Podcasts about damrosch park

Korean pop culture is increasingly popular around the world, and two free concerts coming to Manhattan in July showcase a wide range of contemporary Korean music. The Korea Gayoje, coming to Central Park's SummerStage on Sunday, July 10, focuses on K-pop, and will feature girl group Brave Girls, boy band Golden Child, and solo artist AleXa. K-Indie Music Night, coming to Damrosch Park on July 27th, will showcase two indie rock bands: Jannabi and Byebyesea. Mickey Hyun and Hyo Han from the Korean Cultural Center of New York, which organized these concerts, as well as Tamar Herman, a senior reporter covering culture for the South China Morning Post, join us to dive into the artists performing and the broader popularity of Korean culture in New York.

Two films in this year's NYFF lineup take us back to the ‘60s heyday of the New York avant-garde: in the Main Slate, Todd Haynes's The Velvet Underground offers a revelatory portrait of the milieu that gave rise to the eponymous band and its boundary-pushing music, while in Revivals, Ed Lachman's Songs for Drella captures Lou Reed and John Cale in concert, paying tribute to the late Andy Warhol with riveting intimacy. On Sunday, October 3, Film Comment editor Devika Girish and Clinton Krute joined Haynes, Lachman, critic Amy Taubin, and the editors of The Velvet Underground, Affonso Gonçalvez and Adam Kurnitz, for a roundtable talk. In our wide-ranging conversation on the stage of Damrosch Park at Lincoln Center. We touched on the making of the two films, as well as the enduring legacy of the historic moment of artistic innovation they so vividly evoke. Stay tuned to filmcomment.com for more coverage of this year's New York Film Festival, both on the podcast, and in the Film Comment Letter.

From August 17-21, 2021, Alvin Ailey American Dance Theater, American Ballet Theatre, Ballet Hispánico, Dance Theatre of Harlem, and New York City Ballet will share The Restart Stage at Damrosch Park over the course of five performances featuring four distinct programs. To find images and ticket links for these performances, please visit The Ballet Herald. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/balletherald/message Support this podcast: https://anchor.fm/balletherald/support

Spiritual Photographer and Author Kaolin K joins me on Somewhere in the Middle Kaolin is originally from Brooklyn, New York, where she raised her two adult children. She worked in politics and the Arts, and in the 90's Kaolin moved to Northampton, Massachusetts. She attended Holyoke Community College, the University of Massachusetts at Amherst, and matriculated in the Opera Department at Smith. Kaolin has performed as a vocalist in a summer series at Damrosch Park. She also has performed at the Lincoln Center in New York City in "Children of Adam," which was produced by the Urban Arts Corps and conducted by Chapman Roberts.  Kaolin is also a spirit photographer and does phone and photo readings. She is writing a photography book with narratives about that work, which will be out later this year. Learn more about that work on http://www.spiritually-speaking.org. Call 413.404.5683 for more information and to schedule an appointment.

For decades the Goldman Band was famous for its summertime concerts in New York parks. Founded in 1918 by Edwin Franko Goldman, the band was a well-rehearsed, first-rate ensemble capable of presenting both classic Sousa marches as well as brand-new works for symphonic band. And so, on today's date in 2001, at Damrosch Park next to Lincoln Center, it was the Goldman Memorial Band that premiered a new work for winds by the American composer Michael Torke, entitled "Grand Central Station." Now, everybody calls the big building at 42nd Street and Park Avenue in Midtown Manhattan "Grand Central Station," but its official name is "Grand Central Terminal." Built by and named for the New York Central Railroad in the heyday of American long-distance passenger trains, it underwent major renovation in the 1990s, and Torke's score was inspired by the dazzle of the old station's new look. "As I wrote this piece," said Torke, "I thought of the tremendous energy of arrivals and departures, the swirling shapes and patterns of people with optimistic expectations. Newly renovated, Grand Central Station has that wonderful mix of the classically old, along with its shiny, new, welcoming appearance. Like the Goldman Band itself, it has decades of rich, New York history, but it is very much alive today." Although Grand Central is enjoying a new lease on life, the fabled Goldman Band was not so fortunate and disbanded in 2005.

