Podcasts about Jimi Hendrix

Jon Finn Group, Berklee College of Music, Kato Tsumoto, Fallout Shelter August 14, Skunk Baxter, Jimi Hendrix, Terry Kath, Carlos Santana, No Static, Steely Dan, Chuck Berry and the Mills Brothers. Great fun and perfection on guitar. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Looking at the history and coincidences behind the 27 Club, a tragic collection of famous celebrities who passed at that age, including Brian Jones, Jimi Hendrix, Kurt Cobain, and more.Support us directly: https://www.redwebpod.comWhen a young person skyrockets to fame, how they deal with the pressure can often make or break the rest of their life. Drugs and partying; the classic rockstar lifestyle is often the downfall of these young, up and coming stars. And as the 60s faded into the 70s, some started to notice an odd pattern; several of the most iconic musicians in the world, all died within a very short timespan. But the strangest part? They were all the exact same age. Today, we're investigating the history and theories behind the infamous 27 Club.Sensitive topics: Suicide, suicide attempts, drug overdose, drug addiction Learn more about your ad choices. Visit megaphone.fm/adchoices

The para-social relationship that with we have with celebrities is perhaps the deepest and strongest with artists. Those who put their emotionality into a consumable product in order for others to take a better peek into the human experience. Art has the capacity to take an emotional situation that largely takes place on a personal level (in our own head) and express it so that others can not only relate to it, but find a tribe of like minded individuals, thus, removing the weight of supposed isolation.Janis Joplin. Jimi Hendrix. Jim Morrison. Kurt Cobain. There are so many great artists that we lost early, and coincidentally, a handful of notable people died at the same age within a short period of time. That age was of course 27. We decided to learn about the history of the 27 Club, the members, and a few possible explanations. That's right! It's Probin' Time!And if you enjoy what we're doing here at The Pit and would like to support us further, please go check out our Patreon where you can access our brand new Patreon-exclusive podcast: No5talgia! That's right! An entire, brand new, Patreon exclusive podcast ONLY for our specialist supporters. Last week we broke down our top 5 box office flops and this week we take on our top 5 first watches.Make sure you sign up for our live watch-a-longs happening every Tuesday throughout 2026 at The Theater Nostalgia! Every other Tuesday is Twin Peaks Tuesdays, mixed with classic films and cartoons. Free to sign up! Links in bio.Twin Peaks Tuesdays!Monthly Movie Watchalongs!EtsyLinktreeYoutubeAralessThe Franchise Doctors - OUT NOW!Half-Assed Podcast Networksongs at the end: Smoke in the Air - Black Magic NoizeInstagram:@ruining_your.childhood@feral_williams@aralessbmn@madshroommc@blackmagicnoize206@strangeloopanimation

L'Invitée culture est la romancière sénégalaise Sokhna Ndao. Son quatrième roman Catharsis est paru aux éditions Obangame. À travers le destin d'une couturière de génie, Sokhna Ndao revient sur les violences subies par les femmes dans un pays foncièrement patriarcal. RFI : Vous signez, aux éditions Obangame, un quatrième roman dans lequel vous poursuivez votre exploration des maux et des combats de la société moderne sénégalaise. Catharsis raconte la vie d'une épouse qui va se retrouver confrontée à la violence de sa belle-famille. Les violences faites aux femmes sont une problématique qui vous tient à cœur. Est-ce que vous diriez que votre héroïne, Tabara, est représentative de la condition féminine au Sénégal ?  Sokhna Ndao : Elle est représentative de la condition féminine au Sénégal parce que ce roman a été écrit durant la pandémie de Covid-19, et je me suis rendu compte que six ans plus tard, la situation n'avait pas changé. On a de plus en plus des femmes qui sont victimes de violences au quotidien. Violences psychologiques et physiques. Et ça me tenait à cœur de leur donner un espace pour s'exprimer.  Les violences faites aux femmes dans les familles, c'est quelque chose de très commun donc, mais dont on parle peu.  On en parle de plus en plus. C'est le retentissement qui n'a pas la force que j'aimerais qu'il ait. Mais si vous allez sur les réseaux sociaux, il y a énormément de mots-dièse qui se sont multipliés pour dénoncer le code de la famille, qui n'a pas été révisé. On parle encore de « puissance paternelle » au Sénégal. Votre mari peut vous battre et vous n'avez pas le droit de rentrer chez vous parce que vos parents vous disent que « c'est un déshonneur, que vous devez rester dans votre couple, dans votre mariage ». Et ces femmes enfermées meurent de plus en plus.  On s'aperçoit effectivement que votre héroïne, Tabara, est dépossédée de tout par son époux ; de sa liberté d'abord, de sa marge de manœuvre, de son identité même, et de son enfant. Et elle n'a aucun recours... C'est-à-dire que personne ne l'écoute parce qu'elle méconnaît la loi. Ce roman, il a mis du temps à sortir parce que je devais d'abord me renseigner au niveau de la loi, la loi islamique et le code de la famille au Sénégal. En fait, Tabara ne sait absolument pas qu'elle a des droits. Son mari l'enferme dans ce tunnel de doutes, ce qui lui permet de l'exploiter davantage. Et si elle avait été au courant que son mari n'a pas le droit de faire tout cela, elle se serait révoltée plus tôt. Donc dans le texte, je glisse quelques petits indices par-ci par-là pour dire « renseignez-vous ». Parce que vous êtes peut-être dans des situations qui ne sont absolument pas tolérables, ni aux yeux des hommes, ni aux yeux de Dieu.  Tabara est quand même une situation particulière parce qu'elle n'a pas une grande famille. Son père a disparu après sa naissance et sa mère est assez défaillante. Cela renforce l'emprise que la belle-famille exerce sur elle. Est-ce qu'une femme ayant une famille normale au Sénégal peut davantage compter sur une forme de protection ?  Oui et non, dans le sens où effectivement, si on prend l'exemple de la famille de Tabara, il y a une problématique, un traumatisme d'abandon dès le départ. Sa mère ne la défend pas. Elle est même absolument complice de ses bourreaux. Et ça, c'est une réalité, une mère qui projette sur son enfant ses propres traumatismes. D'ailleurs, elle le dit dans le roman à un moment donné. « Peut-être que si j'avais eu un fils, ton père serait resté avec moi », ce qui est extrêmement violent. Donc, quand Tabara part dans la belle-famille, sa mère se débarrasse d'elle – c'est le deuxième choc d'abandon – et sa belle-mère trouve en Tabara une victime parfaite. Cette femme, issue elle-même d'un milieu polygame qui a traversé énormément de traumatismes grâce à la situation financière de ses enfants, peut imposer une dictature dans cette maisonnée. Et imposer des violences psychologiques envers ces belles-filles qu'elle maltraite aux yeux de tous. Et personne ne dit rien. Personne ne fait rien.  Comment vous l'expliquez, cette apathie ?  Souvent, quand vous êtes harcelée, quand vous êtes victime d'une perversion narcissique, il y a tout un écosystème qui se fait complice. Puisqu'elle est là, elle est devenue riche, elle impose sa loi et les autres se disent : « Ah, si je prends parti, si je défends, elle va devenir violente envers moi, donc je vais devenir complice pour ne pas aussi subir les foudres de l'harceleur. »  Il y a aussi une question que vous abordez, c'est justement la transmission de l'éducation. Vous écrivez à un moment une très jolie phrase : « Mes rêves n'étaient que des inepties implantées depuis l'enfance, formatées pour me faire écraser par le monde ». C'est ce que pense Tabara dans ce roman. L'éducation est très importante, on n'apprend pas aux jeunes filles à résister, on leur apprend à se soumettre... Il y a une asymétrie. En fait, les hommes ont le droit d'être respectés, d'être obéis, de n'être jamais contredits. Et la femme, c'est « l'agneau sacrificiel », en fait. Elle doit avoir des valeurs confucéennes, faire preuve de probité, faire preuve d'humilité. En fait, on n'apprend pas aux hommes à aimer. La femme se retrouve muselée. Et si je reviens sur la mère de Tabara, elle ne l'a jamais défendue. Elle lui demande d'être humble, soumise, patiente. Pour Tabara et pour ces femmes, oui, les hommes ont plus de droits au Sénégal. Et actuellement, les femmes perdent du terrain. En tant que femme, chaque année, je rentre et je vois que la génération de ma mère a eu plus de droits que moi, et d'une certaine manière, cela m'exaspère. Dans Catharsis, vous abordez d'autres problèmes sociaux. Vous déconstruisez un certain nombre de mythes, comme celui de la justice, celui de l'expatriation, puisque Farah, l'époux de Tabara, se retrouve en France dans une situation difficile. À chaque fois, on a le sentiment que le rapport de force sociale dans ce roman est très cruel. Le monde est impitoyable...  C'est un monde impitoyable et j'aime beaucoup explorer les dynamiques, les déséquilibres qui « créent des distorsions ». Sinon, ce serait plat, ennuyeux. C'est parce qu'il y a des rapports de force, des problématiques d'argent, de liberté, que forcément, on en vient à certains comportements. Je ne suis pas en train de dire que Farah est victime, mais pour produire un monstre, il me fallait un schéma, un chaînon. On ne naît pas monstre, on le devient. La belle-mère de Tabara, pour moi, c'est ce que la société sénégalaise fabrique de pire comme monstre. Ces monstres du quotidien qui normalisent les violences psychologiques. Je voulais un peu apporter un regard différent par rapport au lecteur.  Tabara va quand même connaître un destin incroyable puisqu'elle va réussir finalement à s'émanciper. Comment y parvient-elle ? Sans divulguer pour autant la fin du roman.  Le talent. C'est son talent. Dépossédée de tout, elle se dit : « Je vais travailler, je vais devenir indépendante financièrement. » Dès le début du roman, sa mère lui dit : « Tu n'es même pas – excusez-moi le terme – foutue d'être avocate, ou médecin, tu es qu'une saltimbanque, je n'ai pas élevé une saltimbanque. » Et ce sont sa créativité, son imagination, son talent qui vont lui ouvrir les portes. Et au Sénégal, vous avez énormément de femmes couturières, artistes, chanteuses qui s'émancipent grâce à leur talent.  C'est une littérature sociale et engagée qui « porte le couteau dans la plaie », pour reprendre les mots d'un journaliste célèbre, mais c'est aussi un roman habité par une écriture très particulière et très belle. Je veux vous citer vous. À un moment, Tabara dit à son amant : « Tôt ou tard, toi aussi tu vas graver tes initiales dans l'une de mes cicatrices. » Le style est quelque chose que vous avez beaucoup travaillé ?   J'aime beaucoup la poésie. Petite, mes premiers chocs esthétiques ont été poétiques. C'était Baudelaire. Je m'en rappelle encore. Le mort joyeux m'a interloquée. Et les mots ont pour moi un poids pour parler des maux. « Un roi cruel m'a rendu cynique », dit encore Tabara. Rassurez-nous ; finalement, elle n'est pas si cynique que ça, votre héroïne ?  Son cœur continue de battre, même si pour faire cette catharsis, elle y croit encore. Même si, jusqu'à la fin, elle se pose la question du « est-ce que j'y vais, est-ce que je n'y vais pas ? » Mais pour elle, elle pensait que l'amour arrive trop tard. C'est un roman, mais il y a de la musique dedans. Tous les chapitres commencent par une citation, souvent en anglais, d'un chanteur de pop ou de rock. On a du David Bowie, on a du Coldplay, on a du Phil Collins, on en a plein d'autres comme ça. Pour quelles raisons ? C'est mon père qui m'a fait découvrir les Beatles, donc pour moi, la musique n'a pas de frontières. Je sais que ça peut choquer, mais si je cite Ismaël Lo, il dit s'être inspiré d'Ottis Redding, de Jimi Hendrix. Youssou N'Dour a chanté du Bob Dylan, donc la présence de la musique dans ce livre est un choix personnel. C'est un peu aussi pour rendre hommage à cet héritage culturel que j'ai reçu. C'est comme la bande son du roman en fait. C'est d'ailleurs ce que j'écoutais quand je l'écrivais.

