Podcasts about photographs

In searching for answers to quell fears or explain life's quirks, humans have oft come up with some pretty bizarre beliefs. Tomatoes are poison? Witches steal a particular male body part and keep them for pets? Baths are dangerous? Photographs steal your soul? Ya, pretty funny yet weird stuff in which we used to believe. Jon and Kurt use this episode to recount and wonder at some of the strangest of these.  

Our guests for June 2025 on Conversations from the Pointed Firs are CIPPERLY GOOD and KEVIN JOHNSON, curators of Sardineland, a new exhibit at Penobscot Marine Museum in Searsport, Maine that tells the stories of the maritime communities affected by the boom and bust of Maine's Sardine Industry and Herring Fishery. Photographs, tools of the trade, art, and cultural artifact explore the industry's ongoing impact on those who handled the herring—from the net to the can.FMI: visit https://penobscotmarinemuseum.org/sardineland/

On the morning of June 6th, 1944, war photographer Robert Capa waded ashore on Omaha Beach during the Allied landings in Normandy. What happened next became the stuff of legend: under withering fire, Capa supposedly captured over a hundred photographs of the chaos and courage of D-Day, only for all but eleven to be lost in a darkroom accident. These surviving images, the so-called “Magnificent Eleven,” helped define the visual memory of D-Day and cemented Capa's reputation as the greatest war photographer of the 20th century. But what if the story we've long accepted isn't entirely true? In his book Back into Focus: The Real Story of Robert Capa's D-Day, Charles Herrick takes a forensic look at the events of that day, unraveling inconsistencies in Capa's own account and challenging the myths that have grown around his legacy. Drawing on official military records, eyewitness testimony, and detailed photo analysis, Herrick offers a new—and at times controversial—perspective on one of the most iconic moments in photojournalism history. I'm delighted to welcome Charles to the podcast today to talk about what really happened on D-Day, how the legend of Robert Capa was built, and what his findings mean for how we understand both history and heroism.   patreon.com/ww2podcast  

Episode Summary: Ever hosted a client event and wondered if it truly moved the needle for your business? In this episode, we're joined by Elyse Stoner and Angela York—co-founders of Event Advisors—who share the secret sauce behind turning events like book launches into powerful referral and relationship-building tools.Unlike traditional advisor events that focus on entertainment, Elyse and Angela dive into the art and science of designing strategic events that align with business goals and client journeys. They reveal how financial advisors can host meaningful book parties that not only celebrate a milestone but also deepen client connections, enhance their personal brand, and spark warm introductions.Whether you're planning your first book launch or want to rethink your approach to events altogether, this conversation is packed with actionable insights that can help elevate your next client gathering from "just another party" to a scalable growth lever.Meet the Guests:Elyse Stoner: Veteran of the sports, entertainment, and higher education event world; now specializes in event strategy for advisors.Angela York: Former in-house marketing expert for advisory firms; now consults on event marketing and implementation across the financial services industry.What You'll Learn:Why most advisor events fall flat—and how to fix themThe core difference between a strategic event and a traditional oneHow to use your book launch as a client journey milestone, not just a partyWhat ROM (Return on the Moment) means—and why it's more useful than ROIThe ideal invite list: who should be there (and who shouldn't)Clever ways to boost attendance and event engagementHow to use photography to empower clients to refer others post-eventWhen and how to include press, prospects, and COIsKey Takeaways:Strategic Planning Starts Early: Begin conceptualizing your book party during the writing phase. Pull themes and quotes from your manuscript to shape the tone of the event.Measure ROM, Not ROI: Forget trying to track revenue from a single night—instead, focus on how the event strengthens relationships and supports your client experience stream.Curate the Guest List Carefully: Invite your A, B, and even C clients—plus COIs and warm prospects who align with your goals. Make it feel exclusive.Infuse Personality & Branding: From pink-themed dress codes to framed book quotes, details matter. Let your personality and book branding show.Photographs as Referral Tools: Use event photography for more than just memories—turn photos into custom follow-up cards that help clients introduce you to their networks.Personal Invitations = More Yeses: Encourage top clients to bring a guest—not for sales, but to make them more comfortable and increase attendance.Events Don't Have to Be Expensive: Community centers, home venues, or office spaces can all work with the right vibe and planning.Pro Tip: Want your book party to leave a lasting impression? Plan a heartfelt toast, set up a “step and repeat” for photos, and think beyond the event night—your follow-up is where the real referrals begin.Resources & Contact Info:Visit event-advisors.net for strategy guides, services, and their bi-weekly newsletter "Valuable Views."Want support for your next event? Elyse and Angela offer both consulting and full-service event planning tailored to financial advisorsClaim your free audiobook copy at: www.theshortbookformula.comSupport the show

In episode 370 UNP founder and curator Grant Scott is in his garage reflecting on the small and big things that impact on the everyday engagement we all have with photography. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on sale. © Grant Scott 2025

Staten Island photographer Alice Austen was groundbreaking for her non-conformity to gender norms, and her street photographs of New York from the 1890s. Bonnie Yochelson, author of the new book Too Good To Get Married: The Life and Photographs of Miss Alice Austen, discusses Austen's career.

The High Court in Pretoria has ruled that additional images of three of the accused in the Senzo Meyiwa murder trial, can be submitted as evidence. The ruling follows an application by the state, in which prosecutors argued that the photographs provide a clearer perspective of how some of the accused looked at the time of the soccer star's murder. Five men are on trial the October 2014 fatal shooting. SABC Reporter, Pearl Magubane has more...

LW1457 - Straying from Conventions Everybody complains about dandelions in their yard, but photographically they are just gorgeous little plants. Who among us has not photographed a dandelion once it's gone to seed? This has me thinking about other botanical subjects. Photographs of roses, orchids, peonies, calla lilies, all well and good. But why does no one ever photograph poison ivy, thistle, mullein, and all the other weeds against which we are so prejudiced? The artist's role is to be a seer, and it appears that part of being a seer is to let go of our prejudices. All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

In this special edition for World Oceans Day, we spotlight the urgent, haunting work of Mandy Barker, the award-winning British photographic artist using sea-salvaged fashion waste to expose the truth about plastic pollution. Her cyanotype series "Photographs of British Algae: Cyanotype Imperfections" reimagines the work of 19th-century botanist Anna Atkins, replacing seaweed with clothing scraps collected from 121 beaches around the UK. The result is both poetic and jarring, earning praise from none other than Sir David Attenborough, who supports Barker's work for its power to inspire real change.

