Podcasts about Leica

As we observe Memorial Day, enjoy some of our favorite recent conversations from the centennial series:Katherine Sharp Landdeck, professor of history and director of Pioneers Oral History Project at Texas Woman's University and the author of The Women with Silver Wings: The Inspiring True Story of the Women Airforce Service Pilots of World War II (Crown, 2020), talks about American women in the military over the last century.David Remnick, editor of The New Yorker and the host of The New Yorker Radio Hour, talks about another centenarian, The New Yorker, which published its first issue on February 21, 1925.Phil Brown, University Distinguished Professor of Sociology and Health Science at Northeastern University, founder and president of the Catskills Institute and the author of several books, including Catskill Culture: A Mountain Rat's Memories of the Great Jewish Resort Area (Temple University Press, 1998), takes us through the last 100 years in The Catskills -- the hotels, the camps and the people.Sam Barzilay, creative director & co-founder of Photoville, looks at the history of street photography, from the invention of the Leica hand-held 35mm camera which made capturing "the decisive moment" possible, to the challenges presented by AI and smartphone technology of today. These interviews were lightly edited for time and clarity; the original web versions are available here:100 Years of 100 Things: Women in the Military (Apr 30, 2025)100 Years of 100 Things: The New Yorker Magazine (Jan 31, 2025)100 Years of 100 Things: Catskills Hotels (Aug 14, 2024)100 Years of 100 Things: Street Photography (Apr 22, 2025)

With a PetaPixel Membership, not only can you support original PetaPixel reporting and in-depth reviews, but you can also remove ads from the website and gain access to some seriously great perks, too. Members get $15 off the Moment Store, 25% off the PetaPixel Merch Store, and now can download full-resolution RAW files and JPEGs from the latest cameras and lenses. Join today! It costs just $3 per month or $30 per year. The Fujifilm X half is a quirky, funny little camera that is actually exactly what many of us have been asking for: a digital camera that tugs on the analog heartstrings, combining the usability of the modern age with the fun of times past. The thing is, the X half isn't perfect: there are some things the team would have done differently. Also, for those who enjoyed her article and video from earlier this week, Sarah takes a few minutes to answer some questions about her recent photography excursion to Iraq, too, so you won't want to miss this episode!Check out PetaPixel Merch: store.petapixel.com/ We use Riverside to record The PetaPixel Podcast in our online recording studio.We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.In This Episode:00:00 - Intro9:33 - You need to watch Sarah's video about photographing Iraq22:49 - Nikon was the best selling camera brad in Japan for the first time in the mirrorless era25:29 - Voigtlander lens lets you adjust aberration and bokeh29:07 - Blazar's new anamorphic lenses can rotate31:19 - The DJI Mavic 4 Pro was kinda sorta available in the US for a short time35:30 - Reduction of Chinese tariffs sees immediate decrease in price for some Leica products37:13 - If tariffs hold, Nikon expects to lose $70 million37:29 - Sony expects to lose $682 million37:41 - Sony raised the price of many cameras, lenses, and accessories39:11 - Let's talk X half... and what we would do differently 1:05:35 - What have you been up to?1:11:52 - Tech support1:32:49 - Feel good story of the week

Paris and Sylvie discuss Sylvie's busy schedule, including travel, work on her book "Wild Beauty," and future projects. Sylvie mentions her assistant, Maya, and their brainstorming for new creative ventures involving fashion and a unique artistic fusion. They also touch on Sylvie's process of reaching out to potential models, like Jamie, through Instagram, and her excitement for her upcoming show at Fahey/Klein and potential collaboration with Leica. Sylvie reveals that despite her busyness, she makes time to work with private collectors and values the immediate feedback and connection that comes with it, adding that her book will soon be available on Amazon and her website.Show Clip from The Paris Chong Show with Sylvie Blumhttps://youtu.be/y1EFvAFKVvUhttps://www.theparischongshow.com

Paris Chong and Sylvie Blum discuss Sylvie's new book, "Wild Beauty," a 15-year retrospective of her photography. They talk about the process of selecting images with David Fahey and the book's "greatest hits" nature. Sylvie mentions her upcoming gallery show, the possibility of working with Leica cameras, and her passion for both glamorous and street photography, particularly capturing the raw reality of Los Angeles. They also delve into Sylvie's equipment history, including working with Helmut Newton and Gunter Blum, and her plans to explore fashion photography using analog techniques. Sylvie expresses her eagerness to return to shooting after a period focused on book production, highlighting the almost meditative experience of working with her camera.Show Clip from The Paris Chong Show with Sylvie Blumhttps://youtu.be/y1EFvAFKVvUhttps://www.theparischongshow.com

Was macht eine Kameramarke in Zeiten von Smartphone-Fotografie erfolgreich? Johannes Winter, Global Director Corporate Communications bei Leica, gibt Einblicke in eine der traditionsreichsten und gleichzeitig innovativsten Marken Deutschlands.

A beautiful conversation with Leica user Tyler Paydon about his journey into photography [ instagram : https://www.instagram.com/ty_the_photoguy/ ] where we talk about Life, Love, and Leica's (C) [The IXVI Network].The Pod: 0:01 : Intro ; 09:30 : When I Started Photography ; 26:00 : Workshops and Weddings ; 30:00 : Travel ; 42:00 : Film and Darkroom ; 50:00 : Leica ; 1:00:XX : Socials ; 1:02:XX : My recommendations ; 1:04:XX : The Final Question.Tyler's recommendations : Randy Benzie : [ instagram : https://www.instagram.com/randy_benzie/ ] ; Swamp : [ instagram : https://www.instagram.com/gazettour_/ ] ; Mitchell Comerford : [ instagram : https://www.instagram.com/all_eyez_on_meech/ ] :Donate to the podcast: Help me provide and fund the best and new experience's for the supporters: [ https://ko-fi.com/ixvi96 ]Podcast Artwork belongs to respective owner and is not the intellectual property of LSPC Podcast. (Copyright image @Tyler Paydon)

Gerda Taro hat die moderne Kriegsfotografie begründet, zusammen mit ihrem Mann Robert Capa. Und damit viele andere berühmte Fotograf*innen beeinflusst, von Lee Miller bis Margaret Bourke-White und den Gründern der Agentur Magnum. Geboren in Stuttgart 1910 als Tochter jüdischer Flüchtlinge aus Galizien, rettete sie sich 1933 ins Exil nach Paris. Dort lernte sie Robert Capa kennen, der noch Andrei Friedmann hieß, und gab sich jenen Namen, unter dem man „das Mädchen mit der Leica“ bis heute kennt.

Dans cet épisode, les intervenants discutent de la photographie de vacances, de l'impact du Covid sur leurs pratiques photographiques, et des défis rencontrés lors de la prise de photos avec des enfants. Ils échangent également sur les équipements photographiques, la narration en photographie familiale, et la difficulté de rester objectif face à des photos chargées d'émotion. Les expériences avec différents appareils photo, notamment Leica et Fuji, sont également abordées, ainsi que l'importance de l'élimination dans le processus de tri des photos. Cette conversation aborde divers aspects de la photographie, notamment les défis de capturer des moments familiaux, l'importance de la critique constructive, et la manière de traiter des sujets émotionnels comme la mort. Les intervenants partagent leurs expériences personnelles et discutent de la responsabilité éthique des photographes dans des situations délicates. Cette conversation explore les thèmes de l'expérience en photographie, de l'évolution personnelle, de la fierté et du jugement des œuvres, ainsi que de la narration à travers les images. Les participants discutent de l'importance de garder les imperfections, de la quête de la beauté et de l'esthétique, et de la question de savoir si l'on peut esthétiser l'horreur. Ils s'interrogent également sur ce qui définit une belle photo et comment les expériences passées influencent le travail actuel.Chapitres00:00 Introduction à la photographie de vacances01:19 L'impact des réseaux sociaux sur la photographie03:25 Évolution de la photographie personnelle05:26 Réflexions sur le confinement et la créativité07:38 Tri des archives photographiques10:10 Photographie des enfants en vacances12:32 Défis de la photographie en famille18:35 Objectivité dans la photographie personnelle25:00 La narration dans la photographie familiale28:05 L'importance de l'élimination dans le tri des photos30:04 Expériences avec différents appareils photo33:49 Les défis de la photographie en voyage avec des enfants39:59 Les anecdotes de photographie familiale47:54 L'importance du zone focusing en photographie50:12 Débriefing sur l'épisode critique56:56 La photographie dans des moments difficiles01:01:30 Confrontation à la mort à travers la photographie01:10:16 La Photographie des Défunts et des Émotions01:15:23 L'Importance de Capturer les Émotions01:16:15 Pierre Benichoux : Un Humoriste et Journaliste Inoubliable01:20:00 L'Évolution de la Photographie et de l'Art01:24:58 La Fierté et le Sens de la Photographie01:38:27 L'Art de la Photographie : Réflexions et Inspirations01:40:53 Définir une Belle Photo : Esthétique et Émotion01:49:15 La Subjectivité de la Photographie : Entre Technique et Émotion01:56:10 L'Importance de la Narration en Photographie : Raconter des Histoires02:02:24 Clôture et Perspectives : Échanges et Projets Futurs

Trump's tariffs are shaking up the content creation industry, and it's time to adapt. In this episode of "Content and Cash," Ty Turner breaks down what these new tariffs mean for your camera budget and how content creators can stay ahead of the curve. From skyrocketing camera prices to game-changing tools and strategies, this video is packed with the insights you need to turn challenges into opportunities.Here's what you'll discover in this episode:- **How Trump's tariffs are driving up camera prices**: Learn how these changes are impacting brands like Leica, Canon, and Fuji, and what it means for your next upgrade.- **Blackmagic's groundbreaking camera app**: Turn your iPhone into a professional-grade rig with ProRes and 10-bit 4:2:2 capabilities—no more excuses, just results.- **Robert De Niro's vertical studio revolution**: Explore how Wildflower Studios is flipping Hollywood on its head by embracing vertical content creation.- **AI-powered client follow-up strategies**: Get Ty's step-by-step guide to using AI tools to build follow-up sequences that close deals and increase client retention.Whether you're navigating rising costs or looking for cutting-edge tools to revolutionize your photography or videography business, this episode is your ultimate roadmap for turning passion into profit.

