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In this episode of "Dance Talk” ® with Joanne Carey , host Joanne Carey interviews Emily CoatesIn this episode of "Dance Talk” ® with Joanne Carey engages in a deep conversation with dancer, choreographer, and writer Emily Coates. They explore Emily's journey from her early dance training in ballet to her transition into modern dance, her experiences working with renowned figures like Baryshnikov, and her current project 'Tell Me Where It Comes From.' Tell Me Where It Comes From, was sparked by the discovery of an archival box housed at the Wadsworth Atheneum Museum of Art in Hartford, Connecticut, chronicling George Balanchine's brief touchdown there in 1933. The discussion highlights the importance of following one's artistic instincts, the role of dance history, and the collaborative nature of creating new work. Emily shares insights on the creative process, the significance of archival research, and the impact of dance on personal and artistic growth.Emily Coates is a dancer, choreographer, and writer and has performed internationally with New York City Ballet (1992-98), Mikhail Baryshnikov's White Oak Dance Project (1998-2002), Twyla Tharp Dance (2001-2003), and Yvonne Rainer and Group (2005-present), and worked with an array of choreographers, including Jerome Robbins, Angelin Preljocaj, Trisha Brown, Deborah Hay, Mark Morris, John Jasperse, and Sarah Michelson. Career highlights include performing three duets with Baryshnikov, in works by Morris, Karole Armitage, and Erick Hawkins.Her choreographic work has been commissioned and presented by Danspace Project, Performa, Baryshnikov Arts Center, Works & Process at the Guggenheim, Ballet Memphis, Wadsworth Atheneum, Carnegie Hall, University of Chicago, Yale Repertory Theatre, Yale Art Gallery, and Columbia Ballet Collaborative, among other venues. She is currently completing a film project titled “Dancing in the Invisible Universe” in collaboration with filmmaker John Lucas and Yale's Wright Laboratory.Her essays have appeared in PAJ: A Journal of Performance and Art, The Huffington Post, Theater, PEAK Journal, programs and an exhibition catalogue for the Paris Opera Ballet, and in the forthcoming Oxford Handbook of Contemporary Ballet. Her awards and distinctions include the School of American Ballet's Mae L. Wein Award for Outstanding Promise; the Martha Duffy Memorial Fellowship at the Baryshnikov Arts Center; Yale's Poorvu Family Award for Interdisciplinary Teaching; a grant from the Alfred P. Sloan Foundation in the category of Public Understanding of Science, Technology, and Economics; a 2016 Fellowship at the Center for Ballet and the Arts at NYU; and a 2019 Jerome Robbins Dance Division Dance Research Fellowship at the New York Public Library for the Performing Arts at Lincoln Center. She graduated magna cum laude with a BA in English and holds an MA and MPhil in American Studies from Yale. Her first book, Physics and Dance, co-written with her longtime collaborator, particle physicist Sarah Demers, was released in January 2019 by Yale University Press.She is Professor in the Practice in Theater, Dance and Performance Studies at Yale University, with a secondary appointment in Directing at the Yale School of Drama. She has directed the dance studies concentration at Yale since its inception in 2006.Informationhttps://campuspress.yale.edu/emilycoates/Make plans to check out this piece on tour!February 26, 2026 at The Avery Theater , Hartford ConnecticutApril 23 & 24th 2026 at Schwarzman Center , Yale University“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."https://dancetalkwithjoannecarey.com/Please leave us a Review.You support the podcast:https://gofund.me/e561b42acFollow Joanne Carey on Instagram@westfieldschoolofdance
While hiding from the police, New York City Ballet timpanist Ian Sullivan joins the Mikes for a fascinating discussion of the finer points of timpani playing.
What would you do if, for the first time in forever, Nutcracker got canceled. This is what hundreds of thousands of ballet fans and thousands of dancers were faced with in the Winter of 2020. Covid had shut down the world and it was particularly bad in New York City. Enter Troy Schumacher, a soloist with the New York City Ballet and the founder of the Ballet Collective. Troy found a way to stage a Nutcracker, attract an audience and keep a bunch of dancers employed. Tune in to our two-part episode to hear all about how Troy pulled this off, why Sara Mearns got involved and how Emmy nominated filmmaker, Annie Sundberg captured all of it in a documentary that airs in November 2025. The Nutcracker at Wethersfield is having its world premiere at DocNYC on November 16th and November 20th, followed by a theatrical release at select cinemas with a special screening and Q&A on December 13th at the New Plaza Cinema in New York. To find out if the film is screening near you this holiday season, please visit nutcrackerfilm.com If you're a dance company or a school and you wish to hold a screening you can reach out via the film website. The film will be available to stream on the GATHR app for a special holiday window 12/21 – 1/5. Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok: Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI
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Join host Joanne Carey as she chats with Special Guest: Michael Novak Artistic Director of the Paul Taylor Dance CompanyIn this episode of "Dance Talk” ® with Joanne Carey , host Joanne Carey interviews Michael Novak, the artistic director of the Paul Taylor Dance Company. Michael shares his journey into dance, overcoming personal challenges such as stuttering, and his transition from musical theater to ballet and modern dance. He discusses the importance of authenticity in dance, the role of resident choreographers, and the exciting new educational initiatives at the company's new space. The conversation also highlights the upcoming season at Lincoln Center, featuring a mix of new works and classic pieces, and Michael's vision for the future of the company.Michael Novak: became the second Artistic Director in the history of the Paul Taylor Dance Foundation in September 2018, having been selected by Mr. Taylor months earlier to succeed him upon his death. Novak was nominated for the Clive Barnes Foundation Dance Award for his debut Season. During his career with the Company, he performed fifty-six roles in fifty Taylor dances.Raised in Rolling Meadows, Illinois, Novak began studying dance at age ten and by age seventeen was offered a Presidential Scholarship to attend The University of the Arts in Philadelphia to pursue training in jazz and ballet. In 2005 Novak was admitted to Columbia University's School of General Studies, where he was awarded scholarships for academic excellence. He became a member of the Columbia Ballet Collaborative, the University's critically acclaimed resident company, and was named Artistic Associate responsible for advising on the curation of resident choreographers and directing the group's branding and promotion. At Columbia, Novak became immersed in the study of dance history, which ignited a passion for modern dance. He developed a keen interest in the work of François Delsarte, the 19th Century French movement theorist who codified the system linking emotion and gesture that would inspire the first generation of American modern dancers. At Columbia he performed Mr. Taylor's solo in Aureole, which led him to embrace the Taylor repertoire. In a 2009 program celebrating Diaghilev at Columbia's Miller Theatre, Novak embodied Vaslav Nijinsky's role in L'Après-midi d'un faune with an authenticity that brought him to the attention of dance critics and scholars. Upon graduation, he received his BA in Dance magna cum laude with Departmental Honors, and was elected to Phi Beta Kappa. As a distinguished alumnus, he was the Keynote Speaker for the Class of 2020.The Paul Taylor Dance Company continues to be one of the world's premier dance companies. New York Times hailed his inaugural season as Artistic Director as “groundbreaking and inspirational.” In memory of Mr. Taylor, he launched “The Celebration Tour,” a multi-year international touring retrospective of the Taylor repertoire. He co-directed the Company's first virtual live-streamed benefit, Modern is Now: Stories of our Future,. And during the height of the Covid pandemic, he brought the Taylor Company to sixteen venues in eleven American cities for a total of fifty-one performances, earning the designation “Best of Dance 2021” from The Washington Post. 2021 he selected Taylor alumna and dance educator Carolyn Adams to head the Taylor School showing his commitment to broadening the Foundation's impact in arts education. 2022 Novak selected former New York City Ballet dancer Lauren Lovette to be the Taylor Company's first Resident Choreographer.https://paultaylordance.org/“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."https://dancetalkwithjoannecarey.com/Follow Joanne Carey on Instagram@westfieldschoolofdanceTune in. Follow. Like us. And SHARE!Please leave us review about our podcast!
