Podcast appearances and mentions of Lou Reed

"One Last Heist" A singer/songwriter, a Professor, an author and the creator of the beloved cabaret-style multi artist extravaganza Cabinet Of Wonders which has featured everyone from novelist Rick Moody to Kristin Hersh to Steven Page, Wesley Stace is a man who, as the expression goes, wears many hats. The British-born, Cambridge educated Stace first came onto my college radio radar in 1989 under the name John Wesley Harding. I was immediately on board--his songs were literate, urbane and cheeky, but also heartbreaking, self-aware and wise. The John Wesley Harding character put out close to twenty marvelous albums including Here Comes The Groom, Why We Fight and Adam's Apple. Reverting to his birth name, Stace has put out just under ten albums, including his marvelous new one, One Last Heist. Satirical, soulful and catchy as ever, One Last Heist is a brilliant blend of witty pop smarts and atmospheric ballads. Over the course of his career Stace has recorded with Springsteen, Lou Reed and Roseanne Cash, written international best-selling novels and taught at Princeton. www.wesleystace.com (http://www.wesleystace.com) www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Threads + Bluesky+ IG: @emberspodcast Editor@stereoembersmagazine.com

"One Last Heist" A singer/songwriter, a Professor, an author and the creator of the beloved cabaret-style multi artist extravaganza Cabinet Of Wonders which has featured everyone from novelist Rick Moody to Kristin Hersh to Steven Page, Wesley Stace is a man who, as the expression goes, wears many hats. The British-born, Cambridge educated Stace first came onto my college radio radar in 1989 under the name John Wesley Harding. I was immediately on board--his songs were literate, urbane and cheeky, but also heartbreaking, self-aware and wise. The John Wesley Harding character put out close to twenty marvelous albums including Here Comes The Groom, Why We Fight and Adam's Apple. Reverting to his birth name, Stace has put out just under ten albums, including his marvelous new one, One Last Heist. Satirical, soulful and catchy as ever, One Last Heist is a brilliant blend of witty pop smarts and atmospheric ballads. Over the course of his career Stace has recorded with Springsteen, Lou Reed and Roseanne Cash, written international best-selling novels and taught at Princeton. www.wesleystace.com (http://www.wesleystace.com) www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Threads + Bluesky+ IG: @emberspodcast Editor@stereoembersmagazine.com

And what costume shall the poor wizards wear to all tomorrow's podcasts? Listen in to find out if they can can Can and if they go bananas for V.U.You'll also hear our lists of favourite V.U. songs, Kicker's “worst gig ever attended” story from 9 years ago and Chorizo sharing his “meeting Lou Reed” story from ever further back in the mists of time.This episode: it's my wife and it's my life.

What makes a rock star? It is not simply the hits, the haircut or the size of the crowd.  In Episode 41 of On The Record, Brian Wise and Michael Mackenzie turn to a 2014 essay by Robert Forster for a more exacting test: a rock star, Forster argues, is one even when nobody is watching. Show Notes SPIT Trailer (2025) Comedy Movie HD https://youtu.be/7mPdrlAJOQ4 Robert Forster "What's the difference between a rock star and a pop star?"  Amyl and The Sniffers - Guided By Angels  Neil Young Casting Me Away From You from his new album Second Song Lanterns | Official Trailer | HBO Max  Madness - Baggy Trousers (Official 4K Video) Madness - One Better Day  Death Valley | BritBox Original Trailer  Smithsonian Starstruck Madness - Theatre of the Absurd Presents C'est La Vie

This show has been flagged as Explicit by the host. Sources (yes I used wikipedia, I am a hack, what else do you expect) https://en.wikipedia.org/wiki/Merzbow https://en.wikipedia.org/wiki/Pulse_Demon Band/Artist website https://merzbow.net/ Where to listen to or buy the album Original Release (stream) https://merzbow.bandcamp.com/album/pulse-demon Remaster Release (stream) https://merzbow.bandcamp.com/album/pulse-demon-remaster-reissue Link to buy a physical copy new https://www.relapse.com/products/merzbow-pulse-demon-reissue-2x12 Next album I'm reviewing, Lou Reed's Metal Machine Music https://tidal.com/album/50021Provide feedback on this episode.

BRUCE SPRINGSTEEN - "Growin' Up" ("GREETINGS FROM ASBURY PARK", 1973) / LOU REED - "Wagon Wheel" ("TRANSFORMER", 1972) / KIM FOWLEY - "World Wide Love" ("INTERNATIONAL HEROES", 1973) / THE KINKS - "Sweet Lady Genevieve" ("PRESERVATION ACT 1", 1973) / SLAPP HAPPY - "Blue Flower" ("SORT OF", 1972) / KEVIN AYERS - "Shouting In A Bucket Blues" ("BANANAMOUR", 1973) / NEIL INNES - "Dream On" ("HOW SWEET TO BE AN IDIOT", 1973) / JOHN CALE - "Antarctica Starts Here" ("PARIS 1919", 1973) / JULIET LAWSON - "You're So Right, September" ("BOO", 1973) / ALAN HULL - "United States Of Mind" ("PIPEDREAM", 1973) / LINDA LEWIS - "What Are You Asking Me For" ("LARK", 1972) / LAURA NYRO - "Upstairs by a Chinese Lamp" ("CHRISTMAS AND THE BEADS OF SWEAT", 1970) / RANDY NEWMAN - "Dayton, Ohio - 1903" ("SAIL AWAY", 1972) / DAVID ACKLES - "A Photograph of You" ("FIVE & DIME", 1973)Escuchar audio

Gary Lucas heard of Lukas Ligeti through his father, the legendary composer György Ligeti, known for his work in 2001: A Space Odyssey. When Lucas moved to New York, Lukas stepped in as a substitute drummer for Gods and Monsters—and the chemistry was instant.“It's easy to hang out with Lukas, which is important if you're going to do a duo,” Gary Lucas says. In time the drummer taught and performed out of the State and country, but when he visited the City, the two would play their improvisations live at The New School's venue for avant garde performances, “The Stone”Recently, they booked time at East Side Sound and recorded the entire album live. They later refined the mixes and edited the pieces to highlight the most exciting moments.  About Gary LucasA world‑class guitarist, Grammy‑nominated songwriter, and international touring artist, Lucas has released over 50 albums across genres—jazz, rock, classical, folk, blues, avant‑garde, and world music. He has performed in 40+ countries, collaborated with icons from Captain Beefheart to Jeff Buckley, Lou Reed, Patti Smith, Nick Cave, and Bryan Ferry, and received multiple Lifetime Achievement awards for his songwriting with Buckley (“Grace,” “Mojo Pin”).  Dubbed “The Thinking Man's Guitar Hero” (The New Yorker) and “one of the best and most original guitarists in America” (Rolling Stone), Lucas continues to push boundaries with every project. Visit GaryLucas.com.  About Lukas LigetiAn Austrian‑American composer, drummer, and researcher, Ligeti's work spans classical composition, African polyrhythms, jazz, electronics, and experimental traditions. He is a recipient of the CalArts Alpert Award, has been commissioned by major orchestras and ensembles worldwide, and has taught at UC Irvine, the University of Pretoria, the University of Ghana, and is currently Professor of Composition at the Conservatoire royal de Bruxelles.As a drummer, he has performed with John Zorn, Elliott Sharp, Henry Kaiser, Marilyn Crispell, George Lewis, and many others. His approach—experimental intercultural collaboration—has shaped his work across five continents.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

