Podcasts about The Velvet Underground

In our previous episode, we went deep into the history of Cabaret Voltaire and their importance to UK industrial and, latterly, dance music. Now, we follow the trail we laid therein by taking a journey through the band's extensive discography, really fleshing out how they went from a Sheffield attic in 1973 to a Patagonian field site recording lizards for David Attenborough. Along the way, we take in televangelists, voodoo, Charles Manson samples, Velvet Underground covers, a near-miss with Todd Terry, and a Taylor Swift pressing-plant mix-up that turned a forgotten ambient track into a viral curiosity decades later.Phil Eaglesham (aka P6 - ex-Stretchheads and De Salvo, current OMO frontman) returns to bestow upon us his encyclopaedic knowledge of the band and British industrial music. We start in 1974 with the lo-fi bedroom experiments of Cabaret Voltaire 1974–76, work through the rough-edged early Rough Trade EPs, the spring-reverb wilderness of Three Mantras and Voice of America, the cult monument that is Red Mecca, and the band's stylistic pivots through Hai!, 2x45, The Crackdown, Micro-Phonies, The Covenant, the Sword and the Arm of the Lord, Code, and beyond. We also pick at the more controversial late chapters, including the major-label years, the slightly-too-late acid house pivot, and Richard H. Kirk's solo reactivation of the name.Along the way, we explore the band as a video production company that happened to make music; their roles as curators and tastemakers via Double Vision; the Burroughs-and-televangelism worldview that made them frighteningly prescient about Reagan-era Christian nationalism; and their unsung debt to Black American music and dub. Chris also offers a wider reflection on what it means to lose the egoless purity of your earliest creative work as ambition and industry pressures take hold.We get deep in the weeds talking about the producers they worked with (Flood, Adrian Sherwood, John Robie, Marshall Jefferson); the labels (Rough Trade, Some Bizzare, Virgin, EMI, Mute); their collaborators and contemporaries (DAF, Wire, Throbbing Gristle, Clock DVA, Soft Cell, New Order, The Shamen); and the bands that lifted from them wholesale (Nine Inch Nails, Ministry, The Rapture, White Zombie, and a generation of Glasgow acts you've heard but can't quite place).It all culminates in us taking a closer look at Eight Crepuscule Tracks, a record that Phil thinks is their best and a very pure statement of what the band can and did achieve. We also settle upon what is perhaps the most important lesson to be gleaned from the Cabs' music: the importance of never compromising on your vision. By entering the belly of the beast and somehow remaining intact, they became one of the rare bands in this corner of music history whom nobody has a bad word for.Highlights00:00 Intro01:18 Welcome Back, Phil02:46 1974–76: Egoless Experimentation04:51 Bedroom Records06:30 Extended Play and DAF07:37 The Velvet Underground Cover08:26 Nag Nag Nag10:20 Van With a PA11:38 Three Mantras12:24 Mix-Up14:50 William Burroughs16:48 Voice of America19:35 Peter Care and Double Vision21:41 Red Mecca24:25 Encyclopaedia Bands27:36 Hai!29:36 2x45 in New York32:07 Sheffield's Family Tree32:55 Chris Watson Leaves36:16 The Crackdown42:23 Micro-Phonies46:38 Covenant, Sword and Arm of the Lord49:48 Drinking Gasoline51:45 Code54:58 Listen Up and Reissues57:12 Groovy, Laidback and Nasty1:00:15 Body and Soul1:03:56 Shadow of Fear1:04:51 The Taylor Swift Accident1:08:27 Richard Kirk's Death1:14:50 Bus Shelter Bashes1:19:58 Sincerity vs Seriousness1:25:00 Debt to Black Music1:29:00 Eight Crepuscule Tracks1:51:00 Why Everyone Loves Cab Vol1:58:36 Coming Soon: Coil?!

We look at this Harvard Business Review Press book about Taylor Swift. For more about the book, see here. There's Nothing Like This: The Strategic Genius of Taylor Swift, reviewed This book is certainly readable. As someone who is aware of who she is, knows a few songs, and has teenagers who may have even gone to see her in concert there are reasons why this book was of potential interest for reviewing. The author also cites a lot of business management and thoughtful marketing thinkers too, Clayton Christiansen and Seth Godin yes we are talking about you here. Similarly words like pivot and pilot are used with business dev enthusiasm. This is all fine and dandy, but, as we read it, it was hard not to wonder if this was an attempt to shoehorn the career of Taylor Swift into a startup ethos vibe. The other question, and challenge in reading this narrative, was that, were we looking at Taylor Swift's career through the prism of a confirmation bias. She was, now is, wildly successful for sure, but does that mean that all of her albums, and her musical steps, and decisions made were actually that strategic or as carefully considered as the subtitle of this book would like us to think? As Bill Gates may have said, success can be a lousy teacher. All the more so when you consider musical careers. Lou Reed was an awful grump and cranky guy, if many accounts are to be believed, the Velvet Underground were both wildly unsuccessful first time around, and yet created some great songs and are considered to be one of the seminal and most important bands to have come out of the sixties. Was this therefore a clever strategic performance, or did they, eventually, stumble onto fame and fortune. Walk on the wild side and Waiting for my Man would hardly be obvious topics towards musical stardom. Coming back to Taylor, the book was informative, interesting, but the business analogies felt a bit clunky at times. Many fans felt that The Tortured Poets Department was a good single, or perhaps double album, lost in a triple. It would have been good to see how the author factored in this mishmash of an album in the slightly breathless prose of her faultless strategic rise to the top? Perhaps the classic result of so many triples, like Sandanista for example, so great songs, mixed in with some slightly to very odd ones too. This book might fall between too stools, not Taylor enough for TS fans, and a bit of a reach for business insights for those coming from a business or marketing background. More about the book here A smart, page-turning exploration of the business and creative decisions that transformed Taylor Swift into an unprecedented modern cultural phenomenon. Singer-songwriter. Trailblazer. Mastermind. The Beatles of her generation. From her genre-busting rise in country music as a teenager to the economic juggernaut that is the Eras Tour, Taylor Swift has blazed a path that is uniquely hers. But how exactly has she managed to scale her success–multiple times–while dominating an industry that cycles through artists and stars like fashion trends? How has she managed to make and remake herself time and again while remaining true to her artistic vision? And how has she managed to master the constant disruption in the music business that has made it so hard for others to adapt and endure? In "There's Nothing Like This," Kevin Evers, a senior editor at "Harvard Business Review," answers these questions in riveting detail. With the same thoughtful analysis usually devoted to iconic founders, game-changing innovators, and pioneering brands, Evers chronicles the business and creative decisions that have defined each phase of Swift's career. Mixing business and art, analysis and narrative, and pulling from research in innovation, creativity, psychology, and strategy, "There's Nothing Like This" presents Swift as the modern and multidimensional superstar that she is–a songwriting savant and a strategic genius. Swift's fans will see their icon from a ...

C'è stato un momento, negli anni Sessanta, in cui un loft argentato al centro di Manhattan diventò il luogo più interessante del mondo. Si chiamava la Factory, e a tenerla in piedi era un ragazzo timido di Pittsburgh, figlio di immigrati cechi, che aveva deciso di trasformare l'America in arte. Si chiamava Andy Warhol. In questo episodio ripercorriamo la sua storia: le radici povere, l'arrivo a New York, le lattine di zuppa Campbell's, i Velvet Underground, l'attentato che lo spezzò. E capiamo perché, senza Warhol, New York non sarebbe la stessa città.

这期节目，我想分享一位在华语世界或许略显小众，但绝对值得你用心聆听的伟大音乐人——ANOHNI（曾以 Antony and the Johnsons 的名字为人所知）。她的声音横跨了男女音域，带着一种极具辨识度的颤音。那是一种被世界狠狠拒绝过，却依然试图温柔拥抱世界的频率。她的声音像祈祷，也像伤口。它唱童年里没有位置的孤独，唱跨性别者对身体与灵魂合一的渴望，唱被河流带走的酷儿前辈，也唱正在消失的动物、树木、雪与地球。从一个在教堂和学校里找不到座位的跨性别孩子，到纽约东村地下俱乐部的前卫剧场；从凭借《I Am a Bird Now》拿下水星音乐奖，到用电子乐向气候危机与父权体制发出尖锐抗议。ANOHNI 的音乐轨迹，是一部从私密悲伤走向宏大史诗的生命线。我们常常把人生过成了一场寻找“标准答案”的巨大考试。当你发现自己的存在、你的真实感受与这个世界期待的“正确答案”背道而驰时，那种苦痛该如何度过？或许，你能从 ANOHNI 的故事里找到答案。她一路唱的，其实是人如何在被伤害之后，依然保留爱，最终把自己活成一条通往他人的路。如果你也曾感到自己不属于这里，如果你也曾在人群中感到格格不入，希望这期节目能为你造一间安全的房间，也为你带来直面真实感受的勇气。

