Podcasts about Ballet

Guests - Drew Burgess and Lisa Curatolo TurpinHosted By - Courtney Ortiz and Lesley MealorToday's throwback episode brings us back to 2024 with a conversation about pirouettes! Like we always say on the pod, good technique never goes out of style, and that goes for pirouette technique too! Enjoy this chat with two experts on pirouettes! This episode originally aired on February 22, 2024.Topics Include: How to set yourself (and your students) up for success when teaching pirouettesOpinions on the best prep position for certain turnsThe importance of knowing your audience when choreographing turns Help support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceDrew Burgess - @drewdancesLisa Curatolo Turpin - @lisacuratoloturpinExpressenz Dance Center - @expressenzThis episode is sponsored by:Check out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

In this episode, renowned bassist and educator Gaelen McCormick joins us to discuss her newly released annotated edition of Franz Simandl's 30 Etudes, published by Carl Fischer. For over a century, these etudes have been a cornerstone of double bass pedagogy. Gaelen's fresh annotations bring new insights and perspectives to this essential collection. Check out Gaelen's past podcast appearances here and pick up a copy of her new Simandl edition here. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!   Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

There's no such thing as a perfect path in ballet, and few people know that better than Francis Veyette, Co-Founder of the Veyette Virtual Ballet School. In part 2 of this episode of #NoThirds, Fran continues to discuss the ups and downs of a dance career, how setbacks can create unexpected growth, and why parental support and trust are critical along the way. He also explains how dancers can better navigate feedback, understand company dynamics, and use peer networks to stay informed. It's a candid look at the messy, unpredictable reality of building a career in ballet, and how to make the most of it. Interested in working with Fran at Veyette Virtual Ballet School? Check out our Back to Dance Guide for an exclusive discount. Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

4:20 pm: The Jordan School District Board recently approved a $700,000 bid to build a greenhouse at Herriman High School, which has raised the ire of some parents in the district. One of those parents, Shawn Mathis, hopes to get the approval overturned and joins the show to discuss his concerns.4:38 pm: Salt Lake County Councilwoman Aimee Winder Newton joins the program for a conversation about a controversial decision by the council to close several county-operated daycare centers at the end of the calendar year.6:05 pm: Chase Jennings, Founder of the Jennings Strategy Group and a former spokesman for the Department of Homeland Security, joins the show to discuss his piece for RedState on how the GOP must learn to win elections without Donald Trump on the ballot.6:38 pm: Adam Coleman, Founder of WrongSpeak Publishing, joins Rod and Greg to discuss his piece in the New York Post about how the Democratic Party is giving in to radicals like Zohran Mamdani.

Choreographers and Pacific Northwest Ballet Dancers Amanda Morgan and Christopher D'Ariano discuss how they decided to become professional dancers, how much of dance is drive versus talent, and how we can encourage our kids to pursue their dreams. Their new work, AfterTime, has its world premiere this weekend to kick off PNB's In the Upper Room repertory program. Info at PNB.org

Avant Chamber Ballet is redefining what a regional ballet company can be – performing with live musicians, championing diversity and dancer wellness, and connecting with audiences far beyond traditional theaters. In this episode, Artistic Director Katie Puder and School Director Madelaine Boyce share how they've built a company that's both artistically ambitious and community-minded. They discuss Avant's mission to make ballet more accessible across Dallas, why live music matters, and what makes their trainee program unique. You'll also hear their honest take on college vs. trainee paths, the realities of running a small company, and what today's dancers need to know about navigating the professional ballet world. Tune in to hear what it takes to start, and sustain, a ballet company that does things differently. Learn more about Avant Chamber Ballet on their website Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok: @BalletHelpDesk  

Ever wonder what makes a truly great ballet student? The kind of student who gets the most out of their classes, and experiences growth and improvement over time? In this episode, I sit down with Julie Leung of Broche Ballet to talk strategies and tips adult dancers can use to be a great student and experience more progress and fulfillment in the studio as a result. Julie shares the habits and mindsets she personally uses to be successful, the common misconceptions that hold adult dancers back, and how to get the most out of every class and private lesson — no matter your level.Whether you're working toward your first clean pirouette or preparing for an adult ballet performance, this conversation will help you approach your ballet training with confidence, purpose, and a renewed love for the learning process.So grab your notebook (you'll hear why

