Podcasts about dance theatre

Sam Aros-Mitchell (he/him) is an enrolled member of the Texas Band of Yaqui Indians and an interdisciplinary artist, scholar, and educator. His work spans performance, sound, light and scenic design, choreography, and embodied writing. Rooted in Indigenous cosmologies, his practice activates performance spaces as sacred sites of transformation, remembrance, and futurity. Through embodied scholarship, he interrogates colonial histories, uplifts BIPOC artistic excellence, and envisions just futures. Aros-Mitchell holds a Ph.D. in Drama and Theatre from the joint doctoral program at UC San Diego/UC Irvine, an MFA in Dance Theatre from UC San Diego, and a BFA from UC Santa Barbara. He is a 2025 Jerome Fellow and a 2023 McKnight Dance Fellow. Recently, he produced the inaugural Macalester Native Play Festival and will produce a week-long Indigenous arts festival in Mni Sota Makoce in November 2025, supported by the Minnesota State Arts Board. As a choreographer, his works include Ania Bwia Bwia Toochia , performed at Red Eye's Works in Progress (May 2023), and Finding Sentience , performed by Semaphore Dance Repertory (November 2023). Since 2017, Aros-Mitchell has collaborated with Rosy Simas Danse as a performer, teacher, and community engagement organizer, appearing in Skins (2018), Weave (2019), Simas' short film yödoishëndahgwa'geh (2021), and she lives on the road to war (2022–2024). He has also performed in Prairie/Concrete with Aniccha Arts (2023), Inner Blades of Grass (Soft), Inner Blades of Grass (Cured), Inner Blades of Grass (Bruised by the Weather) by Alutiiq/Sugpiaq multidisciplinary artist Tanya Lukin Linklater (2024), and Morgan Thorson's Untitled Night (2024).For more information, visit www.samarosmitchell.com

This is Derek Miller, Speaking on Business. Founded in 1966 in Salt Lake City, Utah, Repertory Dance Theatre has been dedicated to creating, performing, and sharing the art of modern dance. As a repertory company, they keep modern dance alive and accessible. Marketing and PR Director, Stephanie Shiozaki, joins us with more. Stephanie Shiozaki: Repertory Dance Theatre is proud to be a cornerstone of Utah's vibrant artistic community. Known worldwide for our collection of modern dance treasures, RDT is both a museum and a contemporary gallery — honoring the past while embracing the future. From the pioneers of modern dance to today's boldest choreographers, we preserve one of the largest collections of dance classics in the world. Beyond the stage, RDT is deeply committed to education and community outreach. Through lectures, open rehearsals, teacher workshops, and year-round classes, we aim to ignite the creative voice in people of all ages. From our home at the Rose Wagner Performing Arts Center, we proudly contribute to Utah's cultural, social, and economic vitality. As we celebrate our 2025–26 season, we honor over 60 years of history and look forward with unstoppable momentum — continuing to build bridges through dance across Utah, the nation, and the world. Learn more today at RDTUtah.org. Derek Miller: Repertory Dance Theatre has been part of Utah's arts scene for years, offering community programs and staying true to its passion for dance. It's a great example of how our state continues to support creativity, culture, and artistic expression. I'm Derek Miller, with the Salt Lake Chamber, Speaking on Business. Originally aired: 5/12/25

Season 2 is wrapping up and we want to hear your feedback. Loved something? Have a question you want answered? Tell us in this quick survey: https://bit.ly/madeforuspod---This week's episode:What does it take to thrive as a Black ballerina in an art form that prizes uniformity? In this episode, renowned Brazilian ballerina Ingrid Silva reflects on the professional breakthroughs and battles behind her rise in the ballet world - from spending 11 years dyeing her pointe shoes by hand to match her skin tone, to persuading the industry to prioritize inclusivity. She shares her journey from Rio de Janeiro to Dance Theatre of Harlem and how becoming a mother has impacted her career.The episode also dives into:Ingrid's childhood in Brazil and how a kind neighbour changed the course of her lifeThe unspoken emotional and financial costs for dancers of colour in balletHow her personal experience drove her to create the Blacks in Ballet movementWhat ballet still gets wrong about representation, motherhood, and belonging Enjoyed the episode? Text it to a friend and leave us a 5-star rating on Apple Podcasts to help more listeners discover the show!You might also like:Cassa Pancho on designing the future of ballet'The door is opening for us': Cira Robinson on ballet's turning pointe---About Ingrid SilvaIngird Silva is a celebrated Brazilian ballerina and changemaker with Dance Theatre of Harlem. Born in Rio de Janeiro, she began dancing at age 8 through a social project in the Mangueira favela and later earned a full scholarship to study in New York. She has performed leading roles in works by George Balanchine, Alvin Ailey, and others, and collaborated with renowned choreographers worldwide. A dedicated advocate for equity in the arts, she is the founder of podHER and co-founder of Blacks in Ballet. Her accomplishments have been recognized globally – from having her pointe shoes exhibited at the Smithsonian, to working on global brand campaigns.Learn more about Ingrid Silva: https://www.ingridsilvaballet.com/Follow Ingrid Silva on Instagram: @ingridsilva Follow Dancers and Motherhood: @dancersandmotherhoodFollow Blacks in Ballet: @blacksinballetFollow PodHer: https://www.podher.org/---Connect with Made for UsShow notes and transcripts: https://made-for-us.captivate.fm/Social media: LinkedIn and InstagramNewsletter:

How Dance Theatre Workshop Launched Some of Today's Most Renowned Choreographers? by Uptown Radio

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Idaho Dance Theatre has a new spring show that's sure to wow!

Anna Glass, Executive Director of the Dance Theatre of Harlem, discusses the Theatre's evolution into one of the most dynamic cultural institutions of our time.

Tai Jimenez, Director of the Dance Theatre of Harlem School, joins us to discuss her journey in ballet and her vision for training the next generation of dancers. She breaks down the school's structure, why DTH remains an afterschool program, her plans for future growth of their trianing programs as well as how they help students transition into professional careers. We also explore the current job market, the challenges of rebuilding boys' programs post-COVID, and DTH's efforts to change perceptions about male dancers. Plus, in our Ballet Lightning Round, Tai shares pivotal moments from her own training, the best advice she ever received, and what excites her about the future of ballet. Learn More about the Dance Theatre of Harlem School on their website More Links: Support Ballet Help Desk Buy Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

In this episode of the Fresh Off the Set podcast, we sit down with Derryl Yeager, the owner and founder of Odyssey Dance Theatre, to explore the world of dance and its powerful impact on audiences. Derryl shares his journey in creating one of the most innovative and dynamic dance companies in Utah, as well as the unique performances that set Odyssey Dance Theatre apart. Derryl discusses the challenges and rewards of running a dance company and how they continue to inspire both dancers and audiences alike. Kari, Brooke, David, Kaime, and Elora host Fresh Living on KUTV, which airs on CBS Channel 2 every weekday at 1 pm in Utah. You can follow Fresh Living on all social media platforms @kutvfreshliving and watch our show on YouTube.

