Podcast appearances and mentions of Lou Reed

Timothy Olyphant (Alien: Earth, Deadwood, Once Upon a Time in Hollywood) is an Emmy Award-nominated actor. Timothy joins the Armchair Expert to discuss whether he gives middle child vibes, the benefits of being a skills generalist, and why his smile always designated him as the “talk-to-the-cops guy.” Timothy and Dax talk about how knocking things off balance a little bit can create a lovely vulnerable moment, invoking Lou Reed and Bob Dylan as interview inspiration, and being the favorite co-star of so many talented actors. Timothy explains that there's a judo to rejecting someone while giving them something, asking the small questions like what is humanity and is it worth saving in Alien: Earth, and finding a space where you help others by doing the thing you do.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Querer", es lo nuevo de Viva Suecia y pensamos, el mejor adelanto de "Hecho En Tiempos De Paz", su próximo disco. Se trata de na declaración de amor ciego, una entrega total en la que uno pone todo su ser a disposición de la otra persona y nos gusta especialmente desde el inicio, la estrofa, el estribillo, el piano, la voz de Rafa Val, en un todo más alto de lo normal. Escuchamos también a Little Simz con "Don’t Leave Too Soon", una canción que forma parte de la banda sonora de "Steve, un drama de Tim Mielants, que ella misma protagoniza junto a Cillian Murpfy, a Gorillaz con The Happy Dictator, en colaboraicón con Sparks, y a Jeff Tweedy con su fantástico homenaje a Lou Reed en "Lou Reed Was My Babysitter". VIVA SUECIA - QuererBESMAYA - Lo Que Nunca FueMISS CAFFEINA - Que seas felizGORILLAZ - The Happy Dictator (feat. Sparks)LITTLE SIMZ – Don’t Leave Too SoonKALI UCHIS, RAVYN LENAE - Cry About ItJEFF TWEEDY - Lou Reed Was My BabysitterMILITARIE GUN - Throw Me AwayTHE SMASHING PUMPKINS - Chrome JetsCHET FAKER - Inefficient LoveREX ORANGE COUNTY - Take a DriveWOLF ALICE - Just Two GirlsTHE DIVINE COMEDY - AchillesMATT BERNINGER - Blue MondayTHE HIDDEN CAMERAS - Brontosaurus LowEscuchar audio

What starts off as a huge day for John (book deadline day) turns into a massive (massive it is) day for poor old Dave.As the saying goes: ‘The best laid plans of podcast producers often go awry', and Dave's idea for the team to record remotely gets derailed quite spectacularly by a faulty alarm system. Brace yourselves for the most stressed you will probably ever hear one of the UK's most unflappable men.Back to John, and he tells us early on that he's feeling ‘absolutely dreadful'. Book deadline day is taking its toll, but luckily a text from Elis's brother-in-law lifts his spirits, as does the arrival of a record in the post for poor old stressed Dave.There's the start of a podcast feud with No Such Thing As A Fish, chat about successfully bartering with a supermarket, and the introduction of a new jingle that wouldn't be out of place on Lou Reed's Transformer.Get in touch via the usual channels: it's elisandjohn@bbc.co.uk on the email, and 07974 293 022 on the WhatsApp.

Jeff Copeland talks with Emmy Winner Charlotte Robinson host of OUTTAKE VOICES™ about his new book “Love You Madly, Holly Woodlawn” published by Feral House. The memoir depicts how an unlikely friendship evolved between a young gay writer and Holly Woodlawn one of Andy Warhol's superstars from the films “Trash” and “Women in Revolt” as well as being Lou Reed's Holly in the hit glam rock song "Walk on the Wild Side". The book is based on the lengthy collaboration between Jeff and Holly as they created the bestselling 1991 autobiography “A Low Life in High Heels: The Holly Woodlawn Story”. For the trash mondo fans this must-read book is a pure delight and a refreshing escape from current affairs. Holly is the embodiment of Auntie Mame and Bette Davis fueled by chardonnay introducing Jeff to the glamorous and sometimes larcenous world of a Warhol Superstar. In turn Jeff uses his writing and typing talent to give Holly the second chance at the fame she craves. This wild read that you just can't put down takes you on a ride through Hollywood in the late 1980's through the 90's. Many of the named people in this literary extravaganza are real and some are famous so you'll probably recognize those but other names have been changed to protect the innocent and not so innocent's privacy. The layout and design by Ron Kretsch illustrating Copeland's journey also adds a timeless dimension with fabulous Hollywood montages and rare photos. We talked to Jeff about his inspiration for writing “Love You Madly, Holly Woodlawn” and his spin on moving forward in the current political climate.  Jeff Copeland served as a writer/producer for almost thirty years in Hollywood for a variety of TV networks and film studios including Discovery, Animal Planet, HGTV, ABC, FOX and Sony Pictures Home Entertainment. Copeland also spent two years working with Garry Shandling which led to a corporate position with Sony Pictures Television. Jeff additionally devoted years developing scripts to be made into feature films. Currently he's turning some of those scripts into literary applications.  For More Info…  LISTEN: 600+ LGBTQ Chats @OUTTAKE VOICES

Velvet Underground blev dannet i 1964 og var aktive frem til 73. Lou Reed forlod gruppen i 1970 for at søge lykken som solist, han ramte sit kommercielle højde punkt med Transformer i 1972. Lou Reed var en aktiv del af Andy Warhol's Factory en overgang, han sloges med sine indre dæmoner, fik elektrochok som … Læs videre "Lou Reed & Velvet Underground"

L'été 1977 n'est pas seulement celui où Star Wars triomphe dans les salles américaines et où les Bee Gees enregistrent Saturday Night Fever dans un studio de la région parisienne. Ça étonne toujours, hein, que ces chansons qui incarnent tellement les mythiques discothèques d'Amérique aient été enregistrées par des Anglais dans la campagne française. Et encore, s'il n'y avait que ça. Car en cette année 1977, il y a aussi le punk qui explose à Londres avec les Clash et les Sex Pistols, une musique pourtant au départ typiquement américaine. C'est vrai, la principale colonie se développe depuis maintenant trois bonnes années dans les squats et boîtes pourries de Manhattan. Une véritable fourmilière, une jeunesse aussi remuante et active que le furent bien avant eux des Bob Dylan, Lou Reed et autres Andy Warhol. Disons que l'actuelle est plus radicale musicalement, moins optimiste dans l'esprit mais toujours partante pour une partie de rigolade, peu importe le carburant. Ils n'ont pas un balle, vivent de rien, mangent rarement, ingèrent tout ce qui se boit et s'inhale, alors avec un pédigrée pareil, on n'aurait jamais dû entendre parler d'eux. Mais on est à New York, la ville où si on se fait connaître, on devient célèbre dans le monde entier, dit la chanson.Et c'est vrai que tous ces groupes punks sont signés les uns après les autres par de grandes firmes de disques, ils s'appellent les Talking Heads, Televison ou encore les Ramones. Les seuls de la bande qui sont à la traîne, ce sont les plus barrés mais aussi les plus actifs artistiquement : Blondie. Pourquoi pas eux ? C'est ce que se disent souvent Debbie Harry, la chanteuse, et son compagnon Chris Stein, photographe et guitariste, et leader du groupe. Et quand enfin, un label daigne enfin s'intéresser à d'eux, c'est pas le plus grand. Loin s'en faut. Tenez, on n'a même pas retenu le nom : Private Stock. Mais ils ont le mérite d'y croire. Un 45 Tours d'abord, qui ne marche pas, puis un album, intitulé Blondie qui ne marche pas terrible non plus, sauf en Australie, où un single devient N°1. Mais quand Blondie débarque en Grande-Bretagne, tout change. Le public, d'abord, punk jusqu'à l'os qui pogote du sol au plafond pendant les concerts, puis la presse. Alors que fait leur manager, il va trouver une des grandes maisons de disques britanniques, très actives dans la new wave et leur vend Blondie. Il fait le truc à l'envers ! Chrysalis, c'est son nom, rachète le contrat au petit label new yorkais, et signe avec Blondie ce premier septembre 1977. Dans les bagages de l'album qui est en cours d'enregistrement, un cover dont Blondie a la spécialité, version dynamitée d'un hit view doo wop de 1963 … Denise devient Denis pour des raisons évidentes, et je vais vous dire : tout le monde aurait aimé se prénommer comme ça, Denis, quand Debbie l'a chanté jusqu'au sommet des hits parades européens.

