Podcasts about photographs

Acclaimed photographer Beau Simmons at Kimes Ranch in the Fort Worth Stockyards.  Beau, known for his evocative fine art photography capturing the soul of the American West, shares his journey from fashion photography to documenting the raw, authentic lives of cowboys and cowgirls. Inspired by the mantra "when you're green, you grow; when you're ripe, you rot," Beau discusses his relentless pursuit of growth, both as an artist and a person. From staging nostalgic Americana scenes at historic venues like Gruene Hall to producing a documentary on cutting horse legend Adan Banuelos, Beau reveals the creative process behind his work, emphasizing authenticity over trends. He opens up about his transition from a troubled youth to a purpose-driven artist, the challenges of shooting on film, and the importance of building trust with the ranching community. With stories of roping horses in Palm Springs pools and capturing gritty, soulful portraits, this episode is a deep dive into the heart of Western culture, creativity, and the pursuit of a meaningful life.  This episode is brought to you by Kimes Ranch and Kerry Kelly Bits and Spurs. Enjoy the show!

This year marks the 50th anniversary of the Project Save Photograph Archive in Watertown. Over the years, the archive's founder, Ruth Thomasian, has worked tirelessly to collect photographs of Armenian life. These photos showcase the Armenian experience before, during, and after the diaspora, and highlight how Armenians have been able to come together in community around the globe. Executive Director Arto Vaun joins Nichole on the show this week to discuss the archive's history, mission, and plans for the next 50 years.

Hello to you listening in Seattle, Washington!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds (and a bit more to visit history) for Story Prompt Friday and your host, Diane Wyzga.Recently I read a comment on Substack about the changes being wrought by 47 and his criminal cabal to erase - as much as obscenely possible - evidence of slavery in America thereby making history disappear. Yes, many have tried to make history disappear but the stories, the oral histories, the voices, the art, books and photographs remain. Not all - but enough to stand witness.One such book, The Ghosts of Segregation, was authored by our very own Whidbey Island writer and photographer, Richard Frishman who saw what 45's administration was doing and had to do something to defy it.   Unexpectedly, while researching the Ghosts of Segregation, I found my way to the Panama Hotel in Seattle which some of you may remember as the hotel featured in the novel, The  Hotel at the Corner of Bitter and Sweet, by Jamie Ford.The Panama Hotel remains the repository of personal belongings stored there by some of the 8,000 people of Japanese ancestry who were forced from Seattle and into internment camps (known as War Relocation Centers) set up in Midwestern states as a result of Executive Order 9066. They had one week's warning.Eventually, over 120,000 men, women and children of Japanese ancestry were forced from their homes, businesses and farms on the Pacific Coast in a systematic, government sponsored exile of innocent people. Most of them were United States citizens. The incarceration turned US citizens into refugees in their own country.But the story is still alive staving off erasure. A grant from the National Park Service helped researchers document, catalogue and map the contents of suitcases, trunks, and boxes, over 8500 items left in the hotel basement. Because of the historical value of the Panama Hotel, it was designated as a National Treasure in 2015. Today the Panama Hotel serves as a living time capsule, a shrine to a community, and the site of the Japanese American Museum of Seattle.  Story Prompt: How might we change the future with understanding and compassion so as to defy fear and hatred of The Other? Write that story and tell it out loud!  And for inspiration check out the many links in the Episode Notes to access the Ghosts of Segregation as well as the Panama Hotel.   The Ghosts of Segregation by Richard FrishmanClick HERE to listen to the author, Rich Frishman tell you about his project in a short interview Click HERE to access a book discussion about The Ghosts of Segregation at University of Virginia Click HERE to visit: My Favorite Places - Panama Hotel - Ralph Munro former Secretary of StateClick HERE to read about the Japanese American Museum of SeattleClick HERE to read National Trust for Historic Preservation; Asian American & Pacific Islander History;  Panama Hotel; Histories of Loss & ResilienceClick HERE to visit Panama Hotel - Hotel at the Corner of Bitter and Sweet by Jamie FordClick HERE to visit the Panama Hotel & Owner/Caretake Jan Johnson's scrapbookClick HERE to visit the Mysteries of the Panama HotelClick HERE to read The Many Lifetimes of the Panama Hotel - Stories of the Unjustly ImprisonedYou're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. Be sure to stop by my Quarter Moon Story Arts website, check out the Communication Services, arrange a free, no-sales Discovery Call, and stay current with me as "Wyzga on Words" on Substack. Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.

"Life is not significant details, illuminated by a flash, fixed forever. Photographs are." - Susan Sontag "I am forever chasing light. Light turns the ordinary into the magical." - Trent Parke   In this episode, Antonio talks about visiting the Cass County Fair in Nebraska, using the trip as a chance to explore how he wants to approach photography in his new environment. Surrounded by the mix of people, animals, and small-town fair details, he leaned into shooting with his often-neglected Fuji X-Pro3 and a wide 16mm lens, embracing the different perspective it offered. The outing became less about documenting the event in a straightforward way and more about experimenting with composition, perspective, and mood to see how his work might evolve outside of Brooklyn. Both he and Ward recently picked up compact Godox iT30 Pro flashes with the intention of using them for street photography, but once out shooting, each decided against firing them. That hesitation becomes the starting point for a deeper discussion on flash photography. They trace its evolution from the early days of magnesium powder and flashbulbs, through the era of Polaroid flashcubes, to the development of strobes and today's TTL units. The conversation touches on photographers who made notable use of flash, including Jessie Tarbox Beals, O. Winston Link, Philippe Halsman, and Bruce Davidson, exploring how each applied it to their work. Alongside the historical overview, Antonio and Ward get into the technical differences between older and modern flash systems, the practical challenges of using flash in the field, and how light-shaping tools and timing have played a role in iconic images.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

Welcome back toa prior era of photography.

