Podcast appearances and mentions of Lou Reed

Buck 65 makes a rare reappearance to discuss his excellent new album, Do Not Bend, musical brevity, Joe Pernice inspiring him to start an insightful Substack, writing jokes and stories that wind up as rhymes, befriending the late great Biz Markie and hanging out backstage at a Beastie Boys show, meeting Lou Reed but being low key about their creative kinship, acquiring the four-track he once used in the mid-1990s to create new music but also incorporating Ableton, obvious and oblique pop culture references, when you don't know where the words come from, why it's healthy to listen to your own work, difficult time signatures for rappers, a loving celebration of vinyl record culture, many future plans, a hidden phone number, and much more. EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1069: The Messthetics and James Brandon LewisEp. #1068: Sahan Jayasuriya on ‘Don't Say Please: The Oral History of Die Kreuzen'Ep. #1065: Brian Raftery on ‘Hannibal Lecter: A Life'Buck 65 on Bike For Three! (2009)Ep. #1037: SloanEp. #1026: TortoiseEp. #906: Joel PlaskettEp. #895: Al TuckEp. #858: Cadence WeaponEp. #800: Buck 65Ep. #770: Adam Horovitz from Beastie BoysEp. #272: Gord Downie [Archival; May 2010]Ep. #117: Charles Austin of the Super FriendzEp. #13: Sloan's Jay Ferguson & Chris Murphy & Photographer Catherine StockhausenSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Giocare col fuoco: storie, canzoni, poesie di e con Fabrizio Coppola Letture: Alice Facchini, Il fumo della repressione (Internazionale, 17/02/2026); Vasilij Grossman, Uno scrittore in guerra (trad. V. Parisi, Adelphi). Ascolti: U2, Nils Frahm, Lou Reed, Pulp

¡EPISODIO ESPECIAL! - ¡Frankie and the Witch Fingers y un viaje psicodélico por el cosmos!

Michael Blair had much training in percussion, including a degree from the University of Illinois Urbana-Champaign, by the time he pulled out the marimba, congas, drums and other instruments for Tom Waits' landmark 1985 album Rain Dogs. As was the case with recent Caropop guest Mark Ribot, Rain Dogs propelled Blair to more work with Waits (including the album and Steppenwolf Theatre performances of Franks Wild Years) and projects with Elvis Costello and producers T Bone Burnett and Hal Willner. That's Blair delivering the “Don't Let Me Be Misunderstood” riff on marimba on Costello's cover of the song and playing a wild array of percussion instruments on Costello's Spike. Blair tells how he landed the drumming gig on Lou Reed's Magic and Loss and the unusual way that album's drums were recorded. He also relates how he wound up on the Replacements' All Shook Down and why he has lived in Stockholm, Sweden, for many years. (Photo by Cato Lein.)

Some shared stages. Some made records and films together. Some had love affairs. Matt Thorne is fascinated by stars' collaborations and what they reveal about them. He talks here about 14 musicians who collided and the discoveries he made in the six years spent writing ‘Famous: Ego, Envy and Ambition in Pop, Rock and Hip-Hip', with all this high in the mix … … Frank Sinatra's ‘Welcome Home Elvis' TV Special and how threatened he felt by rock'n'roll … “Chuck Berry thrived on tension in exactly the way Mark E Smith controlled the Fall” … what you'll find in Lou Reed's archive at New York's Library for the Performing Arts … McCartney at “the showbiz event of the year”, January 1968, at a rare low ebb in the Beatles' fortunes … the mystifying One Trick Pony where Paul Simon inexplicably chose to play a failure, and his comic turn on Saturday Night Live … Bowie's and Tina Turner's TV ad and love affair … what Chuck Berry tried to hide about his studio trickery and the “psychological terrorism” of what played on his TV sets … “all musicians are obsessed with the idea that they're on the way out” … why a book like this would have been impossible 30 years ago … and Dave Stewart's vision of Lou Reed as a piece of pasta on a motorcycle. Order copies of ‘Famous: Ego, Envy and Ambition in Pop, Rock and Hip-Hip' here: https://www.waterstones.com/book/famous/matt-thorne/9781474616386Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

“Look who’s back” es la nueva entrega de The Nude Party. Los siete mismos amigos que se juntaron en una universidad de Carolina del Norte siguen unidos tras cuatro álbumes, asentados en una casa comunal en el estado de Nueva York. Su receta sonora mezcla a los Rolling Stones con Lou Reed pasando por los Byrds, T-Rex, los Kinks, Gram Parsons o Grateful Dead. De su alquimia salen canciones que llegan para quedarse. Es un placer que hayan vuelto.Playlist;THE NUDE PARTY “Look who’s back” (Look who’s back, 2026)THE NUDE PARTY Juarez” (Look who’s back, 2026)THE NUDE PARTY “Love is electric” (Look who’s back, 2026)DANIEL ROMANO’S OUTFIT feat CARSON McHONE “Cardinal star” (Preservers of the Pearl, 2026)JE’TEXAS “Love is teasin” (Suit yourself, 2025)THE SHEEPDOGS “I do” (Keep out of the storm, 2026)FAST KIDS “Too busy hatin’ to understand love” (Fast Kids forever, 2026)ADAM AMRAM “Locked in” (To the end, 2025)AWEFUL KANAWFUL “A horse with no name” (Endless pleasure, 2025)RATBOYS “Anywhere” (Singin’ to an empty chair, 2026)THE PARANOID STYLE “Known associates” (Known associates, 2026)SNÜFF “Luciana” (2026)OLD LADY “Giggle” (Kissing creek, 2023)JEFF CLARKE “Sparrow” (Miracle after miracle after…, 2025)JACUZZI BOYS “Ozone” (Too cold to Tango, 2025)PROGRAM “Sparks” (It’s a sign, 2024)Escuchar audio

