Podcast appearances and mentions of Todd Haynes

Phil & Emily kicks off our brand-new mini-series The Films of The Todds—a deep dive into the cinematic worlds of Todd Haynes, Todd Phillips, Todd Solondz, and Todd Field. First up? Todd Solondz's provocatively layered and deeply uncomfortable 2001 film Storytelling.Joining Phil & Emily is writer and pop culture commentator Rich Monahan to unpack the film's divisive two-part structure ("Fiction" and "Non-Fiction"), its dark satirical tone, and how Solondz pushes buttons in ways that still challenge audiences today. They explore how Storytelling deals with race, exploitation, authorship, and the blurred lines between truth and narrative, all with Solondz's signature deadpan bite.It's a bold and biting start to a series about four very different Todds—tune in for uncomfortable laughs, critical analysis, and one of the weirdest uses of a red box in movie history.

Phil and Emily are kicking off their new mini-series The Films of “The Todds”—a deep dive into the wildly different worlds of Todd Haynes, Todd Phillips, Todd Solondz, and Todd Field. And what better way to start than with one of the most chaotic, irreverent, and painfully 2000s comedies: Road Trip (2000).Joining them for this raunchy, college-era nostalgia fest is film critic David Ehrlich (IndieWire), who helps break down the film's R-rated antics, surprisingly tight script, and why Tom Green is the ultimate agent of chaos. Plus, they're joined by special guest Amy Smart for a bonus interview, where she reflects on her experience making the movie and the 2000s comedy boom.Get ready for gross-out gags, dorm room disasters, and a trip down memory lane with the ultimate party movie that defined a generation.BONUS: Phil sits down with actress Amy Smart to reflect on her early career, from the chaos of Road Trip to the over-the-top antics of Starsky & Hutch. They dive into the wild world of 2000s comedy, the pressure of filming iconic scenes, and the unique challenges of being the “straight person” in movies full of larger-than-life characters like Tom Green and Ben Stiller.Amy shares behind-the-scenes stories about navigating fratty set environments, balancing TV and film work, and the surreal experience of going from indie darling to mainstream star. Plus, she reveals the surprising connection between Todd Phillips and Quentin Tarantino that even die-hard fans might not know.

Introspektív hangulatban indítjuk az idei cannes-i gonzó podcastsorozatot. Elmerengünk az idő természetén Bujdosó Borival, akivel pont 20 évvel ezelőtt jöttünk ide először, csak akkor még nyolc idegennel laktunk együtt egy diákszálláson és azt sem tudtuk, hogy mi hol van. Egyenként bemutatjuk a barátainkat, akik szintén szerepelni fognak majd ebben a sorozatban, illetve Bori elmeséli, hogy milyen érzés volt megtudni, hogy bekerült az idei cannes-i versenyprogramba az a kisfilm (The Spectacle), amiben ő is dolgozott szkriptesként.Bejelentkezik továbbá Markó Gábor, a székesfehérvári neurológus, aki sok évvel ezelőtt a fejébe vette, hogy eljön Cannes-ba, tavaly valóra is váltotta ezt az álmát, most pedig itt van megint.Összekötő zene: Kristóf NorbertKészíti: Varga FerencJó szórakozást az adáshoz, és ha tetszik, kérlek⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠támogasd a Filmklub podcastot a Patreonon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, egy dollár is nagy segítség! Ha a Patreon túl macerás, támogathatod a podcastot a PayPalon (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferencv1976⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) vagy a Revoluton (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferenc7drh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) keresztül is. Nagyon köszönöm!

On this episode of the podcast, host Dr Pasquale Iannone explores the little-known early films of one of the most influential filmmakers of all time, German director Douglas Sirk. Sirk is synonymous with one particular genre. His most famous films, such as Magnificent Obsession (1954), All That Heaven Allows (1955), Written on the Wind (1956) and Imitation of Life (1959) are glossy, luxurious Technicolor melodramas which would go on to inspire the likes of Rainer Werner Fassbinder, Todd Haynes and many others. But there is more to Sirk than melodrama - he made war films, crime movies, historical dramas and comedies in a career spanning over 25 years and several countries. Earlier this year, Eureka Entertainment released a box set titled Sirk in Germany (1934 - 1935), a collection which takes us all the way back to the beginning of Sirk's film career. The set includes beautiful restorations of his first three features as well as several short films, all of which were made in the early years of the Nazi regime. Alongside bonus material from noted film historians Sheldon Hall and Tim Bergfelder, there are three audio commentaries from the University of Edinburgh's very own David Melville Wingrove. David is a Teaching Fellow at the University's Centre for Open Learning where he teaches hugely popular courses on both film and literature, specialising in dark and fantastical themes and styles. He is also a prolific writer, regularly contributing to publications such as Senses of Cinema. David and Pasquale discuss Sirk's first short film Two Greyhounds (1934) and his first feature April! April! (1935), both light comedies centring on mistaken identity which skewer - mostly with affection - the mores of the German middle class. David helps to place the films in historical context and he also tells Pasquale why Sirk, who was very much one of the leading lights of the German theatre in the late 20s and early 30s, decided to make the move into filmmaking.

