Podcasts about Jimi Hendrix

Episode Description: This Week in Music History - November 10-16 | Pink Floyd, Beatles, Fleetwood Mac & More Join host Buzz Knight and master of music mayhem and music historian Harry Jacobs for another captivating episode of This Week in Music History, covering November 10-16. Dive deep into legendary moments that shaped rock, pop, and cultural history. Featured Music History Highlights: Pink Floyd’s “Wish You Were Here” (Nov 10, 1975) - Discover the untold story behind this iconic album’s #1 UK chart debut and its heartbreaking connection to Syd Barrett, who unexpectedly appeared during recording sessions. Led Zeppelin IV (Nov 12, 1971) - Explore the album featuring “Stairway to Heaven,” “Black Dog,” and “Rock and Roll” that sold 37 million copies worldwide and earned 24x Platinum certification. Beatles’ “Rubber Soul” (Nov 13, 1965) - Harry reveals why this Abbey Road recording remains one of his favorite Beatles albums, featuring classics like “In My Life,” “Norwegian Wood,” and “Michelle.” Fleetwood Mac’s Self-Titled Album (Nov 15, 1975) - Learn about Stevie Nicks’ emotional dedication of “Landslide” to her father and the latest rumors about Lindsay Buckingham’s potential reunion with the band. Additional Topics Covered: • Elton John’s “Goodbye Yellow Brick Road” and the incredible story of “Candle in the Wind” selling 660,000 copies in one day after Princess Diana’s funeral • Freddie Mercury’s final public appearance (Nov 14, 1991) and his AIDS diagnosis announcement • Donna Summer’s disco classic “MacArthur Park” hitting #1 • Jimi Hendrix’s “Electric Ladyland” chart success • John Lennon’s only #1 solo single during his lifetime (you’ll be surprised which song it was!) • Sesame Street’s PBS debut and its cultural impact • Bob Dylan’s “New Morning” album evolution Perfect for: Classic rock enthusiasts, music history buffs, Beatles fans, Pink Floyd devotees, and anyone fascinated by the stories behind legendary albums. Subscribe to Taking a Walk podcast for weekly deep dives into music history with Buzz Knight and Harry Jacobs, your guides through rock and roll’s most memorable moments. #MusicHistory #ClassicRock #PinkFloyd #Beatles #LedZeppelin #FleetwoodMac #PodcastEpisode #TakingAWalk #RockHistory​​​​​​​​​​​​​​​​Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

If you want to change the game, first you need to master the game.  Coming up in Newark in the fifties was the exact right place and time for Larry Young to learn the idiom of the Hammond B-3 organ, and he learned his lessons well.  His early records embody the soul-jazz organ trio sound made popular by Jimmy Smith.   But as the sound of the sixties emerged, Larry Young (also known by his Muslim name, Khalid Yasin Abdul Aziz) was reaching for something more.  His journey, including hours of conversation and jam sessions with spiritual avatar John Coltrane, brought about an expanded consciousness that revealed itself in his music.  Larry Young pulled an unmistakably boisterous explosion of sound through the B-3.  He showed new horizons that fellow organists have been pursuing for more than half a century.    Brian Charette is one of them.  He is not only an endlessly inventive multi-instrumentalist and bandleader, but also one of our best students of the music's history.  He joins host Mitch Goldman on this week's Deep Focus.   Did the WKCR archives provide recordings of Larry Young and John Coltrane's private sessions?  Unfortunately, none are known to exist.  Do we have rare recordings of Larry Young and Jimi Hendrix pushing each other in new directions?     Find out Monday (10/27) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD, or wkcr.org.   Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  Just like WKCR, it's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Learn more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.   Photo credit: Photo by Francis Wolff. Shot in Paris. Michael Cuscuna unearthed this photo, amongst others, for Resonance's “Larry Young In Paris” in 2016. #WKCR #DeepFocus #LarryYoung #BrianCharette #JimiHendrix #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman 

Episode Description: This Week in Music History - November 10-16 | Pink Floyd, Beatles, Fleetwood Mac & More Join host Buzz Knight and master of music mayhem and music historian Harry Jacobs for another captivating episode of This Week in Music History, covering November 10-16. Dive deep into legendary moments that shaped rock, pop, and cultural history. Featured Music History Highlights: Pink Floyd’s “Wish You Were Here” (Nov 10, 1975) - Discover the untold story behind this iconic album’s #1 UK chart debut and its heartbreaking connection to Syd Barrett, who unexpectedly appeared during recording sessions. Led Zeppelin IV (Nov 12, 1971) - Explore the album featuring “Stairway to Heaven,” “Black Dog,” and “Rock and Roll” that sold 37 million copies worldwide and earned 24x Platinum certification. Beatles’ “Rubber Soul” (Nov 13, 1965) - Harry reveals why this Abbey Road recording remains one of his favorite Beatles albums, featuring classics like “In My Life,” “Norwegian Wood,” and “Michelle.” Fleetwood Mac’s Self-Titled Album (Nov 15, 1975) - Learn about Stevie Nicks’ emotional dedication of “Landslide” to her father and the latest rumors about Lindsay Buckingham’s potential reunion with the band. Additional Topics Covered: • Elton John’s “Goodbye Yellow Brick Road” and the incredible story of “Candle in the Wind” selling 660,000 copies in one day after Princess Diana’s funeral • Freddie Mercury’s final public appearance (Nov 14, 1991) and his AIDS diagnosis announcement • Donna Summer’s disco classic “MacArthur Park” hitting #1 • Jimi Hendrix’s “Electric Ladyland” chart success • John Lennon’s only #1 solo single during his lifetime (you’ll be surprised which song it was!) • Sesame Street’s PBS debut and its cultural impact • Bob Dylan’s “New Morning” album evolution Perfect for: Classic rock enthusiasts, music history buffs, Beatles fans, Pink Floyd devotees, and anyone fascinated by the stories behind legendary albums. Subscribe to Taking a Walk podcast for weekly deep dives into music history with Buzz Knight and Harry Jacobs, your guides through rock and roll’s most memorable moments. #MusicHistory #ClassicRock #PinkFloyd #Beatles #LedZeppelin #FleetwoodMac #PodcastEpisode #TakingAWalk #RockHistory​​​​​​​​​​​​​​​​Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Continuing the Rocker Death series, Part 6 sees a whole new lineup. From drug overdosage to straight up murder, you won't want to miss this! CREDITS & LINKS  MUSIC COURTESY OF:

1. Inspiration Beyond the BrainThe book challenges the materialist view that creativity is a left-brain, analytical function. Instead, it presents music as a right-brain, paranormal process. Many iconic songs are received through instantaneous “downloads” or vivid dreams. Keith Richards famously dreamt the riff for “(I Can't Get No) Satisfaction,” even recording his snoring afterward. These dream-sourced compositions often arrive fully formed, with clarity unlike typical dream content.2. Musicians as ChannelsMany legendary artists describe themselves as vessels rather than creators. John Lennon said he was “just the channel” for the “music of the spheres.” Michael Jackson believed his best songs were “works of God” that dropped into his lap. Notably, Elvis Presley, The Beatles, and Jimi Hendrix couldn't read or write music—suggesting that genius may bypass formal training and arise from external sources.3. A Historical PatternThis phenomenon isn't limited to rock and pop. Classical composers also reported receiving music from beyond. Mozart described his compositions as arriving “almost complete” in dreams. Brahms spoke of entering a trance-like state where ideas flowed “directly from God.” Such accounts suggest a long-standing tradition of non-local inspiration.4. UFOs and MusiciansThe book documents a striking number of UFO encounters among musicians. If cataloged, the list would include hundreds of high-profile names. John Lennon had a daylight sighting in 1974; Mick Jagger saw a UFO over the crowd at the 1969 Altamont concert. 5. Alien OriginsSome musicians believe they are extraterrestrial in origin. John Denver referenced the constellation Lyra as his home. Elvis Presley claimed he came from Orion, saying, “I am not of this world.” Lee Scratch Perry declared, “I am an alien from outer space… from Krypton.” Kurt Cobain expressed a lifelong feeling of being “homesick,” imagining himself as an alien baby found in a spaceship.6. Messages of Oneness and LoveThe themes expressed in music often mirror those reported by UFO experiencers. The central message is Oneness—the idea that all existence is interconnected. Lennon's lyric “I am he as you are he as you are me…” reflects this unity. His slogan “Love is the Answer. What was the Question?” and the anthem “All You Need is Love” serve as spiritual propaganda for this shift from fear to love.7. Environmental and Nuclear WarningsA recurring theme is planetary survival. Musicians often channel messages warning of ecological collapse and nuclear danger. Neil Young's “After the Gold Rush” describes “silver spaceships” rescuing the chosen ones.8. Targeting YouthMusicians are seen as strategic messengers to reach younger generations—the “ultimate swing voters.” Youth are more open to ideas that transcend traditional structures like religion and politics. Carlos Santana reported that the entity Metatron told him he'd be tuned into a “radio airwave frequency” to deliver a “new menu” of existence, helping students realize they are “multi-dimensional spirits.”9. Dreams and Altered StatesSongs often arrive during altered states—dreams, meditation, or automatic writing. Sting received “Every Breath You Take” in 15 minutes through automatic writing. Billy Joel dreamt many of his songs fully formed. Music heard during near-death experiences is described as “floating,” ethereal, and profoundly beautiful—often called the “music of the spheres.”10. Music and Quantum ConsciousnessThe book concludes by challenging the materialist worldview. It suggests that the universe operates through a quantum reality where consciousness is primary. Musicians report accessing a non-local field of awareness, consistent with quantum experiments showing that consciousness precedes matter. In this view, the brain doesn't create consciousness—consciousness creates the brain. Music becomes a delivery system for awakening, love, and planetary stewardship.

With both a U.S. tour and a new session of Sky Academy booked for April/May, Uli Jon Roth is headed for an exciting Spring of 2026. It's all part of his passion to reach (and help his Sky Academy students reach) new musical heights. “A great musician is always growing,” says the German-born, U.K.-based guitar hero. Indeed, Uli could have rested on his laurels as the lava-hot lead player of '70s-era Scorpions hard rock. But, taking inspiration from the music of heroes such as Keith Jarrett, Jimi Hendrix, and Antonio Vivaldi, he has always strived for a much deeper level of artistic expression. In this exclusive visit to Sky Academy, we plug in with Uli and embark on some epic improvisational odysseys, gain insights into his hugely influential rock masterpiece “The Sails of Charon,” learn about his unique extended-neck Sky Guitars, and, best of all, learn why, as he says, “the fingers are the least important part of your sound.” Hosted by Jude Gold, this episode is brought to you by your online guitar instruction friends at TrueFire. TrueFire offers thousands of hours of guitar instruction from A-list players. For a free 30-day all-access membership (no credit card required!), click to truefire.com/safe.

[REDIFFUSION] Bienvenue dans Les Fabuleux Destins, le podcast pour découvrir des histoires vraies et étonnantes. Cette semaine, vibrez avec notre saison spéciale Légendes de la musique. Six destins hors du commun, entre gloire, tourment et mélodies éternelles. Jimi Hendrix, un génie sans limite L'horizon du petit Johnny Allen Hendrix, né le 27 novembre 1942, est terne et inquiétant. Ballotté entre des parents alcooliques et séparés et les services sociaux, il trouve quelques moments de réconfort lorsqu'il est seul dans la petite maison de Seattle. Pourquoi ? Parce qu'il écoute de la musique le plus fort possible, et qu'il joue de la guitare avec… un balai ! Comment est-il devenu l'un des meilleurs guitaristes du monde entier ? Et qu'est-ce qui l'a amené à sa perte ? Ecriture : Hélène Vézier Réalisation : Célia Brondeau, Antoine Berry Roger Voix : Andréa Brusque Une production Bababam Originals Learn more about your ad choices. Visit megaphone.fm/adchoices

2025's added dictionary word of the year is... "6 7"? This social media term spreading its lingo online, in classrooms, and cultural language. Derived from a Tiktok song and NBA player's height, the definition 6 7 is a slang for maybe or so-so. Test your usage by listening to this episode's inspired playlist: popular music from 1967. Share on our social media below what you like, dislike, or feel six-seven!Theme Song: "Dance Track", composed by Jessica Ann CatenaMentioned: The Monkees, The Beatles, Jimi Hendrix, The Doors, Johnny & June Cash, The Jungle Book, Dr. Doolittle, You Only Live Twice, To Sir With Love, The Four Seasons,Linda Ronstadt, Bob Dylan,  CSNY formation, Jefferson Airplane/Jefferson Starship/Starship, The Moody Blues, The Rolling Stones, The Foundations, The Supremes, Vanilla Fudge, Aretha Franklin, California folk scene. Pisces, Acquarius, Capricorn, & Jones, Ltd. - vinyl; unveiling The Beatles Anthology - Disney+"Foxey Lady" - Wayne's World clip"Nights in White Satin" - 2018's Rock & Roll Hall of Fame Fuller House finale part 11967 - Austin Powers club clipRelated Episodes: Ep. 104 - "No Time to Die" Movie ThemeEp. 141 - Class of 2007 PlaylistEp. 183 - The Monkees' Top 10 HitsEp. 184 - Earth Day PlaylistEp. 190 - Tina Turner Top 10Ep. 198 - Tony Bennett Top 10 FavsEp. 221 - Top 40 Songs of 2023 (Part 2)Ep. 226 - Beatles Covers PlaylistEp. 235 - Eclipse PlaylistEp. 268 - The Beatles on Disney+Ep. 281 - Wicked & A Complete Unknown (Reviews)Ep. 297 - Sly Stone's Music ImpactEp. 299 - The Beach Boys Top 10Ep. 307 - Summer 1995 PlaylistFollow us on Facebook, Twitter, Instagram, and Spotify playlists. 

This week we look at Home, Heretics and Hate Speech - including Canadian government minister defines Bible as hatespeech;  Sudan; Anti-semitism in Melbourne and London; The Dutch election; Free Speech in France; The BBC edits Trump speech;  Fiji and Samoa celebrate Christ after rugby match;  country of the week - Germany;  the most infectious German song ever!;  Prunella Scales; The Queering of Jesus; Shape Singing in the US; Joe Rogan sticks with Jesus; and the Last Word - John 4:12  with music from RunRig, Jimi Hendrix; Plastic Betrand; Mountain Crew; Bach; 600 Shape Singers; and Matt Redman. 