Jes Staley's lawyers accused JPMorgan Chase of slandering their client in legal filings related to the bank's connection to Jeffrey Epstein. In court documents submitted to a Manhattan federal judge, Staley's legal team—led by Brendan Sullivan—claimed JPMorgan made “baseless but serious” allegations that wrongly painted Staley as a facilitator of Epstein's sex trafficking enterprise. They argued that the bank's claims were not only unfounded but designed to shift blame away from its own institutional failures by scapegoating Staley in the public eye.The legal team also pushed back against JPMorgan's effort to combine its suit against Staley with other lawsuits targeting the bank, arguing that doing so would unfairly prejudice Staley's ability to mount a defense. They maintained that the allegations had inflicted reputational harm and financial risk on Staley and that the bank's strategy amounted to character assassination dressed as litigation. Despite their objections, the court later denied Staley's request to sever the case.Also:In 2023, during the course of civil litigation, the Epstein estate revealed that it had uncovered a previously unknown cache of videos and photographs that might contain child sex abuse material. The discovery caught attorneys and investigators by surprise, as these materials had not surfaced during prior criminal proceedings against Jeffrey Epstein or Ghislaine Maxwell. The estate disclosed the existence of the cache under seal and reported it to federal authorities, including the FBI, while seeking court approval for proper review protocols to determine the contents and legality of the files.to contact me:bobbycapucci@protonmail.comsource:Cache Of Secret Videos, Photos Found By Jeffrey Epstein's Estate (brobible.com)source:Jes Staley's lawyers hit out at ‘slanderous' attacks by JP Morgan | Banking | The GuardianBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Thank you for listening to this talk produced by the Art Gallery of South Australia. Join Maria Zagala, Curator of Prints Drawings & Photographs as she introduces the work of three women photographers - Doris Barnes, Esther Baylis and Gwendolyn Morris working in the 1930s and 1940s. For more information visit agsa.sa.gov.au Image: Detail: Doris C. Barnes, born Kent Town, South Australia 1894, 1994, A Coquette, 1928, St Peters, South Australia, gelatin-silver photograph, 26.5 x 15.9 cm (image & sheet); Purchased 1928, Art Gallery of South Australia, Adelaide, photo: Stewart Adams.

Get 35% off your entire order at https://Lolablankets.com by using code LAWNERD at checkout. Experience the world's #1 blanket with Lola Blankets. #ad Save 20% Off Honeylove by going to https://honeylove.com/LAWNERD ! #honeylovepod #ad Get 15% off FlowMarching when you go to https://emilydbaker.com/flomarching Aaron Phypers initiated the divorce from Denise Richards on July 7, 2025, citing "irreconcilable differences." He is representing himself and is seeking spousal support. Denise Richards filed for an ex parte temporary restraining order from Aaron Phypers. Photographs of a black eye were submitted as evidence and she explained that her laptop and phone were stolen. Denise accuses Aaron of disseminating private nude photographs and text messages from her stolen laptop to various news organizations, including the Daily Mail, even after the TTRO was issued. Denise moved out of their shared Calabasas home in 2023 due to marital issues and has since been renting three separate townhouses. Aaron, along with his parents, is still living in the Calabasas rental. On August 8th, a court hearing is scheduled to address the temporary restraining order. The purpose of this hearing is to determine if a more permanent restraining order needs to be issued, or if the existing temporary order should be extended. Alec Baldwin's malicious prosecution lawsuit against the prosecutor and Kari Morrissey, related to the "Rust" prosecution, was dismissed by the judge on July 29, 2025, because no significant action had been taken in 180 or more days. Baldwin's attorneys stated to Law 360 that they have been in good faith settlement discussions and will refile the lawsuit if these talks are not favorably resolved. RESOURCES Alec Baldwin Sues Rust Prosecutors - https://www.youtube.com/watch?v=NqFz_L7lyE4   Adam Lally Testifies - https://www.youtube.com/watch?v=QKcnfgU-Lrk Tom Sandoval Playlist - https://www.youtube.com/playlist?list=PLsbUyvZas7gID24o55Ov__Xa8QWZLxnF- Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, we talk about the Blackhawk helicopter crash report, the damage an unfortunate rumor about a college student caused, and the frightening prospect of necessary, useful data being stifled or simply going away. Then, for our main segment, Ben and Kenny go over the infamous Columbus poltergeist case, an incident from 1984 involving, you guessed it, a young woman with some issues who was suddenly haunted by a mysterious force. Tina Resch was consistently underestimated by "experts" who looked into the case after some photos of a flying phone rocketed Tina's adopted family into the national spotlight. The Amazing Randi was not allowed on the property, but we have information from plenty of other sources, including Resch herself, that she was faking the incidents. Still, this self-debunked case has much to teach us about how the sensationalism around a supposed supernatural event can take over lives.