It's Miriam Shor, y'all! You Might Know Her From Younger, Hedwig and the Angry Inch, Magic Hour, GCB, Shortbus, Swingtown, Maestro, American Fiction, and Guardians of the Galaxy Vol 3. Miriam gave us all the scoop on grounding the zaniness of Diana Trout on Darren Star's Younger, leading the indie comedy Magic Hour, and appearing in "brilliant but canceled" series like GCB and Swingtown. All that, plus Miriam talked to us about being one of John Cameron Mitchell's "players," appearing in Shortbus and, of course, originating the role of Yitzhak in the Hedwig universe; popping up in prestige Oscar films; her musical theatre roots; New York City history; and dying by way of a paintbrush in The Americans. We just LOVED Miriam. Patreon: www.patreon.com/youmightknowherfrom Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this episode: Genesis' “Land of Confusion” + Garbage Pail Kids + Whoopi Goldberg latex mask Realistic latex masks on TikTok Eddie Fisher was married to Debbie Reynolds but cheated on Debbie with Elizabeth Taylor when her husband (their friend), Mike Todd died  Christina Milian and The Dream; Little Wayne and Nivea swapped Damian loves a sexy network drama and also HBO's Real Sex, Taxicab Confessions People raising hyper realistic fake babies Lars and the Real Girl ; Companion MIriam's first leading film role is in Magic Hour Dons a bald cap in Guardians of the Galaxy III American Fiction had a $5M budget Cord Jefferson's Oscar speech Played Diana Trout on Darren Star's Younger for 6 seasons Darren Star also made Beverly Hills, 90210, Melrose Place, Sex and the City, Emily in Paris, Good Christian Bitches Robert Harling wrote Steel Magnolias Cricket Caruth Reilly Met her husband doing karaoke - also with Bridget Everett Marie's Crisis got a resurgence thanks to Younger St Marks Is Dead by Ada Calhoun Il Posto Accanto (thanks to Debi Mazar); Supper; Gnocco Swingtown was championed by Nina Tassler but killed by Les Moonves Hedwig and the Angry Inch was Miriam's first audition and show in New York Met Lou Reed, Joey Ramone, Elliot Smith, Pete Townsend because of Hedwig Anne saw Debbie Does Dallas in the Jane Street Theatre but didn't get to see Hedwig Shortbus with John Cameron Mitchell Did Fiddler on the Roof tour in 1994 with Theodore Bikel (Captain Von Trapp in Original Broadway cast of The Sound of Music). “Edelweiss” was written for him by Rodgers & Hammerstein  Appeared at Public Theatre's production Lynn Nottage's Sweat (it later won the Pulitzer Prize)  Wants to do Shakespeare in the Park Was Mary in Kennedy Center Production of Merrily We Roll Along (A GREAT DRUNK in a FAT SUIT, her big scene at 15:40) Was a waitress in Todd Haynes' Mildred Pierce miniseries  Was directed by Bradley Cooper as Leonard Bernstein in Maestro Appeared as lesbian in The Wild Party with Sutton at Encores, played gay in And Just Like That Season 2; and was Yitzak in Hedwig Anne's obsessed with this portrait Morgan Freeman is supposed to have painted of a nude Diane Keaton in Five Flights Up (see right)  Friends with Cynthia Nixon and her wife Christine Played an artist in The Americans (“I'm pulling the drawing OUT of the paper”) Adam Scott and Carol Burnett are great drunks; we love a pilled out Samatha Mathis in American Psycho “Room Tone” is when Sound Dept records sound of the room to lay under the scene if necessary “Corpsing” is when you break character (Peter Hermann is worst) Miriam is Directing a documentary about NDAs Quincy Jones said that Richard Pryor had sex with Marlon Brando We hope Amanda Bynes gets a comeback. Faye Dunaway, Tatyana Ali, Leanna Creel and her triplets. Not Millie Bobby Brown Matlock cast on Jennifer Hudson runway  

Margo is joined by Brian Selznick, the wildly imaginative author and illustrator whose groundbreaking books have redefined how we tell stories. Known for seamlessly blending text and image in powerful, cinematic ways, Brian shares the origins of his creative process, the stories behind his best-known works, and the magic of collaborative art-making. Together, they explore what it means to honor both the reader and the story, why grief and love are ever-present themes in his work, and how he approaches retelling iconic tales through fresh and inclusive lenses. From The Invention of Hugo Cabret to Run Away With Me, Brian's work invites readers into deeply felt worlds where art and narrative become one.   Margo and Brian discuss: The start of Brian's creative process and how he moves from words to illustration His unique storytelling style and cinematic inspirations What it was like to have The Invention of Hugo Cabret adapted by Martin Scorsese Collaborating with director Todd Haynes on the Wonderstruck film adaptation His philosophy on creative ownership and openness in adaptations Designing the 20th anniversary covers for the Harry Potter series and grappling with the controversies surrounding J.K. Rowling. The importance of telling authentic queer love stories in his new novel Run Away With Me Exploring universal themes of love, grief, and time in narrative The reimagining of The Nutcracker with a historical, class-conscious twist How Brian sees the future of storytelling as both expansive and inclusive   Connect with Brian: https://brianselznick.com https://instagram.com/thebrianselznick   Connect with Margo:  www.windowsillchats.com www.instagram.com/windowsillchats www.patreon.com/inthewindowsill https://www.yourtantaustudio.com/thefoundry  

