Podcasts about Ballet

Guest: Peter ChuHosted by Courtney Ortiz & Lesley MealorContemporary dance is a genre that can be hard to define, but what everyone can agree on is that it is one of the most popular styles of dance in the industry. Peter Chu joins us on our final genre spotlight episode of season 6 to discuss the ways contemporary dance has evolved and why it will take ongoing support from the community to allow it to continue. Follow Peter Chu on social media @peterchuthis!Help support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!This episode is sponsored by:Dance Teacher Web Conference and Expo This summer July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off! Check out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor  - @miss.lesley.dancePeter Chu - @peterchuthisJoin our NEW Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow us on social media at @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Ballet competitions are more common than ever—but do dancers really need them? In our latest episode of #NoThirds, Fran weighs in on the role competitions play in today's training landscape. He tackles key questions from parents and dancers alike: Are comps essential for landing trainee or second company spots? Do they actually help with long-term career goals? Why are so many schools and companies participating now? What's the real value compared to strong training and company performances? Fran brings his signature clarity and candor to a topic that's often confusing and feels high-stakes. This conversation is packed with insight regardless of whether you're all-in on the comp circuit or don't compete at all. Learn more about Fran and Veyette Virtual Ballet School More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI  

Rumble chats with Lachlan Monaghan from the Royal Birmingham Ballet about the Upcoming "Black Sabbath - The Ballet" at Chrysler Hall this Weekend (Friday 5-30 and Saturday 5-31)

Victoria Mazzarelli, Artistic Director of the Nutmeg Conservatory, joins us to share what sets this independent ballet conservatory apart. Widely known for its warm and nurturing environment, Victoria covers everything from curriculum and housing to performance opportunities, as well as the school's postgraduate program. She also explains how Nutmeg supports its students both in and out of the studio, what kind of dancer thrives in their environment, and how they help students navigate big decisions about career paths.  Learn more about Nutmeg Read reviews of the school More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

GDP Script/ Top Stories for May 27th Publish Date: May 27th From The BG AD Group Studio, Welcome to the Gwinnett Daily Post Podcast. Today is Tuesday, May 27th and Happy Birthday to Stevie Knicks I’m Peyton Spurlock and here are your top stories presented by KIA Mall of Georgia Dacula middle schooler back to ballet and school after heart transplant New principals named for Lovin Elementary, Richards Middle Two Juveniles Charged With Felony Murder In May 15 Shooting Of Lilburn Teen All of this and more is coming up on the Gwinnett Daily Post podcast, and if you are looking for community news, we encourage you to listen daily and subscribe! Break 1: Kia MOG (07.14.22 KIA MOG) STORY 1: Dacula middle schooler back to ballet and school after heart transplant Gracelyn “Gracie” Miller, a 7th grader from Dacula, underwent a life-saving heart transplant in February after being diagnosed with dilated cardiomyopathy. Just 24 hours after being listed for a transplant, a new heart became available, and her surgery at Children’s Healthcare of Atlanta was a success. Gracie quickly recovered, returning home in 10 days and resuming school, ballet, and her favorite activities. This summer, she looks forward to swimming, seeing friends, and attending CHOA’s Camp Braveheart for transplant recipients. Gracie embraces her journey, saying her scar symbolizes her second chance at life. STORY 2: New principals named for Lovin Elementary, Richards Middle Lovin Elementary and Richards Middle School in Gwinnett County are welcoming new principals this summer. Bridgett S. Brown, with 19 years in Gwinnett County Public Schools, will lead Lovin Elementary, replacing Kevin Payne. Brown has served as a teacher and assistant principal, most recently at Lawrenceville Elementary. Felisha E. Witcher-Caldwell, with 17 years at Richards Middle, will take over as principal following Mark McCain's retirement. She has progressed from teacher to assistant principal at Richards since 2008. Both bring extensive experience and dedication to their new roles. STORY 3: Two Juveniles Charged With Felony Murder In May 15 Shooting Of Lilburn Teen A 17-year-old from Lilburn, Andrew Gatlin, was killed, and two others were injured in a May 15 shooting in unincorporated Norcross. Police said the incident occurred after a disagreement led to gunfire on Pirkle Road. Gatlin succumbed to his injuries at a hospital, while the other two individuals sustained non-life-threatening injuries. Two juveniles are charged with felony murder, aggravated assault, and firearm possession. The investigation is ongoing, and police urge anyone with information to contact detectives or Crime Stoppers for anonymous tips and potential rewards. We have opportunities for sponsors to get great engagement on these shows. Call 770.874.3200 for more info. We’ll be right back Break 2: Ingles Markets 2 STORY 4: Family Pets Killed As Fire Displaces Family of 5 In Dacula A Dacula family of five was displaced after a fire destroyed their home on Friday morning, claiming the lives of several pets. Firefighters responded quickly to the blaze, which started on the back deck and spread to the attic and second floor. The fire was controlled within 25 minutes, but structural collapse concerns required demolition equipment. No injuries were reported, as the family was not home at the time. The fire was deemed accidental, caused by discarded smoking materials. The family is staying with relatives and declined Red Cross assistance. STORY 5: Johns Creek Business Helps Duluth's Rainbow Village With A 'Fresh Coat' Isabel Calero, a Johns Creek resident with a corporate background, co-founded Fresh Coat Painters of Johns Creek with her husband Diego Berto three years ago. The business, serving multiple metro Atlanta areas, also focuses on community service through its Fresh Coat Cares initiative. Recently, they partnered with Duluth-based Rainbow Village, a nonprofit aiding families to avoid homelessness, to repaint 30 apartment doors in Sherwin Williams’ Positive Red. Calero emphasized the joy of giving back and strengthening community ties, with plans for future collaborations with Rainbow Village and other nonprofits. Break: STORY 6: FULL RIDE: 30 GCPS Graduates Earn QuestBridge Scholarship Thirty Gwinnett County Public Schools seniors have been awarded QuestBridge National College Match scholarships, covering their entire college education. QuestBridge, a nonprofit connecting high-achieving, low-income students with top colleges, guarantees full four-year scholarships through early admission to its 48 partner institutions. These colleges provide financial aid covering 100% of demonstrated need, ensuring affordability for recipients. STORY 7: Mill Creek Promotes Sam Meers to Head Boys Soccer Coach Mill Creek has promoted Sam Meers to head boys soccer coach for the 2025-26 school year, following Stephen George’s departure for a club soccer role. Meers, an assistant coach since 2018, has been integral to the program’s success, including a Final Four run in 2025. A former goalkeeper, Meers brings experience as a varsity assistant, JV coach, and goalkeepers coach. He’s excited to build on the program’s culture and success with a young, dedicated roster. Joining him is veteran coach Mike Burrell, adding experience to the staff. Meers aims to continue competing for region titles and playoff success. Break 4: Signoff – Thanks again for hanging out with us on today’s Gwinnett Daily Post Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at www.gwinnettdailypost.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network Show Sponsors: www.ingles-markets.com  www.kiamallofga.com #NewsPodcast #CurrentEvents #TopHeadlines #BreakingNews #PodcastDiscussion #PodcastNews #InDepthAnalysis #NewsAnalysis #PodcastTrending #WorldNews #LocalNews #GlobalNews #PodcastInsights #NewsBrief #PodcastUpdate #NewsRoundup #WeeklyNews #DailyNews #PodcastInterviews #HotTopics #PodcastOpinions #InvestigativeJournalism #BehindTheHeadlines #PodcastMedia #NewsStories #PodcastReports #JournalismMatters #PodcastPerspectives #NewsCommentary #PodcastListeners #NewsPodcastCommunity #NewsSource #PodcastCuration #WorldAffairs #PodcastUpdates #AudioNews #PodcastJournalism #EmergingStories #NewsFlash #PodcastConversations See omnystudio.com/listener for privacy information.