While our team is on a brief recording hiatus, we're sharing another encore episode from the Slush Pile archive. This one is from late 2017 and found Jason still in his bathrobe. Nick Lantz published a new collection of poetry in 2024 “The End of Everything and Everything That Comes after That”, and we love an opportunity to celebrate our past authors. Sidle up to our virtual editorial table and take a listen to an episode that considers three poems by Nick Lantz.   In this episode, the editors review three poems by Nick Lantz: “An Urn for Ashes,” “Starvation Ranch,” and “Ghost as Naked Man.”  As a child, Nick Lantz was obsessed with paranormal phenomenon and the unexplained, from cryptids to aliens to ghosts… Present at the Editorial Table: Kathleen Volk Miller, Tim Fitts, Sharee DeVose, Jason Schneiderman, Marion Wrenn, Samantha Neugebauer, Joe Zang (Production Engineer) For the first and possibly only time, we were in a recording studio within Drexel University's LeBow College of Business, which made us feel like we were on an episode of The View. This week, the editors review three poems by Nick Lantz: “An Urn for Ashes,” “Starvation Ranch,” and “Ghost as Naked Man.” As a child, Nick Lantz was obsessed with paranormal phenomenon and the unexplained, from cryptids to aliens to ghosts. These days, he tells people he's writing a book of poems about ghosts, though that's only sort of true. His fourth book, You, Beast, won the Brittingham Prize and was published by University of Wisconsin Press in 2017. He was also the recipient of a 2017 NEA fellowship for his poetry. He lives in Huntsville, Texas, where he teaches at Sam Houston State University and edits the Texas Review. “An Urn for Ashes” gets us started off on our a conversation on past lives and reincarnation. Lantz's impressive use of language and imagery draws up ideas of present beings possessing remnants of those far in the past. Moving on to “Starvation Ranch,” the editors reflect on what memory and recollection look like in the modern era. The poem layers alluring images that are beautifully constructed and give us a front seat in recounting many summers past. The final poem, “Ghost as Naked Man” offers a reimagined commentary on gender as a social construct. Seemingly in conversation with other works on the topic, the poem conveys frustration and destruction, then pride, as expressions of manhood. It also brings to mind Ada Limón's “After the Storm,” published in Issue 66 of Painted Bride Quarterly. Listen in for our takes on these poems and the verdicts! An Urn for Ashes The atoms that made up Julius Caesar's body, burned on a pyre, spread by wind and time, have since dispersed far and wide, and statistically speaking you have in you some infinitesimal bit of carbon or hydrogen from his hand or tongue, or maybe some piece of the foot that, crossing a river, turned a republic into an empire. But that means you carry with you also the unnamed dead, the serfs and farmers, foot soldiers and clerks, and their sandals and the axles of chariots and incense burned at an altar and garbage smoking in a pit outside a great city at the center of an empire, that you are a vessel carrying the ashes of many empires and the ashes of people burned away by empires, their sweet, unheard melodies. And look how finely wrought you are, how precise your features, your very form a kind of ceremony for transporting the dead through the living world. Starvation Ranch Frank Hite, my mother's father's mother's father, named his farm Starvation Ranch, and one July, I balanced high on a ladder to repaint those white letters on the same red barn where they've been for a hundred years. But that summer is a sketch, a note written in the margin of a book I gave away. I shot rabbits and learned to drive and listened to the same Lou Reed tape on loop in the upper bedroom of my family's farmhouse. In a closet I found my grandmother's high school yearbook in which she had crossed out the name of each classmate who had died. I learned there are three kinds of garbage— the kind that goes in the compost heap to feed the garden that grows the peppers and the corn, the kind that goes in the ditch to feed the coyotes who howl at night, the kind that goes in an old oil drum to burn I learned to love the indentation my grandmother's pencil left in the paper over a name, like the tally marks I carved into a tree for each rabbit I shot. I learned that a stone arrowhead, taken from a newly plowed field that has held it for hundreds of years is still sharp enough to cut my palm. I learned to love the hiss of silence on the tape after a song ended, the sound of time like the susurrus of insects at dusk, like a broom whisking clean the floor of some upper room. I learned how to walk the perimeter of the house and feel in the grass the edges of the old foundation, a version of house that burned, that disappeared, that was rewritten, and I learned how to walk farther out into the pastures, to spot the earthen mounds left behind by people who remain only in names of rivers and country roads. That was one summer. Decades later, I learned that the barn I painted was not even the original, which had been replaced, board by beam, years before. And I learned that barns are red because red paint is cheap because iron is abundant because dying stars sighed iron atoms into space and those atoms gathered here on earth, became the earth, became blood and arrowheads and steel girders holding up towers and the red paint of barns. Ghost as Naked Man “Gender is a kind of imitation of which there is no original.”—Judith Butler Take away his beard, his hairy flanks. Lick your thumb and smear off his Adam's apple. Lift away his penis like a live bomb, and bury it under a mountain. Hide the testicles behind a broad leaf. But look, he still goes around town pointing at things he wants and moaning, rattling his imaginary chains. Every time he sees his reflection in a shop window, he cuts a thumb and with the blood paints over gaps in his shimmering reflection. Then he takes a brick and breaks the glass. There, he says, look what I made.

A great discussion of this much-loved B-Side. Can Justin convince Dan to fall on the more positive side of the fence he's sat on? Pre-show dissection of Lou Reed's classic 1972 album 'Transformer'. Become a subscriber: https://www.patreon.com/arcticpodcastSo stop the world because we wanna talk Monkeys with you!

durée : 00:02:44 - Thomas Pradier : élégance rock - Le chaînon manquant entre David Bowie, Radiohead, Alain Souchon et Lou Reed est toulousain, et se nomme Thomas Pradier. Un artiste qui ne triche pas, et dont le nouvel album "Tout Passe" sera disponible le 5 septembre prochain. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

 Fear is essential! Try out to go beyond your imaginations, rules, moralities and try out something entirely new.Jimmy Rogers, the legendary hedge fund manager has done this again and again… Still, he was the most successful hedge fund manager… Maybe that is why!We have imprisoned ourselves by our assumption, moralities… and can't get what we want… Even we don't know what we want…  Life is too short to wait for that magic moment that everything will change in our favor…But what is in our favor?To get rich and successful and to function like a clock or better like the Movie “Clockwork Orange” (Stanley Kubrick) One of the greatest movies!In this movie, they press the people to fit in the society for every price! But we don't need that, we have done it already by ourselves and locked ourselves in a prison and threw away the key…But where is the key… In a madhouse?  I read now the roman “Veronika decides to die!” By the famous author Paulo CoelhoVeronika has only a few days to live after her suicide attempt … and she is in a madhouse… She discovers her genius talent as a pianist…She goes beyond her sexual imaginations …She tries out again and again what she never has tried out before…And then she started to enjoy her life!!!!We stop our thinking on the border of our morality…Morality doesn't understand life... because it is a shortcut to rationalize…What is beyond our self-imposed rules? I got as an Atheist from Bhagwan the spiritual name Ghanshyam. The Meaning is: “This is a name for God and to be unconditionally is an answer of God.”So what, I experienced as an Atheist through a deep love with my darling God. We both applied the wild sexual Tantra and through that our heart opened to God…For sure, making love in the right way is the path to God… (Read, “The conference of the birds” by the greatest Sufi Atar) Where is love there is God!I was abused for my wrong writing by my parents as dyslexia and stutterer … I could/can not learn German grammar… And I could not be creative…Nearly all of my German girlfriend hindered me to speak out what I was thinking. When I forced them to stop their bad behavior and separated I became a creative writer and my stuttering stopped !!! Don't let other people stop you, just leave them alone;- I do always so!!!I was abused by my father (he was a great musician) for my inability to make music… Guess, I learned to make music on the Sitar, Keyboard, Tabla and singing! I suffered from incurable diseases and no doctor could heal them, even our so “great doctors”  killed me (clinical dead) two times … Today I am totally healthy because I cured my diseases by myself self and I don't trust doctors!A Sufi can keep every rule and break every rule…Because every rule is a veil in front of God … We should go beyond our rules to discover God.When a Phoenix dies he burns himself and a new Phoenix is born.The old Phoenix has to die… until we burn our old ego with all of these rules, assumptions nothing new can happen to us!So you don't need to make suicide to discover what is beyond your imagination…Life can be amazing so why not try out something entirely new? My Video: Hey babe, take a walk on the wild side… https://youtu.be/cJeOfBX0InkMy Audio: https://divinesuccess.net/wp-content/uploads/2021/Podcast.B/Hey-babe-take-a-walk-on-the-wild-side….mp3

