Podcasts about Ballet

En novembre 1823, le médecin Edme-Samuel Castaing est soupçonné d'avoir empoisonné les deux frères Ballet pour leur soustraire leur héritage…Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

En novembre 1823, le médecin Edme-Samuel Castaing est soupçonné d'avoir empoisonné les deux frères Ballet pour leur soustraire leur héritage…Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

En novembre 1823, le médecin Edme-Samuel Castaing est soupçonné d'avoir empoisonné les deux frères Ballet pour leur soustraire leur héritage…Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Hello Everyone, In this inspiring episode of A Dancer's Mindset, Isabella sits down with the incredible Madeline Woo—a powerhouse on stage, online, and now in the design world. From her journey to San Francisco Ballet to her meteoric rise on social media, Madeline shares the determination, artistry, and authenticity that have made her a role model for dancers worldwide.We dive into the story behind her gravity-defying jump technique (yes, she spills her training secrets), how she's navigated the pressures of professional ballet, and what it takes to stand out both in the studio and in the ever-changing digital landscape.Now embarking on an exciting new chapter as the founder of her own design business, Madeline proves she's more than a dancer—she's a force of nature, redefining what it means to be a modern artist.Whether you're a dancer, creative, or someone chasing a big dream, this conversation will leave you inspired to leap higher—both literally and figuratively.

Ep 149 Mary Jennings: Ballet is Frickin' Amazing This week the team learns about the Upper Peninsula of Michigan and talk about big transitions leading into Katie's conversation with Mary Jennings, the Executive Director of the Grand Rapids Ballet. Mary and Katie talk about how to build staff and organizational culture, the impact of resident companies on a community, budgeting and artist pay, and putting dancers on billboards. Mary Jennings is the Executive Director of the Grand Rapids Ballet, Michigan's only professional ballet company. (https://grballet.com/). Follow us on social media and let us know your thoughts and questions - https://linktr.ee/nobusinesslikepod Our theme song is composed by Vic Davi.

Kitazawa, the director of Sydney City Ballet School, which is celebrating its 20th anniversary this year, is a former soloist with the Tokyo City Ballet. Why did Kitazawa decide to start a ballet school in Sydney from scratch that teaches in Japanese?　 - 今年で２０周年を迎えるSydney City Ballet School 主宰の北澤さんは、元東京シティ・バレエ団のソリストでした。そんな北澤さんがなぜシドニーで、日本語で教えるバレエ教室をゼロから作ろうと思ったのでしょうか？　

This week we welcome producer Julie Meyer on the show to talk about the documentary The Sky Was on Fire, Ballet and War in the Ukraine, where she talks about how the project came to be and what it was like traveling to Ukraine to film the movie. After that we play another round of THE GAME, enjoy! Don't forget to support us on Patreon! www.patreon.com/mmihpodcast Leave us a Review on Apple Podcasts! https://podcasts.apple.com/us/podcast/making-movies-is-hard-the-struggles-of-indie-filmmaking/id1006416952

durée : 00:08:40 - France Culture va plus loin (l'Invité(e) des Matins d'été) - par : Julie Gacon, Sarah Masson - À l'occasion du festival La Grange aux Pianos, à Chassignolles dans l'Indre, Bruno Bouché présente son spectacle "Création Ravel". Ce sera la première fois que ce festival s'ouvre à la danse, présentée au jardin de la Grange aux pianos, le 14 et 15 août 2025. - réalisation : Sam Baquiast, Vivian Lecuivre - invités : Bruno Bouché Danseur, chorégraphe, et Directeur artistique du CCN, Ballet de l'Opéra national du Rhin

durée : 01:59:46 - Les Matins d'été - par : Julie Gacon, Sarah Masson - . - réalisation : Sam Baquiast - invités : Tigrane Yegavian Professeur de relations internationales à l'Institut Schiller, membre du comité de rédaction de la revue Conflit.; Arthur Guérin-Turcq Géographe, enseignant à Sorbonne-Université; Bruno Bouché Danseur, chorégraphe, et Directeur artistique du CCN, Ballet de l'Opéra national du Rhin

In this insightful episode, I'm joined by Tim Lynch to trace his remarkable journey from a hyperactive kid looking for an outlet for his energy to a career dancing at Pacific Northwest Ballet and beyond.He reflects on his 10-year career at PNB, the value of corps de ballet work, and highlights like dancing A Midsummer Night's Dream, and Agon at the Kennedy Center.We also explore Tim's transition into education and how he built a thriving boys' program at PNB. Tim shares the philosophies that shape his teaching style, including his emphasis on somatic practices, individualized instruction, and lifelong learning.Key “Pointes” in this Episode