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Todd Haynes Todd Haynes, independent filmmaker, in conversation with host Richard Wolinsky. Recorded February 27, 2025. The director of ten feature length films, Todd Haynes is an independent film-maker with his roots in New Queer Cinema. After coming to the attention of the film community with his short film, Superstar: The Karen Carpenter Story, in which the “actors” were Barbie Dolls, he achieved fame with his first feature, Poison, which told three stories in different ways, all of which commented on the AIDS epidemic. He followed that with the much-lauded Safe, and then moved on to mainstream success with the lush melodrama, Far from Heaven. His later films include Velvet Goldmine, focusing on the glam rock era, I'm Not There, in which several actors portrayed Bob Dylan, Carol, Dark Waters, Wonderstruck, and his latest film, May December (Netflix). His documentary, Velvet Underground, is available on Apple Plus. Along the way there was a miniseries, Mildred Pierce, starring Kate Winslet, on HBO (streaming on MAX). All his films are available streaming. The films of Todd Haynes will be shown in a retrospective, “Todd Haynes: Far From Safe,”  through April 12th at BAMPFA, Berkeley Art Museum and Pacific Film Archive. Special thanks to AJ Fox and the staff at Pacific Film Archive. Complete Interview   Chimamanda Ngozi Adichie Chimananda Ngozi Adichie, Nigerian author of “Americanah” and four other novels, in conversation with host Richard Wolinsky, recorded in the KPFA studios, June 5, 2013. She has written five novels, two collections of short stories, one memoir, and many articles and short stories for many newspapers, magazines, and periodicals. She is widely regarded as a central figure in postcolonial feminist literature. Her latest novel, “Dream Count” has just been published. Complete Interview   Review of “Uncle Vanya” at Berkeley Rep Peets Theatre through March 23, 2025.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. See website for specific days and times, and for staged readings at LaVal's Subterranean Theater. Actor's Reading Collective (ARC).   See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company. Arts Festival 31: Let Freedom Ring, March 28-30, Potrero Stage. American Conservatory Theatre Nobody Loves You, a musical, Feb. 28 – March 30, Toni Rembe Theatre. Aurora Theatre  Crumbs from the Table of Joy by Lynn Nottage, April 26-May 25, 2025 Awesome Theatre Company. See website for information. Berkeley Rep. Uncle Vanya by Anton Chekhov, adapted by Conor McPherson, February 14 – March 23, Peets Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Supergalza: A Shakespeare Cabaret, spring 2025. Boxcar Theatre. Magic Man, Jan 3 – June 2, Palace Theatre. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Six, April 8-20, Curran; Mamma Mia! April 30 – May 11, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  The Cher Show. March 18 – 23. Center Rep: The Roommate by Jen Silverman, March 30 – April 20. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works  Push/Pull by Harry Davis, March 1 – 30, 2025. Cinnabar Theatre. Young Rep: Hamlet, March 15-23, Petaluma SRJC; Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. 42nd Street Moon. See website for upcoming productions. Golden Thread  AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Fly by Night conceived by Kim Rosenstock Written by Will Connolly, Michael Mitnick, and Kim Rosenstock, March 6 – 23. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. Youth Theatre: Greek Mythology Olympiaganza by Dan Zolidis, March 7 -16; Cyrano by Edmund Rostand, April 10 – May 4. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang  April 3 -20, 2025. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Wild with Happy by Colman Domingo, March 7 – April 6. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project.  I Am My Own Wife by Doug Wright, March 21 – April 6, Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. The Gods of Comedy by Ken Ludwig,  Feb. 21 – March 16. See website for staged readings and other events. Playful People Productions. See website for upcoming productions and events. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. June 2025. San Francisco Playhouse. Fat Ham by James Ijames, March 20 – April 19. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: The Underpants by Steve Martin, April 3 -27. Shotgun Players.  Heart Wrench, Feb 14 – 15. Art by Yazmina Reza, starts March 8. South Bay Musical Theatre: Titanic, a concert presentation, April 12-13. Brigadoon, May 17-June 7, Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions. Theatre Rhino  Gumiho by Nina Ki, April 17 – May 11.Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Happy Pleasant Valley, Book, Music, and Lyrics by Min Kahng, Lucie Stern Theatre, Palo Alto, March 5-30. The Heart-Sellers by Lloyd Suh, April 2-27. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. Signs of Life? written and performed by Cheyenne Jackson, 2 performances February 14, Chan National Queer Arts Center. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   .   . The post March 13, 2025: Todd Haynes, Independent Filmmaker appeared first on KPFA.

SEASON 2 - EPISODE 132 - Post - with Ed Lachman In this special episode of the Team Deakins Podcast, cinematographer Ed Lachman (Season 1, Episode 77) joins us to talk about post-production from the point-of-view of a cinematographer. Throughout the episode, Ed shares a bounty of his own observations regarding colour, luminosity, and depth of field, and we share our own perspectives on the perceived effects of anamorphic and spherical lenses. We later discuss the fatiguing effect of a monotonous montage of dark images, and Ed reveals a recent revelation about the relationship between resolution and colour. We also discuss the different (and complicated) methods of mimicking film in digital images, and we reflect on the importance of making your image look the way you want in-camera. We also ask Ed what he might do differently today to achieve the same Douglas Sirk-inspired look of Todd Haynes' FAR FROM HEAVEN, and Ed even brainstorms what he might do on his upcoming film shooting later this year. - This episode is sponsored by Aputure

Todd Haynes, independent filmmaker, in conversation with host Richard Wolinsky. Recorded February 27, 2025. The director of ten feature length films, Todd Haynes is an independent film-maker with his roots in New Queer Cinema. After coming to the attention of the film community with his short film, Superstar: The Karen Carpenter Story, in which the “actors” were Barbie Dolls, he achieved fame with his first feature, Poison, which told three stories in different ways, all of which commented on the AIDS epidemic. He followed that with the much-lauded Safe, and then moved on to mainstream success with the lush melodrama, Far from Heaven. His later films include Velvet Goldmine, focusing on the glam rock era, I'm Not There, in which several actors portrayed Bob Dylan, Carol, Dark Waters, Wonderstruck, and his latest film, May December (Netflix). His documentary, Velvet Underground, is available on Apple Plus. Along the way there was a miniseries, Mildred Pierce, starring Kate Winslet, on HBO (streaming on MAX). All his films are available streaming. The films of Todd Haynes will be shown in a retrospective, “Todd Haynes: Far From Safe,” beginning March 8th and continuing through April 12th at BAMPFA, Berkeley Art Museum and Pacific Film Archive. Todd Haynes will be introducing some of his films (sold out). Special thanks to AJ Fox and the staff at Pacific Film Archive. The post Todd Haynes, Award-Winning Independent Filmmaker. appeared first on KPFA.

Patrick and Rosalie Lewis put on their best glam outfits to talk Todd Haynes' 1998 rock epic. Download this episode here. Listen to F This Movie! on Apple Podcasts. Also discussed this episode: Looking for Mr. Goodbar (1977), Pusher (1996), The Fallen Idol (1948), Safe (1995), Suzhou River (2000), May December (2023), Eileen (2023), Dream Scenario (2023), Saltburn (2023)

This week we're joined by Chicago's Joan Waters, local drag queen and John Waters super fan, and we're taking a look at Polyester, John Waters' first studio film. With his biggest budget to date, Waters paid tribute to William Castle, and Douglas Sirk, two of his favorite filmmakers. Sirk directed the Rock Hudson classic All That Heaven Allows, a clear influence on queer filmmakers like Todd Haynes and Rainer Werner Fassbinder. So we paired it with Polyester as we take a look at the similarities, differences, and Sirk's continued influence in queer cinema. Say Hi!

Paul and Erin review two films that take very different approaches to telling the story of music legend Bob Dylan: James Mangold's 2024 biopic A COMPLETE UNKNOWN, starring Timothée Chalamet; and Todd Haynes' 2007 dissection of Dylan's various incarnations I'M NOT THERE, starring Cate Blanchett, Heath Ledger, Christian Bale and Richard Gere.