Some shared stages. Some made records and films together. Some had love affairs. Matt Thorne is fascinated by stars' collaborations and what they reveal about them. He talks here about 14 musicians who collided and the discoveries he made in the six years spent writing ‘Famous: Ego, Envy and Ambition in Pop, Rock and Hip-Hip', with all this high in the mix … … Frank Sinatra's ‘Welcome Home Elvis' TV Special and how threatened he felt by rock'n'roll … “Chuck Berry thrived on tension in exactly the way Mark E Smith controlled the Fall” … what you'll find in Lou Reed's archive at New York's Library for the Performing Arts … McCartney at “the showbiz event of the year”, January 1968, at a rare low ebb in the Beatles' fortunes … the mystifying One Trick Pony where Paul Simon inexplicably chose to play a failure, and his comic turn on Saturday Night Live … Bowie's and Tina Turner's TV ad and love affair … what Chuck Berry tried to hide about his studio trickery and the “psychological terrorism” of what played on his TV sets … “all musicians are obsessed with the idea that they're on the way out” … why a book like this would have been impossible 30 years ago … and Dave Stewart's vision of Lou Reed as a piece of pasta on a motorcycle. Order copies of ‘Famous: Ego, Envy and Ambition in Pop, Rock and Hip-Hip' here: https://www.waterstones.com/book/famous/matt-thorne/9781474616386Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Some shared stages. Some made records and films together. Some had love affairs. Matt Thorne is fascinated by stars' collaborations and what they reveal about them. He talks here about 14 musicians who collided and the discoveries he made in the six years spent writing ‘Famous: Ego, Envy and Ambition in Pop, Rock and Hip-Hip', with all this high in the mix … … Frank Sinatra's ‘Welcome Home Elvis' TV Special and how threatened he felt by rock'n'roll … “Chuck Berry thrived on tension in exactly the way Mark E Smith controlled the Fall” … what you'll find in Lou Reed's archive at New York's Library for the Performing Arts … McCartney at “the showbiz event of the year”, January 1968, at a rare low ebb in the Beatles' fortunes … the mystifying One Trick Pony where Paul Simon inexplicably chose to play a failure, and his comic turn on Saturday Night Live … Bowie's and Tina Turner's TV ad and love affair … what Chuck Berry tried to hide about his studio trickery and the “psychological terrorism” of what played on his TV sets … “all musicians are obsessed with the idea that they're on the way out” … why a book like this would have been impossible 30 years ago … and Dave Stewart's vision of Lou Reed as a piece of pasta on a motorcycle. Order copies of ‘Famous: Ego, Envy and Ambition in Pop, Rock and Hip-Hip' here: https://www.waterstones.com/book/famous/matt-thorne/9781474616386Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Esta vez el calendario quiso jugar fuerte: el 14 de febrero cae en sábado y la noche tiene cita en Discorama. LOU REED y LAURIE ANDERSON: una conexión creativa que redefinió cómo pueden encontrarse el arte, la complicidad y el amor. CAROLYN BESSETTE y JOHN F. KENNEDY JR.: estilo, intensidad y una historia que quedó tatuada en la memoria cultural. Relaciones reales bajo los reflectores y convertidas en mito contemporáneo. La música acompaña con el pulso perfecto: SHAKA LOVES YOU, ALEX DI CIÒ, RUFUS & CHAKA KHAN, CANDI STATON, THE HUTCHFEST COLLECTIVE, FLYING MOJITO BROS, TONY JOE WHITE, JONASCLEAN Y JESSIE WARE. San Valentín, sin lugares comunes. ¡Bienvenidos a DISCORAMA! IMPORTANTE: La música en este programa es propiedad de sus respectivos artistas y sellos. Se utiliza solo con fines de difusión y sin intención de lucro. Apoyá a los músicos en sus plataformas oficiales. Conducción, musicalización y producción general: Mario Mengoni. Asistente de Producción: Diego Hidalgo. Locutores: Leandro Brumatti y Raúl Proenza. Operador Técnico: Carlos Rodríguez. Sitio oficial: www.discorama.net Seguinos en nuestras redes y dejanos tu comentario: https://www.instagram.com/discoramabymario https://www.facebook.com/discoramabymario https://x.com/DiscoramaAR

Send a textWoodstock, NY-based composer and musician Will Epstein joins Al to introduce him to Lou Reed's 1982 album The Blue Mask. Will talks about when he first got acquainted with the Velvet Underground and how he eventually started listening to Reed's solo material and The Blue Mask specifically. He breaks down several of the album's tracks, illustrating what impresses him about Reed as a songwriter and performer. Will also discusses his recently-released album Yeah, mostly and talks about his upcoming plans.You can follow Will on Instagram at @willcrushwater and find his music on Bandcamp at https://willepstein.bandcamp.com/.Be sure to sign up for the YMAAA Newsletter at youmealbum.ghost.io. The first seven episodes of Bonus Tracks—YMAAA's subscriber-only podcast series—are now available at patreon.com/youmealbum. More monthly episodes and other good stuff are soon to come. Please consider subscribing! Your support will make it possible for Al to keep this podcast going.To keep up with You, Me and An Album, please give the show a follow on Instagram at @youmealbum1:15 Will's introduction1:55 Will talks about how he first got interested in the Velvet Underground and Lou Reed5:24 Will explains why The Blue Mask impressed him when he first explored it13:04 Al and Will discuss the album's track sequencing16:35 Will explains how “My House” inspires him20:44 Will discusses the contradictions of “Women” and “Underneath the Bottle”24:36 Will sees Reed as being connected to Larry David26:50 Al is impressed by the fluidity of the moods on The Blue Mask28:03 Will hears contradictions in “Waves of Fear,” too32:15 Will talks about how listening to The Blue Mask had an impact on the making of Yeah, mostly40:25 Will explains why he name-checked Reed in “Socks in LA”42:23 Will revisits some of the times he saw Reed perform44:07 Did Will channel Reed on “Dishwasher”?49:03 Will explains why he chose Yeah, mostly as the album title53:12 Will talks about his plans for the coming monthsOutro music is from “Brideshead Revisited Revisited” by Will Epstein.Support the show

Lou Reed : Intro/Sweet Jane La Reprise L'originale Royal Republic : Stayin' Alive Bee Gees : Stayin' Alive Vella : Somebody Else Amy Winehouse : Back To Black Bryan Adams : Somebody The Starting Line : I See How It Is The Knack : My Sharonna The Bros Landreth : Half Moon Eyes John Mellencamp : Jack & Diane Hey Bobby ! : Function Of Friction Wendy & Lisa : Waterfall Blood Cultures : Where The City Can't See The Spinners : I'll Be Around Queen : Who Wants To Live Forever La Reprise L'original Ituana : You Can't Always Get What You Want The Rolling Stones : You Can't Always Get What You Want Eileen Noise : Miles Of Nothing Best Of Rock Album 1982 Iron Maiden "The Number Of The Beast" : "Run To The Hills" Judas Priest "Screaming For Vengeance" : "You've Got Another Thing Comin" Bruce Springsteen "Nebraska" : "Atlantic City" Dire Straits "Love Over Gold" : "Love Over Gold" Flash And The Pan : Walking In The Rain Small Miracles : Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Es la primera vez que por fin me veo esta peculiar fábula animada de un grupo de rock and roll en un mundo posthumano. Y con las voces de Debbie Harry, Lou Reed e Iggy Pop y canciones de The Knack, pues oigan, muy bien.

The lights dim, the crowd stirs, and the show you traveled for kicks into gear. In that moment, your vacation becomes something more: you're feeling the heartbeat of the city. Live music can transform a destination into an unforgettable experience, taking you on a deeper journey through its history and culture.In this episode, host Angie Orth welcomes travel writer and musician Edmund Vallance to explore how music shapes the way we experience the world. Edmund shares stories from his adventures chasing live performances across continents, from seeing Lou Reed in a tiny Porto venue to watching the Sex Pistols in Las Vegas. As both a performer and a passionate fan, he reveals how music can unlock a destination's true character.You'll discover why Gen Z is leading the charge in concert travel and hear about iconic venues from Red Rocks in Colorado to Ronnie Scott's Jazz Club in London. You'll learn how music museums can turn you into a fan—even if you've never heard the artist before. Edmund also shares practical tips for finding serendipitous musical moments that can change how you see a place, plus his bucket list of must-visit music destinations—from Santiago de Cuba to Vienna's Mozart houses.What You'll Learn:3:36 How music festivals like South by Southwest can become the cornerstone of an unforgettable trip 9:25 Why having one central concert can reshape an entire destination 14:38 Seattle's essential music sites for Jimi Hendrix and Nirvana fans 20:48 New York's historic jazz venues to celebrate Miles Davis' centennial year 25:00 How to find life-changing musical moments through randomness and saying yesConnect with Edmund Vallance:Journalism: http://www.edmundvallance.com/Music:  http://www.edvallance.com/Instagram: https://www.instagram.com/edmundvallance/Listen to his music on SpotifyWhat musical experience would you travel anywhere for? Tell us in the comments! Connect with AAA:Book travel: https://aaa-text.co/travelingwithaaa LinkedIn: https://www.linkedin.com/company/aaa-auto-club-enterprisesInstagram: https://www.instagram.com/AAAAutoClubEnterprisesFacebook: https://www.facebook.com/AAAAutoClubEnterprises