Décembre 1959… des sauts rapides, des arabesques échevelées… les corps des danseurs et des danseuses s'arc-boutent et jaillissent comme des ressorts alors que la musique d'Igor Stravinski résonne dans la Monnaie… on peut imaginer, dans le public, les yeux brillants du directeur des lieux, Maurice Huismans, face à cette chorégraphie géométrique et captivante. Le public, lui, est conquis. Le chorégraphe de ce Sacre du Printemps est le Français Maurice Béjart, 32 ans. Bientôt, il s'installera à Bruxelles avec sa troupe, créera une école, Mudra, et rien ne sera jamais plus pareil. Nous racontons 100 ans d'histoire en Belgique avec Isabelle Meurrens et Florence Corin. Toute deux font partie de l'association Contredanse qui vient de publier un ouvrage collectif, véritable hommage aux acteurs et actrices de cette histoire, ouvrage qui s'intitule : « Danser une histoire » 100 ans de danse en Belgique. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Toni Pimble moved to Oregon from her home in England more than 46 years ago and co-founded the Eugene Ballet. As the company’s artistic director, she has choreographed over 60 pieces and collaborated with composers, artists and other organizations, from the Eugene Opera to the Oregon Bach Festival to the University of Oregon School of Music and Dance. Her award-winning work has also been performed by the New York City Ballet, Oregon Ballet Theatre and many others. We sit down with Pimble to talk about her career and her hopes for the company as she prepares to leave her role in June.  

Guests - Gregory Kanelos and Jenny HoganHosted By - Courtney Ortiz and Lesley MealorIn Episode 228 of Making The Impact - A Dance Competition Podcast, our "day in the life" series continues with a look into studio owner life! We hear from two different perspectives - Jenny Hogan, owner of Brava Dance in New York for 16 years, and Gregory Kanelos, owner of Studio G Dance Company in Massachusetts, celebrating their 5th season!Topics Include: How each studio got their start What challenges they face when owning a business What sets their studios apart from the competitionHelp support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceJenny Hogan - @brava_danceGregory Kanelos - @studiogdancecompanyThis episode is sponsored by:Relative Motion - Injury Prevention apparel, teacher trainings and in-studio workshops to transform your technique while preventing injuries. Receive 10% off any apparel/program purchase or $500 off workshop pricing with the code: IMPACT10Squirrel Trench AudioStage ready soundtracks for ChoreographersExplore hundreds of clean, stage-ready song edits, mixes, and production mixes. Custom song editing for Competition! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Today's guest, Kati Hanlon Mayo, Academy Associate Director for Charlotte Ballet's Upper School, trained at The Boston School of Ballet under the direction of E. Virginia Williams & Violette Verdy. At the age of 15, she became a member of Boston Ballet 2 before joining North Carolina Dance Theatre (now Charlotte Ballet) as a principal dancer. She also performed with Chautauqua Ballet Company under the direction of Jean Pierre Bonnefoux.Her students have gone on to professional careers with companies throughout the world, including: New York City Ballet, Nederland Dans Theater, San Francisco Ballet, Boston Ballet and Houston Ballet. Kati has been a guest teacher for The Alvin Ailey American Dance Theater, The Chautauqua Institution, Regional Dance America and she is a repetiteur for the Salvatore Aiello Trust. She is a certified instructor of Dance for Parkinson's Disease through The Mark Morris Dance Group and she also completed her instructor certification with Progressing Ballet Technique.In our conversation, Kati shares about the value of mentors, allowing yourself to grow, and staying focused on your training despite the distractions of competing for roles, navigating the unknowns, and all the things that can pull your focus from your technique.Thanks for listening to our conversation, thanks for sharing this episode with a friend and for leaving a review. Takeaways from our conversation:-mentors help you understand what you don't know-a life in dance starts at a young age; requiring both physical and emotional strength and maturity-stay connected to the joyful adventure of danceLearn more about Kati and Charlotte Ballet - including their summer program at Charlotteballet.org.You can learn more about dance education and career planning for dancers at theballerinatist.com#dance #danceeducation #professionaldancer #dancecompany #ballet #ballerina #summerdanceprogram

