Podcasts about Ballet

Every runner has a starting line that didn't look like a starting line. For Lilia Martinez, hers looked like a dance floor. Ballet first, then tap, then jazz, the thing that finally stuck because it gave her room to move without a script. Running wasn't the plan. It showed up later, the way a lot of meaningful things do, in the form of a New Year's resolution with roommates and a half marathon she signed up for without fully understanding what she'd agreed to.That's basically the whole theme of this one. Saying yes before you feel ready. Lilia talks about training through the Nike Run Club app, learning the sport from scratch with a coach on the other side of a screen in Mexico, and slowly building the kind of belief that doesn't stay contained to running. That belief turned outward into El Barrio Running, the community she co-founded in New York City two years ago that's grown from six runners to fifty showing up most Saturdays.We get into structure versus freedom, dancer versus runner, and the imposter syndrome that convinces so many people to add a qualifier to their own accomplishments. I run, but I'm slow. I run, but I've never done a marathon. Lilia's answer to all of it: maybe the run doesn't need a qualifier. Maybe showing up is the whole point.CHECK OUT LILIA@liliamas_@elbarriorunningSend us a messageMy book This Is About Running. This Is Not About Running. is now available for pre-order!USA readers can pre-order my book by clicking this sentence. USA readers can pre-order an autographed copy of my book hereGLOBAL/INTERNATIONAL readers can pre-order my book by clicking this sentence.________________________________________________________________________AFTER DARK TOUR SERIESIf you have a question or story for the special After Dark Tour series of episodes please leave me a voicemail by tapping this sentence. __________________________________________________________________________Be sure to send any and all questions and comments for Coach Bennett to the mailbag:Coach Bennett's Podcast 57 South Main Street #215, Neptune, NJ 07753Be sure to check out the Two Coach Bennetts Merch Store for t-shirts, hoodies, coffee mugs, pint gl...

Following up on our Educator or Influencer conversation, Troy McCarty joins us to discuss his Pilates history and the evolution of his teaching over the last 40 years. Steeped in the classical work from Bruce King and Romana Kryzanowska, Troy has developed an engaged and precise teaching style that fully embodies the essence of the work while adapting it to the client in front of him. This is a wonderful opportunity to hear from a true master teacher!Moving Conversation Socials Email: movingconvos@gmail.comIG: @movingconvosFB: Moving ConversationsYoutube: @BrianRicheyBrianIG: @fit4lifedcFB: https://www.facebook.com/brianrichey/NoraIG: nora.s.john.7FB: https://www.facebook.com/nora.s.john.7 https://podcasts.apple.com/us/podcast/moving-conversations/id1669504158?i=1000650467168 https://open.spotify.com/show/6cmgm8T0ZiC5wu6yhXrw9g#movingconversations

Flight Instructor Suicide: A flight instructor jumps from a plane to leave his student to fend for herself. Could this be the greatest teacher we've ever seen?AI Robot Fails: As they keep trying to get us to work with robots, one of our favorite things is robot fails. Speaking of robot fails, here are a couple of new robot butlers on the horizon.Diarrhea Epidemic: Cyclosporiasis is spreading the country meaning that it's a diarrhea summer.FUCK YOU WATCH THIS!, THE BEAR!, TIP YOUR BARTENDER!, GLASSJAW!, DARYL!, NEW SPECIAL!, SHELL TV!, QR CODE!, SUPERTIPS!, PLATITUDES!, ZEN FELDMAN!, BOOPAC!, TIM TAMS!, FLIGHT INSTRUCTOR!, SUICIDE!, STUDENT PILOT!, NEWS!, MISHAP!, JUMPS FROM PLANE!, TALLER!, BIG!, YOU KNOW WHAT TO DO!, LET'S ROLL!, SIMPSONS!, GAG!, SUICIDE HERO!, KRISPY KREME!, PUT IT IN DRIVE!, BOYZ N DA HOOD!, RICKY!, PHONE THAT TELLS THE FUTURE!, DRIVE!, OLD LADY NEWS!, DISGUISE!, FREAK OUT!, GEEKING!, FALL!, KUNG FU!, DANCING!, BALLET!, GET UP!, GRABBED!, BRUCE LEE!, ROBOT FIGHTS!, AMERICA'S FUNNIEST HOME VIDEOS!, BABIES PUKING!, WALKING THROUGH GLASS!, WEAVE!, SEGWAY!, ISAAC!, STARTUP!, NORI!, REMOTE TASK ROBOTS!, MOP!, RAG!, ROBOT CAMERA!, SKATEBOARDING!, KICKSTARTER!, HORROR UNLEASHED!, DIARRHEA!, INFECTION!, PARASITE!, VEGETABLES!, IMMIGRANTS SHITTING ON LETTUCE!, ICE!, AUSTRALIAN!, GOLDEN CORRAL!, FOREIGNERS!, WORLD CUP!, TOURISTS!, CUT DICK OFF!, SET FIRE!, MUTILATING!, BOOKIE!, PEDEN!, LOAN SHARK!You can find the videos from this episode at our Discord RIGHT HERE!

Dunedin born Sarah Foster Sproull is one of New Zealand's top choreographers. Her work 'Ultra Folly' is making its way around the country as part of the Royal New Zealand ballet's winter season.

durée : 00:29:10 - De cause à effets, le magazine de l'environnement - Dans les profondeurs, les poissons forment des bancs fluides et coordonnés. Les chercheurs Guy Theraulaz et Clément Sire étudient ces comportements sociaux pour comprendre comment émerge une organisation complexe sans hiérarchie. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