Born in the heart of Seattle's early '90s scene, Sweet Water forged their own path - mixing glam, punk, power pop into something raw, loud, soulful, and unforgettable. While the world was grunge-obsessed, they chased melody and groove, channeling rock's golden age with a high-voltage twist. Their early records were lightning in a bottle. Tracks like "Everything Will Be Alright" and "Superstar" earned a cult following, fueled by massive hooks and frontman Adam Czeisler's Bowie-meets-Lou Reed swagger. As trends shifted, Sweet Water stayed sharp - Suicide (1999) brought a leaner edge, while Clear the Tarmac (2009), Dance Floor Kills (2013), and Firebird (2018) proved they never lost the spark. Now, with decades under their belt and fire still in their veins, Sweet Water returns with Shine On (dropping Sept. 2025) - a record that blends classic punch with new textures and deeper lyrical depth. The first single, "Kids" (out April 18), shows them wilder, wiser, and ready to blow the roof off. In a world of trends, Sweet Water is the real thing. And they're not done — not even close. www.Instagram.com/sweetwaterrocks  www.Facebook.com/adamcredocolechris  www.sweetwaterrocks.com  About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Getty Images photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Visit us at: www.MusicMattersPodcast.com Follow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell     

3.ª parte. Jordi Mena (guitarrista de Bunbury y Los Santos Inocentes) es el invitado de hoy. Charlamos sobre el disco 'Transformer' de Lou Reed. En esta tercera y última parte comentamos: Las tres últimas canciones del ‘Transformer': «New York Telephone Conversation», «I'm So Free» y «Goodnight Ladies». Otros discos de Lou Reed que vale la pena escuchar si habéis empezado por el ‘Transformer'. Algunas de las diferencias entre las ediciones de discos en vinilo actuales y las de los años setenta. Además, Jordi habla de sus planes inmediatos de acompañar a Enrique Bunbury en directo y de cómo surgió la idea de que Los Santos Inocentes grabaran su propio disco. Si quieres participar en la elección de los discos que tratamos en el podcast, ¡visita discoprestado.com y date de alta en mi lista de correo! La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana marcaliana.com  

Interview with Willie Nile ! The Great Yellow Light is filled with passionate guitar-driven, melodic songs, a mix of anthemic rockers and sensitive ballads with a subtle socio-political message throughout. Willie was joined in the studio by his core band Jimi Bones – electric & acoustic guitars, backing vocals, Johnny Pisano – bass, backing vocals and Jon Weber – drums, providing soaring lead vocals, electric guitar and piano himself. Besides Earle, special guests include Irish music icon Paul Brady on vocals, The Hooters' Rob Hyman and Eric Bazilian on keys and strings respectively, Black 47 members Larry Kirwan, Fred Parcells, and Chris Byrne and legendary sidemen Waddy Wachtel and David Mansfield. Nile's love for life and music has powered his 45-year recording career. The Buffalo, NY native made his way to New York City in the early 1970s. After establishing himself as a popular presence on the downtown club scene, Willie attained national recognition through his widely acclaimed first three major-label albums — Willie Nile, Golden Down and Places I Have Never Been. Next, he then embarked on the indie route with a long series of well-received album releases including Beautiful Wreck of the World, Streets of New York, House of a Thousand Guitars, The Innocent Ones, American Ride, World War Willie, New York At Night, Children of Paradise, The Day The Earth Stood Still, the acoustic If I Was a River, and the covers collection Positively Bob: Willie Nile Sings Bob Dylan. Working on his own terms has allowed Willie to expand his audience to encompass much of the planet. He's toured North America and overseas regularly building a sizeable and devoted following for his incendiary live performances. His loyal fan base includes such admirers as Bruce Springsteen, with whom he's guested onstage on multiple occasions, and Pete Townshend, who personally requested him as the opening act on the Who's historic 1980 U.S. tour. The list of avowed Nile fans also includes Bono, Lou Reed, Ian Hunter, Graham Parker, Jim Jarmusch, Little Steven, and Lucinda Williams, who once remarked, “Willie Nile is a great artist. If there was any justice in this world, I'd be opening up for him instead of him for me.” Appropriately, an Austrian filmmaker is currently making a documentary film about Willie, with new footage shot in Italy, England and America. http://willienile.com/ https://www.facebook.com/willie.nile  

It's our 100th episode of the show, we've got on some big suits, we're flopping around on the ground, and we're screaming nonsense about James Brown. We talk about Jonathan Demme's documentary debut (sort of his first film, if you think about it) STOP MAKING SENSE, the live performance film from Talking Heads. We draw some oblique strategy cards, get into the band's history, Chris Frantz' bizarre book, David Byrne's good book, RISD kids, boomers playing on easy mode, Brian Eno, Lou Reed eating ice cream with a heroin spoon, John Cale, The Modern Lovers, Demme at the edge with Swing Shift, Joe Viola's return, Jordan Cronenweth also returning, Hal Ashby's insane editing rig. Then we close out with a little listening party, chatting about one of the best concert films ever. Thanks everyone for listening to us for 100 eps, and 2 years!! Here's to 100 more Follow Altmania: https://altmaniapod.com https://estebannoel.com DEMME ARCHIVE Support us on Patreon: https://patreon.com/altmania

Vamos con el gran Lou Reed y ese disco que le elevó a los altares como solista: Transformer, producido por David Bowie y Mick Ronson, lanzado en noviembre de 1972. Ricardo Portman nos cuenta su historia. Escucharemos Vicious, Andy's Chest, Perfect Day, Hangin' 'Round, Walk On the Wild Side, Make Up, Satellite Of Love, Wagon Wheel, New York Telephone Conversation. I’m so Free y Goodnight Ladies + Bonus tracks. Recuerden que nuestros programas los pueden escuchar también en: Nuestra web https://ecosdelvinilo.com/ La Música del Arcón - FM 96.9 (Buenos Aires, Argentina) miércoles 18:00 (hora Arg.) Radio M7 (Córdoba) lunes 18:00 y sábados 17:00. Distancia Radio (Córdoba) jueves y sábados 19:00 Radio Free Rock (Cartagena) viernes 18:00. Radio Hierbabuena (Lima, Perú) jueves 20:00 (hora Perú) Onda Wantuki (Madrid) semanal

Adeju Thompson, the founder and creative director behind the Nigerian fashion label Lagos Space Programme, attempts to establish the label on the global fashion scene. Lagos Space Programme blends Yoruba heritage (notably Adire dyeing) with queer and futurist aesthetics, taking inspiration from Lou Reed, traditional Ife sculptures, and the photography of Rotimi Fani-Kayode and Robert Mapplethorpe. Thompson talks about his dedication to slow fashion, gender-fluid creations, and detailed artisan craftsmanship, blending traditional techniques with contemporary designs. Tayo Popoola follows Thompson to Paris where he unveils his collection, based on the idea of "rock'n'roll consciousness". We then join him at his studio in Surulere, Lagos where he discusses his new designs for 25/26.