Nói đến Marc Riboud – nhiếp ảnh gia người Pháp, qua đời năm 2016 – giới yêu thích nhiếp ảnh đều nhớ đến bức ảnh huyền thoại « Cô gái và cành hoa ». Bức ảnh chụp năm 1967 trở thành biểu tượng của phong trào phản chiến Mỹ, chống chiến tranh Việt Nam. Trong suốt 10 năm, 1966 – 1976, Marc Riboud cùng với chiếc máy ảnh Leica, rong ruổi từ Bắc vô Nam, ghi lại những « khoảnh khắc » của cuộc chiến tàn khốc. Đó là những hình ảnh nam nữ công nhân làm việc trong nhà xưởng ở miền bắc, những nam – nữ quân dân du kích, những góa phụ khóc thương người thân bị mất hay những đứa trẻ trên đường đi học. Rồi từ những cuộc biểu tình chống chiến tranh tại Mỹ cho đến những vùng đất ở Bắc Việt Nam, đi qua những cảnh tan hoang ở Huế.Những « khoảnh khắc » đôi khi dung dị, bình yên, nhưng cũng có lúc đau thương, kinh hoàng, đã được nhà nhiếp ảnh người Pháp ghi lại qua những tấm ảnh trắng đen, biến ông thành một nhân chứng độc đáo và khác thường cho một cuộc chiến khốc liệt bị toàn cầu hóa.Những âm bản này được ông thực hiện trong vòng 10 năm, 1966 – 1976 sau hơn một chục chuyến đi đến Việt Nam. Đó cũng là thời điểm tại Pháp và nhiều nơi khác, đặc biệt là Mỹ, giới văn hóa, trí thức cũng như một số nghệ sĩ, nhiếp ảnh gia phản đối mạnh mẽ chiến tranh. Marc Riboud còn chịu ảnh hưởng từ người vợ đầu tiên là Barbara Chase, là một nghệ sĩ Mỹ, và do vậy ông đã có được một mối liên hệ với Mỹ, với chính sách của Mỹ.Là một người rất ủng hộ độc lập, từng tham gia kháng chiến trong Đệ Nhị Thế Chiến, Marc Riboud có niềm tin sâu sắc là những dân tộc đấu tranh cho nền độc lập vào thời điểm đó sẽ giành được thắng lợi và do vậy, đối với cuộc chiến tranh tại Việt Nam, ông cảm thấy như « bị thôi thúc » phải làm chứng. Phản đối chiến tranh, nhưng ông cũng lên án cả chế độ chuyên chế độc tài thời kỳ hậu chiến.2025 đánh dấu 50 năm chiến tranh Việt Nam kết thúc. Nhân dịp này, bảo tàng Nghệ thuật châu Á – Guimet tại Paris và hiệp hội Những người bạn của Marc Riboud có cuộc triển lãm « Marc Riboud – tập ảnh Việt Nam 1966 – 1976 » kéo dài đến ngày 12/05/2025.Bà Lorène Durret, đồng phụ trách triển lãm Marc Riboud, đã dành cho RFI Tiếng Việt một cuộc phỏng vấn, hồi tưởng lại những suy nghĩ, tâm tư và cách thức làm việc của Marc Riboud, một trong những nhiếp ảnh gia bậc thầy trong thế kỷ XX.RFI Tiếng Việt : Thân chào Lorène Durret. Trước hết, bà có thể cho biết vì sao Marc Riboud đã chọn đến Việt Nam giai đoạn 1966 – 1976 ?Lorène Durret : Ông ấy biết rõ những gì đang xảy ra, đúng là trong suốt thời gian này ông ấy rất chú ý và quan tâm. Vì vậy, từ tiếng Anh chính xác hơn nhiều, người ta nói « concerned và concerned photographer ». Ông là một nhiếp ảnh gia quan tâm, có nghĩa là ông cảm thấy lo lắng về những gì đang xảy ra. Vì vậy, rõ ràng là ông đã có thông tin về Chiến tranh Việt Nam. Hơn nữa, Việt Nam cũng có mối quan hệ với Pháp trong suốt chiều dài lịch sử (…)Marc Riboud luôn là một người cực kỳ độc lập. Khi còn trẻ, ông đã tham gia kháng chiến trong Thế chiến thứ hai tại Lyon từ năm 1942. Khi đó ông 19 tuổi, đang học trung học và cho đến năm 1944, ông đã tham gia chiến đấu với nhóm du kích quân Vercors. Vì vậy, ông tin chắc rằng những người dân đang đấu tranh giành độc lập vào thời điểm đó sẽ giành được độc lập (…)Vào thời điểm đó, rõ ràng là họ không biết chuyện gì sẽ xảy ra, nhưng dù sao đi nữa, ông vẫn theo dõi tin tức và cảm thấy cần phải chia sẻ trải nghiệm của mình. Tất nhiên, vào thời điểm đó, vẫn còn rất ít nhà dân có vô tuyến truyền hình. Thông tin được đưa qua báo chí, tạp chí và nhiệm vụ của ông với tư cách là một nhiếp ảnh gia và phóng viên ảnh là đến đó để ghi lại những gì đang diễn ra và làm chứng.Khi xem ảnh của Marc Riboud, người ta có cảm giác ông như người ngoài cuộc, lặng lẽ đứng nhìn, quan sát, và cũng không quan điểm chính trị ?Lorène Durret : Đúng, chúng ta có thể cảm nhận được sự đồng cảm của ông, nhưng trước hết và quan trọng nhất là sự đồng cảm với những người ông chụp ảnh và những người trên đường phố : Đó là những thường dân, người dân, công dân. Ông là người rất khiêm tốn trong cách chụp ảnh mọi người và luôn giữ khoảng cách để có thể thể hiện và quan sát.Và ông là người luôn tin tưởng vào những quan sát của mình do ông không bao giờ là một nhà đấu tranh không giống như những người khác xung quanh ông (…) Marc Riboud có một ý thức chính trị tốt, ông sáng suốt và không bị thu hút bởi nguy hiểm. Nhất là khi nhắc đến Việt Nam, hiển nhiên khi nghĩ đến những bức ảnh về Chiến tranh Việt Nam, người ta thường nghĩ ngay đến những bức ảnh chiến đấu.Chúng tôi có rất nhiều ảnh về quân đội Mỹ và quả thật đó không phải là những bức ảnh về cuộc sống thường ngày của người dân, không phải lúc nào cũng vậy. Tuy nhiên, trong những bức ảnh này, điều tôi thấy thú vị là chúng ta cảm nhận được độ dài của thời gian dài. Chúng ta cũng nhận thấy thời gian cuộc xung đột là rất dài.Trong khi ở những tác phẩm khác có đôi chút khác biệt, chúng ta chỉ thấy cao trào và bạo lực nhưng ở một thời điểm chứ không phải trong khoảng thời gian dài như thế này. Và những gì tác phẩm của ông thể hiện và ở đó ông hơi lạc lõng, tôi nghĩ so với các nhiếp ảnh gia và nhà báo khác mà ông đã trao đổi ở nơi khác, thì đó là một thế giới thu nhỏ bị thay đổi từ những luồng thông tin hạn hẹp. Thế nên, công việc của ông thực sự là cuộc sống của người dân trong thời chiến.Ông lên án chiến tranh nhưng không bao giờ phơi bày cảnh chết chóc cũng như các chiến tuyến ?Lorene Durret : Như tôi có nói về quá khứ của ông như một kháng chiến quân vì ông gần kề với chiến tranh, nên ông hiểu chiến tranh. Ông mất bạn bè, nên ông biết chiến tranh là như thế nào trong một bối cảnh khác. Nhưng ông đã cận kề với bạo lực và ông không muốn trở thành nhiếp ảnh gia ghi lại cảnh đó. Một người cháu họ của Marc Riboud, nhà văn Camille de Toledo, đã nói về điều này và về việc, ông đã từng chứng kiến ​​cái chết và do vậy ông hướng tới sự sống.Và trong những bức ảnh của ông, chúng ta thấy được sự sống. Đó là điều ấn tượng nhất, và ngay cả trong những bức ảnh về đống đổ nát và hoang tàn, những bức ảnh về Huế trong đống đổ nát của ông cũng đặc biệt ấn tượng, nhưng những gì chúng ta thấy là sự sống đang trở lại và một nỗi đau nào đó nhưng cũng có một niềm hy vọng.Ông thích gặp người dân, nhưng không chỉ ở một phía. Người xem có thể thấy cả cuộc sống thường nhật ở cả hai phía vĩ tuyến 17 cũng như là những hoạt động thường nhật của quân đội Mỹ ?Lorene Durret : Vâng, bởi vì ông ấy thích đi và chứng kiến ​​cả hai phía, và ông ấy nghĩ điều đó quan trọng, đó cũng là vị trí của ông với tư cách là một nhà báo. Chúng ta có thể nói là nhà báo vào thời điểm Chiến tranh Việt Nam vì ông cũng đã viết bài và chúng tôi trưng bày trong triển lãm hai bài báo mà ông viết cho tờ Le Monde, từng là tờ báo lớn nhất của Pháp, và vẫn chưa xuất bản ảnh vào thời điểm đó.Tôi tin rằng ông ấy luôn phân biệt giữa những người ra quyết định, những người có quyền lực và những người dân thường, bất kể là ở miền nam, miền bắc hay và đó là những binh sĩ Mỹ trẻ tuổi mà ông lên án « sự nhồi sọ » trong bài báo, những người lính đã tin chắc vào những gì họ đang làm và những gì họ đang làm là cần thiết. Marc Riboud có một sự đồng cảm nào đó với những người ông chụp ảnh. Ông không coi tất cả mọi người là người ủng hộ hay là binh sĩ.Nhắc đến Marc Riboud là phải nhắc đến bức ảnh « Cô gái và cành hoa ». Bức ảnh nổi tiếng phản chiến này đã cho phép ông có được tấm giấy thông hành để đến miền bắc, gặp và phỏng vấn ông Hồ Chí Minh, để rồi cho ra đời một bức ảnh khác không kém phần nổi tiếng, được đăng lại trên trang nhất nhiều tuần san quốc tế thời đó là Hồ Chí Minh và Phạm Văn Đồng bên bàn trà. Dù vậy, điều thú vị là Marc Riboud, cũng không ngần ngại lên án chế độ chuyên chế độc tài với những bức ảnh về trại cải tạo năm 1976 ?Lorene Durret : Đúng vậy, đây là những bức ảnh đã được báo chí công bố vào thời điểm đó và có tầm quan trọng ngày nay vì chúng là dấu vết của những gì đã tồn tại và trong mọi trường hợp, điều quan trọng đối với ông là phải có khoảng cách và sự quan sát này, một lần nữa, đó là vì ông không phải là một nhà hoạt động nên điều này cho phép ông quan sát với thái độ trung lập hơn.RFI Tiếng Việt xin cảm ơn Lorène Durret, đồng phụ trách triển lãm ảnh « Marc Riboud, Việt Nam 1966-1976 », bảo tàng Guimet, Paris.