We talked to character and sketch performer, Sydney Duncan! Jason talks to Sydney about her unique journey from being a professional ballet dancer to becoming a comedian in the improv and sketch comedy scenes. Sydney shares her struggles and triumphs, discussing her transition into comedy, her experiences in the New York improv scene, and her notable impersonations like Kamala Harris. She also delves into her time on Wild 'N Out, the audition process for the show, and the importance of preparation. The thrilling talk covers lessons she's learned, the value of asking for help, the impact of living a well-rounded life outside of one's art, and maintaining joy in the pursuit of a comedy career. This conversation is an inspiring look at dedication, growth, and finding your place in the performing arts. Get tickets to her NYC Comedy Festival show WOC: nycomedyfestival.com/lineup/woc-wigs-of-color/ TikTok: @SydneyDuncanOnEm, @JasonFarrToks Instagram: @SydneyDuncanOnEm, @ThereItIsPod, @JasonFarrPics  Threads: @ThereItIsPod, @JasonFarrPics Facebook: @ThereItIsPod  Subscribe to our comedy newsletter: https://mailchi.mp/e22defd4dee2/thereitis

À l'occasion de la fin du concours de promotion interne du Ballet de l'Opéra de Paris, Marc Bourreau rend hommage aux danseurs et danseuses classiques, ces professionnels d'une des disciplines les plus relevées au monde. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

This Week on the Show: Banter - Horror Movies & Spooky Season Stuff (2:00) Impressions - Ninja Gaiden 4 (23:00) Impressions - Dying Light: The Beast (43:20) Impressions - Once Upon a Katamari (1:08:00) Impressions - Slots & Daggers (1:24:25) 4Player Minute (1:34:50)

Ripley's Believe It Or Not - 1 Minute Episodes xx-xx-xx (346) Ballet Star

Interview Date: May 11th, 2025Houston Ballet soloist Jacquelyn Long traces her path from living-room pliés with her mom (a former pro) to summer intensives, HBII, and the main company. She shares how relationships and coachability shaped her trajectory, why modern/contemporary versatility now matters as much as classical technique, and how social media helps—but shouldn't replace—the messy, vital process. We dig into audition materials, the “right” photos, favorite roles (Sylvia! Cinderella!), life as a working ballerina (weekly schedule, contracts, AGMA, benefits), pointe-shoe realities, nerves and mindset, longevity habits, and her growing passion for choreography. Plus: where to see her onstage next and practical encouragement for dancers finding their own path.Show Notes:(0:41) - Intro & bio; welcome Jacquelyn Long (2:20) - How she started; early training at home (2:24) - Mom steps back; Janina trains until 11 (3:14) - Houston Ballet intensives begin at 14 (5:31) - “Go where you're liked” scholarships lesson (6:49) - Relationships, coachability, work ethic matter(12:20) - Be versatile: modern/contemporary equals ballet (14:03) - Social media's role; process over perfection (16:03) - Audition toolkit: video, resume, show both styles (18:49) - Best photos: true headshot, first arabesque (20:32) - Favorite roles; Sylvia, Cinderella, new premieres (22:21) - Business mindset: many paths, trust timing (25:38) - Next chapter: choreography alongside performing (45:16) - Contracts, AGMA, pay cadence, key benefits(54:55) - Pointe shoes: custom Bloch, company-paid(57:46) - Final advice; where to see Houston BalletBiography:Jacquelyn Long began her ballet training under the direction of her mother, Suzanne Lownsbury, and Janina Michalski at Ballet Virginia. In 2010, she joined Houston Ballet II (HBII). After two years in the second company, Jacquelyn joined Houston Ballet as a Corps de Ballet member in 2012. Ms. Long was promoted to Soloist in 2016.Ms. Long has performed leading roles such as the title role in Stanton Welch's Sylvia; Hermia in John Neumeier's A Midsummer Night's Dream; Gamzatti in Stanton Welch's La Bayadère; Myrtha in Stanton Welch's Giselle; Sugar Plum Fairy and Clara in Stanton Welch's The Nutcracker; Valencienne in Ronald Hynd's The Merry Widow; Carabosse and Princess Florine in Ben Stevenson's The Sleeping Beauty; Snow Queen in Ben Stevenson's The Nutcracker; Miranda in Stanton Welch's Romeo and Juliet.  She has also danced featured roles in George Balanchine's Serenade, Emeralds, Concerto Barocco, and Symphony in C; Jiří Kylián's Stepping Stones, Dreamtime, and Wings of Wax; Justin Peck's Year of the Rabbit and Under the Folding Sky; William Forsythe's Artifact Suite and In the middle somewhat elevated; Jorma Elo's ONE/end/ONE; Jerome Robbin's Fancy Free; Stanton Welch's Divergence, Paquita, Velocity, Maninyas, Tapestry, and Son of Chamber Symphony.Ms. Long was also featured in the Dancer's Spotlight of the 2013 October/November issue of Pointe Magazine and in the 2013 February issue of Dance Spirit Magazine.Connect on Social Media:Website - https://www.houstonballet.org/Instagram - https://www.instagram.com/jac_long/