In which The Curmudgeons continue their revisitation of the marvelously strange but often gorgeous rock subgenre we call glam rock. Last episode, we covered the genesis of glam rock via the artistic genius of Marc Bolan, David Bowie, guitarist Mick Ronson and producer Tony Visconti. We also shared a bunch of great hit songs and great glam-rock albums released between 1970 and 1972. Now we do the same thing for 1973 and 1974, during which the radio airwaves filled with bubblegum majesty inspired by Bolan and yet also during which albums done in the glam style grew decidedly darker and moodier. David Bowie segued from exotic mystery to nihilistic pessimism. Lou Reed put out the prettiest album about the decline of a self-destructive junkie couple possible. And Bryan Ferry pointed his cabaret pop toward the macabre - sex with blow-up dolls in stately mansions, anyone? We analyze the rest of the best of glam during this episode.    Enjoy the amazing glam rock of 1973 and 1974 by accessing our special Spotify playlist: https://open.spotify.com/playlist/4aYD0wnqBpG0NMQSJJV2K5?si=969742185a184caa   Here's a handy navigation companion to this episode.   (00:52 - 02:30) - Arturo Andrade sets the parameters for the second of our volleys on glam rock   (03:08 - 20:26) - The Parallel Universe, featuring reviews of new albums from Ty Segall and King Gizzard & The Lizard Wizard   (21:25 - 01:05:37) - We blast through a host of hit glam-rock singles from 193 and then discuss albums from Roxy Music, David Bowie, Lou Reed and New York Dolls   (01:06:27 - 01:48:53) - We gallop through a number of hit glam singles from 1974 and then discuss albums from Brian Eno, David Bowie, Roxy Music, Kiss, New York Dolls and Lou Reed    Join our Curmudgeonly Community today! facebook.com/groups/curmudgeonrock   Edited with an assist from Descript! web.descript.com     Hosted on Podbean! curmudgeonrock.podbean.com   Subscribe to our show on these platforms: https://podcasts.apple.com/us/podcast/the-curmudgeon-rock-report/id1551808911   https://open.spotify.com/show/4q7bHKIROH98o0vJbXLamB?si=5ffbdc04d6d44ecb   Co-written and co-produced by Arturo Andrade and Christopher O'Connor - The Curmudgeons

Lee & Daniel are joined by Gary Hill to pay tribute to two singular talents who have recently left us, Dolly Parton and Tim Curry. In this episode they talk about Parton's debut in Colin Higgins' "9 to 5" & Curry bringing his star power to Allan Moyle's "Times Square". 9 to 5" IMDB  "Times Square" IMDB  Catch Gary's podcast here.  Lee on Bluesky, Instagram, and Letterboxd.    Listen to Daniel punch Nazis on the I Don't Speak German podcast. Catch Daniel on Bluesky and support his Patreon. Featured Music: "9 to 5" by Dolly Parton; "Rock Hard" by Suzi Quatro; & "Walk on the Wild Side" by Lou Reed.

We've talked about how people don't listen to the lyrics before using a song – for advertising, a political rally, or a special event.  That's how we end up with Volvo using a song about drug abuse and transvestism to promote their cars, or couples using a song about obsession and stalking as they recite their wedding vows, or Iggy Pop's ode to his heroin addiction to promote a luxury ocean cruise, to name but a few!  We look at these and other examples of “Didn't you listen to the lyrics first?!”   Our Album you Must Listen to Before You Die is Cafe Bleu, by Style Council, in Paul Weller's first outing after leaving The Jam.  What a wonderful album!!  There's lots more, including Pavlov's Dog, The Smiths, Bon Jovi, Paul Simon, and heaps more!!  Enjoy! References:  Pavlov's Dog, Abbie Steiling, “Berlin”, Pampered Menial, Globite, The Smiths, The Queen Is Dead, Bon Jovi, Slippery When Wet, Paul Simon, Graceland, Google Gemini, Café Bleu, The Style Council, Paul Weller, Robert Dimery, “A Town Called Malice”, Tracey Thorn, Everything but the Girl, “You're the Best Thing”, The Jam, “Walk on the Wild Side”, "Lust for Life", Iggy Pop, Ray Manzarek, Johnny Yen, “Trainspotting”, The Supremes, “You Can't Hurry Love”, Phil Collins, "Help!", The Beatles, Ford Lincoln-Mercury, "Revolution", The Beatles, Nike, John Lennon, "Perfect Day", Lou Reed, AT&T, BBC, heroin, "London Calling", The Clash, 2012 London Olympic Games, Political Campaigns & Rallies, ”Born in the U.S.A.", Bruce Springsteen, Ronald Reagan, "Fortunate Son", Creedence Clearwater Revival, "Rockin' in the Free World", Neil Young, Buffalo Springfield, CSN&Y, "Pink Houses", John Mellencamp, The American Dream, "Every Breath You Take", The Police, Trudy Styler, obsession, Sting, Stewart Copepland, "One", U2, Bono, "Good Riddance (Time of Your Life)", Green Day, Billie Joe Armstrong, Amanda, "Brown Sugar", The Rolling Stones, Sticky Fingers, "Imagine", John Lennon, Steely Dan, “Only a Fool Would Say That”, Macarena, Los Del Río, YMCA, Village People Playlist – Misused Songs Send us a message, so we know what you're thinking!

Lou Reed and John Cale's pre-Velvet Underground songwriting partnership produced a song that straddles many genres: "Why Don't You Smile Now" is the tune we're fancy talking 'bout this week. The original version was done by LR's Syracuse buddies known as The All Night Workers and its soul-garage-drone! The best known version is most likely by our friends The Downliners Sect who make it a little more fuzzy and loud ... Renaissance man Donnie Burkes hits a three-pointer with his version, then we turn to The Crawdaddys who beat-ify the song for the coming garage revivalists! Finally, one of Spiritualized's early singles was a cover which they simply titled "Smile." You won't be frownin'!

“I started writing poems and singing them over instrumental songs I'd made, and I realized that the melody was coming to me as I read them, and I was like, ‘Oh, there's music in the words!,” says Alex Cameron, recalling how he first discovered his preferred method of songwriting. “The lyric had the melody in it. I didn't have to come up with the melody and think about which words would fit, I just had to press record and sing the words while listening to the music and the melody's in there. That's why I love writing words first.” In episode 144 of the LSQ podcast, the Australian singer-songwriter discusses his impressive fifth studio album, Late To Set, an elevated showcase for his signature style of brooding, witty, character-driven songcraft. Cameron shares insights into his creative philosophies and the evolution of his approach to music. He also reflects on the artists he loved as a kid: Buddy Holly, Nina Simone, Dire Straits, Outkast, Aphex Twin, Lou Reed, Joni Mitchell, the Strokes and more. Alex is on tour in North America in September, and opening for The Strokes in Europe in October. Get tickets here.

Sunday Morning, the opening track of the seminal, self-titled VELVET UNDERGROUND AND NICO, written by Lou Reed and John Cale, and produced by Tom Wilson, was originally created for the Teutonic Chanteuse, Nico, but ended up being sung by Lou.The theme of the lyrics: - "paranoia" - credited to a suggestion made by Andy Warhol, and then realized in dreamlike images by Reed, was brought to shimmering life by the last minute addition of the celeste, played by John Cale. 

