Podcasts about photographs

-- On the Show: -- Donald Trump reaches the end of his self-imposed 60-day deadline to end the Iran war while military operations and blockades continue -- House Speaker Mike Johnson struggles to provide a clear campaign pitch to voters while prices continue to rise under Donald Trump -- Past video clips surface of now-White House executive assistant Natalie Harp showing extreme devotion to Donald Trump -- Donald Trump avoids answering a direct reporter question regarding his assistant Natalie Harp by rambling about White House renovations -- Donald Trump berates a CNN reporter in the Oval Office and declares that opponents of his ballroom project are disloyal to the nation -- Photographs capture Donald Trump holding a presidential briefing card containing guest names, photos, and basic instructions -- Donald Trump submits a mail-in ballot for the Florida Republican primary despite frequently labeling the process as inherently corrupt -- Donald Trump accuses the BBC of legal harassment after the network seeks subpoenas for his adult children in an ongoing defamation lawsuit -- On the Bonus Show: Some Republicans admit they're worse off under Trump, McConnell is getting more paid time off than new mothers, a preview of today's primaries in Alaska and Florida, and much more...

Step into the shadowed skies of Fascist Italy with My Dark Path as we uncover a cascade of unexplained aerial encounters that predate Roswell by more than a decade. Host MF Thomas begins on a twilight street in Milan in 1944, where a young Decima naval commando watches a copper-colored disk hang motionless above Piazzale Loreto—silent, luminous, and gone in an instant—while air-raid sirens wail and anti-aircraft crews stare in disbelief.From there the episode travels back to the morning of August 22, 1936, over the Venice Lagoon and Mestre. Italian Regia Aeronautica pilots scramble Fiat CR.32 biplanes against a ten-to-twelve-meter metallic disk that accelerates away without sound or exhaust. Later that same day, pilot Marinelli and his flight encounter a long gray “aerial torpedo” accompanied by two domed, hat-shaped craft trailing perfect white smoke plumes and flying in flawless formation. A ground observer named Faustino then watches the same cylindrical craft release smaller disc-shaped objects. Photographs and urgent reports race straight to Galeazzo Ciano's desk—Mussolini's son-in-law and Foreign Minister—under the same absolute-secrecy orders first issued after the alleged 1933 Magenta crash and the creation of the secret RS/33 scientific cabinet.Drawing on the Fascist UFO files brought to light by Roberto Pinotti and Alfredo Lissoni (including the anonymous “Mister X” documents later forensically examined), this episode explores how Mussolini's regime imposed total silence, redirected stories as “meteors,” and kept trained military observers quiet for the rest of their lives. What emerges is a portrait of Italy's forgotten pre-Roswell UFO wave—sightings that trained pilots and soldiers could neither identify nor forget.This episode blends immersive historical narration, primary-document context, skeptical analysis of the contested Fascist files, and the enduring power of eyewitness testimony from men who understood the cost of speaking. Perfect for fans of classic UFO cases, Italian ufology, wartime secrecy, and the unexplained.

Brad Pitt gave Esquire a Monday. Molly McPherson breaks down what he actually bought with it.The September cover profile reads like an ordinary man letting a writer into his house — the dogs, the Perrier, a charcuterie board he builds himself. Molly walks through what each of those details is doing, why the drinking line was volunteered rather than asked for, and why a story that spikes and vanishes inside a week is exactly the outcome a reputation reset is aiming for.With Dr. Abby Medcalf, from the Substack members live.If you or someone you know is struggling, call or text 988 in the US to reach the Suicide & Crisis Lifeline, available 24/7.The article: "A Monday with Brad Pitt" by Ryan D'Agostino, Esquire, September 2026 — https://www.esquire.com/entertainment/movies/a73336135/brad-pitt-interview-2026/Photographs by Chantal Anderson. Styling by George Cortina.Media data in this episode from Muck Rack (Aug 10–11, 2026).00:00  The thesis00:59  It opens with the dogs04:29  Guests get the view07:40  Why it ran in August08:41  The byline was the plan09:35  The photos argue with the words12:42  One sentence, one word15:42  The questions nobody asked21:21  What the numbers say24:47  Getting it on the record

Step into the shadowed skies of Fascist Italy with My Dark Path as we uncover a cascade of unexplained aerial encounters that predate Roswell by more than a decade. Host MF Thomas begins on a twilight street in Milan in 1944, where a young Decima naval commando watches a copper-colored disk hang motionless above Piazzale Loreto—silent, luminous, and gone in an instant—while air-raid sirens wail and anti-aircraft crews stare in disbelief.From there the episode travels back to the morning of August 22, 1936, over the Venice Lagoon and Mestre. Italian Regia Aeronautica pilots scramble Fiat CR.32 biplanes against a ten-to-twelve-meter metallic disk that accelerates away without sound or exhaust. Later that same day, pilot Marinelli and his flight encounter a long gray “aerial torpedo” accompanied by two domed, hat-shaped craft trailing perfect white smoke plumes and flying in flawless formation. A ground observer named Faustino then watches the same cylindrical craft release smaller disc-shaped objects. Photographs and urgent reports race straight to Galeazzo Ciano's desk—Mussolini's son-in-law and Foreign Minister—under the same absolute-secrecy orders first issued after the alleged 1933 Magenta crash and the creation of the secret RS/33 scientific cabinet.Drawing on the Fascist UFO files brought to light by Roberto Pinotti and Alfredo Lissoni (including the anonymous “Mister X” documents later forensically examined), this episode explores how Mussolini's regime imposed total silence, redirected stories as “meteors,” and kept trained military observers quiet for the rest of their lives. What emerges is a portrait of Italy's forgotten pre-Roswell UFO wave—sightings that trained pilots and soldiers could neither identify nor forget.This episode blends immersive historical narration, primary-document context, skeptical analysis of the contested Fascist files, and the enduring power of eyewitness testimony from men who understood the cost of speaking. Perfect for fans of classic UFO cases, Italian ufology, wartime secrecy, and the unexplained.

Photographs are taken inside the ear canal before and after ear candling to put it to the test. And irrigation? Also called ear syringing, it involves flushing out ear wax with a low-pressure jet of warm (body temperature) water and works up to 70% to 90% of the time.

Ruben Hemelings and Leo Schmetterer from the Singapore Eye Research Institute join Lucy Dunbar to discuss G-PROG, a deep learning tool that predicts glaucoma progression from fundus photographs. Click here to read the full article: https://www.thelancet.com/journals/landig/article/PIIS2589-7500(26)00055-5/fulltext

Officer Richard Lippard of the Duxbury Police Department testified that he spent sixteen hours in a hospital hallway watching Lindsay Clancy lie motionless. She was sedated and unconscious at South Shore Hospital, then MedFlighted to Brigham and Women's in Boston. She never spoke a word during his entire watch. Under cross-examination, Lippard confirmed that a Code Blue was called for her room overnight — meaning she was dead or dying.The testimony came on Day 4 of Clancy's murder trial after the jury walked through the family's former home at 47 Summer Street in Duxbury. Jurors inspected the basement, both floors, and the exterior — including the second-story window and the yard below it. A detective who met Clancy at the hospital described her as sedated and unconscious with deep lacerations across her neck and wrists. Photographs of the injuries and blood in the bedroom were shown to the jury.Two emergency room doctors then testified about treating three-year-old Dawson and eight-month-old Callan. Dawson was worked on for forty minutes before being declared dead. Callan's heart was restarted but he never regained brain function and died at Boston Children's Hospital days later. Clancy was visibly emotional as both doctors described the effort.Every witness Friday was a prosecution witness. And the prosecution's own officer confirmed their defendant was dead or dying the same night they allege she was performing.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/ Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1 Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/TrueCrimePodDisclaimer: This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#LindsayClancy #LindsayClancyTrial #HiddenKillers #PlymouthSuperiorCourt #CodeBlue #PostpartumPsychosis #TrueCrime #DuxburyMA #MurderTrial #JuryTrial

Jeffrey Epstein used his friendship with Prince Andrew as a powerful form of social validation. Association with a senior member of the British royal family gave Epstein access to royal residences, aristocratic circles, prominent business figures and influential political contacts that would otherwise have been difficult to reach. Andrew's presence helped Epstein present himself not merely as a wealthy financier, but as someone accepted at the highest levels of society. Photographs, visits and introductions involving the prince strengthened Epstein's mystique and allowed him to convert royal proximity into greater credibility among people impressed by status and access.The relationship also appears to have been useful to Epstein because elite connections tended to reinforce one another. Once he could point to a genuine friendship with Prince Andrew, other powerful people had more reason to view him as legitimate, important and worth knowing. Epstein repeatedly built his reputation through borrowed prestige, surrounding himself with royalty, billionaires, academics and politicians and then using those relationships to attract still more influential contacts. Andrew was therefore more than a friend in Epstein's social world; he was an unusually valuable symbol of acceptance that helped Epstein climb further into circles where wealth, reputation and personal access could shield him from scrutiny.to contact me:bobbycapucci@protonmail.com

