Podcasts about summerstage

Meg Mitchell Moore is the author of Mansion Beach, a page-turner-y multi POV summer saga with everything you could ask for: a beach, a body, rich people behaving badly but also sometimes not behaving badly, parties, drama and just enough gender-swapped Gatsby to think hard about the meaning of the American Dream. I loved it (KJ here) and I also loved this conversation with Meg, who apparently thinks in multiple POVS and is always just as impatient as I am to feel like the book is done and wonderful when sadly it is… not. #AmReadingMeg: Audio: Great Big Beautiful Life, Emily Henry—Julia WhelanAlso mentioned: Julia Whelan's Thank You for ListeningPrint: The Road to Dalton, Shannon Bowringfrom The Book Shop of Beverly FarmsKJ: Mansion BeachWelcome to Glorious Tuga, Francesca SegalFind Meg at @megmitchellmoore on IG, or visit her website at www.megmitchellmoore.comHEY. Did you know Sarina's latest thriller is out NOW? Rowan Gallagher is a devoted single mother and a talented architect with a high-profile commission restoring an historic mansion for the most powerful family in Maine. But inside, she's a mess. She knows that stalking her ex's avatar all over Portland on her phone isn't the healthiest way to heal from their breakup. But she's out of ice cream and she's sick of romcoms. Watching his every move is both fascinating and infuriating. He's dining out while she's wallowing on the couch. The last straw comes when he parks in their favorite spot on the waterfront. In a weak moment, she leashes the dog and sets off to see who else is in his car. Instead of catching her ex in a kiss, Rowan becomes the first witness to his murder—and the primary suspect.Digital books at: Amazon | Nook | Apple Books | Kobo | Google Play | Audible Physical books at: Bookshop.org | Amazon | Barnes & Noble | Indigo | More paperback links here!New! Transcripts below!EPISODE 450 - TRANSCRIPTKJ Dell'AntoniaKJ here announcing a new series and a definite plus for paid supporters of Hashtag AmWriting. It's Writing the Book, a conversation between Jenny, who's just finished a blueprint for her next nonfiction book, and me because I've just finished the blueprint for what I hope will be my next novel. Jenny and I are both trying to quote-unquote "play big" with these next go-rounds, which is a meta effort for Jenny as that's exactly what her book is about, and we're basically coaching each other through, trading pages, thoughts and encouragement, as well as some sometimes hard-to-hear honesty about whether we're really going in the right direction. So come all in on team Hashtag AmWriting, and you'll get those Writing the Book episodes right in your pod player along with access to monthly AMAs, the book labs, first pages episodes, and come summer, we shall blueprint once again. So sign yourself up at amwritingpodcast.com.All SpeakingIs it recording? Now it's recording. Yay. Go ahead. This is the part where I stare blankly at the microphone. Try to remember what I'm supposed to be doing. Alright. Let's start over. Awkward pause. I'm gonna rustle some papers. Okay. Now one, two, three.KJ Dell'AntoniaHey, I'm KJ Dell'Antonia, and this is Hashtag AmWriting, the weekly podcast about writing all the things. Short things, long things, pitches, proposals, fiction, nonfiction, memoir, other things I'm probably not thinking of. We are the podcast about sitting down and getting your work done. And I am KJ Dell'Antonia, the author of three novels, The Chicken Sisters, In Her Boots and Playing the Witch Card, as well as a nonfiction book, How to Be a Happier Parent, former editor of The New York Times Motherlode. You've heard all this. With me today, more importantly, is Meg Mitchell Moore, who has written a book that I think you're gonna find is your summer go to. It is called Mansion Beach, and I loved it. And we'll talk about it in a second. She is also the author of Summer Stage, Vacationland, can attest to both of those great reads. The Islanders, Two Truths and a Lie, The Admissions, loved that one too. They're all great. So, anyway, lots of lots of novels in the family saga, sometimes touch of romance, beach, summer, deep, but also page turnery read genre, which is not a genre because that was too long. But, anyway, Meg, thanks for coming to chat.Meg Mitchell MooreThank you for having me. I'm so happy to be here. This is gonna be really fun.KJ Dell'AntoniaSo I've read some of your other books, obviously, and I felt like this one Mansion Beach was you sort of moving to a different this. It's a little how to describe it. You've got a lot of points of view, which you always, you often do, and a little bit of of a mystery, which actually, I've seen you do before, and then you've got a podcast going on so that you can have different people show show off what's happening. I guess I was hoping you would talk about the evolution of style, um, actually, over your whole career, sort of from, like, I'm writing a kind of a basic book with a couple of points of view and third person close, or maybe first person to these bigger, bigger stories with so much more to so much more to offer the reader. That's a really big question. Start wherever you want.Meg Mitchell MooreThat's a great question. I I don't know if it has been such an evolution. I have always written multiple points of view to the point where it makes me crazy. And I wish I could. I wish I could do one or two. I really wish I could. I've tried it. I can't do it. I just can't. My brain doesn't work that way. It's I can't do it. So even my very first novel, which I published in 2011 it was called The Arrivals, that was a much smaller story. So yes, I for sure, I've evolved plot wise, but I remember, and this was when I was brand new and did not know what I was doing, and I was just trying to figure out how to write a novel. I had so many points of view. And I remember my now agent. Maybe she was not my agent then and was becoming my agent, or maybe she was already my agent, but I remember her saying, we have to take out at least like five of these points of view. And it's still, it still has a lot. I just that's how I think those are the kind of books I like to read, usually, not always, for one thing, but it just. Must be how I think I'm always in everybody's head, and it's really hard for me to restrain that. So this book, I don't think, has any more points of view than any other. Might have fewer than some. It does have a mystery.KJ Dell'AntoniaYeah it might, then some that I've read, I guess I I, I saw it as different, maybe in part because of the the use of the podcast to frame things.Meg Mitchell MooreYeah that's new. And then it's a bigger, you know, it's a bigger idea. It's a, it's not a retelling of The Great Gatsby, because I don't like to use that word, but it is inspired by The Great Gatsby. So it has definitely some bigger I was looking at bigger themes, maybe from the start. A lot of times I back my way into the themes based on what my characters are doing. I don't always start with the themes, but this time i i was looking at some of those big whether, what's the American dream and what does success mean, and how does money equate with happiness, and some of those bigger questions. And I don't always do that. I might do it in reverse, but I don't always do that first. So I do think it has bigger theme wise, it's bigger maybe plot wise, yeah. And some of the elements, some of the elements that move it along, are a little different. I was working with a new editor for the first time for this. This is my first full book with my new editor. So I think that had something to do with it too, because I think she was probably pushing me for some of those elements that don't come naturally to me, which I think ended up being good for the book.KJ Dell'AntoniaYeah, it's a little more thriller. Isn't exactly the right word, but there's definitely a page turning mystery in there. I know here's, this is like a so there's a page turning mystery in Mansion Beach, and the question all along for the reader, like, you know somebody is going to die. But I at least did not know who, but I had an advance, and it came as a as a digital book, so I didn't have the cover and I didn't have the blurb on the back, if a reader has those things, are they gonna know?Meg Mitchell MooreInteresting.KJ Dell'AntoniaAre they gonna know? Who it is that that dies?Meg Mitchell MooreI don't think so. I don't think so. The people I know who have read it both ways, I think have not known.KJ Dell'AntoniaThat's good.Meg Mitchell MooreIt's sort of that white lotus effect, you know, for White Lotus fans out there, where there is a mystery, and you care about the mystery, but you also it matters, but it doesn't matter as much as what's going on with everybody else. So I really like that as a framing device. I like watching it and reading it. And I tried it myself this time. I did it a little bit in two truths and a lie as well. I guess that's my only other one that has a dead body, and a lot of people are mad at me for who the person was who died, which I want. And two truths...KJ Dell'AntoniaDon't give it up.Meg Mitchell MooreNo, I won't. So that was interesting, so I hadn't tried it again, and this time I went in a little nervous, because people had been upset with me, particularly my husband. But I I still, I mean, I had the chance not to do what I did in two truths and a lie, and I still chose to. So I still, for me, it was the right thing, but it was an interesting experience. And I didn't try it again for a couple books. And this time I did also because I was playing with some of the Gatsby themes. I mean, Gatsby has three bodies, so I thought, I mean, I should have at least one, so I won't, yeah, I won't give anything away about…KJ Dell'AntoniaNo, don't.Meg Mitchell MooreWho or what or how, but I did enjoy having that as a device to propel it now that also, I don't think that was in the first draft. I don't think there was a body in the first draft. I mean, there were huge changes in this book, and I think that was one of them. I think we decided we needed the body after one draft.KJ Dell'AntoniaWow. Okay, now I'm deeply fascinated, and of course, I'm trying. So I'm trying to make this interesting and useful for those of you who haven't read the book, although you could also stop, go get the book, and read it, and then listen to this, and then it would be even better.Meg Mitchell MooreThat is true.KJ Dell'AntoniaYeah. Okay, so let me just start by saying I am actually not a person who typically likes a book where your whole like, like, the question is, you know, either who died or who did it. So Lucy Foley, I've enjoyed some of those, but it's not necessarily my favorite go to genre, but the thing that made this book work great for me was exactly what you just said, that there's so much more to it. You I could see that this story would exist before you added that and that. I mean, that's so cool. And then I also, I'm not a Gatsby person, so neither of those would like, neither of those hooks is going to grab me. But what grabbed me, I think, was the different women, different versions of the American dream.Meg Mitchell MooreMm-hmm.KJ Dell'AntoniaIs that where you started?Meg Mitchell MooreI started… Yeah, I think so I would. Really, yes, I wanted to really look at notions of success, particularly for women today. You know, it's contemporary. It takes place that, you know, in the summer that is coming out, or that, if you actually match up the dates, and I think I messed up the tides and the moon in some places, but it's the summer. So yes, I was very interested in those questions. I was I wanted to have a love triangle, because I think that's interesting, and that's part of Gatsby too. So it's funny that you say you're not a Gatsby person. I think my first, another change from my first draft, was very Gatsby heavy. I think I tried to, I think it just was, I was trying too hard to to do the same thing. And…KJ Dell'AntoniaIt's kind of a reverse-gendered Gatsby.Meg Mitchell MooreIt is, yes, it's reverse gendered. But what I was doing was just, I was just trying to, I don't know what I was doing, but it was a mess. I mean, I always knew I wanted to play with Gatsby, but I tried to do it too closely. And I tried a little first person with the narrator, which that's how Gatsby is told, but I can't write him. Can't write successfully in first person. So that was a mess. And I remember that my editor probably looked at this thing and said, This is what are we doing? But what she said to me nicely was, you need to, like, don't worry so much about Gatsby at all, like you need to free yourself from those constraints, and you need to write the story. And that was the best advice, because that's when it started to come together. So it's more that Gatsby was a jumping off point, and some of those themes, I was so interested in how those themes are so relevant 100 years later, and they are, so I think I needed that as a jumping off point, but I didn't need to, you know, retell it scene by scene, or try to have the narrator feel the same, or do anything like that. And I had some missteps along the way before I figured that out.KJ Dell'AntoniaIt interests me that this doesn't seem to have taken any longer than your other books, did it?Meg Mitchell MooreUh, I felt like it took forever. My books have come out either with note with, you know, a year and then the next summer, or with two summers in between. This one has, this one has an empty summer in between. So I did need that extra writing time for this. And I remember, I always start out thinking I could do this in a year. I'll absolutely and I always hit. I'm a deadline hitter. You know, I always hit the deadlineKJ Dell'AntoniaYeah, you give them something.Meg Mitchell MooreYeah, I was a journalist for a long time. I just, I'm not late on things. I just always, I'm just, I always hit my deadlines, but it might be awful. And so this was nobody actually. I mean, it was pretty awful when I think back to that first draft, and I think that my editor and Agent thought, okay, we can do this. And I looked at it, and I looked at my schedule and my life and my brain, and I thought, I don't think I can do it very well. So we put it off for a year, which gave me not a year's writing time, but maybe six months that I hadn't had. And that made a big difference. So this one took a little longer. Same thing with vacation land. I had the exact same thing happen where I thought it was going to come out one summer, it came out the next summer, but Summer Stage and then the book coming out, if I finish it next summer, will have no extra time in between. So it kind of, I've gone both ways with it.KJ Dell'AntoniaDo you see any like consistency in why? Or it just sort of either happens that way or it doesn't?Meg Mitchell MooreI think I when I try bigger, when I try bigger books, I need more time, as it should be, but I always think I can do it. You know, I'm patience is not, is not my best quality. Impatience is my worst quality. So I find that I'm usually impatient to get something done or to hit the deadline or to put the book out, and I have to slow myself down when necessary, and vacation land. It was a different editor, same publisher, but different editor. I remember her saying, having that talk with me and saying, it will be a much better book. If we put it out the following year, it will be so much better. And she was right. So we needed that time.KJ Dell'AntoniaI so totally relate to this.Meg Mitchell MooreDo you?KJ Dell'AntoniaYeah, absolutely. I mean, I'm in the middle of it. Now, if anybody who's listening is also listening to our what the books are writing the books, what the books also like? It's a little mini series where one of my co-hosts is writing nonfiction and I'm writing fiction, and we're trading pages, and we're doing a weekly series of conversations. And this week's realization was, I have always known that I'm writing a story with multiple points of view, but I couldn't start it that way. I had. I had to start it with just this one protagonist. And then I thought, Oh, well, then it'll just be that, and it'll probably be really easy. Look, I've got this all planned out. I'm just gonna write. I'm just gonna, oh, I'll bet I can get, what if I got my agent a draft this summer? Hahaha, it's, you know, it's not good, but I'm so impatient. I want ...Meg Mitchell MooreRight, right. Well, I was listening to one of your to your podcast the other yesterday, and it was the one where you were talking about your story idea starting. How do you, how do you ideate the book?KJ Dell'AntoniaOh, gosh.Meg Mitchell MooreAnd you so you write a book, and then you present it to your agent, and then you sell it, right? So…KJ Dell'AntoniaYeah.Meg Mitchell MooreThat's your process. So I'm the opposite, where I write, I get the contract first, and then I have to write the book. And I don't know which is harder, because you don't have a built in deadline. You have your own deadlines that you said, but you're writing something that you said. Maybe this will sell, maybe it won't, I don't know, whereas I know it will eventually be published, but I also have that pressure of I have to get things in on time. So what do you think is, what's better? What's worse?KJ Dell'AntoniaI don't know. I envy your... I envy that way. I feel like that would make me feel more secure, more professional. My, my agent, doesn't… she's very against selling a book of mine, at least before I've written it, because she says, I'll, she says I might change it, and then, and then, it won't be what we sold or I won't be happy. So so I don't know if she's I think she's just against it as a general rule, but I know lots of agents that that do it, and I know a lot of of writers that do it. Sometimes I look at this and I'm like, you know, I could do a proposal. Maybe we could sell it. I could get some money. That would be lovely, right? Yeah. But...Meg Mitchell MooreI see, I see your point, and I know a lot of people think that way. I remember a long time ago when I'd either published, I think I'd published no novels. Maybe my book was about to be published, my first novel, and I heard Ann Patchett speak at a conference, and she said, she said that she would never take money for a book she hadn't written.KJ Dell'AntoniaWow.Meg Mitchell MooreAnd I remember thinking, Oh, well, if that's what Ann Patchett says, I guess that's what like, that's how the world is. But I disagree, like I disagree, because for me, first of all, she has a different life situation, but for me to keep income coming in steadily, because this is my only job, I feel like that's the way to do it. And I also feel like other industries, like my husband doesn't only get paid when he goes to the board meeting. He's getting paid every other week for his job that he does for the company that he works for. And so to try to approximate a little bit of a normal salary, I feel like that's the way to do it. But then I also see the other side, and I see why Ann Patchett wouldn't do it, because she's Ann Patchett, you know, so she can take whatever time she needs...KJ Dell'AntoniaSee that's so funny. Because I think, well, you can do this because you're Meg Mitchell Moore, and Meg Mitchell Moore is going to sell and a KJ Dell'Antonia, one of them will, and the others somewhat less, so at least that's my my record at the moment. So I guess we just all see each other differently. My co-host Sarina sells on proposal.Meg Mitchell MooreOkay, so fiction, that's fiction?KJ Dell'AntoniaYeah, yeah. She sold thrillers and romances that way. Okay, so she has a bigger track record. But also, I've known people, you know, I guess there's just different ways of of of doing it. And I would not say that I chose this. It chose me.Meg Mitchell MooreInteresting, but there was always that chance. I mean, my agent... If I said to my agent, I don't want to sell till I write, she would say, Great, that might be better for both of us. We'll probably sell it for more, because you might write something really good, but I just don't want to take that. I'm too impatient, you know, I'm just Yes, maybe, if, you know, maybe if I had, you know, had some big blockbuster, and then I thought, Okay, now for two years, it doesn't matter what's coming in, because I'm getting money from that book, that would be different. But, um, that's not how it works for most people.KJ Dell'AntoniaYeah, and maybe I would feel less impatient with getting this done if I weren't like, I want to get to the point where I know if we're going to sell like, I wrote a whole thing last summer, and it never got to the point that we felt like we could sell it, and I I'm sick of it. I can't write it anymore. I'm done with it. I mean, maybe I'll come back to it, but, yeah, right. And like, I've had, you know, a freelance editor at it who's really good. My agent's been at it. I finished it like three times, and apparently it still sucks. So I'm done.Meg Mitchell MooreSo that's interesting, because I always think that I would not be writing good books if I didn't know if my editor gets a very messy draft, and all of my editors have gotten bad dress and really helped me. And without that step, I don't think I would ever write a book that could even be sold. So I feel like I need to know, okay, somebody else who is better at this is going to be helping me really soon. I just need to get through it.KJ Dell'AntoniaThat's that would be amazing. I don't think my editor cares enough about me to do that. So...Meg Mitchell MooreOh, my editor would absolutely prefer a cleaner draft. Like, no question. I mean, she would be delighted if I showed it to five people and got feedback, but I'm always in a rush. So I'm like, here you're the first reader. Here you go. She's like, thank you.KJ Dell'AntoniaYeah, that's my agent. I'll be like, Look, I'm done it's great! and She's no... it is great, but you know what would be really great? Poor agent. Yeah, okay. So, so we're we're both impatient, but we're doing this in in very different ways. Well, now I want to hear more about that. How do you go from a first draft with no body, to a final draft where the body, it's definitely one of the things that's pushing people to turn the page. It's not the only thing. So maybe that's the good news of not having started with a body. Also, did you know whose body it was?Meg Mitchell MooreUm, we discussed because, yeah, I mean, we discussed a little bit about it. I remember thinking, Could it be this person? And here's why we wouldn't want that person. Could it be this person? So we had some discussion. I didn't write it. I once I knew who it was. I didn't write multiple versions of it. I always had that person. But, and I guess I just think of it as more of a framing device than anything, and a framing device, you can add the frame later.KJ Dell'AntoniaYeah.Meg Mitchell MooreSo the middle was mostly what was happening, was happening, and then there was this framing device and and then there are certain things at the end that kind of came together. And I was like, Oh my gosh, this makes it all come together. But I didn't know that in the beginning. And that was so you may be late.KJ Dell'AntoniaDid you not know how the body became a body?Meg Mitchell MooreAh, that changed. There was...KJ Dell'AntoniaYeah, I could see that.Meg Mitchell MooreAnd then I thought, oh my gosh, this is kind of what I needed to pull together all those themes. It was those exciting moments that really don't happen very often.KJ Dell'AntoniaOh, I bet and I mean, I can see it from the outside as a reader. It really did. It made it like your ending is one of those endings that changes the whole, your whole reading experience for the better, right? Not that it wasn't a great reading experience the whole time. You know, sometimes somebody doesn't stick the landing, and then you're like, yeah, no, I don't really want to recommend this. I mean, it was fine, right? But, and sometimes it's just great. It's like, solid. You're happy, yay. Okay, that's a good, it's a good. Yours colors the entire like, if I were somebody who would go back and reread it, would color the entire experience differently.Meg Mitchell MooreOh, Thank you!KJ Dell'AntoniaYeah, which is cool, yeah, very cool.Meg Mitchell MooreNow, when I wrote Vacationland, I started with a body, and the body came out. So I had the opposite experience, where I thought I was writing a thriller. The whole time. I was like, this is going to be my thriller. There's a body. And I had it all. And to me, it made sense. It all tied up, and my different editor, but my then editor said, I like everything but the body.KJ Dell'AntoniaWow.Meg Mitchell MooreWe had to keep it was first it was a an important body, and then it was a less important body, and then it became the body of a seal, because I had to have just a scene of children looking at something they found in the water in the very beginning. And so it was a body, and then it was a seals body. This time. I got to keep my body at least.KJ Dell'AntoniaSo I love this also, because you haven't been, um, pigeonholed into a genre that involves bodies or doesn't involve bodies. Has that been a thing as you've as you've gone from book to book where people are like, well, I don't know… Meg, people don't really want you to kill people or the, you know, the opposite. Well, I don't know, people are kind of looking for some more thrills from you.Meg Mitchell MooreWell, Vacationland. I remember that editor said they don't, we don't want this from you. We want, we don't want. We want a summer book. We don't want. We're not looking for a thriller. You know, they had other thrillers. You know what? They're doing their own end of the business, too. So they definitely said that this time. I mean, I feel like I'm not pigeonholed, but categorized as beach as a beach book. But I think within beach books you can do all of those things. Yeah. So if I were to write a giant thriller that I said, I think this should come out in the fall, and it's a big book, I that's when they would probably say, I don't know if your audience, if you have the audience, right, pull that off unless the book is amazing, you know? I do feel like I need to come out in the summer to keep my readers.KJ Dell'AntoniaYeah, I actually love that. That beach book is a You're right. It's a pretty big genre. It encompasses a lot. It encompasses a lot of of things, the only requirement being that it's, you know, entertaining, which, as far as I'm concerned, is a book requirement anyway. But...Meg Mitchell MooreRight, right. It is interesting because my books also happen to usually take place on beaches, but not all beach books do. So it is, it has become a very big category and competitive like you also want to stand out in that category, because there are so many books with the word summer in the title or the word beach in the title, or this. Actually, this cover is a departure for me, which I love, because I feel like I have done the just the oceanscape or the main or the woman looking at the water. I've had those kinds of covers.KJ Dell'AntoniaIt's your first... It's, it's, it's a cartoony cover. I don't, I don't mean that it, you know that sounds Yeah, it's almost a romancy cover. But there's only one person. First. I'm just so you guys should, it'll, it'll be in the show notes. You should, you should take a look, because you're right. It is a departure. I see, yeah, I see what you're saying there. But this one's, it's a hardback, right?Meg Mitchell MooreYes.KJ Dell'AntoniaYeah. Have all your books come out first in hardback?Meg Mitchell MooreThey have, yep.KJ Dell'AntoniaNice, cool.Meg Mitchell MooreHave yours?KJ Dell'AntoniaNo, none.Meg Mitchell MooreNone? Okay, now, what do you now…? Do you think that… that, I sometimes I feel like that's a great thing too.KJ Dell'AntoniaI go back and forth on that. My agent is bummed about it. But for me, it's frankly, much easier to, like, go out to everyone and be like, spend $18 versus be like spend $38.Meg Mitchell MooreI agree.KJ Dell'AntoniaSo I haven't minded. Oh, and I was at the Newburyport Book Festival a few years ago, and they accidentally got my second book only in hard book, because it was, it came out in hardback and paperback at the same time, which there was a moment of about six months when publishers were doing that, and then they stopped and they only had the hardback. And I was like, Oh, I don't even want anyone to buy that. Like that, isn't I would be mad if I bought a hardback...Meg Mitchell MooreRight, right.KJ Dell'AntoniaAnd then the next day, I was at the store and was like, hey!?Meg Mitchell MooreRight, yeah, it's interesting, because I do actually love… because I bought your book The Chicken Sisters this weekend, in paperback, and I love, I love paperback, yeah, I love it.KJ Dell'AntoniaFor travel…?Meg Mitchell MooreLighter, yeah, and I think it is appealing. It's so interesting. I mean, I remember Emily Henry's first couple, at least, came out paperback, and then now that she can sell so well, they now they come in hardcover, but I still feel like...KJ Dell'AntoniaI look at them and I'm like, I don't want that that way. Now, I'll just buy a digital version, because I don't that's not…Meg Mitchell MooreRight? Right. It's really interesting. And I know I don't understand the sales end of it, the way that the people who are doing the job do, and the profits and the margin and all that. But I kind of feel like, why isn't everything in paperback right away? You know?KJ Dell'AntoniaYeah, no, I feel the same way. And and also people's, especially now we're thinking, we're talking about beach books. Some people's beach I mean, if my beach vacation is an airplane beach vacation, I might bring one hardback, maybe...Meg Mitchell MooreRight.KJ Dell'AntoniaAnd maybe, probably not, because I'm a fast reader, I could easily eat that on the plane, and then there I would be. So...Meg Mitchell MooreRight.KJ Dell'AntoniaI don't know.Meg Mitchell MooreRight, yeah.KJ Dell'AntoniaI guess that's what e-readers are for.Meg Mitchell MooreThat's true.KJ Dell'AntoniaWell, I mean, gosh, I could probably talk to you about in depth, about the writing of this for about 12 hours. Because, okay, one one last thought. So listeners, Meg writes like we said, in multiple points of view. Talk to me about how you know when to change the point. You know what point of view a scene should be told from?Meg Mitchell MooreYeah, I don't. I'm it's so much. I do so much rewriting, a lot of that. I mean, I'm just thinking, I just turned in a draft yesterday of, hopefully next summer's novel, and I that is also multiple points of view. It's, I think it's mostly three, it's three adult sisters and they each have a point of view. There might be a couple little scattered things, but when I look back, I think I need to probably adjust, even in the draft I just turned in, I think I'm a little heavily weighted toward one over the other, so I don't always know. I just go on gut and instinct, and then I fix it later, which is how I do almost everything. I just go by instinct, and it's usually wrong And I change it later.KJ Dell'AntoniaSo, you'll, you'll be like, you've written a scene, and the point of view of one person, you realize, oh, either it's the other person's turn to have some more time, or I need their inner thoughts, not this person's inner thought...Meg Mitchell MooreRight. Yeah, its not very organized.KJ Dell'AntoniaAnd sometimes you drop in like, you know, a kid on a beach or something, is that when you need something to happen that you that your protagonists don't know? Or just, you just feel like?Meg Mitchell MooreI think, I think it's fun. I just think it's fun sometimes to have this person you haven't heard from and you won't hear from again. But a lot I probably did. I probably do that. It probably gets taken out 80% of the time when I do that, because usually it doesn't make sense. But I just wanted to do it. I did it in my book. I just turned in and the first this scene between the a realtor and her husband, the realtor who's selling this house that these people are in. She doesn't matter to the book, but I just really wanted to write the scene of her and her husband, and I even wrote in the draft. I know this doesn't make sense, and my editor said, Yeah, this doesn't make sense. Like, you either need more of them, or they need to go. I don't know what they're...KJ Dell'AntoniaDo you ever give them away for? Like, you know, here's your pre order bonus. Read this extra scene…Meg Mitchell MooreI should do that. Maybe I'll do that. They'll do that. I have never done that, but maybe I will. But I feel like, I think it might be Anne Tyler. I remember reading an interview. Is she the one who does the strings like she has strings with different?KJ Dell'AntoniaMaybe, i don't know.Meg Mitchell MooreEvery character has a different colored string, and then she pulls down the red one because it's the red, you know, that's how she knows who she's writing. And I thought that was really cool, but I've never done it.KJ Dell'AntoniaThat sounds like a lot of work.Meg Mitchell MooreI guess.KJ Dell'AntoniaAnd, like, I would need a different…I need a bulletin board. Okay.Meg Mitchell MooreYeah, I don't know where you, where I would hang it from, but it's just seems kind of nice to think, then maybe...KJ Dell'AntoniaYeah it does.Meg Mitchell MooreShe knows if she's done the right amount for everybody.KJ Dell'AntoniaYeah, The Chicken Sisters is alternating points of view. And I just, I just alternated. And then sometimes that was a problem, and I had to figure out, like, how to get somebody's feelings? Yeah? So....Meg Mitchell MooreYeah, it's confusing. I don't know why I do it to myself, because sometimes I'll just read a perfectly, a book that's just perfectly written in first person. I'm trying to think of an example right now, because I don't even always read that much in first person, but like, Yellowface? … Yellowface. Okay, that book was so, like, simple in a way, but I love I loved it. I thought it was brilliant, and it was all just this point of view, and...KJ Dell'AntoniaAnd didn't you occasionally get, like a newspaper article? I think...Meg Mitchell MooreMaybe, maybe.KJ Dell'AntoniaThat must have been what she did when she had something her person couldn't know.Meg Mitchell MooreYeah. I guess, yeah. I guess, technically, it would be harder to do it all from one because you how do they know everything? But I feel like I get lost, like I have trouble. I literally lose the plot, because I'm just this person's off doing something in their day that might have nothing to do with what's going on. I get really caught up in that kind of stuff, and that's what I have to edit out.KJ Dell'AntoniaYeah, I'm always trying not to do that. I'll sit there while I'm writing, like, No, do not let them move their coffee cup. They can move the coffee cup in a later draft, if the coffee cup is still here, if they're even still in this coffee shop, if this coffee shop even exists. But I can't seem to stop it. My my like, default mode is, you know, he said while taking a sip and burning his lip or whatever, right? Just, I can't seem to not do it.Meg Mitchell MooreYeah, but sometimes that's where you get the gold too, because you wrote all that, and maybe that one sentence is the thing that you needed. So it's just the process.KJ Dell'AntoniaYeah, it is. It's just the process, and it's longer than we hope and slower than we hope...Meg Mitchell MooreAlways...Always. Yes.KJ Dell'AntoniaAnd more, and more revising. Well, do you have any, like, genius words about revision for people? Because it sounds like you do a lot of it.Meg Mitchell MooreI do a lot of it. I think just is so important. It's just so for me, it's so important. I just think nobody gets it right. I hope nobody gets it right the first time. Because if they do, I'm really jealous, but I think for the most part, nobody gets it right the first time. So revision is, I mean, I'd say I spent almost as much time on the revision I probably do as I do on the first draft.KJ Dell'AntoniaDo you still lie to yourself in the first draft and let yourself pretend it's going to be right?Meg Mitchell MooreOh yeah. I always think, Oh, this is the time I did it, I nailed it, and then I get my editorial letter, and it's like, great start. Here's the 700 things that you need to do now.KJ Dell'AntoniaWell, thank you. I feel better. I hope everyone else does too.Meg Mitchell MooreYeah, it's a long process.KJ Dell'AntoniaIt really is, all right. Well, this was fantastic. I really enjoyed it.Meg Mitchell MooreYeah, me too.KJ Dell'AntoniaAs we hit the end of any episode, we always like to ask people what they've been reading. So I hope I'm not springing that on you.Meg Mitchell MooreNo, I just I always have an audio book going and a regular book going on audio I just started the Emily Henry, the new Emily Henry, which I've never listened to her books. I've always read them, and I know that Julia, the famous Julia Whelan, is always her narrator, so and she's phenomenal. So I'm loving the audio version, which is just funny that I've never done it with Emily Henry before.KJ Dell'AntoniaDid you listen to Julia Whelan's book that she wrote herself?Meg Mitchell MooreMhmm.KJ Dell'AntoniaThat was so fascinating, because it really was different, like I actually read it, but I could feel the… yeah. Anyway, okay.Meg Mitchell MooreOh, you should go back and also listen. It's so it's such a good audio book.KJ Dell'AntoniaI bet.Meg Mitchell MooreYeah, it was fantastic. And then I'm reading a novel called The Road to Dalton that my friend Hannah, who owns the Book Shop of Beverly Farms in Beverly Farms, Massachusetts, phenomenal store recommended to me. So I bought it last time I was there, and it is about a bunch of people in a small town in Maine, which is my vibe immediately I was in. But it's very good. So I'm reading that. I can't, I can't remember the author, which is unusual for me, but Shannon something I think [Shannon Bowring].. But it's The Road to DaltonKJ Dell'AntoniaThat's okay. I will find it well. As everyone is gathered, I just finished Mansion Beach. I I really loved it. It was a rare book that I loved even more when I got to the end of it. And, yeah, it was amazing. And also in that, that vibe, that sort of small town Maine and yet, but this is like small island, middle of the Atlantic. Welcome to Glorious Tuga. Have you heard of this one?Meg Mitchell MooreNo. I've never heard of it.KJ Dell'AntoniaOkay, so it's a tiny island settled 300 years ago by a miscellanea of Dutch and British and and African people didn't have any locals. So that's kind of and they have formed the society. It's only open for half the year, because you can't, like, get a boat into it, because storms and currents and whatnot. So this woman has gone thinking that she's going to study the native tortoise population all Darwin, but she gets there and they're like, great. You're a vet. That's what we need. So it's kind of like all creatures great and small meets...I don't even know what it meets yet, I got to come up with that. But it's really a lot of fun. And it's very multi it's multi POV in a really interesting way, because you're with her, and then sort of whenever you kind of get a little interested in someone else, you're like, Oh, why are they doing that? Then maybe you'll switch to their POV. it's really, I really enjoyed it so, so that was fun. So those are my ranks, all right. Well, thank you so much, listeners for joining us, and thank you, Meg for joining me today. Where can people follow you? Where's the best?Meg Mitchell MooreMostly on Instagram @Meg Mitchell Moore, I'm on Facebook, but I don't use it very often and I kinda want to leave it. So…I also just read the Facebook, the Facebook memoir.KJ Dell'AntoniaOh yeah?Meg Mitchell MooreNo, I really want to leave Facebook, but also I know that they own Instagram. So anyway, Instagram is the best place to find me, and I was so happy to be here. Thank you. It was really fun.KJ Dell'AntoniaThis was super. Okay. Thanks everyone for listening, and until next week, keep your butt in the chair and your head in the game.Sarina BowenThe hashtag am writing podcast is produced by Andrew Perella. Our intro music, aptly titled unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Part 2 of my interview with Julianna Schauerman and Ed Robins continues with a conversation with Ed. Ed Robins came to Summer Stage in 1981 and worked there until 2015. Ed is a jack-of-all-trades tech wizard, working in designing, lighting, electrical, carpentry, painting - you name it; Ed does it. He directs and stage manages as well. I hope you enjoy our conversation, so come along and have some fun . . .Conversations with Miranda a playProduced by Zakarak ProductionsDirected by Ed Robinswith Julianna Schauerman as Mirandahttps://pcstheater.org/zakarak-productions-presents-conversations-with-miranda/We all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releases. Please click on the link to visit Neil's BandCamp website to listen to songs from his album, including cut number 7, “Harry Dietzler.” Please support Neil's work by buying downloads of your favorites.Please follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com. I can record five guests simultaneously, so reach out to your friends for an online mini-reunion.You must have the latest version of the Google Chrome browser on your desktop or laptop computer. I can now record interviews with guests who have iPads or iPhones. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, Bluetooth ones are not 100% reliable, so see if you can borrow wired ones.Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Julianna Schauerman spent every minute of her adult life working in theatre. She came to Summer Stage in 1977 and continued to work there until 1995. She is producing the 50th Anniversary show, just like she did for reunions 25, 30, and 40. Julianna also produces special events for Summer Stage, such as Harry's Retirement Surprise Event. She runs her own production company and still finds time to perform. With us is Ed Robins who pitches in from time to time before I interview him for our next episode. I hope you enjoy our conversation, so come along and have some fun . . .Summer Stage 50th Gala Celebration Shows:https://vivenu.com/seller/upper-darby-arts-education-foundation-395kConversations with Miranda a playProduced by Zakarak ProductionsDirected by Ed Robinswith Julianna Schauerman as Mirandahttps://pcstheater.org/zakarak-productions-presents-conversations-with-miranda/Zakarak Productions, Inc. - Production Company:Zakarak.comWe all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein.Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releases. Please click on the link to visit Neil's BandCamp website to listen to songs from his album, including cut number 7, “Harry Dietzler.” Please support Neil's work by buying downloads of your favorites.Please follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com. I can record five guests simultaneously, so reach out to your friends for an online mini-reunion.You must have the latest version of the Google Chrome browser on your desktop or laptop computer. I can now record interviews with guests who have iPads or iPhones. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, Bluetooth ones are not 100% reliable, so see if you can borrow wired ones.Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Catch up with the summer cultural calendar with this pledge-drive miniseries. Today, Ryan Kailath, WNYC/Gothamist arts and culture reporter, runs through the highlights from the annual SummerStage and Celebrate Brooklyn! concert lineups. 

Lizzy Lunardi and Anna Rudegeair first met each other while auditioning for Annie, Jr. in 2012. They were cast as Molly and Annie and began a lifelong friendship; they collectively became known as “Lizzanna.” These amazing young women speak so fondly of each other and what Summer Stage means to them. I enjoyed my time with them. I even learned about Dorkus Dietzler. I hope you enjoy our conversation, so come along and have some fun . . .Please follow Anna on Instagram and TikTok at @annaredhair_We all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein.Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releases. Please click on the link to visit Neil's BandCamp website to listen to songs from his album, including cut number 7, “Harry Dietzler.” Please support Neil's work by buying downloads of your favorites.Please follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com. I can record five guests simultaneously so reach out to your friends for an online mini-reunion.You must have the latest version of the Google Chrome browser on your desktop or laptop computer. I can now record interviews with guests who have iPads or iPhones. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones.Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Gina Giachero is the musical director of the 50th Anniversary Gala. She joined Summer Stage in 2007 as an accompanist. She was the musical director for Ragtime, My Favorite Year, The SpongeBob Musical, and many other mainstage classics. Her vibrant personality shines through in her hilarious Summer Stage stories. So, come along and have some fun!We all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. We all have stories to tell, and they can be heard here.Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releases. Please click on the link to visit Neil's BandCamp website to listen to songs from his album, including cut number 7, “Harry Dietzler.” Please support Neil's work by buying downloads of your favorites.Please follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com. I can record five guests simultaneously so reach out to your friends for an online mini-reunion.You must have the latest version of the Google Chrome browser on your desktop or laptop computer. I can now record interviews with guests who have iPads or iPhones. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones.Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Join "Dance Talk” ® with Joanne Carey  and special guests: Duke Dang, Executive Director of Works & Process and Alison Manning, Co-Executive Director of Harkness Dance Center.In this episode of "Dance Talk” ®, host Joanne Carey chats with Duke Dang, and Alison Manning, about their organizations upcoming collaboration: the Uptown Rhythm Dance Festival. The festival is a collaborative project aimed at celebrating various forms of rhythm dance. Alison and Duke discuss the festival's programming, community engagement, and the importance of inclusivity and accessibility in dance. The dialogue highlights the festival's diverse lineup of artists, workshops, and the significance of dance in fostering community connections. Get your tickets, you won't want to miss this festival!Alison Manning is the former Executive Director and Co-Producer of The Yard on Martha's Vineyard, from 2008-2020. She is founding Co-Artistic Director and Choreographer of DanceTheYard, The Yard's year-round professional dance company, with choreographic partner and company Co-Artistic Director Jesse Keller Jason. Alison is a passionate Horton teacher and an avid tap and rhythm dancer and advocate. She discovered her love for the Horton technique as a scholarship student at Jacob's Pillow, working with the great Milton Myers, and has continued studying with mentors Mr. Myers, Kristina Berger, Karen Gayle and other lauded Horton Teachers through the years. She taught the technique on Faculty at The Yard each summer, and as a guest teaching artist at NYU Steinhardt School, Wesleyan Univeristy, Peridance Capezio Center, and STEPS on Broadway. In addition to teaching, Alison dances and performs with The Bang Group and has worked for The Peggy Spina Tap Company, Xodus Dance Collective, Kinodance company among others. She is the current President of the Marymount Manhattan College Dance Advisory Board as well as a member of the Adjunct Faculty. She graduated Magna Cum Laude from said institution with a BFA in Modern Dance and a Minor in Art History. Alison lives in New York City with her wife and four children and is honored to be shepherding the Harkness School of Dance during this exciting time at The 92nd Street Y, New York.https://www.92ny.org/Duke Dang is the executive director of Works & Process, a performing arts organization that champions and resources artists and their creative process from studio-to-stage by partnering with over a dozen residency centers across Massachusetts, New Jersey, and New York to provide fully-funded residencies and presents iteratively at the Guggenheim Museum, Lincoln Center, The New York Public Library for the Performing Arts, and SummerStage.  Works & Process was honored with a 2021 Dance Magazine Award and nominated in 2021 and 2022 for the APAP William Dawson Award for Programmatic Excellence and Sustained Achievement. Born at a UN refugee camp in the Philippines to Vietnamese parents seeking political asylum, Duke immigrated to California growing up with the assistance of Section 8 housing vouchers, food stamps, and attending Head Start. Prior to Works & Process, Duke worked at the J. Paul Getty Museum, Smithsonian American Art Museum, Glimmerglass Festival, and Sydney Theatre Company. He earned in BA in Art History from Boston University and MA in Performing Arts Administration from New York University.To Find out about Works & Process ⁠https://www.worksandprocess.org/ To get your tickets to Uptown Dance Festivalhttps://www.92ny.org/event/uptown-rhythm-dance-festival“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/...⁠ ⁠Follow Joanne on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And Share.Please leave a review!“Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Allie Steele comes from Radnor. She joined Summer Stage in 2000. She worked her way up the ranks from  Rising Stars, Children Theatre, Mainstage, and staff, before settling into the role of Stage Manager. She is a graduate of Saint Joseph's University and works as a teaching artist. Currently, Allie is the 50th Anniversary Administrator for our upcoming reunion and gala, which she will discuss some details about. I hope you enjoy our conversation, so come along and have some fun. . .Visit https://www.udsummerstage.org/ for up-to-date information about the 50th Anniversary Gala.We all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releases. Please click on the link to visit Neil's BandCamp website to listen to songs from his album, including cut number 7, “Harry Dietzler.” Please support Neil's work by buying downloads of your favorites.Please follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com. I can record five guests simultaneously so reach out to your friends for an online mini-reunion.You must have the latest version of the Google Chrome browser on your desktop or laptop computer. I can now record interviews with guests who have iPads or iPhones. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones.Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Jack McDonnell is a Springfield native who began as a Rising Star in 2009. In 2010, he started his Children's Theatre career. This summer, he will continue along with the Mainstage program. Jack embodies the spirit of Summer Stage as he shares his enthusiasm for the arts, his appreciation for his mentors, and his life on the Autism spectrum. He shares amazing stories and performs some awesome impressions along the way. I hope you enjoy our conversation, so come along and have some fun. . .We all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releases. Please click on the link to visit Neil's BandCamp website to listen to songs from his album, including cut number 7, “Harry Dietzler.” Please support Neil's work by buying downloads of your favorites.Please follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com. I can record five guests simultaneously so reach out to your friends for an online mini-reunion.You must have the latest version of the Google Chrome browser on your desktop or laptop computer. I can now record interviews with guests who have iPads or iPhones. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones.Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Tim Sweeney remembers riding bikes to Summer Stage with his brothers and sisters from the Aronomink section of Drexel Hill. At one time there were four Sweeney's at Summer Stage: Kate, Joe, Mike, and Tim. Tim fondly remembers meeting folks who became his lifelong friends friends while creating magic on the stage. Tim just became a father at the age of 46.  He works as an insurance agent and owns and operates Turkey Trivia, a company he created. I hope you enjoy our conversation, so come along and have some fun. . .Tim works with a charity in Radnor that helps people with spinal cord injuries and organ transplants.  Please visit helphopelive.org to find out more.We all have stories to tell, and they can be heard here.Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein.Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releases. Please click on the link to visit Neil's BandCamp website to listen to songs from his album, including cut number 7, “Harry Dietzler.” Please support Neil's work by buying downloads of your favorites.Please follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com. I can record five guests simultaneously so reach out to your friends for an online mini-reunion.You must have the latest version of the Google Chrome browser on your desktop or laptop computer. I can now record interviews with guests who have iPads or iPhones. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones.Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

"Dance Talk” ® with Joanne Carey and special guest Duke DangIn this episode of "Dance Talk” ® , host Joanne Carey speaks with Duke Dang, the executive director of Works & Process. They explore Duke's journey from a refugee camp to becoming a prominent figure in arts administration, emphasizing the importance of the creative process in the performing arts. Duke shares insights on how arts can impact personal growth, the significance of internships, and the mission of Works and Process in supporting artists. The conversation highlights the need for community engagement and the transformative power of dance. In this conversation, Joanne Carey and Duke explore the profound emotional impact of dance, the importance of feeling and embodying movement, and the celebration of street dance traditions. They discuss the significance of intergenerational connections in dance, innovative collaborations, and the upcoming festivals and events that highlight these themes. The conversation emphasizes the iterative nature of live performance and the communal aspect of dance, inviting audiences to engage and participate. Duke Dang is the executive director of Works & Process, a performing arts organization that champions and resources artists and their creative process from studio-to-stage by partnering with over a dozen residency centers across Massachusetts, New Jersey, and New York to provide fully-funded residencies and presents iteratively at the Guggenheim Museum, Lincoln Center, The New York Public Library for the Performing Arts, and SummerStage.  Under Duke's leadership, Works & Process pioneered the bubble residency model in summer 2020, which was captured in the NY-Emmy nominated docuseries Isolation to Creation, and broadcast on PBS and ALL ARTS. Works & Process was honored with a 2021 Dance Magazine Award and nominated in 2021 and 2022 for the APAP William Dawson Award for Programmatic Excellence and Sustained Achievement. Multiple Works & Process commissions including LaTasha Barnes' The Jazz Continuum, Les Ballet Afrik – New York Is Burning by Omari Wiles, and More Forever by Caleb Teicher and Conrad Tao have been honored with Bessie Awards. Born at a UN refugee camp in the Philippines to Vietnamese parents seeking political asylum, Duke immigrated to California growing up with the assistance of Section 8 housing vouchers, food stamps, and attending Head Start. Prior to Works & Process, where he started as a paid college intern, Duke worked at the J. Paul Getty Museum, Smithsonian American Art Museum, Glimmerglass Festival, and Sydney Theatre Company. In 2012, with his husband, he helped founded the Hudson Valley Dance Festival with Dancers Responding to AIDS which has raised over $1.3 million. He earned in BA in Art History from Boston University and MA in Performing Arts Administration from New York University. To Find out about Works & Process https://www.worksandprocess.org/ Upcoming Festival Jan 9-13 “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠ ⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠ Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share.   Please leave us review about our podcast!   “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

David Cregan came to Summer Stage in 1982 after his freshman year at Bonner. He fondly remembers Nancy Santamaria influencing his love of dancing, claiming that West Side Story was a remarkable experience.  He went on to major in Musical Theatre at Villanova University. David received advanced degrees from Catholic University and Trinity College. David lived in New York City and performed professionally until he felt called into the priesthood, joining the Augustinian order in 1993.  Father David now wears two hats at Villanova as Chair of the Theatre Department and the Associate Dean of the College of Professional Studies. I hope you enjoy our conversation, so come along and have some fun. . .We all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein.Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releases. Please click on the link to visit Neil's BandCamp website to listen to songs from his album, including cut number 7, “Harry Dietzler.” Please support Neil's work by buying downloads of your favorites.Please follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com. I can record five guests simultaneously so reach out to your friends for an online mini-reunion.You must have the latest version of the Google Chrome browser on your desktop or laptop computer. I can now record interviews with guests who have iPads or iPhones. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones.Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Danny Bradley joined Summer Stage just before his eleventh birthday. He remembers taking Nancy Sanatmaria's dance class and joining the cast of Nancy's Children's Theatre production of The Unicorn, the Gorgon, and the Manticore in 1978. He performed in many Children's Theatre shows and took on many roles such as Michael Banks in Mary Poppins (1979), Woodstock in Charlie Brown and Friends (1980), and Charlie Bucket in Willy Wonka and the Chocolate Factory (1981). Dan was also in the cast of Westside Story (1984). He has recently retired from a career in teaching and resides in Delaware. I hope you enjoy our conversation, so come along and have some fun. . .We all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releases. Please click on the link to visit Neil's BandCamp website to listen to songs from his album, including cut number 7, “Harry Dietzler.” Please support Neil's work by buying downloads of your favorites.Please follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com. I can record five guests simultaneously so reach out to your friends for an online mini-reunion.You must have the latest version of the Google Chrome browser on your desktop or laptop computer. I can now record interviews with guests who have iPads or iPhones. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones.Upper Darby Summer Stage is now in its 49th season of magic. Please visit their website www.udsummerstage.org for information about performances and ticket sales. If you are able to make a donation, please consider it. Summer Stage is now a not-for-profit organization and relies on contributions from good folks like you. Tell them Bob sent you.Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Sarah Mackus came to Summer Stage after her first year at Temple University. Since then she has performed in Mainstage shows while working on the staff. Sarah has spent the last eight summers on the marketing team and became the Media Manager in 2022, producing over 40 videos showcasing the program, its productions, and its students. Sarah is also on staff at Hedgerow Theatre and a teaching artist at Wolf Performing Arts Center. I hope you enjoy our conversation, so come along and have some fun. . .Sarah's  website, detailing  upcoming and past performances, theater education projects, and video/media portfolio: sarahmackus.comDetails and tickets for the upcoming Tales from Poe production: https://www.hedgerowtheatre.org/tales-from-poeWe all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein.Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releases. Please click on the link to visit Neil's BandCamp website to listen to songs from his album, including cut number 7, “Harry Dietzler.” Please support Neil's work by buying downloads of your favorites.Please follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com.You must have the latest version of the Google Chrome browser on your desktop or laptop computer. I can now record interviews with guests who have iPads or iPhones. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones.Upper Darby Summer Stage is now in its 49th season of magic. Please visit their website www.udsummerstage.org for information about performances and ticket sales. If you are able to make a donation, please consider it. Summer Stage is now a not-for-profit organization and relies on contributions from good folks like you. Tell them Bob sent you.Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

The puppets give their thoughts on the Jason Reitmen SNL bio-pic "Saturday Night"! Also, they reflect on the movie "Team America: World Police" for its 20 year anniversary and discuss their experiences seeing the band Knocked Loose live in Asbury Park.Email: njhybridradio@gmail.comFacebook: https://facebook.com/puppetreviews15Twitter: https://twitter.com/puppetreviews15Instagram: https://instagram.com/puppetreviews15Patreon: https://patreon.com/puppetperspectivesYou can also support us with a donation here: ⁠Puppet Perspectives is Podcasts and YouTube videos (buymeacoffee.com)Support the show

Jeff Boadwin joined Summer Stage when he was 13 years old. The opportunity to perform onstage was a dream for a blind person. The artistic staff adapted their methods so Jeff could act, sing, and dance in several Children's Theatre productions. When Jeff was a pirate in Peter Pan, the costume designer created two eye patches for him to wear for a funny moment in dress rehearsal. After graduating from Overbrook School for the Blind, he attended Neumann University and Villanova University. He works as a child psychologist for Psych Choices of the Delaware Valley. I hope you enjoy our conversation, so come along and have some fun. . .We all have stories to tell, and they can be heard here.Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Jeff's professional web pagehttps://psychchoices.com/our-staff/mr-jeff-boudwin/Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releases. Please click on the link to visit Neil's BandCamp website to listen to songs from his album, including cut number 7, “Harry Dietzler.” Please support Neil's work by buying downloads of your favorites.Please follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com.You must have the latest version of the Google Chrome browser on your desktop or laptop computer. I can now record interviews with guests who have iPads or iPhones. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones.Upper Darby Summer Stage is now in its 49th season of magic. Please visit their website www.udsummerstage.org for information about performances and ticket sales. If you are able to make a donation, please consider it. Summer Stage is now a not-for-profit organization and relies on contributions from good folks like you. Tell them Bob sent you.Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

David Cross is a self-described "professional talker," but let's go ahead and expand on that bio just a bit. Cross is one of the funniest human beings on this planet we call Earth, touting a resume that is absolutely littered with iconic comedy creations — Mr. Show, Arrested Development and his latest special, Worst Daddy in the World, to name a few. He's very funny — and very busy. He currently hosts the podcast Senses Working Overtime with David Cross and put together a show, David Cross and His Super Pals, which will feature the likes of Bob Odenkirk, Sarah Silverman and Fred Armisen New York City's SummerStage in Central Park on August 8. Also on August 8, he'll star in the fourth and final season of The Umbrella Academy, and after that? He's hitting the road with his new comedy tour, David Cross: The End of the Beginning of the End.

David Cross is a self-described "professional talker," but let's go ahead and expand on that bio just a bit. Cross is one of the funniest human beings on this planet we call Earth, touting a resume that is absolutely littered with iconic comedy creations — Mr. Show, Arrested Development and his latest special, Worst Daddy in the World, to name a few. He's very funny — and very busy. He currently hosts the podcast Senses Working Overtime with David Cross and put together a show, David Cross and His Super Pals, which will feature the likes of Bob Odenkirk, Sarah Silverman and Fred Armisen New York City's SummerStage in Central Park on August 8. Also on August 8, he'll star in the fourth and final season of The Umbrella Academy, and after that? He's hitting the road with his new comedy tour, David Cross: The End of the Beginning of the End.

Bridget Fitzgerald commuted to Summer Stage from Boothwyn. Her Children's Theatre credits include the Wicked Witch of the West in The Wizard of Oz and the Queen of Hearts in Alice in Wonderland. She appeared in several of the ensembles of the Main Stage program.  Bridget moved on to performing at dinner theatres along the East Coast. Though she resides over 90 minutes from the Performing Arts Center, she returns every summer to support Summer Stage. I hope you enjoy our conversation, so come along and have some fun. . .We all have stories to tell, and they can be heard here.Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releases. Please click on the link to visit Neil's BandCamp website to listen to songs from his album, including cut number 7, “Harry Dietzler.” Please support Neil's work by buying downloads of your favorites.Please follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com.You must have the latest version of the Google Chrome browser on your desktop or laptop computer. I can now record interviews with guests who have iPads or iPhones. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones.Upper Darby Summer Stage is now in its 49th season of magic. Please visit their website www.udsummerstage.org for information about performances and ticket sales. If you are able to make a donation, please consider it. Summer Stage is now a not-for-profit organization and relies on contributions from good folks like you. Tell them Bob sent you.Support the Show.Upper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

This week on From the Front Porch, it's time for another Literary Therapy session! Our literary Frasier Crane, Annie, is back to answer more of your reading questions and dilemmas. If you have a question you would like Annie to answer in a future episode, you can leave us a voicemail here. To purchase the books mentioned in this episode, visit our website (type “Episode 490” into the search bar and tap enter to find the books mentioned in this episode) or download and shop on The Bookshelf's official app: Summer Stage by Meg Mitchell Moore Tom Lake by Ann Patchett Our Town by Thornton Wilder City of Girls by Elizabeth Gilbert When You Get the Chance by Emma Lord Limelight by Amy Poeppel The Chelsea Girls by Fiona Davis Someday, Someday, Maybe by Lauren Graham (unavailable to order)   The Matzah Ball by Jean Meltzer Magical Meet Cute by Jean Meltzer (out 8/27) Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin Everything, Everything by Nicola Yoon Hello Stranger by Katherine Center All's Well by Mona Awad Lycanthropy and Other Chronic Illnesses by Kristen O'Neal (unavailable to order) Get a Life, Chloe Brown by Talia Hibbert Black Girls Must Die Exhausted by Jayne Allen Blue Sisters by Coco Mellors (out 9/3)   The Crane Wife by C.J. Hauser (unavailable to order) Family of Origin by C.J. Hauser (unavailable to order) Priestdaddy by Patricia Lockwood No One Is Talking About This by Patricia Lockwood Not That Kind of Girl by Carlene Bauer Girls They Write Songs About by Carlene Bauer Frances and Bernard by Carlene Bauer Fly Girl by Ann Hood The Stolen Child by Ann Hood Lots of Candles, Plenty of Cake by Anna Quindlen (unavailable to order) After Annie by Anna Quindlen   Early Morning Riser by Katherine Heiny (unavailable to order) Margo's Got Money Troubles by Rufi Thorpe Goodbye, Vitamin by Rachel Khong The Misfortune of Marion Palm by Emily Culliton (unavailable to order) Rabbit Cake by Annie Hartnett   From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf's daily happenings on Instagram at @bookshelftville, and all the books from today's episode can be purchased online through our store website, www.bookshelfthomasville.com.  A full transcript of today's episode can be found here. Special thanks to Dylan and his team at Studio D Podcast Production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations.  This week, Annie is reading Intermezzo by Sally Rooney. If you liked what you heard in today's episode, tell us by leaving a review on Apple Podcasts. You can also support us on Patreon, where you can access bonus content, monthly live Porch Visits with Annie, our monthly live Patreon Book Club with Bookshelf staffers, Conquer a Classic episodes with Hunter, and more. Just go to patreon.com/fromthefrontporch. We're so grateful for you, and we look forward to meeting back here next week. Our Executive Producers are...Jennifer Bannerton, Stephanie Dean, Linda Lee Drozt, Ashley Ferrell, Susan Hulings, Wendi Jenkins, Martha, Nicole Marsee, Gene Queens, Cammy Tidwell, and Amanda Whigham.

In this week's episode we celebrate with the pan fraternity as we recognise World Steelband Day by playing some of the greatest panorama winning songs. We explore the 80's in particular as the golden era of pan music.Maybe we should try to get pan playing registered as an Olympic Sport as we once again walk away without any medals. Fazeer and Ato are passed while the heads of TTOC are calling for change in every area except the mirror.We also celebrate Dominic Kalipersad on receiving more well deserved awards. Are also had some critique for the World Steelband Day celebrations.On the heels of Bounty Killer collecting a National award we celebrate him by stopping him from entering the country ahead of his concert performance. Trinidad immigration remains undefeated!! All was well in the end as The Poor People Governor went on to rip Summer Stage and has joined several dancehalll artistes who have been calling for peace in T&T.Enjoy!!

Jim McIlhenney joined Summer Stage in 1978 and found a home as a techie.  He loved working backstage creating scenery and working up in the booth during live shows. He credits his good friend Joe Bader for convincing him to try out for shows. This led Jim to performances in Children's Theater and Main Stage. Retired from his teaching career, he enjoys a life of leisure in South Jersey. I hope you enjoy our conversation, so come along and have some fun. . .We all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releases. Please click on the link to visit Neil's BandCamp website to listen to songs from his album, including cut number 7, “Harry Dietzler.” Please support Neil's work by buying downloads of your favorites.Please follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com.You must have the latest version of the Google Chrome browser on your desktop or laptop computer. I can now record interviews with guests who have iPads or iPhones. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones. Upper Darby Summer Stage is now in its 49th season of magic. Please visit their website www.udsummerstage.org for information about performances and ticket sales. If you are able to make a donation, please consider it. Summer Stage is now a not-for-profit organization and relies on contributions from good folks like you. Tell them Bob sent you.Support the Show.Upper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

In our fast-paced business world, where constant stimulation and pressure can lead to burnout, carving out moments of quiet might be the game-changer you need to thrive. I recently had the privilege of sitting down with Jesse Israel, a meditation leader and keynote speaker known for pioneering the mass meditation movement, the Big Quiet. Jesse Israel's Big Quiet is more than just a meditation event—it's a social movement designed to weave moments of collective quiet into our noisy lives. From small group meditations to massive gatherings sharing the stage with Oprah's tour and at Central Park's Summer Stage, Jesse and the Big Quiet have brought people together to share in a collective calm. Want to learn how to find peace in chaos? Then don't miss this enlightening interview!

Vorletzte Woche musste ein Konzert aufgrund schlechten Wetters um einen Tag verschoben werden. Der Veranstalter wollte denjenigen, welche am Verschiebedatum nicht dabei sein konnten, das Geld nicht zurückbezahlen. Nun gibt es eine Kompromisslösung.

Amanda Snarski joined Summer Stage as an apprentice in 1995 and proudly performed in several "T-shirt shows" (among others) until 2001.  Amanda participated in Mainstage, One Acts, Cabaret, Dance Troupe, and Shooting Stars and worked as a staff member in the box office from 2000-2003. She enthusiastically remembers her Summer Stage days, but somehow she forgets to mention that she played Wendy in a non-flying production of Peter Pan.  She attended Wagner College in Staten Island. In 2014, Amanda re-joined the staff as an assistant director for Mainstage, coordinator for Director's Workshop, and eventually directed for Children's Theater in 2016.  With nearly 20 years of experience as a teaching artist in the Philadelphia area, she now resides in Lancaster County where she continues to pursue her passion for theatre education at the Fulton Theatre.I hope you enjoy our conversation, so come along and have some fun. . .Fulton Theatre, Lancaster, PA https://thefulton.org/We all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releases. Please click on the link to visit Neil's BandCamp website to listen to songs from his album, including cut number 7, “Harry Dietzler.” Please support Neil's work by buying downloads of your favorites.Please follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com.You must have the latest version of the Google Chrome browser on your desktop or laptop computer. I can now record interviews with guests who have iPads or iPhones. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones. Upper Darby Summer Stage is now in its 49th season of magic. Please visit their website www.udsummerstage.org for information about performances and ticket sales. If you are able to make a donation, please consider it. Summer Stage is now a not-for-profit organization and relies on contributions from good folks like you. Tell them Bob sent you.Support the Show.Upper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Hello, everybody. I'm Bob Falkenstein. I'm sorry if you thought you would hear a new episode of Brave and Strong and True. The show has been going strong for two years. This marks the second episode of its third season. We have 69 episodes engaging alumni of all ages. People tell me Monday is their favorite day of the week because they can hear a new episode. To continue to bring you new content every week  I need your help. Please consider being a guest or please recruit guests for me. The process is so simple. If you know anyone who was already a guest, please ask them what they thought of the experience. I'm sure you will hear about a pleasant experience. I will need you for about 60 minutes. We'll connect online using a service called Boomcaster using a desktop or laptop computer running the latest version of the Google Chrome Browser. They just updated the program so you can connect from a tablet or smartphone. And here's the best part: I can interview multiple guests from five separate locations. If you have concerns about interviewing alone, come along and have some fun with a group of your friends. Think of the possibilities! Plan a mini-reunion for the Annie orphans, share the episode with former castmates from an iconic children's theatre cast, or join your siblings to share your family's Summer Stage experience. The possibilities are endless. All are welcome. You can reach me at braveandstronandtrue@gmail.com. In the absence of a new guest, I decided to run our first encore presentation. I selected this particular episode since it holds the record for most downloads. This encore presentation originally dropped on August 15, 2022 and my guest is the fabulous Jackie Ostick.My guest is Jaskie Ostick. Jackie joined Summer Stage in 1998. She started out small, but as her confidence grew she took on bigger roles. She became a member of The Shooting Stars and a staff member. After graduating from De Sales University, she moved to New York City where and performs professionally around the country. I hope you enjoy our conversation, so, come along and have some fun. . . Jackie's website http://www.jackieostick.com/Jackie's newsletter https://confirmsubscription.com/h/t/A2DD2100E4C0B4C2Foods of New York tours (where Jackie is a tour guide)https://www.foodsofny.com/Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releasesIf you want to be a guest on Brave and Strong and True, please contact me at brave Upper Darby Summer Stage is now in its 49th season of magic. Please visit their website www.udsummerstage.org for information about performances and ticket sales. If you are able to make a donation, please consider it. Summer Stage is now a not-for-profit organization and relies on contributions from good folks like you. Tell them Bob sent you.Support the Show.Upper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Vince Leonard has a different Summer Stage journey from the rest of us. His genius spans many realms in the world of professional music as an educator, orchestrator, librarian, and arranger. In 1981, he heard Summer Stage was preparing Sentimental Journey, an evening of music from the big band era. Vince possessed many arrangements that helped the already incredible-sounding band raise the bar, performing with authenticity from earlier decades. The results led to incredible performances that remain legendary. Vince was part of the production team that recorded and produced Summer Stage compact discs. He has a long association with the Philly Pops Orchestra and continues to teach at the college level. I hope you enjoy our conversation, so come along and have some fun. . .Visit the No Name Pops website https://nonamepops.orgWe all have stories to tell, and they can be heard here.Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releases. Please click on the link to visit Neil's BandCamp website to listen to songs from his album, including cut number 7, “Harry Dietzler.” Please support Neil's work by buying downloads of your favorites.Please follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com.  You must have the latest version of the Google Chrome browser on your desktop or laptop computer. I can now record interviews with guests who have iPads or iPhones. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones. Upper Darby Summer Stage is now in its 49th season of magic. Please visit their website www.udsummerstage.org for information about performances and ticket sales. If you are able to make a donation, please consider it. Summer Stage is now a not-for-profit organization and relies on contributions from good folks like you. Tell them Bob sent you.Support the Show.Upper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Jason Boyer is a second-generation Summer Stager. His journey begins with Children's Theatre from 2007 to 2010. His first Main Stage performance was in 2011's Titanic. In 2014, he became a staff member. This summer, Jason will be directing the Rising Stars at Summer Stage. He is a Teaching Artist for the Walnut Street Theatre and the Upper Darby Arts and Education Foundation. I hope you enjoy our conversation, so come along and have some fun. . .Listeners may contact Jason at jasonboyerta@gmail.comWe all have stories to tell, and they can be heard here.Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releases. Please click on the link to visit Neil's BandCamp website to listen to songs from his album, including cut number 7, “Harry Dietzler.” Please support Neil's work by buying downloads of your favorites.Please follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com.You must have the latest version of the Google Chrome browser on your desktop or laptop computer. I can now record interviews with guests who have iPads or iPhones. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones. Upper Darby Summer Stage is now in its 49th season of magic. Please visit their website www.udsummerstage.org for information about performances and ticket sales. If you are able to make a donation, please consider it. Summer Stage is now a not-for-profit organization and relies on contributions from good folks like you. Tell them Bob sent you.Support the Show.Upper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Kristen Gibson joined the Summer Stage Apprentice program in 1991. She has fond memories of 1994's Kids on Broadway, working with the legendary Matt Cloran and Dewy Oriente.  As a child, she struggled with serious health issues that she still deals with today. Her Summer Stage journey now continues through her son, Michael. I hope you enjoy our conversation, so come along and have some fun. . .We all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releasesPlease follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com.You must have a desktop or laptop computer running the latest version of the Google Chrome browser. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones. Upper Darby Summer Stage is now in its 49th season of magic. Please visit their website www.udsummerstage.org for information about performances and ticket sales. If you are able to make a donation, please consider it. Summer Stage is now a not-for-profit organization and relies on contributions from good folks like you. Tell them Bob sent you.Support the Show.Upper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Summer brings fun to the cultural calendar. In this membership drive mini-series, we run through some of can't miss things to see and do. Today, Ryan Kailath, WNYC/Gothamist arts and culture reporter, shares some of the big festivals in the parks.

Patrick Gorman became an official member of Summer Stage in 1980 but remembers hanging around earlier summers with his sister, Chris, and her husband, Dennis Bloh. Pat embraced the technical side of theatre and preferred to work backstage and in the control booth. After graduating from Monsignor Bonner High School and Temple University, Pat worked in various careers and eventually ended up out west, raising three children who have already embraced the magic of performing on stage. I hope you enjoy our conversation, so come along and have some fun. . .We all have stories to tell, and they can be heard here.Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein.Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releasesPlease follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com.You must have a desktop or laptop computer running the latest version of the Google Chrome browser. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones. Upper Darby Summer Stage is now in its 49th season of magic. Please visit their website www.udsummerstage.org for information about performances and ticket sales. If you are able to make a donation, please consider it. Summer Stage is now a not-for-profit organization and relies on contributions from good folks like you. Tell them Bob sent you.Support the Show.Upper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Leslie Monaco is a current Upper Darby Summer Stage member looking forward to participating for four more years. She joined the program as a Rising Star and then an Apprentice. Leslie moved into the Children's Theatre program when she turned 13. She is a graduate of West Chester University and works for the Walnut Street Theatre in Philadelphia where she always runs into Summer Stagers. I hope you enjoy our conversation, so come along and have some fun. . .Leslie's links:Miscast Cabaret at SALT performing Artssalt.pa.ticketleap.com/miscastcabaretWolf Performing Art Centerwww.wolfperformingartscenter.orgWalnut Street Theatrewww.walnutstreettheatre.orgWe all have stories to tell, and they can be heard here.Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releasesPlease follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com. You must have a desktop or laptop computer running the latest version of the Google Chrome browser. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones. Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Tyler Trafficante joined Summer Stage in 2009 as a Rising Star. He hung around for five summers, performing in the Children's Theatre program. As an adult, Tyler plays tenor saxophone with the Polish American String Band, of the Philadelphia Mummers Association. He also is a current member of an online theatre company that produces the works of William Shakespeare. I hope you enjoy our conversation, so come along and have some fun. . .Tyler's links:Polish American String Band's New Year's Day performance from January 1, 2024https://www.youtube.com/watch?v=hyKK8KxOs5U&authuser=0Online performance of The Tragedy of Romeo and Juliet by William Shakespeare https://www.youtube.com/watch?v=hIBAjy8_sec&authuser=0We all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releasesPlease follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com. You must have a desktop or laptop computer running the latest version of the Google Chrome browser. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones. Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Havertown native Emily Moylan began her Summer Stage journey as an apprentice. She moved her way up through Children's Theatre and Mainstage productions. As her skills accrued, she held various staff positions. After receiving a degree from Temple University, Emily worked for Philadelphia Young Playwrights. She is a professional educator, administrator, theatre artist, and writer. Currently, Emily is on the administrative staff of Darlington Arts Center as their Assistant Director. I hope you enjoy our conversation, so come along and have some fun. . .Darlington Arts Center https://www.darlingtonarts.org/Philadelphia Young Playwrights  https://www.phillyyoungplaywrights.org/We all have stories to tell, and they can be heard here.Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releasesPlease follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com.You must have a desktop or laptop computer running the latest version of the Google Chrome browser. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones. Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Marcie (Turstlick) Bramucci remembers the initial impact Summer Stage had on her life as she experienced a 1987 performance of Joseph and the Amazing Technicolor Dreamcoat. She joined the program when she was age-eligible, participating in the Apprentice Program, Children's Theater, and Mainstage. Her academic career took her to Point Park College before earning Master's Degrees from Villanova University and Columbia University. Marcie worked in media on both coasts before settling back in Delaware County. She is currently the Executive Artistic Director of Hedgerow Theatre Company in Rose Valley where she produces, directs, and performs. I hope you enjoy our conversation, so come along and have some fun. . .Hedgerow Theatre Company https://www.hedgerowtheatre.org/Marcie's professional website https://www.marciebramucci.com/We all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releasesPlease follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com.You must have a desktop or laptop computer running the latest version of the Google Chrome browser. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones. Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Gerri Smith Weagraff is “Old Guard” Summer Stage. Her wonderful portrayals of classic musical theatre characters remain treasured in our memories. From 1977 to 1980, Summer Stage was the only place where Gerri performed. It was where she spent her summers while home from college, and she says it truly served as the foundation for her life onstage and off, developing such qualities as teamwork, commitment, respect, confidence, and much more. Musical theatre has always been a family affair for Gerri, for she has performed on stage with her parents, her husband, and their children.  Early in her professional career, she was a radio announcer for local stations in South Jersey and Wilmington, Delaware. Since the mid-80s, Gerri has performed with many Summer Stagers at other theaters in the tri-state area, and she cherishes the bond we all share. While in her fifties and sixties, Gerri found amazing opportunities with the national touring companies of A Fiddler on the Roof and Anastasia. I interviewed her from her hotel room in Jackson, Mississippi, where she is traveling with the national touring company of My Fair Lady.  I hope you enjoy our conversation, so come along and have some fun. . .Gerri's website www.gerriwegraff.comFollow Gerri on Instagram @gerriweagraffWe all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releasesPlease follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com. You must have a desktop or laptop computer running the latest version of the Google Chrome browser. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones.Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

I interviewed Steve Smith during our recent Christmas break since we are both teachers. He grew up in Highland Park and went to Bonner. Steve joined Summer Stage in 1981 when he turned eleven and thrived in the Children's Theatre program. He fondly remembers the opportunity to be a pirate. He went to Villanova University for his first degree and earned his Masters at American University. He now teaches Social Studies at Downingtown East High School. I hope you enjoy our conversation, so come along and have some fun. . .We all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releasesPlease follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment. If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com.You must have a desktop or laptop computer running the latest version of the Google Chrome browser. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones.Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

A conversation with Director of Presented Programming at the McCarter Theatre Center Paula Abreu halfway through her first season on the job!  Abreu took over from her predecessor Bill Lockwood who ran the program for 60 (yes, 60) years. We discuss the balance between honoring his legacy and introducing her own vision, some history about the McCarter Theatre Center, its connection to Princeton University, and its unique role as a cultural powerhouse. (The McCarter Theater Center is known not just as one of the country's leading regional theaters but also as a performing arts center presenting music, dance, spoken word and more)  We talk about the process behind planning a season of presented programming, ensuring diversity in art forms, and the representation of different communities, how the two strands of programming at the McCarter coordinate to create a cohesive season, and the importance of partnerships on and off campus in enhancing cultural experiences and creating deeper connections. We also discuss Abreu's journey from Brazil, experience as an industrial engineer, years of traveling and living around the world, on her masters' degree in performing arts administration,  subsequent work at NYC's Summer Stage and the Charlie Parker Jazz Festival and how all these diverse experiences inform her approach to programming. She also shares her approach to taking calculated risks in selecting shows and artists and the challenge of planning for both the immediate and future seasons.

A conversation with Director of Presented Programming at the McCarter Theatre Center Paula Abreu halfway through her first season on the job!  Abreu took over from her predecessor Bill Lockwood who ran the program for 60 (yes, 60) years. We discuss the balance between honoring his legacy and introducing her own vision, some history about the McCarter Theatre Center, its connection to Princeton University, and its unique role as a cultural powerhouse. (The McCarter Theater Center is known not just as one of the country's leading regional theaters but also as a performing arts center presenting music, dance, spoken word and more)  We talk about the process behind planning a season of presented programming, ensuring diversity in art forms, and the representation of different communities, how the two strands of programming at the McCarter coordinate to create a cohesive season, and the importance of partnerships on and off campus in enhancing cultural experiences and creating deeper connections. We also discuss Abreu's journey from Brazil, experience as an industrial engineer, years of traveling and living around the world, on her masters' degree in performing arts administration,  subsequent work at NYC's Summer Stage and the Charlie Parker Jazz Festival and how all these diverse experiences inform her approach to programming. She also shares her approach to taking calculated risks in selecting shows and artists and the challenge of planning for both the immediate and future seasons.

Collingdale native Sandi Kinnear's Summer Stage history began in 1978 when she played clarinet in the pit orchestra for Of Thee I Sing  when she was 13. Her reedsmanship also included playing the alto and baritone saxophones for many early eighties musicals and Sentimental Journeys.  Sandi toured the country as Sandi Joy, a popular Christian comedienne. She now resides in Chester County and is active in productions with SALT Performing Arts. I hope you enjoy our conversation, so come along and have some fun. . .Sandi's links:Sandi's national Walmart commercial https://www.ispot.tv/ad/7tBo/walmart-super-summer-savings-sandiSALT Performing Arts  https://www.saltpa.com/We all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releasesPlease follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com.You must have a desktop or laptop computer running the latest version of the Google Chrome browser. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones.Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

2024 is here and this is a very special episode #30 of Pierre Pressure Podcast. This is a re-broadcast of an interview Pierre did with Gordon Gano, lead singer and guitarist of the Violent Femmes, along with then-drummer Brian Viglione (drummer of Dresden Dolls, Nine Inch Nails, World Inferno Friendship Society) on East Village Radio, hosted by Michael Messenie, AKA the Coach, on his Two For Tennis Show. This interview took place in September of 2013 in a tiny studio in the East Village in New York City. Pierre was thrilled to be asked to co-interview Gordon and Brian of the Violent Femmes on the occasion of their upcoming show at Summer Stage, re-starting an era of touring and recording for the band. The Violent Femmes were a hugely influential part of 1980's culture, starting with their massive hit “Blister in the Sun” in 1983 and continuing to this day.  Their music was life-changing for Pierre and kicked-started his journey as a guitarist and songwriter.https://vfemmes.com/https://www.brian-viglione.com/biohttps://www.evr2.com/Theme song; Marchandise by Pierre de Gaillande, from the album franglais. (originally Merchandise by Fugazi.) Gone Daddy Gone, Old Mother Reagan, Jesus Walking on the Water, Black Girls by Violent Femmes. Let Me Ride by Mercey Seat. Coin-Operated Boy by Dresden Dolls. Baiser en l'Air (Kiss Off in French) by Pierre de Gaillande / Bad Reputation-franglais. Good Feeling (Violent Femmes Cover) by Sea Foxx.

Colleen Corbett got the theatre bug while attending Arch Bishop Prendergast High School.  She joined Summer Stage in 1982 and made quite a debut playing the Wicked Witch in Snow White. Acting became her strength as she practiced her craft in the children's theatre program.  She worked on the staff and as a director. She moved to New York City and found work in daytime soap operas and films.  I hope you enjoy our conversation, so come along and have some fun. . .We all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releasesPlease follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com. You must have a desktop or laptop computer running the latest version of the Google Chrome browser. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones.Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Deirdre McGettigan joined Summer Stage in 1984 with the cast Annie and Barnum, the following summer, forging her lifelong friendship with her best friend, Ann Pinto. She sacrificed a few summers to work in Wildwood Crest.  Deirdre fondly remembers the magic of the 25th, 30th, and 40th Anniversary Galas. She currently performs with several local community theatres. I hope you enjoy our conversation, so come along and have some fun. . .We all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releasesPlease follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com. You must have a desktop or laptop computer running the latest version of the Google Chrome browser. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones.Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

THE ARWEN LEWIS SHOW - Richard Baron Arwen welcomes Richard Barone! Richard is a recording artist, performer, producer, and author. Since pioneering the indie rock scene in Hoboken, NJ as frontman of The Bongos and helping to launch the chamber pop movement with his solo debut “Cool Blue Halo”, Barone has produced numerous studio recordings and worked with artists in every musical genre. His list of collaborators has included producer Tony Visconti, Donovan, Lou Reed, and folk legend Pete Seeger. He has scored shows and staged all-star concert events at venues such as Carnegie Hall, the Hollywood Bowl, and Summer Stage in Central Park. His memoir Frontman: Surviving The Rock Star Myth was published in 2007. His album Sorrows & Promises and his latest book, Music + Revolution (2022), are celebrations of the 1960s music scene in Greenwich Village NYC, where Barone lives. He teaches the course “Music + Revolution” at The New School's School of Jazz & Contemporary Music, has served on the Board of Governors of The Recording Academy (GRAMMYs), serves on the Advisory Board of Anthology Film Archives, and hosts Folk Radio on WBAI New York.  @TonyVisconti, @Donovan, @LouReed, @PeteSeeger. Richard's Website: http://www.richardbarone.com More info:Wikipedia: https://en.wikipedia.org/wiki/Richard_Barone The Arwen Lewis Show Host | Arwen Lewis Executive Producer | Jeremiah D. Higgins Producer - Sound Engineer - Richard “Dr. D” Dugan https://arwenlewismusic.com/ On Instagram, Follow Arwen Lewis Here: @thearwenlewisshow @arwenlewis www.thejeremiahshow.com On Instagram @jeremiahdhiggins https://linktr.ee/jeremiahdhiggins

Regina Spektor joined us on Monday to preview her summer tour shows at SummerStage in Central Park tonight, and tomorrow at the Westhampton Beach Performing Arts Center. She was kind enough to stick around after the interview wrapped and perform a bonus song, What Might Have Been, which we share with you here!

Regina Spektor continues her summer tour with two shows in our area this week. First, she'll be at SummerStage in Central Park on August 24, and the following day she'll play the Westhampton Beach Performing Arts Center. She stops by our studio to perform some songs live. This segment is guest-hosted by Kousha Navidar. 

Don't plotz, but the National Yiddish Theater Folksbiene is holding its "New York Sings Yiddish!" event at Central Park's Summerstage this evening. So muster your voice and your chutzpa for some sing-alongs with The Klezmatics and other musicians. NYTF's artistic director Zalmen Mlotek discusses the event, along with Ann Toback, CEO of The Workers Circle, which is celebrating the launch of its YiddishSongs.org archive, from which many of the event's musical selections were drawn. So, if "Oy vey!" is your default exclamation, get your tuchas to Summerstage to kibitz, nosh, sing along, and celebrate this endangered language that's very much part of New York City culture.   Today's episode is guest-hosted by David Furst.

With so many not-to-be-missed cultural offerings this summer, WNYC/Gothamist culture and arts editor Steve Smith shares some of the highlights. Today, he previews the (mostly) free concerts from SummerStage and Celebrate Brooklyn!, and more. →"What to see, hear and do for free right now in New York City" (Gothamist, 5/4/23)

And disco and every other offshoot and derivative therein. Argue with my mom, who was there and could tell you. Black queer and trans people were forced to build space, shelter and sanctuary in the dancerie so we could all be free…follow us and Deborah Conton (@deeeebo_x)as she leads us through cultural memory, history, place and legacy. Part 2 coming soon!! Deborah Conton is an Atlanta native and Brooklyn resident actively involved in the club scene in Atlanta with many nights spent on the dancefloor, listening to Club Classics and House Music. She continues to create movement-based work for the Liberation of Black bodies. Her work led her to stage solo pieces for Movement Research (Judson Church), Performance Mix Festival, That's What She Said!, Sisterhood Summit, and the Center for Performance Research in Brooklyn via dance residency in 2020. She has also performed at Joe's Pub and SummerStage, under the guidance of The Illustrious Blacks. She is part of a Brooklyn-based dance collective known as Afro Mosaic Soul. This collective threw events with Ian Friday and The Illustrious Blacks, known as Libation in New York City. She is also a part of the Dancing Black Bodies Project via Ladies of Hip Hop, which sheds light on Black Women in the club, Hip Hop, and other Black Social Dance movements. House Music was the catalyst that led her deeper into her spiritual practice. She is also a practitioner of Isese Lagba, a tradition based out of Nigeria and also an Ifà practitioner. This work has led her to do collective work under the moniker of Dee Spark Tarot and create an Oracle deck that expands outside of divination work and mentorship. She is also in the process of launching a Tarot Deck this upcoming Spring 2023. Venmo: @ deborah-conton PayPal and Zelle: Deborah.Conton@gmail.com Cashapp: @deesparktarot1 @deeeebo_x @deesparktarot - Divination and Spiritual work @afromosaicsoul - Dance collective I am a part of https://we.tl/t-hL0QKDgrUt - footage from House In The Park Atlanta, Labor Day 2021 https://we.tl/t-QNVduDIITn - Praise dancing at Adult Skate, MJQ https://we.tl/t-hhitJQn2XC - Ash Lauryn spinning at Public Records https://we.tl/t-A0o0azE3iq - (First photo: Club Shelter party with Chicago DJ, Ron Trent spinning, 3rd photo from the Frankie Knuckles exhibit in 2021, Kerri Chandler and Merlin Bobb - nightlife legends, and a 2nd photo from House In The Park, Atlanta). White Racist Backlash Against Black Music During Disco Era: https://www.theguardian.com/music/2019/jul/19/disco-demolition-the-night-they-tried-to-crush-black-music Intro Music: BPTBH by Patience sings Outro Music : Apathy Happy by Benjamin Earl Turner