Podcasts about Jimi Hendrix

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Danny Carey reveals that Tool is in talks for a Las Vegas Sphere residency for 2027 to coincide with a new album release, Jimi Hendrix is honored in New York this week as they co-name West Eighth Street in Greenwich Village to “Jimi Hendrix Way” to pay tribute to his legendary Electric Lady Studios,  the lead singer for an Italian heavy metal band won the bronze medal for the men's downhill skiing finals at the Olympics earlier this month, Rage Against The Machine guitarist Tom Morello debuts his heavy metal documentary ‘The Ballad Of Judas Priest' at the Berlin Film Festival and teases a wider release later this year, The Lemonhead's Evan Dando is hospitalized for mental health treatment after sending unsolicited lewd videos to a fan online & more… PLUS ‘This Week in Rock & Roll History Trivia', Rock Birthdays, ‘The Best & Worst Rock Album Artwork of the Week' & much more!All of our links are up at www.rocknewsweekly.com every Monday, where you can check out the full episode on 8 different platforms (including Amazon Audible & Apple/Google Podcasts)Watch us LIVE, chat with us & more…Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweeklyWatch all of our videos, interviews & subscribe at Youtube.com/@rocknewsweeklyFollow us online:Instagram.com/rocknewsweeklyFacebook.com/rocknewsweeklyTwitter.com/rocknewsweeklyTikTok.com/@rocknewsweekly#DannyCarey #Tool #Sphere #JimiHendrix #EvanDando #TheBalladOfJudasPriest#Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Trivia #RockTrivia #RockBirthdays #NewMusic #NewMusicReleases

Did you know that almost three thousand years ago, before there were athletic competitions at the first Olympics, there were music competitions at Delphi in Greece, with contestants singing hymns to Apollo? Or that, in the late 19th century in America, John Philip Sousa protégé Bohumir Kryl's Bohemian Band was frequently seen on the Chautauqua circuit, and featured four husky timpanists in leather aprons hammering on anvils shooting sparks across the darkened stage? These early festivals set the stage for music festivals today, which are doing quite well overall, having recovered from the COVID-19 pandemic, and surpassing the level of success before the worldwide shutdown on the whole. In this episode, we trace the origins of music festivals like the Pythian Games to modern day festivals like the Monterey International Pop Music Festival, where Jimi Hendrix famously lit his guitar on fire, and small roots music festivals like the Albino Skunk Music Festival. We welcome music artists Shelby Means, Joel Timmons, Liam Purcell, Mac Leaphart and Ian George, as well as Albino Skunk staffers Peter Eisenbrown, Kristen Grissom and Thieme Hall, who give us their insights into festival culture, their best and worst moments on stage and at festivals, as well as the first music festivals they attended. Site of the Pythian Games in Greece (photo: greeka.com) Cover art for The Jimi Hendrix Experience Live at Monterey Songs heard in this episode:“Wild Thing” by The Jimi Hendrix Experience, from Live at Monterey“Calamity Jane” by Shelby Means Trio, performed live at the Albino Skunk Music Festival 10/03/25“Soldier's Heart” by Liam Purcell & Cane Mill Road, performed live at The Albino Skunk Music Festival 10/03/25, excerptPeter Eisenbrown introduction of Fellow Pynins into Fellow Pynins performance at The Albino Skunk Music Festival, 10/03/25, excerptThank you for listening, and we hope you can spread awareness of this endeavor and help us reach more music fans just like yourself. Please take a moment and give us a top rating on your podcast platform of choice, and where you can, a review. It makes a big impact on the ranking and therefore the visibility of this series to all the other music fans who also follow podcasts. This is Southern Songs and Stories, where our quest is to explore and celebrate the unfolding history and culture of music rooted in the American South, and going beyond to the styles and artists that it inspired and informed. - Joe Kendrick

This week we continue our in-depth interview with Cirith Ungol founder / drummer Robert Garven. He and Jarvis explore the early days of Cirith Ungol, from rehearsal spaces to 70s-era concerts to demo recordings to experiences seeing or playing with bigger bands. You will learn how the famous orange tape came to be, how the band settled on the Cirith Ungol name, how the first album recordings were financed, and much more. Crack a cold one and take this walk down memory lane through heavy metal history. Listen at nightdemon.net/podcast or anywhere you listen to podcasts! Follow us on Instagram Like us on Facebook

On today's show, Jimi Hendrix plays his first gig & Pat Benatar gets married. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:32 What happened on this date in music history03:39 Music award ceremonies that were held on this date in music history04:32 Albums released on this date in music history 05:19 Singles released on this date in music history 06:16 Birthdays of music artists on this date in music history 07:05 Passings of music artists on this date in music history 08:08 What's on tomorrow's episode

Una nueva entrega dedicada a recordar canciones que abrían icónicos álbumes de la cosecha de 1971.Playlist;CURTIS MAYFIELD “Get down” (Roots)MARVIN GAYE “What’s going on” (What’s going on)SMOKEY ROBINSON and THE MIRACLES “No wonder love’s a wonder” (One dozen roses)JANIS JOPLIN “Move over” (Pearl)JIMI HENDRIX “Freedom” (The cry of love)SLY and THE FAMILY STONE “Luv n’haight” (There’s a riot goin’ on)GIL SCOTT-HERON “The revolution will not be televised” (Pieces of a man)CAROLE KING “I feel the Earth move” (Tapestry)LEON RUSSELL “Stranger in a strange land” (Leon Russell and The Shelter People)DON McLEAN “American pie” (American pie)NICK DRAKE “Introduction and Hazey Jane II” (Bryter Layter)JONI MITCHELL “All I want” (Blue)Escuchar audio

This edWeb podcast is sponsored by TeachRock.The full webinar recording can be accessed here.Rock and Roll Hall of Famer Stevie Van Zandt joins us for a special conversation about Jimi Hendrix's enduring influence on music and culture.In this edWeb podcast, listeners learn how to engage students in examining genre blending, creative risk taking, and finding one's unique voice through the iconic life and work of Jimi Hendrix.Perfect for middle and high school social studies and music teachers, this session demonstrates how Hendrix's merger of Blues, Rock, Psychedelia, and R&B provides a powerful framework for discussing innovation across disciplines.This edWeb podcast is of interest to middle and high school teachers, especially those teaching social studies and music, librarians, school leaders, and district leaders.View all of the recent TeachRock edWebinars.TeachRockAn arts integration curriculum that uses the history of pop music and culture to help engage studentDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Learn more about viewing live edWeb presentations and on-demand recordings, earning CE certificates, and using accessibility features.

Jeudi dans Pop-Rock Station, classiques et nouveautés se croisent sans complexe, comme The Prodigy, Joy Division ou Pink Floyd. Actualité chargée avec Foo Fighters qui dévoile "Your Favourite Toy", extrait de leur 12e album attendu le 24 avril, avant leur concert à Paris La Défense Arena en juin. Passage aussi par Guns N' Roses et hommage à Bon Scott, disparu le 19 février 1980. Focus sur l'album de la semaine "Wuthering Heights" de Charli XCX, BO du film d'Emerald Fennell, avec "My Reminder". La soirée se poursuit avec Arctic Monkeys pour War Child, une reprise de Pulp signée Nick Cave, puis M83, Puscifer, Father John Misty et Jimi Hendrix. En fin d'émission, détour par la Finlande avec Grain Of Pain et "To Burn Inside", avant un dernier enchaînement rock mené par les Hellacopters pour conclure la soirée sur une note électrique. Foo Fighters - Your Favorite Toy Guns N' Roses - It's So Easy AC/DC - Touch Too Much CSS - Left Behind The Prodigy - Firestarter Alanis Morissette - Reasons I Drink Lynyrd Skynyrd - Sweet Home Alabama Titre - Pour Rotation Joy Division - She's Lost Control The B-52'S - Love Shack Arctic Monkeys - Opening Night Nick Cave - Disco 2000 The Subways - Rock & Roll Queen M83 - Midnight City Puscifer - Impetuous Bob Dylan - Lay The Breeders - Cannonball Father John Misty - The Old Law The Charlatans - Deeper And Deeper Jimi Hendrix - Voodoo Child (Slight Return) Grain Of Pain - To Burn Inside (Feat. Pekka Olkkonen) Blondie - Atomic The Hellacopters - Everything's On T.V. The Beach Boys - I Get Around Gorillaz & Bizarrap & Kara Jackson & Anoushka Shankar - Orange County Pink Floyd - Comfortably Numb (Live At Knebworth_2019 Mix)Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Before there was the "Experience," there was Lithofayne. Lithofayne Pridgon wasn't just a muse; she was the Queen of Harlem who gave a struggling Jimi Hendrix a place to live, a connection to the music scene, and the inspiration for "Foxey Lady."In this bonus episode of Behind The Song, dig into the story of the mysterious woman who stood toe-to-toe with James Brown, managed the chaos of Sly Stone, and was so punk-rock she refused to release her own Atlantic Records album because it wasn't "perfect" enough.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Grammy Award-winning bass player Victor Wooten joins us this week as we celebrate great music out of Nashville! We hear an electric performance on violin, imitating sounds from Jimi Hendrix's guitar, by a teen musician who already holds a real job in an orchestra. We meet a talented pianist who performs Beethoven. And a teen bluegrass mandolin player with a career on the rise performs solo and collaborates on a toe-tapping tune with Victor Wooten and Peter Dugan.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Was Jimi Hendrix simply one of the greatest musicians in history — or was he exploring realms of perception that intersect with the paranormal?Wayne & Michelle welcome Jimy Bleu for a thought-provoking discussion on Hendrix's relationship to consciousness, creativity, and the unexplained. From the psychedelic era's search for expanded awareness to modern questions about vibration, perception, and UFO phenomena, this episode explores how music may connect to realities beyond the physical world.This is a conversation about art, mystery, and the possibility that inspiration sometimes comes from places we don't yet understand.Jimy's websites:https://www.newdivinitysfc.com/https://kisstheskytribute.com/index.htmlCHECK OUT OUR WEBSITE:https://michiganufopodcast.netlify.app/Join this channel to get access to perks:https://www.youtube.com/channel/UCjUTzsRX5rBq9_r7_YtaEJg/join*******************************************************Our Links: https://linktr.ee/mi.ufo.podcastPaypal: Donate via paypal: https://paypal.me/miufo

durée : 00:25:01 - David Harrington, violoniste, membre fondateur du Kronos Quartet (1/5) - par : Laurent Vilarem - David Harrington, fondateur du Kronos Quartet, retrace en 5 épisodes 52 ans d'aventures musicales : minimalisme, musiques du monde, cinéma, rencontres cultes et drames intimes. Un parcours libre et audacieux qu'il a raconté à Laurent Vilarem à l'occasion du festival Musica. - réalisé par : Pierre Willer Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Something a little different - I took three podcasts and cut them together - so there are no seques or the usual introductions or conversational tidbits we normally do. I've got so much of these, and this is an hour taken from three different podcasts. One includes Prince and Brian Wilson, along with Aretha Franklin, Jimi Hendrix... then one with my concert pianist mother Anthy with Beethoven, Shakespeare stops by to talk about music in the afterlife and attending performances of his music... Will Shakespeare does the same - and finally conversations with John McCain (Maverick) JFK, RFK and Whitney Houston.   All of it mind bending - but Jennifer and I just stopped by the studios of Gaia and did a live session where Jennifer spoke to, learned new information from Amelia Earhart - and that will take awhile before it airs. Let me know in the comments if this is something folks want me to do - excerpt some of the podcasts so we can use the highlights. To book a session with Jennifer: JENNIFERSHAFFER.COM to book a session with me (guided meditation) RICHARDMARTINI.COM Thanks for tuning in!

The 27 club is not a club you want to be a member of. If you are, it means you were exceptionally talented - and died too young. The club includes artists like Janis Joplin, Jimi Hendrix, Jim Morrison, Amy Winehouse and Kurt Cobain - rock and soul legends who all passed away at the age of 27. Zac Tyler is the creator and director of 27 Club, a show that celebrates their musical genius and legacy. It will be performed in New Zealand for the first time at Te Ahurei Toi o Tamaki Auckland Arts Festival from 18th - 20th of March. Zac talks to Mihingarangi about why songs like Piece of My Heart and Smells Like Teen Spirit still resonate with audiences today.

Quand vous écoutez sur Spotify l'album Unorthodox Jukebox de Bruno Mars, vous voyez celui avec le gorille qui choisit un morceau sur le clavier d'un vieux Wurlitzer, et ben, vous l'avez vu, l'ancien label de la marque Atlantic tourner en permanence sur l'application, comme si vous écoutiez un vieux 33 Tours. Maintes fois imité depuis quinze ans, Bruno Mars est pour nous le roi du funk et du rock vintage. Oh il n'a pas été le premier sur la balle, Lenny Kravitz a publié son premier album rock rétro que Bruno était encore ce petit prodige qui chantait et jouait sur la scène d'une chaîne d'hôtel à Hawaï avec le groupe de ses parents. Oui, Bruno Mars a suivi la voie de Lenny Kravitz, mais avec une sensibilité soul, alors qu'il est latino, à nul autre pareil. Laissant à Kravitz les six cordes de Jimi Hendrix, il ressort les batteries et percussions des rythmes funk comme sur son incroyable collaboration avec Mark Ronson ... Considéré comme le morceau de la décennie, le moins qu'on puisse dire c'est qu'on y entend la batterie et les cuivres de Earth Wind & Fire et les accents de la voix de James Brown … Il y a dans la musique de Bruno Mars, non pas des airs de marketing vintage qui n'a jamais aussi bien marché mais une allure de destination finale. C'est vrai que la musique pop d'aujourd'hui est sympa mais avouez qu'on n'a jamais rien fait de mieux que dans les années 80, 70, 60. Que la messe est dite ! Quand on le voit aujourd'hui, costume large, micro à l'ancienne, groove impeccable, on parle souvent de nostalgie, de rétro, d'hommage, d'un gars vivant dans un rétroviseur. Mais en réalité, Bruno Mars n'est jamais revenu en arrière. Il n'est jamais parti. Tout commence bien avant les Grammy, bien avant les stades, bien avant Uptown Funk. À Hawaï, quand il était encore enfant, Bruno montait sur scène déguisé en Elvis Presley. La banane, le costume, le déhanchement, ce n'était pas une attraction, pour lui. C'était son quotidien. Alors quand, adulte, on lui demande d'où viennent ces sons, ces grooves, cette façon d'occuper l'espace, il reste interloqué, comme si la question n'avait pas de sens. Ce qu'il fait aujourd'hui, c'est simplement la musique qu'il a toujours entendue à la maison. D'ailleurs, après Uptown Funk, on va lui proposer d'être plus moderne. Plus dans l'air du temps. Mais il refuse. Bruno ne joue pas à l'ancien. Il ne fait pas semblant. Il ne singe personne. Il continue simplement une conversation commencée bien avant lui. Le petit garçon qui imitait Elvis sur une scène de Waikiki n'a jamais changé de langage. Il a seulement appris à parler plus fort, à plus de monde. Et c'est peut-être ça, le secret de sa longévité. Dans un monde qui change de look sans arrêt, Bruno Mars a compris une chose essentielle : on peut évoluer, grandir, conquérir la planète entière sans jamais renier l'enfant qu'on a été. La modernité la plus intègre, c'est simplement de rester soi-même.