When it comes to African wildlife photography, Shem Compion has done just about everything. He is an award-winning photographer, naturalist, author, and pioneering hide builder who has spent more than 25 years exploring and photographing the wild landscapes of Africa. He is also a professional photo guide where he helps photographers experience Africa with the timing, access and creative guidance needed to come home with something truly special.In this episode, Shem and I dig into what separates a technically good wildlife photograph from one that stops people in their tracks. For Shem, much of it comes down to combining emotion with narrative. A photograph should make the viewer feel something, but it should also tell us where the animal lives, what it is doing and why that particular moment matters.We also explore the enormous value of photographic guides, the temptation to photograph every animal you encounter on safari and why harsh midday light is rarely your friend. Shem shares the fascinating story behind the underground photography hides at Mashatu Game Reserve, including the new overnight hide that functions almost like a wildlife photography studio, complete with controlled lighting, beds and, crucially, a coffee machine.From there, our conversation expands into visual storytelling, conservation photography, building a lasting body of work and organizing your image library so you can actually find those photographs 15 years from now. Shem also walks us through his current Nikon kit, his relatively light-handed approach to editing and the advice he wishes he could give his younger self: take more photographs, especially of the people, experiences and behind-the-scenes moments that make a journey memorable.Links and Resources MentionedLearn More About Shem...Shem Images — Shem's photography, books, portfolio and backgroundShem Images on InstagramC4 Photo Safaris — Shem's specialist African photography safari companyThe Rift: Scar of Africa — Shem's long-form photography project documenting Africa's Great Rift ValleyPurchase The RiftPhotography Hides and Safari ExperiencesPhotoMashatu — Photographic experiences at Mashatu Game ReserveMashatu's Underground and Overnight Hides — Information about the ground-level Matebole Hide and Lala Limpopo Sleep-Out HideC4 Photo Safaris at MashatuConservation PhotographyWildscreen ARK — Wildscreen's nature education and visual storytelling platformThe ARKive Legacy — The original conservation image library referenced during the conversation. ARKive went offline in 2019, but its collection of more than 100,000 wildlife images and videos remains preserved by Wildscreen.Photo Books, Organization and EditingShutterfly Photo Books — One option for turning a personal photography project into a printed bookAdobe Lightroom and PhotoshopPhoto Mechanic — Photo-management software mentioned while discussing digital asset workflowsNik Collection and Silver Efex — The black-and-white editing software Shem uses for selected fine-art imagesShem's Primary Camera KitNikon Z8NIKKOR Z 180–600mm f/5.6–6.3 VRNIKKOR Z 24–120mm f/4 SNIKKOR Z 70–180mm f/2.8Court's WebsitesCheck out my photo portfolio here: shop.courtwhelan.comSign up for my photo and conservation blog at www.courtwhelan.comFollow me on YouTube (@courtwhelan) for more photography tipsView my camera kit and recommended camera gearSponsors and Promo Codes:MPB.com - Buy, Sell, or Trade Camera GearArtStorefronts.com - Mention this podcast for free photo website designBayPhoto.com - 25% off your first order (code: TWP25) ArtHelper.com - a photo community to learn, share and be inspiredArthelper.Ai - Smart tools to promo and showcase your art.LensRentals.com - WildPhoto15 for 15% off

Officer Richard Lippard of the Duxbury Police Department testified that he spent sixteen hours in a hospital hallway watching Lindsay Clancy lie motionless. She was sedated and unconscious at South Shore Hospital, then MedFlighted to Brigham and Women's in Boston. She never spoke a word during his entire watch. Under cross-examination, Lippard confirmed that a Code Blue was called for her room overnight — meaning she was dead or dying.The testimony came on Day 4 of Clancy's murder trial after the jury walked through the family's former home at 47 Summer Street in Duxbury. Jurors inspected the basement, both floors, and the exterior — including the second-story window and the yard below it. A detective who met Clancy at the hospital described her as sedated and unconscious with deep lacerations across her neck and wrists. Photographs of the injuries and blood in the bedroom were shown to the jury.Two emergency room doctors then testified about treating three-year-old Dawson and eight-month-old Callan. Dawson was worked on for forty minutes before being declared dead. Callan's heart was restarted but he never regained brain function and died at Boston Children's Hospital days later. Clancy was visibly emotional as both doctors described the effort.Every witness Friday was a prosecution witness. And the prosecution's own officer confirmed their defendant was dead or dying the same night they allege she was performing.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/ Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1 Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/TrueCrimePodDisclaimer: This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#LindsayClancy #LindsayClancyTrial #HiddenKillers #PlymouthSuperiorCourt #CodeBlue #PostpartumPsychosis #TrueCrime #DuxburyMA #MurderTrial #JuryTrial

Jeffrey Epstein used his friendship with Prince Andrew as a powerful form of social validation. Association with a senior member of the British royal family gave Epstein access to royal residences, aristocratic circles, prominent business figures and influential political contacts that would otherwise have been difficult to reach. Andrew's presence helped Epstein present himself not merely as a wealthy financier, but as someone accepted at the highest levels of society. Photographs, visits and introductions involving the prince strengthened Epstein's mystique and allowed him to convert royal proximity into greater credibility among people impressed by status and access.The relationship also appears to have been useful to Epstein because elite connections tended to reinforce one another. Once he could point to a genuine friendship with Prince Andrew, other powerful people had more reason to view him as legitimate, important and worth knowing. Epstein repeatedly built his reputation through borrowed prestige, surrounding himself with royalty, billionaires, academics and politicians and then using those relationships to attract still more influential contacts. Andrew was therefore more than a friend in Epstein's social world; he was an unusually valuable symbol of acceptance that helped Epstein climb further into circles where wealth, reputation and personal access could shield him from scrutiny.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Notes: Ms. Ayerza studied criminology, forensic behavioural sciences and psychology. Her early research examined eyewitness memory and the re-entry of exonerees before she became interested in cybercrime and cyberstalking. She was drawn to cybercrime because it is not limited to hacking, malware and phishing. Technology is part of everyday life through social media, email, dating apps and other commonly used services. Dating apps allow users to create profiles, specify the people and relationships in which they are interested and indicate interest in other users. When two users express an interest in one another, they can normally begin communicating through the app. Some dating apps are intended for broad audiences, while others serve particular lifestyles, interests or sexual orientations. Profiles are often presented as individual photographs or grids of photographs from which users make selections. Ms. Ayerza explains that dating apps are designed to make dating convenient and can feel like games. The superficial and rapid nature of matching can encourage users to make decisions based primarily on photographs. Harassment can arise when users send repeated messages in an effort to gain someone's attention. Some people may not recognize these repeated or unwanted communications as harassment. Users may also deliberately match with someone because they disagree with something in that person's profile and want an opportunity to criticize or harass them. Ms. Ayerza conducted an online survey of adult dating app users living in the United States. The study examined the information people included in their profiles, the photographs they shared and characteristics of the applications they used. The study considered whether users disclosed their relationship preferences, sexual orientation, workplace or occupation. It also examined whether they used their full name or an alternative name and whether their photographs included friends or family. Verification on dating apps can be a relatively superficial process in which a live photograph is compared with the photographs on a profile. Premium features may also allow users to change the location in which their profiles appear. Users often adopt their own protective measures, such as using pseudonyms or withholding photographs of their faces. However, designing effective technical safeguards is difficult because repeated messages can be part of both ordinary conversations and harassment. Most dating app users do not experience harassment, but Ms. Ayerza says that around a quarter of the users in the study experienced these forms of harm. The study did not compare victimisation across individual dating apps. Ms. Ayerza suggests that larger platforms may have more resources and face greater public pressure to introduce safeguards, while smaller platforms may have fewer resources. Sharing relationship or sexual orientation preferences was not found to increase risk. Ms. Ayerza suggests that these preferences help platforms present users with people who have similar interests without necessarily revealing where someone can be found. Including information about where a person works or studies increased risk. Photographs featuring friends or family also had an influence because they can reveal social connections and additional information about the user. Uploading photographs of one's face was not found to increase risk, possibly because facial photographs are a normal and often required part of using dating apps. Matching with someone under the age of 18 increased risk. Ms. Ayerza connects this finding to the limited measures used by dating apps to confirm that users are old enough to participate. One of the most surprising findings was that using a pseudonym or nickname increased risk. Ms. Ayerza discusses the possibility that an alternative name creates a false sense of security and encourages people to disclose more information. Ms. Ayerza advises users to think carefully about what they disclose. Preferences may be appropriate to share, while details about occupations, workplaces, friends and family may be better withheld until someone is known more closely. She emphasizes that responsibility should not be placed entirely on victims. People should understand that harassment is unacceptable and platform operators should do more to prevent and respond to harmful behaviour. Possible platform interventions include better reporting mechanisms and educational or training modules that users complete before creating a profile. Schools could help prepare young people to communicate appropriately on dating apps once they are old enough to use them. Ms. Ayerza also argues that governments should treat conduct on dating apps more seriously because every profile represents a real person. Future researchers need measures that reflect the activities people actually perform on dating apps. Greater consistency would also make it easier to compare findings across studies. Ms. Ayerza plans to examine offending as well as victimisation. Her future research will consider unwanted sexual messages, sexual violence and the experience of multiple forms of harm on dating apps. About our guest: Jennifer M. Ayerza, M.A. https://cls.gmu.edu/people/jayerza https://cebcp.org/team/jennifer-ayerza/ https://www.linkedin.com/in/jennifer-ayerza-38353a233 Papers or resources mentioned in this episode: Ayerza, J. M., Lee, J. R., O'Malley, R. L., & Lee, C. S. (2026). Cyberstalking and online dating: Examining cyberstalking victimization among dating app users. Asian Journal of Criminology, 21, Article 5. https://doi.org/10.1007/s11417-025-09480-2  