Developers run Florida and the state legislature wants to keep it that way, even if municipalities would like less construction to safeguard themselves from hurricanes.Julian Dimock photographed Southwest Florida in the early 20th century. His photographs depict Seminole Indians, African American laborers on Marco Island, and the areas remarkable ecology. Jerald T. Milanich has authored multiple books on Dimock's time in Florida and photographs and joins us on this episode."Welcome to Florida" patrons receive our weekly Florida Conservation Newsletter for only $5 per month. Thanks to all who support our efforts.

In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York's leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent's Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men's clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen's photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York's leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent's Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men's clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen's photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York's leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent's Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men's clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen's photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York's leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent's Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men's clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen's photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York's leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent's Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men's clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen's photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York's leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent's Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men's clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen's photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

Tom Sheehan was born in Camberwell, South London. He was an in-house photographer for CBS Records in the 70s, and went on to be the chief photographer for Melody Maker. He enjoyed long-term working relationships with the likes of REM, The Cure, Manic Street Preachers, and Oasis, the subject of a new book of Tom's work entitled “Roll With It: Oasis in Photographs 1994-2002”. I had a great time chatting with Tom about his life and work, and I hope you enjoy it too.

Watson news, much talk about Sherlock & Co and where this version of "A Scandal in Bohemia" seems headed, and a bit about signs of trouble in Watson's relationship with his literary agent.

Send us a textIn December 1941,  an SS man took a series of 12 photographs of an Einsatzgruppen killing in Latvia.  The negatives were stolen by a survivor who had copies made and retrieved them after the war.In today's episode, we explore what we can learn about the Holocaust from these photographs and, indeed, from photographs in general.  I talk with Hillary Earl and Valerie Hébert who have written in depth about these images.Hilary Earl is a professor of history at Nipissing University.Valerie Hébert is a professor of history and interdisciplinary studies at Lakehead University.Follow on Twitter @holocaustpod.Email the podcast at holocausthistorypod@gmail.comThe Holocaust History Podcast homepage is hereYou can find a complete reading list with books by our guests and also their suggestions here.

Part One- In light of the recent announcement that the late Pete Rose is now eligible for entry into Major League Baseball's Hall of Fame, we are replaying our conversation with Keith O'Brien, author of "Charlie Hustle- The Rise and Fall of Pete Rose and the Last Glory Days of Baseball." Part Two- Kostya Kennedy talks about his book "The Story of Baseball in 100 Photographs."

HT2259 - The Market for Used Photographs I spent the day yesterday in one of my favorite used book stores, Robert's Books in Lincoln City, Oregon. This is a giant building filled to the brim with used books of every kind and age and interest you could possibly imagine. I picked up three volumes of short stories that I'd never heard of or seen before, treasures I am already enjoying here at the beach. And then it dawned on me, why is there no market for used photographs the way there is for used books? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Ireland's biggest astrophotography competition 'Reach for the Stars' is now open for entries. Organised by the School of Astronomy and Astrophysics at the Dublin Institute for Advanced Studies (DIAS) the competition aims to find the best astro-photographs taken in Ireland between 26 April 2024 last year and 02 June 2025. This year, for the first time, Under 18s can enter the smartphone category -the 'Night Sky in Your Hand'. Shortlisted entrants will be announced in late June with the public invited to vote for their favourite to win the "People's Choice" category at that time. Run in partnership with The Irish Times and sponsored by the Astronomical Observatories of Ireland and MKC Communications, full details about the competition can be found on www.reachforthestars.ie. Photographs taken between 26 April 2024 last year and 02 June 2025 can be entered in five distinct categories: Night Sky in Your Hand (Category expanded to include U18s): Images taken with only a smartphone, and without telescopes, of an astronomical scene. Out of this World - Planetary: Images of the planets, sun and moon. Out of this World - Deep Sky: Images of celestial objects that exist outside our solar system such as nebulae, star clusters, and galaxies. Back on Earth - Landscape: Images that depict a feature of astronomical interest as a prominent feature and elements such as nature, land or water. Back on Earth - Landmark: Images that depict a feature of astronomical interest as a prominent feature and elements such as cityscapes, buildings, houses, historical structures or monuments. Entries will be judged by Alan Betson, The Irish Times, PPI Press Photographer of the Year; Michael McCreary, President, Irish Astronomical Society; Professor Peter Gallagher, Senior Professor and Head of Astronomy and Astrophysics at DIAS; and Dr Lisa McNamee, Co-Founder, Space Medicine Ireland. Launching the competition today, Dr. Eucharia Meehan, CEO and Registrar of DIAS, said: "This is the fifth year of DIAS 'Reach for the Stars' and this year we're making one big change to the competition. In opening the smartphone category to U18s we hope to encourage the curiosity and interest of young people in the night sky, and of the many astronomical events and wonders on show. Mobile phones have such great cameras today making astrophotography a really accessible activity and we can't wait to see what they submit". "Chair of the judging panel and Director of DIAS Dunsink Observatory, Professor Peter Gallagher said: "People have a natural interest and deep curiosity about the stars and the planets. The images captured each year are breathtaking and give us an insight into the beauty of the night sky. In recent times, the northern lights have been visible from Ireland, and so we look forward to seeing photographs that capture these dancing displays from across the island". Reach for the Stars Competition Details Entrants may submit up to two images per category to the competition. The deadline for entries is 5pm, 04 June 2025. All entries will be screened by a shortlisting panel to ensure they meet the eligibility criteria. The shortlisted images in each category will then go forward for consideration by the judging panel and for an online public vote on reachforthestars.ie.

Learn more at TheCityLife.org

In this episode of the Who's He? Podcast.... Review - The Story and The Engine Join Phil and Paul as they take a deeper look at the latest episode of Doctor Who, The Story and The Engine. With the Doctor trapped in a barbers shop in Lagos, with a demon barber who feeds his giant spider stories (you will have to watch to figure it out), will Phil ever grow his hair back? And will Paul's ever stop growing? You can currently find us on X, Threads, Mastodon, Bluesky and Facebook.  Don't miss an episode by subscribing to our show on Apple Podcasts/iTunes, Spotify, Amazon Podcasts, plus many other podcatchers of your choice.

Nan Evans talks with Port Townsend photographer Kerry Tremain about the beauty of his bird photography and the emotional connections we all have to birds once we open ourselves to honor that we humans co-evolved with birds. (KPTZ airdate: May 7, 2025) Learn more:Kerry Tremain PhotographyKerry Tremain's newsletter Wild ThingsBird sound recording: Jay McGowan, ML66621141, courtesy of Cornell Lab of Ornithology | Macaulay LibraryMusic by Rick Bauer Nature Now is created by a dedicated team of volunteers. If you enjoy this episode and can support the work that goes into making Nature Now, we invite you to go to kptz.org/donate to make a contribution. Thank you for your support!