A picture is worth a thousand words, and these never before seen photographs of Disneyland on its opening day in 1955 tell a lot of stories. Courtney and Emily continue their Celebratory Summer Series by welcoming back author, Aaron H. Goldberg, to the podcast to talk about his book, "Presenting Disneyland: Forgotten Photographs From Opening Day.” Featuring never before seen photographs from a studio employee, Presenting Disneyland transports you in technicolor to back July 17, 1955. Coupled with quotes and newspaper clippings, Aaron presents readers with an anthropological view of Disneyland that brings new life to studying the opening day of the Happiest Place on Earth.  Review Book of the Mouse Club on iTunes and Google Play and send any questions, comments, or suggestions to the hosts at bookofthemouseclub@gmail.com Follow Our Reading Journey On Social Media! Official Twitter and Instagram: @BookoftheMouse Courtney: Instagram @greatguthsby and Goodreads Emily: Instagram @emily_mickde  and Goodreads Aaron Goldberg: X @aaronhgoldberg and Instagram @aaronhgoldberg Website: https://www.aaronhgoldberg.com/  Next Book:  The Happiest Place on Earth: The Incredible Story of Walt Disney's Disneyland by: Don Hahn and Christopher Merritt Foreword by Bob Iger

"In a good or successful color photograph, the picture's definition or meaning will somehow arise through the use of color” "Photographs have always been convincing lies." -- Joel Sternfeld In this episode, Ward shares stories from his recent road trip to Saskatchewan, including a visit to a hometown dirt track race—a nostalgic return since his last visit in 1978. The conversation turns toward grassroots motorsports, photography at the races, and how families get deeply involved, even with kids racing $40,000 modified cars. Antonio reflects on settling into life in Nebraska, exploring his surroundings, and using the Fuji X-Half camera as a spontaneous photo companion. He shares how the small, JPEG-only camera has helped him rediscover simple photographic joy, especially during a recent photo class with teens. The heart of the episode focuses on photographer Joel Sternfeld. Antonio and Ward explore Sternfeld's thoughtful approach to color, how his emotional state influenced his editing choices, and the meticulous process behind his transition from 35mm to large-format 8x10 photography. They dig into Nags Head, his lesser-known 1975 series that unexpectedly triggered vivid memories for Antonio from his childhood summers in Provincetown, MA—despite being shot in North Carolina. The conversation also covers American Prospects, Sternfeld's iconic work that blends subdued color palettes with a reflective look at American culture. Ward reflects on how Sternfeld's careful use of color theory and restrained composition creates a sense of presence and emotional clarity rarely found in contemporary work.   YouTube - Joel Sternfeld and Geoffrey Batchen YouTube - ARTIST TALKS - JOEL STERNFELD - PARIS PHOTO 2019   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

In 2018, photographer Nat Ward stumbled upon Ditch Plains beach in Montauk, and he found a vibrant energy that he couldn't resist capturing. Ward spent four summers photographing Ditch Plains and the people who enjoy the beach, and he discusses his resulting photo collection, "Ditch: Montauk, New York, 11954," featuring 49 photographs that are also on view at Montauk Historical Society's Second House Museum through Labor Day.*This segment is guest-hosted by Tiffany Hanssen.

For the start of our War in the Air Month, we begin with a look at the real story of the 'Twenty Minuters', the Royal Flying Corps and Royal Air Force in the First World War. We look at its history from formation in 1912, its role in the opening months of the conflict, and how the war on the Western Front changed military aviation forever.A good overview of the Air War from the Imperial War Museum: What impact did the First World War have on aircraft and aerial warfare?Photographs of some of the aircraft mentioned in the podcast can be found here: Old Front Line website.Got a question about this episode or any others? Drop your question into the Old Front Line Discord Server or email the podcast.Send us a textSupport the show

In 2013, Ghislaine Maxwell brazenly appeared at a high-profile charity gala billed as a front-line defense against human trafficking—an event meant to spotlight and dismantle the very horrors she was complicit in. Photographs from that night show her mingling with celebrities, donors, and advocates, all under the banner of fighting exploitation. Meanwhile, behind closed doors, Maxwell was actively orchestrating the grooming and trafficking of underage girls for Jeffrey Epstein's operation. The optics were more than tone-deaf—they were a calculated performance, designed to mask her role in facilitating one of the most notorious abuse networks in modern memory .What makes this moment particularly disturbing is not just the contradiction of Maxwell's presence—it's how effectively it highlights systemic blind spots in elite philanthropic spaces. This was not a case of someone unknowingly adjacent to wrongdoing; this was a woman under serious suspicion of trafficking-related conduct attending an event explicitly aimed at combating that very crime. Her attendance underscores how wealth, social standing, and calculated public appearances can insulate individuals from scrutiny, even when their private behavior directly conflicts with the cause they publicly support. It raises serious questions about how easily well-connected individuals can exploit the reputational shield of charitable involvement to deflect accountability and delay exposure.To contact me:Bobbycapucci@protonmail.comSource:https://www.dailymail.co.uk/news/article-8827667/Ghislaine-Maxwell-pictured-charity-event-stop-sex-trafficking.html

In 2013, Ghislaine Maxwell brazenly appeared at a high-profile charity gala billed as a front-line defense against human trafficking—an event meant to spotlight and dismantle the very horrors she was complicit in. Photographs from that night show her mingling with celebrities, donors, and advocates, all under the banner of fighting exploitation. Meanwhile, behind closed doors, Maxwell was actively orchestrating the grooming and trafficking of underage girls for Jeffrey Epstein's operation. The optics were more than tone-deaf—they were a calculated performance, designed to mask her role in facilitating one of the most notorious abuse networks in modern memory .What makes this moment particularly disturbing is not just the contradiction of Maxwell's presence—it's how effectively it highlights systemic blind spots in elite philanthropic spaces. This was not a case of someone unknowingly adjacent to wrongdoing; this was a woman under serious suspicion of trafficking-related conduct attending an event explicitly aimed at combating that very crime. Her attendance underscores how wealth, social standing, and calculated public appearances can insulate individuals from scrutiny, even when their private behavior directly conflicts with the cause they publicly support. It raises serious questions about how easily well-connected individuals can exploit the reputational shield of charitable involvement to deflect accountability and delay exposure.To contact me:Bobbycapucci@protonmail.comSource:https://www.dailymail.co.uk/news/article-8827667/Ghislaine-Maxwell-pictured-charity-event-stop-sex-trafficking.htmlBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