This week, hosts Jim DeRogatis and Greg Kot talk with biographer Will Hermes about his book on Lou Reed, as well as Lou's music, persona, legacy and more.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Lou Reed, "Walk on the Wild Side," Transformer, RCA, 1972The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Velvet Underground and Nico, "Sunday Morning," The Velvet Underground & Nico, Verve, 1967The Velvet Underground and Nico, "Heroin," The Velvet Underground & Nico, Verve, 1967The Velvet Underground, "Pale Blue Eyes," The Velvet Underground, MGM, 1969Lou Reed, "Coney Island Baby," Coney Island Baby, RCA, 1975The Velvet Underground, "Some Kinda Love," The Velvet Underground, MGM, 1969Lou Reed, "How Do You Think It Feels," Berlin, RCA, 1973Lou Reed, "Perfect Day," Transformer, RCA, 1972The Velvet Underground, "Sweet Jane," Loaded, Cotillion, 1970The Velvet Underground and Nico, "I'll Be Your Mirror," The Velvet Underground & Nico, Verve, 1967The Velvet Underground, "Candy Says," The Velvet Underground, MGM, 1969Pixies, "Here Comes Your Man," Doolittle, 4AD and Elektra, 1989See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of Reelin' In The Years... The Featured Five Theme is Gone Fishin'... Plus, a song inspired by Peter Fonda's near-death experience that happened when he was a kid... A Bowie tune that's nearly a reworking of "I'm Waiting For The Man" by Velvet Underground... What influential Delta Blues musician simply vanished in the early 1940s?... The band - Heart - and a song inspired by the rumor of an incestuous relationship... New music from Kurt Vile, Jack White, Duane Betts, and Bruce Hornsby... Deep cuts from Chris Cornell, Bobby Womack, Big Star, Wilco, Freedy Johnston, Kaiser Chiefs, The Undertones, and more! For more info on the show, visit reelinwithryan.com

***This show is brought to you by DistroKid. Go to ⁠⁠⁠http://distrokid.com/vip/the500⁠⁠⁠ for 30% off your first year!*** Complete our⁠⁠⁠⁠ listener survey⁠⁠⁠⁠ for a chance to win a $50 gift card! Roddy Bottum of Faith No More unpacks the raw charm and lasting influence of Loaded, the record that turned The Velvet Underground's downtown art-rock spirit into something generations of outsiders could sing along to. Follow Roddy on Instagram: https://www.instagram.com/roddybottum/ Distrokid Artist of the Week: CRICKETS https://www.youtube.com/watch?v=3y17lNE_gQM Follow Josh on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/joshadammeyers/⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@joshadammeyers⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JoshAdamMeyers⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/joshameyers⁠⁠⁠⁠⁠⁠⁠⁠ Josh's Website: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.joshadammeyers.com/⁠⁠⁠⁠⁠⁠⁠⁠ Follow DJ Morty Coyle on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/djmortycoyle/⁠⁠⁠⁠⁠⁠⁠⁠ https://www.instagram.com/alldaysucker/ Follow The 500 on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/the500podcast/⁠⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/the500podcast⁠⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/The500PodcastWithJAM/⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: ⁠⁠⁠⁠⁠⁠⁠⁠500podcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠ Check the show's website:⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Music fan Brian Koppen chats with Meinard Cuskey as they discuss Hall of Fame artists: Public Enemy's “Harder Than You Think” vs. The Ramones' “Blitzkrieg Bop”Led Zeppelin's “Whole Lotta Love” vs. Van Halen's “Ain't Talkin' About Love”Soundgarden's “Fell on Black Days” vs. Pearl Jam's “Black”Fleetwood Mac's “The Chain” vs. The Zombies' “She's Not There”Velvet Underground's “I'm Waiting for the Man” vs. Radiohead's “All I Need” They also discuss Buckethead and Nirvana. Check out Meinard Cuskey at https://www.instagram.com/meinardcuskey/ and https://www.tiktok.com/@meinard_c; and on Spotify, listen to the Forever is Composed of Nows album by his band Cody's Porch, and his own EP, Everything I've Known. Intro music is from Jussy's Down Open Roads.  Check out Jussy at https://soundcloud.com/user-214048265/sets/jussy-demos-1!Support the show

Music fan Brian Koppen chats with music critic Reed Jackson as they discuss Hall of Fame artists: Beach Boys' “Sloop John B” vs. R.E.M.'s “Cuyahoga”Joni Mitchell's “The Dry Cleaner from Des Moines” vs. Queen's “I Want it All”The Temptations' “Runaway Child, Running Wild” vs. Velvet Underground's “What Goes On”Miles Davis' “Rated X” vs. ABBA's “Gimme! Gimme! Gimme! (A Man After Midnight)”Clash's “Magnificent Seven” vs. Neil Young's “Thrasher” Reed Jackson is the managing editor of the Spectrum Culture website and a regular contributor to Aquarium Drunkard.  You can also check out Reed at https://x.com/nakedfoul, https://www.instagram.com/blargeld, and https://nakedfoul.substack.com/! Intro music is from Jussy's Down Open Roads.  Check out Jussy at https://soundcloud.com/user-214048265/sets/jussy-demos-1!Support the show

Music fan Brian Koppen chats with music critic E.R. Pulgar as they discuss Hall of Fame artists: Def Leppard's “Animal” vs. Fleetwood Mac's “Silver Springs”The Doors' “L.A. Woman” vs Queen's “Good Old-Fashioned Lover Boy”Janet Jackson's “Again” vs. David Bowie's “Life on Mars?”Neil Young's “Powderfinger” vs The Velvet Underground's “Venus In Furs”Alice Cooper's “Poison” vs. Gil Scott-Heron's “I'll Take Care Of You” They also discuss harps, poetry, and Gerard Malanga. Follow E.R. Pulgar's work athttps://www.instagram.com/er_pulgar/https://erpulgar.com/https://elunderground.substack.com/ Intro music is from Jussy's Down Open Roads — check out Jussy at https://soundcloud.com/user-214048265/sets/jussy-demos-1! Support the show

Nos invité·e·s nous révèlent leurs trois titres les plus écoutés. La journaliste et écrivaine Carole Boinet nous fait écouter des morceaux de Kim Gordon, The Velvet Underground et Eartheater. Merci pour votre écoute Dans quel Monde on vit, c'est également en direct tous les samedi de 10h à 11h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Dans quel Monde on vit sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8524 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

We've compiled some of Tom's best conversations with some of the top directors today including: Mike White (The White Lotus, Enlightened), Todd Haynes (May/December, The Velvet Underground), Kelly Reichardt (First Cow, Wendy and Lucy), Mary Bronstein (Yeast, If I Had Legs I'd Kick You), Matt Johnson (BlackBerry, Nirvanna the Band the Show The Movie), Benny Safdie (Uncut Gems, Good Time). SUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES!https://www.patreon.com/TheBestShowWATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCHhttps://www.twitch.tv/bestshow4lifeFOLLOW THE BEST SHOW:https://twitter.com/bestshow4lifehttps://instagram.com/bestshow4lifehttps://tiktok.com/@bestshow4lifehttps://www.youtube.com/bestshow4lifeTHE BEST SHOW IS A FOREVER DOG PODCASThttps://thebestshow.nethttps://foreverdogpodcasts.com/podcasts/the-best-showHEARD IT ON THE BEST SHOW PLAYLISThttps://open.spotify.com/playlist/2XIpICdeecaBIC2kBLUpKL?si=07ccc339d9d84267See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A two-season black-and-white sitcom leaves a 60-year shadow, a band logo becomes more famous than the band name, and a random music reference boomerangs back into your week at the perfect moment. That's the lane we love: pop culture history that feels like real life, where classic rock stories sit right next to TV theme songs and the little memories that make certain tracks impossible to forget.We start with The Addams Family and why the characters, jokes, and visuals still land. From there we follow the thread into TV music history with Vic Mizzy, including his connection to Green Acres, and we detour into some old-school Hollywood facts that make you hear those familiar themes a little differently.Then we go bigger on music culture: the origin of the Rolling Stones tongue and lips logo, how it first appeared in 1971, and what inspired it. We also tip our hat to creators who don't always get the spotlight, like Chip Taylor (Wild Thing and Angel of the Morning) and arranger Ted Nichols, whose work helped define the sound of classic cartoons. Add a Minute With Jimmy on Andy Warhol and the Velvet Underground's Exploding Plastic Inevitable, plus reflections on Bowie, The Police, Hall and Oates, and INXS, and you've got a packed nostalgia podcast built for curious music fans.If you like music history, classic rock deep dives, and the stories behind the sounds, subscribe, share this with a friend, and leave us a review. What song instantly takes you back to a specific season of your life?Learn Something New orRemember Something OldPlease like and follow the Music in My Shoes Facebook and Instagram pagesReach out to us at musicinmyshoes@gmail.comSend us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