This week, Hear the Dance host Silas Farley leads us on a wide-ranging exploration of Jerome Robbins' 1994 ballet A Suite of Dances. First, he's joined by Repertory Director Jean-Pierre Frohlich, who coaches the work; Principal Dancer Daniel Ulbricht, who initially learned the tour-de-force role in 2019; and former Principal Dancer Peter Boal, who worked with Robbins on the development of the ballet. They walk through the creation and performance of the four movements, highlighting the ways in which A Suite of Dances teaches the performer about themselves—particularly as they grow with and age alongside the piece. (1:05:11) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

In this second part of our Hear the Dance journey into Jerome Robbins' A Suite of Dances, Cellist Hannah Holman joins host Silas Farley to provide a deep-dive introduction to the Bach Cello Suites that provide the ballet's exquisite score. As Holman explains, the music is a seminal work for every cellist, with complex challenges and varied delights throughout—all of which are complicated and enriched when performed onstage with the work's solo dancer. (42:48) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach Symphony No.4 in E Minor, op.98 (I. Allegro non troppo, II.Andante moderato, III. Allegro giocoso, IV. Allegro energico e passionato) by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra, Yo-Yo Ma and Herbert von Karajan Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

Have you ever slogged through writing a sales page on your website thinking, "This is the one; it's going to work!" And crickets. Nothing seems to stick. If you run a business and you have a website, you know what I'm talking about. Kris Jones will explain exactly why that's happening and what you can do to fix it. StoryBrand's Donald Miller hand-selected Kris as a mentee. She's cracked the code on turning expertise into sales. She helps coaches and consultants scale from $30,000 to $300,000 months using her signature storytelling system, proving that you don't need endless content or complicated funnels to attract premium clients – just one story told very well. "My heart's always been with that self-employed business owner, the small business, the solopreneur, the people that are really also on the planet doing the work that they're meant to do, right, that are really aligned with their purpose," says Kris. "Those are the people that I like to help. And those are the people that really can benefit the most from telling a really powerful story." When you apply a story to your website, people recognize that you're somebody they can really trust. It's important that the story you're telling them doesn't pressure them to take action but inspires them to take that next step of wanting to work with you. "Our environment has changed a lot as far as the digital world that we live in, but we are all wired for story, and that is never going to change," says Kris. Kris says the biggest mistake people make on their websites is making themselves the hero of their story. She likens it to meeting someone for a quick coffee date—you sit down and connect with them first, then check in with where they are. You wouldn't sit down and say, "I just had a flood at my house, and this is the best plumber, and you should work with this plumber!" They don't have any plumbing issues. Take the time to connect with them first.  In your website copy, you want to let people know that they matter and understand what is going on in their lives before you start talking about yourself and the problems you solve. The call to action needs to be a natural next step in working with you. She says many people offer a "learn more" call—nobody wants to "learn more." People don't want to have to go to multiple pages to gather the information they need. Kris suggests a one-page homepage format, which allows users to scroll. It's a comfortable and natural mobile design. It also allows the story to unfold and provides all the information rather than siloing your website's copy on different pages, such as services or testimonials. Changing pages requires more effort than the scrolling motion. Another common website mistake is designing the page as an afterthought. The design components need to bring your story to life and align with it. Our brains process visuals so fast.  Photographs are so powerful. Instead of having pictures of ourselves, show the client in their happy, successful state. Shift the lens to make your clients the hero of your story through both words and visuals.  "When you're the hero of your own story, you kick a potential client out of your story," says Kris. That's the most powerful way to create that connection on your website—really articulate their problem. Clients then feel seen, heard, validated, and not alone. Most importantly, when we articulate their problem well, they feel like we are the best ones to solve it, says Kris. "The way that I see a lot of people doing this wrong is that they take this opportunity to talk about features of the work they do, which is actually talking about yourself," says Kris. "We really want to answer that question that they have in their brain when they land on their website. They're asking three important questions: What's in it for me? What's in it for me? And what's in it for me?"   Connect with guest Kris Jones: From Click to Client: https://www.reddoordesigns.com/book How to Write Compelling Copy in 5 Minutes: https://www.reddoordesigns.com/free-resources Building a Story Brand Book: https://amzn.to/3P4JYUE    Other GoG episodes you might want to check out:   How to Write Sales Copy That Sells: https://sarahwalton.com/how-to-write-sales-copy/    Storytelling, Sharing With Clients and Taylor Swift: https://sarahwalton.com/sharing-your-story/    You can check out our podcast interviews on YouTube, too! http://bit.ly/YouTubeSWalton   Thank you so much for listening. I'm so honored that you're here, and would be so grateful if you could leave a quick review on Apple Podcasts by clicking here, scrolling to the bottom and clicking “Write a review.” Then, we'll get to inspire even more people! (If you're not sure how to leave a review, you can watch this quick tutorial.)   #WebFlow #WebSuccess #HowtoStartaBusiness #WebDesign #AskExpert #WomenInBusiness #SalesCoach #IntuitiveBusinessCoach