L'Invitée culture est la romancière sénégalaise Sokhna Ndao. Son quatrième roman Catharsis est paru aux éditions Obangame. À travers le destin d'une couturière de génie, Sokhna Ndao revient sur les violences subies par les femmes dans un pays foncièrement patriarcal. RFI : Vous signez, aux éditions Obangame, un quatrième roman dans lequel vous poursuivez votre exploration des maux et des combats de la société moderne sénégalaise. Catharsis raconte la vie d'une épouse qui va se retrouver confrontée à la violence de sa belle-famille. Les violences faites aux femmes sont une problématique qui vous tient à cœur. Est-ce que vous diriez que votre héroïne, Tabara, est représentative de la condition féminine au Sénégal ?  Sokhna Ndao : Elle est représentative de la condition féminine au Sénégal parce que ce roman a été écrit durant la pandémie de Covid-19, et je me suis rendu compte que six ans plus tard, la situation n'avait pas changé. On a de plus en plus des femmes qui sont victimes de violences au quotidien. Violences psychologiques et physiques. Et ça me tenait à cœur de leur donner un espace pour s'exprimer.  Les violences faites aux femmes dans les familles, c'est quelque chose de très commun donc, mais dont on parle peu.  On en parle de plus en plus. C'est le retentissement qui n'a pas la force que j'aimerais qu'il ait. Mais si vous allez sur les réseaux sociaux, il y a énormément de mots-dièse qui se sont multipliés pour dénoncer le code de la famille, qui n'a pas été révisé. On parle encore de « puissance paternelle » au Sénégal. Votre mari peut vous battre et vous n'avez pas le droit de rentrer chez vous parce que vos parents vous disent que « c'est un déshonneur, que vous devez rester dans votre couple, dans votre mariage ». Et ces femmes enfermées meurent de plus en plus.  On s'aperçoit effectivement que votre héroïne, Tabara, est dépossédée de tout par son époux ; de sa liberté d'abord, de sa marge de manœuvre, de son identité même, et de son enfant. Et elle n'a aucun recours... C'est-à-dire que personne ne l'écoute parce qu'elle méconnaît la loi. Ce roman, il a mis du temps à sortir parce que je devais d'abord me renseigner au niveau de la loi, la loi islamique et le code de la famille au Sénégal. En fait, Tabara ne sait absolument pas qu'elle a des droits. Son mari l'enferme dans ce tunnel de doutes, ce qui lui permet de l'exploiter davantage. Et si elle avait été au courant que son mari n'a pas le droit de faire tout cela, elle se serait révoltée plus tôt. Donc dans le texte, je glisse quelques petits indices par-ci par-là pour dire « renseignez-vous ». Parce que vous êtes peut-être dans des situations qui ne sont absolument pas tolérables, ni aux yeux des hommes, ni aux yeux de Dieu.  Tabara est quand même une situation particulière parce qu'elle n'a pas une grande famille. Son père a disparu après sa naissance et sa mère est assez défaillante. Cela renforce l'emprise que la belle-famille exerce sur elle. Est-ce qu'une femme ayant une famille normale au Sénégal peut davantage compter sur une forme de protection ?  Oui et non, dans le sens où effectivement, si on prend l'exemple de la famille de Tabara, il y a une problématique, un traumatisme d'abandon dès le départ. Sa mère ne la défend pas. Elle est même absolument complice de ses bourreaux. Et ça, c'est une réalité, une mère qui projette sur son enfant ses propres traumatismes. D'ailleurs, elle le dit dans le roman à un moment donné. « Peut-être que si j'avais eu un fils, ton père serait resté avec moi », ce qui est extrêmement violent. Donc, quand Tabara part dans la belle-famille, sa mère se débarrasse d'elle – c'est le deuxième choc d'abandon – et sa belle-mère trouve en Tabara une victime parfaite. Cette femme, issue elle-même d'un milieu polygame qui a traversé énormément de traumatismes grâce à la situation financière de ses enfants, peut imposer une dictature dans cette maisonnée. Et imposer des violences psychologiques envers ces belles-filles qu'elle maltraite aux yeux de tous. Et personne ne dit rien. Personne ne fait rien.  Comment vous l'expliquez, cette apathie ?  Souvent, quand vous êtes harcelée, quand vous êtes victime d'une perversion narcissique, il y a tout un écosystème qui se fait complice. Puisqu'elle est là, elle est devenue riche, elle impose sa loi et les autres se disent : « Ah, si je prends parti, si je défends, elle va devenir violente envers moi, donc je vais devenir complice pour ne pas aussi subir les foudres de l'harceleur. »  Il y a aussi une question que vous abordez, c'est justement la transmission de l'éducation. Vous écrivez à un moment une très jolie phrase : « Mes rêves n'étaient que des inepties implantées depuis l'enfance, formatées pour me faire écraser par le monde ». C'est ce que pense Tabara dans ce roman. L'éducation est très importante, on n'apprend pas aux jeunes filles à résister, on leur apprend à se soumettre... Il y a une asymétrie. En fait, les hommes ont le droit d'être respectés, d'être obéis, de n'être jamais contredits. Et la femme, c'est « l'agneau sacrificiel », en fait. Elle doit avoir des valeurs confucéennes, faire preuve de probité, faire preuve d'humilité. En fait, on n'apprend pas aux hommes à aimer. La femme se retrouve muselée. Et si je reviens sur la mère de Tabara, elle ne l'a jamais défendue. Elle lui demande d'être humble, soumise, patiente. Pour Tabara et pour ces femmes, oui, les hommes ont plus de droits au Sénégal. Et actuellement, les femmes perdent du terrain. En tant que femme, chaque année, je rentre et je vois que la génération de ma mère a eu plus de droits que moi, et d'une certaine manière, cela m'exaspère. Dans Catharsis, vous abordez d'autres problèmes sociaux. Vous déconstruisez un certain nombre de mythes, comme celui de la justice, celui de l'expatriation, puisque Farah, l'époux de Tabara, se retrouve en France dans une situation difficile. À chaque fois, on a le sentiment que le rapport de force sociale dans ce roman est très cruel. Le monde est impitoyable...  C'est un monde impitoyable et j'aime beaucoup explorer les dynamiques, les déséquilibres qui « créent des distorsions ». Sinon, ce serait plat, ennuyeux. C'est parce qu'il y a des rapports de force, des problématiques d'argent, de liberté, que forcément, on en vient à certains comportements. Je ne suis pas en train de dire que Farah est victime, mais pour produire un monstre, il me fallait un schéma, un chaînon. On ne naît pas monstre, on le devient. La belle-mère de Tabara, pour moi, c'est ce que la société sénégalaise fabrique de pire comme monstre. Ces monstres du quotidien qui normalisent les violences psychologiques. Je voulais un peu apporter un regard différent par rapport au lecteur.  Tabara va quand même connaître un destin incroyable puisqu'elle va réussir finalement à s'émanciper. Comment y parvient-elle ? Sans divulguer pour autant la fin du roman.  Le talent. C'est son talent. Dépossédée de tout, elle se dit : « Je vais travailler, je vais devenir indépendante financièrement. » Dès le début du roman, sa mère lui dit : « Tu n'es même pas – excusez-moi le terme – foutue d'être avocate, ou médecin, tu es qu'une saltimbanque, je n'ai pas élevé une saltimbanque. » Et ce sont sa créativité, son imagination, son talent qui vont lui ouvrir les portes. Et au Sénégal, vous avez énormément de femmes couturières, artistes, chanteuses qui s'émancipent grâce à leur talent.  C'est une littérature sociale et engagée qui « porte le couteau dans la plaie », pour reprendre les mots d'un journaliste célèbre, mais c'est aussi un roman habité par une écriture très particulière et très belle. Je veux vous citer vous. À un moment, Tabara dit à son amant : « Tôt ou tard, toi aussi tu vas graver tes initiales dans l'une de mes cicatrices. » Le style est quelque chose que vous avez beaucoup travaillé ?   J'aime beaucoup la poésie. Petite, mes premiers chocs esthétiques ont été poétiques. C'était Baudelaire. Je m'en rappelle encore. Le mort joyeux m'a interloquée. Et les mots ont pour moi un poids pour parler des maux. « Un roi cruel m'a rendu cynique », dit encore Tabara. Rassurez-nous ; finalement, elle n'est pas si cynique que ça, votre héroïne ?  Son cœur continue de battre, même si pour faire cette catharsis, elle y croit encore. Même si, jusqu'à la fin, elle se pose la question du « est-ce que j'y vais, est-ce que je n'y vais pas ? » Mais pour elle, elle pensait que l'amour arrive trop tard. C'est un roman, mais il y a de la musique dedans. Tous les chapitres commencent par une citation, souvent en anglais, d'un chanteur de pop ou de rock. On a du David Bowie, on a du Coldplay, on a du Phil Collins, on en a plein d'autres comme ça. Pour quelles raisons ? C'est mon père qui m'a fait découvrir les Beatles, donc pour moi, la musique n'a pas de frontières. Je sais que ça peut choquer, mais si je cite Ismaël Lo, il dit s'être inspiré d'Ottis Redding, de Jimi Hendrix. Youssou N'Dour a chanté du Bob Dylan, donc la présence de la musique dans ce livre est un choix personnel. C'est un peu aussi pour rendre hommage à cet héritage culturel que j'ai reçu. C'est comme la bande son du roman en fait. C'est d'ailleurs ce que j'écoutais quand je l'écrivais.