« Quand le pouvoir de l'amour vaincra l'amour du pouvoir, le monde connaîtra la paix. » - Jimi HendrixBela Pierce - Mr Nonchalant - Instrumental Version © (artlist.io)Réalisation : Leslie Rijmenams Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Welcome to the Legends Podcast by All Day Vinyl, hosted by Scott Dudelson. In this captivating episode, Scott engages in a conversation with the legendary Barry "The Fish" Melton, co-founder of Country Joe and the Fish, a pivotal band in the psychedelic rock movement. Barry shares enthralling tales from his time in the music world, starting with the origins of his nickname to co-founding Country Joe and the Fish. Discover how his musical path interwove with historic music festivals like Monterey Pop and Woodstock, events that defined a generation. Barry shares intriguing snippets, from performing while on psychedelic substances, Woodstock memories and backstage insights with fellow musicians like Jimi Hendrix and The Who, offering a glimpse into the vibrant and chaotic world of 1960s rock. Barry also delves into his ties with iconic figures like Woody Guthrie and the influence of being raised in a politically active family. He reminisces about the early days of playing folk music, his journeys through the Los Angeles and San Francisco music scenes, and the notable characters he met along the way. Join us as Barry elaborates on the profound impacts of music, culture, and the turbulent 60s, sharing personal stories, the whims of band life, and the unique experiences of living through historic transformational periods. His remarkable journey from a psychedelic folk-rock musician to a practicing lawyer offers a testament to his dynamic and multifaceted life. If you enjoy this episode please like, rate and subscribe and check us out on YouTube and Instagram @alldayvinyl 

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Watch all of our Epstein videos here: https://www.youtube.com/playlist?list=PLPT_cCpNMvT5teRR4DzsrY_1arpDS6x33Watch all of our Hamamoto videos here: https://www.youtube.com/playlist?list=PLPT_cCpNMvT60BzykDhdZyU2AmVg7rLy6Hamamoto on YouTube: https://www.youtube.com/@professorhamamotoProf. Darrell Hamamoto, who is an American writer, academic, and specialist in U.S. media and ethnic studies.Professors Facebook : https://www.facebook.com/share/hZajgCgTANc3kWbd/?mibextid=LQQJ4dUNTOUCHABLE - Jimmy Savile documentary https://youtu.be/6zCOix1iTvgADOPTED KID'S CA HORROR STORY & BOYS TOWN! PASTOR Eddie https://youtube.com/live/vD3SGWpnfyMWatch Used By ELITES From Age 6 - Survivor Kelly Patterson https://youtube.com/live/nkKkIfLkRx0KELLY'S 2 HOUR VIDEO ON VIRGINIA https://www.youtube.com/watch?v=SdIWUZIkxEU&t=3535sBOOK LINKS: Who Killed Epstein? Prince Andrew or Bill Clinton by Shaun Attwood UK: https://www.amazon.co.uk/dp/B093QK1GS1 USA: https://www.amazon.com/dp/B093QK1GS1 Worldwide: https://books2read.com/u/bQjGQD All of Shaun's books on Amazon UK: https://www.amazon.co.uk/stores/Shaun-Attwood/author/B0042NT0CU?All of Shaun's books on Amazon USA: https://www.amazon.com/stores/Shaun-Attwood/author/B0042NT0CU?ccs_id=601ed49b-a7d2-4682-8c04-f7b40a2217efFollow P Diddys latest:https://www.youtube.com/playlist?list=PLPT_cCpNMvT4Y2ccQrFoT8bTBQmiNEsVq#jayz #beyonce #hollywood #countrymusic #nashville #pdiddy #puffdaddy #truecrime #news #youtubenews #podcast #livestream #youtube #thepope #vatican #church Here are Hamamoto's recommended books:Can't Stop Won't Stop:A History of the Hip-Hop Generation ——-The Psychological Covert War on Hip-Hop——-The Covert War Against Rock:What You Don't Know About The Deaths of;(Jim Morrison, Tupac Shakur, Michael Hutchence, Brian Jones, Jimi Hendrix,Phil Ochs, Bob Marley, Peter Tosh, John Lennon & The Notorious B.I.G)——-Hit Men:Power Brokers and Fast Money Inside the Music Business——-Me, the Mob, and the Music:One Helluva Ride Tommy James and the Shondells——-Godfather of the Music Business:Morris Levy (American Made Music Series)——-LAbyrinth:A Detective Investigates the Murders of Tupac Shakur and Notorious B.I.G., the Implication of Death Row Records, Suge Knight, and the Origins of the Los Angeles——-The FBI war on Tupac Shakur:State repression of Black Leaders from the Civil Rights Error to the 1990s (real world)——-The FBI war on Tupac Shakur and Black Leaders:US Intelligence's: Murderous Targeting of Tupac, MLK, Malcol, Panthers, Hendrix, Marley rappers and Linked Ethic Leftists——-Have Gun Will Travel:The Spectacular Rise and Violent Fall of Death Row Records——-The Big Payback:The History of the Business of Hip-Hop——-Ruthless:A Memoir——-Hip-Hop Decoded——-Q: The Autobiography of Quincy Jones——-How to Wreck a Nice Beach:The Vocoder from WW II to Hip-Hop, The Machine Speaks——-Dancing with the Devil:How Puff burned the bad boys of Hip-Hop——-Hiding in Hip-Hop:On the Down Low in the Entertainment industry—from Music to Hollywood

Valorisé à 1,1 milliard d'euros, le groupe Marshall est dirigé par le Français Jérémy de Maillard qui a su réinventer la gamme de produits de l'emblématique fabricant d'amplis. Dans « La Story», le podcast d'actualité des «Echos», Pierrick Fay et Pierre de Gasquet racontent l'histoire de la marque créée dans les années 1960.Retrouvez l'essentiel de l'actualité économique grâce à notre offre d'abonnement Access : abonnement.lesechos.fr« La Story » est un podcast des « Echos » présenté par Pierrick Fay. Cet épisode a été enregistré en février 2026. Rédaction en chef : Clémence Lemaistre. Invité : Pierre de Casquet (grand reporter aux «Echos week-end»). Réalisation : Willy Ganne. Chargée de production et d'édition : Clara Grouzis. Musique : Théo Boulenger. Identité graphique : Upian. Photo : Sons : Marshall, NFL, extraits du film «Retour vers le futur», «Voodoo Child (Slight return)» de Jimi Hendrix, de la chaîne Youtube de @Matt's Guitar Corner (Tremolux), et du concert de Justice devant Beaubourg (@Tous en scène et au stade sur Youtube). Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Three years ago I interviewed my friend and occasional ACL contributor Gabe Bogart for Episode 29, our anniversary episode. We had such a good time we talked about doing a podcast called SLEPT ON IT, and so I sat on this episode for years, waiting for us to get off our asses and make it happen. No one ever asked why episode 30 was missing, so it feels right for an episode with this title to turn up years later. We discuss adventurous listening, the dangers of nostalgia, the hip hop renaissance of the 2020s, and much more. Happy Listening!Support: Patreon, PayPal, BandcampEpisode 30: SLEPT ON IT - with Gabe Bogart (or, BEATS RHYMES AFTERLIFE)Interview recorded between Montreal and Seattle, January 2023Produced and mixed in Montreal, June 2023 (and February 2026)LINKSEpisode 29 - CRITICAL POSITIVITYHip Hop Instrumentals Mix (Part I, Part II)Gabelicious Thee Most Delicious Mix Fart Un MixMurcof ~ The Alias SessionsTRACKLISTARTIST – “TITLE” (YEAR)Cannibal Ox (prod. by El-P), “Ox Out the Cage” (2002)SP INTROFranco Battiato, “Hey Joe” (2001)Os Mutantes, “Hey Joe” [1973] (1992)Robert Plant & Band of Joy, “Hey Joe (Live)” (2003)Lee Moses, Hey Joe (1971)Sparklehorse, “Hey, Joe” (1998)Jimi Hendrix, “Hey Joe” (1967)Armand Hammer (prod. Andrew Broder), “Frida (Instrumental)” (2023)Knxwledge (ft. Quelle Chris), “Ladibird” (2013)Jean Grae & Quelle Chris, “My Contribution To This Scam” (Everything's Fine, Mello, 2018)Quelle Chris, “Peace & Pain” (Lullabies For The Broken Brain, Mello, 2016)Dday One, “Mouth 2 Mouth” (Journal, Content (L)abel, 2009)Open Mike Eagle (prod. Quelle Chris), “Burner Account (feat. Armand Hammer)” (Component System With The Auto Reverse, Auto Reverse, 2022)Indelible MC's (prod. by El-P), “The Fire In Which You Burn (Instrumental)” (Fire In Which You Burn / Collude Intrude, Rawkus, 1997)billy woods (prod by Preservation), “Versailles (ft. Despot)” (Aethiopes, Backwoodz, 2022)Armand Hammer (prod by Messiah Musik), “Pakistani Brain”  (Rome, Backwoodz, 2017)Armand Hammer (prod. By August Fanon), “Microdose (feat. Quelle Chris)” (Rome, Backwoodz, 2017)Armand Hammer (prod. By The Alchemist), “Chicharonnes (feat. Quelle Chris)”  (Haram, Backwoodz, 2021)Quelle Chris, “DEATHFAME” (DEATHFAME, Mello, 2022)Metal Fingers, “untitled (meditation)” (Special Herbs Volume 9 & 0, Shaman Work, 2005)Dak, “Hunch” (Standthis, Leaving, 2009)Goodie Mob, “Free” (Soul Food, LaFace, 1995) Aesop Rock, “Button Masher (Instrumental)” (Spirit World Field Guide (Instrumentals), RhymeSayers, 2022)Outkast, “Rosa Parks (Instrumental)” (Aquemini (Instrumental), LaFace, 1998)DAK, “Rosaparks Is 12th St” (Youstandit / Leftrecord, Leaving, 2012)Outkast, “Chonkyfire” (Aquemini (Instrumental), LaFace, 1998)Good Mob, “I Didn't Ask To Come” (Soul Food, LaFace, 1995) Dak, “lookup”  (Standthis, Leaving, 2009)Public Enemy, “Rebel Without A Pause (Instrumental)” (Rebel Without A Pause, DefJam, 1987)Public Enemy, “Bring The Noise (No Noise Instrumental)” (Bring The Noise (No Noise Version), DefJam, 1987)RJD2, “Big Game” (In Rare Form (Unreleased Instrumentals), Bustown, 2004)Gravediggaz, “6 Feet Deep” (6 Feet Deep, Gee Street, 1994)Wu-Tang Clan (prod. by RZA), “Bring the Ruckus (instrumental)” [1993] (Enter The Wu-Tang (36 Chambers) Instrumentals, Loud, 2008)Raekwon Featuring Tony Starks  (prod. by RZA), “Criminology (instrumental)” (Criminology / Glaciers Of Ice, Loud, 1995)Viktor Vaughn (prod. By RJD2), “Saliva (Loop)”  (In Rare Form (Unreleased Instrumentals), Bustown, 2004)Deru, “I Don't Know You” (Trying To Remember, Merck, 2004)Deaf Center, “Time Spent” (Owl Splinters, Type, 2011)Svarte Greiner, “Devolve” (Devolving Trust, Miashmah, 2022)Murcof, “between thoughts” (The Alias Sessions, Leaf, 2021)Metal Fingers, “Camphor” (Special Herbs Vol. 7 & 8, Shaman Work, 2004)Blockhead, “Insomniac Olympics” (Music By Cavelight, Ninja Tune, 2004)

Lundi 9 février, RTL2 Pop-Rock Station lance la semaine avec un mélange de classiques et de nouveautés. Archive ouvre la soirée avec "Look At Us", avant un détour par 1994 avec Stiltskin et "Inside". Focus aussi sur Carole King qui fête ses 84 ans. On la célèbre avec "I Feel The Earth Move". La semaine met à l'honneur le nouvel album de Puscifer, projet de Maynard James Keenan, figure de Tool et A Perfect Circle. Le trio revient avec "Normal Isn't", un disque entre post-punk et cabaret qui aborde le chaos du monde actuel. Le titre "Pendulum" en est l'illustration ce soir. Les Belges de Ghinzu signent leur retour avec "Out Of Control", premier extrait d'un album attendu en mai. La programmation se poursuit avec Franz Ferdinand, Weezer, Blur, Queen, Rise Of The Northstar, Architects et Jimi Hendrix. La cover du soir est assurée par Cat Power avec sa version de "Nothing Compares 2 U", tandis que la nouveauté Fresh Fresh Fresh met en avant le groupe parisien Dewey et le titre "Outside Of The Lines", extrait de leur premier album. Archive - Look At Us Stiltskin - Inside Carole King - I Feel The Earth Move House Of Pain - Jump Around Franz Ferdinand - No You Girls The Beach Boys - Barbara Ann Gemma Hayes - Hanging Around Puscifer - Pendulum Billy Idol - Flesh For Fantasy Weezer - Say It Ain't So Cage The Elephant - House Of Glass Ghinzu - Out Of Control Cat Power - Nothing Compares 2 U Blur - Charmless Man Tired Of Fighting - Death Wish Queen - Keep Yourself Alive Sharon Van Etten - Seventeen Rise Of The Northstar - Payback Jimi Hendrix - Fire Architects - Tear Gas Dewey - Outside Of The Lines Interpol - Narc Creedence Clearwater Revival - Fortunate Son Friendly Fires - Photobooth Stealers Wheel - Stuck In The Middle With You Geese - Cobra Jane's Addiction - Then She DidHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Peter and I discuss hanging out in Hollywood in the 70s, shooting onstage with Jimi Hendrix, Pee Wee's Playhouse, This is Spinal Tap, and so much more.Peter's IMDBTo see pictures and things we discussed in todays episode check out the podcast page of The Op.Please check us out on our website and on instagram and like us and review us if you enjoyed the episode.Theme Music - Tatyana RichaudTheme Mix - Charles Papert

Con The Beatles, Johnny Winter, Bob Dylan ft Johnny Cash, The Doors, David Bowie, MC5, The Who, Jimi Hendrix, Creedance Clearwater Revival y Blind Faith.

