Podcasts about Ballet

In this episode, we sit down with Andy Anderson, the newly appointed Clinical Assistant Professor of Double Bass at the University of Illinois Urbana-Champaign. With over two decades of experience performing with some of Chicago's most prestigious ensembles, Andy brings a wealth of knowledge and passion to his teaching role. Enjoy, and check out Andy's past podcast appearances here. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.   Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!   Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

Screenwriter Samantha Strauss on her grandmother's vibrant last years in a Gold Coast retirement home where love, sex and startlingly pragmatic conversations about dying were all part of daily life. (CW: not suitable for children) (R)Samantha Strauss started dancing from the age of 2, and as she grew up, she became increasingly serious about it.Sam was 18 when her budding ballet career was cut short by a shocking injury.After a year on the couch recovering, she reinvented herself.A few years later, inspired by the story of her own life in ballet, she co-created a TV series called Dance Academy.Dance Academy went on to screen in 160 countries, with Sam as the head writer across the 65 episodes.Sam's next show, The End, was set partly in a Gold Coast retirement village.Samantha got the idea as she watched how her own Grandmother's life changed after moving into a similar place at the end of her life.She expected to hate it, but eventually she found a circle of friends who partied hard and talked freely about love, sex, and death, including experimenting with making their own Nembutal.Further informationOriginally broadcast April 2021.Samantha has since won a Logie for her work on the Netflix program Apple Cider Vinegar, based on Belle Gibson's life.This episode was produced by Nicola Harrison. The Executive Producer was Carmel Rooney.It explores Belle Gibson, wellness, scam, scammers, Philip Nitschke, exit international, VAD, voluntary assisted dying, nursing home, aged care, grandparent grandchild relationship, sick parent, writing, being a writer, dance career, LA, Los Angeles, film industry, connections, Australians in LA, actors, nudists and naturalists.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

Guests - Karli Dinardo and Tatiana NuñezHosted By - Courtney Ortiz and Lesley MealorIn Episode 241 of Making The Impact - A Dance Competition Podcast, we take an inside look at a day in the life of a Broadway dancer. Karli Dinardo and Tatiana Nuñez give us the scoop on everything from booking the gig to what it's like to be in a long-running show.Topics Include: The audition process for Broadway How to take care of yourself on two show days and 8 shows a week What other responsibilities might be included in a Broadway dance jobHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceKarli Dinardo - @karlidinardoTatiana Nuñez - @tatinunez143This episode is sponsored by:Check out IDA-affiliated event Uproar Dance Competition and Convention! Find out more about their 2025-2026 season at www.danceuproar.comCheck out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Today on Conversations on Dance, we hear about a new documentary film about ballet and war in Ukraine, "The Sky Was On Fire." We are joined by the film's Producer Julie Meyer and EP/DP Michael Murray. Julie and Michael tell us about how this story came to them, how they built trust with the subject's of the film, why they feel these stories are important to tell, and how they hope the film will make an impact. At the end, Michael talks about an organization that is raising money for Ukraine called, Razom for Ukraine. You can find more information and make a donation at https://www.razomforukraine.org/Watch the trailer here. Adrenaline Films: https://adrenalinefilms.com/Listen to Conversations on Dance ad-free on Patreon: https://www.patreon.com/cw/conversationsondanceLINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.

Petal Ashmole Winstanley was just a teenager when she left Perth on her own to sail to London. There, in the swinging 1960s, she began her wild adventure of dance, love and heartbreak.Petal got her first big dancing break in a Christmas pantomime, and then she had a spin as a Go-Go dancer in a Parisian nightclub, before eventually working her way into some of the most prestigious ballet companies in the world.Along the way, Petal fell in love with three great men, and she lost them all under brutal circumstances.Get Up, Dress Up, Show Up: Lessons in Love and Surmounting Grief is published by Grosvenor House.This episode of Conversations was produced by Meggie Morris, executive producer is Nicola Harrison.It explores ballet, dancing, United Kingdom, Dancing with the Stars, love, relationships, marriage, career women, death, grief, loss of a spouse, sexuality, lavender marriages, 1960s, hippies, free love, Western Australia, South Africa, apartheid, genocide, Canada, couples who work together, dating in later life, how to date in later life, online dating after 70, bravery, courage, HIV AIDS, STI, divorce, memoir, writing, books, origin story.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

In this episode of the OutThere Colorado Podcast, Spencer and Seth chat about a recent appearance of the Northern Lights in Colorado, Trump pardoning a professional trail runner for illegal trail use, the revival of ski ballet, how reintroduced wolves are dying, cutting down your own Christmas tree, a new Olympic sport, and more.