This episode is a heartfelt, honest, conversation between Stacey Morgan and Rhee Gold, all about the real work of running a successful dance studio and living a life you love. From the launch of Gold Alliance to growing the next generation of confident, profitable, and legacy-led studio owners, Stacey and Rhee dive into the evolution of this flagship program—and the mindset shifts needed to build something sustainable and joyful. You’ll hear: ✨ How Gold Alliance evolved from a pandemic support hub to a powerhouse leadership group✨ Why creating space, rest, and freedom for studio owners is no longer optional—it’s essential✨ The difference between hustle for hustle’s sake… and building systems that give you back your life✨ How “moms” (or “mums”!) can be your biggest allies—if you lead with clarity and confidence✨ Real talk on money, boundaries, marketing, and letting go of the wrong-fit clients✨ A behind-the-scenes look at Gold Alliance 2.0 and how it’s creating powerful pathways for newer studio owners This episode is packed with encouragement for anyone who’s ever wondered: Can I do this differently? Can I actually create a business that works for me, not just because of me? The answer: YES. You can learn more about the Gold Alliance at rheegold.comSee omnystudio.com/listener for privacy information.

durée : 01:58:32 - Opéra symphonique III : le ballet - par : Christian Merlin - Troisième volet de notre mini-série sur les pages symphoniques où, dans un opéra, les voix se taisent pour laisser place à l'orchestre : après les interludes, place au ballet, essentiel de l'opéra baroque au Grand-opéra à la française du XIXe siècle. - réalisé par : Arthur Rayrole Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Do you ever feel like you're stuck in the loop of always being busy? Like rest is something you’ll earn “one day” when you’ve ticked off every last task? In this honest, warm, and wonderfully real episode, Stacey Morgan and Rhee Gold explore the dopamine-driven habits we all fall into—especially as studio owners—and how we can rewire our routines to prioritise what really matters. From addiction to Instagram scrolling, to running ourselves ragged trying to “do it all,” Stacey and Rhee talk about: ✨ The impact of our phone habits on productivity, presence, and parenting✨ How rest (yes, actual rest!) became one of Stacey’s core values✨ What you might be missing when you constantly chase “the next thing”✨ Rhee’s insights on the joy of doing nothing, and the guilt that sometimes comes with it✨ The truth about studio ownership: the hamster wheel, the pressure, and the need to pause✨ Practical ways to realign your time with your values—and lead by example If you've been craving space, clarity, and permission to slow down, this is your sign. Because rest isn’t a reward for working hard—it’s the fuel you need to keep showing up for the things you care about most.See omnystudio.com/listener for privacy information.

Bienvenue dans ce Mangacast Mini Omake n°137. Aujourd'hui, on vous parle d'un titre des éditions naBan: Le Ballet des cœurs !

Zain Johson, in for Pippa Hudson, speaks to Eduard Greyling, a true South African ballet legend, whose extraordinary career has inspired generations. Lunch with Pippa Hudson is CapeTalk’s mid-afternoon show. This 2-hour respite from hard news encourages the audience to take the time to explore, taste, read and reflect. The show - presented by former journalist, baker and water sports enthusiast Pippa Hudson - is unashamedly lifestyle driven. Popular features include a daily profile interview #OnTheCouch at 1:10pm. Consumer issues are in the spotlight every Wednesday while the team also unpacks all things related to health, wealth & the environment. Thank you for listening to a podcast from Lunch with Pippa Hudson Listen live on Primedia+ weekdays between 13:00 and 15:00 (SA Time) to Lunch with Pippa Hudson broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/MdSlWEs or find all the catch-up podcasts here https://buff.ly/fDJWe69 Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Guests - Michelle Leagans and Jessica OlinikHosted By - Courtney OrtizIn Episode 239 of Making The Impact - A Dance Competition Podcast, we hear from two dance educators about the technique and power behind every great jumper! From tour jetés to switch leaps to flying discs, this episode covers your favorite jumps and leaps with helpful hints to take you to new heights!Topics Include: How to achieve maximum suspension in jumps and leaps The proper preparation for a variety of jumps and leaps Our favorite jumps and leaps to perform and to see on stageHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizMichelle Leagans - @michelleleagansJessica Olinik - @jwodanceThis episode is sponsored by:Michelle Leagans's "Hey Dancers...Let's Talk About It!" Journal.A journaling companion for dancers to thrive as students and team members.Available for purchase on Amazon! www.letstalkaboutdance.comCheck out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24-hour rush delivery available! Submit your video now! Check out our IDA Affiliated Competition and Sponsor: Axis Dance Competition! Visit their website to view their 2026 Tour Dates! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

In this episode, we chat with Darren Sacks, a double bass audition coach, UMass Boston Associate Lecturer, and Greater Boston freelance bassist, to discuss winning strategies for double bass auditions. Darren shares insights from his 9 years of coaching experience, during which he's helped students gain acceptance into major youth orchestras like the Boston Youth Symphony (BYSO) and NEC Prep, summer festivals including Interlochen and BUTI Tanglewood, and undergraduate programs such as Northwestern's Bienen School of Music. Enjoy, and you can connect with Darren on his website. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