Cette année, le jury du 75ᵉ Festival international du film de Berlin est présidé par l'Américain Todd Haynes. 19 films concourent pour l'Ours d'Or, la plus haute récompense du festival. Mais le festival de Berlin est aussi connu pour son marché du film, le second plus important au monde après Cannes, qui rassemble des milliers de professionnels du monde entier. Depuis trois ans, l'EFM, European Film Market, abrite un nouvel événement, Afro Berlin, qui réunit pendant trois jours des cinéastes et producteurs venus du continent. À lire aussiCinéma: le festival de Berlin réserve une forte place à l'Afrique, avec trois films en compétition

Burg, Susanne www.deutschlandfunkkultur.de, Studio 9

Ian Fleishman develops the concept of failed passing in his new book Flamboyant Fictions, which reimagines free will in queer lives as an accidental affirmation of identity despite efforts towards adherence to standards and norms. In this, he works with his predecessors in queer theory like Judith Butler, José Muñoz, Leo Barsani, Lee Edelman and others. In our conversation, Ian also gives us a glimpse of his readings of failed passing in widely varying texts such as the works of André Gide and Jean Genet and the films of Luchino Visconti, Rainer Werner Fassbinder, Werner Schroeter, Todd Haynes, François Ozon, and Xavier Dolan, to the music and public persona of Shawn Mendes and Troye Sivan. Ian Fleishman is the inaugural Chair of the Department of Cinema & Media Studies at the University of Pennsylvania and the author of Flamboyant Fictions: The Failed Art of Passing (Northwestern 2024). His previous books are An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (Northwestern 2018) and Performative Opacity in the Work of Isabelle Hupert (Edinburgh 2023), co-edited with Iggy Cortez. Image: From the cover of Flamboyant Fictions, by Monograph / Matt Avery Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ian Fleishman develops the concept of failed passing in his new book Flamboyant Fictions, which reimagines free will in queer lives as an accidental affirmation of identity despite efforts towards adherence to standards and norms. In this, he works with his predecessors in queer theory like Judith Butler, José Muñoz, Leo Barsani, Lee Edelman and others. In our conversation, Ian also gives us a glimpse of his readings of failed passing in widely varying texts such as the works of André Gide and Jean Genet and the films of Luchino Visconti, Rainer Werner Fassbinder, Werner Schroeter, Todd Haynes, François Ozon, and Xavier Dolan, to the music and public persona of Shawn Mendes and Troye Sivan. Ian Fleishman is the inaugural Chair of the Department of Cinema & Media Studies at the University of Pennsylvania and the author of Flamboyant Fictions: The Failed Art of Passing (Northwestern 2024). His previous books are An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (Northwestern 2018) and Performative Opacity in the Work of Isabelle Hupert (Edinburgh 2023), co-edited with Iggy Cortez. Image: From the cover of Flamboyant Fictions, by Monograph / Matt Avery Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ian Fleishman develops the concept of failed passing in his new book Flamboyant Fictions, which reimagines free will in queer lives as an accidental affirmation of identity despite efforts towards adherence to standards and norms. In this, he works with his predecessors in queer theory like Judith Butler, José Muñoz, Leo Barsani, Lee Edelman and others. In our conversation, Ian also gives us a glimpse of his readings of failed passing in widely varying texts such as the works of André Gide and Jean Genet and the films of Luchino Visconti, Rainer Werner Fassbinder, Werner Schroeter, Todd Haynes, François Ozon, and Xavier Dolan, to the music and public persona of Shawn Mendes and Troye Sivan. Ian Fleishman is the inaugural Chair of the Department of Cinema & Media Studies at the University of Pennsylvania and the author of Flamboyant Fictions: The Failed Art of Passing (Northwestern 2024). His previous books are An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (Northwestern 2018) and Performative Opacity in the Work of Isabelle Hupert (Edinburgh 2023), co-edited with Iggy Cortez. Image: From the cover of Flamboyant Fictions, by Monograph / Matt Avery Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Ian Fleishman develops the concept of failed passing in his new book Flamboyant Fictions, which reimagines free will in queer lives as an accidental affirmation of identity despite efforts towards adherence to standards and norms. In this, he works with his predecessors in queer theory like Judith Butler, José Muñoz, Leo Barsani, Lee Edelman and others. In our conversation, Ian also gives us a glimpse of his readings of failed passing in widely varying texts such as the works of André Gide and Jean Genet and the films of Luchino Visconti, Rainer Werner Fassbinder, Werner Schroeter, Todd Haynes, François Ozon, and Xavier Dolan, to the music and public persona of Shawn Mendes and Troye Sivan. Ian Fleishman is the inaugural Chair of the Department of Cinema & Media Studies at the University of Pennsylvania and the author of Flamboyant Fictions: The Failed Art of Passing (Northwestern 2024). His previous books are An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (Northwestern 2018) and Performative Opacity in the Work of Isabelle Hupert (Edinburgh 2023), co-edited with Iggy Cortez. Image: From the cover of Flamboyant Fictions, by Monograph / Matt Avery Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Ian Fleishman develops the concept of failed passing in his new book Flamboyant Fictions, which reimagines free will in queer lives as an accidental affirmation of identity despite efforts towards adherence to standards and norms. In this, he works with his predecessors in queer theory like Judith Butler, José Muñoz, Leo Barsani, Lee Edelman and others. In our conversation, Ian also gives us a glimpse of his readings of failed passing in widely varying texts such as the works of André Gide and Jean Genet and the films of Luchino Visconti, Rainer Werner Fassbinder, Werner Schroeter, Todd Haynes, François Ozon, and Xavier Dolan, to the music and public persona of Shawn Mendes and Troye Sivan. Ian Fleishman is the inaugural Chair of the Department of Cinema & Media Studies at the University of Pennsylvania and the author of Flamboyant Fictions: The Failed Art of Passing (Northwestern 2024). His previous books are An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (Northwestern 2018) and Performative Opacity in the Work of Isabelle Hupert (Edinburgh 2023), co-edited with Iggy Cortez. Image: From the cover of Flamboyant Fictions, by Monograph / Matt Avery Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

As Sook-Yin Lee's dramedy Paying for It rolls into Canadian theaters, the film's editor Anna Catley – whose other credits include Things I Do for Money and We Forgot to Break Up – stops in to talk about the allure of Todd Haynes' glam-rock reverie Velvet Goldmine, which introduced her to new methods of storytelling at exactly the right point in her creative development. Your genial host Norm Wilner was shocked to realize he still hasn't seen the original cut of this one.