In this episode of YAS Podcast, host Princess Marx, along with producer AM Davies, delve into the multifaceted life of their guest, Vampiress, a featured performer, dominatrix, and former ballet dancer turned circus artist. Vampiress shares her journey from ballet training in Russia to becoming a touring performance artist known for her fiery shows. She discusses the emotional toll of her work, the critical importance of aftercare in domme sessions, and the misconceptions about the adult industry. The conversation also touches on the differences between lifestyle and professional dommes, the evolution of financial domination (findom), and the need for better representation and support for sex workers. The episode concludes with Vampiress sharing her future aspirations and a heartfelt message on the importance of community support and empathy in the industry.00:00 The Emotional Weight of Sex Work00:44 Welcome to YAS Podcast01:14 Meet Our Hosts and Guest01:48 Vampiress: A Multifaceted Performer03:16 From Ballet to Fire Performances04:38 A Journey Through Ballet Training05:49 Overcoming Adversity Through Dance08:13 Exploring the Adult Industry08:40 The Role of Kink in Healing11:34 Understanding the Domme-Sub Dynamic13:09 The Importance of Aftercare14:45 Professional vs. Lifestyle Dommes16:49 Misconceptions About Dominatrixes22:26 The Ethics of Findomming25:49 Acknowledging Support and Advocacy26:17 Power Exchange Beyond the Playroom26:40 Everyday Life and Helping Others27:51 Misconceptions About the Adult Industry28:05 The Reality of Featuring and Domme Work32:26 Explaining Featuring and Its Dynamics39:42 Touring and Future Plans40:12 Circus Background and Skills45:01 Supporting the Industry and Final ThoughtsFollow Vampiress on InstagramFollow Princess Marx on InstagramFollow Princess Marx on XDonate to our work ⁠YAS Work Instagram⁠⁠YAS Work BlueSky⁠⁠YAS Work Twitter⁠⁠YAS Work YoutubeYASStore.Shop

Happy Wednesday EICuties! This week it's something a little bit special- Everything Is Content went on tour! For this week's midweek episode we went to Sadler's Wells East in Stratford, a brand new theatre for dance, that is (in their words) "home to everything from hip hop to ballet, rave to rhumba and kathak to krumping."For this week's content school trip we were toured around Sadler's Wells East by dance artist Liam Riddick, who talks us through the basics of ballet, Sadler's Wells' ethos, the future (and past) of dance and why the aesthetics of this dance has been so pervasive in today's wider culture.Thanks for listening! We so appreciate it! O, R, B xxxxIn collaboration with Sadler's Wells. Show notes / Further readingWelcome to Sadler's Wells East Sadler's Wells- Academy Breakin' Convention FAQsSadler's Wells - What's On Barbican - The Seagull Instagram - ModelsDoingBallet Hosted on Acast. See acast.com/privacy for more information.

What happens when ballet stops being your whole identity, and starts becoming your joy again?In this heartfelt conversation, Hannah talks with Kelsey, adult ballet dancer and founder of Rose & Clay Jewelry, about rediscovering passion, balance, and creativity when life takes an unexpected turn. Kelsey shares how her relationship with ballet has evolved from pre-professional burnout to dancing purely for joy, and how in a season of disappointed hopes, she found creative fulfillment in building a boutique jewelry business.We talk about how the adult ballet community is redefining what it means to be a dancer, the benefits of not being a professional, and the beauty of building a multi-passionate life. If you need to be reminded of the importance of your creative dreams and the value of embracing your unique path, this episode is for you. ✨ Use code AFTERCLASS for 10% off at roseandclayjewelry.com

In this inspiring episode, Tara welcomes Brynn Putnam, a former professional ballerina turned tech entrepreneur and founder of innovative tech companies Mirror and Board. Her new venture Board is a family game night platform that blends digital and physical gaming to bring families closer together. Brynn shares the fascinating journey that took her from the world of dance to the world of innovation, explaining how creativity, discipline, and resilience shaped her entrepreneurial path. As a mom and business leader, Brynn opens up about how motherhood transformed her perspective on success and time. She discusses the ongoing challenge of managing work and parenting, the importance of being fully present with her family, and why she now values quality time over quantity. Together, Tara and Brynn dive into the modern pressures mothers face, from unrealistic societal expectations to the lack of structural support for working parents. Brynn also offers empowering advice for aspiring female entrepreneurs, emphasizing that great ideas often start from personal frustration, which can spark incredible creativity. She reminds moms that it's okay to give themselves permission to rest, recharge, and step away from their children without guilt. Through her story, Brynn shows that it's possible to build something meaningful, for both your family and your career, when you follow your passions and redefine what "balance" really looks like for you. Links: https://board.fun/ https://www.instagram.com/board.fun https://x.com/BrynnPutnam  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