For decades the Goldman Band was famous for its summertime concerts in New York parks. Founded in 1918 by Edwin Franko Goldman, the band was a well-rehearsed, first-rate ensemble capable of presenting both classic Sousa marches as well as brand-new works for symphonic band. And so, on today's date in 2001, at Damrosch Park next to Lincoln Center, it was the Goldman Memorial Band that premiered a new work for winds by the American composer Michael Torke, entitled "Grand Central Station." Now, everybody calls the big building at 42nd Street and Park Avenue in Midtown Manhattan "Grand Central Station," but its official name is "Grand Central Terminal." Built by and named for the New York Central Railroad in the heyday of American long-distance passenger trains, it underwent major renovation in the 1990s, and Torke's score was inspired by the dazzle of the old station's new look. "As I wrote this piece," said Torke, "I thought of the tremendous energy of arrivals and departures, the swirling shapes and patterns of people with optimistic expectations. Newly renovated, Grand Central Station has that wonderful mix of the classically old, along with its shiny, new, welcoming appearance. Like the Goldman Band itself, it has decades of rich, New York history, but it is very much alive today." Although Grand Central is enjoying a new lease on life, the fabled Goldman Band was not so fortunate and disbanded in 2005.

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VIDEO: Ryu Goto Plays Kreisler and Ÿsaye in the WQXR Café Ryu Goto opened his Café Concert with Fritz Kreisler's Liebesleid (Love's Sorrow), a bittersweet waltz that evokes a kind of aristocratic grace from another era. But Goto is hardly a violinist stuck in the past. As he launched into his second piece, Ÿsaye’s Sonata No. 6, he seemed to adopt a martial arts-like stance in his posture – a byproduct his years of training towards a black belt in karate. “It’s probably influenced by karate,” the 23-year-old violinist acknowledged. While avoiding finger injuries, Goto said karate has provided him with a necessary sense of balance and "mental maintenance." Having a well-rounded childhood was key for an artist who hails from a kind of classical royalty. The son of two violinists, Goto was born in New York and began playing at age three. His teachers included violinists Yoko Takebe (the mother of Alan Gilbert), Cho-Liang Lin, and his own mother, who remains an active presence in his career. His sister is Midori, the celebrated violinist who rose to child stardom in the 1980s. Goto’s burgeoning solo career has been carefully groomed both in the U.S. and Asia, and he has been particularly active in Japan, his family’s homeland. Yet he didn’t follow the straight-and-narrow path of a child prodigy either. Instead of entering a conservatory, he studied physics at Harvard University, where he took on a full slate of extracurricular activities, including golf, lacrosse and guitar (he told one interviewer that he developed a freer style of playing by watching Jimi Hendrix). Goto admits that “my mother was much more liberal with my education like that than with my sister." At the same time, the younger Goto said he learned from watching his sister and “what it means to be a professional, what it means to be a violinist." “I got the impression that being a musician isn’t the be all and end all,” he continued. “But she’s gone above and beyond that kind of categorization. She’s become almost something more – a humanist kind of thing.” Goto alludes to his sister’s involvement with nonprofit organizations including her own Midori and Friends, a nonprofit organization providing concerts for underprivileged and hospitalized children. In 2010 Goto launched the Ryu Goto Excellence In Music Award, an annual $1000 scholarship for high school-age musicians in New York City. The program is administered with the New York City Department of Education. Does Goto ever hope to combine his background in physics with music? “I was a very bad student so I probably wouldn’t be qualified to talk about physics,” he said, laughing. But he has put his love of karate to professional use. The composer Tan Dun enlisted him as a soloist in his Martial Arts Trilogy, a multimedia work with orchestra. Last summer he gave the piece's New York premiere at Lincoln Center’s Damrosch Park. “It certainly helped that I have an image ready for this piece,” he said of his training, adding, “I love the movies and I’ve done karate forever.” Video: Amy Pearl; Sound: Edward Haber; Text: Brian Wise