Podcasts about avantgarde

Der österreichische Komponist Leopold Brauneiss hat sich intensiv mit Arvo Pärt und seinem Werk auseinandergesetzt. Daraus entstand ein Buch, eine Freundschaft mit Arvo Pärt und auch in seinen eigenen Kompositionen setzt er sich zum Beispiel mit Pärts Tintinnabuli-Stil auseinander. Im Musikgespräch erzählt er, wie Arvo Pärt außerhalb der Musik und warum der Jubilar ein distanziertes Verhältnis zur Avantgarde hat.

Plenty of newly-released music played today. Lots in fusion and funky veins. Note: The album Electricity by Albare should read Eclectricity.Playlist: Chris Smith - Go lonely womanThe Budos Band - OverlanderTurtleboy - Vampyrotheuthus infernalisGreg Murphy - Humpty dumptyHaas Company - IntravenousSpike Wilner Trio Contrafactus - BenedictionThe Sure Fire Soul Ensemble - FreddieAlbare - Round tripVijay Iyer Trio - Cardio

Con Roberto Mammarella, patron da sempre di Avantgarde e Soundcave, parliamo della sostenibilità del mondo del metallo, del suo futuro, del passato, ma anche dei vinili, del mercato. Più aneddoti, ovviamente. Una degna conclusione di stagione del nostro percorso di analisi. Bonus track: l'imminente festival di Avantgarde del 20 Settembre.

Leaning kinda out there musically plus the return of regular Breaking The Tethers host, Andrew Waller.Playlist: The Christian Overton Quintet - Chasing ghostsLingyuan Yang - Ritual fireCharles Kynard - Little ghetto boyThe Fox Big Band Benny Benack III - Benny's from HeavenBen Clifton - No access to HollywoodSonny Sharrock - Many mansionsCharles Chen - Colossus of RhodesDarius Jones, Matthew Shipp - Nix uotanMary Halvorson - Endmost

„Der Ochse auf dem Dach“ katapultiert Darius Milhaud ins Rampenlicht: Ein Pariser Nachtclub übernimmt den Titel und macht Milhaud zum Ehrenmitglied. Doch während das Publikum feiert, stempelt die Kritik den Komponisten zum Jahrmarktsmusiker ab … Von Michael Lohse.

Im Gespräch mit der Medien- und Filmkünstlerin Constanze Ruhm geht es insbesondere um Werke aus den letzten 20 Jahren, ausgehend von kuratorischen Tätigkeiten, zu denen die Ausstellung Fate of Alien Modes (2003) im Auftrag der Secession zählt, die Diskurszusammenhänge zwischen Film und Kunst ins Licht rückte. Von der Konzeptkunst und vom Interesse für digitale Technologien und mediale Dispositive entwickelten sich die künstlerischen Projekte nach dem Studium Visueller Mediengestaltung bei Peter Weibel hin zur Rekonstruktion filmischer Räume und zur Kritik männlich kodierter Blickregime und Szenarien. Constanze Ruhm erläutert Appropriationsgesten, die sie im Rahmen ihrer Beschäftigung mit weiblichen Figuren der Filmgeschichte entwickelte. Im Laufe ihrer Recherchen, die sie von Filmarchiven zu historischen Orten führen, deutet sie antike Mythen feministisch um und verknüpft sie mit den Rollen realer Figuren, sowie mit zeitgenössischen Kontexten. Ins Zentrum des Gesprächs rückt in diesem Zusammenhang Ruhms Arbeit zum italienischen Feminismus, die ihrer Auseinandersetzung mit Carla Lonzi entspringt. Dies wird unter anderem an ihrem Interesse an Gesten der Unterbrechung und des Widerständigen deutlich, als Möglichkeiten des politischen Handelns, aber auch als Strategien der Selbstermächtigung und des Sichtbarmachens von weiblicher Arbeit und Solidarität. Der Figur der Probe kommt in Ruhms filmischen Essays über Formen des Reenactments und des Castings eine besondere Rolle zu. Sie führt zu einer wesentlichen Frage hin: wie kann der historische Feminismus der 1970er-Jahre aus der Gegenwart heraus betrachtet werden, und was kann er jüngeren Generationen heute sagen? Diese Episode wurde am 17. Juli 2025 in der Secession aufgenommen. Constanze Ruhm ist Künstlerin, Filmemacherin, Autorin und Kuratorin. In ihren Installationen, Filmen, fotografischen Serien und Publikationen untersucht sie die Beziehungen unterschiedlicher zeitbasierter Formen zwischen Film, bildender Kunst und Neuen Medien. Dabei erforscht sie deren jeweilige Geschichten und Theorien, oft mit einem Fokus auf Probenprozesse und Strategien des Re-Enactments. Ihre thematischen Schwerpunkte liegen auf Fragen des filmischen Blicks sowie der filmischen Narration und der damit verbundenen Machtverhältnisse, auf feministischen Dramaturgien und Theorien des Films sowie auf der Rolle von Archiven innerhalb einer zeitgenössischen filmisch-künstlerischen Praxis. Ihre zwischen Essay, Fiktion und Dokumentation angesiedelten Werke nehmen insbesondere weibliche Filmfiguren in den Blick, um deren Narrationen aus zeitgenössischer, feministischer Perspektive neu zu erzählen. Die Arbeiten werden sowohl auf der Kinoleinwand als auch in installativen Ausstellungsformaten gezeigt. Sie studierte an der Hochschule für Angewandte Kunst in Wien und an der Städelschule in Frankfurt am Main. Sie erhielt zahlreiche Preise und Auszeichnungen, darunter der Efebo d'Oro Città di Palermo for New Languages, der Outstanding Artist Award für Dokumentarfilm (2021), der Preis für Innovatives Kino der diagonale (2020), der Würdigungspreis für Medienkunst des Landes Niederösterreich (2009), der Würdigungspreis für Bildende Kunst der Stadt Wien (2009), der Frauenkunstpreis für Medienkunst (2000) u.v.m. Seit 1996 geht Constanze Ruhm einer internationalen Lehrtätigkeit nach: als Professorin für Video an der Hochschule für Gestaltung Offenbach und von 2003 bis 2006 an der Merz Akademie Stuttgart; von 2006-2011 im Rahmen eines Residency Programs am Art Institute Boston an der Lesley University. Seit 2006 ist sie Professorin für Kunst und Medien an der Akademie der bildenden Künste in Wien. Internationale Ausstellungstätigkeit; zahlreiche kuratorische Projekte (z.B. Fate of Alien Modes, Secession Wien 2003; Putting Rehearsal to the Test in Zusammenarbeit mit Sabeth Buchmann und Ilse Lafer (VOX - Centre de l'image contemporain / Leonard and Bina Ellen Gallery / SBC Gallery, Montréal 2016 ); kuratorische Programme im Rahmen verschiedener Festivals und Ausstellungen. Ihre Arbeiten werden regelmäßig auf internationalen Festivals (Berlinale, FID Marseille, Era New Horizons, Jeonju International Film Festival, Mar del Plata, Essay Film Festival London, Diagonale, Viennale…) gezeigt. Von 2017 gründete sie gemeinsam mit Florian Paul Ebner den queer-feministischen Konzept-Chor MALA SIRENA, den sie bis 2023 leitete. Christa Blümlinger ist Professorin für Filmwissenschaft an der Universität Paris 8 Vincennes-Saint-Denis. Zahlreiche Publikationen über Essay- und Dokumentarfilm, Avantgarde, Medienkunst und Filmästhetik, sowie zum österreichischen Film; Beiträge u.a. zu Zeitschriften wie Trafic, Radical Philosophy und Cargo. Auf Deutsch veröffentlichte sie u.a. Kino aus zweiter Hand. Zur Ästhetik materieller Aneignung im Film und in der Medienkunst (2009), auf Englisch u.a. Morgan Fisher, Off-Screen Cinema, hrsg. mit Jean-Philippe Antoine (2017). Jüngste Buchpublikationen: Harun Farocki. Du cinéma au musée (P.O.L. 2022) und Horizontes documentales. Escritos selectos sobre cine (La Fuga / Ediciones Metales, 2025). Secession Podcast: Members ist eine Gesprächsreihe mit Mitgliedern der Secession. Das Dorotheum ist exklusiver Sponsor des Secession Podcasts. Programmiert vom Vorstand der Secession. Jingle: Hui Ye mit einem Ausschnitt aus Combat of dreams für Streichquartett und Zuspielung (2016, Christine Lavant Quartett) von Alexander J. Eberhard. Schnitt: Paul Macheck Produktion: Jeanette Pacher & Bettina Spörr

