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Preparations begin for the full moon, and Leo's interviews take on a new purpose. Content Warnings: Discussion of death and grief; extensive discussion of religion, hell and evangelism; Discussion of Recreational drug use (not depicted). Transcript: https://tellnotalespod.com/transcript-s2-e21-beg-forgiveness/ Written and produced by Leon Egan. In this episode you heard the voices of Asher Amor-Train as Frank Williamson, Leon Egan as Leo Quinn, Shannon Kelly as Julia Wilde, Phil Thompson as Riley Matkins, and Beatrice Vincent as Melanie Cameron. Intro and outro music by Lumehill Atmospheric music: Slow Solitude by Amber Glow and Metamorphosis by Laura Platt. Music and sound effects sourced from Epidemic Sound and Soundly The conveniently public doman music Leo chose to listen to today was Debussy's Prelude to the Afternoon of a Faun and Bach's Sonata No. 1 in G minor. Performances sourced from musopen.org Art by Ana Balaci Find more info on our website tellnotalespod.com or at @tellnotalespod on Tumblr Distributed by Twin Strangers Productions Support Tell No Tales by contributing to their tip jar: https://tips.pinecast.com/jar/tell-no-tales This podcast is powered by Pinecast.
We'll look at two of the sonatas from Op. 2: Sonata No. 1 in F Minor, and Sonata No. 3 in C Major.
We'll look at the famous Waldstein Sonata in C Major, Op. 53, and the Sonata No. 22 in F Major, Op. 54.
We'll look at Beethoven's highly unusual Choral Fantasy, Op. 80, and his Cello Sonata No. 3 in A Major, Op. 69.
We'll look at Beethoven's last two cello sonatas: Cello Sonata No. 4 in C Major, Op. 102, No. 1, and Cello Sonata No. 5 in D Major, Op. 102, No. 2.
In our final episode on Persuasion, we talk about how much more satisfactory this is than the original ending, the purpose of the discussion between Mrs Croft and Mrs Musgrove, the conversation between Anne and Captain Harville, Wentworth's letter, his feeling that he had a moral obligation to marry Louisa and the wrap-up of the story.The character we discuss is Anne Elliot. In the historical section, Michael talks about the British Navy at the end of, and after, the Napoleonic Wars, and for popular culture Harriet discusses various modernised versions of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Character discussion:YouTube video: Karolina Żebrowska, Why Does Hollywood Hate Gentle Characters? ‖ Netflix “Persuasion” Review (2022)Popular culture discussion:Melissa Nathan, Persuading Annie (2000)Sara Marks, Modern Persuasion (2017)Sonali Dev, Recipe for Persuasion (2020)Sarah Dass, Where the Rhythm Takes You (2021)Uzma Jalaluddin, Much Ado About Nada (2023)Melodie Edwards, Once Persuaded Twice Shy (2024)Rhombus Media, Slings and Arrows (2003-2006) [mentioned but not a Persuasion adaptation]Diana Peterfreund, For Darkness Shows the Stars (2012)John Wyndham, The Chrysalids (1955) [mentioned but not a Persuasion adaptation]Suzanne Collins, The Hunger Games (2008) [mentioned but not a Persuasion adaptation]Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.
Andante from Sonata No 3 in A Major Felix Mendelssohn (1809-1847) by First Community Church
Georg Muffat (1653 – 1704) - Sonata No. 5 in Sol maggiore da “Armonico tributo”1. Allemanda2. Adagio [03:30]3. Fuga [04:48]4. Adagio [06:33]5. Passacaglia [09:49] Concerto Copenhagen orchestraLars Ulrik Mortensen, clavicembalo e direttore
In today's uplifting episode, host James Cox sits down with the wonderfully eclectic Kristen Massey—singer, guitarist, keyboardist, voice‑over artist, producer, comedy writer, and author of the newly released The Joat (Jill of All Trades).From the moment they meet, it's clear that music is the trunk of Kristen's tree—everything else branches off it.Together they explore:The healing power of music for depression and why a simple melody can change a heartbeat.Kristen's musical journey—growing up with a piano, crafting Beatles‑ and Joni‑inspired songs, front‑lining bands, and finally finding her voice after two record‑deal setbacks.Red Siren's story, including the costly name‑conflict that turned “Siren” into “Red Siren,” and the triumph of releasing their Led Siren tribute to Led Zeppelin.The Joat—a fresh paperback/Kindle release that urges everyone to become a “Jill (or Jack) of All Trades” and step out of comfort zones.Behind‑the‑scenes of audiobook creation, the challenges of recording an emotionally resonant narration, and the future audio‑book release.Thoughts on AI in music, Bandcamp's ban, and why Kristen decides song‑by‑song whether a track feels authentic.A rapid‑fire lightning round that reveals her first‑thought favorites, the posters that hung on her teenage wall, her “Mount Rushmore” of musical icons (The Beatles, Stevie Wonder, Joni Mitchell, and Jim Morrison), and the classical pieces that still stir her soul—Mozart's Sonata No. 23 and Haydn's C‑concerto.Kristen also shares heartfelt anecdotes—from playing a flute that makes jungle leaves stand at attention, to hitching a ride on Willie Nelson's tour bus—showcasing how music binds us to nature, animals, and each other.Stay tuned for a candid conversation that blends humor, nostalgia, and raw honesty—plus a glimpse into Kristen's upcoming original EP. Whether you're battling the blues or just love a good musical story, this episode proves once again that when words stumble, music speaks.