The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world. Today's episode features Julie Pilant, formerly of the Met, now with Utah Symphony. About Julie: Julia Pilant is currently the acting 3rd horn for the Utah Symphony/Utah Opera, and a regular guest with the Los Angeles Chamber Orchestra horn section and the Chamber Music Society of Lincoln Center. Previously, she was the assistant principal horn for the Metropolitan Opera Orchestra for 14 years and a horn instructor for the Bard College Conservatory of Music for 16 years. Prior to holding those positions, she was the principal horn of the Syracuse Symphony Orchestra for 10 years. Ms. Pilant also freelanced for several decades in New York City and performed regularly with Orpheus Chamber Orchestra, Orchestra of St. Luke's, New York City Ballet, and numerous Broadway shows. She has played principal horn for the Saito Kinen/Ozawa and Tokyo Opera Nomori music festivals, the Mito Chamber Orchestra in Japan, and has participated in the Santa Fe Chamber, Affinis (Japan), Sarasota, Festival Napa Valley, Classical Tahoe, Strings, Mainly Mozart, and La Jolla Music Society Summerfest music festivals. In 1994 she won the American Horn Competition. As an equally enthusiastic music educator, she has given masterclasses in schools and festivals across the country, including The Juilliard School, USC, Interlochen Arts Camp, and the Boston University Tanglewood Institute, and is a founding member of the recently formed Coalition of Musicians for Ethical Change. Ms. Pilant received her Bachelor's degree from Eastman School of Music (student of Verne Reynolds), and her Master's and Doctoral degrees from The Juilliard School (student of Julie Landsman).
We're talking podcasts now and our regular critic Jemima Huston has picked a couple of really interesting looking ones for us. Who Killed Emma? BBC Scotland Dancing with Shadows Stak.
Interview Date: March 23rd, 2025Episode Summary:This episode spotlights Robert Garland, Artistic Director of Dance Theatre of Harlem (DTH)—former principal dancer, DTH's first resident choreographer, and a Juilliard BFA graduate. Beyond the concert stage, Garland's work spans New York City Ballet, The Royal Ballet, Oakland Ballet, and commercial projects from Sesame Street to Nike and the NAACP Image Awards.Garland traces DTH's roots to Arthur Mitchell's 1969 vision and explains how Mitchell's lecture-demonstration model built audiences and access. He folds in a vivid business/history lesson on George Balanchine—from the Ballets Russes and Coco Chanel's short ballet skirt to the Harlem Renaissance's jazz influence that helped shape neoclassicism and, crucially, how smart repertoire and audience-building choices drove growth. On the business side, Garland stresses that relationships power opportunities and fundraising—“contacts become contracts”—and lifts the curtain on the theater's “cottage industry” (development, marketing, production, stage management). For dancers, he offers pragmatic guidance: cultivate musicianship and form, be multifaceted (social, lighting, admin), and understand cycles of work—pace your week so you peak for shows. He unpacks today's video-first auditions, urging care with presentation, while affirming many legitimate pathways (college, company route, or self-directed study).Show notes:(0:00) – Robert Garland introduction & career highlights(09:41) – Dance Theatre of Harlem origin & mission(14:55) – Juilliard audition story and scholarship journey(16:56) – Balanchine, Coco Chanel, and neoclassicism explained(25:51) – “Contacts = Contracts”: relationships fuel opportunities(33:16) – Careers beyond stage: marketing, production, education(38:27) – Arts education builds empathy and compassion(42:34) – Audition process and rise of video submissions(51:41) – Transition into commercial/TV work with hip-hop artists(1:12:11) – From dancer to choreographer to creative leadershipBiography:Artistic Director Robert Garland was a member of the Dance Theatre of Harlem Company from 1985-1998, achieving the rank of principal dancer. After creating a work for the DTH School Ensemble, Arthur Mitchell invited Mr. Garland to create a work for The Dance Theatre of Harlem Company and appointed him the organization's first Resident Choreographer. Before becoming DTH Artistic Director, he was Director of the Dance Theatre of Harlem school. In 2023, Mr. Garland was appointed the Artistic Director of Dance Theatre of Harlem. His works for the company include Higher Ground, New Bach, Return, Nyman String Quartet No. 2, and The Cookout among others, many are in his signature postmodern-urban-neo-classical style. In addition to choreographing several ballets for DTH, Mr. Garland has also created works for New York City Ballet, Britain's Royal Ballet, Oakland Ballet and many others. His commercial work has included music videos, commercials and short films, including the children's television show “Sesame Street”, a Nike commercial featuring New York Yankee Derek Jeter, the NAACP Image Awards, a short film for designer Donna Karan, and the “Charmin Cha-Cha” for Proctor and Gamble. Mr. Garland holds a Bachelor of Fine Arts Degree from the Juilliard School in New York City.Connect on Social Media:Instagram -https://www.instagram.com/robertgarlandWebsite - dancetheatreofharlem.org