It's hot! Damn hot. Not just here in the deep south of the USA, but all over the world. Here in the south, we also add a layer of humidity to our heat dome for you to chew on. Therefore, it's time once again for some swampy, creepy, backwater blues and southern gothic goodness that runs the gamut of rock n' punk n' metal! Go sit out on your front porch, grab your Sunday paper for fanning yourself, swat at those giant mosquitoes, and turn this episode up to 11. Get your swamp on! What is it that we do here at InObscuria? Well, we exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This episode covers all 3 genres and all 3 categories. You could say this is a well-rounded and slimy episode. As always, we hope that we turn you on to something new. Songs this week include: AK & The Red Kites – “Devil's Stomp” from Proverbial Storm EP (2024) Jungle Jim Smith – “Holy Roll Me” from This Is Ghost Country (2024) The Hooten Hallers – “II. The Devil's Egg” from The Devil's Egg (2024) Southbound Snake Charmers – “Heart Of Corruption” from Rhthym ‘N' Rust (2017) Mudlow – “Not For Me” from Run Thru The Cover Crop (2025) All Them Witches – “Aethernet” from House Of Mirrors (2026) Tex Perkins & The Fat Rubber Band – “Outta Our Hands” from Tex Perkins & The Fat Rubber Band (2021) Lunar Swamp – “Shamanic Owl (Doom Blues)” from The Swamp Records Sampler (2026) Please subscribe everywhere that you listen to podcasts! Visit us: https://inobscuria.com/ https://bonelesspodcasting.com/shows/in-obscuria https://www.facebook.com/InObscuria https://x.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=u If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/ Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Entre el 16 y el 18 de junio de 1967, más de cien mil personas acudieron al Monterrey International Pop Festival en California que reunió a Jimi Hendrix, The Who, The Mamas & the Papas, Simon & Garfunkel, Jefferson Airplane, Janis Joplin con la Big Brother and the Holding Company, Otis Redding… Un heterogéneo cartel musical pero que marcó un hito en el movimiento hippie y el nacimiento del ‘The Summer of love'.

Set the controls for the heart of 1985 and the Dead's 20th anniversary shows at the Greek Theatre in Berkeley, with a look at the band's very busy year, plus Dead Head adventures aplenty.Guests: Dennis McNally, Len Dell'Amico, Rosie McGee, John Leopold, Dave Leopold, Johnny Dwork, David Lemieux, Nicholas Meriwether, Dave PerlisSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hey Streetwalkers. This is a throwback episode with Canadian-American comedian, actor Tommy Chong. Tommy is most known for being part of the weed themed comedy duo Cheech & Chong, and he first appeared as the guest for the 300th episode on 4.20.22.It was such a compelling & fun episode, l decided it needed to be re-visited!Enjoy this throwback episode, tell a friend, and thanks for listening!Tommy Chong*** THIS IS EPISODE 300 OF FASCINATION STREET PODCAST!! ***Take a walk with me down Fascination Street as I get to know Tommy Chong.Tommy takes us on a journey of getting to know him. From the Canadian farm he was born and raised on, to starting the very first strip club in Vancouver, to getting signed by Motown Records and touring the world playing with acts like Diana Ross & The Supremes, to sharing a stage with Jimi Hendrix, and smoking pot with one of The Beatles and someone from Leave It To Beaver! Naturally Tommy tells me the story of how he met Cheech Marin, and the genesis of their very first recorded comedy sketch. All along the way, we chat about various fun things; from the T.actical W.omen's A.lert T.eam, to Basketball Jones, to prison and bunking with Jordan Belfort. Tommy let's me play their biggest Motown hit, and explains how he had a hand in getting Jordan Belfort to write the book that the movie The Wolf Of Wallstreet was based on. We also talk about a new 'At Home Weed Delivery Service', NFT's, spirituality, and a whole lot more! Plus, I share some Cheech & Chong stories from my youth. Follow Tommy on social media:Twit: @TommyChongInsta: @HeyTommyChong

The Dyer Davis Band joined Wake Up Tri-Counties to talk about their group, the 2026 "Stay With Me" summer tour, and perform live from the Sav-A-Lot studio. The Dyer Davis Band is a blues-rock powerhouse known for electrifying live performances that blend modern blues with Southern rock and classic rock influences. Fronted by guitarist and vocalist Dyer Davis, the band delivers soaring guitar solos, gritty vocals, and a high-energy stage presence that has earned them a growing following across the United States. A live blues-rock show is headed to Cambridge, Illinois, as Dyer Davis and his band perform Thursday, July 16th, at Cà d'Zan House Concerts. The evening begins with a potluck and social hour at 6 PM, followed by the show at 7. A suggested donation of $20-$30 will be accepted, and the event is all-ages and family-friendly. In case of rain, the concert moves to Bishop Hill Creative Commons. Davis is known for powerful Southern blues-rock performances, with his debut album “Dog Bites Back” reaching number six on the Billboard Blues Charts. The group's sound combines traditional blues roots with contemporary rock, drawing inspiration from legends like Stevie Ray Vaughan, Jimi Hendrix, and The Allman Brothers Band while creating a style that is distinctly their own. Their performances feature a mix of original music and crowd-pleasing blues-rock favorites, making them a popular act at music festivals, theaters, and live music venues. Whether performing intimate club shows or festival stages, the Dyer Davis Band is known for its musicianship, dynamic improvisation, and passionate performances that appeal to both longtime blues fans and new audiences alike. Dyer Davis is on guitar and lead vocals, Warren Beck is on the keyboard, Will Weiner is on bass, and David Weatherspoon is on the drums. Find more details about the Cà d'Zan House Concerts on their "Facebook" page. Stay up-to-date with the Dyer Davis Band on their "Facebook" page and website.