Nói đến Marc Riboud – nhiếp ảnh gia người Pháp, qua đời năm 2016 – giới yêu thích nhiếp ảnh đều nhớ đến bức ảnh huyền thoại « Cô gái và cành hoa ». Bức ảnh chụp năm 1967 trở thành biểu tượng của phong trào phản chiến Mỹ, chống chiến tranh Việt Nam. Trong suốt 10 năm, 1966 – 1976, Marc Riboud cùng với chiếc máy ảnh Leica, rong ruổi từ Bắc vô Nam, ghi lại những « khoảnh khắc » của cuộc chiến tàn khốc. Đó là những hình ảnh nam nữ công nhân làm việc trong nhà xưởng ở miền bắc, những nam – nữ quân dân du kích, những góa phụ khóc thương người thân bị mất hay những đứa trẻ trên đường đi học. Rồi từ những cuộc biểu tình chống chiến tranh tại Mỹ cho đến những vùng đất ở Bắc Việt Nam, đi qua những cảnh tan hoang ở Huế.Những « khoảnh khắc » đôi khi dung dị, bình yên, nhưng cũng có lúc đau thương, kinh hoàng, đã được nhà nhiếp ảnh người Pháp ghi lại qua những tấm ảnh trắng đen, biến ông thành một nhân chứng độc đáo và khác thường cho một cuộc chiến khốc liệt bị toàn cầu hóa.Những âm bản này được ông thực hiện trong vòng 10 năm, 1966 – 1976 sau hơn một chục chuyến đi đến Việt Nam. Đó cũng là thời điểm tại Pháp và nhiều nơi khác, đặc biệt là Mỹ, giới văn hóa, trí thức cũng như một số nghệ sĩ, nhiếp ảnh gia phản đối mạnh mẽ chiến tranh. Marc Riboud còn chịu ảnh hưởng từ người vợ đầu tiên là Barbara Chase, là một nghệ sĩ Mỹ, và do vậy ông đã có được một mối liên hệ với Mỹ, với chính sách của Mỹ.Là một người rất ủng hộ độc lập, từng tham gia kháng chiến trong Đệ Nhị Thế Chiến, Marc Riboud có niềm tin sâu sắc là những dân tộc đấu tranh cho nền độc lập vào thời điểm đó sẽ giành được thắng lợi và do vậy, đối với cuộc chiến tranh tại Việt Nam, ông cảm thấy như « bị thôi thúc » phải làm chứng. Phản đối chiến tranh, nhưng ông cũng lên án cả chế độ chuyên chế độc tài thời kỳ hậu chiến.2025 đánh dấu 50 năm chiến tranh Việt Nam kết thúc. Nhân dịp này, bảo tàng Nghệ thuật châu Á – Guimet tại Paris và hiệp hội Những người bạn của Marc Riboud có cuộc triển lãm « Marc Riboud – tập ảnh Việt Nam 1966 – 1976 » kéo dài đến ngày 12/05/2025.Bà Lorène Durret, đồng phụ trách triển lãm Marc Riboud, đã dành cho RFI Tiếng Việt một cuộc phỏng vấn, hồi tưởng lại những suy nghĩ, tâm tư và cách thức làm việc của Marc Riboud, một trong những nhiếp ảnh gia bậc thầy trong thế kỷ XX.RFI Tiếng Việt : Thân chào Lorène Durret. Trước hết, bà có thể cho biết vì sao Marc Riboud đã chọn đến Việt Nam giai đoạn 1966 – 1976 ?Lorène Durret : Ông ấy biết rõ những gì đang xảy ra, đúng là trong suốt thời gian này ông ấy rất chú ý và quan tâm. Vì vậy, từ tiếng Anh chính xác hơn nhiều, người ta nói « concerned và concerned photographer ». Ông là một nhiếp ảnh gia quan tâm, có nghĩa là ông cảm thấy lo lắng về những gì đang xảy ra. Vì vậy, rõ ràng là ông đã có thông tin về Chiến tranh Việt Nam. Hơn nữa, Việt Nam cũng có mối quan hệ với Pháp trong suốt chiều dài lịch sử (…)Marc Riboud luôn là một người cực kỳ độc lập. Khi còn trẻ, ông đã tham gia kháng chiến trong Thế chiến thứ hai tại Lyon từ năm 1942. Khi đó ông 19 tuổi, đang học trung học và cho đến năm 1944, ông đã tham gia chiến đấu với nhóm du kích quân Vercors. Vì vậy, ông tin chắc rằng những người dân đang đấu tranh giành độc lập vào thời điểm đó sẽ giành được độc lập (…)Vào thời điểm đó, rõ ràng là họ không biết chuyện gì sẽ xảy ra, nhưng dù sao đi nữa, ông vẫn theo dõi tin tức và cảm thấy cần phải chia sẻ trải nghiệm của mình. Tất nhiên, vào thời điểm đó, vẫn còn rất ít nhà dân có vô tuyến truyền hình. Thông tin được đưa qua báo chí, tạp chí và nhiệm vụ của ông với tư cách là một nhiếp ảnh gia và phóng viên ảnh là đến đó để ghi lại những gì đang diễn ra và làm chứng.Khi xem ảnh của Marc Riboud, người ta có cảm giác ông như người ngoài cuộc, lặng lẽ đứng nhìn, quan sát, và cũng không quan điểm chính trị ?Lorène Durret : Đúng, chúng ta có thể cảm nhận được sự đồng cảm của ông, nhưng trước hết và quan trọng nhất là sự đồng cảm với những người ông chụp ảnh và những người trên đường phố : Đó là những thường dân, người dân, công dân. Ông là người rất khiêm tốn trong cách chụp ảnh mọi người và luôn giữ khoảng cách để có thể thể hiện và quan sát.Và ông là người luôn tin tưởng vào những quan sát của mình do ông không bao giờ là một nhà đấu tranh không giống như những người khác xung quanh ông (…) Marc Riboud có một ý thức chính trị tốt, ông sáng suốt và không bị thu hút bởi nguy hiểm. Nhất là khi nhắc đến Việt Nam, hiển nhiên khi nghĩ đến những bức ảnh về Chiến tranh Việt Nam, người ta thường nghĩ ngay đến những bức ảnh chiến đấu.Chúng tôi có rất nhiều ảnh về quân đội Mỹ và quả thật đó không phải là những bức ảnh về cuộc sống thường ngày của người dân, không phải lúc nào cũng vậy. Tuy nhiên, trong những bức ảnh này, điều tôi thấy thú vị là chúng ta cảm nhận được độ dài của thời gian dài. Chúng ta cũng nhận thấy thời gian cuộc xung đột là rất dài.Trong khi ở những tác phẩm khác có đôi chút khác biệt, chúng ta chỉ thấy cao trào và bạo lực nhưng ở một thời điểm chứ không phải trong khoảng thời gian dài như thế này. Và những gì tác phẩm của ông thể hiện và ở đó ông hơi lạc lõng, tôi nghĩ so với các nhiếp ảnh gia và nhà báo khác mà ông đã trao đổi ở nơi khác, thì đó là một thế giới thu nhỏ bị thay đổi từ những luồng thông tin hạn hẹp. Thế nên, công việc của ông thực sự là cuộc sống của người dân trong thời chiến.Ông lên án chiến tranh nhưng không bao giờ phơi bày cảnh chết chóc cũng như các chiến tuyến ?Lorene Durret : Như tôi có nói về quá khứ của ông như một kháng chiến quân vì ông gần kề với chiến tranh, nên ông hiểu chiến tranh. Ông mất bạn bè, nên ông biết chiến tranh là như thế nào trong một bối cảnh khác. Nhưng ông đã cận kề với bạo lực và ông không muốn trở thành nhiếp ảnh gia ghi lại cảnh đó. Một người cháu họ của Marc Riboud, nhà văn Camille de Toledo, đã nói về điều này và về việc, ông đã từng chứng kiến ​​cái chết và do vậy ông hướng tới sự sống.Và trong những bức ảnh của ông, chúng ta thấy được sự sống. Đó là điều ấn tượng nhất, và ngay cả trong những bức ảnh về đống đổ nát và hoang tàn, những bức ảnh về Huế trong đống đổ nát của ông cũng đặc biệt ấn tượng, nhưng những gì chúng ta thấy là sự sống đang trở lại và một nỗi đau nào đó nhưng cũng có một niềm hy vọng.Ông thích gặp người dân, nhưng không chỉ ở một phía. Người xem có thể thấy cả cuộc sống thường nhật ở cả hai phía vĩ tuyến 17 cũng như là những hoạt động thường nhật của quân đội Mỹ ?Lorene Durret : Vâng, bởi vì ông ấy thích đi và chứng kiến ​​cả hai phía, và ông ấy nghĩ điều đó quan trọng, đó cũng là vị trí của ông với tư cách là một nhà báo. Chúng ta có thể nói là nhà báo vào thời điểm Chiến tranh Việt Nam vì ông cũng đã viết bài và chúng tôi trưng bày trong triển lãm hai bài báo mà ông viết cho tờ Le Monde, từng là tờ báo lớn nhất của Pháp, và vẫn chưa xuất bản ảnh vào thời điểm đó.Tôi tin rằng ông ấy luôn phân biệt giữa những người ra quyết định, những người có quyền lực và những người dân thường, bất kể là ở miền nam, miền bắc hay và đó là những binh sĩ Mỹ trẻ tuổi mà ông lên án « sự nhồi sọ » trong bài báo, những người lính đã tin chắc vào những gì họ đang làm và những gì họ đang làm là cần thiết. Marc Riboud có một sự đồng cảm nào đó với những người ông chụp ảnh. Ông không coi tất cả mọi người là người ủng hộ hay là binh sĩ.Nhắc đến Marc Riboud là phải nhắc đến bức ảnh « Cô gái và cành hoa ». Bức ảnh nổi tiếng phản chiến này đã cho phép ông có được tấm giấy thông hành để đến miền bắc, gặp và phỏng vấn ông Hồ Chí Minh, để rồi cho ra đời một bức ảnh khác không kém phần nổi tiếng, được đăng lại trên trang nhất nhiều tuần san quốc tế thời đó là Hồ Chí Minh và Phạm Văn Đồng bên bàn trà. Dù vậy, điều thú vị là Marc Riboud, cũng không ngần ngại lên án chế độ chuyên chế độc tài với những bức ảnh về trại cải tạo năm 1976 ?Lorene Durret : Đúng vậy, đây là những bức ảnh đã được báo chí công bố vào thời điểm đó và có tầm quan trọng ngày nay vì chúng là dấu vết của những gì đã tồn tại và trong mọi trường hợp, điều quan trọng đối với ông là phải có khoảng cách và sự quan sát này, một lần nữa, đó là vì ông không phải là một nhà hoạt động nên điều này cho phép ông quan sát với thái độ trung lập hơn.RFI Tiếng Việt xin cảm ơn Lorène Durret, đồng phụ trách triển lãm ảnh « Marc Riboud, Việt Nam 1966-1976 », bảo tàng Guimet, Paris.

In today's episode a case in the Supreme Court could change copyright infringement cases, Sally Mann photos, and Leica changing their pricing. You can find the show notes here. https://liamphotographypodcast.com/episodes/episode-452-copyrights-sally-mann-leica-pricing