This week we have...It's back to your pals, Mike and Bill. We had 3 weeks of great guests and a huge thank you to all of them! But now, it's back to basics.Mike started off with his reading and it was about relationships. We have them now that we are sober and they are not only nice to have, they are critical for us. We need to work at it, but the end result is worth it. It was a good conversation.We talked about a Florida man, the first Groundhog Day, a shout out from a podcast, control issues, just relaxing, Jimi Hendrix, video podcasts and sanity.We wrapped up with a list of the Top 10 Comedy Movie Masterpieces. Did your favorite make the list?Enjoy the episode.Visit us Podcast  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.sobernotmature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Store  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.sobernotmatureshop.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hobo ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.themoderndayhobo.com

The lights dim, the crowd stirs, and the show you traveled for kicks into gear. In that moment, your vacation becomes something more: you're feeling the heartbeat of the city. Live music can transform a destination into an unforgettable experience, taking you on a deeper journey through its history and culture.In this episode, host Angie Orth welcomes travel writer and musician Edmund Vallance to explore how music shapes the way we experience the world. Edmund shares stories from his adventures chasing live performances across continents, from seeing Lou Reed in a tiny Porto venue to watching the Sex Pistols in Las Vegas. As both a performer and a passionate fan, he reveals how music can unlock a destination's true character.You'll discover why Gen Z is leading the charge in concert travel and hear about iconic venues from Red Rocks in Colorado to Ronnie Scott's Jazz Club in London. You'll learn how music museums can turn you into a fan—even if you've never heard the artist before. Edmund also shares practical tips for finding serendipitous musical moments that can change how you see a place, plus his bucket list of must-visit music destinations—from Santiago de Cuba to Vienna's Mozart houses.What You'll Learn:3:36 How music festivals like South by Southwest can become the cornerstone of an unforgettable trip 9:25 Why having one central concert can reshape an entire destination 14:38 Seattle's essential music sites for Jimi Hendrix and Nirvana fans 20:48 New York's historic jazz venues to celebrate Miles Davis' centennial year 25:00 How to find life-changing musical moments through randomness and saying yesConnect with Edmund Vallance:Journalism: http://www.edmundvallance.com/Music:  http://www.edvallance.com/Instagram: https://www.instagram.com/edmundvallance/Listen to his music on SpotifyWhat musical experience would you travel anywhere for? Tell us in the comments! Connect with AAA:Book travel: https://aaa-text.co/travelingwithaaa LinkedIn: https://www.linkedin.com/company/aaa-auto-club-enterprisesInstagram: https://www.instagram.com/AAAAutoClubEnterprisesFacebook: https://www.facebook.com/AAAAutoClubEnterprises

Watch all of our Hamamoto videos here:    • Professor Hamamoto  Hamamoto on YouTube:    / @professorhamamoto  Prof. Darrell Hamamoto, who is an American writer, academic, and specialist in U.S. media and ethnic studies.Professors Facebook : https://www.facebook.com/share/hZajgC...UNTOUCHABLE - Jimmy Savile documentary    • UNTOUCHABLE - Jimmy Savile documentary by ...  ADOPTED KID'S CA HORROR STORY & BOYS TOWN! PASTOR Eddie https://youtube.com/live/vD3SGWpnfyMWatch Used By ELITES From Age 6 - Survivor Kelly Patterson https://youtube.com/live/nkKkIfLkRx0KELLY'S 2 HOUR VIDEO ON VIRGINIA    • Video  BOOK LINKS: Who Killed Epstein? Prince Andrew or Bill Clinton by Shaun Attwood UK: https://www.amazon.co.uk/dp/B093QK1GS1 USA: https://www.amazon.com/dp/B093QK1GS1 Worldwide: https://books2read.com/u/bQjGQD All of Shaun's books on Amazon UK: https://www.amazon.co.uk/stores/Shaun...All of Shaun's books on Amazon USA: https://www.amazon.com/stores/Shaun-A...Follow P Diddys latest:   • P Diddy  #jayz #beyonce #hollywood #countrymusic #nashville #pdiddy #puffdaddy #truecrime #news #youtubenews #podcast #livestream #youtube #thepope #vatican #church Here are Hamamoto's recommended books:Can't Stop Won't Stop:A History of the Hip-Hop Generation ——-The Psychological Covert War on Hip-Hop——-The Covert War Against Rock:What You Don't Know About The Deaths of;(Jim Morrison, Tupac Shakur, Michael Hutchence, Brian Jones, Jimi Hendrix,Phil Ochs, Bob Marley, Peter Tosh, John Lennon & The Notorious B.I.G)——-Hit Men:Power Brokers and Fast Money Inside the Music Business——-Me, the Mob, and the Music:One Helluva Ride Tommy James and the Shondells——-Godfather of the Music Business:Morris Levy (American Made Music Series)——-LAbyrinth:A Detective Investigates the Murders of Tupac Shakur and Notorious B.I.G., the Implication of Death Row Records, Suge Knight, and the Origins of the Los Angeles——-The FBI war on Tupac Shakur:State repression of Black Leaders from the Civil Rights Error to the 1990s (real world)——-The FBI war on Tupac Shakur and Black Leaders:US Intelligence's: Murderous Targeting of Tupac, MLK, Malcol, Panthers, Hendrix, Marley rappers and Linked Ethic Leftists——-Have Gun Will Travel:The Spectacular Rise and Violent Fall of Death Row Records——-The Big Payback:The History of the Business of Hip-Hop——-Ruthless:A Memoir——-Hip-Hop Decoded——-Q: The Autobiography of Quincy Jones——-How to Wreck a Nice Beach:The Vocoder from WW II to Hip-Hop, The Machine Speaks——-Dancing with the Devil:How Puff burned the bad boys of Hip-Hop——-Hiding in Hip-Hop:On the Down Low in the Entertainment industry—from Music to Hollywood

Michael Eames might be the smartest person I know in the music industry. We've been friends for 15 or 20 years, and I'm always amazed by his insights, depth of understanding, and wisdom. I feel enriched each time we speak about all things music industry-related, and this interview lives up to that promise. Read his bio, and I think you'll see why you shouldn't miss what he's got to say about AI and the music industry… Michael Eames is a trained composer, songwriter, and pianist with experience in film scoring who studied music at Cornell University and UCLA Extension; Michael also secured a minor in Business Management from Cornell. As President of PEN, Michael oversees all aspects of the operation, as well as focuses on pitching the catalogue to all media and business development. Michael was chosen to serve (along with four other independent music publishers and five songwriters) on the Unclaimed Royalties Oversight Committee (UROC) of The Mechanical Licensing Collective (MLC) that will commence blanket mechanical licensing of the digital services in the U.S. as of January 1, 2021. Prior to starting his publishing company, Michael oversaw the international activities and film & television department of Don Williams Music Group, where he was responsible for song catalogues such as Jimi Hendrix, Chicago, and Roy Orbison, among numerous others. He also worked previously for Brian Wilson of The Beach Boys and the management and music supervision firms The Derek Power Co and Seth Kaplan Entertainment.

Manuel Comesaña dedica su sección al icónico Jimi Hendrix y Miguel del Pino celebra la labor de los hospitales de fauna salvaje. ¡No te lo pierdas!

Manuel Comesaña dedica su sección a Jimi Hendrix, posiblemente el mejor guitarrista de la historia. ¡No te lo pierdas!

Send us a textA slight departure to start this one.  Things are getting a bit tense for us, and we address how we deal with it.  As an important piece of context, this was recorded the night before the shooting of Alex Pretti in Minneapolis.  The rant is not related to that incident.  The episode gets a lot happier as we turn to a very incomplete list of American guitarists that we like.Newt's--Still Crazy After all These Years!NOVAMemory LaneJim goes off on the current way we're treating each otherCan't we all just get along??Appreciate (not attack) our differencesSongs of the Week:For What It's Worth -- Buffalo SpringfieldLife Without You--Stevie Ray VaughanA VERY INCOMPLETE list of American guitarists we like:Terry Kath, Jerry Garcia, SRV, Jimi Hendrix, BB King, Chuck Berry, Duane Allman, Prince, Neil Schoen, Spider Giraldo, Randy Rhodes, SlashAaand we're back to being happy.  Thanks for your understanding!#NewtsAppleValleyYourNumberOneSpotForIceColdBeerHotJuicyBurgersAnd OutstandingServiceDidWeMentionItsInAppleValleyMinnesotaNotCaliforniaTheAscertainers@gmail.comBuffalo Springfield - For What It's Worth 1967Stevie Ray Vaughan - Life Without You | Live at Capitol Theatre (1985)  If you just want to hear some epic advice on treating people go to the 6:00 mark

Welcome to your daily comedy podcast, where absolutely nothing makes sense and we like it that way.Today's show kicks off with a story that nobody asked for but everyone will remember forever: a 73-year-old former born-again Christian reinventing herself as an escort named Busty Granny. She spent decades in prayer and celibacy, then hit 57, downloaded the internet, and said “oh… THIS is what we've been missing.” Now she's got clients young enough to still have homework and zero interest in OnlyFans because, quote, that sounds boring. Inspirational? Traumatizing? Both.Then we get into the most depressing career math of all time: a woman casually sings seven words into her phone for a Dr Pepper jingle and walks away with $2 million, while the rest of us are out here working full-time jobs and eating gas-station sandwiches. Naturally, this leads to the crew trying to invent jingles for every brand that will absolutely never call back.Somehow that spirals into one of the most fun debates we've had in a while — the biggest debut albums of all time. We're talking massive numbers, MTV miracles, and how one 4am spin turned a “failed” album into a 50-million-copy monster. Along the way we argue, forget basic facts, remember them loudly, and realize radio used to be way more powerful than TikTok will ever admit.Movies get dragged (respectfully… mostly), Brendan Fraser gets the comeback love he deserves, and we debate whether seeing a movie in a theater automatically adds two letter grades just because popcorn exists.In Crap on Celebrities, we hit everything from band lawsuits and surprise documentaries to tour dropouts, concert ticket chaos, and some genuinely heartbreaking but honest conversations about aging, memory, and how terrifying it is to not know what's happening inside your own brain.We also celebrate birthdays, overshare existential dread, and somehow end the show discussing a literal geyser of poop water blasting into the Potomac River — because if we're going to spiral, we're doing it together.It's another daily comedy podcast episode packed with weird news, pop culture, dark laughs, and moments where we all pause and go, “Wait… are we okay?”Spoiler: probably not. But at least we're funny.MUSICMotley Crue has officially won its heated legal battle against former guitarist Mick Mars. Lainey Wilson sure has kept herself busy. It was just announced that Netflix has officially acquired the new documentary "Lainey Wilson: Keepin' Country Cool". It drops on April 22nd. Two more artists have dropped out of the 2026 Rock the Country Festival. Morgan Wade and Carter Faith are no longer part of the lineup. And neither artist has shared an official reason for stepping away. Their exit comes just days after Ludacris also dropped out. His team called his original booking a "mix-up." The festival is headlined by Kid Rock and will feature Jason Aldean, Jelly Roll, Miranda Lambert, and more.In other Kid Rock News – he went to Congress to confront an issue we're all united on: How much Ticketmaster and Live Nation charge for shows. Quick Hits:Post Malone, Andrew Watt, Chad Smith, Duff McKagan, and Slash will perform a special tribute to Ozzy Osbourne during the Grammys on Sunday night.Jack White posted a video showing off the next Third Man Vault package, Jimi Hendrix's Valley of the Jams 1969-1970. Check it out on Instagram.Tom Morello and Rise Against will headline A Concert of Solidarity & Resistance to Defend Minnesota Friday at noon at First Avenue in Minneapolis. TVThe fourth season of Ted Lasso is set to debut this summer. Stephen Colbert announced on "Late Night With Seth Meyers" that the final episode of "The Late Show" will air on Thursday, May 21. MOVING ON INTO MOVIE NEWS:Matthew Lillard recently caught a stray from Quentin Tarantino when he said he didn't care for him. But that resulted in an outpouring of love that made Matthew feel like he was living through his own wake. Actress and producer Patricia Schneider has filed for divorce from Rob Schneider, describing their 15-year marriage as "irretrievably broken" with no chance of reconciliation. Bill Cosby has admitted under oath that he obtained prescriptions for Quaaludes specifically to give to women. Bruce Willis' wife, Emma says Bruce is unaware of his frontotemporal dementia diagnosis.AND FINALLYHere are five of the BEST:1. Jack Black: "I was begging my boss for an extra shift, he overheard and tipped me $100 on a $20ish tab. From then on, he never left me less than a $50 tip and would always check in with me when it was the end of the month to make sure I had rent cash."2. Harrison Ford: "My uncle said that he's incredibly nice and took the whole crew out for lunch to thank them for working on his helicopter."3. Justin Bieber: "He was by himself at a mall, and he wasn't trying to be incognito . . . He drew me in with a big hug and chatted me up. He was lovely."4. John Travolta: "The guy is totally down to earth . . . He is also someone who asks a lot of questions and is actually interested in what you have to say."5. Dolly Parton: "Can confirm that she's just as great as you'd assume. She was just so nice to everyone. She was a lot smaller than I expected."Here are five of the WORST:1. Jennifer Lopez: "She was super rude and dismissive . . . and had this attitude that she was better than you."2. Jenna Fischer from "The Office": "[She] was really difficult to work with. Just really demanding."3. Jared Leto: "[He's] a narcissistic [A-hole]. He complains about every single thing and really enjoys being difficult. I think he does it for fun."4. Diana Ross: "[She] cut in front of me at the airport check-in counter once . . . I was flabbergasted by this lady who had the guts to sweep in front of us AND touch the gate agent's computer."5. John Cusack: "Outside of a restaurant: 'Hey, Mr. Cusack, I like your movies.' . . . 'I don't care.'"AND THAT IS YOUR CRAP ON CELEBRITIES! Follow The Rizzuto Show → https://linktr.ee/rizzshowConnect with The Rizzuto Show Comedy Podcast → https://1057thepoint.com/RizzShowHear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MOSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Your weekly guide to the music biz and how it all works – and this week they speak to Ricky Bates, head of booking and promotion at the Joiners in Southampton - one of the UK's great grassroots venues. But first they chat about:Half a million pounds is being distributed in the UK to grassroots venues artists and events - and it's money gathered from the levy on ticket sales in the UK. Steve and Stu discuss how this money is being spent – and how it will make a difference.Last week, Steve spoke to highly successful UK manager Niamh Byrne (Blur, Gorillaz and more)  and you'll be able to hear that interview in a couple of weeks. But one notable thing she spoke about was how managers are working harder than ever, and need to provide more services than before. So what is a manager's job now?Also at the Music Ally Connect conference, a key Universal music exec spoke about how AI can create new songs when one song is “covered” by AI versions of other artists: “I really want to hear what it sounds like for Jimi Hendrix to play Bitches Brew”. But do people really want to hear AI-generated cover versions?Then the duo speak to Ricky Bates and he discusses the reality of running a local grassroots venue in 2026 – and it's a solid-gold local venue that has hosted most of today's biggest bands on their way up. It's where both Coldplay and Manic Street Preachers signed their first deals, and how Green Day "accidentally" played their Kerplunk! album launch show at the Joiners. The public podcast contains highlights of the interview – however Patreon Superfan listeners can hear the whole interview as this week's lock-in content! (Become a Patreon Superfan here! ⁠⁠⁠⁠⁠https://www.patreon.com/ThePriceofMusic⁠⁠⁠)Ricky speaks about:How he started at the venue  by being thrown in at the deep end – and how he cleared a huge rent debt (with help from some Frank Turner gigs)How a “reset button” has been hit in the last few years – and how people's gig-going habits have changed recentlyWhat the hidden costs are of running a venue – and why the profit margins are so tightThe stressful process of buying the venue with the help of the Music Venue TrustHow artists are starting to book shorter “big city” tours that avoid the regional towns and cities, leaving local fans with fewer options.How under-18s fans are often drawn to the huge arena shows at the expense of cheap local shows.The future of the venue and what decades of moshing has done to the floor of the dancefloor!===================================As ever, we welcome your feedback, emails and – in particular – any questions you might have about how the music biz works!Email us: ⁠⁠thepriceofmusicpodcast@gmail.com⁠⁠See you next week!Steve and Stuart======TPOM online: http://tpom.uk/Support The Price of Music on Patreon:⁠⁠https://www.patreon.com/ThePriceofMusic⁠⁠Follow Steve on X - @steve_lamacqFollow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodFor sponsorship opportunities, please email - ⁠⁠joe@musically.com