S9E28 went out live from the TSORR Myoli Beach studio on 16 July 2026.  This is one of those shows where time just flew, and I could have played for another three hours. For the first time in ages, we didn't do an Immortals feature. There was just so much in Rock and Metal Time Machine that I couldn't spare the seven minutes that the Immortals take. Diabolical Challenge was interesting. We continued with our theme of final albums. This week, the albums took a tragic turn. Bowie and Freddie Mercury were passing away. Jim Morrison died tragically, as did Kurt Cobain; all four of these albums were magnificent ends to an era. For the next few weeks in The Diabolical Challenge, we'll look at final albums made by legendary bands, and we kicked it off this week with: Nirvana - In Utero David Bowie - BlackstarQueen - InnuendoThe Doors - L.A. WomanThanks as always for the support.  Find TSORR on Facebook and X @TSORRArtists Featured: Hellsmoke, Hinder, Slash (feat Kid Rock), The Pretty Reckless, The Rolling Stones, Nickelback, ACDC, Dave Hause, The Sweet, Judas Priest, System of a Down, Norman Roux, Jimi Hendrix, Dio, Ratt, Rose Tattoo, Megadeth, The Angels, The Cult, L7, Rush, Alice Cooper, Aerosmith, Faith No More, Pantera, Cinderella, Nirvana, David Bowie, Queen, The Doors, Shinedown, The Color Blew, Saxon, Skid Row, Bad Company, Sixx A.M., Piet Botha, In FlamesThe Story of Rock and Roll.  TSORR - Your one-stop shop for Rock

Jeff Beck was a guitarist's guitarist-a restless genius who could do things that even contemporaries like Eric Clapton, Jimmy Page, and Jimi Hendrix couldn't touch. But why did one of the top five greatest guitarists of all time never achieve the same massive commercial success as his peers?The new book Blow by Blow: The Jeff Beck Story looks at the "Woodstock moment" that defined his career, his complicated artistic identity, and why his refusal to be "packaged" made him both a legend and an enigma. Plus, a look at "Jeff's Guitar Garage," a technical breakdown of the gear that powered his otherworldly sound.Support the showemail Big Rick at:info@rocktalkstudio.com

Stephen Furtick has often spoken about the importance of raising his children “in the way they should go.” But what happens when the context of that comment is about showing him the music of  Led Zeppelin, Jimi Hendrix? What we want to examine are comments from Stephen Furtick as he reflects on his son, the music they've bonded over, and why he says Metallica's album 72 Seasons has been his inspiration for  the 18th anniversary of Elevation Church. We'll also look at his past remarks about introducing his son to the top 100 Rock albums at their at-home “Seminary” and ask an important question: What does biblical discipleship actually look like? Are the formative influences we celebrate shaping our children toward Christ, or toward the values of the world? Led Zeppelin Exposed  https://youtu.be/F80RzK4jWUA Pastor's Devilish Delight (DVD) https://youtu.be/svqtaNJOQBQ?si=SpmkJLX2I6NmTd6e They Sold Their Souls (10 HR) they-sold-their-souls-for-rock-n-roll-10-hr Hellhounds On The Crossroad (Tract) hellhounds-at-the-crossroads Steven Furtick Is Still Dangerous (Episode) https://youtu.be/583gdYxqCKA?si=iwSVOwd_zTEYt4xV Submerging Church (DVD) https://www.goodfight.org/product/the-submerging-church/ https://youtu.be/H5mvYkEkcyA?si=yINEJ3Zdr-L2RPdL Follow Good Fight Ministries on: Facebook: https://www.facebook.com/goodfightministries Instagram: https://www.instagram.com/goodfightministries Twitter/X: https://www.twitter.com/goodfightmin TikTok: https://www.tiktok.com/@goodfightministries We're on Rumble! https://rumble.com/GoodFightMinistries Support Us on Patreon: https://www.patreon.com/goodfight

This week on Who's Your Band?, Jeffrey Paul, Sean Morton, and Adam Holz debate one of rock's greatest questions: Which cover songs are actually better than the originals? From Joe Cocker and Jimi Hendrix to Nirvana, Chris Stapleton, Jeff Buckley, and more, the guys count down their favorites while also discussing the current concert ticket slowdown, "Blue Dot Fever," Van Halen rumors, and plenty of classic rock stories along the way. Whether you agree or disagree, this is one music debate every fan will want to join!

Space out with us this week with the way-out sounds from outer space! We're offering up an eight-course cosmic smorgasbord of delectable space rock. People of planet Earth, come and join us on another journey to aural galaxies beyond the Milky Way!  What is it that we do here at InObscuria? We exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. In this episode, we explore all things psychedelically spacey. Our hope is that we turn you on to something that was lost on your earthly ears. Songs this week include: Hawklords – “Dead Zone”from Faith(2025) Nebula – “The Eagle Has Landed” from Apollo (2006)  SLIFT – “Orbis Tertius” from FANTASIA (2026) Motorpsycho – “The Gaia II Space Corps” from The Gaia II Space Corps - Single (2026) Dust Giant – “Space Ghost” from Static In The Blood (2026) Monkeys On Mars – “Seasonal Pyres (Tiny Flames Edit)” from Monkeys On Mars (2025) SHINER – “So Far So” from BELIEVEYOUME (2025) Seedy Jeezus – “Dripping From The Eye Of The Sun” from Polaris Oblique (2018) Please subscribe everywhere that you listen to podcasts! Visit us: https://inobscuria.com/ https://bonelesspodcasting.com/shows/in-obscuria https://www.facebook.com/InObscuria https://x.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it: InObscuria Store If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/ Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Tim Conway Jr. Show Hour 2 (7.7) We sit down with author Eric Barrett — Jimi Hendrix's road manager, fixer, and confidant from 1968 to 1970 — whose new Simon & Schuster memoir 'Experienced: On the Road with Jimi Hendrix' pulls back the curtain on rock's wildest era.

The Tim Conway Jr. Show Hour 4 (7.7) Hour 3 brings two must-hear guests. First, author Eric Barrett returns — Jimi Hendrix's road manager, fixer, and confidant from 1968 to 1970. His new Simon & Schuster memoir 'Experienced: On the Road with Jimi Hendrix' opens the vault on rock's most legendary era, from Hendrix to Bowie to The Beatles. As a trusted insider, Barrett lived through the highs and lows about the history of books left out, and he's got the never-before-heard stories to prove it. The book drops August 4, with a signing at Book Soup on Sunset Blvd. Then we bring in Flash Shelton, star of SQUATTERS on A&E — the anti-squatter activist homeowners call when someone takes over their property. It all started when a stranger moved into his late father's home and squatted on his mom's place. He turned the fight into a business, and A&E turned it into a show where you watch his unique process of getting squatters out and families back where they belong. We go deeper with Flash on why this isn't a story about homelessness — it's about people breaking into homes and exploiting the system. Entitled, narcissistic opportunists who don't care about the homeowners they're displacing, many of them elderly. It's a system being gamed, and Flash is fighting back. Tap in. #FlashShelton #Squatters #AandE #SquatterRemoval #Homeowners #JimiHendrix #EricBarrett #Experienced #RockHistory #DavidBowie #TheBeatles #ClassicRock #MusicHistory #Memoir #BookSoup #SunsetBlvd #SimonAndSchuster #NewBook #TimConwayJr #TimConwayJrShow #KFI #LARadio #PropertyRights #RealEstate #TrueStories #Podcast #DailyPodcast #TrendingNow #ViralPodcast See omnystudio.com/listener for privacy information.

Philippa is joined by three brilliant crime writers — Abir Mukherjee, Jane Casey, and Sarah Hilary — to talk all about St Hilda's Crime Fiction Weekend, the unique Oxford crime fiction event running 4th–6th September. Each guest is allotted a school role (head girl, school council rep, and chair stacker) which determines the questions they're asked — and the chaos that follows is exactly as fun as it sounds.

But wait, Jim Morrison overdosed on heroin because he was a drug addict rockstar just like Janis Joplin, right? Wrong. Who exactly was “the Count," the French aristocrat who was there at the scene of Jim’s death? The same man who was with Janis Joplin hours before she died? Was rumored to somehow be involved with Jimi Hendrix? The friend of Keith Richards and Gram Parsons? And why did Jim Morrison hate him so much? And why was Mick Jagger’s ex-girlfriend Marianne Faithfull so insistent that she knew how Jim really died? To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Visit www.disgracelandpod.com/merch to see the latest Disgraceland merch! Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter) Facebook Fan Group See omnystudio.com/listener for privacy information.

This week we look at the 250th anniversary of the founding of the US - its culture, religion and population; Angela Mackenzie on the Founding Fathers;  Muslims at the World Cup; Trump's Red Card;  Taylor Swift's Marriage; German influence in the US;  Germany's sick economy;  NY Pride goes after Children; The BBC and Trans athletes in the US; Yanis Varoufakis on AI; Feedback; King Charles stops defending the faith;  Stephen Furtick preaches a different faith;  and the Final Word - Revelation 3:7-10. with music from. Jimi Hendrix; Simon and Garfunkel; Taylor Swift;  Duke Ellington;  BB King; Connie Francis; and the Mississippi Mass Choir 

Blues legend Taj Mahal shares rare stories about Jimi Hendrix, the Rolling Stones, and the unreleased Bill Withers song that shaped his stunning new record. Topics Include: Taj Mahal discusses his new album, Time, and its origins Reveals his decades-long friendship and mutual respect with Bill Withers Explains how Bill Withers heard and loved this unreleased demo Bill Withers' wife gave final approval before the song's release Withers walked away from music rather than change his sound Why the industry pushed Withers to sound more commercial Taj shares why vinyl beats digital for capturing real sound Breaks down the "bell curve" problem with digital audio quality Approaches albums as full journeys, not three-minute singles Reveals how effortlessly he sequences songs like a live set Traces his musical roots to a tight-knit 1940s community Recalls learning piano, clarinet, trombone before finding the guitar Explains how guitar evolved from rhythm to lead instrument Names the blues legends who shaped his earliest influences Credits Ray Charles as one of his deepest musical influences Shares rare stories of jamming with Jimi Hendrix live Discusses bootlegs, tape trading, and the ethics of live recordings Compares the Grateful Dead's bootleg policy to other artists Tells the wild story of Rolling Stones' Rock and Roll Circus Recalls dancing Stones and Clapton watching him at the Whisky Explains how British rockers reintroduced blues to American audiences Describes his first-class trip to London and Stones' hospitality Reveals why Labor of Love was released only on vinyl Shares the surprising stat: vinyl never drops below 6% globally Talks new tour dates and hopes to return to Australia Photo by Mike Coeyman High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