️ El Lado Más Salvaje: Reflexiones con Lou Reed ️ ¿Por qué es tan importante encajar? ¿Puede la muerte social ser tan devastadora como la muerte física? En este episodio de La Teoría de la Mente, exploramos estas preguntas y cómo la presión del grupo puede crear una mezcla de miedo y atracción que todos experimentamos en algún momento de nuestras vidas. Nos sumergimos en la icónica canción de Lou Reed que, aunque tal vez no pretendía responder a estas preguntas, nos ofrece una mirada cruda y sincera al "lado más salvaje" de la vida. A través de cinco historias entrelazadas, Reed nos cuenta sobre infancias difíciles y adolescencias turbulentas que, a pesar de las adversidades, logran adaptarse y sobrevivir en un mundo que puede ser implacable. En este episodio, nosotros tomamos el significado de la canción y lo reinterpretamos, reflexionando sobre cómo estos fragmentos de vidas pueden resonar en nuestras propias experiencias. Porque, al final, todos buscamos encontrar nuestro lugar en el mundo, incluso si eso significa abrazar nuestro lado más salvaje. lou reed, salvaje, vida salvaje, presión social, muerte social, adaptación, encajar en sociedad, supervivencia, adolescencia difícil, infancias complicadas, grupo social, miedo y atracción, historia de los jueves, música reflexiva, interpretación de canciones, significado de la música, análisis de letras, encontrar tu lugar, resiliencia, superación personal, historias de vida Hashtags: #LouReed #PresiónSocial #VidaSalvaje #HistoriaDeLosJueves #Reflexión #Supervivencia Enlaces Importantes: Nuestra escuela de ansiedad: www.escuelaansiedad.com Visita nuestra página web: www.amadag.com Facebook: Asociación Agorafobia Instagram: amadag.psico ▶️ YouTube Amadag TV: Amadag TV

Rockshow 216 6 live albums you need to hear Special Guest Madeline BocaroWelcome to The RockShow, where we crank the amps and celebrate raw, unfiltered rock ‘n' roll! On Episode 216, we're diving into six live albums that capture the chaos, magic, and sheer electricity of rock at its most untamed.From the nihilistic energy of The Stooges' “Metallic KO”, to David Bowie's theatrical farewell as Ziggy Stardust, to Lou Reed's glam-soaked reinvention on “Rock ‘n' Roll Animal”, these performances are more than just concerts — they're moments in music history.We're also heading to the pit with the Ramones' breakneck “It's Alive”, riding the Irish storm with Rory Gallagher's blazing “Irish Tour '74”, and sweating it out with the high-octane boogie of J. Geils Band's “Live Full House”.These aren't just live albums — they're essential listens that show how rock was meant to be heard: loud, loose, and alive. Let's plug in and turn it up — this is The RockShow!The Stooges: Metallic KODavid Bowie: Ziggy Stardust and the Spiders From Mars live at Hammersmith OdeonLou Reed: Rock n Roll AnimalRamones It's AliveRory Gallagher: Irish Tour 74J Geils Band: Live Full House#TheStooges #MetallicKO #IggyPop #ProtoPunk #LivePunk #RawPowerLive#DavidBowie #ZiggyStardustLive #SpidersFromMars #BowieLive #GlamRock #HammersmithOdeon#LouReed #RockNRollAnimal #LiveGlamRock #VelvetUndergroundVibes #GuitarGods#Ramones #ItsAlive #PunkLegends #LivePunk #HeyHoLetsGo #CBGBSpirit#RoryGallagher #IrishTour74 #BluesRockLive #GuitarVirtuoso #CorkCityHall#JGeilsBand #LiveFullHouse #BoogieRock #LiveRockAndRoll #HousePartyLive #LiveAlbums #EssentialLiveRecords #RockShow216 #ClassicRockLive

Super special not-so-secret friend Jordan Pries, copropietor of Electric Kitcsh, joins Jay and Deon for a discussion about the music he creates along with Mitch Anderson of Black Circle Radio. 8 additional vinyl records from 8 other artists are covered and some of life's questions are answered along the way. JOIN US PLLLLLLLLEASE!Sonic contributors of this special twenty-seventh bonusepisode of Lightnin' Licks Radio include:Dave Mathews Band, Jurassic 5, DJ NuMark, Prince Paul. De La Soul, Zach Braff, Natilie Portman. Jula @soundwavesofwax, Kriss Kross, Arc of All, Errol Paul Reed, N.W.A. Electrik Funk, Lou Reed, A Tribe Called Quest, Red Man. Jay Dilla, Leaders of the New School, Morrissey, Autumn Defense, Bob Welch. Lindsey Buckingham, 10,000 Maniacs, Goldfrapp. Wes Montgomery, Bobby Hebb, Burt Bacharach, Love. The Smithereens, The Sand Rubies, Fiona Apple, Abraham Jefferson. M.M. Knapps. Mitch Anderson, Paul Simon, The Bee Gees. Albhy Galuten, Karl Richardson, Northwoods Improvisors. Mike Johnstone, Donovon Boxey, Roland Kirk. Height Keech, Cindy Lee, Ol' Burger Beats. Roy Ayers, CalTjader, Roberta Flacc, Donny Hathaway. Ralph MacDonald, William Salter. Tom Bell, Linda Reed, and Spongebob Squarepants. Deon urges you to continue appreciating the music of Q-Tip,Richard & Linda Thompson, George Benson, and Johnny Lytle.Jay suggested the sonic stylings of Josh Rouse, AlisonGoldfrapp, Sidewinders, and Wee.Super special not-so-secret friend Jordan is funking withhis own music, The Source of Light and Power. We're so happy to share this with you.We'll be returning next month, continuing with the alphabet.Up next…the letter ”M.”Bonus 27 mixtape tracklist[V.A.] (1) Richard & Linda Thompson - I Wanna See the Bright Lights Tonight (2) Alison Goldfrapp - The Love Invention (3) Q-Tip - Even If It Is So (4) Josh Rouse - Trouble (5) Wee - Try Me (6) Johnny Lytle - Where Is the Love? (7) Sidewinders - We Don't Do That Anymore (8) George Benson - Giblit Gravy.[SOLP] (1) Whisper Telepathy (2) Sonny was, Sonny is with Donovon Boxey (3) A Rap About Records with Deon and Height Keech (4) Numeric Tumor (5) The Immotal Rites of Bongo Whoosh.Please be kind to each other. Also don't be a bitch, stand up for what is right. Distinguishing what is right and what is not is not as difficult as you think.

On the August 23 edition of the Music History Today podcast, there's the Beatles, Lou Reed, Bono. Plus, it's also Keith Moon & Rick Springfield's birthdays!!For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Episodio 7.26 de Las Cosas Que Hay Que Escuchar, en el cual no podemos pronunciar la palabra “hauntología” mientras escuchamos la música de mEcOniO, Yumi Yumi Hip Hop, Miki González, Metrópoli, Missing Persons, Lou Reed, Lesley Gore, Nina Simone, Les Rita Mitsouko, Pink Floyd, Little Axe, Yellow Magic Orchestra y Wolfgang Flür. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio

Con El Arma, su tercer single, Thank You Lord For Satan nos invita a un viaje oscuro y visceral donde el amor se revela como un arma de poder y control.La canción, cargada de tensión y fuego interno, abre paso al segundo álbum de la banda, que trae influencias de Velvet Underground, Lou Reed y Nick Cave, pero desde una mirada más shoegaze y emocional.

Vaig llegir en el Bandcamp de Remei de Ca la Fresca que a “Nascut descarat” l'anomenaven (tergi)versió del “Born Slippy” d'Underworld. Com que feia temps que em rondava pel cap fer un episodi especial de versions (de covers), aquesta terminologia em semblava molt escaient pel que al final ha resultat ser l'episodi 32 de Crema d'estrelles. Es van conjurar els astres, per una banda, Aitor De Las Heras va enviar-me la proposta de la Perspectiva Battiato només de versions, la Xantal de Remei de Ca la Fresca em va enviar una salutació pels oients del programa, a més per fi tenia una bona excusa per punxar un tema en concret a "Jazz Cream", també per parlar de l'anècdota de Los Chichos i Los Chunguitos i més curiositats de les quals en parlo a "2 graus de separació" on també sonen The Rolling Stones i Azúcar Moreno. Vaig proposar a Pedro Enrique Esteban i a Javier Miranda que aportessin un tema, una versió que els agradés, i el resultat és com jo esperava, brutal. Celebrem també els 63 anys de Caballero Reynaldo, revisitant les seves reinterpretacions de Frank Zappa, i gaudim d'un "Rànquing 107" íntegrament de versions, i torna la secció “Quant feia que no escoltaves aquesta cançó?”, convertida ja en una petita tradició. Estic molt satisfet de com ha quedat el programa, així que prometo una segona part, tot i que encara no hi puc posar data. Avui podeu escoltar en aquest episodi a Scissor Sisters, Remei de Ca la Fresca, Dirt Poor Robins, Paul Gilbert, West/Rock/Woods, Lou Reed, The Detroit Cobras, Stevie Ray Vaughan, Núria Feliu, Steve Miller, Chetoo's Magazine, La Polla Records, Ministry, Robert Palmer, Los Chichos, Los Chunguitos, Azúcar Moreno, The Rolling Stones, Caballero Reynaldo, Erlend Oye, Raz Ohara, Sheryl Crow, Alfa amb Manu Chao, Miqui Puig, Ryan Adams, Red Hot Chili Peppers, The New Raemon, Luz Casal, Smiley Culture més fragments d'altres artistes. Jordi Via, Terrassa, agost de 2025 TOTS ELS EPISODIS DE CREMA D'ESTRELLES ELS PODEU TROBAR AQUÍ: https://lilvia.blogspot.com Remei de Ca la Fresca: https://bankrobber.net/artist/remei-de-ca-la-fresca/ Caballero Reynaldo: https://www.caballeroreynaldo.es Nostalgia: https://go.ivoox.com/sq/2574733 Via Miranda: https://go.ivoox.com/sq/2494621 The Sound Of Music: https://go.ivoox.com/sq/1788620 Sinfonautas: https://go.ivoox.com/sq/1317188 Marcianos Que Nos Tocan Las Guitarras: https://go.ivoox.com/sq/707397 Subterranea: https://go.ivoox.com/sq/17710 Entremixtando: https://go.ivoox.com/sq/1247719 La Capsa De Ritmes: https://go.ivoox.com/sq/1363038 Ivoox Premium: https://www.ivoox.vip/premium?affiliate-code=0c2fca8aa0e6cfffa1f31d2df6c21b75