In this episode we look at the published version of Chapter 22. We talk about how proactive Anne is in these final chapters, the arrival of Charles, Mary and the Musgrove clan, Louisa's change in personality, how the Musgroves all want Anne to be with them, and the first time Wentworth actually refers to the time he and Anne were together.The characters we discuss is are Charles and Mary Musgrove. In the historical section, Michael talks about the shooting, and for popular culture Harriet looks at two books that retell Persuasion from the point of view of another character.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Sheila Kaye-Smith and G.B. Stern, Talking of Jane Austen (1943) and More Talk of Jane Austen (1950)Historical discussion:E. W. Bovill, English Country Life, 1780-1830 (1962) ‘The Thing About Willoughby's Pointers with guest Dr. Stephanie Howard-Smith‘, The Thing About Austen podcast, Episode 73Popular culture discussion:Amanda Grange, Captain Wentworth's Diary (2007)Dorothea-Sofia Rossellini, Mrs Clay: The Austen Expert's Companion to ‘Persuasion' (2016) Diana Birchall, In Defense of Mrs Elton (1999) Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.
In this episode, we talk about private communications in public spaces, Wentworth's possible feelings in the encounter at Mollands and in the Assembly Room, the question of whether Lady Russell was legitimately trying to identify a set of curtains, and Anne's feelings towards Mr Elliot.The character we discuss is Elizabeth Elliot. In the historical section, Michael talks about the Bath Assembly Rooms, and for popular culture Harriet discusses the 2023 independent film Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Historical discussion:Blackadder the Third (1987)YouTube video: Dr Timothy Moore, ‘Change & Challenge: The History of Bath's Assembly Rooms‘, Bath Royal Literary and Scientific Institution, 30 July 2024Assembly Rooms floorplan (Source: http://www.victoriahinshaw.com/victorias-vibes—-a-blog/archives/05-2019)Popular culture discussion:Persuasion (2023, Agatha Films) – starring Skylar Pierce and Dan BrownCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.
In this episode, we talk about the upward and downward social interactions taking place, what the implications are behind the Dalrymples being Irish aristocracy, the introductions of Mrs Smith and Nurse Rooke, the comedy of Mary's letter and Admiral Croft's meeting with Anne, and the fact that in the book's timeline it is only a month before Napoleon Bonaparte will escape from Elba.The characters we discuss are Admiral and Mrs Croft. In the historical section, Ellen talks about nurses, and for popular culture Harriet discusses the 2020 television movie Modern Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Maria Edgeworth, Castle Rackrent (1800)Character discussion:Walter Scott, Waverley (1814)Patrick O'Brien, Master and Commander (1969) and sequels in the Aubrey and Maturin seriesHistorical discussion:Charles Dickens, Martin Chuzzlewit (1844)Elizabeth Fry (19th century English prison reformer, social reformer, philanthropist and Quaker)Wellcome Collection in LondonPopular culture discussion:Modern Persuasion (2020, Tangerine Entertainment) – starring Alicia Witt and Shane McRaeCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.
In this episode, we talk about these transitional chapters between the events at Lyme and the move to Bath. We consider the position of the old nurse in the Musgrove household, how Anne is feeling a bit sorry for herself, the delightful scenes with the Crofts and with Charles and Mary, how Mr Elliot is described as ‘underhung', and the way Anne and Mr Elliot get on well with each other.The characters we discuss are Mr and Mrs Musgrove. In the historical section, Ellen talks about Bath, and for popular culture Harriet discusses the 2019 YouTube series Rational Creatures.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Noel Streatfeild, Gran-Nannie (1976) and Ballet Shoes (1936)Novels of Charlotte M. YongeEvelyn Waugh, Brideshead Revisited (1945)Alexander Pope, ‘The Rape of the Lock‘ (1712)Historical discussion:The Venerable Bede (c.672-735)Nennius (9th century Welsh monk)Google map of locations in Persuasion, zoomed in on BathPopular culture discussion:Rational Creatures (2019, YouTube) – starring Kristina Pupo and Peter GiesslHarriet's interview with the creators of Rational CreaturesCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.