It's New York's hellacious summer of '77. Rampant crime, a city-wide blackout and the Son of Sam murders have knocked Gotham on its ass. When Lucien Lowe, a young poet on the downtown scene, is found dead in his East Village tenement with a heroin needle in his arm, overworked cops rule it an accidental overdose. But Ike's wealthy girlfriend Julie Baroda suspects murder and urges Ike's best friend, the artist and punk rock fashion designer Finn Burdon, to investigate.Despite Finn's own issues with heroin, he shows an uncanny talent for detective work. As Julie, Finn and police detective Benny Cherin dig deeper, their investigation ultimately encompasses some of the most famous names of 1970s New York, including William S. Burroughs, Jean-Michel Basquiat, CBGB owner Hilly Kristal, Allen Ginsberg, Lou Reed, Truman Capote, Roy Cohn, Fat Tony Salerno, Holly Woodlawn, Steve Rubell, Andrew Crispo, Bella Abzug, Leonard Cohen and many others. In the process, they begin to glimpse the outlines of a violent plot to sabotage the opening night of Hilly Kristal's highly anticipated new venue, The CBGB 2nd Avenue Theater, when Patti Smith is playing and it's packed with thousands.Set during the glory days of New York's downtown music, art, literary and fashion scenes, The CBGB Conspiracy mixes fiction with a host of real events and historical figures. Behind them all looms a character just as visceral and ultimately doomed: the crumbling New York of 1977.Support this show http://supporter.acast.com/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

DMC sits down with Metal Walt for a deep dive into his heavy metal and hard rock origins — from the music he heard growing up to discovering the power of Black Sabbath and Judas Priest. In this wide-ranging conversation, DMC explains how rock music was already embedded in early hip-hop culture, why songs like “Rock Box” proved that rock was part of Run-DMC's DNA from the start, and how that foundation eventually led him to create metal and hard rock music in his own lane. The interview also touches on DMC's 2026 solo metal single “She Gets Me High,” his connection to NYC hardcore, playing with Agnostic Front, performing with Sammy Hagar, and opening for Lou Reed — reinforcing a lifelong relationship with rock, metal, and underground culture. 00:00 Show Open & Pre-Roll Tease 02:12 What Music Sounded Like in DMC's House Growing Up 03:47 Discovering Rock on WABC and the First Metal Obsession (Black Sabbath) 07:00 Rock and Early Hip-Hop Culture — DJs, Crates, and Crossover 09:12 “Rock Box” and Why Rock Was Always in Run-DMC's DNA 12:05 “Walk This Way” — History, Impact, and the Permission Moment 23:14 When DMC Decided to Start Making Rock Music 25:59 DMC and the HellRaisers — Live Reactions and Reality 29:14 Rock DNA Across Classic Run-DMC Songs (King of Rock, It's Tricky, Mary, Mary, Why You Buggin') 34:06 “She Gets Me High” — DMC's Solo Metal Direction and Lineup 45:02 Hardcore Roots — Agnostic Front, NYC, and Underground Energy 54:11 Legacy, Creativity, and What DMC Is About Today 01:07:11 Wrap-Up & Where to Follow DMC Metal Mayhem ROC Website: https://metalmayhemroc.com/ DMC Website: https://thekingdmc.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Ce 22 septembre 1972 est une date que la jeune Christine Hynde n'oubliera jamais. Cela fait plus un an qu'elle a découvert un type extraordinaire grâce à un album : David Bowie. Un album qui parle d'un tas de choses, de littérature et de contre culture, sur une musique à nulle autre pareille … (Life on Mars ?). Elle en parle à tout le monde, y compris ses collègues serveuses, car elle jobbe pour financer ses activités, les études ne l'intéressent plus du tout.Et bien figurez-vous que c'est dans son trou perdu de l'Ohio que David Bowie alias Ziggy Stardust va donner son tout premier concert aux Etats-Unis. La voilà partie avec sa meilleure copine, Sue, pour Cleveland, c'est pas loin, dans la voiture de sa mère. Chrissie, 21 ans à peine, adore les concerts. Elle aime TOUT dans les concerts, y compris l'ambiance avant et après. Et donc, arrivée très tôt et patientant dans le froid, elle entend le groupe répéter quelques morceaux pour la balance. Et peu de temps après, que voit-elle ? David Bowie en Ziggy, immédiatement reconnaissable avec ses cheveux rouges, sortir à pied avec son entourage pour se rendre àl'hôtel.Vêtu d'un blouson vert et un jean sur ses plateformes, il passe à moins d'un mètre d'elle, comme dans un rêve. Puis, au moment de traverser la rue, il se retourne, la voit, semble hésiter, puis regarde de l'autre côté en disant quelque chose. Un de ses gardes du corps, du moins c'est ce qu'elle croit, le plus beau en plus, propose à sa copine et elle, de les accompagner. Chrissie n'a pas à se retourner, c'est bien à elles qu'il parle, il n'y a qu'elles deux  sur ce trottoir. Pourtant avec leurs fringues en laine torsadée, elles n'ont pas le profil de fans de Ziggy.C'est tremblante d'émotion que Chrissie entre dans la suite du groupe anglais. Elle meurt d'envie d'engager la conversation alors, sans regarder Bowie, enfin Ziggy, dans les yeux, elle lui dit que le public de Cleveland va l'adorer s'il chante le titre de Lou Reed et du Velvet Underground qu'ils ont joué à la répétition. Ah, on va peut-être la faire, alors, répond Bowie en plaisantant. Il joue ce titre chaque soir, mais comment le saurait-elle ?L'histoire devient vertigineuse quand il lui demande si elle connaît un chouette endroit pour aller manger, carrément dingue quand elle abaisse le siège passager de la voiture de sa mère pour qu'il monte à l'arrière. David Bowie dans l'Oldsmobile de sa maman, elle rêve !C'est d'autant plus incroyable que ce à quoi Chrissie va assister ce soir-là est un show comme on n'en a jamais vu et qui va influencer des générations de musiciens. Quinze jours plus tard, Chrissie le rejoint sur un autre concert, à Detroit, même extase, et quand la salle se vide, Chrissie reste comme à son habitude pour prolonger la vibration et s'approche de la scène où s'activent les roadies.Allez Chris, faut y aller, dit Sue. Et là, dans le parterre, au milieu du personnel, un grand blond shote dans des gobelets, désabusé. C'est Iggy Pop ! Chrissie est pétrifiée quand il plante ses yeux verts dans les siens. A-t-il deviné qu'elle est sa plus grande fan ? En tout cas, Chrissie ne sortira pas un mot dans la voiture au cours des 100 miles du chemin de retour.

