Podcasts about The Velvet Underground

Listen without ads on patreon: www.patreon.com/dopeypodcast This week on Dopey! We open the show with a deep dive into Lou Reed's classic junkie anthem "Waiting for the Man" before reading incredible listener stories involving MDMA-assisted therapy, smashing open a safe with an axe for OxyContin, smoking crack in an airplane bathroom, a horrific flesh-eating abscess, and surviving Antabuse mixed with opioids. Then legendary author Jerry Stahl returns for one of the funniest and deepest conversations Dopey has ever had. Jerry shares never-before-heard stories about writing for Twin Peaks, working with David Lynch and Ben Stiller, learning from Hubert Selby Jr., meeting William Burroughs' son, Oprah admitting she loved crack, surviving heroin addiction, and why kindness matters more than bitterness. The conversation ends with Dave pitching Jerry his outrageous action movie idea: Die Hard... at Katz's Delicatessen. PLUS MORE MORE MORE on a brand new yet timeless episode of that good old dopey show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Richie Unterberger has written maybe the definitive biography of the Velvet Underground. Clearly, we're fans. We talked with Richie about the writing of the book and the vast amounts of research he did to put it all together. For more information, you can check out Richie's website.

This week on Classic Vinyl Podcast, Justin and Tyler listen to and review The Velvet Underground and their controversial 1967 song Heroin. Give it a listen and let us know what you think of this song. 

On this episode of Reelin'... The Featured Five Theme is Making The "Cut"... Also, the day Paul McCartney unknowingly became Nirvana's lead singer... Why Berry Gordy almost kept a Stevie Wonder classic off the radio... The strange story behind Jefferson Airplane's most unusual song title... A Bryan Adams classic born from a happy accident that felt so right... New music from The Rolling Stones, Houndmouth, Jeff Tweedy, and Bartees Strange... Plus deeper tracks from Pavement, J.J. Cale, The Velvet Underground, Jackson Browne, Dire Straits, The Black Keys, Sturgill Simpson, The Beatles, and more! For more info on the show, visit reelinwithryan.com

Welcome to Dev Game Club, where this week we continue our series on Psychonauts. We dive into (ha) the lungfish levels and the Milkman Conspiracy and talk about the tension between systems and individually scripted experiences, before turning to user questions. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: To Milkman Issues covered: a special announcement, turkeys everywhere, long digression into weird Spelunky, setting up the Lungfish, hunting down all the collectibles, an underwater bubble and moving around, consistency in levels, coming in with different player options, involving the empathy of the player, the limits of other genres in engaging empathy mechanically, the difficulty of reading the environment, the unfortunate PS4 port from the PS2, avoiding oysters, a direct lineage of creativity, becoming Godzilla, reuse of abilities when you return, every level being a genre, leading the way creatively, parallel to indie film, re-entering the levels and the tongue-in-cheek, going every direction and the costs, relearning rules each level, the cost of testing boundaries due to other mechanics, jumping between gravity spaces, describing the Milkman level, conspiracy mad-libs, being in an environment where you will fail again and again, memorable levels here and elsewhere, zingers of stingers, lines in movies vs lines in games, reinforcing them, a typical day in the life for a game designer, iterating to solve problems, getting people on board and carrying vision, people who show what's going on with the project, building consensus.  Games, people, and influences mentioned or discussed: Spelunky, Andy Nealen, mysterydip, Beyond Good & Evil, Crash Bandicoot, King's Quest, Costume Quest, Headlander, Keeper, Stacking, Trenched/Iron Brigade, Tim Schafer, Daron Stinnett, LucasArts, Community, Velvet Underground, Four Weddings and a Funeral, Psychodyssey, Nintendo, Majora's Mask, Microsoft, Shadow of the Colossus, Ico, Outer Wilds, Portal, Duke Nuke'em, John Carpenter, Them, Roddy Rowdy Piper, Sasha/scarytiger, Jonno, Starfighter, Kirk Hamilton, Aaron Evers, Mark Garcia.  Next time: Finish the game? Twitch: timlongojr and twinsunscorp YouTube Discord DevGameClub@gmail.com 

¡NUEVO FORMATO! Un podcast de música, pero que tiene más libros y literatura que otra cosa.En esta oportunidad nos ocupamos del Disco de la banana. The Velvet Underground y un mundo que ya no es.Andy Warhol, Bob Dylan, Nico, Alain Dellon, Lou Reed, y todo lo que te coparía saber.

Met ditmaal: Pixies, Dropkick Murphys, Death Cab For Cutie, Pond, Temples, The Lemon Twigs, JJerome87, Hard-Fi, Brother Wallace, The Velvet Underground,Modest Mouse, The Tubs, Black Bananas, Kevin Morby, 13th Floor Elevators, plus een exclusieve instore van Asteroids Galaxy Tour. Concerto Radio, aflevering 655 (3 juli 2026): Pixies, Debaser [Live]: Complete B Sides (2026 Remaster) Dropkick […]

Broadcaster, Podcaster and Author Gina Grad joins Matt and Sam to bring her mix of songs that bring her tears of joy! You do not want to miss this episode or this mix!Check out Gina's book My Extra Mom and follow her on social media @GinaGrad and @MyExtraFamily! Here's the playlist on Spotify https://open.spotify.com/playlist/6L4FddlgWmwhdw8FWmmR4T?si=0f0f9f0323314629 Here's the mix:Wildflowers by Dolly Parton, Linda Ronstadt, Emmylou HarrisTravelin' Thru by Dolly PartonOut of Range (Electric) by Ani DiFrancoRoar by Katy PerryI Choose You by Sara BareillesPlease Mr. Postman by The MarvelettesBorn This Way by Lady GagaNone of Your Business by Salt-N-PepaI'll Be Your Mirror by The Velvet Underground, NicoShambala by Three Dog NightLife By the Drop by Stevie Ray Vaughan & Double TroubleRight Down the Line by Gerry RaffertyGo to My.SuperAwesomeMix.com and start using our new app on any device - mobile or laptop.  Copy and paste a link to your playlist then turn it into an old school mixtape in minutes!  Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

On this episode of Reelin'... The Featured Five Theme is Boom!... What Beatles song was inspired by a phrase uttered by reggae singer, Jimmy Scott?... A Motown song that had to be recorded three different times before it passed quality control... Amphetamine abuse + Occultism = A 1968 title track by The Velvet Underground... Music from a soul singer who got his big break as a backing singer for CeeLo Green... New music from King Tuff and Low Cut Connie... Deeper tracks from Bad Company, Poco, Buffalo Springfield, Turnpike Troubadours, Dirty Honey, and much more! For more info on the show, visit reelinwithryan.com