Kate Molleson explores the extraordinary life and music of Elisabeth Jacquet de La GuerreElisabeth Jacquet de La Guerre (1665-1729) was a pioneer in the history of music, one of the first to bring sonatas and cantatas into the French repertoire, and the first woman in France to compose a performed opera. She explored and pushed further the possibilities of musical composition, as well as writing some of the most beautiful pieces of the Baroque era. She worked under the patronage of the most powerful figures of this Grand Siècle that saw the absolute reign of Louis XIV and the construction of his dreamed Versailles. And yet, there are still many elements of mystery and unknown in this composer's story. Kate Molleson invites you to (re)discover the extraordinary adventures of a gifted musician, with a soupçon of French flair and lots of gorgeous music.Music Featured: Harpsichord Suite in G major L'Isle de Délos ["The Island of Delos"] Harpsichord Suite in G minor Le Passage de la Mer Rouge ["The Crossing of the Red Sea"] Sonata No 1 in D minor Les Rossignols, dès que le Jour Commence Harpsichord Suite in D minor Sonata No 5 in A minor Sémélé ["Semele"] Harpsichord Suite in A minor Sonata No 2 in D major Sonata No 1 in G minor (transcribed for organ) Céphale et Procris ["Cephalus and Procris"] Harpsichord Suite in F major Sonata in D major Jacob et Rachel Harpsichord Suite in D minor Suite in G major Sonata No. 3 in F major Jonas Judith Le Sommeil d'Ulysse ["Ulysses' Sleep"] ( Le Raccomodement Comique de Pierrot et de Nicole Trio Sonata in G minor Air à boire La Provençale: 'Entre nous mes chers amis' ["Between us, dear friends'"]Presented by Kate Molleson Produced by Julien Rosa for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Elisabeth Jacquet de La Guerre (1665-1729) nhttps://www.bbc.co.uk/programmes/m002b676 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
In this episode, we talk about how how Jane Austen has solved the problem of the infodump, the realism of the scene with little Walter, how she shows the relations within families, and how events on the walk to Winthrop affect Wentworth's feelings.The characters we discuss Louisa and Henrietta Musgrove. In the historical section, Ellen talks about curates, and for popular culture both Harriet discusses the 2007 ITV film adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Maria Edgeworth (reference in the Persuasion footnotes is to A Memoir of Maria Edgeworth with a Selection from her Letters (1867), vold. 2, pp. 5-6.)Character discussion:Irene Collins, Jane Austen and the Clergy (2002)Historical discussion:Anthony Trollope, The Last Chronicle of Barset (1867)Stipendiary Curate Act 1713 Popular culture discussion:Clerkenwell Films, Persuasion (2007) – starring Sally Hawkins and Rupert Penry-JonesWatch on YouTubeStairs on the Cobb (photo)Louisa's fall (this YouTube video shows the same scene from four different adaptations of Persuasion)Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.
Er is weer een nieuwe aflevering van Europa Draait Door en daarin hebben we maar liefst twee gasten: Julia Soldatiuk-Westerveld van Instituut Clingendael en VPRO-journalist Jelle Brandt Corstius. Jelle maakte de zesdelige serie Van Moskou tot Maidan waarin hij helemaal in Oekraïne duikt, want het is inmiddels drie jaar geleden dat Rusland de grote invasie begon. Sinds Trump in Washington aan de touwtjes trekt is er ook voor Oekraïne een totaal andere realiteit ontstaan. Trump doet er alles aan om zo snel mogelijk een einde aan de oorlog te maken, ook als dat betekent dat Oekraïne flink moet toegeven. Is Europa bereidt en capabel genoeg om in Oekraïne te blijven steunen? En wie is, als er eenmaal een bestand is bereikt, troepen naar Oekraïne te sturen om die vrede te verdedigen? Daarnaast uitgebreid aandacht voor de Duitse verkiezingen. Op 23 maart 2025 staan wij op het NPO Luister Podcast Festival in TivoliVredenburg Daar staan we in de mooie Herz-zaal - tussen 17 en 18 uur. Ruslandkanner en vriendin van de show Helga Salemon is dan onze gast! Je kunt nog een kaartje kopen. Check hiervoor: podcastfestival.npo.nl (https://podcast.npo.nl/admin/feed/366/feeditem/podcastfestival.npo.nl) Minister Faber over Zelensky: 'Hij is niet democratisch gekozen' (https://www.rtl.nl/nieuws/politiek/video/d1c2bd80-1730-4fac-996d-37541bc8934f/minister-faber-over-zelensky-hij-niet) Friedrich Merz examines using outgoing parliament to loosen debt brake (https://www.ft.com/content/33b4fcfd-803f-4b39-9778-6126196736c8) Wary of Trump, Germany's Merz warns it's 'five minutes to midnight for Europe' (https://www.reuters.com/world/europe/merzs-conservatives-push-quick-coalition-talks-after-german-election-win-2025-02-24/) Van Moskou tot Maidan (https://www.vpro.nl/programmas/van-moskou-tot-maidan.html) Ukraine agrees minerals deal with US (https://www.ft.com/content/1890d104-1395-4393-a71d-d299aed448e6) Junge Männer rechts, junge Frauen links? (https://www.faz.net/aktuell/politik/bundestagswahl/bei-wem-die-linke-eine-mehrheit-haette-junge-frauen-waehlen-links-junge-maenner-rechts-110319938.html) A new global gender divide is emerging (https://www.ft.com/content/29fd9b5c-2f35-41bf-9d4c-994db4e12998) Sonata No. 1 In E Flat, BWV 525: 1. - Johann Sebastian Bach, Simon Preston (https://open.spotify.com/track/1HW5C7J7n1xCWRFrYu4AMI?si=104d0c0c34a84e6e)
Ludwig van Beethoven - Cello Sonata No. 2: RondoDavid Hardy, celloLambert Orkis, pianoMore info about today's track: Dorian Sono Luminus DSL-90910Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
This is an in-between ‘extras' episode. Our episodes are normally not more than an hour in length, which means that we usually have to cut a certain amount of material in the editing. But for Episode 3, we had much more material than usual. So we kept the episode down to an hour, but decided to release an ‘extras' episode, with some of the bits we edited out.It's a bit disjointed, but we hope you enjoy it.THINGS WE MENTIONCharacter discussion:Sheila Kaye-Smith and G.B. Stern, Talking of Jane Austen (1943) and More Talk of Jane Austen (1950)Historical discussion:The Aubrey & Maturin novels of Patrick O'BrienAdmiral Thomas Cochrane (1775-1860)Popular culture discussion:BBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsThe Bounty (1984)CREATIVE COMMONS MUSIC USEDExtract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.
