Podcasts about dance company

What if dance isn't just about movement but also about the people who move with you through life? In this reflective episode, dancer, choreographer, and teacher Wendy Rogers joins the show to tell us all about her career and how collaboration guided her creative voice. Wendy's story is deeply rooted in experimentation, resilience, and the profound kinship shared between dancers. Tuning in, you'll hear about Wendy's early life and the struggles that shaped her, her dance education and how those formative years defined her career, the different projects and collectives she was a part of, and the transformative experiences that she had through dance. We explore and honor the wisdom of older, more experienced dancers before discussing what it means to keep learning and evolving across decades of practice. Wendy speaks about a life-altering incident that changed her relationship to her body and helped her step into her identity as a dancer. Our guest even delves into the birth of the Wendy Roger's Dance Company, the works she created, her years of teaching, and so much more! To hear all this and be reminded that relationships with other dancers is a gift, be sure to press play now!  Key Points From This Episode: Welcoming Wendy Rogers to the show.  A brief overview of Wendy's life and early struggles. How Wendy got involved in dance with Ruth Hatfield.  Wendy tells us of her experience at Berkeley High School.  Studying dance education and what made her pivot away from that.  Creating the Moveable Feast and what that time was like for her.  How Margaret Jenkin's piece, 'Summerspace' transformed Wendy.  Wendy tells us about her dance collective, Among Company.  What we can learn from older, more experienced dancers.  How her accident changed her life and made her call herself a dancer. The Wendy Rogers Dance Company and the first dances she created. Why Wendy believes that relationships with other dancers are a gift. A brief overview of her time teaching and her 'ten-year projects'. What Wendy is up to now and what's next for her. For more on Movers & Shapers & Wendy: Instagram, Facebook, Show Notes Support this podcast in our 11th year! Make a tax-deductible donation today: The Moving Architects

6/12/26 (Host – Josh Silver) MTA President Max Page w/ Congressional Candidate Mariah Lancaster: running for an open seat for the 6th Congressional District, Primary in September Director Rose Schwietz Malla, Assistant Director Hia Ghosh, Actor Caleb Koval: Silverthorne Theater Company's Sanctuary City by Martyna Majok, Performances now through June 21 at Hampshire College Theater (Emily Dickinson Hall). Director Jen Polins: The School For Contemporary Dance & Thought presents Hatchery Dance Company's Asteroid B-612: A Love Story inspired by The Little Prince at The Workroom Theater in Northampton. June 12 (sold out) & June 13 2 & 730 pm Josh Silver: Easthampton Override & Easthampton's World Cup Watch Parties MTA President Max Page & Senator Ed Markey: Public Education, The Big Ugly Bill & Markey facing Seth Moulton for the Democratic nomination for U.S. Senate in the September 1 primary.

Interviews Editor Christopher Honey speaks with ballerina Dorothy A. Rogers-Walker about the language of dance. Dorothy A. Rogers-Walker is a classically trained ballerina and the artistic director of St. Mark's Dance Studio, where she has been a dedicated leader since 1983. She began as a substitute teacher and choreographer and now leads the studio while continuing to teach ballet and pointe.She trained at the Dance Theatre of Harlem and performed with Point Park University and the Capitol Ballet through the Jones-Haywood School of Ballet. She also served as Ballet Mistress for the St. Mark's Dance Company in Prague.

Have you ever watched a duet or emotional contemporary routine that had beautiful technique and strong partnering… but somehow still didn't fully connect?In today's episode, Brittany breaks down one of the biggest storytelling mistakes dancers make in love story routines — only showing the heartbreak without ever showing the love first.From duets and trios to emotional solos, Brittany explains why audiences need moments of joy, connection, trust, or comfort in order to truly feel the heartbreak later in the dance. Without it, routines can start to feel confusing, one-dimensional, or emotionally disconnected — even when the choreography is strong.Inside this episode:• Why “angry the whole dance” doesn't work• The difference between a love story and a horror story• How one small smile can completely change a performance• Why emotional contrast creates stronger storytelling• How dancers can portray relationships without needing real-life experienceIf you want to improve your facials, storytelling, and emotional connection on stage, grab Brittany's FREE 5-Day Facials Challenge here:Free Facials ChallengeConfidence looks good on you.Support the showGot a question or story you'd like to share? Message me HERE, and your submission might even be featured in an upcoming episode!

This month on Arts in the City…we visit the Whitney Biennial; celebrate the Limón Dance Company's 80th Anniversary; stop by the NY Transit Museum; check out the National Dance Institute; and preview this Spring's best new theater.