El debate alrededor de la inteligencia artificial se instala en las escuelas de diseño, animación y fotografía de París. De la productividad a la sensibilidad artística, la comunidad educativa busca respuestas y garantías en cuanto a las salidas profesionales. ChatGPT, Midjourney y Firefly son solo algunos de los muchos nombres comerciales de la inteligencia artificial generativa (IAG), una tecnología que se nutre de datos, textos e imágenes para entrenar sus algoritmos y, a su vez, producir nuevos contenidos escritos y audiovisuales. Aunque el origen de la IA generativa se remonta a varias décadas atrás, el desarrollo exponencial durante los últimos años explica el debate acerca de sus límites éticos, su impacto ecológico y la creciente preocupación por su falta de regulación. Y también sobre la banalización del arte y el trabajo creativo.“Es un insulto a la vía misma”, declaró Hayao Miyazaki, fundador del famoso estudio de animación Studio Ghibli, tras la ola de imágenes inspiradas en el estilo de sus películas creadas con inteligencia artificial. Una opinión compartida por un sector de los estudiantes que aspiran a trabajar en dicha industria.Foco en la propiedad intelectual“Es regurgitar un montón de imágenes hechas por artistas a los que no han pedido su consentimiento. No tiene sentido”, se queja Lianne, estudiante en cine de animación en la escuela de Gobelins París. "Es ilegal, no pagan por los derechos de autor, ¡es un robo!", añade su compañera Laura. Sin una delimitación clara, la cuestión de la autoría sigue siendo confusa.“Es algo cada vez más presente en nuestro día a día y creo que irá a más”, opina Louane, que también cursa cine de animación en Gobelins. Prefiere no pensar en la inteligencia artificial porque le produce cierto estrés, “pero es verdad que hay que tenerlo en cuenta”, admite. “Si hacemos una formación tan reconocida como ésta es para encontrar trabajo después. Si la IA nos lo quita, es estúpido hacerla”, concluye.El diseño gráfico, ¿en peligro?Difícil obviar la cuestión. Según el último Informe sobre el Futuro de los Empleos del Foro Económico Mundial, publicado en enero de 2025, la automatización que la IA trae consigo supondrá la destrucción de 92 millones de puestos de trabajo para 2030, mientras que creará otros 170 millones. Entre las profesiones con una rápida tendencia de declive, según este informe, está el diseño gráfico.“Una compañera de trabajo que no tenía estudios en este ámbito hizo un logo con ChatGPT y pensó que así ya podría ser grafista. Me lo dijo como si mi trabajo fuese un fraude", cuenta Axelle, estudiante de la escuela de diseño LISAA.Útil para ganar tiempoPero la IA no es perfecta. Como cualquier otra herramienta, para los que se sirven de ella como tal, es necesario utilizarla correctamente para obtener los resultados deseados. "Te hace ganar mucho tiempo, pero hay que saber hacer un prompt (la orden que se le da a la IA para que responda con un texto, imagen o vídeo, NDLR) y seleccionar las imágenes correctas. Siempre hará falta un director artístico que la supervise”, asegura Noémie, también de la escuela LISAA. “Tengo un bagaje suficiente como para poder encontrar un empleo. No puedes no usarla solo por tener miedo a que te quite el trabajo."Algunos la usan porque la ven como una herramienta, otros la rechazan por motivos éticos o ecológicos, pero el debate alrededor de la inteligencia artificial roza incluso lo filosófico. "Mientras no tengas demasiado apego a las herramientas y mantengas tu independencia y tus ideas, me parece bien", dice Tony, alumno de diseño gráfico y animación en la escuela ECV, aventurándose a hacer el paralelismo con la película “Her” (Spike Jonze, 2013), donde el personaje interpretado por Joaquín Phoenix se enamora de una inteligencia artificial.“En la escuela usamos la IA para generar storyboards que luego convertimos en secuencias de video.”. Para él, la utilidad está en la fase de preproducción de los proyectos, donde asegura que le permite avanzar mucho más rápido.Priorizar la creatividad y la sensibilidadEl grado de permisión e incorporación de la IAG en los programas educativos depende de cada escuela, de cada departamento y de cada docente. “Nosotros incorporamos la IA desde el primer año de la formación. Los alumnos aprenden técnicas de fotografía analógica y digital, pero también el tratamiento de sus fotos con inteligencia artificial”, explica Yann Philippe, enseñante de fotografía y vídeo en Gobelins."No sentimos que nuestro trabajo esté directamente amenazado por la IA y creemos que, con un buen uso e inteligencia, puede potenciar la creatividad de algunos alumnos”. Son sorprendentemente los que ingresan con amplios conocimientos de IA generativa los menos interesados en trabajar con ella y más con el formato analógico y los procesos tradicionales, a diferencia de quienes no la han utilizado aún. “De todas formas, las herramientas avanzan a tal velocidad que cuando terminamos de preparar los cursos, ya están obsoletas."“Hice el curso de Midjourney de Gobelins, pero me interesa más la autenticidad”, confiesa Axel, alumno de fotografía, con su cámara Leica analógica colgada del hombro. “Con IA o sin IA, lo importante es la motivación y la sensibilidad que cada artista pone en sus proyectos.” Este precisamente lo que Yann Philippe busca desarrollar porque considera que “es ahí donde está su valor añadido”.La inteligencia artificial generativa avanza más rápido que el ritmo al que se da respuesta a las dudas y preguntas que ésta plantea, y se exige un marco normativo a la altura de los retos que conlleva. La Ley de Inteligencia Artificial de la Unión Europea, en vigor desde el 1 de agosto de 2024, es un primer paso, pero no parece suficiente. En el ámbito educativo, la UNESCO ha realizado una llamada urgente a los gobiernos de todo el mundo para que la regulen de manera eficaz.

Three Leica Lenses (That Aren't Crazy Expensive) - Bringing It All Back Home returns with an episode all about three different Leica lenses: a screw-mount, an M-mount collapsible, and a Walter Mandler R mount. Even though they're all classic Leica lenses - they can be found for under $500. Explored in this episode: Elmar 3.5, Vintage Lenses With Character, the perils of finding a decent Summicron collapsible, HCB, Kodak Portra, Nice Film Club, the hidden gem that is the Leica Canada Walter Mandler R lenses.Links:CollectiBlend: Library: Leica lens compendium by Erwin PutsThe 50mm Elmar - An Enduring Classic Leica Lens - The Leica camera BlogLeitz 5cm f3.5 Elmar: The Meaning of Gestalt – The Thoughts & Photography of Johnny MartyrGEAR - Leica Summicron 50/2 Collapsible – Review by KJ Vogelius50mm f/2 Summicron-R II - Leica Wiki (English)

As our centennial series continues, Sam Barzilay, creative director & co-founder of Photoville, looks at the history of street photography, from the invention of the Leica hand-held 35mm camera which made capturing "the decisive moment" possible, to the challenges presented by AI and smartphone technology of today.=>"Women Street Photographers" exhibit through April 28=> Photoville Festival coming in June.

A beautiful conversation with Leica user P P about his journey into photography [ instagram : https://www.instagram.com/p/ : Web: www.p.com] where we talk about Life, Love, and Leica's (C) [The IXVI Network].The Pod: 0:01 : Intro ; 02:00 : L ; 05:30 : L ; 08:15 : L ; 10:45 : L ; 16:00 : L ; 21:00 : L ; 24:15 : L ; 26:30 : L ; 32:45 : L ; 34:30 : L ; 36:00 : L ; 44:50 : L ; 45:30 :  L ; 48:30 : L  ; 52:45 : L ; 59:30 : L ; 1:02:XX : L ; 1:05:XX : L ; 1:06:XX : L ; 1:08:XX : L ; 1:11:XX : L ; 1:13:XX : L ; 1:14:XX L ; 1:18:XX : L ; 1:19:XX : L ; 1:20:XX : L ; 1:23:XX : L ; 1:25:XX : L ; 1:30:XX : My recommendations ; 1:30:XX : The Final Question.'s recommendations :  [ instagram : https://www.instagram.com// ]Donate to the podcast: Help me provide and fund the best and new experience's for the supporters: [ https://ko-fi.com/ixvi96 ]Podcast Artwork belongs to respective owner and is not the intellectual property of LSPC Podcast. (Copyright image @)

Irina Nikifortchuk was 19 years old and a Ukrainian schoolteacher when she was abducted to be a forced laborer in the Leica camera factory in Nazi Germany. Eventually pulled from the camp hospital to work as a domestic in the Leica owners' household, Irina survived the war and eventually found her way to Canada. Decades later Sasha Colby, Irina's granddaughter, seeks out her grandmother's story over a series of summer visits and gradually begins to interweave the as-told-to story with historical research. As she delves deeper into the history of the Leica factory and World War II forced labor, she discovers the parallel story of Elsie Kühn-Leitz, Irina's rescuer and the factory heiress, later imprisoned and interrogated by the Gestapo on charges of “excessive humanity.” This is creative nonfiction at its best as the mystery of Irina's life unspools skillfully and arrestingly. Despite the horrors that the story must tell, it is full of life, humor, food, and the joy of ordinary safety in Canada. The Matryoshka Memoirs: A Story of Ukrainian Forced Labour, the Leica Camera Factory, and Nazi Resistance (ECW Press, 2023) takes us into a forgotten corner of history, weaving a rich and satisfying tapestry of survival and family ties and asking what we owe those who aid us. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Irina Nikifortchuk was 19 years old and a Ukrainian schoolteacher when she was abducted to be a forced laborer in the Leica camera factory in Nazi Germany. Eventually pulled from the camp hospital to work as a domestic in the Leica owners' household, Irina survived the war and eventually found her way to Canada. Decades later Sasha Colby, Irina's granddaughter, seeks out her grandmother's story over a series of summer visits and gradually begins to interweave the as-told-to story with historical research. As she delves deeper into the history of the Leica factory and World War II forced labor, she discovers the parallel story of Elsie Kühn-Leitz, Irina's rescuer and the factory heiress, later imprisoned and interrogated by the Gestapo on charges of “excessive humanity.” This is creative nonfiction at its best as the mystery of Irina's life unspools skillfully and arrestingly. Despite the horrors that the story must tell, it is full of life, humor, food, and the joy of ordinary safety in Canada. The Matryoshka Memoirs: A Story of Ukrainian Forced Labour, the Leica Camera Factory, and Nazi Resistance (ECW Press, 2023) takes us into a forgotten corner of history, weaving a rich and satisfying tapestry of survival and family ties and asking what we owe those who aid us. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Irina Nikifortchuk was 19 years old and a Ukrainian schoolteacher when she was abducted to be a forced laborer in the Leica camera factory in Nazi Germany. Eventually pulled from the camp hospital to work as a domestic in the Leica owners' household, Irina survived the war and eventually found her way to Canada. Decades later Sasha Colby, Irina's granddaughter, seeks out her grandmother's story over a series of summer visits and gradually begins to interweave the as-told-to story with historical research. As she delves deeper into the history of the Leica factory and World War II forced labor, she discovers the parallel story of Elsie Kühn-Leitz, Irina's rescuer and the factory heiress, later imprisoned and interrogated by the Gestapo on charges of “excessive humanity.” This is creative nonfiction at its best as the mystery of Irina's life unspools skillfully and arrestingly. Despite the horrors that the story must tell, it is full of life, humor, food, and the joy of ordinary safety in Canada. The Matryoshka Memoirs: A Story of Ukrainian Forced Labour, the Leica Camera Factory, and Nazi Resistance (ECW Press, 2023) takes us into a forgotten corner of history, weaving a rich and satisfying tapestry of survival and family ties and asking what we owe those who aid us. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Irina Nikifortchuk was 19 years old and a Ukrainian schoolteacher when she was abducted to be a forced laborer in the Leica camera factory in Nazi Germany. Eventually pulled from the camp hospital to work as a domestic in the Leica owners' household, Irina survived the war and eventually found her way to Canada. Decades later Sasha Colby, Irina's granddaughter, seeks out her grandmother's story over a series of summer visits and gradually begins to interweave the as-told-to story with historical research. As she delves deeper into the history of the Leica factory and World War II forced labor, she discovers the parallel story of Elsie Kühn-Leitz, Irina's rescuer and the factory heiress, later imprisoned and interrogated by the Gestapo on charges of “excessive humanity.” This is creative nonfiction at its best as the mystery of Irina's life unspools skillfully and arrestingly. Despite the horrors that the story must tell, it is full of life, humor, food, and the joy of ordinary safety in Canada. The Matryoshka Memoirs: A Story of Ukrainian Forced Labour, the Leica Camera Factory, and Nazi Resistance (ECW Press, 2023) takes us into a forgotten corner of history, weaving a rich and satisfying tapestry of survival and family ties and asking what we owe those who aid us. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Irina Nikifortchuk was 19 years old and a Ukrainian schoolteacher when she was abducted to be a forced laborer in the Leica camera factory in Nazi Germany. Eventually pulled from the camp hospital to work as a domestic in the Leica owners' household, Irina survived the war and eventually found her way to Canada. Decades later Sasha Colby, Irina's granddaughter, seeks out her grandmother's story over a series of summer visits and gradually begins to interweave the as-told-to story with historical research. As she delves deeper into the history of the Leica factory and World War II forced labor, she discovers the parallel story of Elsie Kühn-Leitz, Irina's rescuer and the factory heiress, later imprisoned and interrogated by the Gestapo on charges of “excessive humanity.” This is creative nonfiction at its best as the mystery of Irina's life unspools skillfully and arrestingly. Despite the horrors that the story must tell, it is full of life, humor, food, and the joy of ordinary safety in Canada. The Matryoshka Memoirs: A Story of Ukrainian Forced Labour, the Leica Camera Factory, and Nazi Resistance (ECW Press, 2023) takes us into a forgotten corner of history, weaving a rich and satisfying tapestry of survival and family ties and asking what we owe those who aid us. Learn more about your ad choices. Visit megaphone.fm/adchoices

Wir gönnen uns ein Update zu unseren Portrait-Plänen und sprechen über Falks neueste Erfahrung mit Menschen vor der Kamera. Es geht um Beziehungen zwischen der Person hinter der Kamera mit der davor, dem Reiz des Neuen, Lichtsetzung und der Frage, ob Dauerlicht erlaubt ist. Darüber kommen wir dann auf Falks Fotos zu #diefotografielebt :
„Leonie feiert das Leben“ und
„Kinderspiel auf Bergen aus Kohle und Stahl“ Über 24mm Brennweite landen wir dann bei Verhältnissen zwischen Vordergrund, Motiv und Hintergrund und empfehlen Euch dazu die Ausstellung „Size matters“ (im Kunstpalast Düsseldorf): https://www.kunstpalast.de/de/event/sizematters/#Ausstellung und ein passendes Video von Krolop & Gerst „Brennweite nutzen in der People Fotografie“: https://youtu.be/edzNbWkOqhA?si=Ggce48ow_unSVW8y Aus dem Intro zu Falks Tipp "Mobile Retter": https://www.mobile-retter.org Wie fotografiert Ihr Menschen am liebsten? Inszeniert, oder in tiefer Verbindung? Was ist Euer „warum“? Und habt Ihr Lieblingsbrennweiten dafür? Wir freuen uns auf Eure Kommentare!