Today on the Conversations on Dance podcast we are thrilled to have two fabulous guests: Maria Calegari and Bart Cook. We have have both Maria and Bart on the podcast before, but this married couple danced together and now sets ballets together, so we knew we had to get them on the podcast together to hear more about their careers and their work as repetiteurs for the Balanchine Trust and for the Robbins Trust. We talk through their experiences dancing together, then some of the specific ballets that they have set together: basically it's just an hour and a half of bunhead time. Maria & Bart are currently offering virtual and in-person private lessons for pre-professional and professional ballet dancers ages 15 and up. Lessons are structured to focus on your specific artistic goals to identify the stylistic and technical nuances that you can use to improve your movement quality, advice that goes beyond the typical class format. For more information visit: https://calegariteacher.com/.Announcement:We are thrilled to announce that we will be returning to Miami City Ballet October 17th-19th to host live pre-performance talks for the opening weekend of the company's 40th anniversary season. For each talk, we will be joined by Gonzalo Garcia as he ushers the company into its first season under his direction. Full details below. This program is truly not to be missed: the all Peck program includes ‘Year of the Rabbit', ‘Chutes and Ladders', and ‘Heatscape.' If you are in the Miami area come join us. And if you aren't, time to look for flights! DETAILS:FRI October 17 with Gonzalo Garcia at 6:30pmSAT October 18 with Gonzalo and Justin Peck at 6:30pmSUN October 19 with Gonzalo and Patricia Delgado at 1pmAdmission to pre-performance talks at the Arsht Center is complimentary with ticket purchase. Tickets available here: https://www.miamicityballet.org/tickets-and-events/202526-season/peck/. If you are unable to join us in person, subscribe to the Conversations on Dance podcast feed through your favorite podcast app, where we will be publishing recordings of the events.SPONSOR:Friday through Sunday, November 7th through 9th, join Amanda Treiber and Company for their debut performances at the Mark O'Donnell Theater in Brooklyn! Featuring a cast of international artists, including dancers and musicians from New York City Ballet, and a world premiere to music by Philip Glass, these performances showcase NYC-based choreographer and dancer Amanda Treiber's ability to create worlds through unique movement vocabularies and her deep collaborations with dancers, musicians, and visual artists. You won't want to miss it! Reserve your tickets today at amandatreiber.com.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.
TRIGGER/CONTENT WARNING: weight, body imageAri Bliss, professional ballerina-turned-mental health coach and host of the Growth, Grace, and Gratitude podcast, dishes with Dina about how her background in ballet, psychology, and pre-med shaped her approach to helping others heal anxiety and build confidence through movement. Explore the power of dance, mindfulness, and gratitude to support emotional well-being and self-expression.Ari Bliss grew up performing ballet at Lincoln Center with New York City Ballet, Miami City Ballet, Alvin Ailey American Dance Theater, and at Madison Square Garden. Her unique upbringing has inspired her to open up the conversation with experts in their field for the purpose of growing in self-development.Connect with Ari at:https://blueblisscoach.wixsite.com/websitehttps://x.com/blueblisscoachhttps://www.instagram.com/growthandgracemindsethttps://www.youtube.com/@balletdailyMentioned in this episode:Lisa Boehm - https://open.spotify.com/episode/43ZAgMnOQLW3ZshIEVzJRZ?si=X4e6Y9M7Qv6zl6juimGfeg----Check out our podcast in video format on DishWithDinaTV:https://www.youtube.com/user/DishWithDina?sub_confirmation=1Join our mailing list to stay connected, stay informed, receive exclusive offers, and be a part of the DishWithDina community:https://forms.gle/MzV7gVAPEsqEyEFH6If you enjoyed this podcast, please subscribe, leave a review, and share it with others! You can also submit listener feedback or request to be a guest on a future episode by completing this form:https://forms.gle/EFYX7Gshbjx9cCKfA----DISCLAIMER: The purpose of this podcast is to entertain, educate, and inform, but it is not to be taken as medical advice. Please seek prompt, qualified medical care for any specific health issues and consult your physician or health practitioner before starting a new fitness regimen, herbal therapy, or other self-directed treatment.
Ashley Bouder spent two decades as a principal dancer with the New York City Ballet, performing some of the most physically demanding roles in the repertory. Now, she’s stepping into a new role as executive director of Eastern Connecticut Ballet school. This hour, she reflects on the physical and mental challenges of a career in ballet, from injuries to the sacrifices required to stay at the top. She also talks about the lack of support for parents in the industry and the changes she hopes to see. GUESTS: Ashley Bouder: former principal dancer with the New York City Ballet, and current executive director of Eastern Connecticut Ballet Support the show: http://wnpr.org/donateSee omnystudio.com/listener for privacy information.
On today's episode of "Conversations On Dance", we are joined by Dante Puleio, Artistic Director of the Limón Dance Company, and esteemed choreographer Diego Vega Solorza, whose work for the company will premiere in the company's upcoming Joyce season. Dante tells us how he became familiar with Diego's work and why it was a natural fit for the company and the season, while Diego dives into his creative process and how the Limón dancers have shaped this particular work. The Limón Dance Company will perform at the storied Joyce theater in New York City from Tuesday, October 14th through Sunday October 19th. To purchase tickets visit joyce.org. SPONSOR:Friday through Sunday, November 7th through 9th, join Amanda Treiber and Company for their debut performances at the Mark O'Donnell Theater in Brooklyn! Featuring a cast of international artists, including dancers and musicians from New York City Ballet, and a world premiere to music by Philip Glass, these performances showcase NYC-based choreographer and dancer Amanda Treiber's ability to create worlds through unique movement vocabularies and her deep collaborations with dancers, musicians, and visual artists. You won't want to miss it! Reserve your tickets today at amandatreiber.com.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.