L'émission 28 minutes du 16/07/2026 Eddy de Pretto et Maud Le Pladec : entre concert et ballet Le 17 et 18 juillet, Eddy de Pretto et la chorégraphe Maud Le Pladec présentent “Lonely Club” sous la nef du Grand Palais, à Paris. Un spectacle hybride entre concert et ballet, avec huit danseurs du Ballet de Lorraine, dirigés par la chorégraphe. À travers les chansons d'Eddy de Pretto et une chorégraphie inspirée de l'univers des boîtes de nuit, les deux artistes donnent corps à une sensation que le chanteur dit connaître depuis longtemps : celle d'être “entouré, mais de [se] sentir pourtant seul”. Une réflexion sur la difficulté de trouver sa place au sein d'un collectif.  Aide à mourir : une loi trop restrictive ou trop permissive ? L'Assemblée nationale a définitivement adopté le 15 juillet la loi sur l'aide à mourir. La France devient le douzième pays au monde à autoriser, sous certaines conditions, le suicide assisté ou l'euthanasie. Pour y accéder, cinq critères cumulatifs doivent être remplis, parmi lesquels : être majeur, français ou résident stable, être atteint d'une pathologie grave et incurable en phase terminale avancée et souffrir malgré les traitements disponibles. Le Premier ministre et le président du Sénat ont annoncé saisir le Conseil constitutionnel, afin de vérifier la constitutionnalité du texte et de sécuriser plusieurs points sensibles du texte.   Marjorie Adelson nous emmène en Chine, où les utilisateurs de robots conversationnels alimentés par l'IA ont dit adieu hier à leurs "compagnons" virtuels. Une nouvelle réglementation nationale qui entre en vigueur afin de  réduire les risques de dépendance affective. Théophile Cossa revient sur l'utilisation de l'IMAX dans le dernier film de Christopher Nolan, un format qui renforce l'immersion. 28 minutes est le magazine d'actualité d'ARTE, présenté par Élisabeth Quin du lundi au jeudi à 20h05. Renaud Dély est aux commandes de l'émission le vendredi et le samedi. Ce podcast est coproduit par KM et ARTE Radio. Enregistrement 16 juillet 2026 Présentation Jean-Mathieu Pernin Production KM, ARTE Radio

Your dancer stretches every day. They sit in their splits at home. They stay after class to stretch even longer.So why aren't they getting closer?In this episode, we're talking about one of the biggest flexibility mistakes I see dancers and parents make: assuming that more stretching is always the answer.We'll discuss how to identify what is actually limiting your dancer's splits, why stretching the wrong muscles can slow progress, and how to create a more targeted plan for improvement.Because sometimes the answer isn't stretching harder.It's stretching smarter.TO FOLLOW ALONG WITH VIDEO, CLICK HERE TO WATCH THE EXAMPLES ON YOUTUBE: https://youtu.be/_LqYa1G3-wUSupport the showGot a question or story you'd like to share? Message me HERE, and your submission might even be featured in an upcoming episode!

For so many adult dancers, pointe is the dream, whether you're returning to it after years away or dreaming about it for the very first time. But how do you actually know if you're ready? And if your teacher says not yet, what does that actually mean?This is part one of a three part series on the entire adult pointe journey, and I'm joined by Julie of Broche Ballet, who has coached hundreds of adult dancers (myself included) through the process of going en pointe.We get into adult pointe readiness in detail: whether adults are even "allowed" to go on pointe, the four different types of adult dancers who approach pointe (you'll probably recognize yourself in one), the four indicators of pointe readiness, what's actually going on when a teacher says "not yet", why pointe might be safer than you think, and Julie's honest take on demi pointe shoes.If you've been quietly dreaming about pointe shoes for years, or you're already en pointe and want to understand your own journey better, you're going to LOVE this conversation with Julie.

If you take class at Westside School of Ballet in Santa Monica, you probably know Evan King! Evan trained there for years as an adult, taking multiple classes a day, and he made it a point to really connect with people. In the beginning, his main goal was to get physically fit, and he enjoyed classical music and ballet moves more than the gym. But soon he was inspired by the many amazing dancers around him, and his goal changed. He wanted to become as professional as possible! Besides taking class in LA, he also got accepted into various summer programs, including the Royal Danish Ballet Summer School in Denmark and the American Ballet Theatre Collegiate Summer Intensive. Through all this training, Evan became more curious about the history of ballet and why the moves and positions are the way they are. He started to have a strong interest in really understanding it and also being able to explain or teach it. This led him to the ABT Ballet Pedagogy Program in New York! Evan lives in New York now and is working hard every day with ABT as well as NYU, in order to achieve his ABT certificate and Master of Arts in Teaching Dance. Listen to the full episode to hear all the details, and may your faith be encouraged to go after your dance dreams as well!Follow our dance journeys on Instagram:@real_evan_king@DanceJourneyPodcast@TracyinLA

Hvordan former kulturen vores syn på køn og relationer? K-Live undersøger, hvordan Netflix-serien Adolescence i skoler er blevet et redskab til at tale med unge om kvindehad, radikalisering og livet på nettet. Samtidig ser vi nærmere på balletten, hvor solodanser Astrid Elbo udfordrer de klassiske kønsroller og gør op med forestillingen om kvinden som mandens muse. Medvirkende: Alexander Meinertz, balletkritiker Kristeligt dagblad Astrid Elbo, solodanser ved Den Kongelige Ballet Anders Thorsen, Folkeskolelærer udskolingen, Bagsværd Kostskole og Gymnasium Sandra Halskov ; ekspert i destruktive digitale fællesskaber og online risikoadfærd hos Center for Digital Pædagogik Vært: Louise Reumert Producer: Anders Skytte Agergaard Redaktør: Lasse Lauridsen

Send us a text and chime in!Ballet Etudes, the East Valley's premier ballet company, is celebrating its 40th season with the return of its cherished production of The Nutcracker. Performances will be held at Chandler Center for the Arts, 250 N. Arizona Ave, Nov 27 - Dec 6 and at Mesa Arts Center, 1 E. Main St, Dec 12 - 20. Tickets start at .50 and go on sale Friday, July 10, at 10 a.m. at balletetudes.net/nutcracker. For four decades, Ballet Etudes has inspired generations of dancers while creating one of the East Valley's most treasured holiday traditions. Founded in 1986, the nonprofit organization has grown...   For the written story, read here >> https://www.signalsaz.com/articles/ballet-etudes-celebrates-40th-season-with-the-nutcracker/ Check out the CAST11.com Website at: https://CAST11.com Follow the CAST11 Podcast Network on Facebook at: https://Facebook.com/CAST11AZFollow Cast11 Instagram at: https://www.instagram.com/cast11_podcast_network

Misty Copeland is the truest definition of the trailblazer, most notably making history as the first Black woman to be promoted to a Principal dancer at American Ballet Theatre. After 25 years with the company, she took her final bow last fall...and yet her life's work has only just begun. Through the Misty Copeland Foundation and her role on the boards of Lincoln Center and other arts institutions, Misty today has a seat at the table to drive change and create a more inclusive future for all dancers. She joins us to share how, and takes us through her singular career journey.0:00 - Introduction2:18 - Healing from Hip Replacement3:40 - Growing Up In Survival Mode6:50 - Discovering Dance at 1310:33 - My First Ballet Teacher Changed My Life16:30 - Pursuing a Career & American Ballet Theatre23:15 - Moving to New York at 1724:24 - Do Dancers Get Career Advice?29:12 - Injured The First Year at ABT33:14 - How Prince Became Her Champion37:32 - Pancaking Ballet Shoes40:29 - Advocation For Yourself43:46 - Promoted To Principle Dancer52:32 - Taking a Final Bow58:01 - Advice For Future Trailblazers55:07 - The Misty Copeland Foundation & Retired Life58:40 - Advice For Future Trailblazers1:00:03 - Would You Rather?On Sali: Argent Double Breasted Blazer, Tank, and Single Pleat TrouserOn Misty: Argent Slim Blouse and Soho TrouserHosted by Sali Christeson @salichristesonProduced by Gina Marinelli @ginaalilbitEdited by Ryan Woldoff @c__bizTheme Song by Karina DePiano @sheplaysdepiano & Melanie Nyema @melanienyemaRecorded at Podstream Studio @podstreamstudio