Mark & Matt are joined by special guest Mel Larson to discuss I'm Not There the 2007 musical drama film directed by Todd Haynes. An experimental biographical film, it is inspired by the life and music of American singer-songwriter Bob Dylan, with six actors depicting different facets of Dylan's public personas: Christian Bale, Cate Blanchett, Marcus Carl Franklin, Richard Gere, Heath Ledger and Ben Whishaw.Join our listener's group The BQN Collective on Facebook. Follow the network on Instagram @BQNPodcastsFind us on BlueSky:  The Network: @BQNpodcastsMark: @MW207Matt: @1701blerdMel: @mel-med-larsonMusic: https://freemusicarchive.org/ https://files.freemusicarchive.org/storage-freemusicarchive-org/tracks/5bYo2CCQrTvlatjormsG0jHuaNUPE6OC2aIUiXI8.mp3?download=1&name=Ketsa%20-%20Dancing-Dead.mp3  BQN Podcasts are made possible by the generous contributions of listeners like you. We extend our heartfelt gratitude to our Patreon patrons, whose support has been instrumental in producing the podcast! AnonymousJerry AntimanoVera BibleSusan L. De ClerckRyan DamonDavidChrissie De Clerck-SzilagyiLars Di ScenzaThad HaitMatt HarkerPeter HongWilliam JacksonSamuel JohnsonJim McMahonJoe MignoneMahendran RadhakrishnanTom Van ScotterJJ SeastrumJonathan SnowCarl WondersJoin the Hive Mind Collective at https://www.Patreon.com/BQN and become an integral part of our podcast. Your unique perspective and support will help us continue to produce high-quality content that you love!Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. STAR TREK and all related marks, logos and characters are owned by CBS Studios Inc. “BQN” is not endorsed or sponsored by or affiliated with CBS/Paramount Pictures or the STAR TREK franchise.

New Releases: The Last Showgirl “The Last Showgirl” (2024) is a poignant drama directed by Gia Coppola and written by Kate Gersten. Starring Pamela Anderson in a career-defining role as Shelly Gardner, the film explores the struggles of a seasoned Las Vegas showgirl grappling with the impending closure of her long-running revue, Le Razzle Dazzle. Jamie Lee Curtis delivers a standout performance as Annette, Shelly's best friend and confidante, while Dave Bautista and Billie Lourd bring depth as the show's producer and Shelly's estranged daughter, respectively. Better Man “Better Man” (2024) is an innovative biographical musical film about British pop star Robbie Williams, directed by Michael Gracey (The Greatest Showman). The film's bold narrative choice to portray Williams as a CGI chimpanzee—motion-captured by Jonno Davies—adds a surreal twist to this exploration of his rise to fame with Take That, solo career, and personal struggles with addiction and depression. A Complete Unknown James Mangold's A Complete Unknown (2024) chronicles the early career of Bob Dylan, culminating in his controversial electric performance at the 1965 Newport Folk Festival. Timothée Chalamet delivers a mesmerizing performance as Dylan, performing all the music live. The ensemble cast includes Edward Norton as Pete Seeger, Elle Fanning as Dylan's girlfriend, and Monica Barbaro as Joan Baez. This film is a must-watch for Dylan fans and music lovers alike. Classic Revisit: I'm Not There I'm Not There (2007) remains a unique and experimental biopic about Bob Dylan. Directed by Todd Haynes, the film features six different actors—including Cate Blanchett, Christian Bale, and Heath Ledger—portraying various facets of Dylan's enigmatic persona. Its kaleidoscopic storytelling and creative structure offer an unparalleled cinematic experience. Follow Us: Website: I Hate Critics Facebook: Everyone is a Critic Podcast Twitter: @criticspod Instagram: @criticspod Patreon: Support Us Merch: TeePublic Store YouTube: Watch Us Check out Jeff's art at Jeff Lassiter Art and read Sean's reviews at Sean at the Movies. Don't forget to rate, review, and subscribe!

This week, we are joined by Paisley Underground legend MATT PIUCCI (Rain Parade, Crazy Horse) to discuss the TODD HAYNES' documentary, THE VELVET UNDERGROUND. We also talk about Haynes' body of work including Velvet Goldmine & Safe, the perfect run of Velvet Underground records, Chris' emotional breakdown after seeing the film in the theater, Roky Music & The Doors, does a biopic need to be truthful, how being on stage is similar to Matt's forensic courtroom work (and would any member of The Velvets been good forensic scientists), the multiple screen and sound work within the film, how so much of art is because of chance encounters, how Andy Warhol's prescence allowed the Velvets to get through the gatekeepers of a label, honoring Warhol's visual identiy in the the film, the NYC underground filmmaking scene, how they edited this film, Lou Reed scrambling the narrative of his life, drones in music, Miles Davis, the mid 60s L.A. rock scene vs the NYC rock scene, seeing John Cale live, Chris hearing the first Velvet's record as a 7 year old & Matt seeing The Byrds live as a child, Mick Ronson & Transformer, Jeff Beck playing with Ziggy Stardust, how without Mo Tucker the Velvets were never the same, the Grateful Dead comparisons that confuses us, Can, Jonathan Richman's presence in the film, The Velvet's love of Neil Young, Matt talks about recording with Billy Talbot of Crazy Horse and smoking bowls with Neil Young, how Haynes' struggled making the film because of lack of archival footage of the band, John Cale's departure from the band and the pain of band lineup changes, Songs For Drella and the vilification of Doug Yule.So let's have The Velvet Underground hypnotize us once again on this episode of Revolutions Per Movie!!!MATT PIUCCI:@mattpiuccihttps://rainparade.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Starting 2025 with a bang, we're diving into Todd Haynes's groundbreaking debut, Poison (1991). Co-hosted by the fabulous Rahne Alexander and Kyler Fey himself, this episode unpacks the audacious triptych of tales—Hero, Horror, and Homo—that propelled Haynes to indie cinema stardom. Bold, provocative, and unapologetically queer, Poison challenges conventions and leaves an indelible mark on the New Queer Cinema movement. Join us as we explore the film's layered narratives, its haunting aesthetics, and its enduring impact.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Starting 2025 with a bang, we're diving into Todd Haynes's groundbreaking debut, Poison (1991). Co-hosted by the fabulous Rahne Alexander and Kyler Fey himself, this episode unpacks the audacious triptych of tales—Hero, Horror, and Homo—that propelled Haynes to indie cinema stardom. Bold, provocative, and unapologetically queer, Poison challenges conventions and leaves an indelible mark on the New Queer Cinema movement. Join us as we explore the film's layered narratives, its haunting aesthetics, and its enduring impact.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Hey everyone! This week we are discussing Todd Haynes' experimental biopic of Bob Dylan, I'm Not There. Listen as we breakdown this unique look at the myth and legend behind the singer/songwriter and explore the many pieces that make him an icon. Enjoy!