We all know that dancers have their own unique style. Welcome to our interview with the founders of Barre Trash, Lucas Labrador and Louis DeFelice as they let us in on ballet's not-so-glamorous side—with honesty, humor, and a sharp eye for merch. In this episode, they talk about how Barre Trash was born, what the name really means, and how their side hustle turned into a platform for both laughter and change. From surviving on dancer salaries to calling out industry nonsense, Lucas and Louis share why they believe humor is a coping mechanism—and a catalyst for reform. Plus: the Yale detour, the realities of multi-hyphenate life, and what they'd put on a T-shirt if they could sum up ballet in one phrase. You can shop Barre Trash products on the Ballet Help Desk Summer Intensive Essentials Guide or on the Barre Trash website More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

durée : 00:25:07 - Benjamin Millepied, danseur, chorégraphe (3/5) - par : Thomas Vergracht - Engagé comme danseur au New-York City Ballet, Benjamin Millepied vit au rythme effréné de la compagnie, qui ne ménage ni les corps ni les esprits. C'est aussi l'occasion pour notre invité d'évoquer sa passion pour la musique américaine d'aujourd'hui. Un vrai new-yorkais d'adoption en somme ! - réalisé par : Béatrice Trichet

In our latest Claim Your Career Crown episode, we're joined by Laura Ballet, creator of the transformative J3=E Formula. Laura shares how this powerful mindset tool can help you redefine your perspective on challenges, unlocking new pathways to growth and empowerment. Whether you're facing career hurdles, personal setbacks, or day-to-day stress, Laura's insights will inspire you to embrace challenges with confidence and clarity.As the Global Top Selling Author of The Science of Empowerment, Thought Energy Mindset Development Coach & Speaker, Laura's skill set, gathered wisdom and personal discipline to advance human potential is evident in her creative work. The care and consideration that supports her clients and listeners around the globe, are empowered right form the start. High energy and the feeling that all things are possible, begins the Co-creative relationships that she is sought after and known for. For those who are willing to expand their present Mindset, dissolve negative patterns and behaviors, and elevate into their unique potential, they are in for a 360 view on how to activate personal power.Read More @: https://petite2queen.com/empowering-j3e-formula-redefine-perspective-challenges/Support the showCheck out Petite2Queen for more great interviews, podcasts, and blogs to help you achieve more, faster!https://www.petite2queen.com/​

A pretty slim episode, mostly reviewing the Scandal in Bohemia intro for Sherlock & Co. And where was Watson's literary agent in 1923 and what does it have to do with Margot Robbie? Yep, really fishing for material this week!

Send us a textWelcome back Jam Fam!  What a fantastic season we have had so far, and today's episode adds to that!  Today we talk ballet with the fabulous Heather Jean Wilson.  Her Baa Baa Ballet  and preschool curriculum are used around the country and we had a wonderful time chatting ballet, pre-school, and all things dance.  We hope you enjoy our episode with Heather Jean Wilson!Heather Jean Wilson is a committed professor, teaching artist, performing artist,writer, founder, photographer, choreographer, and mother. She has trained, danced, or collaborated with former members of Joffrey, Ballet Russe De Monte Carlo, NYCB, ABT, Mongolian Opera, and Vaganova Academy of Russian Ballet. Heather has taught, guested, and lectured diverse student populations, including preschool through dance professionals, university students, adults, and senior citizens. She has trained vibrant dancers who perform in all mediums of dance, from classical ballet companies, to Broadway, sports, and beyond.Ms Wilson has founded schools and companies, created small works and full length ballets, built curricula, and instituted countless outreach services and events. She is known for inventing innovative teaching methods, and is the Founder of Baa Baa Ballet, Preschool Dance Curriculum and Grunt if You Understand, method of Ballet Instruction.Heather is a mother of four children, 2 of whom are dancers! She is a competitive archer holding state and sectional titles. She enjoys family, motorcycling, camping, skiing, and time on the water.Heather Wilson possesses infectious energy and enthusiasm, and loves to inspire everyone in the room to love Ballet more than they did before her class. Thank you for listening Jam Fam! Make sure you follow us across social media and don't forget to like and subscribe anywhere you listen to your favorite podcasts!Facebook: JAM Joe and Michelle's Dance PodcastInstagram: jam_dance_podcastTwitter: @jamdancepodcastEmail: jamdancepodcast@gmail.com

Feeling discouraged in your ballet journey? You're not alone. In this episode, we get real about the emotional ups and downs that come with being an adult ballet dancer — especially when progress feels slow or you're just plain burnt out. With guest co-host, Stacy Santos, we dig into practical tips on how to manage seasons of discouragement and reconnect with the joy of dancing. So if you've been in a rough patch (like we have) this conversation is for you... So grab your coffee and let's get into it!Connect with Stacy on Instagram @hey_staceeListen to Stacy's inspiring story here:Part One (episode #9)Part Two (episode #10)Try a new style with Steps on Broadway Zoom Class Schedule!Follow Yelena @ballet_for_allFollow Hannah @thebusybunheadCheck out more resources here:youtube.com/@balletforallonlineballetclasses.comthebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.comSee you next time after class! ♥

Hometown Radio 05/19/25 3p: Ryan and Maartje Lawrence invite us to the ballet

If you stand for nothing, you'll fall for everything... sometimes as leaders it's up to us to take a stand, it's not always the easiest path but it is one that we must take at times. Today Rhee and Stacey discuss moments in time that they have had to take a stand and the reasons why it's an important part of our roles as leaders of our studios and communities. With thanks to Jackrabbitdance.com for their support!See omnystudio.com/listener for privacy information.