Ce 1er juillet, Marjorie Hache orchestre une nouvelle édition de Pop-Rock Station. Les classiques s'enchaînent avec The Who, The Cure, AC/DC, Deportivo, Lynyrd Skynyrd, Soundgarden, The 5.6.7.8's, Supergrass, The Velvet Underground, Alice Cooper, Infectious Grooves, The White Stripes, Arctic Monkeys, Bob Dylan et Kate Bush. L'animatrice souligne le 81e anniversaire de Debbie Harry avec "Rip Her To Shreds" de Blondie. En matière de découvertes, Suede ouvre le bal avec "Emotionally Unavailable", issu de la réédition de son disque "Antidepressants". PJ Harvey dévoile l'envoûtant "Voyager", inspiré par la conquête spatiale, tandis que les Lambrini Girls et le duo Deary rejoignent la sélection. La primeur de la soirée met en lumière les Australiens de Pond, qui offrent le morceau "Two Hands", extrait de leur onzième album "Terrestrial". L'album de la semaine s'attarde sur "Songs Of Personal Loss and Protest" de Jon Spencer, porté par "Give It Up For The Devil" qui mêle urgence punk et blues new-yorkais. Enfin, la reprise de la soirée s'annonce bouleversante : le regretté Charles Bradley, surnommé le "Screaming Eagle of Soul", transfigure le mythique "Heart Of Gold" de Neil Young avec une intensité vocale déchirante. Suede - Emotionally Unavailable AC/DC - Rock 'n' Roll Ain't Noise Pollution Blondie - Rip Her To Shreds The Who - Magic Bus Deportivo - Parmi Eux Lynyrd Skynyrd - Simple Man Soundgarden - Fell On Black Days Jon Spencer - Give It Up 4 The Devil The Rolling Stones - Sympathy For The Devil The 5.6.7.8's - Woo Hoo The Cure - A Forest PJ Harvey - Voyager Bradley Charles - Heart Of Gold Supergrass - Rebel In You Deary - Seabird The Velvet Underground - Sweet Jane The Rapture - Echoes Lambrini Girls - Love Alice Cooper - No More Mr. Nice Guy Infectious Grooves - Violent & Funky Pond - Two Hands The White Stripes - Seven Nation Army Kate Bush - Sat In Your Lap Arctic Monkeys - Do I Wanna Know? Bob Dylan - Hurricane Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Welcome back to When Words Fail, Music Speaks, the podcast where host James Cox—himself a lifelong champion of music's healing power—delves into the stories, science, and soul behind live performance. In today's episode, James sits down with Nate Terracio, director of the Kroger Center for the Arts and a former chemist turned arts‑leader, to explore how a free, outdoor concert series is reshaping Columbia's cultural landscape.Together they discuss the challenges of moving concerts outdoors—weather, logistics, and the magic of “rain‑or‑shine” shows—while highlighting the community‑building spirit that informal, open‑air gigs create. Nate shares how his scientific background fuels his problem‑solving approach to programming, his love for eclectic line‑ups (from classic‑rock “MTV Unplugged” vibes to modern tribute bands), and his vision for making high‑quality arts experiences accessible to every fan, regardless of taste or ticket price.The conversation also drifts into the deeper psychology of live music: why seeing a performer is as vital as hearing them, the goose‑bumps‑inducing energy of shared audiences, and the irreplaceable warmth of analog sound. Nate reveals his personal “Mount Rushmore” of musical inspirations—Beck, The Velvet Underground, Jane's Addiction, and the Jazz at Lincoln Center Orchestra—offering a window into the eclectic soundtrack that shapes his curatorial choices.Stay tuned for behind‑the‑scenes anecdotes, future plans for the Kroger Center's Thursday‑after‑work series, and a rapid‑fire lightning round that uncovers Nate's favorite venues, sounds, and the most stressful production role. Whether you're a music lover, a community organizer, or simply looking for a dose of inspiration, this episode proves once again that when words fail, music truly speaks.

On this episode, Marc talks Barry Walters, author of "Mighty Real: A History of LGBTQ Music, 1969-2000," published in May of 2026. It's a fascinating version of music history focused on LGBTQ musicians and audiences, with chapters centered on specific artistsm from the Velvet Underground through David Bowie up to Judas Priest, Diana Ross, Prince, Depeche Mode, and so many more. Walters delves into each with the eye of a seasoned rock critic and the skill of a journalist, telling their stories and measuring their impact on LBGTQ culture and society as a whole. As he writes, "Straight critics have been telling us how to hear our music for ages, so I'm simply offering a queer alternative—based on forty years of professional research and two prior decades of fandom, with insights gleaned not only from when these records were new and we experienced them in the moment but also from retrospection and insider information."We hope you enjoy Marc's conversation with Barry Walters!

This week on "How We Heard It," your hosts talk about bands and singers they haven't mentioned often on the show but who deserve to have their stories told. For example: How did Lauryn Hill squander the record-breaking fame and adulation for her solo debut so badly that she never released another studio album? Or why didn't Lou Reed's counterpart in The Velvet Underground have anything close to Reed's success? Then there's the Australian pop sensation who has been churning out hits since the 1980s and has achieved Madonna-like status around the world, even though in the U.S. she's only a minor star ... because she HASN'T had a scandal? Also, there's the British act that's been a phenomenon all across Europe but has proven too acerbic for Americans. The episode includes others, from Marty Stuart and The Band to Men At Work and Jamiroquai. And find out what happened to the Chainsmokers during the 2020 pandemic that took them from the middle of everything right off the radar. That's show business: You can go from overwhelming success one minute to obscurity the next. But it's still better than some mind-numbing office job.  

Author Barry Walters' latest book "Mighty Real" blurs the line between chronicle and memoir and explores the fascinating history of LGBTQ+ music from the underground dancefloors of the 1970s to the global charts of the 1990s.  Host Jacob Shymanski catches up with Barry to learn how LGBTQ+ musicians, music industry executives and fans reshaped the mainstream music scene. Barry also reflects on his daunting experience to record the 21-hour long audiobook.  This episode was produced by Andrika De Lanerolle.    Audiobook Café is broadcast on AMI-audio in Canada and publishes two new podcast episodes a week on Fridays and Saturdays at 1 p.m. ET. Follow Audiobook Café on Instagram @AMIAudiobookCafe We want your feedback!Be that comments, suggestions, hot-takes, audiobook recommendations or reviews of your own… hit us up! Our email address is: AudiobookCafe@ami.ca About AMIAMI is a media company that entertains, informs and empowers Canadians with disabilities through three broadcast services — AMI-tv and AMI-audio in English and AMI-télé in French — and streaming platform AMI+. Our vision is to establish AMI as a leader in the offering of accessible content, providing a voice for Canadians with disabilities through authentic storytelling, representation and positive portrayal. To learn more visit AMI.ca and AMItele.ca.Find more great AMI Original Content on AMI+Learn more at AMI.caConnect with Accessible Media Inc. online:X /Twitter @AccessibleMediaInstagram @AccessibleMediaInc / @AMI-audioFacebook at @AccessibleMediaIncTikTok @AccessibleMediaInc Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

BIFF! This week, we're focusing on Album 1-2 punches...that is, albums where the first two songs knock you out. BANG! Our Third Lad is Ben Crum from long-running Elephant 6 band Great Lakes. POW! More than 25 years and eight records on from Great Lakes' classic debut, Ben Crum returns with a fantastic new Great Lakes album, Don't Swim Too Close (HHBTM Records). The immediately accessible record draws from classic rock tradition, echoing both the Americana spirit of The Band and Neil Young and the proto-indie rock of Television and the Velvet Underground. Crum's dry humor bubbles up throughout, tempering heavy, earnest moments with wit. WHAMMO! This is very likely to be the only music podcast you listen to today that incorporates both boxing and Scuffy the Tugboat references. KO!! Thanks for Mike Turner from HHBTM Records for the introduction and coordination. Learn more about your ad choices. Visit megaphone.fm/adchoices