It’s called airbrushing history and all dictators do it to erase the truth. Sometimes it can be petty. One example is that Pete Hegseth’s Pentagon deleted photos that were on their website of the first black military pilots during WWII, The post The Power of Photographs and the Truth That Threatens Dictators appeared first on KDA Keeping Democracy Alive Podcast & Radio Show.

In searching for answers to quell fears or explain life's quirks, humans have oft come up with some pretty bizarre beliefs. Tomatoes are poison? Witches steal a particular male body part and keep them for pets? Baths are dangerous? Photographs steal your soul? Ya, pretty funny yet weird stuff in which we used to believe. Jon and Kurt use this episode to recount and wonder at some of the strangest of these.  

Our guests for June 2025 on Conversations from the Pointed Firs are CIPPERLY GOOD and KEVIN JOHNSON, curators of Sardineland, a new exhibit at Penobscot Marine Museum in Searsport, Maine that tells the stories of the maritime communities affected by the boom and bust of Maine's Sardine Industry and Herring Fishery. Photographs, tools of the trade, art, and cultural artifact explore the industry's ongoing impact on those who handled the herring—from the net to the can.FMI: visit https://penobscotmarinemuseum.org/sardineland/

On the morning of June 6th, 1944, war photographer Robert Capa waded ashore on Omaha Beach during the Allied landings in Normandy. What happened next became the stuff of legend: under withering fire, Capa supposedly captured over a hundred photographs of the chaos and courage of D-Day, only for all but eleven to be lost in a darkroom accident. These surviving images, the so-called “Magnificent Eleven,” helped define the visual memory of D-Day and cemented Capa's reputation as the greatest war photographer of the 20th century. But what if the story we've long accepted isn't entirely true? In his book Back into Focus: The Real Story of Robert Capa's D-Day, Charles Herrick takes a forensic look at the events of that day, unraveling inconsistencies in Capa's own account and challenging the myths that have grown around his legacy. Drawing on official military records, eyewitness testimony, and detailed photo analysis, Herrick offers a new—and at times controversial—perspective on one of the most iconic moments in photojournalism history. I'm delighted to welcome Charles to the podcast today to talk about what really happened on D-Day, how the legend of Robert Capa was built, and what his findings mean for how we understand both history and heroism.   patreon.com/ww2podcast  

Episode Summary: Ever hosted a client event and wondered if it truly moved the needle for your business? In this episode, we're joined by Elyse Stoner and Angela York—co-founders of Event Advisors—who share the secret sauce behind turning events like book launches into powerful referral and relationship-building tools.Unlike traditional advisor events that focus on entertainment, Elyse and Angela dive into the art and science of designing strategic events that align with business goals and client journeys. They reveal how financial advisors can host meaningful book parties that not only celebrate a milestone but also deepen client connections, enhance their personal brand, and spark warm introductions.Whether you're planning your first book launch or want to rethink your approach to events altogether, this conversation is packed with actionable insights that can help elevate your next client gathering from "just another party" to a scalable growth lever.Meet the Guests:Elyse Stoner: Veteran of the sports, entertainment, and higher education event world; now specializes in event strategy for advisors.Angela York: Former in-house marketing expert for advisory firms; now consults on event marketing and implementation across the financial services industry.What You'll Learn:Why most advisor events fall flat—and how to fix themThe core difference between a strategic event and a traditional oneHow to use your book launch as a client journey milestone, not just a partyWhat ROM (Return on the Moment) means—and why it's more useful than ROIThe ideal invite list: who should be there (and who shouldn't)Clever ways to boost attendance and event engagementHow to use photography to empower clients to refer others post-eventWhen and how to include press, prospects, and COIsKey Takeaways:Strategic Planning Starts Early: Begin conceptualizing your book party during the writing phase. Pull themes and quotes from your manuscript to shape the tone of the event.Measure ROM, Not ROI: Forget trying to track revenue from a single night—instead, focus on how the event strengthens relationships and supports your client experience stream.Curate the Guest List Carefully: Invite your A, B, and even C clients—plus COIs and warm prospects who align with your goals. Make it feel exclusive.Infuse Personality & Branding: From pink-themed dress codes to framed book quotes, details matter. Let your personality and book branding show.Photographs as Referral Tools: Use event photography for more than just memories—turn photos into custom follow-up cards that help clients introduce you to their networks.Personal Invitations = More Yeses: Encourage top clients to bring a guest—not for sales, but to make them more comfortable and increase attendance.Events Don't Have to Be Expensive: Community centers, home venues, or office spaces can all work with the right vibe and planning.Pro Tip: Want your book party to leave a lasting impression? Plan a heartfelt toast, set up a “step and repeat” for photos, and think beyond the event night—your follow-up is where the real referrals begin.Resources & Contact Info:Visit event-advisors.net for strategy guides, services, and their bi-weekly newsletter "Valuable Views."Want support for your next event? Elyse and Angela offer both consulting and full-service event planning tailored to financial advisorsClaim your free audiobook copy at: www.theshortbookformula.comSupport the show

In episode 370 UNP founder and curator Grant Scott is in his garage reflecting on the small and big things that impact on the everyday engagement we all have with photography. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on sale. © Grant Scott 2025

Staten Island photographer Alice Austen was groundbreaking for her non-conformity to gender norms, and her street photographs of New York from the 1890s. Bonnie Yochelson, author of the new book Too Good To Get Married: The Life and Photographs of Miss Alice Austen, discusses Austen's career.