Every now and then, I look back through old photographs and wonder why I kept certain ones. Not the obvious ones. Not the family photographs, birthdays, holidays, faces, or moments that clearly belong in the archive. Those explain themselves. I understand why they are there. I am thinking more about the quiet images. A road. A tree. A field. A lake. A building I passed once. A patch of light on an ordinary afternoon. At first, some of those photographs do not seem to say very much. They may not be strong enough for a print. They may not belong in a portfolio. They may not be something I would show to anyone else and expect them to understand why I made them. But I kept them. That alone makes me stop and think... Podcast Notes: https://www.moneymakerphotography.com/why-we-keep-photographs/ Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/ Music From the Doctor's Office: https://musicfromthedoctorsoffice.com

HT2696 - Photographs Are Never Real The arguments against AI are often punctuated with concerns about those images being fake. Aren't all photographs fake? All photographs are flat, two-dimensional things that show us the world in a significantly reduced scale. The only sense in which photographs are real is that they are symbols, metaphors, representations of a moment or an idea, stand-ins, pointers, guides, translators, in short a photograph is not "the thing itself" in spite of that notion being repeated in photographic art circles Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Q: Why should presentation slides contain less information? A: The slide should support the presenter rather than replace the presenter. When a screen is crowded with paragraphs and sentences, the audience starts reading and stops listening. A simple visual lets people understand the idea quickly and then return their attention to the speaker. Mini-summary: Simple slides keep attention on the presenter. Q: What is the two-second rule for slide visuals? A: The audience should be able to see and understand the slide within about two seconds. If the meaning takes longer to grasp, the visual is probably too complicated. A clear slide communicates immediately and allows the presenter to explain why the information matters. Mini-summary: Make the visual understandable at a glance. Q: How much text should appear on a slide? A: The six-by-six guideline recommends no more than six words on a line and no more than six lines on a slide. It is a practical reminder rather than an absolute rule. The objective is to use short words, phrases, numbers and bullet points instead of dense written explanations. Mini-summary: Use the minimum text needed to support the message. Q: Which fonts and visual formats are easiest to read? A: Large sans serif fonts such as Arial are generally easy to read on a screen. A title may be around forty-four points and body text around thirty-two points. Underlining, excessive bolding and italics can reduce readability. Photographs and simple visuals work well because audiences understand them quickly. Mini-summary: Choose large, simple and highly readable visual elements. Q: How can presenters in Japan avoid overloaded slides? A: Japanese business presenters often include extensive detail to satisfy stakeholders and demonstrate thorough preparation. The intention is careful, but the slide can become crowded. Put supporting detail in a handout or appendix and keep the presentation slide focused on one clear idea. Mini-summary: Move the detail elsewhere and protect the main message. Author Bio Dr Greg Story, Ph.D. in Japanese Decision-Making, is a veteran Japan CEO and trainer, author of multiple best-sellers and host of the Japan Business Mastery series. He leads leadership and presentation programmes at Dale Carnegie Training Tokyo.

Once upon a time, salespeople could live several different lives. There was the polished professional who met clients during the day. Then there was the private version who could enjoy a heroic night out, behave like a complete goose and assume nobody important would ever hear about it. Those days are gone. Today, buyers can search your name before you meet. They can inspect your LinkedIn profile, read your comments, watch your videos, examine your photographs and decide whether you look credible—or dangerous—from the comfort of their office. You are already being judged. The only question is whether you are helping to shape the verdict. Why Does a Salesperson's Public Image Matter? Your public image matters because buyers are deciding whether they trust you before you have even shaken hands. In the old days, a potential client might know your company name, your job title and whatever gossip was circulating within a fairly small business circle. Your family life, weekend behaviour and questionable karaoke performances usually remained safely separated from your professional reputation. Social media blew that arrangement to pieces. Now buyers can discover professional articles, recommendations and client advice. They can also discover angry political rants, embarrassing photographs, customer complaints and evidence that you occasionally lose all adult supervision after 10:00 p.m. That online material becomes part of your sales presentation whether you intended it to or not. A strong public image creates familiarity and confidence. A careless one can kill the deal before the meeting invitation is even sent. Do now: Search your own name as though you were a suspicious buyer with a large budget and a low tolerance for nonsense. Do Buyers Really Research Salespeople Before Meeting Them? Of course they do. Buyers investigate us in exactly the same way we investigate them. Before meeting a prospect, salespeople check LinkedIn, company websites, press releases and industry news. We want to know who we are meeting, what they care about and whether there is any useful common ground. Buyers are not sitting around waiting helplessly for us to arrive. They are doing their own research. They look at our employment history, qualifications, recommendations, connections, articles and public comments. They want reassurance that we are credible. They are also hunting for red flags. I have seen candidates listen to executive interviews before attending job interviews. Potential employees research the leaders they may work for. Prospective clients consume podcasts, videos and articles before contacting a training provider or professional adviser. The first sales conversation may therefore begin long before you enter the room—and you may not even be present. Do now: Assume every prospect has already inspected your LinkedIn profile and prepare it accordingly. What Should Buyers Find When They Search for You? They should find useful proof that you know what you are talking about—not a digital graveyard or an endless stream of self-congratulation. A polished profile is helpful, but anybody can write that they are "passionate," "dynamic" and "results-driven." LinkedIn is bursting with passionate, dynamic, results-driven people. Evidence is much more persuasive. Publish original ideas. Explain a customer problem. Share a useful framework. Record a short video. Write an article. Join a podcast. Analyse a trend in your industry. You do not need six podcasts, three television shows and thousands of articles. That level of content production is clearly the behaviour of someone who needs a hobby. You do, however, need enough current, relevant material to show buyers that you understand their world. Your content should help them conclude, "This person knows something useful," rather than, "This person appears to enjoy posting motivational quotations over photographs of mountains." Do now: Select one client problem and publish one practical, original response to it this month. What Online Content Can Damage a Salesperson's Reputation? Anything that makes buyers question your judgement can damage your reputation faster than you can say, "That photograph was taken out of context." Photographs of you completely smashed at the local boozer may be hilarious to your mates. They are less amusing to a risk-conscious buyer considering a major contract. The same applies to abusive comments, offensive humour, public arguments and extreme opinions. You are entitled to have personal views, but you are not entitled to control how every client reacts to them. Politics and religion are especially effective ways to divide an audience. Unless either subject is central to your professional work, entering those battles publicly may deliver plenty of emotional excitement and absolutely no revenue. Other people make this more complicated. You can control what you upload, but you cannot completely control what your colleagues post. If everyone in the group photograph is clearly off their face, try to be the calm, demure one holding a glass of water and wondering how your life came to this. Do now: Review old posts, public comments, tagged photographs and privacy settings before a buyer does it for you. Is Having No Online Presence Also a Problem? Yes. Finding nothing can be almost as damaging as finding the wrong thing. A buyer who searches your name and discovers no professional evidence may wonder whether you are experienced, relevant or even still active in your field. This does not mean you need to become an online celebrity. Nobody is demanding that you dance on TikTok while explaining procurement strategy. Start with the basics. Use a professional photograph. Write a clear headline. Explain who you help and what problems you solve. Make sure your employment history is accurate and your recent activity supports your professional positioning. Then create a small library of original content. One useful article a month is better than daily drivel. A thoughtful two-minute video is more persuasive than repeatedly hijacking somebody else's content, adding a three-line introduction and pretending you have become a thought leader. Original work gives buyers something important: evidence. Do now: Build a credible minimum presence with a complete profile and at least three pieces of useful original content. How Can Salespeople Build a Strong Personal Brand? A strong personal brand comes from being useful, consistent and recognisable—not from endlessly announcing how magnificent you are. Choose a few subjects connected to the problems you solve for clients. If you sell cybersecurity, discuss business risk. If you work in leadership development, talk about engagement, accountability and difficult conversations. If you sell complex technology, explain it in language a normal human being can understand. Stay consistent. Buyers should gradually associate your name with a particular area of expertise. Professional production also matters. Clear writing, decent sound, sharp photographs and well-prepared videos tell the audience that you take your work seriously. The material does not need Hollywood production values, but it should not look as though it was recorded inside a cupboard during an earthquake. Avoid turning every post into propaganda. Constant selling becomes tiresome. Teach something useful and let buyers reach the conclusion that you may be worth speaking with. Do now: Decide which three business topics you want buyers to associate with your name and keep producing around them. Conclusion Your digital reputation is now part of your sales kit. Buyers will search for you. They will examine what you have published, what others have said about you and how you behave in public. They may reach a conclusion before you have the chance to deliver your perfectly rehearsed opening question. Conduct a forensic investigation of your online presence. Search your name. Examine old accounts. Review tagged photographs. Remove unsuitable material where possible and strengthen the professional evidence attached to your name. Publish original, useful and current content. Show buyers that you understand their challenges. Give them reasons to trust your judgement. You cannot stop buyers from judging you before they meet you. What you can do is make sure they find the person you deliberately chose to put in front of them—not the accidental digital version created by years of careless posting. Author Bio Dr. Greg Story, Ph.D. in Japanese Decision-Making, is President of Dale Carnegie Tokyo Training and Adjunct Professor at Griffith University. He is a two-time winner of the Dale Carnegie "One Carnegie Award" in 2018 and 2021 and received the Griffith University Business School Outstanding Alumnus Award in 2012. As a Dale Carnegie Master Trainer, Greg is certified to deliver leadership, communication, sales and presentation programmes globally, including Leadership Training for Results. He has written several books, including the best-sellers Japan Business Mastery, Japan Sales Mastery and Japan Presentations Mastery, as well as Japan Leadership Mastery and How to Stop Wasting Money on Training. His Japanese-language books include Za Eigyō（ザ営業）, Purezen no Tatsujin（プレゼンの達人）, Torēningu de Okane o Muda ni Suru no wa Yamemashō（トレーニングでお金を無駄にするのはやめましょう）and Gendaiban "Hito o Ugokasu" Rīdā（現代版「人を動かす」リーダー）. Greg also publishes daily business insights on LinkedIn, Facebook and X and hosts six weekly podcasts. On YouTube, he produces The Cutting Edge Japan Business Show, Japan Business Mastery and Japan's Top Business Interviews for executives and professionals seeking practical strategies for succeeding in Japan.