We explore the very high times of the Grateful Dead's 1966, touring Rancho Olompali with Rosie McGee, swan-diving into Owsley's magical banana box of mystery reels, and celebrating the feral young Dead heard on the new July 3rd, 1966 Fillmore Auditorium release.Guests: Rosie McGee, Ron Rakow, Bob Matthews, David Freiberg, David Lemieux, HawkSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Steven Bernstein, the Berkeley-born trumpeter, composer, and bandleader, joins host Steve Roby for a wide-ranging conversation about five decades of musical exploration, his upcoming SFJAZZ residency, and two new companion albums that reimagine the same music through entirely different sonic lenses. What We Talk AboutGrowing up in Berkeley during the '60s and '70s — how the city's unique musical culture, the Keystone Corner jazz scene, and a school improvisation program shaped Bernstein's musical identityWhy funk — not rock — was the lingua franca of Bay Area youth, and how Tower of Power loomed larger than The Beatles in that worldArriving in New York in 1979 at the dawn of the punk-funk era (Defunkt, James White and the Blacks), and finding his musical home in the downtown sceneThe origin story of Sexmob — born not in rehearsals but in late-night residencies at the Knitting Factory and Tonic, playing for live audiences and letting their reactions shape the musicResonation Trio and Ultra Resonance — two albums built from the same source material, one an acoustic trumpet trio, the other a full dub reimagining by producer Scotty Hard. Bernstein traces the idea back to first hearing Burning Spear's Garvey's Ghost and his lifelong love of surrealism and the magic realism of Borges and CortázarTouring with Laurie Anderson and how Sexmob became one of her closest musical ensembles — and what makes "Church of Panic" a perfect example of the band's instinctive, arrangement-free approachA deep dive into Banacek from The Hard Way — how Julius Hemphill's Dogon A.D. still echoes in Bernstein's playing, and the enduring musical partnership with John MedeskiThe SFJAZZ residency: Sexmob Does The Bay — why Bernstein split the run into two nights of Bay Area psychedelic rock (with guitarist Liberty Ellman) and two nights of classic Latin soul (with percussionist John Santos)The Santana connection, the Afro-Latin heartbeat of Berkeley, and the gumbo culture that made Bay Area music unlike anywhere elseA surprise detour into Jimi Hendrix's brief Berkeley childhood — and a hint that a Hendrix project may be next on Bernstein's listMusic Featured"Church of Panic" — Laurie Anderson (with Sex Mob)"Banacek" — Sex Mob & Scotty Hard (The Hard Way)All music was supplied by the artist and used with their permission.Show DetailsArtist: Steven Bernstein's SexmobVenue: Joe Henderson Lab, SFJAZZ CenterDate: July 16–19, 2026 (2026 SFJAZZ Summer Sessions)Shows: Thu, July 16 & Fri, July 17 — Bay Area Psychedelic Rock, with Liberty Ellman; Sat, July 18 & Sun, July 19 — Classic Latin Soul, with John Santos. Showtimes: Thu–Sat 7:00 & 8:30 PM, Sun 6:00 & 7:30 PM.Tickets: sfjazz.org

John from Genereau & Co, the Semiquincentennial, Jimi Hendrix, Canada Day, problems in Hamilton ONT, the situation going on in Iran, Mister E, Mike from Webster experienced socialism, and more...See omnystudio.com/listener for privacy information.

Welcome back to When Words Fail Music Speaks, the podcast where we explore how melody can lift us out of the darkest moments. In today's episode host James Cox sits down with legendary metal guitarist Phil Sandoval—co‑founder of Armored Saint—to uncover the raw, heartfelt story behind their upcoming record Emotional Factory Reset.From growing up in East LA's high‑school metal scene of the early‑80s to navigating today's streaming‑saturated landscape, Phil shares how the industry has shifted, why making a record now feels both easier and tougher, and what it means to “reset” our emotions in a world that feels chaotic. He opens up about the band's roller‑coaster history—being signed after just 52 shows, the painful departure and later return after guitarist Dave Pritchard's passing, and the deep gratitude that fuels his playing today.Listeners will also get a glimpse into Phil's personal coping tools: the therapeutic power of picking up a guitar (and even a piano), the importance of gratitude rituals, and his go‑to anthem for anyone battling depression. Plus, we dive into the quirky origin of the album's title—spun from a murder‑trial commentator's phrase—and Phil's all‑time musical heroes, from Jimmy Page to Dio and Jimi Hendrix.Whether you're a metalhead, a music‑lover, or someone searching for a lifeline in song, this conversation blends nostalgia, industry insight, and practical advice on using music as a mental‑health lifeline. Grab your headphones, hit “play,” and let Phil's story remind you that, sometimes, all it takes is a single chord to start a factory reset for the soul.

On this episode of Exclusively Van Halen on Johnny Beane TV...

Ce 29 juin, Marjorie Hache met à l'honneur les Sex Pistols, James Brown, The Red Hot Chili Peppers, Jimi Hendrix, The Verve, Lana Del Rey, Sum 41, The Troggs, The Hives, Green Day, Alice In Chains, Liam Gallagher, Deep Purple et Stevie Wonder. L'animatrice évoque le 51e anniversaire de la mort tragique de Tim Buckley avec le titre "Move With Me". Jack White donne le coup d'envoi des nouveautés avec "Dollar Bill". Mike D, ex-Beastie Boys, confirme son retour en solo avec "What We Got", tandis que Saint Agnes s'ajoute à la sélection. La primeur de la soirée offre une collaboration détonante : les Américains de The Offspring s'associent aux Allemands d'Electric Callboy sur le survolté "Let The Good Times Roll", mélange inattendu de punk, métalcore et EDM. L'album de la semaine célèbre le retour de Jon Spencer, mythique blues rocker new-yorkais. Son tout nouveau disque, "Songs Of Personal Loss and Protest", se dévoile aujourd'hui à travers l'énergique titre "Knock 'em Out". La reprise du jour convoque deux légendes : David Bowie et Mick Jagger reprennent le tube de la Motown "Dancing In The Street" (Martha and the Vandellas), une relecture bouillonnante enregistrée le 29 juin 1985 au profit du Live Aid. Jack White - Dollar Bill Jimi Hendrix - Fire Tim Buckley - Move With Me James Brown - Living In America Black Strobe - I'm A Man The Verve - The Drugs Don't Work Lana Del Rey - Born To Die Jon Spencer - Knock 'Em Out Sex Pistols - Anarchy In The U.K. Sum 41 - Landmines The Troggs - Wild Thing Mike D - What We Got David Bowie & Mick Jagger - Dancing In The Street Red Hot Chili Peppers - Give It Away Liam Gallagher - Wall Of Glass Social Distortion - Wicked Game Deep Purple - Hush The Hives - Go Right Ahead Saint Agnes - The Ghost Stevie Wonder - Superstition Bloodhound Gang - Mope Electric Callboy - Let The Good Times Roll Feat. The Offspring Green Day - The American Dream Is Killing Me Minor Victories- Scattered Ashes Cream - White Room Alice In Chains - FrogsHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Mit "4" veröffentlichten Foreigner im Juli 1981 ihr viertes Studioalbum. Die Band verabschiedete sich darauf vom Hard Rock und setzte stattdessen auf eingängigeren Rock mit Pop- und Synthesizer-Einflüssen. Der Titel "4" passte gleich doppelt. Es war nicht nur das vierte Studioalbum der Band, sondern auch das erste, an dem nur noch vier Musiker beteiligt waren. Die ursprüngliche sechsköpfige Besetzung hatte sich nach internen Konflikten verkleinert. Auf "4" sind nur noch Sänger Lou Gramm, Gitarrist und Mastermind Mick Jones, Bassist Rick Wills und Schlagzeuger Dennis Elliott zu hören. Aufgenommen wurde das Album in den Electric Lady Studios in New York, die Jimi Hendrix 1970 gegründet hatte. Für den damals ungewöhnlichen Sound waren neben der Band vor allem Produzent Robert "Mutt" Lange und Toningenieur und Keyboarder Thomas Dolby verantwortlich. "Urgent" zählt zu den bekanntesten Songs der Foreigner. Prägend sind seine enorme Energie und das ikonische Saxofon-Solo, das der US-amerikanische Tenorsaxofonist Jr. Walker einspielte. Mick Jones und "Mutt" Lange hatten Walker in einem New Yorker Club entdeckt. In der Power-Ballade "Waiting For A Girl Like You" zeigt Thomas Dolby sein Können. Schon das Intro mit seinen sphärischen Synthesizer-Klängen war für Foreigner und den Hard Rock der damaligen Zeit eher ungewöhnlich. "Juke Box Hero" schlägt im Vergleich zu "Waiting For A Girl Like You" wieder deutlich rockigere Töne an. Der Song lebt von einem Wechsel von eher ruhigeren und kraftvollen Passagen und erzählt die Geschichte eines Fans, der im Regen vor einer ausverkauften Konzerthalle steht und davon träumt, eines Tages selbst ein Rockstar zu werden. Schließlich kauft er sich eine Gitarre, bringt sich das Spielen bei und erfüllt sich diesen Traum. Mit dem perfekt produzierten Studiosound von "4" bewegten sich Foreigner musikalisch stärker in Richtung Mainstream. Live bewies die Band jedoch, dass sie mit der rohen Rock'n'-Roll-Energie, die Foreigner auf der Bühne entfalteten, eine echte Rockband war. __________ Alle Shownotes und weiterführenden Links zur Folge "4" findet ihr unter https://www.swr.de/swr1/ __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Schreibt uns an meilensteine@swr.de