Interview Date: March 8th, 2026In this inspiring episode, Jason Williams shares his journey from a curious three-year-old stepping into dance class to becoming a globally recognized performer, choreographer, and creative visionary. He reflects on the pivotal moments that shaped his career—from boldly inserting himself into opportunities like So You Think You Can Dance to working with icons such as Lady Gaga and Beyoncé. Jason emphasizes the power of initiative, reminding dancers that “visibility is your responsibility” and that success often comes from fearlessly putting yourself in the room.As the conversation unfolds, Jason opens up about his evolution beyond performing and into creative direction and entrepreneurship. Feeling unfulfilled despite professional success, he made the bold decision to pivot, ultimately creating his own work, including a sold-out production in New York. His story highlights a powerful truth: when opportunities don't exist, you must create them. This shift into producing and directing allowed him to fully step into his identity as a visionary artist.The episode also dives into mindset, identity, and the balance between artistry and business. Jason introduces a memorable analogy of being a “dolphin among sharks,” encouraging dancers to embrace both their creativity and business acumen. Through Q&A with young dancers, he reinforces the importance of versatility, authenticity, and personal branding—leaving listeners with actionable advice and a renewed sense of empowerment in navigating the dance industry.Shownotes:0:01 – Guest intro + career highlights overview4:00 – Started dance at age three by chance6:54 – Passion became serious in competitive training years9:03 – Bold move led to SYTYCD opportunity10:30 – “Visibility is your responsibility” mindset13:32 – Importance of identity beyond just talent14:13 – Post-show hustle and booking major jobs19:18 – Working with Lady Gaga and career highlights24:55 – Transition from performer to creator/producer35:06 – Artist vs. business mindset (“dolphin vs shark”)Biography:Jason Williams is a movement architect, dancer, director, and visionary whose work pulses with spirit, sensuality, and soul. Rooted in culture and shaped by experiences, his artistry is spiritual, intentional, and joy-forward—crafted to move both body and soul.A finalist on So You Think You Can Dance (Season 2), Jason has built an international career across film, television, stage, and commercial work. His credits include High School Musical, FAME, Dirty Dancing, and Hairspray LIVE, with TV appearances on RuPaul's Drag Race, POSE, The Marvelous Mrs. Maisel, Dancing with the Stars, SNL, and more.He's performed with icons like Beyoncé, Lady Gaga, Mary J. Blige, Alicia Keys and many more. He has graced stages at the Oscars, BET Awards, MTV Awards, Emmys, and Billboard Music Awards.Jason wrote, directed, choreographed, and produced The Jason Williams Experience: LIVE!—a sold-out production at NYC's Alvin Ailey Theater. In 2024, he launched NOIR, a bold new dance company and platform celebrating excellence, identity, and community.Internationally known for his jazz-rooted technique, soulful musicality, and transformational teaching, Jason's choreography awakens presence, honors lineage, and ignites joy. With a signature style blending foundation, feeling, and truth, his work isn't just unforgettable—it's undeniable.Connect on Social Media:Instagram: thejasonwilliamsexperienceWebsite: https://www.thejasonwilliamsexperience.com/

Richard Gearhart and Elizabeth Gearhart, co-hosts of the Passage to Profit Show interview Tony award-winning Broadway producer Ken Davenport, Dominic Forth from Thought Leaders of America and The TV Bookers and Stacey Iltis and Kari Schroeter from Fly Dance Fitness®. Tony Award–winning Broadway producer Ken Davenport reveals how raising over $100 million for shows mirrors venture capital, why even the most talented teams can't guarantee success, and how audience demand ultimately decides every winner and flop. You'll learn how entrepreneurs can navigate uncertainty, bounce back from failure, think ahead of shifting markets, and use bold, unconventional marketing to stand out. Read more at: https://kendavenport.com/ Dominic Forth is the CEO of Thought Leaders of America and founder of The TV Bookers, companies built around one core promise: get founders, CEOs, and thought leaders featured on major national media — or it's free. His mission is simple but powerful: help experts stop chasing credibility and start owning authority. Read more at: https://www.thoughtleadersamerica.com/ and at: https://www.thetvbookers.com/ Stacey Iltis (CEO) and Kari Schroeter (COO) are the powerhouse duo behind Fly Dance Fitness®, a rapidly growing, female-founded dance fitness franchise built on the belief that fitness should feel like a celebration. Their mission transcends beyond just workouts — it's about creating an experience every time someone walks through the doors. Read more at: https://www.flydancefitness.com/ Whether you're a seasoned entrepreneur, startup founder, inventor, or small business owner, the Passage to Profit Show is a leading podcast for insights on entrepreneurship, innovation, intellectual property and business strategy. Hosted by Richard Gearhart and Elizabeth Gearhart, the show features industry leaders, investors, and founders who share real-world lessons on scaling companies, protecting ideas, building generational wealth, and navigating today's evolving business landscape. Visit https://passagetoprofitshow.com/ for the latest episodes, expert interviews, and resources designed to help you grow, protect, and profit from your ideas. Chapters (00:00:00) - Pushing Yourself to Profits(00:00:21) - Passage to Profit(00:01:32) - The One Decision That Changed the Direction of My Business(00:04:10) - What Was the Most Transformative Moment in Your Business?(00:06:16) - Sarasota Franchise: The Decision to Franchise(00:08:35) - What is the One Decision that Transformed Your Business?(00:09:57) - Broadway's Risky Investing(00:11:09) - What Makes a Broadway Show a Hit?(00:13:56) - In the Elevator With Joy Mangano(00:14:51) - Does a Successful Movie Make an Off-Broadway Musical?(00:17:39) - The New Yorkers: Broadway's Failure(00:19:07) - What Do Investors Look For In Broadway Investing?(00:20:27) - Have You Asked the Board For Input?(00:21:20) - In the Elevator With Tony Shalves(00:23:06) - Car Shield(00:24:11) - Better health insurance for you and your family(00:25:12) - Passing to Profit: Ken Davenport's Marketing Style(00:31:14) - Ken Deshaaney on His Legacy(00:33:12) - AI Use Cases for Business Owners Roundtable(00:34:10) - How We're Using AI in Our Business(00:39:00) - Debt Relief for Divorce and More(00:41:22) - Why Businesses Should Double Down on Innovation and Patents(00:44:03) - Dominic Forth(00:46:43) - The 3 Rules of a Great Story(00:50:03) - How to Overcome Fear During Acting(00:53:07) - How To Get Your Clients On TV(00:54:50) - Have Medical Contributors Got a Shot on National TV?(00:56:45) - Are Podcasts More persuasive than News?(00:57:49) - Podcast and Television(01:02:49) - Fly Dancer Fitness Franchise(01:06:29) - What Made It So Special For Our Class?(01:08:21) - The Dance Company:(01:10:52) - How Fly Dance Fitness Became A Franchise Company(01:15:16) - Ken Davenport(01:16:21) - Dominic Fourth(01:17:32) - Stacey Ultitz on Her Secret to Success(01:18:03) - Richard Gearhart and Carrie Schroeder