Guests - Kasie Auten and Brittni JohnsonHosted By - Courtney Ortiz and Lesley MealorIn Episode 227 of Making The Impact - A Dance Competition Podcast, we explore how and why dancers are susceptible to a perfectionist mindset, and discuss how to use those traits to your advantage while also staying grounded.Topics Include: Strategies to focus on progress rather than perfection How studio culture can be a factor in whether dancers strive for perfection How perfectionism can manifest throughout your lifeHelp support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceBrittni Johnson - @britts_empoweredintention, @being_brittniKasie Auten - @Ksauten_danceThis episode is sponsored by:Michelle Leagans's "Hey Dancers...Let's Talk About It!" Journal.A journaling companion for dancers to thrive as students and team members.Available for purchase on Amazon! www.letstalkaboutdance.comDance Teacher Web Conference and ExpoThis summer July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website atwww.impactdanceadjudicators.comSupport the show

Want to get in touch? Send Claire a message!In episode 116 of The Eat for Endurance Podcast, ultra runner Kabuki Snyder shares her powerful story, from struggling with disordered eating as a young ballerina to training for one of the toughest races out there: the Cocodona 250.We dive into how she approaches ultra running nutrition, training, and balancing life and work with her endurance goals. Kabuki and I discuss:Growing up in Ghana and how early memories shaped her relationship with foodTransitioning from ballet and body image struggles to finding joy in ultra runningFueling strategies for single day trail races, stage races like Lapland and Atacama, and other long races like the Cocodona 250 What real-life training and fueling looks like with a 4am wakeup call and a global work scheduleHow she has prepared for 250 miles with spreadsheets, snacks, and strong community supportKey Takeaways:You don't need to “look like a runner” to be oneUltra running nutrition must be flexible, practiced, and personalized“Real food” can be part of your race planFueling enough everyday and surrounding exercise is non-negotiableYou can balance ultra running goals with a full-time job (yes, really!)

This is all things ballet with 3 of the top ballet captains in the sport. We were joined by Candace Klotz of the Aquanuts, Katrina Sardena of Tampa Bay, and Amanda Schoelzel of the Rock Aqua Jays to talk choreography, skills, scoring and more. And of course Matt and Adam asked them why the heck every team on earth spends so much time on Ballet.  We cover a lot of ground in this episode, and ballet ladies, captains, and teams are sure to learn a lot. Today's sponsors are....FlymanSkis - custom made jump skis and Featherboard swivel skis at affordable prices, get yours at flymanskis.com. Paul Stokes Agency - American Family Insurance - Get a quote and get $30 for your team. Reach out to him at 1-608-221-1149 and find him at stokesamfam.com.Saga Sports - water ski lessons for nearly any discipline, and trampoline training for freestyle jumpers.  Find them at sagasports.usFollow us on Social Media: Instagram - @theskishowpodcast Facebook - https://www.facebook.com/theskishowpodcast Contact The Ski Show: Email us at theskishowpodcast@gmail.com Leave us a rating and a review: https://podcasts.apple.com/us/podcast/the-ski-show-the-ultimate-show-ski-podcast/id1510243170

Why open a ballet school in San Antonio? Former Pacific Northwest Ballet principals Lindsi Dec and Karel Cruz share what inspired them to found DeCruz Ballet, how their training model stands apart, and where they see their school fitting into the evolving ballet ecosystem. They discuss everything from attracting male students and navigating competition culture, to counseling dancers through audition season and offering guidance on college ballet paths and postgrad training. With honest insight and a dancer-first mindset, Dec and Cruz are shaping the next generation their way. Learn more about DeCruz Ballet School Read reviews of the school More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Dans vos oreilles , un épisode pour accompagner le festival Jogging du Carreau du Temple, un événement festif qui mêle sports et danse contemporaine du 22 au 25 mai. Aujourd'hui, je reçois Pierre Rigal, danseur, chorégraphe et athlète.Pierre clôture le 25 mai le festival Jogging avec son Ballet Jogging interprété par plus de 80 coureurs dans La Halle du Carreau du Temple.Il y célèbre par ce dispositif gigantesque le goût du dépassement, le collectif, la poésie du mouvement. On l'écoute avec joie, Cet épisode a été réalisé en partenariat avec les équipes du Carreau du Temple.

Associate Artistic Director Wendy Whelan is back for another exciting New Combinations conversation. This week, she's joined by choreographer Kyle Abraham, whose When We Fell makes its onstage debut this spring after premiering as a dance film in 2021. Abraham shares how this fourth work for NYCB represents both the culmination of relationships he's built with company artists over the years, as well as a departure, in that the score is four minimal, "poetic" piano pieces that encourage a "focused eye." As he shares, part of what makes working with NYCB so special is the opportunity to take risks. (33:37) Edited by Emilie Silvestri Music: "Sisyphus" by Andrew Wegman Bird Wixen Music Publishing, Inc. as agent for Muffet Music Co

Have you ever found yourself standing in a dance store, surrounded by tiny skirts that will never work for your adult ballerina body? In this episode, Chelsea shares her inspiring journey from beginner ballet dancer to founder of Dianne Dancewear, a brand creating beautiful, size-inclusive ballet skirts made specifically for adults. We talk about finding confidence in the studio through dancewear, the power of inclusive design, and what it takes to turn a personal frustration into a mission that resonates with dancers everywhere. Grab a coffee and let's get into it!Connect with Chelsea: @chelsea_hhfShop Dianne Dancewear:Etsy shop: www.etsy.com/shop/DianneDancewearInstagram: @dianne.dancewearFollow Yelena @ballet_for_allFollow Hannah @thebusybunheadCheck out more resources here:youtube.com/@balletforallonlineballetclasses.comthebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.comSee you next time after class! ♥

durée : 00:03:51 - Les P'tits Bateaux - par : Camille Crosnier - Mathilde, 12 ans, aimerait savoir s'il faut être souple pour faire de la danse ? Dorothée Gilbert est danseuse étoile au ballet de Paris, elle lui répond. - invités : Dorothée Gilbert - Dorothée Gilbert : Danseuse étoile dans le Ballet de l'Opéra de Paris - réalisé par : Stéphanie TEXIER

Guests - Joey Ortolani and listener submissions Hosted By - Courtney Ortiz and Lesley MealorIn Episode 226 of Making The Impact - A Dance Competition Podcast, we invited our listeners to share their experiences with toxic behaviors they've encountered at dance studios. We hear (anonymously!) from dance teachers, dance parents, and dance studio owners the things to look out for that may make your dance experience less than satisfactory. Also joining us is IDA judge and studio owner Joey Ortolani to give his varied perspectives as an industry professional who has worn many hats over the years!*THIS IS A 2 PART EPISODE! Tune in to Part 2 of this episode on Platinum Premium!*Topics Include: Studios not following their own rules Preferential treatment for some Lack of transparency from leadershipHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members only!Priority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceJoey Ortolani - @joeyortoThis episode is sponsored by:Squirrel Trench AudioStage-ready soundtracks for choreographersExplore hundreds of clean, stage-ready song edits, mixes, and production mixes. Custom song editing for Competition!Dance Teacher Web Conference and Expo. This summer - July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

New controversial social studies standards face a lawsuit.Lawmakers vote against citizenship requirements for students. The OKC Ballet has a show featuring one performance featuring the music of the Flaming Lips.You can find the KOSU Daily wherever you get your podcasts, you can also subscribe, rate us and leave a comment.You can keep up to date on all the latest news throughout the day at KOSU.org and make sure to follow us on Facebook, Blue Sky and Instagram at KOSU Radio.This is The KOSU Daily, Oklahoma news, every weekday.