LW1457 - Straying from Conventions Everybody complains about dandelions in their yard, but photographically they are just gorgeous little plants. Who among us has not photographed a dandelion once it's gone to seed? This has me thinking about other botanical subjects. Photographs of roses, orchids, peonies, calla lilies, all well and good. But why does no one ever photograph poison ivy, thistle, mullein, and all the other weeds against which we are so prejudiced? The artist's role is to be a seer, and it appears that part of being a seer is to let go of our prejudices. All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

In this special edition for World Oceans Day, we spotlight the urgent, haunting work of Mandy Barker, the award-winning British photographic artist using sea-salvaged fashion waste to expose the truth about plastic pollution. Her cyanotype series "Photographs of British Algae: Cyanotype Imperfections" reimagines the work of 19th-century botanist Anna Atkins, replacing seaweed with clothing scraps collected from 121 beaches around the UK. The result is both poetic and jarring, earning praise from none other than Sir David Attenborough, who supports Barker's work for its power to inspire real change.

Developers run Florida and the state legislature wants to keep it that way, even if municipalities would like less construction to safeguard themselves from hurricanes.Julian Dimock photographed Southwest Florida in the early 20th century. His photographs depict Seminole Indians, African American laborers on Marco Island, and the areas remarkable ecology. Jerald T. Milanich has authored multiple books on Dimock's time in Florida and photographs and joins us on this episode."Welcome to Florida" patrons receive our weekly Florida Conservation Newsletter for only $5 per month. Thanks to all who support our efforts.

In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York's leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent's Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men's clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen's photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York's leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent's Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men's clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen's photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York's leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent's Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men's clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen's photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York's leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent's Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men's clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen's photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York's leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent's Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men's clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen's photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York's leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent's Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men's clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen's photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

Tom Sheehan was born in Camberwell, South London. He was an in-house photographer for CBS Records in the 70s, and went on to be the chief photographer for Melody Maker. He enjoyed long-term working relationships with the likes of REM, The Cure, Manic Street Preachers, and Oasis, the subject of a new book of Tom's work entitled “Roll With It: Oasis in Photographs 1994-2002”. I had a great time chatting with Tom about his life and work, and I hope you enjoy it too.

Watson news, much talk about Sherlock & Co and where this version of "A Scandal in Bohemia" seems headed, and a bit about signs of trouble in Watson's relationship with his literary agent.

Send us a textIn December 1941,  an SS man took a series of 12 photographs of an Einsatzgruppen killing in Latvia.  The negatives were stolen by a survivor who had copies made and retrieved them after the war.In today's episode, we explore what we can learn about the Holocaust from these photographs and, indeed, from photographs in general.  I talk with Hillary Earl and Valerie Hébert who have written in depth about these images.Hilary Earl is a professor of history at Nipissing University.Valerie Hébert is a professor of history and interdisciplinary studies at Lakehead University.Follow on Twitter @holocaustpod.Email the podcast at holocausthistorypod@gmail.comThe Holocaust History Podcast homepage is hereYou can find a complete reading list with books by our guests and also their suggestions here.

Part One- In light of the recent announcement that the late Pete Rose is now eligible for entry into Major League Baseball's Hall of Fame, we are replaying our conversation with Keith O'Brien, author of "Charlie Hustle- The Rise and Fall of Pete Rose and the Last Glory Days of Baseball." Part Two- Kostya Kennedy talks about his book "The Story of Baseball in 100 Photographs."

HT2259 - The Market for Used Photographs I spent the day yesterday in one of my favorite used book stores, Robert's Books in Lincoln City, Oregon. This is a giant building filled to the brim with used books of every kind and age and interest you could possibly imagine. I picked up three volumes of short stories that I'd never heard of or seen before, treasures I am already enjoying here at the beach. And then it dawned on me, why is there no market for used photographs the way there is for used books? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

In this episode of the Who's He? Podcast.... Review - The Story and The Engine Join Phil and Paul as they take a deeper look at the latest episode of Doctor Who, The Story and The Engine. With the Doctor trapped in a barbers shop in Lagos, with a demon barber who feeds his giant spider stories (you will have to watch to figure it out), will Phil ever grow his hair back? And will Paul's ever stop growing? You can currently find us on X, Threads, Mastodon, Bluesky and Facebook.  Don't miss an episode by subscribing to our show on Apple Podcasts/iTunes, Spotify, Amazon Podcasts, plus many other podcatchers of your choice.

Nan Evans talks with Port Townsend photographer Kerry Tremain about the beauty of his bird photography and the emotional connections we all have to birds once we open ourselves to honor that we humans co-evolved with birds. (KPTZ airdate: May 7, 2025) Learn more:Kerry Tremain PhotographyKerry Tremain's newsletter Wild ThingsBird sound recording: Jay McGowan, ML66621141, courtesy of Cornell Lab of Ornithology | Macaulay LibraryMusic by Rick Bauer Nature Now is created by a dedicated team of volunteers. If you enjoy this episode and can support the work that goes into making Nature Now, we invite you to go to kptz.org/donate to make a contribution. Thank you for your support!

