after the network seeks subpoenas for his adult children in an ongoing defamation lawsuit -- On the Bonus Show: Some Republicans admit they're worse off under Trump, McConnell is getting more paid time off than new mothers, a preview of today's primaries in Alaska and Florida, and much more...

Step into the shadowed skies of Fascist Italy with My Dark Path as we uncover a cascade of unexplained aerial encounters that predate Roswell by more than a decade. Host MF Thomas begins on a twilight street in Milan in 1944, where a young Decima naval commando watches a copper-colored disk hang motionless above Piazzale Loreto—silent, luminous, and gone in an instant—while air-raid sirens wail and anti-aircraft crews stare in disbelief.From there the episode travels back to the morning of August 22, 1936, over the Venice Lagoon and Mestre. Italian Regia Aeronautica pilots scramble Fiat CR.32 biplanes against a ten-to-twelve-meter metallic disk that accelerates away without sound or exhaust. Later that same day, pilot Marinelli and his flight encounter a long gray “aerial torpedo” accompanied by two domed, hat-shaped craft trailing perfect white smoke plumes and flying in flawless formation. A ground observer named Faustino then watches the same cylindrical craft release smaller disc-shaped objects. Photographs and urgent reports race straight to Galeazzo Ciano's desk—Mussolini's son-in-law and Foreign Minister—under the same absolute-secrecy orders first issued after the alleged 1933 Magenta crash and the creation of the secret RS/33 scientific cabinet.Drawing on the Fascist UFO files brought to light by Roberto Pinotti and Alfredo Lissoni (including the anonymous “Mister X” documents later forensically examined), this episode explores how Mussolini's regime imposed total silence, redirected stories as “meteors,” and kept trained military observers quiet for the rest of their lives. What emerges is a portrait of Italy's forgotten pre-Roswell UFO wave—sightings that trained pilots and soldiers could neither identify nor forget.This episode blends immersive historical narration, primary-document context, skeptical analysis of the contested Fascist files, and the enduring power of eyewitness testimony from men who understood the cost of speaking. Perfect for fans of classic UFO cases, Italian ufology, wartime secrecy, and the unexplained.

Brad Pitt gave Esquire a Monday. Molly McPherson breaks down what he actually bought with it.The September cover profile reads like an ordinary man letting a writer into his house — the dogs, the Perrier, a charcuterie board he builds himself. Molly walks through what each of those details is doing, why the drinking line was volunteered rather than asked for, and why a story that spikes and vanishes inside a week is exactly the outcome a reputation reset is aiming for.With Dr. Abby Medcalf, from the Substack members live.If you or someone you know is struggling, call or text 988 in the US to reach the Suicide & Crisis Lifeline, available 24/7.The article: "A Monday with Brad Pitt" by Ryan D'Agostino, Esquire, September 2026 — https://www.esquire.com/entertainment/movies/a73336135/brad-pitt-interview-2026/Photographs by Chantal Anderson. Styling by George Cortina.Media data in this episode from Muck Rack (Aug 10–11, 2026).00:00  The thesis00:59  It opens with the dogs04:29  Guests get the view07:40  Why it ran in August08:41  The byline was the plan09:35  The photos argue with the words12:42  One sentence, one word15:42  The questions nobody asked21:21  What the numbers say24:47  Getting it on the record

Welcome to The Georgia Politics Podcast! In this episode, we take a fascinating detour into the world of photojournalism with legendary photographer Stanley Forman. Forman sits down to discuss his remarkable career, the photographs that shaped his legacy and the stories behind some of his most iconic images. From his early days as a young photographer to the moments that earned him national recognition and Pulitzer Prizes, Forman offers a firsthand look at the people, places and events he captured through his lens. It's a conversation about photography, journalism and history — and a reminder of how a single photograph can capture a moment and define an era. Connect with The Georgia Politics Podcast, HERE. Hans Appen on Twitter @hansappen Craig Kidd on Twitter @CraigKidd1 Lyndsey Coates on Instagram @list_with_lyndsey Proud member of the Appen Podcast Network. #gapol