Catch up with ALLISON INTERVIEWS Host, Allison Kugel: Follow Me on Instagram: https://www.instagram.com/theallisonkugel/ My Allison Interviews Blog: allisoninterviews.com Buy My Book: Journaling Fame: A memoir of a life unhinged and on the record Support My Interviews @ Buy Me a Coffee: buymeacoffee.com/allisoninterviews In the latest installment of the Allison Interviews Podcast, journalist and host Allison Kugel talks with Grammy-winning artist and actor Ice-T. Ice-T has released 16 studio albums, including 8 rap albums and 8 albums with his heavy metal group, Body Count. He won Grammy Awards for 1991's Back on the Block and 2021's Bum-Rush. His 1991 rap album O.G. Original Gangster and 1993 rap album Home Invasion, along with his role as Scotty Appleton in the 1991 hit film, New Jack City cemented his status in rap music and in hip hop culture. Ice-T's longtime role playing Detective/Sergeant Fin Tutuola for 27 seasons on Law & Order: SVU, has broken records as the longest running male character in American television series history. Ice-T is co-founder along with Courtney “Big Court” Richardson of The O.G. Network, a Fast Channel currently available on Roku, Fire TV, in Apple's App Store and on Google Play. The free streaming network offers the best of classic and modern-day content: television series, films, documentaries, and podcasts that represent hip hop and urban culture. Visit www.theognetwork.net to learn more, or look for it on Roku, Fire TV, Google Play and the App Store. Follow on Instagram: @icet @iambigcourt @ognetworklive ___________________________________________________________________________ Subscribe to the audio podcast of Allison Interviews on Apple Podcasts and Spotify, and subscribe to the video podcast on YouTube. :-) Learn more about your ad choices. Visit megaphone.fm/adchoices

Discograffiti is the deep-dive podcast for music obsessives. In this episode, Mark Linett takes a deep-dive stroll along with host Dave Gebroe through his entire career, with priceless commentary and stories. Legendary producer and audio engineer Mark Linett is best known for his remixing and remastering of The Beach Boys' catalog. Since 1988, he's been the engineer of choice for Brian Wilson's recordings. In 1996, Linett created the first true stereo mix of Pet Sounds. He's also co-produced nearly all of the band's archival releases, including 1997's The Pet Sounds Sessions, 1998's Endless Harmony Soundtrack, 2003's Hawthorne, CA, and 2011's The Smile Sessions, as well as the Feel Flows (2021) and Sail On Sailor (2022) box sets.  In addition to earning three Grammy Awards, he was nominated for Best Engineered Album for his work on 2004's Brian Wilson Presents Smile. He's also worked with Red Hot Chili Peppers, Jane's Addiction, Los Lobos, Rickie Lee Jones, and Randy Newman.  Here are just a few of the many things that Mark discusses with Discograffiti in this podcast: Mark's first few unillustrious gigs on his path to break into the music industry; His early work milking the Jimi Hendrix catalog; Mark's love of The Beach Boys leading up to his work on Brian's debut 1988 solo album; Mark's genius brainstorm of releasing The Beach Boys catalog as those genius celebrate “two-fer” releases; Assembling The Pet Sounds Sessions and The Smile Sessions; And the serendipitous story of how he wound up in this industry in the first place. The Free Teaser: linktr.ee/discograffiti For the full, ad-free, 104-minute podcast, either subscribe to Discograffiti's Patreon at the Private Tier or higher, or just grab the episode as a one-off at the same link. The Full Podcast: Patreon.com/Discograffiti

Iconic Rock (and Blues) Photographer, Robert M. Knight joins host Jim Ervin as he welcomes Knight to talk about his early photographic work with the likes of Led Zeppelin, Jimi Hendrix, and the Yardbirds. Knight's obsession with photography led him to London at age 16, and the rest is history. He has photographed thousands of musicians in his more than half century in the business, he is a published author, he is the subject of the documentary, 'Rock Prophecies', but perhaps his biggest distinction is being the sole photographer at the Alpine Valley Music Festival on August 26, 1990 in Troy, Wisconsin. Sadly, that was the final concert of Stevie Ray Vaughan. This episode is one for the ages, so check it out! Website: https://knightbilham.co.nz/ Facebook: https://www.facebook.com/robert.m.knight.10 Instagram: https://www.instagram.com/robertmknightphoto/Buy His Book Here: https://shorturl.at/P9d5x Robert Kidd Gallery, Birmingham MI: https://robertkiddgallery.com Buy Rock Prophecies Here: https://shorturl.at/7XKr3 _________________________Facebook: Time SignaturesYouTube: Time SignaturesFacebook: Capital Area Blues SocietyWebsite: Capital Area Blues SocietyFriends of Time Signatures _______Website: University of Mississippi Libraries Blues ArchiveWebsite: Killer Blues Headstone ProjectWebsite: Blues Society Radio NetworkWebsite: Keeping the Blues Alive Foundation

We're diving deep into the world of iconic album cover art with our special guest, Frm. Elektra Records Art Director Bob Heimall.  A name behind some of the most memorable visuals in music history. From his humble beginnings at Elektra Records in the late 1960s to becoming the youngest art director in the business, Bob Heimall's creativity has graced records by legends like Carly Simon, Jim Croce, The Doors, Bread, Iggy Pop, and even Yoko Ono.You'll hear Bob Heimall share personal stories, like joining Jim Morrison, Jimi Hendrix, and Janis Joplin for an unforgettable moment in a New York penthouse, rubbing elbows with rock royalty, working with Carly Simon while she breastfed her son, and being the sole audience for Jim Croce's final album performance just two weeks before tragedy struck. He'll reveal behind-the-scenes anecdotes about album art decisions—some even leading to legendary band debates—describe the step-by-step design process before Photoshop, and recount the emotional impact these collaborations left on him.Plus, Bob Heimall discusses the cutthroat world of record labels, his transition from Elektra to Arista under Clive Davis, and reflects on the vital role music—and its packaging—plays in shaping our memories. Whether you're a vinyl enthusiast, design lover, or music history buff, this episode is packed with untold stories, industry insights, and the passion that goes into creating the artwork we all grew up with.(0:00) "Starting at Elektra Records"(4:14) "Music Legends at the Hilton"(9:14) "Redefining Album Cover Art"(11:45) "Early Album Cover Design Process"(15:41) Carly's Jingles and Brother(18:19) "Unplanned Success, Captured Moment"(22:04) "Music, Photos, and Choices"24:39 "Following the Music"(28:45) "Rejected Naked Silhouette Cover"(30:17) "Innovative Multi-Fold Album Design"(33:30) "Reflecting on Jim Croce's Death"(38:13) "Asthma, Draft Exception, Jersey Shore"(41:40) "QuadSound and Career Transition"(43:59) "High-Stakes Creative Meetings"(46:15) "Jack's Artistic Integrity Struggle"(48:45) "Pool Nights in the Office"(53:56) "The Band's Big Pink Album Cover Story"(56:19) "The Doors Strange Days Album Cover Controversy"(59:19) "Cover Stories Book"You can download or stream every episode of AIRCHECK from Apple Podcasts, and Spotify. You can also listen on YouTube. Ask your Smart Speaker to “Play Aircheck Podcast”.If you're a radio vet with a story to tell we want to hear from you.Email us at Aircheckme@gmail.comFollow us on Facebook: facebook.com/aircheckmeTell us what you think and your favorite episode!

Guest: Marcus MachadoEpisode DescriptionGuitarist Marcus Machado joins host Steve Roby to discuss his journey from childhood prodigy to genre-blurring artist. Dubbed "the next young gun" by Rolling Stone, Machado has toured and recorded with Anderson Paak, Robert Glasper, and Jon Batiste, while his film scores have appeared in award-winning documentaries, including Mr. Soul and Apollo. In this episode, he shares stories about his early influences, his approach to blending rock, funk, hip hop, and jazz, and what audiences can expect from his upcoming intimate performances at SF Jazz. Featured Songs"Get By" – An instrumental track recorded during the pandemic, offering a message of hope and resilience during difficult times."Black Psychedelic Funk" – A spontaneous groove that started in Amsterdam in 2007-2008, featuring Daru Jones on drums and Jermaine Holmes (from D'Angelo and The Vanguard) on backing vocals.Episode HighlightsMarcus's incredible origin story: picking up a guitar at age 2, playing electric by age 4.His first musical memory: hearing Jimi Hendrix's "EXP" from Axis: Bold as Love.Performing "The Wind Cries Mary" at his kindergarten graduation.The influence of the Band of Gypsys as the first true funk-rock band.His philosophy of staying hungry and remaining a student of the guitar. Gear talk: analog pedals, Vox amps, Barons fuzz faces, and keeping it simpleWhat to expect from his intimate trio performances at SF JazzShow DetailsMarcus Machado at SFJAZZ Center – Joe Henderson LabDate: Thursday, January 22ndSets: 7:00 PM & 8:30 PMFeaturing: Uriah Duffy (bass) and Damon Jamal Taylor (drums) – all Bay Area musiciansTickets: https://www.sfjazz.org/tickets/productions/25-26/marcus-machado Limited edition vinyl available at the show, including Aquarius Purple and Blue Diamonds – each with a mystery color variant! LinksMarcus Machado's Website: https://www.marcusmachado.comBackstage Bay Area: https://www.backstagebayarea.comBackstage Bay Area is hosted by Steve Roby

En este episodio hablamos de Electric Ladyland, el álbum de Jimi Hendrix lanzado en 1968. Considerado por muchos su mejor trabajo, el disco empuja los límites del rock psicodélico con y de la música en general. Fue de los primeros que hizo experimentación en el estudio y una libertad creativa total. Este álbum consolidó a Hendrix como uno de los músicos más innovadores e influyentes de la historia.

This week we're sharing a series of episodes that capture one of our favorite themes on Second Act Stories: the moment when life changes key. These Key Changes episodes feature people whose lives have been shaped by music: some who left it behind for something new; others who found their way to it later than expected. Together, they're the stories we return to when we want to show how reinvention really works, not as a clean break, but as a shift in rhythm, perspective, and purpose. Whether you're a longtime listener or just discovering the show, these episodes reflect the heart of the podcast: bold pivots, unexpected harmony, and second acts that still have plenty to say. Jeff "Skunk" Baxter is a rock and roll legend. He was the founding lead guitarist in Steely Dan, and he was inducted into the Rock and Roll Hall of Fame as a member of the Doobie Brothers. As a hired gun, he's played with a who's who of music royalty, including Linda Ronstadt, Donna Summer, Elton John, Eric Clapton, Ringo Starr, Dolly Parton, Carly Simon… the list goes on and on. From the time he was a child, the mechanically inclined Baxter loved taking things apart to see how they worked and putting them back together. He became an expert guitar repair technician and built custom guitars. He traded a custom white Fender Stratocaster he built in the 1960s to Jimi James, who would later re-emerge as the legendary Jimi Hendrix. In the 1980s, Skunk parlayed his more-than-casual interest in all things technical into a career as a missile defense consultant. After writing a paper that was quickly classified, he received the necessary clearances and now regularly consults with the U.S. government, the Pentagon and the Joint Chiefs on topics including counterterrorism and wargaming. Skunk just released a new solo album, his first, called Speed of Heat. Please enjoy our exciting deep dive into the second act of one of rock's greatest guitarists. ******* If you enjoy Second Act Stories, please leave us a review here. We may read your review on a future episode! Subscribe to the Second Act stories Substack. Check out the Second Act Stories YouTube channel. Follow Second Act Stories on social media: Facebook LinkedIn Instagram Second Act Stories theme music: "Between 1 and 3 am" by Echoes.

In the late 1960s, the pop culture of the 1950s was still well-remembered, but the United States was going through some major changes. A counter-culture was going mainstream and with it came a rejection of things associated with older generations. Emblematic of this era was Woodstock. This music festival was filled with bands and artists that defined the era. But another act, took to the stage during the festival that didn't quite fit in, Sha Na Na. Started as a college performance act, Sha Na Na came to the attention of Jimi Hendrix. Hendrix liked their energy and with his urging, the organizers of Woodstock went to see them and invited them for perform. You can see their performance in the Woodstock documentary and some members of the audience look confused, but in the end, Sha Na Na wins them over and you can see why. Their energy and talent was relentless. The music? Timeless. The group would go onto tour successfully, star in their own TV show, and have a memorable turn in Grease. So they were on the stage, the radio, the small screen and the big screen. Yet now, they are not often talked about, and if they are, its often as a punchline, which is all sorts of wrong. On this episode, I started talking about how both my parents enjoyed the show and how I remember watching it with them. Then I move onto the group, discussing their creation, membership, rise, and slow fade. I also compare the band to another band I enjoy, DEVO. Its a fun ride about a great act, so I hope after you give this a listen, you revisit or check them out for the first time.