This week, Hear the Dance host Silas Farley leads us on a wide-ranging exploration of Jerome Robbins' 1994 ballet A Suite of Dances. First, he's joined by Repertory Director Jean-Pierre Frohlich, who coaches the work; Principal Dancer Daniel Ulbricht, who initially learned the tour-de-force role in 2019; and former Principal Dancer Peter Boal, who worked with Robbins on the development of the ballet. They walk through the creation and performance of the four movements, highlighting the ways in which A Suite of Dances teaches the performer about themselves—particularly as they grow with and age alongside the piece. (1:05:11) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

In this second part of our Hear the Dance journey into Jerome Robbins' A Suite of Dances, Cellist Hannah Holman joins host Silas Farley to provide a deep-dive introduction to the Bach Cello Suites that provide the ballet's exquisite score. As Holman explains, the music is a seminal work for every cellist, with complex challenges and varied delights throughout—all of which are complicated and enriched when performed onstage with the work's solo dancer. (42:48) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach Symphony No.4 in E Minor, op.98 (I. Allegro non troppo, II.Andante moderato, III. Allegro giocoso, IV. Allegro energico e passionato) by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra, Yo-Yo Ma and Herbert von Karajan Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

Have you ever slogged through writing a sales page on your website thinking, "This is the one; it's going to work!" And crickets. Nothing seems to stick. If you run a business and you have a website, you know what I'm talking about. Kris Jones will explain exactly why that's happening and what you can do to fix it. StoryBrand's Donald Miller hand-selected Kris as a mentee. She's cracked the code on turning expertise into sales. She helps coaches and consultants scale from $30,000 to $300,000 months using her signature storytelling system, proving that you don't need endless content or complicated funnels to attract premium clients – just one story told very well. "My heart's always been with that self-employed business owner, the small business, the solopreneur, the people that are really also on the planet doing the work that they're meant to do, right, that are really aligned with their purpose," says Kris. "Those are the people that I like to help. And those are the people that really can benefit the most from telling a really powerful story." When you apply a story to your website, people recognize that you're somebody they can really trust. It's important that the story you're telling them doesn't pressure them to take action but inspires them to take that next step of wanting to work with you. "Our environment has changed a lot as far as the digital world that we live in, but we are all wired for story, and that is never going to change," says Kris. Kris says the biggest mistake people make on their websites is making themselves the hero of their story. She likens it to meeting someone for a quick coffee date—you sit down and connect with them first, then check in with where they are. You wouldn't sit down and say, "I just had a flood at my house, and this is the best plumber, and you should work with this plumber!" They don't have any plumbing issues. Take the time to connect with them first.  In your website copy, you want to let people know that they matter and understand what is going on in their lives before you start talking about yourself and the problems you solve. The call to action needs to be a natural next step in working with you. She says many people offer a "learn more" call—nobody wants to "learn more." People don't want to have to go to multiple pages to gather the information they need. Kris suggests a one-page homepage format, which allows users to scroll. It's a comfortable and natural mobile design. It also allows the story to unfold and provides all the information rather than siloing your website's copy on different pages, such as services or testimonials. Changing pages requires more effort than the scrolling motion. Another common website mistake is designing the page as an afterthought. The design components need to bring your story to life and align with it. Our brains process visuals so fast.  Photographs are so powerful. Instead of having pictures of ourselves, show the client in their happy, successful state. Shift the lens to make your clients the hero of your story through both words and visuals.  "When you're the hero of your own story, you kick a potential client out of your story," says Kris. That's the most powerful way to create that connection on your website—really articulate their problem. Clients then feel seen, heard, validated, and not alone. Most importantly, when we articulate their problem well, they feel like we are the best ones to solve it, says Kris. "The way that I see a lot of people doing this wrong is that they take this opportunity to talk about features of the work they do, which is actually talking about yourself," says Kris. "We really want to answer that question that they have in their brain when they land on their website. They're asking three important questions: What's in it for me? What's in it for me? And what's in it for me?"   Connect with guest Kris Jones: From Click to Client: https://www.reddoordesigns.com/book How to Write Compelling Copy in 5 Minutes: https://www.reddoordesigns.com/free-resources Building a Story Brand Book: https://amzn.to/3P4JYUE    Other GoG episodes you might want to check out:   How to Write Sales Copy That Sells: https://sarahwalton.com/how-to-write-sales-copy/    Storytelling, Sharing With Clients and Taylor Swift: https://sarahwalton.com/sharing-your-story/    You can check out our podcast interviews on YouTube, too! http://bit.ly/YouTubeSWalton   Thank you so much for listening. I'm so honored that you're here, and would be so grateful if you could leave a quick review on Apple Podcasts by clicking here, scrolling to the bottom and clicking “Write a review.” Then, we'll get to inspire even more people! (If you're not sure how to leave a review, you can watch this quick tutorial.)   #WebFlow #WebSuccess #HowtoStartaBusiness #WebDesign #AskExpert #WomenInBusiness #SalesCoach #IntuitiveBusinessCoach

 In 1993, four people gathered in a dark basement in Scole, England, hoping to communicate with the dead. What followed was five years of unexplained phenomena that challenged scientific understanding.  Strange lights danced in the darkness. Objects materialized from thin air. Photographs appeared on sealed film.  Scientists and professional skeptics were invited to investigate, and many left without explanations. The spirits claimed to be building a network between dimensions and warned of coming changes to humanity.  Were the Scole Experiments genuine contact with the afterlife, or an elaborate magic show perfected over 500 séances? The evidence remains controversial, but the impact on those who witnessed these events was undeniable. 