Alvin Ailey American Dance Theatre’s interim artistic director Matthew Rushing and choreographer Hope Boykin discuss Ailey’s upcoming performances at the Fox Theatre. Plus, Atlanta Jym Davis, better known as “False Face,” joins us to discuss his upcoming solo art exhibition, “Final Form,” which opens at Reinhardt University’s Fincher Visual Arts Center on February 12.See omnystudio.com/listener for privacy information.

Ms. Lashine is the Founder and Managing Partner of Park Madison Partners, a boutique real asset private equity placement firm. The firm is a leading advisor to investment management firms on their business strategy. Park Madison is headquartered in New York City and is a FINRA regulated broker dealer.Ms. Lashine has over 35 years of real estate and investment marketing experience. Prior to forming Park Madison Partners, Ms. Lashine was a strategic consultant advising leading institutional real estate investment managers on product development and the implementation of institutional marketing initiatives. Clients included Lehman Brothers, Angelo Gordon, ING Clarion, Sentinel Real Estate and JER Partners.Ms. Lashine was an early member of The O'Connor Group (1985-1995) and began her finance career at LF Rothschild, Unterberg and Towbin (1981-1985).Ms. Lashine earned her MBA at Columbia University Graduate School of Business, and a BFA, cum laude, from Case Western Reserve in Dance Theatre. She serves on several Boards including the Columbia MBA Real Estate Advisory Board, the Gibney Dance Center Board, and is a past board member of the Pension Real Estate Association. She is a member of ULI and WX (Executive Women in Real Estate).Links:Nancy on LinkedInPark Madison PartnersReal Estate Capital PodcastBrandon Sedloff on LinkedInJuniper SquareTopics:(00:00:00) - Intro(00:01:58) - Nancy's background and career(00:17:25) - Making the entrepreneurial leap(00:19:34) - What does Park Madison look like today?(00:23:59) - The challenge of raising capital in RE(0:25:41) - What's the process for filtering GPs?(00:30:42) - What should firms be doing in their early days to be best positioned to raise institutional capital?(00:33:45) - 2025 portfolio outlook(00:38:11) - The biggest challenges in institutional real estate(00:40:51) - Investment manager consolidation trends(00:43:41) - Capital availability regarding recaps(00:45:57) - Operating in an unpredictable environment(00:52:38) - What are you most excited about?

Born in Chicago, Wendy began dancing with nuns who taught from ballet records.  Her vast experiences in dance crossed the country from UCLA to Colorado College to NYU and landed her in Minnesota where she taught at Carleton College and served as a Roster Artist for the Minnesota State Arts Board, teaching in hundreds of schools across the state. Always a fighter and an advocate for a better tomorrow, she served as Board member during the transition from the Minnesota Independent Choreographer's Alliance (MICA) to the Minnesota Dance Alliance (MDA). With a committee of K-12 and college educators, she created and presented the Dance/Theatre license to the MN Board of Children, Families and Learning; with Michael Engel she wrote a K-8 Scope and Sequence in Dance and Theatre for the Minneapolis Public Schools; and with her charter school colleagues at Community School of Excellence, she led the courageous conversations to vote in the first ever wall-to-wall MN Charter School Union in which she served as Union President.

Jaylon Givan, CEO/Founder of The G Community, LLC, is a professional artist, educator, director, and youth mentor from Birmingham, Alabama. Mr. Givan's work focuses extensively on one-on-one global dance training for all ages and skill levels. He is a founding graduate of Alabama State University's BFA Dance Program.To summarize his background, Givan has trained with esteemed institutions such as Alonzo King LINES Ballet and Dance Theatre of Harlem. He has performed with notable companies, including Urban Souls Dance Company, Dissonance Dance Theatre, and Montgomery Ballet. Additionally, he has collaborated with top commercial dance professionals such as Fatima Robinson and Jeremy Green.Recent career highlights include performing in critically acclaimed Color Purple film, modeling for Beyoncé's IVY PARK, and dancing with artists like Lil Nas X and Stevie Wonder.

We're joined by Kirven, the multi-talented Artistic Director behind Saint Louis Dance Theatre, formerly Big Muddy Dance Company. began his formal dance training at the Boston Arts Academy in 1999 and as a member of Boston Youth Moves under the artistic direction of Jeannette Neil and Jim Viera. He began his professional career as a member of Ailey II from 2002–2004 and performed at Jacob's Pillow Dance Festival as a member of Battleworks Dance Company in 2003. In June 2004, Mr. Douthit-Boyd joined the Alvin Ailey American Dance Theater performing both nationally and internationally for 11 years. During his tenure with the company, he performed leading roles in works choreographed by Alvin Ailey, Judith Jamison, Robert Battle, Ron K. Brown, Geoffrey Holder, Jiri Kylian, David Parsons, Camille A. Brown, Ulysses Dove, Christopher Wheeldon, Hofesh Shecter, Twyla Tharp, Wayne McGregor and Ohad Naharin. He joined COCA-Center of Creative Arts in 2015 as Co-Artistic Director of Dance with his husband Antonio Douthit-Boyd. In 2016, Mr. Douthit-Boyd joined Ron K. Brown/Evidence, A Dance Company as a guest artist.Saint Louis Dance Theatre, formerly The Big Muddy Dance Company, is a dynamic arts organization dedicated to providing world-class contemporary dance performances and exhilarating theatre experiences in our great city. Their 24-25 (RE)Imagine Season is sure to astound, with an exceptional repertoire created by celebrated artists from around the globe, and intentional efforts to pull audiences closer to our movement. Every moment behind the curtain is sure to captivate, every step is sure to inspire, and they will take every bow in celebration of the manifestation of their dreams. Come lose yourselves in this art!  Support the show

Today on the show I'm sitting down with the director and one of the choreographers of Harford Dance Theatre's The Nutcracker. This show has been a Harford County tradition for over 40 years, and it's back in 2024 to keep the magic alive.Both Mckenzie Horseman and Spenser Cole are no strangers to the stage or dance theater and they're here today to give us a backstage look into what goes into bringing these holiday traditions to life. I couldn't be happier to have them on the show, so join me in welcoming Mckenzie Horseman and Spenser Cole to the Mouthful of Graffiti podcast. Sponsored by the Harford County Cultural Arts Board.

Today's guest is Ingrid Silva, the Harlem-based ballerina who was born in Rio de Janeiro, and began dancing at 8-years-old, after a neighbor fatefully told her mother about a nearby dance class.Noted for her natural talent from the very start, Ingrid ended up dancing for the next 10 years before moving to New York at 18 after being awarded a scholarship to the Dance Theatre of Harlem's summer program. Despite not knowing any English when she arrived, and wrestling her own doubts and criticism, Ingrid has gone on to receive countless accolades in the dance world. This includes having her hand-painted pointe shoes exhibited at the Smithsonian.  She's also helped create a series of community-building organizations, including podHER and Blacks in Ballet.Through motherhood, Ingrid has found newfound strength and fame—she's gone on to create a new community—Dancers & Motherhood—alongside 3 fellow dancers, and appeared on the cover of Vogue Brasil in all of her pregnant glory—which is when we first discovered her nearly four years ago.In today's conversation, we talk to Ingrid about her incredible career journey, her mother's undying belief in her, how she found pride in her Blackness after moving to the U.S., and her ultimate goal of changing the dance world—for the better.Be sure to follow Ingrid at @ingridsilvaToday's episode is brought to you by three mom-owned brands we love—Tubby Todd, Minted, and Ritual. See a list of their exclusive offerings for our listeners, below.~Check out Minted.com and use code MOTHER24 for 20% off holiday cards and MOTHER15 for 15% off gifts and more through December 31, 2024.~Visit Ritual.com/mothermag for 25% off your first month of Ritual.~Head over to TubbyTodd.com and use code MOTHERMAG15 for 15% off your next order.Please follow, rate, and leave us a review!For more on Ingrid's inspiring career + life story, check out these great interviews:OWN (YouTube)Postpartum Production (podcast)We and the Color (YouTube)Nike (YouTube)Brene Brown (website)For more stories about motherhood and so much more, visit mothermag.com and follow @mothermag on Instagram.The MOTHER Podcast is produced by Em Roberts and Ali Alquiza.  

Dance Talk” ® with Joanne Carey and special guest, Artistic Director, Amanda Selwyn In this episode of “Dance Talk” ® with Joanne Carey, join host Joanne Carey as she chats with Special Guest,  Amanda Selwyn, founder of Amanda Selwyn Dance Theatre. Together they discuss Amanda's journey in dance and theater and the future plans of the newly secured Amanda Selwyn Dance Theater Space as they celebrate their 25th anniversary. Amanda stresses her commitment to the community and the importance of dance education for children and its transformative impact her dance programs in schools. Amanda shares several inspiring stories of how dance has changed her students lives, the connection between dance and academic subjects.  Tune in and check out all that upcoming for this amazing organization that is celebrating 25 years! Amanda Selwyn (Artistic Director/Choreographer) founded Amanda Selwyn Dance Theatre/Notes in Motion in 2000 and in 24 seasons, has directed over 110 productions, developed a network of artists, and created Notes in Motion's dance education program. Amanda recently taught workshops at Peridance, a Residency at Hofstra University, New Women, New York, the New York Gender Conference, and a Choreography Master Class at Temple University. Her 24th Season is being presented at BMCC Tribeca Performing Arts Center and her 20th Anniversary Season was presented at Baruch Performing Arts Center both as Residency Artists of the CUNY Dance Initiative. She has choreographed dance for Chicago's Motivity; for theatre productions including House on Mango Street, Free to be You an Me, Once Upon a Mattress, The Wiz, Little Shop of Horrors, and Charlie & The Chocolate Factory; and for her original theatre productions which include Herland, Yellow Feather, and Slitting the Clouds. In addition to her choreographic work, Amanda has directed off-broadway theatre in NYC . Amanda teaches dance and theatre to New York City children and has been on faculty at The Brearley School, Brooklyn Friends School, Beit Rabban School, Solomon Schechter School, and the New Acting Company. She has taught dance composition and technique at the Berkshire Institute for Music and Art and taught dance and theatre in Israel at the Israel Museum, English Village, and the Arad Community Center. She is the recipient of grants from the NY State Council on the Arts, The Harkness Foundation for Dance, the Friars Foundation, Dizzy Feet Foundation, Bronx Council on the Arts, NYC Department of Cultural Affairs Cultural Development Fund, NY City Council Members Bill DeBlasio, Kevin Riley, Andy King, Carlina Rivera, Althea Stevens, James Gennaro, Irma Vernikov, Marjorie Velazquez, Farah N. Louis, Margaret Chin, and Rosie Mendez, Manhattan Borough President, Met Life, City National Bank, Credit Suisse, and the Bossak/Heilbron Charitable Foundation. Her work has been presented on Jacob's Pillow Inside/Out Stage, at Tribeca Performing Arts Center Pushing Progress at Peridance to name a few. She has a Masters from NYU's Tisch School of the Arts in performance studies and a B.S. from Northwestern University in theatre, women's studies, and dance. And follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠https://dancetalkwithjoannecarey.com/ Find out more⁠ https://amandaselwyndance.org/ “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠https://dancetalkwithjoannecarey.com/⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Uncover the fascinating story of Zelda Wynn Valdes, whose mastery of the mermaid silhouette led to her creation of the iconic Playboy Bunny costume, with insights from special guest Tobi Ashiru._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasayCheck out the original reel / video this podcast was based on: https://www.instagram.com/p/C6EDEMrLDsn/Sources:Dazzling Zelda (Children's Book by Farai Simoyi and Aura Lewis)About Zelda Wynn Valdes:Zelda Wynn Valdes (1901 – 2001) is often overlooked in design history even though she was one of the most influential fashion designers known for her hourglass silhouette dresses, and helping popularize the mermaid dress.In fact, the femininity of her work caught the eye of Hugh Hefner who commissioned her to design the iconic and patented playboy bunny costume in 1960.But before that, In 1948, Valdes became the first black person to open her own boutique on Broadway in Manhattan.Zelda's alluring yet sophisticated dresses were embraced by prominent figures such as Joyce Bryant, Ella Fitzgerald, Aretha Franklin, Eartha Kitt, Josephine Baker, Diahann Carroll, Dorothy Dandridge, and Mae West. She even designed Maria Cole's gown for her wedding to Nat King Cole in 1948.Zelda continued her impactful career until her passing in 2001, contributing to over 80 ballet productions at the Dance Theatre of Harlem.She made it her mission to leave the door wide open for all the black women designers following in her footsteps. She led a fashion coalition that was founded with the sole purpose of promoting black designers. ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Thank you for listening. Send us a text message. In this episode of Intentionally Overheard, I have a conversation with Founding Artistic Director of Dance Happens, Inc, Paula LeVere.  Introduced to the art form of ballet 45 years ago, Paula shares her life's journey through the world of dance, and how she is embracing living a life of purpose on purpose.  Paula recalls the moment in life areer when she decided move from performing to teaching in order to give   Over the course of her career, Paula has studied with some of the well known names of the ballet world: Sylvester Campbell with The Baltimore School for the Arts, Laura Alonzo with the Cuban Ballet Company in Cuba, Arthur Mitchell with Dance Theatre of Harlem, and Fredrick Franklin of the Ballet Russe. Through her intense studies, Paula was able to perform major ballets such as Giselle, TheNutcracker, Swan Lake, Firebird, and other notable ballets. Paula also appeared asa guest soloist on a PBS TV Series, Mr. Roger's Neighborhood.In 1993, she earned a B.A. in dance from Point Park University where she was apositive influence in the lives of toddlers, children, and young adults through herteachings of ballet. Most importantly, Paula has found a love in being a positiverole model to the children she has guided and instructed throughout herprofession, and she has shared her knowledge and passion for the art of balletthrough volunteer work with the inner city.Furthering Paula's accomplishments, she formed a youth ensemble, Union CityYouth Ensemble, for the inner-city kids of New Jersey. Paula's love for dancebrought her back where it all began in Baltimore, Maryland. Prior to creatingDance Happens, Inc., she was given a great opportunity to build the danceprogram at Meade Senior High School where she was Director of the dancecompany. Currently, Paula is Founding Artistic Director of Dance Happens, Inc.,which is a thriving 501c3 nonprofit organization that caters to Baltimore's Citykids.Support the show

Welcome back to another episode of Talks To-Go! Jill and George talk with our next special guest father/daughter duo, Alicia Mae Holloway and Kenny Holloway. Alicia is a dancer from Morgantown, West Virginia who began her professional career with the Suzanne Farrell Ballet and performed with the Dance Theatre of Harlem where she worked with Alicia Keys, Aretha Franklin, and Gladys Knight. She has shot music videos, was on the cover of PEOPLE Magazine Winter/Spring 2023 Health Edition, served as a co-chairwoman of the School of American Ballet's Visiting Faculty program and was a contestant on The Bachelor. Kenny is a husband, friend and avid fisherman who loves his family and friends dearly. A retired Director of Public Works for the city of Morgantown, he now spends the majority of the time doing what he loves most. You guessed it…fishing. No reservations necessary.  All TALKS are TO-GO. Follow our guests: Alicia: @aliciamaeholloway_ Follow us: Instagram: @talkstogopodcast TikTok: @talkstogopod Jill: @jillmorgannnn George: @georgealanruthvo

Writer, comic, theatrical impresario, TV host and weekend chainsaw wielder Sandi Toksvig joins Clare McDonnell to talk about Friends of Dorothy, her first adult novel in 12 years. When Stevie and Amber move into their new home, they are surprised to find that the old woman they bought it from, a cantankerous and outrageous 79-year-old called Dorothy, is still living there.Today marks two years since the death of 22-year-old Mahsa Amini in Iran. She'd been arrested by the country's morality police for allegedly not wearing her hijab properly and died in police custody. Her death sparked nationwide protests and the birth of the Women, Life, Freedom movement. BBC Verify journalist Reha Kansara talks to Clare about her new reporting on the women who continue to speak out and the horrific consequences they are still suffering.The Breast Cancer Now Generations Study was set up in 2004 to help understand the causes of breast cancer. This 40-year landmark study – which this month reaches its halfway point – is following over 110,000 women to understand why breast cancer develops. Woman's Hour has been following the project from the start, checking in every decade. Clare is joined by co-leader of the study Professor Amy Berrington and participant Amanda Jones.The trailblazing ballerina, Michaela Mabinty DePrince, has died at the age of 29. A war orphan from Sierra Leone, she was brought to the US by her adopted family and made her way to the Dance Theatre of Harlem, the Dutch National Ballet, and even performed alongside Beyoncé. We hear an archive interview with Michaela when she spoke to Woman's Hour about her life and career in 2015.Carrie Hope Fletcher is an author, singer, West End star – and now a new mum. She's about to start a brand new tour around the UK, called Love Letters, which will feature musical theatre favourites and love letters from the audience. She joins Clare to talk about the tour, what it's like being a musical theatre mum, and why she's chosen not to put photos of her child online.Presenter: Clare McDonnell Producer: Maryam Maruf Editor: Olivia Bolton Studio Manager: Duncan Hannant

On this episode, I am joined by Antuan Byers, the Dancers Vice President of the American Guild of Musical Artists and Nile Ruff, a dancer with Dallas Black Dance Theatre to discuss recent events at DBDT that have rocked the dance world.Antuan and Nile give us an inside look into the events leading up to the sudden firing of an entire company of dancers. We discuss the impact this has had not just on the dancers directly affected, but on the dance community as a whole. This moment in history is one that every dancer should be watching - tune in to gain a deeper understanding of the power of unionization and what can happen when we work together for the greater good.Key Moments: Overview of AGMA and how they support dancers [2:19] The events that led the dancers of DBDT to unionize with AGMA [3:40] How DBDT leadership began to retaliate against the dancers [5:47] AGMA has issued a Do Not Work Order for DBDT - what does this mean and has it happened before? [10:52] The power of the support the dancers have received from Dallas and the dance community [13:51] The impact this moment in history will have on the future of quality standards of work for dancers in the US [15:43] What needs to change at DBDT for the dancers to feel safe and comfortable in the work environment [19:51] How you can support the dancers of Dallas Black Dance Theatre [31:08]Support the Dancers of Dallas Black Dance Theatre:GOFUNDME: gofundme.com/f/help-dbdt-dancers-overcome-job-lossSEND A LETTER TO DBDT LEADERSHIP: https://actionnetwork.org/letters/081fd9efe5c5c55e7e6c61867bdd9fee02fbe939INSTAGRAM: instagram.com/dancersofdbdtLinks and Resources:1-1 Career Mentoring: book your complimentary career callLet's connect!My WEBSITE: thebrainyballerina.comINSTAGRAM: instagram.com/thebrainyballerinaQuestions/comments? Email me at caitlin@thebrainyballerina.com

This week on The I Can't Stand Podcast, Peta chats with the inspiring team behind Sprung Dance Theatre. Discover how this unique organisation supports disabled and deaf artists in Northern NSW, providing them with the tools and opportunities to thrive as professionals. With insights from Artistic Director Daniele Constance, Ensemble Artist Manager Katie Cooper-Wares, and performer Tara Coughlan, this episode shines a light on the power of creativity and community in the disability arts sector. Connect with Sprung: Website: https://www.sprung.org.au/ Instagram: https://www.instagram.com/p/C9g84TLN74Z/?img_index=1 Facebook: https://www.facebook.com/sprungdance/ Email: info@sprung.org.au Connect with Peta: Instagram: @petahooke Website: www.icantstandpodcast.com Email: icantstandpodcast@gmail.com Episode Transcript: https://www.icantstandpodcast.com/post/See omnystudio.com/listener for privacy information.

The Vail Dance Festival is just around the corner and our coverage starts now! Today we are joined by American Ballet Theatre Principal Dancer and friend of the pod, Herman Cornejo. Herman joins us in the midst of ABT's season where he is celebrating 25 incredible years with the company. We catch up with Herman about this season, what it means to be celebrating such an important milestone, what his plans are for the future, and what he will be dancing this year at the Vail Dance Festival. As a festival favorite, we are so looking forward to seeing him soon on the VDF stage.The Vail Dance Festival returns July 26 – August 5:The Vail Dance Festival returns July 26 – August 5 with THIRTEEN performances featuring dance luminaries from across the United States and around the world. This summer they welcome Dance Theatre of Harlem, Limón Dance Company, Cleo Parker Robinson Dance, Colorado Ballet, and DanceAspen, as well as artists from Alonzo King LINES Ballet, American Ballet Theatre, BalletX, New York City Ballet, and so much more. Conversations on Dance will be bringing you a behind-the-scenes look at all the action. Join us in person for 8 live events featuring incredible festival artists including Catherine Hurlin, Sara Mearns, Robert Garland, Adji Cissoko and many more. If you are not able to join us in person, be sure to subscribe to Conversations on Dance wherever you get your podcasts to listen to the live episodes after the events.Get your tickets now for festival performances and vaildance.org. And claim your tickets for COD events at vaildance.org/conversations-on-dance.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

Send us a Text Message.In the 1980's, Elena Bartley our guest today was a company member of Dance Theater of Harlem, the most prestigious black ballet dance company in the world. As fortune would have it, Elena learned about the Contrology System AKA Pilates, from the company's executive director, Kathy Grant who was as many of you know, a disciple of Joe Pilates. After spending two decades as one of the company's soloists, Elena transitioned to teaching Pilates and brought with her a dancer's eye for detail and a passion for movement. She also studied with other first generation teachers, Ron Fletcher, Eve Gentry, Jay Grimes and Romana Kryzanowska who all informed Elena's teaching.About Darien Gold ~ https://www.dariengold.comInstagram: https://www.instagram.com/darien_gold_pilates_expertFacebook: https://www.facebook.com/dariengoldMusic credits ~ Instagram: @theotherjohnmayer About Elena Bartley ~ https://tupilates.videoSupport the Show.

The Swans of Harlem: Five Black Ballerinas, Fifty Years of Sisterhood, and the Reclamation of Their Groundbreaking History   By:  Karen ValbyThe forgotten story of a pioneering group of five Black ballerinas, the first principals in the Dance Theatre of Harlem, who traveled the world as highly celebrated stars in their field and whose legacy was erased from history until now.At the height of the Civil Rights movement, Lydia Abarça was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem. She was the first Black ballerina on the cover of Dance magazine, an Essence cover star, cast in The Wiz  and on Broadway with Bob Fosse. She performed in some of ballet's most iconic works with her closest friends—founding members of the company, the Swans of Harlem, Gayle McKinney, Sheila Rohan, Marcia Sells, and Karlya Shelton—for the Queen of England and Mick Jagger, with Josephine Baker, at the White House, and beyond.Some forty years later, when Lydia's granddaughter wanted to show her own ballet class evidence of her grandmother's success, she found almost none, but for some yellowing photographs and programs in the family basement. Lydia had struggled for years to reckon with the erasure of her success, as all the Swans had. Still united as sisters in the present, they decided it was time to share their story themselves.Captivating, rich in vivid detail and character, and steeped in the glamor and grit of professional ballet, The Swans of Harlem  is a riveting account of five extraordinarily accomplished women, a celebration of their historic careers, and a window into the robust history of Black ballet, hidden for too long. During Covid, five ballerinas met weekly on Zoom and formed the 152nd Street Black Ballet Legacy Council. Karen Valby joined them and wrote their story “Karen Valby's The Swans of Harlem brings to life the stories of Black dancers whose contributions to the world of ballet were silenced, marginalized, and otherwise erased. Karen introduces readers to important figures of our past, while inspiring us to courageously chase our dreams.”Misty Copeland“These five original Dance Theatre of Harlem ballerinas fell in love with an art form that most of America believed was white and should remain so. Upon Arthur Mitchell's founding of an all-Black company in 1969, they eagerly took their places at the barre and challenged themselves to the utmost. They triumphed. They showed that Blacks could not only excel at classical ballet but could also shape the art in their own vibrant image. Karen Valby weaves their stories together as a choreographer would: the women form an ensemble, yet each gets her own riveting solo. It's thrilling to watch as they join forces at last and claim their unique place in American ballet's past, present and future.”—Margo Jefferson152nd Street Black Ballet Legacy FoundationThe 152nd St. Black Ballet Legacy is an independent non-profit organization created by five trailblazing Black ballerinas.  Their professional careers began at the founding of Dance Theatre of Harlem, where their sisterhood was born.  They have enjoyed and nurtured their sisterhood for over 50 years and continue to thrive for the sake of preserving our their rich history.Lydia Abarca Mitchell is a founding member of the Dance Theatre of Harlem and their first prima ballerina. She danced leading roles in George Balanchine's Agon, Bugaku, Concerto Barocco, Allegro Brillante, Tchaikovsky Pas de Deux, and Swan Lake, Jerome Robbins' Afternoon of a Faun, Ruth Page's Carmen and Jose, William Dollar's Le Combat, and Arthur Mitchell's Ode to Otis, Holberg Suite, and Biosfera. She was featured on the cover of DanceMagazine, in the movie The Wiz, and on Broadway in Bob Fosse's Dancin'.  It was a stunning career on the world stage.Karen Valby Author of Welcome to Utopia, and contributor to The New York Times; O, The Oprah Magazine; Glamour; Fast Company; and Entertainment WeeklyDance Theater of HarlemThe Dance Theater of Harlem was founded in 1969, during the Civil Rights movement by Arthur Mitchell and Karel Shook.Harlem School of the ArtsElizabeth Howard, Producer and Host of the Short Fuse Podcast Elizabeth Howard is the producer and host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in European Communications, Investor Relations, Law Firm Marketing & Profit Report, Communication World, The Strategist, and the New York Law Journal, among others.  Her books include Queen Anne's Lace and Wild Blackberry Pie, (Thornwillow Press, 2011), A Day with Bonefish Joe (David Godine, 2015) and Ned O'Gorman:  A Glance Back (Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  @elizh24 on Instagram     

While most of us aspiring contemporary dancers will decide to undergo formal training under the foundations of Graham, Cunningham, Limon and various others, a small subset has diverted into the wondrous world of puppet theatre. One such performer, choreographer and now puppeteer is Duda Paiva. After a few more years thriving as an independent theatrical artist, he initiated the Duda Paiva Company in Amsterdam, Holland, in 2004.Duda was educated as an actor, ballet and Butoh dancer in both Brazil and Japan. He moved to the Netherlands in 1996, where he worked as a professional contemporary dancer and choreographer. Curious and adept at researching multidisciplinary art forms, Paiva pushes the boundaries of visual theater and creates an exciting and unique idiom, blowing life into foam sculptures.Kickstarting a brand new season and month of Dance Choreography, this episode explores the choreographic mystery behind creating for both humans as well as puppets, how to find constant harmony and what the future ultimately holds for this art form. Ready to discover the puppeteer within you? Join us as we foreground dance in the background!Duda Paiva CompanyPuppeteers of the worldHistory of puppet theatreTraditional puppet theatres around the worldSoundtracks:Birds - Tyler Twombly Poison Ivy Yard Work - Uncle Milk22 circus - HasenchatOnce in Paris - Pump up the mind Support the Show.Like our offers? Try Nord VPN Visit Duda Paiva Company Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

The Iroquois Museum is presenting “The Mush Hole: Truth, Acknowledgement, Resilience,” a contemporary dance performance by Kaha:wi Dance Theatre at University of Albany Performing Arts Center. The performance is a moving composition inspired by the residential school experience at Six Nations Reserve.

Kaha:wi Dance Theatre will present “The Mush Hole," a performance exploring the truths of Indian residential schools. Presented by the Iroquois Museum at the University at Albany Performing Arts Center on June 29, 2024, the all Indigenous cast uses cinematic imagery and musical score to catapult audiences into the bricks and mortar of the school. Learn more: https://www.kahawidance.org/the-mush-hole

The theatrical non-profit dance company that entertained generations of Utahns is back with Thriller and more world-class dance. In this episode of Utah Weekly Forum, Executive Director Derryl Yeager joins FM100.3 Host Rebecca Cressman to share how, after a short hiatus, Odyssey Dance Theatre is back with plans to make contemporary dance even more accessible to a wide audience. For more info on season tickets and upcoming productions, visit OdysseyDance.com.

Learn about the forgotten story of a pioneering group of five Black ballerinas and their 50-year sisterhood, a legacy unknown—until now. At the height of the Civil Rights Movement, Lydia Abarca was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem, a troupe of women and men who became each other's chosen family. She was the first Black company ballerina on the cover of Dance magazine, an Essence cover star; she was cast in The Wiz and in a Bob Fosse production on Broadway. She performed in some of ballet's most iconic works with other trailblazing ballerinas, including the young women who became her closest friends—founding Dance Theatre of Harlem members Gayle McKinney-Griffith and Sheila Rohan, as well as first-generation dancers Karlya Shelton and Marcia Sells. These Swans of Harlem performed for the Queen of England, Mick Jagger, and Stevie Wonder, on the same bill as Josephine Baker, at the White House, and beyond. But decades later there was almost no record of their groundbreaking history to be found. Out of a sisterhood that had grown even deeper with the years, these Swans joined forces again—to share their story with the world. Join us for a lively discussion revealing the glamour and grit of professional ballet, a riveting account of five extraordinarily accomplished women, a celebration of both their historic careers and the sustaining, grounding power of female friendship—and a window into the robust history of Black ballet, hidden for too long. This program is part of our Good Lit series, underwritten by the Bernard Osher Foundation. This program contains EXPLICIT language. Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever suffered a catastrophic injury? How does one recover and regain peak condition following damage to the anatomy? Amidst the many inherent challenges within the dance sphere — a beacon of hope shines at the NYU Langone Orthopedic Hospital through the presence of the Harkness Center for Dance Injuries. Beyond their exceptional array of services encompassing physical therapy and injury prevention programs, they also provide comprehensive educational offerings, both online and in person.  A noteworthy accomplishment is the full accreditation, secured in 2020, of the Harkness Center's Postgraduate Performing Arts Physical Therapy Fellowship Program by the American Board of Physical Therapy Residency and Fellowship Education (ABPTRFE).At the nexus of this endeavor is Dr. Donald Rose, a distinguished sports medicine physician and orthopedic surgeon. He stands as the founding director of the Harkness Center for Dance Injuries at NYU Langone Orthopedic Hospital. Dr. Rose's realm of expertise encompasses the management of injuries unique to dancers, and he diligently conducts research aimed at refining dance injury treatments. His impactful contributions extend further, as he serves as an orthopedic consultant to esteemed dance companies, including the Alvin Ailey American Dance Theater, Martha Graham Dance Company, Dance Theatre of Harlem, and the now-defunct Cedar Lake Contemporary BalletContinuing a brand new season and month of Dance Science, this episode delves into the intricate underpinnings of both sports and dance medicine, as well as the challenges inherent in ensuring the enduring health and career trajectories of dancers. Ready to discover the caretaker within you? Join us as we foreground dance in the background!Donald RoseHarkness Center for Dance InjuriesHarkness Healthy Dancer InitiativeRYC Orthopedics Support the Show.Like our offers? Try Nord VPN Subscribe to the Harkness newsletter Visit RYC Orthopedics Subscribe to IAMDS Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Host Diana Korte speaks with Karlya Shelton-Benjamin, a Swan of Harlem herself who is one of the dancers featured in "The Swans of Harlem. Five Black Ballerinas, Fifty Years Of Sisterhood, And Their Reclamation Of A Groundbreaking History” written by Karen Valby. It's the forgotten story of a pioneering group of five Black ballerinas, the first principals in the Dance Theatre of Harlem, who traveled the world as highly celebrated stars in their field and whose legacy was erased from history until now. Karlya Shelton-Benjamin began dancing at age 4 with the Colorado Concert Ballet (currently Colorado Ballet). At 17, she became the first person of color to represent the United States in the prestigious Prix de Lausanne ballet competition in Switzerland. Her ballet sisters also featured in this book are Lydia Abarca, Gayle McKinney-Griffith, Sheila Rohan and Marcia Sells. Together they describe their triumphs and challenges of being Black ballerinas back in the day when many people didn't know they existed. --- Send in a voice message: https://podcasters.spotify.com/pod/show/booktalk-diana-korte/message

We're speaking with two of the barrier breaking ballerinas.

We're speaking with two of the barrier breaking ballerinas.

Featuring: Lydia Abarça, Sheila Rohan, Marcia Sells, Karlya Shelton, and Khadija Tariyan (daughter of Gayle McKinney Griffith) In conversation with Shelly Power, The Dr. Carolyn Newsom Executive Director, Philadelphia Ballet Karen Valby's The Swans of Harlem tells the remarkable and-until now-rarely written about true story of the Dance Theatre of Harlem, a trailblazing troupe of Black men and women who performed some of ballet's most iconic works for the such audiences as the Queen of England, the White House, and Stevie Wonder. This history focuses on five foundational members of the group and their enduring bond, including Lydia Abarça, the first Black prima ballerina with a major international dance company, the first Black ballerina on the cover of Dance magazine, and an Essence cover star; and her equally accomplished friends, Gayle McKinney, Sheila Rohan, Marcia Sells, and Karlya Shelton. Valby is a frequent contributor to Vanity Fair, and has also published work in The New York Times, O Magazine, Glamour, Fast Company, and EW, where she spent fifteen years writing about culture. Shelly Power brings to Philadelphia Ballet, formerly Pennsylvania Ballet, her experiences in various artistic and executive leadership roles at Prix de Lausanne in Switzerland and Houston Ballet Academy. Since joining Philadelphia Ballet in 2018, Ms. Power has restructured the organization's administrative functions with new, innovative partnerships, with the goal of promoting that ballet is for everyone. Ms. Power received a Bachelor of Science in Interdisciplinary Studies, with a focus on business, psychology, and fine arts from the University of Houston. She furthered her education at Rice University's Leadership Institute for Non-Profit Executives and Case Western Reserve University's Weatherhead School of Management's Advanced Certification in Non-Profit Management. Because you love Author Events, please make a donation to keep our podcasts free for everyone. THANK YOU! (recorded 5/2/2024)

On April 27, the South Chicago Dance Theatre leapt into its seventh season at the Auditorium Theatre. Founded by Kia Smith in 2017, the dance company has performed on stages across the globe. Their 2024 performance, titled “New Horizons,” included six works by five outsourced choreographers, and one by Smith herself. The company centers on concert dance, a culmination of styles including ballet and Afro-jazz intentionally created for the stage. Before the performance, founder and executive artistic director Kia Smith sat down with Vocalo host Nudia Hernandez to discuss the company's roots and what audiences can expect from their performance. This interview was edited and produced by Nudia Hernandez. To stay up to date with the South Chicago Dance Theatre, follow them on Instagram @southchicagodancetheatre

A new book tells the little-known story of the first principal ballerinas in the Dance Theatre of Harlem. It spotlights five dancers who broke barriers, performing internationally in a world where Black ballerinas were not expected or, in some cases, welcome. We speak to The Swans of Harlem author Karen Valby and one of the subjects, dancer Marcia Sells.*This segment is guest-hosted by Tiffany Hanssen. 

Why do people dance? Where did ballet come from? How do you make pointe shoes for ballet? How does practice make you better at things? But Why visited Dance Theatre of Harlem to get answers to these questions with company artists Derek Brockington and Lindsey Donnell. Download our learning guides: Transcript

A look at Idaho Dance Theatre's latest performance.

Neil is a renowned percussionist, accomplished music educator, imaginative product innovator, and successful entrepreneur. He is the founder and president of Grover Pro Percussion Inc., a market leader in the design, manufacture, and distribution of world-class percussion instruments.  At the young age of 23, Neil was appointed Principal Percussionist of the Opera Company of Boston, a position he held for seven seasons.  As his career progressed, he found himself in demand for all musical genres, including symphony, chamber music, ballet, opera, and commercial recordings.  Highlights of his collaborations include the Royal Ballet, Bolshoi Ballet, American Ballet Theatre, Dance Theatre of Harlem, Music from Marlboro, Indianapolis Symphony, Boston Musica Viva, and the Empire Brass. He was chosen to record the percussion tracks for Phillip Glass' film soundtrack for Mishima. In addition, Neil appears as a Boston Pops percussionist in the hit movie Blown Away, starring Jeff Bridges and Tommy Lee Jones.  He has toured with Music From Marlboro, Boston Symphony, Henry Mancini, Boston Symphony Chamber Players, and the Broadway production of The Pirates of Penzance.  Since 1977, he has performed, recorded, and toured with the world-famous Boston Pops, where he has made music under the batons of Maestros Arthur Fiedler, John Williams, and Keith Lockhart.  Having performed regularly in the percussion section of the Boston Symphony for over 35 years, he has worked with Maestros Seiji Ozawa, James Levine, Leonard Bernstein, Aaron Copland, Colin Davis, Charles Dutoit, Colin Davis, Neemi Jaarvi, Rafael Fruhbeck de Burgos, Mstislav Rostropovich, and Bernard Haitink. It is noteworthy that Neil has performed in over 1,500 concerts as a percussionist with the BSO & Boston Pops. Neil's percussive talents have been heard by thousands at renowned venues, such as Boston's Symphony Hall, Carnegie Hall, Chicago's Orchestra Hall, and festivals at Tanglewood, Hollywood Bowl, Wolf Trap, Blossom, and Ravinia.  In addition, he has performed for millions of listeners through television and radio broadcasts on the NBC, CBS, NHK, PBS, A&E and NPR networks.  At the request of composer John Williams, Neil joined the multi-media musical extravaganza, “Star Wars in Concert”, serving as Principal Percussionist on two legs of their North American Tour.   Neil Grover has written/co-authored five publications: Four Mallet Primer, Four Mallet Fundamentals, Art of Triangle & Tambourine Playing, Percussionist's Cookbook, and The Art of Percussion Playing, all published by Meredith Music.  Neil's innovative designs and cutting edge manufacturing techniques have set a new standard for the ergonometric functionality of modern day percussion instruments. Neil and his company have been featured in many publications, including: Percussive Notes, Modern Drummer, School Band & Orchestra, Musical Merchandise Review and on two episodes of the Discovery Channel's series How It's Made. Formerly the Chair of the Percussion Programs at both The Boston Conservatory and the University of Massachusetts-Lowell, today, Neil's students occupy leading positions in many top performing, educational and music business organizations. Things That Came Up:  -1:45 Owning ALL the percussion instruments -3:50 The magic of Zelda -6:00 Studied with the same teacher as Dom Famularo -7:00 Studying with Vic Firth  -11:10 “Classical musicians play with their eyes and jazz musicians play with their ears” -12:10 “Talent got you this far, perseverance will carry you through.” -12:45 Took AFM pension at age 65  -13:50 Contracting, composing and arranging as a new life chapter -15:10 Bradley Cooper's “Maestro” -16:35 Being a frustrated stand-up -17:40 Fred Buda: “Playing drum set in an orchestra is like swinging an elephant” -19:40 How union pensions work -26:05 At Tanglewood at the same time as Kenny Aronoff, with Leonard Bernstein conducting! -27:40 Playing bongos for Bernstein's “West Side Story” -30:50 Star Wars Tour: Drum Tech, 7 percussionists, 3 conductors and music from all 6 Star Wars films -38:00 Follow your dreams, no matter what!  -40:00 “The Accidental Entrepreneur” -41:00 The FIRST Grover Triangle  -48:20 Allowing Redmond to help develop the “Studio Pro Series” pop tambourines -54:00 Selling Grover Percussion to RBI Music  -60:40 On screen percussionist in the “Blown Away” film, starring Tommy Lee Jones  -61:30 Authoring Books  -63:30 Aerosmith! Glocks!  -69:30 Neil's favorite axe is the piatti (cymbals)  -74:00 “The Fave 5”  Follow:  www.groverpro.com Email: ngrover@groverpro.com The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits.  Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:     https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1   One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!   Buy Rich's exact gear at www.lessonsquad.com/rich-redmond   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

For decades, dancers of colour at classical ballet companies have used makeup to dye their pink pointe shoes a darker shade to match their skin tone. My guest this week, award-winning ballerina Cira Robinson, tells me about the day she got tired of ‘pancaking' and asked the renowned shoemaker Freed of London to make a pair of brown pointe shoes for her. What we discuss in this episode:Cira's experience with the Dance Theatre of Harlem under the legendary Arthur MitchellHer move to London to join Ballet BlackThe role pointe shoes play in a dancer's life and the need for customisationHow she worked with Freed and Ballet Black to create inclusive pointe shoes and the impact they've hadIf you liked this episode, it would be great if you could leave a 5-star review on Apple Podcasts or Spotify to help others discover the show. This is the first of two episodes on inclusive pointe shoes. Be sure to subscribe so you don't miss my interview with Cassa Pancho, founder of Ballet Black, in a few weeks! ---About Cira Robinson Born in Cincinnati, Ohio, Cira began her ballet career as an apprentice with the Dance Theatre of Harlem's Dancing Through Barriers Ensemble. After a few months, she became a full member and danced many works from the DTH repertoire under the guidance of Arthur Mitchell.She joined Ballet Black in London in 2008 and in 2013 was nominated for Outstanding Classical Female at the Critics Circle National Dance Awards. While at Ballet Black, Cira worked with the company and with Freed of London to create the first Brown and Bronze pointe shoe for dancers of colour. After retiring in 2022, she took up a new role as Director of the Yorkshire Ballet Seminars.Follow Cira on Instagram: @ciraoslynn---Connect with Made for UsShow notes and transcripts: https://made-for-us.captivate.fm/ LinkedIn: https://www.linkedin.com/company/madeforuspodcast Instagram: https://www.instagram.com/madeforuspodcast/

Tune in to our three-part podcast series exploring The Joyce's 2024 American Dance Platform! Listen in as dramaturg, scholar, and ADP guest curator Melanie George sits down with the artists who will take the stage during our annual festival. In this episode, hear from Melissa M. Young, Artistic Director of Dallas Black Dance Theatre, the oldest professional dance company in Dallas. Young discusses her decades-long history with the company and the newly curated program to be performed at The Joyce.  Check out the remaining episodes in our series for a behind-the-scenes look with Soles of Duende and the specially curated program, "Jazz at The Joyce!"  See Dallas Black Dance Theatre at The Joyce on January 12-13, 2024! Visit www.joyce.org/performances/dallas-black-dance-theatre for more information. 

This is the latest episode of the Chocolate News Podcast. We bring you news that discusses issues affecting the Black community.On today's show we will be discussing the Revolution Dance Theatre, the passing of Rudolph Isley, Cincinnati street takeovers, and more.Today's special guest is David Choate of Revolution Dance Theatre.This week's episode is hosted by John Alexander Reese (Digital Editor, The Cincinnati Herald) and Andria Carter (Digital Correspondent, The Cincinnati Herald).For more information about Revolution Dance Theatre, go to: https://www.revodance.com/To purchase tickets for Hot Chocolate 2023, go to: https://www.cincinnatiarts.org/events/detail/hot-chocolateOriginally recorded on Wednesday, October 18, 2023.Make sure to check out the stories we talked about today on our website at www.TheCincinnatiHerald.com. You can also follow us on social media. We're on Facebook, Twitter, and Instagram. We also have our own YouTube channel. Just search for The Herald TV.

My goodness... am I excited to tell you about Aimee Meredith Cox! She is PURE MAGIC! Aimee is an American cultural anthropologist, writer, and movement artist. She is currently an associate professor of Anthropologie at NYU. Aimee is the author of the book Shapeshifters: Black Girls and the Choreography of Citizenship. Shapeshifters earned the 2016 Victor Turner Book Prize in Ethnographic Writing, and an Honorable Mention from the 2016 Gloria E. Anzaldúa Book Prize, as well as the 2017 Book award from the Society for the Anthropology of North America.Aimee has performed and toured internationally with Ailey II, the second company of Alvin Ailey American DanceTheater and the Dance Theatre of Harlem. She has choreographed performances as interventions in public and private space in Newark, Philadelphia, and Brooklyn.Aimee is also a yogi of many decades. Yoga is integral to her life and her overall research. She leads yoga teacher trainings as well as advanced study and continuing education workshops around the globe. (We have one coming up, hee hee)Aimee is also a teacher at The Class : a fitness driven workout that connects you to the present moment.Aimee is a Ford Foundation Postdoctoral Fellow, a recipient of the Nancy Weiss Malkiel Award, and has served as the Virginia C. Gildersleeve Professorship from Barnard College. Aimee you are such an force and an inspiration!  Thank you for sharing your spirit and energy with us for for these Magical Moments. @aimee_mere 

Justice advocates say incarcerated people at Rikers Island are increasingly "isolated" and "idle" after millions in recent program cuts. Also, movie actor Julia Ormond is suing former producer Harvey Weinstein for sexual assault after an incident in 1995. Plus, 60-year-old Salvatore Vassallo of Jersey Shore was sentenced to 18 months for his role in the January 6 Capitol riot. Recently, after New York City Mayor Eric Adams unveiled the “Live Performance Industry Council” emphasizing the city's commitment to the arts, WNYC pulled together Anna Glass, Executive Director of Dance Theatre of Harlem; Casey York, President of The Off-Broadway League and Managing Director of Ars Nova; and Jake Rosenthal, Co-Founder and CMO of Elsewhere, to discuss the industry's comeback with Sean Carlson at The Green Space.

From the Henssler Financial Studio this is your news minute on the Marietta Daily Journal Podcast presented by Engineered Solutions. Today is Monday, October 2nd and I'm Keith Ippolito. Marietta's Georgia Metro Dance Theatre presents Giselle Oct. 6-8 Georgia Metropolitan Dance Theatre (GMDT) kicks off its 2023/24 season with the classic ballet, "Giselle." This haunting tale of love, betrayal, and forgiveness will feature professional dancers alongside their top company performers. The show runs from Oct. 6-8 at The KSU Dance Theatre on the Marietta Campus, with tickets starting at $30. GMDT, consisting of over 120 students, will also present "The Nutcracker" in November and "Peter Pan" in March 2024. Don't miss this enchanting performance! For more details and tickets, visit Georgia metro dance dot org. For more news about our community, visit mdjonline.com. For the Marrietta Daily Journal Podcast I'm Keith Ippolito. https://www.esogrepair.com www.henssler.comSee omnystudio.com/listener for privacy information.

Hailing from modest beginnings in Rio de Janeiro, ballerina and activist Ingrid Silva discovered her aptitude for dance at the tender age of eight. In her conversation with Ashley, Ingrid describes feeling free the very first moment she stepped on stage. From there, the precocious but shy dancer promised herself she would push past her fears and be brave enough to follow her dreams. Ingrid's gift took her all the way to New York City's competitive Dance Theatre of Harlem where she faced many challenges including a culture shock, language barrier and homesickness. When the obstacles compounded and Ingrid reached a breaking point, her mother's bold belief that she would succeed encouraged her to continue. Today as a seasoned dancer and working mother, Ingrid believes the unwavering support from her community has both sustained and propelled her into the life of her dreams.Want more podcasts from OWN? Visit https://bit.ly/OWNPodsYou can also watch Oprah's Super Soul, The Oprah Winfrey Show and more of your favorite OWN shows on your TV! Visit https://bit.ly/find_OWN  

With credits including Dance Theatre of Harlem, Sarah McLachlan, Alberta Ballet, and  Ballet San Jose, this week's guest is no stranger to the center stage spotlight. Welcome Allison Stroming! Listen in as she shares her inspiring story from training at SAB and blooming into her professional career. Stroming shares her thoughts on representation of the ballet community in NYC vs. LA and shares the creation story her clothing line, AS Dancewear. You can catch Allison on faculty with Break The Floor's touring conventions as well as on staff at Elite Dance Center alongside our host Alex! Your hosts start by discussing purpose in the dance industry and how that contrasts with burn out. Be sure to rate,Support the show