After receiving his first guitar at age 10, a determined Michael became self-taught with the help of his bedroom radio, spending days on end playing along with Jimi Hendrix, Wes Montgomery and B.B. King records. After studying jazz guitar in high school, an impromptu backstage audition for George Clinton in 1974 earned 17-year-old Michael a seat on the Parliament mothership alongside the immortal Eddie Hazel, under the name “Kidd Funkadelic”. Hampton has spent the past half-century playing nearly 400 shows with the band, in 25 countries across 6 continents. Highlights include multiple appearances at world-renowned festivals like Montreux Jazz, Glastonbury, Reading, Woodstock '99, Coachella, Bonnaroo, Roskilde, Lollapalooza, Fuji Rock, and Isle of Wight, and venues like the Apollo Theater, The Fillmore, Royal Albert Hall, Madison Square Garden, The Troubadour, Red Rocks, The Beacon, and Sydney Opera House. Among Hampton's Funkadelic writing credits are group staples like “Who Says a Funk Band Can't Play Rock?!” and “Funk Gets Stronger”, both released during the group's late- '70s/early-'80s hit run. His lead guitar is also embedded in the DNA of 90s hip-hop's G- Funk movement—Dr. Dre's “Let Me Ride” samples Parliament's “Mothership Connection”, Ice Cube's “Bop Gun” borrows elements of Funkadelic's “One Nation Under a Groove”, while De La Soul's “Me Myself and I”, Digital Underground's “Kiss You Back”, and Snoop Dogg's “What's My Name?” all draw from Funkadelic's “(Not Just) Knee Deep”. Michael's colleagues include George Clinton, Bootsy Collins, Bernie Worrell, Maceo Parker, Charlie Wilson, Dewayne “Blackbyrd” McKnight, Fred Wesley & The JB's, Chuck Treece, Dean Ween, Primal Scream, Digital Underground, Too $hort, and Deee-Lite. Michael's contributions to the Parliament Funkadelic catalog have also influenced famed artists like Prince, Red Hot Chili Peppers, Outkast, D'Angelo and Janelle Monáe, among many others. As of 2025, Michael has appeared on over 30 separate major label releases. Though best known for his role in the funk guitar pantheon, Hampton is also an accomplished multi-instrumentalist, with drums, keys, and synth programming credits across the Parliament discography. Michael Hampton's info Instagram https://www.instagram.com/michaelwhampton/ Spotify https://open.spotify.com/artist/5rhBe5DqUbACYzqerQa9R0 TikTok https://www.tiktok.com/@ma_wa_ha Facebook https://www.facebook.com/p/Michael-Hampton-100040199001670/ YouTube https://www.youtube.com/@MaWaHa  

In this episode of Reading Is Funktamental, we discuss the long history and profound influence of a single song, “Hey Joe,” a tune that binds nearly every strand of 20th-century American popular music. “Hey Joe” was written sometime in the early 1960s by a man named Billy Roberts, an obscure singer and guitarist from South Carolina who moved to New York City, drawn by the burgeoning folk music scene in Greenwich Village. It was a time when original material was scarce, leading other singers to quickly adapt quality songs in the spirit of folk music's oral traditions. Thus began the long journey of “Hey Joe” from New York coffeehouses to the bars on L.A.'s Sunset Strip to the ears of a young guitarist named Jimi Hendrix, who launched his career with his radical, electrified interpretation. The story is related by Jason Schneider, author of That Gun In Your Hand, a new book that also presents previously unpublished information about the life of Billy Roberts, a shadowy figure whose 2017 death went unreported by all news outlets. For more, read my review at NYSMusic.com https://nysmusic.com/2025/10/20/the-strange-saga-of-hey-joe-revealed/ "Reading is Funktamental" is a monthly one-hour podcast and radio show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify, and other platforms. Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books, and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

Ce lundi 12 janvier, RTL2 Pop-Rock Station lance la semaine avec une programmation dense, entre grands classiques et actualité brûlante. Pink Floyd, ZZ Top, Yeah Yeah Yeahs, Depeche Mode ou Led Zeppelin jalonnent la soirée. L'émission rend également hommage à Bob Weir, une des fondateurs du Grateful Dead, disparu ce week-end. C'est "Secret Love" le troisième disque de Dry Cleaning, groupe post-punk du sud de Londres, qui est désigné album de la semaine. Plus art pop que leurs disques précédents, le disque met en avant le phrasé singulier de Florence Shaw, entre observations du quotidien et regard social, illustré ce soir par le titre "Joy". La cover du jour revisite A Girl Like You d'Edwyn Collins par Animal Triste, accompagné de Marina Hands, dans une version plus sombre. On retrouve dans la deuxième heure Father John Misty, Jimi Hendrix, Courtney Barnett ou Radiohead, avant une Fresh Fresh Fresh consacrée aux Sha La Das, formation familiale mêlant soul, funk et doo-wop, avec "Stop Using My Love" extrait de leur nouvel album "Your Picture". Archive - Look At Us Depeche Mode - Dream On Led Zeppelin - Communication Breakdown Greta Van Fleet - Highway Tune The B-52'S - Love Shack Chris Isaak - Baby Did A Bad Bad Thing ZZ Top - La Grange Dry Cleaning - Joy Manu Chao - Je Ne T'aime Plus Grateful Dead - Touch Of Grey Pink Floyd - Money Bandit Bandit - Pas Le Temps Animal Triste Feat Marina Hands - A Girl Like You Cage The Elephant - Ain't No Rest For The Wicked The Offspring - Pretty Fly (For A White Guy) Hord - Rkvk Ted Nugent - Wango Tango Yeah Yeah Yeahs - Date With The Night Father John Misty - The Old Law Jimi Hendrix - Hey Joe Courtney Barnett - Pedestrian At Best The Sha La Das - Stop Using My Love Radiohead - Just Suicidal Tendencies - War Inside My Head Hotei - Battle Without Honor Or Humanity Presidents Of The USA - Lump Sleaford Mods - The Good Life Ft. Gwendoline Christie & Big Special Ethel Cain - Punish Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week, Johnny and the Thang Gang share in Sunta's wonderful news, Harry enjoys a low-key New Year, and we're introduced to 'the Jimi Hendrix of the banjo'.Hear Johnny on Radio X every weekday at 4pm across the UK on digital radio, 104.9 FM in London, 97.7 FM in Manchester, on Global Player or via www.radiox.co.uk