Představíme vám CZirkidz Dance Company, což jsou obyčejné holky, které ale berou dech. Je to tanečně akrobatický soubor, který vznikl při australsko-české cirkusové škole CZirkidz v Trutnově. Propojuje mladé místní umělce a tanečníky s profesionálními akrobaty z Austrálie. Všechny díly podcastu Host ve studiu můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

In this latest episode of The Ultimate Dance Business Podcast Deborah sits down for a chat with studio owner Sarah Clements, who shares her entrepreneurial journey and how she built Unlimited Dance Company into the successful business it is today.As always this is essential listening for any dance school owner or principal.In the vast majority of cases parents of prospective students have already researched your dance school before reaching out. When they finally reach out they are looking to confirm whether their perception of your school is the reality. How you respond will let them know!Catch the latest episode of The Ultimate Dance Business Podcast out now wherever you get podcasts. Book an evolution call with Deborah⁠⁠ ⁠https://go.dancebusinesslab.com/dance-school-success-planTo find out more about Dance Business Lab and work with Deborah head to ⁠https://dancebusinesslab.com⁠To find out more about working with Deborah through her exclusive Dance Business Lab membership programs follow the links below.Sparks membership - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dancebusinesslab.com/memberships/sparks⁠ Ignite membership - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dancebusinesslab.com/memberships/ignite⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Illuminate membership - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dancebusinesslab.com/memberships/illuminate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you love the show and you would like to support then why not buy Deborah a coffee simply head to ⁠http://buymeacoffee.com/DeborahL⁠This episode is sponsored by Dance Studio Marketing.You can find out more about Dance Studio Marketing and how you can work with Sally to supercharge your dance business at ⁠https://dancebusinesssolutions.com/social-media-for-dance-businesses/⁠This podcast is produced by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Creative Content Studio

Peter Stathas, founder and artistic director of Peter Stathas Dance, and company dancer Lauren Twomley, are in the studio this month for a conversation that stretches across generations of New York dance history!Peter and Lauren talk about how embracing curiosity and risking the unexpected keeps dance fresh, meaningful, and connected across generations. Peter began his dance career at SUNY Purchase before performing with the José Limón Dance Company. Then, he spent 30 years as a physical therapist and entrepreneur before returning to choreography in 2016. He talks about how emotional the experience was for him of returning to dance and gives his advice for other dancers who are stepping back into the studio or back on stage after some time away. In 2018, the duet Assuage sparked the creation of his company, rooted in a mission to create dance that reflects the human experience while advocating for sustainability, collaboration, and equity in the field.In February of this year, Peter Stathas Dance Company presented its program, What We Hold, a cross-generational program at the Mark Morris Dance Center. The evening brought works from the 1980s back into the studio and onto the stage — not as a form of nostalgia, but as a living conversation across time, as the company describes it. These pieces were set on a new generation of dancers navigating today's dance landscape.Born in Brooklyn and a graduate of SUNY Purchase with a BFA in Dance and a minor in Arts Management, Lauren is one of those dancers. She has worked with a range of choreographers and has performed masterworks by Martha Graham, José Limón, and Merce Cunningham. She joined the Limón Dance Company in 2019 and now serves not only as a dancer with Peter Stathas Dance, but also rehearsal coordinator and social media manager. She's also a teaching artist with the José Limón Dance Foundation, where she explores the deconstruction of Limón Movement Principles to make the technique more accessible and approachable.In this interview, we talk about lineage, how dancers are constructing a moment in time and becoming part of history in the process, what it means to carry someone else's artistic work in your own body, and how love, care, and devotion make a sustainable life in dance. Check it out!Learn more about Peter Stathas Dance: peterstathasdance.comSupport the company: https://peterstathasdance.com/support/Follow Peter Stathas Dance on Instagram: instagram.com/peterstathasdanceSubscribe to The Adult Ballet Studio on YouTube: @adultballetstudioMusic in this episode:Waltz of the Flowers - TchaikovskyBarroom Ballet - Silent Film Light - Kevin MacLeodBarroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310Artist: http://incompetech.com/@eblosfield | theadultballetstudio@gmail.comSupport this podcast on Patreon! https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link Hosted on Acast. See acast.com/privacy for more information.