This episode of Subtext & Discourse Art World podcast is brought to you by AIPAD and The Photography Show. AIPAD represents fine art photography galleries around the world and is proud to present the 2025 edition of its flagship event, The Photography Show. The fair will showcase photography from the earliest processes to cutting-edge contemporary work that pushes the boundaries of the medium, from April 23 – 27 at The Park Avenue Armory in New York City. Go to www.aipad.com/show for more information and to plan your visit.   The Association of International Photography Art Dealers (AIPAD) encourages public support of fine art photography through education and communication by enhancing the confidence of the public in responsible photography collecting. First organized in 1979, AIPAD and its current members span the globe with members in North and South America, Australia, Europe and Asia. AIPAD has become a unifying force in the field of photography and is dedicated to creating and maintaining high standards in the business of exhibiting, buying and selling photographs as art. - AIPAD official website https://www.aipad.com/ - Follow AIPAD on Instagram https://www.instagram.com/aipadphoto/ - Talks programme by AIPAD on YouTube https://www.youtube.com/@aipadphoto - AIPAD On Collecting Photography guide https://www.aipad.com/collecting   Sophie Wright is the Executive Director at Fotografiska New York, a position held since April 2022. Prior experience includes serving as Global Cultural Director at Magnum Photos from October 2003 to October 2020, where responsibilities encompassed developing and delivering global cultural programs, business development, and managing large-scale sales initiatives. Sophie Wright also worked as a Creative Consultant at Sophie Wright Consulting from 2002 to July 2011, focusing on strategy and communication for creative projects. Earlier roles include Deputy Editor and Gallery Manager at PLUK Magazine and Witness Gallery, and Non-Executive Director/Project Manager at MMAN Ltd. Sophie Wright holds a BA in Modern History from the University of Oxford and an MA in Art History from The Courtauld Institute of Art. - Fotografiska Global official website https://www.fotografiska.com/ - Follow Sophie Wright on Instagram https://www.instagram.com/wrightsophie/ and Fotografiska Global https://www.instagram.com/fotografiska/ - Fotografiska talks and presentations on YouTube https://www.youtube.com/@fotografiska.global   Andra Russek is a certified member of the Appraisers Association of America specializing in the field of fine art photography. She has been working in her field since 2000 when she became the assistant in the conservation department at the George Eastman House, Museum of Photography.  She continued her work at Swann Galleries, New York as a Specialist from 2002 – 2005. In 2005 she joined the Photographs Department at Sotheby's New York as a Specialist/Senior Cataloguer. In her role at both auction houses she catalogued and valued photographs for four to six sales per year. At Sotheby's she worked on important sales including Important Photographs from The Metropolitan Museum of Art, Including Works from the Gilman Paper Company Collection and Photographs from the Private Collection of Margaret W. Weston. Andra is currently the Director of Scheinbaum & Russek Ltd., a gallery specializing in 20th century and contemporary photography. - Scheinbaum & Russek Ltd. official website https://www.photographydealers.com/ - Membership page on AIPAD https://www.aipad.com/member/scheinbaum-russek-ltd - Follow Scheinbaum & Russek Ltd. on Instagram https://www.instagram.com/scheinbaumrussek/ - Straight Talk on Collecting Photography https://www.youtube.com/@scheinbaumrussekltd8037   Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 18. March 2025 between Perth (AU) and New York (US) with Riverside.

 In 1993, four people gathered in a dark basement in Scole, England, hoping to communicate with the dead. What followed was five years of unexplained phenomena that challenged scientific understanding.  Strange lights danced in the darkness. Objects materialized from thin air. Photographs appeared on sealed film.  Scientists and professional skeptics were invited to investigate, and many left without explanations. The spirits claimed to be building a network between dimensions and warned of coming changes to humanity.  Were the Scole Experiments genuine contact with the afterlife, or an elaborate magic show perfected over 500 séances? The evidence remains controversial, but the impact on those who witnessed these events was undeniable. 

Honor is sitting at her computer doing fock knows what? Although I'd be shocked if it was homework. I'm there, “Honor, I need you to brace yourself – for some news.” Hosted on Acast. See acast.com/privacy for more information.

In this episode of Occupied Thoughts, FMEP's Sarah Anne Minkin speaks with writer and activist Ali Awad about life in Masafer Yatta, the part of the West Bank where he lives, which is subject to ongoing and escalating state-backed Israeli settler attacks. Ali describes life in his rural village, Tuba, on "a good day," a day without settler attacks, and also looks at the history of Masafer Yatta under Israeli occupation, including decades of being unsettled and facing forcible transfer and the threat of continued expulsion. Ali describes the escalations in attacks and threats against these communities since October 7th, 2023, including recent attacks targeting his village and family. Looking at the multi-pronged Israeli efforts to force Palestinians out of Masafer Yatta, Ali talks about the loss of any sense of security, hope, or the possibility of a future on the land he and his families have inhabited for many generations. And he speaks about efforts to support children traumatized by settler/soldier violence, to connect with human rights activists fighting these injustices, and to achieve the security and freedom needed for more "good days" in Masafer Yatta. Ali Awad is a human rights activist and writer from Tuba in the South Hebron Hills. He has a degree in English literature. Read more of Ali's work here: Starving Palestine: Israeli colonialism and the struggle for food sovereignty in Masafer Yatta. Words by Manal Shqair. Photographs by Ali Awad. Vittles, 2/10/25: https://www.vittlesmagazine.com/p/starving-palestine Ali Awad: “Many West Bank Palestinians Are Being Forced Out of Their Villages. Is My Family Next?” New York Times 11/20/25: https://www.nytimes.com/2023/11/20/opinion/israel-west-bank-palestinians.html Ali's many articles on +972 Magazine: https://www.972mag.com/writer/ali-awad/ Ali Awad in Haaretz: https://www.haaretz.com/ty-WRITER/0000017f-da25-d432-a77f-df3fa13f0000 Humans of Masafer Yatta: https://humansofmasaferyatta.substack.com/ For more on the attacks in Jinba, Susya, and Tuba, see: Israeli settlers attacked Jinba — then came back in army uniform (Oren Ziv, +972 Magazine, 4/2/25): https://www.972mag.com/jinba-pogrom-israeli-settlers-soldiers/ In Masafer Yatta, we need more than awards — we need protection (Ahmad Nawajah, +972 Magazine, 4/8/25): https://www.972mag.com/susiya-masafer-yatta-oscars-protection/ On the Oscar-winning documentary No Other Land and ongoing attacks in Masafer Yatta, see https://www.972mag.com/search/?q=no%20other%20land For more on Masafer Yatta: https://savemasaferyatta.com/ To watch the Oscar-winning documentary No Other Land: https://nootherland.com/ Sarah Anne Minkin, PhD, is FMEP's Director of Programs & Partnerships. She is an expert on the intersection between Israeli civil society and Palestinian civil rights and human rights advocacy as well as the ways that Jewish Americans approach the Israeli-Palestinian conflict. She leads FMEP's programming, works to deepen FMEP's relationships with existing and potential grantees, and builds relationships with new partners in the philanthropic community. A graduate of Yale University, Sarah Anne earned her doctorate at the University of California-Berkeley. Original music by Jalal Yaquoub.

Photographer Sally Mann once said, “Photographs open doors to the past, but also allow a look into the future.” Photography is a key component of the historic documentation process. New graduate Sam Malnati (MHC/MUP '25) delved into photography's role in the field for her thesis, Contemporary Vision: Photography's Influence on Perception of Places in the Past. In this episode, producer Willa Seidenberg talks with Sam about the history of photography and its use in the Historic American Buildings Survey, the differences between film and digital photography for historic documentation, and how researching the thesis helped Sam slow down and look at her world.See episode page for photos, resources, and transcript.Connect with us on Instagram, Facebook, and LinkedIn!

More than two million farmworkers do the hard, sometimes backbreaking work of planting, growing, and harvesting crops in the U.S. Focusing on strawberry and grape pickers in California, David Bacon describes what the work involves, where the workers come from, and steps they're taking to protect their rights and pursue justice. (Encore presentation.) The Reality Check: Stories and Photographs by David Bacon David Bacon, More Than a Wall/Mas que un muro El Colegio de la Frontera Norte, 2022 (Image on main page by David Bacon.) The post Laboring in the Fields appeared first on KPFA.