Since we started this show we've known that, someday, we would sit down to talk about Metallica: Some Kind of Monster, a movie about Metallica, and the world, going to therapy for the first time. Topics include: popular music, thrash, the 80's, drinking, how exactly you make a heavy metal record, the way computers absolutely annihilated the music business in a way that predicted the future annihilations we are currently living through, the advent of a new perspective on therapy and the emergence of therapy-speak, even among the world's biggest violence-celebrating band.  excerpted music in this episode in order: "Maple Leaf Rag" by Scott Joplin (published 1899) "Crazy Blues" by Perry Bradford, performed by Mamie Smith and Her Jazz Hounds (1920) "Stardust" by Hoagy Carmichael, performed by Louis Armstrong and His Orchestra (1931) "Tomorrow Never Knows" by The Beatles (1966) "God Only Knows" by The Beach Boys (1966) (YouTube video) "So What" by Miles Davis (1959) "Whole Lotta Love" by Led Zeppelin (1969) "Detroit Rock City" by KISS (1976) "Hear Nothing See Nothing Say Nothing" by Discharge (1982) "Black Sabbath" by Black Sabbath (1970) "Machine Gun (Live)" by Jimi Hendrix (1969) "Breaking the Law" by Judas Priest (1980) "Bonded by Blood" by Exodus (1985) "Phantom Lord" by Metallica (1983) "Master of Puppets" by Metallica (1986)   Our NEXT episode will be about Cobra Verde! Watch it here. 

In this unforgettable episode of the Authors on Mission podcast, host Danielle Hutchinson sits down with Kim Gottlieb-Walker—legendary photographer turned novelist—to explore her creative evolution from capturing Jimi Hendrix and Bob Marley to penning her debut novel Lenswoman in Love at age 80.Kim shares how her decades behind the lens shaped her storytelling, why she chose fiction over memoir, and how critique groups and multiple rewrites helped bring her protagonist to life. From set photography on Halloween and Star Trek to writing historical fiction during the pandemic, Kim proves it's never too late to reinvent yourself.

The Deadcast explores Bobby Weir's guitar étude, “Sage and Spirit,” speaking with one of the song's namesakes, Sage Scully, before taking an extended trip to legendary Dead show at the Great American Music Hall in August 1975, where the song received its only full live performance.Guests: David Lemieux, Donna Jean Godchaux MacKay, Sage Scully, Ron Rakow, Al Teller, Steve Brown, Roger Lewis, Lee Brenkman, Steve Schuster, Gary Lambert, Deb Trist, Ed Perlstein, Danno Henklein, Joan Miller, Steve Silberman, Michael Parrish, Keith Eaton, Shaugn O'Donnell, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

L'idée que les gauchers seraient plus créatifs que les droitiers est ancienne, séduisante… mais scientifiquement controversée. Elle repose sur une intuition simpliste : si le cerveau gauche contrôle la main droite et le cerveau droit contrôle la main gauche — et que le cerveau droit serait “le siège de la créativité” — alors les gauchers, plus “droit cérébral”, devraient être plus imaginatifs. Mais la réalité, révélée par plusieurs études, est bien plus nuancée.Une étude publiée en 2009 par Shobe et al. dans la revue Brain and Cognition a testé cette hypothèse sur des étudiants américains. Les chercheurs ont mesuré leur “pensée divergente” — la capacité à produire des idées originales — et ont comparé droitiers, gauchers et “inconsistants” (ceux qui utilisent les deux mains selon la tâche). Résultat : les gauchers n'étaient pas systématiquement plus créatifs. En revanche, les personnes au faible degré de latéralisation (ni totalement droitières, ni totalement gauchères) obtenaient de meilleurs scores de créativité. Leur cerveau semblait mieux équilibré entre les deux hémisphères, favorisant des connexions inhabituelles entre des idées éloignées.Cette découverte a inspiré une hypothèse neurolinguistique : la communication interhémisphérique — facilitée par un corps calleux plus actif — pourrait être un atout pour la pensée créative. Autrement dit, ce n'est pas la main utilisée qui compte, mais la souplesse du cerveau à mobiliser ses deux côtés.Des recherches plus récentes, notamment une méta-analyse publiée en 2019, confirment ces nuances : il n'existe aucune corrélation stable entre la main dominante et les performances créatives. Les différences observées sont faibles, variables selon les tests, et largement influencées par d'autres facteurs : culture, environnement familial, éducation artistique, exposition à la nouveauté.Enfin, le cliché du “génie gaucher” vient aussi de l'histoire : Léonard de Vinci, Picasso, Mozart, ou Jimi Hendrix étaient gauchers, ce qui a renforcé l'idée d'un lien mystérieux entre gaucherie et talent. Mais statistiquement, la majorité des créateurs reconnus sont droitiers — simplement parce qu'ils sont plus nombreux.En somme, les gauchers ne sont pas plus créatifs par nature, mais leur cerveau légèrement différent peut favoriser une pensée moins conventionnelle chez certains individus. La créativité, elle, reste surtout une compétence entraînée, nourrie par la curiosité, l'ouverture et la diversité des expériences — bien plus que par la main que l'on utilise pour écrire. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Souvent surnommée la « Jimi Hendrix au féminin », Ana Popović est l'une des grandes figures du blues actuel. Elle a partagé des scènes en tête d'affiche avec B.B. King, Buddy Guy, Joe Bonamassa et bien d'autres qui reconnaissent en elle une digne héritière de la tradition blues. Elle sortira son nouvel album, « Dance to the ryhtm » le 14 novembre et sera en concert e dimanche 09 novembre à la Saline royale d'Arc-et-Senans à 18h. Aurélien Bouveret, agent de l'artiste pour la France et producteur du concert nous évoque son parcours.

This week on Classic Vinyl Podcast, Justin and Tyler are taking a small vacation. So please enjoy our replay of Jimi Hendrix and his single Stone Free.

In fall 2023, three veteran jazz journalists, Bill Milkowski, Rick Mitchell, and Howard Mandel, sat down for a wide-ranging conversation, a portion of which is collected here to remind us all why we fell in love with music in the first place.From first album purchases to legendary festival moments, they share the records and live performances that impacted them. Whether it's Howard's early attraction to Bill Evans, Rick's reverence for Jimi Hendrix, or Bill's memories of Blind Faith, these are the musical origin stories behind three respected voices in jazz journalism.This episode captures what happens when writers stop analyzing and start remembering. It is all about the the music that made them who they are, and why. Yes, it's still all about the music.Check out our playlist of the music mentioned and excerpted in this episode. And here are the two episodes making up the discussion this episode is excerpted from:Part I: Jazz Journalism, Then and Now, with Veteran Writer Bill Milkowski and host Rick MitchellPart II: Bill Milkowski with Rick Mitchell and Howard Mandel, reminiscingTake a look at the Jazz Omnibus, the 600-page anthology of 21st century photos and writings by members of the Jazz Journalist Association, available online and wherever books are soldDon't miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts. For more from the Jazz Journalists Association, go to JJANews.org.