Friend of a Friend is the brilliant and inventive musical group powered by Claire Molek and Jason Savsani. Their third album, “Desire!,” came out earlier this year, and it’s moody, atmospheric, at-times unnerving, and gorgeous. I love it. They joined me outside Tacos El Tio in Oak Park (1115 Lake Street) for a conversation about their history, “Desire,” and the incredibly spooky place where the album was recorded. Befriend Friend of a Friend. I think you’re going to love them. Car Con Carne is sponsored by Easy Automation: Looking to transform your home, office, or business into a smart, seamlessly connected space? Easy Automation is a local business, headquartered in Aurora, Illinois, that delivers custom automation solutions tailored to your lifestyle. Whether you’re upgrading your home entertainment, streamlining your office tech, or enhancing the atmosphere in your restaurant or sports bar, they’ve got you covered. Their expert team designs and installs personalized systems—from smart lighting and climate control to audio/video distribution and robust Wi-Fi networks—all managed through an intuitive app on your favorite device. Easy Automation makes technology work for you—effortlessly, reliably, and always with your satisfaction guaranteed. Visit easy-automation.net or call Dan at 630-730-3728 and take control of your environment today! ## Car Con Carne is also sponsored by Exploding House Printing, here for all of your screen printing, embroidery and other merchandising needs. They’re local, headquartered in the heart of Hermosa. Their focus is on small businesses, bands, brands, and everything in between. They’ve worked on products for Meat Wave, Empty Bottle, the Music Box, Dante’s Pizzeria, the Brokedowns, just to name a handful of familiar bands and brands. Jonathan at Exploding House has been doing screen printing for decades. He knows what he’s doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices. Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients. Email info at exploding house printing dot com for a quote today.See omnystudio.com/listener for privacy information.

Mabe Fratti is everywhere these days, and for good reason. The Guatemalan-born, Mexico City-based cellist, vocalist, and composer has built a formidable reputation for creating music that seamlessly blurs between experimental pop and improvisation.We got into one, exploring Mabe's journey from her religious upbringing in Guatemala to becoming a consistently innovative artist. She candidly shares how playing improvisational cello in a 5,000-capacity neo-Pentecostal church connected her to "the spiritual part of music" – an experience that would shape her artistic approach for years to come. When a Goethe Institute residency brought her to Mexico City, she discovered free improvisation that felt "like being a child again," setting her on a path of constant musical exploration.Mabe talks about embracing vulnerability and uncertainty. Rather than pursuing a signature sound, she approaches each project with different visions – from her collaborative work with Amor Muere and Titanic to her solo albums. "I am the one who changes my mind very fast," she admits, discussing how her latest album title "Sentir Que No Sabes" (Feel Like You Don't Know) reflects her comfort with constant evolution.Throughout our discussion, Mabe offers wisdom on navigating creative doubts through playing, meaningful conversations, and continuous learning. As she puts it: "If I feel doubt in this, why not explore that doubt through learning?" Mabe's new album with Titanic, "Hagen" is available from September 5th Check it out on BandcampListen to Mabe Fratti's music on BandcampFollow Mabe Fratti on Instagram: @mabefrattiIf you enjoy Lost and Sound and want to help keep it thriving, the best way to support is simple: subscribe, leave a rating, and write a quick review on your favourite podcast platform. It really helps others find the show. You can do that here on Apple Podcasts, Spotify, or wherever you like to listen.Huge thanks to Audio-Technica – makers of beautifully engineered audio gear and sponsors of Lost and Sound. Check them out here: Audio-TechnicaWant to go deeper? Grab a copy of my book Coming To Berlin, a journey through the city's creative underground, via Velocity Press.And if you're curious about Cold War-era subversion, check out my BBC documentary The Man Who Smuggled Punk Rock Across The Berlin Wall on the BBC World Service.You can also follow me on Instagram at @paulhanford for behind-the-scenes bits, guest updates, and whatever else is bubbling up.

„Sjael" ist Schwedisch und bedeutet Seele. Beim A-cappella-Ensemble Sjaella aus Leipzig kommt hinten noch eine weiche Abrundung dran und fertig sind Name, Programm und künstlerisches Konzept. Dass die 7 jungen Frauen auch selbst jede Menge Seele haben, weiß man sofort, wenn man sie hört. Harmonisch ihr Klang, oft ätherisch und voll musikalischer Energie. Seit genau 20 Jahren singen sie zusammen, mit einem Repertoire von Bach über Jazz bis Avantgarde.

Vor 125 Jahren kam Ernst Krenek am 23. August in Wien zur Welt. Der vielseitige Komponist ging ganz andere Wege als Arnold Schönberg und die Avantgarde. Kreneks Schaffen heute auf einen Nenner zu bringen ist so gut wie unmöglich.

Manche Touristen kommen drei Mal am Tag, weil sie das Klo so schön finden, erzählt Paula. Früher war sie berühmte Tänzerin, und nun ist sie hier. So viel Nacktheit sei einfach unanständig, beschwerte sich die Wiener Gesellschaft um 1900, als der Architekt Adolf Loos keine aristokratischen Schnörkel bauen ließ, sondern ganz glatte Marmorwände, pure Avantgarde damals. Am berühmtesten ist das Loos-Haus am Michaeler Platz, aber am meisten Publikum hat das Loos-Klo am Wiener Graben. Die vergoldeten Armaturen glänzen um die Wette mit Paula Krugs Erinnerungen. Von Anja Kempe. Regie und Produktion: Anja Kempe. WDR 5 / SWR Kultur — Reportage