Direction à présent le Maroc, pour parler d'un collectif d'artistes issus de différentes disciplines : le Syndicat national marocain du fun (MNSF) s'est donné pour objectif d'ouvrir de nouveaux espaces de fête à Casablanca. Pour répondre à un besoin de désintoxication numérique, de vraies rencontres et de partage, dans un cadre sûr et confortable, le collectif organise tout au long de l'année des sessions d'écoute musicale dans différents lieux de la capitale économique marocaine. Mais pour y participer, il faut adhérer au Syndicat du fun ! De notre correspondant à Casablanca, Malgré trois tampons du bureau de la division technique, dont un horodaté, la carte d'adhérent n'est pas encore tout à fait prête. Il faut encore passer le bureau des signatures, et obtenir l'équivalent du « laissez-passer A-38 » pour s'installer confortablement dans le jardin verdoyant du cinéma Ritz où se tient la session d'écoute du jour. Une lourdeur bureaucratique qui devient source d'amusement et de création, mais aussi une étape vers un monde où le téléphone portable est honni. Nabil Qerjij, l'un des fondateurs du Syndicat marocain national du fun. « Ces sessions, ça nous permet de revenir un peu à l'humain, à celui qui adore la musique. Par exemple, la prochaine session, on va la faire avec un éboueur qui collectionne les disques de Bollywood, parce que chacun de nous a une histoire avec un disque, soit un vinyle, soit quoi que ce soit. » Ce jour-là, c'est Adil Hanine, le batteur du mythique groupe de rock casaoui Hoba Hoba Spirit, qui est invité à faire écouter au public ses inspirations musicales. Un thé ou un café, et c'est parti pour une session qui offre un voyage éclectique entre John Coltrane et Jimi Hendrix en passant par les Beatles. Le tout, agrémenté d'anecdotes personnelles ou historiques. « Aujourd'hui ce qui est un peu dommage dans la scène mondiale, et aussi ici au Maroc, c'est qu'on est dans une monotonie d'événements, c'est-à-dire qu'un événement, c'est un DJ et des enceintes et du boom boom boom, il y a pas de musiques expérimentales, il y a pas des choses qui se passent la journée aussi… Il n'y a pas de lien social. Ici, les gens, ils discutent entre eux, ils se rencontrent. Nous, on prône l'idée de revenir à la base. La musique, c'est social », explique Nabil Qerjij. Objectif du syndicat : offrir la plus grande diversité de profils, d'âge et de goûts musicaux À la base de cette initiative, un collectif d'une dizaine d'artistes qui s'évertuent à proposer des évènements gratuits, organisés bénévolement. Sophia Alami, architecte, reçoit dans les ateliers de la médina, où se discutent et se préparent les évènements. Les changements urbanistiques rapides de la ville les ont poussés à agir. « Quand les espaces publics deviennent de moins en moins accessibles, quand les endroits mythiques de Casa commencent à fermer et qu'il n'y a rien pour les remplacer, et quand les lieux de sorties deviennent de plus en plus inaccessibles, de plus en plus chers, nous on a cherché à faire des événements qui ne nous coûtent pas trop chers pour qu'on puisse avoir un public qui vient gratuitement », développe Sophia Alami. Les sessions précédentes ont aussi bien mis à l'honneur le métal que la House de Détroit. Filmées avec des petites caméras numériques du début des années 2000, elles sont disponibles en ligne sur YouTube. L'objectif du syndicat est de continuer à offrir la plus grande diversité de profils, d'âge et de goûts musicaux possible.

The Deadcast explores Steal Your Face's iconic artwork & visits the Grateful Dead's June 1976 return to the road, including a tour of the Dead Head culture that bloomed in their absence.Guests: Richard Loren, John Scher, Ron Rakow, Eugene Dolgoff, Pat Lee, Johnny Dwork, Dave Davis, Rob Bleetstein, John Brackett, Starfinder Stanley, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Artist Trevor Paglen joins host Josh Baer at Art Basel Basel to talk about his curatorial vision for Zero 10 (co-curated with Eli Scheinman), Art Basel's initiative reframing what "digital art" actually means, and why the answer might surprise you. They dig into why most art made in the last 20 years is already digital art, what it was like for an artist to wear a curator's hat for the first time, and why Trevor approached the show like making his own work rather than proving a thesis. Plus: AI's inability to fail (and why that matters), the terrifying worldview of Mark Zuckerberg, why artists need a bigger role in the future of the art fair, and what the art world could learn from Jimi Hendrix. This episode of The Baer Faxt Live was recorded on Wednesday, June 17th, 2026. This edition of The Baer Faxt Live is sponsored by Manuela New York by ArtFarm, a neighborhood restaurant and bar in the heart of SoHo, which celebrates the best of New York's seasonal produce and has art at its heart. For more information, visit manuela-nyc.com.

Twenty-seven can be a pivotal and tumultuous age. It's held up as the year of peak performance in many sports and it's also seen as a cursed age for pop and rock stars, exemplified by the so-called 27 Club. Artists like Jimi Hendrix, Janis Joplin, Kurt Cobain and Amy Winehouse, all died at 27. As part of our series, The Greatest Numbers of All Time, IDEAS producer Chris Wodskou makes the case for a number that may not stick out in your mind but is more significant than you think.More episodes in this series:Listen to 12 is SublimeListen to The Curse of 13Guests in this podcast:David Awosoga is a PhD student in Statistics at University of Waterloo and sports performance data analyst.Alan Cross is a music historian, broadcaster, and host of The Ongoing History of New Music podcastDianna Kenny is a professor emerita of psychology and music at University of Sydney and psychotherapist in private practice.Michael Owen is a retired clinical psychologist and author of The 27 Club.Maria Westerstahl is senior lecturer at Karolinska Institutet in Sweden.

Jimi Hendrix-Electric Ladyland (Reprise in the US) U.S. Release Date: October 1968 Electric Ladyland was the third and final studio album by the Jimi Hendrix Experience and the most ambitious statement of Hendrix's career. A sprawling double album produced solely by Hendrix, it showcased his growing artistic independence and his willingness to push beyond the boundaries of rock music. Blending blues, psychedelia, jazz, funk, soul, and studio experimentation, the album featured classics such as “Crosstown Traffic,” “All Along the Watchtower,” and “Voodoo Child (Slight Return),” while longer works like “1983… (A Merman I Should Turn to Be)” demonstrated his fearless creativity. Though some critics initially found the record overly expansive, its reputation has only grown with time. Electric Ladyland reached No. 1 in the United States and remains one of the defining albums of the rock era. More than a guitar showcase, it expanded the possibilities of the recording studio and cemented Hendrix as one of popular music's greatest innovators.

This week in the “Best Of The Bunch” series, we'll dig into the studio albums from The Jimi Hendrix Experience. We will do a quick history lesson and share our favorite song off each album. WE NEED YOUR HELP!! It's quick, easy, and free - Please consider doing one or all of the following to help grow our audience: Leave Us A Five Star Review in one of the following places: Apple Podcast Podchaser Spotify Connect with us  Email us growinuprock@gmail.com Contact Form  Like and Follow Us on FaceBook Follow Us on Twitter Leave Us A Review On Podchaser Join The Growin' Up Rock Loud Minority Facebook Group Do You Spotify? Then Follow us and Give Our Playlist a listen. We update it regularly with kick ass rock n roll Spotify Playlist Buy and Support Music From The Artist We Discuss On This Episode Growin' Up Rock Amazon Store Pantheon Podcast Network Music in this Episode Provided by the Following: The Jimi Hendrix Experience Crank It Up New Music Spotlight  Seal With Jeff Beck “Manic Depression” If you dig what you are hearing, go pick up the album or some merch., and support these artists. A Special THANK YOU to Restrayned for the Killer Show Intro and transition music!! Restrayned Website Learn more about your ad choices. Visit megaphone.fm/adchoices

This week InObscuria exhumes those unmarked graves of unsigned artists! These bands may not have been signed to a major or gained internationally distributed success, but they were all rock stars to those lucky enough to hear and see them! Anyone who's ever been in a band and played local/regional shows knows that some of the best live acts and musicians (and friends) are met through sharing bills with other acts. We hope we turn you on to some great music that you may have otherwise never had a chance to hear! New to InObscuria? Every week your two hosts crawl down to the crypts to exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. These are artists that are all amazing, but lost to most of the world. If you were there, you know! If you dig it… go dig it up and buy it! Support these artists and keep your devil horns high in the air! Songs this week include: Ghost Of You – “Heartbreak Creepin (feat. Tuk Smith)” from Heartbreak Creepin – Single (2022) Ghost of You I Love Rich – “Wake Up, Let Me Rock You” from Respect The Rich (2014) I Love Rich ELEMENT 117 – “You Gotta Get Away” from You Gotta Get Away - Single (2024) 117 Bliss – “Dreams And Fantasies” from Beatitude (1996) Planeside – “Dead & Gone” from Under The Circumstances, It's Not Such A Bad Idea… (2008) Planeside Dayroom – “Contagious” from Contagious (1996) Dayroom Leilani Kilgore – “Snake In The Grass” from Snake In The Grass - Single (2025) Leilani Kilgore Sunbrain – “Not So Stranger” from Good Side (1994) Sunbrain Toecutter – “Beer Song” from Toecutter (1993)   Please subscribe everywhere that you listen to podcasts! Visit us: https://inobscuria.com/ https://bonelesspodcasting.com/shows/in-obscuria https://www.facebook.com/InObscuria https://x.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it: InObscuria Store Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

BBB:LHWS #057-3   Jef Lee Johnson... ...played with everyone from Aretha Franklin to McCoy Tyner, primarily because he sounded like no one - except for the comparisons to Lonnie Johnson and Jimi Hendrix. 