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The Alvin Ailey American Dance Theater has just launched a 20-city U.S. tour under its new artistic director Alicia Graf Mack. She's a renowned former Ailey dancer herself and an educator who is now fusing those roles to lead the modern dance troupe which started in 1958. Mack joins Geoff Bennett in the studio for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

The Alvin Ailey American Dance Theater has just launched a 20-city U.S. tour under its new artistic director Alicia Graf Mack. She's a renowned former Ailey dancer herself and an educator who is now fusing those roles to lead the modern dance troupe which started in 1958. Mack joins Geoff Bennett in the studio for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Auditioning for professional ballet companies is very different than auditioning for summer intensives, and that reality can catch even the most prepared dancers off guard.In this solo episode of The Brainy Ballerina Podcast, I'm pulling back the curtain on the audition process and sharing the lessons I learned the hard way while navigating company auditions across the country. All the things I wish someone had told me before stepping into the room.Key Points in this Episode: Why professional company auditions operate differently from summer intensive auditions When the audition actually begins The unexpected mindset shifts dancers need when auditioning for contracts What directors may be looking for behind the scenes (and why you often won't know it) How to mentally survive the uncertainty, rejection, and waiting that come with audition seasonThis episode is a must-listen for: Aspiring professional ballet dancers Pre-professional dancers transitioning into company auditions Dancers feeling discouraged, confused, or stuck during audition season Anyone who wants a more realistic, grounded understanding of how the ballet industry works

How to Set Real Dance Goals for 2026 (Not Just Wishful Thinking)As dancers, it's easy to say “I hope I get better” or “I want to improve this year” — but hope is not a strategy.In this episode of Dance Colleges & Careers, Brittany Noltimier breaks down what it actually takes to set real, achievable dance goals and why so many dancers stay stuck despite working hard. We talk about the difference between wishes and goals, how to identify what's really holding you back, and why lifestyle and daily habits matter more than motivation.If you want better turns, stronger performance, more confidence on stage, or real growth in 2026, this episode will help you rethink how you're approaching your training.Inside this episode: • Why most dance goals fail before February • The difference between “wanting it” and working for it • How to identify the real barrier behind your struggles • Why confidence and performance are trainable skills • How small daily changes create big results on stageThis episode is for dancers who are ready to stop hoping and start building.Support the showGot a question or story you'd like to share? Message me HERE, and your submission might even be featured in an upcoming episode!

The District Creatives Radio Show is a 30-minute program featuring interviews highlighting the work of millennials/young adult creatives in the city. The focus of the content is arts, entertainment, and the creative economy. “The District Creatives Radio Show” provides a platform for creatives to share the work and content they provide in this city and for the city. Hosted by District creative, Savvy Cherise, the show will create a dialogue around the joys and pains of pursuing your passion, resources for District creatives, and balancing your passion project with your paycheck. These discussions will not only highlight current creatives but also guide the next wave of creatives in the District of Columbia.

Learn more at TheCityLife.org

2025 marks 30 years since Kiwi dance company Black Grace was formed, and this anniversary will be marked with some new performances. Later this month, the company will stage Paul Taylor's Esplanade, in a double bill with If Ever There Was A Time - an original work by founder Neil Ieremia. Ieremia says when he first started out, there weren't a lot of dance opportunities for Māori men, and he aimed to change that. "I remember when we put on our first show and it actually sold out - it was at the Kenneth Maidment Theatre at the university there. We put on our first show and it sold out before we actually opened, which was quite incredible." The Black Grace double bill tour starts in Auckland on November 21 and continues in Christchurch on November 25 and 26, with tickets available here. LISTEN ABOVESee omnystudio.com/listener for privacy information.

The Beer Sheva-based Kamea Dance Company is staging "Bamidbar Devarim," Tamir Ginz's iconic work inspired by the physical and human landscape of the desert. Ginz, the Kamea Dance Company's artistic director and resident choreographer, spoke to KAN reporter Naomi Segal. (Photo: Kamea Dance Company)See omnystudio.com/listener for privacy information.

We're joined by Gatieh Nacario and Anna Caldwell, founders of the Kultura de Filipino Dance Company — a passionate, independent Filipino cultural dance company in Spokane dedicated to preserving and showcasing the beauty of their heritage through authentic performances. More than just a dance group, Kultura de Filipino is committed to artistic excellence, cultural education, and the personal growth of their dancers. Their performances celebrate the rich traditions of the Philippines through movement, storytelling, and traditional attire. Their dances include: Phase 1 - Dances of the Cordillera Region; Takiling, Ragragsakan, Salip and Uya-uy Phase 2 - Spanish-influence Dances; Jota Quirino, Sinakiki, Polkabal, Miligoy, Sinulog Phase 3 - Exotic Mindanao Dances; Pig-apir, Panghalay, Kapa Malong Malong, Sagayan, Dugso Phase 4 - Palawan and the Visayas Dances: Karatong, Kuradang, Itik-Itik Sibonga, Tinikling  Their next performance is scheduled for Saturday, November 8 at the Spokane Folk Festival at Spokane Community College. For exact times and other performances visit spokanefolkfestival.org. To learn more about Kultura de Filipino Dance Company, visit kulturadefilipinodc.com or find them on Facebook or YouTube @KulturadeFilipinoDanceCompany.