Let's Think About "Thought Energy" With Special Guest Laura Ballet What if the thoughts you carry every single day are shaping more than your mood… but your entire life? In this deeply moving and thought-provoking episode of Mitzi, Let's Think About It, host Mitzi sits down with special guest Laura Ballet for an unforgettable conversation about thought energy — the invisible force behind our emotions, healing, relationships, mindset, and personal transformation. Together, they explore how our thoughts hold power, how energy affects the way we move through life, and why becoming aware of our inner dialogue may be one of the most important journeys we ever take. This episode invites listeners to pause, reflect, and ask themselves: What energy am I carrying? Are my thoughts helping me grow… or keeping me stuck? How deeply do our minds influence our hearts? With warmth, vulnerability, emotional insight, and honest conversation, Mitzi and Laura create a space where listeners can feel seen, understood, and inspired to think more deeply about themselves and the world around them. If you've ever struggled with overthinking, emotional heaviness, self-doubt, healing, spirituality, personal growth, mindfulness, emotional intelligence, or finding peace within yourself — this conversation is for you. ✨ This isn't just a podcast episode. It's a moment to reconnect with your mind, your heart, and your energy.

It's my birthday!!!! To celebrate, I'm sharing all my NYC favorites with you with a very special guest, my husband, Billy! We discuss: Favorite activities in New York CityBoutique workouts in NYCRunning in NYC: The best routes to run in the cityAmazing coffee & breakfast spots in New YorkDelish lunch & dinner spots in Manhattan Can't miss happy hours in NYCOur hot takes on NYC neighborhoodsAnd more!Join the Health by Haven Community:Newsletter: Subscribe for Recipes & Health TipsSupport the Show: Pledge your support for less than a cup of coffee!Instagram: @healthbyhavenWebsite: healthbyhaven.comSpecial thanks to our Season 5 sponsor, Avodah Massage Therapy!Support the show

 Listen to Ballet Help Desk ad-free on Patreon Our parent panel is back for part two, picking up right where we left off. In this half of the conversation, Erin, Sarah, and Sue cover the topics that come up most for families navigating full-time residential training: how a highly competitive environment can affect a dancer's confidence, how SAB, Houston Ballet Academy, and Canada's National Ballet School each approach annual cuts, and how the academic models differ across the three programs. The conversation also gets into the pressure dancers carry during audition season, the friendships that form in competitive training environments, and what it looks like to keep family life running when your dancer is living far from home. We close with the advice each parent would offer a family just starting this journey, and the one thing they would tell themselves on drop-off day. Learn more about full-time ballet training on our website. Links: Shop Summer Intensive Essentials Guide Buy Summer Corrections Journals Read Our Ballet School Summer & Year-Round Reviews Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok: @BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI  

Saving money on ballet doesn't have to mean cutting corners on your training, and that's exactly what this episode is about. Where I live, the cost of everything has gone up, and ballet is no exception. Classes are more expensive, dancewear is more expensive, and don't even get me started on pointe shoes.I'm sharing all my favorite ways to save money as an adult dancer, how to use YouTube strategically, how to get more studio classes for less money, maximize private private lessons, ways to save on dancewear, how to make your shoes and tights last longer, and how building a simple budget can make your ballet needs (and wants) less overwhelming and more attainable. If the cost of training has been stressing you out, this episode is for you!

On this week's episode, I'm joined by ballet educator, mentor and founder of Ballet Reeducation - Austin Crumley. We discuss his journey from professional dancer to professional educator, his unique approach to teaching ballet for the 21st century, and how we can use what research and dance science tells us to inform and progress ballet education.About Austin:Austin Crumley is a ballet educator, pedagogy researcher, and the founder of Ballet Reeducation (BRe) — a professional development platform built at the intersection of pedagogy, psychology, and dance science. His work centers on one persistent tension in the field: the gap between what tradition tells us to teach and what research informs us to teach. BRe exists to close it.Austin holds a BFA in Ballet Pedagogy from The University of Oklahoma, home to one of the top dance programs in the country, where he trained under Mary Margaret Holt, Clara Cravey Stanley, Ilya Kozadayev, and Jeremy Lindberg. He went on to earn his M.Ed from Hope International University, bringing the rigor of formal education theory into a field that has long relied on oral tradition and intuition alone.Before transitioning into education full-time, Austin danced professionally with the Sacramento Ballet, performing leading and ensemble roles in works by George Balanchine, Gerald Arpino, Ma Cong, Jock Soto, and Darrell Moultrie. That experience as a working dancer informs everything about how he teaches. He understands what it actually costs to execute the things we ask dancers to do.Through Ballet Reeducation, Austin has worked directly with over 100 dance teachers through the Summer Training Lab (his signature annual program) alongside individual consultations and workshops. His approach is grounded in nervous-system science, neurodivergent-inclusive practice, and a commitment to teaching ballet as a physical discipline that deserves the same evidence-based rigor as any other. He is currently developing consulting partnerships with leading performing arts institutions and continues to shape what modernized ballet pedagogy can look like in real classrooms.Austin also teaches Biology and AP Biology at the California School of the Arts–San Gabriel Valley, where the overlap between biological science and movement education is less irony and more daily practice.”Connect with Austin:Website: Ballet ReeducationInstagram: @TheBalletEducatorLearn more about Erika Mayall:Follow me on Instagram: @dancephysioerikaLearn more about me on my website: https://www.allegroperformance.comSign up for my newsletter: Click hereSend me an email: hello@allegroperformance.comSupport the show