After Hurricane Katrina devastated New Orleans in 2005, many wondered: Is a city below sea level worth rebuilding? Answers to that question came in the form of music and dance collaboration, featuring the company Bodytraffic and The Preservation Hall Band. Now, on the 20th anniversary of Katrina, the New Orleans Ballet Association is reviving the performance “Why New Orleans Matters.” We hear from NOBA executive director Jenny Hamilton and choreographer Trey McIntyre for more. Today, November 11th, is Veterans Day, a time to honor those who have served our country in times of armed conflict. And many Louisiana servicemen held a rather peculiar role during World War II. While many French-speaking Cajuns were outcasts as children, their bilingual abilities gave them a powerful tool during World War II. They translated documents, deciphered messages and spoke directly to French-speaking Europeans.Jason Theriot is the author of the three-volume book, “To Honor Our Veterans: An Oral History of World War II Veterans From the Bayou Country.” Last year, he began The Frenchie Podcast, a series that dives into the individual contributions of these service members. He spoke to WRKF's Adam Vos for more. __Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App, and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

Dry humping in a cruise ship pool. Ballet dancers in tights. Erotic fiction and sex dreams. The women are horny, ok? Thankfully, there’s a fridge full of Lite n’ Easy to cool things down but honestly, where’s Darrell Lea when you need it? Three women remain. Grab your sunnies and SPF 50, because Sunny’s coming in blindingly hot!See omnystudio.com/listener for privacy information.

durée : 00:06:05 - Dans les coulisses de la création du ballet « Deep in memory » - par : Sofia Anastasio - À partir du 21 novembre, l'Opéra-Comique accueille «  Deep in memory ». Créé en Chine, ce ballet raconte le massacre de Nankin perpétré par l'armée japonaise dans l'ancienne capitale chinoise, lors de la guerre sino-japonaise en 1937. Rencontre avec l'équipe artistique, à Nankin et Pékin. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Guests - Drew Burgess and Lisa Curatolo TurpinHosted By - Courtney Ortiz and Lesley MealorToday's throwback episode brings us back to 2024 with a conversation about pirouettes! Like we always say on the pod, good technique never goes out of style, and that goes for pirouette technique too! Enjoy this chat with two experts on pirouettes! This episode originally aired on February 22, 2024.Topics Include: How to set yourself (and your students) up for success when teaching pirouettesOpinions on the best prep position for certain turnsThe importance of knowing your audience when choreographing turns Help support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceDrew Burgess - @drewdancesLisa Curatolo Turpin - @lisacuratoloturpinExpressenz Dance Center - @expressenzThis episode is sponsored by:Check out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

In this episode, renowned bassist and educator Gaelen McCormick joins us to discuss her newly released annotated edition of Franz Simandl's 30 Etudes, published by Carl Fischer. For over a century, these etudes have been a cornerstone of double bass pedagogy. Gaelen's fresh annotations bring new insights and perspectives to this essential collection. Check out Gaelen's past podcast appearances here and pick up a copy of her new Simandl edition here. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!   Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

There's no such thing as a perfect path in ballet, and few people know that better than Francis Veyette, Co-Founder of the Veyette Virtual Ballet School. In part 2 of this episode of #NoThirds, Fran continues to discuss the ups and downs of a dance career, how setbacks can create unexpected growth, and why parental support and trust are critical along the way. He also explains how dancers can better navigate feedback, understand company dynamics, and use peer networks to stay informed. It's a candid look at the messy, unpredictable reality of building a career in ballet, and how to make the most of it. Interested in working with Fran at Veyette Virtual Ballet School? Check out our Back to Dance Guide for an exclusive discount. Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

4:20 pm: The Jordan School District Board recently approved a $700,000 bid to build a greenhouse at Herriman High School, which has raised the ire of some parents in the district. One of those parents, Shawn Mathis, hopes to get the approval overturned and joins the show to discuss his concerns.4:38 pm: Salt Lake County Councilwoman Aimee Winder Newton joins the program for a conversation about a controversial decision by the council to close several county-operated daycare centers at the end of the calendar year.6:05 pm: Chase Jennings, Founder of the Jennings Strategy Group and a former spokesman for the Department of Homeland Security, joins the show to discuss his piece for RedState on how the GOP must learn to win elections without Donald Trump on the ballot.6:38 pm: Adam Coleman, Founder of WrongSpeak Publishing, joins Rod and Greg to discuss his piece in the New York Post about how the Democratic Party is giving in to radicals like Zohran Mamdani.