The most petty and ill informed podcast in the world! All the best bits from the weeknd's Off the Ball shows in one place. As we build up to the World Cup final between Spain and Argentina we asked - World Cup 26 - what worked, what didn't; Iconic photographs; Spotted in the strangest place; John Gordon Sinclair, Zander Murray, Chris Bennett and John Walker join Stuart and Ray Bradshaw. All this plus the Toolbox XI and the Terracing Teaser.

We delve into a most unfortunate event from part one, section iv, chapter vii, appendix ii in the third volume of The Whole Truth About Fatima.Please support the Our Lady of Fatima Podcast:http://buymeacoffee.com/TerenceMStantonLike and subscribe on YouTube:https://m.youtube.com/@OurLadyOfFatimaPodcastFollow us on X:@FatimaPodcastThank you!

As Jeffrey Epstein faced prosecution in Florida, his friends and associates sent a letter to prosecutors portraying him as a generous, accomplished and valuable member of society who deserved leniency. That intervention was part of a broader effort to replace the image emerging from the evidence with a carefully manufactured portrait of a respectable financier, philanthropist and trusted adviser to influential people. Instead of confronting the scale of the allegations against him, members of his social circle effectively used their names and reputations to reassure authorities that Epstein belonged among the respectable elite. The letter demonstrated how his network functioned as a protective asset, with powerful acquaintances helping create the impression that he was too connected, useful and socially established to be treated like an ordinary criminal defendant.Epstein's relationships with Prince Andrew and Sarah Ferguson strengthened that image by giving him something money alone could not purchase: proximity to the British royal family. Photographs, palace invitations, royal gatherings and his highly visible friendship with Andrew helped Epstein present himself as a man accepted at the highest levels of international society. Ferguson's financial dealings and warm private communications with Epstein further reinforced the appearance that he was not merely tolerated by the royal circle, but trusted and valued within it. That royal association became part of Epstein's social armor, allowing him to impress business figures, cultivate new relationships and suggest that anyone welcomed by Andrew and Fergie must be legitimate, respectable and safe.to contact me:bobbycapucci@protonmail.com

As Jeffrey Epstein faced prosecution in Florida, his friends and associates sent a letter to prosecutors portraying him as a generous, accomplished and valuable member of society who deserved leniency. That intervention was part of a broader effort to replace the image emerging from the evidence with a carefully manufactured portrait of a respectable financier, philanthropist and trusted adviser to influential people. Instead of confronting the scale of the allegations against him, members of his social circle effectively used their names and reputations to reassure authorities that Epstein belonged among the respectable elite. The letter demonstrated how his network functioned as a protective asset, with powerful acquaintances helping create the impression that he was too connected, useful and socially established to be treated like an ordinary criminal defendant.Epstein's relationships with Prince Andrew and Sarah Ferguson strengthened that image by giving him something money alone could not purchase: proximity to the British royal family. Photographs, palace invitations, royal gatherings and his highly visible friendship with Andrew helped Epstein present himself as a man accepted at the highest levels of international society. Ferguson's financial dealings and warm private communications with Epstein further reinforced the appearance that he was not merely tolerated by the royal circle, but trusted and valued within it. That royal association became part of Epstein's social armor, allowing him to impress business figures, cultivate new relationships and suggest that anyone welcomed by Andrew and Fergie must be legitimate, respectable and safe.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

As Jeffrey Epstein faced prosecution in Florida, his friends and associates sent a letter to prosecutors portraying him as a generous, accomplished and valuable member of society who deserved leniency. That intervention was part of a broader effort to replace the image emerging from the evidence with a carefully manufactured portrait of a respectable financier, philanthropist and trusted adviser to influential people. Instead of confronting the scale of the allegations against him, members of his social circle effectively used their names and reputations to reassure authorities that Epstein belonged among the respectable elite. The letter demonstrated how his network functioned as a protective asset, with powerful acquaintances helping create the impression that he was too connected, useful and socially established to be treated like an ordinary criminal defendant.Epstein's relationships with Prince Andrew and Sarah Ferguson strengthened that image by giving him something money alone could not purchase: proximity to the British royal family. Photographs, palace invitations, royal gatherings and his highly visible friendship with Andrew helped Epstein present himself as a man accepted at the highest levels of international society. Ferguson's financial dealings and warm private communications with Epstein further reinforced the appearance that he was not merely tolerated by the royal circle, but trusted and valued within it. That royal association became part of Epstein's social armor, allowing him to impress business figures, cultivate new relationships and suggest that anyone welcomed by Andrew and Fergie must be legitimate, respectable and safe.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Episode 482 features Rick Bebbington, a UK-based photographer, discussing how personal growth and life experiences deeply impact creative work. The conversation focused on overcoming common blocks like perfectionism and imposter syndrome by letting go of expectations, shifting away from external comparisons, and embracing photography as a fulfilling, evolving process, rather than a pursuit of perfection or gear. A key theme that emerged was the importance of introspection and being open to new subjects, with practical advice on how photographers can get unstuck and find renewed creative purpose. Resources and Links: Muench Workshops Giveaway Rick Bebbington The Colorado Way book Support the show on Patreon Muench Workshops Start With Why by Simon Sinek Ikigai (concept overview) Rachel Bixby Dani Connor Bonus Episode on the Magic Sweater

Explore the enigmatic realm of unidentified flying objects through three rare, obscure photographs that have intrigued UFO researchers, skeptics, and conspiracy enthusiasts. Captured in a time before digital editing, these images—from snowy Poland, wartime China, and sunny Italy—defy simple explanations and hint at extraterrestrial observers challenging our reality.MF Thomas starts by honoring the infamous 1975 Billy Meier photo from Switzerland: a silver disc "beamship" that inspired The X-Files' "I Want to Believe" poster. Debunked as a hoax with models, strings, and confirmed by his ex-wife Kalliope and experts like Joe Nickell, it contrasts with the episode's more resilient cases.In Part 1, travel to 1959 Muszyna, Poland, where Dr. Stanislaw Kowalczewski photographed a flattened oval UFO during a winter holiday. Emerging from a yellow-orange cloud as a luminous orb, it appeared as a dark saucer on film. Experts in Warsaw papers like Stolica affirmed it 90% likely a self-luminous flying saucer. Linked to Polish UFO lore like Gdynia and Emilcin, it faded under Soviet secrecy—alien craft or artifact?Part 2 delves into WWII Pacific Foo Fighters, focusing on the 1942 Hopeh UFO photo from Tianjin, China, under Japanese occupation. This street-level shot shows a domed silver disc overhead, with pointing pedestrians. Ufologist Shi Bo attributes it to an American witness; analyses dismiss planes or shells. Tied to sightings like Sergeant Brickner's 150+ wobbling objects over Tulagi, it anchors Asian UFO history.In Part 3, relive Italian pilot Giancarlo Cecconi's 1979 Treviso encounter. Radar spotted an erratic object with a blue trail; Cecconi snapped 80+ photos of a 25-foot matte-black cigar-shaped craft with a dome, maneuvering at 300 mph. Backed by witnesses and researcher Antonio Chiumiento, who uncovered potential Ministry cover-ups. Parallels include Chiles-Whitted (1948), RB-47 (1957), and Gemini 4 (1965) cylinders.For all references and music, visit https://www.mydarkpath.com/78-historical-ufo-photosBuy MF Thomas' novels on Amazon. Like Clockwork https://amzn.to/417lOzy Arcade https://amzn.to/4aTpisx A Sickness in Time https://amzn.to/41apSPK Seeing by Moonlight https://amzn.to/4gySl5WConnect with usInstagram: @mydarkpathpodcast Twitter/X: @mfthomasauthor Email us: explore@mydarkpath.com Visit us: www.mydarkpath.com Subscribe: www.patreon.com/mydarkpath Disclaimer: All opinions and comments expressed in the 'Comments' section do not reflect the opinions of My Dark Path or Dark Media LLC. All opinions and comments should contribute to the dialog and learning. My Dark Path and Dark Media LLC do not condone written attacks, insults, racism, sexism, extremism, violence or otherwise questionable comments or material in the 'Comments' section and reserves the right to delete any comment violating this rule or to block any poster from the channel.