A fresh take on a literary classic.

Cameron Basden, Répétiteur for the Arpino Trust, joins us ahead of Fort Wayne Ballet's staging of Light Rain, as part of the Ballet Russe Reimagined series conclusion. Jim and Cameron discuss the evolution of our company over the years of performing Gerald Arpino's masterworks and the versatility and skill of Fort Wayne's dancers.

Silas Farley walked away from his performing career while he was arguably at the top of his game. In this thoughtful and deeply personal conversation, Farley—former New York City Ballet dancer and current choreographer, educator, and leader—reflects on his journey through the ballet world. He shares how his cultural background shaped his experience, the pressures of representation, and what ultimately led him to step away from the stage at a young age. Silas opens up about the emotional challenges of transition, the role of faith and mentorship, and why he's committed to building a more inclusive and emotionally intelligent future for ballet. We also explore how training can evolve without losing its rigor, and what he'd say to a young boy considering dance today. This is a must-listen for anyone questioning what it means to succeed in ballet—and how to define that for yourself. Learn more about Silas Farley and his curent role as Armstrong Artist in Residence, Meadows School of the Arts at Southern Methodist University. More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Aujourd'hui, je reçois Damien Jalet, chorégraphe.La danse contemporaine est son espace de liberté, de réinvention, d'expérimentation du vivant.Les mythes et les rites ancestraux sont souvent la source de ses explorations. Et dans le dialogue foisonnant avec d'autres artistes, il imagine des mondes, hypnotiques et plastiques.Après Vessel, Mist, Planet [wanderer], il collabore pour la 4e fois avec l'artiste visuel japonais Kohei Nawa dans Mirage, sa toute première création pour le Ballet du Grand Théâtre de Genève.On l'écoute avec joie,Mirage, c'est jusqu'au 11 mai au Grand Théâtre de Genève.

New from the incredible teenage activist, prodigy, and compassionate CEO Bellen Woodard comes BALLET BROWN, her new inspirational picture book, coined term, and new crayon colors that literally changes the way we see ballet and dance—created to inspire young people to speak up for the change they wish to see in the world! BALLET BROWN is a heartwarming, inspirational story about authenticity and the richness that brings! Recently featured in TIME Magazine, her op-ed “You've Heard of Ballet Pink. It's Time to Embrace Ballet Brown,” reflects on how Bellen questioned the longstanding default in ballet attire, much like her early experiences with “flesh” crayons being only available in peach. After realizing what was missing, Bellen created Bellen's More Than Peach Project followed by her More than Peach crayons and picture book More than Peach to challenge these norms and broaden the visual language of color across multiple spaces. Her latest endeavor asks a simple, powerful question of the ballet world: Why is everything pink? In BALLET BROWN, Bellen decides to ditch the pink dance attire and instead embrace brown dance attire that better suits her skin tone. She finds a dance studio who is supportive of this change, because though ballet pink is tradition, Bellen believes that traditions are meant to grow as we do!  And she names the change “ballet brown.”Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Ivy Faerie joins Viktor Devonne freshly from her visit at the Maximum Burlesque Festival in Rome.  We talk about Colorado, choreography, faerie queens, performing with Lovey Goldmaine as "Uh Uh" for their Cell Block Tango at the Burlesque Hall of Fame Weekender in 2024, and what she brings to a zombie apocalypse team.  This chat was recorded on March 27, 2025. Give love to the folks… Ivy on IG: https://www.instagram.com/ivyfaerie/ & https://www.facebook.com/ivy.aerie More Viktor: http://www.instagram.com/viktordevonne More WEBurlesque: http://www.instagram.com/weburlesque FOOTCLOTHES! Get 10% off your order with the code VIKTORDEVONNE at FOOTCLOTHES.COM

Music Director Andrew Litton invites us to See the Music in this enlightening introduction to the score for George Balanchine's 1972 ballet, Divertimento from ‘Le Baiser de la Fée.' With superlative accompaniment from Solo Pianist Elaine Chelton, Litton demonstrates the many ways in which Igor Stravinsky's "homage to Tschaikovsky" took inspiration from 16 different piano pieces by the legendary composer to weave an undeniably Stravsinkyian—and danceable, in Balanchine's word—orchestral suite. (11:42):  Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky Le Baiser de la Fée (1928) by Igor Stravinsky Le Baiser de la Fée performed by Elaine Chelton

Send us a textThis Week We Need 2 Talk Mob Land, Kentucky Derby, Met Gala, Greece, John Elway, Bill Belichick, Adult Best Friends The Four Seasons, Chefs Table, Carlos Alcaraz, Ballet Flats, Gigi and Bradley, and SO MUCH MORE 

Rachel Fine is a Registered Dietitian Nutritionist for dancers with advanced certifications in Eating Disorders, Intuitive Eating, and Sports Nutrition. Rachel works with dancers worldwide to help them build supportive relationships with food and body. FREE 7-DAY TRIAL to become The Healthy Dancer®: https://dancenutrition.com/membership/From downloadable guides to workbooks and online courses, dancers can access everything they need to learn about building a nourishing lifestyle that supports the physical, mental, and emotional demands of dance. A note from Rachel: The importance of dance nutrition goes beyond our plate. This is why I created www.DanceNutrition.com and The Healthy Dancer®. Dancers, dance educators, and dance parents can utilize these resources to access information and guidance about fueling for performance!Disclaimer: This is produced for informational purposes only. This information is general, not specific to you. The information in this podcast does not substitute for medical advice. The viewer or listener assumes full responsibility for consulting a qualified health professional regarding health conditions or concerns, and before starting a new diet or health program.