In this episode of The Brainy Ballerina Podcast, I'm joined by professional dancer Ashley Talluto to talk about the realities of building a career in New York City.Ashley dives into how she transitioned from ballet into musical theater and how auditions, casting, and unions work in the musical theater world.She also shares what it's like to tour with major productions like West Side Story, Flashdance, and An American in Paris and gives us invaluable insight into the life of a swing and dance captain.This episode is full of wisdom from a veteran dancer. If you've ever considered what it might be like to build a dancer career outside of the ballet company ecosystem, this is a must-listen!Key “Pointes” in this Episode: Why Ashley chose college and how the Boston Conservatory prepared her for professional dance life The realities of moving to New York City as a dancer (survival jobs, balancing auditions, and building a sustainable career) The differences between ballet and Broadway audition processes The pros and cons of joining Actors' Equity Why performance quality matters just as much as technique in musical theater What life is actually like on national and international tours The intense responsibility of being a swing in a Broadway production What a dance captain does and why the role is so importantConnect with AshleyWEBSITE: Ashleytalluto.comINSTAGRAM: instagram.com/ashleytallutoLinks & Resources:SHOP MSeam Apparel: https://mseamapparel.com/ (use code BRAINY25 at checkout for 25% off all items)SHOP ORZA: www.orzabrand.com (use code BRAINYBALLERINA for 10% off)Let's connect!My WEBSITE: thebrainyballerina.comINSTAGRAM: instagram.com/thebrainyballerinaQuestions/comments? Email me at caitlin@thebrainyballerina.com

Hello one and all, and welcome back to another episode of Trophy Talk! In this month's installment Colin and Josh dig deep into the recent news stories that have been plaguing not only PlayStation, but the gaming industry at large. Indeed, with bad news story, after bad news story, it's hard to feel optimistic about the hobby that we all know and love so much. While there are many available tendrils to pull on here, the boys settle in around the PS3 storefront closure, and the 2028 impending death of physical games on PlayStation. There are so many areas to dig into here, so many reasons to be upset (or not to be upset), that the conversation naturally is a bit all over the place. Regardless, after the dust settles do either of the aforementioned stories actually prompt us to reconsider if Sony and the PlayStation is our gaming home? Of course as per the typical run of the show we also take time to highlight some impressive and noteworthy Platinum's earned by our community, touch on our favorite trophies we've personally earned in the last month, and touch on what we've been playing. Much like Zac (the recordkeeper) before him, Saros has its hooks in Josh and we spend a good deal of time discussing the mechanics of the game and how it reminds us of more recent titles like Doom: The Dark Ages. Additionally, Josh takes some time away from the bullet hell genre to go and kick some ass in Marvel: Cosmic Invasion. It turns out the title may not have received as much praise as it should have! Colin on the other hand, in anticipation of Doom's DLC on July 7th, and Halo: Campaign evolved at month's end, has gone for a more chill trophy hunting experience in 13 Sentinels: Aegis Rim. While the game may not be difficult, it boasts 13 main protagonists and characters, a time traveling Sci-Fi story, and some truly beautiful imagery. Has Colin gone full weeb? Well maybe not full, but after how much he disliked the Survival-Crafting genre after giving Grounded a try, he just had to try something different. Thank you all for listening, and be excellent to each other.

Bongani Bingwa speaks to Elroy Fillis-Bell, CEO of Joburg Ballet, about this bold new production, how it brings an ancient story into a contemporary African context, and what audiences can expect when The Bacchae: An African Choral Ballet takes to the stage. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio7See omnystudio.com/listener for privacy information.

Listen to Ballet Help Desk ad-free on Patreon We are so excited to be publishing part 1 of this 2 part interview. It's something we've wanted to do for a long time. Three parents of dancers who attended some of the largest full-time training programs in North America joined us for an in-depth and candid conversation about what it was like, from the family's perspective, to allow their teenagers to head off to full-time training while they were still in their teens. Erin Miller's son, Wesley, attended Canada's National Ballet School and now dances with Boston Ballet. Sarah Borden's daughter, Charlotte, went clear across the country from their home in Washington to attend the full-time program at the School of American Ballet. And Sue McCarroll's son, Owen, left home to attend Houston Ballet Academy, where he is currently in their professional training program. We went into so much depth that we're breaking this conversation into two parts. Across both episodes, we dig into how each family made the decision to send their dancer off, what factors ultimately drove that decision, what it was like to drop their child off, and how the adjustment went, not just for the dancer, but for the siblings and parents left at home. The conversation also covers the difference between training at a company-affiliated school versus a conservatory, and pushes back on the assumption that Balanchine-trained dancers are limited to a small handful of companies after graduation. Learn more about full-time ballet training on our website.  Links: Shop Summer Intensive Essentials Guide Buy Summer Corrections Journals Read Our Ballet School Summer & Year-Round Reviews Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok: @BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

You can have clean technique, beautiful lines, and perfect musicality and still leave an audience completely cold. The missing ingredient? Acting. And for most of us, it's the element of artistry we've spent the least amount of time developing.In this episode, I'm back with Chelsea Weidmann, The Geeky Ballerina, for the next installment in our ongoing series on the essential elements of artistry in ballet. Chelsea breaks down what acting in the context of ballet actually entails, why it's historically been neglected, and how to start developing this element of artistry, whether you're performing or just trying to bring more expressiveness to your class work!In this episode we cover:- How Chelsea defines acting in the context of ballet - The historical reason acting often gets left out of classical ballet training- The other layers of acting beyond the face: posture, gesture, weight placement, and more- Practical strategies for moving past self-consciousness - Tips for stepping into a character role- How to bring acting into your class work- What to do in the moment on stage to stay grounded and commit to the performanceIf you've ever felt like your dancing lacked depth or expressiveness (on stage or in the studio), this episode will give you tools to start exploring acting as an essential element of artistry. ✨CONNECT WITH CHELSEA