■■■■■■■■■■■■■■■■■■■■■■■■■■■■■ 5月16日で《ピアノ万葉集》は完結しました ■■■■■■■■■■■■■■■■■■■■■■■■■■■■■《ピアノ万葉集》プロジェクトは2026年5月16日に完結しました。でもここは大事な場所なので、前に創った《ピアノ万葉集》の曲をお届けします。ただ、すみませんが、前に流した曲ですので重複しています。=================================================enclosed are..

-- On the Show: -- Donald Trump contacts FIFA President Gianni Infantino to reverse a red card suspension for American player Flo Balogun -- Donald Trump allegedly committed wire fraud by diverting America250 donations into a private Freedom250 account -- Donald Trump delivers a 35-minute partisan speech before a fireworks display celebrating America's 250th birthday -- Donald Trump draws historically low attendance at his heavily politicized Independence Day fair in Washington DC -- Senator Mitch McConnell remains absent from public view for three weeks following an unexplained medical emergency -- Second Lady Usha Vance interviews Donald Trump who admits he only reads media stories written about himself -- Photographs reveal that a visibly aging Donald Trump fell asleep during the Independence Day fireworks show -- Donald Trump posts a mock restraining order against Italian Prime Minister Giorgia Meloni following a public dispute -- On the Bonus Show: Shootings across the country over Fourth of July weekend, Iran holds a funeral for Ayatollah Ali Khamenei, Belgium is granted an appeal to undo FIFA's red card reversal, and much more...

On this episode (481) of F-Stop Collaborate and Listen, Garrett Hess, a colorblind photographer from Erie, Pennsylvania, talks with Matt Payne about building a creative practice centered around photographing the Great Lakes region, an area often overlooked by landscape photographers. They discuss how embracing local landscapes, weather extremes, and personal limitations like color vision deficiency can foster growth, uniqueness, and deeper connections to subject matter. Garrett Hess shares strategies for keeping local photography exciting, including studying microclimates, developing personal projects, and building a creative network. The conversation touches on the challenges of curating work for exhibitions, the emotional journey of making art close to home, and reframing one's relationship with the often-uninspiring places they live. Links Mentioned This Week: Muench Workshops Giveaway Garrett Hess Support the show on Patreon NLPA The Colorado Way book Muench Workshops Jonathan Buford Kyle McDougall YouTube Channel Tobias Yoder Photography Joshua Wallace Photography

Preview: Historian Fitzhugh Brundage analyzes sixteen enigmatic photographs taken by Andrew Riddle at Andersonville prison in 1864. These rare images became iconic through later etchings published in news journals. Brundage emphasizes their historical importance as unique visual evidence documenting the grim conditions within the Confederacy's most notorious prisoner of war camp.1865 RICHMOND

In this episode of the Different Leaf the Podcast, photographers Sam Lee and Hunter Abrams discuss their long-running creative partnership and their approach to shooting one of the book's most striking visual stories. Having worked with leading outlets including Vogue, Interview Magazine, The New York Times, and GQ, Lee and Abrams reflect on how they first met, how their collaborative process evolved, and what it means to build trust behind the camera. The conversation centers around their Different Leaf photo shoot with André De Shields — Tony Award–winning actor, singer, and cultural icon — whose presence, movement, and history informed every frame. They break down the role of styling and wardrobe, and how thoughtful choices allowed De Shields' creative energy to lead without overpowering the image itself. Lee and Abrams also speak to Bob Faust and Nick Cave's original vision for the book, and how they translated that vision into photographs that expand the narrative while honoring its spirit—adding texture, rhythm, and humanity to a world built on art, cannabis, and storytelling.

Photographs. Paintings. Editorial cartoons. Cover art. Memes. We are steeped every day of our lives in visual art. And who can doubt the profound effect that a particularly striking image can have on our psyche? Today, James explores the way art and imagery can be used to unlock minds and deprogram the masses with two practicing artists, Anthony Freda and Jordan Henderson.

In episode 480 of F-Stop Collaborate and Listen, Matt Payne is joined by photographers Ben Maze and Murray Livingston, who share their journeys in landscape photography, growing up during the rise of social media and how it has influenced their artistic development for better and worse. The discussion covers their approach to intentional image-making, the importance of seeking inspiration beyond Instagram and learning from photographic history, and how they balance the pressure to produce with the creative rewards of slowing down. They explore the realities of building sustainable careers through education and workshops, especially running workshops in Scotland together, and reflect on the challenges and benefits of being younger professionals in the field. Throughout, they emphasize maintaining authenticity amidst commercial and algorithmic pressures, advocating for deep engagement with nature and diverse artistic influences over chasing trends for quick attention. Links and Resources Mentioned: Ben Maze & Murray Livingston Muench Workshops Giveaway Support the show on Patreon The Colorado Way (Matt Payne's Book) Peter Dombrovskis, Joe Cornish, Clark Little, Ray Collins, William Neill, Alex Noriega, Ken Duncan, Heesoo Chung, Andrea Celli, Andrea Pozzi, Luis Afonso Looking at Photographs by John Szarkowski Photography in Print by Vicki Goldberg Photographers on Photography by Nathan Lyons NLPA (Natural Landscape Photography Awards) Discord Server for Landscape Photographers

Wayne and Kevin have a friendly discussion (arguement) over the authenticity of photographs that are printed by someone other then the photographer are valid expamples of the photographer's work. Kevin says yes, while Wayne says no. What's your opinion? Let us know with an email to unclejonesyscameras@gmail.com. Meanwhile, Kevin presents a review of Stephen Shore's book, The Nature of Photographs, and Wayne leads a discussion of large format camera movements. The Shutter Brothers finish the show with some excellent listener email. We are grateful for all our listeners, especially those who write to us. Also, we send a special shout out to listeners who support us at https://ko-fi.com/unclejonesyscameraspodcast. Thank you, and Happy Photography!

Photographs by Bill Brett. Get all the news you need by listening to WBZ - Boston's News Radio! We're here for you, 24/7. See omnystudio.com/listener for privacy information.

For most of his life, his mother existed only in fragments. Old photographs. Careful family stories. Unanswered questions surrounding the murder that took her life when he was still a baby.Then, after his grandmother's funeral, someone handed him a dusty box of her belongings.At first, he left it untouched in a spare-bedroom closet. But soon the closet door began opening on its own. Photographs appeared on the kitchen table after being put away. Then one image surfaced that matched a dream he had before he ever opened the box.What started as a strange disturbance slowly became something more personal. The box held keepsakes, newspaper clippings, and pieces of his mother's life that no one had ever shared with him.The mystery of her death remained unsolved. But something made sure she was no longer forgotten.#RealGhostStories #FamilyGhostStory #SignsFromBeyond #UnsolvedMystery #HauntedObjects #ParanormalExperience #AfterDeathCommunication #TrueGhostStory #MothersLove #UnexplainedActivityLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

For most of his life, his mother existed only in fragments. Old photographs. Careful family stories. Unanswered questions surrounding the murder that took her life when he was still a baby.Then, after his grandmother's funeral, someone handed him a dusty box of her belongings.At first, he left it untouched in a spare-bedroom closet. But soon the closet door began opening on its own. Photographs appeared on the kitchen table after being put away. Then one image surfaced that matched a dream he had before he ever opened the box.What started as a strange disturbance slowly became something more personal. The box held keepsakes, newspaper clippings, and pieces of his mother's life that no one had ever shared with him.The mystery of her death remained unsolved. But something made sure she was no longer forgotten.#RealGhostStories #FamilyGhostStory #SignsFromBeyond #UnsolvedMystery #HauntedObjects #ParanormalExperience #AfterDeathCommunication #TrueGhostStory #MothersLove #UnexplainedActivityLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