2.ª parte. Jordi Mena (guitarrista de Bunbury y Los Santos Inocentes) es el invitado de hoy. Charlamos sobre el disco 'Transformer' de Lou Reed. En esta segunda parte comentamos las seis canciones siguientes del ‘Transformer': «Perfect Day», «Hangin' ‘Round», «Walk on the Wild Side», «Make Up», «Satellite of Love» y «Wagon Wheel». Además, en este episodio recuerdo y supero definitivamente un antiguo «trauma» musical que me provocó hace años un concierto Lou Reed. Si quieres participar en la elección de los discos que tratamos en el podcast, ¡visita discoprestado.com y date de alta en mi lista de correo! La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana marcaliana.com

Bruce Springsteen said that Garland Jeffreys was on par, as a songwriter, with Bob Dylan and Neil Young!!! Wow!This doc is an interesting exploration of success, while making sure to explain and  introduce probably to a lot of people, the depth of Garland Jeffreys and his life as an underappreciated artist. *Want the latest in Rock N Roll Book and Documentaries news sent to your inbox?  Sign up for the FREE monthly BLAST!! newsletter- right hereNew editions come out on the last Friday of the month featuring all the book buzz and doc news, recently released titles, top 5 lists, and entry into ALL giveaways and more. Support the showemail Big Rick at:info@rocktalkstudio.com

It's the very best of Beat It Out with Adam Carolla and Jay Mohr! Revisit some of the show's most side-splitting moments, outrageous rants, and unforgettable bits. From their shared hatred of Lou Reed and other “talk-singers,” to naming the worst song of all time, Jay's spot-on Bill Burr impression, and their legendary breakdown of Al Pacino's Cruising. Beat It Out is a Substack-exclusive show that drops new episodes every week—head to substack.com/@adamcarollashow and subscribe so you never miss the madness!FOR MORE WITH JAY MOHR:WEBSITE: Find live dates on: JayMohr.com PODCAST: Mohr Stories - Available wherever you find finer podcasts. INSTAGRAM: @jaymohr37Thank you for supporting our sponsors:oreillyauto.com/ADAMBetOnlineSHOPIFY.COM/carollaSIMPLISAFE.COM/ADAMPluto.tvLIVE SHOWS: August 29 - Provo, UTAugust 31 - Torrance, CASeptember 6 - Charlotte, NCSeptember 12-13 - El Paso, TX (4 Shows)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

There's no getting around it, 'Magic and Loss', Lou Reed's sixteenth studio album released in 1992, is NOT a particularly easy listen. While often musically beautiful in an elegantly understated way, the themes of death and the relentless toll it can take on both the dying and ones who love them are both universal and at times uncomfortably personal. Returning guest, Canadian documentary filmmaker Alan Zweig, is here for all of it. “There's a bit of magic in everything And then some loss to even things out” Songs discussed in this episode: Dorita (The Spirit) - Lou Reed; Pale Blue Eyes, White Light White Heat - The Velvet Underground; Teardrop In The Sand - The Hollywoods; Buffalo Ballet - John Cale; Coney Island Baby - Lou Reed; Save The Last Dance For Me - The Drifters; Dorita (The Spirit), What's Good (The Thesis) - Lou Reed; Stay With Me - Little Jimmy Scott; Power and Glory (The Situation), Magician (Internally), Sword Of Damocles (Externally), Goodby Mass - (In a Chapel Bodily Termination), Cremation (Ashes To Ashes), Dreamin' (Escape), No Chance (Regret), Warrior King (Revenge), Harry's Circumcision (Reverie Gone Astray), Street Hassle, Gassed and Stoned (Loss), Power and Glory, Part II (Magic - Transformation), Magic and Loss (Summation) - Lou Reed; Magician (Lou Reed cover) - Rosanne Cash  

This week in the Flamingo Lounge I sat down with visual artist, Jeff Garbaz, on August 7, 2025 to get a behind-the-scenes viewpoint. Jeff Garbaz has been directing videos and photography for the last 20 years in the entertainment business. He has made a name for himself in the industry by directing video screens in a live atmosphere and has worked all over the world. Some of the venues where he has directed video include Red Rocks Amphitheatre in Colorado, Roseland Theater in New York City, the Hard Rock in Vegas, and the Masters golf tournament in Augusta. He has also directed tours all over California, the West Coast, and the East Coast. Jeff has worked with over 100 Grammy Award winners in many different genres, including artists such as Crosby, Stills and Nash; B.B. King; Weezer; Buddy Guy; Bonnie Raitt; Doc Watson; Lou Reed; and David Sanborn. He is also one of Carl Palmer's (of Emerson, Lake and Palmer) video directors. Jeff began his career as the singer and songwriter for a band out of Buffalo called “Last Lemming.” After performing on most of the prominent stages in Buffalo, New York, and touring in places like New York City, Jeff moved from being on stage to photographing and doing portraits for other bands. Jeff's photography has been featured in newspapers and magazines, such as The Buffalo News, in over 100 issues.

It was a total love fest with our good friends comedian Julie Klausner (Difficult People, How Was Your Week, Double Threat) taking us on a guided tour of the Billy Joel documentary and musician Cory Hanson (Wand) performing "Lou Reed" from his stunning new album "I Love People." You can and will also enjoy the world premier of Doug's new Clown Pound video "Pancakes." Support Office Hours, watch another hour of today's episode including more with Cory and a deep dive into Donald Trump's Kennedy Center announcements with OFFICE HOURS+. Get a FREE seven-day trial at patreon.com/officehoursliveGet Cory Hanson's "I Love People" at coryhanson.bandcamp.com/album/i-love-people Support Julie Klausner's How Was Your Week at patreon.com/cw/HowWasYourWeekJoin the holy trinity for a special 35mm screening of Weird Al's classic 80s movie UHF in Los Angeles on August 27! Get tickets ⁠⁠⁠here⁠⁠⁠.⁠Find everything else including the merch store at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠officialofficehours.comLearn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

1.ª parte. Jordi Mena (guitarrista de Bunbury y Los Santos Inocentes) es el invitado de hoy, y charlamos sobre el disco 'Transformer' de Lou Reed. En esta primera parte hablamos de: Las dos primeras canciones del ‘Transformer': «Vicious» y «Andy's Chest». La temática, la portada y la contraportada del disco. La carrera musical de Lou Reed antes de alcanzar el éxito comercial con ‘Transformer', incluido su primer disco en solitario y la Velvet Underground. Cómo un fan de la antigua banda de Lou Reed, llamado David Bowie, acabó produciendo el ‘Transformer' junto a su guitarrista y mano derecha, Mick Ronson. El intento de asesinato que sufrió Andy Warhol en The Factory, su estudio creativo. La importancia de la ciudad Nueva York en la obra de Lou Reed. Algunos de los cambios que ha experimentado la industria musical desde los años 70. Si quieres participar en la elección de los discos que tratamos en el podcast, ¡visita discoprestado.com y date de alta en mi lista de correo! La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana marcaliana.com

"And I want to rock your gypsy soulJust like way back in the days of oldAnd together we will flow into the mystic"Please join me on this warm Sunday afternoon as we sail into the Mystic musically. Joining us are Billy Cobham, The Youngbloods, Moody Blues, Kinks, Eagles, Steely Dan, Rufus, Boz Scaggs, Yes, Traffic, Spirit, Hall & Oates, Doobie Brothers, Traffic, Lou Reed, Average White, George Harrison, Rolling Stones, Doors, Hollies, Grass Roots, Bee Gees, Association and Van Morrison.