Avantgarde Vak 08.20.25 | VISLA FM by VISLA

Luisa Ziaja spricht mit Oliver Ressler über seine künstlerische Praxis, insbesondere über seine Videos und Videoinstallationen der letzten Jahre. Diese setzen sich mit dem Klimakollaps und aktivistischer Organisierung dagegen aus, geben Einblicke in Klimaaktivismen und laden ein zu einem Nachdenken darüber, wie Gesellschaft demokratischer und inklusiver gestaltet werden könnte. Luisa Ziaja kuratierte 2024 die Einzelausstellung "Dog Days Bite Back" von Oliver Ressler im Belvedere 21. Oliver Ressler war von 2007–2013 Mitglied im Vorstand der Secession. Das Gespräch wurde am 16. Mai 2025 aufgenommen. Oliver Ressler lebt in Wien und arbeitet an Installationen, Projekten im Außenraum und Filmen zu Ökonomie, Demokratie, Klimakollaps, Formen des zivilen Ungehorsams und gesellschaftlichen Alternativen. Seine 44 Filme wurden in tausenden Veranstaltungen von sozialen Bewegungen, Kunstinstitutionen und Filmfestivals gezeigt. Ressler hatte Überblickseinzelausstellungen im MNAC – National Museum of Contemporary Art, Bukarest; SALT Galata, Istanbul; Centro Andaluz de Arte Contemporaneo, Sevilla; Museo Espacio, Aguascalientes, Mexiko and Belvedere 21, Wien. Er nahm an über 480 Gruppenausstellungen teil, wie im Museo Reina Sofía, Madrid; Centre Pompidou, Paris; Yerba Buena Center for the Arts, San Francisco und an den Biennalen in Prag, Sevilla, Moskau, Taipeh, Lyon, Gyumri, Venedig, Athen, Quebec, Helsinki, Jeju, Kiew, Göteborg, Istanbul, Stavanger, Istanbul and an der Documenta 14, Kassel, 2017. Von 2019-2023 arbeitete Ressler an einem Forschungsprojekt über die Klimagerechtigkeitsbewegungen, "Barricading the Ice Sheets", das vom Wissenschaftsfonds FWF finanziert wird und in sechs Einzelausstellungen mündete: Camera Austria, Graz (2021); Museum of Contemporary Art, Zagreb (2021); Neuer Berliner Kunstverein (n.b.k.), Berlin (2022); Tallinn Art Hall, Tallinn (2022); LABoral Centro de Arte y Creación Industrial, Gijón (2023); The Showroom, London (2023). www.ressler.at Luisa Ziaja ist Kunsthistorikerin, Kuratorin, Universitätslektorin und Autorin. Sie ist Chefkuratorin und Sammlungsleiterin der Österreichischen Galerie Belvedere, wo sie von 2013 bis 2022 als Kuratorin für zeitgenössische Kunst tätig war. Rezente Ausstellungen: Hans Haacke. Retrospektive (2025), Dara Birnbaum. Bruckner: Symphonie Nr. 5 B-Dur, Oliver Ressler. Dog Days Bite Back (2024), Renate Bertlmann. Fragile Obsessionen, Über das Neue. Wiener Szenen und darüber hinaus, Public Matters. Zeitgenössische Kunst im Belvedere-Garten (2023), Das Belvedere. 300 Jahre Ort der Kunst (2022), Avantgarde und Gegenwart. Die Sammlung Belvedere von Lassnig bis Knebl (2021). Von 2004 bis 2012 setzte sie als freie Kuratorin mehrjährige Forschungs- und Ausstellungsprojekte um; von 2000 bis 2004 war sie als Assistenzkuratorin in der Generali Foundation Wien tätig. Luisa Ziaja ist Co-Leiterin des postgradualen Studienprogramms für Ausstellungstheorie und -praxis /ecm – educating, curating, making an der Universität für angewandte Kunst Wien (seit 2006) und unterrichtete darüber hinaus u.a. an der Zürcher Hochschule der Künste, der Technischen Universität Wien und der Akademie der bildenden Künste Wien. Sie ist Mitglied des Universitätsrates der Akademie der bildenden Künste Wien (seit 2023) und war und ist Teil zahlreicher Fachjurys und Beiräte. In ihrer kuratorischen und diskursiven Arbeit beschäftigt sie sich u.a. mit dem Verhältnis von Gegenwartskunst, Gesellschaft und (Geschichts-)Politik sowie mit der Geschichte und Theorien des Ausstellens. Luisa Ziaja ist Mitherausgeberin des peer-reviewed Belvedere Research Journal, sowie Autorin und Mitherausgeberin zahlreicher Ausstellungskataloge und Sammelbände zu zeitgenössischer künstlerischer und kuratorischer Praxis, Kunst- und Ausstellungstheorie, darunter die Publikationsreihe curating. ausstellungstheorie & praxis in der Edition Angewandte, zuletzt Nicht einfach ausstellen. Kuratorische Formate und Strategien im Postnazismus, Berlin/Boston 2024. Secession Podcast: Members ist eine Gesprächsreihe mit Mitgliedern der Secession. Das Dorotheum ist exklusiver Sponsor des Secession Podcasts. Programmiert vom Vorstand der Secession. Jingle: Hui Ye mit einem Ausschnitt aus Combat of dreams für Streichquartett und Zuspielung (2016, Christine Lavant Quartett) von Alexander J. Eberhard. Schnitt: Paul Macheck Produktion: Jeanette Pacher & Bettina Spörr

Wenn die israelisch-deutsche Musikerin Tamar Halperin nicht gerade Barockmusik dirigiert, dann sitzt sie an Cembalo, Klavier, Fender Rhodes oder Wurlitzer Orgel und tüftelt an Synthesizern, um unerhörte Klanglandschaften zu schaffen. Irgendwo zwischen Barock und Avantgarde - jedenfalls immer überraschend!

Hereinspaziert, hereinspaziert, meine Damen und Herren! Jawohl, die letzte Folge unserer vierten Staffel riecht nach Theaterschminke und Sägespänen, denn unser Thema ist der Zirkus. Dabei geht es nur bedingt um Clowns, Akrobaten und Trapezkünstlerinnen, sondern um Songs und Musikstücke, die (in irgendeiner Sprache) das Wort "Zirkus" im Namen tragen. So haben wir eine gewohnt abwechslungsreiche Mischung zusammengestellt, mit melodischem Folk-Rock, düsterem Synth-Pop und Big-Band-Jazz an der Grenze zur Avantgarde. Das älteste Stück, das wir diesmal vorstellen, ist eine Komposition für Xylofon und Orchester und stammt aus dem 19. Jahrhundert. Sowas hört man selbst bei uns nicht alle Tage. Neugierig geworden? Dann viel Spaß beim Hören – und Manege frei!

Zillmann, Barbara www.deutschlandfunk.de, Am Sonntagmorgen

Black Sabbath "Embryo"Black Sabbath "Children Of The Grave"Melvins "Symptom Of The Universe"Sleep "Snowblind"Graves At Sea "Orchid / Lord Of This World"Cathedral "Wheels Of Confusion"Goatsnake "Who Are You"Eyehategod "Sabbath Jam"Ozzy Osbourne "Mr. Crowley" (Live)

Hocus Focus Mix met Avicii, Swedish House Mafia, Sash!, Avant Garde, Kid Cudi, Crookers & Imagine Dragons

Paris sits down with her friend, artist, and talented, Bil Brown. They kick off the conversation with a lighthearted discussion about Bil's long hair and a humorous, unexpected suggestion of a live haircut. Bil shares a funny anecdote about his last haircut being during the pandemic and a Jim Morrison quote about bad haircuts. Paris then reminisces about how she first met Bil years ago at a convention in Las Vegas, even before their more memorable meeting at Leica, a detail she didn't recall until much later. Bil then discusses his "Black and Gray" magazine, which is making a comeback, and mentions his collaboration with Matt Mercury, who will be an associate publisher.Bil delves into his diverse professional background, starting with his MFA in avant-garde poetry from the Jack Kerouac School of Disembodied Poetics at Naropa University, a Buddhist college. He recounts how he became a photographer by accident after working for a modeling agency and shares fascinating stories about meeting comedian Jeff Garlin and being introduced to Robert Frank by Allen Ginsberg. He also details his involvement with the Ginsberg archive at Stanford, where he photographed Ginsberg's India journals with his Leica. The conversation then shifts to Bil's 15-year career as an agent, where his major client was Amazon Fashion, overseeing 600+ photographers, stylists, and digitechs across numerous studios. He reveals the shocking reason for the end of his relationship with Amazon: they were using his talent to train their AI, and then proposed a "collab agreement" where he would pay them to hire his talent, which he refused.Inspired by these experiences, Bil shares his new "vow of photography," mirroring his earlier "vow of poetry" to "make the world safe for photography" in the face of AI. He emphasizes the importance of content credentials in cameras like the Leica M11-P to prove authenticity. They touch upon the controversial situation surrounding Nick Ut's iconic photo and the ongoing debate about attribution. Bil also discusses his family history, including his Cherokee great-grandfather and his surprising connection to the wealthy Brown family of Louisville, Kentucky. He closes by sharing a poem from his Kerouac School days and his vision for the revived "Black and Gray" magazine, aiming to feature both renowned and emerging artists while incorporating street photography ethics into editorial work.Show Notes:www.theparischongshow.com/episodes/bil-brown-from-avant-garde-poetry-fashion-photography-black-gray-magazine-to-art-aiChapters:(00:00:00) Intro(00:00:28) Bil Brown(00:02:21) Black & Grey(00:11:22) Amazon(00:13:14) Vow of Photography(00:16:20) Magnum(00:19:28) #1 Dad(00:21:58) 100 Years of Leica Block Party(00:24:11) Black & Grey Reissue(00:29:43) Street Photographers(00:34:20) Thoughts on AI(00:39:57) Film vs Digital(00:46:32) Outro