Choreographers and Pacific Northwest Ballet Dancers Amanda Morgan and Christopher D'Ariano discuss how they decided to become professional dancers, how much of dance is drive versus talent, and how we can encourage our kids to pursue their dreams. Their new work, AfterTime, has its world premiere this weekend to kick off PNB's In the Upper Room repertory program. Info at PNB.org

Avant Chamber Ballet is redefining what a regional ballet company can be – performing with live musicians, championing diversity and dancer wellness, and connecting with audiences far beyond traditional theaters. In this episode, Artistic Director Katie Puder and School Director Madelaine Boyce share how they've built a company that's both artistically ambitious and community-minded. They discuss Avant's mission to make ballet more accessible across Dallas, why live music matters, and what makes their trainee program unique. You'll also hear their honest take on college vs. trainee paths, the realities of running a small company, and what today's dancers need to know about navigating the professional ballet world. Tune in to hear what it takes to start, and sustain, a ballet company that does things differently. Learn more about Avant Chamber Ballet on their website Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok: @BalletHelpDesk  

Ever wonder what makes a truly great ballet student? The kind of student who gets the most out of their classes, and experiences growth and improvement over time? In this episode, I sit down with Julie Leung of Broche Ballet to talk strategies and tips adult dancers can use to be a great student and experience more progress and fulfillment in the studio as a result. Julie shares the habits and mindsets she personally uses to be successful, the common misconceptions that hold adult dancers back, and how to get the most out of every class and private lesson — no matter your level.Whether you're working toward your first clean pirouette or preparing for an adult ballet performance, this conversation will help you approach your ballet training with confidence, purpose, and a renewed love for the learning process.So grab your notebook (you'll hear why

We talked to character and sketch performer, Sydney Duncan! Jason talks to Sydney about her unique journey from being a professional ballet dancer to becoming a comedian in the improv and sketch comedy scenes. Sydney shares her struggles and triumphs, discussing her transition into comedy, her experiences in the New York improv scene, and her notable impersonations like Kamala Harris. She also delves into her time on Wild 'N Out, the audition process for the show, and the importance of preparation. The thrilling talk covers lessons she's learned, the value of asking for help, the impact of living a well-rounded life outside of one's art, and maintaining joy in the pursuit of a comedy career. This conversation is an inspiring look at dedication, growth, and finding your place in the performing arts. Get tickets to her NYC Comedy Festival show WOC: nycomedyfestival.com/lineup/woc-wigs-of-color/ TikTok: @SydneyDuncanOnEm, @JasonFarrToks Instagram: @SydneyDuncanOnEm, @ThereItIsPod, @JasonFarrPics  Threads: @ThereItIsPod, @JasonFarrPics Facebook: @ThereItIsPod  Subscribe to our comedy newsletter: https://mailchi.mp/e22defd4dee2/thereitis

This Week on the Show: Banter - Horror Movies & Spooky Season Stuff (2:00) Impressions - Ninja Gaiden 4 (23:00) Impressions - Dying Light: The Beast (43:20) Impressions - Once Upon a Katamari (1:08:00) Impressions - Slots & Daggers (1:24:25) 4Player Minute (1:34:50)

Ripley's Believe It Or Not - 1 Minute Episodes xx-xx-xx (346) Ballet Star

Interview Date: May 11th, 2025Houston Ballet soloist Jacquelyn Long traces her path from living-room pliés with her mom (a former pro) to summer intensives, HBII, and the main company. She shares how relationships and coachability shaped her trajectory, why modern/contemporary versatility now matters as much as classical technique, and how social media helps—but shouldn't replace—the messy, vital process. We dig into audition materials, the “right” photos, favorite roles (Sylvia! Cinderella!), life as a working ballerina (weekly schedule, contracts, AGMA, benefits), pointe-shoe realities, nerves and mindset, longevity habits, and her growing passion for choreography. Plus: where to see her onstage next and practical encouragement for dancers finding their own path.Show Notes:(0:41) - Intro & bio; welcome Jacquelyn Long (2:20) - How she started; early training at home (2:24) - Mom steps back; Janina trains until 11 (3:14) - Houston Ballet intensives begin at 14 (5:31) - “Go where you're liked” scholarships lesson (6:49) - Relationships, coachability, work ethic matter(12:20) - Be versatile: modern/contemporary equals ballet (14:03) - Social media's role; process over perfection (16:03) - Audition toolkit: video, resume, show both styles (18:49) - Best photos: true headshot, first arabesque (20:32) - Favorite roles; Sylvia, Cinderella, new premieres (22:21) - Business mindset: many paths, trust timing (25:38) - Next chapter: choreography alongside performing (45:16) - Contracts, AGMA, pay cadence, key benefits(54:55) - Pointe shoes: custom Bloch, company-paid(57:46) - Final advice; where to see Houston BalletBiography:Jacquelyn Long began her ballet training under the direction of her mother, Suzanne Lownsbury, and Janina Michalski at Ballet Virginia. In 2010, she joined Houston Ballet II (HBII). After two years in the second company, Jacquelyn joined Houston Ballet as a Corps de Ballet member in 2012. Ms. Long was promoted to Soloist in 2016.Ms. Long has performed leading roles such as the title role in Stanton Welch's Sylvia; Hermia in John Neumeier's A Midsummer Night's Dream; Gamzatti in Stanton Welch's La Bayadère; Myrtha in Stanton Welch's Giselle; Sugar Plum Fairy and Clara in Stanton Welch's The Nutcracker; Valencienne in Ronald Hynd's The Merry Widow; Carabosse and Princess Florine in Ben Stevenson's The Sleeping Beauty; Snow Queen in Ben Stevenson's The Nutcracker; Miranda in Stanton Welch's Romeo and Juliet.  She has also danced featured roles in George Balanchine's Serenade, Emeralds, Concerto Barocco, and Symphony in C; Jiří Kylián's Stepping Stones, Dreamtime, and Wings of Wax; Justin Peck's Year of the Rabbit and Under the Folding Sky; William Forsythe's Artifact Suite and In the middle somewhat elevated; Jorma Elo's ONE/end/ONE; Jerome Robbin's Fancy Free; Stanton Welch's Divergence, Paquita, Velocity, Maninyas, Tapestry, and Son of Chamber Symphony.Ms. Long was also featured in the Dancer's Spotlight of the 2013 October/November issue of Pointe Magazine and in the 2013 February issue of Dance Spirit Magazine.Connect on Social Media:Website - https://www.houstonballet.org/Instagram - https://www.instagram.com/jac_long/