ANNE LEIGHTON RETURNS (WITH MORE ROCK LEGENDS) She's back! After an incredible conversation in Episode 90, newly minted "Honorary Derringer" Anne Leighton rejoins Team Derringer at the table for Part 2. As a veteran music publicist, artist representative, poet, and public speaker, Anne (of Leighton Media, Music Services, Motivation) has championed some of the most respected names in music. In this episode, Anne pulls the curtain back even further, sharing insights and personal stories about three more artists from her rock and roll stable... including the namesake of this very podcast! IN THIS EPISODE, YOU'LL HEAR: Rick Derringer: The Namesake | We finally do it. We're talking about the man himself, the namesake for Team Derringer, the legendary Rick Derringer. While Anne didn't formally publicize Rick, she shares her notable personal connection to the rock icon who gave us "Rock and Roll, Hoochie Koo." We trace his career from the #1 hit "Hang On Sloopy" with The McCoys to his production work for Edgar Winter ("Frankenstein") and even "Weird Al" Yankovic's Grammy-winning hits. Renaissance: The Annie Haslam Era | Next, Anne discusses the symphonic-rock legends Renaissance. We clarify the connection to the original Yardbirds-era lineup (featuring Jim McCarty) and dive into the iconic version of the band fronted by the ethereal vocals of Annie Haslam. Anne shares her work with the group responsible for prog-rock classic "Carpet of the Sun." Joe Deninzon & Stratospheerius: The Future of Prog | To cap it off, Anne introduces us to an artist who has been called "The Jimi Hendrix of the electric violin." Joe Deninzon is a force of nature who leads the progressive rock quartet Stratospheerius. We discuss his incredible journey, which has recently led him to his biggest gig yet: joining the legendary rock band Kansas as their new violinist, bringing his energy to timeless classics like "Carry on Wayward Son" and "Dust in the Wind." DON'T MISS ANNE LEIGHTON'S FREE MUSIC & CATS SYMPOSIUM Anne invites listeners to her two-day online symposium that explores the melodic and mysterious bond between musicians and cats. The event features segments on Jethro Tull, Renaissance, and Grand Funk Railroad's cat rescue projects. Register for free at: www.eventbrite.de/e/music-and-cats-online-symposium-tickets-1595714708649?aff=oddtdtcreator PLAYLISTS As promised: Spotify's Billons Club playist! Check out the Derringer Discoveries playlist for this episode: Anne Leighton Rocks. WHERE TO LISTEN & CONNECT More info & show notes: www.derringerdiscoveries.com/091 Website: www.derringerdiscoveries.com Theme Song: Your Sister's Room by Ho Jo Fro. Episodes: www.derringerdiscoveries.com/episodes. Social Media: Instagram, Facebook, Threads, X, and BlueSky. Newsletter: Stay up to date by signing up for our newsletter.  Thank you for listening to Derringer Discoveries! 

ANNE LEIGHTON RETURNS (WITH MORE ROCK LEGENDS) She's back! After an incredible conversation in Episode 90, newly minted "Honorary Derringer" Anne Leighton rejoins Team Derringer at the table for Part 2. As a veteran music publicist, artist representative, poet, and public speaker, Anne (of Leighton Media, Music Services, Motivation) has championed some of the most respected names in music. In this episode, Anne pulls the curtain back even further, sharing insights and personal stories about three more artists from her rock and roll stable... including the namesake of this very podcast! IN THIS EPISODE, YOU'LL HEAR: Rick Derringer: The Namesake | We finally do it. We're talking about the man himself, the namesake for Team Derringer, the legendary Rick Derringer. While Anne didn't formally publicize Rick, she shares her notable personal connection to the rock icon who gave us "Rock and Roll, Hoochie Koo." We trace his career from the #1 hit "Hang On Sloopy" with The McCoys to his production work for Edgar Winter ("Frankenstein") and even "Weird Al" Yankovic's Grammy-winning hits. Renaissance: The Annie Haslam Era | Next, Anne discusses the symphonic-rock legends Renaissance. We clarify the connection to the original Yardbirds-era lineup (featuring Jim McCarty) and dive into the iconic version of the band fronted by the ethereal vocals of Annie Haslam. Anne shares her work with the group responsible for prog-rock classic "Carpet of the Sun." Joe Deninzon & Stratospheerius: The Future of Prog | To cap it off, Anne introduces us to an artist who has been called "The Jimi Hendrix of the electric violin." Joe Deninzon is a force of nature who leads the progressive rock quartet Stratospheerius. We discuss his incredible journey, which has recently led him to his biggest gig yet: joining the legendary rock band Kansas as their new violinist, bringing his energy to timeless classics like "Carry on Wayward Son" and "Dust in the Wind." DON'T MISS ANNE LEIGHTON'S FREE MUSIC & CATS SYMPOSIUM Anne invites listeners to her two-day online symposium that explores the melodic and mysterious bond between musicians and cats. The event features segments on Jethro Tull, Renaissance, and Grand Funk Railroad's cat rescue projects. Register for free at: www.eventbrite.de/e/music-and-cats-online-symposium-tickets-1595714708649?aff=oddtdtcreator PLAYLISTS As promised: Spotify's Billons Club playist! Check out the Derringer Discoveries playlist for this episode: Anne Leighton Rocks. WHERE TO LISTEN & CONNECT More info & show notes: www.derringerdiscoveries.com/091 Website: www.derringerdiscoveries.com Theme Song: Your Sister's Room by Ho Jo Fro. Episodes: www.derringerdiscoveries.com/episodes. Social Media: Instagram, Facebook, Threads, X, and BlueSky. Newsletter: Stay up to date by signing up for our newsletter.  Thank you for listening to Derringer Discoveries! 

The story of Badfinger is bookended with The Iveys as prequel and the Head First album on the other end, months before the tragic suicide of Pete Ham. We explored the latter with Bob Jackson earlier this year but this time it's the pre-history we examine, with Ron Griffiths, bassist and vocalist. He was recruited by Pete Ham and in turn was responsible for the addition of drummer Mike Gibbins. Tom Evans joined in 1967 and within a year, they were signed to Apple.  Ron was there as a witness to the band's development, and interactions with Ray Davies of The Kinks, Jimi Hendrix, and The Beatles' Mal Evans, who led them to the start-up label. It was directly because of Ron that Paul offered them “Come and Get It” as what became the first Badfinger single and a worldwide smash, but Griffiths did not make the transition to Badfinger. He remains a lucid witness to their history even after being sidelined, and his connections remain to the present day and performances with Bob Jackson and the current Iveys reissue program. Tune in and hear his unique perspective on the triumphs and tragedies of this mightily talented band.  Read the Disc article that led Paul McCartney to offer “Come and Get It” after reading what Ron had to say here.   The Iveys PR from Apple. Episode playlist: https://youtube.com/playlist?list=PLWJwXBl8_fsfzV0dB-9cLPbUZC9_Js0rD&si=Oh_KxNaVUZJn5qK9

A once-in-a-lifetime guitar event is coming!

Cela fait cinquante ans que cette chanson a rejoint le firmament, notre panthéon à tous, ou presque. Et spécialement des Belges auxquels Queen a été particulièrement fidèle. C'est vrai, au moins un concert à Forest National, le plus souvent deux, par tournée, c'est-à-dire, chaque année. Même la dernière et gigantesque tournée des stades en 1986, et ben la Belgique fait exception puisque c'est à nouveau Forest National au programme. Pourtant, on a quand même un problème, nous les Belges. C'est que si le groupe nous a gratifié d'un précoce concert au Théâtre 140, en 1974, on ne l'a pas vu chez nous les deux années suivantes, c'est-à-dire en pleine folie Bohemian Rhapsody. Queen a joué partout, au Japon et aux Etats-Unis, surtout, mais pas en Belgique. On comprend la toute grosse folie au printemps 78 et les soirées consécutives à guichets fermés à Forest ; ils viennent de remettre deux belles couches de hits avec We will rock you et We are the champions. Cela fait alors tout juste deux ans que Freddie Mercury est devenu célibataire en quittant sa femme Mary Austin pour vivre sa sexualité librement mais aussi, et probablement surtout, la vie rêvée de star où tout n'est plus que création, interprétation, divertissement, vie. C'est du moins ce à quoi il aspire.D'ailleurs les résultats du single Bohemian Rhapsody et l'album A night at the opera ne se sont pas fait attendre : les ventes des deux se comptent par millions et les salles pour accueillir Queen s'élargissent chaque soir. Point culminant, l'organisateur d'événements et fondateur de la maison de disques Virgin, Richard Branson monte pour eux un concert à Hyde Park, le quartier où vit Freddie. Le lieu devenu mythique où il organisait un festival à l'américaine au début de l'été à la fin des années 60. Ce sera toujours l'été mais un 18 septembre, en mémoire de Jimi Hendrix, mort pas loin de là, et ce jour-là, quelques années plus tôt.Oui, ce 18 septembre 1976, entre 150 et 200.000 fans sont réunis dans l'immense clairière de Hyde Park pour retrouver un Freddie en décolleté vertigineux, et un Brian May avec sa tenue d'Ange blanc. Il y a quelques premières parties qui vont entraîner du retard, Queen va devoir faire l'impasse sur les rappels, la police menaçant de couper l'électricité. Mais l'événement est considérable, il dope les membres du groupe à la testostérone et à la confiance en leur art. Le concert filmé pour être diffusé à la télé, l'année suivante, ne le sera pas mais il constitue un document incroyable à une époque où personne ou presque ne filme les concerts.C'était il y a un demi-siècle, une nouvelle génération appelée new wave frappe déjà à la porte du succès et du grand public, elle va engouffrer la plupart des stars de la première partie des années 70, leur filant un méchant coup de vieux. Mais pas Queen, non, et malgré le dénigrement incessant de la presse rock alors toute puissante, la pompe à succès ne va faire que s'amplifier avec notamment la sortie du fameux Greatest Hits, la compile la plus vendue de tous les temps. En attendant, Roger Taylor a rencontré ce 18 septembre une certaine Dominique Beyrand, l'assistante de Richard Branson qu'il va lui ravir pour en faire sa femme, la mère de ses deux aînés. Quant à Freddie, il mène désormais une vie de bâton de chaise, à la recherche d'un amour improbable.