Arcangelo Corelli - Trio Sonata No. 12 “Ciacona”Adam LaMotte, violin Lisa Grodin, violin El MundoMore info about today's track: Naxos 8.574295Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
In this episode, we talk about how how Jane Austen tells us about the feelings of Anne and Captain Wentworth, and how the narrator captures Anne's emotions; the building up of the relationship between Charles and Mary, and their reaction to Little Charles' accident; Mrs Musgrove's feelings about her son; and Mrs Croft's travels.The character we discuss is Captain Wentworth. In the historical section, Harriet's partner Michael talks about the Navy, and for popular culture both Harriet and Michael discuss 1995 BBC film adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Character discussion:First Impressions podcast, ‘Ep 17: Persuading Kristin to Like Persuasion‘, 22 January 2017.Historical discussion:Security to Merchant Ships Act 1707 (6 Ann. c. 65), generally known as the Cruisers and Convoys Act 1708Distribution of prize money: see table on our websitePopular culture discussion:BBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsWatch on YouTubeStairs on the Cobb (photo)Louisa's fall (this YouTube video shows the same scene from four different adaptations of Persuasion)Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Christoph Willibald Gluck, Orfeo ed Euridice. File from IMSLP.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.
In this episode, we talk about how the backstory of Anne and Wentworth is presented without comedy, and yet is absolutely enjoyable. We then move on to the introduction of Mary, and why she is the way she is, the generational change we see in the Musgrove family, and the very unsympathetic portrayal of Dick Musgrove.The character we discuss is Lady Russell. In the historical section, Ellen talks about social precedence, and for popular culture Harriet has watched the 1972 Spanish television adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)George Eliot, Middlemarch(1872)Maria Edgeworth, The Good French Governess (1801)Charlotte M. Yonge, The Daisy Chain (1856)Ethel Turner, Seven Little Australians(1894)Historical discussion:Anthony Powell, The Acceptance World (1955)The Right Hon. the Countess of *******, Mixing in Society: A Complete Manual of Manners (1870)Debrett's Tables of PrecedencePopular culture discussion:TVE, Novela: Persuasión (1972) – starring Maite Blasco and Juan DiegoWatch on YouTube: PlaylistCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Christoph Willibald Gluck, Orfeo ed Euridice. File from IMSLP.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.
This is one of the most interesting piano sonatas of the early 20th century. Scriabin pushes the boundaries both in musical expression, harmonic coherence and structural integration in this amazing work, so full of life and creative spirit. It's also nice to be able to do a substantial analysis play-through when I have the music in my hands, since I've just recorded it for my upcoming solo album Scriabiniana! Update dec 2024: Sorry for lagging behind in podcast uploads; I'm catching up with a few episodes already published on youtube. Video: https://youtu.be/pLq8wHK8mYY
Yann Passabet-Labiste is a French violinist with a beautiful warm intensity to his playing, and in this episode we're focussing on his album “Robert Schumann et son univers” with pianist Bertrand Giraud. Yann talks about some of his mentors in France and Switzerland, many interesting and inspiring musical highlights and his perspectives on how music has helped him through some difficult challenges. YouTube video of this episode, and Transcript linked here on my website: https://www.leahroseman.com/episodes/yann-passabet-labiste Video of Sonata No. 1 “A mon fils Yann pour sa Maman” by Gérard Passabet-Labiste https://www.youtube.com/watch?v=0DBUxSJjXeM Yann Passabet-Labiste website: https://www.yann-passabet-labiste.com/ Schumann et son univers album (also on your favourite streaming service): https://www.fnac.com/a20143665/Robert-Schumann-Robert-Schumann-et-son-univers-CD-album Brahms Scherzo video from Paris concert: https://www.youtube.com/watch?v=stk09FVUh7w It's a joy to bring these inspiring episodes to you every week, and I do all the many jobs of research, production and publicity. You can support this independent podcast through both the unique collection of merchandise: https://www.leahroseman.com/beautiful-shirts-and-more