Gary Lucas heard of Lukas Ligeti through his father, the legendary composer György Ligeti, known for his work in 2001: A Space Odyssey. When Lucas moved to New York, Lukas stepped in as a substitute drummer for Gods and Monsters—and the chemistry was instant.“It's easy to hang out with Lukas, which is important if you're going to do a duo,” Gary Lucas says. In time the drummer taught and performed out of the State and country, but when he visited the City, the two would play their improvisations live at The New School's venue for avant garde performances, “The Stone”Recently, they booked time at East Side Sound and recorded the entire album live. They later refined the mixes and edited the pieces to highlight the most exciting moments.  About Gary LucasA world‑class guitarist, Grammy‑nominated songwriter, and international touring artist, Lucas has released over 50 albums across genres—jazz, rock, classical, folk, blues, avant‑garde, and world music. He has performed in 40+ countries, collaborated with icons from Captain Beefheart to Jeff Buckley, Lou Reed, Patti Smith, Nick Cave, and Bryan Ferry, and received multiple Lifetime Achievement awards for his songwriting with Buckley (“Grace,” “Mojo Pin”).  Dubbed “The Thinking Man's Guitar Hero” (The New Yorker) and “one of the best and most original guitarists in America” (Rolling Stone), Lucas continues to push boundaries with every project. Visit GaryLucas.com.  About Lukas LigetiAn Austrian‑American composer, drummer, and researcher, Ligeti's work spans classical composition, African polyrhythms, jazz, electronics, and experimental traditions. He is a recipient of the CalArts Alpert Award, has been commissioned by major orchestras and ensembles worldwide, and has taught at UC Irvine, the University of Pretoria, the University of Ghana, and is currently Professor of Composition at the Conservatoire royal de Bruxelles.As a drummer, he has performed with John Zorn, Elliott Sharp, Henry Kaiser, Marilyn Crispell, George Lewis, and many others. His approach—experimental intercultural collaboration—has shaped his work across five continents.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Remember when the Toffees could sign 4 players on Deadline Day? Well if not, this episode is just for you!Liam is joined by Lou Reed Foster - author of “Fear and Loathing at Goodison Park” to revisit 03/04.Rooney, Kilbane and Ferguson all feature as well as chat about Lou's brilliant book and Everton heroes.Thanks to Gary Lunt, Sean Ponzini and Niall O'Donnell for this contribution to this episode, which is in association with The Excelsior. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This month, the GenX Book Club heads back to New York City in 1977, a city of punk rock, poetry, underground art, the blackout, Son of Sam, and a little club on the Bowery called CBGB. Paul Stroessner Jr. and Suzanne Mattaboni are joined by author Gabriel Rotello to discuss his novel The CBGB Conspiracy, a historical murder mystery that mixes fictional characters with real people, places, and events from one of the wildest and most creative periods in New York City history. Gabriel didn't just research this world. He lived in it. He arrived in New York in the 1970s, played music during the early CBGB era, and later became a journalist, activist, author, and documentary filmmaker. The conversation quickly moves beyond the mystery itself and into the New York that inspired it. Gabriel shares memories of the downtown music and art scene, the real history woven throughout the novel, the Everard Baths fire, the Anderson Theater and CBGB's attempted expansion, and the remarkable collection of artists, musicians, writers, and outsiders who found one another in a city that was simultaneously falling apart and exploding with creativity. Suzanne brings her own memories of New York and the New Wave era, while Paul digs into Gabriel's experience of turning history into fiction and why writing the novel was so much fun. And at one point, Gabriel shares a piece of CBGB history that he says nobody else knows about. They also discuss Steven Sprouse, William S. Burroughs, Holly Woodlawn, Lou Reed, Patti Smith, the transformation of New York nightlife, and whether the conditions that created that extraordinary downtown culture could ever happen again. This is a spoiler-free conversation, so you can listen even if The CBGB Conspiracy is still sitting on your TBR pile. Because sometimes a great book isn't the end of the conversation. It's where the stories begin.   Connect with Gabriel Rotello:GabrielRotello.com   The CBGB Conspiracy can be found at Amazon and anywhere else where books are sold.   More from the GenX Book Club Crew

In which the Curmudgeons tease out our hair, wear tons of makeup and celebrate the most sensual, most decadent brand of rock 'n' roll ever conceived. The glam rock of the early 1970s was an outgrowth of the 1960s psychedelia in which the vibes shifted from a mind trip to a soul trip, one in which androgyny, visceral pleasure and a focus on the cosmos and man's place in the universe thrust front and center. In the early part of the '70s, David Bowie, T. Rex, Slade, Roxy Music, Lou Reed and other artists glammed forth and helped define a truly singular era. In Part 1 of this mini-series, we analyze the elements of this phenomenon and and contemplate this great music.   Enjoy all this great glam rock by accessing our special Spotify playlist: https://open.spotify.com/playlist/3DVOLhLF2SfiFpaofW9IYc?si=8df98e7630d44a64   Here's a handy navigation companion to this episode:   (00:52 - 02:36) - Arturo Andrade sets the parameters for our discussion of glam rock   (03:17 - 18:30) - The Parallel Universe, featuring reviews of new albums from Modest Mouse and SML   (19:29 - 01:07:48) - Each of us offer five components we feel defined glam rock. Then we focus on the great glam singles and albums on 1970 and 1971   (01:08:27 - 01:39:49) - We rumble through the glam rock of 1972, and Christopher O'Connor spins a tale of an incredible glam-rock club night we experienced way back in 1999.    Join our Curmudgeonly Community today! facebook.com/groups/curmudgeonrock   Edited with an assist from Descript! web.descript.com     Hosted on Podbean! curmudgeonrock.podbean.com   Subscribe to our show on these platforms: https://podcasts.apple.com/us/podcast/the-curmudgeon-rock-report/id1551808911   https://open.spotify.com/show/4q7bHKIROH98o0vJbXLamB?si=5ffbdc04d6d44ecb   Co-written and co-produced by Arturo Andrade and Christopher O'Connor - The Curmudgeons      

My guest this week is Emil Amos (musician: Grails, Holy Sons, Om, Jandek & podcast: Drifter's Sympathy) who surprised me by picking the Paul Simon narrative film One Trick Pony (which also features the mind-bending acting debut of Lou Reed).We also discuss the naivety of thinking certain artists were bigger culturally than they were, Lou Barlow 7"s and Guided By Voices, how Emil goes about creating his vast & epic podcast, Emil's gateway into the world of soundtracks, Sam Coomes of Quasi being an employee at my video store, Flower Travelin' Band, the experiences of Emil performing with Jandek, Dexter Romweber, Wolf Eyes, cheap guitar powers, how One Trick Pony is a surprising look at Paul Simon feeling out of step with the times, The B-52s performing Rock Lobster in the film, films set in late 70s New York, Street Hassle & Bruce Springsteen, labels wanting to mold you into something you're not, the flex of casting Lou Reed to play a producer who is asking Paul Simon make a more commercial album, the Siskel & Ebert's review of the film and much more!EMIL AMOS: holysons.comdrifterssympathy.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guide d By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Send us Fan MailOn this week's episode, we dive into Loaded, the fourth LP by the Velvet Underground, and the last one to feature founding member Lou Reed, who left before the album was released. Loaded  is roundly regarded as the Velvets at their most accessible. After leaving MGM/Verve for Atlantic, the band was "encouraged" by their new label to focus on making hits (hence the title, alluding to the album being "loaded" with hits).  Reed gave up some the reigns of the band he co-founded to newcomer Doug Yule, an multi-instrumentalist with an uncanny knack for sounding a lot like Reed.  The album features some of the band's best-known and enduring songs, including "Rock & Roll" and "Sweat Jane." Even though one more album would be released Under The Velvet Underground moniker, drummer Mo Tucker and guitarist Sterling Morrison left soon after the tour to support to support Loaded, making it arguably the last true Velvet Underground album.Visit us at www.tappingvinyl.com.