This episode is a heartfelt, honest, conversation between Stacey Morgan and Rhee Gold, all about the real work of running a successful dance studio and living a life you love. From the launch of Gold Alliance to growing the next generation of confident, profitable, and legacy-led studio owners, Stacey and Rhee dive into the evolution of this flagship program—and the mindset shifts needed to build something sustainable and joyful. You’ll hear: ✨ How Gold Alliance evolved from a pandemic support hub to a powerhouse leadership group✨ Why creating space, rest, and freedom for studio owners is no longer optional—it’s essential✨ The difference between hustle for hustle’s sake… and building systems that give you back your life✨ How “moms” (or “mums”!) can be your biggest allies—if you lead with clarity and confidence✨ Real talk on money, boundaries, marketing, and letting go of the wrong-fit clients✨ A behind-the-scenes look at Gold Alliance 2.0 and how it’s creating powerful pathways for newer studio owners This episode is packed with encouragement for anyone who’s ever wondered: Can I do this differently? Can I actually create a business that works for me, not just because of me? The answer: YES. You can learn more about the Gold Alliance at rheegold.comSee omnystudio.com/listener for privacy information.

durée : 01:58:32 - Opéra symphonique III : le ballet - par : Christian Merlin - Troisième volet de notre mini-série sur les pages symphoniques où, dans un opéra, les voix se taisent pour laisser place à l'orchestre : après les interludes, place au ballet, essentiel de l'opéra baroque au Grand-opéra à la française du XIXe siècle. - réalisé par : Arthur Rayrole Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Do you ever feel like you're stuck in the loop of always being busy? Like rest is something you’ll earn “one day” when you’ve ticked off every last task? In this honest, warm, and wonderfully real episode, Stacey Morgan and Rhee Gold explore the dopamine-driven habits we all fall into—especially as studio owners—and how we can rewire our routines to prioritise what really matters. From addiction to Instagram scrolling, to running ourselves ragged trying to “do it all,” Stacey and Rhee talk about: ✨ The impact of our phone habits on productivity, presence, and parenting✨ How rest (yes, actual rest!) became one of Stacey’s core values✨ What you might be missing when you constantly chase “the next thing”✨ Rhee’s insights on the joy of doing nothing, and the guilt that sometimes comes with it✨ The truth about studio ownership: the hamster wheel, the pressure, and the need to pause✨ Practical ways to realign your time with your values—and lead by example If you've been craving space, clarity, and permission to slow down, this is your sign. Because rest isn’t a reward for working hard—it’s the fuel you need to keep showing up for the things you care about most.See omnystudio.com/listener for privacy information.

Bienvenue dans ce Mangacast Mini Omake n°137. Aujourd'hui, on vous parle d'un titre des éditions naBan: Le Ballet des cœurs !