In times of rapid change, how do we stay grounded, heart-centered, and open to new possibilities? In this episode of Beyond Trauma, meditation teacher Spring Washam shares the deep practices needed for navigating uncertainty—not by over-processing in the mind but by dropping into the wisdom of the heart and body. We explore how to work with anger, why truth is sharper than fire, and how ancestral wisdom can guide us through upheaval. Spring reminds us that “the heart carries the joy and the sorrow of this life”, and that true meditation isn't an escape into the intellect but a full-bodied practice of presence. As she puts it, “First awaken, then guide, then serve and build.” Join us for a conversation about transformation, resilience, and the sacred call to step into deeper service as the world shifts around us. Spring Washam is considered a pioneer in bringing mindfulness-based meditation practices to diverse communities; She is a well-known teacher, healer, and visionary leader and author of A Fierce Heart: Finding Strength, Courage and Wisdom in Any Moment and The Spirit of Harriet Tubman: Awakening from the Underground. Spring is one of the founding teachers at the East Bay Meditation Center, an organization that offers Buddhist teachings with attention to social action and multiculturalism. She is a member of the teacher's council at Spirit Rock Meditation Center, offering teachings on Buddhist philosophy, Insight meditation, and loving-kindness practices. Spring is also the founder of Lotus Vine Journeys, a one-of-a-kind organization that blends indigenous healing practices with Buddhist wisdom for transformative retreats in South America. She has practiced and studied Buddhist philosophy in both the Theravada and Tibetan schools of Buddhism since 1999. Spring is also a shamanic practitioner and has studied indigenous healing practices since 2008. Spring's Website | Instagram -------------------------------------------------------------------------------------------------------------- Your support is deeply appreciated! Find me, Lara, on my Website / Instagram You can support this podcast with any level of donation here. Order The Essential Guide to Trauma Sensitive Yoga: How to Create Safer Spaces for All Opening and Closing music: Other People's Photographs courtesy of Daniel Zaitchik. Follow Daniel on Spotify.

Rafe discusses Wilson Bentley and how he developed a method to take photomicrographs of snowflakes and make snow, one of the grand beauties of our universe, even more beautiful.*****As always, you can reach the Buf at bufnagle@bufnagle.com*****As you know, this is an independent podcast so your hosts also carry all the expenses of running this podcast. As such, some of you have asked how you can help out. Well, here's the answer: support us on Buy Me a Coffee:https://buymeacoffee.com/bufnagleOn this page, you can do a really nice thing like send us a couple dollars to help cover the cost of recording and hosting and microphones and research and all that. Any little bit really helps! Thank you in advance!!!

This week, Jann, Caitlin, and Sarah start off the show with childhood nostalgia prompted by Caitlin clearing out some old photos and toys. Sarah shares how tthe dynamics of her relationship with her sister have changed a bit since she welcomed her daughter. Jann leads a discussion about various other topics ranging from the implications of weight loss drugs on hair loss, to the societal perceptions of lawsuits exemplified by the McDonald's coffee case. They also touch on the complexities of Gene Hackman's will following his and his wife's passing. The discussion wraps up with a reflection on a successful fundraising event for a women's shelter in Winnipeg with an interesting hotel experience... Leave us a voicenote! https://jannardenpod.com/voicemail/ Get access to bonus content and more on Patreon: https://patreon.com/JannArdenPod Order ONLYJANNS Merch: https://cutloosemerch.ca/collections/jann-arden Connect with us: www.jannardenpod.com www.instagram.com/jannardenpod www.facebook.com/jannardenpod Learn more about your ad choices. Visit megaphone.fm/adchoices

Richard Misrach is one of the most influential photographers of his generation, known for his haunting, large-scale images of the American West. His work captures both the region's breathtaking beauty and the profound ways humans have altered the landscape. His photographs are housed in the collections of MoMA, the Whitney, and the Getty—but for Misrach, they serve a deeper purpose: creating a historical record. Here are his songs. Angel from Montgomery - Bonnie Raitt  Misirlou - Dick Dale & The Del Tones Effendi - McCoy Tyner Trio The Times They Are a-Changin' - Bob Dylan  Music for 18 Musicians -  Steve Reich   La Vie en Rose - Grace Jones The Garden - Jacob Bloomfield-Misrach Listen to Richard Misrach's full playlist on Spotify. Find the transcript of this episode at lifeinsevensongs.com. See some of the art mentioned in this episode here: https://sfstandard.com/2025/03/18/richard-misrach-photographer-life-in-seven-songs/ Thoughts? Guest suggestions? Email us at lifeinsevensongs@sfstandard.com.