Ali As ist zurück im Deutschrap Plus Podcast

Watch Lauren and Prof H https://www.youtube.com/live/m7bg3ela... Watch all of our Hamamoto videos here:    • Professor Hamamoto  Hamamoto on YouTube:    / @professorhamamoto  Prof. Darrell Hamamoto, who is an American writer, academic, and specialist in U.S. media and ethnic studies. Professors Facebook : https://www.facebook.com/share/hZajgC... Lauren on YT:    / @laurentheinsider  Lauren on Insta:   / laurenlunnfarrow  Lauren on X https://x.com/laurenKLfarrow Follow P Diddys latest:    • P Diddy  #jayz #beyonce #hollywood #countrymusic #nashville #pdiddy #puffdaddy #truecrime #news #youtubenews #podcast #livestream #youtube #thepope #vatican #church  Here are Hamamoto's recommended books: Can't Stop Won't Stop: A History of the Hip-Hop Generation  ——- The Psychological Covert War on Hip-Hop ——- The Covert War Against Rock: What You Don't Know About The Deaths of; (Jim Morrison, Tupac Shakur, Michael Hutchence, Brian Jones, Jimi Hendrix, Phil Ochs, Bob Marley, Peter Tosh, John Lennon & The Notorious B.I.G) ——- Hit Men: Power Brokers and Fast Money Inside the Music Business ——- Me, the Mob, and the Music: One Helluva Ride Tommy James and the Shondells ——- Godfather of the Music Business: Morris Levy (American Made Music Series) ——- LAbyrinth: A Detective Investigates the Murders of Tupac Shakur and Notorious B.I.G., the Implication of Death Row Records, Suge Knight, and the Origins of the Los Angeles ——- The FBI war on Tupac Shakur: State repression of Black Leaders from the Civil Rights Error to the 1990s (real world) ——- The FBI war on Tupac Shakur and Black Leaders: US Intelligence's: Murderous Targeting of Tupac, MLK, Malcol, Panthers, Hendrix, Marley rappers and Linked Ethic Leftists ——- Have Gun Will Travel: The Spectacular Rise and Violent Fall of Death Row Records ——- The Big Payback: The History of the Business of Hip-Hop ——- Ruthless: A Memoir ——- Hip-Hop Decoded ——- Q: The Autobiography of Quincy Jones ——- How to Wreck a Nice Beach: The Vocoder from WW II to Hip-Hop, The Machine Speaks ——- Dancing with the Devil: How Puff burned the bad boys of Hip-Hop ——- Hiding in Hip-Hop: On the Down Low in the Entertainment industry—from Music to Hollywood

It's a very special edition of Time Signatures with Jim Ervin, as Erv welcomes longtime Detroit Free Press Photographer, Wilson Lindsey for a chat about his decades working behind the lens for the Freep as well as his early stint on the Freelance side of things. It was in those early years that Wilson dabbled in professional wrestling photography, which led to a job at the Free Press where he had occasion to shoot with a young Cassius Clay (Pre-Ali years!), and also at the Fifth Dimension in Ann Arbor where he happened to catch a young guitar phenom by the name of Jimi Hendrix. He also shares his stories of the early years at Idlewild, located NW lower Michigan. Only a handful of episodes remain in Season Five, so don't miss this one!For Photo Purchase Information: wilsonlindsey@yahoo.comFacebook: https://www.facebook.com/wilson.lindsey.348368 _________________________Facebook: Time SignaturesYouTube: Time SignaturesFacebook: Capital Area Blues SocietyWebsite: Capital Area Blues SocietyFriends of Time Signatures _______Website: University of Mississippi Libraries Blues ArchiveWebsite: Killer Blues Headstone ProjectWebsite: Blues Society Radio NetworkWebsite: Keeping the Blues Alive Foundation

We explore how the dreamy delicacy of Crazy Fingers came about at a time of great tumult in Grateful Dead history, with visits from new record company boss Al Teller of United Artists and Seastones composer Ned Lagin, plus a stop at Winterland for the Bob Fried Memorial Boogie.Guests: David Lemieux, Al Teller, Ron Rakow, Ned Lagin, Gary Lambert, Michael Parrish, Danno Henklein, Ed Perlstein, Geoff Gould, Jay Kerley, Blair Jackson, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Janis Joplin: I Met a Girl Who Sang the Blues Immortalized in songs, films and musicals, Janis Joplin burned bright in a brief career. The manner of her untimely death—though not wrapped in the same confusion as some others in 'The 27 Club'—nonetheless continues to raise questions. Join Dr. Clarke as he delves into the life and demise of 'the girl who sang the blues' (a nod to Don McLean).           #janisjoplin #jimmorrison #haightashbury #stevemiller #woodstock #montereypop #mercedesbenz #crime #music #podcast #seriousrocktalk #donmaclean #americanpie #jimihendrix #losangeles

Send us a text"I should be enough for what it is that I want." - Buddy RedHow do you make your own path as an artist when everyone is telling you to be something you're not?Buddy Red has answers. The son of famed rapper T.I. is paving his own way in the music industry as a rock-infused blues guitarist with soulful riffs and visceral vocals. His music is both an ode to his heroes--greats like Jimi Hendrix and Pink Floyd--and something that is uniquely his. In this episode, Buddy Red sits down with Emmeline live from the Launch Music Conference in Dallas to talk about finding his creative truth in a sea of voices offering advice and guidance. He shares his struggle to find a corner for himself within the industry and talks about the joy of recording his latest single, "Sold His Soul." Lastly, he asks for recommendations for the best brisket in Dallas!To learn more about Buddy Red, or to follow his musical journey, follow him on Instagram. You can also stream his music on Spotify.For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.