On today's episode of "Conversations On Dance", we are joined by Gonzalo Garcia, former principal dancer with San Francisco Ballet and the New York City Ballet, and the new artistic director of the Miami City Ballet. Gonzalo gives us an inside view on his plans to shape Miami City Ballet as only the third director in its 40 year history, including his thoughts on repertoire he wants to bring, honing his fundraising skills for the company's long term financial health and how he plans to be involved in daily coaching and teaching. Miami City Ballet's 40th anniversary season kicks off at the Arsht Center on October 17th with an all Justin Peck program. To purchase tickets, visit miamicityballet.org. SPONSOR:Chicago's Wrightwood 659 presents Joffrey + Ballet in the U.S., a large-scale exhibition celebrating the rich history of The Joffrey Ballet and the life of Robert Joffrey. Drawing from the Joffrey archive, acquired by the Jerome Robbins Dance Division in 2017 as the Library's largest acquisition in a decade, the exhibition offers an in-depth look at the Joffrey's contributions to ballet in the U.S. Highlights include rare film from the original performance of the groundbreaking ballet Astarte and Anna Sokolow's Opus 65, as well as costumes, props, pointe shoes, posters, correspondence, and other ephemera from the company and Robert Joffrey's life. On view October 3rd through Dec 20th. For more information, visit wrightwood659.orgLINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.
In a special two-part Hear the Dance Episode, host Silas Farley leads us on a wide-ranging discussion of Jerome Robbins' 1971 ballet The Goldberg Variations. In this first part, Farley is joined by former NYCB Dancer Bruce Wells, an original cast member, and current Principal Dancer Emilie Gerrity, one of the ballet's present-day interpreters. Wells shares the challenges Robbins faced after an injury forced him to choreograph from a wheelchair, as well as highlights from the year-long creative process. Gerrity describes the "class" section of this monumental ballet as "simple but beautiful," and recalls learning the work from original dancer Christine Redpath, among other memorable coaches. (1:12:53) Written by Silas Farley Edited by Emilie Silvestri MUSIC: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Aria with Variations in G, BWV 988 (1742), "The Goldberg Variations" by Johann Sebastian Bach All music performed by New York City Ballet Solo Pianist Susan Walters Quotations from the writings of Lincoln Kirstein are © 2019 by the New York Public Library (Astor, Lenox and Tilden Foundations) Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, by Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Bach: Music in the Castle of Heaven by John Eliot Gardiner Bach's Musical Universe: The Composer and His Work by Christoph Wolff Thirty Years: Lincoln Kirstein's The New York City Ballet by Lincoln Kirstein Repertory in Review: 40 Years of the New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein
In the second part of this deep dive Hear the Dance discussion of Jerome Robbins' The Goldberg Variations, host Silas Farley is joined by former NYCB Dancers and current Repertory Directors Christine Redpath and Jean-Pierre Frohlich. Redpath, an original cast member of Goldberg, digs into Robbins' approach to the creation of this remarkably multi-faceted ballet, while Frohlich remembers the adjustments the choreographer made through the ensuing performances. Both talk about coaching Goldberg on today's company members and the ways in which the work has influenced the dancemakers of today. (42:29) Written by Silas Farley Edited by Emilie Silvestri MUSIC: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Aria with Variations in G, BWV 988 (1742), "The Goldberg Variations" by Johann Sebastian Bach All music performed by New York City Ballet Solo Pianist Susan Walters Quotations from the writings of Lincoln Kirstein are © 2019 by the New York Public Library (Astor, Lenox and Tilden Foundations) Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, by Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Bach: Music in the Castle of Heaven by John Eliot Gardiner Bach's Musical Universe: The Composer and His Work by Christoph Wolff Thirty Years: Lincoln Kirstein's The New York City Ballet by Lincoln Kirstein Repertory in Review: 40 Years of the New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein
Ballet, burnout, and the hidden mental health battles of a top performer. In this powerful conversation, Sara Mearns — principal ballerina at New York City Ballet — opens up about her journey through a breakdown, therapy, and rediscovering joy in dance. Hear her unfiltered story about pressure, resilience, and the healing power of vulnerability. Ask Kati Anything ep. 279 | Your mental health podcast, with Kati Morton, LMFT Timestamps 00:00 – Introduction: Meet Sara Mearns 01:05 – Why ballet feels new every day 03:40 – The pressure of never feeling “good enough” 04:42 – Mental Health Coalition & Covid struggles 07:12 – The breaking point: burnout and depression 12:14 – Rediscovering balance through therapy 17:14 – The role of storytelling and books like The Midnight Library https://amzn.to/3HRAhsM 22:12 – The intimacy of dance partnerships 30:47 – When the audience goes silent: the ultimate performance high 35:17 – Deciding to become a professional ballerina at 12 39:01 – Why therapy should be part of training for all athletes 45:20 – The small shifts therapy creates over time 50:07 – How going public with her burnout helped others 53:58 – The future of ballet and mental health advocacy Follow along with Sara https://www.instagram.com/saramearns https://www.nycballet.com/ My new book is available for pre-order! Why Do I Keep Doing This? → https://geni.us/XoyLSQ If you've ever felt stuck, this book is for you. I'd be so grateful for your support. SPONSORS: To support this podcast, check out our sponsors & get discounts: oneskin.co - use the code KATI for 15% OFF betterhelp.com/katipod - (enjoy 10% off your first month) MY BOOKS Traumatized https://geni.us/Bfak0j Are u ok? https://geni.us/sva4iUY PARTNERSHIPS Nick Freeman | nick@biglittlemedia.co Learn more about your ad choices. Visit megaphone.fm/adchoices
This week on Conversations on Dance, it's just Michael and Rebecca. We catch up on what we have been up to since Vail Dance Festival in August. Michael talks about working as a rehearsal director for James Whiteside in Mexico, and staging Justin Peck's 'Heatscape' at New York City Ballet this Fall.SPONSOR:San Francisco-based choreographer Alyssa Mitchel presents the premiere of Endure, a multimedia dance production taking place at Dance Mission Theater on October 3rd, 4th and 5th. The piece features six dancers, the graphic art and animations of designer Zach Litoff and recorded interviews with six marathon runners. This new work celebrates running while paying tribute to the enduring human spirit, with the intention of empowering audience members to persevere through difficult challenges. Tickets are on sale now at dancemissiontheater.org. You can follow Alyssa Mitchel on Instagram at @alymitchel or visit alyssaevemitchel.com for more information.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.