There's no such thing as a perfect path in ballet, and few people know that better than Francis Veyette, Co-Founder of the Veyette Virtual Ballet School. In this episode of #NoThirds, Fran talks about the ups and downs of a dance career, how setbacks can create unexpected growth, and why parental support and trust are critical along the way. He also explains how dancers can better navigate feedback, understand company dynamics, and use peer networks to stay informed. It's a candid look at the messy, unpredictable reality of building a career in ballet, and how to make the most of it. Interested in working with Fran at Veyette Virtual Ballet School? Check out our Back to Dance Guide for an exclusive discount. Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

durée : 00:28:38 - Opéra symphonique III - le ballet (4/4) - par : Christian Merlin - Troisième volet de notre mini-série sur les pages symphoniques où, dans un opéra, les voix se taisent pour laisser place à l'orchestre : après les interludes, place au ballet, essentiel de l'opéra baroque au Grand-opéra à la française du XIXe siècle. - réalisé par : Arthur Rayrole Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Ballet, witches, creepy music, and blood; what more could you want for Halloween?! Our friend Bird has given us an extra treat this year with a second spooky episode! So settle in, snag a snack, and celebrate the season with ussssss. Podcast Link: https://sho-dependent.captivate.fm/listenSocials!Instagram: https://www.instagram.com/shodependentpod/TikTok: https://www.tiktok.com/@shodependentpod

durée : 00:28:38 - Opéra symphonique III - le ballet (3/4) - par : Christian Merlin - Troisième volet de notre mini-série sur les pages symphoniques où, dans un opéra, les voix se taisent pour laisser place à l'orchestre : après les interludes, place au ballet, essentiel de l'opéra baroque au Grand-opéra à la française du XIXe siècle. - réalisé par : Arthur Rayrole Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

As adult dancers, we hear the word artistry all the time — but what does it really mean? And how can we actually work on it in class, instead of treating it like some elusive, mysterious quality only professionals have?In this episode, I'm joined by Chelsea Weidmann, founder of GeekyBallerina.com, who has done something truly special: she's defined artistry in ballet through nine clear, tangible elements that dancers of any age or level can develop.Together, we talk about how understanding these nine elements can help us bring more meaning, connection, and expression to our dancing — whether we're returning to ballet as adults or continuing to grow in our artistry after years of training.Chelsea's framework demystifies what artistry looks like, and instead gives us a clear, empowering way to practice it — from breathe and line, to dynamics and body carriage... and more! ✨ In this conversation, we explore:What artistry really means in ballet (and why it's not an indefinable quality)9 elements of artistry and how to cultivate themHow adult dancers can build artistry with intention and joyWhy developing artistry can reignite your passion for ballet at any stageIf you've ever wished you knew how to improve your artistry — this episode is your roadmap! Connect with Chelsea at geekyballerina.comPurchase her book Artistry Inside Ballet Technique, volume 1  on Amazon (affiliate link). Support the showFollow Hannah on Instagram @thebusybunheadExplore blog posts, merchandise & resources for adult ballet dancers like you at thebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.com

durée : 00:28:34 - Opéra symphonique III - le ballet (2/4) - par : Christian Merlin - Troisième volet de notre mini-série sur les pages symphoniques où, dans un opéra, les voix se taisent pour laisser place à l'orchestre : après les interludes, place au ballet, essentiel de l'opéra baroque au Grand-opéra à la française du XIXe siècle. - réalisé par : Arthur Rayrole Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Listen in on another intimate conversation around The Rosin Box with host Claire Kretzschmar, joined this week by Principal Dancer Taylor Stanley. The topic is all things props, which provide essential context and character development for many of the company's story ballets and "teach you how to remain calm in the moment," as Taylor shares. From training with a professional swordsman in preparation for Romeo and Juliet, to maneuvering the candle in La Sonnambula's haunted pas de deux, Taylor describes many of the playful, challenging, and transformative props used by dancers every season. (50:37) Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

Volvió el Ballet Cósmico y nos concentramos en uno de los objetos del sistema solar que tal vez no conocías pero que se descubrió en el siglo XIX. Mati habló sobre Ceres. Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify

durée : 00:28:33 - Opéra symphonique III - le ballet (1/4) - par : Christian Merlin - Troisième volet de notre mini-série sur les pages symphoniques où, dans un opéra, les voix se taisent pour laisser place à l'orchestre : après les interludes, place au ballet, essentiel de l'opéra baroque au Grand-opéra à la française du XIXe siècle. - réalisé par : Arthur Rayrole Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

CALLS..Why are you feeling good this morning? Chilli recaps her son's 12th birthday. CALLS...New AI tool helps you buy a car without haggling. What's your car buying horror story? MYM...a special ballet class in Alexandria is giving kids with Down syndrome a chance to shine. INTERVIEW...a local paranormal investigator talks about local haunts.