Buy me a coffee? https://ko-fi.com/leahroseman Sign up for my newsletter: https://mailchi.mp/ebed4a237788/podcast-newsletter You may also be interested in my episodes with: Nimrod Borenstein, Omo Bello, Julia MacLaine, the Euclid Quartet, Jeeyoon Kim, and many more going back to 2021. Timestamps: (00:00) Intro (01:33) album Robert Schumann et son univers (04:51) Clara Schumann 1st Romance (04:49) Yann's childhood, the death of his mother, father composer (13:11) Sonata No. 1 “A mon fils Yann pour sa Maman” by Gérard Passabet-Labiste (16:13) Yann's parents, his start on violin (22:21) teachers Lilian Rossi Monique Voisin-Vallet (25:55) Brahms Scherzo from F.A.E. Sonata, live performance (31:25) studies in Geneva, member of the Tonhalle orchestra in Zurich (39:40) Japan, Madagascar (43:18) collaborating with his father composer Gérard Passabet-Labiste (44:45)practicing violin technique, yoga (46:55) other episodes you may enjoy, and different ways to support this series (47:40) favourite musicians and musical memories (53:54) living for the moment and need to play for people (58:07) Second Romance Robert Schumann op. 94 (01:02:09) music education in France (01:05:18) challenges with a solo career, memorable performance highlights (01:20:43) favourite concertos (01:27:51) concert memories Alfred Brendel Concertgebouw, Butterfly Lovers in China (01:37:13) concert preparation
In this episode, we talk about the publishing history of Persuasion, the precise dates we are given in the book, the fact that we learn very little about Anne in the first chapters, and how well Mr Shepherd is managing Sir Walter.The character we discuss is Sir Walter Elliot. In the historical section, Ellen talks about baronets, and for popular culture Harriet gives an overview of the screen adaptations of Persuasion, and then talks in more detail about the about the 1971 BBC adaptation.Things we mention:Historical discussion:John Debrett, The Baronetage of England, containing their Descent and Present State (1808)William Dugdale, The antient usage in bearing of such ensigns of honour as are commonly called arms (1682)Thomas Wotton, The English Baronetage : containing a genealogical and historical account of all the English baronets, now existing (1741)John Burke, A Genealogical and Heraldic History of the Landed Gentry (1838)Popular culture discussion:BBC, Persuasion (1960) – starring Daphne Slater and Paul DanemanBBC, Persuasion (1971) – starring Ann Firbank and Bryan MarshallWatch on YouTube: Part 1 and Part 2Stairs on the CobbTVE, Novela: Persuasión (1972) – starring Maite Blasco and Juan DiegoBBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsClerkenwell Films, Persuasion (2007) – starring Sally Hawkins and Rupert Penry-JonesNetflix, Persuasion (2022) – starring Dakota Johnson and Cosmo JarvisCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.
Send us a textHappy Halloween Beloved Initiates! This is the full audio of the dramatized adaption of Immortal House! I hope you love it. This full production has two new questions from two new hopeful initiates, one I spoke to at WA State Horror Con last week. Ken Carlson stars as the vampire Laurence Roch.Amy Riddle performs as Sarah, the human realtor. Stevie Rae Causey reprises her role as vampire, Norma. Hannah Duff performs as Betty, Laurence's human landlady.Lydia Randall as Pascaline and Escrow OfficerJun Hsu as BillJennifer Brozek as Agata and Ms. HarrisRob Clifford as Lovely Human, Jakub, and CarlosAbby Masterson as Human with DogNikki Burton as Bartenders #1 and 2 and The House InspectorDennis Roberts as Victim #2 and RobElizabeth Guizzetti as your narrator, Loretta. Intro and Outro Music is written by Evan Witt and you can learn more about his music at www.wittynotes.comOther background noises and music were licensed from Pond 5, StoryBlocks or made in house. Background Music Ludwig van Beethoven's Sonata No. 8 In C Minor. 2. Pathetique / Emanuele Dentoni's Neo Baroque Overture and The Execution of the King and Bittersweet / Gerardo Garcia Jr Water DropsFrédéric François Chopin - Waltz ab Farewell No 1 and NocturnVladyslav Krotov/Mood Mode Jazzy Retro Swing Groove and Funk That FeelingsStyle da Kid Watcher of the NightSupport the showThank you for listening. Social Media: PFC PATREON: PFC INSTA: https://www.instagram.com/vampiresofthepfc/ELIZABETH'S WEB: https://www.elizabethguizzetti.com/paperflowerconsortiumELIZABETH'S INSTA: https://www.instagram.com/elizabeth_guizzetti/