This week is lucky #13 of our series called “Degrees Of Separation…” where we discuss side projects and solo releases from artists we love. This episode focuses on the mega-intense, stage-stalking, heavy-throated, part-animal, part-machine literary punk rock icon: HENRY ROLLINS! Kevin's appreciation and fandom of old Hank goes all the way back to his rock n' roll beginnings! If you only know him as that red guy screaming Liar in that '90s video, or as the dude that is on every rockumentary, we hope we turn you on to something new. Search & destroy!!! New to InObscuria? It's all about digging up obscure Rock n' Punk n' Metal from one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. While we may be talking about an artist that many of you know in this episode, perhaps you are not aware of the depth of his work and collabs from the early 80s to the 2000s. Hope ya dig! Songs this week include: Black Flag - “My War” from My War (1984) Iommi - “Laughing Man (In The Devil Mask)” from Iommi (2000) Henry Rollins - “Hot Animal Machine 1” from Hot Animal Machine (1987) Rollins Band - “You Didn't Need” from The End Of Silence (1992) S.O.A - “Girl Problems” from No Policy (1981) Mike Watt - “Sexual Military Dynamics” from Ball-Hog Or Tugboat (1995) Rollins Band - “Love's So Heavy” from Get Some Go Again (2000) Henry Rollins - “It's Kiss! Pt.1 - Excerpt” from Talk Is Cheap, Vol. 2 (2002) Visit us: https://inobscuria.com/ https://www.facebook.com/InObscuria https://twitter.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=u Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Matt Johnson's life story has been mapped out as one long Q&A conversation from meetings with old friend, fan and BFI director Jason Wood. ‘Cognitive Dissident' traces his trajectory from the East End to Soho to the beloved albums he made with a series of super-groups and his 2021 comeback. He looks back here at … … his earliest musical memories – Donovan, the Move, the Crazy World of Arthur Brown … the old East End and the Two Puddings pub run by his parents, “full of ghosts”, Bobby Moore, Francis Bacon and the Krays … his Uncle Kenny promoting the Who, the Kinks and Jerry Lee Lewis … “Get yourself on a sunbed!” and other advice from George Michael ... what he learnt at De Wolfe Music, aged 15, in the red-light Soho of the late ‘70s … legendary manager Stevo signing the band's CBS contract at midnight in Trafalgar Square … “cigarettes, coffee, warm analogue equipment”: the Proustian scent of old studios … his NME ad recruiting The The members via the Residents, the Velvet Underground, Syd Barrett and Throbbing Gristle … being part of “the Long Mack Brigade” with Cabaret Voltaire, This Heat, Wire and the Gang of Four … Leonard Cohen's premonition of the internet … the Albert Hall: “like a tennis player playing Wimbledon” … the genius of Hank Williams … and his 2018 comeback, “like reunion of old army buddies” Order ‘Cognitive Dissident' here: https://omnibuspress.com/products/cognitive-dissident?_pos=1&_psq=cognitive+dissi&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Matt Johnson's life story has been mapped out as one long Q&A conversation from meetings with old friend, fan and BFI director Jason Wood. ‘Cognitive Dissident' traces his trajectory from the East End to Soho to the beloved albums he made with a series of super-groups and his 2021 comeback. He looks back here at … … his earliest musical memories – Donovan, the Move, the Crazy World of Arthur Brown … the old East End and the Two Puddings pub run by his parents, “full of ghosts”, Bobby Moore, Francis Bacon and the Krays … his Uncle Kenny promoting the Who, the Kinks and Jerry Lee Lewis … “Get yourself on a sunbed!” and other advice from George Michael ... what he learnt at De Wolfe Music, aged 15, in the red-light Soho of the late ‘70s … legendary manager Stevo signing the band's CBS contract at midnight in Trafalgar Square … “cigarettes, coffee, warm analogue equipment”: the Proustian scent of old studios … his NME ad recruiting The The members via the Residents, the Velvet Underground, Syd Barrett and Throbbing Gristle … being part of “the Long Mack Brigade” with Cabaret Voltaire, This Heat, Wire and the Gang of Four … Leonard Cohen's premonition of the internet … the Albert Hall: “like a tennis player playing Wimbledon” … the genius of Hank Williams … and his 2018 comeback, “like reunion of old army buddies” Order ‘Cognitive Dissident' here: https://omnibuspress.com/products/cognitive-dissident?_pos=1&_psq=cognitive+dissi&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Mercredi 1er avril, Pop-Rock Station ouvre avec le niuveau titre de The Strokes "The Adults Are Talking". Parmi les nouveautés, Kim Gordon dévoile "Girl With A Look", extrait de son album "Play Me". Focus aussi sur The Twilight Sad avec "Back To Fourteen", un titre centré sur le deuil et l'anxiété. Côté classique, hommage à David Bowie pour les 60 ans de son premier single "Do Anything You Say". S'enchaînent Richard Ashcroft, Deep Purple avec "Highway Star", ou encore Norman Greenbaum avec "Spirit In The Sky". La compilation caritative "Help2", au profit de War Child, propose une reprise de "Sunday Morning" du The Velvet Underground par Beth Gibbons. Suite de l'émission avec Jefferson Airplane, Temples, Cat Power et la découverte du groupe parisien Mascara. La nouveauté "Fresh Fresh Fresh" met en avant The Lemon Twigs et "I Just Can't Get Over Losing You", aux influences 60s-70s. Enfin, retour aux fondamentaux avec The Doors et "Light My Fire", puis Black Flag et "Rise Above", avant une fin d'émission avec Alt-J et Pink Floyd. The Strokes - The Adults Are Talking Kim Gordon - Girl With A Look David Bowie - Do Anything You Say Ten Years After - I Woke Up This Morning Richard Ashcroft - Break The Night With Colour Bruce Springsteen - Atlantic City Courtney Barnett - Nobody Really Cares If You Don't Go To The Party The Twilight Sad - Back To Fourteen The Cure - The End Of The World Deep Purple - Highway Star Norman Greenbaum - Spirit In The Sky Gorillaz - Delirium (Feat. Mark E. Smith) Beth Gibbons - Sunday Morning Travis - Side Mascara - Going Postal Jefferson Airplane - Somebody To Love Elvis Presley - A Little Less Conversation (Jxl Radio Edit Remix) Temples - Jet Stream Heart Gary Glitter - Rock & Roll Part 2 Cat Power - Peace And Love The Lemon Twigs - I Just Can't Get Over Losing You Green Day - Still Breathing The Doors - Light My Fire Black Flag - Rise Above Alt+J - Tessellate Pink Floyd - Shine On You Crazy Diamond (Parts I-V)Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Matt Johnson's life story has been mapped out as one long Q&A conversation from meetings with old friend, fan and BFI director Jason Wood. ‘Cognitive Dissident' traces his trajectory from the East End to Soho to the beloved albums he made with a series of super-groups and his 2021 comeback. He looks back here at … … his earliest musical memories – Donovan, the Move, the Crazy World of Arthur Brown … the old East End and the Two Puddings pub run by his parents, “full of ghosts”, Bobby Moore, Francis Bacon and the Krays … his Uncle Kenny promoting the Who, the Kinks and Jerry Lee Lewis … “Get yourself on a sunbed!” and other advice from George Michael ... what he learnt at De Wolfe Music, aged 15, in the red-light Soho of the late ‘70s … legendary manager Stevo signing the band's CBS contract at midnight in Trafalgar Square … “cigarettes, coffee, warm analogue equipment”: the Proustian scent of old studios … his NME ad recruiting The The members via the Residents, the Velvet Underground, Syd Barrett and Throbbing Gristle … being part of “the Long Mack Brigade” with Cabaret Voltaire, This Heat, Wire and the Gang of Four … Leonard Cohen's premonition of the internet … the Albert Hall: “like a tennis player playing Wimbledon” … the genius of Hank Williams … and his 2018 comeback, “like reunion of old army buddies” Order ‘Cognitive Dissident' here: https://omnibuspress.com/products/cognitive-dissident?_pos=1&_psq=cognitive+dissi&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Hey everyone, put on a nudie suite and let's head to the Grand Old Opry pilgrim. We are seeing one of the seminal country bands *checks notes* The Byrds?  We cover one of the first country rock albums but first we talk stripping Bride's of Chuckie, Biogiorno from Omaha, and we explore the New Taco Bell Menu. (And Aaron gives a bunch of kids heat stroke)  We also revist the Velvet Underground and Aaron tells Rob what he really thinks of his hair.      Call or Text the BECK LINE at 802 277 BECK     Hey, we have had a great time, why don't you take this gift basket. 