Only five tracks this week but a great five tracks! Includes a couple of "guitar hero" appearances!Playlist: Pharoah Sanders - The creator has a master planCory Weeds, Jerry Weldon - One flight downNew Tony Williams Lifetime - FredSpike Wilner Trio Contrafactus - Moment to moment (for Harry Whitaker)Pat Metheny with Dave Holland & Roy Haynes - Three flights up

Thorn Wych "Ramble In The Bramble"Archimedes Badkar "Wago Gozeze"Sun City Girls "The Venerable Uncle Tompa"Linda Perhacs "Call Of The River"Satomimagae "Uchu"Pelt "Hippy War Machine" 

This was an "all new" show. 9 first time releases, 1 re-release.Playlist: Skullcap - Pine trees of Tennesseegallus gallus - 1 (cancri e)Heavyweights Brass Band - North Philly's finestCharles Kynard - Slop jarDIVA Jazz Orchestra - Ko-koDan Weiss - Unclassified actionsTim Jago - Time shiftNolasiA - All bluesChris Smith - Elderly woman behind the counter in a small townAlbare - Hypothetical retrospection

Some new, some old, nothing too far out.Playlist: Spike Wilner Trio Contrafactus - The child and the warlockRon Korb - La la formosa postludeAndy Milne & Unison - The callMarion Brown - Sweet earth flying part 3Haas Company - AphelionJoe Henderson - Loose changeKristen R. Bromley - Wahoo!Bitter Funeral Beer Band - Funeral dance (excerpt)The Empress - Caravan

Vor 90 Jahren wurde Luzern zum Pol für die Avantgarde. Eine neue Ausstellung rekonstruiert nun eine legendäre Schau und bringt dafür fast hundert Werke aus der ganzen Welt zusammen.

Are we living through the death of innovation? We're back in HQ asking a tough question: has culture stagnated, and if so, is economics to blame? We explore the twin juggernauts of our age: financialisation and tech. From Florence under the Medicis to Hollywood in 2023, we trace how once-risky bets on the new have been replaced by spreadsheets and streaming algorithms. In 2023, all of the top 10 highest-grossing global films were sequels, spin-offs, or remakes. Back in 2005, 40% of top films had original scripts; now it's less than 10%. Meanwhile, only 27% of all streamed music is new, and catalogue music made up 70% of US consumption by 2021. We ask: who owns culture now? What happens when Spotify, Marvel, and private equity become the A&R men of our era? And could the rise of AI, which looks backwards by design, make this even worse? Join us as we unravel how economics may be drowning out the avant-garde. Hosted on Acast. See acast.com/privacy for more information.

Mgła "Exercises In Futility"Robbie Basho "The Grain & The Lotus"Current 93 "The Mystical Body of Christ..."Kyrian's Circle "Kun Puhu Myrskyn Henki"Trees "Ashes"Deathspell Omega "Carnal Malefactor" 

A bit of a rock element today and longer tracksPlaylist: Rudresh Mahanthappa & Bunky Green - The journeyPassport - HomonculusThe Mothers of Invention - King Kong (part one)Paul Motian Trio - YallahJack Bruce, BBC Big Band - White room

Text us about this show.Meet The Seavers is perhaps the most unique musical act in NE Wisconsin and the bio on their website states They don't fit in and they like it that way. Their music has been dubbed "New Avant Garde Swing" and when you give it a listen you understand almost immediately why. However, that description doesn't mean it isn't accessible to the general listening public. Jace K. and Dorothy G. Seavers have crafted an act that's equal parts jazz, swing, Vaudeville, rockabilly, spacey, and humor. They're set apart by just about every aspect that makes them Meet The Seavers and it's a refreshing change of pace for those that have discovered them. Do yourself a favor and discover them too!"Here In Manitowoc" and "Syncopated Steam" performed by Meet The Seaverswritten by Jace K. Seavers℗ 2024 2143502 Records DK. Used with permission of Jace K. Seavers"On A Day Like Today" performed by Meet The Seaverswritten by Jace K. Seavers℗ 2013 Meet The Seavers. Used with permission of Jace K. SeaversSupport the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

On this episode, we were joined by Francesca Wade to discuss her groundbreaking new biography, Gertrude Stein: An Afterlife. This book paints a dual portrait of Gertrude Stein by dividing her story into two parts: her life and her afterlife. Doing this not only brings her partner, Alice B. Toklas, into clearer view, but also separates Stein's work and its lasting impact from her larger-than-life personality. Francesca takes us behind the scenes of her exhaustive research—from exploring the Yale archives, which hold over 75 years of manuscripts, personal letters, and photographs, to visiting the French countryside where Stein and Toklas lived during the German occupation.  We also discuss how Toklas, left behind after Stein's death, devoted herself to preserving Stein's legacy, even as she struggled with legal battles and near-poverty while living surrounded by Picassos she couldn't bring herself to sell.Hosted by Ryan Edgington and Olivia Robinson. 

Kinda all over the map...Playlist: Kamasi Washington - The magnificent 7Femi Kuti - Last muguDave Sharp Worlds Quartet - Rue de royalMary Halvorson - Carved fromGeoffrey Dean Quartet - What may comeWayne Shorter - MontezumaMike Field - One time in TibetBrad Turner - Mr. Charles

Hello wonderful people!   You can follow the podcast on Threads, Instagram and Bluesky.   Thank you so much to Patreon subscribers! If you would like to support the podcast and get ad free versions you can subscribe for $3 or £3 a month at https://www.patreon.com/everyscififilm   The idea behind the podcast is we all watch the film (with film choices and where to watch given in the show notes of the previous episode) and then you can listen to the podcast after two weeks and learn more about the film.   It has been brought to my attention (thank you, Olivia!) that sometimes a synopsis might be very helpful to know what on earth is going on. It seems not everyone is watching these films before listening. So, I have added more information further below. As always there are spoilers ahead!   The Tingler (1959) was released in cinemas with the expectation that cinema owners would install “Percepto!” under certain seats. This was a small electric buzzing device that would be triggered during key moments of the film.   Director William Castle was known for these kinds of interactive, promotional gimmicks and had used them many times before. The tradition of “Ballyhoo” in cinema is an old one and involves enticing audiences to the movies with various types of marketing stunts.   Vincent Price plays the hammy lead with a gravitas very few people can pull off. I found this to be a thoroughly enjoyable film despite the lack of “Percepto!” in my own home.   As always, I am lucky to have two excellent guests joining me.   Scott Higgins is Professor of Film at Wesleyan University as well as being the Curator of the Wesleyan Cinema Archives.   Matthew Rule Jones is a senior Lecturer in Film Studies at the University of Exeter.   Chapters 00:00 Intro 01:57 William Castle the King of Ballyhoo 04:21 William Caste's background 10:19 The death of Florence Lawrence and movie myth-making 13:50 The Avant Garde, The Grand Guinol and The Surrealists 18:40 Red blood in a black and white film 21:50 A brink film: LSD, insanity and the impending Psycho 25:53 Loose ends and ethical loopholes 29:03 Vincent Price as the part-time mad scientist 33:33 The bad wife 34:57 The Tingler, teen audiences and a screaming crescendo 40:07 Manly screaming and scream queens 42:33 The silent era references 46:32 Legacy 52:14 Recommendations   NEXT EPISODE! Next episode we will be talking about The Wasp Woman from 1959 directed by Roger Corman. I believe the film is in the public domain and is easily available online for free or to buy and rent on many streaming services.   It is also available on YouTube: https://www.youtube.com/watch?v=JpPAN6frZmU   Synopsis of The Tingler The Tingler begins with the director William Castle addressing the audience about how they are about to experience a tingling sensation that no audience has ever experienced before. Relief can be gained by screaming!   The story involves Dr Warren Chapin (played by Vincent Price) investigating the cause of why some inmates are frightened to death before their executions. A man names Olly Higgins visit Dr Chapin and tells him that it is his brother-in-law that Chapin is doing an autopsy on. Chapin is convinced there is something physical in the body that causes death by fear!     Olly Higgins runs a silent cinema with his deaf-mute wife Martha.   Warren Chapin is  obsessed with his work and ignores his wife who has decided to spend her time cavorting with other men! Her sister Lucy is good, kind and the epitome of idealised 1950s femininity. Lucy is in love with Dr Chapin's assistant David.   In his experiments Dr Chapin pretends to kill his wife to scare her, tests LSD on himself (a relatively new drug that is in 1959 legal and used by psychologists) and experiments on animals and potentially on Martha Higgins with LSD although that part isn't really clarified.   In an x-ray of his wife (who he has frightened into believing she's dead – we can't expect things to make sense) Dr Chapin discovers there is a long caterpillar-like creature that hugs the spine when people are terrified.   Dr Chapin visits Martha Higgins to give her some medication which may or may not be LSD. After this she experiences many frightening experiences including a bath filled with red blood (in a black and shite film). Martha is terrified of blood and collapses.     Olly Higgins brings his wife Martha to Dr Chapin. She is very sick or dead. Dr Warren declares Martha dead but after she moves he gets permission to find out why. He discovers and extracts the tingler!   Shenanigans commence involving a murderous wife, an escaped tingler in the silent cinema and Martha's revenge!