Send us a textIn the exciting conclusion to Immortal House, Beloved Initiates, Laurence, an accidental vampire of two centuries and a first time home buyer, is struggling with memories of his last love, but he has friends even if he has forgotten them.Episode 3 CAST:Ken Carlson stars as the vampire Laurence Roch.Amy Riddle performs as Sarah, the human realtor who isn't sure about her client with fangs. Stevie Rae Causey reprises her role as vampire, Norma. Hannah Duff performs as Betty, Laurence's human landlady.Jennifer Brozek as Ms. HarrisRob Clifford as CarlosLydia Randall as Escrow OfficerNikki Burton as House InspectorDennis Roberts as RobJun Hsu and Abby Masterson add their voice talents and all actors were background in the bar.Elizabeth Guizzetti as your narrator, Loretta. Intro and Outro Music is written by Evan Witt and you can learn more about his music at www.wittynotes.comOther background noises and music were licensed from Pond 5, StoryBlocks or made in house. Background Music Ludwig van Beethoven's Sonata No. 8 In C Minor. 2. Pathetique / Emanuele Dentoni's Neo Baroque Overture and The Execution of the King / Gerardo Garcia Jr Water DropsFrédéric François Chopin - Waltz ab Farewell No 1. Vladyslav Krotov/Mood Mode Jazzy Retro Swing GrooveSupport the showThank you for listening. Social Media: https://www.elizabethguizzetti.com/paperflowerconsortiumhttps://www.instagram.com/elizabeth_guizzetti/Support the showThank you for listening. Social Media: PFC PATREON: PFC INSTA: https://www.instagram.com/vampiresofthepfc/ELIZABETH'S WEB: https://www.elizabethguizzetti.com/paperflowerconsortiumELIZABETH'S INSTA: https://www.instagram.com/elizabeth_guizzetti/
We'll look at Beethoven's last two cello sonatas: Cello sonata No. 4 in C Major, Op. 102, No.1, and Cello Sonata No. 5 in D Major, Op. 102, No. 2. both completed in 1815.
Alberto Williams - Argentine Sonata No. 1: MalamboValentin Surif, pianoMore info about today's track: Marco Polo 8.223799Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
Link to Wojciech Kocyan's website: https://www.wkocyan.com/Link to Jed's Classicstoday.com review: https://www.classicstoday.com/review/review-9494/Link to the recording on Wojciech Kocyan's YouTube Channel: https://www.youtube.com/channel/UC9NwD7Ek74nTs1ihodkKctw
Link to purchase this recording: https://www.prestomusic.com/classical/products/8053750--brahms-piano-sonata-in-f-minor
Silvius Weiss - Lute Sonata No. 28 'The Famous Pirate': CouranteRobert Barto, luteMore info about today's track: Naxos 8.572219Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
Leo and Julia decompress after an intense evening of emotions, but are interrupted by a surprise visitor. It's probably nothing to do with spirits, right?Content Warnings: Mention of death and grief, mention of loss of a sibling, mention of panic attack, mention of illness and blood.SFX Warnings: Audio panningTranscript: https://tellnotalespod.com/transcripts/transcript-s2-e13-sleep-walking/Written and produced by Leanne Egan. In this episode you heard the voices of Leanne Egan as Leo Quinn, Shannon Kelly as Julia Wilde, Phil Thompson as Riley Matkins, and Ty Von as... well, you'll have to wait and see.Twin Strangers Productions is partly sponsored by World Anvil, the leading tool for creatives of all varieties. To support TSP and get 51% OFF of a yearly World Anvil subscription, click here (link: https://worldanvil.com/?c=tnt) or use the promo code tnt at checkout.Twin Strangers Productions is partly sponsored by BroadlyEpi, a rapidly growing repository of information and education about public health and epidemiology. To find more information and support Tell No Tales, go to https://www.broadlyepi.com/tsp/At the start of this episode you heard a showcase for Dark Dice... Do you seek him? If so, find out more at https://darkdice.com/ Intro and outro music by LumehillThe conveniently public domain Leo chose to listen to today was Beethoven's Sonata No. 11, Op. 22 in B Flat - II and Chopin's Nocturne in C sharp minor 'Lento con gran espressione', B. 49 (Op. posth.). Performances sourced from musopen.orgAtmospheric music: The Lost Island by DEX 1200. Music and sound effects sourced from Epidemic Sound and Soundsnap.Art by Ana BalaciFind more info on our website tellnotalespod.com or at @tellnotalespod on Tumblr or TwitterDistributed by Twin Strangers Productions Hosted on Acast. See acast.com/privacy for more information.