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Join host Joanne Carey as she chats with Special Guest: Dante Puleio, Artistic Director of Limón Dance CompanyIn this episode of "Dance Talk” ® with Joanne Carey welcomes back Dante Puleio, the artistic director of the Limón Dance Company. They discuss the upcoming season, which celebrates the 80th anniversary of the company, and explore themes of masculinity, queerness, and the legacy of José Limón. Dante shares insights into his journey from dancer to artistic director, the importance of restaging classic works, and the challenges of funding the arts. The conversation highlights the collaborative nature of the rehearsal process and the significance of bridging generations in dance.Dante Puleio is the Artistic Director​ of the Jose Limón Dance Company. A widely respected former member of the Limón Dance Company for more than a decade, Puleio is the sixth Artistic Director in the Company's 75-year history, a position that originated with Doris Humphrey. After a diverse performing career with the Limón Dance Company, touring national and international musical theatre productions, television and film, he received his MFA from University of California, Irvine. His research focuses on contextualizing mid 20th century dance for the contemporary artist and audience. He is committed to implementing that research by celebrating José Limón's historical legacy and reimagining his intention and vision to reflect the rapidly shifting 21st century landscape.You can find information on the Limón Dance Company and all the performances and programs offered on their websitehttps://www.limon.nyc/Instagram @limondance“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."⁠⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠⁠Follow Joanne Carey on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And SHARE!Please leave us review about our podcast! 

We sit down with Crystal Bain, Owner and Artistic Director, and Jessie Tulleners, Assistant Artistic Director of Ripple Dance Company — the first and only professional contemporary-modern dance company in Coeur d'Alene, Idaho. Founded by Crystal, Ripple Dance Company gives advanced and professional-level dancers the opportunity to continue their artistic journeys right here in our community. The company also offers youth apprenticeships, produces both live and screen dance performances, and even hosts an annual dance film festival. Crystal shares her recent honor as the 2025 Dance Teacher of the Year by the Idaho Dance Education Organization and reflects on her journey as a teacher, choreographer, and creative force shaping the local arts scene. Together, Crystal and Jessie talk about their mission to make a ripple in the community — inspiring others through innovation, education, and a genuine love for movement. Learn more at www.rippledance.com.

We are beyond excited to welcome back the artistic director of Limòn Dance Company, Dante Puleio, onto the latest Whisper in the Wings from Stage Whisper. And this time we were thrilled to learn and share their exciting upcoming show A Celebration of 80 Years. We are so thrilled to get the chance to cheer on and uplift this company as they look back on 80 years of brilliant dance. So make sure that you tune in and come out to be a part of this historic production!Limòn Dance Company PresentsA Celebration of it's 80th AnniversaryOctober 14th-19th@ The Joyce TheaterTickets and more information are available at joyce.org And be sure to follow Dante to stay up to date on all his upcoming projects and productions:limon.org@limondance

The Limón Dance Company launches their celebration of the company's first 80 years with a program at The Joyce Theater honoring eight decades of revolutionary modern dance, from October 14-19, 2025. Our guest is Artistic Director Dante Puleio.

On today's episode of "Conversations On Dance", we are joined by Dante Puleio, Artistic Director of the Limón Dance Company, and esteemed choreographer Diego Vega Solorza, whose work for the company will premiere in the company's upcoming Joyce season. Dante tells us how he became familiar with Diego's work and why it was a natural fit for the company and the season, while Diego dives into his creative process and how the Limón dancers have shaped this particular work. The Limón Dance Company will perform at the storied Joyce theater in New York City from Tuesday, October 14th through Sunday October 19th. To purchase tickets visit joyce.org. SPONSOR:Friday through Sunday, November 7th through 9th, join Amanda Treiber and Company for their debut performances at the Mark O'Donnell Theater in Brooklyn! Featuring a cast of international artists, including dancers and musicians from New York City Ballet, and a world premiere to music by Philip Glass, these performances showcase NYC-based choreographer and dancer Amanda Treiber's ability to create worlds through unique movement vocabularies and her deep collaborations with dancers, musicians, and visual artists. You won't want to miss it! Reserve your tickets today at amandatreiber.com.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.

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Interviewing Johnny, owner of Breath of Hope Dance Company.

In this episode of Passion for Dance, host Dr. Chelsea interviews Julie Opiel, Director of Education and Community Engagement at Body Traffic, an LA-based contemporary dance company. They discuss overcoming career challenges, the importance of community engagement, and the benefits of experienced teachers working with beginners. Julie shares insights on Body Traffic's whole dancer approach, which nurtures dancers as artists and humans, and talks about finding a balance between rigor and compassion in our training.   Learn More About Body Traffic: https://www.bodytraffic.com/   Other Episode Resources: https://passionfordancepodcast.com/213   Episode Breakdown 00:09 Introducing Julie Opiel and Body Traffic 01:36 Julie's Dance Journey 02:50 Overcoming Career Challenges 07:41 The Importance of Teaching Beginners 11:40 Finding Passion and Motivation 16:04 The Power of Community in Dance 17:33 Measuring Growth in Dance 19:34 Empowering Dancers with Leadership Opportunities 21:14 The Whole Dancer Concept 24:36 Balancing Rigor and Compassion in Dance 30:09 Practical Curriculum for Whole Dancer Approach 35:54 Advice for Dance Educators 38:16 Conclusion and Resources  

In Misty Copeland's 10 years as the American Ballet Theater's first Black woman principal dancer, she has inspired others to see themselves in ballet shoes and on stages across the world — and St. Louis is no exception. Erica Hill, founder of the Florissant-based dance company Pointe of Surrender, speaks to Copeland's influence — on herself and the Black dancers who come to her studio. Hill also describes Healing Humanity Through Arts, her dance company's nonprofit arm, and its work to make dance accessible to youth through school-based programming and scholarships.