Zain Johson, in for Pippa Hudson, speaks to Eduard Greyling, a true South African ballet legend, whose extraordinary career has inspired generations. Lunch with Pippa Hudson is CapeTalk’s mid-afternoon show. This 2-hour respite from hard news encourages the audience to take the time to explore, taste, read and reflect. The show - presented by former journalist, baker and water sports enthusiast Pippa Hudson - is unashamedly lifestyle driven. Popular features include a daily profile interview #OnTheCouch at 1:10pm. Consumer issues are in the spotlight every Wednesday while the team also unpacks all things related to health, wealth & the environment. Thank you for listening to a podcast from Lunch with Pippa Hudson Listen live on Primedia+ weekdays between 13:00 and 15:00 (SA Time) to Lunch with Pippa Hudson broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/MdSlWEs or find all the catch-up podcasts here https://buff.ly/fDJWe69 Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Guests - Michelle Leagans and Jessica OlinikHosted By - Courtney OrtizIn Episode 239 of Making The Impact - A Dance Competition Podcast, we hear from two dance educators about the technique and power behind every great jumper! From tour jetés to switch leaps to flying discs, this episode covers your favorite jumps and leaps with helpful hints to take you to new heights!Topics Include: How to achieve maximum suspension in jumps and leaps The proper preparation for a variety of jumps and leaps Our favorite jumps and leaps to perform and to see on stageHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizMichelle Leagans - @michelleleagansJessica Olinik - @jwodanceThis episode is sponsored by:Michelle Leagans's "Hey Dancers...Let's Talk About It!" Journal.A journaling companion for dancers to thrive as students and team members.Available for purchase on Amazon! www.letstalkaboutdance.comCheck out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24-hour rush delivery available! Submit your video now! Check out our IDA Affiliated Competition and Sponsor: Axis Dance Competition! Visit their website to view their 2026 Tour Dates! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

In this episode, we chat with Darren Sacks, a double bass audition coach, UMass Boston Associate Lecturer, and Greater Boston freelance bassist, to discuss winning strategies for double bass auditions. Darren shares insights from his 9 years of coaching experience, during which he's helped students gain acceptance into major youth orchestras like the Boston Youth Symphony (BYSO) and NEC Prep, summer festivals including Interlochen and BUTI Tanglewood, and undergraduate programs such as Northwestern's Bienen School of Music. Enjoy, and you can connect with Darren on his website. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

There's no such thing as a perfect path in ballet, and few people know that better than Francis Veyette, Co-Founder of the Veyette Virtual Ballet School. In this episode of #NoThirds, Fran talks about the ups and downs of a dance career, how setbacks can create unexpected growth, and why parental support and trust are critical along the way. He also explains how dancers can better navigate feedback, understand company dynamics, and use peer networks to stay informed. It's a candid look at the messy, unpredictable reality of building a career in ballet, and how to make the most of it. Interested in working with Fran at Veyette Virtual Ballet School? Check out our Back to Dance Guide for an exclusive discount. Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

durée : 00:28:38 - Opéra symphonique III - le ballet (4/4) - par : Christian Merlin - Troisième volet de notre mini-série sur les pages symphoniques où, dans un opéra, les voix se taisent pour laisser place à l'orchestre : après les interludes, place au ballet, essentiel de l'opéra baroque au Grand-opéra à la française du XIXe siècle. - réalisé par : Arthur Rayrole Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Ballet, witches, creepy music, and blood; what more could you want for Halloween?! Our friend Bird has given us an extra treat this year with a second spooky episode! So settle in, snag a snack, and celebrate the season with ussssss. Podcast Link: https://sho-dependent.captivate.fm/listenSocials!Instagram: https://www.instagram.com/shodependentpod/TikTok: https://www.tiktok.com/@shodependentpod

durée : 00:28:38 - Opéra symphonique III - le ballet (3/4) - par : Christian Merlin - Troisième volet de notre mini-série sur les pages symphoniques où, dans un opéra, les voix se taisent pour laisser place à l'orchestre : après les interludes, place au ballet, essentiel de l'opéra baroque au Grand-opéra à la française du XIXe siècle. - réalisé par : Arthur Rayrole Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

As adult dancers, we hear the word artistry all the time — but what does it really mean? And how can we actually work on it in class, instead of treating it like some elusive, mysterious quality only professionals have?In this episode, I'm joined by Chelsea Weidmann, founder of GeekyBallerina.com, who has done something truly special: she's defined artistry in ballet through nine clear, tangible elements that dancers of any age or level can develop.Together, we talk about how understanding these nine elements can help us bring more meaning, connection, and expression to our dancing — whether we're returning to ballet as adults or continuing to grow in our artistry after years of training.Chelsea's framework demystifies what artistry looks like, and instead gives us a clear, empowering way to practice it — from breathe and line, to dynamics and body carriage... and more! ✨ In this conversation, we explore:What artistry really means in ballet (and why it's not an indefinable quality)9 elements of artistry and how to cultivate themHow adult dancers can build artistry with intention and joyWhy developing artistry can reignite your passion for ballet at any stageIf you've ever wished you knew how to improve your artistry — this episode is your roadmap! Connect with Chelsea at geekyballerina.comPurchase her book Artistry Inside Ballet Technique, volume 1  on Amazon (affiliate link). Support the showFollow Hannah on Instagram @thebusybunheadExplore blog posts, merchandise & resources for adult ballet dancers like you at thebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.com