French director Justine Triet on Anatomy of a Fall, which received five Oscar nominations and took home the Palme d'Or in 2023. The film is an electric courtroom drama, about a woman suspected of her husband's murder and the various moral dilemmas that arise.Hollywood director Todd Haynes on his drama May December. Starring Natalie Portman and Julianne Moore, and also nominated for an Oscar, it unpicks the story of a married couple whose tabloid romance once gripped the world.

Introducing Julianne Moore at the New Yorker Festival, in October, the staff writer Michael Schulman recited “only a partial list” of the directors Moore has worked with, including Robert Altman, Louis Malle, Todd Haynes, Paul Thomas Anderson, Lisa Cholodenko, Steven Spielberg, the Coen brothers, and many more legends. It seems almost obvious that Moore co-stars (alongside Tilda Swinton) in Pedro Almodóvar's first feature in English, “The Room Next Door,” which comes out in December. Moore has a particular knack with unremarkable characters. “I don't know that I seek out things in the domestic space, but I do think I'm really drawn to ordinary lives,” she tells Schulman. “I've never been, like, I'm going to play an astronaut next. . . . A lot of these stories [are] domestic stories—well, that's the biggest story of our lives, right? How do we live? Who do we love? . . . Those are the things that we all know about.”New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts.

Ellie from the Butt Out Baby Podcast had the best idea. For all of us to watch Carol (2015) directed by Todd Haynes and then talk about it. Therese gets a funny feeling when she first sees the glamorous Carol, and it isn't just because its Christmastime. But it is the 1950s, and Carol is going through a divorce, and is a devoted mother, and is at least a decade older and a gajillion dollars richer, and it's Christmas! What is it they about the course of true love? Do age gaps matter? Does Christmas matter? And what even happened with that ending! Be sure to tune into this romance-centered discussion of Carol. And, by the way, I like your hat...

This week, we celebrate the season with Todd Haynes' 2015 holiday romance, Carol. Cate Blanchett and Rooney Mara star in this adaptation of the 1952 Patricia Highsmith novel.

durée : 00:58:36 - Plan large - par : Antoine Guillot - Aujourd'hui, nous recevons la comédienne et productrice Natalie Portman et le cinéaste Todd Haynes pour "May December", et aussi Sandra Onana. - réalisation : Anne-Laure Chanel - invités : Todd Haynes Réalisateur, scénariste et producteur américain; Natalie Portman Actrice et productrice; Sandra Onana Critique de cinéma, journaliste à Libération

Send us a textIt is the season of giving, and co-host Bella Efstratis and producer Sonja Mereu are here to recommend three films each!Usually - our monthly discovery episodes are reserved for our Patreon subscribers. However, it is the holiday season, so we are presenting it to you - our lovely listeners free of charge. Bella and Sonja deliver a total of six spoiler-free film recommendations of movies that they saw during the fall season, including:- Safe (1995)- Deep Cover (1992)- Nightbitch (2024)- Onward (2020)- A Real Pain (2024)- Babes (2024)Check out these fantastic titles, and let us know what you think! Also, tell us what films you saw and loved during the fall season.  Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Mita goes niche when picking another movie that starts with "S". This time, she picks Todd Haynes 1995 drama, "Safe" for the next movie review. It's also finally award season, and Mita and Nadeem dissect the 2025 Golden Globe nominees. 

Julian, Madeline, and Emilio kick off their "Holiday Suggestion Box" episode cycle by discussing "Carol" (2015), the great Christmastime-set queer romance directed by Todd Haynes, holding up his title as the most-covered director on the podcast. A re-watch for Madeline and Julian and a first-time viewing for Emilio, the group discuss such topics as the film's status as an adaptation (of Patricia Highsmith's "The Price of Salt"), why it works as a holiday movie, and its balance of finely tuned 1950s period detail and the timeless appeal of its love story. Additionally, utilizing their refined attention to Todd Haynes' distinct touches as a director, Madeline praises the film's affecting portrayals of complex female characters, Emilio touches on Haynes' delicacy with varied male archetypes, and Julian points out some highlight moments of the film's subtly expressive visual language.If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats      

We're continuing our look at the career of Julianne Moore by looking at her first lead performance, in Todd Haynes's 1995 indie classic Safe! Join in as we discuss cults, color schemes, environmental illness, and milkaholism! Plus: How did Carol and Greg get together? What's Chris's deal? Is Rory the worst kid ever? And why did the New York Times think the movie was set in the future? Make sure to rate, review, and subscribe! Next week: Nine Months (1995) ------------------------------------------------ Key sources and links for this episode: Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film by Peter Biskind (2004) BOMB Magazine interview with Haynes in 1995 covering the film's development Filmmaker Magazine interview with Haynes about production Haynes interview with Australian TV during the film's initial release Haynes and Moore talk about the film with Criterion in 2014 Superstar: The Karen Carpenter Story on YouTube