Paris Chong and Geoff Whitman discuss his upcoming book project featuring his photography of Pearl Jam, an idea that originated from the band's management. Geoff, a longtime Leica user, mentions his inspirations like Jim Marshall and Danny Clinch, the latter of whom gave him advice to "be artful" while photographing the band. They also touch on Geoff's experience working with Pearl Jam, emphasizing how positive and supportive the band and crew are, contrasting it with stories of difficult personalities in the industry. Geoff reveals he's been to 150 Pearl Jam shows, shot a significant portion of them, and now gets paid to do so, which he still finds surreal.Show Clip from The Paris Chong Show with Geoff Whitmanhttps://youtu.be/FssHZQ9g-lchttps://www.theparischongshow.com

Die Mannheimer Reiss-Engelhorn-Museen zeigen eine Auswahl an dokumentarischen und journalistischen Fotografien des renommierten „Leica-Oskar-Barnack-Award“.

Henley Bailey is a photographer and entrepreneur based in the UK. His business, Akara Labs, makes accessories for Leica and Pixii rangefinder style cameras with more on the way, and we had a great chat about professional photography and making things as well as revealing an exciting new product idea!More about this show:A camera is just a tool but spend enough time with photographers and you'll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I'm interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

#553 Dan Milnor is a seasoned photographer with over 25 years of experience. His career began with an unexpected twist when a lost transcript led him to a community college with a renowned journalism program. Milnor narrates his early experiences as a photojournalist, detailing the adrenaline-filled assignments and his eventual transition to documentary photography. The discussion delves into the challenges of keeping photography authentic amidst the current digital age, where social media often overshadows genuine skill and creativity. KEY TOPICS COVEREDDan Milnor's Journey into Photography - Milnor details his unexpected path into photography starting from his interest in storytelling, influenced by his mother's use of a Pentax K1000, culminating in a scholarship offer at San Antonio College that commenced his education in photojournalism.Challenges of Modern Photography - The episode emphasizes the pitfalls of relying on social media for validation. Milnor critiques the modern "online photo community" and stresses the importance of creating unique and meaningful work outside of social media platforms.The Importance of Print and Bookmaking - Milnor shares insights into the power of print, emphasizing the tangible nature of photo books as lasting records of work, contrasting with the ephemeral nature of social media images.IMPORTANT DEFINITIONS & CONCEPTSSunny 16 Rule: A photographic rule of thumb for estimating daylight exposures without a meter.Long-term Projects: An approach in photography focusing on extended storytelling beyond single images to provide depth and context.DISCUSSION & REFLECTION QUESTIONSHow can photographers ensure their work stands out in a saturated digital space?What are the benefits of producing physical photo books versus digital albums?How does Milnor's view on social media challenge or change your perspective on its use in photography?RESOURCES:Visit Dan Milnor's Website - https://shifter.media/Download your free copy of 46 Creative Photo Ideas to Get You Out of a Rutat https://creativeimageideas.com/ Sign up for your free CloudSpot Account today at www.DeliverPhotos.comConnect with Raymond! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Get your Photo Questions Answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

TZ253 – Vivian Maier für Arme Neues Infinite Mac emuliert jetzt auch Mac OS X Letterboxd für Columbo Studio-Ghibli-Stil geht viral mit OpenAIs neuem Bildgenerator Photo-Ecke Erfahrungen mit FED-2 & Industar 61 L/D FED Seriennummern Historie Guys who buy Leica … Weiterlesen → Der Beitrag TZ253 – Vivian Maier für Arme erschien zuerst auf Teezeit Podcasts.

A beautiful conversation with Leica user Calvin Leonard about his journey into photography [ instagram : https://www.instagram.com/clphotosla_/ ] where we talk about Life, Love, and Leica's (C) [The IXVI Network].The Pod: 0:01 : Intro ; 04:30 : Photographer ; 08:30 : When I started Photography ; 18:15 : Zines ; 21:00 : Exhibitions ; 27:00 : Current Photo Journey ; 29:00 : Prints ; 33:00 : Competition ; 40:00 : Socials ; 41:00 : Projects ; 45:00 : Advice to myself ; 49:00 : My recommendations ; 52:00 : The Final Question.Calvin's recommendations : Danny Vasquez [ instagram : https://www.instagram.com/x3flix/ ] ; Solo B [ instagram : https://www.instagram.com/sololobo213/ ] ; Paulo Freire Lopez [ instagram : https://www.instagram.com/paulofreirelopez/ ]Donate to the podcast: Help me provide and fund the best and new experience's for the supporters: [ https://ko-fi.com/ixvi96 ]Podcast Artwork belongs to respective owner and is not the intellectual property of LSPC Podcast. (Copyright image @Cavin Leonard)

A beautiful conversation with Photographer Mike Hadfield about his journey into photography [ instagram : https://www.instagram.com/thefujiist/ ] where we talk about Life, Love, and Leica's (C) [The IXVI Network].The Pod: 0:01 : Intro ; 05:30 : When I started Photography ; 12:00 : My Journey ; 18:00 : Luck & Skill ; 31:00 : My Process ; 36:00 : In the Zone ; 47:00 : Provoke ; 1:05:XX : L ; 1:08:XX : Socials ; 1:10:XX : My recommendations ; 1:11:XX : The Final Question.Mike's recommendations : Satoshi Inagaki [ instagram : https://www.instagram.com/s_inagaki/ ]Donate to the podcast: Help me provide and fund the best and new experience's for the supporters: [ https://ko-fi.com/ixvi96 ]Podcast Artwork belongs to respective owner and is not the intellectual property of LSPC Podcast. (Copyright image @Mike Hadfield)

Barry Cromhout is a total unknown to both Robbie and our listeners - but after listening to Robbie on Andy Stump's Cleared Heart podcast describing his grandfather Leo Kroger and his gun - he realized he'd met Robbie's grandfather in 1998 and is one of the only remaining people with one of his wooden business cards. After exchanging a photo, Robbie invited him on for this episode, where the two exchange stories about the man, Leo Kroger, and the “Wild impression” he left on Barry Cromhout in 1998. Do you have questions we can answer? Send it via DM on IG or through email at info@bloodorigins.com Support our Conservation Club Members! Leica: https://leica-camera.com/en-US  Tlou Safari Lodge: https://www.tlousafari.co.bw/  Tholo Safaris: https://tholosafarisbotswana.com/  See more from Blood Origins: https://bit.ly/BloodOrigins_Subscribe Music: Migration by Ian Post (Winter Solstice), licensed through artlist.io This podcast is brought to you by Bushnell, who believes in providing the highest quality, most reliable & affordable outdoor products on the market. Your performance is their passion. https://www.bushnell.com  This podcast is also brought to you by Silencer Central, who believes in making buying a silencer simple and they handle the paperwork for you. Shop the largest silencer dealer in the world. Get started today! https://www.silencercentral.com  This podcast is brought to you by Safari Specialty Importers. Why do serious hunters use Safari Specialty Importers? Because getting your trophies home to you is all they do. Find our more at: https://safarispecialtyimporters.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Shutter Brothers are back fresh from an early morning photowalk to Richey Ridge Falls (near Soddy Daisy, Tennessee) and are ready to share their recent experiences photographing both together and also with a group of fellow film photography podcasters at Old Car City in White, Georgia. Along the way, Wayne and Kevin disuss ideas for the 4th Annual Photowalk with the Shutter Brothers. It all starts with getting out with your camera ends with having a photograph to share.  Ane speaking of sharing, Wayne is sharing some of his photography at the Annual Photography Exhibit & Competition at the Arts Center in Athens, Tennessee. The show is presented by the Athens Area Council for the Arts and runs from March 24 to May 30, 2025. If you live anywhere near East Tennessee, then make the trip to Athens to check out Wayne's work. Now that Kevin has the Leica M2 he's wanted for so long, it didn't take long for him to think about adding a 35mm lens to his kit. Actually, he already has a Leica 35mm lens, but it is a screwmount Elmar f3.5. Can it be used with a Leica M camera? The answer is "yes," if you have a LTM to M mount adapter. Leica made them back in the day, and now they are made cheaply in China. But just how compatible are they. Find out in the show. it's spring, and that means time for some de-cluttering. So, Kevin is giving away a camera! It's a fully functional Minolta Maxxum XTsi with a Minolta AF 35-70mm f4 zoom lens. It's the camera Kevin used for color photography on his Alaskan cruise last September, and now it can be yours. You can enter by email at unclejonesyscameras@gmail.com. Once agaiin our listeners chime in with some great email. We'd love to hear from you, too.  Happy Photography! Wayne's photography can be seen at The Arts Center in Athens, Tennessee through May 30, 2025. Gegory Davis (The Naked Photographer) created two YouTube vieos about his experience with the Intrepid Enlarger, which used LED light to emulate contrast filters. https://youtu.be/Rqq_wwrZxk0?si=3JEXYBVQje9gBS3S https://youtu.be/bp7SN4ua1cw?si=XFeM1J4uo6lK3B_h  

On today's episode, Hamilton Boykin joins Travis Ishida LIVE at the 2025 Western Hunt Expo have a great conversation about Leica, its riflescope lines, reticles, binoculars, rangefinders, integrations, and more! NRL HUNTER is a series of competitions for hunters by hunters. It brings ethical hunters together in an innovative, competitive format for new and seasoned hunters to learn about their gear, overall capabilities & limits, and about local hunting terrains. Hear more about Leica, what it means for the NRL Hunter community, and more on the NRL Hunter Podcast! Index: • 00:31 – Hamilton Boykin's Background • 02:48 – 3 Leica Lines most appealing for this community • 09:15 – Progression of the Geovids; Applied Ballistics Elite & Latest Integrations • 25:35 – Laser beam divergence; effectiveness with fog & snow • 30:40 – Rangemaster ecosystem; handheld rangefinder • 35:48 – User experience • 41:56 – What's next for Leica? • 46:08 – Thermal imaging technology • 49:33 – Large offerings & involvement in NRL Hunter Links: o Leica - https://leica-camera.com/en-US/sport-optics/hunting o Amplus riflescope line - https://leica-camera.com/en-US/leica-amplus-6 o PRS riflescope line - https://leica-camera.com/en-US/sport-optics/scopes/prs o Geovid Pro AB+ rangefinder - https://leica-camera.com/en-US/product/leica-geovid-pro-10x42-ab o Geovid Pro - https://leica-camera.com/en-US/sport-optics/hunting/rangefinders/leica-geovid-pro o Rangemaster - https://leica-camera.com/en-US/sport-optics/hunting/rangefinder/leica-rangemaster o Thermal imaging technology - https://leica-camera.com/en-US/leica-calonox-2 If you enjoyed this podcast, make sure to subscribe to us on Soundcloud or iTunes for more episodes and write us a review! Share this episode with anyone interested in all things Hunting. Do you have questions, comments, or insight on the topics discussed today? Shoot an email to prforce@nrlhunter.org with Subject: “NRL Hunter Podcast S5 E2” Follow Us On: Website: https://nrlhunter.org/ iTunes: https://podcasts.apple.com/us/podcast/nrl-hunter-podcast/id1549731175 Soundcloud: https://soundcloud.com/nrlhunter Spotify: https://open.spotify.com/show/4iUZ7wGSFtvrcpzRNJWsWb?si=XrSdnol1QnGJRPmrZpHCdA&nd=1 FB Community Group: https://www.facebook.com/groups/nrlhuntercommunitygroup Instagram: https://www.instagram.com/nrlhunter/ YouTube: https://www.youtube.com/NationalRifleLeague Release date: 26 March 2025