Frank Swart was born and raised in Boston. He grew up hearing the big band swing records and classic Broadway show albums that were in his parent's record collection, along with the music that his sister (who was ten years older) listened to including the Beatles, Jimi Hendrix, Sly and the Family Stone, and Led Zeppelin. He also developed a love for Miles Davis' 1970s recordings, the spiritual Jazz of John and Alice Coltrane, and the deep soul and blues of Chess and Stax records. After some ungratifying drum lessons, when he was 13, his sister bought him a bass. “I was able to play it immediately, learned some riffs from a guitarist, and was soon practicing eight hours a day.” As a teenager, he worked with rock, blues, and acid funk bands. Very interested in making recordings, Swart rented a recording studio in the basement of a hair salon on the graveyard shift and taught himself how to engineer and produce records.      After meeting his future wife and deciding to leave Boston, he spent periods living and working in Los Angeles, San Francisco, and Nashville where he led the experimental jam band Funkwrench (which is a nickname for a bass). He engineered the first Pixies demos, worked with Patty Griffin off and on for 17 years, recorded with Morphine, produced and performed with cult underground art-rock band Billy Nayer Show, was part of the acid jazz group Junk/Post Junk Trio, was a founding member of the psychedelic electric blues trio SIMO, and recorded and toured with such artists as Norah Jones, The Indigo Girls, John Hiatt, and Buddy Miller. After settling back in San Francisco in 2017, Swart and publisher-producer Brian Brinkerhoff founded the Need To Know label, Skunkworks Studios, and Funkwrench Blues. Utilizing Swart's instrumental blues-oriented compositions and such talents as guitarist Rick Kirch (who worked with John Lee Hooker) and a variety of drummers, they have made recordings with over 200 notable artists. A partial list includes Guitar Shorty, Cash McCall, Fareed Haque, Jim Campilongo, John Hammond, Sonny Landreth, John Primer, Albert Lee, Vieux Farke Toure, Mr. Sipp, Tommy Castro, and Duke Robillard but that only hints at the wide variety of performers. Swart will release his newest endeavor, Funkwrench Blues—Mischief In The Musitorium, in the summer of 2025. The album features collaborations with Lenny White, Vernon Reid, Donald Harrison, Nduduzo Makhatini, Jason Marsalis, Joseph Bowie, and more.

Hot on the platform boot heels of his 2014 induction into the Rock and Roll Hall of Fame, ACE FREHLEY has announced Origins Vol. 1, a collection of 12 newly recorded classic rockers from Ace s formative years featuring some of the biggest names in music, on April 15, 2016. Most notably, KISS frontman PAUL STANLEY joins ACE on Free's cult hit Fire and Water. This collaboration marks the first time that Ace and Paul appear on the same studio recording since KISS' 1998 reunion album Psycho Circus.Other guests are none other than Slash trading leads on Thin Lizzy's classic Emerald, Lita Ford singing and playing lead on The Troggs #1 smash hit Wild Thing, Rob Zombie guitarist John 5 plays guitar alongside Ace as he sings his classic KISS composition Parasite for the very first time, as well as Jimi Hendrix's Spanish Castle Magic. Pearl Jam's Mike McCready also plays guitar with Ace as he finally sings his KISS Alive! mainstay Cold Gin. Ace s cover of Cream s White Room is also an instant gratification track and saw its premier by Rolling Stone early in February 2016.Origins Vol. 1 is the follow up to Space Invader, released in 2014. Space Invader was Frehley's first studio album in five years, and the LP debuted at #9 on the Billboard Top 200 Chart, scoring the highest charting position of any KISS solo album ever, and marked Frehley's first return to the Top 10 since KISS' aforementioned 1998's Psycho Circus in 1998.Space Invader, received high praise from critics. Rolling Stone wrote:Gene Simmons has claimed Ace Frehley doesn't deserve to wear Kiss' Kabuki clown paint, but the former Spaceman's first solo LP in five years says otherwise. While the Associated Press hailed: The original Kiss lead guitarist has recorded his best solo album since his groundbreaking self-titled album in 1978.Paste Magazine also confirmed: Space Invader is a good rock album, and it s an even better guitar record.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Here is my music podcast with Jill Newman featuring her new album "A Little Bit of Luck". We also talked about how she became a musician, the life of a musician and more. Also the music of the new Roomful of Blues, Leslie West, R.L. Burnside, Jimi Hendrix and more. 

Dernière Pop-Rock Station de la semaine avant le retour de Marjorie lundi, Alexis a signé ce jeudi soir une émission riche et éclectique. L'émission s'ouvre avec Jimi Hendrix et son légendaire "Hey Joe", avant de laisser place à The Kooks. La première heure fait aussi résonner le punk rock venu de Norvège avec Turbonegro et "City of Satan". La soirée se poursuit avec Fatboy Slim, Franz Ferdinand et The Strokes, juste avant une reprise magistrale signée Mick Harvey, qui revisite "Initials B.B." de Gainsbourg. Le choix de Francis Zégut met à l'honneur Thrice et leur titre "Albatross", extrait de "Horizons/West". S'enchaînent ensuite Prince, Cream, Nine Inch Nails, Rammstein, Tom Waits, Wet Leg, The Subways, The Who, Gojira et Nirvana. Pour conclure cette ultime Pop-Rock Station de la semaine, Alexis a choisi un long format empreint d'émotion : Nick Cave and The Bad Seeds et leur bouleversant "O Children", chanson marquée par les thèmes de la perte, du pardon et de l'espérance, entendue notamment dans "Harry Potter et les Reliques de la Mort". Jimi Hendrix - Hey Joe Deftones - Infinite Source Aerosmith & Run DMC - Walk This Way Courtney Barnett - Pedestrian At Best The Kooks - Ooh La Dire Straits - So Far Away The Kills - Black Tar The Hives - Legalize Living Sex Pistols - Anarchy In The Uk Turbonegro - City Of Satan The Strokes - The Adults Are Talking Franz Ferdinand - Hooked (Ft. Master Peace) Fatboy Slim - Right Here Right Now Mick Harvey - Initials B.B. Rammstein - Rammstein Nine Inch Nails - As Alive As You Need Me To Be Cream - I Feel Free Prince - Cream Thrice - Albatross The Who - Love Reign O'er Me The Subways - Rock & Roll Queen Wet Leg - Mangetout Elvis Presley - I Got A Feeling In My Body Tom Waits - Clap Hands (2023 Remaster) Nirvana - Heart Shaped Box Gojira - Mea Culpa (Ah! ÇA Ira!) (Live J.O. 2024) Nick Cave & The Bad Seeds - O ChildrenHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Craig Inciardi is one of the founding curators of the Rock Hall of Fame in Cleveland, and published a book about getting the whole thing started. Craig was on with Chaz and AJ this morning to share stories of finding the original hand-written lyrics for "Purple Haze" by Jimi Hendrix, the strange way Ozzy Osbourne exited a meeting, and how he came to acquire John Lennon's glasses. Photo credit: Craig Inciardi

Episode 171: Non-Traditional Signal Paths Welcome to the Chairmen of the Boards Podcast! The ultimate pedalboard podcast with the foremost rig builders in the world: Grant Klassen (Goodwood Audio), Brian Omilion (Omilion Audio), and Mason Marangella (Vertex Effects/The Rig Doctor). We've teamed up to democratize great tone and provide you with our best tricks, tips, resources and hacks so you can build the pedalboard of your dreams!