Shortly after the Trump administration took office, performing artist Marc Bamuthi Joseph was fired. Until then, he had served as the Artistic Director of Social Impact at the John F. Kennedy Center for the Performing Arts in Washington, D.C. During The State of the World, he reflects on the challenges of making art in times of political tension.The State of the World is an annual interview series organized by De Balie and the Nederlands Theater Festival (NTF), in which a leading international artist reflects on the role of art in our changing world. This year's special guest is Marc Bamuthi Joseph. In the media, he has spoken out about the impact of these institutional shifts on artists and staff. His critical stance, along with his sharp vision on the role of art in a divided society, is the reason for his visit to Amsterdam.During The State of the World, Marc Bamuthi Joseph speaks about his personal experiences within the American arts sector, the challenges of creating art in politically turbulent times, and the power of imagination as a source of healing, resistance, and connection. The interview program The State of the World is a collaboration between NTF and De Balie, as part of Amsterdam Fringe x NTF PRO.About the speakerMarc Bamuthi Joseph is a TED Global Fellow and a member of the prestigious American Academy of Arts and Sciences. He has collaborated with major orchestras and opera houses across the U.S., including the LA Philharmonic, the New York City Ballet, and the Washington National Opera. His work—from spoken word to opera—is deeply rooted in themes such as social justice, community, spirituality, and reconciliation. As a performer, he is also widely recognized, having appeared in the HBO adaptation of Between the World and Me by Ta-Nehisi Coates.Moderator: Rokhaya SeckZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.
Former Pacific Northwest Ballet principals Sarah and Seth Orza share their training backgrounds, the hardest parts of becoming professionals, and the advice that shaped their paths. They talk about company moves, the realities of life onstage, and the transition into founding Orza ballet shoes. The conversation covers prototyping, manufacturing, and the role of their ballet network in building the business, as well as how their experiences as dancers continue to guide their work today. If you want to try out Orza brand shoes, find exclusive discounts on our website. Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI
Fran shares more advice for students in Part 2 of #NoThirds: how respect and awareness shape auditions, why community matters, and what young dancers should know about contracts and career readiness. Interested in working with Fran at Veyette Virtual Ballet School? Check out our Back to Dance Guide for an exclusive discount. Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI
Listeners asked, and Fran Veyette answers! In this #NoThirds “Fran's Mailbag” episode, he breaks down how casting really works, whether principals dance less, what happens when dancers date (and break up), and yes — the truth about dogs in the studio. This is Part 1 of a two-part series. Tune back in tomorrow for more of your questions answered. Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI
Today on Conversations on Dance we are joined by Dominika Afanasekov from the Vail Dance Festival. Dominika is a ballerina with the New York City Ballet. She talks to us about how growing up in cities all over the world impacted her training, how she's approached the breakthrough opportunities she's received so far, and what her first experience at the Vail Dance Festival was like. This episode is brought to you by Discover Vail and was recorded at the 2025 Vail Dance Festival.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.
Renowned ballet dancer Jock Soto (Diné/Puerto Rican) is being celebrated by the International Museum of Dance for his career that started when he was hand-selected at age 16 by New York City Ballet founder George Balanchine as a principal dancer. He went on to an acclaimed career on stage and as a mentor to up-and-coming dancers. We'll talk with Soto about his dancing and choreography career. Composer Jerod Impichchaachaaha' Tate's (Chickasaw) new compositions are based on his tribe's clan animals, including woodpeckers, deer, and racoons. They're included on a new album, “Woodland Songs,” by the Dover Quartet. The album also includes songs by singer-songwriter Pura Fé (Tuscarora and Taino) that Tate arranged for the ensemble. We'll talk with Tate about his interpreting the mix of traditional Native ideas in a classical music setting.
Learn more at TheCityLife.org
On today's episode of "Conversations On Dance", we are joined by Nikolaj Hübbe, star dancer of the New York City Ballet, and both former principal and artistic director of the Royal Danish Ballet. Nikolaj takes us through his story, from his starry eyed fascination as a child with the productions in Denmark, his meteoric rise to principal and subsequent leap of faith joining the New York City Ballet, and his years as leader of the Royal Danish Ballet. He also shares his experiences in his first year as a coach at the Vail Dance Festival, highlighting what it is that makes the artistic process in Vail so special. This episode is brought to you by Discover Vail and was recorded at the 2025 Vail Dance Festival.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.
In this episode of Health Matters, Dr. Katherine Yao, a specialist in rehab and sports medicine, shares how stretching is good for our muscles — and our overall well-being. She also explains the right and wrong ways to stretch, and whether to do it before or after working out. We also return to the Art of Wellbeing series at Lincoln Center, a collaborative effort with NewYork-Presbyterian, the official Hospital for Lincoln Center for the Performing Arts, to attend a movement session with The New York City Ballet. Attendees learned warmups, stretches, and choreography from professional dancers. Health Matters host Courtney Allison discusses the event with the dancers who led the event, and reflects on the importance of stretching and posture.Click here to learn more about the Art of Wellbeing.___Dr. Katherine Yao is a physiatrist at NewYork-Presbyterian/Weill Cornell Medical Center and an assistant professor of clinical rehabilitation medicine at Weill Cornell Medicine where she treats a wide range of sports injuries and musculoskeletal disorders in adults, children, adolescents. Dr. Yao competed as a gymnast at the junior Olympic level and earned several Academic All-American titles on Yale University's NCAA Division I team. Her experience as an elite student athlete complements her medical training to help her compassionately guide young athletes in managing unique lifestyle demands and challenges. She is currently a National Team Physician for USA Gymnastics and is the head physician for Alvin Ailey Dance School.___Health Matters is your weekly dose of health and wellness information, from the leading experts. Join host Courtney Allison to get news you can use in your own life. New episodes drop each Wednesday.If you are looking for practical health tips and trustworthy information from world-class doctors and medical experts, you will enjoy listening to Health Matters. Health Matters was created to share stories of science, care, and wellness that are happening every day at NewYork-Presbyterian, one of the nation's most comprehensive, integrated academic healthcare systems. In keeping with NewYork-Presbyterian's long legacy of medical breakthroughs and innovation, Health Matters features the latest news, insights, and health tips from our trusted experts; inspiring first-hand accounts from patients and caregivers; and updates on the latest research and innovations in patient care, all in collaboration with our renowned medical schools, Columbia and Weill Cornell Medicine.To learn more visit: https://healthmatters.nyp.org
Join Conversations on Dance hosts Rebecca King Ferraro and Michael Sean Breeden for a live podcast recording with New York City Ballet's exciting new generation of principal dancers: Chun Wai Chan, Mira Nadon, and Gilbert Bolden III. These dynamic artists are shaping the future of classical ballet with their exceptional talent, artistry, and fresh perspectives. Hear about their paths to principal status, experiences dancing with NYCB, and their aspirations both on and off the stage. This episode is brought to you by Discover Vail and was recorded live from the Vail Dance Festival on August 3, 2025.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.