Start Artist Song Time Album Year 0:01:45 The Velvet Underground Little Jack 3:23 Squeeze 1973 0:05:34 The Velvet Underground What Goes On 4:48 The Velvet Underground 1969 0:12:12 The Velvet Underground Pale Blue Eyes 5:37 The Velvet Underground 1969 0:18:24 The Velvet Underground White Light-White Heat 2:43 White Light / White Heat 1968 0:21:06 The Velvet Underground I Heard Her Call My Name 4:34 White Light / White Heat 1968 0:26:29 The Velvet Underground Rock and Roll 4:38 Loaded 1970 0:31:07 The Velvet Underground Oh! Sweet Nuthin’ 7:21 Loaded 1970 0:39:15 The Velvet Underground I’m Waiting For The Man 4:33 The Velvet Underground & Nico 1966 0:43:48 The Velvet Underground Femme Fatale 2:32 The Velvet Underground & Nico 1966 0:46:20 The Velvet Underground All Tomorrow’s Parties 5:54 The Velvet Underground & Nico 1966 0:52:13 The Velvet Underground Heroin 7:02 The Velvet Underground & Nico 1966

For this week's Encore Presentation of Revolutions Per Movie, I bring you an incredible discussion with Mark Webber of Pulp, where we discussed everything from Mark's unique path into the band (tin foil, anyone?) and how we can never escape the mighty imprint of The Velvet Underground. Enjoy!(Episode 80 originally aired on March 13th, 2025).ORIGINAL SHOW NOTES:This week, we are joined by PULP's MARK WEBBER to discuss what was to be the most influential documentary of his life, THE SOUTH BANK EPISODE ABOUT THE VELVET UNDERGROUND. We discuss Mark's path from making fanzines (including interviewing Mo Tucker), & running the Pulp fanclub to eventually joining PULP as they embarked on their classsic records (DIFFERENT CLASS, THIS IS HARDCORE & WE LOVE LIFE), how Pulp composes music, being too young to get the Velvet Underground on first listen, the sweet spot of interviewing the Velvet Underground at the time of this documentary, Warhol's Factory, Mark's first time in NYC paying homage to his NYC heroes, Jonas Mekas, record store clerk suggestions, Spaceman 3, Pulp in 1978, the highs and lows of being in your favorite band, Mark's decades-long curation and research of experimental film, David Bowie as a direct line to the Velvet Underground, I Shot Andy Warhol, Bridget Berlin, Cat Power, Mark trying to do his own version of Warhol's Exploding Plastic Inevitable for Pulp called The Day That Never Happened, John Cale and Lou Reed's solo work, Mark getting to witness the Velvet Undeground reunion shows in person, The Pulp People Accommodation Register, Nico and more!!!So let's wrap some trees in tin foil and start the lights strobing on this week's episode of Revolutions Per Movie!MARK WEBBER:hatandbeard.com/products/im-with-pulp-are-you-by-mark-webberhttps://markwebber.org.uk/archive/about/https://welovepulp.info/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Ce 15 juin, Marjorie Hache met à l'honneur Jimi Hendrix, Placebo, The Velvet Underground, Kate Nash, Rival Sons, Mungo Jerry, Cold War Kids, Paramore, Pink Floyd, The Bloodhound Gang, Iggy Pop et Alice Cooper. L'animatrice célèbre par ailleurs le 37e anniversaire de la sortie du cultissime album "Bleach" de Nirvana en diffusant "About A Girl". Deep Purple lance les nouveautés avec "Arrogant Boy", et Graham Coxon propose "Alright" à l'approche de la sortie de son disque "Castle Park". Mike D des Beastie Boys confirme son retour avec "What We Got". Les rockeurs belges de Ghinzu et les Toulousains de Slift sont également de la partie. La primeur de la soirée met en lumière l'Australienne Ecca Vandal avec le titre cyberpunk "Vertical Worlds". L'album de la semaine s'attarde sur "I Built You A Tower", 11e disque des Américains de Death Cab For Cutie, avec l'excellent titre "Punching For Flowers". Enfin, la reprise du jour s'annonce surprenante : le collectif français Nouvelle Vague réinvente "Enjoy The Silence" de Depeche Mode dans une version bossa nova apaisante, portée par la voix de Skye Edwards, la chanteuse de Morcheeba. Deep Purple - Arrogant Boy Jimi Hendrix - Crosstown Traffic Nirvana - About A Girl The Bangles - Walk Like An Egyptian Placebo - Battle For The Sun The Velvet Underground - Heroin Kate Nash - Foundations Death Cab For Cutie - Punching The Flowers Gary Glitter - I'm The Leader Of The Gang (I Am!) Rival Sons - Company Man Mungo Jerry - In The Summertime Graham Coxon - Alright Nouvelle Vague, Larry Love & Skye Edwards - Enjoy The Silence Cold War Kids - Hang Me Up To Dry Paramore - Still Into You Ghinzu - Out Of Control Pink Floyd - Comfortably Numb Biffy Clyro - Wolves Of Winter Mike D - What We Got Herman's Hermits - No Milk Today Bloodhound Gang - The Bad Touch Ecca Vandal - Vertical Worlds Hole - Skinny Little Bitch Iggy Pop - Real Wild Child Alice Cooper - School's Out Foo Fighters - Your Favorite Toy Slift - FantasiaHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Eric Newman and Kate Wolf speak to journalist and music critic Barry Walters about Mighty Real: A History of LGBTQ Music 1969-2000. Spanning three decades of pop, disco, rock, funk, folk, and much more, Mighty Real looks at the power of popular music to challenge sexual norms and gender categories in ways both coded and overt. Covering headliners such as David Bowie, The Velvet Underground, Motown, Nirvana and Judas Priest, to more obscure players like Lavender Country and the lesbian label, Olivia Records, Walters shows how queerness is encoded in the very DNA of some of our most beloved songs and albums. Mighty Real also testifies to how music both reflects the reality of gay culture and, subversively, brings it into the mainstream.

