Podcast appearances and mentions of Lou Reed

Michael Imperioli, the actor known for his roles in The Sopranos and The White Lotus, is also the guitarist of a three-piece indie band called Zopa. Their latest album, Diamond Vehicle, came out in early 2025. KEXP’s Martin Douglas spoke with Imperioli about how he started playing music, the influence of Buddhism in his songwriting, and his fondness of The Beatles, Lou Reed, and The Smiths. “When you play with people for a long time, hopefully something gels,” Imperioli says of Zopa’s music. “It took a while to get there, but I’m happy with how it came out.” Support the show: kexp.org/deeper Support the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

Evan is joined by Cory Hanson for a chat about songwriting, audio fidelity, Steely Dan, Jimmy Buffet, a memorable encounter with Lou Reed, and the making of his new album on Drag City “I Love People” co-produced by Robbie Cody  LISTEN TO "I LOVE PEOPLE" FOLLOW CORY ON INSTAGRAM

Cory Hanson returns to discuss “I Love People,” becoming a father and how that has altered his relationship with sleep, creativity, and time, his personal interactions with the late Lou Reed and the song he wrote about him, whether he truly loves people, his interest in folk heroes and villains like the Joker, soldiers, and one of the Eagles, a potential Western Cum trilogy, risk-taking in contemporary art and the Kendrick Lamar/Drake feud and Clipse disses, deleting twitter, playing a Wand show in Edmonton this fall, other future plans, and much more. EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:All Things Konsidered: ‘Let God Sort ‘Em Out' by ClipseEp. #944: Bonnie “Prince” BillyEp. #940: Madi DiazEp. #892: Fucked UpEp. #888: WandEp. #871: Bill MacKayEp. #783: Cory HansonEp. #608: Cory HansonSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Guest and HostGuest: Cindy Hulej, Luthier/Artist | Website: https://www.cindyguitars.com/Host: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/Show NotesWhat happens when the story of a city becomes part of the music we make? In this episode of Music Evolves, host Sean Martin sits down with luthier and artist Cindy Hulej of Cindy Guitars to explore how reclaimed wood from historic New York buildings is transformed into custom electric guitars—each one uniquely shaped by memory, material, and imagination.Craft as InnovationCindy's process at Carmine Street Guitars isn't just about building instruments—it's about listening to what the material has to say. The beams salvaged from landmarks like the Chelsea Hotel and John Lennon's former home aren't just structural—they carry decades of vibration, weather, and presence. That physical history directly shapes how these guitars sound, feel, and resonate—offering a kind of analog innovation rooted in human touch and intention.Cindy describes how she and her husband Johnny repurpose old beams, often salvaged from 1800s-era buildings, and transform them into guitars that are not only playable but deeply resonant—physically and emotionally. The aged wood, shaped by centuries of seasonal change, yields a tone that's warm and chimey, with a resonance modern lumber can't match. “You're working with material that's already lived a hundred lives,” she explains. “You just have to unlock the next one.”Creativity Beyond ConventionEach guitar is made by hand, down to the smallest detail. From collaborating with boutique pickup winders to mixing finishes from shellac flakes, Cindy builds instruments that are both sonic and visual statements. No two are alike—because the creative process isn't about repeating perfection, it's about shaping something personal and alive. Whether players come with a precise vision or just a feeling, Cindy helps translate that into tone and form.Reimagining the Past to Shape the FutureThis isn't just about guitars. It's about the convergence of history, artistry, community, and sound. This episode challenges the idea that innovation must come from new tech or flashy trends. Sometimes, the most meaningful advances come from rethinking old materials and techniques.Cindy's guitars are a form of living history—reminding us that sound isn't just produced, it's inherited, interpreted, and carried forward. And, Cindy's path from bartending to building some of the most soulful instruments in New York is a reminder that craft isn't just skill—it's commitment to meaning.About Rick Kelly and Carmine Street GuitarsCarmine Street Guitars, located in New York City's Greenwich Village, is a hand-built electric guitar workshop led by legendary luthier Rick Kelly. Known for using reclaimed old-growth wood from historic buildings across the city, Rick has built instruments for renowned musicians such as Lou Reed, Patti Smith, Bob Dylan, and many others. His approach blends time-honored techniques with a reverence for the city's past, crafting guitars that are as storied as the musicians who play them. At the heart of the shop's ethos is a commitment to individuality, craftsmanship, and sonic integrity—values continued today through Cindy Guitars and the growing creative community within the space.SponsorsAre you interested in sponsoring this show or placing an ad in the podcast?Sponsorship

Bush lead singer Gavin Rossdale has a lot of memories from growing up as a kid who excelled at sports but also treasured his Lou Reed records. He is also keenly aware of who left during those years: his mother disappearing after divorcing his dad, a beloved aunt passing away, and a revered older sister striking out on her own. Those losses informed his mental health for the rest of his life but so did the understanding of his emotional makeup left in the wake. Gavin tells us about that, the prescription pill dependency he contended with, and the lessons about mental health he imparts now to his four children. We also hear some music from Bush's new album I Survived Loneliness and get an explanation for the album's somewhat cheeky title.Thank you to all our listeners who support the show as monthly members of Maximum Fun.Check out our I'm Glad You're Here and Depresh Mode merchandise at the brand new merch website MaxFunStore.com!Hey, remember, you're part of Depresh Mode and we want to hear what you want to hear about. What guests and issues would you like to have covered in a future episode? Write us at depreshmode@maximumfun.org.Depresh Mode is on BlueSky, Instagram, Substack, and you can join our Preshies Facebook group. Help is available right away.The National Suicide Prevention Lifeline: 988 or 1-800-273-8255, 1-800-273-TALKCrisis Text Line: Text HOME to 741741.International suicide hotline numbers available here: https://www.opencounseling.com/suicide-hotlines

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 5:“Babel” (Alejandro González Iñárritu, 2006)“13 Assassins” (Takashi Miike, 2010)“Seven Samurai” (Akira Kurosawa, 1954)“The Long Good Friday” (John Mackenzie, 1980)“F1” (Joseph Kosinski, 2025)Audio quotation in GATEWAY CINEMA, Episode 5:“Toilet Flush Sound Effect - High Quality Flushing” by Sound Effect Doggo, https://www.youtube.com/watch?v=BhsVpvM2ZrM“The Twilight Zone Theme” (1959) by Marius Constant, https://www.youtube.com/watch?v=BhsVpvM2ZrM“Perfect Days” (Wim Wenders, 2023), including “Perfect Day (Piano Komorebi Version)” (2024) by Patrick Watson, “Pale Blue Eyes” (1969) by The Velvet Underground, “Feeling Good” (1965) by Nina Simone, “House of the Rising Sun (Japanese Version)” (2023) by Sayuri Ishikawa, and “Perfect Day” (1972) by Lou Reed, https://www.youtube.com/playlist?list=PLhC3YPiBwS9Vc9nbBG1Dl6y4AfZPD23lm“Bill & Ted's Excellent Adventure” (Stephen Herek, 1989)

In this episode we welcome novelist and screenwriter John Niven to "RBP Towers" to ask him about his career and his acclaimed novels. We start with the Wishing Stones, the post-C86 combo for whom John played guitar in the late '80s, and progress swiftly to the subject of his caustic 2008 classic Kill Your Friends — the UK's drug-riddled music industry, in which he toiled through the '90s. After John talks about his uncanny 2005 novella Music from Big Pink – inspired by the Band album of the same name — we switch to the week's featured artist (and vocal inspiration to The Band's Richard Manuel) Bobby "Blue" Bland. We then pivot to the sublime writing of Deep Blues author and New York Times pop critic Robert Palmer, who would have turned 80 this summer. We mark the 50th anniversary of the deeply unloved Metal Machine Music by listening to — and discussing clips from — a 1996 audio interview with the inimitably supercilious Lou Reed. Finally, we return to our guest's fiction and ask him about his brand-new novel The Fathers. Many thanks to special guest John Niven. His new novel The Fathers is published by Canongate and available now from all good bookshops. John Niven's Music from Big Pink: A Foreword, Bobby Blue Bland: Arrival!, Bobby Bland: This Time He's Here for Good, A Tribute To Bobby "Blue" Bland, Articles, interviews and reviews from Robert Palmer, Etta James: The Comeback of a Fifties R&B Star, The Sun King: Sam Phillips, Robert Palmer: Recording the Blues in North Mississippi, Steely Dan: Disaster and triumph in the Custerdome, Lou Reed audio, "Jellybean" Benitez and Arthur Baker: The Producers and George Shearing, 1919–2011.