“Stories … are powerful tools that can help us make sense of our lives,” says physician-scientist Maya Adam. She now combines visual storytelling and health education to create animations that go beyond the barriers of language and culture to convey important health messages. The subject matter ranges from vaccine acceptance and addiction to mental health and nutrition. These emotionally engaging narratives – often without a single spoken word – are more effective than traditional pamphlets and lectures, Adam says. Visual stories have the potential to achieve “near-universal understanding” that can support better health outcomes, she tells host Russ Altman on this episode of Stanford Engineering's The Future of Everything podcast. Have a question for Russ? Send it our way in writing or via voice memo, and it might be featured on an upcoming episode. Please introduce yourself, let us know where you're listening from, and share your question. You can send questions to thefutureofeverything@stanford.edu. Episode Reference Links: Stanford Profile: Maya Adam Connect With Us: Episode Transcripts >>> The Future of Everything Website Connect with Russ >>> Threads / Bluesky / Mastodon Connect with School of Engineering >>> Twitter/X / Instagram / LinkedIn / Facebook Chapters: (00:00:00) Introduction Russ Altman introduces guest Maya Adam, a professor of pediatrics and infectious disease from Stanford University. (00:03:43) From Ballet to Medicine How Adam's background shaped her approach to health education. (00:05:02) Why Stories Work Why lived experience makes evidence-based health recommendations more meaningful. (00:06:17) The Story Creation Process Adam's techniques for creating effective scalable health stories on any topic (00:09:20) Real World Stories Adam shares some particularly challenging topics the team has created stories for (00:11:10) Global Accessibility Designing stories and characters that can resonate across cultures and contexts. (00:12:38) Measuring Impact Using technology to run trials to test and measure impact (00:15:23) Iterating the Message Adapting and changing approaches to create the most effective message (00:17:53) AI and Storytelling How AI is beginning to affect health communication and creative production. (00:19:45) Testing Human vs. AI Art A trial comparing responses to human-created and AI-generated health storytelling. (00:25:42) Human-in-the-Loop AI How AI may best support artists and clinicians by reducing burden rather than replacing (00:27:43) Future In a Minute Rapid-fire Q&A: stories, collaboration, media, and the future of health communication. (00:29:44) Conclusion   Connect With Us:Episode Transcripts >>> The Future of Everything WebsiteConnect with Russ >>> Threads / Bluesky / MastodonConnect with School of Engineering >>>Twitter/X / Instagram / LinkedIn / Facebook Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hal Robinson joins the podcast for a wide-ranging conversation on bass pedagogy, sound, and the practical fundamentals that actually move the needle. Hal reflects on his path from early studies with Paul Ellison to a career that spans major orchestras and shares how working alongside influential musicians like François Rabbath and Edgar Meyer helped shape a flexible, student-first teaching philosophy. We also dig deep into Hal's latest book Hitch-hikin', which is a new look at the concepts Hal explored in his book Boardwalkin'. We dig into pivot health, low thumb position ("thumbage"), shifting under slurs, and why "covering notes" can create more problems than they solve. Enjoy, and check out my looks inside The Quad, Strokin', and Boardwalkin', plus our earlier episode on Wabass. You can learn more about Hal on his profile pages, Curtis, Juilliard, and the McDuffie Center for Strings. Thank you to our sponsor! Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.   Theme music by Eric Hochberg

En ¡Buenos Días, Javi y Mar!, Fernando Martín te hace reír con la Encuesta Absurda. Hoy ha llamado a Laura y le ha hecho estas preguntas: Si miro al cielo de noche y escucho ajjajja ¿hay luna hiena?; si voy a una tienda de caramelos y la dueña se pone a gritar y a hacer cosas sin sentido ¿es de-menta?; Si quiero hacer una maqueta de Ávila en pequeñito y el Ayuntamiento me da permiso ¿me 'avilita'?; ¿Qué le parece que la asociación de egocéntricos haya denunciado que el ballet es una disciplina que los discrimina porque hay que hacerlo con tutú? Escucha la Encuesta Absurda en CADENA 100. 

Listen to Ballet Help Desk ad-free on Patreon: https://www.patreon.com/BalletHelpDesk Riley Weber is back on the podcast. Since leaving a corporate dance brand job, Riley has been speaking more openly about how the influencer side of the dance industry actually works. In this episode, we talk about how influencer income works, from per view payouts to brand collabs, and what actually happens behind the scenes of a sponsored post. We also talk about brand ambassadorships for dance students. What it means when a brand sends a 12 year old free leotards in exchange for content, who benefits from that arrangement, and what it can do to a child's sense of self worth when it gets tied to follower counts and engagement. If you have ever wondered whether your dancer should pursue a brand deal, or whether a large following actually helps with getting hired by a company, this episode covers it. Find Riley on socials: @rileythomasweber  Links: Shop Summer Intensive Essentials Guide Buy Summer Corrections Journals Read Our Ballet School Summer & Year-Round Reviews Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok: @BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

In this episode of Talking Architecture & Design, we speak with Kjetil Thorsen, co-founder of Snøhetta—the Oslo-based, globally recognised practice known for its transdisciplinary approach to architecture, landscape, interiors, and design. From iconic cultural landmarks like the Norwegian National Opera and Ballet to the National September 11 Memorial Museum Pavilion, Snøhetta has built a reputation for projects that blur boundaries between disciplines while prioritising social and environmental sustainability.Kjetil joins us during a milestone visit to Australia, marking ten years of Snøhetta's permanent presence in the region. With projects spanning Brisbane, Sydney and Melbourne, and a keynote at the University of Melbourne, this conversation explores how architecture can shape culture, public life, and collective futures.

Maria Tallchief was a famous Native American ballerina who became one of the best dancers in the world. She was born in 1925 in Oklahoma and was part of the Osage Nation. As a child, Maria loved to dance and practiced hard every day. She moved to New York City to follow her dream and joined the New York City Ballet. Maria amazed audiences with her beautiful performances and was the first American to become a prima ballerina. Her talent and dedication helped make ballet popular in America, and she inspired many young dancers to follow their dreams.

Bassist, composer, and educator Mary Ann McSweeney joins Jason to talk about a career that spans Bay Area roots, L.A. training, and the demanding, ever-shifting world of Broadway and studio work. Mary Ann shares how piano and violin shaped her musicianship, what it took to become a stronger reader, and much more Enjoy, give Mary Ann a follow on Instagram, and check out this feature of her on YouTube: WPL's Jazz Series: Meet Mary Ann McSweeney. Thank you to our sponsor! Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Theme music by Eric Hochberg

If you've ever felt like ballet is the first thing to get dropped when life gets busy, this episode is for you.I'm joined by Rebecca Holden, a fellow adult dancer who is also a wife, a mom to a son with autism, and a full-time manager  and someone who has figured out how to make ballet a consistent, guilt-free part of her life. We get into the real,  stuff: how she protects her training days when everything else is competing for that time, how she deals with burnout, and how she navigates taking breaks.Rebecca is also someone who dances at the same studio as her son who participates in an inclusive movement program there, and that part of the conversation is so special.

New video has surfaced showing Recorder's office employees moving a ballot scanner and moving some provisional ballots. 

Caleb Quillen returns to the podcast to talk about the path that took him from growing up in Sugar Land, Texas, to principal bass of the Boston Symphony Orchestra. Along the way, he reflects on formative teachers, including Dennis Whittaker and Paul Ellison, the influence of the Boston bass tradition, and much more. Check out our text/media version of this conversation and our interview with Caleb from 2016 here, and learn more about Caleb on his Boston Symphony and New England Conservatory pages. Thank you to our sponsor! Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Theme music by Eric Hochberg

Balanced Ballerinas is for adult dancers, teachers, studio owners, and anyone drawn to ballet as a pathway to a more grounded, balanced life. Connect beyond the podcast: Instagram: @thebalancedballerina + @balancedballerinas Substack: https://substack.com/@thebalancedballerina YouTube: https://www.youtube.com/@TheBalancedBallerina Facebook: https://www.facebook.com/thebalancedballerina Thank you for being here — and for being part of this evolving community.