In our previous episode, we went deep into the history of Cabaret Voltaire and their importance to UK industrial and, latterly, dance music. Now, we follow the trail we laid therein by taking a journey through the band's extensive discography, really fleshing out how they went from a Sheffield attic in 1973 to a Patagonian field site recording lizards for David Attenborough. Along the way, we take in televangelists, voodoo, Charles Manson samples, Velvet Underground covers, a near-miss with Todd Terry, and a Taylor Swift pressing-plant mix-up that turned a forgotten ambient track into a viral curiosity decades later.Phil Eaglesham (aka P6 - ex-Stretchheads and De Salvo, current OMO frontman) returns to bestow upon us his encyclopaedic knowledge of the band and British industrial music. We start in 1974 with the lo-fi bedroom experiments of Cabaret Voltaire 1974–76, work through the rough-edged early Rough Trade EPs, the spring-reverb wilderness of Three Mantras and Voice of America, the cult monument that is Red Mecca, and the band's stylistic pivots through Hai!, 2x45, The Crackdown, Micro-Phonies, The Covenant, the Sword and the Arm of the Lord, Code, and beyond. We also pick at the more controversial late chapters, including the major-label years, the slightly-too-late acid house pivot, and Richard H. Kirk's solo reactivation of the name.Along the way, we explore the band as a video production company that happened to make music; their roles as curators and tastemakers via Double Vision; the Burroughs-and-televangelism worldview that made them frighteningly prescient about Reagan-era Christian nationalism; and their unsung debt to Black American music and dub. Chris also offers a wider reflection on what it means to lose the egoless purity of your earliest creative work as ambition and industry pressures take hold.We get deep in the weeds talking about the producers they worked with (Flood, Adrian Sherwood, John Robie, Marshall Jefferson); the labels (Rough Trade, Some Bizzare, Virgin, EMI, Mute); their collaborators and contemporaries (DAF, Wire, Throbbing Gristle, Clock DVA, Soft Cell, New Order, The Shamen); and the bands that lifted from them wholesale (Nine Inch Nails, Ministry, The Rapture, White Zombie, and a generation of Glasgow acts you've heard but can't quite place).It all culminates in us taking a closer look at Eight Crepuscule Tracks, a record that Phil thinks is their best and a very pure statement of what the band can and did achieve. We also settle upon what is perhaps the most important lesson to be gleaned from the Cabs' music: the importance of never compromising on your vision. By entering the belly of the beast and somehow remaining intact, they became one of the rare bands in this corner of music history whom nobody has a bad word for.Highlights00:00 Intro01:18 Welcome Back, Phil02:46 1974–76: Egoless Experimentation04:51 Bedroom Records06:30 Extended Play and DAF07:37 The Velvet Underground Cover08:26 Nag Nag Nag10:20 Van With a PA11:38 Three Mantras12:24 Mix-Up14:50 William Burroughs16:48 Voice of America19:35 Peter Care and Double Vision21:41 Red Mecca24:25 Encyclopaedia Bands27:36 Hai!29:36 2x45 in New York32:07 Sheffield's Family Tree32:55 Chris Watson Leaves36:16 The Crackdown42:23 Micro-Phonies46:38 Covenant, Sword and Arm of the Lord49:48 Drinking Gasoline51:45 Code54:58 Listen Up and Reissues57:12 Groovy, Laidback and Nasty1:00:15 Body and Soul1:03:56 Shadow of Fear1:04:51 The Taylor Swift Accident1:08:27 Richard Kirk's Death1:14:50 Bus Shelter Bashes1:19:58 Sincerity vs Seriousness1:25:00 Debt to Black Music1:29:00 Eight Crepuscule Tracks1:51:00 Why Everyone Loves Cab Vol1:58:36 Coming Soon: Coil?!

Ce 1er juin, dans RTL2 Pop-Rock Station, Marjorie Hache convoque PJ Harvey, Ozzy Osbourne, Billy Idol, Guns N' Roses, Cage The Elephant, Iggy Pop, Deftones, Charli XCX et Nada Surf. L'animatrice célèbre le 54e anniversaire de la sortie du premier disque des Eagles, avec le titre "Take It Easy". La sélection réunit également The Velvet Underground, The Cure, Frankie Goes to Hollywood et The Faces. Les Foo Fighters font résonner "Your Favourite Toy", tandis que Massive Attack et Tom Waits récidivent avec "Boots On The Ground". The Strokes, Lana Del Rey et les Vendéens de Dynamite Shakers répondent présents. Le duo électro-rock écossais Boards of Canada annonce son grand retour avec "Prophecy At 1420 MHZ". La primeur de la soirée met en lumière le duo irlandais Dea Matrona, qui offre le morceau "My Own Party", abordant le thème du syndrome de l'imposteur. L'album de la semaine se penche sur le troisième disque du trio londonien Saint Agnes, "Your God Fearing Days Are About To Begin", dont on découvre aujourd'hui le titre "The Beast", confirmant leur puissance métal. Enfin, la reprise du jour s'annonce envoûtante : les Canadiens de Cowboy Junkies revisitent avec délicatesse le célèbre hymne "One" de U2, sorti initialement en 1992. Foo Fighters - Your Favorite Toy Guns N' Roses - Paradise City The Eagles - Take It Easy P.J. Harvey - A Place Called Home Cage The Elephant - Shake Me Down Iggy Pop - Lust For Life Deftones - My Own Summer Saint Agnes - The Beast Ozzy Osbourne - Mr. Crowley Billy Idol - Eyes Without A Face Charli XCX - Rock Music Cowboy Junkies - One Nada Surf - Always Love Massive Attack & Tom Waits - Boots On The Ground The Velvet Underground - I'm Waiting For The Man Starcrawler - Road Kill Dynamite Shakers - Cinema Frankie Goes To Hollywood - Relax Boards Of Canada - Prophecy At 1420 MHz Dea Matrona - My Own Party Alt+J - Left Hand Free Faces - Ooh La La The Cure - A Forest Lana Del Rey - First Light The Strokes - Falling Out Of LoveHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

We look at this Harvard Business Review Press book about Taylor Swift. For more about the book, see here. There's Nothing Like This: The Strategic Genius of Taylor Swift, reviewed This book is certainly readable. As someone who is aware of who she is, knows a few songs, and has teenagers who may have even gone to see her in concert there are reasons why this book was of potential interest for reviewing. The author also cites a lot of business management and thoughtful marketing thinkers too, Clayton Christiansen and Seth Godin yes we are talking about you here. Similarly words like pivot and pilot are used with business dev enthusiasm. This is all fine and dandy, but, as we read it, it was hard not to wonder if this was an attempt to shoehorn the career of Taylor Swift into a startup ethos vibe. The other question, and challenge in reading this narrative, was that, were we looking at Taylor Swift's career through the prism of a confirmation bias. She was, now is, wildly successful for sure, but does that mean that all of her albums, and her musical steps, and decisions made were actually that strategic or as carefully considered as the subtitle of this book would like us to think? As Bill Gates may have said, success can be a lousy teacher. All the more so when you consider musical careers. Lou Reed was an awful grump and cranky guy, if many accounts are to be believed, the Velvet Underground were both wildly unsuccessful first time around, and yet created some great songs and are considered to be one of the seminal and most important bands to have come out of the sixties. Was this therefore a clever strategic performance, or did they, eventually, stumble onto fame and fortune. Walk on the wild side and Waiting for my Man would hardly be obvious topics towards musical stardom. Coming back to Taylor, the book was informative, interesting, but the business analogies felt a bit clunky at times. Many fans felt that The Tortured Poets Department was a good single, or perhaps double album, lost in a triple. It would have been good to see how the author factored in this mishmash of an album in the slightly breathless prose of her faultless strategic rise to the top? Perhaps the classic result of so many triples, like Sandanista for example, so great songs, mixed in with some slightly to very odd ones too. This book might fall between too stools, not Taylor enough for TS fans, and a bit of a reach for business insights for those coming from a business or marketing background. More about the book here A smart, page-turning exploration of the business and creative decisions that transformed Taylor Swift into an unprecedented modern cultural phenomenon. Singer-songwriter. Trailblazer. Mastermind. The Beatles of her generation. From her genre-busting rise in country music as a teenager to the economic juggernaut that is the Eras Tour, Taylor Swift has blazed a path that is uniquely hers. But how exactly has she managed to scale her success–multiple times–while dominating an industry that cycles through artists and stars like fashion trends? How has she managed to make and remake herself time and again while remaining true to her artistic vision? And how has she managed to master the constant disruption in the music business that has made it so hard for others to adapt and endure? In "There's Nothing Like This," Kevin Evers, a senior editor at "Harvard Business Review," answers these questions in riveting detail. With the same thoughtful analysis usually devoted to iconic founders, game-changing innovators, and pioneering brands, Evers chronicles the business and creative decisions that have defined each phase of Swift's career. Mixing business and art, analysis and narrative, and pulling from research in innovation, creativity, psychology, and strategy, "There's Nothing Like This" presents Swift as the modern and multidimensional superstar that she is–a songwriting savant and a strategic genius. Swift's fans will see their icon from a ...