See Frederic Franklin dancing with Alexandra Danilova in 1948 at Jacob's Pillow on DANCE INTERACTIVE'Frederic Franklin Returns' PillowTalk 2007 - video excerpt on YOUTUBE

Fort Wayne Ballet welcomes you to its 69th season! Jim Sparrow and Karen Gibbons-Brown get down to it, filling us in on the ins and outs of the new season lineup: particularly the harrowing Halloween happenings of our Tales In the Dark performances.

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Guests - Caleb Dicke and Glenn KelichHosted By - Courtney Ortiz and Lesley MealorThis throwback episode of Making the Impact takes us back to 2023 with a conversation about stage fright. Courtney and Lesley discuss their experiences with stage fright with two wonderful guests. Caleb Dicke, professional dancer and IDA judge, and Glenn Kelich, former professional dancer turned mental health professional, remind listeners that they're not alone in struggling with stage fright. This episode originally aired on January 12, 2023. Topics Include: Strategies for handling stage fright Personal experiences with stage fright How teachers and parents can help dancers combat performance anxietyHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceCaleb Dicke - @CalebDickeGlenn Kelich - @glennkelich, @thementalgameThis episode is sponsored by:Check out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website atwww.impactdanceadjudicators.comSupport the show

In this episode, Jason Heath interviews Rodney Slatford. Rodney is joined by his friend Mike Coombs, who helped facilitate this conversation. Together, they explore Rodney's remarkable career as a performer, educator, publisher, and advocate for the double bass. As founding Chairman of the Yorke Trust, Rodney Slatford has established himself as a renowned double bass player and teacher. His career includes over 1000 performances worldwide, 30 years with the Nash Ensemble of London, 10 years as co-principal bassist with the English Chamber Orchestra, and recording one of the first solo bass discs with the Academy of St. Martin-in-the-Fields. In 1978, he founded the Isle of Man International Double Bass Competition and Workshop. Rodney served as Head of the School of Strings at the Royal Northern College of Music (1984-2001) before retiring to Norfolk to focus on the Yorke Trust and personal interests. Learn more about Rodney and the great work he is doing with the Yorke Trust here. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

Ballet Memphis is redefining what it means to be a ballet company. In this conversation, Artistic Director Steven McMahon and Academy Co-Directors Virginia and Brandon Ramey discuss how they've built a company that belongs to its city, one that reflects Memphis's energy, diversity, and creative spirit. They also talk about the realities of running a regional company, the importance of representation on and off the stage, and their belief that ballet's future depends on connection to community. Learn more about Ballet Memphis on their website. Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok: @BalletHelpDesk

Thank you to Align Fitness by Allie for sponsoring this episode of the podcast! To register for her London Intensive click here or visit @alignfitnessbyallie on Instagram.In this episode of After Class, I'm chatting with Erica Centola, a ballet teacher and company director who returned to dance as an adult and went on to create both a studio and performance company designed specifically for adult dancers.Erica shares how her own journey back to ballet as a busy adult & mom shaped the way she teaches, the unique challenges she sees adult dancers face in the studio, and why creating performance opportunities is so transformative. This conversation is an honest and encouraging look at what it means to build spaces where adult ballet dancers truly belong — in the studio, on stage, and in community with one another.Connect with Erica on Instagram:Tournesol Dance StudioRochester Adult Ballet CompanyOr visit her website tournesoldance.comJoin the Corps de Ballet below

Tanveer Alam is a Toronto-based dancer and choreographer who specializes in Kathak, a style of Indian classical dance that traces back to the 18th century. Tanveer is one of the creative forces behind the “Kathak & Ballet” programme, which will be on stage as part of the Fall for Dance North Festival in Toronto later this month. He sits down with Tom Power to talk about the history and hallmarks of Kathak dance, what Kathak has in common with ballet, and what's needed to ensure that South Asian dance continues to thrive in Canada.Fill out our listener survey here. We appreciate your input!

Creativity is more than expression—it's impact. In this episode, United Arts Collier CEO Elysia Dawn shows how arts organizations can build stronger, more inclusive communities by using creativity as a bridge between people, cultures, and causes. Her story reminds nonprofit leaders that when we remove barriers to participation, we create space for connection, healing, and shared purpose. A former professional ballet dancer turned arts leader, Elysia has dedicated her life to sharing the transformative power of creativity. Drawing on her experiences performing with world-class companies and curating programs at the Metropolitan Museum of Art, she now leads a movement in her hometown to make the arts accessible for all—championing collaboration, advocacy, and community pride through United Arts Collier. Along the way, she opens up about the realities of nonprofit leadership—funding, inclusivity, and sustainability—and how creative problem-solving and storytelling can help organizations thrive. Whether you lead a nonprofit, support the arts, or believe in the power of creativity, this episode is a reminder that the arts don't just enrich lives—they strengthen communities. Prefer Video? Watch the full episode on YouTube: https://youtu.be/_fWCJdZtCEI Standout Quotes “The arts are for everybody—we're here to lower barriers and bring people together.” (28:10) “Creative collaboration is how we stretch our reach and resources—it's what keeps nonprofits sustainable.” (35:42) “Follow your heart, but keep your eyes and ears open to how you can serve your community.” (48:08) Chapters & Timestamps 00:00 – Welcome & Introduction to IMPACTability® 01:04 – From Ballet to Boardroom: Elysia's Journey into Nonprofit Leadership 06:10 – Lessons from The Met: Blending Art, Strategy, and Audience Growth 12:44 – Returning Home: Leading Through Creativity in Collier County 17:59 – The Mission: Arts Education, Advocacy & Access 22:20 – Building Community Through Collaboration & Inclusion 29:10 – The Healing Power of the Arts: Wellbeing and Connection 34:33 – Funding, Sustainability & Creative Problem-Solving in the Arts 42:45 – Honoring the Past, Inspiring the Future: The Collier Arts Archive Project Guest Bio Elysia Dawn believes in the power of creativity to connect people and strengthen communities. A Naples native and former professional ballet dancer, she knows firsthand how the arts can shape lives—and she's made it her mission to ensure those opportunities are accessible to everyone. Today, as CEO of United Arts Collier, Elysia leads with both artistry and strategy, bringing people together across Collier County through arts education, community partnerships, and advocacy. Her journey from performing with Boston Ballet and Complexions Contemporary Ballet to curating performances at the Metropolitan Museum of Art taught her that creativity isn't just about performance—it's about purpose. Elysia's leadership reflects her belief that the arts can be a force for unity, healing, and economic growth. She continues to serve on statewide and regional councils that champion arts and culture, while keeping her focus rooted in community—using collaboration and inclusion to turn creative vision into real-world impact. Learn More & Connect Website:

Hosts Claire Kretzschmar and Soloist Aarón Sanz are back for another cozy conversation around The Rosin Box. This week, they're joined by Soloist Alexa Maxwell and Principal Dancer Gilbert Bolden III, who have plenty to share about inspiration and motivation, whether for their daily practice, during repetitive performance periods, amidst injuries and other challenges, and beyond. Alexa shares that it's all about the music—she's a "classical music girly"—and that she likes to bunhead out as she's learning a new role; for Gilbert, new audience members, quiet instances of beauty in his everyday life, and cherished passages in well-known ballets can help sustain his art. As all four dancers agree, "If you're open to it, you can be inspired all the time." (54:13) Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

Even before Misty Copeland became the first Black woman to be named a principal dancer at the illustrious American Ballet Theatre, she electrified the world of ballet. A prodigy who didn't start dancing until she was 13, she grew up in a transient and often chaotic home. But after she was discovered in a Boys & Girls Club in Los Angeles by a ballet teacher who wanted to expose more kids to the art form, she quickly shot into the national spotlight. As a teen, she studied at the prestigious San Francisco Ballet School and American Ballet Theatre's Summer Intensive. She joined American Ballet Theatre in 2000 and was promoted to principal just five years later, becoming the first Black woman ever to earn the title in the company's 75-year history. Talking Volumes: Misty Copeland Copeland stepped away from the stage in 2020, after an injury and then the pandemic forced a pause. She officially retires this October, but as she told Kerri Miller at Talking Volumes in September, she's eager to enter the next chapter of her life where she can focus on giving back.“Bunheads,” her book series for young dancers, is just one example. At Talking Volumes, a warm and playful Copeland talked about her love of ballet, how dance transformed her life and what comes next. Musical guests for this special Sunday matinee Talking Volumes were Aby Wolf and Eric Mayson.

In this episode, WYCE Station Manager Phil Tower speaks with Mary Jennings, Executive Director with The Grand Rapids Ballet, and James Sofranko, the Artistic Director with the Grand Rapids Ballet.Mary and James joined us on the program for a preview of the 2025–2026 season.The season kicks off with the world premiere production of “Sherlock"--October 24-26, 2025, at Peter Martin Wege Theatre. Next up is the timeless holiday classic, “The Nutcracker", December 12-14 & 19-21 at DeVos Performance Hall, and three other dynamic productions throughout the remainder of the Ballet's 2025-2026 season. Tickets for all shows, as well as more information, are available at grballet.comOnline: The Grand Rapids Ballet

In this special episode, Jim sits down with Youth Company Director Raleigh Sparrow to discuss Fort Wayne Ballet's Family Series shows for the 2025-26 season. First up is Spooky Kooky, this Saturday!

Just in time for Halloween, First State Ballet Theatre returns to the stage at the Grand in Wilmington with a new performance of Dracula.In this edition of Arts Playlist, Delaware Public Media's Martin Matheny is joined by First State Ballet marketing director Claire McGregor to discuss the show.

Tim Rinehart is the Principal Double Bassist of the Oregon Symphony. A graduate of Rice University's Shepherd School of Music, Tim studied with Paul Ellison while also earning a Bachelor of Science in Mathematics. He is the winner of the 2025 International Society of Bassists Orchestral Division Competition and has performed with numerous prestigious orchestras including the Boston Symphony, London Symphony, and Houston Symphony. Tim shares his journey through multiple auditions in a single season, revealing the breakthrough preparation strategies that led to winning his current. He discusses mental performance techniques, systematic practice methods, committee expectations, his education with Paul Ellison at Rice University, and his new role with the Oregon Symphony. Connect with Tim: Website Instagram YouTube Oregon Symphony profile Connect with DBHQ: Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast: Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.   Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. Theme music by Eric Hochberg

Eva Stone believes every young woman in ballet should learn to choreograph, and she is on a mission to make that happen. In this episode, the Pacific Northwest Ballet faculty member shares why she sees choreography as essential to developing artistic confidence, voice, and agency in female dancers. She talks about her New Voices program, which gives young women the opportunity to create their own work, and how the experience transforms the way they approach dance, creativity, and leadership. Eva also reflects on her own unconventional path to PNB, the importance of building resilience through rejection, and why empowering dancers to think and create for themselves is key to the future of ballet. Learn more about Eva on her website. Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok: @BalletHelpDesk

Thank you Jule Dancewear for sponsoring this episode! If you're looking for a supportive new leo, flattering tights, or soft legwarmers, look no further.

===== MDJ Script/ Top Stories for October 10th Publish Date:  October 10th    Commercial: From the BG AD Group Studio, Welcome to the Marietta Daily Journal Podcast.    Today is Friday, October 10th and Happy Birthday to Van Halen I’m Keith Ippolito and here are the stories Cobb is talking about, presented by Times Journal The Georgia Ballet presents Dracula Kent leads fundraising in Marietta Council race Two students arrested for bringing weapons, drugs onto South Cobb High campus Plus, Leah McGrath from Ingles Markets on budgeting All of this and more is coming up on the Marietta Daily Journal Podcast, and if you are looking for community news, we encourage you to listen and subscribe!  BREAK: Ingles Markets 6 STORY 1: The Georgia Ballet presents Dracula The Georgia Ballet is kicking off its 65th season with something deliciously dark—Dracula. Running Oct. 23–26, 2025, at the Jennie T. Anderson Theatre in Marietta, this marks the company’s first-ever production of the gothic classic. Choreographed by Norbe Risco (of Kentucky Ballet Theatre fame), the ballet dives into Bram Stoker’s eerie world of moonlit castles, restless spirits, and, of course, the seductive Count himself. Jonathan Harker’s business trip? Yeah, it spirals into a nightmare of terror and temptation. Under Artistic Director Daet Rodriguez, The Georgia Ballet continues to push boundaries, blending tradition with bold, new works. Heads up: this one’s not for the little ones—recommended for ages 12+ due to its mature themes. Oh, and here’s a fun touch: Hamp & Harry’s will be serving up themed cocktails in the lobby. Performances are limited, so grab your tickets soon at georgiaballet.org or call 770-528-0881. STORY 2: Kent leads fundraising in Marietta Council race Councilman Carlyle Kent is leading the money game in the Ward 5 race for Marietta City Council, outpacing both former Councilman Reggie “Game Changer” Copeland and retiree Kenneth Wright. As of the latest fundraising deadline, Kent’s pulled in over $7,880—far more than his opponents, who’ve both pledged to keep their campaigns under $2,500. Kent’s spent about $3,800 so far, leaving him with $4,082 in the bank. His expenses? Campaign staples like shirts, yard signs, postcards, and even a $955 video camera. Notable backers include former Gov. Roy Barnes ($1,500), ex-Councilman Johnny Sinclair ($250), and a mix of local business owners, church leaders, and community figures. Kent even chipped in $400 himself. The final fundraising deadline is Oct. 25—just ahead of the Nov. 4 election. STORY 3: Two students arrested for bringing weapons, drugs onto South Cobb High campus  Cobb Police arrested two students after finding weapons and drugs in a car parked at South Cobb High School last Friday. Inside the vehicle? A loaded gun with 14 rounds, two knives, a THC vape, and less than an ounce of marijuana. Jentry Henson, of Austell, and Kensley Merriweather, of Powder Springs, now face multiple charges, including felony drug possession and carrying weapons in a school safety zone. Merriweather was also charged with an additional felony for allegedly having a THC vape on her. Both teens, born in 2008, were released on bond—$16,720 for Henson and $27,720 for Merriweather. The school district emphasized there was no threat to the community and encouraged parents and students to use the district’s anonymous tip line to report concerns. We have opportunities for sponsors to get great engagement on these shows. Call 770.799.6810 for more info.  We’ll be right back. Break: TRUCK A PALOOZA STORY 4: Artists to chalk the streets at Marietta’s Chalktoberfest Chalktoberfest is back this weekend, ready to transform Marietta Square into a kaleidoscope of color—and draw a crowd of 40,000 to 60,000 art lovers. Hosted by the Marietta Cobb Museum of Art, this two-day festival combines jaw-dropping chalk art with craft beer, live performances, and a whole lot of community spirit. It all kicks off Saturday, 10 a.m. to 5 p.m., and continues Sunday, 11 a.m. to 5 p.m. Admission? Totally free. What started in 2013 with 20 artists has exploded into a global event, featuring 100 artists from places like Italy, Mexico, and Ukraine. Each artist is sponsored by local businesses—so many, in fact, that organizers had to turn some away this year. And the impact? Huge. Executive Director Sally Macaulay says the festival brings $5.2 million to the city and national recognition to the museum. Sunday’s community chalk competition lets kids (ages 9–17) join the fun, while Saturday’s beer festival offers 120+ brews. Tickets for the beer fest are $55 at the door or $50 online in advance. New this year? Aerial performers will dazzle the crowd with acrobatic routines. Street closures start Friday afternoon, so plan ahead. And the weather? Perfect—sunny and mid-70s all weekend. For tickets and details, visit chalktoberfest.com. STORY 5: Cobb, Marietta Teachers of the Year honored with handprints in Walk of Honor On a crisp fall day in Glover Park, two extraordinary teachers left their mark—literally. Hailey Howdyshell of Marietta City Schools and Amanda Dillard of Cobb County Schools unveiled their handprints on the Teacher Walk of Honor, surrounded by cheering students, proud families, and teary-eyed colleagues. “This isn’t just about me,” Howdyshell, a first-grade teacher, said. “It’s about the kids, my mentors, my team—everyone who’s shaped me.” Dillard, a special education teacher at Pope High, reflected on her journey: “I never planned to teach, but my students showed me why I was meant to.” She’s known for her relentless dedication, helping kids of all abilities find their version of success. The ceremony, part of the Cobb Chamber’s monthlong celebration, will wrap up with a pep rally and a car giveaway for the honorees. But for these two, the real reward is the impact they make every single day. And now here is Leah McGrath from Ingles Markets on budgeting We’ll have closing comments after this. Break: Ingles Markets 7 Signoff-   Thanks again for hanging out with us on today’s Marietta Daily Journal Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at mdjonline.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network Show Sponsors: www.ingles-markets.com See omnystudio.com/listener for privacy information.