Julianna Rubio Slager is the Co-Founder and Artistic Director of Ballet 5:8—a nationally recognized company based in Chicago. She trained with renowned mentors from the Ann Arbor Ballet Theater, New York City Ballet, the Vaganova Academy, and the Puerto Rican National Ballet. Julianna also danced at Greater Lansing Ballet and Ballet Magnificat. In 2012, Julianna co-founded Ballet 5:8 with Amy Sanderson, aiming to elevate ballet as a medium for discussion of life and faith. With over two decades of teaching experience, she oversees programming for over 400 students at Ballet 5:8 annually, guiding them to pursue both technical excellence and personal authenticity. Her approach honors each dancer's unique story, encouraging the integration of culture, faith, and self-reflection into their artistic voice. She was named a National Visiting Fellow at the School of American Ballet in 2023. She is a recipient of multiple Illinois Arts Council grants and was awarded a DCASE Individual Artist Grant in 2015. Her work has been featured by NBC, PBS, Fox, Chicago Magazine, Newcity Stage, and See Chicago Dance.In our conversation, Julianna shares about sculpting a unique identity for Ballet 5:8, leaning into uncertainty, and finding beauty in every stage of life as an artist.Learn more about Julianna and Ballet 5:8 at https://www.ballet58.org/You can learn more about dance education and career planning for dancers at theballerinatist.com
Conversations on Dance hosts Rebecca King Ferraro and Michael Sean Breeden welcome two of the Festival's most beloved artists for a long-anticipated live podcast recording: Calvin Royal III, Principal Dancer with American Ballet Theatre, and Unity Phelan, Principal Dancer with New York City Ballet. Royal and Phelan—widely regarded as one of the most iconic duos to emerge from the Vail Dance Festival—will reflect on their enduring partnership, born at Vail and nurtured through countless collaborations across stages and companies. This conversation explores the artistic trust, chemistry, and shared vision that have made them audience favorites. This episode is brought to you by Discover Vail and was recorded live from the Vail Dance Festival on July 31, 2025.Tickets to Conversations on Dance at the 2025 Vail Dance Festival on sale now! https://vaildance.org/conversations-on-dance/LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.
Sophie Flack Take a walk me down Fascination Street Podcast, as I get to know Sophie Flack. I was first introduced to Sophie as a result of a conversation with previous guest Yul Vazquez. Sophie is a former member of The Corp De Ballet with The New York City Ballet. After she retired from that, she got a degree from Columbia University, and then wrote a best-selling Young Adult novel called Bunheads, which explores the intricacies and heartaches of the life of a professional ballerina. Sophie has written for multiple magazines and publications about her experiences and has helped shine a light on some of the ways that these dancers are treated. Fairly recently, Sophie started a jewelry company which focuses on pieces that help de-stigmatize mental health and eating disorders. Her company is called MAD FINE, and some of the pieces include 'in the know' references to: Zanex, Klonopin, Prozac, and the abortion pill. She has pieces that align with emotional baggage, and even silly trophies. All of these pieces are designed to bring these issues to light and for the wearer to engage in conversations with like-minded individuals. These pieces are stunning, and unique. My personal favorite is the mixed metals cassette tape! Sophie is very vulnerable in this conversation. She openly discusses her previous battles with anorexia, self-doubt, and thoughts of suicide. Check out her jewelry, read her book, heck, just reach out and tell her you enjoyed her candor.
The New York City Ballet will be at SPAC in Saratoga Springs from July 9th -12th. We get a preview of this week's performances from New York City Ballet Artistic Director Jonathan Stafford.
In this heartfelt and inspiring episode I sit down with Royal Danish Ballet Principal Ballerina Holly Dorger - a childhood friend whose dance journey has taken her from suburban Michigan to the royal stage of Copenhagen.Holly's path has been anything but predictable. From training at the School of American Ballet with dreams of joining New York City Ballet, to unexpectedly being offered a contract abroad, Holly opens up about how she began her professional career at 18 with the Royal Danish Ballet.She shares candid reflections on everything from finding personal healing through dancing roles such as Giselle to what it's like to be knighted by the Queen of Denmark. We talk about the challenges of building a life in a foreign country, what it's like to grow artistically over nearly two decades as a professional, and how she brings authenticity and emotional depth to every performance - especially the ones rooted in human experience and vulnerability.If you've ever wondered what it's like to build a career abroad, channel personal pain into performance, or face the question of "what's next?" after reaching the top, this conversation is a must-listen.Key “Pointes” in this Episode
This is Part Two of our episode with Bart Cook. If you missed Part One, please check back in our feed.On today's episode of "Conversations On Dance", we are joined by legendary New York City Ballet dancer and repetiteur for the Balanchine Trust Bart Cook. Bart was a favorite of both George Balanchine and Jerome Robbins, prized for his versatility and chameleon like ability to inhabit the inner worlds of the ballets he danced. Bart goes into detail with us about these experiences, both onstage as a dancer and offstage, ensuring that the care and beauty he imbued these works with as a dancer continues in the artists of today. Tickets to Conversations on Dance at the 2025 Vail Dance Festival on sale now! https://vaildance.org/conversations-on-dance/LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.