I really enjoyed this conversation with Natalie and her mother, Mary, because it reminded me how an unstoppable mindset is often built quietly, over time, through creativity, learning, and persistence. Together, they share what it has been like to navigate life across generations while facing learning disabilities, health challenges, workplace adversity, and the constant need to adapt. We talk about Natalie's journey with attention deficit disorder and anxiety, how creative outlets like baking, art, music, and storytelling helped her find focus and confidence, and why returning to school later in life became an act of self-trust rather than fear. Mary's story adds another powerful layer. She reflects on growing up with low self-esteem, navigating male-dominated workplaces, and dealing with sexual harassment long before there were systems in place to address it. As a mother, artist, and professional, she shares what it means to keep moving forward while supporting her daughter's growth. Throughout our conversation, we explore accessibility, creative entrepreneurship, lifelong learning, and why accommodations and understanding still matter. I believe you will find this episode both honest and encouraging, especially if your own path has been anything but linear. Highlights: 00:00 – Hear how creativity and resilience shaped an unstoppable mindset across two generations.08:35 – Learn how attention deficit disorder and anxiety changed the way focus, learning, and confidence developed.14:33 – Discover why stepping away from a demanding career can open the door to new growth.21:23 – Understand how workplace sexual harassment leaves lasting effects long after it happens.35:16 – See why protecting and celebrating local artists became a personal mission.59:09 – Learn why accessibility, accommodations, and empathy still matter in everyday life. About the Guest: Mary Dunn: Mary was born and raised in Pittsburgh, PA.  She was the only child of Norman and Lucille Rump.  At a young age, she liked to draw and as she grew older she enjoyed painting.  Her first painting was in oil and Mary was eleven years old.  However, because of the expense of art supplies, it was difficult to pursue a continuous endeavor in that particular form of art. While in high school, nothing really exciting happened as Mary was on the shy side.  She didn't belong to any groups and she really just wanted to graduate.  She graduated in the upper third of her class.  The most momentous part of the graduation was that Jeff Goldblum was also a graduate of her class. After graduation, Mary continued her education at The Pittsburgh Beauty Academy.  There she studied cosmetology and acquired a teacher license.  Although she never taught, she did work at a few different shops and also managed a shop.  These experiences helped Mary to become less shy. At that time, she met her first husband and had two children.  The marriage lasted for eleven years, and Mary was left with two small children.  Mary realized that her background in cosmetology would not be sufficient to raise two small children. She decided to go to college. With the support of her parents, she was accepted to attend Carlow College which is now Carlow University.  There she studied business and minored in theology.  She almost minored in art, but she needed one more credit to have that as a minor.  It was important for her to graduate in order to take care of her children.  While in college she belonged to several organizations.  One organization was an honor society called Delta Epsilon Sigma.  There she became an assistant chair of the organization.  The second organization was OASIS.  The organization was for non-tradition students.  She was vice-president during her senior year at Carlow.  She graduated in 1991 cum laude. After Carlow, she found her first employment opportunity working the Equitable Gas Company as a “Technical Fieldman”.  In this position, Mary would draft pipeline installations, work up costs for those installations, and fill in for supervisors when they went on vacations.  The job was difficult as it had usually been filled by men prior to her.  She was thrust into a job that she learned on her own and was subject to sexual harassment.   At that time, sexual harassment was not spoken about.  Mary didn't even realize that her peers were doing these things to her.  When she supervised union personnel, they were nice and valued her expertise.  However, when she returned to the office, more harassment continued. During that period, Mary decided to get a Master's Degree and enrolled in Carnegie Mellon's Heinz school of Public Management.  Her classes were very valuable as she learned about leadership, information systems, and marketing communications.  She graduated in 1996 with distinction.  Even though after she graduated from CMU, she continued to be sexual harassed.  She thought it might be a good idea to document the issues that made her position difficult.  She began to take notes on these incidents.  When she went to Human Resources, Mary was told that she should confront these people and tell them how she was feeling.  Mary couldn't do that because she felt it would make matters worse.  She applied for another position within the company.  In 1997, Mary became Program Manager of Energy Technology. While there, Mary developed and implemented a marketing plan to promote the use of alternative fuels.  As a Program Manager, Mary became a member of Pittsburgh Region Clean Cities which focused on alternative fueled vehicles.  During this time, she became a board member and focused on grants and wrote the Pittsburgh Region Clean Cities Newsletter. In 1999, her position was eliminated at Equitable.  In some ways, Mary was relieved about the elimination, but in other ways, it was the first time this ever happened to her.  She was now remarried and was concerned about her children. It was very scary. Thankfully, Mary was not unemployed for long.  She was hired at Southwestern Pennsylvania Commission as a Transportation Planner.  In this position she implemented a newly designed client tracking system of their products and services that helped to increase revenue. Additionally, she worked on a communication plan to implement branding and crisis communications. Eventually, Mary became a Marketing/Communication Specialist for Southwestern Pennsylvania Communications.  She was responsible for multi-media communications connected with branding. Mary designed logos for special projects, arranged special affairs, open houses and conferences.  She remained a part of Pittsburgh Region Clean Cities.   Mary additionally prepared presentations for executive management to deliver regarding the Joseph A. James Memorial Excellence in Local Government Achievement Award that recognizes a municipal government elected or appointed official in any local government, agency, or Council of Government for a lifetime of exemplary governance or management. Unfortunately, a new Executive was hired to replace the past Executive who had passed away.  Because of this, our whole department was eliminated. After Southwestern, Mary was hired as the Manager of Administration and Human Resources for THE PROGRAM for Female Offenders.  While at THE PROGRAM, Mary was responsible for maintaining the policies and daily operations in THE PROGRAM.  She implemented a cost effective foodservice program, introduced staff ID cards and implemented the Windows NT network server and computer security using a Digital Subscriber Line which is a type of high-speed internet connection that uses existing copper telephone lines to provide internet access to three PROGRAM facilities. Additionally, Mary implemented a human resource database for directors and managers that targeted specific employment information. Mary maintained safety equipment and introduced a safe evacuation plan for her building.. Unfortunately, because THE PROGRAM was grant based and when it was time to acquire grant money much of the previous grants were not renewed and Mary lost her job.  Mary eventually was hired by Roach and Associates, Inc. as a Project Manager. In this position, she negotiated oil and gas leases for exploration and productions of future gas wells in Clearfield County Pennsylvania.  During this time, Mary was responsible for permitting activities with the state, county and federal agencies as well as prepared training seminars to meet pipeline safety regulations as per U.S. Department of Transportation, CFR49, Parts 192-193. Mary authored documentation regarding pipeline regulations for various housing authorities and gas production companies within Pennsylvania, West Virginia and New York.  Besides working at Roach, Mary became part of the Transition Team for Peduto for Mayor of Pittsburgh.  That was such a memorable experience as my team focused on some of the issues facing the newly elected Mayor. It was nice to be a part of change. After working ten years at Roach and Associates, Inc., Mary decided it was time to retire in 2015. While working at Roach, Mary began dabbling in art again.  It had been quite a while since college and painting.  But she began to work in pastels and eventually more in the line of acrylic painting.  She became president of the Pittsburgh Pastel Artist League.  She no longer is president of that group.  Mary now belongs to the Pittsburgh Society of Artists where she was juried into the group.  She has had her work display at The Galaxie in Chicago,  Pittsburgh Technical Institute, Monroeville Library, Gallery Sim, Boxheart Gallery, Southern Allegheny Museum of Art, Saville Gallery in Maryland and various other galleries around Pittsburgh.  Her Study in Pastels won an Award of Excellence from Southern Allegheny Museum of Art.  Mary also came in second place in the Jerry's Artarama Faber Castel Contest. As time went on, Mary decided to focus more on her art work and began teaching students how to paint with Acrylic.  She also began a YouTube channel, Pittsburgh Artist Studio, where she gave free art lessons in acrylic to future artists around the country.  Unfortunately, Mary developed chronic back issues, and she had to give up her teaching.  She has had two back operations to alleviate the pain, but the second operation really didn't help.  It has caused more painful issues.  Therefore, it is difficult for her to paint a long period of time.  Currently, Mary devotes her time to illustrating her oldest daughter's books for children.  The books are a series about a little boy's adventures in his life.  Her books can be found on Amazon under her name “Nicole Leckenby”.  Additionally, she has illustrated a book for her younger daughter, Natalie Sebula, entitled “The Many Colors of Natalie”. In conclusion, now that Mary is retired, she has had more time to work on different art projects a little at a time.  She lives with her husband Steve and two dogs Grumpy and Sally.  She belongs to a group of wonderful women who review Bible Psalms each week. Since my minor in theology, I do enjoy reading various books on different religious subjects.  I am thankful for each day that I have and continue to work on the gifts God has given me. Natalie Belin: I am focusing on the arts. I am a creator with an ambitious attitude. I have no problem thinking BIG and dreaming BIG. While everyone else stays inside the lines, I boldly color outside the lines. Natalie resides near Pittsburgh, PA. She is 40 years old and loves adventures. Within these 40 years Natalie has experienced highs and lows. However, during the low points she was like water: adaptable, resilient, and always finding a way through. At toddler age, it was brought to the attention that she had high pressure in her eyes. However, nothing was really done about it because of her age. Typically, high pressures occur in older adults. After many years, one eye doctor took it seriously.  He prescribed eye drops and finally recommended a laser technique to open the tear ducts.  This alleviated the high pressure and since no eye drops have been needed. In 5 grade, she was diagnosed with attention deficit disorder. Her mother, Mary Dunn advocated for her until someone listened, and her teachers realized it was a real problem. Steps were taken to help Natalie focus more.  As she grew older, it was important to do activities that helped her focus such as cheerleading and possible careers in culinary. Because of the importance of focusing, Natalie decided that culinary arts would be beneficial.  Natalie graduated in October of 2004 from the Pennsylvania Culinary Institute with an associate's degree in Specialized Technology Le Cordon Bleu Program in Patisserie & Baking.  While there, she was elected class president. The Pennsylvania Culinary Institute offered externships to various prestigious areas to hone the craft.  Natalie's externship was at the Greenbrier Resort in White Sulpher Springs where she was ultimately hired. However, Natalie decided to return to Pittsburgh after a car accident. Natalie continued to work as a pastry chef for about five years. After, she decided to further her education, and Natalie graduated in December of 2023 from the University of Pittsburgh with a Bachelor of Arts in Humanities. Some of her academic achievements are National Society of Collegiate Scholars, National Society of Leadership and Success, Alpha Sigma lambda-Alpha Chi Chapter at the University of Pittsburgh, Delta Alpha PI Honor Society. During her academic life, Natalie became an Emmy nominated producer for Pitt to the Point (a class focusing on the news as well as behind the scenes of a news/magazine program that covers the City of Pittsburgh, the University of Pittsburgh regional campuses as well as national and international events.) Currently, Natalie is in a Graduate Certification Program which is also at the University of Pittsburgh. The Certification is in Sports, Entertainment, and Arts Law (SEAL). She hopes to use this program as a steppingstone to complete her master's degree in Sports, Entertainment, and Arts Law. In addition to the SEAL certification, one could say that Natalie is a woman of many colors.  She works full-time as an Administrator for the Rehabilitation Science Program in the School of Health and Rehabilitation Sciences at the University of Pittsburgh. This is where she provides administrative support for general program management, advising and faculty. Another aspect of Natalie's many colors is writing.  Several years ago, she wrote a poetry book called The Many Colors of Natalie. This is a book for 18+. There are several illustrations in the book that complement the poems. Mary Dunn, Natalie's mother, created the illustrations. In August of 2020, Natalie launched The Many Colors of Natalie Blog. She started this blog to give a new perspective to Pittsburgh other than being known for sports. This allows individuals the ability to educate themselves on different variations of Pittsburgh's art or artists as well as bringing awareness to the art scene. Natalie's motto is Love Art & Support Your Local Artist! Additionally, Natalie has been a model/actor since 2012. Most of her work consists of being an extra in various music videos and movies. Furthermore, she is an ambassador for Ambassador Sunglasses and Just Strong Clothing. Just Strong Clothing's Mission “We are a clothing brand on a mission to empower those who are not just strong for a girl, they are just strong. Whether you are an experienced lifter, a new starter or have simply overcome great adversaries in your life, the JustStrong community are here to empower and motivate you to never give up.” “Ambassador was formed to extract, refine, and exhibit the marriage between what was and what will be in fashion culture. When wearing Ambassador, you break the mold of the mundane to embrace your unmatched individualism.” Besides being an ambassador, Natalie became a Creative Percussion Artist in 2020. “Creative Percussion is a family-owned business, established in 2018, and run by husband-and-wife team, Kevin and Cheri Feeney.” Her picture is on the site as a CP percussion artist. Not only is Natalie a musician, but she dabbles in various mediums in art. Her mixed media piece Peace, Love, and Woodstock is currently in the Woodstock Museum located in Saugerties, New York. “The purpose for the Woodstock Museum is: To gather, display, disseminate and develop the concept and reality of Woodstock, encompassing the culture and history of a living colony of the arts, with special emphasis placed on the exhibition of self-sustaining ecological technologies. To encourage and increase public awareness of Woodstock by providing information to the general public through cultural events, displays of artifacts, outreach programs, communication media events and personal experiences, and to contribute, as an international attraction, to the cultural life and prosperity of our region; and to engage in all lawful activities in pursuit of the foregoing purposes.” Lastly, Natalie and her mother Mary Dunn started a side hustle several years ago. Mother and Daughter Collaboration (vending show name) is a great opportunity for Natalie to showcase her entrepreneurial skills in addition to her art. Their Etsy name is Maker's Collab Studio. In conclusion, Nat is excited for the future, and to see what is in store. She considers herself to be dynamic and resilient. Even those who know Natalie would say the same.  Regardless of what she has been through, she keeps going. She realizes that the tough times eventually do end. In self-reflection, the “tough time” may have been a life lesson, or a possible steppingstone to what's next in her life. Only time will tell. Natalie will always be a supporter of the arts, and she will always create in some way. As Natalie ages, she sees the importance of advocating for the disabled. At one point in her life, she was embarrassed about sharing her learning disability because she felt that we live in a society where having a disability isn't necessarily welcomed and is frowned upon. Do not fear individuals who need special accommodations.  Instead, educate yourself. Try being that individual who needs certain accommodations, and the accommodations are not provided or easily accessible. Progress has been made in educating the ignorant. However, there is more work that needs to be done. Ways to connect with Natalie & Mary**:** Blog website: Home - The Many Colors of Natalie Personal website: Home | natalie-sebula-belin Book of poetry: The Many Colors of Natalie: Written by: Natalie Belin - Kindle edition by Dunn, Mary, Leckenby, Nicole, Merlin, Grace, Palmieri, David. Literature & Fiction Kindle eBooks @ Amazon.com. Facebook: (1) Facebook Instagram: Natalie Sebula (@themanycolorsofnatalie) • Instagram photos and videos Etsy: MakersCollabStudio - Etsy About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Hi everyone, and welcome to another edition of unstoppable mindset. We're doing something that we've done a few times before, and we get to do it again today. We have two people as guests on unstoppable mindset this time, mother and daughter, and that'll be kind of fun they have, between them, lots of experiences in art, but in all sorts of other kinds of things as well. They live in the Pittsburgh, Pennsylvania area, and I'm not going to say a whole lot more, because I want them to tell their stories. So I want you to meet Natalie bellen and her mother, Mary Dunn. So Natalie and Mary, both of you, welcome to unstoppable mindset. We're glad you're here. Natalie Belin & Mary Dunn  02:03 Well, thank you for Natalie Belin & Mary Dunn  02:03 having us. Yes, we're happy to be here. Thank you. Michael Hingson  02:06 Well, let's see. We'll start with mom. Why don't you tell us something about the early Mary growing up, and you know what? What life was like growing up? Natalie Belin & Mary Dunn  02:18 Well, growing up, I was born in Pittsburgh. I was actually born on in the south side of Pittsburgh, and it was called St Joseph Hospital, and now it's an apartment building, but we lived here. I've lived here all my life. I lived in Hazelwood until I was about the age of three. Then we moved to Whitaker, Pennsylvania, and now I'm in West Mifflin, Pennsylvania. So it's like we hopped around a bit. Growing up in my family was a little bit difficult. I had been bullied quite a bit by my cousins, so it kind of like left you know how it does with bullying. You know, it's not like today. Of course, I didn't want to go out and do something terrible to myself. It's just that it left my self esteem very low, and I just kind of stayed and was by myself most of the time. So until I grew up, I graduated from high school, I went to West Midland, North High School, I graduated in the same class as Jeff Goldblum. Although I didn't know him, I knew that he was very talented. I thought he was more talented on a piano than he was with acting, but he is still he's still very good with the piano, with his jazz music, and that's basically it. I've been in West Mifflin now for she's been quite a bit Natalie Belin & Mary Dunn  03:49 since I was in seventh grade, and now I'm 40 years old, so we've been here a long time. Michael Hingson  03:54 Yeah, so it's sort of like 3027 years or so, or 28 years? Yes, well, Natalie, tell us about you when it was like growing up in and all of that. Sure. Natalie Belin & Mary Dunn  04:08 No problem. So I grew up in Whitaker for the most part, my yearly eight years, like until about fifth grade, I guess about like fifth grade, and then we moved, well, we just moved to a different house and whatever. Yeah, that when we moved for the second time, it was more in a neighborhood with kids, so that was, like, a lot more fun. And we played like tag and all that. So that my early years, I remember that like playing tags, swimming, I love, like skiing on the water, jet skis, stuff like that. Definitely. I loved running around. And I loved dance as a kid too, that was a lot of fun. Michael Hingson  05:00 Okay, and so you went to high school? Natalie Belin & Mary Dunn  05:05 Oh, yeah, I went, Yes. I went to West Midland area high school, and I graduated in 2003 in 2004 I graduated from the Pennsylvania Culinary Institute as a pastry chef and part of the things that I had to do to graduate, I had to do, like, about a six month internship where I resided in white sulfur springs, West Virginia, and I got to do my externship at the Greenbrier, and that was pretty exciting, because it has quite the history. There. People love it there for Well, one of the things that sticks in my mind is Dorothy Draper, who decorated that resort. Her taste is very cool, because she went bold, like with flower print and stripes mixed together for wallpaper. There's stories in history behind the sulfur water there. And then most people might know the Greenbrier for their golf courses, for the golf course actually, or in history about the sulfur water Michael Hingson  06:26 now, you had high eye pressure for a while after you were born, right? Natalie Belin & Mary Dunn  06:31 Oh, yes, the eye pressures. That's quite the story, let me tell you so at a very young age, like different doctors and eye doctors that I went to. They knew that I had high pressures, but they didn't seem like it was a big issue. But my mom had the inkling that I needed to go to a different doctor when I was like, I guess you Middle School, Michael Hingson  06:58 yeah, yeah, you were about now, was there a lot of pain because of the pressure. Natalie Belin & Mary Dunn  07:02 I didn't even know was happening, so I wasn't in discomfort or anything. So they said, don't they kind of dismissed it. So I wasn't worried about it, Natalie Belin & Mary Dunn  07:14 Neither was I. But you know, like eventually we did go to a doctor and he said, Oh, my goodness, you have these high pressures. And it's, it could be like glaucoma. We don't ever see that in a young person, you know, they haven't ever seen anything like that. He was just amazed by it. And go ahead, you can finish this. Natalie Belin & Mary Dunn  07:36 Dr Al, I have so much respect for him, because he truly took care of my eyes for a very long time. I started seeing him in middle school, and I saw him up until, like my late 30s, and he I would see him quite frequently, because he would always monitor those pressures, because he knew the importance of that and how they could damage my eyes and I can lose my sight. So he always had me do like fields test eye pressure checks, because your pressures in your eyes can fluctuate throughout the day. So I would come in in like different times of the day to make sure they're not super high and stuff like that. He would prescribe me on different eye pressure medications like eye drops, because the they like the eye drops would help my eyes to it to regulate the pressures to a certain point, and then my eyes would get used to them, it seemed like, so then we would have to go to a different prescription. I caused that doctor a lot of stress, I think, because he was always thinking about my case, because it was so rare. And he went to a conference, actually, and brought that up at a conference, and at that conference, they said for me to get the laser, laser procedure done to Natalie Belin & Mary Dunn  09:10 open the tear ducts. Natalie Belin & Mary Dunn  09:12 Yeah, yeah. And luckily, that solved it. Michael Hingson  09:18 Wow, so you so the the tear ducts were, were small or not draining properly, correct? Natalie Belin & Mary Dunn  09:26 Yeah, it was points where, like, if I wanted to cry, no tears would come Michael Hingson  09:31 out, no tears would come out. Well, yeah, yeah. Then you also discovered, or somehow you you learned about being Attention Deficit Disorder. Natalie Belin & Mary Dunn  09:45 Yeah, so, um, when I was from like one or like, from kindergarten to third grade, I went to a Catholic school, and I didn't seem like there was anything. Being really wrong. But then when I went to a public school, I was really having a hard time grasping the material, and I would get really frustrated when I was at home trying to do the homework and I just wasn't understanding. I believe the educators there said like I was also behind, which could have been part of the issue. But my mom would like try to help me with my homework, and it was like Natalie Belin & Mary Dunn  10:28 it was hard. She would, she would get so frustrated and throw the papers and just, you know it, because it was very difficult for her, and we really couldn't under I couldn't understand why. You know this was happening, because my, my other daughter, I never had issues like that with so we had, I guess we were told to go. Natalie Belin & Mary Dunn  10:53 I think that was Miss Lenz in fifth grade. Yeah, she had me get tested for a learning disability, and with all the testing that was done with that, they said that I had attention deficit disorder. So whenever that diagnosis was made, I was able to get like teacher teaching aids to help me through tests to help me understand the curriculum a little bit better. Tutors did the counselor Natalie Belin & Mary Dunn  11:28 I well they I did take her to get tested outside of school, and that's they actually told me some things that could help her with this. And then I went to the teachers, and the teachers, some of them, didn't, like, actually take this into consideration. They, they didn't really realize attention deficit disorder at that time. It was new. And so they, they kind of said, well, we don't, we don't believe in that or whatever. And I said, Well, can you just have her, like, sit up front, because she would pay attention more and she would focus better, because that's the problem she couldn't focus on. So it took a while, and then finally, the principal in the fifth grade, he had a meeting with the teachers us, and he actually was the one who brought that to their attention, that this is a problem, that attention disorder, you know, does occur, and some of it is hyper, just hyperactive disorder. So it luckily she didn't have that part of it, but it was the focusing, and we just got her more involved in things that she could learn how to focus. They recommended cheerleading, they recommended culinary school, and I think that really helped her to learn more on focusing. But she still has anxieties and things like that. It's still Michael Hingson  13:03 it's still there. So why culinary school? Natalie Belin & Mary Dunn  13:07 So that is such a fun question. When my grandma used to watch me, she was very particular on what I was like watching. She didn't want me to watch anything like super crazy or out there. So I would always watch cooking shows, and I thought he was so unique, the different recipes and everything that these chefs were making. And I love some of their personalities, like emerald, he was always so hyper and loud, so fun. And it was interesting to see the different types of foods that they were creating that, like certain countries make. You know, I love Spanish food. It's so good. Natalie Belin & Mary Dunn  13:55 She decided not to even get into that part. That was the thing. She wanted to be a pastry chef, yeah, Michael Hingson  14:02 something to be said for chocolate chip cookies. But anyway, go ahead. Natalie Belin & Mary Dunn  14:07 Yeah, she makes a good one, too. At Natalie Belin & Mary Dunn  14:10 this point, I don't even know why. What drew me to baking more than culinary I think the two different styles are cooking are very interesting, because like with cooking, you don't have to be so exact with the measurements and everything with certain things like the spices and stuff. If you don't like rosemary, you don't have to put it in there. But with baking, it's definitely more scientific. Have to be more accurate with the measurements of certain ingredients, like baking soda, because it's lavender and like, altitude will totally screw up your baking Yes, so many reasons that elevation is so important. So yeah, so Natalie Belin & Mary Dunn  14:59 mine's to it. Or whatever, you know? Yeah, Michael Hingson  15:01 so you went and did an externship, and then what did you do? Natalie Belin & Mary Dunn  15:06 So with the externship, I was there for a little bit over six months, I was officially hired, and I graduated from culinary school, but, um, I got in a car accident. So that's like, why left? So I was in baking professionally for about a total five years, and then I went back to school. Sorry, that's grumpy. Can you hear him barking? 