durée : 00:28:34 - Opéra symphonique III - le ballet (2/4) - par : Christian Merlin - Troisième volet de notre mini-série sur les pages symphoniques où, dans un opéra, les voix se taisent pour laisser place à l'orchestre : après les interludes, place au ballet, essentiel de l'opéra baroque au Grand-opéra à la française du XIXe siècle. - réalisé par : Arthur Rayrole Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Listen in on another intimate conversation around The Rosin Box with host Claire Kretzschmar, joined this week by Principal Dancer Taylor Stanley. The topic is all things props, which provide essential context and character development for many of the company's story ballets and "teach you how to remain calm in the moment," as Taylor shares. From training with a professional swordsman in preparation for Romeo and Juliet, to maneuvering the candle in La Sonnambula's haunted pas de deux, Taylor describes many of the playful, challenging, and transformative props used by dancers every season. (50:37) Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

Volvió el Ballet Cósmico y nos concentramos en uno de los objetos del sistema solar que tal vez no conocías pero que se descubrió en el siglo XIX. Mati habló sobre Ceres. Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify

durée : 00:28:33 - Opéra symphonique III - le ballet (1/4) - par : Christian Merlin - Troisième volet de notre mini-série sur les pages symphoniques où, dans un opéra, les voix se taisent pour laisser place à l'orchestre : après les interludes, place au ballet, essentiel de l'opéra baroque au Grand-opéra à la française du XIXe siècle. - réalisé par : Arthur Rayrole Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

See Frederic Franklin dancing with Alexandra Danilova in 1948 at Jacob's Pillow on DANCE INTERACTIVE'Frederic Franklin Returns' PillowTalk 2007 - video excerpt on YOUTUBE

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Guests - Caleb Dicke and Glenn KelichHosted By - Courtney Ortiz and Lesley MealorThis throwback episode of Making the Impact takes us back to 2023 with a conversation about stage fright. Courtney and Lesley discuss their experiences with stage fright with two wonderful guests. Caleb Dicke, professional dancer and IDA judge, and Glenn Kelich, former professional dancer turned mental health professional, remind listeners that they're not alone in struggling with stage fright. This episode originally aired on January 12, 2023. Topics Include: Strategies for handling stage fright Personal experiences with stage fright How teachers and parents can help dancers combat performance anxietyHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceCaleb Dicke - @CalebDickeGlenn Kelich - @glennkelich, @thementalgameThis episode is sponsored by:Check out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website atwww.impactdanceadjudicators.comSupport the show

In this episode, Jason Heath interviews Rodney Slatford. Rodney is joined by his friend Mike Coombs, who helped facilitate this conversation. Together, they explore Rodney's remarkable career as a performer, educator, publisher, and advocate for the double bass. As founding Chairman of the Yorke Trust, Rodney Slatford has established himself as a renowned double bass player and teacher. His career includes over 1000 performances worldwide, 30 years with the Nash Ensemble of London, 10 years as co-principal bassist with the English Chamber Orchestra, and recording one of the first solo bass discs with the Academy of St. Martin-in-the-Fields. In 1978, he founded the Isle of Man International Double Bass Competition and Workshop. Rodney served as Head of the School of Strings at the Royal Northern College of Music (1984-2001) before retiring to Norfolk to focus on the Yorke Trust and personal interests. Learn more about Rodney and the great work he is doing with the Yorke Trust here. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

Ballet Memphis is redefining what it means to be a ballet company. In this conversation, Artistic Director Steven McMahon and Academy Co-Directors Virginia and Brandon Ramey discuss how they've built a company that belongs to its city, one that reflects Memphis's energy, diversity, and creative spirit. They also talk about the realities of running a regional company, the importance of representation on and off the stage, and their belief that ballet's future depends on connection to community. Learn more about Ballet Memphis on their website. Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok: @BalletHelpDesk

Tanveer Alam is a Toronto-based dancer and choreographer who specializes in Kathak, a style of Indian classical dance that traces back to the 18th century. Tanveer is one of the creative forces behind the “Kathak & Ballet” programme, which will be on stage as part of the Fall for Dance North Festival in Toronto later this month. He sits down with Tom Power to talk about the history and hallmarks of Kathak dance, what Kathak has in common with ballet, and what's needed to ensure that South Asian dance continues to thrive in Canada.Fill out our listener survey here. We appreciate your input!