Steve Katz is known as a founding member of Blood, Sweat & Tears as well as a guitarist, singer, songwriter, producer and author.Steve shares incredible stories from a career that spans more than six decades, taking listeners inside the birth of folk-rock, the Greenwich Village music scene, the formation of Blood, Sweat & Tears, Woodstock, Monterey Pop and beyond. Steve recalls his early days studying under folk and blues legends Dave Van Ronk and Reverend Gary Davis, spending time with Mississippi John Hurt, and joining Danny Kalb's influential band The Blues Project. He describes the excitement of discovering electric music in the mid-1960s and how that experience eventually led him to help create one of the most innovative bands of the era. The conversation explores the formation of Blood, Sweat & Tears with Al Kooper, the decision to incorporate a horn section, and the band's meteoric rise following the arrival of vocalist David Clayton-Thomas. Steve discusses the enormous success of hits including "Spinning Wheel," "You've Made Me So Very Happy," and "And When I Die," as well as the Grammy-winning album that made the band international stars. Listeners will also hear fascinating stories about performing at Monterey Pop Festival, the realities of Woodstock, sharing food backstage with Jimi Hendrix, meeting Otis Redding, and navigating the political pressures that resulted in Blood, Sweat & Tears undertaking a controversial State Department tour of Eastern Europe during the Nixon era. Steve also opens up about leaving Blood, Sweat & Tears, producing Lou Reed, working with Beatles producer George Martin, his years in the record business, discovering new artists, passing on U2, and why he remains grateful for every twist and turn in his extraordinary career. The episode also highlights Steve's memoir, Blood, Sweat and My Rock 'n' Roll Years, and his continuing work as a musician and creative artist.A fascinating listen for music fans of all generations.

En esta edición de Noticias de Músicos de Sillón, Eduardo Espinosa y Meny Sáenz reaccionan a una de las noticias más tristes de la semana: la muerte de Oliver Tree y el creador argentino Gaspi en un accidente de helicóptero. También analizamos la polémica alrededor de "La Niña Futbolista" de Julieta Venegas, la inesperada resurrección de MySpace por parte de Blink-182, la nueva calle dedicada a Jimi Hendrix, las críticas a Rod Stewart por cancelar conciertos y la curiosa historia de un templo japonés donde los fans rezan para conseguir boletos para sus artistas favoritos.  Únete a nuestro grupo de Facebook:https://www.facebook.com/groups/1012646383467657 Síguenos:https://www.instagram.com/musicosdesillonpodcast/https://twitter.com/musicosdesillonhttps://www.facebook.com/musicosdesillon/

What if the home you lived in was a secret portal to 250 years of American history, connected to the Revolutionary War, the Kennedy assassination, and the Apollo 11 moon launch? For David Deputy, a retired brigadier general, historian, and former state trooper, that's exactly what he discovered when he moved into a 19th-century mill house in Delaware. In this episode of Productivity Smarts, host Gerald J. Leonard sits down with David Deputy, author of The Spring Grove Mill House, to explore how an eight-year investigative journey into the history of his home uncovered astonishing links to America's most defining moments. David shares how his childhood instincts, career as a major crimes detective, and intuitive leadership style all converged into a unique research process he calls "investigative history." Gerald and David dig into the neuroscience of gut instinct and intuition, what it means to be a quiet, observational leader, the discipline of working a 250-year-old cold case, and how patience and organization are the hidden engines of any long-term creative project. David also reveals why he structured his book to make readers flip to the last chapter first, a bold and brilliant storytelling device that puts the reader on a personal journey before the history even begins. Whether you're a history buff, a writer, a researcher, or simply someone curious about the story hidden beneath your feet, this episode will inspire you to start asking the questions beneath the questions. Ready to dig deeper? Listen now and discover how one ordinary home connects centuries of extraordinary American history.   What We Discuss [00:00] Introduction [02:01] Introduction to David Deputy [04:15] The power of the mind [04:33] Keys to a successful career [06:36] The essence of true leadership [08:07] The Spring Grove Mill House [10:16] Historical connections uncovered [10:51] War of 1812 connection [11:50] Kennedy assassination connection [13:27] Apollo 11 connection [14:03] The research and investigation process [17:14] The investigator's mindset [19:44] The gut-brain connection [21:40] A moment of discovery [24:50] Balancing storytelling and investigation [27:38] A unique reading suggestion [31:07] Start your own home history [32:39] Where to get the book [33:29] Final wrap Notable Quotes [05:13] "Growing up with a lot of emotional situations in the family, trying to read people and feel their feelings — that's been a very powerful source for me throughout my career." – David Deputy [06:08] "I'm actually solving problems before they even happen. The problem never happens because you were able to lead the group through it before it materialized." – David Deputy [15:11] "I could feel the stuff, and then I started digging and digging. It was eight years of investigating, because new things just kept popping up." – David Deputy [15:50] "To me, it was like a 250-year-old cold case. And this was the ultimate cold case." – David Deputy [17:22] "I have layer switches. I can turn my ego switch off and analyze everything. I have a logic switch and a skeptic switch — I can run through what I'm thinking and come to conclusions." – David Deputy [21:30] "Unfortunately, it took me 45 years to get to that point. I wish I'd figured it out in my 20s — but once you understand how your gut is tied to your heart and your brain, you can use it even better." – David Deputy [23:18] "It's human nature — we see things that are strange, but when we see them every day, they're not strange anymore. We stop asking why." – David Deputy [25:46] "I call it the Jimi Hendrix approach. He wasn't formally trained — he created a whole new way of doing it that was unique and ended up being very special." – David Deputy [30:48] "You can't rush it. You have to be organized in what you're doing so that you don't get stagnant. It wouldn't have been nearly as special if I had tried to rush through it." – David Deputy Resource and Links David Deputy LinkedIn: https://www.linkedin.com/in/david-deputy-7a560952 Book: The Spring Grove Mill House   Productivity Smarts Podcast Website - productivitysmartspodcast.com   Gerald J. Leonard Website - geraldjleonard.com Turnberry Premiere website - turnberrypremiere.com Scheduler - vcita.com/v/geraldjleonard   Kiva is a loan, not a donation, allowing you to cycle your money and create a personal impact worldwide. https://www.kiva.org/lender/topmindshelpingtopminds

BBB:LHWS #057    Three More LHW Musicians Rudolph Hennig was the first cello soloist for the Philadelphia Orchestra in 1901; a few years earlier, Philadelphia artist Thomas Eakins had represented him in oils as The Cello Player, which was used as a bargaining chip more than a century later. Winston Samuels McGinnis was a moderately successful Jamaican ska and rocksteady performer who sang backup in one of reggae's first worldwide hits "Israelites" by Desmond Dekker. Jeffrey Lee Johnson, or simply JEF was the session guitarist who could apparently sound like anyone but was at his best when he sounded like Jef Johnson. The two usual comparisons are Lonnie Johnson ... and Jimi Hendrix. 