Je n'aurais pas pu raconter tout ça du vivant de mes parents. Ainsi commencent les mémoires de la voix des Pretenders, Chrissie Hynde, une des plus grandes figures féminines du rock'n'roll, cette musique qui fait vibrer le monde depuis 70 ans.Apparue dans un clip à la toute fin des années 70 en serveuse de coffee shop dans cette Angleterre qui s'apprêtait une nouvelle fois à devenir la vitrine du monde avec à présent, la New Wave, on la croyait logiquement Britannique. Chrissie était en fait Américaine, originaire de l'Ohio, elle vivait en Angleterre depuis six ans avec une longue parenthèse parisienne.Comme Debbie Harry et Blondie, Chrissie est un pur produit du mouvement punk américain de la fin des années 60. Il suffit de citer les noms d'Iggy Pop et de Lou Reed, les deux plus célèbres icônes, pour qu'on comprenne à quel point le rock'n'roll était à l'époque un mode de vie destroy.Et Chrissie Hynde en a été. Sauf que son parcours dans l'ombre a été très long, faisant d'elle un témoin rare et privilégié de cette époque où le punk s'est installé à Londres. Un mouvement que les British vont s'approprier pour le mettre à leur sauce, l'histoire se répétait dix ans après les Beatles et les Stones. C'est vrai, c'est tout juste si les gens savent que cette musique est née en Amérique tellement l'empreinte de groupes comme les Clash et les Sex Pistols a définitivement associé le mot punk à l'Angleterre à coups de God Save the Queen et de London Calling.Pas étonnant donc que la voix de Chrissie Hynde ne soit pas sortie d'un squat de New York mais d'un studio londonien. A la Noël 1979, quand Brass in Pocket passe partout à la radio et à la télé en Europe et en Amérique, elle vit toujours sans le moindre penny. Une coloc à Covent Garden avec un matelas par terre, une guitare, quelques vêtements et un radio cassette, le truc le plus cher qu'elle ait possédé jusque-là. Et encore, un cadeau.Ses colocataires et elle ont reçu un avis d'expulsion, les cartons seront vite faits. Dans quinze jours, ce titre dont Chrissie était la seule du groupe à ne pas vouloir le sortir tel quel, sera N°1 mais rien ne changera. Elle ne s'écoutera pas à la radio, ne se regardera pas à la télé et ne jettera jamais un œil sur le montant de son compte en banque. La célébrité, ce n'est pas pour elle, c'est une cage dorée. Elle, la rockeuse, veut être libre de sortir, prendre le métro, faire la fête avec qui elle veut, quand elle le veut, sans être désignée du doigt le lendemain en découvrant une photo ou un article désobligeant dans la presse. Maman, Papa, je suis désolée d'avoir menti sur ce que j'ai fait durant tout ce temps où j'ai été partie. Je sais que vous étiez fiers de moi. Je regrette la moitié de mon histoire, la seconde, c'est la musique que vous avez entendue …

Anozza humdinger!

En protestation contre l'ICE de Donald Trump, celui qu'on surnomme « The Boss » a sorti « Streets of Minneapolis », une chanson dans laquelle il fustige la politique anti-immigration de Donald Trump. L'occasion pour Augustin Lefebvre de revenir sur ces artistes qui critiquent ou soutiennent certains présidents à travers des exemples de chansons de James Brown, Lou Reed, Prince ou encore Neil Young.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

"This is the best book about how it used to be," writes the influential music critic and record industry analysts Bob Lefsetz, in praise of Paul Rappaport's wild ride of a memoir, Gliders Over Hollywood: Airships, Airplay and the Art of Rock Promotion. "[It's] the only book I can remember that truly details what it was like inside the star factory." After a career spanning more than three decades in rock promotion at Columbia Records, "Rap" knows as much as anyone what it takes to launch a new act, pump up a new record, or beat the drums on behalf of a world tour. Before capping his career at the label as a senior vice president, he had played a pivotal role in shaping and re-shaping the careers of some of the biggest stars in the business, including artists such as Bruce Springsteen, Billy Joel, Elvis Costello, and the Boomtown Rats. "I'm a storyteller," he explains, of the many ways he tried to frame the stories of the musicians on his roster. "We were making it up as we went along, and the characters were everywhere—not just the artists, but the behind-the-scenes people, the managers. No one had captured anything… I started thinking if I don't write this down now, I don't know how long I'll have these memories. But I have them now, so that's why a book, and why now." Upon leaving Columbia, Rap formed his own production company, Tres Hombres, and for many years wrote the "Backstage Access" block for Classics du Jour. He was the lead guitarist in the pioneering Los Angeles punk band Mogan David & His Winos. Join us for a frenzied and free-wheeling look back at the glory days of rock 'n roll, as Rap reflects on the writing of his first book, and a culture-stamping career that gifted him the chance to eat latkes with Lou Reed, receive a backstage guitar lesson from Keith Richards, talk Bob Dylan down from writer's block, and trade licks onstage with David Gilmour in a once-in-a-lifetime turn as a featured guest of Pink Floyd. Learn more about Paul Rappaport: Website Facebook Instagram Please support the sponsors who support our show: Gotham Ghostwriters' Gathering of the Ghosts Ritani Jewelers Daniel Paisner's Balloon Dog Daniel Paisner's SHOW: The Making and Unmaking of a Network Television Pilot Heaven Help Us by John Kasich Unforgiving: Lessons from the Fall by Lindsey Jacobellis Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership Film Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef Sutton Everyday Shakespeare podcast A Mighty Blaze podcast The Writer's Bone Podcast Network Misfits Market (WRITERSBONE) | $15 off your first order  Film Movement Plus (PODCAST) | 30% discount Wizard Pins (WRITERSBONE) | 20% discount

El señor de la lluvia trae novedades que comienzan con sabor a Lou Reed, como el debut de Sunday Mourners o con Dave Wareham haciendo una personal versión de “A gift”. Suenan adelantos de los próximos trabajos de The Bevis Frond o Kim Gordon. Y recordamos los inicios de Maika Makovski junto a otras artistas que quedaron marcadas por PJ Harvey.Playlist;THE VELVET UNDERGROUND “Hey Mr. Rain” (White light, White heat, 1968)SUNDAY MOURNERS “There’s a garden in you” (A-rhythm absolute, 2026)DEAN WAREHAM “A gift” (2025)LOU REED “She’s my best friend” (Coney Island Baby, 1976)THE DREAM SYNDICATE “Tell me when it’s over (live, 1984)” (Medicine show; I know what you like (deluxe edition), 2025)THE BEVIS FROND “That’s your lot” (Horrorful heights, 2026)KIM GORDON “Not today” (Play me, 2026)LA LUZ “News of the universo” (Extra! Extra!, 2026)MAIKA MAKOVSKI “So far sober” (Kradiaw, 2005)PJ HARVEY “Shame” (Uh huh her, 2004)LE BUTCHERETTES “My mallely” (A raw youth, 2015)COURTNEY BARNETT “Depreston” (Sometimes I Sit and Think, and Sometimes I Just Sit, 2015)NEKO CASE “Destination” (Neon grey midnight green, 2025)Escuchar audio

"On a morning from a Bogart movieIn a country where they turn back timeYou go strolling through the crowd like Peter LorreContemplating a crime"Please join me for an afternoon of terrific tunes on the last Sunday of January. Joining us are the Motels, Doors, Aerosmith, Eric Clapton, Gerry Rafferty, The Kinks, Dr. John, The Band, Lou Reed, Laura Nyro, Led Zeppelin, Mitch Ryder & Detroit Wheels, Johnny Winter And, Ronny Jordan, Steely Dan, Shawn Lee, Hall & Oates, Kansas, Bob Dylan, Bob Seger & Silver Bullet Band, Harold Melvin & The Blue Notes and Al Stewart...