If you have a ballet intensive coming up (or you're thinking about doing one) this episode is your complete guide to showing up prepared, taking care of your body, and getting the absolute most out of the experience.I'm walking you through everything: what to do in the week before (including how much to train, and my best tips for rest, fueling and hydrating), how to pack strategically, choosing your footwear, and how to actually navigate the week itself — the social side, the logistics, the evening recovery, and the mindset stuff. Whether it's your first intensive or your tenth, there's something in here for you.

On today's episode of That Was Us, we're diving into Season 5, Episode 14: "The Music and the Mirror." As Beth questions her future after the collapse of her dance studio, Kate searches for purpose and confidence, Kevin reflects on the life he's building with Madison, and Toby struggles with feeling lost after losing his job. In this episode, the hosts chat about: * Chris's journey from competitive tennis to pickleball * Mandy's evolving relationship with music and finding her way back to singing * Parenting, communication, and helping kids navigate big emotions and boundaries * Beth's emotional journey as her dance studio struggles through the pandemic * Randall learning that sometimes support means showing up rather than fixing the problem * Kevin's disastrous movie screening and growing doubts about his future with Madison * Rebecca and Kate's emotional reconciliation and the healing of old wounds * Toby's struggle with unemployment, pride, and asking for help They're also joined by Abby Romeo and her mother Christine, from Love on the Spectrum, to discuss: * How This Is Us helped them better understand one another * Abby's experience as a Gestalt thinker and why the show's flashback structure resonates with her * The importance of openness and representation when talking about autism * Abby's songwriting process and how music helps her process her experiences And a friendly reminder, you can catch new episodes of That Was Us every Monday, a day early, exclusively on Hulu. Available on Spotify, YouTube, or wherever you get your podcasts on Tuesdays like usual! That Was Us is produced by Rabbit Grin Productions. Music by Taylor Goldsmith and Griffin Goldsmith. ------------------------- Support Our Sponsors: - Don't just take my word for it – go grab one for yourself. Head to Walmart today to try a bar or stock up on 4CTs of your favorite flavors, like Blueberry Pie and Salted Peanut Butter, sold exclusively at Walmart. Check out https://Walmart.com to find a store near you! - You can also find Unreal products anywhere cravings hit, including at Whole Foods, Target, Costco, and other grocery stores Visit https://Unrealsnacks.com/TWU to get $2 off a bag of Unreal. Terms and conditions apply. -------------------------

EPISODE 723 - Terri Lewis - From Ballet to Authorship - Words That Dance, That FlyIn this author conversation, Terri Lewis shares how dance, history, and family have been woven through every stage of her life and writing. Now speaking from Florida while her Colorado garden sleeps under snow, she reflects on the two passions she held in high school: ballet and writing. Knowing a dance career had a limited window, she chose ballet first, becoming a professional dancer and choreographer, then gradually transitioned into writing while honing her craft, learning how to truly tell a story and build a novel.Terri describes the importance of literary community and feedback, encouraging new authors to join critique groups, attend workshops and conferences, and bravely share their work even when it feels vulnerable. She emphasizes kindness and reciprocity in the writing world, urging writers to really listen when asking others about their work rather than talking only about themselves. For her, repeated feedback is a signal: if two people say the same thing, pay attention; if three do, you have a problem to fix. She also shares how one early mentor's simple note affirming that she could write a publishable novel became a treasured encouragement that she still keeps.Her love of history and research runs through her novels. Her first book, inspired by a medieval woman abducted by King John and later reunited with her original fiancé, grew out of her fascination with the everyday lives of people in the Middle Ages rather than just kings and battles. Her second novel began with a candy box of family artifacts: letters, photos, and documents about her grandfather's World War One service, shell shock, and the long fight her grandmother waged to secure his pension. That story, told through both grandparents' perspectives, deepened her understanding of their courage, especially her grandmother's strength in an era when women's choices were tightly constrained.Terri's latest ballet-centered novel draws directly on her own experience as a dancer. It follows two friends and rivals in a 1970s ballet company whose pregnancies unfold on opposite sides of Roe v. Wade, exploring how legal, bodily, and artistic choices shape their careers, relationships, and identities. She aims to show the behind-the-scenes reality of dance: exhausting rehearsals, painful lighting calls, and the emotional strain beneath the glamour, while also portraying the different strengths of her two dancers and how their friendship is tested over time.Throughout the conversation, Terri returns to the idea that mastery in any art takes about ten years, and that you never truly arrive. She is still revising a novel she began a decade ago, recognizing how much she has grown as a writer and how each revision makes the work stronger. She encourages listeners to capture their own family histories with simple tools like audio recorders at gatherings, preserving stories that might otherwise be lost. Key takeaway: Terri's journey shows that creativity is a lifelong practice of persistence, community, and curiosity, where every experience, whether on stage or in the archives of a candy box, can become meaningful story material if you keep showing up and doing the work.https://terrilewis1.com/Send us Fan MailSupport the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