这期节目，我想分享一位在华语世界或许略显小众，但绝对值得你用心聆听的伟大音乐人——ANOHNI（曾以 Antony and the Johnsons 的名字为人所知）。她的声音横跨了男女音域，带着一种极具辨识度的颤音。那是一种被世界狠狠拒绝过，却依然试图温柔拥抱世界的频率。她的声音像祈祷，也像伤口。它唱童年里没有位置的孤独，唱跨性别者对身体与灵魂合一的渴望，唱被河流带走的酷儿前辈，也唱正在消失的动物、树木、雪与地球。从一个在教堂和学校里找不到座位的跨性别孩子，到纽约东村地下俱乐部的前卫剧场；从凭借《I Am a Bird Now》拿下水星音乐奖，到用电子乐向气候危机与父权体制发出尖锐抗议。ANOHNI 的音乐轨迹，是一部从私密悲伤走向宏大史诗的生命线。我们常常把人生过成了一场寻找“标准答案”的巨大考试。当你发现自己的存在、你的真实感受与这个世界期待的“正确答案”背道而驰时，那种苦痛该如何度过？或许，你能从 ANOHNI 的故事里找到答案。她一路唱的，其实是人如何在被伤害之后，依然保留爱，最终把自己活成一条通往他人的路。如果你也曾感到自己不属于这里，如果你也曾在人群中感到格格不入，希望这期节目能为你造一间安全的房间，也为你带来直面真实感受的勇气。

This week, hosts Jim DeRogatis and Greg Kot talk with biographer Will Hermes about his book on Lou Reed, as well as Lou's music, persona, legacy and more.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Lou Reed, "Walk on the Wild Side," Transformer, RCA, 1972The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Velvet Underground and Nico, "Sunday Morning," The Velvet Underground & Nico, Verve, 1967The Velvet Underground and Nico, "Heroin," The Velvet Underground & Nico, Verve, 1967The Velvet Underground, "Pale Blue Eyes," The Velvet Underground, MGM, 1969Lou Reed, "Coney Island Baby," Coney Island Baby, RCA, 1975The Velvet Underground, "Some Kinda Love," The Velvet Underground, MGM, 1969Lou Reed, "How Do You Think It Feels," Berlin, RCA, 1973Lou Reed, "Perfect Day," Transformer, RCA, 1972The Velvet Underground, "Sweet Jane," Loaded, Cotillion, 1970The Velvet Underground and Nico, "I'll Be Your Mirror," The Velvet Underground & Nico, Verve, 1967The Velvet Underground, "Candy Says," The Velvet Underground, MGM, 1969Pixies, "Here Comes Your Man," Doolittle, 4AD and Elektra, 1989See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of Reelin' In The Years... The Featured Five Theme is Gone Fishin'... Plus, a song inspired by Peter Fonda's near-death experience that happened when he was a kid... A Bowie tune that's nearly a reworking of "I'm Waiting For The Man" by Velvet Underground... What influential Delta Blues musician simply vanished in the early 1940s?... The band - Heart - and a song inspired by the rumor of an incestuous relationship... New music from Kurt Vile, Jack White, Duane Betts, and Bruce Hornsby... Deep cuts from Chris Cornell, Bobby Womack, Big Star, Wilco, Freedy Johnston, Kaiser Chiefs, The Undertones, and more! For more info on the show, visit reelinwithryan.com

***This show is brought to you by DistroKid. Go to ⁠⁠⁠http://distrokid.com/vip/the500⁠⁠⁠ for 30% off your first year!*** Complete our⁠⁠⁠⁠ listener survey⁠⁠⁠⁠ for a chance to win a $50 gift card! Roddy Bottum of Faith No More unpacks the raw charm and lasting influence of Loaded, the record that turned The Velvet Underground's downtown art-rock spirit into something generations of outsiders could sing along to. Follow Roddy on Instagram: https://www.instagram.com/roddybottum/ Distrokid Artist of the Week: CRICKETS https://www.youtube.com/watch?v=3y17lNE_gQM Follow Josh on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/joshadammeyers/⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@joshadammeyers⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JoshAdamMeyers⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/joshameyers⁠⁠⁠⁠⁠⁠⁠⁠ Josh's Website: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.joshadammeyers.com/⁠⁠⁠⁠⁠⁠⁠⁠ Follow DJ Morty Coyle on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/djmortycoyle/⁠⁠⁠⁠⁠⁠⁠⁠ https://www.instagram.com/alldaysucker/ Follow The 500 on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/the500podcast/⁠⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/the500podcast⁠⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/The500PodcastWithJAM/⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: ⁠⁠⁠⁠⁠⁠⁠⁠500podcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠ Check the show's website:⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Music fan Brian Koppen chats with Meinard Cuskey as they discuss Hall of Fame artists: Public Enemy's “Harder Than You Think” vs. The Ramones' “Blitzkrieg Bop”Led Zeppelin's “Whole Lotta Love” vs. Van Halen's “Ain't Talkin' About Love”Soundgarden's “Fell on Black Days” vs. Pearl Jam's “Black”Fleetwood Mac's “The Chain” vs. The Zombies' “She's Not There”Velvet Underground's “I'm Waiting for the Man” vs. Radiohead's “All I Need” They also discuss Buckethead and Nirvana. Check out Meinard Cuskey at https://www.instagram.com/meinardcuskey/ and https://www.tiktok.com/@meinard_c; and on Spotify, listen to the Forever is Composed of Nows album by his band Cody's Porch, and his own EP, Everything I've Known. Intro music is from Jussy's Down Open Roads.  Check out Jussy at https://soundcloud.com/user-214048265/sets/jussy-demos-1!Support the show

Music fan Brian Koppen chats with music critic Reed Jackson as they discuss Hall of Fame artists: Beach Boys' “Sloop John B” vs. R.E.M.'s “Cuyahoga”Joni Mitchell's “The Dry Cleaner from Des Moines” vs. Queen's “I Want it All”The Temptations' “Runaway Child, Running Wild” vs. Velvet Underground's “What Goes On”Miles Davis' “Rated X” vs. ABBA's “Gimme! Gimme! Gimme! (A Man After Midnight)”Clash's “Magnificent Seven” vs. Neil Young's “Thrasher” Reed Jackson is the managing editor of the Spectrum Culture website and a regular contributor to Aquarium Drunkard.  You can also check out Reed at https://x.com/nakedfoul, https://www.instagram.com/blargeld, and https://nakedfoul.substack.com/! Intro music is from Jussy's Down Open Roads.  Check out Jussy at https://soundcloud.com/user-214048265/sets/jussy-demos-1!Support the show