Guest: Samantha O'NeilHosted by: Courtney Ortiz DECAdance Competition provides a totally unique competition and “un”convention experience, with genre-specific adjudicators, live music at their “un”convention, and complimentary meals for studio owners! On this week's episode of Making the Impact, Courtney sits down with DECAdance Competition owner Samantha Tirone O'Neil to learn more about this incredible company in our first IDA-affiliated Competition Spotlight! Products and services mentioned in this episode include:Omara Floors - sprung floors for dancersRelative Motion - structured, measurable training designed for both dancers and teachersLearn more about the Andrea Michaels Scholarship Help support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4 - 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!This episode is sponsored by:DECAdance Competition - IDA Affiliated CompetitionView their 2026 tour dates and register now!http://www.decdancecompetition.comFollow your Hosts & Guests!Courtney Ortiz - @courtney.ortizSamantha O'Neil - @decadancecompJoin our NEW Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow us on social media at @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

In this episode, we speak with composer and flutist Dr. Sarah Bassingthwaighte about her groundbreaking Concerto for Double Bass and Orchestra, recently recorded by the London Symphony Orchestra with soloist Stephen Schermer. We dig into Sarah's approach to composition, the experience of writing this piece, balancing a solo bass with a full orchestra, and much more. Enjoy, and check out the sheet music for this cool new piece in our store!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect With Us Join Our Newsletter - https://jason-heath-llc.ck.page/double-bass-news Double Bass Resources: https://doublebasshq.com/ Double Bass Sheet Music: https://shop.doublebasshq.com/ Double Bass Merch: https://shop.doublebasshq.com/collections/merch   Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!   Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

WMAL GUEST: TAMAS DETRICH (Artistic Director of the Stuttgart Ballet) BALLET HERALD: The Stuttgart Ballet Returns to Kennedy Center After More Than 30 Years TIX: Tickets-c=Center.com/Kennedy-Center-Opera-House Where to find more about WMAL's morning show: Follow Podcasts on Apple, Audible and Spotify Follow WMAL's "O'Connor and Company" on X: @WMALDC, @LarryOConnor, @JGunlock, @PatricePinkfile, and @HeatherHunterDC Facebook: WMALDC and Larry O'Connor Instagram: WMALDC Website: WMAL.com/OConnor-Company Episode: Thursday, October 9, 2025 / 8 AM HourSee omnystudio.com/listener for privacy information.