Jay begins this episode with Paul Hindemith, who in 1921 combined his interest in ragtime with his love of Bach. There is also a minuet by Ravel, glancing back at Haydn. There is a song by Zemlinsky, setting Langston Hughes. There are wonders and curiosities in this episode—which, by the way, has a sponsor: Michael Lohafer, who, as Jay says, is “a particular authority on Mozart.” Mr. Lohafer says, “My sponsorship is on behalf of all attentive listeners to Music for a While who enjoy the well-considered selections that always delight the ear.” Bach, Fugue in C minor from “The Well-Tempered Clavier,” Book 1 Hindemith, “Ragtime (Well-Tempered)” Ravel, “Menuet sur le nom d'Haydn” Schumann, “Faschingsschwank aus Wien” Zemlinsky, “Afrikanischer Tanz” from “Symphonische Gesänge” Liszt, “Canzonetta del Salvator Rosa” from “Années de pèlerinage, deuxième année: Italie” Vasks, Dolcissimo from “The Book” Prokofiev, Sonata No. 7, Precipitato Martinů, Fantasia for String Quartet, Oboe, Theremin, and Piano Gounod, “Ah! lève-toi, soleil!” from “Roméo et Juliette” Tchaikovsky-Pletnev, Pas de deux from “The Nutcracker”
«Cuando regreso a mí, a mi sendero, a leer y estudiar, escuchando a los grandes del pasado, me basta una sonata de Corelli para maravillarme de la creación». El 18 de mayo de 2021 moría, a los 76 años, Franco Battiato. Sonata No. 12 in D minor Follia, Op. 5: I. Tema - Variazione 1 (Adagio) + Sonata Da Chiesa No. 1 in D Major, Op. 5: IV. Adagio + Sonata Da Chiesa No. 5 in G minor, Op.5: III. Adagio de Arcangelo CorelliOttavio Dantone, Stefano Montanari Corelli: Violin Sonatas Op. 5, Nos. 1-12L'Ombra Della Luce Franco Battiato Come Un Cammello In Una Grondaia (2008 Remastered Edition)Torneremo ancora Franco Battiato y Royal Philharmonic Concert Orchestra Torneremo AncoraBayaty + Chant from a Holy Book de G. I. Gurdjieff Anja Lechner y Vassilis Tsabropoulos Gurdjieff, Tsabropoulos: Chants, Hymns And DancesHaiku Franco Battiato Inneres Auge (Il Tutto E' Più Della Somma Delle Sue Parti)Aria Di Neve Franco Battiato FleursLa Quiete Dopo Un Addio Franco Battiato Inneres Auge (Il Tutto E' Più Della Somma Delle Sue Parti)Secondo Imbrunire Franco Battiato UnprotectedL'animale Franco Battiato Last Summer Dance - LiveI Treni Di Tozeur Franco Battiato y Alice Collezione ItalianaLa Cura Franco Battiato L'ImboscataEscuchar audio
In this episode, we are joined by Harriet's partner, Michael, and read chapters 46 to 50 of Emma. We talk about Emma's emotional roller coaster, reactions to the Frank-Jane revelation, the proposal scene and Emma's commitment to her father.The character we discuss is Frank Churchill, and then Michael talks about the changing lifestyle of Regency gentleman. In the popular culture section, Harriet talks about three books that are modernised versions of Emma.Things we mention:Character discussion: Serene, The Piano Scene: through Jane's eyes (11 December 2023) – and some other posts about EmmaPopular culture discussion:Alexander McCall Smith, Emma: A modern retelling (2014)Sonali Dev, The Emma Project(2022)Audrey Bellezza and Emily Harding, Emma of 83rd Street(2023)Mäda Primavesi by Gustav KlimtCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.
Scriabin's epic sonata no. 3 is one of only two with a more classical approach of four movements, before he ventured further into more integrated forms. However, you can already here savour everything that makes Scriabin great - soaring melodies, expansive textures over the whole piano, tightly knit counterpoint with individual voices and ever-unfolding chromaticism to name a few important ones. Pianist Henrik Kilhamn guides you through the composition with its four movements, with presentations interlaced with musical excerpts, the score and some analytical insights. Video: https://youtu.be/FEHzUgy5y2o
In this gem of a sonata, played on an original instrument, Bach hides the simplest musical theme in plain sight: one note. Alex looks at the end of movement 3, where Bach gives a pedal point E to the viola da gamba, asking for over 30 seconds of one sustained note on this instrument. Simple, yes, but perfectly aligned with the notes around it. It's just another gem in the sea of jewels that is Bach's oeuvre. Performance of this sonata by Mieneke van der Velden and Emmanuel Frankenberg for the Netherlands Bach Society
This week, Dalanie and Katie talk about their goals for 2024. IN THIS EPISODE PURCHASE OUR MERCH!: https://www.classicallyblackpodcast.com/store JOIN US ON PATREON! https://patreon.com/ClassicallyBlackPodcast SIGN UP FOR OUR MAILING LIST! https://www.classicallyblackpodcast.com/newsletter-sign-up FOLLOW US ON SOCIAL MEDIA! https://linktr.ee/classicallyblack Donate to ISBM! https://fundraising.fracturedatlas.org/international-society-of-black-musicians Check out our website: https://www.isblackmusicians.com Come see us at SphinxConnect in Detroit! We'll have an Expo Hall table. Pay what you can registration is here: https://registration.socio.events/e/sphinxconnect2024 FROM LAST WEEK: Register for Notes Noire https://docs.google.com/forms/d/e/1FAIpQLSeN56JaI89cmwv5xDcLq889kE5eRvoBFsh_GRoBfAdkwbYM-A/viewform Help Emanuel attend Violin Making School https://www.gofundme.com/f/help-emanuel-attend-violin-making-school?utm_campaign=p_lico+share-sheet&utm_location=FIRSTTIME&utm_medium=copy_link&utm_source=customer Black Excellence: Endea Owens https://www.endeaowens.com/ Piece of the week: Sonata No. 1 in G major - Johann Sebastian Bach https://www.youtube.com/watch?v=bY9w4p5ybF8