Step into the shadowed skies of Fascist Italy with My Dark Path as we uncover a cascade of unexplained aerial encounters that predate Roswell by more than a decade. Host MF Thomas begins on a twilight street in Milan in 1944, where a young Decima naval commando watches a copper-colored disk hang motionless above Piazzale Loreto—silent, luminous, and gone in an instant—while air-raid sirens wail and anti-aircraft crews stare in disbelief.From there the episode travels back to the morning of August 22, 1936, over the Venice Lagoon and Mestre. Italian Regia Aeronautica pilots scramble Fiat CR.32 biplanes against a ten-to-twelve-meter metallic disk that accelerates away without sound or exhaust. Later that same day, pilot Marinelli and his flight encounter a long gray “aerial torpedo” accompanied by two domed, hat-shaped craft trailing perfect white smoke plumes and flying in flawless formation. A ground observer named Faustino then watches the same cylindrical craft release smaller disc-shaped objects. Photographs and urgent reports race straight to Galeazzo Ciano's desk—Mussolini's son-in-law and Foreign Minister—under the same absolute-secrecy orders first issued after the alleged 1933 Magenta crash and the creation of the secret RS/33 scientific cabinet.Drawing on the Fascist UFO files brought to light by Roberto Pinotti and Alfredo Lissoni (including the anonymous “Mister X” documents later forensically examined), this episode explores how Mussolini's regime imposed total silence, redirected stories as “meteors,” and kept trained military observers quiet for the rest of their lives. What emerges is a portrait of Italy's forgotten pre-Roswell UFO wave—sightings that trained pilots and soldiers could neither identify nor forget.This episode blends immersive historical narration, primary-document context, skeptical analysis of the contested Fascist files, and the enduring power of eyewitness testimony from men who understood the cost of speaking. Perfect for fans of classic UFO cases, Italian ufology, wartime secrecy, and the unexplained.

Photographs are taken inside the ear canal before and after ear candling to put it to the test. And irrigation? Also called ear syringing, it involves flushing out ear wax with a low-pressure jet of warm (body temperature) water and works up to 70% to 90% of the time.

Officer Richard Lippard of the Duxbury Police Department testified that he spent sixteen hours in a hospital hallway watching Lindsay Clancy lie motionless. She was sedated and unconscious at South Shore Hospital, then MedFlighted to Brigham and Women's in Boston. She never spoke a word during his entire watch. Under cross-examination, Lippard confirmed that a Code Blue was called for her room overnight — meaning she was dead or dying.The testimony came on Day 4 of Clancy's murder trial after the jury walked through the family's former home at 47 Summer Street in Duxbury. Jurors inspected the basement, both floors, and the exterior — including the second-story window and the yard below it. A detective who met Clancy at the hospital described her as sedated and unconscious with deep lacerations across her neck and wrists. Photographs of the injuries and blood in the bedroom were shown to the jury.Two emergency room doctors then testified about treating three-year-old Dawson and eight-month-old Callan. Dawson was worked on for forty minutes before being declared dead. Callan's heart was restarted but he never regained brain function and died at Boston Children's Hospital days later. Clancy was visibly emotional as both doctors described the effort.Every witness Friday was a prosecution witness. And the prosecution's own officer confirmed their defendant was dead or dying the same night they allege she was performing.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/ Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1 Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/TrueCrimePodDisclaimer: This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#LindsayClancy #LindsayClancyTrial #HiddenKillers #PlymouthSuperiorCourt #CodeBlue #PostpartumPsychosis #TrueCrime #DuxburyMA #MurderTrial #JuryTrial

Jeffrey Epstein used his friendship with Prince Andrew as a powerful form of social validation. Association with a senior member of the British royal family gave Epstein access to royal residences, aristocratic circles, prominent business figures and influential political contacts that would otherwise have been difficult to reach. Andrew's presence helped Epstein present himself not merely as a wealthy financier, but as someone accepted at the highest levels of society. Photographs, visits and introductions involving the prince strengthened Epstein's mystique and allowed him to convert royal proximity into greater credibility among people impressed by status and access.The relationship also appears to have been useful to Epstein because elite connections tended to reinforce one another. Once he could point to a genuine friendship with Prince Andrew, other powerful people had more reason to view him as legitimate, important and worth knowing. Epstein repeatedly built his reputation through borrowed prestige, surrounding himself with royalty, billionaires, academics and politicians and then using those relationships to attract still more influential contacts. Andrew was therefore more than a friend in Epstein's social world; he was an unusually valuable symbol of acceptance that helped Epstein climb further into circles where wealth, reputation and personal access could shield him from scrutiny.to contact me:bobbycapucci@protonmail.com