This is the story of a song. Yet, it is a song that binds nearly every strand of 20th-century American popular music. “Hey Joe” was written sometime in the early 1960s by a man named Billy Roberts, an obscure singer and guitarist from South Carolina who moved to New York City, drawn by the burgeoning folk music scene in Greenwich Village. It was a time when new, original material was scarce, leading other singers to quickly adapt songs of quality in the spirit of folk music's oral traditions. Thus began the long journey of “Hey Joe” from New York coffeehouses to the bars on L.A.'s Sunset Strip to the ears of a young guitarist named Jimi Hendrix who launched his career with his radical, electrified interpretation. Extensively researched, That Gun in Your Hand: The Strange Saga of ‘Hey Joe' and Popular Music's History of Violence (Anvil Press, 2025) also presents previously unpublished information about the life of Billy Roberts, a shadowy figure whose 2017 death went unreported by all news outlets. With a Foreword by Lenny Kaye. Jason Schneider has written for Exclaim!, The Globe & Mail, The Toronto Star, Paste, American Songwriter, Relix, Shindig and many other media outlets. He is the co-author of Have Not Been The Same: the CanRock Renaissance 1985-1995, and his other books include Whispering Pines: the Northern Roots of American Music, and the novel 3,000 Miles. He currently lives in Kitchener, Ontario. Jason Schneider on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

This is the story of a song. Yet, it is a song that binds nearly every strand of 20th-century American popular music. “Hey Joe” was written sometime in the early 1960s by a man named Billy Roberts, an obscure singer and guitarist from South Carolina who moved to New York City, drawn by the burgeoning folk music scene in Greenwich Village. It was a time when new, original material was scarce, leading other singers to quickly adapt songs of quality in the spirit of folk music's oral traditions. Thus began the long journey of “Hey Joe” from New York coffeehouses to the bars on L.A.'s Sunset Strip to the ears of a young guitarist named Jimi Hendrix who launched his career with his radical, electrified interpretation. Extensively researched, That Gun in Your Hand: The Strange Saga of ‘Hey Joe' and Popular Music's History of Violence (Anvil Press, 2025) also presents previously unpublished information about the life of Billy Roberts, a shadowy figure whose 2017 death went unreported by all news outlets. With a Foreword by Lenny Kaye. Jason Schneider has written for Exclaim!, The Globe & Mail, The Toronto Star, Paste, American Songwriter, Relix, Shindig and many other media outlets. He is the co-author of Have Not Been The Same: the CanRock Renaissance 1985-1995, and his other books include Whispering Pines: the Northern Roots of American Music, and the novel 3,000 Miles. He currently lives in Kitchener, Ontario. Jason Schneider on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Another mindbending podcast.  Jennifer was up in Berkeley last weekend, ran into a concert pianist prodigy (Evan Le) and filmed a little of him playing the piano (which we included in the podcast with his mother's permission.) While Jennifer was visiting this building, she became aware of the architect of the building, and asked questions about her.  Julia Morgan was the first woman architect to graduate from Berkeley and the room Jennifer was in was designed by her. She's famous for designing many buildings - including the Hearst Castle and Marion Davies' home in Santa Monica - and 700 buildings in California.  I knew the building because I had been in it - but didn't know who designed it.  So we invited the architect to come and chat with us.  And she talked about her path and journey - and what it was like for her on the flipside. My father was an architect, and in our conversations with him, he's told us that he hangs out with famous architects from over the years, or is learning from them - and when asked if that was her experience she said "No, I'm hanging out with musicians." When asked to specify she named Jimi Hendrix - who often shows up in our podcasts.  He talked about the "frequency of a building" - which is like math or music - the same thing that he delved in, and she said "his role as a musician was to shift consciousness." Since it was John Lennon's birthday yesterday, and since our first conversation with John included a memory of his playing with Jimi in the afterlife - we invited him to come and make some observations. Indeed, I did stay at Julian's place in Eze, and was awoken by the sound of John saying "Who the f*ck are you?" The sound of a voice startled me - I'd only been sleeping a couple of hours after jamming with Julian in Monte Carlo - and it took me a few seconds to recognize the voice. I didn't mention it to Julian at the time - because it was too weird, and I had zero context for it.  But I do have context for it now.   So Happy Birthday John, and thanks for the lovely thoughts about Paul (and Ringo) who have carried on the Beatles tradition, and how everyone on the flipside gets to participate in those concerts. It's mind bending to consider - oh and one other thing, when asked "how long does it feel like for you to be on the flipside?" and he replied "two minutes."   We once asked Prince a similar question, and his reply was "a comma" - meaning that previous event to the one I was referencing felt like a comma in a sentence to him. So consider that for a moment when thinking about one's loved ones offstage. They don't have the same connection we do to time... but they can converse with us all the same. Enjoy.  

This is the story of a song. Yet, it is a song that binds nearly every strand of 20th-century American popular music. “Hey Joe” was written sometime in the early 1960s by a man named Billy Roberts, an obscure singer and guitarist from South Carolina who moved to New York City, drawn by the burgeoning folk music scene in Greenwich Village. It was a time when new, original material was scarce, leading other singers to quickly adapt songs of quality in the spirit of folk music's oral traditions. Thus began the long journey of “Hey Joe” from New York coffeehouses to the bars on L.A.'s Sunset Strip to the ears of a young guitarist named Jimi Hendrix who launched his career with his radical, electrified interpretation. Extensively researched, That Gun in Your Hand: The Strange Saga of ‘Hey Joe' and Popular Music's History of Violence (Anvil Press, 2025) also presents previously unpublished information about the life of Billy Roberts, a shadowy figure whose 2017 death went unreported by all news outlets. With a Foreword by Lenny Kaye. Jason Schneider has written for Exclaim!, The Globe & Mail, The Toronto Star, Paste, American Songwriter, Relix, Shindig and many other media outlets. He is the co-author of Have Not Been The Same: the CanRock Renaissance 1985-1995, and his other books include Whispering Pines: the Northern Roots of American Music, and the novel 3,000 Miles. He currently lives in Kitchener, Ontario. Jason Schneider on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In this wild and unfiltered episode of Opie Radio, we dive into the infamous 27 Club, discussing the tragic stories of music legends like Robert Johnson, Jimi Hendrix, Janis Joplin, and Amy Winehouse, who all passed away at age 27. The conversation takes hilarious and unexpected turns, from debates about Philly cheesesteaks to confessions about pre-porn fantasies involving Little Debbie and Sears catalogs. The crew also taste-tests a sour Westbrook Gose beer, sparking reactions ranging from "homeless urine" to "grandma's underwear." Amidst the chaos, they touch on everything from shower habits to Dolly Parton's songwriting genius. Tune in for a raucous blend of music history, crude humor, and beer-fueled banter!