Today's program features tuneage from Patti Smith, Jimmy Buffet, Sugarloaf, Lou Reed, John Lennon, Peter Frampton, Roxy Music, Nilsson, Elton John, Simon & Garfunkel, Spanky & Our Gang, Steve Miller Band, Emerson, Lake & Palmer, Lee Michaels, Queen, Paul & Linda McCartney, voy Brown, B.B. King, Flying Burrito Brothers, Little Feat, New Riders Of The Purple Sage, Loggins & Messina, & NRBQ.  

Rob & Sam are your hosts today for a jam packed show! We have 3 new songs to tell you about and play from the artists: MEG ELSIER - "Sportscar (scrapped" FLYTE - "Emily & Me" SEAN GRIFFIN - "People are Mad" Other segments are: ALBUM ANNIVERSARIES (July 1975 / 85 / 95) MUSIC NEWS  NEW MUSIC RELEASES and your SUMMER PLAYLIST provided by The Woodside (listen on mixcloud at (www.mixcloud.com/thewoodside) and just good ole' conversation about music ********* KNOW GOOD MUSIC can be found on Podbean (host site), Spotify, Apple Podcasts, Iheart Radio, Pandora, YouTube  and almost anywhere you listen to podcasts. Links to more sources at Link Tree - www.linktr.ee/knowgoodmusic  Help support our Podcast by purchasing some cool merch: https://www.teepublic.com/user/knowgoodmusic Visit our YouTube Channel where you can see video segments from all of our interviews.  Just search "know good music" Please follow / subscribe & review  Follow our Instagram & Facebook pages for info on upcoming podcasts and sometimes extra content

This is a fantastic Two of Us recording of Lou Reed at NYC's St. James Theater, on March 21, 1989. He plays the entirety of the New York album before playing a second set of Lou faves. It's glorious.

David Bowie retired his alter-ego Ziggy Stardust live on stage at London's Hammersmith Odeon on 3rd July, 1973. To the surprise of most of his band, the Spiders From Mars, he announced to a devastated crowd that the gig was “the last show we'll ever do.”  Bowie's management company had plans to take Ziggy on an international tour, but being Ziggy Stardust had taken a mental and physical toll on the singer. “I really did want it all to come to an end,” he wrote in Moonage Daydream.  In this episode, Arion, Rebecca and Olly explain how a ‘fake' Lou Reed influenced Bowie to create the character of Ziggy; discover how, for a while, his fans were called ‘the Uglies' and his genre ‘freakrock'; and reveal how this iconic rockstar felt ‘hopelessly lost' in his own fantasy… Further Reading: • ‘Looking back on David Bowie's most legendary gig: The death of Ziggy Stardust' (London Evening Standard, 2019): https://www.standard.co.uk/culture/music/david-bowie-death-ziggy-stardust-hammersmith-odeon-a4034746.html • ‘How David Bowie killed off Ziggy Stardust' (Far Out Magazine, 2021): https://faroutmagazine.co.uk/how-david-bowie-killed-ziggy-stardust/ • ‘David Bowie – Ziggy Stardust' (Live, 1973): https://www.youtube.com/watch?v=Fq8gG3pzMrU&list=PLNJirx02I6P72KTv5oJPSF-kkagLgfJWr&index=3 Love the show? Support us!  Join 

In new remarks for this week's baseball, history, and politics reissue, we apply Lou Reed's classic 1989 album New York to this week's events in Washington and elsewhere, a discussion which also affords us a momentary visit to that year's Yankees trying to make some absurd trades (and the Mets actually consummating one of the worst). The flashback segment revisits Hack Wilson's trip into the stands to thrash a misbehaving milkman and the much-neglected founders of the Giants franchise, among other discarded laborers. The Infinite Inning is a journey to the past to understand the present using baseball as our time machine. Baseball, America's brighter mirror, often reflects, anticipates, and even mocks the stories we tell ourselves about our world today. Baseball Prospectus's Steven Goldman discusses the game's present, past, and future with forays outside the foul lines to the culture at large. Expect history, politics, stats, and frequent Casey Stengel quotations. Along the way, we'll try to solve the puzzle that is the Infinite Inning: How do you find the joy in life when you can't get anybody out? 

Lutz Graf-Ulbrich, der sich Lüül nennt, hatte ein Ticket gekauft, um zu Nico nach Ibiza zu fliegen. In der Flughalle in Berlin-Tegel, wo er sich erst vor kurzem von ihr verabschiedet hatte, springt ihm die Schlagzeile der BZ ins Auge: „Nico. Hitzetod des Stars aus Berlin enthüllt das verschwiegene Liebesdrama um Alain Delon“. Er wusste schon, dass sie gestorben war, und wusste auch, dass sich die Boulevardpresse auf alles stürzte, was man über Promis in ihrem Umfeld schreiben konnte: über Andy Warhol, Lou Reed, Leonard Cohen, Brian Jones, Jim Morrison, Brian Eno, Jackson Browne, Marianne Faithfull, John Cale – und Alain Delon. Lüül erzählt von seiner ungewöhnlichen Liebe zu Christa Päffgen, die sich Nico nannte, berichtet von ihrer Todessehnsucht, von ihrem Verhältnis zur deutschen Heimat und würdigt sie als Ausnahmekünstlerin, die immer noch vergöttert wird.

Cera caliente en la espalda, chasquido de látigo, la imagen del masoquismo , el sometimiento voluntario al capricho ajeno lleva su nombre: Leopold von Sacher- “La Venus de las Pieles” , de su autoría, fruto de su historia real con otra escritora pero extensible a la vida social o politica, por los que la sufren con delectación.. Canciones como “Vicious” de Lou Reed o “El Misterio de un Rumor” de cosecha propia e incluso a las “canciones del verano”, entrañablemente repetitivas, nos devuelven al camino del placer por el dolor. Una visita guiada de la mano de Sacher Masoch, con hotel en su ciudad natal a su nombre, a un mundo con más fans y simpatizantes de los que uno imaginaria. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

Gimme fuel, gimme fire, gimme the best podcast about the Velvet Underground and the 242nd greatest album of all time, Loaded.   Before we get to the album, this episode dishes up 11 splendid servings of good vibrations when we discuss our favorite Beach Boys songs and Marky Mark. Then we sit in on a beach wedding, relive some casino excitement, and share some iPhone hacks. We also pucker up some thoughts on kissing booths.   Then, at (1:00:00), we cool it down to talk about the Velvet Underground's fourth studio album, Loaded. We discuss Lou Reed's appeal, the inspiration for the band's hit songs, and the best songs about cowboys.    Next week's episode is sure to bring some changes as we become the best Zombies podcast and cover the 1968 psychedelic pop album "Odessey and Oracle."            Keywords:  Dirk Nowitzki, German penises, gym, surprise date, comedy store, wife, comedy show, basketball, Rolling Stone magazine, Velvet Underground, Loaded, Lou Reed, album review, music podcast, NBA, K-Rob, self-improvement, Ice Cream, Boston Baked Beans, gambling, blackjack, Vegas, casino, Mystic Lake, pull tabs, country music, cowboy songs, Tim McGraw, Waylon Jennings, Toby Keith, Beach Boys, Kokomo, Rolling Stones, Velvet Underground, Sweet Jane, Rock and Roll, album rankings, music podcast, music reviews, vinyl, record store, Velvet Underground album, Lou Reed's voice, Rolling Stone reviews, music playlist, Boston Baked Beans, country music hits, surf music, album rankings, Velvet Underground hits.