On today's episode of "Conversations On Dance", we are joined by legendary New York City Ballet dancer and repetiteur for the Balanchine Trust Bart Cook. Bart was a favorite of both George Balanchine and Jerome Robbins, prized for his versatility and chameleon like ability to inhabit the inner worlds of the ballets he danced. Bart goes into detail with us about these experiences, both onstage as a dancer and offstage, ensuring that the care and beauty he imbued these works with as a dancer continues in the artists of today. Tickets to Conversations on Dance at the 2025 Vail Dance Festival on sale now! https://vaildance.org/conversations-on-dance/LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.
Join "Dance Talk” ® with Joanne Carey and special guest Lourdes Lopez, former Artistic Director of Miami City BalletIn this episode of "Dance Talk” ® with Joanne Carey interviews Lourdes Lopez, a prominent figure in the ballet world. They discuss Lourdes's early beginnings in dance, her immigrant experience, and her journey to becoming a principal dancer with the New York City Ballet. Lourdes shares insights on her transition to artistic director at Miami City Ballet, the importance of diverse repertory, and her vision for the future of the performing arts. The conversation highlights the profound impact of dance as a soul's journey as well as the challenges and opportunities facing the arts today.Lourdes Lopez was named one of The Most Influential People in Dance Today by Dance Magazine, became Artistic Director of Miami City Ballet in 2012, bringing with her a nearly 40-year career in dance, television, teaching and arts management. As a Soloist and Principal Dancer with New York City Ballet, Lopez danced for two legends of the art form, George Balanchine and Jerome Robbins. Under Lopez direction, Miami City Ballet has become one of the country premier Ballet companies. According to The New York Times, This troupe [is] at the forefront of all those dancing choreography by George Balanchine today. Bold, light, immediate, intensely musical, the dancing of Miami City Ballet flies straight to the heart. Born in Havana, Cuba in 1958 and raised in Miami, Lopez began taking ballet lessons at the age of five, on the recommendation of a doctor. At the age of 11 she received a full scholarship to the School of American Ballet (SAB), the official school of New York City Ballet, splitting the year between Miami and New York City. At fourteen, she moved to New York permanently to devote herself to full-time studies at SAB, and shortly after her sixteenth birthday, joined the corps de ballet of New York City Ballet. Under the direction of George Balanchine and Jerome Robbins, her star rose quickly at New York City Ballet; In 1984, she was promoted to Soloist and then Principal. Upon retirement, Lopez joined WNBC-TV in New York as a Cultural Arts reporter,. She was also a full-time senior faculty member and Director of Student Placment, Student Evaluation and Curriculum Planning at New York Ballet Academy East. In 2002, Lopez became the Executive Director of The George Balanchine Foundation, which works to educate the public about dance and to further the art of ballet, with a special phasis on the work and achievements of George Balanchine. In this position, she oversaw the 2004 Balanchine Centennial Celebration, a worldwide festival honoring the choreographer and his legacy. Lopez co-founded The Cuban Artists Fund, which supports Cuban and Cuban-American artists in their endeavors. In 2007 she received an award from the American Immigration Law Foundation honoring Cuban Americans for their accomplishments and contributions to American society. She also co-founded Morphoses with Christopher Wheeldon in 2007 a New York-based dance company aiming to revitalize dance through innovative collaborations with important artists from the worlds of music, visual arts, design, film and fashion; and by inviting younger and broader audiences to engage in and actively experience dance. 2014 Lopez was elected to serve on the Ford Foundation Board of Trustees, marking the first time an artist was elected to serve on its board and in 2011, she received the prestigious Jerome Robbins Award for her years in dance. “Dance Talk” ® with Joanne Careywherever you listen to your podcasts. https://dancetalkwithjoannecarey.com/Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."
Join us around the Rosin Box for our annual listener-contributed "Ask the Dancers" episode. Our intrepid hosts Claire and Aarón and special guest Corps de Ballet Member Lars Nelson answer your questions about rehearsal wear, dancing with Artist in Residence Alexei Ratmansky, remembering steps, and more—including, "Explain dogs at New York City Ballet." (39:06) Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records
Since 1933, Jacob's Pillow has been a beacon for dancemakers, movers, scholars, students, and audiences. Located in Becket, Massachusetts, and founded by modern dance pioneer Ted Shawn, "the Pillow" (as it has affectionately come to be called) was the first dance site to be designated as a National Historic Landmark, and the first presenting organization to receive the National Medal of the Arts.Opening June 25th and running through August 24th of this year, the Pillow's 93rd Festival season will feature nine weeks of performances, classes, workshops, events, exhibits and activations, spread across the indoor and outdoor venues of a sprawling 220-acre campus. With more than 40 dance companies lined up from around the world, this year's Festival is particularly significant as it marks the opening of the new state-of-the-art Doris Duke Theatre - a venue poised to become one of the dance world's most technologically advanced ever built. Here to speak with us today about all of this is Jacob's Pillow Executive and Artistic Director, Pam Tatge. In her role, Pam is responsible for setting the artistic vision and strategic goals for all aspects of the organization, including Festival programming, education, preservation, audience engagement, residency programming and artist support, long-term planning, collaborative programming, fundraising, marketing, and more. Get tickets & learn more about this summer's programming: https://www.jacobspillow.org/festival/._____________________________Conversations on Dance is proud to be the recipient of the inaugural Clive Barnes Award for Journalism and Media Achievement. Join us for the 15th Anniversary Clive Barnes Awards, Monday, June 9 at 5:30pm at the National Arts Club in New York City. Hosted by Budd Mishkin, the Awards will feature guest presenter Tiler Peck and a special performance by Clive Barnes Award alumnus Victor Abreu of New York City Ballet. For tickets and information, please visit clivebarnesfoundation.org.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.