➡ CLICK HERE to send me a text, I'd love to hear what you thought about this episode! Leave your name in the text so I know who it's from! If you can walk you can dance. So says today's guest, Karlies Kelley, founder of Pandanza Dance Company! Yes, we're talking about dance today, but lest you think this isn't for you because you wouldn't ordinarily call yourself a dancer ... let me say quickly that dance is for everyBODY. You'll feel this too as soon as the conversation begins, Karlies is very clear that there is room for everyone on the dance floor. But this conversation is about more than dance simply as embodied movement. We talk about dance as a form of meditation, an outlet for JOY, as a saving grace, and as a means of healing. It certainly saved a young girl of 15 who arrived in this country to learn the language and who found her community around the drum.

Ever wonder what it really takes to build a globally acclaimed dance company from the ground up?In Episode 146 of THE POWER OF RE:INVENTION, we step into the rhythm of Reinvention with two incredible creative forces: Tina Finkelman Berkett, founding Artistic Director of BODYTRAFFIC, and Trey McIntyre, choreographer, filmmaker, and Creative Partner at the company. This conversation doesn't just hit the beats—it leaps, spins, and lands right at the heart of what it means to build something that moves people.Tina opens up about her early love for both numbers and movement—how studying math at Barnard shaped her sharp mind, and how performing with Mikhail Baryshnikov lit a fire that led to BODYTRAFFIC's creation. One moment on a New York subway with her dad helped her choose to build something bold. That choice changed everything.Trey shares stories from his early days as a visionary choreographer, creating his first professional works while still a teenager. He talks about what drives his art, how he brings clarity to others' visions, and how dance offers a unique way to bring emotion and truth into the world.We go deep into what it takes to run a company, create lasting impact, and move audiences in every sense of the word.We talk Buddy Holly. We talk identity. We talk about dancers who carry stories in their bodies and bring them to life on stage. We even explore what it's like to watch your own work unfold in real time, surrounded by people who feel every beat.If you're looking for inspiration, creative insight, and an unforgettable conversation about passion, purpose, and movement—this one's for you.Key Takeaways:Your story can be your structure. Tina merged the precision of math with the power of performance to create something original.Start before the rules find you. Trey carved his own lane by creating boldly and early, with no gatekeepers.Art is leadership. Building a dance company means showing up with clarity, energy, and deep trust in the process.Movement holds memory. Every BODYTRAFFIC performance carries emotional layers, cultural rhythms, and lived experience.Support shapes vision. Behind every leap is the grind—grants, teams, contracts, rehearsal, community.Collaboration is rhythm. From choreographer to dancer to audience, great work pulses through connection.Catch BODYTRAFFIC in action on June 5 at the Avalon Theater in Los Angeles. Featuring new works by Trey McIntyre, Joan Rodriguez, and Jordan Santiago—including Mayday, a bold and breathtaking piece set to the music of Buddy Holly. Get tickets now at bodytraffic.comTina's Bio: https://www.bodytraffic.com/company/leadershipTrey's Website: https://treycool.com/THE RE:INVENTION EXCHANGE - for more Inspired Content, Blogs, Podcasts, RE:INVENTION Virtual Chats, or to buy a copy of my book RE:INVENT YOUR LIFE! WHAT ARE YOU WAITING FOR? by Kathi Sharpe-Ross, visit https://www.thereinventionexchange.comIG: https://www.instagram.com/kathisr_chief_reinventor/FB: https://www.facebook.com/kathi.sharpeross/LinkedIn: https://www.linkedin.com/in/kathisharpeross    Twitter: https://twitter.com/ReinventionExchDM me if you're curious about BODYTRAFFIC or want to attend the show—I just might have a few surprise tickets left!

Guest: Peter ChuHosted by Courtney Ortiz & Lesley MealorContemporary dance is a genre that can be hard to define, but what everyone can agree on is that it is one of the most popular styles of dance in the industry. Peter Chu joins us on our final genre spotlight episode of season 6 to discuss the ways contemporary dance has evolved and why it will take ongoing support from the community to allow it to continue. Follow Peter Chu on social media @peterchuthis!Help support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!This episode is sponsored by:Dance Teacher Web Conference and Expo This summer July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off! Check out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor  - @miss.lesley.dancePeter Chu - @peterchuthisJoin our NEW Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow us on social media at @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Derrell Sekou Walker teaches West African dance to elementary and middle schoolers at two Portland public schools. He loves his job, but as the founder and artistic director of Sebé Kan Youth African Dance Company, he is bringing his love of this art form — along with the feelings of joy and freedom it inspires — to the larger community. He first formed Sebé Kan more than 20 years ago, but since 2018, he’s been focused on teaching the dance traditions from Mali, Guinea, Ivory Coast and other West African nations to children and youth. On May 16, the company will present a one night only, multigenerational dance performance and concert called “Mobaya: A Coming of Age” at Portland’s Newmark Theatre.   Walker joins us, along with his wife Karida Walker, who is a dancer in the troupe; and high school senior Nylah Jae Holt, who has been dancing with Sebé Kan since she was 8 years old. 

Pilobolus is currently on tour with re:CREATION which brings their celebrated collection of repertory to audiences across the country. On Saturday May 3rd Pilobolus will be at the Mahaiwe Theater in Great Barrington, MA with two performances.

This is your All Local afternoon update on April 19, 2025.