The Guilty Feminist Redux: Minefields with Carrie Quinlan, Reubs J Walsh, Leyla Hussein, Rev Kate HarfordThe Guilty Feminist Redux. MinefieldsPresented by Deborah Frances-White with Carrie Quinlan and special guests Reubs J Walsh, Leyla Hussein and Rev Kate HarfordRecorded 8 May and 18 July at Kings Place in London. Originally eleased 11 September 2017. The Guilty Feminist theme composed by Mark Hodge. Photographs by Grace Gelder http://gracegelder.co.ukGet Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-haveMore about Deborah Frances-Whitehttps://deborahfrances-white.comhttps://www.instagram.com/dfdubzhttps://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120More about Carrie Quinlanhttp://www.carriequinlan.comhttps://twitter.com/quinlan_carrieMore about Reubs J Walshhttps://twitter.com/reubsjwhttps://www.youtube.com/channel/UCHIK3Fan9jKEluhGbRS-gkwMore about Leyla Husseinhttp://leylahussein.comhttps://twitter.com/leylahusseinhttps://twitter.com/faceofdefianceMore about Rev Kate Harfordhttps://twitter.com/kate_elizabeth?lang=enhttp://mccnorthlondon.org.ukFor more information about this and other episodes…visit https://www.guiltyfeminist.comtweet us https://www.twitter.com/guiltfempodlike our Facebook page https://www.facebook.com/guiltyfeministcheck out our Instagram https://www.instagram.com/theguiltyfeministor join our mailing list http://www.eepurl.com/bRfSPTOur new podcasts are out nowMedia Storm https://podfollow.com/media-stormAbsolute Power https://podfollow.com/john-bercows-absolute-powerCome to a live recording:Six Conversations We're Scared to Have book tour: https://www.seetickets.com/search?q=deborah+frances-whiteWhat Does Not x Guilty Feminist https://dice.fm/partner/what-does-not-ltd/event/oeopdy-iwd-special-ft-the-guilty-feminist-19th-mar-the-old-queens-head-london-tickets16 Postcodes in London: https://museumofcomedy.ticketsolve.com/ticketbooth/shows/873652125Never Have I Ever in Melbourne: https://www.mtc.com.au/plays-and-tickets/whats-on/season-2025/never-have-i-ever/Thank you to our amazing Patreon supporters.To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts or Acast+ https://plus.acast.com/s/guiltyfeminist. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Beyond Trauma, we delve into the transformative world of energy healing with Dr. Jamil Sayegh. Dr. Sayegh shares his holistic approach to health, emphasizing the interplay between energy and physical well-being. He discusses how aligning one's energy can lead to profound physical healing, offering insights into the body's innate ability to heal from the inside out. Through compelling testimonials, Dr. Sayegh illustrates the effectiveness of energy medicine in overcoming various health challenges. Join us as we explore the principles of energy healing and discover how removing obstacles can pave the way for a healthier, more balanced life. Leaders, champions, and high-performers hire Dr. Jamil Sayegh as their secret weapon & trusted advisor to remove their invisible emotional, mental, and energetic performance blocks so they can experience their 10 year goals in 10 months. Operating at the intersection of high performance and healing, Dr. Jamil helps his clients achieve peak success while deeply transforming from within. An international spiritual self-mastery teacher, energy healer, life-transformation coach, integrative naturopathic physician, and host of the Transformation Starts Today podcast, Dr. Jamil has worked with world-champion athletes, best-selling authors, entrepreneurs, and business professionals – unlocking their true potential and guiding them to create extraordinary lives. By combining cutting-edge mental and emotional release work, energy healing, and holistic coaching, he empowers his clients to break through limitations, heal at the deepest level, and become the unstoppable force they were meant to be—living extraordinary lives and leaving an undeniable impact on the world. Learn more at https://jamilsayegh.com/ -------------------------------------------------------------------------------------------------------------- Your support is deeply appreciated! Find me, Lara, on my Website / Instagram You can support this podcast with any level of donation here. Order The Essential Guide to Trauma Sensitive Yoga: How to Create Safer Spaces for All Opening and Closing music: Other People's Photographs courtesy of Daniel Zaitchik. Follow Daniel on Spotify.

SummaryIn this conversation, Lesley Brandt from The Move Coordinators and I discuss the intricacies of senior move management. We talk about the emotional challenges faced by seniors during the moving process, the importance of empathy, and the need to identify belongings that are truly cherished. Her unique approach actually blew my mind as a totally different mindset for people as they go through this process! Even though I'm not moving, I've already begun to go through my home with this mindset to begin to curate our spaces for my family.Lesley outlines a structured approach to downsizing, emphasizing the significance of human connection and gratitude throughout the process. Our conversation also touches on the psychology of belongings, the challenges of letting go, and the importance of having open conversations between adult children and their aging parents regarding future moves.TakeawaysLesley Brandt emphasizes the emotional journey of moving for seniors.The process begins and ends with gratitude, fostering a personal connection.Identifying items that are needed, used, or loved is crucial in downsizing.Understanding the psychology of belongings helps in the decision-making process.Photographs are often the hardest items for seniors to let go of.Creating a partnership plan is essential for a smooth transition.Human connection is vital during the moving process.The Move Coordinators aim to recreate familiar spaces in new homes.Open conversations between adult children and parents can ease the transition.Resources for senior move management are available and should be utilized.Chapters00:00 Introduction to Senior Move Management03:31 The Emotional Journey of Downsizing06:23 Identifying Favorites: Need, Use, Love09:33 The Purpose of Belongings and Their Impact12:19 Understanding Perceived Value and Resale15:32 Navigating the Challenge of Photographs18:12 The Discovery Process: Building Connections21:32 Creating a Custom Move Plan24:23 The Move Day Experience27:15 Post-Move Wrap-Up and Gratitude30:16 Conversations with Adult Children33:31 Final Thoughts on Senior Move ManagementContact Lesley with The Move Coordinators to learn more how she can support your family with this big move!Podcast music created, recorded and produced by Colin Roberts Music

Gene Hackman's estate attempts to block release of photographs, footage from death investigation Please Subscribe + Rate & Review KMJ’s Afternoon Drive with Philip Teresi & E. Curtis Johnson wherever you listen! --- KMJ’s Afternoon Drive with Philip Teresi & E. Curtis Johnson is available on the KMJNOW app, Apple Podcasts, Spotify, Amazon Music or wherever else you listen. --- Philip Teresi & E. Curtis Johnson – KMJ’s Afternoon Drive Weekdays 2-6 PM Pacific on News/Talk 580 & 105.9 KMJ DriveKMJ.com | Podcast | Facebook | X | Instagram --- Everything KMJ: kmjnow.com | Streaming | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

In the Bonfire publicity photos, Jay posed with the saddest face possible. Comic Felipe Esparza hangs out for the whole show as Jay educates him on different types of pornography. Felipe is best known for his multiple stand-up specials, winning Last Comic Standing and his recurring roles on “The Eric Andre Show”, “Superstore”, and “Gentefied”. He's also the host of a popular podcast called “What's Up Fool?" For tour dates go to felipesworld.com. Watch Jay's new special "Them" on Youtube and Bobby's events are at punchup.live/robertkelly. *To hear the full show to go www.siriusxm.com/bonfire to learn more FOLLOW THE CREW ON SOCIAL MEDIA: @thebonfiresxm @louisjohnson @christinemevans @bigjayoakerson @robertkellylive @louwitzkee @jjbwolfSubscribe to SiriusXM Podcasts+ to listen to new episodes of The Bonfire ad-free and a whole week early.  Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.