When it comes to African wildlife photography, Shem Compion has done just about everything. He is an award-winning photographer, naturalist, author, and pioneering hide builder who has spent more than 25 years exploring and photographing the wild landscapes of Africa. He is also a professional photo guide where he helps photographers experience Africa with the timing, access and creative guidance needed to come home with something truly special.In this episode, Shem and I dig into what separates a technically good wildlife photograph from one that stops people in their tracks. For Shem, much of it comes down to combining emotion with narrative. A photograph should make the viewer feel something, but it should also tell us where the animal lives, what it is doing and why that particular moment matters.We also explore the enormous value of photographic guides, the temptation to photograph every animal you encounter on safari and why harsh midday light is rarely your friend. Shem shares the fascinating story behind the underground photography hides at Mashatu Game Reserve, including the new overnight hide that functions almost like a wildlife photography studio, complete with controlled lighting, beds and, crucially, a coffee machine.From there, our conversation expands into visual storytelling, conservation photography, building a lasting body of work and organizing your image library so you can actually find those photographs 15 years from now. Shem also walks us through his current Nikon kit, his relatively light-handed approach to editing and the advice he wishes he could give his younger self: take more photographs, especially of the people, experiences and behind-the-scenes moments that make a journey memorable.Links and Resources MentionedLearn More About Shem...Shem Images — Shem's photography, books, portfolio and backgroundShem Images on InstagramC4 Photo Safaris — Shem's specialist African photography safari companyThe Rift: Scar of Africa — Shem's long-form photography project documenting Africa's Great Rift ValleyPurchase The RiftPhotography Hides and Safari ExperiencesPhotoMashatu — Photographic experiences at Mashatu Game ReserveMashatu's Underground and Overnight Hides — Information about the ground-level Matebole Hide and Lala Limpopo Sleep-Out HideC4 Photo Safaris at MashatuConservation PhotographyWildscreen ARK — Wildscreen's nature education and visual storytelling platformThe ARKive Legacy — The original conservation image library referenced during the conversation. ARKive went offline in 2019, but its collection of more than 100,000 wildlife images and videos remains preserved by Wildscreen.Photo Books, Organization and EditingShutterfly Photo Books — One option for turning a personal photography project into a printed bookAdobe Lightroom and PhotoshopPhoto Mechanic — Photo-management software mentioned while discussing digital asset workflowsNik Collection and Silver Efex — The black-and-white editing software Shem uses for selected fine-art imagesShem's Primary Camera KitNikon Z8NIKKOR Z 180–600mm f/5.6–6.3 VRNIKKOR Z 24–120mm f/4 SNIKKOR Z 70–180mm f/2.8Court's WebsitesCheck out my photo portfolio here: shop.courtwhelan.comSign up for my photo and conservation blog at www.courtwhelan.comFollow me on YouTube (@courtwhelan) for more photography tipsView my camera kit and recommended camera gearSponsors and Promo Codes:MPB.com - Buy, Sell, or Trade Camera GearArtStorefronts.com - Mention this podcast for free photo website designBayPhoto.com - 25% off your first order (code: TWP25) ArtHelper.com - a photo community to learn, share and be inspiredArthelper.Ai - Smart tools to promo and showcase your art.LensRentals.com - WildPhoto15 for 15% off

Officer Richard Lippard of the Duxbury Police Department testified that he spent sixteen hours in a hospital hallway watching Lindsay Clancy lie motionless. She was sedated and unconscious at South Shore Hospital, then MedFlighted to Brigham and Women's in Boston. She never spoke a word during his entire watch. Under cross-examination, Lippard confirmed that a Code Blue was called for her room overnight — meaning she was dead or dying.The testimony came on Day 4 of Clancy's murder trial after the jury walked through the family's former home at 47 Summer Street in Duxbury. Jurors inspected the basement, both floors, and the exterior — including the second-story window and the yard below it. A detective who met Clancy at the hospital described her as sedated and unconscious with deep lacerations across her neck and wrists. Photographs of the injuries and blood in the bedroom were shown to the jury.Two emergency room doctors then testified about treating three-year-old Dawson and eight-month-old Callan. Dawson was worked on for forty minutes before being declared dead. Callan's heart was restarted but he never regained brain function and died at Boston Children's Hospital days later. Clancy was visibly emotional as both doctors described the effort.Every witness Friday was a prosecution witness. And the prosecution's own officer confirmed their defendant was dead or dying the same night they allege she was performing.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/ Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1 Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/TrueCrimePodDisclaimer: This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#LindsayClancy #LindsayClancyTrial #HiddenKillers #PlymouthSuperiorCourt #CodeBlue #PostpartumPsychosis #TrueCrime #DuxburyMA #MurderTrial #JuryTrial