Summer often means studio closures, but that doesn't have to mean a break from your progress! In this episode, we give you 4 simple ways to keep your ballet practice alive (and thriving) while your local studio classes are cancelled. From YouTube classes with friends to crafting a personal growth plan, these ideas will keep you motivated and strong. Perfect for adult ballet dancers who want to maintain momentum — no matter the season. Grab a cup of coffee and let's get into it!➡️ Book a 60 min private lesson with Yelena for $40 AUD here.Follow Yelena @ballet_for_allFollow Hannah @thebusybunheadCheck out more resources here:youtube.com/@balletforallonlineballetclasses.comthebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.comSee you next time after class! ♥

Back from holiday, full of ideas… but second-guessing everything? You’re not alone. In this energising and heart-to-heart episode, Stacey and Rhee take on one of the hardest parts of leadership as a dance studio owner—sticking to your vision, even when it ruffles a few feathers. Whether you're restructuring your comp team, changing your schedule, or raising fees, someone will have an opinion. The question is—are you confident enough to move forward anyway? With stories, practical tips, and a healthy dose of dance teacher truth bombs, this episode is your reminder that your studio doesn’t run on parent approval—it runs on your passion and leadership. Key Takeaways: Confidence is the secret sauce. You had a vision—don’t let other people’s doubts drown it. Mrs. Smith isn’t forever. You’re building for the next five years, not next week’s car park conversation. Backpacks full of resentment are heavy. If you’re exhausted, it’s time to let go of what no longer fits. Your vision deserves better marketing. Speak it clearly. Write it down. Share it with conviction. Who you surround yourself with matters. Not everyone is meant to come with you to the next level. This Episode is for You If: You're toying with a big change—but worried how parents or staff might react. You’ve ever lost sleep over feedback from a loud (but temporary) voice in your studio. You’re ready to reclaim your leadership, your energy, and your studio’s future. You know it’s time for a reset—and you’re looking for a loving nudge to do it. Links & Resources: Dance studio software to support your vision: Jackrabbit Dance Free benchmarks to grow your studio: jackrabbitdance.com/benchmarks Connect with Stacey: simplystaceymorgan.com More from Rhee: rheegold.com Call to Action: If you needed a reminder that you are the boss—and that your vision is worth backing—this is it. Share with a fellow studio owner who’s second-guessing themselves today. And remember… ✨ Lead boldly. Build proudly. Enjoy the journey. ✨See omnystudio.com/listener for privacy information.

Guests - Maddie Marcadis & Stephani SosaHosted By - Courtney OrtizIn our special summer bonus episode of Making The Impact - A Dance Competition Podcast, Courtney hosted a live podcast event at Streetz Dance Convention's Nationals where parents, students, and teachers joined us for a Q&A alongside some fabulous guests! We loved connecting and meeting so many Making The Impact fans this summer!Topics Include:The significance of versatility and technique in dance trainingThe financial challenges of competitive danceThe need for respect and proper compensation for dancers in the industry.Advice for aspiring professional dancersHelp support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members-onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4 & 5. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizMaddie Marcadis - @maddiekmarcadisStephani Sosa - @stephychicaStreetz Dance Convention - @thestreetzdance Thank you to Streetz for sponsoring and hosting this live podcast event! Learn more about Streetz Dance Convention and register for an upcoming event in their 2026 tour! www.thestreetzdance.com Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

A section analyzing David Bowie, from the 15th installment of Brett's Patreon-exclusive series on Monarch films. Full description of the episode below, along with our Patreon link, if you're interested in the full episode. In this 15th installment in the Monarch series, Brett delves into the Jim Henson-directed children's film Labyrinth (1986)—a film so saturated with Monarch content that it serves as a paradigm of Monarch cinema in general. The episode opens with a close look at the career of Monarch superstar Jennifer Connelly, including two other full-on Monarch films she starred in during the 1980s: Phenomena (1985) and Ballet (1989). Additionally, Brett examines the occult career of David Bowie (who plays the Goblin King in Labyrinth); he discusses Jim Henson's collaborations with the federal government (including the CIA-linked United States Information Agency), as well as reexamining Henson's sudden death at age 53; and he uncovers some stunning revelations by an entertainment industry insider and professed victim of Monarch abuse that relate to the plot of the film. Fritz Springmeier and Cisco Wheeler devote an entire section of their Illuminati Formula book to this film, and Brett combs over their analysis, while drawing some wider conclusions about the function of Labyrinth and other 1980s Monarch films geared toward children.https://www.patreon.com/PsyopCinemaIf you enjoy Psyop Cinema, check out the Decoding Culture Foundation and Cultural Engineering Studies magazine - https://decoding-culture.com/magazine-home/https://twitter.com/CinemaPsyophttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com   