A Georgia hunter's Thomasville property has strange encounters that changed everything. Jimmy shares years of unusual activity and evidence he has been gathering. Are these encounters evidence of Bigfoot activity, misidentified wildlife, or something even stranger?If you've had a Bigfoot encounter or strange experience, please contact us through our website or share it below.Have you ever experienced something paranormal in your home? Share your story in the comments.Listen to more true paranormal encounters, cryptid sightings, UFO experiences, and unexplained mysteries from real witnesses.Support our channel by becoming a YouTube member for special emojis, members only lives, new Ozark Howler episodes, and bonus paranormal episodes. Click the JOIN button under this video. Join us on Patreon https://www.patreon.com/fromtheshadowsVisit our Merch Shop https://www.fromtheshadowspodcast.com/shop/ Follow us on:TikTok - https://www.tiktok.com/@fromtheshadowspodcastFacebook - https://www.facebook.com/fromtheshadowspodcastInstagram - Shane Grove - https://www.instagram.com/shanegroveauthor Instagram - Podcast - https://www.instagram.com/fromtheshadowspodcast#Hunting #Georgia #Bigfoot #Cryptids #Paranormal #Hunter #ThomasvilleGeorgia #Monster

For a hundred years, parents attempting to undertake creative endeavours have had a ready-made excuse, courtesy of Cyril Connolly: “The enemy of art is the pram in the hall.”Kids, the thinking goes, are where creativity goes to die. But Austin Kleon thinks Connolly got it exactly backwards.This month on the podcast, I sat down with Austin—author of the New York Times bestselling trilogy Steal Like an Artist, Show Your Work and Keep Going—to talk about his new book, Don't Call It Art: 10 Ways to Create Like a Kid Again. This book is a love letter to his two sons, and a collection of everything they taught him about creativity.Austin spent his career helping people tap into their creative potential, Then his kids arrived, and he realised he wasn't the teacher anymore. He was, in his words, “the apprentice to the beginners,” the studio assistant in his own home, saving the drawings, keeping the paper trail, and watching two small artists figure out how to “let it rip.”We talk about why children aren't an obstacle to your creative life but an opportunity for it to grow, the gentle art of benevolent neglect, and how watching your kids create might be the best way to quiet your own inner critic—and re-parent the artist you used to be.Subscribe to the Podcast* Spotify* Apple Podcasts* YouTube* Pocket CastsWhere to Find Austin Kleon* Buy Don't Call it Art* Read his blog, especially the parenting tag* Subscribe to his newsletter* Follow him on InstagramEpisode ReferencesBooks & Essays* The Element: How Finding Your Passion Changes Everything by Sir Ken Robinson* The Idle Parent Manifesto by Tom Hodgkinson* Bringing Up Bebe by Pamela Druckerman* Several Short Sentences About Writing by Verlyn Klinkenborg* 100 Essays I Don't Have Time To Write by Sarah Ruhl* The Argonauts by Maggie Nelson* Hold Still: A Memoir with Photographs by Sally Mann* Playing With My Son by Andy Baio* Heidi's Horse by Sylvia Fein* American Elf by James KochalkaFeatured Artists, Musicians & Innovators* John Baldessari – The legendary conceptual artist whose revolutionary “Post-Studio Art” teaching style shaped a generation of creators.* Creative Growth: Childhood to Maturity at MoMA – The historic 1939 solo exhibition tracking artist Dahlov Ipcar's development from a young child to an adult.* Lynda Barry – The MacArthur-winning cartoonist, author of What It Is, and professor of interdisciplinary creativity.* Ruth Asawa – The brilliant San Francisco wire sculptor who believed art education should be accessible to all children.* Eleanor Coppola – The visionary documentary filmmaker who beautifully balanced her own creative life alongside an iconic filmmaking family.* Brian Eno – The experimental ambient music pioneer whose philosophy centers on answering the ultimate creative question: “What is it that I actually like?”* Michel de Montaigne – The Renaissance essayist whose father instituted a spartan pedagogical plan, including raises with peasants and learning Latin as a first language.Misc* Cyril Connolly's “Pram in the Hall”* Jeff Tweedy on Making Art without ControlTimestamps03:10 — Pre-publication anxiety and “the gulp”: Austin's advice for a first-time author05:03 — Why a second book is like a second child06:04 — Austin's family: Megan, two boys, and a houseful of weirdos in Austin, Texas07:12 — A love letter to his kids: bottling the energy of two “cavemen Picassos”09:55 — Growing up in rural Ohio: pigs, county fairs, and a broad definition of creative work12:10 — Ken Robinson's “I'm drawing a picture of God” story13:29 — Puberty and the arrival of the inner critic14:31 — Milton Glaser's perfect combination: a mother who says “you can do anything,” a father who says “prove it”16:11 — Parenting tension as a guitar string: freedom, constraint, and Bringing Up Bébé18:50 — The story of how Owen held his pen—and the magic line that disappeared22:31 — Benevolent neglect: D.H. Lawrence, The Idle Parent, and butting out25:25 — “I was the apprentice to the beginners”: becoming the studio assistant in his own home25:59 — Where Don't Call It Art comes from: John Baldessari and why the title disarms the critics27:40 — Capture mode: diaries, one-liners, and drawing comics of your kids30:57 — Save the drawings: Heidi's Horse, Dahlov Ipcar at MoMA, and keeping a paper trail39:03 — What Owen's music taught Austin: Brian Eno and “what do I actually like?”41:41 — Unrepeatable experiments: Montaigne's Latin, Kraftwerk over The Beatles, and Andy Baio's video game history44:37 — Scarcity vs. abundance fatherhood: Kevin learns piano alongside his daughter45:58 — The pram in the hall is wrong: what mother-artist memoirs taught Austin about integration52:09 — “Go to therapy before you have kids”: what children reflect back at you, and re-parenting yourself with Fiona AppleCreditsHost: Kevin MaguireManaging Producer: Elizabeth Van BrocklinSound Editor: Sam WilliamsTheme Music: SOHN Get full access to The New Fatherhood at www.thenewfatherhood.org/subscribe

durée : 00:01:29 - Le 6/9 de l'été - par : Marion L'Hour - 80 secondes pour vous inviter à naviguer et même à vous perdre entre abstraction et réalité. Grace l'artiste allemand Gerhard Richter à qui la fondation Luma consacre une exposition. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Join Kersten Luts on The Camera Shake Podcast as he sits down with photojournalist, writer, and filmmaker Ian Poh Jin Tze for a fascinating discussion about authenticity in modern photography.In a world dominated by Instagram, AI-generated imagery, social media algorithms, and increasingly sophisticated editing tools, what does it mean for a photograph to be real? Drawing from years of international travel and documentary work, Ian shares his perspective on photojournalism, visual storytelling, image ethics, and the challenges facing photographers today.We discuss the differences between photojournalism and social media photography, the rise of content creation, AI's impact on visual trust, and how photographers can remain authentic while building an audience online.Whether you're an amateur photographer, professional photographer, content creator, filmmaker, or someone building a photography business, this episode offers valuable insights into the future of photography and visual communication.If you enjoy conversations about photography, videography, creativity, and the photography business, be sure to subscribe and explore more than 300 episodes of The Camera Shake Podcast.#Photography #Photojournalism #DocumentaryPhotography #CameraShakePodcast******************************************************************Get Your CAMERA SHAKE MERCH: https://www.kerstenluts.com/camerashake-merch******************************************************************SUPPORT THE PODCAST: www.buymeacoffee.com/camerashake******************************************************************JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights: www.camerashakepodcast.com ******************************************************************Check out our sponsor: www.platypod.com******************************************************************THIS WEEK'S LINKS:Ian Poh Jin Tze on the web:https://ianpohjintze.comIan Poh Jin Tze Social Media:Instagram: https://www.instagram.com/throughmyl3ica/X: https://x.com/ianpohjintzeYouTube: https://www.youtube.com/c/monk3yseendoJOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights: www.camerashakepodcast.com ======================================CAMERA SHAKE PODCAST ON YOUTUBE:https://www.youtube.com/camerashakeFULL EPISODE 312 ‘What Makes a Portrait Truly Powerful?- with JEFF ROJAS' IS ALSO AVAILABLE ON: YouTube - https://youtu.be/hxjvzyByTbUApple Podcasts - https://apple.co/2Y2Lmfm Spotify - https://spoti.fi/304sm2G ======================================FOLLOW US ONInstagram: https://www.instagram.com/camerashakepodcast/Facebook: https://www.facebook.com/camerashakepodcastTwitter: https://twitter.com/ShakeCameraKersten's website: www.kerstenluts.comKersten on Instagram: https://www.instagram.com/kerstenluts/https://www.instagram.com/threeheadsinarow/ Hosted on Acast. See acast.com/privacy for more information.