Pour ce 25 août, Marjorie Hache orchestre une rentrée à la fois douce et électrique dans Pop-Rock Station. L'animatrice met à l'honneur Lou Reed, Weezer, Rage Against The Machine, Feist, Cyndi Lauper, System Of A Down, Procol Harum, Wolfmother ou encore Megadeth. Eugene McGuinness, The Asteroids Galaxy Tour, The Seeds, Pearl Jam, David Bowie et Prince complètent la sélection. L'émission célèbre également les 75 de l'icône du métal Rob Halford, illustre voix de Judas Priest, avec le titre Heading "Out To the Highway". Beabadoobee dévoile Sun Has Set, annonçant l'arrivée de son quatrième disque. Mike D des Beastie Boys confirme la sortie de son projet solo avec "What We Got", rejoint par Johnny Marr et Normal The Kid. La primeur de la soirée marque les belles retrouvailles avec The Afghan Whigs : le groupe originaire de Cincinnati offre le morceau "Jungle Roux", extrait de son nouvel album "Soft Control". L'album de la semaine s'attarde sur Frozen Charlotte, le septième disque de Jack White sorti au cœur de l'été, illustré aujourd'hui par l'énergique "I Can't Believe What I'm Hearing". Enfin, pour la reprise du jour The Blackwell s'approprie avec une infinie délicatesse l'hymne intemporel "Knocking On Heaven's Door" de Bob Dylan. Lou Reed - Vicious Beabadoobee - Sun Has Set Judas Priest - Heading Out To The Highway Weezer - Hash Pipe Eugene McGuinness - Shotgun Blue Öyster Cult - Don't Fear The Reaper The Asteroids Galaxy Tour - Around The Bend The Seeds - Can't Seem To Make You Mine Feist - My Moon My Man Rage Against The Machine - Killing In The Name Mike D - What We Got Blakwall - Knockin' On Heaven's Door Cyndi Lauper - She Bop System Of A Down - Toxicity Normal The Kid - Take A Moment To Breathe Procol Harum - A Whiter Shade Of Pale Pearl Jam - Daughter Johnny Marr - Spin Patti Smith - Dancing Barefoot Wolfmother - New Moon Rising The Afghan Whigs - Jungle Roux David Bowie - Ziggy Stardust Megadeth - Symphony Of Destruction Prince - Play That Funky MusicHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Welcome to my sophomore episode, all about animation! If all you know about animated features is big studio blockbusters like Toy Story or Into the Spider-Verse, let me expand your mind into some vintage treasures from the fringes of animation history. These films will give you a new appreciation for the art form, and a throwback to the days when everything was drawn and painted by hand. Digital animation today is still driven by artists, and these old-school rarities are part of what paved the way for what animation can do. And it's not just for kids either! WIZARDS (1977)Ralph Bakshi is a legend in the animation world, known for his raunchy, gritty urban dramas like Fritz the Cat and Cool World. This is a fantasy he made one year before his animated adaptation of Lord of the Rings — and it has similar themes & visuals of elves, fairies, orcs, battle sequences, an evil overload and a wise wizard. It's sloppy, funny, strange, and a psychedelic fever dream. ALLEGRO NON TROPPO (1976)This is Italian animator Bruno Bozzetto's classic parody of Disney's Fantasia, with all the familiar themes — except the orchestra is all made up of elderly ladies and a gorilla attacks. Six classical music pieces are set to different styles of animation, from the sad & beautiful to zany & bizarre. It's a glorious romp of satire and naughtiness. ROCK & RULE (1983)If rock music is more your jam, it's a moral imperative to check out this Canadian cult classic. Songs by Debbie Harry, Lou Reed, Cheap Trick, Iggy Pop, and Earth, Wind & Fire pump up the energy in this loud & ludicrous story about an evil rock star searching for the perfect voice to unleash an unearthly demon. Turn up the volume and enjoy a kaleidoscope of crazy animation and special effects! TWICE UPON A TIME (1983)While wrapping up his original Star Wars trilogy with Return of the Jedi, George Lucas helped his colleague John Korty (and co-director Charles Swenson) get this film made — but hardly anyone saw it. But time and animation fans have saved it from total obscurity, and it's an absolute delight. Filmed in a special stop-motion technique called LUMAGE, this is a brilliant mix of color, design, and improv comedy about a band of unlikely heroes who must save the world from an eternity of nightmares. Hope you enjoy these animated classics! Thanks for reading Video Store Podcast! This post is public so feel free to share it. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

This is the Music History Today podcast for August 23. On today's show, there's the Beatles, Lou Reed, & Jeff Buckley releases his classic.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history08:03 Music award ceremonies that were held on this date in music history09:35 Albums released on this date in music history 15:48 Singles released on this date in music history 18:19 Birthdays of music artists on this date in music history 31:00 Passings of music artists on this date in music history 37:00 What's on tomorrow's episode

Send us Fan MailBucks review the ups and downs of cryptocurrency since last September. Well, there are no ups. Don't say we didn't warn you.Del sends out a one-question litmus test he developed while smoking an El Gordo. Is he set in his wheys or does he have PWS?An expert phones in a warning about AI. Ignore at your peril. Speaking of phones, Del got a live human when calling a product support line.Dave discusses his Aquablation surgery experience to fix his BPH. Too much detail?Del finished the epic poem, The Odyssey, and enjoyed it but decides he won't sit through the movie. Dave recommends the book, Old God's Time by Sebastian Barry. Five stars.Del highly recommends the movie, Tuner while Dave enjoyed Blackberry.Dave took some heat from listeners over his bonus video last time. This time the topic is heroin addiction, not death. But just watch the band play their hearts out in this version of Waiting for My Man by the late, great Lou Reed. Did you ever have this much fun at work?Give us your thoughts:  BUCKSTWOOLD@GMAIL.COM                          Find Two Old Bucks on Facebook  and YouTubeLeave a Voice message - click HEREWHAT ARE YOU GOING TO DO WITH THE REST OF YOUR LIFE?

Rick Wakeman was our guest in episode 28 and he returns to have a chat about his old time capsule and let us know where he wants it buried! Rick Wakeman is a legendary keyboardist best known for his work with Yes, as well as playing with artists including David Bowie, Lou Reed and Cat Stevens, alongside a prolific solo career and numerous film and television soundtracks. Also, Mike and his producer and son John chat about the episodes that went our while they were on holiday and and find out where Alex Lowe (Barry From Watford) would want to bury his capsule .Listen to Rick Wakeman's original episode - https://mytimecapsulepodcast.com/episodes?q=28 .For Rick Wakeman's shows and more, visit - https://www.rwcc.com .Get involved! Send The Dig an email or voice memo and download John's jingle backing track to add your own lyrics, via - https://mytimecapsulepodcast.com/dig .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Original Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people .To support this podcast and get all episodes ad-free, please sign up here - https://mytimecapsule.supercast.com. All money goes straight into the making of the podcast. Hosted on Acast. See acast.com/privacy for more information.

FROM ROLLING STONE: Jonathan Richman moved from Boston to New York as a teenager in hopes of sleeping on Lou Reed's couch. That influence shows on the two-chord anthem “Roadrunner.” Recorded in 1972 but not released until 1976, Lovers turned the tough sounds of the Velvets into an ode to suburban romanticism. “Rock & roll was about stuff that was natural,” Richman said. “I wasn't about drugs and space.” Songs like “Pablo Picasso,” “Girl Friend,” and “Dignified and Old” touched generations of punk and indie-rock innocents. Note From Rob: Some of the audio for the sfx and music sucks because my computer sucks. How can a MacBook bought this year not handle RECORDING A PODCAST? I am too lazy to fix it all, and the music is not that great anyway. 

"It was raining hard in 'FriscoI needed one more fare to make my nightA lady up ahead waved to flag me downShe got in at the light… "Please join me for the rest of the story on this week's Super Sounds Of The 70's. Joining us are David Bowie, Lou Reed, Blues Image, Al Stewart, Velvet Underground, Warren Zevon, Taj Mahal, Steely Dan, Simon & Garfunkel, The Mark-Almond Band, Loggins & Messina, Christopher Cross, Jefferson Airplane, Bruce Springsteen, Sergio Mendes & Brasil 66, Peter Gabriel, Phoebe Snow, Santana, Ray Barretto, and Rebecca Pidgeon...

This weeks program features tuneage from Vanilla Fudge, King Crimson, XTC, Joni Mitchell, Billy Joel, David Bowie, Talking heads, Savoy Brown, Fleetwood mac, Lou Reed, Paul Simon, Them, Ten Years After, Rolling Stones, Dion, Laura Nyro, Creedence Clearwater Revival, and Deep Purple. We also paid tribute to Woodstock on it's 57th Anniversary..

Tim Rice sits down with Daily Wire Upstream editor Madeleine Fry Schultz for a special pop-culture edition of Behind the Story. They break down the internet's biggest celebrity conversations of the moment — starting with the backlash over Ariana Grande's new "Petal" music video, where she pushes back on fans and media who've raised concerns about her weight and appearance. From there, they widen the lens to pop music's biggest names: Sabrina Carpenter's campy sex-symbol persona, Olivia Rodrigo's Lou Reed-style pivot (and her outspoken Planned Parenthood advocacy), and Hilary Duff's surprisingly wholesome comeback tour. Learn more about your ad choices. Visit podcastchoices.com/adchoices

I talked with songwriter Andrew Morse about The Tasty Kings' new album The Kindness of Numbers. My quick description: imagine if Lou Reed sang with the Rolling Stones. As you will see, that went over well with Morse. The Tasty Kings are a different kind of band. Their website uses the term “collective.” Morse writes the songs and then gathers some seriously impressive musicians to bring them to life. People like Charlie Sexton, Will Sexton, Charley Drayton, and Darryl Jones. And although these are his lyrics and melodies, Morse does not sing on any of the tunes. He plays guitar, but it is almost like he is a side musician in his own band. It's a different approach, but the results are fantastic. I especially recommend the songs “New York Times,” “Tess of Soho,” “Sunset,” and “Fix My Head.”