Robert the Devil is a supernatural medieval legend that inspired a 19th-century French opera, which incorporates key elements from a seminal Gothic novel.  The opera and legend are substantially different but both interesting. We begin with Giacomo Meyerbeer’s 1831 opera, Robert le diable, which gained notoriety for a ballet sequence in Act III, which portrays an attempted seduction of the hero, Robert, Duke of Normandy, by the ghosts of corrupted nuns, freshly risen from their crypts. The scene is not found in the original legend, but as we learn, was borrowed from a particularly sensationalistic early Gothic novel,The Monk, written by Matthew Gregory Lewis in 1764.   We also learn that Meyerbeer's chief librettist, Eugène Scribe later went on to crib another storyline from Lewis’ The Monk for the 1854 opera by composer Charles Gounod, La nonne sanglante (“the bloody nun”). Rendering of cloister set for Paris Opera premiere. Along the way, we learn how Robert le diable helped save the financially imperiled Paris Opera after its royal subsidy had been withdrawn following the July Revolution of 1830.  Along with public curiosity about the scandalous ballet, ticket sales owed much to the 19th-century equivalent of special effects — flashy and innovative stagecraft (new gaslight design, trapdoors, floating will-o-the-wisps, etc.) and a spectacular set replicating a ruined gothic monastery. Hans Christian Andersen, George Sand and Frédéric Chopin lavishly praised the production. Honoré de Balzac and Alexander Dumas worked mentions of the opera into their novels. Edgar Degas painted not one but two renderings of the Ballet of the Nuns. Edgar Degas’ rendering of the “Ballet of the Nins” The opera also gave birth to a new style of ballet, one linked to Romanticism's interest in the supernatural: ballet blanc, “white ballet” named for the innovative long, flowing skirts that lent themselves to wafting movements suggestive of misty wisps moving in the darkness. The opera’s 1847  London premiere was attended by Queen Victoria and featured superstar soprano Jenny Lind as Robert’s sister.  Traffic came to a standstill as unruly spectators mobbed the streets hoping for  glimpse of either celebrity. The second half of our episode tells the original story of Robert the Devil.  It first appeared around 1250, sketched out in short form by the Dominican monk, Étienne de Bourbon, in a collection of exempla, or moral tales intended to be used by priests in their homilies.  A couple decades later, details were filled out in a longer, anonymous  poem, preserved in France's National Library. Then by the late 14th century, it was rendered as a miracle play in “Forty Miracles of Our Lady,” commissioned by a guild of Parisian goldsmiths. By 1500, the story had arrived in Britain. That year, Wynkyn de Worde, assistant to pioneering London printshop owner Thomas Caxton, issued a chapbook prose translation hewing close to the French 14th-century poem. I found the Wynkyn de Worde text reproduced in a handsome 1904 volume complete with line illustrations, decorative initials, and borders reminiscent of the Arts and Crafts books of William Morris.  As promised in the episode, here is the link to that book: Robert_the_Deuyll.pdf.  (Visit the show notes on the Bone and Sickle website if you can’t click link). As for the  story itself, it’s best you enjoy it without spoilers as told by Mrs. Karswell.  It’s full of demonic wrath, battles, court intrigue, miracles, pathos, and a very and prolonged peculiar penance.  All told in charming 16th-century language with all the little sound-design extras you’ve come to expect from Bone and Sickle.

Photo credit: Oscar Benjamin Berg Bassist, improviser, and genre-crosser Georgia Wartel Collins joins us today to talk about the winding path that led her to New York, via Gothenburg, Trondheim, and Amsterdam, and how a deeply musical family shaped everything from early street performances to a life that's always moved freely between styles. Georgia also shares how rock and grunge became real creative fuel alongside a love of melody, and why the upright bass, alive and changing every day, keeps offering new colors to chase. Enjoy, and follow along with Georgia and her very cool work on her website and Instagram! Thank you to our sponsor! Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.   Theme music by Eric Hochberg

Patricia Delgado: From Principal Ballerina to Tony Award Winner Growing up Cuban-American in Miami, Patricia Delgado found her love of performance early and spent seventeen years with Miami City Ballet, a decade of that as a principal dancer. But when she faced a series of injuries, she was forced to confront a question she wasn't ready to answer: what comes next? In this episode, Patricia opens up about the physical and emotional toll of stepping away from the only identity she had ever known, how she found her way into choreography alongside her husband Justin Peck, and what it meant to reconnect with her Cuban roots through the Broadway hit Buena Vista Social Club, leading her to be the first Latina to win a Tony Award for Best Choreography. Chapters: 00:00.200 Welcome to She Pivots 02:54.283 Patricia's Dance Journey Begins 08:43.880 First Introduction to Theatre 17:38.000 Navigating Ballet's Challenges 30:06.560 Patricia's Final Ballet Bow 38:22.079 Buena Vista Social Club 41:53.880 Tony Award Triumph and Its Significance 44:50.480 The Power of Visibility in Choreography 48:20.400 Embracing Change and Future Possibilities 50:22.080 Reflecting on Patricia's Pivot Story 51:22.200 Podcast Credits You can keep up with Patricia Delgado on Instagram @pattiedeldancer Don’t forget to tune into the Tony’s this Sunday, June 7th at 8pm on CBS and Paramount+ Be sure to subscribe so you never miss a pivot story, leave us a rating (it really does help!), and share this episode with a woman in your life who you think needs a little inspiration. She Pivots is a podcast created by host Emily Tisch Sussman to highlight influential women voices, share stories of bold career moves, and inspire women with interviews about career reinvention and how personal pivots can redefine professional success. Join our Substack community! Subscribe here for exclusive content and to connect with other pivoters: shepivots.substack.com Learn more about the inspiring women in our pivoter community by following us on instagram @ShePivotsThePodcast, and check out our website shepivotspod.com for resources and updates. She Pivots is proud to be an iheart podcast.Support the show: https://www.shepivotsthepodcast.com/See omnystudio.com/listener for privacy information.

We learned a lot about Chris D'Angelo last week and even heard from his sister, but this was TRULY Chris D'Angelo week on J! as he has a fantastic run of games and earns his way into the Tournament of Champions. We also get a contender for Response of the Year, it's a tough week for anecdotes, Emily works on her French accent, and we dive deep on Pilates. If you wanna really stretch out with our podcast, why not join the Patreon? You'll get a new bonus episode every single month, access to our entire back catalogue of bonuses, and access to our Discord, where last week a live play game with three former J! champs from there went up on the Patreon just for fun. Cool stuff is happening all the time and it's a great way to support the show, so head on over to patreon.com/jeopardypodcast and join today! SOURCE: Sports Illustrated: "Joe Pilates: Learning to Be An Animal" by Robert Wernick; Knockaloe Charitable Trust: "Joseph Pilates" Special thank you as always to The Jeopardy! Fan and the J-Archive. This episode was produced by Producer Dan. Music by Nate Heller. Art by Max Wittert.