15:36 I'm sorry. I'll go. No, no, it's fine. Michael Hingson  15:41 So why did you leave culinary? Natalie Belin & Mary Dunn  15:43 Um, I was just ready for a change. Because I started working professionally when I was like 19, so by my mid 20s, I was just ready to go back. I mean, that is a very demanding field. You're working several hours. Um, you're working with all types of personalities, certain pressures, long days sometimes. And I was just ready to see what else was out there for me. Michael Hingson  16:12 So you went back to school to study, Natalie Belin & Mary Dunn  16:15 yes, so my when I graduated in 2023 with my undergraduate degree, it was in humanities, and it focused on three areas of art, music, studio, arts and theater. The main focus was theater, okay? Michael Hingson  16:39 And so, what did you do with that? Natalie Belin & Mary Dunn  16:42 So with that degree, I did several different things. I wrote a poetry book, which I provided a link so people can access if they would like to purchase it. I created a blog in 2020 called the many colors of Natalie, and I created a blog to help bring a different perspective to Pittsburgh, other than just it being a city for sports, because there's a lot of talented artists out there, and plus, like during a pandemic, that caused a lot of strain on a lot of things, and I was really worried about certain venues that were iconic here closing and completely wiping out the whole art industry here, you know. So, um, with that too, I also, um, I was doing music at the time as a percussionist, and that's when I got introduced to creative percussion products, and I was using that with the different performances that I was doing. And I ended up being one of their artists featured on their page, website or website, yeah. Okay, yeah, and I also volunteered at a local dance studio called Lisa de gorrios dance, and I got to work with the younger kids, and I did that for a couple years. So that was interesting to see what it was like to teach and put on performances. It's a lot of you get to see the behind the scenes and time management and stuff like that. Also, I'm thinking here for a second, sorry. How about, oh, we, my mom and I created an Etsy shop. So we started a few years ago, called Mother Daughter collaboration, a vending that was like our vending show name, and we did that for Natalie Belin & Mary Dunn  18:56 we've been doing that for a while. Yeah, we, we put different products up. I kind of tend to do my artwork, and she puts up some things also in art, we have, we have interesting things like CD, telephone, covers, cases, purses, you know. And we're working on a new product now to to put on to the Etsy shop this year. We didn't do many vending shows. I had surgery last last year on my back, and I had a hard time recovering because it was pretty expensive. So we're hoping to get that going again this year, or towards the end of the year, when the Christmas shows start happening, Natalie Belin & Mary Dunn  19:47 we did, um, create an Etsy shop called makers collab studio, and we were focusing more on that this year. Um, so we do have, like, a variety of different products. Um. Um, which I also provided the link to the Etsy shop. If anybody wants to check out our products and what we have, that'd be great if you stop checked out that. Michael Hingson  20:11 Yeah, my late my late wife, was a quilter and tried to run an Etsy shop, but people didn't want to pay any kind of real prices for handmade quilts, because they just thought that quilts should be, like, 50 or $75 and that just wasn't realistic. Natalie Belin & Mary Dunn  20:30 But, well, that's, that's the trouble. What we're seeing also, yeah, we do, I do, like, we do t shirts and things like that too. But people it. I don't think people realize what's behind the whole process. No, or they don't care. No, you know, I mean, there's a lot involved as far as your equipment. When it was covid, I was, well, I'm retired, but I was working part time, and I was able to, you know, get what is it, you know, workers, whatever, yeah, you know, yes. And with that money, I actually bought like things to do, T shirts, like the heat press and different parts to like a cricket that we can do things with. And so, you know, like the things that you know, you still have to buy supplies, even with my artwork, it's so expensive anymore, when I first started back in, you know, when my kids grew up and they were on their own, where I really focused on it, and I can't believe the expense of it. You know, it's just, it's everything's expensive these days. So, yeah, really watch what you're doing and how you approach it too. You know, you can't spend a lot of money on things. We don't have, like, a whole backlog of products. I mean, we just do a few things and hope that the things that we make are sellers, you know, Michael Hingson  22:05 yeah, well, and I hope it, it can is more successful for you going forward. That's a useful thing. You You've done a lot Mary with with art over the years, but you've also had other, other kinds of jobs where you've worked for some pretty large companies, and you've been reading your bio, you faced some sexual harassment issues and things like that, haven't you? Natalie Belin & Mary Dunn  22:29 Yes, yes, that was difficult boy, and I didn't realize that at the time I went to college late in life because I was getting divorced and I needed a job that I could take care of my family, my girls, and so I decided to go to college and my my mom and dad watched my kids while I went to school, which was nice. And the first job I had was with the gas company here, and I was called a technical Fieldman. And what I would do is, like, I would draw pipeline installations and the and sometimes I would fill in as a supervisor. When I filled in first as a supervisor, it was great. I mean, the guys were decent. We always came to a conclusion. I always trusted what they're you know what they would say about pipeline? Because I knew nothing about pipeline. It was all new to me. But when I would go back to the office, it was, it was just like crazy things that would happen. I mean, I won't go into detail, and I started writing these things down because I thought this just doesn't seem right, that these people are saying these things to me or doing these things to me. I had a nice little book of all these incidents that happened, and I went to the HR department, and they wanted me to confront these people in my office, to tell them how I felt. Well, that, to me, would have made everything worse, because that's just that, you know, kind of work environment. So luckily, I was, I was promoted into a job that lasted two years, and then my job was eliminated. So that was my first, my first thing with that was the only time I really had sexual harassment that was really bad. I went on to another which was the program for female Well, I worked for a university for a while, and then I went into the program for female offenders, which was really interesting work. I enjoyed that it was like people that were out on that needed to, that were like drug addicts and and they were looking for a new way. They had been in jail and this incarcerated, and they came into this. Program they had that was part of their incarceration or parole. They had to do this, this program, and that was so interesting. I mean, it was just heartfelt, because you just saw these people that were trying so hard to make a good life for themselves and not to go back to their original way of living. And unfortunately, that was all grant money. And that job ended also so that, you know, and I was a transportation planner, I did a lot of things, and then I ended up going back into the gas industry. I worked for an engineer, and we were working in the production side of everything. So he had drove to you wells, and we had leases, and I took care of those. And I liked that job for about 10 years. I stayed there, and then I I retired. I was getting tired of it at that point. Michael Hingson  26:02 Yeah. Why was your first why was your first job at the original gas company eliminated? Or when you were promoted and you said it was eliminated, yeah? Natalie Belin & Mary Dunn  26:10 Well, that's what I like to know why it was eliminated. I think sometimes that job was just to keep me quiet. That's how I felt. I mean, I, I they, they knew that I was upset and that I didn't like what was happening. And I think it was just to keep me quiet, and they realized that that job wasn't going to last, but it was a marketing job. We were using different ways to use gas, alternative fuel vehicles, fuel cells, you know. So it was an interesting job, too, but it it didn't really have the supervisor we had was not really a person that pushed the product, you know. So that could have been the reason, too, that they eliminated a lot of that. Yeah, so I wasn't the only one that went I mean, there was another person in that at that time, and eventually that whole department was eliminated. Now that gas company, they sold all that off, and another gas company took it over and equitable. Still is EQT here, and they work, I think at this point, they work with the leases and things like that, and horizontal drilling, they call it. Michael Hingson  27:38 So now that you're retired, what do you do? Natalie Belin & Mary Dunn  27:41 Well, for a while there, Michael Hingson  27:44 in addition to Etsy, yeah, for Natalie Belin & Mary Dunn  27:47 a while, I was actually doing hair. I was my first, my first, I guess, employment type, or whatever. I went to beauty school, and I became a cosmetologist, and I also became a teacher in cosmetology. So when I first became all that the money wasn't so great. I worked my first job. I was so excited I had this job because I thought I was going to be making millions. You know, they they really pump you up in in beauty school that you're going to really succeed and you're going to make this money. Well, my first job, I worked over 40 hours at that job, and I only got $15 in my first pay. It was like we had to stay there the whole time until everyone was finished working. So the girls that had their clientele that they worked the whole day and into the evening, like till eight o'clock. Maybe we had to stay till eight o'clock. Even though I didn't have anybody to do. I might have had one person that day, yeah, so that that wasn't too I just worked at that for a few years, and then I decided to leave and take care of my family. Yeah, well, that that I went back to it when I retired, and it had changed significantly, making pretty good money. I was only working three days a week, and I did pretty well. But then my back. I had the issues with my back, and I couldn't go back to it, which really upset me. I really love that job. Michael Hingson  29:29 Well, things happen. Natalie Belin & Mary Dunn  29:31 Yeah, it does. You know, I'm happy not to stay at home. I figured now that I'm actually 73 years old now, so I think I I should retire Michael Hingson  29:47 and enjoy my life a little. Well. So Natalie, you graduated in 2023 and so then what did you start to do? And what are you doing now? Natalie Belin & Mary Dunn  29:57 So what I'm doing now is I'm. Still focusing on the Etsy shop, but I also got into a graduate certificate program, and this certificate is in sports entertainment and arts law, and I really hope to use this program as a stepping stone to complete my master's degree in the sports entertainment and arts law program. Michael Hingson  30:25 What exactly is a graduate certification program, as opposed to a master's degree? Natalie Belin & Mary Dunn  30:32 So that's a great question. So the certificate program is like a newer program, and it's like the only one in the world, I'm pretty sure, that focuses on sports, entertainment and art. So it's like a newer, more modern type of learning program. And this certificate is a great stepping stone, and for me to check it out before I actually go in to the master's program. This is, like, my second week, and I love it so far, and all these classes that I'm doing, and if I keep my grades up and everything, will apply to the master's program if I get in. Michael Hingson  31:15 Okay, well, so Natalie Belin & Mary Dunn  31:20 less credits than, like, what you would need for a master's program, and it's less I don't need a textbook. I have these things called nutshells, where I'm pretty sure, like, I'll be studying different types of cases or something like that through that. So it's like online stuff. Michael Hingson  31:43 The Okay? And how long do you think it will take you to complete that Natalie Belin & Mary Dunn  31:49 the certification program should be about a year, and it's all online, okay? Michael Hingson  31:55 And how, how long have you been doing it so far? Just two weeks. Oh, so next August, yeah, yeah, yeah. And the hope is then you can use that to go forward and actually work toward getting a master's degree. Which, which sounds pretty cool, yeah, for sure. What do you want to do with it once you get a master's degree? Well, like Natalie Belin & Mary Dunn  32:20 all those points like sports entertainment and arts, I think is Pittsburgh is a great city to represent all of those. And I hope to help represent like clients, maybe do like to protect their works and them as an artist. And I would like to hopefully get into paralegal work. That's what I'm focusing on right now. Michael Hingson  32:47 So is school pretty much full time for you these days? Natalie Belin & Mary Dunn  32:51 No, it's still part time, and that's what I like love about this program, because, like all week, you'll be doing 10 hours outside of so I still work full time as an administrator in the SHRS program, and I am the administrator for Rehabilitation Science. So yeah, it's great to have like, bosses and everything that support me in my educational journey, because that makes my life a lot easier too. Natalie Belin & Mary Dunn  33:26 Yeah, that's some great bosses. Michael Hingson  33:29 Well, it's good to have some people who tend to be a little bit more supportive. It helps the psyche when you get to do that. Yes, yeah. Natalie Belin & Mary Dunn  33:39 Because the one thing that I noticed with this program, it is definitely more manageable, because, like the undergrad program, I did enjoy the process. For most parts, some of it was really challenging. But the undergraduate program, it was really hard for me to get late night classes. Most of those classes that I had to take were I had to be in person, so like late classes were pretty hard to get, but my bosses allowed me to take earlier classes so I could help finish the program faster, but I just had to make up that time. Right? Michael Hingson  34:28 When did you discover that you had artistic talent? Natalie Belin & Mary Dunn  34:32 Um, I don't know if I ever really discovered that I had the talent, but I was very passionate at a young age, like when my mom was going back to school, I always loved watching her paint, because she had like the painting classes. I always thought so I like sit on the floor and watch her paint. And at a very young age, I was in the dance class. Do you remember the name? A France Dance School of Dance, France School of Dance. And I love dance class so much. I remember one time the dance school was closed because of a holiday, and I was, like, so upset, like, I didn't believe, like, the dance school was closed and I didn't understand, like, why I wasn't allowed to go. So they called the school and it went straight to, like, the answering machine so they could prove, like, it was closed and nobody was there. I was like, ready to show up. Natalie Belin & Mary Dunn  35:30 She wanted to go, yeah. She was just about three or four when she was taking the dance classes at that time. Yeah. But then it became on, you know that they both the kids were involved, but I couldn't afford it anymore. Natalie Belin & Mary Dunn  35:45 So dance is very expensive. Yeah? Natalie Belin & Mary Dunn  35:48 Well, you know, like, at that time too, I was going to school, and I didn't have much of a salary, and I was living with my parents, so, I mean, and they were retired, so it was, like, very tight. Yeah, right. Michael Hingson  36:04 Well, it nice to have an enthusiastic student, you know, Natalie Belin & Mary Dunn  36:13 so true. Well, Michael Hingson  36:15 so you've created the many colors of Natalie blog, tell me about that. Natalie Belin & Mary Dunn  36:22 So I reach out to different artists that were that are located in Pittsburgh or at one time, working or living in Pittsburgh. So this is like musicians, photographers, actors and they, I I create questions for them, for them to answer in their own words, like advice that they would give, or funny stories that they had while working in the field. And that's that's the main point of the blog, because I want it to be a resource for people and for them to also see, like, why that genre is cool. And I think another reason that motivated me to create that blog is some people just don't see an importance to art, and I find that so offensive. Like, yeah, so I just wanted it to be as an educational type thing as well. Michael Hingson  37:28 How long has the blog been visible? Natalie Belin & Mary Dunn  37:33 So it's been visible for about five, six years now, five years, yeah, and I did over like 50 some posts. Michael Hingson  37:45 Do you do that with consistency? Or So do you have one, like, every week or every three weeks, or every month, or something like that? Or how does that work? Natalie Belin & Mary Dunn  37:53 So when I first started, I was consistent with the posts I don't ever leave my blog, like, not active for like a year. Like, I always try to post something, but it's a little more challenging to do a post. Like, every month, whenever I'm working, going to school, volunteering for different things, running the Etsy shopper, vending so I had to cut it back a little bit because that is just me running it. Michael Hingson  38:30 So you've also created a mixed media piece. First of all, what is a mixed media piece? Natalie Belin & Mary Dunn  38:35 You want to explain Natalie Belin & Mary Dunn  38:36 the mixed media? Oh, well, a mixed media is like different mediums. It could be paint, it could be pictures, and it's posted on a board, a canvas, or whatever it can be in a journal. You know, you just use various types of mediums. It could be using lace, it could be using fabric, it could be using, like I said, pictures, paper, and they call it mixed media. So she decided she wanted to create a mixed media. I had a huge canvas that was given to me. It was like 36 by 36 giant. It was huge, and I knew I couldn't do anything on that, because I don't paint big. I like to paint on smaller canvas, like an eight and a half by 11, or eight and a half by 14. So she, she decided she wanted to use that Canvas for something. But you go ahead and tell them. Natalie Belin & Mary Dunn  39:38 So, um, whenever Woodstock had their 50th anniversary, and I believe that was around 2019 I had the opportunity to go to yaska's Farm and camp where the original campers from the very first Woodstock would stay in that. Campsite was like, right next to this yaska farms. So I took some pictures of it, like me with the yaska farm house. And so it was very inspirational to go to that because I was doing research on what Woodstock was, the original Woodstock. And what that was about, I talked to Uber drivers that were actually at the original Woodstock. Jimi Hendrix is one of my favorite musicians, and for him to not be there, I was like, so sad. Very sad. So with all the education experience. I needed to release that. And I took my mom, let me have that canvas, and like I created a mixed media giant collage, and I got that into the Woodstock Museum in Socrates, New York. Natalie Belin & Mary Dunn  41:01 Wow, it's actually there now, Michael Hingson  41:04 yep. How long has it been there? Natalie Belin & Mary Dunn  41:07 I believe got that in there? Yeah, about two years. Michael Hingson  41:13 Wow. So it's kind of almost a permanent piece there. Natalie Belin & Mary Dunn  41:17 I hope so. I hope they keep it there for sure. What? Michael Hingson  41:21 What prompted them to be interested in having it there. Natalie Belin & Mary Dunn  41:25 So I that piece was so giant, and I loved how it turned out, and I wanted that more than just in my house, my art pieces are very close to me, because that's like my soul and my work, and I want it out there to somebody who cares about it. So I reached out to Shelly nation, Nathan, because they, I believe, are the owners of the Woodstock Museum, and they were more than happy to have it. I had it shipped out there. And then, whenever the season was to reopen the museum, I went out there and visited it. And it's a very great it's a very cool place. Natalie Belin & Mary Dunn  42:10 Recommend, yeah, she, she was interviewed by them, also, right? Natalie Belin & Mary Dunn  42:14 Oh, yeah, we did go on a radio station. And that was also a cool experience, because I was never on a radio show at that time. Cool. Michael Hingson  42:25 Well, that's pretty exciting. I have not been to the Woodstock Museum, so that might be something to explore at some point when I get get back there next that'd Natalie Belin & Mary Dunn  42:35 be great. Yeah, Natalie Belin & Mary Dunn  42:37 all those things like, you know, like I grew up during that period, of course, I didn't go to the Woodstock. Original Woodstock wouldn't let me do that. I was only 16 at the time, and but I mean, you know, like, like looking back at that and and seeing how all those people were there, and not nothing terrible happened, you know, I mean, hundreds of 1000s of people, and nobody got hurt. Well, they might have passed out, maybe from things, but nobody was, like, shot or killed or and like today. I mean, you can't you're so afraid to do anything today, you don't know what's going to happen. And it just was a different time. And the musicians that were there. I mean, that music was is still good today. You know, it's it, it hasn't faded. And I wonder sometimes about today's music, if it will continue to be popular in years to come, or if it's just going to fade out. You know, we won't know that, and so well I won't be here, probably Michael Hingson  43:44 we won't know for a while anyway, yes, but I did hear on a radio station a rebroadcast of a lot of the Woodstock concerts that was kind of Natalie Belin & Mary Dunn  43:56 fun. Yes, yes. Natalie Belin & Mary Dunn  44:00 Sorry I didn't mean to cut you. Go ahead. Go ahead. When I was talking to like the Uber drivers and stuff like that, and people who were at the original Woodstock, it seems like they were reliving that experience when they were telling the stories. I mean, it was great. Michael Hingson  44:15 Yeah. Well, you play creative percussion. First of all, what is pre creative percussion? Natalie Belin & Mary Dunn  44:23 So I actually have that written in some notes, what it actually is. So do you mind if I read off my notes? Michael Hingson  44:30 You're welcome to however you want to answer, perfect. Natalie Belin & Mary Dunn  44:33 So I was asked to be a creative percussion artist in 2020 and creative percussion is a family owned business established in 2018 and run by husband and wife team, Kevin and Sherry Feeney. They're great. I've had the opportunity to talk to them very much a couple of times, and my pictures also on the site. Um. Uh, under like my stage name now is a Bulla. So if you scroll down spell that it's S, E, B as a boy, u as in unicorn, L, L as in Len and a is an apple. Natalie Belin & Mary Dunn  45:16 Okay, what types of things, kinds Natalie Belin & Mary Dunn  45:18 of there's various types of shakers that I played because of various bands that I was in, I was the percussionist, so I played tambourine and stuff. But like, they have uniquely shaped shakers, like there's the hatch shakers, which I love them. They had a baseball shaker, and these little golf ball shakers, and they all carry different sounds, and they really blended differently with the type of song that I was playing was playing, yeah, so it's cool, Michael Hingson  45:53 yeah, so interesting. So you you play them as part of being with a band, or what Natalie Belin & Mary Dunn  46:01 for the most part, yeah, sometimes there was an acoustic band or just like a full band, and either way, I tried to have those pieces blend into the song. What I didn't learn when I was doing that is and an acoustic you really have to be on your game, because, like, if you mess up, like, people are gonna hear it more than if you're in a full band. So, yeah, right. Michael Hingson  46:38 So you do you still do that? Do you still play Natalie Belin & Mary Dunn  46:42 at this time? I don't, um, just because I wanted to focus on other things, so I took a step back from that. Michael Hingson  46:51 Do you think you'll do more of it in the future, or Natalie Belin & Mary Dunn  46:56 possibly, but like, that's how I am. I kind of just like, experience it, do it until I'm ready to move on to something else. Michael Hingson  47:04 So you flit, you flip from thing to thing, yeah, yeah, yeah. Natalie Belin & Mary Dunn  47:10 So, like, if you ever follow me, you might just see, like, me evolving and just trying other things. Michael Hingson  47:19 Well, you're adventurous. Natalie Belin & Mary Dunn  47:22 Yes, I love adventure. Michael Hingson  47:25 Nothing wrong with having an adventure in the world and getting to really look at things. So what are you doing now if you're not doing creative percussion and so on? Natalie Belin & Mary Dunn  47:38 Well, for the last couple months, I was helping my mom recover from like the back surgery. And then I was I was focusing on my blog, just really paying attention to that, getting certain interviews, and then schooling, getting ready to go into the certificate program. Michael Hingson  48:05 So you think you're gonna go ahead Natalie Belin & Mary Dunn  48:09 and I'm setting up the Etsy shop. Michael Hingson  48:13 So you're pretty excited about seal, the sports entertainment, art and law. Natalie Belin & Mary Dunn  48:19 Yes, I'm very excited about that. I was very excited to get into the program. The professors are great. The whole programs like really good. The people involved in it, they seemed, they seem really organized and let me know what I need to do to get into the program. And they are really nice. If I have a question, they're happy to answer it. I love the curriculum, so I hope you go, Well, Michael Hingson  48:46 do you experience anything any more dealing with like attention deficit? Oh, 100% it still creeps up, huh? Natalie Belin & Mary Dunn  48:55 Well, it's more anxiety than anything. But like this program, I think, is to help calm my anxiety with just different things that are set up. And like, how responsive the professors are and how nice they are. But my goodness, when I was in my undergraduate program, like I was really pushing myself, and I would like, of like, when 2020, came around in the pandemic, I needed to talk to my doctor and get on meds, like I could no longer not do that without meds. Natalie Belin & Mary Dunn  49:29 Yes, she was, she was struggling. It was tough. Yeah. I mean, when I went for my Bachelor's, I I I wasn't working. She was working. When I went for my master's, I was working, but, and I know how hard that is, you know, trying to balance things, especially I was working at equitable at the time, and the things that I was going through and being, you know, filling in for supervisors was I. I was on call, like, 24 hours a day, and it, you know, like that was, I can see how difficult it is to do both. It's just, I know what she was going through there, and she goes through it, but she did well. She graduated sigma, sigma cum laude. Natalie Belin & Mary Dunn  50:17 Yeah, I did get some honorary, like accolades for like, whenever I graduated. So that was pretty exciting, because the hard work did pay off. Michael Hingson  50:29 What do you think about studying and attending classes virtually as opposed to physically being in the room? Hybrid learning? Natalie Belin & Mary Dunn  50:38 Some people may have an issue with that, but I personally, cause I was working full time and it was hard for me to get later classes, I preferred the online learning, but I understand, like some of the classes really did need me to be there, like the theater classes, and I was okay with that. I don't mind either, either or, but it just seems like online learning is more manageable. For me, it Michael Hingson  51:08 takes more discipline to to stick with it and focus on it, as opposed to being in the classroom. Natalie Belin & Mary Dunn  51:14 Um, yeah, I agree, but I think which, which is not a negative thing, by the way. Oh, yeah, no, no, no, I totally understand, but I think, um, I forget what I was going with that. Michael Hingson  51:26 Sorry. Well, we were talking about the fact that more discipline dealing with, Natalie Belin & Mary Dunn  51:33 Oh, yeah. Oh, that's right, thank you. It's just, um, I think if you truly want it, you're gonna put forth the effort in anything. You know, it's may not always be enjoyable, but like, if you want it, you'll put through it. You'll push through it, like with high school, my mom knows, just like from elementary to high school, like that curriculum, I was just not feeling it, but I knew I had to stick it out. I wanted to be a high school dropout. I voiced that many of times, but like, I knew if I wanted to get to culinary school, I had to really focus on my academics through then and just try to push through and just do it, do what I had to do to graduate. Natalie Belin & Mary Dunn  52:19 Yeah, it's such a different environment to high school, I believe, you know, like I found that I really enjoyed college. I enjoyed my subjects. They went fast. The classes went fast. It was fast paced, but it was an I learned more. I you know, I think that slowness of the way that they do things in in the high school, it takes them like three weeks to get through one chapter, you know, and so it, it just, it just made it a big difference. And I, I wished I could continue to go to school. I think I was a really good student. Michael Hingson  52:59 I think one of the things about college is, and I've talked to several people who agree, is, you certainly learn from the courses that you take, but College offers so much more with with with the extracurricular activities, with the interaction with people, with The greater responsibility. College offers so many more life lessons if you take advantage of it, that really makes it cool. And I, I always enjoyed college. I liked it a lot. Natalie Belin & Mary Dunn  53:29 Yeah, yeah, I did too, I think with some of my challenges and frustrations, not only with my learning disability, but like the fact that