Music fan Brian Koppen chats with music critic E.R. Pulgar as they discuss Hall of Fame artists: Def Leppard's “Animal” vs. Fleetwood Mac's “Silver Springs”The Doors' “L.A. Woman” vs Queen's “Good Old-Fashioned Lover Boy”Janet Jackson's “Again” vs. David Bowie's “Life on Mars?”Neil Young's “Powderfinger” vs The Velvet Underground's “Venus In Furs”Alice Cooper's “Poison” vs. Gil Scott-Heron's “I'll Take Care Of You” They also discuss harps, poetry, and Gerard Malanga. Follow E.R. Pulgar's work athttps://www.instagram.com/er_pulgar/https://erpulgar.com/https://elunderground.substack.com/ Intro music is from Jussy's Down Open Roads — check out Jussy at https://soundcloud.com/user-214048265/sets/jussy-demos-1! Support the show

We've compiled some of Tom's best conversations with some of the top directors today including: Mike White (The White Lotus, Enlightened), Todd Haynes (May/December, The Velvet Underground), Kelly Reichardt (First Cow, Wendy and Lucy), Mary Bronstein (Yeast, If I Had Legs I'd Kick You), Matt Johnson (BlackBerry, Nirvanna the Band the Show The Movie), Benny Safdie (Uncut Gems, Good Time). SUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES!https://www.patreon.com/TheBestShowWATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCHhttps://www.twitch.tv/bestshow4lifeFOLLOW THE BEST SHOW:https://twitter.com/bestshow4lifehttps://instagram.com/bestshow4lifehttps://tiktok.com/@bestshow4lifehttps://www.youtube.com/bestshow4lifeTHE BEST SHOW IS A FOREVER DOG PODCASThttps://thebestshow.nethttps://foreverdogpodcasts.com/podcasts/the-best-showHEARD IT ON THE BEST SHOW PLAYLISThttps://open.spotify.com/playlist/2XIpICdeecaBIC2kBLUpKL?si=07ccc339d9d84267See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A two-season black-and-white sitcom leaves a 60-year shadow, a band logo becomes more famous than the band name, and a random music reference boomerangs back into your week at the perfect moment. That's the lane we love: pop culture history that feels like real life, where classic rock stories sit right next to TV theme songs and the little memories that make certain tracks impossible to forget.We start with The Addams Family and why the characters, jokes, and visuals still land. From there we follow the thread into TV music history with Vic Mizzy, including his connection to Green Acres, and we detour into some old-school Hollywood facts that make you hear those familiar themes a little differently.Then we go bigger on music culture: the origin of the Rolling Stones tongue and lips logo, how it first appeared in 1971, and what inspired it. We also tip our hat to creators who don't always get the spotlight, like Chip Taylor (Wild Thing and Angel of the Morning) and arranger Ted Nichols, whose work helped define the sound of classic cartoons. Add a Minute With Jimmy on Andy Warhol and the Velvet Underground's Exploding Plastic Inevitable, plus reflections on Bowie, The Police, Hall and Oates, and INXS, and you've got a packed nostalgia podcast built for curious music fans.If you like music history, classic rock deep dives, and the stories behind the sounds, subscribe, share this with a friend, and leave us a review. What song instantly takes you back to a specific season of your life?Learn Something New orRemember Something OldPlease like and follow the Music in My Shoes Facebook and Instagram pagesReach out to us at musicinmyshoes@gmail.comSend us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