About 55 million people in the world have dementia. That's according to the World Health Organization. It's also the seventh leading cause of death among the global population. The most common form of dementia is Alzheimer's disease. It makes up 60 to 70 percent of cases. But it's well behind other chronic illnesses on the journey to an effective treatment.The reason may be attributed to years of research based on doctored images. Investigative reporter Charles Piller uncovered that and much more about the world of Alzheimer's research in his new book, "Doctored."We talk to Piller about this Alzheimer's, faulty research, and the search for an effective cure.Want to support 1A? Give to your local public radio station and subscribe to this podcast. Have questions? Connect with us. Listen to 1A sponsor-free by signing up for 1A+ at plus.npr.org/the1a.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In this episode of Beyond Trauma, mindfulness and meditation teacher Mark Coleman explores the deep connection between the natural world and meditation. We discuss the history of nature-based contemplative practices, the difference between concentration and awareness meditation, and how the elements can support our personal growth. Mark shares why practicing meditation outdoors can enhance mindfulness, how nature fosters a deeper sense of self, and what to do if you don't have access to outdoor spaces. We also confront a common dilemma—how to process the guilt of not doing enough to protect the environment while still finding joy and presence in nature. You will learn: *The difference between concentration meditation and awareness meditation *How the elements can support and deepen your meditation practice *Why meditating outside may feel more easeful and natural than meditating indoors *How nature helps awaken the senses and cultivate a more connected sense of self *Ways to use nature to aid in trauma recovery *Practical ways to bring nature into your meditation when you can't be outside *The role of mindfulness in navigating eco-anxiety and environmental guilt *How to walk through the natural world with greater reverence and respect Mark has trained extensively both in the Insight meditation and Tibetan tradition. He is a senior teacher at Spirit Rock Meditation Center and has taught insight meditation retreats since 1997. Mark is passionate about guiding people to meditate in nature. He has led wilderness nature retreats for over twenty years worldwide. Through his organization Awake in the Wild Mark leads year-long nature meditation teacher trainings in the US and Europe. Co-founder of the Mindfulness Training Institute Mark also leads year-long mindfulness teacher trainings. He is the author of many books including Awake in the Wild - Mindfulness in nature as a path to Self-discovery; Make Peace With Your Mind - How Mindfulness and Compassion can free you from the Inner Critic; From Suffering to Peace The True Promise of Mindfulness; and his recent book A Field Guide to Nature Meditation - 52 mindfulness practices for joy, wisdom and wonder. Find out more about Mark's work at www.markcoleman.org & www.awakeinthewild.com -------------------------------------------------------------------------------------------------------------- Your support is deeply appreciated! Find me, Lara, on my Website / Instagram You can support this podcast with any level of donation here. Order The Essential Guide to Trauma Sensitive Yoga: How to Create Safer Spaces for All Opening and Closing music: Other People's Photographs courtesy of Daniel Zaitchik. Follow Daniel on Spotify.

We meet painter Vanessa Raw to discuss her solo show at the Rubell Museum Miami, where she was the 2024 Artist-in-Residence. Vanessa Raw: This is How the Light Gets In marks her first exhibition in the United States, as well as her first institutional show. In these newly commissioned, large-scale works, Raw's distinctive layered brushwork and expressive use of colour depict a dream-like, all-female world—an earthly paradise where the natural world is benevolent and sentient, and where female desire is central. A former triathlete, Raw's practiced mastery of her own body transfers to her work on canvas. Her figures are tranquil and at ease but have agency. They revel in the company of each other and in the landscape that is lush and soft and ripe with colour—paradise found.In 2022 Raw took a radical new direction with her work, shifting from traditional portraiture tropes to paint imagined, same-sex, intimate scenes of women in confected landscapes. Surrounded by flowers and trees, sometimes accompanied by fauna too, these suspended moments of blissful intense connections show naked, energised bodies part-merged with each other and the landscapes they are in.Using a heighten palette Raw conveys the intensity of the moment, as well positioning the paintings in the realm of the imaginary. Likewise, the dream-like fluidity of some areas of mark making suggest an altered state of consciousness, a deep human connectivity occurring simultaneously on a physical and spiritual plane. Photographs taken on her daily runs through local nature areas, an activity undertaken with therapeutical escapist intention, are used as source material for her background landscapes binding their confection to meaningful actualities, pulling into the paintings the remembered feeling of oneness with nature.Raw works in a semi-naturalistic style, with an intense focus on the textures of the human form. Her large scale paintings are an eclectic variety of tonal compositions, vibrant and stimulating. Some of her more explicit pieces show the human body engaged in sexual acts or reaching the point of orgasm, whilst others in a more subtle manner showcase the innate sexuality of the feminine form.Born in 1984 in Hexham, England, Raw lives and works in Margate, UK. Vanessa Raw: This is How the Light Gets In is now open in Miami at Rubell Museum.Visit: https://rubellmuseum.org/2024-vanessa-rawFollow @VanessaRaw_ and @RubellMuseumVanessa Raw is represented by Carl Freedman Gallery, Margate. Special thanks to the Don, Mera and Jason Rubell, and Juan Roselione-Valadez at the Rubell Museum, Carl Freedman @CarlFreedmanGallery and Elissa Cray @TKEStudios. Hosted on Acast. See acast.com/privacy for more information.

Perceiving her role as a record keeper, artist Jen Blazina captures the essence of lost memories and forgotten voices. Through her work, she holds onto fragments of personal history, transforming common objects into poignant relics of the past. Her visual narratives express universal concepts of memory, inviting audiences to connect with the stories she preserves.  Blazina states: “Memory is embodied in everything around us: in our culture, beliefs, objects, and ourselves. Discarded objects and those passed down to me become personal keepsakes and icons of the past, rather than overlooked or regarded as useless. My collections represent a sense of holding onto a place in time. By re-creating these keepsakes, I re-cast their history into my own voice.” A sculptor and printmaker who uses glass as her primary medium, Blazina currently resides in Philadelphia where she is a working artist and professor at Drexel University in the College of Media Arts and Design. Blazina's work can be found in multiple collections such as the Neuberger Museum of Art, The Imagine Museum, The Cranbrook Museum of Art, and the Corning Museum of Glass, to name a few.  The artist has been awarded numerous residencies including: the Corning Artist in Residency at the Corning Museum of Glass in Corning, New York; GAPP Residency at Toledo Museum of Art in Toledo, OH; Bezalel Art and Design Academy in Jerusalem, Israel; and the Creative Glass Center of America in Millville, NJ.  She has also been awarded prestigious grants such as the Bessie and Louis Stein Fellowship; Independence Foundation Grant; and a National Endowment for the Arts Grant. Nominated for the 2022 Pew Fellowship Award, Blazina received her M.F.A. in printmaking from Cranbrook Academy of Art, her B.A. from Sarah Lawrence College in New York and her B.F.A., cum laude, from the State University of New York at Purchase College.  Blazina is represented by Habatat Detroit Fine Art in Royal Oak, MI; Blue Spiral 1 in Asheville, NC; Vetri Glass Gallery in Seattle, WA; Kittrell Riffkind Gallery in Dallas, TX; Bullseye Projects in Portland, OR; and Koelsch Gallery in Houston, TX.  In 2025, Blazina will have work on view at the Bergstrom Mahler Museum of Glass, Neenah, WI, in New Art on the Block: Selections from the Permanent Collections, October 31, 2024 – April 6, 2025; in Object Memory, Jen Blazina and Ash Smith at 20*20 Gallery, Lansdowne, PA, February 22 –  April 15; in Through a Window Darkly, The Works of Jen Blazina at the Bergstrom-Mahler Museum of Glass, April 24 to October 5, 2025; in Collections at Blue Spiral 1 Gallery, Asheville, NC, May 2 – June 25; and in Glass 53: International Glass Invitational at Habatat Fine Art Gallery, Royal Oak, MI, May 1 – September 6. She will teach Alternative Approaches to Printmaking and Glass at Corning Museum of Glass Studios, Corning, NY, June 16 – June 21; and In Pursuit of Light: Kiln Casting at Glass Furnace, Istanbul, Turkey, August 25 – August 29. Says Blazina: “As an artist, I am intrigued with the idea that what is precious to one person will be discarded by another. My work is influenced by commonplace possessions, familial vignettes and photographs. These evoke an ephemeral sense of past memories. Whether found in a second-hand shop or passed down from my family, I am often attracted to and captivated by the lost beauty of subtle images and materials. By re-creating and casting momentos in glass and metal, I can capture and hold on to another time in the past. Photographs and chosen objects allude to narratives of fleeting moments.” ​UPCOMING EVENTS New Art On The Block: Selections From The Permanent Collections Bergstrom-Mahler Museum of Glass Neenah, WI Dates: October 31 – April 6, 2025 Object Memory, Jen Blazina and Ash Smith 20*20 Gallery Lansdowne, PA Dates: February 22 – April 15 Through a Window Darkly, The Works of Jen Blazina Bergstrom-Mahler Museum of Glass Neenah, WI Opening: April 24 Dates: April 24 to October 5 Collections Blue Spiral 1 Gallery Asheville, NC Opening Reception: May 2, 5 – 7 pm Dates: May 2 – June 25 Glass 53: International Glass Invitational Habatat Fine Art Gallery Royal Oak, MI Opening: May 3, 8 pm Dates: May 1- September 6 Alternative Approaches to Printmaking and Glass Corning Museum of Glass Studios Corning, NY Dates: June 16- June 21 In Pursuit of Light: Kiln Casting Glass Furnace Istanbul, Turkey Dates: August 25 – August 29    