Honor is sitting at her computer doing fock knows what? Although I'd be shocked if it was homework. I'm there, “Honor, I need you to brace yourself – for some news.” Hosted on Acast. See acast.com/privacy for more information.

In this episode of Occupied Thoughts, FMEP's Sarah Anne Minkin speaks with writer and activist Ali Awad about life in Masafer Yatta, the part of the West Bank where he lives, which is subject to ongoing and escalating state-backed Israeli settler attacks. Ali describes life in his rural village, Tuba, on "a good day," a day without settler attacks, and also looks at the history of Masafer Yatta under Israeli occupation, including decades of being unsettled and facing forcible transfer and the threat of continued expulsion. Ali describes the escalations in attacks and threats against these communities since October 7th, 2023, including recent attacks targeting his village and family. Looking at the multi-pronged Israeli efforts to force Palestinians out of Masafer Yatta, Ali talks about the loss of any sense of security, hope, or the possibility of a future on the land he and his families have inhabited for many generations. And he speaks about efforts to support children traumatized by settler/soldier violence, to connect with human rights activists fighting these injustices, and to achieve the security and freedom needed for more "good days" in Masafer Yatta. Ali Awad is a human rights activist and writer from Tuba in the South Hebron Hills. He has a degree in English literature. Read more of Ali's work here: Starving Palestine: Israeli colonialism and the struggle for food sovereignty in Masafer Yatta. Words by Manal Shqair. Photographs by Ali Awad. Vittles, 2/10/25: https://www.vittlesmagazine.com/p/starving-palestine Ali Awad: “Many West Bank Palestinians Are Being Forced Out of Their Villages. Is My Family Next?” New York Times 11/20/25: https://www.nytimes.com/2023/11/20/opinion/israel-west-bank-palestinians.html Ali's many articles on +972 Magazine: https://www.972mag.com/writer/ali-awad/ Ali Awad in Haaretz: https://www.haaretz.com/ty-WRITER/0000017f-da25-d432-a77f-df3fa13f0000 Humans of Masafer Yatta: https://humansofmasaferyatta.substack.com/ For more on the attacks in Jinba, Susya, and Tuba, see: Israeli settlers attacked Jinba — then came back in army uniform (Oren Ziv, +972 Magazine, 4/2/25): https://www.972mag.com/jinba-pogrom-israeli-settlers-soldiers/ In Masafer Yatta, we need more than awards — we need protection (Ahmad Nawajah, +972 Magazine, 4/8/25): https://www.972mag.com/susiya-masafer-yatta-oscars-protection/ On the Oscar-winning documentary No Other Land and ongoing attacks in Masafer Yatta, see https://www.972mag.com/search/?q=no%20other%20land For more on Masafer Yatta: https://savemasaferyatta.com/ To watch the Oscar-winning documentary No Other Land: https://nootherland.com/ Sarah Anne Minkin, PhD, is FMEP's Director of Programs & Partnerships. She is an expert on the intersection between Israeli civil society and Palestinian civil rights and human rights advocacy as well as the ways that Jewish Americans approach the Israeli-Palestinian conflict. She leads FMEP's programming, works to deepen FMEP's relationships with existing and potential grantees, and builds relationships with new partners in the philanthropic community. A graduate of Yale University, Sarah Anne earned her doctorate at the University of California-Berkeley. Original music by Jalal Yaquoub.

Photographer Sally Mann once said, “Photographs open doors to the past, but also allow a look into the future.” Photography is a key component of the historic documentation process. New graduate Sam Malnati (MHC/MUP '25) delved into photography's role in the field for her thesis, Contemporary Vision: Photography's Influence on Perception of Places in the Past. In this episode, producer Willa Seidenberg talks with Sam about the history of photography and its use in the Historic American Buildings Survey, the differences between film and digital photography for historic documentation, and how researching the thesis helped Sam slow down and look at her world.See episode page for photos, resources, and transcript.Connect with us on Instagram, Facebook, and LinkedIn!

More than two million farmworkers do the hard, sometimes backbreaking work of planting, growing, and harvesting crops in the U.S. Focusing on strawberry and grape pickers in California, David Bacon describes what the work involves, where the workers come from, and steps they're taking to protect their rights and pursue justice. (Encore presentation.) The Reality Check: Stories and Photographs by David Bacon David Bacon, More Than a Wall/Mas que un muro El Colegio de la Frontera Norte, 2022 (Image on main page by David Bacon.) The post Laboring in the Fields appeared first on KPFA.