This year marks a major milestone for one of East Clare's best-loved community events as Scariff Agricultural Show celebrates its 80th anniversary.  To mark the occasion, a new Heritage Council-funded project is underway to document and preserve the rich history of the Show, and organisers are now appealing to the public for photographs, programmes, memorabilia and personal memories that tell the story of the event since its beginnings in 1944.   The Eight Decades of the Scariff Show: Oral and Community Heritage Project will create a permanent digital archive, capturing the experiences of volunteers, exhibitors, farmers and families who have helped shape the Show over the past eight decades.  Joining Alan Morrissey this morning to tell him more about the project, the public appeal and why preserving these stories is so important are Dr Tomás Mac Conmara of Mac Conmara Heritage Consulting, along with Scariff Show Committee members Paddy Doyle and John Blake. Photo (c) Clare FM

In this monthly conversation series Grant Scott speaks with editor, writer and curator of photography Bill Shapiro. In an informal conversation each month Grant and Bill comment on the photographic environment as they see it. This month Bill and Grant take on the process and the reality of selling photographic prints. Bill Shapiro Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine; LIFE's relaunch in 2004 was the largest in Time Inc. history. Later, he was the founding Editor-in-Chief of LIFE.com, which won the 2011 National Magazine Award for digital photography. Shapiro is the author of several books, among them Gus & Me, a children's book he co-wrote with Rolling Stones guitarist Keith Richards and, What We Keep, which looks at the objects in our life that hold the most emotional significance. A fine-art photography curator for New York galleries and a consultant to photographers, Shapiro is also a Contributing Editor to the Leica Conversations series. He has written about photography for the New York Times Magazine, Vanity Fair, the Atlantic, Vogue, and Esquire, among others. Every Friday — more or less — he posts about under-the-radar photographers on his Instagram feed, where he's @billshapiro. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. ©Grant Scott 2026

Photography Historian and Curator Audrey Sands joins PhotoWork with Sasha Wolf to discuss her book, Lisette Model: The Jazz Pictures (Eakins Press Foundation). Drawing on years of research, Sands presents Lisette Model's rarely seen archive of photographs of 1950s jazz legends, including Louis Armstrong, Billie Holiday, Duke Ellington, Percy Heath, Miles Davis, and Dizzy Gillespie. Sands and Wolf discuss the rise of fine art photography as a collectible medium in the latter half of the 20th century, the role of museums and institutions in shaping the narrative of photographic history, and the role of the historian in editing and interpreting an artist's work posthumously. https://harvardartmuseums.org/about/press-media/audrey-sands-appointed-associate-curator-of-photography-at-the-harvard-art-museums https://www.instagram.com/audreyleesands/  Audrey Sands is a historian of photography and curator who specializes in twentieth-century American photography.. She holds a Ph.D. and M.Phil. in the History of Art from Yale University, an M.St. in the History of Art and Visual Culture from the University of Oxford, and a B.A. in Art History from Barnard College. Since February 2025, Sands has served as the Richard L. Menschel Associate Curator of Photography at the Harvard Art Museums, where she oversees a collection of approximately 75,000 photographs and time-based media ranging from the early 19th century to the present. Her appointment followed a postdoctoral fellowship as Andrew W. Mellon Postdoctoral Curatorial Fellow in the Department of Photographs at the National Gallery of Art, Washington, D.C. (2022–25), during which she contributed to the exhibitions Gordon Parks: Camera Portraits from the Corcoran Collection (2024–25) and the multi-venue Photography and the Black Arts Movement, 1955–1985 (2025–26). Prior to the NGA, from 2019 to 2022, Sands held the Norton Family Assistant Curator of Photography position at the Center for Creative Photography (CCP), University of Arizona—a joint appointment with Phoenix Art Museum—where her exhibitions included Freedom Must Be Lived: Marion Palfi's America, 1940–1978 (2021–22) and Farewell Photography: The Hitachi Collection of Postwar Japanese Photographs, 1961–1989 (2022). Earlier curatorial positions include the Department of Photographs at The Museum of Modern Art, the National Gallery of Art, and the J. Paul Getty Museum. Sands has been the lead scholar on the work of photographer Lisette Model for over a decade, beginning with her Yale dissertation, “Lisette Model and the Inward Turn of Photographic Modernism.” Her most recent publication, Lisette Model: The Jazz Pictures (Eakins Press Foundation, 2025), realized a suppressed collaboration between Model and Langston Hughes that had been shelved during the McCarthy era, publishing for the first time nearly 200 of Model's approximately 1,500 jazz negatives alongside Hughes's original essay and new scholarship by Sands. Her ongoing research on flash photography—supported by a 2021 Curatorial Research Fellowship from the Andy Warhol Foundation for the Visual Arts—is developing toward a publication and exhibition titled The Shape of Light: History, Ethics, and Aesthetics of Flash Photography.

HT2627 - How the Art Is Built Painters usually start with a sketch, a visual working-out of an idea, a practice run, an experiment. They build from the sketch to the finished painting, step by step. The same can be said of poetry, theater, cinema, novel writing, most every medium I can think of. Photographs start with a fully realized image which the photographer then improves by modifying or eliminating things the camera sees in entirety. I'm fascinated by this difference in approach. I also think this is the main reason I'm resistant to AI photography. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

ARCHIVE EPISODE: This is an archive episode with hosts Joe Giordano and Elena Volkova originally released in 2020.

What was the last thing you ate? This is the question we always begin our podcast episodes with. The reason is because we always want to know what the other is fixing and cooking! What's going on in your kitchen these days? What's fresh and good? One of our earliest episodes recounts everything in our refrigerators at the moment! That was a lot of fun to record.Part of what drives this interest in what we are eating is developing the ideas and understanding of what a day in the life of ancestral food looks like in a world where you may be the only person you know who is eating anything like an ancestral or ancestrally inspired diet. A world where once upon a time it would have been the norm to eat this way, but now you are trying to create a life, habits, rolling tasks, completely on your own, and without the benefit of examples from your childhood or the people around you or expert cooks who live nearby and can give suggestions and show you a good way to use up chicken carcasses or how to feed a lot of small children filling food day after day. And another reason why is - there is something intangible we learn when we travel to a place, stay in a home and break bread with someone. It is an intimate communion that tells us something about that person.For this episode, we decided to track our meals for an entire week so you could see the shape of them - where some were more interesting, some were new and exciting, and others were leftovers, scraps, things we were just trying to use up. An ancestral diet is often made up of the mundane and simple, but exquisite foods. Pure in their sourcing, flavour, freshness but simple in their preparation and humble in their serving.To create a supporter bonus, I reached out to our supporter community and asked if they were willing to contribute a week of their meals as well, to be published as an accompanying booklet to the episode. The incredible booklet for podcast supporters that accompanies this episode includes at last count 50 pages with about 20 delicious menus, real menus made by families eating ancestral and home prepared meals ranging in size from empty nesters to 7 children in the home, including a special weekend with 12 children to be fed!There is also an aftershow - we wanted to go over some details from these contributed menus and we were really pushing the limit on podcast length so we continued recording some of those discussions as an aftershow which supporters can find in the podcast feed. Now without further ado, let's find out what is on the menu in ancestral homes today.* * * * * * * * * * * * * * * * * * * * * * * * * Sign up to the pod's newsletter here.Get a free 30-page guide to Baking with Ancient GrainsRead our Guide to Milling Your Own FlourGet all three of the podcast cookbooksWear our beautiful, sustainable merchandiseAlison's course, Rye Sourdough Bread: Mastering The BasicsAlison's Sowans oat fermentation courseVisit our (non-Amazon!) bookshop: US here and UK here.* * * * * * * * * * * * * * * * * * * * * * * * * *Come join the podcast community! You can select from a variety of levels with benefits including monthly live calls, a private podcast feed stuffed with bonus content, and a Discord discussion group Find out more here!* * * * * * * * * * * * * * * * * * * * * * * * * *What we talked about:What we ateA lovely review from a listenerWhy talk about a week of meals?An incredible download for supporters, contributed to by supporters!The beauty of the mundaneWhere our concept of mealtimes came fromAlison's upper-class menu styleAlison's notes on her menu: low histamine, gluten-free, and moreAndrea's notes on her menu: winter fare, gluten-free, an outdoor weekOur week in meals, alternating daysThe most common concerns listeners had about their menusSharing samples from some listener menusSupporters can visit the private podcast, Kitchen Table Chats, to see the aftershow for this episode and hear more from the listener menus.* * * * * * * * * * * * * * * * * * * * * * * * * *If you love the show, leave us a 5* reviews on Apple Podcasts:Open the Apple Podcast app and find Ancestral Kitchen Podcast in your libraryScroll down to 'ratings and reviews', click on 'write a review', give us 5*s and then tell us why you love listening* * * * * * * * * * * * * * * * * * * * * * * * * *Resources:Supporters can download A Treasury of Ancestral Menus, Volume I in the downloads section today!The Evolution of MealtimesWhy and How to Study Food History - hour long YouTube lectureThe Little-Known Evolution of LunchThe Regency Town House: MealtimesMegan's Ranch SeasoningSending in a menu? Include how many adults/children (and the children's ages!), any special dietary needs, and roughly where you are in the world (country/state or major city if you like), and Firstname/Last initial. Any other details you feel are pertinent such as sourcing, what you grew, special processing info or food prep, is all delightful and adds to much color! Photographs and recipes or instructions are welcomed. We are most interested in the menu you actually ate, not the menu that was planned - it's what actually ends up happening that tells us our story! We cannot guarantee your menu will be used in a future volume, and we are honored to receive it regardless! Volumes may be available for sale in the future and submitting information implies you consent to your material being included. Menus can be sent to info@ancestralkitchen.com.Do you have memories, documents, recipes or stories of those who cooked ancestrally? Visit our website here for how to shareThe podcast has a website here!Stay in touch with Alison via her newsletter at Ancestral KitchenThe podcast is on You Tube hereThe podcast is mixed and the music created by Alison's husband, Rob. Find him here: Robert Michael Kay