With summer intensives approaching, you might be wondering: How can I make sure my body is prepared for the demands of long days in the studio? What can I do now to set myself up for success at a ballet intensive? Luckily, there's A LOT you can do before, during and even after your intensive to take care of your body and set yourself up for long-term success! In this episode, Allie Christensen (owner of Align Fitness & founder of the Dancer Strong platform) is giving us her best advice gleaned from years of training dancers and teaching at intensives all over the US. From what to focus on leading up to the event, to how to care for your body during the intensive, to how to implement your corrections when you get home... She breaks down all of it! So whether you've got an intensive on the calendar or just want to level up your own training, this is a PACKED episode you're going to love. Let's get into it!CONNECT WITH ALLIE:Dancer Strong Platform (Use code HANNAHJENNINGS5295 for $5 off!)Instagram: @alignfitnessbyallieYouTube: @alignfitnessbyallieEmail: info@alignfitnessbyallie.comFollow Yelena @ballet_for_allFollow Hannah @thebusybunheadCheck out more resources here:youtube.com/@balletforallonlineballetclasses.comthebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.comSee you next time after class! ♥

Conversamos en el espacio Tierra de Leyendas con: María Elena Aranda y Diana Aranda, Maestras de Ballet en La Tribu FM para conocer un poco sobre su carrera y trayectoria en la danza, gracias a Ron Cihuatán.

"Exceptional opportunities" was a catch phrase that Stacey came up with in the early days of her studio in order to describe the way in which her studio was different to the studio up the street. It's caught on and is now the "thing" that her studio is known for. Join Stacey and Rhee today as they explore other opportunities to set yourself apart from your competitors and give your studio the edge. A big thanks to jackrabbitdance.com for their support.See omnystudio.com/listener for privacy information.

 Les merveilleuses fêtes de la Renaissance italienne portaient en germe tout l'art du ballet. Au fil des siècles, compositeurs et chorégraphes auront été amenés à unir leur talent dans des mises en scène toujours plus éblouissantes. De cette symbiose sont nées les grandes étoiles du ballet.  Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Guests - Sally Cofield, Krysten DanielleHosted By - Courtney Ortiz and Lesley MealorIn Episode 225 of Making The Impact - A Dance Competition Podcast, we're joined by two IDA judges to spill the tea on the hot topic of perfect scores in competitive dance!Topics Include: Are judges even allowed to give a perfect score? What goes into considering giving a perfect score - technique, performance, or more? The benefits and detriments of receiving a perfect scoreHelp support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceSally Cofield - @SaldancerKrysten Danielle - @mskrystendanceCheck out our guests' current projects! Subscribe to Sally Cofield's Youtube channel Sally's Silver Linings!This episode is sponsored by:Relative Motion - Injury Prevention apparel, teacher trainings and in-studio workshops to transform your technique while preventing injuries. Receive 10% off any apparel/program purchase or $500 off workshop pricing with the code: IMPACT10Dance Teacher Web Conference and Expo This summer - July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website atwww.impactdanceadjudicators.comSupport the show