This week BL has sensory overload on the tram, Kate got a bad first email of the day, what did she learn about Amyl and the Sniffers from Brodie's profile of them?, going Chris Farley mode talking to Waxahatchee about Gilmore Girls, Kate's phone thinks she's someone else entirely, where were we on election day in 2016 and where have we come since?We discuss the performances and purposes of The Apprentice, then Brodie fills Kate in on Jason Reitman's Saturday Night and the latest episode of Saturday Night Live, Kate will NOT be putting on a pink cowgirl hat for Chappell Roan but that's okay, the internet is being insane about John Mulaney.While we're on the subject of pop girlies: Brodie is fanging to talk about Addison Rae, Kate and Brodie each have information to share each other about Sabrina Carpenter, "Barry Keoghan's wife should be hosting SNL".Then it's time to debrief on the little indie flick called Megalopolis, we're mad at Joaquin Phoenix but he looks really good, Frances Ford Coppola gave Kate the gift of Pepsi Max.We've both watched Fanatical: the Catfishing of Tegan and Sara, a documentary that made us remember the good songs and the L Word episode, and debate "Fegan" and the merits of a directors inserting themselves into a show. Kristen Stewart in Twilight lost a Saturday to unnecessary research.Our next screening at Thornbury Picture House is a lesbian holiday classic: Todd Haynes' CAROL (2015)Join us on Dec 17 for two screenings – 6pm and 8:30pm – with a post-film chat, plus a special martini.Get your tickets!Keep an eye on our IG to submit your requests for our holiday gift guide + advice column!See AlsoWhere's My Roy Cohn?Live From New YorkSean Price William on Addison Rae in DazedThe English Teacher – streaming on Disney Plus and HuluCelebrity Book Club 'Club Kids' episode on FanaticalCasey Affleck and Rain Phoenix's kidMartha Stewart responds to Ina Garten's book on WWHLMarisa Meltzer review in NYTimesAlso AlsosThe Row playlistsDistant Call: Collected Demos 2000–2006Culture StudyStructure Face Sculpt facial at Little CompanyMartha on NetflixTHE FIRST AND LAST OF ENGLAND: THE QUEER LEGACIES OF DEREK JARMAN at Melbourne Cinematheque 6–20 Nov Hosted on Acast. See acast.com/privacy for more information.

“There are practical paths and intuitive paths with each character,” says Cory Michael Smith at the start of this episode, and it's a recurring theme throughout. The talented actor was Riddler on the series “Gotham,” a standout in three Todd Haynes films, and now plays Chevy Chase in "Saturday Night.” On this episode he details the careful process of studying Chevy clips for months before diving into the script. He talks about the importance of “ridding myself of any hint of fraudulence,” why it's so important for him to show up with lots of ideas, how being intentional with his career choices allows him to better serve the work, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

This week, we talk to BRETT BOHAM (producer of Double Threat & The Best Show w/ Tom Scharpling + co-host of Movies Babyyyyy) about the UK film 24 HOUR PARTY PEOPLE. We discuss Steve Coogan's incredible performance as Tony Wilson (who put out records by Joy Division, New Order, Happy Mondays) and Paddy Considine as Rob Gretton, unearthing fake Stone Roses footage that was not used in the film, pivotal video store moments, working with Julie Klausner & Tom Scharpling, Brett being able to relate to Tony Wilson's handling of artists, discovering Joy Division, Shawn Rider, visiting the Hacienda, Goodfellas coke scenes, The Fall and the Manchester music scene, Tony Wilson being a prick in real life, Hollywood Vs. Blockbuster video stores, the B52s and the Athens music scene, Fassbinder films, getting your videos from your local bike shop, 1999 movies, the UK music press, Outkast, how the film uses actual news footage of Tony Wilson, backing up being a pretentious person, Todd Haynes, the Factory Records artwork, not having a contract with an artist, Martin Hannett, legendary under attended rock shows, early White Stripes and Dinosaur shows, how the Sex Pistols playing Manchester changed the course of music forever, Touch & Go records & Butthole Surfers, filmmaker Michael Winterbottom, Coffee & Cigarettes, Alan Partridge, A Certain Ratio, passing the car stereo test, skinheads infiltrating the UK music scene, Pulp and various Factory releases such as #61 Lawsuit featuring Martin Hannett & #501 Tony Wilson's Coffin. So, let's go ahead and sign a contract in blood as we delve into this week's Revolutions Per Movie.BRETT BOHAM:https://foreverdogpodcasts.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

My Sin (1924) + Arpege (1927) by Lanvin + Vent Vert by Balmain (1947) + White Shoulders by Evyan (1943) + Magnificent Obsession by Lloyd C. Douglas (1929) + Leave Her to Heaven by Ben Ames Williams (1944) + Imitation of Life by Fannie Hurst (1933) + Douglas Sirk's Magnificent Obsession (1954) + All That Heaven Allows (1955) + Imitation of Life (1959) + John M. Stahl's Imitation of Life (1934) + Leave Her to Heaven (1945) + John Waters' Polyester (1981) + Todd Haynes' Far From Heaven (2002)  with Kylie White 3/27/23, 4/25/24, 9/16/24 S5E30, S6E32, S6E70 9/16/24 S6E71 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Gay homosexuals Nick and Joseph discuss Ashanti - a 1979 film directed by Richard Fleischer and starring Michael Caine, Peter Ustinov, Kabir Bedi, Beverly Johnson, Omar Sharif, Rex Harrison, and William Holden.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Additional topics include: -Lee Daniels' The Deliverance -Joaquin Phoenix in Venice talking about the Todd Haynes film -McDonald's curbside delivery -The death of Jean Charles Tacchella Join us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Find merch here: https://fishjellyfilmreviews.myspreadshop.com/all Venmo @fishjelly Visit their website at www.fishjellyfilms.com Find their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767 Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms) Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/ Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson --- Support this podcast: https://podcasters.spotify.com/pod/show/fish-jelly/support

It's Month Month! Join as Dan and Brian kick off the podcast's eighth-ever theme month -- films that have the name of one of the months in their title. They start with a double whammy -- Todd Haynes' 2023 drama (and arguable dark comedy) May December. Discussion topics include their favorite and least favorite months, Todd Haynes' irony-filled perspective on performance vs. authenticity, Dan's 2023 movie rankings, and the complicated nature of disturbing topics in narrative fiction. Dan's movie reviews: http://thegoodsreviews.com/ Subscribe, join the Discord, and find us on Letterboxd: http://thegoodsfilmpodcast.com/

Gay homosexuals Nick and Joseph discuss ⁠⁠⁠⁠Medea - a 1969 Italian film directed by Pier Paolo Pasolini, starring opera singer Maria Callas⁠⁠⁠⁠⁠⁠⁠⁠⁠ Additional topics include: -JLo and Ben Affleck's divorce -Joaquin Phoenix leaving the Todd Haynes production -Keith David's Instagram handle -The death of Phil Donahue Join us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Find merch here: https://fishjellyfilmreviews.myspreadshop.com/all Venmo @fishjelly Visit their website at www.fishjellyfilms.com Find their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767 Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms) Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/ Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson --- Support this podcast: https://podcasters.spotify.com/pod/show/fish-jelly/support