In episode74 of the Princeton Podcast, Mayor Mark Freda sat down with Julie Diana Hench, the Executive Director of the Princeton Ballet Society, for an in-depth discussion about the nonprofit organization's three distinct but unified parts: the American Repertory Ballet, the Princeton Ballet School, and their Access & Enrichment Program.Julie discusses the rich history and vital mission of the Princeton Ballet School, the official school of the American Repertory Ballet. She highlights the school's significant and enduring popularity within the Princeton community.Julie also discusses the American Repertory Ballet, focusing on its prestige, the world-class reputation of its artistic directors, and the exceptional talent of its company of professional dancers. The discussion also highlights the relationship between American Repertory Ballet, the Princeton Ballet School, and the organization's community-focused Access & Enrichment programs.00:00 Meet Julie Diana Hench00:05 Three Programs Explained01:00 Origins of the School02:49 Mission and Leadership04:50 Inside the Company05:38 Auditions and Training07:34 Shows and Community Events10:04 Classes for Everyone11:42 Access and Enrichment Impact14:59 Nonprofit Structure and Board16:39 Jobs Volunteers and Live Music19:00 Why Dance Matters20:37 How to Support and Visit21:56 Locations and New Brunswick Performing Arts Center23:47 Trainee Program Rigors25:38 What's Next and Wrap Up

Send us Fan MailGuests - Robb Gibbs, Brittni Johnson, and Anonymous SubmissionsHosted By - Courtney Ortiz and Lesley MealorTo close out Season 7 of Making the Impact, we are getting real about the often unspoken truths in the dance competition judging space. Veteran IDA judges Robb Gibbs and Brittni Johnson, as well as anonymous submissions from judges around the country, share what it can really be like during those long weekends behind the table. Spoiler alert - sometimes it's not pretty. This is the first episode of a two episode series, so stay tuned for part 2 releasing as a summer bonus episode in June!Topics Include:Discussing the reasons we love judging - and the reasons that it becomes harder and harder each seasonTravel nightmares and lodging snafus - all to save a dollarThe realities of trying to stay true to your values while adhering to company policiesHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceRobb Gibbs - @robb.gibbsBrittni Johnson - @being_brittni, @alignment.in.danceCheck out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Send us Fan MailHosted By - Courtney Ortiz and Lesley MealorThat's a wrap on Season 7 of Making the Impact - A Dance Competition Podcast! Thank you to all our loyal listeners who have been here since the beginning for all your support, and to our new fans who have joined us this year! We can't wait to share season 8 with you - but for now, happy summer!MARK YOUR CALENDARS: Season 8 is scheduled to release on Thursday, September 3rd, 2026.Topics Include: Favorite episodes of Season 7 Info on summer bonus episodes What's new for Season 8Help support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceImpact Dance Adjudicators - @impactdanceadjudicators Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Sometimes you can get everything you want as a dancer, only to discover the reality is quite different from what you imagined it would be. In this episode, author and former dancer, Rym Kechacha, shares how that realization shaped her own journey, from early ballet training in London to dancing professionally with Northern Ballet, where touring life was both joyful and intensely demanding. She reflects on what it felt like to end her career as a dancer earlier than expected, and how that ending opened the door to a new creative identity. Rym traces her path into teaching, studying creative writing, and eventually publishing fiction, shaped by a lifelong love of books and fantasy. Our conversation explores her latest novel, The Apple and the Pearl, a ballet-inspired fantasy that captures both the beauty and cruelty of the stage world, blending realism with folkloric and fantastical elements. Thoughtful and candid about reinvention, artistry, and creative freedom, Rym offers her insights on what happens when one dream ends and another begins. Listen in for a rich discussion on dance, writing, and the stories that carry us forward! Key Points From This Episode: Rym's upbringing in London and her love of dance from a young age. How she persuaded her parents to let her attend ballet school at age 16. The demanding daily schedule of life at Central School of Ballet. Figuring out her plans after Ballet School and how her love of story ballets guided her. How she joined Northern Ballet and what it was like touring with the company. The serious impact of arts funding cuts and austerity measures in 2010. Losing her place at Northern Ballet: why it was both sad and liberating. What Rym did next in her career: travelling, au pairing, and becoming a teacher. How she rediscovered writing, earned her creative writing MA, and published her first novel.  Reflections on the challenges of publishing and how ballet prepares you for rejection. Her experience writing her latest book, The Apple and The Pearl, and how it relates to ballet. A closer look at her upcoming novels, from Algerian history to London folklore and fantasy. Rym Kechacha is a former dancer, now writer from London, UK.  For more on Rym & this episode: Movers & Shapers: A Dance Podcast Follow us on Instagram & Facebook  

Jera Wolfe is a Canadian dancer and choreographer whose world premiere mainstage production, Kismet, will open with The National Ballet of Canada later this month. Jera speaks with Tom Power about the themes of destiny and ambition in Kismet, what he looks for in the music he works with, and why it's okay if audiences don't fully “get” contemporary ballet.

Listen to Ballet Help Desk ad-free on Patreon: https://www.patreon.com/BalletHelpDesk Does your dancer need elite training to have a shot at a top college? But what does elite actually mean? Is it competition wins? A company-affiliated school? The right summer intensives? And does the answer look the same whether your dancer is pursuing a BFA or a non-dance degree? College and career specialists Francisco Gella and Julie Friedrich of Francisco Gella Dance Works have guided hundreds of dancers down both routes. This is Part 1 of a two-part conversation. In Part 1, we dig into the real differences between the BFA route and the academic route. We talk about why your school's college counselor may not understand this world and what "Olympic level" actually means when elite universities evaluate a dancer's background. We also look at why competition results carry less weight in academic admissions than many families expect, and a distinction that confuses a lot of families: the difference between a dance portfolio and a dance supplement, and what each one is actually for. The 2026 workshop schedule will be announced on or before August 1, 2026. If you are interested in receiving an announcement when registration for the Fall Virtual Workshops opens, please email collegeprep@franciscogelladance.com. Links: Summer Intensive Essentials Guide Buy Summer Corrections Journals Read Our Ballet School Summer & Year-Round Reviews Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok: @BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

we took the most intense beginner ballet class in the world, we're trying to prevent alzheimers, and we're celebrating AAPI month! nami matcha ⭐️

we took the most intense beginner ballet class in the world, we're trying to prevent alzheimers, and we're celebrating AAPI month! nami matcha ⭐️

This week, we are off the couch and in the dojo on location at the National Wushu Training Center in Los Angeles with Wushu masters Coach Matt and Kenny Leu. We discuss all things wushu: what it is, the history, why you should do it, and how it can transform your life. Learn more at trainwushu.com or their IG and follow Coach Matt Osborne & the amazing Kenny Leu!Watch this ep on YouTube!

Send us Fan MailGuests - Summer Aiello & Shannon ThomasHosted By - Courtney Ortiz and Lesley MealorOur final throwback episode is one for the dance moms out there! Being a dance parent requires learning a lot of new information, from theatre etiquette to competition structures. But one thing that's not covered in any studio handbook is how not to be a stage mom. Join studio owner Shannon Thomas and veteran dance mom Summer Aiello for this informative chat! This episode originally aired on March 24, 2022. Topics Include:Understanding boundaries between your dancer and your studio ownerLearning what is acceptable dance parent behaviorHow to stay involved without pushing limitsHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceSummer @SummerbelliesShannon @legacydance386This episode is sponsored by:Check out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show