This week on the podcast is part two  of our interview with Ranee Ramaswamy, the Founding Artistic Director of the Ragamala Dance Company, along with her daughters Aparna and Ashwini. Aparna is the Executive Artistic Director, Choreographer and Principal Dancer in the company; and Ashwini is a Choreographic Associate, Dancer, and Communications Director.  ​The Ragamala Company tours extensively worldwide and has appeared at venues including the Kennedy Center, Lincoln Center, and Jacob's Pillow.  Individually, they have won numerous awards including Guggenheim Fellowships, US Artist Fellowships and over a dozen McKnight Fellowships.  This brief bio just scratches the surface of their accolades, so make sure you visit their website to see their impressive list of accomplishments and media! https://www.ragamaladance.org/

Thousands of performers, from more than forty countries have descended on Auckland - to compete in the inaugural World Dance Crew Championship over the next six days. 

This week on the podcast is part one of our interview with Ranee Ramaswamy, the Founding Artistic Director of the Ragamala Dance Company, along with her daughters Aparna and Ashwini. Aparna is the Executive Artistic Director, Choreographer and Principal Dancer in the company; and Ashwini is a Choreographic Associate, Dancer, and Communications Director.  The Ragamala Company tours extensively worldwide and has appeared at venues including the Kennedy Center, Lincoln Center, and Jacob's Pillow.  Individually, they have won numerous awards including Guggenheim Fellowships, US Artist Fellowships and over a dozen McKnight Fellowships.  This brief bio just scratches the surface of their accolades, so make sure you visit their website to see their impressive list of accomplishments and media!  https://www.ragamaladance.org/

On this edition of The Arts Section, host Gary Zidek has a story about one of Chicago's best kept secrets, a 150 year old club dedicated to supporting women musicians. The Dueling Critics, Kelly Kleiman and Jonathan Abarbanel, join Gart to review a new production of Shakespeare's A WINTER'S TALE. Later in the show, Gary talks with the choreographer behind a new dance program that explores science and discovery. And we'll hear about an exhibit that dives into the history of local typography.

Paid parental leave is close to being an option for state employees in Alabama and Mississippi. Bills to make this law are working their way through both state legislatures, and comes as a trend as more states, including Louisiana, are providing paid parental leave to their employees. The Gulf States Newsroom's Stephan Bisaha tells us why the push for paid parental leave has champions on both sides of the political aisle.The New Orleans Ballet Association presents the return of the iconic Alvin Ailey American Dance Theatre. The dance company, which celebrates Black American cultural experiences and dance traditions, will perform two completely different performances. Choreographer Ronald K. Brown tells us about his piece, “Grace”, and Alvin Ailey's iconic “Revelations,” and how you can see the shows. The fourth annual Tulane Book Festival is coming to New Orleans at the end of March. The event brings together over 180 authors and journalists for panel discussions, book signings and family-friendly activities. Some of this year's guests include Connie Chung, Maureen Dowd, John Grisham and Bob Woodward. Festival co-chair Cheryl Landrieu tells us what to expect at the three-day event. __Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR app, and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

In a first, the Beer Sheva-based Kamea dance company season premiere is bringing the works of sought-after creators Jacopo Godani and Andonis Foniadakis to the Israeli stage. Performances begin March 6-8 at the Suzanne Dellal Center in Tel Aviv. Kamea dance company artistic director and resident choreographer Tamir Ginz spoke to reporter Naomi Segal. (Photo: Kfir Boloton)See omnystudio.com/listener for privacy information.

"Dance Talk” ® with Joanne Carey with special guests Mark Howard and Chelsea Hoy of Trinity Irish Dance Company.In this episode of Dance Talk, host Joanne Carey chats with Mark Howard and Chelsea Hoy from the Trinity Irish Dance Company discussing their personal journeys into Irish dance, the company, and the cultural significance of Irish dance. The conversation highlights the innovative choreography that sets Trinity apart, the importance of imagination in the creative process, and the upcoming 35th anniversary season. The episode emphasizes the power of dance to connect with audiences and the mission of inclusivity and kindness within the art form.TRINITY IRISH DANCE COMPANY (TIDC) was founded in 1990 to celebrate the pioneering work of its Founding Artistic Director Mark Howard. This uniquely Irish-American company “ushered in a new era for Irish step dance” (Chicago Tribune), opening new avenues of artistic freedom that led directly to commercial productions such as “Riverdance.”Considered an American treasure TIDC has performed sold-out tours in Europe, Asia, and North America, appearing in distinguished venues, such as New York's The Joyce Theater, Washington D.C.'s Kennedy Center, Princeton's McCarter Theater, Ottawa's National Arts Center of Canada, Tokyo's Orchard Hall, and Chicago's Auditorium Theatre, among many others. The Company has entertained dignitaries as varied as Monaco's royal family, Irish and American presidents, Japanese royalty, and Indian meditation masters. TIDC offers both a highly skilled presentation of traditional Irish step dance and a brilliantly engaging interpretation of contemporary world vision.Mark Howard: Founding Artistic Director / Choreographer and Emmy Award-winning choreographer was born in Yorkshire, England, and raised in Chicago. He began dancing at 8 at the Dennehy School of Irish Dance and began teaching at 17. By 20 he had launched the Trinity Academy of Irish Dance, subsequently leading them to unprecedented World Championship team titles for the United States—the first when he was only 25. He redefined what was possible for American teams becoming the first to win gold in all categories.His pioneering work led to his unique transition from the competitive stage to the performing arts stage to coach then artistic director. Howard himself was a regular guest on The Tonight Show starring Johnny Carson. He has been named three times as one of Irish American Magazine's “Top 100 Irish-Americans,” and he was honored by iBAM! in 2011 and in 2015 by Chicago's Lawyers For the Creative Arts for his outstanding contribution to the performing arts.Chelsea Hoy: Associate Artistic Director / Choreographer / Dancer. Born in Denver, Hoy's choreographic influence has significantly shaped TIDC's newest works. Hoy recently co-choreographed Taking the Mick alongside Howard, a versatile work following their first collaboration An Sorcas (The Circus), which previewed in Japan and had its world premiere at Chicago's historic Auditorium Theatre in 2019.Chelsea grew up dancing competitively for the Wick School of Irish Dance in Denver, Colorado. She joined TIDC in 2014 after she began her studies at Loyola University Chicago. She graduated in 2017 with Bachelors' degrees in Psychology and Photography. In addition to helping guide the company's future, she is a professional photographer, dance instructor, and visual artist. Hoy's love of empowering children through the arts continues to shape TIDC's outreach programming. Information for TIDC and to see their upcoming performances visithttps://trinityirishdancecompany.com/“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/... ⁠Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