Podcast #750 is back with a brand new bag full of Couch Serf, Star Collector, Tee Vee Repairmann, Ex-Vöid, The String and Return, Febuary, & Lou Reed.

MARC MARON comes to the studio to catch up with Tom! An in-depth conversation ensues, with Marc touching on his new standup special Panicked, his career at large, his psyche, the winding down of his legendary podcast WTF, and much more! They are joined by musicIan and producer FRED MAHER, who discusses his career performing with Lou Reed, Scritti Politti, producing records, and other great stories! Throw in a few great callers, the obilgatory Joey Swoll talk with AP Mike, and you've got a great show! BEST SHOW LIVE! The Best Show is celebrating 25 years with a live show extravaganza for the ages.  Coming to NYC, Philly, LA, and Chicago this Fall! Tickets go on General Sale Friday July 18th at 10am local time Sat 10/11 - Brooklyn - Bell House ⁠⁠⁠⁠https://www.ticketmaster.com/event/300062ED179148EC⁠⁠⁠⁠ Mon 10/13 - Philly - Union Transfer ⁠⁠⁠⁠https://www.axs.com/events/1052919/the-best-show-tickets?skin=uniontransfer⁠⁠⁠⁠  Wed 10/15 - LA - Lodge Room ⁠⁠⁠⁠https://www.lodgeroomhlp.com/shows/best-show-25th-anniversary-at-lodge-room⁠⁠⁠⁠ Tues 10/21 - Chicago - Thalia Hall ⁠⁠⁠⁠https://www.ticketweb.com/event/best-show-25th-anniversary-at-thalia-hall-tickets/13876034?pl=thalia3⁠⁠⁠⁠ SUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES! ⁠⁠⁠https://www.patreon.com/TheBestShow⁠⁠⁠ WATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCH ⁠⁠⁠https://www.twitch.tv/bestshow4life⁠⁠⁠ FOLLOW THE BEST SHOW: ⁠⁠⁠https://twitter.com/bestshow4life⁠⁠⁠ ⁠⁠⁠https://instagram.com/bestshow4life⁠⁠⁠ ⁠⁠⁠https://tiktok.com/@bestshow4life⁠⁠⁠ ⁠⁠⁠https://www.youtube.com/bestshow4life⁠⁠⁠ THE BEST SHOW IS A FOREVER DOG PODCAST ⁠⁠⁠https://thebestshow.net⁠⁠⁠ ⁠⁠⁠https://foreverdogpodcasts.com/podcasts/the-best-show⁠⁠⁠ HEARD IT ON THE BEST SHOW PLAYLIST ⁠⁠⁠https://open.spotify.com/playlist/2XIpICdeecaBIC2kBLUpKL?si=07ccc339d9d84267⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

MARC MARON comes to the studio to catch up with Tom! An in-depth conversation ensues, with Marc touching on his new standup special Panicked, his career at large, his psyche, the winding down of his legendary podcast WTF, and much more! They are joined by musicIan and producer FRED MAHER, who discusses his career performing with Lou Reed, Scritti Politti, producing records, and other great stories! Throw in a few great callers, the obilgatory Joey Swoll talk with AP Mike, and you've got a great show! BEST SHOW LIVE! The Best Show is celebrating 25 years with a live show extravaganza for the ages.  Coming to NYC, Philly, LA, and Chicago this Fall! Tickets go on General Sale Friday July 18th at 10am local time Sat 10/11 - Brooklyn - Bell House ⁠⁠⁠⁠https://www.ticketmaster.com/event/300062ED179148EC⁠⁠⁠⁠ Mon 10/13 - Philly - Union Transfer ⁠⁠⁠⁠https://www.axs.com/events/1052919/the-best-show-tickets?skin=uniontransfer⁠⁠⁠⁠  Wed 10/15 - LA - Lodge Room ⁠⁠⁠⁠https://www.lodgeroomhlp.com/shows/best-show-25th-anniversary-at-lodge-room⁠⁠⁠⁠ Tues 10/21 - Chicago - Thalia Hall ⁠⁠⁠⁠https://www.ticketweb.com/event/best-show-25th-anniversary-at-thalia-hall-tickets/13876034?pl=thalia3⁠⁠⁠⁠ SUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES! ⁠⁠⁠https://www.patreon.com/TheBestShow⁠⁠⁠ WATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCH ⁠⁠⁠https://www.twitch.tv/bestshow4life⁠⁠⁠ FOLLOW THE BEST SHOW: ⁠⁠⁠https://twitter.com/bestshow4life⁠⁠⁠ ⁠⁠⁠https://instagram.com/bestshow4life⁠⁠⁠ ⁠⁠⁠https://tiktok.com/@bestshow4life⁠⁠⁠ ⁠⁠⁠https://www.youtube.com/bestshow4life⁠⁠⁠ THE BEST SHOW IS A FOREVER DOG PODCAST ⁠⁠⁠https://thebestshow.net⁠⁠⁠ ⁠⁠⁠https://foreverdogpodcasts.com/podcasts/the-best-show⁠⁠⁠ HEARD IT ON THE BEST SHOW PLAYLIST ⁠⁠⁠https://open.spotify.com/playlist/2XIpICdeecaBIC2kBLUpKL?si=07ccc339d9d84267⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's episode is a fan chat with a musician and podcaster who I've gotten to know a little over the last 12 months or so and wanted to learn more about. Greg Wolfe, or Wolfie as he's more commonly known in the podcast universe, is a bass player and band leader for the Connecticut-based band Accidental Breakdown. He's also one of the co-hosts of the Regarding Series of podcasts which breaks down a much-maligned album each season to see if it has any redeeming qualities. It's a show I've been lucky to guest on a couple of times and I've always enjoyed Wolfie's insights when we've chatted. We talk Lou Reed, Bob Marley, starting a lifetime of music on bass guitar, the value of playing with people who are better than you, and of course, Tom Petty!We talk about Tom being the quintessential American rocker and how Petty resonates with you at different stages in your life.You can find Wolfie on Soundcloud here: https://soundcloud.com/greg-wolfe-927450616And you can tune in to the Regarding Series here: https://go.goodpods.com/KrTXANDon't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show.Facebook: https://www.facebook.com/thetompettyprojectBluesky: https://bsky.app/profile/tompettyproject.bsky.socialInstagram: https://www.instagram.com/thetompettyprojectYouTube: https://www.youtube.com/@thetompettyprojectThreads: https://www.threads.net/@thetompettyprojectAll music, including the theme song, provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.comThe Tom Petty Project is not affiliated with the Tom Petty estate in any way and when you're looking for Tom's music, please visit the official YouTube channel first and go to tompetty.com for official merchandise.A last very special thanks to Paul Zollo. Without his book, "Conversations with Tom Petty", this podcast wouldn't be nearly as much fun to research. And further thanks to Warren Zanes for his outstanding book "Petty, the Biography".Producer: Kevin BrownExecutive Producer: Paul RobertsSupport this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.