There have been significant rumors and discussions about DSC's future since the Atlanta show in January of 2025. The show was not a success, and as such there have been rumbling from exhibitors, partners, and others about what DSC will do next. Robbie reached out to DSC CEO Rob McCanna to come on the podcast and talk about all of it, post the press release that just came out explaining the route forward for DSC over the next 5 years. Rob talks about his tenure as the new CEO, addresses rumors about the show and the move from Dallas to Atlanta, and provides a vision for the future of what they're going to do next and where they go from here. He explains the mistakes that were made, and the measures being put in place to rectify those mistakes, and puts to bed the internet bashing and rumor mills. Get to know the guest: https://www.biggame.org/dsc-welcomes-rob-mccanna-as-chief-executive-officer/ Do you have questions we can answer? Send it via DM on IG or through email at info@bloodorigins.com Support our Conservation Club Members! Leica: https://leica-camera.com/en-US  Tlou Safari Lodge: https://www.tlousafari.co.bw/  Tholo Safaris: https://tholosafarisbotswana.com/  See more from Blood Origins: https://bit.ly/BloodOrigins_Subscribe Music: Migration by Ian Post (Winter Solstice), licensed through artlist.io This podcast is brought to you by Bushnell, who believes in providing the highest quality, most reliable & affordable outdoor products on the market. Your performance is their passion. https://www.bushnell.com  This podcast is also brought to you by Silencer Central, who believes in making buying a silencer simple and they handle the paperwork for you. Shop the largest silencer dealer in the world. Get started today! https://www.silencercentral.com  This podcast is brought to you by Safari Specialty Importers. Why do serious hunters use Safari Specialty Importers? Because getting your trophies home to you is all they do. Find our more at: https://safarispecialtyimporters.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Endangered Species Act has been helping bring species back from the brink of extinction for more than 50 years now… and depending on what you read, it's either under attack, or being reauthorized with improvements. Ashlee is joined by David Willms, a law professor, author, hunter, & notable expert on all things ESA to breakdown the existing law and the new bill that was introduced 2 weeks ago in the House to reauthorize and Amend the ESA. Note: a full hearing on the ESA Amendments Act is set for this Tuesday 3/25 so you won't want to miss this podcast! Get to know the guest: https://fedsoc.org/contributors/david-willms  Do you have questions we can answer? Send it via DM on IG or through email at info@bloodorigins.com Support our Conservation Club Members! Leica: https://leica-camera.com/en-US  Tlou Safari Lodge: https://www.tlousafari.co.bw/  Tholo Safaris: https://tholosafarisbotswana.com/  See more from Blood Origins: https://bit.ly/BloodOrigins_Subscribe Music: Migration by Ian Post (Winter Solstice), licensed through artlist.io This podcast is brought to you by Bushnell, who believes in providing the highest quality, most reliable & affordable outdoor products on the market. Your performance is their passion. https://www.bushnell.com  This podcast is also brought to you by Silencer Central, who believes in making buying a silencer simple and they handle the paperwork for you. Shop the largest silencer dealer in the world. Get started today! https://www.silencercentral.com  This podcast is brought to you by Safari Specialty Importers. Why do serious hunters use Safari Specialty Importers? Because getting your trophies home to you is all they do. Find our more at: https://safarispecialtyimporters.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

With a PetaPixel Membership, not only can you support original PetaPixel reporting and in-depth reviews, but you can also remove ads from the website and gain access to some seriously great perks, too. Members get $15 off the Moment Store, 25% off the PetaPixel Merch Store, and now can download full-resolution RAW files and JPEGs from the latest cameras and lenses. Join today! It costs just $3 per month or $30 per year. This week on The PetaPixel Podcast, Chris Niccolls and Jaron Schneider sit down with Fujifilm's Justin Stailey to talk about the design philosophy of the new GFX100RF and why the company made some of the decisions it did. Curious why the camera has no IBIS and is only f/4? Stailey provides some answers. Check out PetaPixel Merch: store.petapixel.com/ We use Riverside to record The PetaPixel Podcast in our online recording studio.We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.In This Episode:00:00 - Intro... from Prague!08:34 - Fujifilm is finally getting closer to fulfilling X100VI orders11:28 - Insta360 and Leica extend their strategic partnership and promise new co-engineered products14:05 - Historic auction of Leica cameras in China was manipulated16:41 - The LSST camera has been assembled in Chile and is ready to take its first photos of the universe.20:32 - Canon commits to continuing in-house sensor development24:10 - Magnum, Fujifilm, and MPP teamed up for a massive digitization effort25:18 - The GF100RF Design Philosophy with Fujifilm's Justin Stailey58:23 - Our GF100RF thoughts that didn't make it into the hands-on video1:13:54 - What have you been up to?1:16:34 - Tech support1:29:30 - Feel good story of the week

A beautiful conversation with Leica user Thibault Gerbaldi about his journey into photography [ instagram : https://www.instagram.com/tg_crossroads/ ] where we talk about Life, Love, and Leica's (C) [The IXVI Network].The Pod: 0:01 : Intro ; 02:35 : France ; 05:30 : When I started Photography ; 17:30 : Emotions ; 25:30 : Prints ; 27:30 : Traveling ; 40:30 : Socials ; 43:00 : Projects ; 58:00 : My recommendations & The importance of LFI ; 1:00:XX : The Final Question.Thibault's recommendations : James Bridges [ instagram : https://www.instagram.com/james.w.bridges/ ]Donate to the podcast: Help me provide and fund the best and new experience's for the supporters: [ https://ko-fi.com/ixvi96 ]Podcast Artwork belongs to respective owner and is not the intellectual property of LSPC Podcast. (Copyright image @Thibault Gerbaldi)

Nem nyertünk a lottón, de lennének jelek. Kiállításokat ajánlunk, Peti maratont akar futni, megjelent a Sigma Bf és az új Peak Design gurulós bőrönd is, látatlanban megszakértjük. Gábor megtalálta a majdnem tökéletes everyday táskát, de kritikus hibával találta szemben magát.Az adás linkje:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tripodcast.hu/144Támogass minket Patreonon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tripodcast.hu/patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Csatlakozz a Tripodcast Community Facebook csoporthoz!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://tripodcast.hu/community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Az adást a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Fujifilm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ és a ⁠⁠Manfrotto⁠⁠ támogatta!Kövess minket Instán:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/tripodcast_⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Az adásban elhangzott témák, linkek:- Leica 5x5 Benedek kiállítás:https://www.facebook.com/events/645361264570867/?ti=ls- Why The Olympics Almost Banned This Shoe:https://youtu.be/pfIWxFIVP_Y?si=Q7QDGYi7PbsCOvxj- Nike Motiva:https://www.nike.com/hu/w/nike-motiva-4tmb6z6bvfkzy7ok- Sigma Bf:https://www.sigma-global.com/en/cameras/bf/- Sigma 300-600 f4https://petapixel.com/2025/02/24/sigmas-new-6000-300-600mm-f-4-lens-is-somehow-a-bargain/- Godox V100U:https://youtu.be/whSV7lW_FHU?si=eWcGGGVVrJesgMDQ- Új Lowepro táskák:⁠https://www.lowepro.com/hu-hu/kollekciok/protactic-iii/⁠- Lowepro ProTactic CS 60 III:https://www.lowepro.com/hu-hu/protactic-cs-60-iii-lp37490-pww/- Leaked GFX100RF:https://www.fujirumors.com/exclusive-first-image-of-fujifilm-gfx100rf-front-view-with-lens/- Peak Design gurulós táska:https://www.kickstarter.com/projects/peak-design/roller-pro-carry-on-luggage-by-peak-design?ref=profile_created&category_id=28- Peter Lindbergh kiállítás:https://www.facebook.com/events/587380294225168/587380387558492/

Danny Bligh is a photographer and videographer based in the USA. He's a dear friend and was my first guest on Prime Lenses so it seemed fitting to bring him back for the first episode of year 2. We talk all things Canon, Leica and even sneak in some instant film. More about this show:A camera is just a tool but spend enough time with photographers and you'll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I'm interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

Guillaume Berlemont, de Xiaomi France, présente le concept "Human Car Home" et les nouveautés de la marque chinoise lors du Mobile World Congress 2025.Le projet "Human Car Home" illustre le volonté de Xiaomi d'assoir un véritable écosystème reliant tous les produits de la marque, des smartphones aux véhicules électriques, via l'HyperOS, maintenant en version 2.0. Le smartphone phare, le Xiaomi 15, dévoilé à Barcelone, se distingue par sa collaboration avec Leica, permettant une qualité photographique proche des appareils professionnels. S'accompagnant d'un pack photo pro et d'un prototype avec objectifs interchangeables, ce modèle illustre l'engagement de la marque envers la photographie mobile de haut niveau.Côté intelligence artificielle, Xiaomi présente Hyper AI, en partenariat avec Google, qui enrichit l'expérience utilisateur grâce à des fonctionnalités avancées.Dans le secteur automobile, le véhicule SU-7 Ultra, dévoilé cette année illustre l'intégration technologique. La firme revendique des ventes impressionnantes, avec plus de 165 000 unités écoulées en moins d'un an, pour le premier modèle SU-7 lancé l'an dernier. La modularité des véhicules, permettant des adaptations post-achat, témoigne de la philosophie de personnalisation de Xiaomi. -----------♥️ Soutenez Monde Numérique : https://donorbox.org/monde-numerique