The performance, Celebrated Emblems, marks the first-ever commission by Musicians of Ma'alwyck of the Ellen Sinopoli Dance Company. This multifaceted performance explores the concept of American emblems, or the symbols of American identity. Members of the Ellen Sinopoli Dance Company will add a visual element for two shows, on January 24 at the Capital Rep Theatre in Albany, New York and January 25, 2025, at SUNY-Schenectady.

We're joined by Kirven, the multi-talented Artistic Director behind Saint Louis Dance Theatre, formerly Big Muddy Dance Company. began his formal dance training at the Boston Arts Academy in 1999 and as a member of Boston Youth Moves under the artistic direction of Jeannette Neil and Jim Viera. He began his professional career as a member of Ailey II from 2002–2004 and performed at Jacob's Pillow Dance Festival as a member of Battleworks Dance Company in 2003. In June 2004, Mr. Douthit-Boyd joined the Alvin Ailey American Dance Theater performing both nationally and internationally for 11 years. During his tenure with the company, he performed leading roles in works choreographed by Alvin Ailey, Judith Jamison, Robert Battle, Ron K. Brown, Geoffrey Holder, Jiri Kylian, David Parsons, Camille A. Brown, Ulysses Dove, Christopher Wheeldon, Hofesh Shecter, Twyla Tharp, Wayne McGregor and Ohad Naharin. He joined COCA-Center of Creative Arts in 2015 as Co-Artistic Director of Dance with his husband Antonio Douthit-Boyd. In 2016, Mr. Douthit-Boyd joined Ron K. Brown/Evidence, A Dance Company as a guest artist.Saint Louis Dance Theatre, formerly The Big Muddy Dance Company, is a dynamic arts organization dedicated to providing world-class contemporary dance performances and exhilarating theatre experiences in our great city. Their 24-25 (RE)Imagine Season is sure to astound, with an exceptional repertoire created by celebrated artists from around the globe, and intentional efforts to pull audiences closer to our movement. Every moment behind the curtain is sure to captivate, every step is sure to inspire, and they will take every bow in celebration of the manifestation of their dreams. Come lose yourselves in this art!  Support the show

On this episode of Conversations on Dance we are thrilled to welcome back Artistic Director of the Limón Dance Company, ​ Dante Puleio. Dante dives into the specifics of his role, including how he curates programming, casts the works, and protects the company's legacy. The Limón Dance Company will have it's New York City season at the Joyce Theater this November 5 - 10. Tickets are available at joyce.org. LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

This episode was recorded live on Monday, July 29th, 2024 at the Vail Dance Festival. At the vanguard of American modern dance since its inception, Limón Dance Company returns to the Vail Dance Festival after making their debut in 2022. The company's first performance at the festival earned rave reviews and now they return to celebrate the incredible dance legacy of this beloved and historic company. Join Conversations On Dance hosts Rebecca King Ferraro and Michael Sean Breeden as they sit down with Limón Dance Company Artistic Director, Dante Puleio, and company artist Joey Columbus, to dig into the legacy of Limón and what audiences can expect to see from the company.Upcoming Conversations on Dance events at the 2024 Vail Dance Festival: https://vaildance.org/conversations-on-dance/LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

The Vail Dance Festival is just around the corner and our coverage starts now! Today we are joined by American Ballet Theatre Principal Dancer and friend of the pod, Herman Cornejo. Herman joins us in the midst of ABT's season where he is celebrating 25 incredible years with the company. We catch up with Herman about this season, what it means to be celebrating such an important milestone, what his plans are for the future, and what he will be dancing this year at the Vail Dance Festival. As a festival favorite, we are so looking forward to seeing him soon on the VDF stage.The Vail Dance Festival returns July 26 – August 5:The Vail Dance Festival returns July 26 – August 5 with THIRTEEN performances featuring dance luminaries from across the United States and around the world. This summer they welcome Dance Theatre of Harlem, Limón Dance Company, Cleo Parker Robinson Dance, Colorado Ballet, and DanceAspen, as well as artists from Alonzo King LINES Ballet, American Ballet Theatre, BalletX, New York City Ballet, and so much more. Conversations on Dance will be bringing you a behind-the-scenes look at all the action. Join us in person for 8 live events featuring incredible festival artists including Catherine Hurlin, Sara Mearns, Robert Garland, Adji Cissoko and many more. If you are not able to join us in person, be sure to subscribe to Conversations on Dance wherever you get your podcasts to listen to the live episodes after the events.Get your tickets now for festival performances and vaildance.org. And claim your tickets for COD events at vaildance.org/conversations-on-dance.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.