Conflict "The Positive Junk"Conflict "The System Maintains"The Beach Boys "A Day In The Life Of A Tree"Sly & The Family Stone "Hot Fun In The Summertime"War "The World Is A Ghetto"Luis Perez "Ipan In Xiktli Metzli"Alice Coltrane featuring Pharoah Sanders "Isis and Osiris"Sun Ra And His Myth Science Arkestra "Next Stop Mars"

Ein Theaterskandal, ein Gerichtsprozess und jede Menge Feinde. Hätte Erik Satie gewusst, worauf er sich mit der Ballettmusik "Parade" einlässt, hätte er die Finger davon gelassen. Von Michael Lohse.

Part 1 of our double episode about Jack Hilton, a working-class author, World War I veteran, unemployed movement organiser, and trade union activist from Rochdale, north-west England.For this episode, we spoke to Jack Chadwick whose literary detective work rescued Hilton from almost total obscurity. We discussed Hilton's life growing up in Rochdale's slums, starting work at nine years old, and his activism in the National Unemployed Workers' Movement. We also talked about how he began writing, how Caliban Shrieks was celebrated within the London literary scene, and his long-term (and complex) relationship to George Orwell.More informationBuy Caliban Shrieks from an independent bookshopFull show notes including sources, photos, and eventually a full transcript are available on our website: https://workingclasshistory.com/podcast/wcl12-13-jack-hilton-rochdale-caliban/AcknowledgementsImage: Jack Hilton. Credit: Jack Chadwick.Thanks to all our patreon supporters for making this podcast possible. Special thanks to Jazz Hands, Fernando Lopez Ojeda, Nick Williams and Old Norm.Our theme tune is Bella Ciao, thanks for permission to use it from Dischi del Sole. You can purchase it here or stream it here.This episode was edited by Jesse French.Become a supporter of this podcast: https://www.spreaker.com/podcast/working-class-history--5711490/support.

Back in the 1970's in the United Kingdom, there was a sole female Director of a movie. It was an avant-garde, cinematic depiction of the person's stage work and a perfect example of "Panic" Cinema. That film is THE OTHER SIDE OF THE UNDERNEATH.It's a cinematic journey we could not take on our own so we brought back Josh and Kat of Uncomfortable Brunch to bring a bit of academia to the table. We also introduce a new segment that tests Josh's proclivities. In an episode that talks about everything but the film in question, we believe our thought process is accurate.Everything makes sense... eventually.

Join Luke, Elliot, Bree, and Jarrod in this episode of Checkpoint on JOY where they talk about avant-garde and arthouse gaming   Catch the latest episode on Spotify:   Giving... LEARN MORE The post Avant-garde and arthouse gaming appeared first on Checkpoint.

Jake and Phil discuss Clement Greenberg's 1939 "Kitsch and the Avant-Garde" alongside Taylor Swift's "I Knew You Were Trouble" and Leonard Cohen's "Chelsea Hotel No. 2" The Manifesto: Clement Greenberg, "Avant-Garde and Kitsch" https://resources.finalsite.net/images/v1606923282/slcschoolsorg/wumlyaskvhhzawsvbbzc/Avant-GardeandKitsch.pdf The Art: Taylor Swift, "I Knew You Were Trouble" https://www.youtube.com/watch?v=vNoKguSdy4Y Leonard Cohen, "Chelsea Hotel No. 2" https://www.youtube.com/watch?v=QWZo7UmCbBc

Composers Samuel Andreyev and James Ingram discuss the tradition and history of avant garde notation in music.==PRIVATE LESSONS IN COMPOSITION AND ANALYSISContact me via samuel.andreyev (at) gmail (dot) comSUPPORT THIS PODCASTPatreonDonorboxSAMUEL ANDREYEV'S NEW ALBUMhttps://divineartrecords.com/recording/samuel-andreyev-in-glow-of-like-seclusion/LINKSYouTube channelOfficial WebsiteTwitterInstagramEdition Impronta, publisher of Samuel Andreyev's scoresEPISODE CREDITSPost production: Arkadiusz BuchalaPodcast artwork photograph © 2019 Philippe StirnweissSupport the show

Get your VR helmet and your pizza margarita, as we head to Psychobook in the very weird, very dreamlike Jesus Shows You the Way to the Highway. Join us as we discuss the crazy turns this movie takes, try to decipher exactly what's happening, and worship at the feet of the second coming of Jesus, Roy Mascarone. The Patreon page is now live and you can check it out at Patreon.com/TCTAMPod.Find us on Bluesky, Instagram, and Threads @TCTAMPod and on TikTok @theycalledthisamovie.Our theme music was written and performed by Dave Katusa. He can be found on Instagram @dkat_productions.

In this episode, we will explore the life and works of Oleksandra Ekster, a prominent Ukrainian avant-garde artist of the early 20th century. We will discuss cubofuturism, the cultural identity of Kyiv, the role of women in Ukrainian art, and the connections between Ukrainian and European avant-garde art. Our guest for this episode is Anna Lodygina, a Ukrainian art historian and journalist. She recently published a book in Ukrainian titled "Stories of Ukrainian Artists: Oleksandra Ekster." This conversation is moderated by Tetyana Ogarkova, a Ukrainian literary scholar and journalist, author of the podcast "L'Ukraine face a la guerre" (Ukraine facing the war) in French, and head of international outreach at Ukraine Crisis Media Centre. "Explaining Ukraine" is a podcast of UkraineWorld, an English-language media outlet about Ukraine run by Internews Ukraine. You can support our work on https://www.patreon.com/c/ukraineworld. Your support is crucial for us as we rely heavily on crowdfunding. You can also support our volunteer trips to the frontline areas in Ukraine, where we provide support for both soldiers and civilians. You can donate via PayPal, ukraine.resisting@gmail.com. This episode is made in partnership with Kyiv-Mohyla Academy and under the framework of the project HER-UKR: Challenges and opportunities for EU heritage diplomacy in Ukraine, co-funded by the EU within the ERASMUS+ Jean Monnet Policy Debate action.