Dernier coup d'oeil récapitulatif sur le Mobile World Congress (MWC) de Barcelone qui vient de s'achever, avec Bruno Guglielminetti. Avec le soutien de FreePro, “le meilleur de Free pour les entreprises”1. Domination des constructeurs chinoisAvec l'absence d'Apple et d'autres ténors historiques de la mobilité, les marques chinoises comme Xiaomi, Honor et TCL ont occupé le devant de la scène. Elles ont présenté des innovations marquantes en matière de smartphones et d'intelligence artificielle.2. Essor de l'intelligence artificielle embarquéeL'IA est de plus en plus intégrée aux smartphones : synthèse de texte, traduction en temps réel, recherche intelligente dans les albums photo, et surtout l'émergence des agents IA capables d'automatiser des tâches complètes.3. Les innovations photo toujours au centreXiaomi a présenté son 15 Ultra, un smartphone avec un capteur de 200 MP et optique Leica. Une autre nouveauté marquante : un prototype d'objectif amovible pour smartphone, rappelant les appareils photo traditionnels.4. Durabilité et obligation de maintenance prolongéeLes constructeurs annoncent des durées de vie prolongées pour leurs appareils, mais cette tendance est surtout poussée par la législation française qui impose sept ans de pièces détachées et cinq ans de mises à jour logicielles.5. Lunettes connectées et réalité virtuelleLes lunettes TCL RayNeo X3 Pro permettent la traduction en temps réel sous forme de sous-titres. HTC, quant à lui, continue d'innover dans le secteur de la réalité virtuelle.6. La 5G continue d'évoluer, la 6G encore loinLa 5G privée se développe pour les entreprises, tandis que les satellites, notamment Starlink, inquiètent les opérateurs traditionnels.7. Des produits insolites et innovantsParmi les curiosités du salon :Un smartphone qui change de couleur avec la température (Realme)Des écrans "NxtPaper" passant du mode couleur à monochrome pour le confort visuel (TCL)Un PC portable avec panneau solaire (Lenovo)Une montre tensiomètre (Huawei)Des bras robotiques contrôlés par reconnaissance gestuelle (Honor, Huawei)-----------♥️ Soutenez Monde Numérique : https://donorbox.org/monde-numerique

A beautiful conversation with Leica user Harry Williams about his journey into photography [ instagram : https://www.instagram.com/hwilliamsjrphoto/ ] where we talk about Life, Love, and Leica's (C) [The IXVI Network].The Pod: 0:01 : Intro ; 03:00 : Ohio ~> Southeast Asia ~> California ; 17:30 : Photography Degree ; 26:00 : Film ; 33:00 : Printing ; 39:00 : Socials ; 41:00 : "Eye See You" ; 47:00 : Projects ; 1:00:XX : My recommendations ; 1:04:XX : The Final Question.Harry's recommendations : Susan SteinDonate to the podcast: Help me provide and fund the best and new experience's for the supporters: [ https://ko-fi.com/ixvi96 ]Podcast Artwork belongs to respective owner and is not the intellectual property of LSPC Podcast. (Copyright image @hwilliamsjrphoto)

Two episodes ago Jeff expressed cynicism about iPhone add-ons that try to make the phone more like a traditional camera. And yet here we are looking at Kirk's new Leica LUX Grip accessory...and not hating it? Learn about why this could be the camera grip for the iPhone that succeeds where others falter, and how the Leica LUX app does some very smart things in the name of photography. Hosts: Jeff Carlson: website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson), Jeff on Glass (https://glass.photo/jeff-carlson), Jeff on Mastodon (https://twit.social/@jeffcarlson), Jeff on Bluesky (https://bsky.app/profile/jeffcarlson.bsky.social) Kirk McElhearn: website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn), Kirk on Glass (https://glass.photo/mcelhearn), Kirk on Mastodon (https://journa.host/@mcelhearn), Kirk on Bluesky (https://bsky.app/profile/kirkville.com) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-181-leica-lux)) Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) Fjorden Grip (https://shop.fjorden.co/en-us) Leica LUX Grip (https://leica-camera.com/en-US/mobile/lux-grip) Leica LUX App (https://leica-camera.com/en-US/photography/leica-apps/leica-lux) Episode 179: iPhone Camera Accessories (https://www.photoactive.co/home/episode-179-iphone-add-ons) Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you've already subscribed, you're automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.

Wir sprechen heute über fotografische Klarheit, in diesem Fall vor allem auf der Seite des Equipments. Und wir treffen unseren alten Freund „Wildlife“ wieder und unterhalten uns über die nicht so superlative Auslegung unserer Naturfotografie. 
Dazu hier direkt unsere Tipps:
Naturschutzgebiet Heisinger Aue: https://www.nabu-ruhr.de/veranstaltungen/exkursionen-berichte/heisinger-aue/ 
Chris Kaula bei Youtube: https://www.youtube.com/@ChrisKaula Wir haben außerdem unseren Talk-Episoden ein neues Struktur-Kleid angezogen, das die heutige Folge erstmalig trägt. Unsere Dialogsendungen sollen von nun an diesen vier Punkten folgen:
1. Begrüßung, Smalltalk
2. Was bewegt Dich heute?
3. Die Fotografie lebt!
4. Schau mal da! Für Ideen für etwas pfiffigere Wordings, gerade für Punkt 2 und 4 sind wir offen und dankbar! Du hast Lust, auch ein Teil der Freundeskreis-Community zu werden? Schau mal auf fotografietutgut.de vorbei!

Le Mobile World Congress 2025 a ouvert ses portes à Barcelone. La première journée a été marquée par plusieurs annonces de nouveaux smartphones et produits divers, notamment dans le domaine de l'intelligence artificielle, qui s'impose comme le moteur de l'innovation mobile.Avec le soutien de FreePro, "le meilleur de Free pour les entreprises".L'IA au cœur des nouvelles puces et smartphonesQualcomm et Mediatek ont dévoilé leurs nouvelles puces avec des capacités d'IA avancées, comme le Snapdragon X85, optimisant connectivité et efficacité énergétique.Honor présente son plan "Alpha" et mise sur l'IA agentique pour une assistance personnalisée au quotidien.Les constructeurs chinois en tête de fileXiaomi annonce le Xiaomi 15 Ultra, un smartphone haut de gamme avec optique Leica et un objectif photo amovible inédit.TCL introduit la technologie Next Paper sur son TCL 60XE, un écran transformable en liseuse pour un meilleur confort visuel et une autonomie prolongée.Huawei innove avec la première montre connectée intégrant un tensiomètre pour un suivi de la tension tout au long de la journée.Ce n'est que le début du MWC 2025 ! Rendez-vous dans le prochain épisode pour explorer les innovations professionnelles et B2B du salon.Mots-clés : Mobile World Congress 2025, MWC 2025, intelligence artificielle, smartphones, Qualcomm, Mediatek, Honor, Xiaomi 15 Ultra, TCL 60XE, Huawei, IA agentique, Snapdragon X85, Next Paper, montre connectée, innovation mobile, Barcelone-----------♥️ Soutenez Monde Numérique : https://donorbox.org/monde-numerique

In yet another request from our listeners for topics you wanted to hear, for Episode 88, you can include me as someone whose been interested in hearing an episode about the Kodak Retina and other German Kodaks. For many years, whenever I needed to write something about the Retina, the person I always reached out to was Dr. David Jentz.  David is not only the founder of the Historical Society for Retina Cameras, but also has published multiple written works about the Retina and its history.  In addition to his knowledge about the Retina, David frequently collaborates with historian Klaus Schicht who has studied the man who created the Retina, Dr. August Nagel.  Although Klaus does not appear on the show, David was able to quote some information regarding topics we discussed on this show. If one Kodak historian was not enough, we also invited Todd Gustavson from the George Eastman Museum to be on the show to fill in the blanks for any other Kodak related questions which came up. This was a closed episode, so we did not have any callers, and both Paul and Theo weren't able to make it, but what we lacked in callers, we more than made up for in fascinating Kodak, Nagel, and Retina history. Listen to Episode 87 to get a background on who Dr. August Nagel was, how he became a doctor, brief histories of his time working for Contessa Nettel, Zeiss-Ikon, and Nagel Kamerwerke prior to joining Kodak.  Did you know that before Kodak AG made cameras, they made film in Germany? We discuss other German Kodaks such as the Recomar, Pupille, Kodak Duo Six-20, and the mysterious Kodak Regent.  We get into the differences between the use of "Nr." and "Type" when referring to prewar and postwar cameras, and finally solve the mystery of Paul's Retinette Angenieux lens. In addition to camera history, we also take a deep dive into Kodak's introduction to making 35mm film.  While Kodak's type 135 daylight loading cassette was their most notable contribution to 35mm film in the 1930s, did you know they made 35mm film for the Leica and Contax before that?  David shares with us information about Kodaks original 35mm film, along with some detailed patent information about the Retina, and much more! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are getting on a boat and heading on a "Three Hour Tour" for our second Desert Island episode.  If you were stranded on a desert island with only three cameras, which three would they be?  Will a high spec but fragile electronic camera make the cut, or will people choose less technically impressive models built to withstand a lot more abuse?  Let us know what you'd choose!  We will record Episode 88 on Monday, February 24th at 7pm Central Standard Time and 8pm Eastern Standard Time. In This Episode David's Origin Story / His First Camera was a Kodak Retina IIIS Kodak Used to Have a Camera Museum in Stuttgart David Jentz Formed with Peter Tosh the Historical Society of Retina Cameras HSRC Received Permission from Kodak and the Rights to use the Actual Retina Logo Are the Retinas Separated in the George Eastman Museum? / There Are 22,000 Items in the Eastman Museum Collection Who was Dr. August Nagel? / Nagel Started Contessa Nettel and Merged with Zeiss-Ikon in 1926 Nagel Worked for Zeiss-Ikon for About 18 Months and then Formed His Own Nagel Werke Nagels First Cameras were the Recomar, Vollenda, and Pupille Kodak Gave Nagel Very Little Direction, He Was Free to Do What He Wanted Kodak And Nagel Both Benefited from the Two Companies Working Together If You Ship a Camera and Lens Separately, There are No Tariffs Nagel was Most Famously Known as a Great Designer Kodak's Design of the New Daylight Loading 35mm Cassette Kodak Made 35mm Film for Leicas and Contaxes Before the Release of Type 135 Film Was the Retina an Immediate Success? / Why Were the Nr. 117, 118, and 119 Released So Quickly Kodak Duo Six-20 and Other Nagel Designed Cameras Mike Has Questions About Nagel's Role in Making the Kodak Regent / Kodak Regent II Kodak's Transition During World War II / Early Post War Retinas Used Steel in Their Construction Are Retinas with the f/2 Ektar Lenses Worth Paying a Premium / 47mm f/2 Kodak Ektars Were Also on the Premier Instrument Kardon Kodak's CAMEROSITY Date Codes / Many Retinas Were Sold through US PX Stores / Identifying PX Retinas David Jentz Dispels Some of the Myths Mike Got Wrong in His Reviews Dr. August Nagel Never Once Used the Word "Type" to Identify Different Cameras He Made The Mystery of Paul's Angenieux Lens / French Kodak Retinettes Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. The Camerosity Podcast is now on BlueSky @camerosity.bsky.social.  This modern, and clean replacement for Twitter is a nice alternative to cluttered social networks out there.  Follow us there for show announcements and other content. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. David Jentz - https://www.blurb.com/user/hsrc028N The Historical Society for Retina Cameras - https://www.hsrcretina.org/ HSRC Publications - https://www.hsrcretina.org/hsrc-publications The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

Randy Blythe is the singer of 5 time grammy nominated band Lamb of God, author of the best selling memoir Dark Days, and internationally exhibited Leica photographer. Randy has been clean & sober for 14 years. Instagram: @drandallblythe Substack: Randonesia.substack.com Website: WWW.RandyBlythe.net Join “The Victory Circle”, our FREE Sober Guy Mens Community at https://www.thatsoberguy.com/offers/SvjjuEQ2/checkout   Tired of Drinking? Try Our 30 Day Quit Drinking Dude Challenge! - https://www.thatsoberguy.com/quit-drinking-alcohol-for-30-days   Work with Shane 1 on 1 Coaching - https://www.thatsoberguy.com/coaching   Invite Shane to Speak - https://www.thatsoberguy.com/speaking   For More Resources go to http://www.ThatSoberGuy.com   Follow us on X @ThatSoberGuyPod   Follow us on Instagram @ThatSoberGuyPodcast   Music - Going Late courtesy of Humans & Haven Sounds Inc.