In Part 2 of our conversation with Fran Veyette, we dig into the realities of postgraduate training—what kind of “help” programs actually offer (and what dancers should be asking for), how long is too long to stay in a bridge program, and why some dancers move quickly into company jobs while others spin their wheels. We talk about whether dancers are truly company-ready at high school graduation, the myth (or not) of lateral moves, and the sometimes unspoken rules of getting hired. Plus: Fran's take on college vs. company, how influence really works in hiring decisions, and the most honest advice he'd give to any dancer navigating this path. This is the real talk dancers and families need before making big decisions. Learn more about Fran and Veyette Virtual Ballet School More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Silas Farley, former New York City Ballet dancer and current Dean of the Colburn School's Trudl Zipper Dance Institute, explores the profound connections between classical ballet, Christian worship, and embodied spirituality. From his early exposure to liturgical dance in a charismatic Lutheran church to his career as a professional dancer and choreographer, Farley illuminates how the physicality of ballet can express deep spiritual truths and serve as an act of worship.Episode Highlights from Silas Farley“The physicality of ballet is cruciform. The dancer stands in a turned-out position... the body becomes the intersection of the vertical and the horizontal plane.”“Sin makes the soul curve in on itself, whereas holiness or wholeness in God opens us up.”“We are Christian humanists. We don't need to be intimidated by beauty.”“There's knowledge and insight in all the different parts of our bodies, not just in our brain.”“The mystery of the incarnation is that when the creator of all things wanted to make himself known to his creation, he didn't come as a vapor or as a mountain or as a bird. But he came as a man.”Resources for Ballet EngagementLocal community ballet companies/schools“B is for Ballet” (ABT children's book)“My Daddy Can Fly” (ABT)Celestial Bodies, by Laura JacobsApollo's Angels, by Jennifer HomansSilas Farley's Podcast: Hear the Dance (NYC Ballet)The Nutcracker (NYC Ballet/Balanchine)Jewels (1967, Balanchine)Agon (Balanchine/Stravinsky)About Silas FarleySilas Farley is a professional ballet dancer and choreographer. Dean of the Trudl Zipper Dance Institute at the Colburn School in Los Angeles, Silas is a former New York City Ballet dancer, choreographer, and educator. He also currently serves as Armstrong Artist in Residence in Ballet in the Meadows School of the Arts at Southern Methodist University.His work includes choreography for the Metropolitan Museum of Art, Houston Ballet, and the New York City Ballet. He hosts the Hear the Dance podcast and creates works that integrate classical ballet with spiritual themes.Silas also serves on the board of The George Balanchine Foundation.Show NotesSilas Farley's Early Dance Background & FormationSilas Farley: Originally from Charlotte, North Carolina; youngest of 7 children (4 brothers, 2 sisters); multiracial family (white father, Black mother)First exposure through charismatic Lutheran church's liturgical dance ministrySaw formal ballet at age 6 when Christian ballet company Ballet Magnifica performedDance initially experienced as form of worship before performanceLiturgical vs Classical BalletLiturgical dance:Amplifies worshipFunctions as embodied prayerNot primarily performativeHistorical examples: David with Ark of Covenant, Miriam after Red Sea crossingClassical ballet:Performed on proscenium stageRequires specific trainingFocuses on virtuosic movementsExplicitly performativeBoth forms serve as offerings/vessels for transmitting energy to audienceTechnical Elements of Ballet: Turnout, Spiritual Turnout, and Opening UpFoundational concept of “turnout”—rotation of feet/hips outward“That idea of turnout makes the body more expressive in a way. Because if our toes are straightforward, like the way we're designed, you only see a certain amount of the leg. Whereas if the body stands turned out, you see the whole inside of the musculature of the leg. It's a more complete revelation of the body.”Creates more complete revelation of body's musculaturePhysicality conveys “spiritual turnout” - openness/receptiveness“Spiritual turnout: that you are open   and receptive and generous. And that's embodied in the physicality of ballet.”“So much of what developed as ballet as we know, it happened at the court of Louis the XIV in the  1660-1670s.”“It's not artificial, it's actually supernatural.”Physical & Spiritual Connections in Ballet“Our walk  with God is that he's  defining us so that we are becoming open. We're open to him. We're open to receive his love. We're open to be vessels of his love. We're open to receiving and exchanging love with  other people.”Freedom within the constraints movements and positionsSwan Lake: “They're so free. They're almost like birds. But that's come through a lifestyle of discipline.”“You get a hyper awareness of your own body.”Develops hyper-awareness of bodyLinks to incarnational theology—Christ as God-manFreedom through discipline and submissionMovement vocabulary builds from simple elements (plié, tendu)Plie: Mama and Dada“As a dancer grows up in ballet, the dancer then develops  this enormous vocabulary of movement  that are all reducible back to the microcosm of the plié and the tendu.”Creates infinite lines suggesting eternityCombines circular power with eternal linesTheological Dimensions of BalletSilas's choreographed interpretation of C.S. Lewis's The Four Loves, as a balletBallet and the Art of Choreography“The music and choreography were like brothers.”“Songs from the Spirit”“The music becomes my map.”Choreographing in silenceThe Role of the Audience and Their ExperienceIdeas to dialogue withA set of ideas to gather together and embodyArvo Part, The Genealogy of Jesus in Luke 3Uniting my heart with JesusI'm never didactic about it.An embodied musical experience“If I  say ‘family, friendship, romance, divine love,' you all instantly have associations, beauty, pain, trauma, consolation that are associated with those four loves.”“ I'm not writing a sermon about any of these ideas. I'm choreographing a ballet. I'm assembling these classical steps with this music to create a visceral, embodied musical experience.”The audience: “They come to it with their experiences, their own eyes and ears and their own bodies. And that's enough.”Arvo Part: “Music is white light, and the prism is the soul of the listener.”“The musical ideas are refracted through the hearer.”“The audience is always in my heart and mind.”“I always think of the artwork as an act of hospitality.  … I'm just setting the table.”What's Unique about Ballet as a Physical ArtformBeautiful interconnectednessAsking the body to reach to its limits“The Infinite Line” in BalletRadiating out into multiple eternal lines at the same timeConstant reaching in many directions at onceCruciform positioning: intersection of vertical and horizontal planes“The body becomes radiant”Use of “épaulement”—spiraling of body around spine's axisReveals pulse points (neck, wrists) creating vulnerable energy exchange with audienceOpening up the life force of the dancerNo separation between dancer and instrument (“I am the work of art”)Cruciform physicalityContemporary Cultural ContextModern culture increasingly disembodied due to screens/digital media“We live in an increasingly disembodied culture, we are absorbed with screens two dimensional, uh, highly edited and curated,  mediated self presentation   as opposed to like visceral nitty gritty blood, sweat, tears, good, bad, and ugly of life itself. So we get insulated from the step that makes life what it is.”Education often treats people as “brains on sticks”“The Christian life is a lifestyle of in embodied discipleship to the God man, Jesus  Christ. And he's not a brain on a stick. He's the God man. He has a jawbone and he went through puberty and he has wounds like the beautiful hymn. It says, rich wounds, yet visible and beauty glorified. The mystery of the incarnation is that when the creator of all things wanted to make  himself known to his creation, he didn't come as a  vapor or as a mountain or as a bird, but he came as a man. And so he sublimates and affirms the glory of his creation, the materiality of his creation and the body as the crown of his creation by coming as a man.”Church needs more embodied practicesBallet offers counterpoint to disembodied tendenciesImportance of physical discipline in spiritual formationRomans 12:1 and making our bodies as living sacrificesHow to Experience Ballet“There's nothing you need to know before going to experience ballet.  You have a body, you have eyes, you have ears. That's all you need. Just let it wash over you.Let it work on you in its own kind of visceral way, and let that be an entry point  to not be intimidated by the, the music,  or the wordlessness or the tutu's or the point shoes or whatever.There's so many different stylistic manifestations of ballet. But just go experience it.And if you can, I would really encourage people almost as much or more than  watching it go see if like your local YMCA or  something has an adult ballet class, or if you're a kid, maybe ask your parents to sign you up to go try a class and just feel what that turned-out physicality feels like in your own body.It's so beautiful. It's very empowering.”Production NotesThis podcast featured Silas Farley and Macie BridgeEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Macie Bridge, Alexa Rollow, Zoë Halaban, Kacie Barrett & Emily BrookfieldA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give