In this in-depth conversation, Darryl McDaniels sits down with Metal Walt to explore the heavy metal and hard rock roots that have been part of his musical identity since childhood. Growing up in New York City, DMC discovered rock and metal through radio, hearing bands like Black Sabbath and Judas Priest at a formative age. He explains how those sounds were already embedded in early hip-hop culture, from DJs digging through crates to the attitude and energy that shaped Run-DMC from the very beginning. The discussion revisits key moments such as “Rock Box” and “Walk This Way,” why rock was always part of Run-DMC's DNA, and how those records opened creative doors that still matter today. DMC also talks about his decision to actively create rock and metal music himself, leading to projects like HellRaisers and his 2026 solo metal single “She Gets Me High.” Additional topics include NYC hardcore roots, playing with Agnostic Front, sharing stages with Sammy Hagar, opening for Lou Reed, and how creativity, authenticity, and curiosity continue to guide his work. 00:00 Show Open & Pre-Roll Tease 04:23 What Music Sounded Like in DMC's House Growing Up 05:58 Discovering Rock on WABC and the First Metal Obsession (Black Sabbath) 09:11 Rock and Early Hip-Hop Culture — DJs, Crates, and Crossover 11:23 “Rock Box” and Why Rock Was Always in Run-DMC's DNA 14:16 “Walk This Way” — History, Impact, and the Permission Moment 25:25 When DMC Decided to Start Making Rock Music 28:10 DMC and the HellRaisers — Live Reactions and Reality 31:25 Rock DNA Across Classic Run-DMC Songs (King of Rock, It's Tricky, Mary, Mary, Why You Buggin') 36:17 “She Gets Me High” — DMC's Solo Metal Direction and Lineup 47:13 Hardcore Roots — Agnostic Front, NYC, and Underground Energy 56:22 Legacy, Creativity, and What DMC Is About Today 01:09:22 Wrap-Up & Where to Follow DMC Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we have...Benjamin Flaherty. @stoptheshuffleBen is an Austin-based filmmaker with a diverse collection of work - from documentary and art films with Lou Reed & Julian Schnabel to commercial spots for major brands. His short form PSA's have been awarded at Cannes, D&AD, One Show and the Clios. His documentary feature debut, Shuffle, won the Grand Jury Prize for Best Feature at the 2025 SXSW Film and Television Festival.We had a great talk with Ben and you don't want to miss this one!Instagram @stoptheshuffleWebsite www.stoptheshuffle.comVisit us Podcast  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.sobernotmature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Store  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.sobernotmatureshop.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hobo ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.themoderndayhobo.com

What a riff! What great rock 'n' roll asides! What joy in the chorus!! It's "Sweet Jane" by The Velvet Underground! A cavalcade of covers by Brownsville Station, Lou Reed (solo from '74), Eater, Friends Again, and of course, Cowboy Junkies. This is one of the episodes where we crack the code and tell you what the lyrics mean so listen and find out! Smoother than a Stutz Bearcat ride!!

Nashville-based Australian singer-songwriter Emma Swift returns to our program to peel back the layers on her most recent album, The Resurrection Game, a collection of moody and gorgeous original compositions released late last year on the independent Tiny Ghost Records label she co-founded and manages with her partner, Robyn Hitchcock. You may recall Swift last joined us to talk about Blonde On The Tracks, her collection of Bob Dylan covers, and in our conversation she drops news of yet another tribute album, this time featuring the songs of Lou Reed, to be released later in the year.    The Record Store Day Podcast is a weekly music chat show written, produced, engineered, and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Didn't find everything on your RSD lists? Maybe you'll still find it on RSDMRKT.com.    Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends!

Marin County singer-songwriter, community and music collaborator Jon Chi joins “Only In The Green Room” as the first guest under the show's new banner—recorded in the Sweetwater Music Hall Green Room before Jon played to a packed house for his birthday show at the iconic venue. In a conversation full of gratitude, community love, and live-music philosophy, Jon reflects on how the Terrapin scene helped shape his musical orbit, why vulnerability is where the magic lives, and how live shows remain irreplaceable—no matter what AI does to recorded music. Special guests Stephanie Salva (Tumbleweed Soul) and Elliot Peck (Midnight North, Phil Lesh & Friends) pop in before joining Jon on stage, adding stories about collaborations, harmonies, and the deep relationships built through the Bay Area music community. Creators & Guests Tami Larson - Host Dennis Strazulo - Host Creators & Guests Tami Larson - Host Dennis Strazulo - Host Creators & Guests Tami Larson - Host Dennis Strazulo - Host   The “how lucky am I to have stumbled into this community?” moment—and why Jon leads with love The Terrapin Crossroads/Marin/Bay Area musician ecosystem (and all the overlap that makes it work) - spawning collaborations and lasting friendships Jon's musical roots: Massachusetts → Berklee College of Music → Bay Area scene The JP McClean (Melvin Seals JGB)) origin story: their first day as students at Berklee,  a chart that looked like “hieroglyphics,” and instant respect  Vulnerability on stage: choosing connection over perfection The “Yoga Mafia” crossover: how Now Yoga in Corte Madera became part of the music ecosystem Dead nights + mashups: blending Bee Gees, Biggie, Lou Reed, and more into jam setsWidespread Panic as Jon's “first jam band show”—and later collaborating with bassist Dave SchoolsThe passing-down tradition: Jon's kids performing and singing at shows Guest drop-ins: Stephanie shares what she's working on (Tumbleweed Soul, new trio, gigs with Dave Nelson Band) Elliot talks first duo collaboration with Jon, returning from hiatus, and community support Jon Chi's Birthday Show All-Star lineup: Sean Nelson — Drums Angeline Saris — bass Jordan Feinstein — keys Minglewood Lewis Jr. — percussion Patrick Byers, Natalie John, Andrew Ferren - Horns Elliott Peck and Stephanie Salva - Vocals Memorable moments & quotes: “I mean, I want to talk about how much I love everyone.” “I'd rather make a bunch of mistakes on stage and stay open to connect with people.” “If you're willing to share vulnerabilities, that's where deeper relationships grow.” “Even if AI disrupts recorded music—how do you ever replace live music?” Topics that hit hard: Why this scene works: It's collaborative, supportive, and built on people being decent humans and strong musicians.Why live music wins: Because it's shared presence, unrepeatable moments, and real connection.Why mashups matter: They expand the audience and keep traditions alive without turning them into copies. If you're new here… This episode is a love letter to the Bay Area's live music ecosystem—where jam culture, original music, yoga communities, and deep friendships all collide in the best way.Tags  John Chi, Only in the Green Room, Sweetwater Music Hall, Terrapin Crossroads community, Bay Area music scene, jam band culture, live music podcast, Grateful Dead community, improv music, vulnerability on stage, post-COVID live music, Now Yoga Corte Madera, Elliot Peck, Stephanie Tumbleweed Soul, Dave Schools, Widespread Panic

This week I'm joined by author/photographer Pat Blashill (Texas Is The Reason; Someday All The Parents Will Die) to talk about the Texas punk community he documented, including Scratch Acid, Butthole Surfers & Big Boys, as well as the 2014 documentary The Dicks From Texas.We also discuss punks living in Texas and how the bands from there pushed back hard against it, was Cheap Trick punk rock, which music freaked us out when we were younger, DEVO making your friends cry in fear, Pat getting invited to his first punk show by Big Boys in 1979 when he started taking photos of the scene that night, Pat's artistic influences, The Huns riot, early bands like Sharon Tate's Baby, the band Terminal Mind getting mad at people for dancing to their music, singing with a British accent, Raul's being the centerpiece club of the punk scene, Buxf of The Dicks, Sister Double Happiness, Gary Floyd's singular vocals in punk, The Torn Panties, how Gary upstaged Lou Reed, Poison 13, Pat befriending David Yow and David Sims before they started Scratch Acid, Jesus Lizard, watching the evolution of Butthole Surfers and their work ethic, Pat being at the Rembrant Pussyhorse recordings, The Residents' Hardy Fox, Kurt Cobain, Big Boys playing the Austin Chronicle Award Show and the fight that ensued, Flipside VHS Tapes, the lack of local press support for punk rock, IRS's The Cutting Edge coming to Austin, Daniel Johnson and more.So let's get lost in the pit together on this episode of Revolutions Per Movie!PAT BLASHILL: patblashill.comTEXAS IS THE REASON book: www.bazillionpoints.com/books/texasSOMEDAY ALL THE PARENTS WILL DIE book: utpress.utexas.edu/9781477332474THE DICKS FROM TEXAS doc: www.youtube.com/watch?v=GYSNWLY5iEMBIG BOYS live: https://www.youtube.com/watch?v=HsVjMx0JDHMBUTTHOLE SURFERS live film: www.youtube.com/watch?v=BW0mXU2mkgoSCRATCH ACID live: https://www.youtube.com/watch?v=ZdG1OALNSFIREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Today's Song of the Day is “Lou Reed Was My Babysitter” from Jeff Tweedy's album Twilight Override, out now.