Yiyun Li's “Things in Nature Merely Grow” is a bracingly candid memoir of profound loss: one written in the wake of her son James's death by suicide, seven years after her older son Vincent died in the same way. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss Li's book, which reads alternately like a work of philosophy, a piece of narrative criticism, and a devastating account of difficult facts. The hosts also consider other texts, from the poetry of Alfred Lord Tennyson and Tim Dlugos to a recent crop of standup-comedy specials about grief, and ask what such art can offer us in our current moment of turmoil. “Li is here as a kind of messenger, I think, to describe one of the farthest points of human experience,” Schwartz says. “This book is, in that way, sublime: words fail and fail and fail, but still they do something.”Read, watch, and listen with the critics:“Things in Nature Merely Grow,” by Yiyun Li“Where Reasons End,” by Yiyun Li“‘My Sadness Is Not a Burden': Author Yiyun Li on the Suicide of Both Her Sons,” by Sophie McBain (the Guardian)“The Year of Magical Thinking,” by Joan Didion“How to Lose Your Mother: A Daughter's Memoir,” by Molly Jong-FastJohn Cale and Lou Reed's “Songs for Drella”“Marc Maron: From Bleak to Dark” (2023)“Sarah Silverman: PostMortem” (2025)“Rachel Bloom: Death, Let Me Do My Special” (2024)“Rachel Bloom Has a Funny Song About Death,” by Alexandra Schwartz (The New Yorker)“In Memoriam A. H. H.,” by Alfred Lord TennysonThe AIDS Memorial Quilt@theaidsmemorial on Instagram“G-9,” by Tim Dlugos New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

The theme for June 2025 was "Punk." Who else to talk to than Charlotte's original punk, who was there at the birth of the Punk scene in NYC in the late 70's and photographed everyone from Lou Reed to The Ramones to Andy Warhol? Tim talks with Mitchell Kearney after his talk at Creative Mornings on June 6, 2025 at Uptown Charlotte's VAPA Center.

Hey everyone...in honor of our upcoming 100th episode (!!!), I'll be occasionally re-releasing some of my favorite past conversations. This one was special and powerful--the incredible Ann Magnuson coming on and being incredibly heartfelt, funny, vulnerable, and truthful on the show. I love that I never know where the show is going to go and this episode is the perfect example of why I feel so honored to do Revolutions Per Movie. (Episode 48 which originally aired on August 8th, 2024).The original podcast show notes:This week, we talk to legendary actor, musician, performance artist, and writer ANN MAGNUSON (Bongwater, The Hunger, Making Mr. Right, Cabin Boy, Pyramid Club, Club 57) about the influential cinema jazz documentary Jazz On A Summer's Day.  We discuss the performances in the film (including Thelonious Monk, Anita O' Day, Chico Hamilton, Eric Dolphy to name a few performers), what it was like for Ann to inhabit Anita O'Day for the audio book of her autobiography, first impressions of Lou Reed's Metal Machine Music, Ann's programing at the legendary NYC Club 57, Ann's new song 'Ghost Cat' with producer Don Dixon, her early life in West Virginia, D.I.Y. & Ann's SurRURALism techniques, success in the underground being a dirty word, the return of Vulcan Death Grip, being a professional walk-a-thoner, photographer & filmmaker Bert Stern, how the film brings a visceral sense of childhood for Ann, how Stern made the whole project happen with his own equipment and financing, Ann's parents and the dry Jazz club scene in West Virginia, filming Making Mr. Right and the new wave sensibility of the 80s, how Monk's performance is presented in the film, Chris scats the Anita O' Day finale of ‘Tea For Two' from his memory of repeated listening of the film at his video store, the white privilege throughout in the film, midnight Mahalia Jackson performances, how protest music is needed now more than ever and Ann reads from Anita O'day's memoir about the performance that was filmed for this movie and how it changed O'Days life. So let's never sing the same song the same way twice on this week's episode of Revolutions Per Movie!ANN MAGNUSON:https://annmagnuson.com/https://annmagnuson.bandcamp.com/album/ghost-catVULCAN DEATH GRIP:https://www.youtube.com/watch?v=f2_dWSpDXJEREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com Hosted on Acast. See acast.com/privacy for more information.

Send us a message, so we know what you're thinking!A “Deep Cut” is something that is recognisable or familiar to passionate fans but not usually to others.  As a special treat this week, we've delved into our collections to give you some deep cuts from our favourites – things like Queen, Bowie, Joe Cocker, Nick Cave and TISM. We think you'll love them,   In Rock News, Jeff delves into songs that turn 60 on 2025, looks at Sunday Lunch with Toyah and Robert Fripp, and looks at Yachtley Crew, a strange phenomenon from California.  Our Album You Must Hear Before You Die this week is Raw Power (1973) by Iggy and the Stooges. The lo-fi production on this highly influential album is the source of much tension between Bowie and Iggy, much of it not fair. We liked it!  Enjoy.  Playlist  Songs that turn 60 this year  Sunday Lunch with Robert and Toyah  Yachtley Crew Peter Cook as The BishopREM on Letterman References:  Raw Power, Iggy Pop, The Stooges, John Cale, Columbia Records, Sex Pistols, Johnny Marr & The Smiths, Kurt Cobain, Nirvana, MainMan, Tony DeFries, Sonny Boy Williamson, Ron Asheton, Scott Asheton, “Gimme Danger”, “Search and Destroy”, Iggy on Countdown, radio-friendly, Bowie, “The Man Who Sold the World”, Unplugged, Roxy Music, “For Your Pleasure”, Roxy live in Sydney – 2001 & 2011, The Police, “Bring on the Night”, Regatta de Blanc, white reggae, T.S. Eliot, “The Love Song of J. Alfred Prufrock”, Joe Cocker, “Many Rivers to Cross”, Sheffield Steel, Queen, “Fairy Fellers Master Stroke”, Richard Dadd, State Criminal Lunatic Asylum of Bethlem Royal Hospital – Bedlam, Nick Cave, “Papa Won't Leave You, Henry”, Henry's Dream, John Cale, “Close Watch (I Keep a)”, Helen of Troy, Music for a New Society, Fragments of a Rainy Season, REM, "So. Central Rain (Sorry)", Reckoning, Lou Reed, “Street Hassle”, Warren Zevon, “Hit Somebody!  (The Hockey Song)”, My Ride's Here, Carl Hiassen, “Bad Monkey”, Vince Vaughan, David Letterman, Enjoy Every Sandwich, Jimmy Webb, “Galveston”, Kate Bush, Aerial, "Pi”, Pete Townshend, “The Sea Refuses No River”, All the Best Cowboys Have Chinese Eyes, TISM, Great Trucking Songs of the Renaissance, "The Ballad of John Bonham's Coke Roadie"  