Joseph Michael Lopez - JML, (b. 1973) is an independent photographer born in New York City to a Puerto Rican father and a mother who escaped the Cuban Revolution in 1967. He earned his MFA in 2011 at Columbia University. Lopez began his career as an analog cinematographer on the critically acclaimed Bruce Weber film, Chop Suey (2001). Currently, Joseph divides his time between long-form projects, teaching, and commercial work. His photographs have appeared on the covers of M, The Magazine for Leica M Photography, Leica Fotografie International, The Sunday Review of The New York Times, New York magazine and The New Yorker, among others.Joseph's photographs were on exhibit in “Cuban Photography after 1980: Selections from the Museum's Collection”, at The Museum of Fine Arts in Houston. In 2016, a commissioned series of his photographs of New York neighborhoods, “New York at Its Core: Future City Lab”, was installed at The Museum of the City of New York. Photographs from JML NYC, the series from which this commission originated, have also been published in the book Bystander: A History of Street Photography, by Colin Westerbeck and Joel Meyerowitz. JML's first book JML NYC 02-23 was published by GOST in the fall of 2024.  In episode 250, Joseph discusses, among other things:Relocating to Rome from NYCHis intro to NYC via assisting Bruce WeberHis early career as a professional assistantShooting with his Leica as a ‘coping mechanism'The challenge of creating a cohesive narrative from 20 years of single imagesHis Dear New Yorker projectWhy B&W is where his heart is atHow what we see is who we areHis approach towards light and sunUsing digital vs. filmAssisting Mitch EpsteinHow his opinion on grad school has changedControversy surrounding Columbia University prof. Thomas RomaHis plans for working in Rome and going forward Referenced:Bruce WeberDanny Lyon, Knave of HeartsTodd PapageorgeChuck Kelton's darkroomMitch EpsteinThomas RomaMohammad Rasoulof Website | Instagram“Essentially, it's about saying something and having a voice and having a perception of the world that is, like singing a loud song you know, your pictures have to say something. And how do you separate yourself from all the noise that's out there already? You have to have an obsessive, empahtic way to perceive things. I think to a certain extent what we see is who we are in a way.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Today we're talking to recent SCAD graduate Allison Martinek! Allison is a photographer and artist from Cresco, IA. Her work is driven by a passion for body inclusivity and a love for capturing authentic connections through portraiture. Allison's photography has been featured in multiple exhibitions, including Power and Perspective sponsored by Leica, and published in AAP Magazine.Check out Allison's website to see her incredible work, and follow her on Instagram to keep up with where her career is taking her!If you would like to get involved with Focus On Women, you can review sponsorship and contribution options here, as well as become a member here.Remember to stay safe and keep your creative juices flowing!---Tech/Project Management Tools (*these are affiliate links)Buzzsprout*Airtable*17hats*ZoomPodcast Mic*

Top shot © Kristof Ramon   The dynamic arena of competitive cycling photography is not for the faint of heart. This grueling specialty requires a mix of split-second reaction times, intuitive technical mastery, and the ability to anticipate—and even more important—embrace risk. It takes a special breed of photographer to continuously capture every ounce of emotion packed into this sport, from bruising injuries and bitter disappointments to the exaltation of a win.    For today's show, we've brought together two passionate cycling aficionados, former competitive cyclist and renowned street photographer Phil Penman and Kristof Ramon, a cycling photography specialist who recently released his first book on the subject. While they're introduced as strangers, get ready to be wowed by the synchronicity of their shared experiences, and the remarkable chemistry that grows between them over the course of the show.   Most people's awareness of competitive cycling revolves around coverage of the Tour de France or other major races shown on TV. Our conversation delves much deeper than this, to reveal what happens behind the scenes, and show both the intensity of purpose and the many stages of suffering that's a hallmark of this sport. Kristof's book is titled The Art of Suffering for a reason. As he aptly sums up in the book's opening quote: “Where the conditions get grimmer and the riders start to suffer, that's when the more interesting stories begin.”   Guests: Phil Penman & Kristof Ramon   Episode Timeline:   3:56: Phil Penman's connection to the competitive cycling world and how his insight as a cyclist informs his photography of the sport.    7:45: The logistics of photographing competitive cycling and the perils of damaging photo equipment.   10:36: The creative aspect to photographing competitive cycling and how to think outside the box to get impactful shots.   15:16: The many stages of suffering involved in competitive cycling, and the pride riders take in having this documented visually.   20:35: Photographer access, the difference between training rides and race days, and the distinctions between agency access and working independently.   26:26: Changes to Kristof's photographic approach and the influence of social media in the sport's evolution.   31:31: Technical aspects of cycling photography, understanding light, capturing speed, and putting in the time so to react intuitively to picture opportunities.   43:44: Episode Break   44:53: Communication strategies, building rapport with riders and teams, and people skills given the sport's international reach.   47:51: Cycling's rich history as a professional sport, and recent changes initiated by British Team Sky that helped the sport evolve.   54:45: The back story to Kristof's Art of Suffering book project and how his collaboration with cycling writer Matt Rendell helped identify suffering as a narrative element.   58:40: Working with clients, balancing that work with personal projects, and developing a distinctive voice as a photographer.    1:06:15: How to start out as a competitive cycling photographer, questions about credentials, and adapting to new networks to distribute your work.   1:13:23: Balancing technical aspects of action photography with the desired emotional response while building in certainties and calculating risk.     Guest Bios: British-born, New York-based photographer Phil Penman has documented the ever-changing scene of New York City's streets for more than 25 years. and he has quite a bit of experience in the world of professional cycling himself.   In his career as a news and magazine photographer, Phil has photographed major public figures and historical events. His reportage following the 9/11 terrorist attack was featured in major print publications and media broadcasts worldwide, and his work covering New York City's pandemic lockdown is in the collection of the U.S. Library of Congress.    In addition to exhibiting at Leica galleries in New York, Washington, D.C., Boston, and London, Phil's signature street photography has appeared in international exhibitions as far afield as Venice, Berlin, and Sydney. He also tours the world teaching photo workshops for Leica Akademie. Phil's books, "Street" published in 2019, and "New York Street Diaries" published in 2023 both became best-sellers and have been featured at New York's Museum of Modern Art.   Kristof Ramon is a pro-cycling photographer who covers some of the world's most prestigious races, including the Tour de France, the Giro d' Italia, the Tour of Flanders and Paris Roubaix. Born and raised in Belgium, Kristof discovered photography while attending film school at age 19. He eventually followed his passion for cycling and photography and has focused exclusively on this sport since 2011.    Working under the name Kramon, his talent for storytelling and his ability to capture the atmosphere and raw emotion of racing makes his images stand out from typical race photography. Kristof's reputation has earned him the respect and trust of many of the biggest racing teams and riders - which is why he's able to capture such extraordinary in-between moments and behind-the-scenes images. The riders are always his primary focus, as evidenced in his close-up portraits of racers caked in sweat, mud, dust, snow, and grime. Kristof's first book, The Art of Suffering, was released in June 2024 by Laurence King Publishing.   Stay Connected: Phil Penman Website: https://www.philpenman.com Phil Penman Instagram: https://www.instagram.com/philpenman/ Phil Penman Facebook: https://www.facebook.com/philpenmanphotography/  Phil Penman Twitter: https://x.com/Penmanphoto  Phil Penman Wikipedia: https://en.wikipedia.org/wiki/Phil_Penman   Kristof Ramon Website: https://kramon.be/ Kristof Ramon Instagram: https://www.instagram.com/kramon_velophoto Kristof Ramon Facebook: https://www.facebook.com/kramon/ Kristof Ramon Twitter: https://x.com/kristoframon  Kristof Ramon Photoshelter: https://kramon.photoshelter.com/ Kristof Ramon Flickr: https://www.flickr.com/photos/kristoframon/  Kristof Ramon at Lawrence King Publishing: https://us.laurenceking.com/products/the-art-of-suffering    

Well, 2024 has certainly come and gone in a flash, meaning it's time once again for us to reflect on new photo offerings in our annual Cameras of the Year episode, now renamed Photo Gear of the Year. Featured in our discussion are new releases from Canon, FUJIFILM, Leica, Mint, Nikon, OM SYSTEM, Panasonic, Ricoh Pentax, and Sony. In the words of our recurring guest, Kevin Rickert, B&H's Senior Sales Trainer for Photography and Lighting, “Everything old is new again” at least when it comes to this year's most sought-after camera releases. A penchant for pocketable, fixed lens cameras led us to organize our camera offerings by type rather than in an alphabetical laundry list. Along with debating the current craze for “the digicam look,” we consider whether manufacturers will respond to consumers' increasing appetite for midrange point and shoots. After the break, we shift to the newest crop of flagship cameras that are built for speed, while also discussing notable updates to other new releases. We also shed light on the essential role served by firmware updates, both in trimming a new camera's time to market and allowing you to get more out of the camera you already have. As Kevin points out, “It's an important part of having a camera. Much like if you have a car, you need to get oil changes.” We wrap things up with some predictions for 2025, including Kevin's hopes for a continued resurgence of point and shoot models, plus some intriguing new photo accessories that caught his eye this year. Stay to the end to learn about the inventive new Fjordan camera control for the iPhone, recently acquired by Leica. Guest: Kevin Rickert Episode Timeline 2:30: Kevin Rickert's role as a B&H sales trainer for photography and lighting. 9:34: What camera stood out the most this year: FUJIFILM X100VI 18:02: Ricoh GR III HDF / Ricoh GR IIIx 20:00: Nostalgia for midrange point and shoots and the digicam look 29:36: Leica D-Lux 8 31:42: Leica Q3 43 35:52: Fujifilm X-T50 (a baby Fujifilm X-T5) 37:30: Fujifilm X-M5 41:54: Pentax 17 48:52: Mint Camera Rollei 35AF   51:17: Episode break   52:22: Canon EOS R1 55:50: Sony a1 II 59:31: OM SYSTEM OM-1 Mark II 1:02:35: Nikon Z6 III 1:05:48: Canon EOS R5 Mark II 1:14:40: Leica SL III 1:17:55: FUJIFILM GFX 100 SII 1:20:31: Nikon Z 50 II 1:21:28: Sony ZV-E10 II 1:23:19: Panasonic Lumix S9 1:27:19: Kevin's predictions for 2025 1:33:36: Peakto Image Management Software 1:35:06: Capture One 16.5 with Match Look 1:35:49: Fjordan iPhone camera grip   Guest Bio: Kevin Rickert is B&H Photo's Senior Sales Trainer for Photography and Lighting. It's Kevin's job to keep in touch with camera and lens manufacturers and get details about all the latest releases and updates. His role is to make sure the world-renowned B&H staff has all the information to answer your who, what, why, and other questions that you may ask, so they can satisfy all your wants and needs. Born and raised in New York, Kevin is an intrepid street photographer, an avid traveler, and a baseball fan with 22 years in electronic retail, the last 10 of which have been spent as a sales trainer at B&H.   Stay Connected: B&H Photo Video Website: https://www.bhphotovideo.com B&H Photography Podcast landing page: https://www.bhphotovideo.com/explora/podcasts B&H Photography Podcast on B&H Photo's YouTube channel: https://www.youtube.com/@BandH/podcasts B&H Photography Podcast Facebook Group: https://www.facebook.com/groups/1001107823418353 B&H Photo Video Instagram: https://www.instagram.com/bhphoto B&H Photo Video Twitter: https://twitter.com/bhphoto Micro 4/3rds YouTube video link: https://www.youtube.com/watch?v=m072i-jDSg4 Peakto Image Management Software: https://cyme.io/peakto-photo-organizer-software/ Fjordan iPhone Camera Grip: https://shop.fjorden.co/en-us/pages/about