Swami John Reis of Rocket from the Crypt and Drive Like Jehu digs deep on record collecting, the thrill of the hunt, running Swami Records, and why the next release always matters most. Get yer tix to the Punk Rock Museum's 3rd Anniversary Show here Topics Include: Swami John Reis joins to talk record collecting and Punk Rock Museum. His collection is evolving — trading old hardcore for more desired records. Collection is 95% 45s, driven by a lifelong musical pursuit. Early punk led him to hunt for MC5, Stooges, Velvet Underground. The thrill: records still exist that nobody knows about yet. Digging through boxes feels calming, healthy, and satisfying every time. Hawaii vintage shop surprise — radio station collection hidden outside for decades. Detroit and Pittsburgh are his highest strike-rate cities for finds. Always ask the clerk — the best stuff is never on the floor. Styrene vs vinyl: the label sticker is the definitive tell. Making records informed his collecting — plain white sleeves, big hole 45s. Pressing plant relationships are everything; affordability is the biggest challenge. Customs delays under the current administration are wrecking release schedules badly. Major labels scrapped their own pressing plants — now everyone competes for time. Marketing records stopped making sense; the artist always drives interest anyway. Every record is essentially limited and out of print from day one. Smaller runs mean no unsold closet stock and more collector value later. Hot Snakes packaging and Rick Griffin's creativity still inspire him deeply. Upcoming: Sultans reissue, Mrs. Magician LP, new Swami John Reis record. Schizophonics collaboration in the works — the next thing is always the thing. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Say hi, won't you? thebottomforty@gmail.com 

John Flansburgh of They Might Be Giants talks rare vinyl rarities, the chaotic story behind the new album's cover art, why re-recording old music is almost always a mistake and lots more Order the new album "The World Is to Dig" here Topics Include: Flansburgh owns roughly 2,000 records across three turntable setups at home He doesn't identify as a collector — just a serious listener His rarest record: an Andy Warhol-autographed Sticky Fingers with wild provenance photos He also owns a peeled-banana Velvet Underground and a Blonde on Blonde rarity Deep dive into what makes each of those pressings so collectible TMBG's new album title comes from a Maurice Sendak-illustrated children's book That led to a fascinating detour on painter Ad Reinhardt's secret black-on-black canvases Flansburgh has been TMBG's de facto art director for 35 years The new album's cover art was nearly a Washington Post-licensed sinkhole photo Washington Post's mass layoffs killed the deal at the last possible moment A Hudson Valley School painting of Yosemite became the actual cover Flansburgh and Linnell don't stockpile songs — cuts are made for specific artistic reasons He once had to shelve a song because Linnell came in with a nearly identical opening line TMBG song titles are uniquely searchable — except the new one referencing Wu-Tang Flansburgh is firmly against re-recording old material — cites Zappa as a cautionary tale Great discussion on remastering: Beatles got it right, Hendrix remaster was disorienting TMBG evolved from NYC performance art venues to rock clubs — crowd energy changed everything Their boutique 8-track manufacturer couldn't keep up when TMBG needed a thousand units Dolby Atmos debate: Flansburgh is skeptical, Nate makes the case for spatial audio Nate's most collectible record is a Nevermind test pressing — rejected pressings are worth more Extended & High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

many songs, beautiful songs, from the band - the magnificent band, Velvet Underground   with

Two of the greatest, mumbliest songwriters of the '60s decide to write sweet love songs! But only one can succeed between Dylan and Lou Reed, and we've brought star of "Disney's The Kid" and "The Santa Clause" 2 and 3 Spencer Breslin to help us decide which of the rambly hipsters makes the prettier tribute to love, Bob Dylan's "Lay Lady Lay" or the Velvet Underground's "Sweet Jane"? See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

You'll never guess which one of us is eating more tinned fish?!?!? We talk cowboy movies, but we can hardly hear what we are saying due to all the licorice (not really) behind me. We cover the best MN albums, splitting food, and of course we check out strip club reviews.    Then we talk about the worst the Velvet Underground album we have heard yet so we cleanse the palate with Bringing Down the Horse and it fucking rips. Great job Wallflowers.  Next week, Entertainment! by Gang of Four. It's fun! 

The world of hit records is a harsh one. Roger Waters himself said they were leaning on the awesome trade name of Pink Floyd.Well, what happens when nearly everyone from your band has left it, and you still have the name?You listen to your manager and drop a record.Check out the Velvet Underground album minus all original members.

"Howlin' Wind" from Graham Parker and the Rumour celebrates its 50th anniversary in 2026.  And so does "Heat Treatment!"  What better way to celebrate the anniversaries than to have Graham himself to discuss the album.  Plenty of other discussion including the Winter Olympics, prog rock, not knowing how to market Graham (especially in America), blues bands, Bruce & Bob comparisons, and Graham's 5 favorite albums (du jour) including some Otis and Velvet Underground.  Big shoutout to Jay Nachman, author of "Graham Parker's Howlin' Wind" for setting this up for us.  Go check out his book!Check out Graham Parker at:  https://www.grahamparker.net/Home.htmlCheck out Jay's book about Graham Parker at: https://grahamparkershowlinwind.net/Check out other episodes at RecordsRevisitedPodcast.com or one all your favorite podcast providers like Apple Podcasts, Castbox, iHeartMedia, and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

Just in case you think we aren't 4 white guys in their 40s, we start the episode talking about Baywatch! Then we talk a 90's alternative compiltion album, Aaron has a day he would like to repeat, and Russ has some radical ideas about the THEATER!   Then we talk about the history of Hip Hop Soul and get into this Puff Daddy produced album.    Next week we are talking about the Velvet Underground and White Heat and White Light.  Don't listen if you are a fan.