The second half of our look at 1976 - a banner year for music.  This time, the boys look at more of their favourites of the “Class of ‘76” and plug in a dynamite playlist to go with it!  The conclusion of a romp through one of music's finest years! We know you're going to love it.  References: Stevie Wonder, Songs in the Key of Life, “Isn't she lovely”, “Sir Duke”, Andy Williams, R&B, Rhythm & Blues, The Eagles, Hotel California, “Life in the Fast Lane”, “New Kid in Town”, “Victim of Love”, Joe Walsh, Led Zeppelin, “Presence”, “The Song Remains the Same”, Achilles Last Stand,  Moroccan influence, “Nobody's Fault but Mine”, “For your life”, “Candy Store Rock”, Peter Grant, The Ramones, The Ramones, “Beat on the Brat”, “Blitzkrieg Bop”, “I Wanna be your Boyfriend”, Spin magazine, Rolling Stone, "500 Greatest Albums of All Time", Music from the Penguin Cafe, Penguin Cafe Orchestra, 1001 Albums You Must Hear Before You Die, Simon Jeffes, Station to Station, David Bowie, The Thin White Duke, Kether, Malkuth, “Golden Years”, “TVC15”, Howzat, Sherbet, Hurstville Civic Centre, Bo Diddley, Cold Chisel, “Summer Love”, The Doors, High Voltage, AC/DC, “T.N.T.”, “It's a Long Way to the Top”, “High Voltage”, “Can I Sit Next to you Girl?”, Daceyville Police Boys Club, Dirty Deeds Done Dirt Cheap, “Jailbreak”, Ol' 55, Take It Greasy, "On the Prowl", Frankie J Holden (FJ), Wilbur Wilde, Supernaut, “I like it both ways”, Ian “Molly” Meldrum, Alan Parsons Project, Tales of Mystery and Imagination, Billy Joel, Turnstiles, Bob Dylan, Hard Rain, Bryan Ferry, Let's Stick Together, ELO (Electric Light Orchestra), A New World Record, Tom Petty & the Heartbreakers, Genesis, A Trick of the Tail, Jeff Beck, Wired, Jethro Tull, Too Old to Rock 'n' Roll: Too Young to Die, Joe Walsh, You Can't Argue with a Sick Mind, Linda Ronstadt, Hasten Down the Wind, Lou Reed, Coney Island Baby, Pavlov's Dog, At the Sound of the Bell, Queen, A Day at the Races, Rod Stewart, A Night on the Town, Steely Dan, The Royal Scam, Steve Miller Band, Fly Like an Eagle, Warren Zevon, ABBA, Arrival, Wings, Wings Over America  Playlist - The music & artists we discussed during this episodeFlutist Reacts to Jethro TullSend us a message, so we know what you're thinking!

Penn contemplates a sedan chair, Matt recounts an embarrassing moment with Olivia Newton-John and saw two very different Las Vegas magic shows, Penn should have gone to Hawaii to ride motorcycles with Lou Reed, more audience volunteers at the big Penn & Teller show, and lots more,

Subscribe to Greg Fitzsimmons: https://bit.ly/subGregFitz Louis C.K. joins Greg for a funny and unexpectedly heartfelt conversation about their early days in Boston comedy, disastrous road gigs, awkward encounters with Lou Reed and the strange intimacy of male friendship. Louis remembers his first childhood rejection, revisits Greg's missing wedding invitation and reflects on burnout, touring the world and returning to sillier comedy with his Netflix special Ridiculous. Tempo For a limited time, get 60% off your first box at https://tempomeals.com/FITZDOG Rules and restrictions may apply. This show is produced by Gotham Production Studios and part of the Gotham Network. https://www.gothamproductionstudios.com/studios/ Follow Greg Fitzsimmons: Facebook: https://facebook.com/FitzdogRadio Instagram: https://instagram.com/gregfitzsimmons Twitter: https://twitter.com/gregfitzshow Official Website: http://gregfitzsimmons.com Tour Dates: https://bit.ly/GregFitzTour Merch: https://bit.ly/GregFitzMerch “Dear Mrs. Fitzsimmons” Book: https://amzn.to/2Z2bB82 “Life on Stage” Comedy Special: https://bit.ly/GregFitzSpecial Listen to Greg Fitzsimmons: Fitzdog Radio: https://bit.ly/FitzdogRadio Sunday Papers: http://bit.ly/SundayPapersPod Childish: http://childishpod.com Watch more Greg Fitzsimmons: Latest Uploads: https://bit.ly/latestGregFitz Fitzdog Radio: https://bit.ly/radioGregFitz Sunday Papers: https://bit.ly/sundayGregFitz Stand Up Comedy: https://bit.ly/comedyGregFitz Popular Videos: https://bit.ly/popGregFitz About Greg Fitzsimmons: Mixing an incisive wit with scathing sarcasm, Greg Fitzsimmons is an accomplished stand-up, an Emmy Award winning writer, and a host on TV, radio and his own podcasts. Greg is host of the popular “FitzDog Radio” podcast (https://bit.ly/FitzdogRadio), as well as “Sunday Papers” with co-host Mike Gibbons (http://bit.ly/SundayPapersPod) and “Childish” with co-host Alison Rosen (http://childishpod.com). A regular with Conan O'Brien and Jimmy Kimmel, Greg also frequents “The Joe Rogan Experience,” “Lights Out with David Spade,” and has made more than 50 visits to “The Howard Stern Show.” Howard gave Greg his own show on Sirius/XM which lasted more than 10 years. Greg's one-hour standup special, “Life On Stage,” was named a Top 10 Comedy Release by LA Weekly. The special premiered on Comedy Central and is now available on Amazon Prime, as a DVD, or a download (https://bit.ly/GregFitzSpecial). Greg's 2011 book, Dear Mrs. Fitzsimmons (https://amzn.to/2Z2bB82), climbed the best-seller charts and garnered outstanding reviews from NPR and Vanity Fair. Greg appeared in the Netflix series “Santa Clarita Diet,” the Emmy-winning FX series “Louie,” spent five years as a panelist on VH1's “Best Week Ever,” was a reoccurring panelist on “Chelsea Lately,” and starred in two half-hour stand-up specials on Comedy Central. Greg wrote and appeared on the Judd Apatow HBO series “Crashing.” Writing credits include HBO's “Lucky Louie,” “Cedric the Entertainer Presents,” “Politically Incorrect with Bill Maher,” “The Man Show” and many others. On his mantle beside the four Daytime Emmys he won as a writer and producer on “The Ellen DeGeneres Show” sit “The Jury Award for Best Comedian” from The HBO Comedy Arts Festival and a Cable Ace Award for hosting the MTV game show "Idiot Savants." Learn more about your ad choices. Visit megaphone.fm/adchoices

No se puede atrapar el viento, pero podemos traerte la brisa del mar. Invocamos al frescor del verano en esta colección de canciones.Playlist:(sintonía) FLEETWOOD MAC “Albatross”DONOVAN “Catch the wind”THE BEACH BOYS “The warmth of the sun”OTIS REDDING “Sittin’ on the dock of the Bay” (demo, take 1)JONI MITCHELL “Carey”NICK DRAKE “Pink Moon”FRANK SINATRA “Summer wind”SEALS and CROFTS “Summer breeze”DON COSTA “The breeze and I”MARTIN DENNY “Trade winds”TONY JOE WHITE “Homemade ice cream”JIMI HENDRIX “The wind cries Mary”CHUCK PROPHET “Summertime thing”RAY COLLINS HOT CLUB “The breeze”NOLAN STRONG and THE DIABLOS “The wind”LOU REED “Ocean” (demo 1971)THE OZARK MOUNTAIN DAREDEVILS “Giving it all to the wind”Escuchar audio

