Podcasts about glorya kaufman school

William Forsythe is the 2024 Kyoto Prize Laureate in Arts and Philosophy. He is a choreographer whose work has extended ballet to a dynamic contemporary art form. In 1984, he began a 20-year tenure as director of Ballet Frankfurt. After the closure of the Ballet Frankfurt in 2004, Forsythe established a new, more independent ensemble, The Forsythe Company, which he directed from 2005 to 2015. Between 2015 and 2021 he served on the University of Southern California's faculty, where he helped establish the Glorya Kaufman School of Dance. Forsythe has broken the boundaries of conventional ballet style, challenging traditional artistic frameworks and developing improvisation techniques. His projects include installations and films presented in numerous museums, as well as dance documentation and education. Series: "Kyoto Prize Symposium" [Arts and Music] [Show ID: 39992]

William Forsythe is the 2024 Kyoto Prize Laureate in Arts and Philosophy. He is a choreographer whose work has extended ballet to a dynamic contemporary art form. In 1984, he began a 20-year tenure as director of Ballet Frankfurt. After the closure of the Ballet Frankfurt in 2004, Forsythe established a new, more independent ensemble, The Forsythe Company, which he directed from 2005 to 2015. Between 2015 and 2021 he served on the University of Southern California's faculty, where he helped establish the Glorya Kaufman School of Dance. Forsythe has broken the boundaries of conventional ballet style, challenging traditional artistic frameworks and developing improvisation techniques. His projects include installations and films presented in numerous museums, as well as dance documentation and education. Series: "Kyoto Prize Symposium" [Arts and Music] [Show ID: 39992]

William Forsythe is the 2024 Kyoto Prize Laureate in Arts and Philosophy. He is a choreographer whose work has extended ballet to a dynamic contemporary art form. In 1984, he began a 20-year tenure as director of Ballet Frankfurt. After the closure of the Ballet Frankfurt in 2004, Forsythe established a new, more independent ensemble, The Forsythe Company, which he directed from 2005 to 2015. Between 2015 and 2021 he served on the University of Southern California's faculty, where he helped establish the Glorya Kaufman School of Dance. Forsythe has broken the boundaries of conventional ballet style, challenging traditional artistic frameworks and developing improvisation techniques. His projects include installations and films presented in numerous museums, as well as dance documentation and education. Series: "Kyoto Prize Symposium" [Arts and Music] [Show ID: 39992]

This week we are joined by the dynamic Achinta S. McDaniel, Founding Artistic Director of Blue13 Dance Company whose all new work Soliloquy: Immersive Experience comes to LA's Heritage Square Museum May 31 - June 2. This marks Blue13's return to Heritage Square after the triumphant Shaadi in 2021, a highlight of that year.We get into the themes of the new show, how working in immersive & site-specific compares to other mediums for dance, and if her students at the Glorya Kaufman School of Dance at USC see the immersive world as part of their futures.SHOW NOTESSoliloquy: Immersive ExperienceBlue 13 Dance CompanyBroken Bone Bathtub: The Documentary & LA Immersive MeetupNoPro Patreon Backer DiscountThe Next Stage Immersive Summit 2025The Immersive Experience Institute Newsletter Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Over the past few weeks we have been examining different college dance programs including Indiana University and St. Mary's College's LEAP Program. This week we are concluding our higher education series on Conversations on Dance, with an in depth look at the University of Southern California's Glorya Kaufman School of Dance. We are joined, for a second […] The post (171) Jodie Gates, Director of USC's Glorya Kaufman School of Dance (part two) appeared first on tendusunderapalmtree.com.

Over the past few weeks we have been examining different college dance programs including Indiana University and St. Mary’s College’s LEAP Program. This week we are concluding our higher education series on Conversations on Dance, with an in depth look at the University of Southern California’s Glorya Kaufman School of Dance. We are joined, for a second […] The post (171) Jodie Gates, Director of USC’s Glorya Kaufman School of Dance (part two) appeared first on tendusunderapalmtree.com.