Bobby Weir & John Perry Barlow's classic “The Music Never Stopped” came into being when the music was briefly in danger of stopping, the song transforming from live jam to final form as the Dead struggled to solve the financial difficulties that came with a retirement from the road.Guests: David Lemieux, Ron Rakow, Steven Schuster, Steve Silberman, Sean Howe, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Graeme Boone, Eric Lindquist, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Watch all of our Hamamoto videos here:    • Professor Hamamoto  Hamamoto on YouTube:    / @professorhamamoto  Prof. Darrell Hamamoto, who is an American writer, academic, and specialist in U.S. media and ethnic studies. Professors Facebook : https://www.facebook.com/share/hZajgC... Lauren on YT:    / @laurentheinsider  Lauren on Insta:   / laurenlunnfarrow  Lauren on X https://x.com/laurenKLfarrow Follow P Diddys latest:    • P Diddy  #jayz #beyonce #hollywood #countrymusic #nashville #pdiddy #puffdaddy #truecrime #news #youtubenews #podcast #livestream #youtube #thepope #vatican #church  Here are Hamamoto's recommended books: Can't Stop Won't Stop: A History of the Hip-Hop Generation  ——- The Psychological Covert War on Hip-Hop ——- The Covert War Against Rock: What You Don't Know About The Deaths of; (Jim Morrison, Tupac Shakur, Michael Hutchence, Brian Jones, Jimi Hendrix, Phil Ochs, Bob Marley, Peter Tosh, John Lennon & The Notorious B.I.G) ——- Hit Men: Power Brokers and Fast Money Inside the Music Business ——- Me, the Mob, and the Music: One Helluva Ride Tommy James and the Shondells ——- Godfather of the Music Business: Morris Levy (American Made Music Series) ——- LAbyrinth: A Detective Investigates the Murders of Tupac Shakur and Notorious B.I.G., the Implication of Death Row Records, Suge Knight, and the Origins of the Los Angeles ——- The FBI war on Tupac Shakur: State repression of Black Leaders from the Civil Rights Error to the 1990s (real world) ——- The FBI war on Tupac Shakur and Black Leaders: US Intelligence's: Murderous Targeting of Tupac, MLK, Malcol, Panthers, Hendrix, Marley rappers and Linked Ethic Leftists ——- Have Gun Will Travel: The Spectacular Rise and Violent Fall of Death Row Records ——- The Big Payback: The History of the Business of Hip-Hop ——- Ruthless: A Memoir ——- Hip-Hop Decoded ——- Q: The Autobiography of Quincy Jones ——- How to Wreck a Nice Beach: The Vocoder from WW II to Hip-Hop, The Machine Speaks ——- Dancing with the Devil: How Puff burned the bad boys of Hip-Hop ——- Hiding in Hip-Hop: On the Down Low in the Entertainment industry—from Music to Hollywood

JImi Hendrix and Jose Feliciano are the artists behind two of the most high profile "creative" performances of the National Anthem. Apparently, some people still have a problem with this

Episode 170: Deconstructing the "Tone is in the Fingers" Myth Welcome to the Chairmen of the Boards Podcast! The ultimate pedalboard podcast with the foremost rig builders in the world: Grant Klassen (Goodwood Audio), Brian Omilion (Omilion Audio), and Mason Marangella (Vertex Effects/The Rig Doctor). We've teamed up to democratize great tone and provide you with our best tricks, tips, resources and hacks so you can build the pedalboard of your dreams!

In this Money Talks: Felix Salmon is joined by Doug Woodham, author of the upcoming biography Jean-­Michel Basquiat: The Making of an Icon, to discuss Basquiat's path to becoming a darling of the art market. They discuss the idiosyncrasies of the art market and  why Basquiat – the “Jimi Hendrix” of the art world – was initially undervalued but later became part of the modern day art canon.  Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Money Talks: Felix Salmon is joined by Doug Woodham, author of the upcoming biography Jean-­Michel Basquiat: The Making of an Icon, to discuss Basquiat's path to becoming a darling of the art market. They discuss the idiosyncrasies of the art market and  why Basquiat – the “Jimi Hendrix” of the art world – was initially undervalued but later became part of the modern day art canon.  Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Money Talks: Felix Salmon is joined by Doug Woodham, author of the upcoming biography Jean-­Michel Basquiat: The Making of an Icon, to discuss Basquiat's path to becoming a darling of the art market. They discuss the idiosyncrasies of the art market and  why Basquiat – the “Jimi Hendrix” of the art world – was initially undervalued but later became part of the modern day art canon.  Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Money Talks: Felix Salmon is joined by Doug Woodham, author of the upcoming biography Jean-­Michel Basquiat: The Making of an Icon, to discuss Basquiat's path to becoming a darling of the art market. They discuss the idiosyncrasies of the art market and  why Basquiat – the “Jimi Hendrix” of the art world – was initially undervalued but later became part of the modern day art canon.  Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

What if fewer mics could help you make better records? Alan Evans (Soulive) joins me to talk 4-track recording, Iceland sessions, AI in music, and how simplicity, mindset, and health can fuel your best creative work.   Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Alan Evans, a recording, mixing, and mastering engineer, producer, and musician based in Western Massachusetts. Alan's probably best known as the drummer and co-founder of Soulive, but over the past 30 years, he's also built a deep discography engineering, producing, and shaping the sound of hundreds of recordings. He grew up in a musically rich household in Buffalo, NY, soaking in the sounds of Miles Davis, Ray Charles, and Jimi Hendrix which ignited his interest in music. As a teenager, he hit the clubs and started recording bands, teaching himself the craft of recording, mixing, and production from the ground up. These days, Alan continues to push boundaries through his label, Vintage League Music, with projects spanning jazz, funk, reggae, rock, and Americana—including recent recordings with Oteil Burbridge and MonoNeon at Floki Studios in Iceland, and a new album with Charlie Hunter and Ella Feingold at Pilot Recording Studios in Housatonic, MA. Alan's been on the show before in episodes RSR183, RSR339, and RSR440—and I'm psyched to have him back again, this time in person for video at Ready To Rock Studios. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/1F16ucxEvIBugOepkzsTkW?si=FJKiBFINRAOZrjKf0FdYJg If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/525

The Deadcast unpacks the two-part extra-heady “King Solomon's Marbles”/'Stronger Than Dirt or Milkin' the Turkey,” using the instrumental to get into the Dead's 1975 dalliances with holography, as well as Phil Lesh's other unfinished pieces from Blues For Allah.Guests: David Lemieux, Ned Lagin, Ron Rakow, Eugene Dolgoff, Michael Parrish, Ed Perlstein, Keith Eaton, Nicholas G. Meriwether, Shaugn O'Donnell, Chadwick JenkinsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode 169: Adapting Your Rig From Bedroom To Stage Welcome to the Chairmen of the Boards Podcast! The ultimate pedalboard podcast with the foremost rig builders in the world: Grant Klassen (Goodwood Audio), Brian Omilion (Omilion Audio), and Mason Marangella (Vertex Effects/The Rig Doctor). We've teamed up to democratize great tone and provide you with our best tricks, tips, resources and hacks so you can build the pedalboard of your dreams!   //SPONSORS// The Guitar Sanctuary - https://theguitarsanctuary.com Neural DSP - https://www.neuraldsp.com (use discount code "chairmen" for 30% off) Best-Tronics - https://btpa.com (use code "dachairs" for 10% off)   //HOSTS// Grant Klassen (Goodwood Audio) YT - ‪@GoodwoodAudio‬ IG - https://instagram.com/goodwoodaudio   Brian Omilion (Omilion Audio) YT - ‪@omilionaudio‬ IG - https://instagram.com/omilionaudio   Mason Marangella (Vertex Effects) YT - ‪@VertexEffectsInc‬ IG - https://instagram.com/vertexeffects   //YOUTUBE// Watch COTB Podcast live: @chairmenoftheboards

GGACP marks the recent 50th anniversary of ABC's "Welcome Back Kotter" (September 9, 1975) with this ENCORE of an 2020 interview with Rock ‘n' Roll Hall of Famer and The Lovin' Spoonful founder (and singer-composer of the "Welcome Back, Kotter" theme song!) John Sebastian. In this episode, John entertains Gilbert and Frank with anecdotes about Cass Elliott, Jimi Hendrix, Keith Moon and Jim Morrison and reveals the stories and inspirations behind hits like “Daydream,” “Summer in the City,” and “Do You Believe in Magic?” Also, Groucho co-hosts “Music Scene,” Richard Pryor plays the Cafe Au Go Go, Art Garfunkel nails a Spoonful cover version and John remembers legendary bandmate Zal Yanovsky. PLUS: Vivian Vance! “What's Up, Tiger Lily?” John plays Woodstock! Boris Karloff plays Captain Hook! And Ed Sullivan introduces the “American Beatles”! Learn more about your ad choices. Visit megaphone.fm/adchoices