Author, acclaimed singer-songwriter, and creator Wesley Stace joins Music Matters with Darrell Craig Harris for a fascinating conversation about a career that has seamlessly blended music, literature, and storytelling. Known to music fans around the world as John Wesley Harding, Wesley reflects on his decades in the music industry, his transition into becoming an internationally acclaimed novelist, and the creative process that connects songwriting and writing. Throughout his remarkable career, Wesley has shared the stage and recorded with legendary artists including Bruce Springsteen, Lou Reed, John Prine, Iggy Pop, Rosanne Cash, and members of R.E.M., The Decemberists, The Jayhawks, and Elvis Costello's band, The Attractions. In this wide-ranging interview, Wesley discusses the art of storytelling, songwriting, his celebrated novels, and what continues to inspire him as an artist. Whether you know him from his music, his books, or both, this episode offers a thoughtful look at one of today's most versatile creative voices. Website www.wesleystace.com Social Media www.instagram.com/wesleystace  Listen now on Apple Podcasts, Spotify, HeartRadio, Amazon Music, YouTube, and wherever you get your podcasts. bout Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Sports Illustrated photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Currently, over 1.2 million global downloads in 40 countries. Visit us at: www.MusicMattersPodcast.com Follow us on Twitter: www.Twitter.com/musicmattersdh  Instagram: www.Instagram.com/musicmatterspodcastofficial For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell Episode editing and Voice intro by Nigel J. Farmer of Voice Wrap Studios Representation:  Yvette Morales | YM & Associates PR Beverly Hills, CA YM-PR.com Email: YMoralesY@ym-pr.com                  

This week, a continuation of our series called “In The Shadow Of…”, where we compare bands to a well-established mainstream act. This is not about copycats, but about artists that have similar vibes, share a sonic soundscape, or whose songwriting and playing styles are sympatico. This is another band near and dear to both of you humble hosts. A band that sits atop the pedestal of all things “heavy”. A band that defined metal in the 80s and 90s while becoming somewhat polarizing in more recent years; the iconic METALLICA! Join us as we discover other bands who were influenced and inspired by this hella great band. What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This is not a statement about bands trying to copy one another, but more that they have a shared sound and vision. It's been said that there is no originality left in rock n' roll and also been stated that imitation is the sincerest form of flattery. As always, we hope we turn you onto something new! Songs this week include: Trivium – “Unrepentant” from The Crusade (2006) Bloodstain – “Black Swan” from I Am Death - EP(2024) Thrasherwolf – “Shameless Loser” from Inside The Sickened Mind (2024) Evile – “Head Of The Demon” from Skull (2013) Machine Head – “Slanderous” from The Blackening (2007) Tantara – “Human Mutation” from Based On Evil (2012) ThrashWall – “War Outside The Wall” from ThrashWall(2020) Visit us: https://inobscuria.com/ https://bonelesspodcasting.com/shows/in-obscuria https://www.facebook.com/InObscuria https://twitter.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it: InObscuria Store Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Episode 072: We are pulling back the curtain on the grand illusions of life this week, delivering a heavy dose of reality to all those polished, idealized dreams we hold onto. We begin with the shimmering, melancholic haze of Beach House, before facing the sobering resignation of Jim Lindberg. We then pivot to the gritty frustration of Middle Class Rut, transition into the poignant social commentary of Stevie Wonder, and drift into the deceptively serene, bittersweet piano balladry of Lou Reed. We close out our set by letting Crowded House remind us exactly why even our most beautiful dreams are eventually forced to reconcile with the stark, unvarnished truth. It's a six-track exploration of disillusionment, the sobering light of day, and the messy reality of what happens when the fantasy fades.   Apple Podcasts Instagram Spotify Playlist Official Site

Este podcast está dedicado a nuestros montes, nuestros bosques, nuestros pueblos, nuestras raíces y nuestra infancia. Y nos hacemos eco de esta carta firmada por Ángel Malanda Lafuente, peón forestal en ELIF A3 El Barco de Ávila.  "El problema de ser un héroeSoy bombero forestal, aunque no lo diga mi categoría ni mi contrato. Soy persona, antes que nada. Tengo sentimientos, sufro, me duele lo que veo, tengo miedo, cada vez más, tanto cuanto mayor es la cantidad de riesgos que asumes. Nunca me gustó la etiqueta: los y las bomberas forestales somos héroes/heroínas. Es mucha responsabilidad, yo no la quiero. No quiero perder mi vida, la única que tengo, por salvar tu chalet levantado allí donde había bosque, cuando lo has rodeado de arizónicas y no has desbrozado ni un metro cuadrado en torno a él.He perdido toda mi infancia y adolescencia en 2 días. Puedo tachar mis paraísos cercanos en un macabro sile/nole como hacíamos de críos con los cromos. El Castañar del Tiemblo, nole. Las Cabreras en S.Martin de Valdeiglesias, nole. Valle de Hiruelas, nole. Embalse de Picadas, nole. Cerro Valdenoches, Alto la Mira, Cancho el Guarro... no ha quedado nada. Mi familia evacuada y yo intentando como una hormiguita que el fuego no se descuelgue por las laderas de Piedralaves, trabajando 8 horas con una azada frente a un monstruo. Y el héroe tiene que seguir ahí, incólume, recto, haciendo frente a algo jamás visto, y además tengo que salvar tu casa, tu pueblo, tus animales y escuchar tus insultos. ¿Crees que no querría hacer más? ¿Crees que tengo superpoderes? ¿No crees que si estoy parado es porque espero instrucciones? ¿Puede ser que esté protegiendo mi integridad física, mi vida? ¿Sabes?, a mí me esperan en casa, con inquietud, desasosiego, y no quiero faltar a la cita con el abrazo de mi compañera. Sufren también y mucho nuestras parejas, que son bastante más héroes y heroínas que nosotras.Soy persona, como tú, vivo en el rural y lloro como tú, y estoy roto, muy roto. No duermo, no descanso, estoy deshidratado, apenas como, me quito la capa de héroe y qué queda, solo pellejo, un cuerpo maltratado por la radiación, el humo, los golpes, las caminatas, el tam tam del batefuegos, el arriba y abajo de la azada, el estremecedor sonido del fuego que te recuerda lo pequeñito que somos. Y maltratado también por mi empresa, que regatea en material, que te dota de las herramientas más baratas y en las cantidades más míseras, que no piensa en tu ergonomía, en tus dolores, en tu efectividad frente a la llama. Y maltratado por la Administración que gestiona (mal) tus impuestos, que te niega la categoría, derechos ya recogidos en una ley, que no forma y especializa a sus trabajadores. Y maltratado, también, por la sociedad, esta sociedad egoísta, individualista, sin empatía, desconectada de su entorno, de su realidad más inmediata, que no nos acompañó en las manifestaciones, que se olvida de nosotras una vez desaparece el humo y que sigue votando por este modelo suicida y demencial que deja que sea el fuego quien gestione el territorio.Para ser justo y honesto, muchas personas me hacen llegar su admiración y respeto por el trabajo que hacemos. De verdad, de corazón. Por ellos y ellas sigo aquí.Y por favor, no me pongas la capa, solo soy una persona intentando hacer lo mejor como mejor sabe y puede. Solo eso, nada más, nunca un héroe"Ángel Malanda Lafuente,    LOVE OF LESBIAN - La HermandadLOVE OF LESBIAN - Noches ReversiblesLOVE OF LESBIAN - Un Día en el ParqueGORILLAZ - Some Kind of Nature (ft Lou Reed)COLDPLAY - ParadiseBIFFY CLYRO - MountainsFLORENCE + THE MACHINE - Rabbit Heart (Raise it Up)EDDIE VEDDER - SocietyAMARAL - Hacia Lo SalvajeNEIL YOUNG - Rocking In a Free WorldRAGE AGAINST THE MACHINE - Take the Power BackAURORA - The SeedPULP - The TreesEscuchar audio