We Sat Down With Rockstar Music Producer Bob Ezrin & Uncovered Insane Secrets! Take a masterclass in record production, creativity, and music career success with legendary producer Bob Ezrin. From working with Pink Floyd, Kiss, and Alice Cooper to embracing the rise of AI in music production, Bob shares secrets behind iconic albums, the importance of emotional intelligence in the studio, and how to nurture future music business talent. Tune in for game-changing insights into music production, mental health, and the ever-evolving music industry!

Playlist; LOU REED “Rock’n’Roll” TOM PETTY “Anything that’s rocknroll” DIAMOND DOGS “Rock it and Roll it” FLAMIN GROOVIES “Shake some action” KISS “Rock n Roll all nite” JOAN JETT “I love rock’n’roll” GARY GLITTER “Rock’n’Roll part 1” LEÑO “No se vende el rocknroll” SINIESTRO TOTAL “Quiero bailar rock’n’roll” RAMONES “Do you remember rock'n'roll radio?” THE SWINGIN’ NECKBREAKERS “Rock’n’Roll world” PSYCHOTIC YOUTH “This is rocknroll” THE BEAT “Rock’n’Roll girl” THE EASYBEATS “Rock’n’Roll boogie” THE NEW PICCADILLYS “Complete control” BO DIDDLEY “Rock’n’Roll” THE DEAD BROTHERS “Teenage kicks” IGGY POP “Lust for life”Escuchar audio

One of our most popular episodes of all time is our interview with artist and musician Laurie Anderson. Today, we're sharing a new, unedited version with almost a half hour of additional material.For anyone unfamiliar with Laurie's work, many people consider her one of our planet's greatest living artists. Her work spans spoken word and performance, top-charting albums and music videos, digital art, film, virtual reality, and the invention of ingenious instruments like the tape bow violin and the talking stick.Laurie's won a Grammy Award and many other honors, and she continues to be a huge inspiration for new generations of artists and musicians all over the world. She's also a longtime student of Buddhism and meditation. In our interview, she talks about her personal path with Buddhism, her long relationship with Lou Reed, and how she coped with his death. She shares insights on how to approach art with a beginner's mind, and how to stay present with suffering without letting it overwhelm you.Episode 212: Laurie Anderson's Buddhism, Art, Meditation, and Death as Adventure [Full Uncut Interview]Support the show

Ce 29 décembre, Marjorie Hache signe deux heures riches et éclectiques dans Pop-Rock Station, de retour après la pause des fêtes. La soirée navigue entre rock alternatif, metal et indie. The Cure ouvre l'émission avec "A Forest", rappelant leur retour annoncé au Festival de Nîmes en 2026. L'actualité musicale s'invite avec plusieurs nouveautés : Bandit Bandit dévoile "Pas le Temps", extrait de leur prochain album "Cavalcades (ce que la nuit ne dit pas)", tandis que Poppy présente "Bruised Sky", issu de son futur disque "Empty Hands" attendu fin janvier. Le programme convoque aussi des classiques et des repères forts, de PJ Harvey avec "Good Fortune" à Placebo et "Special K", sans oublier System Of A Down, annoncé en concert au Stade de France. La reprise de la soirée est signée Editors avec "Walk On The Wild Side" de Lou Reed. Le fil de l'émission se poursuit avec Cage The Elephant, Depeche Mode en live à Mexico, Faith No More, Le Tigre ou encore Just Mustard. En fin de parcours, la nouveauté punk vient de Jetsex avec "Avigdor Arikha", avant un clin d'œil final à Screamin' Jay Hawkins et "Constipation Blues". The Cure - A Forest Tame Impala - Dracula The Beatles - Penny Lane Franz Ferdinand - Curious P.J. Harvey - Good Fortune Deep Purple - Highway Star System Of A Down - Sugar Bandit Bandit - Pas Le Temps Anthrax & Public Enemy - Bring The Noise Placebo - Special K Mötley Crüe - Girls Girls Girls Poppy - Bruised Sky Editors - Walk On The Wild Side Cage The Elephant - Shake Me Down Lana Del Rey - Blue Jeans Depeche Mode - Ghosts Again (Live In Mexico City) The Beach Boys - Wouldn't It Be Nice Faith No More - Epic Just Mustard - Endless Deathless Blue Swede - Hooked On A Feeling Starcrawler - She Said Jetsex - Avigdor Arikha Beastie Boys - Fight For Your Right Le Tigre - Deceptacon Screamin' Jay Hawkins - Constipation Blues The Black Keys - Sister Gorillaz - The God Of Lying (Feat. Idles) Porcupine Tree - HarridanHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

It's a New Years movie! "Get Crazy" is a wild and spoofy film that we had never heard of, but it's the perfect way to end the year. This is awesome 80s goodness featuring a young Daniel Stern as he tries to put together a concert to save the Saturn Theatre. It features acts such as Reggie Wanker – a smug British solo rocker, Captain Cloud – leader of a hippie collective, King Blues – writer of many famous Blues tunes, Nada – a new wave/glam rock act, and Auden – a singer/songwriter who looks suspiciously like Lou Reed, and we're covering all of their music and more in our final episode of 2025!

Lou Reed blurred the lines between fact and fiction when it came to his past. To him, it was all a walk on the wild side anyway. After exploring his life in Part 1 through his lyrics for the Velvet Underground songs “The Gift”, “Waiting For My Man”, “Heroin” and “The Murder Mystery”, Part 2 continues through the songs “Rock And Roll”, “Sweet Jane”, “Run, Run, Run”, “Venus In Furs”, and “I'll Be Your Mirror,” because tall tales and music led Lou all the way home. This episode was originally published on March 28, 2023. For a full list of contributors, see the show notes at ⁠disgracelandpod.com.⁠ To listen to Disgraceland ad free and get access to weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Lou Reed is one of the greatest rock ‘n' roll characters of all time, one known to lie and exaggerate his own mythology during interviews about his past. In this special 2-part episode, Lou's origin story with the Velvet Underground runs straight through Manhattan transgressions, murder mysteries, drug abuse, and all the other crimes, criminals, and antisocial behavior depicted in Lou's legendary lyrics. This episode was originally published on March 28, 2023. To see the full list of contributors, see the show notes at ⁠www.disgracelandpod.com⁠. To listen to Disgraceland ad free and get weekly bonus content and more, become a Disgraceland All Access member at ⁠www.disgracelandpod.com⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Send us a text2026 is the Year of the Fire Horse - What's that mean?Let's break it down. First, the year of the horse is known for bringing with it the energy of independence, charisma, and basically getting LOTS done! Think drive and dynamism. This year also marks one of intense innovation, bold action and strong leadership potential.Now, the fire element that is a part of this 43rd combination of the 60-year Chinese sexagenary cycle? First, what does your gut say Fire will add? Fire is associated with passion, vitality, and creativity. As an element, it intensifies the natural traits of the Horse. Is that what you got? I had some of that right, but not all.Together then, fire and horse can mean this will be a year of extraordinary drive and dynamism. It might be a period of intense innovation, bold action and strong leadership potential (and we aren't necessarily talking politics by the way). The fire horse can be a sign of extremes, meaning events can occur with spectacular good or bad luck, we will rarely see the in-between bits. Could this signal the death gasp of the old dualistic nature on Earth? I don't know. I do know that the wood snake last year held the energy of itchiness, a bursting out of our old skins, like right before a snake sheds that old skin and comes into its new one. The end of 2025 had that teeth gnashing, low belly ache of knowing something is coming, but not knowing what. The Fire Horse is a sure sign something new is here. Whew. What it is? Well, I don't know, but whatever it is, we are stronger than we thought we were at the start of 2025, and that strength ensures we will make certain our communities, our patch of earth and we are okay with the new whatever.Famous Horses of HistoryBecause they are bold, horses tend to be journalists, politicians, and comedians. Here are a few famous horses; Gordon Ramsey, Lou Reed, Harrison Ford, Sean Connery, Neil Armstrong, and Barbra StreisandIn general, those born in the Year of the Horse are hardworking, thorough, helpful, generous, and determined. Their secret friends are sheep. Their allies are tigers and dogs, from the Chinese Zodiac.Ona Christie Martin, our special guest, and all of the links to her work! I don't accept sponsors and paid advertisers. I choose people, podcasts and authors I believe in to highlight in the ad segment. That's why I've been shining a spotlight on Derek Condit at Mystical Wares. He is both talented and generous with those gifts. Please give his books a look on the Mystical Wares website.Curious Cat Crew on Socials:Curious Cat on Twitter (X)Curious Cat on InstagramCurious Cat on TikTokArt Director, Nora, has a handmade, ethically-sourced jewelry company!

Hablamos de la canción «Perfect Day» de Lou Reed, con Jordi Mena (guitarrista de Bunbury y Los Santos Inocentes) como invitado. 'Cancionero' es una serie de miniepisodios que recupera los mejores momentos de 'Disco prestado' destacando alguna de las canciones que hemos comentado en el pódcast. Escucha el comentario completo del disco 'Transformer' en cualquier plataforma de audio, o mediante estos enlaces: SPOTIFY: https://open.spotify.com/episode/1S5RbK9XxaReMSKZIdmkiQ?si=34d15e7626d744a4 IVOOX: https://go.ivoox.com/rf/155448936 APPLE PODCASTS: https://podcasts.apple.com/us/podcast/transformer-de-lou-reed-1-con-jordi-mena-reemisión/id1672847595?i=1000721891021 WEB: https://marcaliana.com/lou-reed-transformer-enlaces ¡Salud y buena música! Marc Aliana http://marcaliana.com

Foreigner : Girl On The Moon La Reprise L'originale Johnny Cash : One U2 : One Kanadia : I'm Falling The Waterboys : Glastonbury Song Billy Squier : The Stroke Headkeyz : Viking Aerosmith : Love In An Elevator Puscifer : Pendulum Lou Reed : Dirty Blvd Cody Driggers : Deep Cutz Joseph Arthur : Dirty Blvd Patti Smith : Because The Night Oasis : Champagne Supernova La Reprise L'original Joshua James : Wild Horses The Rolling Stones : Wild Horses Best Albums 2001 Radiohead : I Might Be Wrong Muse : Space Dementia System Of A Down : Toxicity Tool : Schism AC/DC : For Those About To Rock (We Salute You) Sammy Hagar : When It's Love (Live) Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

New York has always been – bold statement coming up – my favourite music city. No question that it's connected to my life changing discovery of the Ramones way back when. I still can't walk past the Guild Hall in my hometown of Preston without a couple of nostalgic tears forming for when I first saw them play there  – I tried my best not to wash off the water that Joey threw over me when things were getting a little hot. But getting back on track… all those New York musicians over the years – infinitely different stylistically, but almost always identifiable as a New York “sound”. I don't know what it is – and hindsight's a glorious thing to have – but could the Ramones, Blondie, Public Enemy, Roxanne Shante, Lou Reed, Talking Heads, Swans, Sonic Youth, Yeah Yeah Yeahs, Nas, have existed anywhere else and created their own distinctive sound yet is still a New York sound? Jesse Hartman's, Laptop, goes back to the late 90's – such a divisive decade. I really feel Laptop were ahead of their time and this is perhaps part of what makes New York New York – that ability to be ahead of the pack so often . They had the cinematic monologues, the rebellion, the self deprecation, the love, the heartbreak, the nostalgia and an ability to cross generations. I say that because I'm 20-odd years older and their second coming is here and I'm still hooked.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

This episode of The Other Side of the Bell, featuring trumpeter performer and recording artist Paul Litteral, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Paul Litteral trumpet interview"   Find the expanded show notes, transcript and more photos here: https://bobreeves.com/blog/paul-litteral-trumpet-interview-the-other-side-of-the-bell-147   About Paul Litteral: Hollywood Paul Litteral began to build his career playing in Broadway hits such as The Best Little Whorehouse in Texas, A Chorus Line and Chess. In 1978, Paul and saxophonist Arno Hecht founded the well-known group called the Uptown Horns. As their visibility increased, the band was recruited for rock and roll gigs and played many of New York's most famous clubs. Paul and the Uptown Horns went on their first rock and roll tour with the J. Geils Band in 1981 and that led to many other opportunities including engagements with The Rolling Stones, Robert Plant, Tom Waits, Joe Cocker, James Brown, Pat Benatar, and Ray Charles. The band lists recording credits on over 150 albums including James Brown's Grammy Award winning "Living in America" and tracks for Joe Cocker, Albert Collins, Bonnie Raitt, Robert Palmer, Lou Reed and REM. In addition to continuing to play music, he began writing and found critical success with Hoboken to Hollywood, which earned him the 2011 Ovation Award for Musical Direction. Paul was also awarded Best Musical Direction by Stage Scene LA for Louis & Keely: Live' at the Sahara, which had a record run, playing to sold out audiences at the Geffen Playhouse. "Hollywood" Paul earned his nickname back in the 1980's due to his prodigious knowledge of film lore. Though his extensive contributions to the LA music scene have also helped add to that fabulous moniker. Paul's fame is within the world of Rock and Roll. On his latest album, "The Litteral Truth," he brings us a collection of songs that inspired his personal musical development. The Brecker Brothers, Edgar Winter and Steely Dan are a few of the artists we cover on the record, and revisiting these great cuts and reinterpreting them was a joyous excursion for all involved. Paul is a fun and talented man, and his records are spreading the joy of knowing him. -Bill Bodine   Episode Links: Outrageous 8 Records Find the albums here: The Litteral Truth Legacy Instagram (@paullitteralmusic) YouTube channel The Other Side of the Bell Episode #92 - Paul Litteral (first appearance)   Bob Reeves Brass Upcoming Events and Appearances: Trumpet Festival of the Southeast, Jan. 17, 2026, Kennesaw State University, Georgia Texas Music Educators Association Conference, Feb. 11-14 2026, San Antonio, Texas Dylan Music, Feb. 26-28, Woodbridge, New Jersey   Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - Paul Litteral Audio Engineer - Ted Cragg

La soirée débute sur RTL2 Pop-Rock Station avec un mélange de figures incontournables et de nouveautés marquantes : Korn, The Cure, Patti Smith, Weezer ou encore Lou Reed. Parmi les sorties récentes, "Bruised Sky" de Poppy qui annonce son album "Empty Hands". Le 16 décembre est aussi l'occasion de revenir sur un moment clé de l'histoire du rock : la première diffusion du "MTV Unplugged" de Nirvana en 1993, devenu l'un des lives les plus emblématiques de tous les temps, célébré ici avec "The Man Who Sold The World". La programmation alterne ensuite énergie rock et douceur soul, de Placebo à Otis Redding, en passant par Last Train et Foo Fighters. L'ambiance se teinte aussi d'un esprit de fêtes avec un clin d'œil aux Beach Boys et leur classique "Little Saint Nick", prélude à l'émission spéciale de fin d'année. En fin de soirée, RTL2 Pop-Rock Station propose une relecture inattendue de "Purple Rain" par Dolly Parton, extraite de son album "Rockstar". La dernière ligne droite navigue entre Sum 41, The Stooges, Korn et Gorillaz, avant de mettre en lumière la nouveauté "Sad Clown" de Melanie Baker. La nuit se conclut entre Foals, Edwin Starr et Iron Maiden, pour refermer deux heures de rock sans concession. Lou Reed - Vicious Poppy - Bruised Sky Nirvana - The Man Who Sold The World Lovin' Spoonful - Summer In The City Placebo - Infra-Red Patti Smith - People Have The Power Weezer - Hash Pipe The Beach Boys - Little Saint Nick Soul Asylum - Runaway Train Last Train - Fire Otis Redding - (Sittin'on) The Dock Of The Bay Foo Fighters - Asking For A Friend Dolly Parton - Purple Rain Sum 41 - Landmines Small Miracles - Shadow Eyes Wings - Band On The Run Suede - Animal Nitrate Gorillaz - The God Of Lying (Feat. Idles) The Stooges - I Wanna Be Your Dog Korn - Lost In The Grandeur Melanie Baker - Sad Clown The Cure - The Lovecats Foals - Miami Starr Edwin - War Melody's Echo Chamber - The House That Doesn't Exist Iron Maiden - Seventh Son Of A Seventh Son (2015 Remaster)Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Fresh releases and classic gems, presented by DJ D'Francisco direct from London. New episode every Sunday night. This weeks edition is a tribute to Julie's Underground Party Catch the pod live every Friday afternoon on www.musicboxradio.co.uk 3-5 UK time, as a podcast or at www.mixcloud.com/francisco Contact: fdisco@hotmail.com / @frankiedisco54

Pour le tracklist faut écouter. Na. Mais il y a du Lou Reed donc ça va.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Andy eulogizes Jimmy Cliff, talks about having to get a physical on his birthday, getting knocked out by vaccine shots, wondering what Kyle Kulinski's hairstyle is called, and suggests a song from Stephen Merritt's project the 6ths inspired Fifty Shades of Grey. Also, we listen to clips of David Byrne talking about Lou Reed's love of ice cream and a 51yo British man discovering Tupac. On Rachel's Chart Chat, Rachel from Des Moines delivers part 2 of her deep dive into the band Kyuss. Follow Rachel on Last.fm here.

Some years don't just produce great records—they redraw the map of how we listen. We dive into 1970 as a living, breathing turning point, starting with the Velvet Underground's Loaded to George Harrison's All Things Must Pass, with detours into Derek and the Dominoes, CCR, and the Partridge Family. Stories of edits, covers, charts, lawsuits, and misheard lyrics tie together what makes songs endure.• Velvet Underground's Loaded, Lou Reed's last album with the band• Who Loves the Sun, Sweet Jane, and Rock and Roll• Phish's Halloween cover and the life of influence• George Harrison's triple-album surge and wall of sound• My Sweet Lord, What Is Life, and a-list session players• Derek and the Dominoes, Bell Bottom Blues, and Layla• Jim Gordon's studio legacy and tragic downfall• pop joy with the Partridge Family and TV-to-radio crossoverLearn Something New orRemember Something OldLike and follow our Facebook and Instagram pages and spread the word if you enjoy the podcast. Contact us at musicinmyshoes@gmail.com with your own musical memories.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Pop culture writer, and soon to be author, Rachel Brodsky (Time, LA Times, Stereogum, Rolling Stone, and more!) returns to Soundtrack Your Life to discuss the soundtrack to the 2009 Greg Mottolla film, Adventureland, with hosts Nicole Barlow and Ryan Pak. Outside of Falco's hit "Rock Me Amadeus", the soundtrack mines 80s college rock over pop hits for this 80s period piece. Needle drops from The Replacements, Crowded House, The Cure, Husker Du, Big Star, & Lou Reed pop up in the film alongside a beautiful score by Yo La Tengo. For More Information About Rachel Brodsky: Instagram Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest this week is Michael Layne Heath (critic, author & compiler of My Week Beats Your Year: Encounters With Lou Reed), who brings us the Lou Reed & John Cale performance film Songs For Drella to discuss.We also talk about Michael starting the first D.C. Punk zine in 1977, reading about bands before hearing them, The Slickee Boys, Tommy Keene & Razz, Vintage Violence zine, The Cramps playing D.C., Creem Magazine, Cale recording his album Fear, the import bins at local record stores, treating press interviews as art pieces, Lou Reed's control of a crowd, the genesis of Songs For Drella, how by the end of the project they didn't want to work together, the differences between the film versions of the songs and the album versions, the dream sequence in the film, fictionalizing Warhol's life in this work, the very telling non-verbal interactions between Cale and Reed in this film, how the film was misplaced for years after its initial VHS release and then found during the making of the Todd Haynes VU doc, where Lou and John were at the time of this project, Lou's defense for doing Honda/American Express commercials, Robert Quine, Warhol's work ethic, The Warhol Museum, and we also reenact the classic and combative Lou Reed interview with the Australian press core!MICHAEL LAYNE HEATH:https://hatandbeard.com/products/my-week-beats-your-year-encounters-with-lou-reed?variant=40376865194050https://www.furious.com/perfect/vintageviolence.html?curator=MusicREDEFREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

In connection with this week's "Fun for All Ages" conversation about "The Day the Clown Cried," GGACP revisits this 2015 interview with illusionist, filmmaker and comedian Penn Jillette. In this episode, Penn opines on a host of offbeat topics ranging from Jerry Lewis' ill-fated pet project to strippers' tricks of the trade, the comedy of Dennis Miller, the cinema of the Three Stooges and failed attempts to summon the spirit of Bela Lugosi. Also: Penn debunks “cold readings,” exposes phone scams, disses Richie Havens and compares Jerry Lewis to Lou Reed. PLUS: The Amazing Kreskin! Penn auditions for “Ishtar”! And Gilbert annoys Harrison Ford!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Timothy Olyphant (Alien: Earth, Deadwood, Once Upon a Time in Hollywood) is an Emmy Award-nominated actor. Timothy joins the Armchair Expert to discuss whether he gives middle child vibes, the benefits of being a skills generalist, and why his smile always designated him as the “talk-to-the-cops guy.” Timothy and Dax talk about how knocking things off balance a little bit can create a lovely vulnerable moment, invoking Lou Reed and Bob Dylan as interview inspiration, and being the favorite co-star of so many talented actors. Timothy explains that there's a judo to rejecting someone while giving them something, asking the small questions like what is humanity and is it worth saving in Alien: Earth, and finding a space where you help others by doing the thing you do.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.