This playlist is 63% vinyl friendly. Very poor. The Vertere DG-1 Dynamic Groove. One commentator queried whether ‘the design wandered in the direction of form over function‘, but this, the company’s entry level version, was voted in What Hi-Fi‘s updated 2025 ‘20 very best turntables of (the magazine’s) lifetime‘… but it had detractors elsewhere. My first thought was ‘sandwich’ and lo and behold the review mentions the plinth’s ‘three layers of acrylic reinforced with a steel chassis to give a rigid yet well-damped structure‘ with that middle layer, from a distance, reminding me of some marbled cheese. Near £2k for one standard version spotted on eBay and £3550 for a DG-1S updated model, with a bullet pointed spec to match. When you get up to these prices (and way, way beyond) manufacturers are duty bound to work overtime to justify their prices. NB: Apologies. A bit of a glitch in recording my parts for this show but they just about do the job. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. Lyric of Playlist 149 On another day and in another frame of mind it could have gone to Baby Rose but much aided by a gorgeous key change backdrop, the gold star sticker goes to Banderas! It’s hard to tell though if their ‘There is no rehearsal. No second chance. No false start. No better circumstances… ‘ words of wisdom would change much with the type of peeps in their video. 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Doubts Even Here (Instrumental) (Cargo Demo) (2019 Remaster) – Movement, Definitive Edition Boxset – Warner Music – 2023 Doubts Even Hear? I should coco, and if you want ‘tentative’ in your music then this has it in shed loads. My guess is this maybe wasn’t Hooky’s first stab at the track in the band’s rehearsal room but you can nearly hear him finding his way into and over the ARP Quadra’s strings. 05.15 COCTEAU TWINS – Road River and Rail (Live) – Stream only – 2026 Live in 1991 but only very recently uploaded to the net, a mixing desk recording from The Warfield, in San Francisco and a rare treat to hear Liz this clear in a gig setting. At your leisure, search out the rest of the gig. There’s no visual from the above show, so here’s a barely rescued – but previously unseen/unpublished – photo of mine. Liz and Simon soundchecking at Newcastle’s Tiffany’s, 19.4.84. Photo credit / copyright: Dec Hickey 08.37 JOHN CALE – Thoughtless Kind (M:FANS) – M:FANS, 2LP – Double Six – 2016 A pedestrian, sledgehammer beat and a more forceful take on the lyrics than found in the ex-Velvet Underground man’s original. To my ears, they’re better suited here. 13.59 EMERSON, LAKE & PALMER – Take A Pebble * – Emerson, Lake & Palmer, LP – Island – 1970 I bought this album maybe four or five years after release and without doubt after having heard maybe just one of the three tracks on it I had taken to. I wouldn’t have been listening to any radio that might have played this album, so I’m guessing I borrowed it from a mate – very likely Phil Harris or Tom Locke (RIP). Greg Lake’s vocals were the thing for me back then and on my National Panasonic SG-1070L I’d have skipped Keith Emerson’s often lengthy rock-orchestral leaning keyboard workouts from all three… and likewise it’s a massive edit on the show for Take A Pebble. 17.33 BABY ROSE – Stop The Bleeding – Through And Through, LP – Secretly Canadian – 2023 If I thought the vibrato in Baby Rose’s vocal on the last 41 Rooms’ show entry (‘Go’) reminded me of Anonhi/Antony and the Johnsons then this does so with knobs on… as it maybe sounds even more of a song and arrangement the latter could have penned. 21.17 A RACE OF ANGELS – Golden – Broadcast No. 1, CD only – Luv Classics – 2005 It’s not often a CD gets a visual look in on 41 Rooms but the majority of Broadcast No. 1’s tracks have been or are on course for inclusion… and there was no vinyl. A 21st century left field folk soul beaut. Saluting Yeofi Andoh once again. 23.56 KRAFTWERK – Boing Boom Tschak * – Electric Cafe, LP – Kling Klang / EMI – 1986 The German maestros with some playful mid ’80s electro. Who else could it be? 27.01 BESIDE (with BERNARD FOWLER) – Odeon (Dance Mix) – 12″ – Celluloid – 1984 In 1984 the only place I’d have heard this was on John Peel’s radio shows – and he was partial to some electro. With the other side playlisted on 41 Rooms years ago, that would make this Afrika Bambaataa-produced 12″ a bargain to me these days, at less than the price of a pint on Discogs. Back in 1984, ordering it on import from Bedford’s HMV (as I did) its £5.29 price tag would seemingly have between five and ten pints plus worth! 32.37 MIDNIGHT STAR – Midas Touch (Vocal Extended Remix) – 12″ – Solar – 1986 With Electro roots, some breezy mid ’80s glitzy dance which has aged far better than – ‘Look away now’ (or don’t look at all) – the clothes and hair in the video. 38.42 ROZALLA – Born To Luv Ya – 12″ – Pulse-8 – 1990 At some point, when I do get to wade through the Record Mirror‘s I have from the the late ’80s/early ’90s I’d put a quiet fiver on the late James Hamilton having used ‘bubbling’ in a review of this particular mix of the tune. Par for the course lyrics but given some decent beats Rozalla has a voice that more than matches. 43.00 THOMAS LEER – Forgive and Forget – 1982, CD only – Klanggalerie – 2015 When I first happened on the 1982 CD recordings I thought Leer had re-found his youthful energy in the ‘now’. It’s in the title, Dec… so, a ‘series of tracks for unreleased album circa 1982‘ states the man himself. That would put them around the time of his Letter From America and Contradictions EPs but way before the ‘pop’ album, The Scale Of Ten. Forgive and Forget is though definitely a dry run for that album’s belter, Control Yourself. 47.23 MINT ROYALE – I Don’t Care – See You In The Morning, CD only – Faith & Hope Records Limited – 2005 Aagghh, it’s another CD… but needs must, as no vinyl surfaced and by this point Neil Claxton was flying solo as Mint Royale. 51.48 OSCAR FARRELL (feat SAMPHA) – Dream Therapy (George FitzGerald remix) – Download only – ? – 2026 The So Far South EP original rightly has many admirers but I’m more with this moodier take. Screenshot 55.22 NOSTALGIX – Mess With Me – Download only – Confession – 2019 Out of Vancouver, British Columbia, she seems through the years to have occasionally just digitally floated singular tracks out there. 58.32 SUICIDE – Ghost Rider – Self-titled, LP – Red Star Records – 1977 There’d be a bunch of my early ’80s mates who’d have gone for the album but it’s only this track that grabbed me. 01.01.01 CABARET VOLTAIRE – Nag Nag Nag (Live 2025 Single Edit) – Download only (for now) – Mute – 2026 ‘Updating’ and then capturing – just ‘right’ – this classic track’s first live outing in forty five or so years could have gone wrong but all involved nailed it, and seeing as I caught four of the Cabs’ six gigs last year there’s a good chance I was in on this actual recording. In fact, given the advances in sound technology Nag is likely sounding better in the room than it would have done live back in 1979-82… something I never witnessed. 01.05.10 THE SOUND – Heartland (Mike Read session, 1980) – The BBC Recordings – 2CD only – Renascent – 2004 If Adrian Borland and crew were pushing for a radio session in their early throws (who wasn’t) I’d have thought John Peel would have got in there first. The band did subsequently do a Peel session but here Mike Read edged it and the band were firing. 01.08.19 JOY DIVISION – Warsaw – An Ideal For Living, 7″ EP – Enigma – 1978 I never owned this original 7″ but somewhere around 1980-81 and through the back pages of the inkie press I bought the subsequent 12″ from an ‘MJ’ in Crewe who reckoned in an enclosed note he’d leant Steve Morris £60 to pay for the sleeves. When I sold the single years later I thought I’d kept the note… but if I did, it then went AWOL. 01.10.40 TURNSTILE – Dreaming – Never Enough, LP – Roadrunner – 2025 They’ve eased up here on their early hardcore leanings which might go some way to why this tune gets a thumbs up from me and those who take occasionally take a punt on an album because of the sleeve could still be in for a shock. 01.13.00 TV21 – Ideal Way Of Life – A Thin Red Line, LP – Deram – 1981 Other tracks on the album have already graced 41 Rooms as indeed they did back in Winkles in 1981-82. 01.15.27 THE TEARDROP EXPLODES – Went Crazy – Kilimanjaro, LP – Mercury – 1980 Julian in 1980. Sounding ‘quirky pop’ in 2026? 01.18.03 NATURAL SCIENTIST – See Through You – 7″ – Dental Records – 1982 Even though I bought their Terminal Velocity debut 12″ at the time, this their follow up somehow by-passed me for four decades 01.22.07 IRMA THOMAS – My Heart’s In Memphis – My Heart’s In Memphis – The Songs Of Dan Penn, CD only – Rounder Records – 2000 Criminally, only seven thousand plus peeps have ever viewed the fan video online of Irma on an outside stage, live in New Orleans from 2003 and I nearly went with its muffled sound here, as the more she gets in to the song the more she really lives it. 01.25.53 STEVIE WONDER – (I) Don’t Know Why (I Love You) – 7″ – Tamla Motown – 1968-9 For the UK release Motown couldn’t quite make up there mind on the title – but this stark outpouring and arrangement is still a killer, even though it was maybe trumped for radio play by the lusher, romantic appeal of the b-side, My Cherie Amour. 01.28.25 MT JONES – I Don’t Understand – Joy, LP – ? – 2026 New(ish) blue-eyed retro soul with as much effort on the visual. A fab single but I’ve got a feeling an album of his accentuated vocal might be too much for me. We’ll see. 01.31.49 WILLIE HUTCH – Hurt So Bad – Season For Love, LP – RCA – 1970 Before his switch to maybe his more spiritual Brother’s Gonna Work It Out home of Motown. 01.34.39 BANDERAS – This Is Your Life (PanoΣigma Edit) – Stream only – ? – 2019 Just the one album, squarely aimed at the mainstream, and some cerebral tunes from these two shaven-headed girls. I’m not sure how much the decent lyrics and sumptuous key change helped but this was their biggest UK hit. Even in the sometimes throwaway nature of ‘pop’ charts, quality will out. 01.39.36 DIANA BROWN & BARRIE K SHARPE – Eating Me Alive * – 12″ – FFRR – 1992 ‘Weaving together many different dance music sounds of the late sixties/early seventies, including such as vintage Jackson 5 and Norman Whitfield era Temptations, Timmy Thomas beats and Chicago Transit Authority guitar chords (“I’m a man, yes I am, and I love you so”), this brilliant intensely driving jiggly chugger has been promoed as a twinpack with 0-104.7-0bpm Undisputed Mix Part 1 & Part II, 0-104.7bpm Original Groundbeat, 0-105.25-0bpm Funky Funky Sugar Heavy Groundbeat Mix, 0-105.4bpm One Trip Too Many Mix, more recently influenced grooving 115.8-0bpm Groundbeat House Ensemble/Instrumental, hi-hat hustled 118.7bpm Undercover Dub Mix 1 and 118.6bpm Undercover Dub Mix 2, Dianamite!‘ – James Hamilton, Record Mirror (Music Week), 20.6.92 Any time I re-edit etc I really should remember the source of the original… and there’s a heavy 41 Rooms re-edit going on here. Whatever. James Hamilton’s ‘vintage Jackson 5’ reference is spot on and the bridges and chorus are so strong they make the verses sound absolutely tepid. Weird. 01.45.08 RHYTHIM IS RHYTHIM – Strings Of Life (‘Original Piano Mix’) – 12″ – Transmat – 1987 ‘So enduringly popular and still steadily selling that it could follow A Guy Called Gerald up the chart, Derrick ‘Mayday’ May’s synthetic strings stabbed and sawed techno pioneeringly jerky instrumental leaper is now out here in its frantic acidic 130/129 1/5-130-0bpm Exclusive Remix, more scrubbingly hustling organ accented 128 1/5-127 4/5-128-128 1/5bpm Flam-boy-ant Mix, and piano emphasising jerkier 122 1/5-122-121 2/5-121 1/5bpm Piano Mix, flipped by the washing machine ‘sizzled’ 129-129 1/3bpm ‘Kaos’ plus the ‘Magic Juan’ Atkins created jiggly wriggling Model 500 ‘Off To Battle’ in its 125 2/3-126 1/5bpm 2emix and 126 1/5-126 2/3bpm Original Version‘. – James Hamilton, Jocks, 3.89 ‘Based on a piano sequence by May’s friend Michael James. He dropped in for a visit at May’s house and sat down to play a piano ballad he had been working on called, “Lightning Strikes Twice”. This piece went into May’s sequencer and was kept there until May decided to listen to it all the way through. He found some portions which interested him, and he started to work with it. The song was originally at 80 BPM before May increased the tempo, chopped it up into loops, and added percussion and string samples’. Wikipedia The history of this stark track is interesting. I called this ‘near punk like, house / techno’ on the show, what with its crude/rough arrangement feeling like it nearly takes four minutes to settle… just in time for it to sound like it’s breaking down on the outro! And it’s become a classic! Enough to warrant a bunch of remixes and the mighty ‘live with orchestra’ version that follows. 01.52.18 RHYTHIM IS RHYTHIM – Strings Of Life (Live, Weather Festival, Paris, France) – Stream only – 2015 Derrick May, with Francesco Tristano (ex-Aufgang) loving it big time on extra keyboards, with the weight of the full Philharmonic Orchestra Lamoureux, under the direction of Dzijan Emin… and all beautifully captured by ‘producer, Amos Rozenberg and Paramax Films in 4K with 9 Cinema cameras by Samuel Petit for Arte TV‘… it says somewhere. Strings Of Life, indeed. Catch the video in the usual places. Show 150 will upload April 5. Dec x The post Post Punk Plus Podcast Playlist 149 – Original upload 1.3.26 appeared first on 41Rooms.