jD convenes the expert panel to dissect "700 Ft Ceiling," the song that lands like a baseball bat to the face right in the middle of Trouble at the Henhouse.The conversation starts warm — everyone's summertime Hip pick, from "Membership" to "Morning Moon" to "Summer's Killing Us" — before turning to the puzzle at the centre of the track: what exactly is a 700-foot ceiling? (Aviation term. Lowest layer of broken or overcast cloud sitting 700 feet above ground.)The panel unpacks Gord's habit of collecting phrases for their sound rather than their meaning, the wintery outdoor-rink imagery, and the Lou Reed-flat melody that barely distinguishes verse from chorus.Things get spicy on placement. Tracy calls it filler and skips it. Mikk and Jamie agree the song detonates a gorgeous opening run — "Gift Shop," "Springtime in Vienna," "Ahead by a Century," "Don't Wake Daddy," "Flamenco" — and kicks off what Jamie dubs the album's weird second half alongside "Butts Wigglin'" and "Coconut Cream." The Kids in the Hall theory gets floated. So does the grunge theory. Everyone concedes it hit much harder live than it ever did on record.Then the episode's real gift: Mick and Jamie tell the story of renting the Bathhouse for a weekend — sleeping in the studio, playing pool while spinning We Are the Same on vinyl, Billy Ray wandering in at 10pm with stories, engineer Niles behind the board, Gord's training bike still parked where he left it. Once-in-a-lifetime stuff, told well.Next week's shuffle: "Gus: The Polar Bear from Central Park" from In Between Evolution.Key Quotes"It's like an alarm clock goes off." — Mik, on where the song lands on the album"It is like a baseball bat in the face." — jD"Think about how many shows they played after 2004 that they did not play this song. That's why it ranks low. Guys, I'm telling it like it is." — Jamie"I think this is kind of Gord's secret talent — he listens better than everybody." — Mik"He says '700-foot ceiling' like four times, but the second or third time it's '700 and sinking,' which is just cool." — Jamie"It kind of felt very lived in. There was nothing you couldn't touch, nothing you couldn't sit on." — Mik, on the Bathhouse"I'll get emotional if I talk about it." — Jamie, on being shown the band's jam space"Well, I know what we forgot to do this week. We forgot to listen to the goddamn song." — jDTale of the Tape — Trouble at the HenhouseReleased May 7, 1996 — the band's first simultaneous Canada/USA releaseWinner, 1997 Juno Award for Album of the YearRecord 5 of 13Self-produced with Mark Vreeken — the only time the band worked without an outside producerRecorded at the Bathhouse"700 Ft Ceiling" live stats (via The Hip Base and setlist.fm)Played live 130 times — 3 times as an opener, 7 times as an encoreFirst played October 21, 1995Last played November 27, 2004 (retired; not performed on the final tour)Ranked #76 in the Tragically Hip Top 169 countdown — did not crack the Top 40This week's poll: 47% / 47% split, with 6% "tolerating" it.Songs & Albums MentionedTragically Hip songs700 Ft Ceiling · Membership · Morning Moon · Coffee Girl · The Depression Suite · Summer's Killing Us · You're Not the Ocean · Ahead by a Century · Gift Shop · Springtime in Vienna · Don't Wake Daddy · Flamenco · Butts Wigglin' · Apartment Song · Coconut Cream · Let's Stay Engaged · Sherpa · Put It Off · New Orleans Is Sinking · Little Bones · Titanic Terrarium · Emergency · FireworksTragically Hip albumsTrouble at the Henhouse · Day for Night · Fully Completely · Road Apples · Phantom Power · We Are the Same · In Between Evolution · Live Between UsOther referencesKids in the Hall: Brain Candy — source of "Butts Wigglin'"Rick Beato's interview with Billy Joel — the "vowel movements" idea Joel credits to Keith RichardsGrunge-era touchstones: Pearl Jam, Soundgarden, CreedLou Reed — Tracy's comparison for Gord's vocal delivery on this trackIt's a Good Life If You Don't Weaken — the stage adaptation, seen in Hamilton, now touringTom Green's interview with Paul Langlois, filmed in the Bathhouse jam spacePeople MentionedGord Downie · Paul LangloisBilly Ray — Bathhouse caretaker and keeper of the storiesNiles Spencer — Bathhouse engineerMark Vreeken — co-producer, Trouble at the HenhousePatrick Downey — filming Billy Ray for the documentaryGreg — JD's co-host on the earlier podcast seriesLinks & PlugsKingston weekend events — Friday mixer at a pub · live record listening party August 21 at 4:30 at a pub · Sunday brunch at Morrison's. Email jd@tthpods.com to get on the list.Mik Perlus — Ragged Islands — Mick's EP, recorded over three days at the Bathhouse. Includes a cover of "It's a Good Life If You Don't Weaken." Available on Spotify, Apple Music, YouTube, and other streaming services. Named for East Ragged Islands, Nova Scotia.Jamie — Fiddler on the Roof in Yiddish — with English and Russian supertitles. Recently ran at the Elgin Theatre in Toronto (roughly 17,000 attendees during Jamie's run). Coming to the Ahmanson Theatre in Los Angeles, February 13 – March 14, 2027.The Hip Handbook — JD's new AI-built discography and stats tool, debuting on this episode for the Tale of the Tape.The Hip Museum / Museum After Dark — referenced for the grunge angle and album background.Next Week"Gus: The Polar Bear from Central Park" from In Between Evolution.Support this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Velvet Underground may not have sold millions of records during their early years, but few bands have had a greater impact on the history of rock music. In this episode of Booked On Rock, author Richie Unterberger discusses his new book, Do What You Fear Most: The History of the Velvet Underground, exploring the band's remarkable journey from New York's underground art scene to becoming one of the most influential groups of all time.We dive into Lou Reed's songwriting, John Cale's avant-garde influence, Andy Warhol's real role in the band's success, Nico's place in the group, the groundbreaking 'Velvet Underground & Nico', 'White Light/White Heat', 'Loaded', and the band's enduring legacy. If you're a fan of Lou Reed, classic rock, punk, alternative music, or the Velvet Underground, this is a conversation you won't want to miss.Purchase a copy of Do What You Fear Most: The History of the Velvet UndergroundVisit Richie Unterberger's website----------

This week in the Screening Room we’re talking about manifestos, art movements, outsiders, would-be societies, and the 1996 film ‘I Shot Andy Warhol.’ Plus another Hypothetical Theoretical Metaphorical Potentially Possible Mixtape with songs by Swamp Dogg, Pet Shop Boys, Lou Reed, and more. Become an All Access member and get ad-free listening by visiting disgracelandpod.com. See omnystudio.com/listener for privacy information.

One day before the release of her new album, Music, Fashion, Film, xcx joins Scott Lipps on SPIN Magazine's Lipps Service for an in-depth conversation about creativity, reinvention, and one of pop music's most influential careers. Charli discusses the inspiration behind Music, Fashion, Film, nearly walking away from music, working with A.G. Cook, growing up during the MySpace era, fashion, filmmaking, visual identity, Martin Scorsese, John Cale, Lou Reed, Andy Warhol, social media, the current state of rock, and much more. The episode concludes with Charli's Top 5 Underrated Films and Top 5 Charli xcx Songs. If you enjoy conversations with the world's biggest artists, subscribe and turn on notifications for new episodes every week. CHAPTERS 00:00 Intro 00:27 NYC 01:08 Intimate shows 02:29 Growing up (The Monkees, Bread, Britney Spears & Spice Girls) 03:34 MySpace, Uffie & Ed Banger 05:05 Building her own team 08:22 Albums that inspired her 11:26 Early music 12:08 The beginning 14:45 A.G. Cook 18:57 Music, Fashion, Film 19:15 Nearly quitting music 22:22 Album artwork 25:26 John Cale, Lou Reed & Andy Warhol 31:08 Marc Jacobs 32:34 Martin Scorsese 34:48 Music, Fashion, Film creative process 37:50 The future of music & rock 40:39 Visuals 42:03 Songwriting 44:45 David Cronenberg & legacy 47:55 Advice to young artists 50:10 Social media 51:55 Top 5 Underrated Films 56:15 Top 5 Charli xcx Songs #CharliXCX #MusicFashionFilm #LippsService #ScottLipps #SPIN #MusicPodcast #PopMusic #Interview Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Off The Beat and Track!In this special episode, host Stu Whiffen sits down with the incredible Joan As Police Woman—the acclaimed singer-songwriter, multi-instrumentalist, and one of the most distinctive voices in contemporary music.Known for her soulful vocals, fearless songwriting, and genre-defying blend of art rock, indie, jazz, soul, and alternative music, Joan As Police Woman has built a remarkable career through critically acclaimed solo albums and collaborations with artists including Lou Reed, Rufus Wainwright, Antony and the Johnsons, and David Sylvian. In this conversation, Joan reflects on her creative journey, the stories behind her music, and the passion that continues to drive her artistry.

Listen without ads on patreon: www.patreon.com/dopeypodcast This week on Dopey! We open the show with a deep dive into Lou Reed's classic junkie anthem "Waiting for the Man" before reading incredible listener stories involving MDMA-assisted therapy, smashing open a safe with an axe for OxyContin, smoking crack in an airplane bathroom, a horrific flesh-eating abscess, and surviving Antabuse mixed with opioids. Then legendary author Jerry Stahl returns for one of the funniest and deepest conversations Dopey has ever had. Jerry shares never-before-heard stories about writing for Twin Peaks, working with David Lynch and Ben Stiller, learning from Hubert Selby Jr., meeting William Burroughs' son, Oprah admitting she loved crack, surviving heroin addiction, and why kindness matters more than bitterness. The conversation ends with Dave pitching Jerry his outrageous action movie idea: Die Hard... at Katz's Delicatessen. PLUS MORE MORE MORE on a brand new yet timeless episode of that good old dopey show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Penn hurt his back but it's nothing compared to jumping in high heeled cowboy boots, Matt headlines a comedy show with magic, chandelier girls, Penn goes from Lou Reed to Bob Dylan, Debbie Harry's accidental straightjacket escape, well lit houses, and lots more.

Producer Marc Urselli is the chief engineer at New York City's EastSide Sound, as well as the owner of his own studio, Audio Confidential. He has worked with pop, rock, and jazz artists ranging from U2, Foo Fighters, Nick Cave, Lou Reed, Sting, Keith Richards, Kesha, Jeff Beck, Les Paul, Buddy Guy, Luther Vandross, Børns, The Black Crowes, Frank Sinatra, Joss Stone, Mike Patton, and of course, John Zorn, with whom he has made over 120 albums! Geoff Stanfield chatted with Marc from Audio Confidential about his early days recording in Italy, his move to New York, an internship at EastSide Sound, his approach to sessions, working with U2, and his recent collaboration with JZ Mics on their new MU-1 large diaphragm condenser/ribbon hybrid microphone. Enjoy!

We're gonna make you an offer you can't refuse...because this week, we go way back to discuss some of our favorite songs of 1972 with the marvelous Anne Richmond Boston from The Swimming Pool Q's! Possessing a crystalline voice, Anne's journey led her from church and high school choirs to the quirky new wave of the Swimming Pool Q's. Following their debut album The Deep End on DB Records in 1981, the Q's were one of the first Atlanta/Athens areas bands to be snapped up by a major label. For A&M, they recorded their self-titled second album (1984) and Blue Tomorrow (1986). A major tour with Lou Reed ensued, as did a major label makeover. Anne left the Q's in 1987, with her terrific solo debut, The Big House of Time (largely written by and recorded with then husband Rob Gal from The Coolies) following for DB in 1990. With such a promising start to her solo career, surely a second album was hot on its heels. Right??? Well, the intended follow up, I Should Be Happy, was recorded, roughly mixed, and then shelved for 30+ years for unknown reasons. Fortunately, the tapes were revitalized, revamped, and are at long last released! It's a beautiful song cycle about longing and loss, featuring a notable cast of musicians and singers. That should make us ALL happy! Learn more about your ad choices. Visit megaphone.fm/adchoices

SPONSORS: Enjoy the refreshing citrus kick of Mountain Dew, an American Original. Tasting Great Since '48. Look for Mountain Dew in stores near you at https://mountaindew.com Thanks to MANSCAPED for sponsoring today's video! Get The Beard Hedger Plus for 15% OFF + Free Shipping with code “BEARS” at https://Manscaped.com! For simple, online access to personalized and affordable care for Hair Loss, Weight Loss, and more, visit https://hims.com/bears Sign up now and Acorns will boost your new account with a $5 bonus investment. Join the over 14 million all-time customers who have already saved and invested over $27 billion dollars with Acorns. Head to https://acorns.com/bears or download the Acorns app to get started. Sponsored by BetterHelp. Sign up and get 10% off at https://betterhelp.com/bears Start your free trial at https://shopify.com/bears This week on 2 Bears, 1 Cave, Tom Segura and Bert Kreischer spiral through Bert's newest crisis: figuring out which musicians would actually like him. After Lou Reed tells him off mid-treadmill (entirely inside Bert's head), Bert starts deleting Jane's Addiction and Radiohead from his library, relives Shane Gillis walking out of a Wilco concert after five seconds, and learns his most-played song of all time is "Higher" by Creed. From there, the Bears get into Tom's tour of Kid Rock's 20,000-square-foot, two-bedroom replica White House and meeting Jimmy John from Jimmy John's, a deep dive on Subway Takes and why Bert believes celebrity hot takes are all fake, the viral "white people shouldn't sit on stoops in Bed-Stuy" debate, and a deeply satisfying story of a first-class line cutter getting humbled in front of Viola Davis. Bert also opens up about the final days of his five-and-a-half-month sobriety run, including the recovery books, journaling on planes, and why his first drink back is happening at his daughter Georgia's University of Oregon graduation before going scorched earth on the dad who posted his 4-year-old breaking a rope swing "world record" in Moab. Plus: the MyPillow guy, the thumb-to-arm gut health test, Garth Brooks friendship fantasies, and why Moby would hate them both. If you missed this show, this one's for you. 2 Bears, 1 Cave Ep. 333 https://tomsegura.com/tourhttps://www.bertbertbert.com/tourhttps://store.ymhstudios.com Chapters00:00:00 - Intro00:01:11 - Lou Reed Talks Shit to Bert on the Treadmill00:04:27 - Kurt Vile, Bob Dylan, & Shane Gillis Walking Out on Wilco00:16:15 - Deleting Every Musician Who Wouldn't Like Bert00:25:00 - Kid Rock's Replica White House & Jimmy John From Jimmy John's00:28:51 - MyPillow, Workout Underwear & Sleeping Naked00:31:11 - Subway Takes & J.Lo's Rented Hot Take00:41:01 - White People on Stoops00:43:47 - Airport Line Cutters00:50:09 - Bert's Last Week of Sobriety01:01:21 - The 4-Year-Old Moab Rope Swing Rant01:13:03 - Wrap Up Learn more about your ad choices. Visit megaphone.fm/adchoices

Ian speaks with Noah Lennox and Pete Kember—aka Panda Bear and Sonic Boom—about the annoying Victor Wembanyama, ditching Spotify, the former glory of the charts, Lou Reed's Pickwick era, making music that makes them laugh, the evolution of their collaborative relationship, annoying-sounding keyboards, fostering a community that values art, and their sublime new record, A ? OF WHEN.  "A ? OF WHEN" AVAILABLE NOW (BUT NOT ON SPOTIFY)

"Real Life Evolution" With close to ten brilliant albums under her belt, including Real Life, To Survive and The Classic, it's hard to think of a more critically-acclaimed artist in recent memory than singer/songwriter and multi-instrumentalist Joan As Police Woman. After studying music as a violinist at the College of Fine Arts at Boston University with her lifelong friend Mary Timony of Helium, the Maine-born Joan Wasser Wasser played in punk bands, joined the Dambuilders, formed Black Beetle and played with Those Bastard Souls and Antony and the Johnsons. I'm cutting corners here, but over the course of her winning career, Wasser has become one of the most in-demand musicians on the planet. She's played, recorded and toured with the likes of Iggy Pop, Damon Albarn, Rufus Wainwright, Elton John, Tony Allen, Lou Reed, Sheryl Crow, Lloyd Cole, Joseph Arthur, Scissor Sisters, Tanya Donelly, David Sylvan and John Cale, just to name a few. Joan As Policewoman's new album finds Wasser revisiting her Real Life album on the occasion of its twentieth anniversary. Reimagined with soul, grace and musical precision, Real Life Evolution not only demonstrates the elasticity of the original compositions, it also demonstrates how art can be reimagined and reinterpreted by the artist themselves. Featuring guest like Iggy Pop and Krystle Warren, Real Life Evolution simmers with reggae grooves, jazzy shuffles, and spare, indie rock ache and it's not only the perfect companion to the original, it stands proudly by itself. www.joanaspolicewoman.com (http://www.joanaspolicewoman.com) www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers: IG + BLUESKY + THREADS: @emberspodcast Email: editor@stereoembersmagazine.com