Primera Bailarina del Ballet Nacional del Sodre, ha construido una sólida y reconocida carrera internacional tras 16 años en Estados Unidos, donde brilló como figura principal del Atlanta Ballet. Su talento y disciplina la llevaron a recorrer escenarios internacionales, consolidándose como una artista de excelencia.Nadia dejó el ensayo unos minutos para conversar con nosotros, el elenco está preparando la Gala de Ballet que se estrenará en setiembre con dos piezas de dos grandes nombres internacionales, una coreografía de Joaquín de Luz y una de Craig Davidson.Hoy combina su labor sobre el escenario con su actividad docente y coreográfica, apostando a la formación de nuevas generaciones de bailarines. Recientemente brindó un masterclass en el MACA (Museo de Arte Contemporáneo Atchugarry), donde también adelantó una novedad muy especial: el Ballet Clásico Juvenil del Sodre se presentará por primera vez en ese teatro el próximo 16 de agosto a las 16 horas. Una oportunidad para descubrir a los nuevos talentos de la danza nacional en un entorno único.

Click here to receive today's free gift on the Radio Page: Breaking the Bonds of Fear – A great resource for those who suffer from fear, stress, and anxiety. Take courage, and learn what the Bible says about a different type of fear: “fear of the Lord.” Use the coupon code: RADIOGIFT for free shipping!*Limit one copy per person* --------Thank you for listening! Your support of Joni and Friends helps make this show possible. Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org. Find more encouragement on Instagram, TikTok, Facebook, and YouTube.

Diabetics may no longer have to suffer through frequent injections. Should you skip the doctor and just ask AI? How you can unlock super-human healing. Why football players should start taking ballet classes. Learn More: https://radiohealthjournal.org/medical-notes-how-to-unlock-superhuman-healing-why-football-players-should-start-practicing-ballet-and-can-ai-replace-your-doctor Learn more about your ad choices. Visit megaphone.fm/adchoices

Del universo de John Wick: Bailarina (2025) // ReviewSinopsis Oficial: Una asesina entrenada en las tradiciones de la organización Ruska Roma busca venganza tras la muerte de su padre.#cine #bailarina #johnwick #asesinos #CarlaTous #OliviaColman #AnadeArmas #LanceReddick #KeanuReeves #NormanReedus #CatalinaSandino #AnjelicaHuston #IanMcShane #DavidCastañeda #GabrielByrne #ChoiSooyoung #pelicula #review #2024 #season5 #lunes #ntgk #mateyalgomas Redes Socialeshttps://www.instagram.com/ntgk.podcast/https://twitter.com/ntgk_podcasthttps: // www.facebook.com /ntgk.podcast/ Una producción de AG

On this episode, Doug talks to Cameron Plaag about his incredible recent fishing expedition, reminisces about radio tinkering with his grandfather, and much more.

Tired of your expensive leotards fading & stretching out, your tights slowly turning gray, and your legwarmers pilling too soon? Don't spend another minute being frustrated and confused! In this episode, we're giving you a step-by-step guide to properly wash and care for your ballet dancewear.

ALEX SOTELO debutó en el Ballet de Pura Gente Bien, además de ser meserito de Acábatelo, cantante en Trending Topic, actor, conductor pero sobre todo amante de las conspiraciones, ovnis, eventos paranormales y más. La otra cara de Alex Sotelo que no conocías. Disfruta el episodio. Únete a este canal para acceder a sus beneficios:https://www.youtube.com/channel/UCnDr7_pjuicS02Qugq2dhng/joinDona aquíhttps://www.buymeacoffee.com/lasociedadsecretapodcast#brujas #paranormal #podcastparanormal #podcast #monterrey #historiasdeterror #historiascortas #ouija #fantasmas #historiasdeterror #terror #horror #miedo

Julianna Rubio Slager is the Co-Founder and Artistic Director of Ballet 5:8—a nationally recognized company based in Chicago. She trained with renowned mentors from the Ann Arbor Ballet Theater, New York City Ballet, the Vaganova Academy, and the Puerto Rican National Ballet. Julianna also danced at Greater Lansing Ballet and Ballet Magnificat. In 2012, Julianna co-founded Ballet 5:8 with Amy Sanderson, aiming to elevate ballet as a medium for discussion of life and faith. With over two decades of teaching experience, she oversees programming for over 400 students at Ballet 5:8 annually, guiding them to pursue both technical excellence and personal authenticity. Her approach honors each dancer's unique story, encouraging the integration of culture, faith, and self-reflection into their artistic voice. She was named a National Visiting Fellow at the School of American Ballet in 2023. She is a recipient of multiple Illinois Arts Council grants and was awarded a DCASE Individual Artist Grant in 2015. Her work has been featured by NBC, PBS, Fox, Chicago Magazine, Newcity Stage, and See Chicago Dance.In our conversation, Julianna shares about sculpting a unique identity for Ballet 5:8, leaning into uncertainty, and finding beauty in every stage of life as an artist.Learn more about Julianna and Ballet 5:8 at https://www.ballet58.org/You can learn more about dance education and career planning for dancers at theballerinatist.com

  What does it take to raise dancers in today's ballet world? Racheal Nye, Director of the Yvonne Chouteau School and Studio Company at Oklahoma City Ballet, shares why honesty, adaptability, and mental health are essential in training. We talk about the pressures of audition season, how social media influences young dancers, the role of parents, and why leadership today is about more than just perfect technique. Learn more about OKCB School on their website Links: Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Isaac Hernández, bailarín mexicano

Leticia Vaquero y Ayanta Barilli entrevistan a Ignacio Iturrarte, coordinador de la gira del Ballet de Kiev.

Learn more at TheCityLife.org

In this episode, I'm joined by Candis MacKinnon, an adult ballet dancer who recently attended her very first ballet retreat — the KM & Friends Adult Ballet Intensive. We chat about everything from pre-intensive nerves to surprising moments of growth, the power of community, and what made this event so special for adult dancers of all backgrounds.Whether you're thinking about signing up for your first adult ballet intensive, curious about the behind-the-scenes experience at KM & Friends, or a fellow attendee who just wants to relive the magic of the week with us, this conversation is full of insight, encouragement, and honest reflections. So grab your coffee and let's get into it...  ◡̈ Connect with Candis on Instagram @candiapplejuiceFollow Yelena @ballet_for_allFollow Hannah @thebusybunheadCheck out more resources here:youtube.com/@balletforallonlineballetclasses.comthebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.comSee you next time after class! ♥

Welcome to “The Season of Impending Doom”—that anxious few weeks before classes kick off when registration numbers aren’t quite where we want them, and every studio owner starts asking: “Is this the year it all falls apart?” In this refreshingly honest and practical episode, Stacey and Rhee tackle the universal pre-season panic and offer up thoughtful, strategy-rich advice for turning worry into action. From knowing when to breathe (and stop doom-scrolling) to how to target your marketing for real results, this episode is packed with insights you can implement today. Key Takeaways: It’s not just you. Many studio owners are still waiting for last-minute enrolments. (September and October are huge!) Ditch the vague dance promos. Be specific in your marketing. Promote exact class times and openings for better results. Less friction, more action. Long forms and decision fatigue are costing you leads. Keep your landing pages short and sweet. Let panic fuel progress. Instead of spiralling, use your nervous energy to fine-tune your strategies and get creative. Community is everything. Don’t suffer in silence. Reach out, compare notes, and find support in like-minded circles. This Episode is for You If: You’re in that awkward limbo between planning and term starting—and the phone isn’t ringing yet. You’re ready to shift from “doom mode” to strategy mode. You want actionable advice for getting those last few enrolments over the line. You need to be reminded: You’re not alone. You’ve got this.

Beatriz Izquierdo advierte del sharenting, el Ballet de Kiev, viajes con David Alonso y una ficción sonora de Alicia Parente sobre la Capilla Sixtina.

It's that time of year again! Get ready for daily drops from Conversations on Dance all throughout the 2025 Vail Dance Festival through August 3rd. Be sure to subscribe to the podcast so you don't miss a moment.Today we are joined by four dancers from LINES Ballert: Adji Cissoko, Lorris Eichinger, Ilaria Guerra, and Shuaib Elhassan. In this morning's conversation, explore the company's return to the Vail Dance Festival with a program that includes Ode to Alice Coltrane—a tribute to the legendary spiritual jazz icon—and Mother Goose, a mesmerizing reimagining of Ravel's beloved 1912 suite, Ma mère l'Oye. Hear behind-the-scenes insights into the creative process behind these visionary works and get to know the artists shaping them. The conversation will be followed by an open audience Q&A. This episode was recorded live from the Vail Dance Festival on July 26, 2025. Hosted on Acast. See acast.com/privacy for more information.

Send us a textRachel and Juj do a recap of their trips and we interview Alexis Breen.Alexis Tik Tok- @alexisbreen4Instagram- @alexisbreen_

The new documentary "Match in a Haystack" follows members of Ukraine's contemporary dance troupe as they prepare for their first performance since Russia invaded. Director Joe Hill and producer & movement director Stefanie Noll discuss the making of a film in a country at war --- and why dance and art matter in a time of crisis. *This segment is guest-hosted by Tiffany Hanssen.

Tyler Scheid has found a new co-host!? Who's better & cooler than Markiplier!? Mari Takahashi aka AtomicMari! Together they poke a little fun at Mark & discuss her journey as a professional ballet dancer, Survivor contestant, Smosh member, content creator, and into what she is doing today! Break in your pointe shoes, don your Survivor bandana, & compete against your friends in enjoying this episode! Learn more about your ad choices. Visit podcastchoices.com/adchoices

When is it really time for a dancer to move into full-time training? In this episode of #NoThirds, we unpack the big factors that go into that decision. From the benefits of full-time programs and the right age to make the switch to how the social environment and quality of teaching can shape a dancer's growth, we cover it all. Fran also gets honest about the trade-offs of staying local in after-school training. Plus, we discuss why things like physical therapy access, peer dynamics, and open communication matter so much. This episode offers real talk and helpful insights to guide dancers and parents as they consider the next steps. Learn more about Fran and Veyette Virtual Ballet School More Links: Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Crypto is changing every year, shimmering with new, sleek currency compatibilities and new, hip styles. The way we're using and holding crypto is changing, too. The Crypto Merchant points to Ballet cards as a fitting example.https://www.thecryptomerchant.com/collections/ballet The Crypto Merchant City: Daytona Beach Address: 609 South Ridgewood Avenue Website: https://www.thecryptomerchant.com/

MOSA Ballet School was founded by a mother who wanted to create the kind of school she would have wanted her daughter to attend -- a place where students are truly heard and respected. Combining classical ballet, contemporary dance, and holistic training, MOSA focuses on developing not just the performer, but the whole dancer. The school emphasizes self-evaluation, open communication, a supportive environment, and career preparation to nurture artistic and personal growth. Learn moe about Mosa on their website Links: Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

In this episode of Dance Studio 411, Jill Tirone chats with Bill Brown from Gerriets, a global leader in dance flooring solutions for over 75 years. They cover everything from choosing the right Marley floor to preventing injuries, cleaning and maintenance tips, and the latest innovations from Gerriets. Bill's technical theater background and passion for helping studios shine make this a must-listen for any studio owner.   Episode Timestamps [00:28] – Meet Bill Brown from Gerriets Dance Floors [01:36] – Bill's background in technical theater and his journey with Gerriets [03:52] – History of Gerriets: From curtains to Marley dance floors [06:00] – Why flooring matters: Cushioning, subfloors, and injury prevention [08:09] – Challenges of multi-use floors: Tap vs. ballet needs [09:36] – The Vario Beat floor: Balancing slickness and grip [09:58] – Overview of other popular Gerriets products like Vario Pro [12:19] – Common mistakes studio owners make when installing floors [15:45] – Cleaning tips and Gerriets new Vario Care product line [18:16] – Gerriets new dedicated dance floor website [19:22] – Rapid-fire Q&A: Mistakes, installation tips, and favorite projects [24:13] – Bill's favorite part about working in dance flooring [24:55] – Coolest venues Gerriet's has worked with [26:25] – Final thoughts and how to connect with Gerriets   Key Takeaways Subflooring is critical – Concrete floors can cause long-term joint issues without proper cushioning. Marley floors vary by dance style – Ballet, tap, and multi-use studios require different traction levels. The Vario Beat floor balances slickness for tap with grip for ballet thanks to its innovative embossing. Proper cleaning is essential – Use pH-neutral, non-abrasive cleaners to maintain Marley's surface. Gerriets Vario Care line includes daily and deep-clean products plus a protective finish to extend floor life. Ask questions before installing – Delivery logistics, subfloor prep, and correct flooring choice are key. Gerriets new website specifically for dance floors https://gerrietsdancefloors.com/ makes it easier for studio owners to find flooring solutions and request quotes. Bill's philosophy: The right floor supports dancers' health and enhances performance while lasting for years.   Links Mentioned in This Episode Gerriets Dance Floors: https://gerrietsdancefloors.com/ Energize Conference and Expo: https://www.energizeconference.com/ Dance Studio Owner: https://www.dancestudioowner.com/public/joinnow.cfm Rate, Review & Subscribe! If you loved this episode, be sure to subscribe and leave us a review. Your feedback helps us continue to bring valuable content to the dance community! Running a dance studio is hard work, and growing your studio is even more of a challenge. No matter if you're just starting out—or perhaps you're a well-established owner; we understand that it's a uniquely demanding and personal business to own and operate. Be more effective and productive.  As studio owners ourselves, we've been there. But, it's also very possible to be a happy owner of a thriving dance business that you love. Learn More About Membership: https://www.dancestudioowner.com/  Join us at the Energize Conference this August! Connect with other studio owners, gain access to resources and tools, and walk away feeling refreshed for the upcoming season. Learn more at energizeconference.com.

In this episode, I speak with Wife, Mom, Former Physical Therapist, Ballet Teacher, and Author Kathy Riley on Being Made For A Purpose and her book Grace full Ballet. Kathy enjoys talking to her students about their relationships with God by using devotionals and prayer at the end of her ballet classes. Listen as she shares on how you can honor the Lord by praying with your kids (students) and using discernment. Kathy encourages listeners to find those things that set your heart on fire because that is how God has designed you. Find Kathy :    the website   Scripture: Ester 4:14 For if you remain silent at this time, relief and deliverance for the Jews will arise from another place, but you and your father's family will perish. And who knows but that you have come to your royal position for such a time as this?”   1 Corinthians 10:31 So whether you eat or drink or whatever you do, do it all for the glory of God.   Philippians 3:10 I want to know Christ—yes, to know the power of his resurrection and participation in his sufferings, becoming like him in his death,   Psalm 46:10 He says, “Be still, and know that I am God; I will be exalted among the nations, I will be exalted in the earth.”   Isaiah 1:19 If you are willing and obedient, you will eat the good things of the land;   2 Timothy 2:21 Those who cleanse themselves from the latter will be instruments for special purposes, made holy, useful to the Master and prepared to do any good work.   Additional Scripture: Luke 11:28, Romans 9:21, Hebrews 4:12, Colossians 3:23,                 Psalm 103:15-16 REGISTER @ CFLEX Academy Arts Enrichment   Listen to our sister podcast:  Abundantly Rooted   Other Resourses: Grab your Artza Subscription Box and bring home a bit of Israel.  use promo code: ARTZAKRISTINARISINGER for 25% off   Check out our Linktree   Get the Books:  Life After Losing A Loved One: How to Turn Grief Into Hope Strength and Purpose Adventures of LiLy and Izzy Bee: The Imagination Journey 

Send us a textIn this episode of the Art Wank podcast, we speak with Australian artist James Drinkwater, known for his vibrant paintings, sculpture, poetry, and music. Drinkwater, originally from Newcastle, NSW, has built a reputation for his layered, gestural works and multidisciplinary practice. He won the Brett Whiteley Travelling Art Scholarship in 2014, which allowed him to work in Paris, and he has been a finalist in the Wynne and Dobell Drawing Prizes multiple times. Our conversation explores his deep connection to place, his creative experiments with dance and theatre, and the impact of his time in New York with Julian Schnabel.A significant part of our discussion centres on Drinkwater's collaboration with MIMA Lake Macquarie in 2019, where he was commissioned to create the sets and costumes for a contemporary ballet titled Storm Approaching Wangi – and Other Desires. The ballet was inspired by the watery landscapes around Lake Macquarie and the Australian modernist painter William Dobell. Drinkwater didn't just design the visuals; he also performed on stage, collaborating with choreographers Skip Willcox and Belle Beasley, and composer Joseph Franklin. This project was an opportunity for Drinkwater to translate his painterly language—texture, gesture, and colour—into a dynamic, physical space, extending his creative practice beyond the canvas. He reflects on how the experience allowed him to think about movement and space differently, enriching his approach to making art.We also delve into Drinkwater's time in New York, particularly his 2022–2023 residency at Julian Schnabel's property on Long Island. Schnabel, famous for his plate paintings and maximalist style, invited Drinkwater to work in his studio space. This intense, seven-week period inspired Drinkwater's exhibition American Salt – Montauk to the Bowery, which explored themes of memory, landscape, and artistic legacy. Drinkwater drew parallels between his own experiences in New York and those of Dobell, who had also found creative energy in the city. Although Dobell's time there was fleeting, Drinkwater sees the connection in the way both artists absorbed and transformed their environments into their art.Finally, Drinkwater shares his reflections on the interplay between disciplines in his practice, including a mid-career survey exhibition in Canberra. He speaks passionately about the importance of collaboration, travel, and memory in shaping his work. The episode closes with thoughts on how these experiences continue to push the boundaries of his artmaking, both in Australia and internationally.James currently has an exhibition at Newcastle Straightjacket Art Space with Braddon Snape - 19th July - 10th August. 

Sophie Flack Take a walk me down Fascination Street Podcast, as I get to know Sophie Flack. I was first introduced to Sophie as a result of a conversation with previous guest Yul Vazquez. Sophie is a former member of The Corp De Ballet with The New York City Ballet. After she retired from that, she got a degree from Columbia University, and then wrote a best-selling Young Adult novel called Bunheads, which explores the intricacies and heartaches of the life of a professional ballerina. Sophie has written for multiple magazines and publications about her experiences and has helped shine a light on some of the ways that these dancers are treated. Fairly recently, Sophie started a jewelry company which focuses on pieces that help de-stigmatize mental health and eating disorders. Her company is called MAD FINE, and some of the pieces include 'in the know' references to: Zanex, Klonopin, Prozac, and the abortion pill. She has pieces that align with emotional baggage, and even silly trophies. All of these pieces are designed to bring these issues to light and for the wearer to engage in conversations with like-minded individuals. These pieces are stunning, and unique. My personal favorite is the mixed metals cassette tape! Sophie is very vulnerable in this conversation. She openly discusses her previous battles with anorexia, self-doubt, and thoughts of suicide. Check out her jewelry, read her book, heck, just reach out and tell her you enjoyed her candor.

Want to look like an advanced dancer with minimal effort? In this episode, we're diving into three game-changing details for adult dancers: hands, eyes, and head placement. We talk about the nuances of how to properly extend your fingers, activate your eye line, and hold your chin that teachers don't always have time to explain in class. Whether you're dancing at home or in a studio, the tips in this episode will instantly elevate your lines and your confidence. Press play and level up your ballet game today!Follow Yelena @ballet_for_allFollow Hannah @thebusybunheadCheck out more resources here:youtube.com/@balletforallonlineballetclasses.comthebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.comSee you next time after class! ♥

Bruce Wolosoff is an acclaimed American pianist and composer known for his integration of classical, jazz and blues. He likes to compose in response to visual art. His music has been performed by the Chamber Music Society of Lincoln Center and many others, and his compositions span ballet, opera, chamber and orchestral music.My featured song is my version of the Thelonious Monk classic “Well, You Needn't” from the album Miles Behind by The Robert Miller Group. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH BRUCE:www.brucewolosoff.comhttps://www.reflectionsinmusic.org/______________________ROBERT'S RECENT SINGLES:“THE CUT OF THE KNIFE” is Robert's latest single. An homage to jazz legend Dave Brubeck and his hit “Take Five”. It features Guest Artist Kerry Marx, Musical Director of The Grand Ole Opry band, on guitar solo. Called “Elegant”, “Beautiful” and “A Wonder”! CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Christopher Stowell was born in New York City and received his training at Pacific Northwest Ballet School and the School of American Ballet. In 1985, he joined San Francisco Ballet where he danced for 16 years, appearing in theaters throughout the world. An established interpreter of the George Balanchine repertoire, Stowell has appeared in almost every Balanchine ballet performed by San Francisco Ballet. In 2003 Stowell was named the Artistic Director of Oregon Ballet Theatre, a position he held until 2012. In 2017, Stowell was named the first Associate Artistic Director of The National Ballet of Canada, a position he held until 2022. Stowell has taught and coached in San Francisco, New York, Japan, China and across Europe. He has created works for San Francisco Ballet, Pennsylvania Ballet, The National Ballet of Canada, The Los Angeles Ballet and Pacific Northwest Ballet as well as the New York City Ballet Choreographic Institute. His ballets are in the repertoire of Carolina Ballet, Grand Rapids Ballet, Ballet Idaho, Diablo Ballet, Orlando Ballet and Oregon Ballet Theatre. Stowell is a representative of the Balanchine Trust and has also staged the works of Mark Morris and Christopher Wheeldon. Last month, Stowell began his tenure as the Artistic Director of the Royal Winnipeg Ballet. Stowell brings a leadership philosophy centred on relationship-building and community connection to the Royal Winnipeg Ballet. He articulates a refreshing vision for making ballet accessible: bringing performances to unexpected spaces, letting audiences witness the creative process up-close, and strengthening relationships with regional communities. His dancer's directive: "be a student in the classroom and a wild animal on stage". Listen as Stowell shares insights from both sides of the stage and his plans to shape ballet's future in Winnipeg and beyond. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

This is part two of our series with siblings Bryce and Noelle Lee, who bring both the male and female ballet dancer perspective to the conversation. Bryce, founder of the Male Dance Connection, and Noelle share their experiences in ballet, highlighting both the challenges and successes male dancers face. They talk about the importance of mentorship, community, and creating supportive environments for boys in dance, as well as practical ways MDC helps, like guidance for summer programs. They also discuss how tough it can be for young boys in ballet today. As working dancers, they've built MDC to grow their network, supplement their income, and create opportunities beyond performing. Learn more about the Male Dance Connection on their website or on Instagram @themaledanceconnection Links: Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI  

In this two-part series, siblings Bryce and Noelle Lee bring both the male and female ballet dancer perspective to the conversation. Bryce, Founder of the Male Dance Connection, and Noelle share their experiences in ballet, highlighting the challenges and triumphs of male dancers. They discuss the importance of mentorship, community, and supportive environments for boys in dance, as well as practical ways MDC helps, like navigating summer programs. They also talk about how hard it can be for young boys in ballet today. As working dancers themselves, they've created MDC to expand their network, supplement their income, and build careers beyond performing. Learn more about the Male Dance Connection on their website or on Instagram @themaledanceconnection Links: Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI    

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In this candid conversation, I'm joined by Autumn Klein, a principal dancer and accomplished artist whose career includes performing with Texas Ballet Theater, Oklahoma City Ballet, Ballet Frontier, and Ballet North Texas. Autumn, who is also the co-founder of New Narratives Dance, shares her unconventional journey through the dance world - from overcoming gaps in her classical training, stepping away from dance to attend college, and rising to the rank of principal after returning to her professional ballet career.Key “Pointes” in this Episode

Change is hard. Whether it's shifting schedules, moving studios, or letting go of team members, navigating transition can feel like emotional gymnastics—especially for dance educators and studio owners. In this heartfelt and practical episode, Rhee and Stacey dive deep into the discomfort of change and how it often leads to unexpected blessings. They share personal stories—from studio moves to life-altering career shifts—and reflect on what happens when you stop resisting and start trusting your intuition (yes, even when it feels terrifying). If you've ever faced a turning point in your business or life and didn’t know which way to leap, this one’s for you. Key Takeaways: Change is inevitable—and often necessary. What feels like a disruption might be a blessing in disguise. Your intuition knows. Stacey and Rhee explore how those gentle nudges (and sometimes big shoves) lead us exactly where we need to be. Studio shake-ups aren’t always bad. Whether it’s a rent increase or losing a staff member, what feels like a loss may actually be space for growth. Discomfort is part of the process. From packing boxes to difficult conversations, leaning into discomfort is how we evolve. Simplicity can be a powerful goal. Rhee shares how letting go of “bigger is better” has led to more clarity and peace. This Episode is for You If: You’re resisting change in your studio or business A team member or family is leaving and it feels like a catastrophe You’re navigating burnout or big transitions post-pandemic You want to make a big move—but fear is holding you back

The American Ballet Theater's first Black female principal dancer on everything she's fought for and the decision to end her historic career with the company.Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.