This week is lucky #13 of our series called “Degrees Of Separation…” where we discuss side projects and solo releases from artists we love. This episode focuses on the mega-intense, stage-stalking, heavy-throated, part-animal, part-machine literary punk rock icon: HENRY ROLLINS! Kevin's appreciation and fandom of old Hank goes all the way back to his rock n' roll beginnings! If you only know him as that red guy screaming Liar in that '90s video, or as the dude that is on every rockumentary, we hope we turn you on to something new. Search & destroy!!! New to InObscuria? It's all about digging up obscure Rock n' Punk n' Metal from one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. While we may be talking about an artist that many of you know in this episode, perhaps you are not aware of the depth of his work and collabs from the early 80s to the 2000s. Hope ya dig! Songs this week include: Black Flag - “My War” from My War (1984) Iommi - “Laughing Man (In The Devil Mask)” from Iommi (2000) Henry Rollins - “Hot Animal Machine 1” from Hot Animal Machine (1987) Rollins Band - “You Didn't Need” from The End Of Silence (1992) S.O.A - “Girl Problems” from No Policy (1981) Mike Watt - “Sexual Military Dynamics” from Ball-Hog Or Tugboat (1995) Rollins Band - “Love's So Heavy” from Get Some Go Again (2000) Henry Rollins - “It's Kiss! Pt.1 - Excerpt” from Talk Is Cheap, Vol. 2 (2002) Visit us: https://inobscuria.com/ https://www.facebook.com/InObscuria https://twitter.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=u Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Matt Johnson's life story has been mapped out as one long Q&A conversation from meetings with old friend, fan and BFI director Jason Wood. ‘Cognitive Dissident' traces his trajectory from the East End to Soho to the beloved albums he made with a series of super-groups and his 2021 comeback. He looks back here at … … his earliest musical memories – Donovan, the Move, the Crazy World of Arthur Brown … the old East End and the Two Puddings pub run by his parents, “full of ghosts”, Bobby Moore, Francis Bacon and the Krays … his Uncle Kenny promoting the Who, the Kinks and Jerry Lee Lewis … “Get yourself on a sunbed!” and other advice from George Michael ... what he learnt at De Wolfe Music, aged 15, in the red-light Soho of the late ‘70s … legendary manager Stevo signing the band's CBS contract at midnight in Trafalgar Square … “cigarettes, coffee, warm analogue equipment”: the Proustian scent of old studios … his NME ad recruiting The The members via the Residents, the Velvet Underground, Syd Barrett and Throbbing Gristle … being part of “the Long Mack Brigade” with Cabaret Voltaire, This Heat, Wire and the Gang of Four … Leonard Cohen's premonition of the internet … the Albert Hall: “like a tennis player playing Wimbledon” … the genius of Hank Williams … and his 2018 comeback, “like reunion of old army buddies” Order ‘Cognitive Dissident' here: https://omnibuspress.com/products/cognitive-dissident?_pos=1&_psq=cognitive+dissi&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Matt Johnson's life story has been mapped out as one long Q&A conversation from meetings with old friend, fan and BFI director Jason Wood. ‘Cognitive Dissident' traces his trajectory from the East End to Soho to the beloved albums he made with a series of super-groups and his 2021 comeback. He looks back here at … … his earliest musical memories – Donovan, the Move, the Crazy World of Arthur Brown … the old East End and the Two Puddings pub run by his parents, “full of ghosts”, Bobby Moore, Francis Bacon and the Krays … his Uncle Kenny promoting the Who, the Kinks and Jerry Lee Lewis … “Get yourself on a sunbed!” and other advice from George Michael ... what he learnt at De Wolfe Music, aged 15, in the red-light Soho of the late ‘70s … legendary manager Stevo signing the band's CBS contract at midnight in Trafalgar Square … “cigarettes, coffee, warm analogue equipment”: the Proustian scent of old studios … his NME ad recruiting The The members via the Residents, the Velvet Underground, Syd Barrett and Throbbing Gristle … being part of “the Long Mack Brigade” with Cabaret Voltaire, This Heat, Wire and the Gang of Four … Leonard Cohen's premonition of the internet … the Albert Hall: “like a tennis player playing Wimbledon” … the genius of Hank Williams … and his 2018 comeback, “like reunion of old army buddies” Order ‘Cognitive Dissident' here: https://omnibuspress.com/products/cognitive-dissident?_pos=1&_psq=cognitive+dissi&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Mercredi 1er avril, Pop-Rock Station ouvre avec le niuveau titre de The Strokes "The Adults Are Talking". Parmi les nouveautés, Kim Gordon dévoile "Girl With A Look", extrait de son album "Play Me". Focus aussi sur The Twilight Sad avec "Back To Fourteen", un titre centré sur le deuil et l'anxiété. Côté classique, hommage à David Bowie pour les 60 ans de son premier single "Do Anything You Say". S'enchaînent Richard Ashcroft, Deep Purple avec "Highway Star", ou encore Norman Greenbaum avec "Spirit In The Sky". La compilation caritative "Help2", au profit de War Child, propose une reprise de "Sunday Morning" du The Velvet Underground par Beth Gibbons. Suite de l'émission avec Jefferson Airplane, Temples, Cat Power et la découverte du groupe parisien Mascara. La nouveauté "Fresh Fresh Fresh" met en avant The Lemon Twigs et "I Just Can't Get Over Losing You", aux influences 60s-70s. Enfin, retour aux fondamentaux avec The Doors et "Light My Fire", puis Black Flag et "Rise Above", avant une fin d'émission avec Alt-J et Pink Floyd. The Strokes - The Adults Are Talking Kim Gordon - Girl With A Look David Bowie - Do Anything You Say Ten Years After - I Woke Up This Morning Richard Ashcroft - Break The Night With Colour Bruce Springsteen - Atlantic City Courtney Barnett - Nobody Really Cares If You Don't Go To The Party The Twilight Sad - Back To Fourteen The Cure - The End Of The World Deep Purple - Highway Star Norman Greenbaum - Spirit In The Sky Gorillaz - Delirium (Feat. Mark E. Smith) Beth Gibbons - Sunday Morning Travis - Side Mascara - Going Postal Jefferson Airplane - Somebody To Love Elvis Presley - A Little Less Conversation (Jxl Radio Edit Remix) Temples - Jet Stream Heart Gary Glitter - Rock & Roll Part 2 Cat Power - Peace And Love The Lemon Twigs - I Just Can't Get Over Losing You Green Day - Still Breathing The Doors - Light My Fire Black Flag - Rise Above Alt+J - Tessellate Pink Floyd - Shine On You Crazy Diamond (Parts I-V)Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Matt Johnson's life story has been mapped out as one long Q&A conversation from meetings with old friend, fan and BFI director Jason Wood. ‘Cognitive Dissident' traces his trajectory from the East End to Soho to the beloved albums he made with a series of super-groups and his 2021 comeback. He looks back here at … … his earliest musical memories – Donovan, the Move, the Crazy World of Arthur Brown … the old East End and the Two Puddings pub run by his parents, “full of ghosts”, Bobby Moore, Francis Bacon and the Krays … his Uncle Kenny promoting the Who, the Kinks and Jerry Lee Lewis … “Get yourself on a sunbed!” and other advice from George Michael ... what he learnt at De Wolfe Music, aged 15, in the red-light Soho of the late ‘70s … legendary manager Stevo signing the band's CBS contract at midnight in Trafalgar Square … “cigarettes, coffee, warm analogue equipment”: the Proustian scent of old studios … his NME ad recruiting The The members via the Residents, the Velvet Underground, Syd Barrett and Throbbing Gristle … being part of “the Long Mack Brigade” with Cabaret Voltaire, This Heat, Wire and the Gang of Four … Leonard Cohen's premonition of the internet … the Albert Hall: “like a tennis player playing Wimbledon” … the genius of Hank Williams … and his 2018 comeback, “like reunion of old army buddies” Order ‘Cognitive Dissident' here: https://omnibuspress.com/products/cognitive-dissident?_pos=1&_psq=cognitive+dissi&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Hey everyone, put on a nudie suite and let's head to the Grand Old Opry pilgrim. We are seeing one of the seminal country bands *checks notes* The Byrds?  We cover one of the first country rock albums but first we talk stripping Bride's of Chuckie, Biogiorno from Omaha, and we explore the New Taco Bell Menu. (And Aaron gives a bunch of kids heat stroke)  We also revist the Velvet Underground and Aaron tells Rob what he really thinks of his hair.      Call or Text the BECK LINE at 802 277 BECK     Hey, we have had a great time, why don't you take this gift basket. 

Swami John Reis of Rocket from the Crypt and Drive Like Jehu digs deep on record collecting, the thrill of the hunt, running Swami Records, and why the next release always matters most. Get yer tix to the Punk Rock Museum's 3rd Anniversary Show here Topics Include: Swami John Reis joins to talk record collecting and Punk Rock Museum. His collection is evolving — trading old hardcore for more desired records. Collection is 95% 45s, driven by a lifelong musical pursuit. Early punk led him to hunt for MC5, Stooges, Velvet Underground. The thrill: records still exist that nobody knows about yet. Digging through boxes feels calming, healthy, and satisfying every time. Hawaii vintage shop surprise — radio station collection hidden outside for decades. Detroit and Pittsburgh are his highest strike-rate cities for finds. Always ask the clerk — the best stuff is never on the floor. Styrene vs vinyl: the label sticker is the definitive tell. Making records informed his collecting — plain white sleeves, big hole 45s. Pressing plant relationships are everything; affordability is the biggest challenge. Customs delays under the current administration are wrecking release schedules badly. Major labels scrapped their own pressing plants — now everyone competes for time. Marketing records stopped making sense; the artist always drives interest anyway. Every record is essentially limited and out of print from day one. Smaller runs mean no unsold closet stock and more collector value later. Hot Snakes packaging and Rick Griffin's creativity still inspire him deeply. Upcoming: Sultans reissue, Mrs. Magician LP, new Swami John Reis record. Schizophonics collaboration in the works — the next thing is always the thing. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Say hi, won't you? thebottomforty@gmail.com 

John Flansburgh of They Might Be Giants talks rare vinyl rarities, the chaotic story behind the new album's cover art, why re-recording old music is almost always a mistake and lots more Order the new album "The World Is to Dig" here Topics Include: Flansburgh owns roughly 2,000 records across three turntable setups at home He doesn't identify as a collector — just a serious listener His rarest record: an Andy Warhol-autographed Sticky Fingers with wild provenance photos He also owns a peeled-banana Velvet Underground and a Blonde on Blonde rarity Deep dive into what makes each of those pressings so collectible TMBG's new album title comes from a Maurice Sendak-illustrated children's book That led to a fascinating detour on painter Ad Reinhardt's secret black-on-black canvases Flansburgh has been TMBG's de facto art director for 35 years The new album's cover art was nearly a Washington Post-licensed sinkhole photo Washington Post's mass layoffs killed the deal at the last possible moment A Hudson Valley School painting of Yosemite became the actual cover Flansburgh and Linnell don't stockpile songs — cuts are made for specific artistic reasons He once had to shelve a song because Linnell came in with a nearly identical opening line TMBG song titles are uniquely searchable — except the new one referencing Wu-Tang Flansburgh is firmly against re-recording old material — cites Zappa as a cautionary tale Great discussion on remastering: Beatles got it right, Hendrix remaster was disorienting TMBG evolved from NYC performance art venues to rock clubs — crowd energy changed everything Their boutique 8-track manufacturer couldn't keep up when TMBG needed a thousand units Dolby Atmos debate: Flansburgh is skeptical, Nate makes the case for spatial audio Nate's most collectible record is a Nevermind test pressing — rejected pressings are worth more Extended & High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

many songs, beautiful songs, from the band - the magnificent band, Velvet Underground   with