On Saturday, Trump would like nothing more than images from Los Angeles of tear gas and balaclava-clad anarchists throwing bottles at Marines to complement video of himself in the stands at his military parade, saluting the troops amid a field of flags. That's part of the reason why he chose LA to federalize the Guard—home to numerous adversaries who willingly take his bait. And while tanks are going to roll through DC, wrecking its streets for the big birthday boy, Israel is going after Iran like it went after Hezbollah. Meanwhile, Kristi Noem handled the Padilla incident like a little fascist, and it only just occurred to Trump how the deportations will affect farms and hotels. Plus, a "Les Miz" correction, a 'Godfather' goof, and fighting words over The Beach Boys v. Lou Reed. Tom Nichols joins Tim Miller for the weekend pod. show notes  Why Trump deployed troops to LA Tom's late night piece on Israel's attack on Iran Tom's "Silence of the Generals" piece The baptism scene in The Godfather Tim's playlist

Send us a textLegendary author, journalist Dan Ouellette joins hosts David C. Gross and Tom Semioli to discuss his latest book THE LANDFILL CHRONICLES – UNEARTHING THE LEGENDS OF MUSIC available now on Cymbal Press!Dan “digs up” long lost interviews with artists including Lou Reed, Carla Bley, David Byrne, Elvis Costello, and Wynton Marsalis, among others; many of which are not available in digital format, and also includes previously unpublished content.   Dan Ouelette Playlist

"Just a perfect dayDrink sangria in the parkAnd then later, when it gets darkWe go homeOh, it's such a perfect dayI'm glad I spent it with you" Please make our day perfect and spend 2 hours of your Sunday with me on this week's Super Sounds Of the 70's. I've invited Nick Drake, Laura Nyro, Dire Straits, Bob Dylan, Emerson Lake & Palmer, Chicago Transit Authority, Minnie Riperton, Love, Judy Collins, Allman Brothers, Orleans, George Harrison, Led Zeppelin, Ambrosia,  Pink Floyd, Yes, Humble Pie, Traffic, Jethro Tull and Lou Reed...

Mom's radio was always on—at dinner, while cleaning, everywhere—sparking a lifelong love for music that shaped this podcast and our musical journeys. Music becomes a bridge between generations, creating shared experiences that last a lifetime.• Exploring Music Midtown 2005—a three-day festival featuring six stages• Lou Reed's performance with amp troubles and orchestral direction of his band• The White Stripes creating an incredible sound with just two musicians• Tom Petty and the Heartbreakers delivering a greatest hits show in the rain• Devo's energetic performance in their iconic yellow suits• David Lowery's intimate 05/30/2025 Asheville, NC show featuring vulnerable, introspective material from his new album "Fathers, Sons and Brothers"• Music history highlights including R.E.M.'s "Life and How to Live It" backstory and a-ha's groundbreaking "Take on Me" videoMusic in My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldPlease like and follow the Music in my Shoes Facebook and Instagram pages and share the podcast with friends on your social media. Contact us at musicinmyshoes@gmail.com.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

En esta entrega de La Ruleta Rusa hemos escuchado y comentado los siguientes discos:ALBUM DESTACADO. Megafauna. And So I Watch You From Afar (2024).Thurston Moore. Flow Critical Lucidity (2024).XTC. Mummer (1983).Gentle Giant. Playing The Fool: The Official Live -Remastered- (2025)Doves. Constellations For The Lonely (2025).Mos Generator. Time//Wounds (2022).Lou Reed. Berlin (1973).

Keith Richards - Waiting For The ManLou Reed - Waiting For The ManDavid Bowie - Waiting For The ManLou Reed - Perfect DayRufus Wainwright - Perfect DayScala & Kolacny Brothers - Perfect DayLou Reed - I Can't Stand ItMaxim Ludwig & Angel Olsen - I Can't Stand ItJoan Jett & the Blackhearts - I'm So FreeLou Reed - I'm So FreeBobby Rush - Sally Can't DanceLou Reed - Sally Can't DanceLou Reed - Walk On The Wild SideRickie Lee Jones - Walk on the Wild SideSuzanne Vega - Walk on the Wild Side

EP#773: Bryan and Krissy want to bring back Skedaddling...which is really scatting. Anyway, no one cares! On this episode, the two friends discuss the crypto-bro kidnapping in NY that is very dramatic and quite entertaining. We review the plot lines, so far. Then, Bryan digs deep into his Googlebox to pull out the music industry's most interesting true stories. From Brittney and her snake to the Sweedish band that fakes its own funerals for promotion, it's a wild look at the whacky world of sound recording (some it may not be considered music. We're looking at you Lou Reed & Metallica!) TCB Clip: Light Language Back Again, to wreck it, fake it, let's begin! Watch EP #773 on YouTube! Text us or leave us a voicemail: +1 (212) 433-3TCB FOLLOW US: Instagram:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thecommercialbreak⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/thecommercialbreak⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@tcbpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.tcbpodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ CREDITS: Hosts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bryan Green⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ &⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Krissy Hoadley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Executive Producer: Bryan Green Producer: Astrid B. Green Voice Over: Rachel McGrath TCBits / TCBits Music: Written, Voiced and Produced by Bryan Green To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The double Long Island iced tea order, Lou Reed's Advice, and Ray Donovan Season 1 Episode 11. Kendra Morris Kendra Morris - In My House [Official Video]- https://www.youtube Kendra Morris - Dear Buddy [Official Video]- https://www.youtube Kendra Morris - If I Called You [Official Video]- https://www.youtube "There's Something Undeniably Out-Of-Time About Both Kendra Morris And Her Indelibly Cool New Album I Am What I'm Waiting For (Karma Chief Records). It Combines Rough-Hewn Powerhouse Vocals With Arrangements That Betray Both An Extensive Record Collection And A Whimsical Instinct For Joyous Noises — Think Dusty Springfield Fronting Spoon Circa Kill The Moonlight Or A 60s Girl Group Creative Directed By Nick Lowe And PeeWee Herman. It's Vibrant And Varied And Packed With Personality." Excerpt from https://www.kendramorrismusic.com/bio Kendra Morris: Bandcamp: https://kendramorris.bandcamp.com Instagram: @kendramorris Website: https://www.kendramorrismusic.com Records: https://www.coleminerecords.com/collections/kendra Merch: https://www.hellomerch.com/collections/kendra The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Originally recorded in October of 2021, this conversation with Sammy Merendino is a standout. Sammy is a Broadway veteran with decades of experience under his belt and a reputation for being one of the most reliable and musical drummers in the business.In this episode, we discuss:* Growing up in Akron, Ohio, and playing in several bands during his formative years.* What it was like auditioning for Chubby Checker and getting an 18-month tour.* The importance of playing live and playing with older and better players.* Going to a cattle call for a Billy Idol tour and his many second-place finishes.* How a $2.75 beer at the Prince Street Bar catapulted him to another level where he became the go-to guy for drum programming in New York City.* Meeting Larry Blackman and recoding ‘ Single Life' and eventually programming the drums for their breakout album “Word Up.”* Working on commercials in the morning, then off to do sessions with Hall and Oates in the afternoon, and Cameo later at night.* How he met Cyndi Lauper and got the drum chair at Kinky Boots.This is the kind of episode that every drummer trying to break into theater should hear. Sammy is full of practical wisdom, and his calm, grounded approach is something a lot of players can learn from.Sammy has recorded and/or performed with many top artists, including Cameo, Michael Jackson, Billy Joel, Cyndi Lauper, Foreigner, Lou Reed, Aretha Franklin, Ziggy Marley, Hall & Oates, The Beach Boys, Pat Metheny, Joan Osborne, Anita Baker, Sophie B. Hawkins, Carly Simon, Paul Rodgers, and many others. He has played on numerous Grammy-winning recordings and over 1,000 commercials and television themes, including Monday Night Football with Hank Williams Jr., Nightline, World News Tonight, and ABC Golf.Currently residing in Harlem, Sammy's turn-of-the-century brownstone is home to a state-of-the-art recording studio. Complete with Pro-tools HDX, Neve/API/BAE/ mic pre's and EQ's, vintage microphones, and compressors, his drums are always set up, and mic'd - ready to go!If you're serious about making a career in Broadway drumming, don't miss this one.Subscribe to Broadway Drumming 101 wherever you listen to podcasts, and visit broadwaydrumming101.com for more interviews, resources, and stories from the pit.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