Jeffrey Epstein used his friendship with Prince Andrew as a powerful form of social validation. Association with a senior member of the British royal family gave Epstein access to royal residences, aristocratic circles, prominent business figures and influential political contacts that would otherwise have been difficult to reach. Andrew's presence helped Epstein present himself not merely as a wealthy financier, but as someone accepted at the highest levels of society. Photographs, visits and introductions involving the prince strengthened Epstein's mystique and allowed him to convert royal proximity into greater credibility among people impressed by status and access.The relationship also appears to have been useful to Epstein because elite connections tended to reinforce one another. Once he could point to a genuine friendship with Prince Andrew, other powerful people had more reason to view him as legitimate, important and worth knowing. Epstein repeatedly built his reputation through borrowed prestige, surrounding himself with royalty, billionaires, academics and politicians and then using those relationships to attract still more influential contacts. Andrew was therefore more than a friend in Epstein's social world; he was an unusually valuable symbol of acceptance that helped Epstein climb further into circles where wealth, reputation and personal access could shield him from scrutiny.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Notes: Ms. Ayerza studied criminology, forensic behavioural sciences and psychology. Her early research examined eyewitness memory and the re-entry of exonerees before she became interested in cybercrime and cyberstalking. She was drawn to cybercrime because it is not limited to hacking, malware and phishing. Technology is part of everyday life through social media, email, dating apps and other commonly used services. Dating apps allow users to create profiles, specify the people and relationships in which they are interested and indicate interest in other users. When two users express an interest in one another, they can normally begin communicating through the app. Some dating apps are intended for broad audiences, while others serve particular lifestyles, interests or sexual orientations. Profiles are often presented as individual photographs or grids of photographs from which users make selections. Ms. Ayerza explains that dating apps are designed to make dating convenient and can feel like games. The superficial and rapid nature of matching can encourage users to make decisions based primarily on photographs. Harassment can arise when users send repeated messages in an effort to gain someone's attention. Some people may not recognize these repeated or unwanted communications as harassment. Users may also deliberately match with someone because they disagree with something in that person's profile and want an opportunity to criticize or harass them. Ms. Ayerza conducted an online survey of adult dating app users living in the United States. The study examined the information people included in their profiles, the photographs they shared and characteristics of the applications they used. The study considered whether users disclosed their relationship preferences, sexual orientation, workplace or occupation. It also examined whether they used their full name or an alternative name and whether their photographs included friends or family. Verification on dating apps can be a relatively superficial process in which a live photograph is compared with the photographs on a profile. Premium features may also allow users to change the location in which their profiles appear. Users often adopt their own protective measures, such as using pseudonyms or withholding photographs of their faces. However, designing effective technical safeguards is difficult because repeated messages can be part of both ordinary conversations and harassment. Most dating app users do not experience harassment, but Ms. Ayerza says that around a quarter of the users in the study experienced these forms of harm. The study did not compare victimisation across individual dating apps. Ms. Ayerza suggests that larger platforms may have more resources and face greater public pressure to introduce safeguards, while smaller platforms may have fewer resources. Sharing relationship or sexual orientation preferences was not found to increase risk. Ms. Ayerza suggests that these preferences help platforms present users with people who have similar interests without necessarily revealing where someone can be found. Including information about where a person works or studies increased risk. Photographs featuring friends or family also had an influence because they can reveal social connections and additional information about the user. Uploading photographs of one's face was not found to increase risk, possibly because facial photographs are a normal and often required part of using dating apps. Matching with someone under the age of 18 increased risk. Ms. Ayerza connects this finding to the limited measures used by dating apps to confirm that users are old enough to participate. One of the most surprising findings was that using a pseudonym or nickname increased risk. Ms. Ayerza discusses the possibility that an alternative name creates a false sense of security and encourages people to disclose more information. Ms. Ayerza advises users to think carefully about what they disclose. Preferences may be appropriate to share, while details about occupations, workplaces, friends and family may be better withheld until someone is known more closely. She emphasizes that responsibility should not be placed entirely on victims. People should understand that harassment is unacceptable and platform operators should do more to prevent and respond to harmful behaviour. Possible platform interventions include better reporting mechanisms and educational or training modules that users complete before creating a profile. Schools could help prepare young people to communicate appropriately on dating apps once they are old enough to use them. Ms. Ayerza also argues that governments should treat conduct on dating apps more seriously because every profile represents a real person. Future researchers need measures that reflect the activities people actually perform on dating apps. Greater consistency would also make it easier to compare findings across studies. Ms. Ayerza plans to examine offending as well as victimisation. Her future research will consider unwanted sexual messages, sexual violence and the experience of multiple forms of harm on dating apps. About our guest: Jennifer M. Ayerza, M.A. https://cls.gmu.edu/people/jayerza https://cebcp.org/team/jennifer-ayerza/ https://www.linkedin.com/in/jennifer-ayerza-38353a233 Papers or resources mentioned in this episode: Ayerza, J. M., Lee, J. R., O'Malley, R. L., & Lee, C. S. (2026). Cyberstalking and online dating: Examining cyberstalking victimization among dating app users. Asian Journal of Criminology, 21, Article 5. https://doi.org/10.1007/s11417-025-09480-2  