Nos agarramos a esa vieja, conocida e infalible receta que consiste en echar a la marmita solo grandes canciones, algunas más conocidas, otras quizás no tanto, pero todas brillantes, llenas de sabor y con efecto positivo para el espíritu del oyente.Playlist;(sintonía) THE CLASH “Rebel Waltz”LOU REED “Ooooh baby”MINK DEVILLE “Venus of Avenue D”KEVIN AYERS “Stranger in blue suede shoes”BILL CALLAHAN “SMOG” “Cold blooded all times”BUFFALO SPRINGFIELD “Four days gone”RONNIE LANE and RONNIE WOOD “From the late to the early”THE DEL FUEGOS “Fade to blue”TOM PETTY “Wildflowers”RODRIGUEZ “I’ll slip away”TED HAWKINS “Green eyed girl”JEREMY GLUCK “Gone free”NIKKI SUDDEN “Pin your heart”NICK LOWE “Tonight”DION “Only you know”Escuchar audio

Michael Imperioli, the actor known for his roles in The Sopranos and The White Lotus, is also the guitarist of a three-piece indie band called Zopa. Their latest album, Diamond Vehicle, came out in early 2025. KEXP’s Martin Douglas spoke with Imperioli about how he started playing music, the influence of Buddhism in his songwriting, and his fondness of The Beatles, Lou Reed, and The Smiths. “When you play with people for a long time, hopefully something gels,” Imperioli says of Zopa’s music. “It took a while to get there, but I’m happy with how it came out.” Support the show: kexp.org/deeper Support the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

Evan is joined by Cory Hanson for a chat about songwriting, audio fidelity, Steely Dan, Jimmy Buffet, a memorable encounter with Lou Reed, and the making of his new album on Drag City “I Love People” co-produced by Robbie Cody  LISTEN TO "I LOVE PEOPLE" FOLLOW CORY ON INSTAGRAM

Cory Hanson returns to discuss “I Love People,” becoming a father and how that has altered his relationship with sleep, creativity, and time, his personal interactions with the late Lou Reed and the song he wrote about him, whether he truly loves people, his interest in folk heroes and villains like the Joker, soldiers, and one of the Eagles, a potential Western Cum trilogy, risk-taking in contemporary art and the Kendrick Lamar/Drake feud and Clipse disses, deleting twitter, playing a Wand show in Edmonton this fall, other future plans, and much more. EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:All Things Konsidered: ‘Let God Sort ‘Em Out' by ClipseEp. #944: Bonnie “Prince” BillyEp. #940: Madi DiazEp. #892: Fucked UpEp. #888: WandEp. #871: Bill MacKayEp. #783: Cory HansonEp. #608: Cory HansonSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Guest and HostGuest: Cindy Hulej, Luthier/Artist | Website: https://www.cindyguitars.com/Host: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/Show NotesWhat happens when the story of a city becomes part of the music we make? In this episode of Music Evolves, host Sean Martin sits down with luthier and artist Cindy Hulej of Cindy Guitars to explore how reclaimed wood from historic New York buildings is transformed into custom electric guitars—each one uniquely shaped by memory, material, and imagination.Craft as InnovationCindy's process at Carmine Street Guitars isn't just about building instruments—it's about listening to what the material has to say. The beams salvaged from landmarks like the Chelsea Hotel and John Lennon's former home aren't just structural—they carry decades of vibration, weather, and presence. That physical history directly shapes how these guitars sound, feel, and resonate—offering a kind of analog innovation rooted in human touch and intention.Cindy describes how she and her husband Johnny repurpose old beams, often salvaged from 1800s-era buildings, and transform them into guitars that are not only playable but deeply resonant—physically and emotionally. The aged wood, shaped by centuries of seasonal change, yields a tone that's warm and chimey, with a resonance modern lumber can't match. “You're working with material that's already lived a hundred lives,” she explains. “You just have to unlock the next one.”Creativity Beyond ConventionEach guitar is made by hand, down to the smallest detail. From collaborating with boutique pickup winders to mixing finishes from shellac flakes, Cindy builds instruments that are both sonic and visual statements. No two are alike—because the creative process isn't about repeating perfection, it's about shaping something personal and alive. Whether players come with a precise vision or just a feeling, Cindy helps translate that into tone and form.Reimagining the Past to Shape the FutureThis isn't just about guitars. It's about the convergence of history, artistry, community, and sound. This episode challenges the idea that innovation must come from new tech or flashy trends. Sometimes, the most meaningful advances come from rethinking old materials and techniques.Cindy's guitars are a form of living history—reminding us that sound isn't just produced, it's inherited, interpreted, and carried forward. And, Cindy's path from bartending to building some of the most soulful instruments in New York is a reminder that craft isn't just skill—it's commitment to meaning.About Rick Kelly and Carmine Street GuitarsCarmine Street Guitars, located in New York City's Greenwich Village, is a hand-built electric guitar workshop led by legendary luthier Rick Kelly. Known for using reclaimed old-growth wood from historic buildings across the city, Rick has built instruments for renowned musicians such as Lou Reed, Patti Smith, Bob Dylan, and many others. His approach blends time-honored techniques with a reverence for the city's past, crafting guitars that are as storied as the musicians who play them. At the heart of the shop's ethos is a commitment to individuality, craftsmanship, and sonic integrity—values continued today through Cindy Guitars and the growing creative community within the space.SponsorsAre you interested in sponsoring this show or placing an ad in the podcast?Sponsorship

Bush lead singer Gavin Rossdale has a lot of memories from growing up as a kid who excelled at sports but also treasured his Lou Reed records. He is also keenly aware of who left during those years: his mother disappearing after divorcing his dad, a beloved aunt passing away, and a revered older sister striking out on her own. Those losses informed his mental health for the rest of his life but so did the understanding of his emotional makeup left in the wake. Gavin tells us about that, the prescription pill dependency he contended with, and the lessons about mental health he imparts now to his four children. We also hear some music from Bush's new album I Survived Loneliness and get an explanation for the album's somewhat cheeky title.Thank you to all our listeners who support the show as monthly members of Maximum Fun.Check out our I'm Glad You're Here and Depresh Mode merchandise at the brand new merch website MaxFunStore.com!Hey, remember, you're part of Depresh Mode and we want to hear what you want to hear about. What guests and issues would you like to have covered in a future episode? Write us at depreshmode@maximumfun.org.Depresh Mode is on BlueSky, Instagram, Substack, and you can join our Preshies Facebook group. Help is available right away.The National Suicide Prevention Lifeline: 988 or 1-800-273-8255, 1-800-273-TALKCrisis Text Line: Text HOME to 741741.International suicide hotline numbers available here: https://www.opencounseling.com/suicide-hotlines

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 5:“Babel” (Alejandro González Iñárritu, 2006)“13 Assassins” (Takashi Miike, 2010)“Seven Samurai” (Akira Kurosawa, 1954)“The Long Good Friday” (John Mackenzie, 1980)“F1” (Joseph Kosinski, 2025)Audio quotation in GATEWAY CINEMA, Episode 5:“Toilet Flush Sound Effect - High Quality Flushing” by Sound Effect Doggo, https://www.youtube.com/watch?v=BhsVpvM2ZrM“The Twilight Zone Theme” (1959) by Marius Constant, https://www.youtube.com/watch?v=BhsVpvM2ZrM“Perfect Days” (Wim Wenders, 2023), including “Perfect Day (Piano Komorebi Version)” (2024) by Patrick Watson, “Pale Blue Eyes” (1969) by The Velvet Underground, “Feeling Good” (1965) by Nina Simone, “House of the Rising Sun (Japanese Version)” (2023) by Sayuri Ishikawa, and “Perfect Day” (1972) by Lou Reed, https://www.youtube.com/playlist?list=PLhC3YPiBwS9Vc9nbBG1Dl6y4AfZPD23lm“Bill & Ted's Excellent Adventure” (Stephen Herek, 1989)

In this episode we welcome novelist and screenwriter John Niven to "RBP Towers" to ask him about his career and his acclaimed novels. We start with the Wishing Stones, the post-C86 combo for whom John played guitar in the late '80s, and progress swiftly to the subject of his caustic 2008 classic Kill Your Friends — the UK's drug-riddled music industry, in which he toiled through the '90s. After John talks about his uncanny 2005 novella Music from Big Pink – inspired by the Band album of the same name — we switch to the week's featured artist (and vocal inspiration to The Band's Richard Manuel) Bobby "Blue" Bland. We then pivot to the sublime writing of Deep Blues author and New York Times pop critic Robert Palmer, who would have turned 80 this summer. We mark the 50th anniversary of the deeply unloved Metal Machine Music by listening to — and discussing clips from — a 1996 audio interview with the inimitably supercilious Lou Reed. Finally, we return to our guest's fiction and ask him about his brand-new novel The Fathers. Many thanks to special guest John Niven. His new novel The Fathers is published by Canongate and available now from all good bookshops. John Niven's Music from Big Pink: A Foreword, Bobby Blue Bland: Arrival!, Bobby Bland: This Time He's Here for Good, A Tribute To Bobby "Blue" Bland, Articles, interviews and reviews from Robert Palmer, Etta James: The Comeback of a Fifties R&B Star, The Sun King: Sam Phillips, Robert Palmer: Recording the Blues in North Mississippi, Steely Dan: Disaster and triumph in the Custerdome, Lou Reed audio, "Jellybean" Benitez and Arthur Baker: The Producers and George Shearing, 1919–2011.