Creativity is more than expression—it's impact. In this episode, United Arts Collier CEO Elysia Dawn shows how arts organizations can build stronger, more inclusive communities by using creativity as a bridge between people, cultures, and causes. Her story reminds nonprofit leaders that when we remove barriers to participation, we create space for connection, healing, and shared purpose. A former professional ballet dancer turned arts leader, Elysia has dedicated her life to sharing the transformative power of creativity. Drawing on her experiences performing with world-class companies and curating programs at the Metropolitan Museum of Art, she now leads a movement in her hometown to make the arts accessible for all—championing collaboration, advocacy, and community pride through United Arts Collier. Along the way, she opens up about the realities of nonprofit leadership—funding, inclusivity, and sustainability—and how creative problem-solving and storytelling can help organizations thrive. Whether you lead a nonprofit, support the arts, or believe in the power of creativity, this episode is a reminder that the arts don't just enrich lives—they strengthen communities. Prefer Video? Watch the full episode on YouTube: https://youtu.be/_fWCJdZtCEI Standout Quotes “The arts are for everybody—we're here to lower barriers and bring people together.” (28:10) “Creative collaboration is how we stretch our reach and resources—it's what keeps nonprofits sustainable.” (35:42) “Follow your heart, but keep your eyes and ears open to how you can serve your community.” (48:08) Chapters & Timestamps 00:00 – Welcome & Introduction to IMPACTability® 01:04 – From Ballet to Boardroom: Elysia's Journey into Nonprofit Leadership 06:10 – Lessons from The Met: Blending Art, Strategy, and Audience Growth 12:44 – Returning Home: Leading Through Creativity in Collier County 17:59 – The Mission: Arts Education, Advocacy & Access 22:20 – Building Community Through Collaboration & Inclusion 29:10 – The Healing Power of the Arts: Wellbeing and Connection 34:33 – Funding, Sustainability & Creative Problem-Solving in the Arts 42:45 – Honoring the Past, Inspiring the Future: The Collier Arts Archive Project Guest Bio Elysia Dawn believes in the power of creativity to connect people and strengthen communities. A Naples native and former professional ballet dancer, she knows firsthand how the arts can shape lives—and she's made it her mission to ensure those opportunities are accessible to everyone. Today, as CEO of United Arts Collier, Elysia leads with both artistry and strategy, bringing people together across Collier County through arts education, community partnerships, and advocacy. Her journey from performing with Boston Ballet and Complexions Contemporary Ballet to curating performances at the Metropolitan Museum of Art taught her that creativity isn't just about performance—it's about purpose. Elysia's leadership reflects her belief that the arts can be a force for unity, healing, and economic growth. She continues to serve on statewide and regional councils that champion arts and culture, while keeping her focus rooted in community—using collaboration and inclusion to turn creative vision into real-world impact. Learn More & Connect Website:

Hosts Claire Kretzschmar and Soloist Aarón Sanz are back for another cozy conversation around The Rosin Box. This week, they're joined by Soloist Alexa Maxwell and Principal Dancer Gilbert Bolden III, who have plenty to share about inspiration and motivation, whether for their daily practice, during repetitive performance periods, amidst injuries and other challenges, and beyond. Alexa shares that it's all about the music—she's a "classical music girly"—and that she likes to bunhead out as she's learning a new role; for Gilbert, new audience members, quiet instances of beauty in his everyday life, and cherished passages in well-known ballets can help sustain his art. As all four dancers agree, "If you're open to it, you can be inspired all the time." (54:13) Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

Even before Misty Copeland became the first Black woman to be named a principal dancer at the illustrious American Ballet Theatre, she electrified the world of ballet. A prodigy who didn't start dancing until she was 13, she grew up in a transient and often chaotic home. But after she was discovered in a Boys & Girls Club in Los Angeles by a ballet teacher who wanted to expose more kids to the art form, she quickly shot into the national spotlight. As a teen, she studied at the prestigious San Francisco Ballet School and American Ballet Theatre's Summer Intensive. She joined American Ballet Theatre in 2000 and was promoted to principal just five years later, becoming the first Black woman ever to earn the title in the company's 75-year history. Talking Volumes: Misty Copeland Copeland stepped away from the stage in 2020, after an injury and then the pandemic forced a pause. She officially retires this October, but as she told Kerri Miller at Talking Volumes in September, she's eager to enter the next chapter of her life where she can focus on giving back.“Bunheads,” her book series for young dancers, is just one example. At Talking Volumes, a warm and playful Copeland talked about her love of ballet, how dance transformed her life and what comes next. Musical guests for this special Sunday matinee Talking Volumes were Aby Wolf and Eric Mayson.