Dr. Paul Conti, MD, is a board-certified psychiatrist and an expert in how to improve mental health and increase your sense of agency and wellbeing. He is also an expert in trauma treatment. We discuss practical tools you can use to gain insight into your natural strengths and to make better life choices on your own behalf. We explore how these tools can help overcome low motivation, intrusive thoughts and self-destructive bad habits. We also discuss how to balance internal reflection and external action to ensure you move your life forward in the right directions. Thank you to our sponsors AG1: https://drinkag1.com/huberman Helix Sleep: https://helixsleep.com/huberman BetterHelp: https://betterhelp.com/huberman Function: https://functionhealth.com/huberman Rorra: https://rorra.com/huberman Timestamps (00:00:00) Paul Conti (00:02:51) Self View; Tool: What's Going Right?; State Dependence (00:10:03) Sponsors: Helix Sleep & BetterHelp (00:12:44) Tool: Compassionate Curiosity; Falseness; Social Media (00:21:00) Doing vs Thinking; Self-Reflection (00:29:55) External vs Internal Processing, Balance (00:40:42) Sponsor: AG1 (00:42:26) Quiet vs Verbal; Questions to Learn About Self (00:53:17) Examined Life & Reflection; Changing Unwanted Behavior (01:02:54) Making Positive Changes, Problem Solving (01:07:26) Sponsor: Function (01:09:03) Behavior Pattern Insight & Reclaiming Agency (01:17:06) Agency & Control; Getting in Your Own Way (01:22:49) Trauma, Living Intentionally; Internal Turmoil (01:29:08) Intrusive Thoughts, Tool: Self Talk Awareness; Dreams (01:34:10) Sponsor: Rorra (01:35:23) Trauma & Emotions; Healing Childhood Trauma (01:43:32) Photographs, Positive Climate for the Mind; Spirituality, Good & Evil (01:52:53) Happiness & Expectations; Death, Living a Good Life (02:03:10) Book Writing; Acknowledgements (02:07:25) Zero-Cost Support, YouTube, Spotify & Apple Follow, Reviews & Feedback, Sponsors, Protocols Book, Social Media, Neural Network Newsletter Disclaimer & Disclosures Learn more about your ad choices. Visit megaphone.fm/adchoices

Katie and Steve speak with esteemed copyright lawyer Nancy Wolff about the Ninth Circuit case Sedlik v. Von Drachenberg, in which photographer Jeffrey Sedlik sued celebrity tattoo artist Kat Von D for copyright infringement related to her inking a copy of his photographic portrait of Miles Davis on a friend's arm and publicizing the process on social media. They discuss the Ninth Circuit's unique approach to copyright infringement in applying a subjective (jury-determined) test for substantial similarity based on "total concept and feel" and how that test may be in conflict with basic and established copyright principals.   Notes for this episode: https://artlawpodcast.com/2026/04/27/ninth-circuit-greenlights-tattoo-copying-of-photographs-of-miles-davis-at-least/   Follow the Art Law Podcast Instagram: https://www.instagram.com/artlawpodcast/ TikTok: https://www.tiktok.com/@artlawpodcast Katie and Steve discuss topics based on news and magazine articles and court filings and not based on original research unless specifically noted.

The evidence seized from the Yearning for Zion Ranch reads like a prosecution's exhibit list assembled by the defendant himself. The Bishop's Record—a handwritten ledger documenting underage marriages. Photographs of Warren Jeffs with a pre-teen girl in ceremonial settings. Medical records showing dozens of children with histories of bone fractures. And the recordings: Jeffs' own voice, captured during assaults inside the temple he had built.Part Four of the Hidden Killers investigation into Warren Jeffs and the FLDS covers the full legal arc—from a hoax phone call that triggered the largest child removal in American history, through the public backlash and Texas Supreme Court reversal, to the 2011 trial in San Angelo where Jeffs represented himself and was convicted in under thirty minutes. We examine the Utah case that was overturned on flawed jury instructions, the moral and constitutional questions raised by the raid's scope, and the evidence that made the Texas conviction unassailable: the defendant's own voice, on tape, in the room.The jury heard what Warren Jeffs did. The FLDS faithful heard the same recordings and called it martyrdom. Same evidence. Two realities.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#WarrenJeffs #FLDS #HiddenKillers #YFZRanch #WarrenJeffsTrial #FLDSChurch #TrueCrime #CultInvestigation #TexasRaid #CultExposed

In the Nancy Guthrie investigation, the evidence collected in the first hours — the DNA from inside the home, the doorbell camera footage, the physical items left behind — is either going to solve this case or it isn't. The determining factor will be whether the people who handled that evidence from the very first moment were equipped for the responsibility. The Adam Walsh case is what happens when they aren't. And it's the most devastating evidence failure in modern American criminal history.In 1981, six-year-old Adam Walsh was abducted from a Sears store in Hollywood, Florida. Two weeks later, his severed head was found in a canal over a hundred miles away. A serial killer named Ottis Toole confessed — twice. He described the abduction, the murder, and the machete he used. His description matched the autopsy findings. The Hollywood Police Department had everything it needed to close this case.Then the department lost it all. The bloody carpet from Toole's car — the most critical piece of physical evidence — was "misplaced." The blood on the machete was never lifted for testing. The car itself vanished from police custody entirely. Photographs from the original evidence collection were never even developed — they sat in the case file for over two decades. Without physical evidence, Toole recanted. He was never charged. He died in prison in 1996 serving time for other crimes.It took twenty-seven years for Hollywood PD to officially name Toole as the killer and apologize for the department's failures. John Walsh channeled his grief into America's Most Wanted, the National Center for Missing and Exploited Children, and AMBER Alerts. The system his son's case broke became the system his son's legacy rebuilt.The Guthrie case is active right now. The evidence chain is live. Every person who touches it is either preserving Nancy's chance at justice or compromising it. The Adam Walsh case is proof — permanent, irreversible proof — that when the wrong people handle the evidence, even a confession and a cooperating suspect aren't enough to deliver justice.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#AdamWalsh #NancyGuthrie #OttisToole #BeyondNancy #LostEvidence #JohnWalsh #HollywoodPolice #TrueCrime #HiddenKillers #TonyBrueski

In the Nancy Guthrie investigation, the evidence collected in the first hours — the DNA from inside the home, the doorbell camera footage, the physical items left behind — is either going to solve this case or it isn't. The determining factor will be whether the people who handled that evidence from the very first moment were equipped for the responsibility. The Adam Walsh case is what happens when they aren't. And it's the most devastating evidence failure in modern American criminal history.In 1981, six-year-old Adam Walsh was abducted from a Sears store in Hollywood, Florida. Two weeks later, his severed head was found in a canal over a hundred miles away. A serial killer named Ottis Toole confessed — twice. He described the abduction, the murder, and the machete he used. His description matched the autopsy findings. The Hollywood Police Department had everything it needed to close this case.Then the department lost it all. The bloody carpet from Toole's car — the most critical piece of physical evidence — was "misplaced." The blood on the machete was never lifted for testing. The car itself vanished from police custody entirely. Photographs from the original evidence collection were never even developed — they sat in the case file for over two decades. Without physical evidence, Toole recanted. He was never charged. He died in prison in 1996 serving time for other crimes.It took twenty-seven years for Hollywood PD to officially name Toole as the killer and apologize for the department's failures. John Walsh channeled his grief into America's Most Wanted, the National Center for Missing and Exploited Children, and AMBER Alerts. The system his son's case broke became the system his son's legacy rebuilt.The Guthrie case is active right now. The evidence chain is live. Every person who touches it is either preserving Nancy's chance at justice or compromising it. The Adam Walsh case is proof — permanent, irreversible proof — that when the wrong people handle the evidence, even a confession and a cooperating suspect aren't enough to deliver justice.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#AdamWalsh #NancyGuthrie #OttisToole #BeyondNancy #LostEvidence #JohnWalsh #HollywoodPolice #TrueCrime #HiddenKillers #TonyBrueski

PREVIEW FOR LATER. GUESTS: John Batchelor and Professor Fitzhugh Brundage. SUMMARY: John Batchelor and Professor Fitzhugh Brundage examine 16 rare photographs of the Andersonville Civil War prison camp. Taken by Andrew Riddle, these images became iconic through later etchings published in newspapers and journals. (2)1865 CONFEDERATE SOLDIERS HEADED HOME, FARMWILLE, PA.