This week we are celebrating the 50th anniversary of proto-punk / proto-new wave band Blondie, and their first album.  Call our voicemail line 202-688-PUNK or send us a voice note at punklottopod@gmail.com to get it played on the show Join our new $5 Patreon Producer Tier to get your name said on the show every week. You also get access to a Producer exclusive monthly bonus episode discussing a different EP, and you get to vote in the poll that determines what EP we talk about that month. You can also join our $1 tier to get access to all of our weekly bonus audio. We also have a $10 tier where you get to choose the album we discuss on an episode - patreon.com/punklottopod Major Awards EP - majorawards.bandcamp.com Merch Shop  - redbubble.com/people/punk-lotto-pod/shop Podcast platforms and social media links at linktr.ee/punklottopod Leave us a review and rating on Apple Podcasts and Spotify. Song clips featured on this episode: X Offender by Blondie In the Sun by Blondie Rip Her to Shreds by Blondie

Neste vídeo, faço uma análise profunda e honesta revisitando o documentário "The Beatles Anthology" 25 anos depois. Vamos desconstruir o mito da banda perfeita e entender a humanidade, as frustrações e a pressão por trás de John, Paul, George e Ringo.Além da nostalgia, entro em uma das discussões mais polêmicas da música pop atual: Kanye West é o Beatles da nossa geração? Analiso a evolução artística, o impacto cultural e as comparações impossíveis entre as eras.Neste episódio você vai ver:Análise Musical: Por que A Day in the Life pode ser a maior música da história e a defesa técnica de Ringo Starr.Filosofia de Vida: Minhas impressões sobre o livro "A Coragem de Não Agradar" e como aceitar ser odiado é a chave para a liberdade.Bastidores: Detalhes do meu novo programa no UOL (Enquadrado), a cobertura do Globo de Ouro e recomendações de séries e filmes.Debate: The Kinks, Velvet Underground, Heavy Metal e a verdade sobre Yoko Ono.Se você gosta de análises musicais sem filtro, cultura pop e reflexões sobre criatividade, inscreva-se e ative o sininho.

Send a textHi everybody and welcome to today's episode of Attendance Bias. I am your host, Brian Weinstein. Before we get started with today's episode, I just want to remind everyone that if you enjoy the podcast, you can show your support by leaving a rating and review of it wherever you get your podcasts. You can also visit www.buymeacoffee.com/attendancebias and donate anything you can to keep the podcast going. Now, onto today's episode:I've spoken a lot on this podcast about how different Phish years have different personalities. When Attendance Bias was first getting off the ground, I had an unofficial goal to learn more about the 1999 Phish calendar year. But at this point, about five years in, I think that 1998 is the more intangible year. Everyone loves 1997, we've covered a lot of shows and jams from 1999, but 1998 remains elusive. The band was still funky, but they also kept their guitar-powered speed rock and combined it with a ton of unexpected cover songs that kept the crowd guessing. If we could distill the cagey feeling of 1998 into one show, it may be today's: Matt Huber is here to explain what it was like to attend Phish's show from August 1, 1998 at Alpine Valley. A classic venue that, in this case, featured Phish at the top of their game during an under-explored summer.Matt and I have a lot to say about today's show, but there's this inescapable feeling that, even with a 90 minute episode, there's a lot left unsaid. We talk about the summer of covers, imaginary conversations between band members, and even compare Fikus to Quadrophonic Toppling. This is a nerdy episode, and we go out there. But, maybe what makes 1998 such a great year for Phish has yet to be defined no matter how much we talk.In the meantime, Matt and I give it our best shot today. Let's join Matt Huber to discuss The Story of the Ghost, The Velvet Underground, and who should take the high vocal parts at  August 1, 1998 at Alpine Valley in East Troy, Wisconsin.Support the show

durée : 00:10:31 - Les Nuits de France Culture - par : Antoine Dhulster - En 1995, France Culture reçoit le poète Michel Bulteau dans l'émission "Jeu de l'ouïe" pour une série de cinq épisodes. Au menu de ce quatrième volet : d'un côté le nihilisme, le désespoir du rock avec le Velvet Underground, de l'autre sa "simplicité" avec l'univers de Chuck Berry. - réalisation : Brice Garcia - invités : Michel Bulteau Poète et éditeur français

Send a textWoodstock, NY-based composer and musician Will Epstein joins Al to introduce him to Lou Reed's 1982 album The Blue Mask. Will talks about when he first got acquainted with the Velvet Underground and how he eventually started listening to Reed's solo material and The Blue Mask specifically. He breaks down several of the album's tracks, illustrating what impresses him about Reed as a songwriter and performer. Will also discusses his recently-released album Yeah, mostly and talks about his upcoming plans.You can follow Will on Instagram at @willcrushwater and find his music on Bandcamp at https://willepstein.bandcamp.com/.Be sure to sign up for the YMAAA Newsletter at youmealbum.ghost.io. The first seven episodes of Bonus Tracks—YMAAA's subscriber-only podcast series—are now available at patreon.com/youmealbum. More monthly episodes and other good stuff are soon to come. Please consider subscribing! Your support will make it possible for Al to keep this podcast going.To keep up with You, Me and An Album, please give the show a follow on Instagram at @youmealbum1:15 Will's introduction1:55 Will talks about how he first got interested in the Velvet Underground and Lou Reed5:24 Will explains why The Blue Mask impressed him when he first explored it13:04 Al and Will discuss the album's track sequencing16:35 Will explains how “My House” inspires him20:44 Will discusses the contradictions of “Women” and “Underneath the Bottle”24:36 Will sees Reed as being connected to Larry David26:50 Al is impressed by the fluidity of the moods on The Blue Mask28:03 Will hears contradictions in “Waves of Fear,” too32:15 Will talks about how listening to The Blue Mask had an impact on the making of Yeah, mostly40:25 Will explains why he name-checked Reed in “Socks in LA”42:23 Will revisits some of the times he saw Reed perform44:07 Did Will channel Reed on “Dishwasher”?49:03 Will explains why he chose Yeah, mostly as the album title53:12 Will talks about his plans for the coming monthsOutro music is from “Brideshead Revisited Revisited” by Will Epstein.Support the show

Ce mercredi, Marjorie Hache propose deux heures de rock et de pop pointue dans Pop-Rock Station. Elle ouvre la soirée avec Arctic Monkeys et un titre inédit issu de la compilation caritative "Help 2" au profit de War Child. Parmi les classiques, elle enchaîne avec Echo & The Bunnymen, Deep Purple, David Bowie, The Dandy Warhols, Nine Inch Nails ou encore Guns N' Roses. Dans l'actualité musicale, elle met en avant Anna Calvi avec "God's Lonely Man" en duo avec Iggy Pop et Kim Gordon avec "Not Today". L'album de la semaine est toujours signé Puscifer avec "Normal Isn't", illustré ce soir par "Self Evident". La reprise met à l'honneur "Lilac Wine", popularisée par Nina Simone et revisitée ici par Jeff Buckley. L'émission salue aussi l'anniversaire de Mike Shinoda avec Linkin Park et rend hommage à Brad Arnold de 3 Doors Down qui vient de nous quitter. Enfin, la séquence Fresh Fresh Fresh présente Zach Bryan, nouvelle figure montante de la country, avec "Plastic Cigarettes". Arctic Monkeys - Opening Night Echo & The Bunnymen - The Killing Moon Linkin Park - Unshatter The Dandy Warhols - Get Off Deep Purple - Hush Luke - La Sentinelle David Bowie - Blue Jean Puscifer - Self Evident The Who - Who Are You The 5.6.7.8'S - Woo Hoo Gary Glitter - Rock & Roll Part 2 Anna Calvi - God's Lonely Man (Feat. Iggy Pop) Jeff Buckley - Lilac Wine The Box Tops - The Letter 3 Doors Down - Kryptonite Brotaly - The Body Depeche Mode - A Question Of Time Nine Inch Nails - Closer Kim Gordon - Not Today Joan Baez - House Of The Rising Sun Guns N' Roses - Yesterdays Zach Bryan - Plastic Cigarettes The Velvet Underground - Sunday Morning Curtis Stigers - This Life The Arrows - Touch Too Much Prince - Let's Go Crazy Sebastien Tellier - La RitournelleHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Bienvenidos Bastarnautas a este nuevo episodio de Los Bastardos Con Suerte.Deleita tus pupilas auditivas con estos descubrimientos musicales. Love The Life You Live de este grupo filipino, que seguramente debe sonar espectacular en vivo; rocksteady; un clásico profundo de Velvet Underground y otras sabrosuras. Así que remángate los pantalones, péinate las patillas, desabróchate el cinturón, saca la panza y suéltate la greña para sumergirte en Cabina con tus Bastardos favoritos