Jackie Kopcsak, a founding faculty member and Associate Professor of Practice at USC Glorya Kaufman School of Dance, joins us to unpack what makes USC's program unique—from its one-of-a-kind curriculum and career planning resources to how students balance ballet, choreography, and cross-disciplinary training. We discuss what the school looks for in applicants, how students launch into professional dance and arts careers, and why USC's location in Los Angeles opens doors for both training and jobs. Plus, listener questions about applying, balancing multiple interests like musical theater, and whether Kaufman is the right fit for ballet-focused dancers. Learn more about USC's Dance Program on their website More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Damian Woetzel got addicted to dance when he was 11 years old. While his “dirty secret” is that ballet was never that hard for him, his experience as a young boy in the world of dance wasn't always easy. In this episode, Damian takes us backstage on his remarkable journey from being called “twinkle toes” in high school, to becoming a principal dancer and choreographer for the New York City Ballet, to his influential second act as the president of The Juilliard School and an advocate for arts education. Here are his songs. Knee Play 5 - Philip Glass We are the World 1985 - USA for Africa More Than This - Roxy Music Fast Car - Tracy Chapman Tom Traubert's Blues - Tom Waits Other Song - Caroline Shaw Freedom - Jon Batiste Listen to Damian Woetzel's full playlist on Spotify. Find the transcript of this episode at lifeinsevensongs.com. Thoughts? Guest suggestions? Email us at lifeinsevensongs@sfstandard.com.

Silas Farley returns with another Hear the Dance conversation, focusing this week on the George Balanchine pas de deux Sonatine, choreographed in 1975 as the opening ballet for the company's Ravel Festival. Repertory Director Christine Redpath shares memories of performing in that festival and of watching Sonatine's original dancers Violette Verdy and the late Jean-Pierre Bonnefoux, commemorated in this episode by former Principal Dancer Peter Boal, while Principal Dancer Megan Fairchild describes the ways in which this ballet taught her that a single piece can have "many textures." (56:31) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Sonatine for Piano (1905) by Maurice Ravel All music performed by the New York City Ballet Orchestra, All Sonatine excerpts played by NYCB Solo Pianist Elaine Chelton Reading List:  Thirty Years: The New York City Ballet by Lincoln Kirstein Repertory in Review: Forty Years of The New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein Balanchine Then and Now Edited by Anne Hogan Mr. B: George Balanchine's 20th Century by Jennifer Homans Ravel by Roger Nichols Maurice Ravel: A Life by Benjamin Ivry The Cambridge Companion to Ravel by Deborah Mawer Ballerina: A Biography of Violette Verdy by Victoria Huckenpahler Violette Verdy by Dominique Delouche and Florence Poudrou

Silas Farley returns with another Hear the Dance conversation, focusing this week on the George Balanchine pas de deux Sonatine, choreographed in 1975 as the opening ballet for the company's Ravel Festival. Repertory Director Christine Redpath shares memories of performing in that festival and of watching Sonatine's original dancers Violette Verdy and the late Jean-Pierre Bonnefoux, commemorated in this episode by former Principal Dancer Peter Boal, while Principal Dancer Megan Fairchild describes the ways in which this ballet taught her that a single piece can have "many textures." (56:31) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Sonatine for Piano (1905) by Maurice Ravel All music performed by the New York City Ballet Orchestra, All Sonatine excerpts played by NYCB Solo Pianist Elaine Chelton Reading List:  Thirty Years: The New York City Ballet by Lincoln Kirstein Repertory in Review: Forty Years of The New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein Balanchine Then and Now Edited by Anne Hogan Mr. B: George Balanchine's 20th Century by Jennifer Homans Ravel by Roger Nichols Maurice Ravel: A Life by Benjamin Ivry The Cambridge Companion to Ravel by Deborah Mawer Ballerina: A Biography of Violette Verdy by Victoria Huckenpahler Violette Verdy by Dominique Delouche and Florence Poudrou

Riley forgets Peg's birthday but redeems himself when he gets her tickets to the ballet. That is until their flirty neighbor, Louella, gets in the way.Originally aired on June 1, 1951. This is episode 320 of The Life of Riley.Please email questions and comments to host@classiccomedyotr.com.Like us on Facebook at facebook.com/classiccomedyotr. Please share this podcast with your friends and family.You can also subscribe to our podcast on Spreaker.com, Spotify, iTunes, Stitcher, TuneIn, iHeartRadio, and Google podcasts.This show is supported by Spreaker Prime.

Ellis Island might have been a welcoming place for many immigrants to the United States, but Angel Island in the San Francisco Bay tells a more troubling history of immigrant detention. Starting next month, the Oakland Ballet will premiere “Angel Island Project,” a dance production highlighting the stories of immigrants, primarily from China, who were detained there in the early 20th century. As part of KQED's annual Youth Takeover, high school students Nico and Maite bring together choreographers and a local historian to talk about the project and the lessons that histories of immigration can teach us today. Guests: Graham Lustig, artistic director, Angel Island Project and Oakland Ballet Company Phil Chan, choreographer, Angel Island Project - co-founder, Final Bow for Yellowface Ye Feng, dancer and choreographer, Angel Island Project Ed Tepporn, executive director, Angel Island Immigration Station Foundation Nico Fischer, Youth Advisory Board member; senior, Santa Clara High School Maite del Real, Youth Advisory Board member; junior, Ruth Asawa SF School of the Arts Learn more about your ad choices. Visit megaphone.fm/adchoices

Guests - Ty Riley and Britney BarberHosted By - Courtney Ortiz and Lesley MealorIn Episode 224 of Making The Impact - A Dance Competition Podcast, we're debating the pros and cons of two types of dance convention experiences - intimate, in-house conventions and large-scale, big-name dance conventions. Owner of Streetz Dance Convention, Ty Riley, and studio owner Britney Barber join us to give their unique perspectives!Topics Include: The benefits of bringing a small convention to your own studio Why some dancers might flourish in a big convention atmosphere Which experience might be best for your studentsHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceTy Riley - @thestreetzdanceBritney Barber - @britneyboyddancecompanyCheck out Ty's Dance Convention Streetz Dance Convention and Competition to view their 2025/2026 tour dates and register for an upcoming event! This episode is sponsored by:Dance Teacher Web Conference and Expo. This summer July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off! Relative Motion - Injury Prevention apparel, teacher trainings and in-studio workshops to transform your technique while preventing injuries. Receive 10% off any apparel/program purchase or $500 off workshop pricing with the code: IMPACT10 Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show