Two of the greatest, mumbliest songwriters of the '60s decide to write sweet love songs! But only one can succeed between Dylan and Lou Reed, and we've brought star of "Disney's The Kid" and "The Santa Clause" 2 and 3 Spencer Breslin to help us decide which of the rambly hipsters makes the prettier tribute to love, Bob Dylan's "Lay Lady Lay" or the Velvet Underground's "Sweet Jane"? See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

You'll never guess which one of us is eating more tinned fish?!?!? We talk cowboy movies, but we can hardly hear what we are saying due to all the licorice (not really) behind me. We cover the best MN albums, splitting food, and of course we check out strip club reviews.    Then we talk about the worst the Velvet Underground album we have heard yet so we cleanse the palate with Bringing Down the Horse and it fucking rips. Great job Wallflowers.  Next week, Entertainment! by Gang of Four. It's fun! 

"Howlin' Wind" from Graham Parker and the Rumour celebrates its 50th anniversary in 2026.  And so does "Heat Treatment!"  What better way to celebrate the anniversaries than to have Graham himself to discuss the album.  Plenty of other discussion including the Winter Olympics, prog rock, not knowing how to market Graham (especially in America), blues bands, Bruce & Bob comparisons, and Graham's 5 favorite albums (du jour) including some Otis and Velvet Underground.  Big shoutout to Jay Nachman, author of "Graham Parker's Howlin' Wind" for setting this up for us.  Go check out his book!Check out Graham Parker at:  https://www.grahamparker.net/Home.htmlCheck out Jay's book about Graham Parker at: https://grahamparkershowlinwind.net/Check out other episodes at RecordsRevisitedPodcast.com or one all your favorite podcast providers like Apple Podcasts, Castbox, iHeartMedia, and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

Just in case you think we aren't 4 white guys in their 40s, we start the episode talking about Baywatch! Then we talk a 90's alternative compiltion album, Aaron has a day he would like to repeat, and Russ has some radical ideas about the THEATER!   Then we talk about the history of Hip Hop Soul and get into this Puff Daddy produced album.    Next week we are talking about the Velvet Underground and White Heat and White Light.  Don't listen if you are a fan.

Send a textHi everybody and welcome to today's episode of Attendance Bias. I am your host, Brian Weinstein. Before we get started with today's episode, I just want to remind everyone that if you enjoy the podcast, you can show your support by leaving a rating and review of it wherever you get your podcasts. You can also visit www.buymeacoffee.com/attendancebias and donate anything you can to keep the podcast going. Now, onto today's episode:I've spoken a lot on this podcast about how different Phish years have different personalities. When Attendance Bias was first getting off the ground, I had an unofficial goal to learn more about the 1999 Phish calendar year. But at this point, about five years in, I think that 1998 is the more intangible year. Everyone loves 1997, we've covered a lot of shows and jams from 1999, but 1998 remains elusive. The band was still funky, but they also kept their guitar-powered speed rock and combined it with a ton of unexpected cover songs that kept the crowd guessing. If we could distill the cagey feeling of 1998 into one show, it may be today's: Matt Huber is here to explain what it was like to attend Phish's show from August 1, 1998 at Alpine Valley. A classic venue that, in this case, featured Phish at the top of their game during an under-explored summer.Matt and I have a lot to say about today's show, but there's this inescapable feeling that, even with a 90 minute episode, there's a lot left unsaid. We talk about the summer of covers, imaginary conversations between band members, and even compare Fikus to Quadrophonic Toppling. This is a nerdy episode, and we go out there. But, maybe what makes 1998 such a great year for Phish has yet to be defined no matter how much we talk.In the meantime, Matt and I give it our best shot today. Let's join Matt Huber to discuss The Story of the Ghost, The Velvet Underground, and who should take the high vocal parts at  August 1, 1998 at Alpine Valley in East Troy, Wisconsin.Support the show

Sonny Vincent fronted Testors in the mid-1970s New York punk scene, playing CBGB and Max's Kansas City before the band split in 1981. He later formed Sonny Vincent and the Extreme and Model Prisoners, and went on to record and tour with Maureen "Mo" Tucker and Sterling Morrison from the Velvet Underground. He has continued releasing records and wrote the memoir Snake Pit Therapy.

Seattle singer/songwriter Robert Deeble brings us British band Mojave 3 and their 2003 release 'Spoon and Rafter'. Borne from the ashes of their previous band Slowdive, its core members Neil Halstead, Rachel Goswell and Ian McCutcheon dialed-in the dream pop/folk with stunning arrangements and a feather-light touch.  Songs discussed in this episode: Love From Room 109 at the Islander (Tim Buckley cover) - Mojave 3; Hi-Lo and In Between - Neil Halstead; My Life In Art - Mojave 3; Orphan Song - Robert Deeble; Bluebird Of Happiness, Starlite #1, Bill Oddity - Mojave 3; War On War - Wilco; 40 Days - Slowdive; The Kiss - Robert Deeble; River Man - Nick Drake; Writing To St. Peter, Battle Of Broken Hearts - Mojave 3; Oh! Sweet Nuthin' - The Velvet Underground; Hard To Miss You, Tinkers Blues - Mojave 3; The Forest From The Tree - Robert Deeble; She's All Up Above, Too Many Mornings, Between The Bars - Mojave 3; Not On Your Team - Robert Deeble

Lou Reed blurred the lines between fact and fiction when it came to his past. To him, it was all a walk on the wild side anyway. After exploring his life in Part 1 through his lyrics for the Velvet Underground songs “The Gift”, “Waiting For My Man”, “Heroin” and “The Murder Mystery”, Part 2 continues through the songs “Rock And Roll”, “Sweet Jane”, “Run, Run, Run”, “Venus In Furs”, and “I'll Be Your Mirror,” because tall tales and music led Lou all the way home. This episode was originally published on March 28, 2023. For a full list of contributors, see the show notes at ⁠disgracelandpod.com.⁠ To listen to Disgraceland ad free and get access to weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Lou Reed is one of the greatest rock ‘n' roll characters of all time, one known to lie and exaggerate his own mythology during interviews about his past. In this special 2-part episode, Lou's origin story with the Velvet Underground runs straight through Manhattan transgressions, murder mysteries, drug abuse, and all the other crimes, criminals, and antisocial behavior depicted in Lou's legendary lyrics. This episode was originally published on March 28, 2023. To see the full list of contributors, see the show notes at ⁠www.disgracelandpod.com⁠. To listen to Disgraceland ad free and get weekly bonus content and more, become a Disgraceland All Access member at ⁠www.disgracelandpod.com⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices