POPULARITY
36 episodes with John Cale
12 episodes with John Cale
16 episodes with John Cale
4 episodes with John Cale
6 episodes with John Cale
3 episodes with John Cale
3 episodes with John Cale
5 episodes with John Cale
4 episodes with John Cale
The Good Friday Agreements of 1998 marked a turning point in Irish history, bringing an end to three decades known as The Troubles and laying a course for a better future for the people of Ireland. In this historian Mark Doyle and Friends of Sinn Féin Executive Director Greg O'Loughlin join us for a conversation about Irish history, the status of Irish unification, and how peace is possible even in the hardest of times. Dr. Mark Doyle is Professor of History at Middle Tennessee State University where he specializes in the history of Ireland and Great Britain. He previously joined us to discuss his books on The Kinks (Episode 169) and John Cale's Paris 1919 (episode 333). Greg O'Loughlin is Executive Director of The Friends of Sinn Féin and is currently spearheading a listening tour across the United States to learn about Irish-Americans' views on Irish independence. Dates and more information are available at friendsofsinnfein.com. This episode was edited by Ben Sawyer.
WE NEED A COLD BREW SPONSOR! A sailboat named "188." Bringing your A-game to the blog roll! ALSO: The truth is defintely not what people are interested in. PLUS: The dangerous hypocrisy of evangelical Christians, and a song of the week from John Cale!!!!John Cale - "NIGHT CRAWLING": https://www.youtube.com/watch?v=50X3_OpXZWgCold Brew Patreon: Patreon.com/ChrisCroftonChannel Nonfiction: ChannelNonfiction.com
Esta semana, en Islas de Robinson, clásicos en coordenadas de Folk-Rock británico entre 1971 y 1974. Canciones que hablan por sí solas. Suenan: ALAN HULL - "MONEY GAME" ("PIPEDREAM", 1973) / KEVIN COYNE - "BLAME IT ON THE NIGHT" ("BLAME IT ON THE NIGHT", 1974) / MICHAEL CHAPMAN - "ANOTHER SEASON SONG" ("DEAL GONE DOWN", 1974) / ROY HARPER - "TWELVE HOURS OF SUNSET" ("VALENTINE", 1974) / DUNCAN BROWNE - "MIGNON" (1973) / PETER HAMMILL - "AGAIN" (IN CAMERA", 1974) / JOHN CALE - "EMILY" ("FEAR", 1974) / RICHARD AND LINDA THOMPSON - "THE GREAT VALERIO" ("I WANT TO SEE THE BRIGHT LIGHTS TONIGHT", 1974) / TIR NA NOG - "TEESSIDE" ("STRONG IN THE SUN", 1973) / INCREDIBLE STRING BAND - "DREAMS OF NO RETURN" ("HARD ROPE & SILKEN TWINE", 1974) / C.O.B. - "OH BRIGHT EYED ONE" ("MOYSHE MCSTIFF AND THE TARTAN LANCERS OF THE SACRED HEART", 1972) / STRAWBS - "IN AMONGST THE ROSES" ("FROM THE WITCHWOOD", 1971) / LAL & MIKE WATERSON - "FINE HORSEMAN" ("BRIGHT PHOEBUS", 1972) Escuchar audio
Listen to an interview with the percussionist, composer and technologist Deantoni Parks, known for his genre-blending approach and boundary-pushing performances. Parks has collaborated with an extraordinary group of musicians, including Flying Lotus, Thundercat, Andre 3000, Mars Volta, Meshell Ndegeocello, John Cale, Sade and more. He's also an accomplished composer, releasing critically acclaimed albums, under the name Technoself, and scoring films for directors including Paul Schrader and Mark Ruffalo. Parks was born and raised in Newnan, Georgia, but he's spent the last few years living in Indianapolis.
On this episode of Songs of Our Lives, it's Greg Davis! Greg and I go pretty far back - I think I first covered him on Foxy Digitalis when “Curling Pond Woods” came out in 2004, but this year he's got a new LP from Asterisk, his awesome hip-hop/beats project. With a slew of incredible MCs on board, “No School” is fun, deep, and an incredible record that invites repeat listens. We get into all of that before going long on Brian Eno & John Cale, Norma Tanega, Stevie Wonder, Gerry Rafferty, Nina Simone, MJ, and loads more!Listen to all of Greg's picks HEREAsterisk “No School”Autumn RecordsGreg's WebsiteGreg's BandcampGreg on InstagramSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyThe Jewel GardenSong ListStevie Wonder “Sir Duke” Michael Jackson “Don't Stop Til You Get Enough”Simon & Garfunkel “Song For The Asking”Brian Eno & John Cale “Lay My Love”John Lennon “Imagine”Gerry Rafferty “Baker Street”John Coltrane “Say It (Over and Over Again)”Grateful Dead “That's It For The Other One”Beach Boys “Surf's Up”Norma Tanega “I'm The Sky”Nina Simone “Just Like Tom Thumb's Blues”Paul Simon “The Rhythm of the Saints”Christopher Cross “Sailing”
John Cale is probably best known as a founding member of Velvet underground, but the four years he spent alongside Lou Reed represent a small fraction of the influence Cale has had on modern music. In this episode, recorded live at MTSU's Center for Popular Music, Ben talks to his friend and colleague Mark Doyle about his new book in the 33 1/3 series, which explores John Cale's 1973 album Paris 1919 and where it (may) fit within the greater context of his career, the evolution of rock music, and world history. Mark Doyle is a Professor of History at Middle Tennessee State University and previously joined us to discuss his book on The Kinks in episode 169. His new book is John Cale's Paris 1919 and you can get your copy here. A special thanks to Greg Reish & Martin Fisher at the Center for Popular Music for hosting, recording and allowing us to share this conversation. Join us for a live recording of the Road to Now in Washington, DC on May 29 at The Hamilton Live ft. guests Major Garett, Margaret Talev & Doug Heye. The theme is murder & mayhem in the capital city- get your tickets here! This episode was edited by Ben Sawyer.
Dana and Tom with returning guest, VP Morris (Award-winning thriller and horror writer and podcaster; vpmorris.com, @teawriterepeat on IG and X, The Dead Letters Podcast) discuss American Psycho (2000) for its 25th Anniversary: written and directed by Mary Harron with Guinivere Turner, cinematography by Andrzej Sekuła, music by John Cale, starring Christian Bale, Justin Theroux, Josh Lucas, Willem Dafoe, Jared Leto, Reese Witherspoon, and Chloe Sevigny.Plot Summary: American Psycho follows Patrick Bateman (Christian Bale), a wealthy and successful New York investment banker in the 1980s, whose polished and charming exterior hides a chilling secret: he's a violent, unhinged killer. As his grip on reality begins to fray, the story delves into themes of consumerism, identity, and moral decay, leaving us questioning what is real and what exists only in his fractured mind.Guest:VP MorrisAward-winning thriller and horror writer and podcaster;vpmorris.com, @teawriterepeat on IG and X, The Dead Letters Podcast;Previously on Scream (1996), The Shining (1980), and Rear Window (1954)Chapters:00:00 Introduction and Guest Introduction02:21 Casting and Background for American Psycho04:13 Relationship(s) with American Psycho06:57 Dad, Did You Like the Film?13:43 What is American Psycho About?25:51 Plot Summary for American Psycho26:29 Did You Know?28:52 First Break29:35 What's Happening with VP Morris?31:30 Best Performance(s)39:43 Best/Favorite/Indelible Scene(s)49:36 Second Break50:14 In Memoriam53:34 Best/Funniest Lines59:14 The Stanley Rubric - Legacy01:07:05 The Stanley Rubric - Impact/Significance01:13:21 The Stanley Rubric - Novelty01:17:25 The Stanley Rubric - Classicness01:22:12 The Stanley Rubric - Rewatchability01:26:41 The Stanley Rubric - Audience Score and Final Total01:27:28 Further Discourse01:36:37 Remaining Questions for American Psycho01:53:36 A Thank You to VP Morris and Final Thoughts01:56:36 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the...
John Cale's enigmatic masterpiece, Paris 1919, appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet Underground days was nearly spent; now he was living in Los Angeles, working for a record company and making music when time allowed. He needed to lay to rest some ghosts, but he couldn't do that without scaring up others. Paris 1919 was the result. In John Cale's Paris 1919 (Bloomsbury, 2025), Mark Doyle hunts down the ghosts haunting Cale's most enduring solo album. There are the ghosts of New York - of the Velvets, Nico, and Warhol - that he smuggled into Los Angeles in his luggage. There is the ghost of Dylan Thomas, a fellow Welshman who haunts not just Paris 1919 but much of Cale's life and art. There are the ghosts of history, of a failed peace and the artists who sought the truth in dreams. And there are the ghosts of Christmas, surprising visitors who bring a nostalgic warmth and a touch of wintry dread. With erudition and wit, Doyle offers new ways to listen to an old album whose mysteries will never fully be resolved. Mark Doyle is a Professor of History at Middle Tennessee State University, USA. He is the author of The Kinks: Songs of the Semi-Detached (2020), Communal Violence in the British Empire (Bloomsbury 2016), and Fighting Like the Devil for the Sake of God (2009). Mark Doyle on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025). Bradley Morgan on Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Andy Warhol starb 1987. Bei einer Trauerfeier begegneten sich die früheren Freunde John Cale und Lou Reed das erste Mal seit den 70er Jahren wieder. Sie beschließen, gemeinsam ein Erinnerungsalbum für ihren verstorbenen Mentor Warhol aufzunehmen. „Songs for Drella“ enthält sparsam instrumentierte Erzählungen von seiner Arbeit, von Traumfantasien und auch von persönlichen Begegnungen mit dem Künstler. Eine kurzfristige Zusammenarbeit der beiden als „The Velvet Underground“ gemeinsam mit Mo Tucker und Sterling Morrison hält nicht lange. Die Wege trennen sich wieder: Lou Reed liefert in den folgenden Jahren mehrfach Musik für Theaterwerke von Robert Wilson. Lou Reed stirbt schließlich 2013. John Cale komponiert weiterhin Soundtracks wie ebenso Rock- und Popmusik, und veröffentlicht diese, hoch anerkannt und verehrt, als Meister vieler Klassen. Bis heute führt er sie scheinbar unermüdlich auch live auf. Musikliste: Lou Reed: Lou Reed (1972): I can't stand it, I love you, Wild child, Ride into the sun Transformer (1972): Vicious, Perfect day, Walk on the wild side, Satellite of love, Goodnight Ladies Berlin (1973): Lady Day, Caroline says II, Sad song Rock 'n‘ Roll Animal (live, 1974) Sally Can't Dance (1974): Baby face, Sally can't dance, Billy Coney Island Baby (1975): Crazy feeling, Charley's girl, Kicks, A gift, Coney Island baby Rock and Roll Heart (1976): I believe in love, Rock and roll heart Street Hassle (1978): Street hassle Live: Take No Prisoners (1978) The Bells (1979): I want to boogie with you Growing Up In Public (1980): How do you speak to an angel, The power of positive drinking The Blue Mask (1982) Legendary Hearts (1983): Legendary hearts, Make up mind, The last shot, Rooftop garden New Sensations (1984) Mistral (1986): Tell it to your heart New York (1989) Songs For Drella (Lou Reed & John Cale, 1990): Style it takes, Nobody but you, Hello it's me Magic And Loss (1992) Set The Twilight Reeling (1996): NYC man, Set the twighlight reeling Ecstasy (2000): Paranoia key of E, Tatters, Turning time around The Raven (2003): Call on me, Hop frog, Who am I John Cale: Paris 1919 (1973) Music For A New Society (1982): Taking your life in your hands, Close watch Wrong Way Up (mit Brian Eno, 1990): Spinning away Fragments For A Rainy Season (live, 1992) Mercy (2023): Story of blood Nico: Chelsea Girl (1967), The Marbel Index (1968), Desertshore (1970), The End…(1974) Unser Podcast-Tipp in dieser Folge: Becoming The Beatles / https://1.ard.de/beatles-podcast?cp
John Cale's enigmatic masterpiece, Paris 1919, appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet Underground days was nearly spent; now he was living in Los Angeles, working for a record company and making music when time allowed. He needed to lay to rest some ghosts, but he couldn't do that without scaring up others. Paris 1919 was the result. In John Cale's Paris 1919 (Bloomsbury, 2025), Mark Doyle hunts down the ghosts haunting Cale's most enduring solo album. There are the ghosts of New York - of the Velvets, Nico, and Warhol - that he smuggled into Los Angeles in his luggage. There is the ghost of Dylan Thomas, a fellow Welshman who haunts not just Paris 1919 but much of Cale's life and art. There are the ghosts of history, of a failed peace and the artists who sought the truth in dreams. And there are the ghosts of Christmas, surprising visitors who bring a nostalgic warmth and a touch of wintry dread. With erudition and wit, Doyle offers new ways to listen to an old album whose mysteries will never fully be resolved. Mark Doyle is a Professor of History at Middle Tennessee State University, USA. He is the author of The Kinks: Songs of the Semi-Detached (2020), Communal Violence in the British Empire (Bloomsbury 2016), and Fighting Like the Devil for the Sake of God (2009). Mark Doyle on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025). Bradley Morgan on Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
John Cale's enigmatic masterpiece, Paris 1919, appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet Underground days was nearly spent; now he was living in Los Angeles, working for a record company and making music when time allowed. He needed to lay to rest some ghosts, but he couldn't do that without scaring up others. Paris 1919 was the result. In John Cale's Paris 1919 (Bloomsbury, 2025), Mark Doyle hunts down the ghosts haunting Cale's most enduring solo album. There are the ghosts of New York - of the Velvets, Nico, and Warhol - that he smuggled into Los Angeles in his luggage. There is the ghost of Dylan Thomas, a fellow Welshman who haunts not just Paris 1919 but much of Cale's life and art. There are the ghosts of history, of a failed peace and the artists who sought the truth in dreams. And there are the ghosts of Christmas, surprising visitors who bring a nostalgic warmth and a touch of wintry dread. With erudition and wit, Doyle offers new ways to listen to an old album whose mysteries will never fully be resolved. Mark Doyle is a Professor of History at Middle Tennessee State University, USA. He is the author of The Kinks: Songs of the Semi-Detached (2020), Communal Violence in the British Empire (Bloomsbury 2016), and Fighting Like the Devil for the Sake of God (2009). Mark Doyle on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025). Bradley Morgan on Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
durée : 00:24:33 - Le Feuilleton - Lou Reed et John Cale ont toute une panoplie d'équipements électroniques… Ils fabriquent des chambres de réverbération avec des seaux en métal remplis d'eau… Ils cherchent le « son » - invités : Lou Reed Auteur-compositeur-interprète américain
John Cale's enigmatic masterpiece, Paris 1919, appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet Underground days was nearly spent; now he was living in Los Angeles, working for a record company and making music when time allowed. He needed to lay to rest some ghosts, but he couldn't do that without scaring up others. Paris 1919 was the result. In John Cale's Paris 1919 (Bloomsbury, 2025), Mark Doyle hunts down the ghosts haunting Cale's most enduring solo album. There are the ghosts of New York - of the Velvets, Nico, and Warhol - that he smuggled into Los Angeles in his luggage. There is the ghost of Dylan Thomas, a fellow Welshman who haunts not just Paris 1919 but much of Cale's life and art. There are the ghosts of history, of a failed peace and the artists who sought the truth in dreams. And there are the ghosts of Christmas, surprising visitors who bring a nostalgic warmth and a touch of wintry dread. With erudition and wit, Doyle offers new ways to listen to an old album whose mysteries will never fully be resolved. Mark Doyle is a Professor of History at Middle Tennessee State University, USA. He is the author of The Kinks: Songs of the Semi-Detached (2020), Communal Violence in the British Empire (Bloomsbury 2016), and Fighting Like the Devil for the Sake of God (2009). Mark Doyle on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025). Bradley Morgan on Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
John Cale's enigmatic masterpiece, Paris 1919, appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet Underground days was nearly spent; now he was living in Los Angeles, working for a record company and making music when time allowed. He needed to lay to rest some ghosts, but he couldn't do that without scaring up others. Paris 1919 was the result. In John Cale's Paris 1919 (Bloomsbury, 2025), Mark Doyle hunts down the ghosts haunting Cale's most enduring solo album. There are the ghosts of New York - of the Velvets, Nico, and Warhol - that he smuggled into Los Angeles in his luggage. There is the ghost of Dylan Thomas, a fellow Welshman who haunts not just Paris 1919 but much of Cale's life and art. There are the ghosts of history, of a failed peace and the artists who sought the truth in dreams. And there are the ghosts of Christmas, surprising visitors who bring a nostalgic warmth and a touch of wintry dread. With erudition and wit, Doyle offers new ways to listen to an old album whose mysteries will never fully be resolved. Mark Doyle is a Professor of History at Middle Tennessee State University, USA. He is the author of The Kinks: Songs of the Semi-Detached (2020), Communal Violence in the British Empire (Bloomsbury 2016), and Fighting Like the Devil for the Sake of God (2009). Mark Doyle on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025). Bradley Morgan on Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
durée : 00:24:23 - Le Feuilleton - Au 56 Ludlow street à New York, au début des années 60, Lou Reed et John Cale inventent le son Velvet.
durée : 00:24:34 - Le Feuilleton - Lou Reed et John Cale ont toute une panoplie d'équipements électroniques… Ils fabriquent des chambres de réverbération avec des seaux en métal remplis d'eau… Ils cherchent le « son » - invités : Lou Reed Auteur-compositeur-interprète américain
durée : 00:24:23 - Le Feuilleton - Au 56 Ludlow street à New York, au début des années 60, Lou Reed et John Cale inventent le son Velvet.
Schneider, Dirk www.deutschlandfunkkultur.de, Fazit
On this episode, Marc talks with Mark Doyle, author of "John Cale's Paris 1919," published in February of 2025 as part of the 33.3 series of short books on individual albums. It's a fascinating examination of John Cale's 1973 album, which Doyle approaches along the theme of "ghosts," with chapters on "The Ghosts of New York," "The Ghost of Dylan Thomas," "The Ghosts of HIstory," and "The Ghosts of Christmas."As Doyle writes, "If you are looking for some systematic explanation of the songs' mysteries, some Grand Unified Theory that will tie together all the historical, literary, and autobiographical references in the lyrics, I am afraid this is not that book. Instead, I will undertake the more delicate task of identifying, one at a time, and with the utmost care, just a few of the ghosts haunting the album, taking their measure for a few moments before they float off into the night."You can buy Mark's book here, and we hope you enjoy our conversation with him!
The Influence of the Velvet Undergroundwith special guest Dave Lennon (Lost in the Groove Podcast)What happens when two podcast hosts—one from sunny Florida, the other from soggy Suffolk—sit down to worship at the altar of The Velvet Underground? Absolute chaos, that's what.In this episode of Beat Motel, Andrew is joined by Dave Lennon from Lost in the Groove to unravel the weird, wonderful, and often dysfunctional legacy of Lou Reed and co. Expect deep dives into the genius of John Cale, Nico's awkward-but-iconic vocals, and why Mo Tucker deserved better.Along the way, we also offend Replacements fans, ponder what David Bowie talked about while curling one out, and discuss how Arctic Monkeys gave a pension to a punk poet. There's also a band called Prolapse. Yes, really.If you're a Velvet Underground hater, stay tuned. You might just learn something… or at least laugh at our expense.Featuring:Nico's German glamour and tragic misdiagnosisJohn Cale's Welsh wizardryLou Reed: songwriting genius or professional nightmare?How VU inspired noise rock, punk, and half of Andrew's record collectionBands that owe everything to VU (but won't admit it)Why the Jesus & Mary Chain sound like a hangover in churchShoutouts to Prolapse, Arctic Monkeys, Spacemen 3, and moreThis is the most passionate episode we've done about a band, It's chaos. It's love. It's The Velvet Underground.### Riffs of the week#### Dave Lennon's Riff- Harry Nilsson - Without You (2:06)#### Andrew's Riff- Pijn - Our endless hours (5:23)### Dave Lennon's track choices1. The Velvet Underground - Sweet Jane (2:29)2. The Velvet Underground - Tomorrow's Parties (2:49)3. The Velvet Underground - Sunday Morning (opening)4. The Velvet Underground - Run Run (3:36)### Andrew's track choices1. Spacemen 3 - Come down easy (2:39)2. The Jesus and Mary Chain - Snakedriver (opening)3. The Arctic Monkeys - Cornerstone (1:23)4. Prolapse - Flex (9:11)Email us - beatmotel@lawsie.com
Send us a message, so we know what you're thinking!This episode, we look back at two hugely influential women artists – Patti Smith, whose 1975 “Horses” album inspired so many artists, and Marianne Faithfull, whose passing in January, 2025, is a huge loss. “Horses”, with its confrontational approach - “Jesus died for somebody's sins, but not mine” - changed the landscape of rock music for the next few decades. Produced by John Cale, of Velvet Underground fame, the album opened the door for so many women, including Blondie and so many English punk and new wave bands. We talk about why we like this album, its influential impact, and how Patti Smith developed over later years. Marianne Faithfull has long been one of our favourites, and we talked about “Broken English” in Season 3. (If you haven't heard that episode, here's the link.) Tributes have come from every corner of the industry, all saying one thing – Marianne was inspirational to everyone she worked with, from The Rolling Stones to Metallica to Nick Cave and Warren Ellis. Banging our own drum for a moment, we've just been named as one of the top Australian Music Podcasts by monitoring service, Feedspot, which compiles the most comprehensive list of Australian Music Podcasts on the web. Great subjects. Great episode. Enjoy. References: Marianne Faithfull, Patti Smith, Andrew Loog Oldham, Sister Morphine, Girl on a Motorcycle, Samuel Beckett, homelessness, Hipgnosis, Storm Thorgerson, Mick Jagger, Keith Richards, “The Memory Remains”, Metallica, Lars Ulrich, Warren Ellis, She Walks in Beauty, Graham Coxon, Blur, TOTO, “Africa”, “Hold The Line”, "Rosanna”, Robert Dimery, 1001 Albums You Must Listen to Before You Die, Jim Morrison, oil shortage – 70's, Robert Mapplethorpe, Allen Lanier, Blue Öyster Cult, Tom Verlaine, Television, "Break It Up", John Cale, “Gloria”, Van Morrison, “Marquee Moon”, “Land (Horses)”, “Radio Ethiopia”, “Wave”, “Easter”, “Because the Night”, Siouxsie Sioux, Siouxsie & The Banshees, R.E.M., Michael Stipe, Peter Buck, Morrissey, Johnny Marr, Courtney Love, Hole, PJ Harvey Episode playlistHorsesBroken EnglishMarianne Faithfull - Series 3, Episode 14
John Cale und Lou Reed suchten in den 70er Jahren stets neue Formen für ihre Musik. Cale produzierte neben Nicos Alben auch „Horses“ von Patti Smith und das Debütalbum der Stooges. Sein Album „Paris 1919“ stach heraus und ließ sein musikalisches Wissen und Können aufscheinen. Lou Reed lieferte mit „Berlin“ eine durchgehende Erzählung in Liedern, mit „Metal Machine Music“ ein verstörendes Noise- und Industrial-Werk, das sein Publikum eher verschreckte. Danach wechselte er wieder ins leichtere Fach und hatte mit „Coney Island Baby“ Erfolg. Cale etablierte sich mit raffinierten, leicht zugänglichen Balladen Mitte der 1970er Jahre auch als Solo-Popmusiker, ohne jedoch seine Lust an zeitgenössischer klassischer Musik zu vergessen. Lou Reed kehrte mit den Alben „Blue Mask“ oder „New York“ zu seinen typischen Songreportagen zurück, in denen er erneut distanziert Szenen und Originale der Straße musikalisch einfing. Musikliste: Lou Reed: Lou Reed (1972): I can't stand it, I love you, Wild child, Ride into the sun Transformer (1972): Vicious, Perfect day, Walk on the wild side, Satellite of love, Goodnight Ladies Berlin (1973): Lady Day, Caroline says II, Sad song Rock 'n‘ Roll Animal (live, 1974) Sally Can't Dance (1974): Baby face, Sally can't dance, Billy Coney Island Baby (1975): Crazy feeling, Charley's girl, Kicks, A gift, Coney Island baby Rock and Roll Heart (1976): I believe in love, Rock and roll heart Street Hassle (1978): Street hassle Live: Take No Prisoners (1978) The Bells (1979): I want to boogie with you Growing Up In Public (1980): How do you speak to an angel, The power of positive drinking The Blue Mask (1982) Legendary Hearts (1983): Legendary hearts, Make up mind, The last shot, Rooftop garden New Sensations (1984) Mistral (1986): Tell it to your heart New York (1989) Songs For Drella (Lou Reed & John Cale, 1990): Style it takes, Nobody but you, Hello it's me Magic And Loss (1992) Set The Twilight Reeling (1996): NYC man, Set the twighlight reeling Ecstasy (2000): Paranoia key of E, Tatters, Turning time around The Raven (2003): Call on me, Hop frog, Who am I John Cale: Paris 1919 (1973) Music For A New Society (1982): Taking your life in your hands, Close watch Wrong Way Up (mit Brian Eno, 1990): Spinning away Fragments For A Rainy Season (live, 1992) Mercy (2023): Story of blood Nico: Chelsea Girl (1967), The Marbel Index (1968), Desertshore (1970), The End…(1974) Unser Podcast-Tipp in dieser Folge: Das Wissen / https://1.ard.de/swr2_wissen_cp
William Garrett is a mixing and recording engineer and producer, and studio builder and manager. He managed a studio for Sony in New York City for 15 years and was Senior Music Producer for Spotify Singles, recording and mixing more than 900 tracks that have over 10 billion streams to date. William has worked with countless artists like Jack White, Miley Cyrus, Shania Twain, John Cale, Cyndi Lauper, The National, Norah Jones, Elton John… the list goes on and on… it might have been easier to mention who he hasn't worked with! William shared his story from humble beginnings sweeping the floor of a studio to working with some of the greatest artists of all time. Listen on Apple, Spotify, YouTube Takeaways: William started his career sweeping floors in a recording studio. He learned valuable lessons from observing Aerosmith and Carly Simon. Sight lines in the studio are crucial for band communication. Vulnerability in the creative process can derail a session. The Boston music scene provided a rich environment for growth. Transitioning to New York was a significant step in his career. Building relationships in the industry is key to success. Every session is a learning experience, regardless of the artist. Recording technology has evolved significantly over the years. Creative limitations can enhance the music-making process. Time constraints often lead to more focused and energetic recordings. The spirit of spontaneity can lead to unique musical moments. Mixing is an art that requires both skill and intuition. Experimentation is key to discovering new sounds. Reading the room is crucial for producers to facilitate creativity. The vibe in the studio can significantly impact the outcome of a session. Links: The Many Talents of William Garret - https://www.mixonline.com/recording/music-production/the-many-talents-of-william-garrett William's Instagram - https://www.instagram.com/electracraft/ Spotify Singles - https://open.spotify.com/playlist/37i9dQZF1DWTUm9HjVUKnL The Secrets of Spotify's Studio - https://youtu.be/jEJ3e3Kma0g?si=qsr22jPwwcKSw2ll Ultimate New York Studio with Andrew Masters - https://www.youtube.com/watch?v=p5kI8urq374 Inside Spotify at Mateo Studios - https://www.mixonline.com/recording/music-production/inside-spotify-at-mateo-studios Brian Funk Website - https://brianfunk.com Music Production Club - https://brianfunk.com/mpc 5-Minute Music Producer - https://brianfunk.com/book Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store This episode was edited by Animus Invidious of PerforModule - https://performodule.com/ Thank you for listening. Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk
This week, we are joined by PULP's MARK WEBBER to discuss what was to be the most influential documentary of his life, THE SOUTH BANK EPISODE ABOUT THE VELVET UNDERGROUND. We discuss Mark's path from making fanzines (including interviewing Mo Tucker), & running the Pulp fanclub to eventually joining PULP as they embarked on their classsic records (DIFFERENT CLASS, THIS IS HARDCORE & WE LOVE LIFE), how Pulp composes music, being too young to get the Velvet Underground on first listen, the sweet spot of interviewing the Velvet Underground at the time of this documentary, Warhol's Factory, Mark's first time in NYC paying homage to his NYC heroes, Jonas Mekas, record store clerk suggestions, Spaceman 3, Pulp in 1978, the highs and lows of being in your favorite band, Mark's decades-long curation and research of experimental film, David Bowie as a direct line to the Velvet Underground, I Shot Andy Warhol, Bridget Berlin, Cat Power, Mark trying to do his own version of Warhol's Exploding Plastic Inevitable for Pulp called The Day That Never Happened, John Cale and Lou Reed's solo work, Mark getting to witness the Velvet Undeground reunion shows in person, The Pulp People Accommodation Register, Nico and more!!!So let's wrap some trees in tin foil and start the lights strobing on this week's episode of Revolutions Per Movie!MARK WEBBER:hatandbeard.com/products/im-with-pulp-are-you-by-mark-webberhttps://markwebber.org.uk/archive/about/https://welovepulp.info/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.
The Velvet Underground lieferten mit ihrem zweiten Album einen noch düsteren Einblick in den New Yorker Underground und die dazugehörigen Rockwelten. Lou Reed blieb der Kopf der Band, Nico und John Cale gingen eigene Wege. Danach zerfloss die Idee der Band zunehmend, nur noch einzelne Lieder der weiteren Alben hatten weiter die Sprengkraft der ersten, die Band wurde schließlich aufgelöst. Auch eine Reunion in den frühen Neunzigern hinterließ bei den Akteuren und Fans einen Kater. John Cale half Nico, sich als eigenständige Künstlerin zu etablieren, Cale selbst experimentierte mit Stilen und Ideen. Lou Reed dagegen schuf 1972 sein Meisterwerk „Transformer“ und den Welthit „Walk on the wild side“. Musikliste: The Velvet Underground: The Velvet Underground & Nico (1967) White Light/White Heat (1968): Here she comes now, Sister Ray The Velvet Underground (1969): Candy says, Pale blue eyes, Beginning to see the light Loaded (1970): Who loves the sun, Sweet Jane, Rock & Roll, Oh! Sweet nuthin‘ VU (1968/69,1985): Stephanie says, Foggy notion Le Bataclan'72 (Lou Reed/John Cale/Nico 1972, 2004) Lou Reed: Lou Reed (1972): I can't stand it, I love you, Wild child, Ride into the sun Transformer (1972): Vicious, Perfect day, Walk on the wild side, Satellite of love, Goodnight Ladies Berlin (1973): Lady Day, Caroline says II, Sad song Rock 'n‘ Roll Animal (live, 1974) Sally Can't Dance (1974): Baby face, Sally can't dance, Billy Coney Island Baby (1975): Crazy feeling, Charley's girl, Kicks, A gift, Coney Island baby Rock and Roll Heart (1976): I believe in love, Rock and roll heart Street Hassle (1978): Street hassle Live: Take No Prisoners (1978) The Bells (1979): I want to boogie with you Growing Up In Public (1980): How do you speak to an angel, The power of positive drinking The Blue Mask (1982) Legendary Hearts (1983): Legendary hearts, Make up mind, The last shot, Rooftop garden New Sensations (1984) Mistral (1986): Tell it to your heart New York (1989) Songs For Drella (Lou Reed & John Cale, 1990): Style it takes, Nobody but you, Hello it's me Magic And Loss (1992) Set The Twilight Reeling (1996): NYC man, Set the twighlight reeling Ecstasy (2000): Paranoia key of E, Tatters, Turning time around The Raven (2003): Call on me, Hop frog, Who am I John Cale: Paris 1919 (1973) Music For A New Society (1982): Taking your life in your hands, Close watch Wrong Way Up (mit Brian Eno, 1990): Spinning away Fragments For A Rainy Season (live, 1992) Mercy (2023): Story of blood Nico: Chelsea Girl (1967), The Marbel Index (1968), Desertshore (1970), The End…(1974) Unser Podcast-Tipp in dieser Folge: Starthilfe / https://www.ardaudiothek.de/sendung/starthilfe-der-musik-podcast-mit-den-stars-von-morgen/94673504/
Rhode Island songwriter John Faraone joins the show! Matt opens with a segment dedication to one of his top Nixon-rock subgenres - "Wicker Man" style UK folk. Thomas does a deep-dive into the insane rock stylings of John Cale. TOUR DATES https://www.johnfaraone.com/ LMO Survey https://www.niagaramoonmusic.com/ https://www.thinlear.com/ Bluesky IG Tiktok
Artist. Poet. Friend. This week, we celebrate the music, life, and legacy of Leonard Cohen with someone who knew him well - Perla Batalla. Grammy-nominated Singer/songwriter Perla Batalla first came to prominence as a backing singer for Leonard Cohen during his 1988 I'm Your Man tour and on the 1992 album The Future, in the process forging a deep friendship. With Cohen's encouragement, Perla stepped out as an artist in her own right, releasing a beautifully diverse range of magnificent albums such as Mestiza and Discoteca Batalla, performing at the world's best venues, co-writing and appearing in two one-woman shows, honored by UN and Focus on the Masters. But she has always kept the words and works of Leonard Cohen close to her heart. Her latest album, A Letter to Leonard Cohen: Tribute to a Friend, is her second album of her unique interpretations of Cohen's music, following 2005's Bird on the Wire. It was released the day before what would have been his 90th birthday. Leonard Norman Cohen was born in Quebec on September 21, 1934. Spending the latter part of the ‘50s and first half of the ‘60s as a published poet and author, he shifted his focus to songwriting. From 1967 to 1971, he established himself as a major musical talent with the trilogy of classic albums Songs of Leonard Cohen, Songs from a Room, and Songs of Love and Hate, as well as interpretations by the likes of Judy Collins, Nina Simone, Joe Cocker, and Roberta Flack. He would continue to record and tour sporadically throughout the ‘70s and early ‘80s to widespread acclaim and with some commercial success in Europe. In the late ‘80s & early ‘90s, Cohen gained a new underground audience through his two synth-driven productions, I'm Your Man and The Future, prominent soundtrack placements, a beloved album of interpretations by Jennifer Warnes, Famous Blue Raincoat, and the 1991 high profile tribute album, I'm Your Fan, where a who's who of alternative music disciples like REM, Ian McCulloch, Pixies, James, The House of Love, Robert Forster, Nick Cave, and John Cale paid their respects to the man. The latter artist, John Cale, performed a breathtaking piano version of a song from 1984's Various Positions called “Hallelujah,” in an arrangement that would be borrowed and transcribed to guitar by Jeff Buckley a few years later, which further elevated Leonard Cohen's already mythical status. After spending the latter half of the ‘90s in a monastery as an ordained Buddhist monk, Leonard Cohen returned in the twenty first century to finish what he started, adding six additional studio albums to his catalogue, including the album released weeks before his November 7, 2016 death, You Want It Darker, and the posthumous followup completed by his son Adam, 2019's Thanks For The Dance, as well as multiple live albums, both archival and contemporary. He was inducted into the Rock and Roll Hall of Fame in 2008. Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us a message, so we know what you're thinking!In case you hadn't noticed, we love a good cover version! This episode, we're looking at covers - staples, covers from strange sources, and some songs that have had a LOT of covers, including a bunch of covers of Bowie's “Heroes”. Our Album You Must Hear before You Die is “Is This It?” by The Strokes. This punk/Britpop-influenced album got rave reviews on release in 2001 from Rolling Stone, The Village Voice, and New Musical Express. We're not convinced. In Knockin' on Heaven's Door, we mourn the loss of Wayne Osmond (of the Osmond Brothers), Chad Morgan, the Aussie country great, and Peter Yarrow, of Peter, Paul and Mary. We hope they get to sing a rousing chorus of “Puff the Magic Dragon together. As usual, there's heaps of fun. Enjoy!! Playlist (all the songs and artists referenced in the episode) Playlist – “Heroes” covers References: Heroes, REM, Leonard Cohen, “Suzanne”, “Hallelujah", Bob Dylan, “All along the Watchtower”, "If Not for You”, Olivia Newton-John, Johnny Cash, American Recordings, “All the Young Dudes”, Mott the Hoople, Ian Hunter, XTC, White Music, “This is Pop”, Devo, “(I can't get no) Satisfaction”, Zoot, “Eleanor Rigby”, Rick Springfield, Howard Gable, Alison Durbin, 801, “Tomorrow Never Knows”, ” 801 Live, "You Really Got Me”, Ministry, “Lay Lady Lay”, Al Jourgenson, “Heartbreak Hotel”, Elvis Presley, John Cale, June 1, 1974, Slow Dazzle, Fragments of a Rainy Season, Nirvana, "The Man Who Sold The World", “Unplugged”, Mick Ronson, Linda Ronstadt, “Different Drum”, Stone Ponies, Mike Nesmith, “You're No Good”, “Poor Poor Pitiful Me”, Cowboy Junkies, “Sweet Jane”, Fine Young Cannibals, “Suspicious Minds”, Talking Heads, “Take Me to The River”, Elvis Costello, “(What's So Funny ‘Bout) Peace, Love, And Understanding”, George Benson, “On Broadway”, Mia Dyson, “The Passenger”, Siouxsie & The Banshees, Sara Blasko, “Flame Trees”, “Goodbye Yellow Brick Road”, Reg Livermore, “Celluloid Heroes”, The Kinks, Peter Gabriel, Scratch My Back, I'll Scratch Yours, Motorhead, David Hasselhoff, Blondie, Oasis, Nico, Moby (with Mindy Jones), Phillip Glass, “Superman”, Lifes Rich Pageant, “There She Goes Again”, “Pale Blue Eyes”, “First we take Manhattan”,
Ian speaks to Mark Doyle about his new 33 1/3 book about John Cale's 1972 masterpiece, Paris 1919. BUY THE BOOK
(S4-Ep8) The Velvet Underground and Nico (Verve Records) Released March 1967- Recorded April-May and November of 1966 (Verve Records) Despite its initial commercial failure, the Velvet Underground & Nico (1967) is one of the most influential albums in rock history. The album, produced by artist Andy Warhol, fused avant-garde art with raw, experimental rock, tackling taboo subjects like drug use and urban decay. Lou Reed's stark lyricism and John Cale's avant-garde instrumentation—particularly his electric viola—set the band apart from their contemporaries. Tracks like Heroin, Venus in Furs, and All Tomorrow's Parties showcased their uncompromising artistic vision. Though largely ignored upon release, the album became a blueprint for punk, noise rock, and indie music, influencing artists from David Bowie to Sonic Youth. The iconic banana cover, designed by Warhol, remains one of rock's most recognizable images. Over time, The Velvet Underground & Nico earned its place as a seminal work, proving that commercial success is not always a measure of artistic impact. Signature Tracks "Heroin," “Venus in Furs,” "All Tomorrow's Parties" Playlist YouTube Spotify Full Album YouTube Spotify
Send us a message, so we know what you're thinking!Every band/artist has to have a first album. Sometimes those albums are good, sometimes they're not, and sometimes they just show potential. This episode, we look at some first albums over the gamut of the rock era that we regard as great, including some Australian albums. You've probably heard of most, but not all. In rock news, we look at Neil Young, The Wiggles (yes!), Joe Bonamassa, Jethro Tull and Billboard's new list – The Top 200 Albums of the 21st Century. Our Album You Must Hear before You Die is Paris 1919 by John Cale. Mick regards this elegant 1973 album from the Velvet Underground co-founder as a stunning listen, and a great intro to John Cale. Chris Thomas' production is, as usual, precise, while Cale presents some wonderful imagery in the lyrics. References: John Cale, Paris 1919, “A Child's Christmas in Wales”, Fragments of a Rainy Season, Brian Wilson, UCLA Symphony Orchestra, Words for the Dying, Dylan Thomas, Chris Thomas, Roxy Music, Eno, Sex Pistols, Pretenders, INXS, Bowie, Lou Reed, Queen, The Police, Outlandos d'Amour, “Can't Stand Losing You”, “Roxanne”, Stewart Copeland, Sting, Rod Stewart, The Tubes, “White Punks on Dope”, “What do you want from life?”, “a baby's arm holding an apple”, Kate Bush, The Kick Inside, David Gilmour, “Wuthering Heights”, Wuthering Heights Day, Roxy Music, Kari-Ann Moller, Chris Jagger, Andy Mackay, saxophone, “Re-make / Re-model", Bryan Ferry, Steely Dan, Can't Buy a Thrill, Jeff (Skunk) Baxter, “Do it Again”, “Reelin' in the Years”, “Only a fool would say that”, John Lennon, Imagine, Robert Dimery, 1001 Albums You Must Hear Before You Die, Peter Gabriel, The Cure, Three Imaginary Boys, Boys Don't Cry, "10:15 Saturday Night", Robert Smith, Television, Marquee Moon, Devo, Q: Are We Not Men? A: We Are Devo!, Rolling Stones, "Satisfaction", Mark Mothersbaugh, Violent Femmes, "Kiss Off", "Add It Up", “Glister in the sun”, "Blister in the Sun", Sex Pistols, Never Mind the Bollocks Here's the Sex Pistols, Marlon Brando, The Wild One, Malcolm McLaren, The Great Rock'n'Roll Swindle, “Ever get the feeling you've been cheated?”, Ramones, Mi-Sex, Graffiti Crimes, Midnight Oil, “Run by Night”, 2JJ, Cold Chisel, Khe Sanh, Skyhooks, Living in the 70's, “You just like me ‘cos I'm good in bed”, Neil Young, Oceanside Countryside, Joe Bonamassa, Adele, Taylor Swift, Jethro Tull, Donald Trump Playlist – Everything we talked about in this episode The Wiggles' new album (snippet) Donald Trump strikes again!
Michael Jerome had been drumming in a post-industrial metal band when he auditioned for Richard Thompson in 1999, little knowing he would be this brilliant guitarist's percussive foil for the next 25 years and counting. Jerome also has played with Charlie Musselwhite, the Blind Boys of Alabama and, for several years, John Cale. He's been Better Than Ezra's drummer since 2009 and played and toured with Slash for his latest album—and what started as an experimental side project is now moving center stage: The Third Mind, the improvisatory psychedelic band assembled by Dave Alvin and Victor Krummenacher. As thoughtful in conversation as he is dazzling behind his kit, Jerome tells how he developed his unique style and adapts it for each project—and he relates what it's like to be in Los Angeles now as he tries to help friends and others who have lost almost everything in the catastrophic wildfires. (Photo by Robby Klein.)
DJ St. Paul neemt de muzikale week door met liedjes van o.a. Tame Impala, Rosinha De Valença & Joy Crookes. Deze keer in de albumrubriek een uitgebreid gesprek met radiopresentator Tim op het Broek over Songs for Drella van Lou Reed & John Cale. Benieuwd naar de tracklist en shownotes? Check ze via: tivolivredenburg.nl/studio/podcast/st-pauls-boutique Meer podcasts van TivoliVredenburg ontdekken? Ga naar tivolivredenburg.nl/podcast
DJ St. Paul neemt de muzikale week door met liedjes van o.a. Tame Impala, Rosinha De Valença & Joy Crookes. Deze keer in de albumrubriek een uitgebreid gesprek met radiopresentator Tim op het Broek over Songs for Drella van Lou Reed & John Cale. Benieuwd naar de tracklist en shownotes? Check ze via: tivolivredenburg.nl/studio/podcast/st-pauls-boutique Meer podcasts van TivoliVredenburg ontdekken? Ga naar tivolivredenburg.nl/podcast
This week, we are joined by Paisley Underground legend MATT PIUCCI (Rain Parade, Crazy Horse) to discuss the TODD HAYNES' documentary, THE VELVET UNDERGROUND. We also talk about Haynes' body of work including Velvet Goldmine & Safe, the perfect run of Velvet Underground records, Chris' emotional breakdown after seeing the film in the theater, Roky Music & The Doors, does a biopic need to be truthful, how being on stage is similar to Matt's forensic courtroom work (and would any member of The Velvets been good forensic scientists), the multiple screen and sound work within the film, how so much of art is because of chance encounters, how Andy Warhol's prescence allowed the Velvets to get through the gatekeepers of a label, honoring Warhol's visual identiy in the the film, the NYC underground filmmaking scene, how they edited this film, Lou Reed scrambling the narrative of his life, drones in music, Miles Davis, the mid 60s L.A. rock scene vs the NYC rock scene, seeing John Cale live, Chris hearing the first Velvet's record as a 7 year old & Matt seeing The Byrds live as a child, Mick Ronson & Transformer, Jeff Beck playing with Ziggy Stardust, how without Mo Tucker the Velvets were never the same, the Grateful Dead comparisons that confuses us, Can, Jonathan Richman's presence in the film, The Velvet's love of Neil Young, Matt talks about recording with Billy Talbot of Crazy Horse and smoking bowls with Neil Young, how Haynes' struggled making the film because of lack of archival footage of the band, John Cale's departure from the band and the pain of band lineup changes, Songs For Drella and the vilification of Doug Yule.So let's have The Velvet Underground hypnotize us once again on this episode of Revolutions Per Movie!!!MATT PIUCCI:@mattpiuccihttps://rainparade.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.
Robert Frede Kenter is a multiple Pushcart-nominated poet, a BOTN nominee, a writer of experimental prose, a performer, an editor, a visual artist, a multiple grant recipient, book designer & EIC/Publisher of Ice Floe Press (www.icefloepress.net). Books include FATHER TECTONIC (forthcoming, Ethel Zine Press, 2025), & hybrid collections, EDEN (2021), & Audacity of Form (Ice Floe Press, 2019). Robert's in many anthologies incl. Shine #1 (2024 publ. by Samantha Terrell), Kireji /Cutting Words (Nun Prophet Press, 2024), After Hours: Beat Culture Made New (Broken Spine Press, 2024). The Book of Penteract (Penteract Press, 2022), Seeing in Tongues (Steel Incisors, 2023), Reformatting the Pain Scale (Olney Books, 2023), Glisk and Glimmer (Sidhe Press, 2023), Deep Time #1 (Black Bough Press, 2021), & numerous Fevers Of The Mind anthologies incl.: The Chelsea Underground (2023) for John Cale, Warhol & the Factory. Recent journals: Cable Street, Harpy Hybrid, Storms Journal, Cutbow Q, Street Cake, Feral, Erato, Setu, WatchYrHead, Visual Verse, & others. Robert contributed poetry to the recent 40th anniversary exhibition for the band, Bronski Beat (UK).
The Jokermen conclude 2024 with a look back at the year's major offerings from John Davies Cale: "Poptical Illusion" and the recent remasters of "Paris 1919" and "The Academy in Peril." SUBSCRIBE TO JOKERMEN ON PATREON
The Yellow Brit Road Christmas Special! Listen on for an indie Christmas, past Christmas Top of The Pops, festive poetry and fun! Listeners! Here's your task for the New Year's show next week: I need you to write in with your suggestions for music that sounds like new beginnings, whatever that means to you. Music this week by: Shane MacGowan, IDLES, Nonô, The Darkness, Cerys Hafana, FEET, Friedberg, Dilettante, Ezra Collective, John Cale, mary in the junkyard, Carwyn Ellis, The Mary Wallopers, Saint Ettienne Find this week's playlist here. Do try and support artists directly! Touch that dial and tune in live! We're on at CFRC 101.9 FM in Kingston, or on cfrc.ca, Sundays 8 to 9:30 PM! Like what we do? CFRC is in the middle of its annual funding drive! Donate to help keep our 102-year old station going! Get in touch with the show for requests, submissions, giving feedback or anything else: email yellowbritroad@gmail.com, Twitter @YellowBritCFRC, IG @yellowbritroad. PS: submissions, cc music@cfrc.ca if you'd like other CFRC DJs to spin your music on their shows as well.
This week's show, after a Jim & Jack 1965 Guaraldi/Mendelson groove: brand new The Cure, Effigies, Healees, Close Lobsters, Cathedral Ceilings, Dropkick, and Bloococoon, plus The Treacle (Mick Ronson), Love Sculpture (Dave Edmunds), John Cale, Eric Idl...
This week, Steve picked a set of sunglasses songs. Here is the full list of artists played this week: Sam Roberts Band, Neil Finn, Phantogram, Iggy Pop, Saturday Looks Good To Me, Chrissie Hynde, Robert Hazard, Brian Eno with John Cale, Boy & Bear, Stiff Little Fingers, Tears For Fears, The Bug Club, Better Than Ezra, Gina X Performance. AI-free since 2016! On the Air on Bedford 105.1 FM Radio *** 5pm Friday *** *** 10am Sunday *** *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Facebook: SuburbanUndergroundRadio *** Instagram: SuburbanUnderground *** #newwave #altrock #alternativerock #punkrock #indierock
Joe Boyd has had many job descriptions over the course of his nearly sixty-year career in music, and there was simply no way to cover everything in this conversation. That said, Paul and Joe focus on Boyd's important new book, And The Roots of Rhythm Remain: A Journey Through Global Music, and themes of cultural cross-pollination in music, the birth of hip hop and ska, the reason Hitler spared the life of virtuoso Roma guitarist Django Reinhardt, what happened with Nick Drake, and Boyd's phenomenal earlier book, the memoir, White Bicycles: Making Music in the 1960s. As a music producer, Boyd has delivered records by Nick Drake, Pink Floyd, R.E.M., Taj Mahal, Fairport Convention, Richard and Linda Thompson, Sandy Denny. He tour-managed European dates for Muddy Waters, Sister Rosetta Tharpe, and was a production manager at the 1965 Newport Folk and Jazz Festivals, before flying off to open Elektra Records' UK office in London where he and John Hopkins opened the UFO club, giving a psychedelic home to Pink Floyd and others. In 1971 he moved to Los Angeles to work for Warner Brothers Films (Deliverance, A Clockwork Orange, and the documentary Jimi Hendrix). In 1979, he worked for Lorne Michaels' film company, Broadway Pictures, and the following year, launched his own label, Hannibal Records, releasing works by John Cale, Richard Thompson and more, while bringing global artists such as ¡Cubanismo!, Toumani Diabaté, Ali Farka Touré, Trio Bulgarka, and Songhai, to western audiences. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com) Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day. Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends. Rest in Peace, Phil Lesh: "A box of rain will ease the pain / And love will see you through"
Do you have any "Skeletons "in your closet? We sure do, and in our 2nd Annual Halloween Episode, we are again joined by the great rock duo, The League of Erics, to discuss our favorite deep Halloween Rockers by a variety of spooktacular artists! We hope you have a ghoulish good time listening!!!
Peel slowly and see what we have in store this week-- it's The Velvet Underground And Nico! What happens when experimentalists Lou Reed and John Cale join forces with eccentric pop artist Andy Warhol? Turns out they make one of the most influential and regarded cult classic records of the late '60s. Its raunchy, suggestive, and provocative lyrics kept them off the radio, but won over fans worldwide. We'll talk about their unusual origins and eventual disbanding. The Mixtaper reactivates our arachnophobia, bargains with art, and introduces us to a couple who can't seem to stick together. Run Run Run and check out this episode... we promise you'll still have time for All Tomorrow's parties! Happy Mixtober!! Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro4:29 About The Velvet Underground15:34 About The Velvet Underground And Nico29:27 Awards & Accolades30:32 Fact Or Spin31:41 Lou Reed Is In A Special Club With Johnny Cash38:15 Instead Of Cash, Warhol Paid For Their Record With Art43:44 Nico Was Married To The Inventor Of The Glue Stick52:05 The Band Had An Equally Genius And Annoying Album Idea58:08 Album Art (Peel Slowly And See)1:02:56 Sunday Morning1:09:25 I'm Waiting For The Man1:14:20 Femme Fatale1:17:05 Venus In Furs1:20:16 Run Run Run1:23:09 All Tomorrow's Parties1:26:18 Heroin1:31:23 There She Goes Again1:33:21 I'll Be Your Mirror1:35:20 The Black Angel's Death Song1:37:29 European Son1:39:05 Final Spin Hosted on Acast. See acast.com/privacy for more information.
“There was no Command-Zed back then!” John Wood engineered or produced some of the most magical, timeless and affecting records ever made - by Nick Drake, John Martyn, the McGarrigles, Fairport Convention, Sandy Denny, John Cale, Squeeze and many more. He's 85 now and looks back here at a luminous career that started with mastering singles at Decca and transferred to Sound Techniques, the mecca he co-founded in an old cowshed in Chelsea when takes were spontaneous and even the tape-op was part of the performance. He misses those days, when albums were organic and the labels had less control, and talks here about … … “the age when sound had perspective and seemed three-dimensional”. … Nick Drake's confidence and his guiding lights - eg the Beach Boys and Randy Newman (“who I'd never heard of”). And his final nighttime sessions. … the way Fairport recorded – “We're only going to do it once” – and why they could make three albums a year. …managing the girls in the Incredible String Band, “especially when Licorice played drums”. … John Cale in “maniac mode” and his sudden and unexpected friendship with Nick Drake. … Cale and Nico at the Chelsea Hotel. … and why ‘Geoff Muldaur Is Having A Wonderful Time' was the job he remembers the fondest. Also mentioned: the Downliners Sect, Judy Collins, The Marmalade, Graham Gouldman and Squeeze. John's got nothing to plug and just wanted to talk to us. Thanks, John, and bless your cotton socks.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
“There was no Command-Zed back then!” John Wood engineered or produced some of the most magical, timeless and affecting records ever made - by Nick Drake, John Martyn, the McGarrigles, Fairport Convention, Sandy Denny, John Cale, Squeeze and many more. He's 85 now and looks back here at a luminous career that started with mastering singles at Decca and transferred to Sound Techniques, the mecca he co-founded in an old cowshed in Chelsea when takes were spontaneous and even the tape-op was part of the performance. He misses those days, when albums were organic and the labels had less control, and talks here about … … “the age when sound had perspective and seemed three-dimensional”. … Nick Drake's confidence and his guiding lights - eg the Beach Boys and Randy Newman (“who I'd never heard of”). And his final nighttime sessions. … the way Fairport recorded – “We're only going to do it once” – and why they could make three albums a year. …managing the girls in the Incredible String Band, “especially when Licorice played drums”. … John Cale in “maniac mode” and his sudden and unexpected friendship with Nick Drake. … Cale and Nico at the Chelsea Hotel. … and why ‘Geoff Muldaur Is Having A Wonderful Time' was the job he remembers the fondest. Also mentioned: the Downliners Sect, Judy Collins, The Marmalade, Graham Gouldman and Squeeze. John's got nothing to plug and just wanted to talk to us. Thanks, John, and bless your cotton socks.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Our newest member of the 'Three Timer Club,' renowned music journalist / author / photographer Michael Goldberg, joins us this week to discuss some of the most iconic images of the classic alternative era. What are some of the photos, logos, and icons that come to YOUR mind? The first-ever collection of Addicted To Noise founder and former Rolling Stone senior writer Michael Goldberg's photographs, Jukebox: Photographs 1967-2023 (Hozac Books), features an impressive array of underground figures and outcast luminaries captured in their natural habitat, most seen here for the first time anywhere. Bridging the gaps between the late ‘60s psychedelic era, primitive first-wave ‘70s punk and soul & reggae, as well as never-before seen images of country & folk iconoclasts and rule-breakers across the spectrum of all that is captivating, and even including some modern artists still making waves, Jukebox is a riveting photography collection that truly feels as good as it looks. The photos in JUKEBOX are drawn from the thousands he's taken over the years. Included are photos of the Sex Pistols, Crime, the Ramones, the Avengers, Devo, the Nuns, the Clash, Tom Verlaine, Lou Reed, John Cale and the Dils as well as Tom Waits, Courtney Barnett and Kurt Vile, Janis Joplin, Ben Gibbard, Ramblin' Jack Elliott, Muddy Waters, Toots and the Maytals, Patti Smith, Bettye LaVette, the Who, Neil Young, Jonathan Richman, Townes Van Zandt, the Flamin' Groovies, and many many more. Photos from JUKEBOX will be on display from July 25 through September 22, 2024 at the Haight Street Art Center in San Francisco, where the exhibition, We Are the One: San Francisco Punk 1970s & 1980s, curated by Goldberg, will also be featured during those two months. Oh, and bonus! We play the latest in a series of world famous O3L games, "Record Rack of the Mind." Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hosts Jim DeRogatis and Greg Kot have talked about Lou Reed many times before on Sound Opinions, but often the discussion gets focused on the man's life instead of his music. This week they talk with author Jim Higgins about his new book that reviews every album Reed released in his lifetime. The hosts also review new albums from Common and Jack White. --Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops--Featured Songs:Common and Pete Rock, "Dreamin'," The Auditorium, Vol. 1, Loma Vista, 2024Common and Pete Rock, "When The Sun Shines Again," The Auditorium, Vol. 1, Loma Vista, 2024Common and Pete Rock, "This Man," The Auditorium, Vol. 1, Loma Vista, 2024Jack White, "Old Scratch Blues," No Name, Third Man, 2024Jack White, "Archbishop Harold Holmes," No Name, Third Man, 2024Jack White, "Bless Yourself," No Name, Third Man, 2024Lou Reed, "Walk On The Wild Side," Transformer, RCA, 1972Lou Reed, "Coney Island Baby," Coney Island Baby, RCA, 1976Lou Reed and John Cale, "Images," Songs For Drella, Sire, 1990Lou Reed, "The Power of Positive Drinking," Growing Up in Public, Arista, 1980Lou Reed, "Egg Cream," Set the Twilight Reeling, Warner Bros., 1996Lou Reed, "Like A Possum," Ecstasy, Reprise, 2000Lou Reed, "Pale Blue Eyes (Live)," Take No Prisoners, Arista, 1978Luna, "Tiger Lilly," Bewitched, Elektra, 1994Lou Reed, "Edgar Allan Poe," The Raven, Sire, 2003Lou Reed, "Halloween Parade," New York, Sire, 1989Prince and the Revolution, "Purple Rain," Purple Rain, Warner Bros., 1984See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Living legend and co-founder of the seminal band The Velvet Underground, John Cale is infuriated by the intentional, greedy destruction of our planet. Cale’s second album in just over a year, POPtical Illusion, features the irresistible track, “How We See The Light,” which touches on the end of a relationship, and a chance to learn and grow.
Today's Song of the Day is “How We See The Light” from John Cale's album POPtical Illusion, out now.
This week, NPR Music's Daoud Tyler-Ameen and Ann Powers steer the New Music Friday podcast straight into the oncoming Father's Day weekend, following the lead of country superstar Luke Combs, whose new album Fathers & Sons is a heartfelt meditation on what it means to fill both of those roles. It's Combs' first album since his cover of Tracy Chapman's "Fast Car" landed him on the pop charts last year. Also this week: Raveena, whose won over many fans at NPR Music with her 2022 album Asha's Awakening, excavates the sounds of millennial pop and R&B on Where the Butterflies Go in the Rain and a long-celebrated 1974 bootleg of Paul McCartney and Wings playing live in the studio gets an official release.Featured Albums:• Luke Combs, 'Fathers & Sons'• Raveena, 'Where the Butterflies Go in the Rain'• Paul McCartney & Wings, 'One Hand Clapping'Other notable albums out June 14:• The Decemberists, 'As It Ever Was, So It Will Be Again'• Normani, 'Dopamine'• PJ Morton, 'Cape Town to Cairo'• This is Lorelei, 'Box for Buddy, Box for Star'• Jess Cornelius, 'Care/Taking'• Sadler Vaden, 'Dad Rock'• Don Tolliver, 'Hardstone Psycho'• Hermanos Gutiérrez, 'Sonido Cósmico'• Sam Morton, 'Daffodils & Dirt'• John Cale, 'POPtical Illusion'• Isobel Campbell, 'Bow to Love'• John Grant, 'The Art of the Lie'• Lalah Hathaway, 'VANTABLACK'• Moby, 'always centered at night'• Zsela, 'Big For You'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
© 2020-2025 Ivy Podcast Discovery LLC