Rebecca here to share some big news!!! Join us on Monday June 9th for the 15th Anniversary Clive Barnes Awards!The Clive Barnes Foundation will honor outstanding theater and dance professionals at the 15th Anniversary Clive Barnes Awards, Monday, June 9 at 5:30pm at the National Arts Club in New York City. Carrying on the legacy of legendary dance and theater critic Clive Barnes and his encouragement of young artists, the annual Awards will recognize three theater performers and three dance performers as Honored Artists. This year, Conversations on Dance is proud to be the recipient of the inaugural Clive Barnes Award for Journalism and Media Achievement. Hosted by Budd Mishkin, the Awards will feature guest presenter Tiler Peck and a special performance by Clive Barnes Award alumnus Victor Abreu of New York City Ballet. For tickets and information, please visit clivebarnesfoundation.org. Hosted on Acast. See acast.com/privacy for more information.
This week Jeremy and Reid have made a jumbo sized episode that chronicles epic tooth pain, a heroic retirement performance at New York City Ballet, Sirens, Dying for Sex, and an extensive discussion about Pee-wee as Himself. Our episode with director Matt Wolf was Episode 164.◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠➩ WEBSITE ◦YOUTUBE ◦ INSTAGRAM ➩ SUPPORT:✨VIA VENMO!✨ or PATREON➩ REID ◦ JEREMY ◦ JACK◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠➩ withdanceandstuff@gmail.com
Toni Pimble moved to Oregon from her home in England more than 46 years ago and co-founded the Eugene Ballet. As the company’s artistic director, she has choreographed over 60 pieces and collaborated with composers, artists and other organizations, from the Eugene Opera to the Oregon Bach Festival to the University of Oregon School of Music and Dance. Her award-winning work has also been performed by the New York City Ballet, Oregon Ballet Theatre and many others. We sit down with Pimble to talk about her career and her hopes for the company as she prepares to leave her role in June.
SPAC President Christopher Shiley and Chief Executive Officer Elizabeth Sobol join us this morning for a preview of their Summer Season including highlights from the New York City Ballet and the Philadelphia Orchestra.When last we met, Chris was SPAC's Senior Vice President of Artistic Planning and now has been promoted to President. He is now overseeing SPAC's programming and day-to-day operations in alignment with the organization's goals for the future. And he works collaboratively with Elizabeth and, the Board of Directors.
Choreographer Kyle Abraham's first collaboration with the New York City Ballet was in 2018. This month, he premieres his fourth project. It's called "When We Fell," a work he created during the pandemic that was only performed on film because of lockdowns and social distancing. He speaks about performing that piece live, running his own dance company called A.I.M and his style of dance which he describes as a "post-modern gumbo."
Jeff and Phil welcome director Jennifer Lin and producer Jon Funabiki to talk about their documentary Ten Times Better and the incredible untold story of George Lee, a pioneering dancer with an unheralded place in ballet and Broadway history. They discuss the sensational skill and artistry that landed George the role he originated in The Nutcracker with the New York City Ballet; the filmmakers' search for the former dance prodigy that tracked him down in Las Vegas, where he was working in relative obscurity as a blackjack dealer; the ongoing struggle for recognition and inclusion in the performing arts; and the film's efforts to honor and preserve George's story, especially in this moment as diverse narratives face the threat of suppression and erasure.
Kylie Manning is a painter, surfer, and fisher based in Brooklyn, New York. Her parents were both art teachers, and, while she was growing up, the family moved between their home in Juneau, Alaska, to various regions in Mexico, which would inform her artwork—and her surfing. She is a graduate of Mount Holyoke College, Massachusetts with a double major in philosophy and visual arts. While she was getting her MFA at the New York Academy of Art, she had a captain's license to operate 500-ton commercial fishing boats on international waters, and spent her summers catching salmon on the Pacific coast. Manning has gained global respect for her abstract figurative paintings, which embody powerful yet delicate compositions with brushstrokes that seem to be in motion. Her work is held in numerous collections worldwide, including the Columbus Museum of Art, Ohio; Institute of Contemporary Art, Miami, Florida; and the X and Yuz Museums in China. In this episode of Soundings, Manning talks with Jamie Brisick about weather and wonderment, beauty and brawls aboard commercial fishing vessels, atmospheric fascination, style, her proudest artworks, the nuances between grit and growth, and her collaboration with the New York City Ballet.
Can art pave the way for a politically divided nation to move forward? Artist, cultural strategist and TED Fellow Marc Bamuthi Joseph reflects on the role of art, forgiveness and remembrance in the pursuit of public healing — especially at a time when trust is contested and community forums fractured. Wendy Whelan, associate artistic director of the New York City Ballet, joins him on stage for a rendition of “The Carnival of the Animals,” exploring how the cuckoo bird exemplifies the cycles of inaction that lead to injustice. It's more than a performance — it's a reckoning. Hosted on Acast. See acast.com/privacy for more information.
Can art pave the way for a politically divided nation to move forward? Artist, cultural strategist and TED Fellow Marc Bamuthi Joseph reflects on the role of art, forgiveness and remembrance in the pursuit of public healing — especially at a time when trust is contested and community forums fractured. Wendy Whelan, associate artistic director of the New York City Ballet, joins him on stage for a rendition of “The Carnival of the Animals,” exploring how the cuckoo bird exemplifies the cycles of inaction that lead to injustice. It's more than a performance — it's a reckoning.
Can art pave the way for a politically divided nation to move forward? Artist, cultural strategist and TED Fellow Marc Bamuthi Joseph reflects on the role of art, forgiveness and remembrance in the pursuit of public healing — especially at a time when trust is contested and community forums fractured. Wendy Whelan, associate artistic director of the New York City Ballet, joins him on stage for a rendition of “The Carnival of the Animals,” exploring how the cuckoo bird exemplifies the cycles of inaction that lead to injustice. It's more than a performance — it's a reckoning.
This week on The Broski Report, Fearless Leader Brittany Broski discusses her visit to the New York City Ballet, dissects the Iron Man trilogy, and recounts her visit to NASA.
After Peter Martins' actions were exposed, a dancer named Chase Finlay was caught taking inappropriate pictures and videos of dancers at the New York City Ballet. In this episode, we dive into how the misogynistic culture created by Peter Martins spurred others to misuse their perceived power.
The American Ballet Company, led by the charismatic Peter Martins, was the epitome of grace and perfection—until allegations of abuse and exploitation surfaced. In this episode, we explore how Martins used his influence to exploit dancers and manipulate those around him to maintain his dominance.
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