He lives across the street and happens to be one of my fave musicians ever. Sometimes life is just like that right? He's played in so many rolls over the years both as a solo artist and film composer and as a player backing the heaviest like Laurie Anderson, Lou Reed, Marianne Faithfull, John Zorn and this bloke Jamie Lidell Yep, he's opened me up to so much great music and is one of the best improvisers I've ever heard. Just flowing with the music. He sits at the piano and he's away. With the muses that circle him. Great to present this audiobook length chronology for the archives. Rob has been such an important part of my musical world here in America. He's all over my upcoming album "Places of Unknowing" and throughout this chat I play excepts from the record that were played by the man himself. here we go!!!

Whitney comparte "Darling", una canción preciosa que, según ellos "sirve para aceptar la despedida en lugar de dejarla en el aire, pero creemos que, en última instancia, la canción da la sensación de que termina demasiado pronto, en el mejor sentido posible." Escuchamos también lo nuevo de Unknown Mortal Orchestra, un viaje influido por el cine de terror italiano de los 70 (y por Black Babbath), titulado "Boys With The Characteristics Of Wolves" y que adelanta su nuevo EP. Aparte, escuchamos a Muñeca Rusa, Jamie XX, Lou Reed, L'imperatrice y todo esto. LOU REED - Perfect DayVEINTIUNO - EstarásCARLOS ARES - Un Beso del SolCARLOS ARES - Con Un Solo DedoSOFI TUKKER - Good Time Girl (feat. Charlie Barker)LIZZO - JuiceALIZZZ - Ya No Siento NadaWET LEG - CPRMUÑECA RUSA - ShockANGEL STANICH - Metralleta JoeKINGS OF LEON - Sex On FireUNKNOWN MORTAL ORCHESTRA - Boys With The Characteristics Of WolvesJAMIE XX - I Know There's Gonna Be (Good Times)L'IMPERATRICE - Sweet & Sublime (feat. Erick the Architect)ROMY - Lifetime WHITNEY - DarlingGUITARRICADELAFUENTE - BabiecaEscuchar audio

Mardi soir dans RTL2 Pop-Rock Station", Marjorie Hache ouvre l'émission avec Ghost et leur titre "Lachryma", avant un détour par Alice Cooper et l'anniversaire de la sortie de "The Freewheelin' Bob Dylan". On y entend "Girl from the North Country", emblématique du virage folk de Dylan. La soirée alterne nouveautés et classiques avec "Bottom Of A Bottle" de Julien Baker & Torres, "Foundations" de Kate Nash, puis "In Daylight", nouvel extrait hypnotique de "Mad", l'album de la semaine signé Sparks. On découvre aussi The Waterboys, Viagra Boys et une reprise étonnante de "Solsbury Hill" de Peter Gabriel par Lou Reed. La deuxième heure met à l'honneur Gorillaz, Fleetwood Mac, Mitski, Jimi Hendrix, puis Herman Dune et son titre "Odysseús", inspiré de son exil temporaire à Montréal. Pour conclure : Tori Amos, Arctic Monkeys et "Help Yourself" de Death In Vegas. Ghost - Lachryma Alice Cooper - School's Out Bob Dylan & Johnny Cash - Girl From The North Country The Beach Boys - Kokomo Julien Baker & Torres - Bottom Of A Bottle The Kingsmen - Louie Louie Kate Nash - Foundations Sparks - In Daylight AC/DC - Let Me Put My Love Into You The Waterboys - The Tourist (Feat. Barny Fletcher & Sugarfoot) Mano Negra - Soledad Viagra Boys - The Bog Body Lou Reed - Solsbury Hill Mitski - Washing Machine Heart Gorillaz - Clint Eastwood Oracle Sisters - Marseille Jimi Hendrix - All Along The Watchtower Eagles Of Death Metal - I Want You So Hard (Boy's Bad News) Fleetwood Mac - Silver Springs (Live) Anthrax & Public Enemy - Bring The Noise Pain - Party In My Head Herman Dune - Odysseus The Doors - People Are Strange Tori Amos - Cornflake Girl Arctic Monkeys - Do I Wanna Know Death In Vegas - Help Yourself Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Evan and Amanda review "Lulu" by Lou Reed and Metallica. Enjoy your bonus episode!Find us on Instagram and Threads @worstpodonmarsFind us on Facebook @ The Worst Podcast on MarsSend us an email: worstpodonmars@gmail.com

Welcome to our new series, “The Beat Goes On,” where we will celebrate the work and enduring influence of Jack Kerouac, Allen Ginsberg, William Burroughs, and the other writers whom we identify as “The Beats.” - that crop of artists who worked to expand our consciousness, exploring the hidden possibilities of post WW2 America in the 1950s - Other significant names to be explored: Diane Di Prima, Tuli Kupferberg, Ed Sanders, Delmore Schwarz, Anne Waldman, Carolyn Cassidy, and many others.We will also include jazz musicians like Miles Davis, John Coltrane and Dizzy Gillespie, whose sinuous Bebop lines influenced the expansive prose of Kerouac and poetry of Ginsberg, and comedians like Lenny Bruce, Lord Buckley, Brother Theodore and Dick Gregory with their scathing critique and unmasking of our nation's hypocrisy beneath the self-deceptive rhetoric of American exceptionalism.  And, then there are their artistic children like Hunter S. Thompson, Charles Bukowski, Tom Waits and Lou Reed…. The list goes on.First off: we need to define that confusing term “beat”… Once the satirists were able to pin them down, the Beats and their devotees were labelled “Beatniks” (a cold war epithet) and put into a farcical box. This is where I, as a child, first became aware of them through the character of Maynard G. Krebs on the Dobie Gillis show. The child-like, pre-hippie with the dirty sweatshirt and goatee, indelibly played by Bob Denver, later of Gilligan fame. He was a gentle figure of fun, not to be taken seriously. But, the truth goes so much deeper. Kerouac defined Beat as short for “beatitude” - a state of grace, a codex for the maturing “peace and love” Baby Boom generation coming up - those in search of existence's deeper meaning beyond the consumerist and war-like American culture being offered as our only option.Well, boy, do we need them now! HENRY MILLER INTERVIEWOur inaugural offering is a 1964 interview with the writer Henry Miller, of TROPIC OF CANCER, TROPIC OF CAPRICORN, and THE ROSY CRUCIFIXION TRILOGY fame, among many others. This is an insightful, in depth look at a artist of gargantuan influence. Miller was interviewed by Audrey June Wood  in Minneapolis during a speaking tour; he considered this interview to be one of his best. Miller discourses on some of his favorite books and authors and the struggle of writing well. It was released on Smithsonian/ Folkways Records.Strictly speaking, Miller was not a Beat - he preceded them, and out lived many of them, making it to 88 in 1980, but he was their spiritual and artistic pathfinder.Living hand to mouth, on the edge, abroad in Paris, writing free form in a raw, explicit, semi-autobiographical manner, telling the truth about sex, love, art, and struggle - he set the artistic compass for the Beats - as Dostoevsky and Walt Whitman had done before him. They are all part of a chain - a chain of searchers, and we are fortunate to have these lights to guide us on our own personal journeys to self realization. Please enjoy…THE BEAT GOES ON. 

Most music fans know Kevin Hearn as the pianist and songwriter for Barenaked Ladies. Few would know that Kevin was the band leader for Lou Reed for 7 emotional years.  Or that he fought a battle with leukemia for many years, even while touring with BNL.   Gord Downie knew all those stories when he asked Kevin Hearn and Kevin Drew to help him prepare for live performances of his final music project - Secret Path! Because he had just been down his own darkened  path , Kevin Hearn was able to bring comfort and  strength to the recording of Gord's final songs.  Kevin takes us though those moments including Gord's last words to him, about his friendship with Lou Reed and then takes us on another journey - this time to Jamaica.   Kevin's new solo album is called Portland Parish. Recorded in three locations. A small jungle cottage, the legendary Trident Hotel and the long-abandoned Trident Castle.  Kevin plays originals, covers (Lou Reed and Sun Ra Arkestra) on a collection of creaking pianos weathered by time and nature. If you listen closely, you can hear chirping frogs and dogs barking in the distance. Several of the pianos were damaged and barely playable.  Kevin says, "The idea was to seek out semi-abandoned pianos in spaces said to be haunted and improvise."

Ahead of the final weekend of the URC regular season, Lauren Jenkins is joined by Jamie Roberts, Ellis Jenkins and Lou Reed to discuss the Welsh chances of making the play-offs and preview Wales' summer tour of Japan.

This week, we tackle the lofty, ambitious, sometimes bombastic topic of rock operas and concept albums. Most acknowledge that the rock opera was the outgrowth of the psychedelic era where, particularly in a post-Sgt. Pepper world, the rock n' roll album became an artistic statement. As musicians sought to expand and alter the fabric of pop music, “rock operas” with narratives, character development, and distinct movements were being explored on records like the Pretty Things' SF Sorrow (1968) and the Who's Tommy (1969). All rock operas are concept albums, but not all concept albums are rock operas. The concept album is a collection of songs that are tied together to present an overarching theme, going back as far as Woody Guthrie's Dust Bowl Ballads, a 1940 collection of 78 rpm records that stayed true to the title.  Joining us as our Third Lad for this discussion today is Dave Gebroe, the creator & host of the music obsessives' podcast Discograffiti. Dave dives into amazingly deep and immaculately researched discussions on the catalogues of a wide range of artists - if not with the artist themselves, then with a jaw-dropping roster of guests. Dave is also a filmmaker, writing, producing and directing the movies The Homeboy and Zombie Honeymoon. If that weren't enough, he's masterminded a 2 LP tribute to-slash-reimagining of Lou Reed's much maligned album Metal Machine Music, and I believe is working on a rock opera of his own. Oh, and you thought Gregg ruins everything? Just wait until he meets his match...Berlin! Learn more about your ad choices. Visit megaphone.fm/adchoices

BUKOWSKI SPEAKS!!!!!Cause and Effect -For Kurt Cobain"the best often die by their own handjust to get away,and those left behindcan never quite understandwhy anybodywould ever want toget awayfromthem"Bukowski writes with no apologies from the frayed edge of society.“Some people never go crazy. What truly horrible lives they must lead.”“For those who believe in God, most of the big questions are answered. But for those of us who can't readily accept the God formula, the big answers don't remain stone-written. We adjust to new conditions and discoveries. We are pliable. Love need not be a command nor faith a dictum. I am my own god. We are here to unlearn the teachings of the church, state, and our educational system. We are here to drink beer. We are here to kill war. We are here to laugh at the odds and live our lives so well that Death will tremble to take us.”Bukowski's response to: “Do you hate people?”“I don't hate them...I just feel better when they're not around.”“Find what you love and let it kill you.”“If you're going to try, go all the way. Otherwise, don't even start. This could mean losing girlfriends, wives, relatives and maybe even your mind. It could mean not eating for three or four days. It could mean freezing on a park bench. It could mean jail. It could mean derision. It could mean mockery--isolation. Isolation is the gift. All the others are a test of your endurance, of how much you really want to do it. And, you'll do it, despite rejection and the worst odds. And it will be better than anything else you can imagine. If you're going to try, go all the way. There is no other feeling like that. You will be alone with the gods, and the nights will flame with fire. You will ride life straight to perfect laughter. It's the only good fight there is.”“We're all going to die, all of us, what a circus! That alone should make us love each other but it doesn't. We are terrorized and flattened by trivialities, we are eaten up by nothing.”Bluebird“Bluebird” is one of Bukowski's best-known poems and came late in his life during a time of great reflection. It deals with one of deepest-rooted human emotions: vulnerability.Bukowski typically dealt with “hyper-masculine” subject matter, but this poem suggests that, like most men, Bukowski also struggled to live up to traditional notions of masculinity.there's a bluebird in my heart thatwants to get outbut I'm too tough for him,I say, stay in there, I'm not goingto let anybody seeyou.there's a bluebird in my heart thatwants to get outbut I pour whiskey on him and inhalecigarette smokeand the whores and the bartendersand the grocery clerksnever know thathe'sin there.there's a bluebird in my heart thatwants to get outbut I'm too tough for him,I say,stay down, do you want to messme up?you want to screw up theworks?you want to blow my book sales inEurope?there's a bluebird in my heart thatwants to get outbut I'm too clever, I only let him outat night sometimeswhen everybody's asleep.I say, I know that you're there,so don't besad.then I put him back,but he's singing a littlein there, I haven't quite let himdieand we sleep together likethatwith oursecret pactand it's nice enough tomake a manweep, but I don'tweep, doyou?This was published in Bukowski's book "The Last Night of the Earth Poems" circa 1992

CRAGG Live from May 10th, 2025Lou Reed Pickwick Records Profile Join us for a 2-hour radio special where we dive deep into the roots of a legendary singer Lou Reed. We profile the latest posthumous Lou Reed release: “Why Don't You Smile Now: Lou Reed at Pickwick Records 1964–65”. Discover the early days, the raw recordings, and the sound before the fame.Listen to the show HERE.What is CRAGG Live Anyways?!  The flagship radio show of Cult Radio A-Go-Go!'s, CRAGG Live is a lively 2-3 hour talk radio show hosted by Terry and Tiffany DuFoe LIVE from an old abandoned Drive-In Movie theater with Wicked Kitty, Fritz, Imhotep and Hermey the studio cats and CRAGG The Gargoyle. We play retro pop culture, Drive-In movie, classic TV and old radio audio along with LIVE on the air celebrity interviews from the world of movies, TV, music, print, internet and a few odd balls thrown in for good measure. We air Saturdays at 5:00 pacific.We air on www.cultradioagogo.com which is a 24/7 free internet radio network of old time radio, music, movie trailers, old nostalgic commercials, snack bar audio, AND much more!  This show is copyright 2025 DuFoe Entertainment and the live interviews contained in this show may not be reproduced, transcribed or posted to a blog, social network or website without written permission from DuFoe Entertainment.

Legendary singer-songwriter Suzanne Vega looks back at her remarkable career — and forward to her new album, Flying with Angels, her first collection of original songs in nearly a decade. From the moment she emerged in the 1980s with her self-titled debut and follow-up Solitude Standing, Vega has occupied a singular space in popular music. Known for her literate lyrics, calm delivery, and understated innovation, she became an unlikely pop star with songs like “Luka” — a devastating portrait of abuse — and “Tom's Diner,” which began as an a cappella sketch and became a surprise dance hit, later used in the development of the MP3 format. Vega discusses how those early hits shaped her identity, and how she's maintained a relationship with her past work while continuing to evolve as an artist. She shares stories behind her biggest songs, her longtime collaborations (including with producer and ex-husband Mitchell Froom), and her connection to a vibrant downtown New York songwriting community that included figures like Jack Hardy and Fast Folk magazine. She also reflects on the new material, including the haunting “Mariaupol,” inspired by the war in Ukraine, and “Rats,” inspired during the lockdown in New York. These songs mark a subtle shift for Vega: from her usual allegorical storytelling to more direct commentary and bearing witness to events in real time. Along the way, the conversation touches on Lou Reed, Leonard Cohen, Bob Dylan, motherhood, stagecraft, artistic responsibility, and the strange alchemy of simplicity and resonance. Vega shares anecdotes from her life on tour, her early performances (including a childhood appearance at Pete Seeger's feet), and her unexpected intersections with technology and culture. www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story

Do you ever connect with an old friend and find that, despite however many years it's been, you pick up right where you left off, as if no time has passed at all? That's sort of what happened between today's guest, Dean Wareham and producer Kramer in the making of Dean's new album, That's the Price of Loving Me. You know Dean from his work with Luna and Dean and Britta, his duo with his wife Britta Phillips, but when Kramer and Dean last teamed up, it was for the recording of Dean's old band Galaxie 500's final album, 1990's This Is Our Music.  Intro-ing his own interview with Dean for Aquarium Drunkard, writer Tyler Wilcox says, “All these decades later, Kramer's skill for elegant arrangements (not to mention his keyboard skills) bring something special to the proceedings, giving Dean's musings on politics, friendship, mortality, Gibson guitars and airborne toxic events a sparkling backdrop.” This week on Transmissions, Dean joins us for a spirited discussion about the new album, movie matinees, guitars, his work with director Noah Baumbach, the influence of Lou Reed—and Dean's experiences meeting him—and what happens when you, what happens when you embrace the magic of the un-intended.  You can read a ⁠⁠full transcript⁠⁠ of this conversation at Aquarium Drunkard, where you'll find 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. With your support, here's to another decade. ⁠⁠Subscribe at Aquarium Drunkard. ⁠⁠ Stream a ⁠⁠playlist of bumper music featured on Transmissions⁠⁠, as well as selections from our guests. Transmissions is a part of the ⁠⁠Talkhouse Podcast Network⁠⁠. Visit the Talkhouse for more interviews, fascinating reads, and podcasts.

Lords: * CisHetKayFaber * https://www.patreon.com/CisHetKayFaber * Andrew * https://luxurybunkers.bandcamp.com/album/killer-karen Topics: * People say the craziest stuff in front of janitors. * Revisiting development of a creative work after 20 years * Naming conventions in the demo scene vs. the ZZT scene * How to Be Perfect, by Ron Padgett * https://www.poetryfoundation.org/poems/57243/how-to-be-perfect * Floops, a 3D cartoon character generated in VRML in the mid-90's internet Microtopics: * Putting all your stress from the last three months into a single EP. * Brains pooping right into your ears. * Refusing to talk about Lou Reed's Metal Machine Music. * Are you allowed to talk to janitors?? * Being assumed to be part of a group (openly racist people) that you are not actually part of. * The risks of letting other people clean up after you. * How do you know when it's time to eat candy when you don't have the candy gland? * Giving yourself heat stroke because you don't realize it's too hot. * Making a plan for how to not get heat stroke! * Not having a thirst meter but your snacking meter is pegged 24/7. * The inability to sleep and eat at the same time. * How to tell if you're on SSRIs. * Cyclothymia. * "You have to do this now or I'm going to stare at you." * A VR exercise app where if your heart rate drops too low all the NPCs start staring at you. * The cost of not taking care of yourself. * Clinging to your flow state for dear life. * Feeling like you've done a thing vs. actually doing the thing. * Sedarising and unsedarising your essay. * The many eras of cancelling David Sedaris. * Independent tabletop game developers in the Osaka area. * Writing to explore your own thought space. * Writing the program and then running the program. * Taking a twenty year break between essay drafts so you can revisit your ideas fresh. * Cyberpunk-coded online handles. * Attaching a political ideology to the ZZT scene. * Role-playing bring a small business owner as you make art in your bedroom and share it with the online community. * Social capital in the cracking community. * The era in your life when you didn't even know it was possible to pay for computer games. * Who'd win in a fight, Slayer, or Mega Slayer ZZ9 Final? * The revealed philosophies of different online communities. * Shareware and early web nostalgia. * A wild time to be on the Internet. * Enjoying lo-fi versions of a thing. * A movie with bad special effects that look great in the pirated cammed version. * Straightening your room before you save the world. * Not doing anything to make what you want impossible. * Using attractive stamps, like the one with the tornado on it. * Carrying the only poem you like around with you on index cards. * Living in a culture where respect for the elderly is out of control. * The age at which you get to elbow your way to the front of every line. * Getting paid to tell people how to do things better. * Things you had to learn outside of school. * A guy who looks like he's eaten every lemon in the world. * Ron Padgett celebrity lookalikes. * An alarm clock that wakes you up by shouting "I'm looking forward to the Internet of things!" in your own voice. * Who's been to cocktail parties and when, and did you discuss VRML? * Hand animating 3D cartoons by typing VRML. * Vtubers in the 90s. * Making things and putting them on the Internet and everyone just assumes you just prompted an AI to make it. * Demystifying the magic pixie dust. * The burly wizard with a hammer and anvil who knows how to make the metal not brittle. * NAND to Tetris and Cryptopals. (Not the blockchain kind.) * Learning to never roll your own crypto. * Magic. (Derogatory.) * Punished for understanding the assignment.

In the Age of AI-American Idol -Spotify-TikTok and all things music, we decided to check in on that happenings in the music industry and what we should do with our turntable and vinyl collection  - so we dialed up Grammy Award winning A&R and Talent Management exec @Tom Sarig, who shares his views and also updates us on his exciting new business >  https://www.antifragilemusic.com/Tom Sarig is the President of AntiFragile Music, a curator label and distributor for select, culturally distinguished independent music artists. With over two decades of experience in the music business, Tom has nurtured and helped several acclaimed artists achieve breakthrough success and sell millions of records, either as their manager or in a label/A&R capacity, and in genres ranging from electronic to rock, pop to hip hop.Tom is also the founder of Esther Creative Group, a talent management and entertainment consulting firm that has managed the careers of icons such as Lou Reed, Bryan Ferry, Violent Femmes, CAKE, and Bebel Gilberto. Tom has produced feature films, served as a Grammy-winning senior A&R executive at major labels working closely with artists including Erykah Badu, The Roots, Nine Inch Nails, and Blink-182; and founded SarigSongs, a music publishing company. Tom's mission is to champion and evangelize for great cultural brands, and to collaborate and empower independent music artists in today's music landscape.

John Cale is probably best known as a founding member of Velvet underground, but the four years he spent alongside Lou Reed represent a small fraction of the influence Cale has had on modern music. In this episode, recorded live at MTSU's Center for Popular Music, Ben talks to his friend and colleague Mark Doyle about his new book in the 33 1/3 series, which explores John Cale's 1973 album Paris 1919 and where it (may) fit within the greater context of his career, the evolution of rock music, and world history. Mark Doyle is a Professor of History at Middle Tennessee State University and previously joined us to discuss his book on The Kinks in episode 169. His new book is John Cale's Paris 1919 and you can get your copy here. A special thanks to Greg Reish & Martin Fisher at the Center for Popular Music for hosting, recording and allowing us to share this conversation. Join us for a live recording of the Road to Now in Washington, DC on May 29 at The Hamilton Live ft. guests Major Garett, Margaret Talev & Doug Heye. The theme is murder & mayhem in the capital city- get your tickets here! This episode was edited by Ben Sawyer.

Jordan and Alex avoided showering for days to dive into one of the enduring artifacts of San Francisco’s heady heyday: Big Brother and the Holding Company’s 'Cheap Thrills,' or as everyone knows it, “Janis Joplin’s first album.” The pair swap places for once as Jordan passionately reels off hate for Big Brother, whom Alex allows are “fine.” Along the way they’ll digress into The Evil That Men Do (particularly Albert Grossman and Clive Davis), Alex’s favorite Lou Reed vocal ever, why Cannonball Adderley was the best foil Miles Davis ever had, and Paul McCartney's weird musical moment with Steve "The Joker" Miller during the final days of the Beatles. And of course, they’ll be waxing poetic about sweet Janis, one of the Sixties’ saddest (and most joyful) figureheads. Too Much Information: Let’s Full-Tilt Boogie away Dem Ol’ Kozmic Blues oh my god why did we start talking like that. Support your friendly neighborhood TMI Guys here! https://ko-fi.com/toomuchinformationpodcastSee omnystudio.com/listener for privacy information.

Meg finds the cracks Adam Berwid fell through thanks to changes in NY State mental health laws. Jessica checks out Steve Epstein's midtown Mecca for pinball wizards: Broadway Arcade.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

The excerpt of Laurie Anderson comes from her interview last year on the CBC's Q program.Hear more from Jan and Ted and their rules for living on this episode of TBAS.You Need a Manifesto with Charlotte Burgess-AuburnWho Wants it More with Shira and Zak ---Help Zak continue making this show by becoming a Best Advice Show Patron @ https://www.patreon.com/bestadviceshow---Fill out the first-ever TBAS listener survey to help Zak get to know you better.https://forms.gle/f1HxJ45Df4V3m2Dg9---Call Zak on the advice show hotline @ 844-935-BEST---Share this episode on IG @BestAdviceShow

It's a good thing ANOHNI and I decided to leave the cameras turned off for the interview included in episode 118 of the LSQ podcast, because there were moments when she was talking --about her creative process, about using her voice and her music as a survival strategy, about what it felt like to grow up as a trans femme amidst the violence of patriarchy -- that I was nearly in tears, so moved by the way she described her experience. And since crying while interviewing is as cringe as "crying in baseball," it was a relief not to be seen in those moments. It was fascinating to hear ANOHNI's story of discovering her musical spirit as a child, motivated by a desire to reveal feminine emotion and power in a way that she felt her mother was not allowed to, and to learn how she developed her creative process from there. ANOHNI talks about drawing inspiration from artists such as Kate Bush, Boy George, Marc Almond, Alison Moyet, Nina Simone, Ray Charles, Diamanda Galas and more, and how she has learned to adapt musical forms to suit her voice (both the literal voice and the symbolic voice). She also shares about her relationship with her mentor, the late Lou Reed, how greatly he encouraged her early in her career, and what it was like to recently perform some of his music live for the first time since he passed. You can keep up with ANOHNI here. This is also the first video episode of the LSQ podcast, with awesome illustrations and animation crafted by Jess Rotter and Andrew Deselm. Thanks to them for the wonderful work!

Welcome to the LIVING FOR THE BOYLE review series!  Daniel Francis Boyle originally hailed from Manchester, England and his filmmaking career took off thirty years ago in 1995 with the release of acclaimed cult thriller Shallow Grave.  And ever since then, Danny Boyle (as he's officially known) has carved out a uniquely successful career not only achieving box office success several times but also winning a few Oscars along the way.  During this time period, he has also become one of MY personal favorite directors, having helmed excellent ORIGINAL stories spanning several genres including children's fantasy, science fiction, crime drama, horror, and biopic.  Over the next few months, I will be reviewing some of my favorite entries from his filmography in the lead-up to the long-awaited sequel to one of his more successful films….28 Years Later which will be released in the U.S. on June 20!Twenty-nine years ago, this raw, high-energy adaptation of Irvine Welsh's novel about a group of young men in Edinburgh (Scotland) scoring heroin took the world by storm.  Of course, it was about more than just the drugs....it was a frenetic crime comedy/drama not only exploring addiction but youth.  It also featured a top-flight cast of up-and-coming UK actors along with an iconic soundtrack!  Starring Ewan McGregor, Ewen Bremner, Jonny Lee Miller, Robert Carlyle, Kevin McKidd, and Kelly McDonald, it's time to find out about whether to....Choose Life.   Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Kirk Hammett, author of the new book The Collection: Kirk Hammett, looks back at his years in Metallica, hanging out with Kurt Cobain and Lou Reed, and much more in an interview with host Brian Hiatt Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dion Dimucci has been a Rock 'N' Roll pioneer since the late 1950's with his iconic band Dion and the Belmonts. They scored hit after hit including The Wanderer, Runaround Sue, A Teenager in Love and Abraham, Martin and John making them Rock 'N' Roll royalty. Dion co-wrote a stunningly gorgeous coffee table sized book with his pal Adam Jablin called Dion The Rock 'N' Roll Philosopher: Conversations on Life, Recovery, Faith and Music. There are one-of-a-kind photos in the book with music legends Pail Simon, Eric Clapton, Tony Bennett, Bruce Springsteen, Clive Davis, Lou Reed and more. We discuss: 1. How did you come up with the name Dion and the Belmonts? 2. How was it like growing up in Da Bronx being part of the gang the Fordham baldies? Thanks to you guys I have this beautiful coffee table sized book beautifying…my coffee table. Adam 3. How did Dion and Adam get hooked up with each other & what inspired the co-creation of this book? 4. What Dion feels are the reasons for his early success. 5. What gave him the self-confidence that he was a great singer & the ability to sing to millions of people? 6. As with many Rock Legends, Dion seemingly had it all from an outsider's perspective. The hit songs, the fame, the adulation, screaming girls, the power & money…did he feel he had it all and why does he think he turned to a debilitating addiction and what helped him to overcome it? 7. Paul Simon in the books Forward said they don't see each other often but their phone conversations can go on for an hour & usually drift into the spiritual. What does he mean by that? 8. Was there an Aha moment where all of a sudden he found God? How did his spirituality emerge and sustain over all these years? 9. Eric Clapton in the book's prologue says Dion has an essential ingredient: SOUL…buckets of it. How did this soul start & evolve? 10. In 2020 hindsight, what would Dion change if he had to do it all over again? 10. When did Dion first start wearing the berets he is iconically known for and why do you like that signature look? 11.On Feb. 2, 1959 at the Winter Dance Party, there were 4 groups on the bill. Buddy Holly & The Crickets, Big Bopper, Richie Valens & Dion & The Belmonts. The plane didn't make it home and some like Don Maclean called it "The Day the Music Died." What did those guys mean to Dion and why wasn't he on that fatal plane?