Welcome to Rendering Unconscious – the Gradiva award-winning podcast about psychoanalysis & culture, with me, Dr Vanessa Sinclair. https://renderingunconscious.substack.com RU348: LIS HANSCOMBE ON THE CULTURE OF SILENCING IN PSYCHOANALYTIC INSTITUTES & BEYOND https://renderingunconscious.substack.com/p/ru348-lis-hanscombe-on-the-culture Rendering Unconscious episode 348. Rendering Unconscious welcomes Lis Hanscombe to the podcast! She's here to talk about her new book The Museum of Failure (2025), addressing the culture of silencing in psychoanalytic institutes and beyond. Read a review of the book HERE: https://www.tandfonline.com/doi/full/10.1080/14484528.2025.2492978?src=exp-la Elisabeth Hanscombe, who holds academic status at Flinders University, has published numerous short stories and essays in autobiography, psychoanalysis, testimony, trauma, and creative non-fiction. Her PhD, ‘Life writing and the desire for revenge' was accepted in 2012 and her first book The Art of Disappearing was published by Glass House books in 2017. Her next, The Museum of Failure, in February 2025. Follow her at her Blog: https://www.sixthinline.com Support her work at Substack: https://elisabeth107.substack.com Thank you for listening to Rendering Unconscious Podcast and for supporting my work by being a paid subscriber at Substack. It makes this work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including all new, future, and archival podcast episodes. https://renderingunconscious.substack.com News and events: THIS FRIDAY, Carl Abrahamsson and I will be leading a 2-hour workshop. This will be the 3rd workshop in our year long Sentient Solar Cycle. Each month on the 23rd, we look at the astrology, cycles of the moon, and seasonal shifts, consulting the runes and tarot. Our focus is how to integrate magical practices into daily life, working with natural cycles and one's own creative practices. After about an hour, we shift into the second part of the workshop, putting theory into praxis by focusing one's intentions for the upcoming month through guided meditation. More info & REGISTER HERE: https://vanessa23carl.substack.com/p/put-your-magic-into-practice-with Beginning Sunday, May 25th, I will be giving a 4-week online course via Morbid Anatomy Museum: The Cut in Creation: Exploring the Avant-Garde, Dada, Surrealism, Modern Art, Noise Music, and Performance Art through a Psychoanalytic Lens: https://www.morbidanatomy.org/classes/p/the-cut-in-creation-exploring-the-avant-garde-dada-surrealism-modern-art-noise-music-and-performance-art-through-a-psychoanalytic-lens-led-by-vanessa-sinclair-psyd If you are interested in entering into psychoanalytic treatment with me, seek clinical consultation, or wish to join the group I run for those who have relocated to another country, please feel free to contact me directly: vs [at] drvanessasinclair.net https://www.drvanessasinclair.net/ The song at the end of the episode is "Blissful Mirage (Out Of Reach)” from the album “Nervous Shakedown” by Vanessa Sinclair and Pete Murphy, featuring Little Annie on vocals. Available at Pete Murphy's Bandcamp Page: https://petemurphy.bandcamp.com Our music is also available at Spotify and other streaming services: https://open.spotify.com/artist/3xKEE2NPGatImt46OgaemY?si=jaSKCqnmSD-NsSlBLjrBXA Thank you.

Welcome to Rendering Unconscious – the Gradiva award-winning podcast about psychoanalysis & culture, with me, Dr Vanessa Sinclair. https://renderingunconscious.substack.com Rendering Unconscious episode 347. RU347: CARTER CARTER ON ABOLISHING THE PSYCHOANALYTIC INSTITUTE: https://renderingunconscious.substack.com/p/ru347-carter-carter-on-abolishing Rendering Unconscious welcomes Carter J. Carter back to the podcast! He's here to talk about his upcoming event Abolish the Psychoanalytic Institute, part of Psychoanalytic Inquiry's Decentralized Learning Experiences. Tuesday, May 20th at 5:00 – 6:30 PM PT. https://www.psychoanalyticinquiry.com/event/abolish-the-psychoanalytic-institute/ Carter J. Carter, Ph.D, LICSW is a clinician, academic, and author. He has a private practice in psychotherapy and clinical supervision and a farm; he is the author of a number of recent psychoanalytic articles and a forthcoming book, “Bound to Lose: How Fascism Came for Psychoanalysis.” https://carterjcarter.com Support his work at Substack: https://carterjcarter.substack.com Thank you for listening to Rendering Unconscious Podcast and for supporting my work by being a paid subscriber at Substack. It makes this work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including all new, future, and archival podcast episodes. https://renderingunconscious.substack.com Be sure to check out our previous discussions: RU319: FREUDO-ANARCHISM: PSYCHOANALYSIS & THE ANARCHIST TRADITION WITH CARTER J. CARTER, GOTTFRIED HEUER, SAUL NEWMAN, ALICIA VALDÉS & ZOÉ SAMUDZI @ THE RED CLINIC RU298: ON PALESTINE & PSYCHOANALYSIS WITH CARTER CARTER, MOLLY MERSON, ISABEL MILLAR, IAN PARKER, RAZZAN QURAN, AVGI SAKETOPOULOU, LARA SHEEHI & VANESSA SINCLAIR RU254: ON THE STATE OF PSYCHOANALYSIS WITH CARTER CARTER, MARY KIM BREWSTER, MOLLY MERSON, ANN PELLEGRINI, AVGI SAKETOPOULOU, LARA SHEEHI, STEPHEN SHEEHI & VANESSA SINCLAIR RU229: CARTER J. CARTER PRESENTS “ALL THE RAGE: THE WHITENESS OF PSYCHOANALYSIS, AND WHAT IT CANNOT DARE TO SEE” RU227: CARTER CARTER & MARY KIM BREWSTER – OUR BEAUTIFUL STRUGGLE: DESTRUCTION, CREATION & PSYCHOANALYSIS News and events: Beginning Sunday, May 25th, Dr. Vanessa Sinclair will be giving a 4-week online course via Morbid Anatomy Museum: The Cut in Creation: Exploring the Avant-Garde, Dada, Surrealism, Modern Art, Noise Music, and Performance Art through a Psychoanalytic Lens: https://www.morbidanatomy.org/classes/p/the-cut-in-creation-exploring-the-avant-garde-dada-surrealism-modern-art-noise-music-and-performance-art-through-a-psychoanalytic-lens-led-by-vanessa-sinclair-psyd If you are interested in entering into psychoanalytic treatment with me, joining the group I run for those who have relocated to another country, or have other questions, please feel free to contact me directly: vs [at] drvanessasinclair.net https://www.drvanessasinclair.net/ Thank you.

In this episode of Working Class Audio, Matt welcomes Mastering engineer, Composer, and Guitarist Sarah Register. Her mastering clients include Faye Webster, Channel Tres, Jeffrey Lewis, Alice Longyu Gao, Lee "Scratch" Perry, S.G. Goodman, Wye Oak and many more.  In This Episode, We Discuss: Identity & Balance Avant Garde Egoic Attachment to Past Methods Health and Sanity NYC & The Nervous System 10,000 Hours at Once Playing with Kim Gordon Touring Mastering In The Box Being Flexible on Rate Links and Show Notes: Sarah's Site Matt's Rant: The Battle for Organization Credits: Guest: Sarah Register Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith

Welcome to Rendering Unconscious – the Gradiva award-winning podcast about psychoanalysis & culture, with me, Dr Vanessa Sinclair. https://renderingunconscious.substack.com Rendering Unconscious episode 346. Rendering Unconscious welcomes J.M. Hamade back to the podcast! They're here to talk about their books Procession of the Night Theatre: An Exposition on the Lunar Stations (Revalore Press): https://amzn.to/3F4xkn0 and The Sun of Knowledge (Shams al-Ma'arif): An Arabic Grimoire in Selected Translation: https://amzn.to/4dvDGc9 Follow them on Patreon: https://www.patreon.com/c/starnightdwell/ Instagram: https://www.instagram.com/starnightdwell/ Jay discusses their book "Procession of the Night: Theater and Exposition on the Lunar Stations," which explores lunar mansions in Western magic, Arabic-Islamic culture, Vedic nakshatras, and Chinese astrology, emphasizing the shared meanings of stars across cultures and the concept of lunar stations as caravanserais. Jay also discusses upcoming workshops and classes, including participation in the 10th Viridis Genii Symposium. https://viridisgenii.com/jm-hamade/ Jay offers consultations and mentorships on esoteric astrology and star exploration. Visit their website. https://starnightdwell.com J.M. Hamade (starnightdwell) (they/them) is an author, researcher, artist, and educator based in New York City. Their work bridges contemporary creative modalities with archaic forms of knowing. Through practice as well as scholarly investigations their focus has been in the fields of lunar+stellar lore, non-European archeoastrologies, Islamic esotericism, Afro-diaspora traditions, and the dæmonic imagination. Be sure to check out our previous discussion: RU318: MAJD H. SAYED & J.M. HAMADE ON NON-EUROPEAN ASTROLOGIES, DJINN, THERAPY, TRAUMA, WAR ON LEBANON & GENOCIDE IN PALESTINE Thank you for listening to the Rendering Unconscious Podcast and for reading the Rendering Unconscious anthologies. And thank you so much for supporting this work by being a paid subscriber at the Substack. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including all future and archival podcast episodes. https://renderingunconscious.substack.com News and events: Sunday, May 11th – 'Eclipses, Dragon Gods, and World Snakes: The Serpent as Celestial Phenomena' with Spiritus Arcanum: https://spiritusarcanum.com/products/eclipses-dragon-gods-and-world-snakes-the-serpent-as-celestial-phenomena Beginning May 15th – 'A Starry Afterlife: Night Sky Explorations of Death and Resurrection' with Morbid Anatomy: https://www.morbidanatomy.org/classes/p/a-starry-afterlife-night-sky-explorations-of-death-and-resurrection-with-jm-hamade-begins-may-15 Beginning June 4th – 'Daemonic Doubles: The Twin, Shadow or Doppelgänger as Death and Inspiration' with Morbid Anatomy: https://www.morbidanatomy.org/classes/p/daemonic-doubles-the-twin-as-death-and-inspiration-with-author-jm-hamade-begins-june Beginning Sunday, May 25th, Dr. Vanessa Sinclair will be giving a 4-week online course via Morbid Anatomy Museum: The Cut in Creation: Exploring the Avant-Garde, Dada, Surrealism, Modern Art, Noise Music, and Performance Art through a Psychoanalytic Lens: https://www.morbidanatomy.org/classes/p/the-cut-in-creation-exploring-the-avant-garde-dada-surrealism-modern-art-noise-music-and-performance-art-through-a-psychoanalytic-lens-led-by-vanessa-sinclair-psyd If you would like information about entering into psychoanalytic treatment with me, joining the group I run for those who have relocated to another country, or have other questions, please feel free to contact me via vs [at] drvanessasinclair.net https://www.drvanessasinclair.net/contact/ Thank you.

Welcome to Rendering Unconscious – the Gradiva award-winning podcast about psychoanalysis & culture, with me, Dr Vanessa Sinclair. https://renderingunconscious.substack.com Rendering Unconscious episode 344. Rendering Unconscious welcomes Susan E. Schwartz back to the podcast! She's here to talk about her new book A Jungian Exploration of the Puella Archetype (Routledge, 2024): https://amzn.to/438dhMI RU344: SUSAN SCHWARTZ ON A JUNGIAN EXPLORATION OF THE PUELLA ARCHETYPE: https://renderingunconscious.substack.com/p/ru344-susan-schwartz-on-a-jungian Susan Schwartz discusses the Puella archetype, emphasizing its energy, creativity, and youthfulness often denigrated in society. She explains the archetype's association with the new moon and the concept of unfolding one's true self. Schwartz highlights the archetype's cultural variations and the need to update it for modern times. She critiques the patriarchal and Eurocentric aspects of the Puella and discusses its challenges, such as non-commitment and superficiality. Schwartz also explores the archetype's connection to social media, body image, and the importance of depth and authenticity in personal growth. Susan E. Schwartz, Ph.D was trained as a Jungian analyst in Zurich, Switzerland. As a member of the International Association of Analytical Psychology she has taught and presented at conferences and workshops in the United States and worldwide. She has several articles and book chapters on various aspects of Jungian psychology. https://susanschwartzphd.com Follow her at Instagram: https://www.instagram.com/susanschwartzphd/ Check out our previous discussions: RU177: JUNGIAN ANALYST SUSAN SCHWARTZ ON THE ABSENT FATHER EFFECT ON DAUGHTERS RU278: SUSAN SCHWARTZ ON IMPOSTER SYNDROME AND THE ‘AS-IF' PERSONALITY IN ANALYTICAL PSYCHOLOGY Thank you for listening to the Rendering Unconscious Podcast and for reading the Rendering Unconscious anthologies. And thank you so much for supporting this work by being a paid subscriber at the Substack. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including all future and archival podcast episodes. https://renderingunconscious.substack.com News and updates: I have a couple events coming up! Join me Saturday, May 10th, for an online workshop as I explore “Dreams as Art” with writer Emmalea Russo. We'll be delving into dreamwork, artwork, psychoanalysis as a creative practice, and the varying relationships Freud, Jung, Lacan had with art. More info & register here: DREAMS AS ART: Freud, Jung, Lacan: https://emmalearusso.com/new-products/p/psychoanalysis-as-art-freud-jung-lacan Then beginning Sunday, May 25th, I'll be giving a 4-week online course via Morbid Anatomy Museum: The Cut in Creation: Exploring the Avant-Garde, Dada, Surrealism, Modern Art, Noise Music, and Performance Art through a Psychoanalytic Lens: https://www.morbidanatomy.org/classes/p/the-cut-in-creation-exploring-the-avant-garde-dada-surrealism-modern-art-noise-music-and-performance-art-through-a-psychoanalytic-lens-led-by-vanessa-sinclair-psyd If you would like information about entering into psychoanalytic treatment with me, joining the group I run for those who have relocated to another country, or have other questions, please feel free to contact me via vs [at] drvanessasinclair.net https://www.drvanessasinclair.net/contact/ Thank you.

Welcome to Rendering Unconscious – the Gradiva award-winning podcast about psychoanalysis & culture, with me, Dr Vanessa Sinclair. https://renderingunconscious.substack.com Rendering Unconscious episode 345. RU345: DR VANESSA SINCLAIR ON SCANSION IN PSYCHOANALYSIS AND ART IN THEORY AND PRAXIS https://renderingunconscious.substack.com/p/ru345-dr-vanessa-sinclair-on-scansion For the latest episode of Rendering Unconscious Podcast, I was interviewed about my book Scansion In Psychoanalysis & Art: The Cut In Creation (Routledge), and my ideas behind the project. You can order your own copy of the book Scansion In Psychoanalysis & Art: The Cut In Creation (Routledge) HERE: https://amzn.to/4jMubrj The book explores the intricate relationships between psychoanalysis and various art movements, particularly focusing on the avant-garde. The text is structured into several parts, each addressing significant themes and historical contexts that shaped both psychoanalysis and modern artistic expressions. Throughout the book, Sinclair employs the concept of scansion—a method of analyzing rhythm and structure—to draw parallels between artistic creation and psychoanalytic processes. She argues that both realms engage in a form of cutting or disruption that reveals underlying truths about human subjectivity. By focusing on fragmentation, the manuscript illustrates how both art and psychoanalysis seek to reconstitute identity and meaning in a world marked by chaos and change. In conclusion, Scansion in Psychoanalysis and Art: the Cut in Creationpresents a comprehensive examination of the dynamic interplay between psychoanalysis and art movements, emphasizing the transformative power of disruption and the continuous quest for understanding the self in relation to the world. Sinclair's work invites readers to reconsider the significance of art as a vehicle for exploring the unconscious and the complexities of human experience. Thank you for listening to the Rendering Unconscious Podcast and for reading the Rendering Unconscious anthologies. And thank you so much for supporting this work by being a paid subscriber at the Substack. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including all future and archival podcast episodes. https://renderingunconscious.substack.com News and updates: I have a couple events coming up! Join me Saturday, May 10th, for an online workshop as I explore “Dreams as Art” with writer Emmalea Russo. We'll be delving into dreamwork, artwork, psychoanalysis as a creative practice, and the varying relationships Freud, Jung, Lacan had with art. More info & register here: DREAMS AS ART: Freud, Jung, Lacan: https://emmalearusso.com/new-products/p/psychoanalysis-as-art-freud-jung-lacan Then beginning Sunday, May 25th, I'll be giving a 4-week online course via Morbid Anatomy Museum: The Cut in Creation: Exploring the Avant-Garde, Dada, Surrealism, Modern Art, Noise Music, and Performance Art through a Psychoanalytic Lens: https://www.morbidanatomy.org/classes/p/the-cut-in-creation-exploring-the-avant-garde-dada-surrealism-modern-art-noise-music-and-performance-art-through-a-psychoanalytic-lens-led-by-vanessa-sinclair-psyd If you would like information about entering into psychoanalytic treatment with me, joining the group I run for those who have relocated to another country, or have other questions, please feel free to contact me via vs [at] drvanessasinclair.net https://www.drvanessasinclair.net/contact/ Thank you.

Welcome to Rendering Unconscious – the award-winning podcast about psychoanalysis & culture, with me, Dr Vanessa Sinclair. https://renderingunconscious.substack.com This week Rendering Unconscious welcomes Jack Black and Joseph Reynoso to the podcast! They're here to talk about their book Sport and Psychoanalysis: What Sport Reveals about Our Unconscious Desires, Fantasies, and Fears (Lexington Books, 2024) https://rowman.com/ISBN/9781666938425/Sport-and-Psychoanalysis-What-Sport-Reveals-about-Our-Unconscious-Desires-Fantasies-and-Fears ... and new journal, Sport and Psychoanalysis. https://www.tandfonline.com/doi/full/10.1080/23311886.2025.2488200 RU343: JACK BLACK & JOSEPH REYNOSO ON SPORT & PSYCHOANALYSIS: WHAT SPORT REVEALS ABOUT OUR UNCONSCIOUS DESIRES, FANTASIES & FEARS https://renderingunconscious.substack.com/p/ru343-jack-black-and-joseph-reynoso Jack and Joseph discuss their book Sport and Psychoanalysis, detailing its origins and structure. They recount their early sports-related publications, exploration of psychoanalytic theory and sports, and mutual interest in Lacanian theory. Jack shares his background in sports science and sociology. They highlight the book's five sections: athletic body, coaching, fandom, identity, and play, featuring diverse sports and theoretical perspectives. They also mention the launch of a new journal, "Sport and Psychoanalysis," inviting submissions to further explore the intersection of psychoanalysis and sports. Joseph S. Reynoso is a psychoanalytic clinical psychologist in New York City, where he treats children and adults in private practice. He is also a provider for the National Basketball Players Association's mental health and wellness program. Follow him at LinkedIn: https://www.linkedin.com/in/joseph-reynoso-a078771a/ Jack Black is Associate Professor of Culture, Media, and Sport at Sheffield Hallam University. An interdisciplinary researcher, Jack works across the disciplines of psychoanalysis, media and communications, cultural studies, and sport. Follow him at Twitter: https://x.com/jackstblack Academia: https://shu.academia.edu/JackBlack Check out our previous discussion RU324: JACK BLACK ON THE PSYCHOSIS OF RACE: A LACANIAN APPROACH TO RACISM & RACIALIZATION Thank you for listening to the Rendering Unconscious Podcast and for reading the Rendering Unconscious anthologies. And thank you so much for supporting this work by being a paid subscriber at the Substack. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including all future and archival podcast episodes. https://renderingunconscious.substack.com News and updates: I have a couple events coming up! Join me Saturday, May 10th, for an online workshop as I explore “Dreams as Art” with writer Emmalea Russo. We'll be delving into dreamwork, artwork, psychoanalysis as a creative practice, and the varying relationships Freud, Jung, Lacan had with art. More info & register here: DREAMS AS ART: Freud, Jung, Lacan: https://emmalearusso.com/new-products/p/psychoanalysis-as-art-freud-jung-lacan Then beginning Sunday, May 25th, I'll be giving a 4-week online course via Morbid Anatomy Museum: The Cut in Creation: Exploring the Avant-Garde, Dada, Surrealism, Modern Art, Noise Music, and Performance Art through a Psychoanalytic Lens: https://www.morbidanatomy.org/classes/p/the-cut-in-creation-exploring-the-avant-garde-dada-surrealism-modern-art-noise-music-and-performance-art-through-a-psychoanalytic-lens-led-by-vanessa-sinclair-psyd If you would like information about being in psychoanalytic treatment with me, or have other questions, please feel free to contact me via vs [at] drvanessasinclair.net https://www.drvanessasinclair.net/contact/ Thank you.

Legendary American scholar and critic Tom Gunning has changed the way we think about film history and the future of the medium, profoundly influencing generations of academics, artists, and cinephiles. On Sunday, April 27, Devika Girish and Clinton Krute hosted a live conversation with Gunning and curator David Schwartz at the Museum of the Moving Image, following a screening of Hal Hartley's Flirt (1995), an experimental narrative of love and loss set in three cities—New York, Berlin, and Tokyo. The event was part of a multiday series of screenings and discussions organized by Schwartz, taking place at venues including MoMI, Anthology Film Archives, and Light Industry. This special weekend marked the publication of a new collection of Gunning's writing, entitled The Attractions of the Moving Image: Essays on History, Theory, and the Avant-Garde. The conversation covered a wide range of topics, from Gunning's seminal essay “The Cinema of Attractions” (1986) to his teacher-student relationship with Hartley to some contemporary films that he's (perhaps surprisingly) enjoyed.

The Met Gala is coming up, and so is "The Debt Gala," which parodies celebrity culture and Avant Garde fashion to raise money and awareness about the issues surrounding healthcare costs. Debt Gala co-founder Molly Gaebe and comedian, writer and actor Joyelle Nicole Johnson, who got involved through her own experiences with medical debt, discuss the event, and the issue it's meant to highlight.

Miley Cyrus just released three singles from her ninth studio album, Something Beautiful. Inspired by Pink Floyd's The Wall—specifically the 1982 feature film based on the album—Cyrus is not just sharing new music but a whole visual album, each song accompanied by a music video shot by director Panos Cosmatos. We last heard from Cyrus in 2023 with her massive smash "Flowers," which found the industry veteran finding some kind of inner peace. With her new songs, Cyrus is turning from healing herself to healing the world. She described the project as "a concept album that's an attempt to medicate somewhat of a sick culture through music." What does such an endeavor sound like? For one, a lot of surprising textures and collaborators: Shoegaze guitarists, jazz saxophonists, indie rock producers. At least, sounds that are surprising to those who only know Cyrus from "Flowers," "Wrecking Ball," and "Party in the USA." The true Miley stans expect the unexpected from an artist who, it turns out, has always been weird. Songs Discussed Miley Cyrus - Flowers, Prelude, Something Beautiful, End of the World, Dooo It!, Malibu, Cattitude (feat. RuPaul), Plastic Hearts Blank Banshee - Eco Zones Caroline Polachek, Oneohtrix Point Never - Long Road Home D'Angelo - Send It On Alice Coltrane, Pharoah Sanders - Journey In Satchidananda Whitney - Forever Turned Around ABBA - Mamma Mia, Dancing Queen Alvvays - Easy On Your Own? Learn more about your ad choices. Visit podcastchoices.com/adchoices