On today's episode, we discuss the demise of SJP Collection, J.Lo and Ben Affleck's divorce, Lady Gaga's underwhelming duet with Bruno Mars, Joaquin Phoenix's shock departure from Todd Haynes' latest project, the trailer for Pedro Almodóvar's new film The Room Next Door, the deaths of Los Angeles legends Peggy Moffitt and Gena Rowlands, the confusing Beetlejuice Beetlejuice x Rodarte collab, Supreme's acquisition by Essilor Luxottica, and M. Night Shyamalan's latest film Trap. Oh, and Chelsea's wife bought a Cybertruck?! Listen at your own risk. Today's episode is brought to you by Quince! Go to Quince.com/outfit for free shipping on your order and 365-day returns. Shop my Fall picks! The Organic Cropped Cotton Polo Sweater, the Washable Silk Drawstring Wide Leg Pants, and the Ultra-Soft Cropped Bootcut Pant. And try our favorite water Fiji Water!

T Lo unpack two recent stories of movie stars being terrible. First, a look at Joaquin Phoenix leaving director Todd Haynes in the lurch as he abandoned a film five days before shooting started. Then, it's a deep dive into all of the rumors and reports surrounding Blake Lively, Ryan Reynolds and director Justin Baldoni clashing during the shooting of "It Ends with Us." Is it a PR war or is there something to it?

Anne Thompson and Ryan Lattanzio weigh in on Joaquin Phoenix leaving Todd Hayne's film, the fate of Landmark Theaters, new Saoirse Ronan feature 'The Outrun' and indie legend Gena Rowlands death. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode Rundown: - Industry season 3 premiere & what we've been watching (0:00) - Quick-Hitters: Ridley Scott top 4 films, The Penguin premiere date, Tom Cruise & the Hollywood sign, & Clooney calls out Tarantino (22:04) - Kraven The Hunter trailer & the Spider-Man villain issue (34:02) - The Monkey trailer (52:01) - Joaquin Phoenix drops out of Todd Haynes film (54:55) - Dominic Sessa as Anthony Bourdain & Nic Cage as John Madden (1:01:18) - Lakeith Stanfield joins J-Law & Robert Pattinson movie, James Cameron Terminator project (1:11:46)

Before we get started: we have a Bulwark Live event in Dallas on September 5 featuring Sarah, Tim, Bill, and special guest Adam Kinzinger (as well as myself), and then a bunch of us will be down in Austin on September 6 and 7 as part of the Texas Tribune Festival. Come hang out! — SB On this week's episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss Joaquin Phoenix's puzzling decision to abandon Todd Haynes's film at the last minute. Then they review Doug Liman's new film starring Matt Damon and Casey Affleck, The Instigators, which is streaming now on AppleTV+. Make sure to swing by Bulwark+ on Friday for a bonus episode about the Paris Olympics and the state of streaming. And if you enjoyed this episode, please share it with a friend!

This week, your two favorite Matts discuss Kamala Harris picking Tim Walz as her running mate, Joaquin Phoenix dropping out of Todd Haynes' new gay romance film, the drama surrounding Blake Lively & Justin Baldoni's new film It Ends With Us, and more! ⁠Become a part of our newly revamped Patreon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out Matt Palmer's new single "Hurricane"!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our new merch store!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch Matt Steele's movie DIVOS!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch us on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow @itsmattsteele⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow @mattpalmermusic⁠

In this hot topics special we talk Stassi Schroeder back on Vanderpump, Britney's new biopic adaptation, Joaquin Phoenix dropping out of gay cinema, and Mr Beast's newest allegations regarding his 'Squid Games' like reality show.  About: Hosted by journalists Joan Summers and Matthew Lawson, Eating For Free is a weekly podcast that explores gossip and power in the pop culture landscape: Where it comes from, who wields it, and who suffers at the hands of it. Find out the stories behind the stories, as together they look beyond the headlines of troublesome YouTubers or scandal-ridden A-Listers, and delve deep into the inner workings of Hollywood's favorite pastime. The truth, they've found, is definitely stranger than any gossip. You can also find us on our website, Twitter, and Instagram. Or buy our merch! Any personal, business, or general inquires can be sent to eatingforfreepodcast@gmail.com  Joan Summers' Twitter: @laracroftbarbie Matthew Lawson's Instagram: @_matthewlawson Skips: Jenna Ortega Reveals Tim Burton Has a 'Jar of Eyeballs' in His House [People] Jennifer Lopez's longtime manager, inner circle never liked Ben Affleck: ‘He's a triple-A a–hole,' source says [PageSix] Jake Paul Intends to Compete in Boxing at 2028 LA Olympics, Says He'll Win Gold Medal [BleacherReport] The moment Vanderpump Rules star Scheana Shay gets BITTEN by King's Guard horse... as she becomes latest London tourist to ignore warning sign [DailyMailUK] Caroline Stanbury once projectile vomited on Ozempic at The Abbey [PageSix] Main Stories: Marcus Jordan appears to snort white powder substance while enjoying poolside lunch with girlfriend Ashley Stevenson in South of France [DailyMailUK] Lisa Vanderpump Series Renewed at Hulu, With ‘VPR' Alum Stassi Schroeder Joining Cast [THR] Britney Spears' Former Assistant Felicia Culotta Reveals Her Casting Choices for Upcoming Biopic [JustJared] Joaquin Phoenix Drops Out of Todd Haynes' Gay Romance, 5 Days Before Production — Exclusive [IndieWire] The internet's love affair with YouTube's biggest star is showing cracks [BusinessInsider] IRL Squid Game competitors complain it was too real, reporting injuries and poor treatment as they fought for $5 million beneath a grinning MrBeast: 'We're all just looking up at the sky, screaming at him like he's god' [PCGamer]

André Holland talks playing Huey P. Newton, Bill Pullman reflects on “Murdaugh Murders,” and Todd Haynes gives us a “gorgeous character study” for The Treat.