This week Nicola and Di chat with the fabulous Diane Gilman. Diane is known as the ‘Jean Queen’ and has spent decades proving that age is just a number. From building a fashion empire and revolutionising denim for women, surviving breast cancer and becoming one of the leading voices in the pro-aging movement, Diane keeps reinventing herself at every chapter. Now in her 80s, Diane is showing us how to stay vibrant, visible and unapologetically ourselves. In this episode we hear about Diane’s early life, the way she visualised the life she wanted at the age of 8, dreaming of being a fashion designer in New York, and then how she made it happen! Diane tells us the incredible story of how she found herself designing jeans for some of the most legendary musicians including Janice Joplin, Jimi Hendrix, Jim Morrison, Cher and Rod Stewart, to name a few. We also hear how she got her start on the Home Shopping Network and the way that skyrocketed her career. Always one to believe in herself and back herself, Diane’s story really shows the power of having a positive attitude and putting yourself forward for opportunities. Diane opens up about her cancer diagnosis and the way her treatment transformed her life. You’ll want to hear the amazing story of Sheila and how she changed Diane’s outlook on life forever! We also talk to Diane about her thoughts on aging, why she’s loving it, and how she’s living her best life in her 80s and has no plans of slowing down or going out quietly. Diane is full of so much wisdom and great tips for getting the most out of life. Her energy and enthusiasm is infectious and we were so inspired speaking with her. We hope you have as much fun listening to this as we did! This episode is proudly supported by Montgomery Investment Management, trusted experts helping you build and protect your financial future. For further information, please contact David Buckland, Chief Executive Officer or Rhodri Taylor, Account Manager on (02) 8046 5000 or investor@montinvest.com We’ve created a special offer for our Back Fence listeners to use at Positive Energy. Listeners can get a 10 class pack for $150 (save $90) or 25% off an unlimited membership for 3 months. Use code: BACKFENCEPE to activate your special offer. Follow Nicola and Di on IG here - https://www.instagram.com/overthebackfencepodcast/ Follow Diane on IG here - https://www.instagram.com/thedianegilman/ Listen to Diane’s podcast Too Young To Be Old here - https://podcasts.apple.com/us/podcast/too-young-to-be-old-with-diane-gilman-the-queen-of-jeans/id1691401600 Watch Diane’s YouTube channel here - https://www.youtube.com/@thedianegilman Watch Over The Back Fence on YouTube here - https://www.youtube.com/@Overthebackfencepodcast/podcasts Follow Positive Energy on IG here - https://www.instagram.com/positiveenergy_health_fitness/See omnystudio.com/listener for privacy information.

Jimi Hendrix was the most exciting guitarist to see and hear during the psychedelic age. To see the Jimi Hendrix Experience live was the best way to enjoy and emersed yourself into his aural intensities of sound. These are select performances from different shows and venues that he performed.Also...If you would, please make a donation of love and hope to St. Jude Children's HospitalMake an impact on the lives of St. Jude kids - St. Jude Children's Research Hospital (stjude.org)Listen to previous shows at the main webpage at:https://www.buzzsprut.com/1329053Other Items of Interest:Pamela Des Barres Home page for books, autographs, clothing and online writing classes.Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/Support the showPlease feel free to donate or Tip Jar the show at my Venmo account@jessie-DelgadoII  Support the showPlease feel free to donate or Tip Jar the show at my Venmo account@jessie-DelgadoII 

The Deadcast tells the dramatic story of when the Hells Angels put ex-Grateful Dead Records president Ron Rakow on trial for walking away from the Dead with $225,000 he believed the band owed him.Guests: Ron Rakow, Steve Brown, Terry Haggerty, John Scher, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The BOB & TOM Show – June 11, 20266:00 Hour 6:00 – Hadji's road buddy6:04 – Chick in, Jeff out6:06 – Johnny Quest discussion6:22 – Audio quiz for Josh: Johnny Quest theme6:24 – Tom talks about loving Johnny Quest6:29 – Letter: Wife is 6'2"; dad called her the "Ovarian Barbarian"6:30 – Letter: "Going ballistic" vs. "going commando"6:31 – Letter: Air and gas prices; why airline tickets are expensive6:32 – Letter: In my semi, a drink plate is a cup holder6:33 – Letter: In my 60s; wife wants me to sit on the toilet to urinate6:48 – Tom and Josh discuss drinking coffee with the lid on6:49 – Tom talks about people bringing coffee onto a gondola 7:06 – Sports update7:12 – FIFA may cause a baby boom, according to Kristi7:28 – Josh says Tom is "whitesplaining"7:30 – Letter: "6-7" is deaf slang for testicles7:30 – Fastest time descending stairs on hands7:36 – Discussion of the movie Rubber ("the tire movie")7:48 – Josh says he can be a wingman7:49 – TV sidekicks; Josh is happy being a sidekick7:50 – Josh asks Tom if he owns a papasan chair7:52 – Blow-up furniture discussion7:53 – World Naked Bike Ride coming June 27 in Wisconsin7:54 – Recumbent bike discussion7:56 – Jeff suggests a naked pogo stick event 8:06 – Hooker joins in studio8:08 – Letter: Rotting bug guts make windshield cleaner smell bad8:11 – Man arrested for burglary while on his way to court for burglary8:15 – Josh says he would go garage-sale shopping today8:26 – Difference between robbery and burglary8:27 – Meem toothpicks discussion with Hooker8:33 – Josh's best friend wears kilts year-round8:45 – Today in History8:47 – Kristi says "Trojans are rubbers"8:52 – Josh: "It's exhausting to act like I'm interested in this conversation"8:53 – Kristi jokes about O.J. Simpson 9:04 – Al Jackson joins via Zoom9:06 – Discussion about driving gloves9:07 – Steering wheel spinner knobs in the 1980s9:08 – Al recalls his dad's Bonneville and its size9:11 – Al would pay to hear Tom explain hip-hop9:11 – Word: "Bat Phone"9:13 – Word: "Choppleganger"9:29 – Johnny Quest theme9:30 – Kristi dated someone named Johnny Quest9:30 – Discussion about the historical use of the word "douche"9:31 – Story about a very tall boy and a beer sleeve; three boys involved9:39 – Kristi visited her mom and aunt, went to the wrong house after having a THC-infused drink9:49 – Jeff names a peach-and-vanilla drink "Dirty Hooker"9:51 – New street named for Jimi Hendrix in New York9:51 – Discussion of a posthumous Prince album release 7:00 Hour8:00 Hour9:00 Hour Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode we welcome Lloyd Bradley back to Hammersmith to discuss his monumental new tome Funk Is Its Own Reward. We ask our guest about what he describes as "Black America's second great cultural revolution" before learning of his own first awareness of funk as a new musical form. After we consider the parts played in the movement's evolution by James Brown, Earth Wind & Fire and Kool & the Gang, we get to George Clinton's Parliament-Funkadelic, whose mind-blowing  "P-Funk Earth Tour" of America celebrates its 50th anniversary this year. Clips from a rare audio interview with Betty Davis prompt our combined thoughts on the cult funk-rock queen who married Miles Davis and helped him fly his freak flag by turning him on to Sly Stone and Jimi Hendrix. After William discusses newly-added library pieces about the Beatles (1962) and a Marc Almond convention at London's Heaven (1986), Jasper revisits a live review of Bruno ('Uptown Funk') Mars from 2017. Many thanks to special guest Lloyd Bradley. Funk Is Its Own Reward is published by Constable and available now from all good bookshops. Visit his website at lloydbradley.net for more details. Pieces discussed: James Brown: Twilight Of The Godfather, Countdown on Parliament, from launchpad to mothership connection... We have lift-off!, A Journey to the Center of Parliament/Funkadelic, The Bizarre World of George Clinton (Parliament/Funkadelic Drop The Funk-Bomb On America), Betty Davis audio, Marc Almond Convention: Heaven Sent, Local Group: The Beatles and Bruno Mars live.

The Song That Changed My Life is a segment that gives a chance for musicians and artists to tell us about the song that made them who they are today. This week, we talked to Joey Santiago, guitarist for the Pixies. Third Stone from the Sun by Jimi Hendrix helped him understand the guitar in a way he had never thought of before. Pixies will be heading on the road this summer. You can check out tour dates here.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Summer's coming in hot, and so are we. In this episode of Prisoners of Rock and Roll, we're checking out one of the coolest, most American sounds in rock history: surf music.  It's a sound designed to imitate the ocean — dripping wet reverb, a clean glowing tone, and that lightning-fast, machine-gun guitar picking you instantly recognize.  It exploded right in the gap between the first wave of rock ‘n' rollers and the British Invasion, when the music charts had gone soft. But while surf rock as short lived, it wasn't just a blip.  This scene drove major advances in guitar amps, influenced guitar gods from Jimi Hendrix to Eddie Van Halen, and even helped blaze a path toward speed metal. And of course, it gave the world The Beach Boys. This was counterculture. This was pure American teenage freedom in musical form — cars, girls, waves, and rebellion.  In this episode, we're riding the wave: and talking about artists like Dick Dale, The Surfaris, and the Ventures. We'll also touch on how the Pulp Fiction soundtrack helped surf rock get back up on the board as well as some modern bands that are still hanging 10 with the sound. Episode Playlist Check out this week's ⁠⁠Episode Play⁠l⁠ist.⁠ ⁠⁠⁠⁠⁠Get In Touch Check us out⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠online⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or drops us an email at ⁠⁠⁠⁠⁠⁠⁠⁠⁠show@prisonersofrockandroll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Or if you're in Philadelphia, come visit our home base at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠McCusker's Tavern⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Prisoners of Rock and Roll is part of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Media⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We're sponsored by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Boldfoot Socks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Deadcast uncovers the secrets of Steal Your Face, the Dead's 1976 live album with a checkered reputation, dramatic backstory, & sonic experimentation by Phil Lesh & Owsley Stanley. Guests: Ron Rakow, Al Teller, John Scher, Ned Lagin, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast concludes its extended 2-part tribute to Bobby Weir, ranging into the evolution of his songwriting, stage persona, guitar playing, and unexpected career beyond the Grateful Dead.Guests: Bobby Weir, David Lemieux, Jeff Chimenti, Scott Metzger, Don Was, Gary Lambert, Tim Stevens, Tony Italiano, William Keats, Bretty PauleySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.