Every now and then, I look back through old photographs and wonder why I kept certain ones. Not the obvious ones. Not the family photographs, birthdays, holidays, faces, or moments that clearly belong in the archive. Those explain themselves. I understand why they are there. I am thinking more about the quiet images. A road. A tree. A field. A lake. A building I passed once. A patch of light on an ordinary afternoon. At first, some of those photographs do not seem to say very much. They may not be strong enough for a print. They may not belong in a portfolio. They may not be something I would show to anyone else and expect them to understand why I made them. But I kept them. That alone makes me stop and think... Podcast Notes: https://www.moneymakerphotography.com/why-we-keep-photographs/ Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/ Music From the Doctor's Office: https://musicfromthedoctorsoffice.com

HT2696 - Photographs Are Never Real The arguments against AI are often punctuated with concerns about those images being fake. Aren't all photographs fake? All photographs are flat, two-dimensional things that show us the world in a significantly reduced scale. The only sense in which photographs are real is that they are symbols, metaphors, representations of a moment or an idea, stand-ins, pointers, guides, translators, in short a photograph is not "the thing itself" in spite of that notion being repeated in photographic art circles Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

The most petty and ill informed podcast in the world! All the best bits from the weeknd's Off the Ball shows in one place. As we build up to the World Cup final between Spain and Argentina we asked - World Cup 26 - what worked, what didn't; Iconic photographs; Spotted in the strangest place; John Gordon Sinclair, Zander Murray, Chris Bennett and John Walker join Stuart and Ray Bradshaw. All this plus the Toolbox XI and the Terracing Teaser.

We delve into a most unfortunate event from part one, section iv, chapter vii, appendix ii in the third volume of The Whole Truth About Fatima.Please support the Our Lady of Fatima Podcast:http://buymeacoffee.com/TerenceMStantonLike and subscribe on YouTube:https://m.youtube.com/@OurLadyOfFatimaPodcastFollow us on X:@FatimaPodcastThank you!

As Jeffrey Epstein faced prosecution in Florida, his friends and associates sent a letter to prosecutors portraying him as a generous, accomplished and valuable member of society who deserved leniency. That intervention was part of a broader effort to replace the image emerging from the evidence with a carefully manufactured portrait of a respectable financier, philanthropist and trusted adviser to influential people. Instead of confronting the scale of the allegations against him, members of his social circle effectively used their names and reputations to reassure authorities that Epstein belonged among the respectable elite. The letter demonstrated how his network functioned as a protective asset, with powerful acquaintances helping create the impression that he was too connected, useful and socially established to be treated like an ordinary criminal defendant.Epstein's relationships with Prince Andrew and Sarah Ferguson strengthened that image by giving him something money alone could not purchase: proximity to the British royal family. Photographs, palace invitations, royal gatherings and his highly visible friendship with Andrew helped Epstein present himself as a man accepted at the highest levels of international society. Ferguson's financial dealings and warm private communications with Epstein further reinforced the appearance that he was not merely tolerated by the royal circle, but trusted and valued within it. That royal association became part of Epstein's social armor, allowing him to impress business figures, cultivate new relationships and suggest that anyone welcomed by Andrew and Fergie must be legitimate, respectable and safe.to contact me:bobbycapucci@protonmail.com

As Jeffrey Epstein faced prosecution in Florida, his friends and associates sent a letter to prosecutors portraying him as a generous, accomplished and valuable member of society who deserved leniency. That intervention was part of a broader effort to replace the image emerging from the evidence with a carefully manufactured portrait of a respectable financier, philanthropist and trusted adviser to influential people. Instead of confronting the scale of the allegations against him, members of his social circle effectively used their names and reputations to reassure authorities that Epstein belonged among the respectable elite. The letter demonstrated how his network functioned as a protective asset, with powerful acquaintances helping create the impression that he was too connected, useful and socially established to be treated like an ordinary criminal defendant.Epstein's relationships with Prince Andrew and Sarah Ferguson strengthened that image by giving him something money alone could not purchase: proximity to the British royal family. Photographs, palace invitations, royal gatherings and his highly visible friendship with Andrew helped Epstein present himself as a man accepted at the highest levels of international society. Ferguson's financial dealings and warm private communications with Epstein further reinforced the appearance that he was not merely tolerated by the royal circle, but trusted and valued within it. That royal association became part of Epstein's social armor, allowing him to impress business figures, cultivate new relationships and suggest that anyone welcomed by Andrew and Fergie must be legitimate, respectable and safe.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Episode 482 features Rick Bebbington, a UK-based photographer, discussing how personal growth and life experiences deeply impact creative work. The conversation focused on overcoming common blocks like perfectionism and imposter syndrome by letting go of expectations, shifting away from external comparisons, and embracing photography as a fulfilling, evolving process, rather than a pursuit of perfection or gear. A key theme that emerged was the importance of introspection and being open to new subjects, with practical advice on how photographers can get unstuck and find renewed creative purpose. Resources and Links: Muench Workshops Giveaway Rick Bebbington The Colorado Way book Support the show on Patreon Muench Workshops Start With Why by Simon Sinek Ikigai (concept overview) Rachel Bixby Dani Connor Bonus Episode on the Magic Sweater

Explore the enigmatic realm of unidentified flying objects through three rare, obscure photographs that have intrigued UFO researchers, skeptics, and conspiracy enthusiasts. Captured in a time before digital editing, these images—from snowy Poland, wartime China, and sunny Italy—defy simple explanations and hint at extraterrestrial observers challenging our reality.MF Thomas starts by honoring the infamous 1975 Billy Meier photo from Switzerland: a silver disc "beamship" that inspired The X-Files' "I Want to Believe" poster. Debunked as a hoax with models, strings, and confirmed by his ex-wife Kalliope and experts like Joe Nickell, it contrasts with the episode's more resilient cases.In Part 1, travel to 1959 Muszyna, Poland, where Dr. Stanislaw Kowalczewski photographed a flattened oval UFO during a winter holiday. Emerging from a yellow-orange cloud as a luminous orb, it appeared as a dark saucer on film. Experts in Warsaw papers like Stolica affirmed it 90% likely a self-luminous flying saucer. Linked to Polish UFO lore like Gdynia and Emilcin, it faded under Soviet secrecy—alien craft or artifact?Part 2 delves into WWII Pacific Foo Fighters, focusing on the 1942 Hopeh UFO photo from Tianjin, China, under Japanese occupation. This street-level shot shows a domed silver disc overhead, with pointing pedestrians. Ufologist Shi Bo attributes it to an American witness; analyses dismiss planes or shells. Tied to sightings like Sergeant Brickner's 150+ wobbling objects over Tulagi, it anchors Asian UFO history.In Part 3, relive Italian pilot Giancarlo Cecconi's 1979 Treviso encounter. Radar spotted an erratic object with a blue trail; Cecconi snapped 80+ photos of a 25-foot matte-black cigar-shaped craft with a dome, maneuvering at 300 mph. Backed by witnesses and researcher Antonio Chiumiento, who uncovered potential Ministry cover-ups. Parallels include Chiles-Whitted (1948), RB-47 (1957), and Gemini 4 (1965) cylinders.For all references and music, visit https://www.mydarkpath.com/78-historical-ufo-photosBuy MF Thomas' novels on Amazon. Like Clockwork https://amzn.to/417lOzy Arcade https://amzn.to/4aTpisx A Sickness in Time https://amzn.to/41apSPK Seeing by Moonlight https://amzn.to/4gySl5WConnect with usInstagram: @mydarkpathpodcast Twitter/X: @mfthomasauthor Email us: explore@mydarkpath.com Visit us: www.mydarkpath.com Subscribe: www.patreon.com/mydarkpath Disclaimer: All opinions and comments expressed in the 'Comments' section do not reflect the opinions of My Dark Path or Dark Media LLC. All opinions and comments should contribute to the dialog and learning. My Dark Path and Dark Media LLC do not condone written attacks, insults, racism, sexism, extremism, violence or otherwise questionable comments or material in the 'Comments' section and reserves the right to delete any comment violating this rule or to block any poster from the channel.

■■■■■■■■■■■■■■■■■■■■■■■■■■■■■ 5月16日で《ピアノ万葉集》は完結しました ■■■■■■■■■■■■■■■■■■■■■■■■■■■■■《ピアノ万葉集》プロジェクトは2026年5月16日に完結しました。でもここは大事な場所なので、前に創った《ピアノ万葉集》の曲をお届けします。ただ、すみませんが、前に流した曲ですので重複しています。=================================================enclosed are..

-- On the Show: -- Donald Trump contacts FIFA President Gianni Infantino to reverse a red card suspension for American player Flo Balogun -- Donald Trump allegedly committed wire fraud by diverting America250 donations into a private Freedom250 account -- Donald Trump delivers a 35-minute partisan speech before a fireworks display celebrating America's 250th birthday -- Donald Trump draws historically low attendance at his heavily politicized Independence Day fair in Washington DC -- Senator Mitch McConnell remains absent from public view for three weeks following an unexplained medical emergency -- Second Lady Usha Vance interviews Donald Trump who admits he only reads media stories written about himself -- Photographs reveal that a visibly aging Donald Trump fell asleep during the Independence Day fireworks show -- Donald Trump posts a mock restraining order against Italian Prime Minister Giorgia Meloni following a public dispute -- On the Bonus Show: Shootings across the country over Fourth of July weekend, Iran holds a funeral for Ayatollah Ali Khamenei, Belgium is granted an appeal to undo FIFA's red card reversal, and much more...

On this episode (481) of F-Stop Collaborate and Listen, Garrett Hess, a colorblind photographer from Erie, Pennsylvania, talks with Matt Payne about building a creative practice centered around photographing the Great Lakes region, an area often overlooked by landscape photographers. They discuss how embracing local landscapes, weather extremes, and personal limitations like color vision deficiency can foster growth, uniqueness, and deeper connections to subject matter. Garrett Hess shares strategies for keeping local photography exciting, including studying microclimates, developing personal projects, and building a creative network. The conversation touches on the challenges of curating work for exhibitions, the emotional journey of making art close to home, and reframing one's relationship with the often-uninspiring places they live. Links Mentioned This Week: Muench Workshops Giveaway Garrett Hess Support the show on Patreon NLPA The Colorado Way book Muench Workshops Jonathan Buford Kyle McDougall YouTube Channel Tobias Yoder Photography Joshua Wallace Photography

Preview: Historian Fitzhugh Brundage analyzes sixteen enigmatic photographs taken by Andrew Riddle at Andersonville prison in 1864. These rare images became iconic through later etchings published in news journals. Brundage emphasizes their historical importance as unique visual evidence documenting the grim conditions within the Confederacy's most notorious prisoner of war camp.1865 RICHMOND

In this episode of the Different Leaf the Podcast, photographers Sam Lee and Hunter Abrams discuss their long-running creative partnership and their approach to shooting one of the book's most striking visual stories. Having worked with leading outlets including Vogue, Interview Magazine, The New York Times, and GQ, Lee and Abrams reflect on how they first met, how their collaborative process evolved, and what it means to build trust behind the camera. The conversation centers around their Different Leaf photo shoot with André De Shields — Tony Award–winning actor, singer, and cultural icon — whose presence, movement, and history informed every frame. They break down the role of styling and wardrobe, and how thoughtful choices allowed De Shields' creative energy to lead without overpowering the image itself. Lee and Abrams also speak to Bob Faust and Nick Cave's original vision for the book, and how they translated that vision into photographs that expand the narrative while honoring its spirit—adding texture, rhythm, and humanity to a world built on art, cannabis, and storytelling.

Photographs. Paintings. Editorial cartoons. Cover art. Memes. We are steeped every day of our lives in visual art. And who can doubt the profound effect that a particularly striking image can have on our psyche? Today, James explores the way art and imagery can be used to unlock minds and deprogram the masses with two practicing artists, Anthony Freda and Jordan Henderson.

In episode 480 of F-Stop Collaborate and Listen, Matt Payne is joined by photographers Ben Maze and Murray Livingston, who share their journeys in landscape photography, growing up during the rise of social media and how it has influenced their artistic development for better and worse. The discussion covers their approach to intentional image-making, the importance of seeking inspiration beyond Instagram and learning from photographic history, and how they balance the pressure to produce with the creative rewards of slowing down. They explore the realities of building sustainable careers through education and workshops, especially running workshops in Scotland together, and reflect on the challenges and benefits of being younger professionals in the field. Throughout, they emphasize maintaining authenticity amidst commercial and algorithmic pressures, advocating for deep engagement with nature and diverse artistic influences over chasing trends for quick attention. Links and Resources Mentioned: Ben Maze & Murray Livingston Muench Workshops Giveaway Support the show on Patreon The Colorado Way (Matt Payne's Book) Peter Dombrovskis, Joe Cornish, Clark Little, Ray Collins, William Neill, Alex Noriega, Ken Duncan, Heesoo Chung, Andrea Celli, Andrea Pozzi, Luis Afonso Looking at Photographs by John Szarkowski Photography in Print by Vicki Goldberg Photographers on Photography by Nathan Lyons NLPA (Natural Landscape Photography Awards) Discord Server for Landscape Photographers

For most of his life, his mother existed only in fragments. Old photographs. Careful family stories. Unanswered questions surrounding the murder that took her life when he was still a baby.Then, after his grandmother's funeral, someone handed him a dusty box of her belongings.At first, he left it untouched in a spare-bedroom closet. But soon the closet door began opening on its own. Photographs appeared on the kitchen table after being put away. Then one image surfaced that matched a dream he had before he ever opened the box.What started as a strange disturbance slowly became something more personal. The box held keepsakes, newspaper clippings, and pieces of his mother's life that no one had ever shared with him.The mystery of her death remained unsolved. But something made sure she was no longer forgotten.#RealGhostStories #FamilyGhostStory #SignsFromBeyond #UnsolvedMystery #HauntedObjects #ParanormalExperience #AfterDeathCommunication #TrueGhostStory #MothersLove #UnexplainedActivityLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

For most of his life, his mother existed only in fragments. Old photographs. Careful family stories. Unanswered questions surrounding the murder that took her life when he was still a baby.Then, after his grandmother's funeral, someone handed him a dusty box of her belongings.At first, he left it untouched in a spare-bedroom closet. But soon the closet door began opening on its own. Photographs appeared on the kitchen table after being put away. Then one image surfaced that matched a dream he had before he ever opened the box.What started as a strange disturbance slowly became something more personal. The box held keepsakes, newspaper clippings, and pieces of his mother's life that no one had ever shared with him.The mystery of her death remained unsolved. But something made sure she was no longer forgotten.#RealGhostStories #FamilyGhostStory #SignsFromBeyond #UnsolvedMystery #HauntedObjects #ParanormalExperience #AfterDeathCommunication #TrueGhostStory #MothersLove #UnexplainedActivityLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

A Georgia hunter's Thomasville property has strange encounters that changed everything. Jimmy shares years of unusual activity and evidence he has been gathering. Are these encounters evidence of Bigfoot activity, misidentified wildlife, or something even stranger?If you've had a Bigfoot encounter or strange experience, please contact us through our website or share it below.Have you ever experienced something paranormal in your home? Share your story in the comments.Listen to more true paranormal encounters, cryptid sightings, UFO experiences, and unexplained mysteries from real witnesses.Support our channel by becoming a YouTube member for special emojis, members only lives, new Ozark Howler episodes, and bonus paranormal episodes. Click the JOIN button under this video. Join us on Patreon https://www.patreon.com/fromtheshadowsVisit our Merch Shop https://www.fromtheshadowspodcast.com/shop/ Follow us on:TikTok - https://www.tiktok.com/@fromtheshadowspodcastFacebook - https://www.facebook.com/fromtheshadowspodcastInstagram - Shane Grove - https://www.instagram.com/shanegroveauthor Instagram - Podcast - https://www.instagram.com/fromtheshadowspodcast#Hunting #Georgia #Bigfoot #Cryptids #Paranormal #Hunter #ThomasvilleGeorgia #Monster

Dr. Paul Conti, MD, is a board-certified psychiatrist and an expert in how to improve mental health and increase your sense of agency and wellbeing. He is also an expert in trauma treatment. We discuss practical tools you can use to gain insight into your natural strengths and to make better life choices on your own behalf. We explore how these tools can help overcome low motivation, intrusive thoughts and self-destructive bad habits. We also discuss how to balance internal reflection and external action to ensure you move your life forward in the right directions. Thank you to our sponsors AG1: https://drinkag1.com/huberman Helix Sleep: https://helixsleep.com/huberman BetterHelp: https://betterhelp.com/huberman Function: https://functionhealth.com/huberman Rorra: https://rorra.com/huberman Timestamps (00:00:00) Paul Conti (00:02:51) Self View; Tool: What's Going Right?; State Dependence (00:10:03) Sponsors: Helix Sleep & BetterHelp (00:12:44) Tool: Compassionate Curiosity; Falseness; Social Media (00:21:00) Doing vs Thinking; Self-Reflection (00:29:55) External vs Internal Processing, Balance (00:40:42) Sponsor: AG1 (00:42:26) Quiet vs Verbal; Questions to Learn About Self (00:53:17) Examined Life & Reflection; Changing Unwanted Behavior (01:02:54) Making Positive Changes, Problem Solving (01:07:26) Sponsor: Function (01:09:03) Behavior Pattern Insight & Reclaiming Agency (01:17:06) Agency & Control; Getting in Your Own Way (01:22:49) Trauma, Living Intentionally; Internal Turmoil (01:29:08) Intrusive Thoughts, Tool: Self Talk Awareness; Dreams (01:34:10) Sponsor: Rorra (01:35:23) Trauma & Emotions; Healing Childhood Trauma (01:43:32) Photographs, Positive Climate for the Mind; Spirituality, Good & Evil (01:52:53) Happiness & Expectations; Death, Living a Good Life (02:03:10) Book Writing; Acknowledgements (02:07:25) Zero-Cost Support, YouTube, Spotify & Apple Follow, Reviews & Feedback, Sponsors, Protocols Book, Social Media, Neural Network Newsletter Disclaimer & Disclosures Learn more about your ad choices. Visit megaphone.fm/adchoices