Joseph Michael Lopez - JML, (b. 1973) is an independent photographer born in New York City to a Puerto Rican father and a mother who escaped the Cuban Revolution in 1967. He earned his MFA in 2011 at Columbia University. Lopez began his career as an analog cinematographer on the critically acclaimed Bruce Weber film, Chop Suey (2001). Currently, Joseph divides his time between long-form projects, teaching, and commercial work. His photographs have appeared on the covers of M, The Magazine for Leica M Photography, Leica Fotografie International, The Sunday Review of The New York Times, New York magazine and The New Yorker, among others.Joseph's photographs were on exhibit in “Cuban Photography after 1980: Selections from the Museum's Collection”, at The Museum of Fine Arts in Houston. In 2016, a commissioned series of his photographs of New York neighborhoods, “New York at Its Core: Future City Lab”, was installed at The Museum of the City of New York. Photographs from JML NYC, the series from which this commission originated, have also been published in the book Bystander: A History of Street Photography, by Colin Westerbeck and Joel Meyerowitz. JML's first book JML NYC 02-23 was published by GOST in the fall of 2024.  In episode 250, Joseph discusses, among other things:Relocating to Rome from NYCHis intro to NYC via assisting Bruce WeberHis early career as a professional assistantShooting with his Leica as a ‘coping mechanism'The challenge of creating a cohesive narrative from 20 years of single imagesHis Dear New Yorker projectWhy B&W is where his heart is atHow what we see is who we areHis approach towards light and sunUsing digital vs. filmAssisting Mitch EpsteinHow his opinion on grad school has changedControversy surrounding Columbia University prof. Thomas RomaHis plans for working in Rome and going forward Referenced:Bruce WeberDanny Lyon, Knave of HeartsTodd PapageorgeChuck Kelton's darkroomMitch EpsteinThomas RomaMohammad Rasoulof Website | Instagram“Essentially, it's about saying something and having a voice and having a perception of the world that is, like singing a loud song you know, your pictures have to say something. And how do you separate yourself from all the noise that's out there already? You have to have an obsessive, empahtic way to perceive things. I think to a certain extent what we see is who we are in a way.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Merriam-Webster's Word of the Day for January 28, 2025 is: sward • SWORD • noun Sward is a literary word that refers to an area of land covered with grass. // The hikers emerged from the forest to find a green sward dotted with yellow and purple flowers stretching out before them. See the entry > Examples: “A century or so ago, if you lived in the Boston area and were obsessed with trees, you were in good company. The Massachusetts Horticultural Society, which had united enthusiasts of rare apples and ornamental maples since 1832, had helped found Mount Auburn Cemetery and endowed it with an immense, exotic plant collection. ... Tree mania seems to have come late to Greenlawn, however. Photographs taken sometime before 1914 show a bleak, bare sward.” — Veronique Greenwood, The Boston Globe, 18 Dec. 2023 Did you know? Sward sprouted from the Old English sweard or swearth, meaning “skin” or “rind.” It was originally used as a term for the skin of the body before being extended to another surface—that of the Earth. The word's specific grassy sense dates to the 16th century, and lives on today mostly in novels from centuries past, such as Thomas Hardy's Tess of the d'Urbervilles: “The sun was so near the ground, and the sward so flat, that the shadows of Clare and Tess would stretch a quarter of a mile ahead of them, like two long fingers pointing afar to where the green alluvial reaches abutted against the sloping sides of the vale.”

Merriam-Webster's Word of the Day for January 28, 2025 is: sward • SWORD • noun Sward is a literary word that refers to an area of land covered with grass. // The hikers emerged from the forest to find a green sward stretching out before them, and dotted with yellow and purple flowers. See the entry > Examples: “A century or so ago, if you lived in the Boston area and were obsessed with trees, you were in good company. The Massachusetts Horticultural Society, which had united enthusiasts of rare apples and ornamental maples since 1832, had helped found Mount Auburn Cemetery and endowed it with an immense, exotic plant collection. ... Tree mania seems to have come late to Greenlawn, however. Photographs taken sometime before 1914 show a bleak, bare sward.” — Veronique Greenwood, The Boston Globe, 18 Dec. 2023 Did you know? Sward sprouted from the Old English sweard or swearth, meaning “skin” or “rind.” It was originally used as a term for the skin of the body before being extended to another surface—that of the Earth. The word's specific grassy sense dates to the 16th century, and lives on today mostly in novels from centuries past, such as Thomas Hardy's Tess of the d'Urbervilles: “The sun was so near the ground, and the sward so flat, that the shadows of Clare and Tess would stretch a quarter of a mile ahead of them, like two long fingers pointing afar to where the green alluvial reaches abutted against the sloping sides of the vale.”