The Guilty Feminist Redux: Minefields with Carrie Quinlan, Reubs J Walsh, Leyla Hussein, Rev Kate HarfordThe Guilty Feminist Redux. MinefieldsPresented by Deborah Frances-White with Carrie Quinlan and special guests Reubs J Walsh, Leyla Hussein and Rev Kate HarfordRecorded 8 May and 18 July at Kings Place in London. Originally eleased 11 September 2017. The Guilty Feminist theme composed by Mark Hodge. Photographs by Grace Gelder http://gracegelder.co.ukGet Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-haveMore about Deborah Frances-Whitehttps://deborahfrances-white.comhttps://www.instagram.com/dfdubzhttps://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120More about Carrie Quinlanhttp://www.carriequinlan.comhttps://twitter.com/quinlan_carrieMore about Reubs J Walshhttps://twitter.com/reubsjwhttps://www.youtube.com/channel/UCHIK3Fan9jKEluhGbRS-gkwMore about Leyla Husseinhttp://leylahussein.comhttps://twitter.com/leylahusseinhttps://twitter.com/faceofdefianceMore about Rev Kate Harfordhttps://twitter.com/kate_elizabeth?lang=enhttp://mccnorthlondon.org.ukFor more information about this and other episodes…visit https://www.guiltyfeminist.comtweet us https://www.twitter.com/guiltfempodlike our Facebook page https://www.facebook.com/guiltyfeministcheck out our Instagram https://www.instagram.com/theguiltyfeministor join our mailing list http://www.eepurl.com/bRfSPTOur new podcasts are out nowMedia Storm https://podfollow.com/media-stormAbsolute Power https://podfollow.com/john-bercows-absolute-powerCome to a live recording:Six Conversations We're Scared to Have book tour: https://www.seetickets.com/search?q=deborah+frances-whiteWhat Does Not x Guilty Feminist https://dice.fm/partner/what-does-not-ltd/event/oeopdy-iwd-special-ft-the-guilty-feminist-19th-mar-the-old-queens-head-london-tickets16 Postcodes in London: https://museumofcomedy.ticketsolve.com/ticketbooth/shows/873652125Never Have I Ever in Melbourne: https://www.mtc.com.au/plays-and-tickets/whats-on/season-2025/never-have-i-ever/Thank you to our amazing Patreon supporters.To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts or Acast+ https://plus.acast.com/s/guiltyfeminist. Hosted on Acast. See acast.com/privacy for more information.

In the Bonfire publicity photos, Jay posed with the saddest face possible. Comic Felipe Esparza hangs out for the whole show as Jay educates him on different types of pornography. Felipe is best known for his multiple stand-up specials, winning Last Comic Standing and his recurring roles on “The Eric Andre Show”, “Superstore”, and “Gentefied”. He's also the host of a popular podcast called “What's Up Fool?" For tour dates go to felipesworld.com. Watch Jay's new special "Them" on Youtube and Bobby's events are at punchup.live/robertkelly. *To hear the full show to go www.siriusxm.com/bonfire to learn more FOLLOW THE CREW ON SOCIAL MEDIA: @thebonfiresxm @louisjohnson @christinemevans @bigjayoakerson @robertkellylive @louwitzkee @jjbwolfSubscribe to SiriusXM Podcasts+ to listen to new episodes of The Bonfire ad-free and a whole week early.  Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.

About 55 million people in the world have dementia. That's according to the World Health Organization. It's also the seventh leading cause of death among the global population. The most common form of dementia is Alzheimer's disease. It makes up 60 to 70 percent of cases. But it's well behind other chronic illnesses on the journey to an effective treatment.The reason may be attributed to years of research based on doctored images. Investigative reporter Charles Piller uncovered that and much more about the world of Alzheimer's research in his new book, "Doctored."We talk to Piller about this Alzheimer's, faulty research, and the search for an effective cure.Want to support 1A? Give to your local public radio station and subscribe to this podcast. Have questions? Connect with us. Listen to 1A sponsor-free by signing up for 1A+ at plus.npr.org/the1a.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

We meet painter Vanessa Raw to discuss her solo show at the Rubell Museum Miami, where she was the 2024 Artist-in-Residence. Vanessa Raw: This is How the Light Gets In marks her first exhibition in the United States, as well as her first institutional show. In these newly commissioned, large-scale works, Raw's distinctive layered brushwork and expressive use of colour depict a dream-like, all-female world—an earthly paradise where the natural world is benevolent and sentient, and where female desire is central. A former triathlete, Raw's practiced mastery of her own body transfers to her work on canvas. Her figures are tranquil and at ease but have agency. They revel in the company of each other and in the landscape that is lush and soft and ripe with colour—paradise found.In 2022 Raw took a radical new direction with her work, shifting from traditional portraiture tropes to paint imagined, same-sex, intimate scenes of women in confected landscapes. Surrounded by flowers and trees, sometimes accompanied by fauna too, these suspended moments of blissful intense connections show naked, energised bodies part-merged with each other and the landscapes they are in.Using a heighten palette Raw conveys the intensity of the moment, as well positioning the paintings in the realm of the imaginary. Likewise, the dream-like fluidity of some areas of mark making suggest an altered state of consciousness, a deep human connectivity occurring simultaneously on a physical and spiritual plane. Photographs taken on her daily runs through local nature areas, an activity undertaken with therapeutical escapist intention, are used as source material for her background landscapes binding their confection to meaningful actualities, pulling into the paintings the remembered feeling of oneness with nature.Raw works in a semi-naturalistic style, with an intense focus on the textures of the human form. Her large scale paintings are an eclectic variety of tonal compositions, vibrant and stimulating. Some of her more explicit pieces show the human body engaged in sexual acts or reaching the point of orgasm, whilst others in a more subtle manner showcase the innate sexuality of the feminine form.Born in 1984 in Hexham, England, Raw lives and works in Margate, UK. Vanessa Raw: This is How the Light Gets In is now open in Miami at Rubell Museum.Visit: https://rubellmuseum.org/2024-vanessa-rawFollow @VanessaRaw_ and @RubellMuseumVanessa Raw is represented by Carl Freedman Gallery, Margate. Special thanks to the Don, Mera and Jason Rubell, and Juan Roselione-Valadez at the Rubell Museum, Carl Freedman @CarlFreedmanGallery and Elissa Cray @TKEStudios. Hosted on Acast. See acast.com/privacy for more information.