SOMM RECORDINGS announces the first volume of Prokofiev Milestones, featuring three characterful sonatas and a sparkling arrangement of music from Romeo and Juliet performed by violinist Lana Trotovšek and flutist Boris Bizjak accompanied by Maria Canyigueral on piano.Prokofiev Milestones revealingly turns the focus away from the prolific composer's famed orchestral works and celebrated ballets to his rich and varied chamber music.First performed in 1943, the Sonata for Flute and Piano (Op.94) is, as Robert Matthew-Walker comments in his notes, “music not of war, but of peace”; a pastoral escape laced with wit and mischief vouchsafed within a pristine neo-classical frame.It is heard again, transformed, in Prokofiev's transcription for Violin and Piano (Op.94a). Composed soon after, it lays claim to being “one of the finest 20th-century works in the genre and a genuine masterpiece”.The Sonata for Two Violins (Op.56) is heard in a new arrangement by Boris Bizjak that eloquently makes much of its sentimentality, drama, and vitality.A characterful suite drawn from Romeo and Juliet, and arranged for violin and piano by Lidia Baich and Matthias Fletzberger, revels in Shakespeare's great romance and Prokofiev's ardent response to it.TracksSonata for Flute and Piano in D Major, Op. 94 (24:15) I. Moderato (8:06) II. Scherzo: Presto (5:09) III. Andante (3:49) IV. Allegro con brio (7:10) Sonata for Two Violins in C Major, Op. 56 (arr. Boris Bizjak for flute and violin) (14:40) I. Andante cantabile (2:22) II. Allegro (3:15) III. Commodo (quasi allegro) (3:32) IV. Allegro con brio (5:29) Suite from Romeo and Juliet (arr. Lidia Baich and Matthias Fletzberger for violin and piano) (15:45) I. Introduction (1:29) II. Juliet (1:31) III. Dance of the Knights (3:03) IV. Balcony Scene (4:47) V. Dance of the Couples (1:27) VI. Mercutio – Fight – Tybalt's Death (3:25) Sonata No. 2 for Violin and Piano in D Major, Op. 94a (24:35)* I. Moderato (7:52) II. Scherzo: Presto (5:13) III. Andante (4:14) IV. Allegro con brio (7:14) Help support our show by purchasing this album at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.
This week, Dalanie and Katie talk about their goals for 2024. IN THIS EPISODE PURCHASE OUR MERCH!: https://www.classicallyblackpodcast.com/store JOIN US ON PATREON! https://patreon.com/ClassicallyBlackPodcast SIGN UP FOR OUR MAILING LIST! https://www.classicallyblackpodcast.com/newsletter-sign-up FOLLOW US ON SOCIAL MEDIA! https://linktr.ee/classicallyblack Donate to ISBM! https://fundraising.fracturedatlas.org/international-society-of-black-musicians Check out our website: https://www.isblackmusicians.com Come see us at SphinxConnect in Detroit! We'll have an Expo Hall table. Pay what you can registration is here: https://registration.socio.events/e/sphinxconnect2024 FROM LAST WEEK: Register for Notes Noire https://docs.google.com/forms/d/e/1FAIpQLSeN56JaI89cmwv5xDcLq889kE5eRvoBFsh_GRoBfAdkwbYM-A/viewform Help Emanuel attend Violin Making School https://www.gofundme.com/f/help-emanuel-attend-violin-making-school?utm_campaign=p_lico+share-sheet&utm_location=FIRSTTIME&utm_medium=copy_link&utm_source=customer Black Excellence: Endea Owens https://www.endeaowens.com/ Piece of the week: Sonata No. 1 in G major - Johann Sebastian Bach https://www.youtube.com/watch?v=bY9w4p5ybF8
Synopsis1685 was a good year for composers: Bach, Scarlatti and Handel were all born in 1685, as was, on today's date, Italian composer Lodovico Giustini.Like Bach, Giustini came from a family of musicians, and he began his career by succeeding his father as church organist, eventually landing the prize organ post at his hometown cathedral, a position he retained for the rest of his life. Giustini also took up a new-fangled keyboard instrument known as the forte-piano, which, unlike the harpsichord, struck the instrument's strings with small hammers rather than plucking them like a harp. This new technology allowed music to be played loud and soft (piano and forte), with a more nuanced range of dynamics and phrasing.Giustini's claim to fame is that in 1732 he published the first collection of sonatas written specifically for the instrument we now call the piano. Although Giustini's sonatas attracted little attention when they were first published, since only a few wealthy royals could afford to own these new and expensive instruments, over the next two centuries thousands of pianos — and piano sonatas — began appearing in even the most modest of musical households.Music Played in Today's ProgramLodovico Giustini (1685-1743) Canzona, from Sonata No. 12; Andrea Coen, fortepiano Brilliant Classics 94021
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