Brazilian guitarist and composer Chico Pinheiro joins Backstage Bay Area to talk about his musical journey, his duo collaboration with Vinicius Cantuária, and the stories behind his compositions “City of Dreams” and “Estrada Real” ahead of their upcoming SFJAZZ performances.A DownBeat Rising Star guitarist, Pinheiro reflects on his early start as a working musician in São Paulo, how Jimi Hendrix first pulled him to the guitar, and why “fun” has always been central to his artistic philosophy. He also explores the emotional geography behind “City of Dreams,” written during his move from São Paulo to New York, and the historical resonance of “Estrada Real,” inspired by Brazil's colonial-era gold route.Pinheiro also shares how his partnership with Vinicius Cantuária grew from admiration into a deep musical simpático, and what audiences can expect from their intimate duo sets—original music, Brazilian classics, Jobim, and spontaneous interplay shaped by close listening.

Discograffiti is the deep-dive podcast for music obsessives. In the first episode of this brand-new series, host Dave Gebroe talks with Spirit biographer Ryan Gabrinetti, and together they discuss the classic psych band's entire recorded output with commentary, stories, and star ratings for every release. Part 1 covers the incredible story of the band's early days, as the band coheres and releases one of the greatest debut albums of all time. Here are just a few of the many things that Ryan discusses with Discograffiti in this podcast: How Randy California wound up crossing paths with Jimi Hendrix in a life-changing moment as a teenager that set him on his path for the rest of his life; How a teenage kid wound up playing in a band with his 45-year-old step-father in an era when you were supposed to distrust anyone over 30; How Mamas & The Papas producer Lou Adler wound up taking the band under his wing; The lawsuit with Led Zeppelin over “Stairway To Heaven”, and the Spirit song which they allegedly stole for it; And an in-depth deep dive on every song off Spirit, their 1968 debut record. Sneak Peek: linktr.ee/discograffiti For the full, ad-free, 65-minute podcast, either subscribe to Discograffiti's Patreon at the Private Tier or higher (only $5/month), or just grab the episode as a one-off at the same link ($3). The Full Podcast: Patreon.com/Discograffiti

Lana Love is a Pop Princess and a Star. Just wait till you hear her stuff. She's a classically trained pianist, dancer, singer-songwriter and actress and she's got a background in musical theater and opera. She was a contestant on “The Voice” where she was picked for John Legend's team. She's had roles in shows like HBO's The Rehearsal, and her credits include tours as a Disney princess. She's been written up in People, Broadway World and Billboard. Her song “Lion Heart” is featured in Mattel's American Girl Live! And she's an advocate for artists' rights.My featured song is my reimagined version of Jimi Hendrix's “Fire”, from the album Made In New York by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH LANA:www.lanalove.music—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com