This is a fantastic Two of Us recording of Lou Reed at NYC's St. James Theater, on March 21, 1989. He plays the entirety of the New York album before playing a second set of Lou faves. It's glorious.

David Bowie retired his alter-ego Ziggy Stardust live on stage at London's Hammersmith Odeon on 3rd July, 1973. To the surprise of most of his band, the Spiders From Mars, he announced to a devastated crowd that the gig was “the last show we'll ever do.”  Bowie's management company had plans to take Ziggy on an international tour, but being Ziggy Stardust had taken a mental and physical toll on the singer. “I really did want it all to come to an end,” he wrote in Moonage Daydream.  In this episode, Arion, Rebecca and Olly explain how a ‘fake' Lou Reed influenced Bowie to create the character of Ziggy; discover how, for a while, his fans were called ‘the Uglies' and his genre ‘freakrock'; and reveal how this iconic rockstar felt ‘hopelessly lost' in his own fantasy… Further Reading: • ‘Looking back on David Bowie's most legendary gig: The death of Ziggy Stardust' (London Evening Standard, 2019): https://www.standard.co.uk/culture/music/david-bowie-death-ziggy-stardust-hammersmith-odeon-a4034746.html • ‘How David Bowie killed off Ziggy Stardust' (Far Out Magazine, 2021): https://faroutmagazine.co.uk/how-david-bowie-killed-ziggy-stardust/ • ‘David Bowie – Ziggy Stardust' (Live, 1973): https://www.youtube.com/watch?v=Fq8gG3pzMrU&list=PLNJirx02I6P72KTv5oJPSF-kkagLgfJWr&index=3 Love the show? Support us!  Join 

In new remarks for this week's baseball, history, and politics reissue, we apply Lou Reed's classic 1989 album New York to this week's events in Washington and elsewhere, a discussion which also affords us a momentary visit to that year's Yankees trying to make some absurd trades (and the Mets actually consummating one of the worst). The flashback segment revisits Hack Wilson's trip into the stands to thrash a misbehaving milkman and the much-neglected founders of the Giants franchise, among other discarded laborers. The Infinite Inning is a journey to the past to understand the present using baseball as our time machine. Baseball, America's brighter mirror, often reflects, anticipates, and even mocks the stories we tell ourselves about our world today. Baseball Prospectus's Steven Goldman discusses the game's present, past, and future with forays outside the foul lines to the culture at large. Expect history, politics, stats, and frequent Casey Stengel quotations. Along the way, we'll try to solve the puzzle that is the Infinite Inning: How do you find the joy in life when you can't get anybody out? 

Gimme fuel, gimme fire, gimme the best podcast about the Velvet Underground and the 242nd greatest album of all time, Loaded.   Before we get to the album, this episode dishes up 11 splendid servings of good vibrations when we discuss our favorite Beach Boys songs and Marky Mark. Then we sit in on a beach wedding, relive some casino excitement, and share some iPhone hacks. We also pucker up some thoughts on kissing booths.   Then, at (1:00:00), we cool it down to talk about the Velvet Underground's fourth studio album, Loaded. We discuss Lou Reed's appeal, the inspiration for the band's hit songs, and the best songs about cowboys.    Next week's episode is sure to bring some changes as we become the best Zombies podcast and cover the 1968 psychedelic pop album "Odessey and Oracle."            Keywords:  Dirk Nowitzki, German penises, gym, surprise date, comedy store, wife, comedy show, basketball, Rolling Stone magazine, Velvet Underground, Loaded, Lou Reed, album review, music podcast, NBA, K-Rob, self-improvement, Ice Cream, Boston Baked Beans, gambling, blackjack, Vegas, casino, Mystic Lake, pull tabs, country music, cowboy songs, Tim McGraw, Waylon Jennings, Toby Keith, Beach Boys, Kokomo, Rolling Stones, Velvet Underground, Sweet Jane, Rock and Roll, album rankings, music podcast, music reviews, vinyl, record store, Velvet Underground album, Lou Reed's voice, Rolling Stone reviews, music playlist, Boston Baked Beans, country music hits, surf music, album rankings, Velvet Underground hits.

Yiyun Li's “Things in Nature Merely Grow” is a bracingly candid memoir of profound loss: one written in the wake of her son James's death by suicide, seven years after her older son Vincent died in the same way. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss Li's book, which reads alternately like a work of philosophy, a piece of narrative criticism, and a devastating account of difficult facts. The hosts also consider other texts, from the poetry of Alfred Lord Tennyson and Tim Dlugos to a recent crop of standup-comedy specials about grief, and ask what such art can offer us in our current moment of turmoil. “Li is here as a kind of messenger, I think, to describe one of the farthest points of human experience,” Schwartz says. “This book is, in that way, sublime: words fail and fail and fail, but still they do something.”Read, watch, and listen with the critics:“Things in Nature Merely Grow,” by Yiyun Li“Where Reasons End,” by Yiyun Li“‘My Sadness Is Not a Burden': Author Yiyun Li on the Suicide of Both Her Sons,” by Sophie McBain (the Guardian)“The Year of Magical Thinking,” by Joan Didion“How to Lose Your Mother: A Daughter's Memoir,” by Molly Jong-FastJohn Cale and Lou Reed's “Songs for Drella”“Marc Maron: From Bleak to Dark” (2023)“Sarah Silverman: PostMortem” (2025)“Rachel Bloom: Death, Let Me Do My Special” (2024)“Rachel Bloom Has a Funny Song About Death,” by Alexandra Schwartz (The New Yorker)“In Memoriam A. H. H.,” by Alfred Lord TennysonThe AIDS Memorial Quilt@theaidsmemorial on Instagram“G-9,” by Tim Dlugos New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

On Saturday, Trump would like nothing more than images from Los Angeles of tear gas and balaclava-clad anarchists throwing bottles at Marines to complement video of himself in the stands at his military parade, saluting the troops amid a field of flags. That's part of the reason why he chose LA to federalize the Guard—home to numerous adversaries who willingly take his bait. And while tanks are going to roll through DC, wrecking its streets for the big birthday boy, Israel is going after Iran like it went after Hezbollah. Meanwhile, Kristi Noem handled the Padilla incident like a little fascist, and it only just occurred to Trump how the deportations will affect farms and hotels. Plus, a "Les Miz" correction, a 'Godfather' goof, and fighting words over The Beach Boys v. Lou Reed. Tom Nichols joins Tim Miller for the weekend pod. show notes  Why Trump deployed troops to LA Tom's late night piece on Israel's attack on Iran Tom's "Silence of the Generals" piece The baptism scene in The Godfather Tim's playlist

EP#773: Bryan and Krissy want to bring back Skedaddling...which is really scatting. Anyway, no one cares! On this episode, the two friends discuss the crypto-bro kidnapping in NY that is very dramatic and quite entertaining. We review the plot lines, so far. Then, Bryan digs deep into his Googlebox to pull out the music industry's most interesting true stories. From Brittney and her snake to the Sweedish band that fakes its own funerals for promotion, it's a wild look at the whacky world of sound recording (some it may not be considered music. We're looking at you Lou Reed & Metallica!) TCB Clip: Light Language Back Again, to wreck it, fake it, let's begin! Watch EP #773 on YouTube! Text us or leave us a voicemail: +1 (212) 433-3TCB FOLLOW US: Instagram:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thecommercialbreak⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/thecommercialbreak⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@tcbpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.tcbpodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ CREDITS: Hosts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bryan Green⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ &⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Krissy Hoadley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Executive Producer: Bryan Green Producer: Astrid B. Green Voice Over: Rachel McGrath TCBits / TCBits Music: Written, Voiced and Produced by Bryan Green To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices