Podcasts about photographs

Send us a textIn December 1941,  an SS man took a series of 12 photographs of an Einsatzgruppen killing in Latvia.  The negatives were stolen by a survivor who had copies made and retrieved them after the war.In today's episode, we explore what we can learn about the Holocaust from these photographs and, indeed, from photographs in general.  I talk with Hillary Earl and Valerie Hébert who have written in depth about these images.Hilary Earl is a professor of history at Nipissing University.Valerie Hébert is a professor of history and interdisciplinary studies at Lakehead University.Follow on Twitter @holocaustpod.Email the podcast at holocausthistorypod@gmail.comThe Holocaust History Podcast homepage is hereYou can find a complete reading list with books by our guests and also their suggestions here.

Part One- In light of the recent announcement that the late Pete Rose is now eligible for entry into Major League Baseball's Hall of Fame, we are replaying our conversation with Keith O'Brien, author of "Charlie Hustle- The Rise and Fall of Pete Rose and the Last Glory Days of Baseball." Part Two- Kostya Kennedy talks about his book "The Story of Baseball in 100 Photographs."

HT2259 - The Market for Used Photographs I spent the day yesterday in one of my favorite used book stores, Robert's Books in Lincoln City, Oregon. This is a giant building filled to the brim with used books of every kind and age and interest you could possibly imagine. I picked up three volumes of short stories that I'd never heard of or seen before, treasures I am already enjoying here at the beach. And then it dawned on me, why is there no market for used photographs the way there is for used books? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Ireland's biggest astrophotography competition 'Reach for the Stars' is now open for entries. Organised by the School of Astronomy and Astrophysics at the Dublin Institute for Advanced Studies (DIAS) the competition aims to find the best astro-photographs taken in Ireland between 26 April 2024 last year and 02 June 2025. This year, for the first time, Under 18s can enter the smartphone category -the 'Night Sky in Your Hand'. Shortlisted entrants will be announced in late June with the public invited to vote for their favourite to win the "People's Choice" category at that time. Run in partnership with The Irish Times and sponsored by the Astronomical Observatories of Ireland and MKC Communications, full details about the competition can be found on www.reachforthestars.ie. Photographs taken between 26 April 2024 last year and 02 June 2025 can be entered in five distinct categories: Night Sky in Your Hand (Category expanded to include U18s): Images taken with only a smartphone, and without telescopes, of an astronomical scene. Out of this World - Planetary: Images of the planets, sun and moon. Out of this World - Deep Sky: Images of celestial objects that exist outside our solar system such as nebulae, star clusters, and galaxies. Back on Earth - Landscape: Images that depict a feature of astronomical interest as a prominent feature and elements such as nature, land or water. Back on Earth - Landmark: Images that depict a feature of astronomical interest as a prominent feature and elements such as cityscapes, buildings, houses, historical structures or monuments. Entries will be judged by Alan Betson, The Irish Times, PPI Press Photographer of the Year; Michael McCreary, President, Irish Astronomical Society; Professor Peter Gallagher, Senior Professor and Head of Astronomy and Astrophysics at DIAS; and Dr Lisa McNamee, Co-Founder, Space Medicine Ireland. Launching the competition today, Dr. Eucharia Meehan, CEO and Registrar of DIAS, said: "This is the fifth year of DIAS 'Reach for the Stars' and this year we're making one big change to the competition. In opening the smartphone category to U18s we hope to encourage the curiosity and interest of young people in the night sky, and of the many astronomical events and wonders on show. Mobile phones have such great cameras today making astrophotography a really accessible activity and we can't wait to see what they submit". "Chair of the judging panel and Director of DIAS Dunsink Observatory, Professor Peter Gallagher said: "People have a natural interest and deep curiosity about the stars and the planets. The images captured each year are breathtaking and give us an insight into the beauty of the night sky. In recent times, the northern lights have been visible from Ireland, and so we look forward to seeing photographs that capture these dancing displays from across the island". Reach for the Stars Competition Details Entrants may submit up to two images per category to the competition. The deadline for entries is 5pm, 04 June 2025. All entries will be screened by a shortlisting panel to ensure they meet the eligibility criteria. The shortlisted images in each category will then go forward for consideration by the judging panel and for an online public vote on reachforthestars.ie.

In this episode of the Who's He? Podcast.... Review - The Story and The Engine Join Phil and Paul as they take a deeper look at the latest episode of Doctor Who, The Story and The Engine. With the Doctor trapped in a barbers shop in Lagos, with a demon barber who feeds his giant spider stories (you will have to watch to figure it out), will Phil ever grow his hair back? And will Paul's ever stop growing? You can currently find us on X, Threads, Mastodon, Bluesky and Facebook.  Don't miss an episode by subscribing to our show on Apple Podcasts/iTunes, Spotify, Amazon Podcasts, plus many other podcatchers of your choice.

Nick becomes Steve's interview guest in this episode of The Photography Pod, as we delve into the deep and murky depth's of Nick's camera bag.  The show features an in depth discussion on how Nick photographs weddings including his choice of cameras and lenses, his approach to the different phases of the wedding day, his post processing and the CRM he uses to book the wedding. In other news Steve has a hot experience in Birmingham and Nick gets suntan in front of a fridge. Nick Church and Steve Vaughan are professional wedding photographers based in the UK. They both use Sony Alpha cameras and lenses. Video version of the Podcast including slide shows of images https://www.youtube.com/@thephotographypod Nick's website : https://www.nickchurchphotography.co.uk/Nick's Instagram : https://www.instagram.com/nickchurchphotography/ Nick Church Creative Academy https://www.nickchurchphotography.co.uk/news/introducing-nick-church-creative-academy Steve's website : https://www.samandstevephotography.com/Steve's Wedding Instagram : https://www.instagram.com/samandstevephotography/Steve's personal Instagram: https://www.instagram.com/stevevaughanphotography Any technical information given by the presenters is based on their understanding and opinion at the time of recording

Nan Evans talks with Port Townsend photographer Kerry Tremain about the beauty of his bird photography and the emotional connections we all have to birds once we open ourselves to honor that we humans co-evolved with birds. (KPTZ airdate: May 7, 2025) Learn more:Kerry Tremain PhotographyKerry Tremain's newsletter Wild ThingsBird sound recording: Jay McGowan, ML66621141, courtesy of Cornell Lab of Ornithology | Macaulay LibraryMusic by Rick Bauer Nature Now is created by a dedicated team of volunteers. If you enjoy this episode and can support the work that goes into making Nature Now, we invite you to go to kptz.org/donate to make a contribution. Thank you for your support!

This week, Hear the Dance host Silas Farley leads us on a wide-ranging exploration of Jerome Robbins' 1994 ballet A Suite of Dances. First, he's joined by Repertory Director Jean-Pierre Frohlich, who coaches the work; Principal Dancer Daniel Ulbricht, who initially learned the tour-de-force role in 2019; and former Principal Dancer Peter Boal, who worked with Robbins on the development of the ballet. They walk through the creation and performance of the four movements, highlighting the ways in which A Suite of Dances teaches the performer about themselves—particularly as they grow with and age alongside the piece. (1:05:11) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

In this second part of our Hear the Dance journey into Jerome Robbins' A Suite of Dances, Cellist Hannah Holman joins host Silas Farley to provide a deep-dive introduction to the Bach Cello Suites that provide the ballet's exquisite score. As Holman explains, the music is a seminal work for every cellist, with complex challenges and varied delights throughout—all of which are complicated and enriched when performed onstage with the work's solo dancer. (42:48) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach Symphony No.4 in E Minor, op.98 (I. Allegro non troppo, II.Andante moderato, III. Allegro giocoso, IV. Allegro energico e passionato) by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra, Yo-Yo Ma and Herbert von Karajan Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

Have you ever slogged through writing a sales page on your website thinking, "This is the one; it's going to work!" And crickets. Nothing seems to stick. If you run a business and you have a website, you know what I'm talking about. Kris Jones will explain exactly why that's happening and what you can do to fix it. StoryBrand's Donald Miller hand-selected Kris as a mentee. She's cracked the code on turning expertise into sales. She helps coaches and consultants scale from $30,000 to $300,000 months using her signature storytelling system, proving that you don't need endless content or complicated funnels to attract premium clients – just one story told very well. "My heart's always been with that self-employed business owner, the small business, the solopreneur, the people that are really also on the planet doing the work that they're meant to do, right, that are really aligned with their purpose," says Kris. "Those are the people that I like to help. And those are the people that really can benefit the most from telling a really powerful story." When you apply a story to your website, people recognize that you're somebody they can really trust. It's important that the story you're telling them doesn't pressure them to take action but inspires them to take that next step of wanting to work with you. "Our environment has changed a lot as far as the digital world that we live in, but we are all wired for story, and that is never going to change," says Kris. Kris says the biggest mistake people make on their websites is making themselves the hero of their story. She likens it to meeting someone for a quick coffee date—you sit down and connect with them first, then check in with where they are. You wouldn't sit down and say, "I just had a flood at my house, and this is the best plumber, and you should work with this plumber!" They don't have any plumbing issues. Take the time to connect with them first.  In your website copy, you want to let people know that they matter and understand what is going on in their lives before you start talking about yourself and the problems you solve. The call to action needs to be a natural next step in working with you. She says many people offer a "learn more" call—nobody wants to "learn more." People don't want to have to go to multiple pages to gather the information they need. Kris suggests a one-page homepage format, which allows users to scroll. It's a comfortable and natural mobile design. It also allows the story to unfold and provides all the information rather than siloing your website's copy on different pages, such as services or testimonials. Changing pages requires more effort than the scrolling motion. Another common website mistake is designing the page as an afterthought. The design components need to bring your story to life and align with it. Our brains process visuals so fast.  Photographs are so powerful. Instead of having pictures of ourselves, show the client in their happy, successful state. Shift the lens to make your clients the hero of your story through both words and visuals.  "When you're the hero of your own story, you kick a potential client out of your story," says Kris. That's the most powerful way to create that connection on your website—really articulate their problem. Clients then feel seen, heard, validated, and not alone. Most importantly, when we articulate their problem well, they feel like we are the best ones to solve it, says Kris. "The way that I see a lot of people doing this wrong is that they take this opportunity to talk about features of the work they do, which is actually talking about yourself," says Kris. "We really want to answer that question that they have in their brain when they land on their website. They're asking three important questions: What's in it for me? What's in it for me? And what's in it for me?"   Connect with guest Kris Jones: From Click to Client: https://www.reddoordesigns.com/book How to Write Compelling Copy in 5 Minutes: https://www.reddoordesigns.com/free-resources Building a Story Brand Book: https://amzn.to/3P4JYUE    Other GoG episodes you might want to check out:   How to Write Sales Copy That Sells: https://sarahwalton.com/how-to-write-sales-copy/    Storytelling, Sharing With Clients and Taylor Swift: https://sarahwalton.com/sharing-your-story/    You can check out our podcast interviews on YouTube, too! http://bit.ly/YouTubeSWalton   Thank you so much for listening. I'm so honored that you're here, and would be so grateful if you could leave a quick review on Apple Podcasts by clicking here, scrolling to the bottom and clicking “Write a review.” Then, we'll get to inspire even more people! (If you're not sure how to leave a review, you can watch this quick tutorial.)   #WebFlow #WebSuccess #HowtoStartaBusiness #WebDesign #AskExpert #WomenInBusiness #SalesCoach #IntuitiveBusinessCoach

This episode of Subtext & Discourse Art World podcast is brought to you by AIPAD and The Photography Show. AIPAD represents fine art photography galleries around the world and is proud to present the 2025 edition of its flagship event, The Photography Show. The fair will showcase photography from the earliest processes to cutting-edge contemporary work that pushes the boundaries of the medium, from April 23 – 27 at The Park Avenue Armory in New York City. Go to www.aipad.com/show for more information and to plan your visit.   The Association of International Photography Art Dealers (AIPAD) encourages public support of fine art photography through education and communication by enhancing the confidence of the public in responsible photography collecting. First organized in 1979, AIPAD and its current members span the globe with members in North and South America, Australia, Europe and Asia. AIPAD has become a unifying force in the field of photography and is dedicated to creating and maintaining high standards in the business of exhibiting, buying and selling photographs as art. - AIPAD official website https://www.aipad.com/ - Follow AIPAD on Instagram https://www.instagram.com/aipadphoto/ - Talks programme by AIPAD on YouTube https://www.youtube.com/@aipadphoto - AIPAD On Collecting Photography guide https://www.aipad.com/collecting   Sophie Wright is the Executive Director at Fotografiska New York, a position held since April 2022. Prior experience includes serving as Global Cultural Director at Magnum Photos from October 2003 to October 2020, where responsibilities encompassed developing and delivering global cultural programs, business development, and managing large-scale sales initiatives. Sophie Wright also worked as a Creative Consultant at Sophie Wright Consulting from 2002 to July 2011, focusing on strategy and communication for creative projects. Earlier roles include Deputy Editor and Gallery Manager at PLUK Magazine and Witness Gallery, and Non-Executive Director/Project Manager at MMAN Ltd. Sophie Wright holds a BA in Modern History from the University of Oxford and an MA in Art History from The Courtauld Institute of Art. - Fotografiska Global official website https://www.fotografiska.com/ - Follow Sophie Wright on Instagram https://www.instagram.com/wrightsophie/ and Fotografiska Global https://www.instagram.com/fotografiska/ - Fotografiska talks and presentations on YouTube https://www.youtube.com/@fotografiska.global   Andra Russek is a certified member of the Appraisers Association of America specializing in the field of fine art photography. She has been working in her field since 2000 when she became the assistant in the conservation department at the George Eastman House, Museum of Photography.  She continued her work at Swann Galleries, New York as a Specialist from 2002 – 2005. In 2005 she joined the Photographs Department at Sotheby's New York as a Specialist/Senior Cataloguer. In her role at both auction houses she catalogued and valued photographs for four to six sales per year. At Sotheby's she worked on important sales including Important Photographs from The Metropolitan Museum of Art, Including Works from the Gilman Paper Company Collection and Photographs from the Private Collection of Margaret W. Weston. Andra is currently the Director of Scheinbaum & Russek Ltd., a gallery specializing in 20th century and contemporary photography. - Scheinbaum & Russek Ltd. official website https://www.photographydealers.com/ - Membership page on AIPAD https://www.aipad.com/member/scheinbaum-russek-ltd - Follow Scheinbaum & Russek Ltd. on Instagram https://www.instagram.com/scheinbaumrussek/ - Straight Talk on Collecting Photography https://www.youtube.com/@scheinbaumrussekltd8037   Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 18. March 2025 between Perth (AU) and New York (US) with Riverside.

 In 1993, four people gathered in a dark basement in Scole, England, hoping to communicate with the dead. What followed was five years of unexplained phenomena that challenged scientific understanding.  Strange lights danced in the darkness. Objects materialized from thin air. Photographs appeared on sealed film.  Scientists and professional skeptics were invited to investigate, and many left without explanations. The spirits claimed to be building a network between dimensions and warned of coming changes to humanity.  Were the Scole Experiments genuine contact with the afterlife, or an elaborate magic show perfected over 500 séances? The evidence remains controversial, but the impact on those who witnessed these events was undeniable. 

Honor is sitting at her computer doing fock knows what? Although I'd be shocked if it was homework. I'm there, “Honor, I need you to brace yourself – for some news.” Hosted on Acast. See acast.com/privacy for more information.

In this episode of Occupied Thoughts, FMEP's Sarah Anne Minkin speaks with writer and activist Ali Awad about life in Masafer Yatta, the part of the West Bank where he lives, which is subject to ongoing and escalating state-backed Israeli settler attacks. Ali describes life in his rural village, Tuba, on "a good day," a day without settler attacks, and also looks at the history of Masafer Yatta under Israeli occupation, including decades of being unsettled and facing forcible transfer and the threat of continued expulsion. Ali describes the escalations in attacks and threats against these communities since October 7th, 2023, including recent attacks targeting his village and family. Looking at the multi-pronged Israeli efforts to force Palestinians out of Masafer Yatta, Ali talks about the loss of any sense of security, hope, or the possibility of a future on the land he and his families have inhabited for many generations. And he speaks about efforts to support children traumatized by settler/soldier violence, to connect with human rights activists fighting these injustices, and to achieve the security and freedom needed for more "good days" in Masafer Yatta. Ali Awad is a human rights activist and writer from Tuba in the South Hebron Hills. He has a degree in English literature. Read more of Ali's work here: Starving Palestine: Israeli colonialism and the struggle for food sovereignty in Masafer Yatta. Words by Manal Shqair. Photographs by Ali Awad. Vittles, 2/10/25: https://www.vittlesmagazine.com/p/starving-palestine Ali Awad: “Many West Bank Palestinians Are Being Forced Out of Their Villages. Is My Family Next?” New York Times 11/20/25: https://www.nytimes.com/2023/11/20/opinion/israel-west-bank-palestinians.html Ali's many articles on +972 Magazine: https://www.972mag.com/writer/ali-awad/ Ali Awad in Haaretz: https://www.haaretz.com/ty-WRITER/0000017f-da25-d432-a77f-df3fa13f0000 Humans of Masafer Yatta: https://humansofmasaferyatta.substack.com/ For more on the attacks in Jinba, Susya, and Tuba, see: Israeli settlers attacked Jinba — then came back in army uniform (Oren Ziv, +972 Magazine, 4/2/25): https://www.972mag.com/jinba-pogrom-israeli-settlers-soldiers/ In Masafer Yatta, we need more than awards — we need protection (Ahmad Nawajah, +972 Magazine, 4/8/25): https://www.972mag.com/susiya-masafer-yatta-oscars-protection/ On the Oscar-winning documentary No Other Land and ongoing attacks in Masafer Yatta, see https://www.972mag.com/search/?q=no%20other%20land For more on Masafer Yatta: https://savemasaferyatta.com/ To watch the Oscar-winning documentary No Other Land: https://nootherland.com/ Sarah Anne Minkin, PhD, is FMEP's Director of Programs & Partnerships. She is an expert on the intersection between Israeli civil society and Palestinian civil rights and human rights advocacy as well as the ways that Jewish Americans approach the Israeli-Palestinian conflict. She leads FMEP's programming, works to deepen FMEP's relationships with existing and potential grantees, and builds relationships with new partners in the philanthropic community. A graduate of Yale University, Sarah Anne earned her doctorate at the University of California-Berkeley. Original music by Jalal Yaquoub.

Photographer Sally Mann once said, “Photographs open doors to the past, but also allow a look into the future.” Photography is a key component of the historic documentation process. New graduate Sam Malnati (MHC/MUP '25) delved into photography's role in the field for her thesis, Contemporary Vision: Photography's Influence on Perception of Places in the Past. In this episode, producer Willa Seidenberg talks with Sam about the history of photography and its use in the Historic American Buildings Survey, the differences between film and digital photography for historic documentation, and how researching the thesis helped Sam slow down and look at her world.See episode page for photos, resources, and transcript.Connect with us on Instagram, Facebook, and LinkedIn!

More than two million farmworkers do the hard, sometimes backbreaking work of planting, growing, and harvesting crops in the U.S. Focusing on strawberry and grape pickers in California, David Bacon describes what the work involves, where the workers come from, and steps they're taking to protect their rights and pursue justice. (Encore presentation.) The Reality Check: Stories and Photographs by David Bacon David Bacon, More Than a Wall/Mas que un muro El Colegio de la Frontera Norte, 2022 (Image on main page by David Bacon.) The post Laboring in the Fields appeared first on KPFA.

In times of rapid change, how do we stay grounded, heart-centered, and open to new possibilities? In this episode of Beyond Trauma, meditation teacher Spring Washam shares the deep practices needed for navigating uncertainty—not by over-processing in the mind but by dropping into the wisdom of the heart and body. We explore how to work with anger, why truth is sharper than fire, and how ancestral wisdom can guide us through upheaval. Spring reminds us that “the heart carries the joy and the sorrow of this life”, and that true meditation isn't an escape into the intellect but a full-bodied practice of presence. As she puts it, “First awaken, then guide, then serve and build.” Join us for a conversation about transformation, resilience, and the sacred call to step into deeper service as the world shifts around us. Spring Washam is considered a pioneer in bringing mindfulness-based meditation practices to diverse communities; She is a well-known teacher, healer, and visionary leader and author of A Fierce Heart: Finding Strength, Courage and Wisdom in Any Moment and The Spirit of Harriet Tubman: Awakening from the Underground. Spring is one of the founding teachers at the East Bay Meditation Center, an organization that offers Buddhist teachings with attention to social action and multiculturalism. She is a member of the teacher's council at Spirit Rock Meditation Center, offering teachings on Buddhist philosophy, Insight meditation, and loving-kindness practices. Spring is also the founder of Lotus Vine Journeys, a one-of-a-kind organization that blends indigenous healing practices with Buddhist wisdom for transformative retreats in South America. She has practiced and studied Buddhist philosophy in both the Theravada and Tibetan schools of Buddhism since 1999. Spring is also a shamanic practitioner and has studied indigenous healing practices since 2008. Spring's Website | Instagram -------------------------------------------------------------------------------------------------------------- Your support is deeply appreciated! Find me, Lara, on my Website / Instagram You can support this podcast with any level of donation here. Order The Essential Guide to Trauma Sensitive Yoga: How to Create Safer Spaces for All Opening and Closing music: Other People's Photographs courtesy of Daniel Zaitchik. Follow Daniel on Spotify.

"Hey guys, welcome to @Ibizastartdustradio, we're super excited having you here with us, and this here is HOUSE EVOLUTION a show dedicated to great house music and it's dynamic growth through time, with focus on the best most progressive selection in each session. We're scheduled to broadcast on next Tuesday @ 1:00 PM EST. For this week, we've prepared an outstanding list of talented artists bringing new sound and energy featuring these off the top: 1. Danny Howells with track “Mama Loves You” in the Original mix @danny_howells78� 2. Anuqram - “Safari” on Anjunabeats, @anuqrampage, @anjunabeats 3. 1979 with track “Volcano” 4. Ron Caroll, Alex Kislov with track “Daydream”, @roncarrollbmc, @alex.kislov 5. My fav. Duo Eli & Fur, Yotto with track “Somebody to Love”, @eliandfur 6. Totally awesome track by Subtractive “Tension”, @alexhunt_subtractive 7. Kyau & Albert ""Photographs"", @kyauandalbert And many more.Many thanks! Roman"

Rafe discusses Wilson Bentley and how he developed a method to take photomicrographs of snowflakes and make snow, one of the grand beauties of our universe, even more beautiful.*****As always, you can reach the Buf at bufnagle@bufnagle.com*****As you know, this is an independent podcast so your hosts also carry all the expenses of running this podcast. As such, some of you have asked how you can help out. Well, here's the answer: support us on Buy Me a Coffee:https://buymeacoffee.com/bufnagleOn this page, you can do a really nice thing like send us a couple dollars to help cover the cost of recording and hosting and microphones and research and all that. Any little bit really helps! Thank you in advance!!!

This week, Jann, Caitlin, and Sarah start off the show with childhood nostalgia prompted by Caitlin clearing out some old photos and toys. Sarah shares how tthe dynamics of her relationship with her sister have changed a bit since she welcomed her daughter. Jann leads a discussion about various other topics ranging from the implications of weight loss drugs on hair loss, to the societal perceptions of lawsuits exemplified by the McDonald's coffee case. They also touch on the complexities of Gene Hackman's will following his and his wife's passing. The discussion wraps up with a reflection on a successful fundraising event for a women's shelter in Winnipeg with an interesting hotel experience... Leave us a voicenote! https://jannardenpod.com/voicemail/ Get access to bonus content and more on Patreon: https://patreon.com/JannArdenPod Order ONLYJANNS Merch: https://cutloosemerch.ca/collections/jann-arden Connect with us: www.jannardenpod.com www.instagram.com/jannardenpod www.facebook.com/jannardenpod Learn more about your ad choices. Visit megaphone.fm/adchoices

Richard Misrach is one of the most influential photographers of his generation, known for his haunting, large-scale images of the American West. His work captures both the region's breathtaking beauty and the profound ways humans have altered the landscape. His photographs are housed in the collections of MoMA, the Whitney, and the Getty—but for Misrach, they serve a deeper purpose: creating a historical record. Here are his songs. Angel from Montgomery - Bonnie Raitt  Misirlou - Dick Dale & The Del Tones Effendi - McCoy Tyner Trio The Times They Are a-Changin' - Bob Dylan  Music for 18 Musicians -  Steve Reich   La Vie en Rose - Grace Jones The Garden - Jacob Bloomfield-Misrach Listen to Richard Misrach's full playlist on Spotify. Find the transcript of this episode at lifeinsevensongs.com. See some of the art mentioned in this episode here: https://sfstandard.com/2025/03/18/richard-misrach-photographer-life-in-seven-songs/ Thoughts? Guest suggestions? Email us at lifeinsevensongs@sfstandard.com.

The Guilty Feminist Redux: Minefields with Carrie Quinlan, Reubs J Walsh, Leyla Hussein, Rev Kate HarfordThe Guilty Feminist Redux. MinefieldsPresented by Deborah Frances-White with Carrie Quinlan and special guests Reubs J Walsh, Leyla Hussein and Rev Kate HarfordRecorded 8 May and 18 July at Kings Place in London. Originally eleased 11 September 2017. The Guilty Feminist theme composed by Mark Hodge. Photographs by Grace Gelder http://gracegelder.co.ukGet Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-haveMore about Deborah Frances-Whitehttps://deborahfrances-white.comhttps://www.instagram.com/dfdubzhttps://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120More about Carrie Quinlanhttp://www.carriequinlan.comhttps://twitter.com/quinlan_carrieMore about Reubs J Walshhttps://twitter.com/reubsjwhttps://www.youtube.com/channel/UCHIK3Fan9jKEluhGbRS-gkwMore about Leyla Husseinhttp://leylahussein.comhttps://twitter.com/leylahusseinhttps://twitter.com/faceofdefianceMore about Rev Kate Harfordhttps://twitter.com/kate_elizabeth?lang=enhttp://mccnorthlondon.org.ukFor more information about this and other episodes…visit https://www.guiltyfeminist.comtweet us https://www.twitter.com/guiltfempodlike our Facebook page https://www.facebook.com/guiltyfeministcheck out our Instagram https://www.instagram.com/theguiltyfeministor join our mailing list http://www.eepurl.com/bRfSPTOur new podcasts are out nowMedia Storm https://podfollow.com/media-stormAbsolute Power https://podfollow.com/john-bercows-absolute-powerCome to a live recording:Six Conversations We're Scared to Have book tour: https://www.seetickets.com/search?q=deborah+frances-whiteWhat Does Not x Guilty Feminist https://dice.fm/partner/what-does-not-ltd/event/oeopdy-iwd-special-ft-the-guilty-feminist-19th-mar-the-old-queens-head-london-tickets16 Postcodes in London: https://museumofcomedy.ticketsolve.com/ticketbooth/shows/873652125Never Have I Ever in Melbourne: https://www.mtc.com.au/plays-and-tickets/whats-on/season-2025/never-have-i-ever/Thank you to our amazing Patreon supporters.To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts or Acast+ https://plus.acast.com/s/guiltyfeminist. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Beyond Trauma, we delve into the transformative world of energy healing with Dr. Jamil Sayegh. Dr. Sayegh shares his holistic approach to health, emphasizing the interplay between energy and physical well-being. He discusses how aligning one's energy can lead to profound physical healing, offering insights into the body's innate ability to heal from the inside out. Through compelling testimonials, Dr. Sayegh illustrates the effectiveness of energy medicine in overcoming various health challenges. Join us as we explore the principles of energy healing and discover how removing obstacles can pave the way for a healthier, more balanced life. Leaders, champions, and high-performers hire Dr. Jamil Sayegh as their secret weapon & trusted advisor to remove their invisible emotional, mental, and energetic performance blocks so they can experience their 10 year goals in 10 months. Operating at the intersection of high performance and healing, Dr. Jamil helps his clients achieve peak success while deeply transforming from within. An international spiritual self-mastery teacher, energy healer, life-transformation coach, integrative naturopathic physician, and host of the Transformation Starts Today podcast, Dr. Jamil has worked with world-champion athletes, best-selling authors, entrepreneurs, and business professionals – unlocking their true potential and guiding them to create extraordinary lives. By combining cutting-edge mental and emotional release work, energy healing, and holistic coaching, he empowers his clients to break through limitations, heal at the deepest level, and become the unstoppable force they were meant to be—living extraordinary lives and leaving an undeniable impact on the world. Learn more at https://jamilsayegh.com/ -------------------------------------------------------------------------------------------------------------- Your support is deeply appreciated! Find me, Lara, on my Website / Instagram You can support this podcast with any level of donation here. Order The Essential Guide to Trauma Sensitive Yoga: How to Create Safer Spaces for All Opening and Closing music: Other People's Photographs courtesy of Daniel Zaitchik. Follow Daniel on Spotify.

SummaryIn this conversation, Lesley Brandt from The Move Coordinators and I discuss the intricacies of senior move management. We talk about the emotional challenges faced by seniors during the moving process, the importance of empathy, and the need to identify belongings that are truly cherished. Her unique approach actually blew my mind as a totally different mindset for people as they go through this process! Even though I'm not moving, I've already begun to go through my home with this mindset to begin to curate our spaces for my family.Lesley outlines a structured approach to downsizing, emphasizing the significance of human connection and gratitude throughout the process. Our conversation also touches on the psychology of belongings, the challenges of letting go, and the importance of having open conversations between adult children and their aging parents regarding future moves.TakeawaysLesley Brandt emphasizes the emotional journey of moving for seniors.The process begins and ends with gratitude, fostering a personal connection.Identifying items that are needed, used, or loved is crucial in downsizing.Understanding the psychology of belongings helps in the decision-making process.Photographs are often the hardest items for seniors to let go of.Creating a partnership plan is essential for a smooth transition.Human connection is vital during the moving process.The Move Coordinators aim to recreate familiar spaces in new homes.Open conversations between adult children and parents can ease the transition.Resources for senior move management are available and should be utilized.Chapters00:00 Introduction to Senior Move Management03:31 The Emotional Journey of Downsizing06:23 Identifying Favorites: Need, Use, Love09:33 The Purpose of Belongings and Their Impact12:19 Understanding Perceived Value and Resale15:32 Navigating the Challenge of Photographs18:12 The Discovery Process: Building Connections21:32 Creating a Custom Move Plan24:23 The Move Day Experience27:15 Post-Move Wrap-Up and Gratitude30:16 Conversations with Adult Children33:31 Final Thoughts on Senior Move ManagementContact Lesley with The Move Coordinators to learn more how she can support your family with this big move!Podcast music created, recorded and produced by Colin Roberts Music

Gene Hackman's estate attempts to block release of photographs, footage from death investigation Please Subscribe + Rate & Review KMJ’s Afternoon Drive with Philip Teresi & E. Curtis Johnson wherever you listen! --- KMJ’s Afternoon Drive with Philip Teresi & E. Curtis Johnson is available on the KMJNOW app, Apple Podcasts, Spotify, Amazon Music or wherever else you listen. --- Philip Teresi & E. Curtis Johnson – KMJ’s Afternoon Drive Weekdays 2-6 PM Pacific on News/Talk 580 & 105.9 KMJ DriveKMJ.com | Podcast | Facebook | X | Instagram --- Everything KMJ: kmjnow.com | Streaming | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

Gene Hackman's estate attempts to block release of photographs, footage from death investigation Please Subscribe + Rate & Review KMJ’s Afternoon Drive with Philip Teresi & E. Curtis Johnson wherever you listen! --- KMJ’s Afternoon Drive with Philip Teresi & E. Curtis Johnson is available on the KMJNOW app, Apple Podcasts, Spotify, Amazon Music or wherever else you listen. --- Philip Teresi & E. Curtis Johnson – KMJ’s Afternoon Drive Weekdays 2-6 PM Pacific on News/Talk 580 & 105.9 KMJ DriveKMJ.com | Podcast | Facebook | X | Instagram --- Everything KMJ: kmjnow.com | Streaming | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

In the Bonfire publicity photos, Jay posed with the saddest face possible. Comic Felipe Esparza hangs out for the whole show as Jay educates him on different types of pornography. Felipe is best known for his multiple stand-up specials, winning Last Comic Standing and his recurring roles on “The Eric Andre Show”, “Superstore”, and “Gentefied”. He's also the host of a popular podcast called “What's Up Fool?" For tour dates go to felipesworld.com. Watch Jay's new special "Them" on Youtube and Bobby's events are at punchup.live/robertkelly. *To hear the full show to go www.siriusxm.com/bonfire to learn more FOLLOW THE CREW ON SOCIAL MEDIA: @thebonfiresxm @louisjohnson @christinemevans @bigjayoakerson @robertkellylive @louwitzkee @jjbwolfSubscribe to SiriusXM Podcasts+ to listen to new episodes of The Bonfire ad-free and a whole week early.  Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.

About 55 million people in the world have dementia. That's according to the World Health Organization. It's also the seventh leading cause of death among the global population. The most common form of dementia is Alzheimer's disease. It makes up 60 to 70 percent of cases. But it's well behind other chronic illnesses on the journey to an effective treatment.The reason may be attributed to years of research based on doctored images. Investigative reporter Charles Piller uncovered that and much more about the world of Alzheimer's research in his new book, "Doctored."We talk to Piller about this Alzheimer's, faulty research, and the search for an effective cure.Want to support 1A? Give to your local public radio station and subscribe to this podcast. Have questions? Connect with us. Listen to 1A sponsor-free by signing up for 1A+ at plus.npr.org/the1a.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Today, we're remembering, delighting and celebrating! For our first stop, we're checking out "Hurricane Katrina: Mississippi Remembers, Photographs by Melody Golding" exhibit, opening at the Two Mississippi Museums in Jackson March 8th, with Melody Golding and MDAH Director Michael Morris, then we'll delight in all the fun at this year's MS Anime Fest, March 8th – 9th at the MS Trade Mart with cosplay artist, Taycosplayy & festival rep. Clark Lee, then it's birthday celebration shenanigans for Kamel & Java! Stay tuned, buckle up and hold on tight for your Next Stop, Mississippi!Check out this episode on MPB's YouTube Channel: Next Stop, Mississippi | Hurricane Katrina: Mississippi Remembers & MS Anime Fest 2025 & Kamel & Java Birthday ShenanigansNext Stop, Mississippi is your #1 on-air source for information about upcoming events and attractions across the state. Get to know the real Mississippi! Each week the show's hosts, Germaine Flood and entertainment attorney Kamel King, highlight well-known and unknown places in Mississippi with the best food, parks, music and arts. Check out our Sipp Events calendar to help plan your next trip! Hosted on Acast. See acast.com/privacy for more information.

In this episode of Beyond Trauma, mindfulness and meditation teacher Mark Coleman explores the deep connection between the natural world and meditation. We discuss the history of nature-based contemplative practices, the difference between concentration and awareness meditation, and how the elements can support our personal growth. Mark shares why practicing meditation outdoors can enhance mindfulness, how nature fosters a deeper sense of self, and what to do if you don't have access to outdoor spaces. We also confront a common dilemma—how to process the guilt of not doing enough to protect the environment while still finding joy and presence in nature. You will learn: *The difference between concentration meditation and awareness meditation *How the elements can support and deepen your meditation practice *Why meditating outside may feel more easeful and natural than meditating indoors *How nature helps awaken the senses and cultivate a more connected sense of self *Ways to use nature to aid in trauma recovery *Practical ways to bring nature into your meditation when you can't be outside *The role of mindfulness in navigating eco-anxiety and environmental guilt *How to walk through the natural world with greater reverence and respect Mark has trained extensively both in the Insight meditation and Tibetan tradition. He is a senior teacher at Spirit Rock Meditation Center and has taught insight meditation retreats since 1997. Mark is passionate about guiding people to meditate in nature. He has led wilderness nature retreats for over twenty years worldwide. Through his organization Awake in the Wild Mark leads year-long nature meditation teacher trainings in the US and Europe. Co-founder of the Mindfulness Training Institute Mark also leads year-long mindfulness teacher trainings. He is the author of many books including Awake in the Wild - Mindfulness in nature as a path to Self-discovery; Make Peace With Your Mind - How Mindfulness and Compassion can free you from the Inner Critic; From Suffering to Peace The True Promise of Mindfulness; and his recent book A Field Guide to Nature Meditation - 52 mindfulness practices for joy, wisdom and wonder. Find out more about Mark's work at www.markcoleman.org & www.awakeinthewild.com -------------------------------------------------------------------------------------------------------------- Your support is deeply appreciated! Find me, Lara, on my Website / Instagram You can support this podcast with any level of donation here. Order The Essential Guide to Trauma Sensitive Yoga: How to Create Safer Spaces for All Opening and Closing music: Other People's Photographs courtesy of Daniel Zaitchik. Follow Daniel on Spotify.

Kit O'Toole and I are honored to speak with Sally Martin Katz, the Photo Curator for the Fine Arts Museums of San Francisco as Paul McCartney's "Eyes of the Storm" photo exhibition comes to the deYoung museum in the Bay Area.    We talk about the exhibition, the photos, and the role photography and photographers weave around the life story of Paul McCartney.

We meet painter Vanessa Raw to discuss her solo show at the Rubell Museum Miami, where she was the 2024 Artist-in-Residence. Vanessa Raw: This is How the Light Gets In marks her first exhibition in the United States, as well as her first institutional show. In these newly commissioned, large-scale works, Raw's distinctive layered brushwork and expressive use of colour depict a dream-like, all-female world—an earthly paradise where the natural world is benevolent and sentient, and where female desire is central. A former triathlete, Raw's practiced mastery of her own body transfers to her work on canvas. Her figures are tranquil and at ease but have agency. They revel in the company of each other and in the landscape that is lush and soft and ripe with colour—paradise found.In 2022 Raw took a radical new direction with her work, shifting from traditional portraiture tropes to paint imagined, same-sex, intimate scenes of women in confected landscapes. Surrounded by flowers and trees, sometimes accompanied by fauna too, these suspended moments of blissful intense connections show naked, energised bodies part-merged with each other and the landscapes they are in.Using a heighten palette Raw conveys the intensity of the moment, as well positioning the paintings in the realm of the imaginary. Likewise, the dream-like fluidity of some areas of mark making suggest an altered state of consciousness, a deep human connectivity occurring simultaneously on a physical and spiritual plane. Photographs taken on her daily runs through local nature areas, an activity undertaken with therapeutical escapist intention, are used as source material for her background landscapes binding their confection to meaningful actualities, pulling into the paintings the remembered feeling of oneness with nature.Raw works in a semi-naturalistic style, with an intense focus on the textures of the human form. Her large scale paintings are an eclectic variety of tonal compositions, vibrant and stimulating. Some of her more explicit pieces show the human body engaged in sexual acts or reaching the point of orgasm, whilst others in a more subtle manner showcase the innate sexuality of the feminine form.Born in 1984 in Hexham, England, Raw lives and works in Margate, UK. Vanessa Raw: This is How the Light Gets In is now open in Miami at Rubell Museum.Visit: https://rubellmuseum.org/2024-vanessa-rawFollow @VanessaRaw_ and @RubellMuseumVanessa Raw is represented by Carl Freedman Gallery, Margate. Special thanks to the Don, Mera and Jason Rubell, and Juan Roselione-Valadez at the Rubell Museum, Carl Freedman @CarlFreedmanGallery and Elissa Cray @TKEStudios. Hosted on Acast. See acast.com/privacy for more information.

Perceiving her role as a record keeper, artist Jen Blazina captures the essence of lost memories and forgotten voices. Through her work, she holds onto fragments of personal history, transforming common objects into poignant relics of the past. Her visual narratives express universal concepts of memory, inviting audiences to connect with the stories she preserves.  Blazina states: “Memory is embodied in everything around us: in our culture, beliefs, objects, and ourselves. Discarded objects and those passed down to me become personal keepsakes and icons of the past, rather than overlooked or regarded as useless. My collections represent a sense of holding onto a place in time. By re-creating these keepsakes, I re-cast their history into my own voice.” A sculptor and printmaker who uses glass as her primary medium, Blazina currently resides in Philadelphia where she is a working artist and professor at Drexel University in the College of Media Arts and Design. Blazina's work can be found in multiple collections such as the Neuberger Museum of Art, The Imagine Museum, The Cranbrook Museum of Art, and the Corning Museum of Glass, to name a few.  The artist has been awarded numerous residencies including: the Corning Artist in Residency at the Corning Museum of Glass in Corning, New York; GAPP Residency at Toledo Museum of Art in Toledo, OH; Bezalel Art and Design Academy in Jerusalem, Israel; and the Creative Glass Center of America in Millville, NJ.  She has also been awarded prestigious grants such as the Bessie and Louis Stein Fellowship; Independence Foundation Grant; and a National Endowment for the Arts Grant. Nominated for the 2022 Pew Fellowship Award, Blazina received her M.F.A. in printmaking from Cranbrook Academy of Art, her B.A. from Sarah Lawrence College in New York and her B.F.A., cum laude, from the State University of New York at Purchase College.  Blazina is represented by Habatat Detroit Fine Art in Royal Oak, MI; Blue Spiral 1 in Asheville, NC; Vetri Glass Gallery in Seattle, WA; Kittrell Riffkind Gallery in Dallas, TX; Bullseye Projects in Portland, OR; and Koelsch Gallery in Houston, TX.  In 2025, Blazina will have work on view at the Bergstrom Mahler Museum of Glass, Neenah, WI, in New Art on the Block: Selections from the Permanent Collections, October 31, 2024 – April 6, 2025; in Object Memory, Jen Blazina and Ash Smith at 20*20 Gallery, Lansdowne, PA, February 22 –  April 15; in Through a Window Darkly, The Works of Jen Blazina at the Bergstrom-Mahler Museum of Glass, April 24 to October 5, 2025; in Collections at Blue Spiral 1 Gallery, Asheville, NC, May 2 – June 25; and in Glass 53: International Glass Invitational at Habatat Fine Art Gallery, Royal Oak, MI, May 1 – September 6. She will teach Alternative Approaches to Printmaking and Glass at Corning Museum of Glass Studios, Corning, NY, June 16 – June 21; and In Pursuit of Light: Kiln Casting at Glass Furnace, Istanbul, Turkey, August 25 – August 29. Says Blazina: “As an artist, I am intrigued with the idea that what is precious to one person will be discarded by another. My work is influenced by commonplace possessions, familial vignettes and photographs. These evoke an ephemeral sense of past memories. Whether found in a second-hand shop or passed down from my family, I am often attracted to and captivated by the lost beauty of subtle images and materials. By re-creating and casting momentos in glass and metal, I can capture and hold on to another time in the past. Photographs and chosen objects allude to narratives of fleeting moments.” ​UPCOMING EVENTS New Art On The Block: Selections From The Permanent Collections Bergstrom-Mahler Museum of Glass Neenah, WI Dates: October 31 – April 6, 2025 Object Memory, Jen Blazina and Ash Smith 20*20 Gallery Lansdowne, PA Dates: February 22 – April 15 Through a Window Darkly, The Works of Jen Blazina Bergstrom-Mahler Museum of Glass Neenah, WI Opening: April 24 Dates: April 24 to October 5 Collections Blue Spiral 1 Gallery Asheville, NC Opening Reception: May 2, 5 – 7 pm Dates: May 2 – June 25 Glass 53: International Glass Invitational Habatat Fine Art Gallery Royal Oak, MI Opening: May 3, 8 pm Dates: May 1- September 6 Alternative Approaches to Printmaking and Glass Corning Museum of Glass Studios Corning, NY Dates: June 16- June 21 In Pursuit of Light: Kiln Casting Glass Furnace Istanbul, Turkey Dates: August 25 – August 29    

Last time we spoke about the liberation of Bataan and Corregidor. The Shimbu Group's commander launched a coordinated raid on northern Manila, aiming to weaken enemy defenses. Despite heavy casualties, the Allies captured key locations, including Nichols Field. Meanwhile, General Chase's 38th Division overcame strong Japanese defenses at ZigZag Pass, while General Hall's forces secured Bataan. Plans for an airborne assault on Corregidor were set for February 16, leveraging surprise against the outnumbered Japanese garrison. American forces launched the strategic attack on Corregidor, dropping paratroopers from the 503rd Regiment. Despite facing sporadic fire, they secured key positions. The following days saw intense skirmishes as the 3rd Battalion, 34th Regiment landed and established a foothold. Over eight days, they repelled numerous Japanese counterattacks, inflicting heavy casualties. By February 26, organized resistance crumbled, leading to the island's capture. Meanwhile, in Manila, American troops advanced, clearing buildings and securing the city, inching closer to victory in the Philippines. This episode is the Invasion of Iwo Jima Welcome to the Pacific War Podcast Week by Week, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about world war two? Kings and Generals have an assortment of episodes on world war two and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel you can find a few videos all the way from the Opium Wars of the 1800's until the end of the Pacific War in 1945.    A few weeks ago we spoke about Operation Detachment. Admirals Nimitz and Spruance were planning an invasion of Iwo Jima with General Schmidt's 5th Amphibious Corps. During a thorough campaign of preliminary air and naval bombardment against the Volcano Islands, the 4th and 5th Marine Divisions, along with other Corps units, were loading at Hawaii between December 25 and January 25. Once training and loading were complete, Admiral Turner's Task Force 51 and Admiral Hill's Task Force 53 left Pearl Harbor on January 27, initially heading toward Saipan. By February 12, Admiral Spruance's 5th Fleet had gathered in the Marianas and was prepared to sail for Iwo Jima. Additionally, Admiral Mitscher's Task Force 58 had departed Ulithi to conduct a series of supporting air strikes over and around Tokyo, known as Operation Jamboree. Task Force 58 sortied from Ulithi 10 February and shaped a course eastward of the Marianas and Bonins. On the 12th, the air groups rehearsed with the 3rd Marine Division on Tinian. Two days later the task force fueled at sea from one of Admiral Beary's replenishment groups. Everything possible was done to guard against detection. Measures included radio deception, scouting by Pacific Fleet submarines to dispose of any picket vessels there might be en route, scouting by B-29s and Navy Liberators from the Marianas to clear the air. On the 15th a scouting line of five destroyers ranged ahead of the carriers, and antisubmarine air patrol was set up. At 1900 a high-speed run-in began towards launching positions, where the carriers arrived at dawn 16 February. Thanks to these precautions, and to thick weather most of the way, they arrived undetected. General LeMay's 21st Bomber Command, which was being reinforced by the 313th and 314th Bombardment Wings, would also assist Detachment with several strikes against Japan. Following some unremarkable high-altitude daytime missions in late January, 129 B-29s from the 73rd and 313th Bombardment Wings targeted Kobe on February 3, using a mix of incendiaries and fragmentation bombs. This attack caused significant damage to the urban area and local war production, resulting in the loss of 2 bombers and damage to 35 others. Subsequently, on February 10, a precision strike was launched against Ota's Nakajima aircraft factory, with 84 out of 118 dispatched B-29s successfully bombing the site. However, only 14% of the bombs hit the target, leading to the loss of 12 bombers and damage to 29. Nearly one-third of the factory buildings sustained damage, primarily from the incendiaries combined with high-explosive bombs. Five days later, LeMay dispatched 117 B-29 bombers to target Mitsubishi's engine works in Nagoya. However, an unexpected cold front resulted in only 33 bombers reaching the target area, yielding lackluster results. Meanwhile, after conducting some assault rehearsals, Spruance's amphibious support forces and tractor groups set sail for Iwo Jima on February 14, followed two days later by Turner's main assault convoy. At the same time, the reserve 3rd Marine Division continued loading at Guam, with its 21st Marines departing for Iwo Jima on February 16, followed by the main body of the division the next day. On the morning of February 16, Admiral Blandy's Amphibious Support Force arrived off Iwo Jima and promptly commenced the final preliminary bombardment and minesweeping operations, although inclement weather hindered these efforts. However, the next day, Task Force 52 successfully carried out these missions; beach reconnaissance by UDTs faced heavy mortar fire, resulting in the sinking of one LCI gunboat, damage to eleven others, and casualties of 44 killed and 152 wounded. Despite this, the frogmen encountered no obstacles on the beaches and managed to create accurate maps of the approaches. Meanwhile, by February 16, Mitscher's carriers had quietly moved to a position 60 miles off the coast of Honshu, launching extensive fighter sweeps against airfields in Tokyo Bay and bombing raids on aircraft frame and engine plants in the Tokyo area.  About 100 Japanese fighters attacked Admiral Davison's planes as they crossed the coast and about 40 of them were shot down. American pilots found the Japanese on the whole reluctant to engage; Admiral Mitscher had correctly told his pilots, "He is probably more afraid of you than you are of him". In fact the IJAAF 10th Hiko Shidan immediately ordered an IJAAF night-fighter group and all “second-class” personnel to take cover, while all aircraft not intercepting were ordered to be dispersed, fuel tanks drained, and ammunition unloaded. In contrast, American pilots reported Tokyo antiaircraft fire “the most accurate and intense yet encountered.” By nightfall, Rear-Admiral Matthias Gardner's night-flying carrier group conducted a sweep of night fighters to cover the enemy airfields at dusk. This operation was repeated the following morning, but poor weather ultimately forced the carriers to retreat toward Iwo Jima. Despite this, significant damage was inflicted on aircraft frame and engine facilities, with 10 vessels sunk, including the unfinished escort carrier Yamashio Maru. A total of 531 aircraft were reported destroyed, at the expense of losing 88 planes and damaging two destroyers. On February 18, after the enemy battery camouflage had been obliterated during the previous two days of bombardment. This revealed batteries not previously known to exist, the island's defenses were for the first time properly revealed; and formidable they were indeed. Fortunately for the Americans, the support of UDTs with LCI gunboats had convinced General Kuribayashi that the main landing had started, and to repel it he unmasked batteries that would have caused very heavy casualties on D-day had they not been discovered two days before. This was the only serious mistake made by the Japanese general in his defensive tactics, which won the rueful admiration of his enemies. Blandy opted to focus on the immediate area and flanks of the eastern beaches. Heavy ships moved closer to 2,500 yards to deliver concentrated direct fire on all targets. Consequently, bombardment ships provided continuous direct fire throughout the day, effectively dismantling enemy defenses. However, during the night, the Japanese launched a minor raid that caused significant damage to the destroyer minesweeper Gamble and the destroyer escort Blessman. At 06:00 on February 19, Turner's main force arrived off Iwo Jima and began maneuvering into final positions. Simultaneously, Admiral Rodgers' warships executed the last pre-landing bombardment, coordinated with air strikes from Mitscher's carriers. Between 08:25 and 08:55, as the first wave crossed the line of departure and advanced toward the shore under the protective rocket fire of gunboats, shells fell heavily on Iwo Jima, marking the most intense pre-landing bombardment of World War II. At 08:57, as the leading armored amtracs approached their targets, naval gunfire shifted inland and to the flanks. The LVTs of the first wave touched down on Iwo Jima at 09:02 and began moving forward through the high terraces of soft black volcanic ash, engaging inland targets from the water to support subsequent landings. Three minutes later, the Marines of the 4th and 5th Divisions started landing side by side on the Green, Red, Yellow, and Blue beaches. The assault infantry battalions of the Landing Force received assistance throughout D-Day from all the supporting arms available to the Amphibious Support Force. Carrier pilots of Task Force 58 and the escort carriers of Task Force 52 flew missions all day as airborne observers and spotters maintained constant vigilance over the target. Including pre-H-Hour strikes, 606 support aircraft flew 26 missions on February 19 and dropped 274500 pounds of bombs. These planes also fired 2254 rockets into the island defenses and dropped over a hundred napalm bombs. Air and naval gunfire liaison teams remained in communication with both air and sea supporting units through the hectic hours that followed the beach assault. Naval rifles from 5- to 16-inch caliber pounded enemy positions in response to Marine requests. Gunfire support vessels engaged enemy artillery that covered landing areas from high ground to the north, and concentrated on concealed Japanese mortars that shelled landing areas with deadly effect. The units quickly reorganized and began their advance inland, facing only light resistance, although their progress was hampered by the sandy terrain. General Kuribayashi's forces, however, had been waiting in well-fortified underground positions as planned, emerging only after the bombardment ceased to unleash a barrage of machine-gun, rifle, and mortar fire on the advancing troops. As the initial waves of Marines struggled to advance, congestion along the shore became increasingly critical, while the full force of the Japanese defenders was unleashed shortly after 10:00. By 10:30, elements from all eight assault battalions had landed on the island, successfully bringing ashore about 6,000 men and bulldozers that were clearing paths for tank deployment. On the far left flank, Colonel Harry Liversedge's 28th Marines, having landed on Green Beach, initiated a rapid advance across the half-mile isthmus below Mount Suribachi to isolate this crucial position. The attack unfolded in such a way that some units were delayed while others managed to break through and continue westward despite suffering heavy casualties, ultimately crossing the island while the bypassed enemy was being dealt with. By midday, the reserve 3rd Battalion and tanks landed under heavy fire to join the afternoon assault on Suribachi, but intense enemy fire hindered their progress to the assault positions. Consequently, the 2nd Battalion launched an attack on its own, gaining only 150 yards before retreating to regroup with the 3rd Battalion for the night. At the same time, Colonel Thomas Wornham's 27th Marines had landed on the Red Beaches, making swift progress inland despite increasing casualties and bypassing numerous enemy positions. By 11:30, Company A was moving across the southern end of Airfield No. 1, establishing a presence along the western edge while other units continued to advance past the airfield. The 1st Battalion launched an attack on the airfield with tank support but faced strong enemy resistance, resulting in minimal gains. Meanwhile, the 2nd Battalion pushed westward and reached the cliffs overlooking the western coast. Additionally, the reserve 3rd Battalion landed and began clearing bypassed positions, while the artillery units from the 13th Marines and General Rockey's reserve 26th Marines also arrived in the afternoon as the 27th and 28th Marines solidified their positions. By nightfall, although the 5th Marine Division was still a considerable distance from the O-1 Line, it had established a firm foothold on the island, with Mount Suribachi isolated and portions of the airfield under their control. To the east, General Cates' 4th Marine Division also landed successfully, with Colonel Walter Wensinger's 23rd Marines coming ashore at the Yellow Beaches and Colonel John Lanigan's 25th Marines landing on Blue Beach 1 and the southern part of Blue Beach 2. The two regiments began their advance inland, hindered by intense enemy fire but managing to gain between 400 and 600 yards by midday. As tanks were being deployed, the 3rd Battalion of the 25th Marines moved to the right to clear the remaining area of Beach Blue 2 and encircle the threatening quarry zone. At this stage, as the assault battalions continued their advance, Wensinger and Lanigan deployed their reserve battalions to cover the gaps in their attack lines. With the support of tanks that had finally reached the front, the 23rd Marines advanced towards Airfield No. 1 and successfully captured its outskirts. Meanwhile, the 25th Marines initiated a coordinated assault, with the 3rd Battalion advancing about 200 yards along the beach to secure the problematic quarry, while the other two battalions moved north to seize the high ground to the northwest of the quarry. By the end of the day, Cates had also landed half of the artillery from the 14th Marines, along with his reserve 24th Marines, which began to relieve some of the frontline units from both assault regiments. Although the penetration by the 4th Marine Division was not as extensive as intended, by nightfall, the front lines included the eastern edge of the airfield and extended sufficiently inland from the Blue Beaches to ensure the beachhead could be held successfully. The Marines, forced to advance across open terrain while enduring intense fire from well-concealed positions that were difficult to target, fell significantly short of the O-1 objective. Nonetheless, by the end of the day, six Marine regiments, an equal number of artillery battalions, and two tank battalions had landed and were positioned to defend the narrow beachhead against a potential night counterattack.  Throughout this first day, the situation on the beaches prevented landing of any but the highest priority "hot cargo." This consisted of ammunition, rations, water, and signal equipment brought to the beach in LCVPs and LCMs. Shore party teams, working under extremely adverse conditions without sufficient trucks and other heavy equipment, could do little more than stack the supplies on the beach above the high water mark. LVTs and weasels made trips from the beach dumps inland carrying these supplies to the troops and returned bearing wounded men. The busy amtracs also made nonstop trips from LSTs, ferrying critically needed items direct to Marines on the front lines. Most of the transports and other vessels of the task force retired from the island at nightfall, but some command ships, preloaded LSTs, and hospital LSTs remained behind. Emergency items, especially 81mm mortar ammunition, were brought in during the night, but actually very little unloading was accomplished and many of the wounded spent this night on the beach because they could not be evacuated. Some progress was made cutting exits through the terrace and clearing mines, but enemy fire and the shortage of equipment limited this activity. Despite this, the Japanese did not launch any large-scale assaults, although their mortars and artillery relentlessly bombarded Marine lines along the front throughout the night. Consequently, Allied casualties on this first day totaled 548 killed and 1,755 wounded. On February 20, the goal was for the 28th Marines to take Mount Suribachi while other units advanced north to capture the two airfields. Initially, in the south, after a coordinated air and naval bombardment, Liversedge launched another assault on the volcano but managed to gain only 75 yards by midday. During the forenoon, Marines gained only 50-70 yards. Aircraft and ships pounded Japanese positions and the 3d Battalion, 13th Marines fired mission after mission, but stiff enemy resistance continued, particularly from well-camouflaged pillboxes hidden in the brush to the front of the Marine lines. These emplacements, too close to friendly troops to be engaged by heavy support weapons, could only be silenced by coordinated attacks of assault demolition teams using flamethrowers and explosive charges. Tanks then moved in to provide support, allowing the attack to progress from pillbox to pillbox; however, by the end of the day, the Marines had only advanced 200 difficult yards. Meanwhile, Schmidt's other regiments initiated a coordinated offensive to the north following extensive artillery, naval gunfire, and air support. Despite facing heavy resistance, the 23rd Marines successfully overran most of Airfield No. 1 by noon. Wensinger continued to push his units in the afternoon, but progress was limited as tanks were hindered by minefields and rough terrain. Wornham's 27th Marines pressed their attack on the left flank, overcoming enemy mortar and artillery fire to gain about 800 yards along the coast. In contrast, Lanigan's 25th Marines, affected by friendly fire, made only minimal advances against enemy crossfire from concealed positions. At 1600, friendly planes misdirected their fire to the 25th Marine's area, adding terror to the situation. An air strike consisting of .50-caliber machine-gun strafing, rockets, and bombs fell on troops of Company B of the 24th Marines, which was positioned on top of the quarry some 400 yards inland from the eastern shore. This strike was made without a preliminary "dry-run", and despite the fact that yellow front line panels were displayed prior to and during the aerial attack. The 1st Battalion, 24th Marines suffered five killed and six wounded as a result of this misguided effort. Shortly after the planes left the area, this battalion reported that friendly artillery and naval gunfire was being registered on its lines. Due to the slow progress, Schmidt attempted to land his reserve 21st Marines, but high seas and congested beaches ultimately thwarted these efforts. Nevertheless, the remaining 14th Marines were landed, albeit with significant casualties, and elements of the corps artillery began to come ashore. During the night, there were no counterattacks on Mount Suribachi, but the 4th and 5th Marine Divisions had to fend off some small counterattacks on their front lines. On February 21, following a strike involving 40 aircraft, Liversedge's 28th Marines launched another assault on the volcano. The 1st Battalion on the right swiftly advanced along the west beach to the base of Suribachi, while the 3rd Battalion in the center pushed nearly to the foot of the mountain despite facing heavy resistance. Meanwhile, the 2nd Battalion on the left moved cautiously along the east beach toward the volcano's base, with Company F heading toward Tobiishi Point. At the same time, other regiments continued their offensive towards O-1 after a bombardment from air, artillery, rockets, and naval gunfire. Rockey's units made significant progress, advancing over 1,000 yards, while the 23rd Marines achieved similar gains on the left flank, where slightly sheltered areas allowed for local and limited encirclement, but only advanced 100 yards in the right and center. The 25th Marines maintained steady pressure against the strong enemy defenses, gaining between 50 and 300 yards across the front. Colonel Hartnoll Withers' 21st Marines successfully landed this time; due to heavy casualties in the center, they were assigned to relieve the exhausted 23rd Marines. By nightfall, the Marines had to fend off several local counterattacks and infiltration attempts.  During the night, 50 kamikaze planes targeted Blandy's Task Force 52. They were picked up by the radar of the USS Saratoga, a veteran carrier of the Pacific War, and six fighters were sent to intercept. They shot down two Zeros but the remaining Zeros plowed on through the low lying cloud, two of them trailing smoke, and slammed into the side of the carrier turning the hangers into an inferno. Another solitary attacker smashed into the flight deck leaving a gaping hole 100 yards from the bow. Damage control teams worked wonders and within one hour the fires were under control and the Saratoga was able to recover a few of her planes. Another aircraft, a "Betty" twin engined bomber, tore into the escort carrier USS Bismarck Sea. The decks were full of aircraft and the ensuing explosion caused uncontrollable fires. Abandon ship was sounded and 800 men went over the side. Within a few minutes a huge explosion ripped off the entire stern of the carrier and she rolled 38 over and sank. Three other ships were also damaged: the escort carrier USS Lunga Point was showered with flaming debris as four aircraft were blasted out of the sky; the minesweeper Keokuk was damaged when a "Jill" dive bomber hit her deck; and LST 477 loaded with Sherman tanks received a glancing blow. The Saratoga, with destroyer escort, returned to Pearl Harbor, but by the time the damage was repaired the war was over. The kamikazes had done their work well: 358 men killed, one carrier sunk, and another severely damaged. It was a grim preview of the mayhem they would later cause during the invasion of Okinawa in April. On February 22, amidst a dreary cold rain, Liversedge renewed his assault on Suribachi, where only half of the original garrison remained to oppose the Marine advance. There was no let-up in the weather on Wednesday as Marines of the 28th Regiment, drenched to the skin and bent by the wind, prepared to renew the attack on Suribachi. Fresh supplies of ammunition had been brought to the front during the night, but the Shermans were mired in mud and the Navy declined to supply air support in the appalling weather. It was to be up to the foot soldier with rifle, flamethrower, grenade, and demolition charge to win the day. Colonel Atsuchi still had 800-900 men left and they had no intention of allowing the Americans an easy victory. Major Youamata announced: "We are surrounded by enemy craft of all sizes, shapes and descriptions, enemy shells have smashed at our installations and defenses, their planes bomb and strafe yet we remain strong and defiant. The Americans are beginning to climb the first terraces towards our defenses. Now they shall taste our steel and lead." Throughout the day, the 28th Marines engaged Japanese positions on the lower slopes of the mountain, with the 3rd Battalion making the final push to the base of Suribachi while the other two battalions cleared the coastline to completely encircle the volcano. Simultaneously, Schmidt's northern sweep continued, with the 21st Marines replacing Wensinger's troops, and Colonel Chester Graham's 26th Marines taking over on the 5th Division front. The 26th Marines advanced approximately 400 yards in the center but ultimately had to withdraw as the flanking units could not progress; the 21st Marines began their assault on the formidable defenses of Colonel Ikeda's 145th Regiment in front of Airfield No. 2, managing to advance only about 250 yards on the right; and the 25th Marines were unable to launch an attack on the left due to Withers' lack of significant gains and had to fend off several local Japanese counterattacks. Marine "Howlin' Mad" Smith aboard the USS Auburn was counting the cost. Three days of battle and the Regimental Returns listed 2,517 casualties for the 4th Division and 2,057 for the 5th: 4,574 dead and wounded and the O-1 line had just been reached. Little did he know that as his Marines approached the hills, ravines, canyons, gullies, and cliffs of the north the worst was yet to come. Additionally, as the 4th Division remained stalled, Cates ordered Colonel Walter Jordan's 24th Marines to relieve the weary troops of Lanigan on the right. During the night, most of Task Force 58 departed the area for a second air strike against Tokyo, which significantly limited the availability of aircraft for direct support of ground forces on Iwo Jima. On February 23, the 28th Marines under Liversedge launched their final assault on Suribachi. The 2nd Battalion was tasked with scaling the volcano's heights, while the 1st Battalion advanced south around the mountain's western side. To their surprise, they encountered no enemy fire, and small patrols reached the crater's edge by 09:40. 1st Lieutenant Harold G. Schrier, executive officer of Company E, and a 40-man detachment set out to follow the patrols and occupy the highest point of land on Iwo Jima. The number of live Japanese lurking in caves along this north face was unknown, so flankers were sent out to guard against ambush as Schrier's men clawed their way warily upward. Still there was a mysterious lack of enemy activity, and the only Japanese encountered were the harmless dead. Positions along the rim of the crater were reached at about 10:15, and as Marines scrambled over the lip, the tenseness was eased by action. A small defending force challenged the patrol and a short, hot fight developed. Even while this skirmish was in progress, some of the men located a length of Japanese iron pipe, secured a small American flag to one end, and raised the Stars and Stripes at 10:20. It was an inspiring sight for thousands of Americans on Iwo as the flag waved bravely from the summit. Shortly after the mounting of this flag that measured only 54 inches by 28 inches, an unidentified Marine went aboard LST 779, beached near the base of the volcano, to obtain a larger set of colors. As this second and larger (8 feet by 4 feet 8 inches) flag was being carried up the slopes of Suribachi, photographer Joe Rosenthal, who covered the Iwo operation for the Associated Press, noticed it and instantly started in close pursuit. His efforts that morning resulted in the now famous picture of the second flag raising. Also since it's one of my favorite movies, I wanted to add this passage from the book “Flags of our Fathers” by James Bradley The Secretary of the Navy, James Forrestal, had decided the previous night that he wanted to go ashore and witness the final stage of the fight for the mountain. Now, under a stern commitment to take orders from General Holland "Howlin' Mad" Smith, the secretary was churning ashore in the company of the blunt, earthy general. Their boat touched the beach just after the flag went up, and the mood among the high command turned jubilant. Gazing upward, at the red, white, and blue speck, Forrestal remarked to Smith: "Holland, the raising of that flag on Suribachi means a Marine Corps for the next five hundred years". Forrestal was so taken with fervor of the moment that he decided he wanted the Second Battalion's flag flying on Mt. Suribachi as a souvenir. The news of this wish did not sit well with 2nd Battalion Commander Chandler Johnson, whose temperament was every bit as fiery as Howlin Mad's. "To hell with that!" the colonel spat when the message reached him. The flag belonged to the battalion, as far as Johnson was concerned. He decided to secure it as soon as possible, and dispatched his assistant operations officer, Lieutenant Ted Tuttle, to the beach to obtain a replacement flag. As an afterthought, Johnson called after Tuttle: "And make it a bigger one." Following this, the 28th Marines conducted mopping-up operations to eliminate remaining enemy positions and seal off caves at the base of Suribachi. All accessible outer and inner slopes were covered as the Marines annihilated enemy snipers and blasted shut the many cave entrances, sealing in an uncounted number of Japanese. Much observation equipment was found, emphasizing the fact that this had been an excellent point of vantage from which hostile observers directed murderous fire against the entire beachhead. Marine artillerymen, ready and eager to seize this advantage, hastened to move flash-ranging equipment into position. By nightfall, approximately 122 Japanese soldiers were killed while attempting to infiltrate American lines. Over the five-day period, the 28th Marines suffered 895 casualties, while nearly 2,000 Japanese were either killed or trapped in over 1,000 caves in the area. Kuribayashi had not anticipated the loss of this strategically significant location so early in the battle, and the survivors who managed to breach American lines faced severe reprimands upon their return to the north. For the remainder of the month, the 28th Marines focused on clearing out stubborn Japanese forces, reorganizing, and reequipping. Meanwhile, fighting in the north persisted as the three assault regiments advanced toward the O-2 Line. The 26th and 21st Marines faced heavy fire and struggled to make progress, while the 24th Marines advanced along their entire front, gaining up to 300 yards in some areas. On this day, the situation on the beach steadily improved as clearance efforts, construction of exits, and unloading continued, facilitating the arrival of essential ammunition and an additional 25 tanks. On February 24, following extensive air, naval, and artillery preparations, the offensive resumed. However, the initial failure of tanks to join the assault due to minefields and heavy anti-tank fire forced the Marines to advance slowly under intense fire from various sources. In the center, the 3rd Battalion, 21st Marines advanced 800 yards, reaching the north side of the east-west runway of Airfield No. 2, while the 2nd Battalion gradually moved northward around the end of the runway by noon. In the afternoon, as tank support began to arrive, Withers' 3rd Battalion captured the hill north of the airstrip after a fierce hand-to-hand battle. Simultaneously, his 2nd Battalion coordinated with the 26th Marines to seize the elevation beyond the airfield. Graham's troops easily secured the ground in front but had to pause their advance when they found themselves about 400 yards ahead of the 21st Marines. On the right flank, the 24th Marines initially made significant progress alongside Withers' men toward the airfield but were ultimately halted by the strong defenses on Charlie-Dog Ridge.  Running along the southeast edge of the east-west runway of Airfield Number 2 was a ridge known only as "Charlie-Dog Ridge." In prolongation of this ridge, on a lower level to the southeast, was a semicircular rise of ground that formed the "Amphitheater." In this area, Japanese engineers had constructed some of the most formidable defenses on the island. From the south, the approach traversed bare flat ground swept by guns on the ridge. To the east, the route led across a weird series of volcanic outcroppings and draws. It was against these positions that the 24th Marines moved out on D-plus-5. Assault squads then had to methodically clear the ridge, moving from one strongpoint to another, using fire and explosives until Charlie-Dog was secured. While the overall gains for the day were notable by Iwo Jima standards, the casualty figures were also high, with the Marines suffering 1,034 killed and 3,741 wounded during the five-day push to the second airfield. Additionally, the remainder of General Erskine's 3rd Marine Division began landing that day to officially take control of the central area. On February 25, a decision was made to hold back the 26th Marines to allow the 3rd Division to align with them. After another intense bombardment, Colonel Howard Kenyon's 9th Marines advanced through the 21st to continue the assault, but the two-battalion attack only managed to gain a meager 100 yards against Ikeda's determined defenders. Kenyon then deployed his reserve 3rd Battalion in the center, but it also failed to break through. To the east, the 23rd and 24th Marines launched simultaneous attacks, but only the 23rd made significant progress, overrunning the eastern end of the strip and establishing a foothold on the high ground to the north. Meanwhile, in the morning, Mitscher's carriers conducted a second strike on Tokyo. The Japanese sighted 600 US carrier aircraft on February 25, but Rear Admiral “Ted” Sherman reported, “The enemy opposition was only halfhearted and Japanese planes which were not shot down seemed glad to withdraw from the scene … as swiftly and unceremoniously as possible. Even here, over their own capital, the enemy were notably inferior to our naval aviators in aggressiveness, tactics, and determination.” TF-58 aircraft hit the Ota and Koizumi aircraft plants, but increasingly snowy, stormy weather meant Mitscher canceled further Tokyo strikes at 1215hrs. Spruance and Mitscher decided to hit Nagoya instead. En route to Nagoya that night destroyers USS Hazelwood and Murray sank three small Japanese craft. Eventually Mitscher realized TF-58 would not reach launching position on time, and at 0530hrs Spruance and Mitscher canceled the Nagoya strikes and headed south to refuel. TF-58 claimed 47 Japanese planes shot down and 111 destroyed on the ground for a total of 158 Japanese planes destroyed on February 25. Two hangars, one radar station, and two trains were destroyed. About 75 percent of the Ota engine plant's buildings were destroyed and an additional 15 percent heavily damaged. The Koizuma plant had also been heavily hit, and five coastal vessels and several smaller craft sunk, with another 14 vessels damaged. Total US losses were nine aircraft to antiaircraft fire and four to operational causes; four pilots were lost.. After TF-58 aircraft had plastered the Nakajima Ota airframe plant with 45 tons of bombs, February 25 photoreconnaissance revealed Ota to be 60 percent destroyed and 30 percent heavily damaged, although half of this was believed due to B-29s. After the photos TF-58 aircraft dropped another 13 tons on the plant. The Nakajima Koizuma plant was attacked on February 25 with 35 to 40 tons of bombs, with hits concentrated in the center of the plant. Reconnaissance showed 20 percent of the Koizuma roof damaged. The Hitachi–Tachikawa aircraft engine plant was attacked by one Task Group strike, with US airmen reporting “excellent results.” Photographs showed many bomb hits, but smoke made precise damage assessments difficult. Slight damage was also inflicted on the Tachikawa airframe plant. TF-58 planes struck the B-29s' nemesis, the Musashino-Tama aircraft engine plant, with 40 tons of bombs in the center of the Tama complex.  On that day, LeMay also dispatched 231 B-29s to attack Tokyo with incendiaries, with 172 successfully dropping 453.7 tons of bombs, incinerating a square mile of the city. This operation served as the "conclusive" test of the incendiary bombs that the 20th Air Force had requested, with valuable lessons to be learned for future use. The next day, the 26th Marines resumed their attack despite the high ground on the left remaining unclaimed, successfully advancing over 300 yards in the right and center. In the center, the 9th Marines continued their assault with the 1st and 2nd Battalions side by side, but they made no notable gains. On the right flank, the 23rd Marines launched another assault towards Hill 382, facing heavy resistance and managing to advance only about 200 yards. Concurrently, Lanigan's 25th Marines moved through the battered 24th Marines, achieving an advance of approximately 100 yards before encountering intense machine-gun fire from the Amphitheater and Turkey Knob. On February 27, Wonrham's 27th Marines took over from the exhausted 26th and continued to push northward despite rising casualties, successfully overrunning several strongpoints and gaining about 500 yards across the front. In the center, the 9th Marines finally breached the enemy's main defenses towards Hill 199-O and captured Hill Peter, securing Airfield No. 2. Meanwhile, on the right, the 4th Division pressed on against the heavily fortified Japanese positions at the Meatgrinder, advancing only 150 to 200 yards on each flank while struggling to make headway against the Amphitheater and Turkey Knob. In the final attack of the month, the 27th Marines advanced towards Hill 362A, reaching its base but were forced to retreat nearly 100 yards due to Japanese counterattacks and loss of communication. In the center, Withers' 21st Marines moved past the 9th Marines and rapidly advanced north of Airfield No. 2, making significant progress on the right as they swept through Motoyama village and captured the high ground overlooking Airfield No. 3. To the east, Cates continued to send troops into the Meatgrinder, with the 23rd Marines gaining over 200 yards and launching an attack on Hill 382, while the 25th Marines struggled to make any headway against the Amphitheater and Turkey Knob, achieving only minor gains along the coast. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. And thus we have begun one of the most brutal battles of WW2, let alone the Pacific War. It was a controversial decision to invade Iwo Jima and the Americans could never have predicted how the Japanese would change their tactics to turn the entire ordeal into one giant meat grinder.

In this fantastically informative episode with Dr. Bonnie J. Kaplan, we explore the direct connection between mental health and nutrient intake. The evidence detailed in this episode and in Bonnie's book, The Better Brain is clear and consistent across populations. It is my hope that by releasing this episode folks will be inspired to change their diets and see for themselves the mental health benefits that transpire. I believe that a proper diet can keep us off medications or help us decrease them, but if you are on psychiatric medications make sure to work with a professional if you plan to take micronutrients. You may need medication adjustments. In this episode, we uncover: * what happens to our mental health when we eat processed foods * the definition of what Bonnie calls a "hungry brain" * how the brain gets vitamins and nutrients and what it does with them * the ways focus changes the brain's needs * what it means to eat your cofactor * why focusing on one single nutrient or vitamin will not fix your brain health * why eating whole foods isn't always enough for brain health and what to do about it * how minimally processed foods could be better than nonprocessed * what to look for in a broad spectrum multi-nutrient * cases of psychosis and trauma being modulated by micronutrients * what Bonnie hops all mental health clinics will tell their clients when they're first referred * and so much more... Bonnie's formal training and degrees (masters, PhD, postdoc) were from the University of Chicago, Brandeis University, the West Haven, Connecticut, VA Hospital Neuropsychology Laboratory, and Yale University Department of Neurology. When Bonnie is asked how she became interested in Nutrition and Mental Health, she explains that her training in psychology and neuroscience led her to focus on the biological basis of human behaviour. For many years she studied the role of nutrition in mental illness and brain development. Three awards that she feels very honoured by: are her election in 2017 as one of 150 Canadian Difference Makers in Mental Health, the Dr. Rogers Prize for excellence in complementary and alternative medicine because of her research on nutrition and mental disorders, and in 2021 chosen as one of the top7over70 in Calgary. As Bonnie approached retirement, she decided to focus on two tasks. One was knowledge translation -educating the general public about the role of diet in creating vulnerability to mental health problems. From that goal, her book The Better Brain emerged, written for the general public with Professor Julia Rucklidge, and published in 2021 by Harper Collins. Her second goal was to raise funds to support her junior colleagues who were leaving the field because of their inability to convince government funding agencies that scientific research on nutrition and mental health was worthwhile. She established two charitable funds, one in Canada (managed by the Calgary Foundation) and one in the U.S. (managed by the FJC Foundation in New York City). So far, the two funds have attracted over $1 million CAD. All of it has been distributed, mostly to support clinical trials and biomarker research in relation to nutritional treatment of mental health. Scientists in Canada, the U.S., and New Zealand have been recipients of those funds, and now additional money is being sought for further assays of epigenetic, microbiome, and metabolomic indicators of the benefit of micronutrient treatment. Follow Bonnie on Instagram. -------------------------------------------------------------------------------------------------------------- Your support is deeply appreciated! Find me, Lara, on my Website / Instagram You can support this podcast with any level of donation here. Order The Essential Guide to Trauma Sensitive Yoga: How to Create Safer Spaces for All Opening and Closing music: Other People's Photographs courtesy of Daniel Zaitchik. Follow Daniel on Spotify.

Joseph Michael Lopez - JML, (b. 1973) is an independent photographer born in New York City to a Puerto Rican father and a mother who escaped the Cuban Revolution in 1967. He earned his MFA in 2011 at Columbia University. Lopez began his career as an analog cinematographer on the critically acclaimed Bruce Weber film, Chop Suey (2001). Currently, Joseph divides his time between long-form projects, teaching, and commercial work. His photographs have appeared on the covers of M, The Magazine for Leica M Photography, Leica Fotografie International, The Sunday Review of The New York Times, New York magazine and The New Yorker, among others.Joseph's photographs were on exhibit in “Cuban Photography after 1980: Selections from the Museum's Collection”, at The Museum of Fine Arts in Houston. In 2016, a commissioned series of his photographs of New York neighborhoods, “New York at Its Core: Future City Lab”, was installed at The Museum of the City of New York. Photographs from JML NYC, the series from which this commission originated, have also been published in the book Bystander: A History of Street Photography, by Colin Westerbeck and Joel Meyerowitz. JML's first book JML NYC 02-23 was published by GOST in the fall of 2024.  In episode 250, Joseph discusses, among other things:Relocating to Rome from NYCHis intro to NYC via assisting Bruce WeberHis early career as a professional assistantShooting with his Leica as a ‘coping mechanism'The challenge of creating a cohesive narrative from 20 years of single imagesHis Dear New Yorker projectWhy B&W is where his heart is atHow what we see is who we areHis approach towards light and sunUsing digital vs. filmAssisting Mitch EpsteinHow his opinion on grad school has changedControversy surrounding Columbia University prof. Thomas RomaHis plans for working in Rome and going forward Referenced:Bruce WeberDanny Lyon, Knave of HeartsTodd PapageorgeChuck Kelton's darkroomMitch EpsteinThomas RomaMohammad Rasoulof Website | Instagram“Essentially, it's about saying something and having a voice and having a perception of the world that is, like singing a loud song you know, your pictures have to say something. And how do you separate yourself from all the noise that's out there already? You have to have an obsessive, empahtic way to perceive things. I think to a certain extent what we see is who we are in a way.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

In this immensely informative episode with Dr. Samantha Harte, we discuss the kind of work it takes to break our toxic cycles and make changes that last for the long run. Samantha talks about the role our pain plays in helping us to identify the places we need to change and the importance of looking deeply and honestly at our patterns if we want those adjustments to last. She describes the multiple ways we can deceive ourselves, from fixing others to trying to control and perfect ourselves, and offers an alternative that modernizes and incorporates the 12 steps of recovery as a trajectory for spiritual growth. In this episode, we cover: Ways family patterns get passed down through generations. The signs you are ready for change. How to identify your true inner voice. What growth really looks like. Why spirituality is integral to personal development. Plus... Samatha shares the 5 part check-in practice she has been doing daily for the last decade! Dr. Samantha Harte is a physical therapist, author, performing artist, podcast host and sober mom of two. She has been featured on abc7 and CBS and has been written up in People magazine, Time magazine, Best Life and The New York Post for her expertise on the intersection of mind-body health and wellness. Her self-help memoir, Breaking The Circuit: How to Rewire Your Mind for Hope, Resilience and Joy in the Face of Trauma is a reinvention of the 12 steps of recovery so that anyone, addict or not, can turn heartbreak into hope. -------------------------------------------------------------------------------------------------------------- Your support is deeply appreciated! Find me, Lara, on my Website / Instagram You can support this podcast with any level of donation here. Order The Essential Guide to Trauma Sensitive Yoga: How to Create Safer Spaces for All Opening and Closing music: Other People's Photographs courtesy of Daniel Zaitchik. Follow Daniel on Spotify.

What if you could preserve the voices and stories of your loved ones for future generations? Join us as we sit down with Charlie Greene, the co-founder of Remento, who shares how the loss of his father and his mother's battle with cancer inspired a revolutionary way to capture family legacies. Through Remento, Charlie has created a tool that transforms the art of storytelling into a lasting family treasure. By turning recorded interviews into tangible keepsake books with QR codes for audio playback, Remento captures the essence of loved ones, ensuring their voices and stories remain accessible and secure. We explore the emotional and technical challenges families face when documenting personal stories, especially during gatherings filled with distractions. Charlie recounts the pivotal shift from an in-person tool to a flexible mobile app, making it easier to record stories anytime, anywhere. We dive into the significance of documenting family history and how Remento offers a seamless solution for preserving these invaluable memories. Tune in to learn how you can start capturing your family's legacy today, and visit Remento's website for more information on their innovative app. Timestamps 00:00:00 - Introduction and Welcome to the Business Legacy Podcast 00:00:09 - Introduction to Charlie Green and Remento 00:00:51 - Personal Inspiration Behind Remento: Loss and Family Memories 00:03:20 - Realization of Importance of Capturing Family Stories 00:05:45 - Initial Challenges in Developing Remento 00:08:51 - Creating Meaningful Family Memories with Technology 00:10:10 - Overcoming Hurdles in Documenting Family Stories 00:13:00 - Emotional Impact of Preserving Loved Ones' Voices 00:14:30 - Ensuring Data Security and Accessibility 00:17:05 - Evolution of Remento: From In-Person to Mobile App 00:18:40 - Challenges Faced During Family Gatherings 00:20:15 - Redesigning the App Based on User Feedback 00:22:00 - The Importance of Legacy and Personal Stories 00:23:45 - Charlie's Vision for Remento and Preserving Legacies 00:25:10 - Where to Find More Information About Remento 00:26:00 - Conclusion and Final Thoughts from Charlie Green 00:27:00 - Closing Remarks and Encouragement to Preserve Family Memories Check out Remento for your self: https://www.remento.co/ Legacy Podcast: For more information about the Legacy Podcast and its co-hosts, visit businesslegacypodcast.com. Leave a Review: If you enjoyed the episode, leave a review and rating on your preferred podcast platform. For more information: Visit businesslegacypodcast.com to access the shownotes and additional resources on the episode.

Merriam-Webster's Word of the Day for January 28, 2025 is: sward • SWORD • noun Sward is a literary word that refers to an area of land covered with grass. // The hikers emerged from the forest to find a green sward dotted with yellow and purple flowers stretching out before them. See the entry > Examples: “A century or so ago, if you lived in the Boston area and were obsessed with trees, you were in good company. The Massachusetts Horticultural Society, which had united enthusiasts of rare apples and ornamental maples since 1832, had helped found Mount Auburn Cemetery and endowed it with an immense, exotic plant collection. ... Tree mania seems to have come late to Greenlawn, however. Photographs taken sometime before 1914 show a bleak, bare sward.” — Veronique Greenwood, The Boston Globe, 18 Dec. 2023 Did you know? Sward sprouted from the Old English sweard or swearth, meaning “skin” or “rind.” It was originally used as a term for the skin of the body before being extended to another surface—that of the Earth. The word's specific grassy sense dates to the 16th century, and lives on today mostly in novels from centuries past, such as Thomas Hardy's Tess of the d'Urbervilles: “The sun was so near the ground, and the sward so flat, that the shadows of Clare and Tess would stretch a quarter of a mile ahead of them, like two long fingers pointing afar to where the green alluvial reaches abutted against the sloping sides of the vale.”

Merriam-Webster's Word of the Day for January 28, 2025 is: sward • SWORD • noun Sward is a literary word that refers to an area of land covered with grass. // The hikers emerged from the forest to find a green sward stretching out before them, and dotted with yellow and purple flowers. See the entry > Examples: “A century or so ago, if you lived in the Boston area and were obsessed with trees, you were in good company. The Massachusetts Horticultural Society, which had united enthusiasts of rare apples and ornamental maples since 1832, had helped found Mount Auburn Cemetery and endowed it with an immense, exotic plant collection. ... Tree mania seems to have come late to Greenlawn, however. Photographs taken sometime before 1914 show a bleak, bare sward.” — Veronique Greenwood, The Boston Globe, 18 Dec. 2023 Did you know? Sward sprouted from the Old English sweard or swearth, meaning “skin” or “rind.” It was originally used as a term for the skin of the body before being extended to another surface—that of the Earth. The word's specific grassy sense dates to the 16th century, and lives on today mostly in novels from centuries past, such as Thomas Hardy's Tess of the d'Urbervilles: “The sun was so near the ground, and the sward so flat, that the shadows of Clare and Tess would stretch a quarter of a mile ahead of them, like two long fingers pointing afar to where the green alluvial reaches abutted against the sloping sides of the vale.”

Last time we spoke about the Mandalay Offensive. In the midst of intense warfare, General Krueger positioned his troops strategically to bolster the assault at Rosario. As the American forces repelled counterattacks and advanced, they faced fierce Japanese resistance, particularly at Binalonan and Hill 600. Despite heavy casualties, the Americans gradually gained ground, clearing key areas and preparing for further offensives. Meanwhile, Japanese defenses were fortified but weakened by shortages. As battles raged, both sides braced for decisive confrontations in the ongoing struggle for control of Luzon. In a fierce battle across the hills of Luzon, the 103rd Regiment aimed to secure key positions but faced heavy resistance, capturing Hill 800 by nightfall. The 172nd Regiment achieved surprise at Hill 900, while other regiments advanced under relentless fire. Meanwhile, in Burma, the British-Indian forces captured Shwebo, pushing deeper against Japanese defenses. The Mars Task Force disrupted supply lines, leading to a Japanese retreat. Amidst the chaos, both sides suffered heavy losses, marking a pivotal moment in the campaign. This episode is the Return to Bataan Welcome to the Pacific War Podcast Week by Week, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about world war two? Kings and Generals have an assortment of episodes on world war two and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel you can find a few videos all the way from the Opium Wars of the 1800's until the end of the Pacific War in 1945.  By the end of January, as previously noted on Luzon, the 43rd Division had secured most of the Rosario region and Route 3 from Pozorrubio to the crucial junction with Route 11. The 25th Division had successfully eliminated the Shigemi Detachment at San Manuel, while the 6th Division had cleared the Cabaruan Hills and established outposts between Balungao and Guimba. Meanwhile, the 14th Corps had advanced to Clark Field, where it was engaged in a fierce battle with the Kembu Group. By January 27, the 40th Division had breached General Tsukada's northern defensive line, and the 37th Division had fortified Mabalacat, Angeles, and Runway No. 1 in preparation for the final push toward Manila. On that same day, General Krueger received significant reinforcements, with the arrival of the 1st Cavalry Division, the 32nd Division, and the 112th Cavalry Regiment at Lingayen Gulf. He planned to gather the cavalry division at Guimba to launch a coordinated advance toward the capital along the eastern side of the Central Plains via Route 5. After returning the reserve 35th Regiment to General Mullins, Krueger intended to deploy the 32nd Division, minus the 126th Regiment in Army Reserve, to the San Manuel-Asingan area. This would allow the 25th and 6th Divisions to narrow their fronts and continue south and southeast toward the Licab-Lupao line with reduced risk of exposing the 1st Corps' flank. Additionally, this strategy would enable the 37th Division to resume its advance toward Manila. However, General Griswold wanted to push Tsukada's forces further into the Zambales Mountains first, directing General Beightler to assault the enemy's southern defensive line centered around Fort Stotsenburg, while only the 148th Regiment and the 37th Reconnaissance Troop moved south along Route 3 to San Fernando. On January 28, the attack commenced as planned, with the 129th Regiment advancing westward through Runway No. 2, but it was quickly halted by the formidable forward defenses of the Eguchi Detachment. Meanwhile, with the assistance of Filipino guerrillas, reconnaissance units from the 37th Division successfully secured the San Fernando bridges intact. To the north of the Bamban River, the 160th Regiment faced unexpectedly light resistance as it moved along its ridge line to capture open-crested Hill 620, although it would later encounter stronger opposition when it reached the main defenses of the Takaya Detachment. At the same time, General Patrick began gathering the 1st and 20th Regiments at Guimba and Victoria, while the 6th Reconnaissance Troop advanced toward Cabanatuan, where they identified a significant Japanese concentration. Further north, the 35th Regiment advanced unopposed to barrio Gonzales, while the 27th Regiment moved overland and successfully dislodged a Japanese outpost from barrio Pemienta. Meanwhile, MacArthur was planning a secondary landing on the Zambales coast of Luzon, assigning Major-General Charles Hall's 11th Corps, which included the 38th Division and the 34th Regiment, to land at San Antonio and quickly advance across the base of Bataan to prevent any significant Japanese retreat into the peninsula. He also aimed to divert the Kembu Group's attention to relieve some pressure on the 14th Corps. However, General Yamashita had no intention of retreating to Bataan and had only dispatched Colonel Nagayoshi Sanenobu's 39th Regiment to defend the peninsula and the Kembu Group's right flank. On January 26, Hall's 11th Corps had departed Leyte Island aboard vessels from Admiral Struble's Task Group 78.3, heading directly to Luzon for the San Antonio landing, codenamed Operation Mike 7. The convoy reached its destination on the morning of January 29. After receiving reports from Filipino guerrillas indicating that there were no Japanese forces in the landing area, Struble decided to cancel the planned pre-assault bombardment. Instead, he ordered Hall's four regiments to land simultaneously across a nearly six-mile stretch of coastline from San Antonio. Upon landing, the 151st Regiment secured San Felipe and San Antonio, while the 149th Regiment quickly moved inland to capture the San Marcelino Airstrip. However, they discovered that guerrillas led by Captain Ramon Magsaysay had already taken control of the airstrip three days prior. Before nightfall, the 34th Regiment and the 24th Reconnaissance Troop advanced south along Route 7 to the northern shore of Subic Bay. To the east, the 160th Regiment made significant progress, advancing nearly two miles southwest and breaching a stronghold at the center of the Takaya Detachment. The 129th Regiment also managed to penetrate enemy defenses into Fort Stotsenburg but was halted at barrio Tacondo by six tanks from the Yanagimoto Detachment. Despite this setback, the inability of the Japanese counterattacks to reclaim lost territory compelled Tsukada to order the Eguchi and Yanagimoto Detachments to retreat to their main line of resistance. Meanwhile, further north, units from the 1st and 20th Regiments successfully captured Licab and Talavera, cutting off the road between Cabanatuan and Muñoz. The 27th Regiment engaged a small tank-artillery force from the 2nd Tank Division that had become trapped along the highway between Gonzales and Pemienta.  With the rapid advances of the 6th and 25th Divisions, the 2nd Tank Division main strength in the Tayug-Triangle Hill area was in danger of being cut off from its sole remaining escape route into the northern bastion via San Jose and Highway 5. To meet the new situation, General Iwanaka was directed to pull back all remaining division strength from the Tayug-Umingan and Triangle Hill sectors with the exception of small outpost forces to be left at Gonzales and Umingan to delay an enemy advance from the northwest. The division was instead to concentrate the bulk of its forces in a triangular-shaped area bounded by Lupao, Muñoz and Rizal. These new dispositions had barely been effected when enemy elements swept around the outpost force at Gonzales and cut its withdrawal route to Umingan, forcing the detachment to withdraw through the hills after destroying most of its tanks and all of its mechanized artillery. From 20:00 on the 29th until 04:30 the next morning the force tried unsuccessfully to break through the Pemienta perimeter, against a sharp enemy. By the time the action had ended the 27th Regiment had killed 125 Japanese and had destroyed 8 tanks, 8 artillery prime movers, 4 tractors, 8 105-mm howitzers and 5 trucks, while only losing about 15 men killed and 45 wounded. Only four tanks succeeded in breaking through the enemy encirclement and escaped along the highway to Umingan. The next day, the 27th Regiment began positioning itself to attack Umingan from the north and northwest, while the 35th Regiment started preparations for a holding attack from the west and southwest. In an effort to avert the mass execution of prisoners of war at Cabanatuan, Lieutenant-Colonel Henry Mucci led a contingent of approximately 233 men, composed of Filipino guerrillas, soldiers from the Alamo Scouts, and Mucci's 6th Ranger Battalion. They traversed 30 miles cross-country between January 28 and 30 to liberate 522 weakened prisoners during the night. Most of the prisoners had vacated the camp by 2010 hours. Rangers and guerrillas had to carry most, piggy-backing them or making hasty litters from rifles and shirts. It was 2 miles to the Pampanga River, where carts waited to take them to Platero to be treated, fed, and organized. Many were still in shock and had not yet fully understood that they were free. At 2040 hours, Capt Prince was at the Pampanga River supervising the loading of stumbling prisoners into 25 carts as Rangers and prisoners trickled in. The rest of the Scouts established an ambush at the crossing site. At 2045 hours, one hour after the raid was launched, Prince fired the third red flare and departed for Balangkare. The loaded carabao carts were ordered on their way to Balangkare at 2145 hours.  Meanwhile Major Robert Lapham's guerrilla forces provided cover for their escape, successfully returning them to Allied lines on January 31. During this operation, around 270 Japanese soldiers were killed at the camp, with an additional 900 casualties along the Cabu River. Over 270 Japanese lay dead or dying in the smoldering camp; most of the wounded dying by dawn as no aid was forthcoming. Japanese bodies were literally stacked at the Cabu bridge and scores more littered the riverside woods. The 359th Battalion had ceased to exist. In the morning, battalion commander Capt Oyanu was still alive, but most of his officers were dead. Only 255 men of 1,200 survived and most were wounded.   In contrast, the Americans suffered only 2 fatalities and 7 wounded, along with 12 wounded Filipinos and 2 dead prisoners. Fortunately, the anticipated retaliation against the Filipino population did not occur, as the Japanese retreated from the area within a day of the raid, while the 20th Regiment secured the road junction barrio of Baloc and began advancing toward Muñoz. On January 30, Griswold continued his vigorous offensive against Clark Field; the 129th Regiment cleared the hills near Dolores and took control of the abandoned Fort Stotsenburg area, while the 160th Regiment made only 500 yards of progress against the determined Takaya Detachment. The 108th Regiment finally captured Hill 5 and Thrall Hill. Further south, patrols from the 37th Division reached within a mile of Calumpit and the Pampanga River, and on Bataan, the 34th Regiment took Olongapo after a fierce skirmish, while the 2nd Battalion of the 151st Regiment captured Grande Island at the entrance to Subic Bay. At the same time, MacArthur was strategizing another secondary landing on Luzon, this time utilizing General Swing's 11th Airborne Division to assault Nasugbu, located 45 miles southwest of Manila. With this operation, MacArthur aimed to initiate a southern advance toward Manila while simultaneously hindering Japanese forces in southern Luzon from moving north to challenge Krueger's main offensive. General Eichelberger intended to deploy the 187th and 188th Glider Regiments and advance them approximately twenty miles along Route 17 to Tagaytay Ridge. There, the 511th Parachute Regiment would conduct an airdrop to secure the ridge for the ground troops and capture adjacent sections of Route 17 before the Japanese could regroup to defend the highway. In opposition, General Yokoyama had assigned only the Fuji Force to defend the area south of Manila. This force, centered around Colonel Fujishige Masatoshi's reinforced 17th Regiment, had only deployed the 3rd Battalion of the 31st Regiment in the Tagaytay Ridge region, with a small outpost at Nasugbu and its main defenses positioned on Mounts Cariliao and Batulao. At this stage, Yokoyama was nearing completion of the organization of the diverse Shimbu Group forces east of Manila into a cohesive combat task force. To the north, near Ipo, he had stationed the Kawashima Force, which was composed of the 82nd Brigade and the 31st Regiment. To the south, the main contingent of the former Manila Defense Force had been relocated from the Philippine capital and renamed the Kobayashi Force, guarding the Wawa-Montalban area. However, the departure of General Tsuda's 105th Division to the northern stronghold had created a significant gap in the Shimbu Group's defenses. Although Yokoyama intended to address this vulnerability with the Noguchi Detachment, Major-General Noguchi Susumu's troops were still in the midst of a lengthy march from the Bicol Peninsula by the end of January. As a temporary solution, the Okita Detachment, a composite force consisting of five battalions centered around the 186th Independent Battalion, and the Kuromiya Detachment, a three-battalion unit based on the 181st Independent Battalion, were deployed in the Bosoboso-Antipolo region. Meanwhile, the Kogure Detachment, organized around the 1st Surface Raiding Base Force, was stationed at Lamon Bay. Manila was entrusted to Rear-Admiral Iwabuchi Sanji's Manila Naval Defense Force, which included approximately 13,700 naval personnel from the 31st Special Base Force responsible for defending the islands of Manila Bay and the capital, along with some Army reinforcements. On January 27, Swing's 11th Airborne Division departed from Leyte Island aboard ships from Admiral Fechteler's Task Group 78.2, heading directly to Nasugbu Bay to carry out Operation Mike 6. Following an uneventful journey and a brief preliminary bombardment on January 31, the 188th Glider Regiment successfully landed with minimal resistance and quickly advanced inland toward the Palico River, aiming for the section of Route 17 that leads to Tagaytay Ridge. Pleased with the initial landing, Swing subsequently deployed the 187th Glider Regiment and the division artillery, which began to relieve the rear elements of the 188th by midday. At the same time, the majority of the 188th secured the Palico bridge and crossed the river to reach Route 17. Further north, under pressure from MacArthur and Krueger, the 148th Regiment successfully crossed the Pampanga River and captured Calumpit, just as Beightler was dispatching the 145th Regiment along Route 3 to assist in the advance toward Manila. At Clark Field, the 108th Regiment was patrolling forward, while the 160th Regiment faced challenges in breaking through enemy defenses. Meanwhile, the 129th Regiment launched an attack on the main positions of the Eguchi Detachment at Top of the World hill, successfully securing its steep, grassy southern and southeastern slopes. On Bataan, General Jones sent the 152nd Regiment to travel through Olongapo and advance east along Route 7, while the 149th Regiment moved east toward Dinalupihan via a challenging trail located about 1,200 yards north of the highway. By the end of January, the 32nd Division had successfully taken control of the recently vacated Tayug area. The 6th and 25th Divisions reorganized in preparation for their final push towards San Jose, and the 1st Cavalry Division gathered at Guimba. The World War II brigade structure of Maj. Gen. Verne D. Mudge's dismounted 1st Cavalry Division differed greatly from that of the triangular infantry division of the period. Instead of three infantry regiments the 1st Cavalry Division had four cavalry regiments--the 5th and 12th in the 1st Cavalry Brigade, the 7th and 8th in the 2d Cavalry Brigade. Each regiment had two cavalry squadrons, each smaller than an infantry battalion, as opposed to the three battalions of an infantry regiment. Each cavalry regiment contained a weapons troop armed with 81-mm. mortars, .30-caliber and .50-caliber machine guns, and bazookas, but there was no heavy weapons troop within each squadron. The cavalry regiments lacked the antitank and cannon companies of an infantry regiment. 1st Cavalry Division Artillery was composed of one 75-mm. howitzer battalion, three 105-mm. howitzer battalions, and, for obvious reasons, an attached 155-mm. howitzer battalion. Reinforcing combat and service attachments brought the division's strength up to nearly 15,000 men, somewhat less than the strength of the reinforced 37th Division at the same time. On paper, each of the four cavalry regiments numbered 1,750 men--in contrast to the 3,000-odd of an infantry regiment--but none of the 1st Cavalry Division's regiments was up to strength. The division had received few replacements since entering combat on Leyte in October, and it had come to Luzon after very little rest from its arduous campaign through Leyte's mountains. The 1st Cavalry division was ready to advance towards Cabanatuan as General Mudge dispatched two reinforced motorized squadrons. On February 1, the Flying Columns, led by General Chase, crossed the Pampanga River and began their southern march with minimal resistance. As a result, Cabanatuan and Gapan were quickly captured, although some opposition was encountered south of the Peñaranda River. Meanwhile, the 188th Glider Regiment continued its advance towards Tagaytay Ridge, facing heavy enemy fire from Mount Cariliao but still managing to secure the important Mount Aiming. The 148th Regiment swiftly moved down Route 3 and captured Malolos with little resistance. However, the 152nd Regiment faced increasingly strong resistance at ZigZag Pass. While more rugged terrain than the ZigZag Pass area is to be found on Luzon, few pieces of ground combine to the same degree both roughness and dense jungle. Route 7 twists violently through the pass, following a line of least terrain resistance that wild pigs must originally have established. The jungle flora in the region is so thick that one can step 5 yards off the highway and not be able to see the road. The Japanese had honeycombed every hill and knoll at the ZigZag with foxholes linked by tunnels or trenches; at particularly advantageous points they had constructed strongpoints centered on log and dirt pillboxes. All the defenses were well camouflaged, for rich jungle foliage covered most positions, indicating that many had been prepared with great care and had been constructed well before Colonel Nagayoshi's 39th Regiment had reached the area in December. Colonel Nagayoshi had plenty of food and ammunition for a prolonged stand, and he also possessed numerous mortars and machine-guns. His artillery, however, was inadequate for the task at hand and he lacked certain types of medical supplies, especially malaria preventatives and cures. He had so scattered his mortars and artillery in order to protect them against American artillery and air strikes that his troops would often have difficulty massing their fires. Finally, his defensive line was scarcely 2000 yards wide northwest to southeast, thus rendering his whole position susceptible to vigorous outflanking maneuvers. On the other hand, he had good troops, well-prepared positions, and excellent defensive terrain. The 129th Regiment secured the summit of Top of the World hill, effectively ensuring Clark Field's protection from all but long-range artillery fire. The 20th Regiment launched its initial attack on Muñoz, which was thwarted by Colonel Ida Kumpei's tanks fortified as pillboxes. Additionally, the 27th Regiment attempted to advance towards Umingan but was unable to break through, while elements of the 35th Regiment bypassed this area and occupied barrio San Roque. February 2 mirrored the previous day in the San Jose sector, as the 20th and 27th Regiments continued their battle against the determined Japanese defenders. Meanwhile, Mullins dispatched the 35th Regiment in a two-pronged maneuver towards Umingan, successfully clearing most of the town by noon. In an effort to recover lost time, Mullins then directed the 35th toward Lupao in the afternoon, but its leading battalion was ultimately halted by intense Japanese artillery, mortar, and machine-gun fire. With their forward units stalled at Muñoz and Lupao, Patrick and Mullins resorted to flanking tactics. Accordingly, Patrick sent the 1st Regiment along the Talavera River to attack San Jose from the southeast, while the 63rd Regiment attempted to bypass Muñoz to the east and rejoin Route 5 north of the town. In turn, Mullins ordered the 161st Regiment to move cross-country to positions on Route 99 south of Lupao, then advance to Route 8 between San Isidro and San Jose while the 35th surrounded and cleared Lupao. However, on this day, the 105th Division successfully evacuated San Jose along with its stockpiled ammunition, regrouping north at Puncan and rendering the entire San Jose offensive ineffective. Simultaneously, Chase's Flying Columns passed through Gapan and entered Sabang, fording the Angat River to launch two simultaneous advances to the south and east. The 148th Regiment secured Plaridel after a brief but fierce skirmish, while the 152nd Regiment faced setbacks in the ZigZag Pass due to nighttime Japanese counterattacks and artillery fire. The 149th Regiment became disoriented and had to return to Olongapo, and the 188th Glider Regiment managed to break through to barrio Aga amidst heavy resistance, while the 1st Battalion of the 187th Glider Regiment moved forward to begin the assault toward Tagaytay. On February 3, Swing's glider infantry launched an assault on the western end of Tagaytay, while paratroopers from the 511th Parachute Regiment began to drop along the ridge in a rather scattered manner. The first echelon of the 511th, about 915 in all, had come to Tagaytay Ridge aboard 48 C-47 aircraft of the 317th Troop Carrier Group. The planes had flown north from Mindoro to approach Tagaytay Ridge from the northeast in order to avoid fire from Japanese anti-aircraft weapons west of the drop zone. The first 18 planes, carrying about 345 troops, dropped over the assigned area. At this juncture, planes from succeeding flights were nearly 6 miles and 3 minutes behind the lead aircraft. About 08:20 one of these later planes dumped out a couple of bundles of supplies. Taking this as a signal that they were over the proper drop zone, 'troopers of the succeeding 30 planes began jumping. Aircraft pilots, realizing they had not yet reached the proper point, attempted to halt the jumping, but the 511th's jump-masters continued sending the paratroopers out. Most of them landed almost 5 miles east-northeast of the assigned drop zone. A second group of 51 C-47s began approaching the drop area about 12:10. Some 80 men from the first 5 aircraft of this group landed in the proper place. The rest started out of their planes when they saw on the ground the collapsed chutes of the first misplaced jump. In the end, only 425 men landed on the assigned drop zone; the others, about 1325 in all, made scattered landings 4.5 to 6 miles to the east and northeast. The 11th Airborne Division, blaming the 317th Troop Carrier Group for the premature dropping, reported that the "true reason was the refusal of the Air Force to cooperate in a combined training program for Airborne and Air Force troops." In any event, it appears that some lack of jump discipline within the 511th contributed to the scattered, premature jumping. Fortunately for them, they encountered minimal resistance as they secured the unoccupied ridge. To the north, the 148th Regiment continued its advance southward, facing delays at several tidal streams that were unbridged and unfordable, but managed to reach a point two miles south of Marilao by day's end. At the same time, the 5th Cavalry's Flying Column destroyed a Japanese outpost at Angat and moved through the guerrilla-held Norzagaray before crossing the Santa Maria River to join the 8th Cavalry's Flying Column, which had already progressed to Talipapa and was nearing the outskirts of Manila. Meanwhile, the 27th Regiment successfully eliminated the remaining enemy pockets at Umingan; the 3rd Battalion of the 35th Regiment, advancing over elevated terrain northeast of Lupao, established a position on Route 8 approximately 1500 yards southeast of Lupao, while the rest of the regiment continued to launch unsuccessful frontal assaults on the town. The 20th Regiment managed to overrun a few Japanese strongholds at Muñoz but was unable to break through. On 3 February the 2d Battalion, 20th Infantry, moved in on the northwest, but could not reach Route 99 in its sector. The 3d Battalion pushed across that road at the southwest corner of Muñoz, but gained only half a block into the main section of the town. The 1st Battalion, on the south side of Muñoz, made negligible progress. By dusk, the 20th Infantry had overrun a few Japanese strongpoints, but in order to hold its gains had had to destroy completely and physically occupy every position it had reached so far. Muñoz, General Patrick had begun to realize, was going to be a costly, hard, and time-consuming nut to crack. The 20th Infantry had not yet closed with the main Japanese defenses, but had spent most of the last three days pinned down by Japanese artillery, tank, and machine gun fire. Only by hugging the ground and taking advantage of the little cover even shattered tree stumps afforded had the regiment kept its casualties down to 15 men killed and 90 wounded. Meanwhile the 63rd Regiment successfully bypassed Muñoz and advanced up Route 5 toward Caanawan; and the 1st Regiment similarly advanced along the San Jose-Rizal road, assembling at two points 1000 yards south and 1500 yards east of San Jose. Now, however, it is time to leave Luzon and head toward the Central Pacific. Following the successful capture of the Marianas and the establishment of B-29 Superfortress air bases on these islands, the Allies were finally able to conclude Operation Matterhorn and cease using bases in China and India for conducting raids on the Japanese mainland and other targets in East Asia. Between June 5, 1944, and January 17, 1945, General LeMay's 20th Bomber Command executed a total of 29 combat missions, inflicting significant damage on key military installations in southern Japan, Manchuria, Formosa, and Indochina, with a total loss of 73 B-29s. Meanwhile, General Hansell's 21st Bomber Command, reinforced by the 313th Bombardment Wing, struggled to achieve similar outcomes in both daylight precision bombing and area incendiary bombing, with the first three missions of January yielding the same disappointing results as those in December and November.  On January 3rd, Norstad's incendiary test mission was run on 3 January, when ninety-seven B-29's got off for Nagoya. Each plane carried a mixed load of bombs -14 x 350-pound M18 IB clusters fuzed to open at 8,000 feet and one 420-pound fragmentation cluster fuzed to open 1,000 feet below releasing altitude. What with aborts and planes straying from course, only fifty-seven bombed the urban area designated as primary target, most of them releasing visually though cloud cover was rated as 6/10. Some fires were started but there was no holocaust. Smoke rising to 20,000 feet combined with cloud to make observation of results impossible for the attackers. As a test, then, the mission was inconclusive. To the citizens of Nagoya, who were better informed than intelligence officers of 21st Bomber Command, the damage seemed slight. On January 9th, having satisfied Norstad's requirement, the command returned to its program of precision bombing against aircraft factories. Performance for the most part was of a piece with what had gone before. On 9 January 1945 seventy-two B-29's were sent against Musashino near Tokyo. High winds broke up the formations so that only eighteen planes were able to bomb the target; twenty-four bombs, widely scattered in the plant area, destroyed one warehouse and damaged two others-a slight return for the effort expended and the six B-29's lost. On January 14th, at the Mitsubishi Aircraft Works at Nagoya on the 14th, precision bombing was again less than precise. Seventy-three B-29's were airborne and forty bombed, getting four GP's-one ton-into the No. 5 Works area and damaging three buildings. Frustrated by this, Hansell increasingly blamed his crews for the unsatisfactory outcomes. Remarkably, he would only achieve his first fully successful B-29 attack on his final mission of the war. The target for the January 19 strike was virgin, a plant of the Kawasaki Aircraft Industries Company located 2 miles northwest of Akashi, a village on the Inland Sea some 12 miles west of Kobe. The Akashi works housed Kawasaki's general headquarters and one of the company's two large production units, which built the twin-engine fighters Nick and Randy and engines for Tony, Oscar and Frank fighters. Smaller than Nakajima and Mitsubishi, Kawasaki in 1944 delivered 17% of Japan's combat airframes and 12% of its combat engines. Against Akashi, Hansell sent 77 B-29s, plus 3 others in a diversionary strike. With good weather, 62 bulled it through to the Kawasaki factory, dumped 155 tons of GPs, and then returned with no losses. Interpreting strike photos, intelligence officers estimated that 38% of the roofed area showed major damage. This was an understatement. Every important building in both the engine and airframe branches had been hit and production was cut by 90%. Indeed, the Kawasaki Company liquidated the combined plant and dispersed the machine tools, which had suffered only slightly, to other sites. The Akashi shops were given temporary repairs at the cost of 226 tons of critical materials and over 9000000 yen, but the installation was used thereafter only for limited assembly jobs. It is a pity that the full results of this mission could not have been known to Hansell. His first completely successful B-29 attack, Akashi seemed to epitomize the doctrines of precision bombardment he had championed-and it was his last strike of the war. Unaware of this success, Hansell was replaced the following day as head of the 21st Bomber Command by the determined LeMay, who immediately suggested a shift to firebombing Japan's major cities at low altitude during nighttime, marking a stark departure from Hansell's previous strategies. However, the only obstacle in the flight path was Iwo Jima, which could alert the Japanese to an impending raid and still had operational airfields capable of launching intercepting fighters. These airfields had also been used for sporadic air assaults on the Marianas, although few attacks were actually carried out in January. Capturing Iwo Jima would resolve these issues, and Admiral Nimitz aimed to establish emergency landing facilities for B-29s based in Saipan, as well as a base for their fighter escorts targeting Japan. Consequently, he decided to proceed with the invasion, codenamed Operation Detachment. After this operation, Nimitz planned to invade Okinawa to secure and develop a robust air and naval base for the assault on the Japanese home islands, which we will discuss further later. For the Iwo Jima operation, Admiral Spruance was once again given overall command of the "big blue fleet," which was re-designated as the 5th Fleet. Under his command, Vice-Admiral Richmond Turner led Task Force 51, the Joint Expeditionary Force, responsible for landing Lieutenant-General Holland Smith's Expeditionary Troops. Turner was supported by Rear-Admiral William Blandy's Task Force 52, the Amphibious Support Force, which included ten escort carriers; Rear-Admiral Harry Hill's Task Force 53, comprising all transports and landing craft; Rear-Admiral Bertram Rodgers' Task Force 54, which had six battleships and five cruisers for shore bombardment; and Vice-Admiral Marc Mitscher's Task Force 58, the Fast Carrier Force. For the amphibious invasion, Major-General Harry Schmidt's 5th Amphibious Corps would deploy the 3rd, 4th, and 5th Marine Divisions, planning to land the 4th and 5th Divisions side by side with two regiments each along the two-mile stretch of beach between Mount Suribachi and the East Boat Basin on the island's southeast coast. Smith and Schmidt also decided to limit corps artillery to two battalions of 155mm howitzers, organized as the 1st Provisional Field Artillery Group, due to the limited space available for emplacements on the island. After landing, Major-General Clifton Cates' 4th Marine Division would take control of the Motoyama Plateau and its airfields, while also capturing the O-1 Line on the corps' right flank. Meanwhile, Major-General Keller Rockey's 5th Marine Division would secure the Mount Suribachi region before advancing northeast to capture the O-1 Line on the corps' left flank. They would then push forward across the island until Iwo Jima was fully secured. At the same time, Major-General Graves Erskine's 3rd Marine Division would remain in reserve, with only its 21st Marine Regiment deployed as the corps reserve. To aid in this effort, the 7th Air Force, under Generals Harmon and Hale, had been consistently targeting Iwo Jima's facilities since August 1944. Following intense attacks in December, which included bombardments by Rear-Admiral Allan Smith's 5th Cruiser Division against Iwo Jima, Haha Jima, and Chichi Jima were again struck on January 5, but the next bombardment wouldn't occur until January 25.  A fighter sweep by 28 P-38s opened the attack at 0945; 62 B-29s bombed at 1100 and 102 B-24s at noon; Crudiv 5 (Rear Admiral Allan E. Smith), comprising heavy cruisers Chester, Pensecola and Salt Lake City with six destroyers, arrived off Iwo at 1330 and opened bombardment at 1347. "Hoke" Smith approached the island from the west, rounded Mount Suribachi and then reversed track in a half-circle. Unfortunately the sky was so heavily overcast as to force the planes to bomb by radar and to hamper ships' spotting. Surface visibility was good enough to enable the island to be well covered by a naval bombardment, which lasted for 70 minutes and expended 1500 rounds of 8-inch and 5334 rounds of 5-inch shell. The bombers dropped 814 tons of bombs. Photographs, taken three days later, showed that both airfields on Iwo were wholly or in part operational, but no more enemy air raids hit the Marianas until Christmas Day. The job of keeping Iwo airfields neutralized was now turned over to B-24s of VII A.A.F. Between 8 December 1944 and 15 February 1945 they flew at least one strike daily over the island. The day before Christmas, Rear Admiral Smith's heavy cruisers, together with five destroyers, delivered a second bombardment, coordinated with a B-24 strike. This strike was slightly more eventful than the initial one in December, but even less effective. The bombardment, which expended 1500 rounds of 8-inch, provoked return fire from a 6-inch coast defense battery (designated "Kitty" on the target maps) in the northeast part of the island, but "Kitty's" claws managed to strike no closer than 200 yards. As proof of the slight damage inflicted by this bombardment, the Japanese were able to pay a vicious return visit to Saipan on Christmas Eve, a raid of 25 planes which destroyed one B-29 and damaged three more beyond repair. Crudiv 5 returned 27 December for a repeat performance, lighter than the others; and a fourth bombardment was set up for 5 January 1945. While fighter planes and B-24s hit Iwo Jima the same cruisers and six destroyers bombarded Chichi Jima, 145 northward, and the slightly nearer Haha Jima. Their hope was to catch a convoy bringing Japanese supplies to these islands, whence they were forwarded to Iwo by small craft at night. Destroyer Fanning, steaming ahead of the group as radar picket, encountered at 0206 a surface target, later identified as LSV-102, which she sank. At 0700 Admiral Smith's group opened a one hour and 49 minutes' bombardment of Chichi Jima. During it, destroyer David W. Taylor suffered an underwater explosion, probably from a mine, which flooded her forward magazine. The Haha Jima bombardment by Salt Lake City and two destroyers lasted for an hour. Crudiv 5 then pounded Iwo Jima for another hour and three quarters. The reply was negligible, and a few aircraft which made passes at the cruisers were easily driven off. Starting on the last day of January and continuing for two weeks, 7th Air Force aircraft bombed the island day and night, occasionally joined by LeMay's Superfortresses. For ten weeks, Iwo Jima faced near-daily bombardments from land-based aircraft, with nearly 6,800 tons of bombs dropped. Additionally, there were five naval bombardments that fired 203 rounds of 16-inch shells, 6,472 rounds of 8-inch shells, and 15,251 rounds of 5-inch shells. Under normal circumstances, such a heavy and sustained bombardment would have been more than enough to devastate an island of that size. However, the Japanese managed to restore the airfields on Iwo Jima just hours after each attack and continued to strengthen their defenses on the island. Following the fall of Saipan, the Japanese appointed Lieutenant-General Kuribayashi Tadamichi to oversee the defenses of the Bonin Islands, renaming the Ogasawara District Group as the 109th Division. Kuribayashi stationed Major-General Tachibana Yoshio's 1st Mixed Brigade and most of Colonel Iida Yusuke's 17th Independent Mixed Regiment on Chichi Jima, along with several other units across the islands. He accurately predicted that Iwo Jima would be the target for an Allied landing and took measures to make it virtually indestructible. To this end, he coordinated with Major-General Senda Sadasue's 2nd Mixed Brigade, Colonel Ikeda Masuo's 145th Regiment, and Lieutenant-Colonel Baron Nishi Takeishi's severely weakened 26th Tank Regiment, which had sustained heavy losses from American submarines at sea. Additionally, Major Fujiwara Tamachi's 3rd Battalion of the 17th Independent Mixed Regiment and a robust artillery unit led by Colonel Kaido Chosaku were included in the defense. Rear-Admiral Ichimaru Toshinosuke also provided a significant naval garrison on the island, centered around the 27th Air Flotilla, bringing Kuribayashi's total forces to approximately 21,060 men, far exceeding the American estimate of 13,000. Aware that the beaches would be vulnerable to enemy naval and air assaults, Kuribayashi opted to strengthen the Mount Suribachi and Motoyama Plateau areas. The Mount Suribachi area was made a semi-independent defense sector, its heavily fortified positions bristling with weapons of all types, ranging from casemated coast-defense guns and artillery to automatic weapons emplaced in mutually supporting pillboxes. The narrow isthmus connecting Suribachi to the rest of the island was lightly held by infantry, but heavily defended by enfilade fire from artillery, rockets, and mortars emplaced on both the high ground in the south (Suribachi area) and the northern portion of the island. The main defense line was a belt of mutually supporting positions organized in depth, running generally northwest-southeast across the island. It stretched from the cliffs north of the western beaches south to include Airfield Number 2; then, turning eastward through Minami, terminated at the rugged coast north of the eastern beaches. Pillboxes, blockhouses, bunkers, and dug-in tanks strengthened the defenses in the naturally formidable terrain everywhere throughout this belt. The second defense line generally bisected the remaining area in the northern portion of the island. It began several hundred yards below Kitano Point on the northwest coast, cut through Airfield Number 3 and the Motoyama area in the center, and terminated between Tachiiwa Point and the East Boat Basin on the eastern coast. Man-made emplacements were not as numerous in this second line, but natural caves and other covered positions afforded by the fantastically rugged terrain were skillfully organized for the defense. The beaches would be lightly defended but would receive fire support from the elevated positions. A substantial reserve force, including tanks, was also prepared to counterattack and push the Americans back into the sea if they managed to establish a foothold. In a shift from traditional Japanese defensive strategies, Kuribayashi moved away from full-scale counterattacks and suicidal banzai charges, instead instructing his troops to hold their mutually supportive positions to the last and to carry out small unit counterattacks at cutoff points. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. The Allied forces continued their advance through Luzon, battling Japanese defenses, liberating prisoners, and securing key locations, paving the way for a final push toward Manila. Meanwhile, on Iwo Jima, General Kuribayashi was preparing for a final stand, hoping beyond hope to make the Americans pay so dearly they might end the war.

Hear the Dance host Silas Farley is joined by Associate Artistic Director Wendy Whelan and former Soloists Repertory Director Jean-Pierre Frohlich and Repetiteur Diana White for a conversation about Jerome Robbins' The Cage. From its "empowering" choreography to the manners in which the relationship between the Mother and the Novice mimic that of senior and newer members of the company, they describe the unique qualities of this ballet beloved by dancers and audiences alike. (59:01 Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto in D for String Orchestra, "Basler" (1946) by Igor Stravinsky Performed by New York City Ballet Orchestra Reading List: 1. Somewhere: The Life of Jerome Robbins by Amanda Vaill 2. Jerome Robbins, by Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir by Jerome Robbins, Edited by Amanda Vaill 3. Jerome Robbins: A Life in Dance by Wendy Lesser 4. Stravinsky: A Creative Spring: Russia and France, 1882-1934 by Stephen Walsh 5. Stravinsky: The Second Exile, France and America, 1934-1971 by Stephen Walsh 6. The Stravinsky Festival of the New York City Ballet by Nancy Goldner

HT2143 - Truth Photography has, for very dubious reasons, established itself as a truthful medium. Photographs can be used as evidence, and its objectivity is legend. But of course we photographers know that photography can easily be untrue, too. As an art medium, do we care? Don't we all know that all other media of art are fictions? Do any of us worry about the truthfulness of a painting, a sculpture, a novel, a poem, a song, a bit of theater?

This deeply informative episode is recommended for therapists, yoga instructors, yoga practitioners, and anyone interested in managing their stress levels. Licensed clinical psychologist and certified complex trauma professional, Dr. Arielle Schwartz offers insight into her tremendous work combining the modalities of therapeutic yoga, polyvagal theory, and trauma healing. Arielle shares the central elements necessary for creating a therapeutic space for healing trauma and how she has used these elements to create a vibrant online yoga community. Dr. Schwartz also explains and makes relatable polyvagal theory, mapping it onto ancient yoga and ayurvedic models and providing some accessible two-minute practices that we can use to regulate our nervous systems and offer either calm or energy depending on our body's needs. In this episode, you will learn: What is optimal vagal tone. How to "talk to" your vagus nerve. Which systems of yoga asana are in alignment with nervous system regulation and when to practice them. The central components of creating a safe enough space for healing And so much more... Dr. Schwartz shares specific stories of individuals she has helped using polyvagal theory and provides two-minute practices we can all do to align our nervous systems. Dr. Arielle Schwartz is a clinical psychologist and a leading voice in the healing of trauma. She is an internationally sought-after teacher and author of seven books including The Complex PTSD Workbook, The Post-Traumatic Growth Guidebook, EMDR Therapy and Somatic Psychology, and Applied Polyvagal Theory in Yoga. As the founder of the Center for Resilience Informed Therapy, she offers a mind-body approach to therapy for trauma and informational mental health and wellness updates through her writing, public speaking, social media presence, and blog. She believes that the journey of trauma recovery is an awakening of the spiritual heart. Follow Arielle at her links below: Website | YouTube | Instagram -------------------------------------------------------------------------------------------------------------- Your support is deeply appreciated! Find me, Lara, on my Website / Instagram You can support this podcast with any level of donation here. Order The Essential Guide to Trauma Sensitive Yoga: How to Create Safer Spaces for All Opening and Closing music: Other People's Photographs courtesy of Daniel Zaitchik. Follow Daniel on Spotify.

SPONSORS: - Z-BIOTICS: https://zbiotics.com/JULIAN (***TIMESTAMPS in description below) ~ James Fox returns for the third time on Julian Dorey Podcast to discuss his latest Documentary, "The Program" which goes behind the Congressional hearings to leave skeptics astounded by new assertions from a growing chorus of high-level insiders who insist there is definitive proof we are not alone. Jason Sands is a new UFO whistleblower, who has recently come forward with claims about his involvement in a 20-year black budget program and a surreal Alien encounter. BUY/RENT “The Program": https://geni.us/TheProgram PATREON https://www.patreon.com/JulianDorey FOLLOW JULIAN DOREY INSTAGRAM (Podcast): https://www.instagram.com/juliandoreypodcast/ INSTAGRAM (Personal): https://www.instagram.com/julianddorey/ X: https://twitter.com/julianddorey GUEST LINKS X: https://x.com/jamescfox IG: https://www.instagram.com/jamesfoxdirector/?hl=en Watch "Momen of Contact": https://shorturl.at/tSgOQ Watch "The Phenomenon": https://shorturl.at/9RWvG LISTEN to Julian Dorey Podcast Spotify ▶ https://open.spotify.com/show/5skaSpDzq94Kh16so3c0uz Apple ▶ https://podcasts.apple.com/us/podcast/trendifier-with-julian-dorey/id1531416289 ****TIMESTAMPS**** 00:00 - James Fox from The Phenomenon to ‘The Program', D.C. Investigation 10:01 - James Disastrous Film Company Lawsuit, 26:54 - Most Satisfying UFO Documentary (Devastating Setbacks) 31:21 - Pivotal UFO Interview Moments, Disclosure vs UFO Evidence 38:51 - Reads Congressional Source Document, Photographs & Evidence 46:31 - Intel Agency Individuals & Obfuscation, Evidence Behind Jason Sand's Encounter 52:03 - Telepathic Communication Residue, Devil's Advocate & Possibly Being Lied Too 01:00:30 - Why Does Jason Sand's Have Immunity vs Coworkers, Top Secret Information SCIF (James Fox) 01:10:45 - Special Access Programs & How Information is Controlled & Not Leaked, Black Budget Programs 01:21:21 - Hearing Craziest Stories During Black Budget Program CREDITS: - Host, Producer, and Editor: Julian Dorey - In-Studio Producer: Alessi Allaman - https://www.youtube.com/@UCyLKzv5fKxGmVQg3cMJJzyQ Julian Dorey Podcast Episode 266 - James Fox & Jason Sands Music by Artlist.io Learn more about your ad choices. Visit megaphone.fm/adchoices

Jennifer Coates is back with me this week to cohost Part 4 of our series about researching our way to feeling better as artists. This time we go all the way back to 1306 to the Mongol empire and then zoom forward to the 1970's in the USSR and with a few more stops in between. We studied hard (and maybe got C minuses) but we ended up feeling inspired and hope you will too. The artists we spoke about:Zheng Sixiao of Southern China's Song Dynasty, "Ink Orchid" 1306, during Mongol Empire (Yuan Dynasty) under Kublai Kasimir Malevich of Russia/USSR, "Black Square" 1915, "Girls in a Field" 1928-30, "Female Worker" 1933, Russian icon paintingsThe Bulldozer Exhibition, 15 September 1974 and Oskar Rabin "Lamp and Shawl" 1974 & Lidya Masterkova "Untitled" 1974 of the Leonozovo Group, Photographs by Mikhail Abrosimov/ The Calvert JournalRead more: https://www.theguardian.com/world/2014/sep/17/bulldozer-underground-exhibition-revolutionised-russian-art https://www.edelman.com/insights/bulldozer-exhibition-my-eyewitness-account-russian-repression-6-amClaude Cahun of Jersey (Channel Islands/France), Partner/Collaborator, Marcel Moore, "I am in training, don't kiss me" 1927, "What do you want from me?" 1929, "Self Portrait" 1939The Nahua People of the Aztec Empire and the Florentine Codex: https://florentinecodex.getty.edu/ - facilitated by Franciscan Monk, Bernardino de Sahagún, Deep dive into the Codex with Dr. Diana Magaloni Kerpel, Deputy Director, Program Director, and Dr. Virginia Fields Curator of the Art of the Ancient Americas at the LA County Museum of Art (LACMA): https://www.youtube.com/watch?v=zUfg_WQwvMgGee's Bend Quilters of Alabama and their organization Souls Grown Deep: https://www.soulsgrowndeep.org/Other artists mentioned:Elisabeth Condon, Piet Mondrian**Disclaimer: As we are not historians by trade, some factual errors may have slipped through. Apologies if so **Jennifer Coates online: ⁠⁠web⁠⁠ and ⁠⁠IG⁠⁠Amy Talluto online: ⁠⁠web⁠⁠ and ⁠⁠IG⁠⁠Thank you, Jennifer! Thank you, Listeners!All music by Soundstripe----------------------------Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pep Talks website: ⁠⁠⁠⁠⁠peptalksforartists.com⁠⁠⁠⁠⁠Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amy's website: ⁠⁠⁠⁠⁠amytalluto.com⁠⁠⁠⁠⁠Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated!

Episode No. 685 features artist Vincent Valdez and curators Theresa Harlan and Drew Johnson. The Contemporary Arts Museum Houston is presenting "Vincent Valdez: Just a Dream..." the first major survey of Valdez's career. The exhibition, which features Valdez's work across media, reveals Valdez's construction of US national memory. It was co-curated by Patricia Restrepo and Denise Markonish. It's on view at CAMH through March 23, 2025, when it will travel to the Massachusetts Museum of Contemporary Art. A catalogue is forthcoming. Also, Valdez is included in "Ordinary People: Photorealism and the Work of Art since 1968" at the Museum of Contemporary Art, Los Angeles. The exhibition surveys post-war photorealism up to the present. It was curated by Anna Katz with Paula Kroll and is on view through May 4, 2025. MOCA and DelMonico Books published an excellent catalogue. Amazon and Bookshop offer it for $65. Harlan and Johnson are the curators of "Born of the Bear Dance: Dugan Aguilar's Photographs of Native California" at the Oakland Museum of California. It's on view through June 22, 2025. The exhibition surveys Aguilar's presentation of Native life and land, mostly between 1982 and 2018. The exhibition is OMCA's first presentation of Aguilar's work after the Aguilar's family gift of his archive to the museum in 2022. The show does not have a catalogue, but many of the works in the show are featured within Harlan's 2015 Aguilar monograph for Heyday Books, "She Sang Me a Good Luck Song."

The photos from that night told a story louder than any headline. Jennifer Lopez, radiant in a geometric-patterned mini dress, stood amidst the flashing lights and pulsating beats of a bustling nightclub. The air was thick with the energy of the night, but her fiery exchange with Sean “Diddy” Combs cut through the revelry. Her sharp, exasperated gestures and his tense, defensive stance painted a picture of rising tension that seemed to shift the room's focus onto them. This pivotal moment, now immortalized in photographs, has become a haunting symbol of a night that would later shake the music industry to its core. Her expression—a mix of anger and exasperation—froze in time, now unearthed as a pivotal piece of a legal puzzle shaking the music industry to its core. This wasn't just another nightclub spat. That same night, in a nearby room at the afterparty for the 2000 MTV Video Music Awards, a 13-year-old girl, known only as Jane Doe, alleges she was drugged and raped. Two of the most influential names in hip-hop, Jay-Z and Sean “Diddy” Combs, now face accusations in a lawsuit alleging their involvement in a deeply troubling incident—a stark narrative of power and fame intersecting with the exploitation of a vulnerable victim. The details are harrowing. According to the lawsuit filed in a New York court, Jane Doe had traveled to Radio City Music Hall, hoping to catch a glimpse of the awards show she couldn't afford to attend. Later that night, a chance encounter with a chauffeur led her to Diddy's exclusive afterparty at the now-defunct Lotus nightclub. The chauffeur, according to the lawsuit, allegedly remarked that she “fit what Diddy was looking for.” At the party, she was handed a reddish-yellow drink. It wasn't long before she felt “woozy and lightheaded,” her vision blurring. In search of refuge, she wandered into an unlocked bedroom. That's when, according to her testimony, Diddy, Jay-Z, and a female celebrity entered. The lawsuit alleges that Diddy—his eyes filled with a “crazed” intensity—grabbed her, exclaiming, “You ready to party!” Moments later, she was thrown against a wall and then onto the bed. What followed, the lawsuit claims, was a nightmare: the men took turns assaulting her while the female celebrity stood by and watched. Photographs obtained by *DailyMail.com* show Lopez arguing with Diddy earlier that evening. Her sister, Lynda Lopez, is seen nearby, her expression unreadable but undoubtedly aware of the tension. Jennifer Lopez's connection to the night has thrust her into a narrative she likely never anticipated, but the photos beg the question: What did she know, and when? Jay-Z, whose real name is Shawn Carter, issued a fiery denial through his legal team, calling the allegations “so heinous” that they demanded criminal prosecution, not just civil litigation. This demand highlights a strategic legal move—shifting the focus to the gravity of the claims and challenging the plaintiff's team to meet the higher burden of proof required in a criminal case. By emphasizing prosecution over settlement, Carter appears to be signaling his confidence in refuting the allegations while also casting doubt on the motives behind the civil lawsuit. Legal analysts suggest this tactic could either bolster his defense by portraying him as transparent and cooperative or backfire if the criminal system decides to take up the case. In his statement, Carter accused Tony Buzbee, the attorney representing Jane Doe and over a hundred other alleged victims of Diddy's, of extortion. “No sir,” Carter wrote in a statement to *DailyMail.com*. “I will not give you ONE RED PENNY!” His words were defiant, but the weight of the accusations lingered. Sean Combs has yet to respond publicly, but silence in this case speaks volumes. The rap mogul, already embroiled in multiple lawsuits alleging sexual misconduct and abuse spanning decades, faces mounting public scrutiny. The amended lawsuit now naming Jay-Z adds another explosive layer to a story that seems to grow darker with each revelation. The third alleged participant, described in the lawsuit as a “female celebrity,” remains unnamed. However, Jane Doe's account identifies her as someone immediately recognizable. Speculation runs rampant, but without confirmation, her identity remains shielded—a shroud of mystery in an already convoluted case. As the industry reels, Jennifer Lopez's unearthed photographs raise uncomfortable questions. Her tumultuous relationship with Diddy, marked by its high-profile highs and lows, has long been a topic of tabloid fascination. But now, the context shifts. Was the argument captured in those images connected to the events Jane Doe described? Or was it another chapter in a famously volatile romance? Legal experts note that the lawsuit's implications extend far beyond the individuals named. “This case has the potential to unravel a culture of silence that has shielded powerful men in entertainment for decades,” said Rachel Connelly, a New York-based attorney specializing in civil litigation. “But it also hinges on the credibility of the victim and the willingness of the legal system to hold these men accountable.” As for Jane Doe, her bravery in coming forward underscores the gravity of the accusations. Despite the immense personal cost, she has chosen to speak out against some of the most powerful figures in entertainment, knowing the potential backlash could be overwhelming. Jane Doe's journey through the legal system is fraught with challenges—from the emotional toll of reliving the alleged events to the intense scrutiny of her credibility by defense attorneys and the public. Her decision to pursue justice shines a light on systemic failures that have historically silenced victims of abuse, and her resilience serves as a testament to the strength required to confront such a pervasive culture of exploitation. Her legal team is pressing for criminal charges, emphasizing the systemic failures that allowed such alleged behavior to go unchecked. “This is not just about one night,” Buzbee stated in a press conference. “This is about a pattern of abuse, exploitation, and the culture that enabled it.” The public fallout has been swift. Social media has erupted with calls for accountability, not just for Jay-Z and Diddy but for an industry many believe has long turned a blind eye to predatory behavior. Fans are grappling with the possibility that two of hip-hop's most celebrated figures could be implicated in such a heinous crime. What happens next could redefine the legacies of those involved. Will the lawsuit lead to criminal investigations? Will the unnamed female celebrity come forward? And how will Jennifer Lopez navigate her unintentional role in this unfolding saga? For now, the world watches, holding its collective breath as the legal and personal battles begin to take shape. The music may have stopped at the Lotus nightclub long ago, but the echoes of that night continue to reverberate, louder than ever. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com 

The photos from that night told a story louder than any headline. Jennifer Lopez, radiant in a geometric-patterned mini dress, stood amidst the flashing lights and pulsating beats of a bustling nightclub. The air was thick with the energy of the night, but her fiery exchange with Sean “Diddy” Combs cut through the revelry. Her sharp, exasperated gestures and his tense, defensive stance painted a picture of rising tension that seemed to shift the room's focus onto them. This pivotal moment, now immortalized in photographs, has become a haunting symbol of a night that would later shake the music industry to its core. Her expression—a mix of anger and exasperation—froze in time, now unearthed as a pivotal piece of a legal puzzle shaking the music industry to its core. This wasn't just another nightclub spat. That same night, in a nearby room at the afterparty for the 2000 MTV Video Music Awards, a 13-year-old girl, known only as Jane Doe, alleges she was drugged and raped. Two of the most influential names in hip-hop, Jay-Z and Sean “Diddy” Combs, now face accusations in a lawsuit alleging their involvement in a deeply troubling incident—a stark narrative of power and fame intersecting with the exploitation of a vulnerable victim. The details are harrowing. According to the lawsuit filed in a New York court, Jane Doe had traveled to Radio City Music Hall, hoping to catch a glimpse of the awards show she couldn't afford to attend. Later that night, a chance encounter with a chauffeur led her to Diddy's exclusive afterparty at the now-defunct Lotus nightclub. The chauffeur, according to the lawsuit, allegedly remarked that she “fit what Diddy was looking for.” At the party, she was handed a reddish-yellow drink. It wasn't long before she felt “woozy and lightheaded,” her vision blurring. In search of refuge, she wandered into an unlocked bedroom. That's when, according to her testimony, Diddy, Jay-Z, and a female celebrity entered. The lawsuit alleges that Diddy—his eyes filled with a “crazed” intensity—grabbed her, exclaiming, “You ready to party!” Moments later, she was thrown against a wall and then onto the bed. What followed, the lawsuit claims, was a nightmare: the men took turns assaulting her while the female celebrity stood by and watched. Photographs obtained by *DailyMail.com* show Lopez arguing with Diddy earlier that evening. Her sister, Lynda Lopez, is seen nearby, her expression unreadable but undoubtedly aware of the tension. Jennifer Lopez's connection to the night has thrust her into a narrative she likely never anticipated, but the photos beg the question: What did she know, and when? Jay-Z, whose real name is Shawn Carter, issued a fiery denial through his legal team, calling the allegations “so heinous” that they demanded criminal prosecution, not just civil litigation. This demand highlights a strategic legal move—shifting the focus to the gravity of the claims and challenging the plaintiff's team to meet the higher burden of proof required in a criminal case. By emphasizing prosecution over settlement, Carter appears to be signaling his confidence in refuting the allegations while also casting doubt on the motives behind the civil lawsuit. Legal analysts suggest this tactic could either bolster his defense by portraying him as transparent and cooperative or backfire if the criminal system decides to take up the case. In his statement, Carter accused Tony Buzbee, the attorney representing Jane Doe and over a hundred other alleged victims of Diddy's, of extortion. “No sir,” Carter wrote in a statement to *DailyMail.com*. “I will not give you ONE RED PENNY!” His words were defiant, but the weight of the accusations lingered. Sean Combs has yet to respond publicly, but silence in this case speaks volumes. The rap mogul, already embroiled in multiple lawsuits alleging sexual misconduct and abuse spanning decades, faces mounting public scrutiny. The amended lawsuit now naming Jay-Z adds another explosive layer to a story that seems to grow darker with each revelation. The third alleged participant, described in the lawsuit as a “female celebrity,” remains unnamed. However, Jane Doe's account identifies her as someone immediately recognizable. Speculation runs rampant, but without confirmation, her identity remains shielded—a shroud of mystery in an already convoluted case. As the industry reels, Jennifer Lopez's unearthed photographs raise uncomfortable questions. Her tumultuous relationship with Diddy, marked by its high-profile highs and lows, has long been a topic of tabloid fascination. But now, the context shifts. Was the argument captured in those images connected to the events Jane Doe described? Or was it another chapter in a famously volatile romance? Legal experts note that the lawsuit's implications extend far beyond the individuals named. “This case has the potential to unravel a culture of silence that has shielded powerful men in entertainment for decades,” said Rachel Connelly, a New York-based attorney specializing in civil litigation. “But it also hinges on the credibility of the victim and the willingness of the legal system to hold these men accountable.” As for Jane Doe, her bravery in coming forward underscores the gravity of the accusations. Despite the immense personal cost, she has chosen to speak out against some of the most powerful figures in entertainment, knowing the potential backlash could be overwhelming. Jane Doe's journey through the legal system is fraught with challenges—from the emotional toll of reliving the alleged events to the intense scrutiny of her credibility by defense attorneys and the public. Her decision to pursue justice shines a light on systemic failures that have historically silenced victims of abuse, and her resilience serves as a testament to the strength required to confront such a pervasive culture of exploitation. Her legal team is pressing for criminal charges, emphasizing the systemic failures that allowed such alleged behavior to go unchecked. “This is not just about one night,” Buzbee stated in a press conference. “This is about a pattern of abuse, exploitation, and the culture that enabled it.” The public fallout has been swift. Social media has erupted with calls for accountability, not just for Jay-Z and Diddy but for an industry many believe has long turned a blind eye to predatory behavior. Fans are grappling with the possibility that two of hip-hop's most celebrated figures could be implicated in such a heinous crime. What happens next could redefine the legacies of those involved. Will the lawsuit lead to criminal investigations? Will the unnamed female celebrity come forward? And how will Jennifer Lopez navigate her unintentional role in this unfolding saga? For now, the world watches, holding its collective breath as the legal and personal battles begin to take shape. The music may have stopped at the Lotus nightclub long ago, but the echoes of that night continue to reverberate, louder than ever. Want to listen to ALL of our podcasts AD-FREE? 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Photographs are taken inside the ear canal before and after ear candling to put it to the test.