Abrimos puertas recordando al fallecido Fred Smith, eterno escudero de Tom Verlaine y legendario bajista de Television, con quienes gestó en 1977 aquella obra perfecta titulada “Marquee Moon”. Suena también el nuevo álbum en solitario de Jeff Clarke, actualmente integrante de The Black Lips y fundador a comienzos de siglo de los Demon’s Claws, una de las bandas más molonas del underground canadiense.Playlist;TOM VERLAINE “Kingdom come” (Tom Verlaine, 1979)TELEVISION “Elevation” (Marquee Moon, 1977)SUNDAY MOURNERS “Careers in acting” (A-Rhythm absolute, 2026)SILVER SYNTHETIC “Say the wrong word” (2025)JEFF CLARKE “Sun down” (Miracle after miracle after…, 2025)DEMON’S CLAWS “Hunting on the 49” (Satan’s Little pet pig…, 2007)BLACK LIPS “Cold hands” (Good bad not evil, 2007)BLACK LIPS "Get it on time" (In a world that's falling apart , 2020)BILL FOX “Pale blue eyes” (2025)Versión y Original; THE VELVET UNDERGROUND “Pale blue eyes” (1969)ELLIOTT MURPHY “Like a rolling stone” (Under the volcano, 2026)CAT POWERS “Could we” (Redux, 2026)FRECKLE “Paranoid” (Freckle, 2025)Escuchar audio

Hello Friends! It's been a long time coming, but here it is - the Mixology look at The Velvet Underground & Nico, one of the most influential discs of all time, and one of my most requested LPs to cover. I wasn't sure what to expect when going into this album. For such a rough and ready production, stereo didn't feel like it would make sense, but after spending time picking apart both the mono and stereo mixes, and comparing them intently, both really do offer up something unique. Is one better than the other? It's hard to decide. So don't Run Run Run to All Tomorrow's Parties, I'll Be Your Mirror and guide you through all the mono and stereo differences, as well as an alternate mix and single edit of All Tomorrow's Parties! Happy Listening, Frederick Patreon  Email  Instagram - @hypnoticfred 

Sonny Vincent fronted Testors in the mid-1970s New York punk scene, playing CBGB and Max's Kansas City before the band split in 1981. He later formed Sonny Vincent and the Extreme and Model Prisoners, and went on to record and tour with Maureen "Mo" Tucker and Sterling Morrison from the Velvet Underground. He has continued releasing records and wrote the memoir Snake Pit Therapy.

Seattle singer/songwriter Robert Deeble brings us British band Mojave 3 and their 2003 release 'Spoon and Rafter'. Borne from the ashes of their previous band Slowdive, its core members Neil Halstead, Rachel Goswell and Ian McCutcheon dialed-in the dream pop/folk with stunning arrangements and a feather-light touch.  Songs discussed in this episode: Love From Room 109 at the Islander (Tim Buckley cover) - Mojave 3; Hi-Lo and In Between - Neil Halstead; My Life In Art - Mojave 3; Orphan Song - Robert Deeble; Bluebird Of Happiness, Starlite #1, Bill Oddity - Mojave 3; War On War - Wilco; 40 Days - Slowdive; The Kiss - Robert Deeble; River Man - Nick Drake; Writing To St. Peter, Battle Of Broken Hearts - Mojave 3; Oh! Sweet Nuthin' - The Velvet Underground; Hard To Miss You, Tinkers Blues - Mojave 3; The Forest From The Tree - Robert Deeble; She's All Up Above, Too Many Mornings, Between The Bars - Mojave 3; Not On Your Team - Robert Deeble

durée : 00:59:07 - Toute une vie - par : Matthieu Garrigou-Lagrange, Virginie Bloch-Lainé - La figure d'Andy Warhol est centrale lorsqu'il s'agit d'évoquer le destin à la fois fugace et durable du Velvet Underground. C'est Warhol qui produit leur premier album, Warhol qui pousse Nico (avec laquelle il travaille déjà) à y poser sa voix. Warhol aussi qui signe la fameuse banane. Portrait. - réalisation : Pascale Rayet - invités : Alain Cueff Historien de l'art, commissaire de la rétrospective Andy Warhol au Grand Palais en 2009 “Le Grand monde de ‘Andy Warhol”; Michel Bulteau Poète et éditeur français; Mériam Korichi Spécialiste de Spinoza, dramaturge et metteure en scène, créatrice des nuits de la philosophie; Thomas Lélu Artiste plasticien et photographe français; Cécile Guibert Essayiste, romancière et journaliste française

Adele Bertei got a Greyhound to New York in 1977 intent on joining a band. James Chance thought she “looked like a pimp” and hired her as the organist in the Contortions, an instrument she couldn't play. Her memoir No New York captures the most intoxicating times imaginable, the rise of Blondie, Talking Heads, Television, Madonna and her fellow raft of No Wave cheerleaders in pursuit of dismantling music. Highlights include … … the local priest recommending the Velvet Underground when she was 11 … “imbibe and dream”: her weekend with Lester Bangs … the rubble-filled New York wasteland of 1977, landlords setting fire to property just to claim the insurance … the No Wave circuit: crowd violence and singers who either talked or screamed .. her rivalry with Madonna: “our labels didn't want people to know we were white” … the local Cleveland “Rust Belt” - Pere Ubu, Chrissie Hynde, Devo … why Warhol, Ginsberg and Burroughs seemed laughably outmoded … Brian Eno's shopping list … the power of Tina Weymouth, Patti Smith and Debbie Harry (“sexy but with a snarl”) and why New York's venues are internationally mythical. Order Adele Bertei's ‘No New York' here: https://www.faber.co.uk/product/9780571386154-no-new-york/?srsltid=AfmBOor2IKVLRyzzZDisLz_8cTGDYIjDXphZVU9Lw5drAd4CdKR1KVhs Adele with Thomas Dolby on Whistle Test: https://www.youtube.com/watch?v=JQ3bGioFCXUHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Adele Bertei got a Greyhound to New York in 1977 intent on joining a band. James Chance thought she “looked like a pimp” and hired her as the organist in the Contortions, an instrument she couldn't play. Her memoir No New York captures the most intoxicating times imaginable, the rise of Blondie, Talking Heads, Television, Madonna and her fellow raft of No Wave cheerleaders in pursuit of dismantling music. Highlights include … … the local priest recommending the Velvet Underground when she was 11 … “imbibe and dream”: her weekend with Lester Bangs … the rubble-filled New York wasteland of 1977, landlords setting fire to property just to claim the insurance … the No Wave circuit: crowd violence and singers who either talked or screamed .. her rivalry with Madonna: “our labels didn't want people to know we were white” … the local Cleveland “Rust Belt” - Pere Ubu, Chrissie Hynde, Devo … why Warhol, Ginsberg and Burroughs seemed laughably outmoded … Brian Eno's shopping list … the power of Tina Weymouth, Patti Smith and Debbie Harry (“sexy but with a snarl”) and why New York's venues are internationally mythical. Order Adele Bertei's ‘No New York' here: https://www.faber.co.uk/product/9780571386154-no-new-york/?srsltid=AfmBOor2IKVLRyzzZDisLz_8cTGDYIjDXphZVU9Lw5drAd4CdKR1KVhs Adele with Thomas Dolby on Whistle Test: https://www.youtube.com/watch?v=JQ3bGioFCXUHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

El señor de la lluvia trae novedades que comienzan con sabor a Lou Reed, como el debut de Sunday Mourners o con Dave Wareham haciendo una personal versión de “A gift”. Suenan adelantos de los próximos trabajos de The Bevis Frond o Kim Gordon. Y recordamos los inicios de Maika Makovski junto a otras artistas que quedaron marcadas por PJ Harvey.Playlist;THE VELVET UNDERGROUND “Hey Mr. Rain” (White light, White heat, 1968)SUNDAY MOURNERS “There’s a garden in you” (A-rhythm absolute, 2026)DEAN WAREHAM “A gift” (2025)LOU REED “She’s my best friend” (Coney Island Baby, 1976)THE DREAM SYNDICATE “Tell me when it’s over (live, 1984)” (Medicine show; I know what you like (deluxe edition), 2025)THE BEVIS FROND “That’s your lot” (Horrorful heights, 2026)KIM GORDON “Not today” (Play me, 2026)LA LUZ “News of the universo” (Extra! Extra!, 2026)MAIKA MAKOVSKI “So far sober” (Kradiaw, 2005)PJ HARVEY “Shame” (Uh huh her, 2004)LE BUTCHERETTES “My mallely” (A raw youth, 2015)COURTNEY BARNETT “Depreston” (Sometimes I Sit and Think, and Sometimes I Just Sit, 2015)NEKO CASE “Destination” (Neon grey midnight green, 2025)Escuchar audio

What a riff! What great rock 'n' roll asides! What joy in the chorus!! It's "Sweet Jane" by The Velvet Underground! A cavalcade of covers by Brownsville Station, Lou Reed (solo from '74), Eater, Friends Again, and of course, Cowboy Junkies. This is one of the episodes where we crack the code and tell you what the lyrics mean so listen and find out! Smoother than a Stutz Bearcat ride!!