This episode is all about TRANSITIONS! Transitions in cities, disciplines, roles, and casts. Christina Bodie has had a beautiful career - all of which required a lot of flexibility and adaptability as she transitioned.  Originally from Edmonton, Canada, Christina studied in the professional division of the Royal Winnipeg Ballet School. She went on to graduate from the Juilliard School in New York City in 2005 with a Bachelor of Fine Arts. Upon graduation, Christina launched her professional career dancing with the Koresh Dance Company in Philadelphia for two seasons. In 2007, Christina returned to Canada to join Les Ballets Jazz de Montréal (BJM Danse), with which she toured the world for eight seasons. In 2015, Christina relocated to Los Angeles to join BODYTRAFFIC. In addition to her concert dance career, she has performed in television productions and special events for organizations such as Cirque du Soleil, L'Oreal, Royal Caribbean Cruise Lines and Radio Canada. Christina is also passionate about teaching and choreographing. She is currently on dance faculty at Loyola Marymount University, Windward School and Marat Daukayev School of Ballet. Christina teaches master classes nationally and has been on guest faculty for the University of Southern California, Regional Dance America, Francisco Gella Dance Works, Idyllwild Arts Academy, Long Beach Ballet, Los Angeles Theater Center and Greater Washington Dance Center. Christina also enjoys rehearsal directing, and in 2017, she was invited by choreographer Barak Marshall to stage his work Monger on the dancers at the University of Southern California’s prestigious Glorya Kaufman School of Dance. Christina’s love of teaching extends beyond dance. In 2015, Christina completed her yoga teacher training through Yogaworks, and she enjoys incorporating yoga into her dance classes. 

Today we are joined by Jodie Gates, vice dean and director of the University of Southern California's Glorya Kaufman School of Dance.  Ms. Gates was a celebrated principal dancer with the Joffrey Ballet, Frankfurt Ballet, and Pennsylvania Ballet, as well as a principal guest artist with several companies around the world. She was a muse for celebrated choreographer Robert Joffrey and […] The post (137) Jodie Gates, Vice Dean and Director of USC's Glorya Kaufman School of Dance appeared first on tendusunderapalmtree.com.

Today we are joined by Jodie Gates, vice dean and director of the University of Southern California’s Glorya Kaufman School of Dance.  Ms. Gates was a celebrated principal dancer with the Joffrey Ballet, Frankfurt Ballet, and Pennsylvania Ballet, as well as a principal guest artist with several companies around the world. She was a muse for celebrated choreographer Robert Joffrey and […] The post (137) Jodie Gates, Vice Dean and Director of USC’s Glorya Kaufman School of Dance appeared first on tendusunderapalmtree.com.

This week we are happy to welcome, Patrick Corbin, Assistant Professor of Practice at USC's Glorya Kaufman School of Dance.  After starting his dance training with tap and jazz at a young age, he later enrolled in the School of American Ballet.  He went on to have a career in ballet with The Washington Ballet, Kansas […] The post (40) Patrick Corbin, Assistant Professor of Practice at USC's Glorya Kaufman School of Dance appeared first on tendusunderapalmtree.com.

This week we are happy to welcome, Patrick Corbin, Assistant Professor of Practice at USC’s Glorya Kaufman School of Dance.  After starting his dance training with tap and jazz at a young age, he later enrolled in the School of American Ballet.  He went on to have a career in ballet with The Washington Ballet, Kansas […] The post (40) Patrick Corbin, Assistant Professor of Practice at USC’s Glorya Kaufman School of Dance appeared first on tendusunderapalmtree.com.

Hear from some of the world’s most innovative artists in Offstage + Unbound, The Music Center’s podcast series hosted by Rachel Moore, President and CEO of The Music Center. As L.A.’s premier performing arts destination, The Music Center provides the platform for local, national and international artists in a broad range of genres, including music, dance, theatre and more. The first episode features William Forsythe, the American choreographer who changed ballet forever. Forsythe has been active in the field of choreography for more than 45 years. His work is acknowledged for reorienting the practice of ballet from its identification with classical repertoire to a dynamic 21st century art form. His interest in the principles of organization led him to produce a wide range of projects, including installations, films and web-based knowledge creation. Forsythe has had an illustrious career, first as a dancer with the Joffrey Ballet and later the Stuttgart Ballet, where he was resident choreographer. He became director of Ballet Frankfurt, where he created many works during a 20-year tenure. He established his own dance ensemble, The Forsythe Company, which he directed for more than 10 years. In 2015, he was appointed associate choreographer of the Paris Opera Ballet and, most recently, became professor of dance and artistic advisor to the Choreographic Institute at the Glorya Kaufman School of Dance at the University of Southern California. The Music Center launched its 2016/2017 dance season of Glorya Kaufman Presents Dance at The Music Center with Celebrate Forsythe, a distinctive program devoted entirely to Forsythe's choreography. In an unprecedented engagement, three of the nation’s major ballet companies – Houston Ballet, Pacific Northwest Ballet and San Francisco Ballet – were personally selected by Forsythe to perform his works. http://www.musiccenter.org/podcast/