Welcome to the second annual Seeing Them Live Year End Concert Review show, where a panel of returning guests shares their favorite live music experiences from 2025. Host Charles brings together an eclectic group of music enthusiasts including award-winning documentary filmmaker Eric Green, podcast host Jessica Catena, nurse practitioner Summer, antique shop owner Art Gregg, executive assistant Dawn Fontaine, accountant Steve Pothel, high school teacher Andy, and producer Doug Flozak to discuss the concerts that defined their year.Eric Green kicks off the discussion with an impressive lineup that showcased both legendary side projects and emerging talent. His year began with Close Enemies featuring Aerosmith bassist Tom Hamilton at City Winery Boston, followed by Kim Deal's solo tour at the Wilbur Theater. He caught Benmont Tench of Tom Petty and the Heartbreakers fame doing an intimate VH1 Storytellers-style performance, and witnessed Shane Hawkins honoring his late father Taylor Hawkins with Chevy Metal at Brighton Music Hall. Eric also saw the Joe Perry Project's supergroup lineup featuring Chris Robinson and Robert DeLeo, enjoyed a nostalgic double bill of Billy Idol and Joan Jett at the Xfinity Center, caught the rising stars Wet Leg at a packed Roadrunner Boston show, experienced Jeff Tweedy's multigenerational band at Royale, and closed out his year with Throwing Muses at the new Racket venue in New York City.Jessica Catena attended three memorable indoor concerts that kept her dry after previous years of rain-soaked shows. She saw young jazz sensation Samara Joy at the newly renovated Ridgefield Playhouse in Connecticut with her uncle, experienced the Broadway spectacle of Moulin Rouge featuring Wayne Brady and Taye Diggs with updated contemporary songs, and capped off her year at iHeartRadio's Jingle Ball at Madison Square Garden, where she saw Ed Sheeran, Laufey, and a diverse lineup of pop and folk artists while dealing with some challenging sightlines.Summer's concert year included the intimate Metro show with Bridget Calls Me Baby where her son met the bass player's parents, a record-breaking night at Lollapalooza featuring Olivia Rodrigo's surprise Weezer collaboration, an energetic Yungblud performance at the Riviera that included some crowd drama, and a unique operatic interpretation of Smashing Pumpkins' Melancholy and the Infinite Sadness at the Lyric Opera of Chicago during a snowstorm.Art Gregg had a remarkable year highlighted by three unforgettable shows. He saw childhood hero Burton Cummings of The Guess Who at the North Shore Center for Performing Arts after accidentally meeting him in the lobby without recognizing him, caught Michael Schenker's 50 Years with UFO celebration at the Desplaines Theater, and scored a last-minute ninth-row ticket to see Robert Plant at the intimate Vic Theatre, where the Led Zeppelin legend performed six classic songs including an electrifying version of Ramble On that earned a rare standing ovation.Charles rounds out the discussion by mentioning his own concert experiences at new Chicago venues including Space in Evanston where he saw Mdou Moctar and The Old 97s, the female-focused Motoblot festival at Beat Kitchen, an incredible Buddy Guy performance at the Rialto Square Theater where the 89-year-old blues legend walked through the aisles playing guitar, shows at the new Garcia's venue and City Winery, and his anticipation for an upcoming Iron Maiden show. The episode concludes with a teaser for part two, which will feature Dawn's private jet experience with the Rolling Stones, Andy's Bonnaroo adventure, and Steve's concert highlights.BANDS: Aerosmith, Alex Warren, Bachman Turner Overdrive, Belly, Benmont Tench, Billy Idol, Black Crows, Black Sabbath, Bob Dylan, Bridget Calls Me Baby, Burton Cummings, Chapel Rowan, Chevy Metal, Close Enemies, DJO, Dogs in a Pile, Ed Sheeran, Elastica, Elastica, Elvis, Foo Fighters, Foghat, Foster the People, Gary Newman, Generation X, Gigi Perez, Guns N Roses, Iron Maiden, Jeff Tweedy, Joan Jett and the Blackhearts, Joe Perry Project, Johnny Cash, K-pop band Monsta X, Katy Perry, Kim Deal, King Gizzard, Laufey, Led Zeppelin, Led Zeppelin 2, Liz Fair, Mdou Moctar, Metallica, Michael Shanker, Miles Smith, Ministry, Neil Young, Nelly, Nine Inch Nails, Olivia Rodrigo, Ozzy Osborne, Pixies, Psychedelic Furs, Radiohead, Robert Plant, Rolling Stones, Runaways, Samara Joy, Sarah Larson, Shonen Knife, Smashing Pumpkins, Soraia, Stone Temple Pilots, Taylor Hawkins, The Babies, The Beatles, The Black Crows, The Boudines, The Breeders, The Guess Who, The Old 97s, The Police, The Scorpions, The Velvet Underground, Throwing Muses, Tom Petty and the Heartbreakers, UFO, Van Halen, Walk the Moon, Wayne Brady, Weezer, Wet Leg, Wilco, Wrought Iron Soul, Yungblud.VENUES: Aragon Ballroom, Barclays, Beat Kitchen, Box Center Wang Theater (Boston), Brighton Music Hall (Boston), City Winery (Boston), City Winery (Chicago), Credit Union One Amphitheater, Desplaines Theater, Garcia's, Grant Park, Great Woods (Xfinity Center in Mansfield, Massachusetts), House of Blues, Lyric Opera of Chicago, Madison Square Garden, Metro, North Shore Center for Performing Arts (Skokie, Illinois), Penn Station, Racket (New York City/Chelsea), Ravinia, Rialto Square Theater, Ridgefield Playhouse, Riviera, Roadrunner Boston, Royale (Boston), Salt Shed (Chicago), Sonia (Cambridge, Massachusetts), Space (Evanston, Illinois), Thalia Hall, Tweeter Center, Vic Theatre (Chicago), Wilbur Theater (Boston), Wrigley Field, Xfinity Center (Mansfield, Massachusetts). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Things are gonna get LOUD! This week, we turn the amps up to 11 and put the effects pedals on stun as we celebrate Noise Rock. What exactly is "noise rock" though?? At its simplest definition, it's rock music that emphasizes noise - distortion, feedback, dissonance, abrasion.  But as a subgenre, it only takes a cursory look through internet music forums to see how easily these things can digress into petty arguments about what is or is not noise rock.  Commonly perceived as precursors to noise rock would be various ‘60s psych bands like 13th Floor Elevators and the ubiquitous Velvet Underground, free jazz, and early experimental music where traditional instruments were manipulated to sound like anything but traditional instruments.  In the punk era, the natural outgrowth were things like the no wave scene that was happening in New York and British bands like The Fall, Swell Maps, and This Heat.  From there, throughout the ‘80s, ‘90s and beyond, the term was synonymous with bands like Sonic Youth, Big Black, Swans, the Jesus Lizard, and any number of bands in which Steve Albini had a hand in some way.  Joining us to wade through the mud is a New York based band whose members had a hand in shaping our perception of noise rock. The Whimbrels have just released their self titled debut album on Dromedary Records, and it's an astounding, ambitious and riff-laden affair that has plenty of noise, but also a lot of dynamics and deceptively accessible moments.  Guitarist/Vocalist/Songwriter Arad Evans was associated with Glenn Branca's ensemble from the 1980's until Branca's 2018 death, as well as his band Heroes of Toolik and scores of others.  Bassist/Vocalist/Songwriter Matt Hunter co-founded the great ‘90s/2000's cult favorites New Radiant Storm King and has played with a ton of other notables such as J. Mascis, King Missile, and Silver Jews.  Thanks to Howard Wuelfing from Howlin' Wuelf Media for the introduction and coordination! Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Editors on Editing, Glenn is joined by writer, director and editor Chloé Zhao and her editor, Alffonso Gonçalves. Chloé has written, directed and edited all of her films, including Songs My Brothers Taught Me, The Rider,  Nomadland, for which she was nominated as an editor for the BAFTA, Eddie and Oscar. She won the Oscar for directing Eternals. Alffonso's credits include Mildred Pierce for which he was nominated for the Eddie, Beasts Of The Southern Wild, True Detective, for which he was nominated for a primetime Emmy and won the Eddie, Carol, The Velvet Underground, for which he was co-nominated for the Eddie and, The Lost Daughter. Now Chloé & Alffonso have brought their exquisite skills to the mesmerizing film, Hamnet.Thanks again to ACE for partnering with us on this podcast, check out their website for more.Thanks also to Focus Features, and Hamnet for helping to make this podcast happen. Want to see more interviews from Glenn? Check out "Editors on Editing" here.The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show!  

Lou Reed blurred the lines between fact and fiction when it came to his past. To him, it was all a walk on the wild side anyway. After exploring his life in Part 1 through his lyrics for the Velvet Underground songs “The Gift”, “Waiting For My Man”, “Heroin” and “The Murder Mystery”, Part 2 continues through the songs “Rock And Roll”, “Sweet Jane”, “Run, Run, Run”, “Venus In Furs”, and “I'll Be Your Mirror,” because tall tales and music led Lou all the way home. This episode was originally published on March 28, 2023. For a full list of contributors, see the show notes at ⁠disgracelandpod.com.⁠ To listen to Disgraceland ad free and get access to weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Lou Reed is one of the greatest rock ‘n' roll characters of all time, one known to lie and exaggerate his own mythology during interviews about his past. In this special 2-part episode, Lou's origin story with the Velvet Underground runs straight through Manhattan transgressions, murder mysteries, drug abuse, and all the other crimes, criminals, and antisocial behavior depicted in Lou's legendary lyrics. This episode was originally published on March 28, 2023. To see the full list of contributors, see the show notes at ⁠www.disgracelandpod.com⁠. To listen to Disgraceland ad free and get weekly bonus content and more, become a Disgraceland All Access member at ⁠www.disgracelandpod.com⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices