Podcasts about Ballet

durée : 00:04:11 - Le zoom de la rédaction - La nomination de la dernière étoile du Ballet de l'Opéra de Paris fait souffler un vent de modernité sur cette institution multiséculaire. Guillaume Diop, métisse, et très jeune étoilé de 23 ans, ouvre de nouvelles perspectives au Palais Garnier.

Chris Sullivan with a Chokepoint: Expanding I-5 near JBLM will cause continued congestion // Heather Bosch on the Ukrainian based ballet in Seattle // James Crossley, owner of Madison Books on the best books to buy as gifts // Travis Mayfield and Colleen O'Brien with the Top National Headlines // Margaret Brennan in the resuming of violence in Gaza and the expulsion of George Santos // Opening bell - Triple X Root Beer closes in Issaquah // Feliks Banel with All Over The Map: The "Christmas Lighted Boat Parade" turns 60 // Heather Bosch on the Ukrainian based ballet in Seattle   Biggest National Headlines from Travis Mayfield and Colleen O'Brien // James Crossley, owner of Madison Books on the best books to buy as gifts // Travis' commentary on how we don't know what we don't know // Daily Dose of Kindness: A child in Iowa is caught doing a good deed // Ursula Reutin on the low voter turnout in King County this month // Sam Campbell LIVE in Burien on the camping ban taking effect there // Travis Mayfield and Colleen O'Brien with the top local headlines // James Lynch on the upsetting footage he viewed of the atrocities that took place on October 7th // Heather Bosch on the Ukrainian based ballet in Seattle // Micki Gamez with all of the SMN team's top Spotify songs

Dancer Joakim joins me to talk ballet, dance school, choreography, emotional embodiment, dementia, Sweden, the power of place, and middle age! A lovely chat between friends.  More information about Joakim Stephenson's work - https://joakimstephenson.com/   To join our courses and our community go to www.embodimentunlimited.com Find Mark Walsh on Instagram https://www.instagram.com/warkmalsh/

Guests - Amanda Carter and Sarah MattesonHosted By - Courtney Ortiz and Lesley MealorIn Episode 163 of Making The Impact - A Dance Competition Podcast, studio owner Amanda Carter and dance educator, adjudicator, and dance mom Sarah Matteson join us to discuss the pros, cons, and everything in between when it comes to dance competitions and dance conventions!Topics Include:Descriptions of what makes competitions and conventions different from each otherReasons why some studios choose conventions over competitions and vice versaThe benefits of taking dancers to both kinds of eventsHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members-onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4 & 5. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceAmanda Carter - @Amandarcarter Sarah Matteson - @Sarah_m9642Check out our guest's current projects! In the NC area in January 2024? Join No Limits Dance Company's winter intensive, open to all dancers! Registration opens December 1!www.nolimitsdancecompany.com This episode is sponsored by:Francisco Gella Dance Works - Season 5 Premier Sponsor!Educational and developmental programs, intensives, and seminars designed to empower students, parents, educators, and artists.Register now for an upcoming intensive, workshop or seminar! Check out IDA Affiliated Competition Gems Dance Competition!View their 2024 tour dates and register now at www.dancegems.comJoin our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Drew Banzhaf won the audition for Associate Principal Bass Malmö Symphony in 2023. He spent three years as a guest musician of the Baltimore Symphony Orchestra and has regularly appeared with renowned orchestras such as the Chicago Symphony Orchestra, Atlanta Symphony Orchestra, and Minnesota Orchestra. Drew was also a New World Symphony Fellow for three seasons and is a graduate of Indiana University and Rice University. We dig into Drew's background, his decade spent taking 36 professional auditions, lessons learned along the journey, and much more. Enjoy!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsors!   Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university.   Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   theme music by Eric Hochberg

Researcher Ellen Stokes was sifting through library archives when she happened upon the pieces of a long-lost work by Antonio Salieri, Mozart's arch rival. She tells us about the discovery, and what it was like to see it performed for the first time in 200 years.

What is a Shaman? Do you heal like in World of Warcraft? Can you talk to plants? How old do you have to be to be a Shaman? Can you talk to dead people? Is it scary when you are doing a healing? How did you go from a Broadway actor in ballet to a Shaman? What is the most misunderstood part about being a Shaman? All these and so much more will be answered by Shaman Dale Allen-Rowse.

Join us as we chat with Kelly Myernick, Rehearsal Director and Principal Teacher for Houston Ballet Academy. Our conversation covered a broad range of topics related to ballet summer intensive auditions, including what she loves to see, what dancers shouldn't do, the pros and cons of submitting video auditions and even what the admission rate to the Houston Ballet Academy Summer Intensive is! Tune in for a great conversation!

In this episode, I talk about a ballet teacher who has gone viral for calling out the parents of children who are misbehaving while she's giving ballet lessons. Does she have a point? Check out this episode and let me know what you think. Thanks. --- Send in a voice message: https://podcasters.spotify.com/pod/show/the-mike-styles-exp/message

This week, Soloist Sara Adams joins hosts Claire Kretzschmar and fellow Soloist Aarón Sanz at The Rosin Box to talk pointe shoes, from the first dancer to popularize dancing en pointe to all the sewing, banging, and prepping required to get this iconic footwear ready for a performance. Sara discusses her own history with pointe shoes and shares an array of tips and tricks, revealing just how often she changes to a fresh pair during a run of George Balanchine's The Nutcracker®. (46:37) Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

Well, THIS is breaking news!!!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Gregg August is a New York double bassist who successfully balances careers in classical and jazz music, as well as composition. He is member of the Orpheus Chamber Orchestra (Associate), the American Composers Orchestra, Westchester Philharmonic and Orchestra of St. Luke's. He is also an active composer and performer in avant-garde, jazz and Latin jazz worlds. We talk about his background, how he balances these multiple disciplines, his 2020 project "Dialogues on Race," his experience with the innovative "Bang on a Can" summer festival, and much more. Enjoy, and be sure to check out Gregg's website to learn more about his exceptional work!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsors!   Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university.   Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   theme music by Eric Hochberg

Guests - Ashley Marinelli and Kalie-Ann NassouraHosted By - Courtney Ortiz and Lesley MealorHappy Thanksgiving! In Episode 162 of Making The Impact - A Dance Competition Podcast, we tackle a topic that has been requested for years - pay rates in the professional dance world! From gigs to long contracts, commercial work to Broadway, professional dancers Ashley Marinelli and Kalie-Ann Nassoura give you the details on how much you can make as a dancer!Topics Include: A brief overview of union vs non-union as it applies to pay scale Typical pay rates for common jobs in the dance industry Advice about how to choose what jobs to take and not to take when the pay may not be idealHelp support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members-onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4 & 5. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceAshley Marinelli - @alm433Kalie-Ann Nassoura - @_KalieAnn_This episode is sponsored by:Francisco Gella Dance Works - Season 5 Premier Sponsor!Educational and developmental programs, intensives, and seminars designed to empower students, parents, educators, and artists.Register now for an upcoming intensive, workshop or seminar! Check out our service: IDA Online Judge's CritiquesSend us a video of your dance, and an IDA Judge will critique your routine within 72 hours. You can request a genre-specific specialty judge or add on our additional feedback to take your performance to the next level. Click here to submit your video now! Check out IDA Affiliated Competition Star Talent Productions!View their 2024 season tour dates and register now at www.startalentproductions.com Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Join us today as Rhee & Stacey pay tribute to the magnificent Art Stone.See omnystudio.com/listener for privacy information.

Frameform was honored an invitation from Jennifer “Scully” Thurston (noted RogueDancer and current Artistic Director of ADF Movies by Movers)  to moderate Q&As following the shorts programs at a weekend of the summer-long dance film institution Movies by Movers at American Dance Festival in Durham, North Carolina in July of 2023.This panel moderated by Clare Schweitzer, Hannah Weber and Scully featured the following artists:Courtney Holbrooks, director of the film IsolateHenry Isiah Graham, director and performer of the film AirChloe Ilene, director and performer of The WardrobeJake Kruty, Jon Rodriguez and Xavier Townsend, co-directors and performer, respectively of Walls Come DownMaggie M. Bailey, director of the feature-length screendance documentary Moving Together Highlighted Dancefilms/Screendances:Moving Together Film PageMoving Together TrailerIsolate dir. Courtney HolbrooksWalls Come Down (excerpt) dir. Jake KrutyThe Wardrobe (still) dir. Chloe IleneCheck out our Frameform Patreon page for 6 awesome resources we released over the past few months ranging from Technical Tips for Video Editing by Hannah, a visual guide to all things Frameform by Jen Ray, Zines by Clare, and more.New shorts from Dancinema's 2023 program are LIVE at Dancinema Online! Become a site member (it's free!) to browse festival archives and new selections for this season. Coming soon: Dancinema 10 year Anthology. This is a PDF guide to all of the dancefilms we have screened to date, plus collaborations and projects. Get yours by becoming a Dancinema site member or a Frameform Patreon Subscriber!

We head to Tulsa, Oklahoma to search for witches amongst the dancers of the Tulsa Ballet! Just kidding, we just went to watch a beautiful production of Don Quixote and to enjoy the city! BUT we do talk all things Suspiria and Dario Argento along the way. Come join us on the road for some good witchy conversation! 

For this episode, we take a look back at some of the previous conversations we have had about The Nutcracker in the years we have been doing this podcast. Join us as we revisit discussions on the ballet's history and legacy with Karen Gibbons-Brown and an insightful discussion on the Tchaikovsky's music with the help of the Fort Wayne Philharmonic's Caleb Young.

Hey Dancers, in today's episode we chat about Realistic Ballet Company Schedules! We talk about what our schedules were like when we were dancing in a company, how we received our schedule + MORE!To win our Power Band: listen to this podcast, take a selfie & tag us on @stagechats on InstagramCREDITS:This podcast is brought to you by: Claudia Dean WorldHosted by: Claudia Dean & Ailysh HealyExecutive Producers: Claudia Dean WorldShop our Collections: claudiadeanworld.comImprove your technique via our app: ‎Claudia Dean World

President & director of A&A BALLET, Alexei Kremnev, along with seasoned dancers Shania Cook & Rozhan Shabahang from The Art Deco Nutcracker join the Steve Cochran Show to discuss the evolution of ballet, the dedication required for rehearsals and nightly performances, and why The Art Deco Nutcracker is an exceptional choice for families experiencing their first ballet.See omnystudio.com/listener for privacy information.

The conversation between 2/4 pure Manifesting Generator Olyveya Mazier and myself started when I sent her a DM on instagram asking her if I could run her bodygraph to see if she is a first color determination. Her instagram name at the time was @carnivoreballerina and she was tracking her health journey as she moved towards a VERY simple diet that is heavy in animal products. Olyveya has a defined spleen and a defined heart through the Channel of Surrender like I do, and we both digest animal products very well, especially ruminant animals. She had a yes for me running her chart and we discovered she is in fact a first color determination - Alternating!  We talk about detoxing, mold poisoning, skin issues, ballet, pain, working through discomfort, travelling, finding/hunting/ordering food, eliminating foods, her sacral response, recipes, and much more! You can find this episode on YouTube here. You can find Olyveya here - Youtube - @olyveya Instagram - @Olyveya LinkedIn - Olyveya Mazier If you're interested in exploring your Human Design with my guidance, I offer a variety of ways to do so - Website - www.samzagar.com Instagram - @samzagar YouTube - @samzagarhumandesign

From the artistic director of the Pacific Northwest Ballet and former principal dancer for the New York City Ballet comes a deeply personal memoir about one artist's journey from boyhood to ballet. Peter Boal's extensive background in ballet offers a unique glimpse into the world of dance with his diverse repertoire and artistic achievements, including collaborations with prominent choreographers and dancers, Boal's perspective resonates with both seasoned ballet enthusiasts and those new to the art form. Boal will discuss his journey as well as the challenges and triumphs of his career. Serving as a platform for fostering a deeper understanding of ballet's impact on contemporary culture, Boal's insights into the creative process, his role in shaping Pacific Northwest Ballet's repertoire, and his dedication to nurturing emerging talents within the dance community offer attendees the chance to gain insights into the dedication and discipline required in ballet, as well as the broader artistic influences that have shaped Peter Boal's journey. Whether one is an ardent ballet aficionado or simply curious about the world of dance, this event is poised to offer an enriching experience for all. Peter Boal is the Artistic Director of Pacific Northwest Ballet and Director of Pacific Northwest Ballet School. Born in Bedford, New York, he received his training at the School of American Ballet while performing children's roles with New York City Ballet. George Balanchine invited Boal to join the company as an apprentice in 1983, and he continued to dance for NYCB until his retirement in 2005. He has staged works by Balanchine, Ulysses Dove, and Jerome Robbins for PNB, PNB School, and other companies. His memoir, Illusions of Camelot, was released in 2023. Jackson Cooper is a nationally recognized queer arts leader who currently serves as the Major Gifts Manager at Pacific Northwest Ballet and a member of their Inclusion, Diversity, Equity, and Accessibility committee. In addition to his role at the ballet, Cooper serves as an Adjunct Professor for Seattle University's Arts Leadership program. Cooper is an accomplished writer, with two upcoming publications: A Kids Book About Kindness which comes out this year and a book on fundraising through Columbia Business School Press due out in 2026. Illusions of Camelot: A Memoir Third Place Books

Ballet teacher..

We're kicking up our heels this week after we eat a pastrami sandwich with celery juice and watch A Chorus Line. Blake scores the movie Intro Ten; Story Three. Jose is so Surprised by the movie he says it twice. Brandon wants to spend all his time At the Ballet from now on (preferably with Paul). We're not dancers, probably because we can't walk around with our pants stuffed in our cracks, but we can eat, talk about movies, and entertain you. We Can Do That!

Join us this week for another conversation around The Rosin Box with hosts Claire Kretzschmar and Soloist Aarón Sanz, who are joined by Senior Manager of School Programs Colleen Megley and Corps de Ballet Member Kristen Segin. They talk about the Company's many educational and public program offerings, from Family Saturdays and Student Matinee performances to Access Programs and adult-friendly Workshop Weekends—the last of which Segin lovingly describes as "dance camp" for grown-ups. As Colleen shares, educational programming and outreach to the city's citizens were priorities for Co-Founder George Balanchine, and have been offered by NYCB since as early as 1961—and the benefits are as rich for Company members as the many participants. (47:01) Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

durée : 00:25:07 - Ravel Ma Mère l'Oye, du 4 mains au ballet - par : Anne-Charlotte Rémond - Dans cet épisode de Musicopolis, Anne-Charlotte Rémond revient sur l'oeuvre Ma Mère l'Oye écrite par le compositeur Maurice Ravel dans trois versions différentes : pour 4 mains, pour orchestre symphonique, et enfin pour ballet. - réalisé par : Philippe Petit

A poignant volume that introduces a new character to the lore and explores feelings around death and childhood. And it may come as no surprise that even a horror Shoujo manga somehow has to reference ballet, we all seen Black Swan right? Skip plot summaries @ 6:11   Email: WeAppreciateManga@Gmail.com   130: Petshop of Horrors vol. 5 By Akino Matsuri Translation by Tomoharu Iwo and James Lucas Jones Lettering by Nunu Ngien   In the first chapter, ‘Dual' a congressman appears to D asking for the legendary Kirin. At first D denies the existence of such a creature deeming it as a myth, but in truth it is the Kirin who chooses the owner. The Kirin can make the dreams of its owner come true, granting them great power but at an extreme cost. In the end the Kirin chooses the congressman's aide/assistant and so he makes the greatest sacrifice.   In ‘Day Nursery' we are introduced to Leon Orcot's little brother, named Christopher, a mute child who stays at the Petshop under D's care. It comes as a surprise when Christopher sees the pets as humanoids, the same as D and can converse with them telepathically. Christopher has survivor's guilt due to his mom dying from a complicated pregnancy and a feeling of being unloved from his brother Leon. Yet he finds a mother figure in the elderly black bird, Madame Sultana. On the day that Leon is injured he has a near death experience where he dreams of his mother who coincidentally looks like Sultana, or at least the way Christopher sees Sultana. In this realm both Leon and his mother talk about Christopher. On the same day Madame Sultana dies and D can sense the disturbance in the air. Soon enough Leon is apprehensive to be sending Christopher to a specialist school, his stoic nature hides it, but he gives his little brother a hug before he drops him off.   Continued in ‘Darling' Christopher brings in a missing runaway Cat with emerald green eyes and a necklace for a collar, the cat feeling as if she is unloved and only valued for her necklace. The necklace being crown jewels and whomsoever wins the affection of the cat is owner of the jewels and in turn the next heir to the throne. With the cat choosing to stay with D she wishes for a life of a commoner and D trims her fur/ hair at her request, he then claims sovereignty due to possessing the necklace and holds the cat ransom. However, D's plan is to see if the rightful prince Saleem can recognise their cat. But like how a prince recognised Cinderalla, so does the prince recognise his cat. D sees how much the cat and the prince love each other and so he gives the necklace back. Christopher however gets his first taste of jealousy.   The last chapter of this volume reads a lot like, Darren Aronofsky's Black Swan. Jeanne Lecroix, jealous of not being able to play the lead role of Swan Lake spends the afternoon at D's pet shop. There he shows her many of his pets all performing for her, including a bloody cockfight. Through comparing the performance with her abilities, she feels inadequate. Therefore, D gifts her a blade, telling her that with it she will achieve her desire. Later D takes detective Leon to see Swan Lake and we find out that Jeanne has torn apart her rival's black swan costume, it is then decided that Jeanne will play the black swan and her rival Dominique will play the white swan. By the end of the second act Jeanne gets an ovation and it becomes clear that she is wanted for the third act, However Jeanne goes missing, having won the heart of her prince co-star she is never seen again after that performance.   Context:   ·       In Tchaikovsky's Swan Lake the role of both the black swan and the white swan is conventionally played by the same person. This is why in the chapter ‘Dance' Jeanne is jealous of Dominique since it is a dual character role. ·       Depending on the translation you are reading, the country that Saleem is prince of is either fictional or based on the country of Yemen.   Historical, scientific, and cultural references:     ·       A Kirin (Qilin) is based on Chinese mythology, often mistaken for a giraffe in eastern languages but can also be mistaken for a Shishi in the west, the mythical Chinese lion like dog. A Kirin is more like a deer mixed with a dragon in that it has hooves and antlers along with scales. If someone from the Ming dynasty saw a giraffe then they may have mistaken it for a Kirin. They even share the same name. ·       Madame Sultana is a Myna, which is a Starling bird native to India, it can talk like a parrot, even going for lower frequencies of speech than the average parrot. Although symbolically it is more representative of a crow in how it is a pomgeist or conduit for the deceased. ·       The Cat in the chapter ‘Darling' is named Pandora. It means “all giving” and “gifted” named from the Greek creationist myth. ·       The Dying Swan solo dance was created by Mikhail Fokine for Camille Saint-Saëns's ‘The Swan' for the Ballerina Anna Pavlova, having premiered in 1907 as a special occasion piece, It is inspired by the Alfred Tennyson poem of the same name and of course it would be adapted and used for future Swan Lake performances. In the words of Fokine's granddaughter, Isabelle: "The Dying Swan does not make enormous technical demands, but rather enormous artistic ones because every movement and every gesture should signify a different experience, which is emerging from someone who is attempting to escape death." ·       La Syphide is a dance original choreographed by Filipo Taglioni in 1833 but Sadly, the 1836 August Bournonville choreography is the only one to have survived, since Bournonville did not have the rights to the original music thus he created a new version of the dance. It is not to be confused with the 1909 ballet Les Sylphides, another ballet involving a mythical sylph. A Sylph being a spirit of the air. ·       “Pas de deux” is a ballet term for a dance duet. Literally translated from French as “Step of two”   Facebook Instagram Twitter/X Official Website   Email

Hello, Horror Fans! This week on the Horrorcraft podcast, Cassandra is flying solo but has a very special guest co-host, author Michael W. Cooper. Together, they are doing a deep dive on the 1977 classic "Suspiria". This is an introductory episode into Gaillo and we have listed more Gaillo films below, if you are interested. Stay Spooky! "Suspiria" is available for streaming on TUBI The "Suspiria" kill count: https://www.youtube.com/watch?v=gk2vfOIc9Js Found Flix does not have a episode on "Suspiria" (1977) but does have an episode on the 2018 "Suspiria" remake: https://www.youtube.com/watch?v=O7LhoHQt0lk A List of other Giallo movies and where they are streaming: Stage Fright (1987) - TUBI Phenomena (1985) - TUBI Torso (1973) - TUBI The Beyond (1981) - TUBI Opera (1987) - TUBI The Girl Who Knew Too Much/Evil Eye (1963) - TUBI Deep Red (1975) - VUDU (Free) Tenebrae (1982) - TUBI Alice, Sweet Alice (1976) - TUBI A Bay of Blood (1971) - TUBI The Bird with the Crystal Plumage (1970) - TUBI This episode was sponsored by this month's sponsor - The Celestial Black Cat Apothecary, Crystal & Metaphysical Shop located in Norwalk, Ohio. Their online shop is linked below: https://www.thecelestialblackcatcrystalshop.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/thehorrorcraftpodcast/support

Tune in for our chat with Emily Brunner, a professional dance photographer based in the Philadelphia metro area. Emily shares invaluable insights on camera positioning, perfect lighting techniques, and the secrets to capturing stunning audition photos and videos. Emily Brunner Photography: https://www.emilybrunnerphotography.com/  

Ecoutez Laissez-vous tenter du 16 novembre 2023 avec Jérôme Florin.

Guest: Nicole WellsHosted by Courtney Ortiz & Lesley MealorOur first international studio spotlight features Dance Force Australia, owned and directed by Nicole Wells! Dance Force's programming includes several unique offerings for students who want to train at a pre-professional level, as well as a full recreational program for those who just want to have fun!Follow Dance Force Australia on social media @danceforce  and be sure to check out their upcoming projects!Help support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members-onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4 & 5. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!This episode is sponsored by:Francisco Gella Dance Works - Season 5 Premier Sponsor!Educational and developmental programs, intensives, and seminars designed to empower students, parents, educators, and artists.Register now for an upcoming intensive, workshop or seminar! Check out our service: IDA Online Judge's CritiquesSend us a video of your dance, and an IDA Judge will critique your routine within 5 business days. You can request a genre-specific specialty judge or add on our additional feedback to take your performance to the next level. Click here to submit your video now! Check out IDA Affiliated Competition Diva Dance Competition! America's Live Judging Competition! Head to their website to view their upcoming tour dates at www.divacomps.com Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor  - @miss.lesley.danceDance Force Australia - @danceforce Join our NEW Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow us on social media at @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Ecoutez Une chanson, une histoire du 16 novembre 2023 avec Jérôme Florin.

Annapolis is magical during the holidays. Hard stop! Today, we popped down to the Market House to speak with Erik Evans, the Executive Director of the Downtown Annapolis Partnership. Erik is the conductor of the magic that will envelop Annapolis for nearly six weeks beginning on November 25th. We talk about Small Business Saturday, Ballet at Zachary's Jewelers, the Grand Illumination with Santa, Three fabulous Midnight Madnesses, the Eastport Yacht Club's Lights Parade, the Holiday Market, the Chocolate Binge Festival, the Military Bowl and Parade, the Miracle on Annapolis Street, the Annapolis New Years Eve celebrations, and more. We even jump into what to look forward to as we kick 2023 out the door and welcome in 2024! Worried about parking? Don't be. It's plentiful and free, and Erik explains just how to find it! Annapolis has a certain magic about it over the Holidays. Have a listen and see for yourself!

Greek bassist Kostas Patsiotis recently released his solo debut album October, which was recorded in a single day at Antart Studios in Athens and features Yiannis Papadopoulos on piano, Michael Tsiftis on guitar and Dimitris Klonis on drums.   We talk about what it's like being a jazz bassist in Greece, how Kostas got into bass playing, his gear, what it was like recording this album, and much more.   Enjoy, and be sure to check out October and also follow along with Kostas on his website, YouTube, Facebook, and Instagram!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsors!   Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university.   Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   theme music by Eric Hochberg

Boys face unique challenges in ballet and summer intensives are no different.  Join us as we sit down with some seasoned parents of male ballet dancers to discuss hurdles they've all had to overcome as well as how each family took a unique approach to attending summer ballet intensives

In this episode, we've turned the tables on show host Jim Sparrow, as he takes a turn in the interview chair. In his roll as Fort Wayne Ballet's Executive Director, he gives us a glimpse into the structure and the day-to-day mechanics of operating a ballet company. Find out what goes into a production from a fiscal standpoint, with the behind-the-scenes costs of staging, costuming, sets, courting trusts, and satisfying sponsors. Jim gives us the ins and outs of ballet as a business, as Kinetic Conversations takes ballet Beyond the Nutcracker.

The Artistic Director of Ballet Nova Dance Company Matthew Powell returned to the show to give us all the details about how they are celebrating their 20th anniversary of presenting "The Nutcracker" including a return to tradition and incorporating what it has meant to the company's families. Also find out about their spring ballet production (and how it will be announced) and an exciting "Roaring 20's" themed gala complete with a "speakeasy" in their black box theater. And learn one interesting fact about how boy and girl ballet dancers are treated differently with respect to their "toes." 

Big weekend in Aggieland. Scratch off tickets. Jimbo gets fired. Caloric training for the holidays. Soup season! Airline probs. Taylor fatigue. Turkey calling competition. Is Oreo skimping on the cream? Ballet and sports. Toy Hall of Fame.

This week we head to Boston, where I'm speaking with Boston Ballet's legendary principal dancer, John Lam. John has the most incredible story: His Vietnamese parents were refugees who settled in the US and John, together with his brother and sister grew up in relative poverty in California. Traditional family values meant education was key in John's family, but he accidentally found dance as a young boy when his daycare offered it as an extra activity. And from there, the love affair began. John went on to train at Canada's National Ballet School, and on graduation was offered a position at the Boston Ballet. In this wondrous and beautiful conversation, John talks about the joys of dance, about finding his sexuality and the moment he came out to his parents. But we also talk about more about navigating race and racism in ballet, about meeting his husband, becoming a dad to their two boys, and John's hopes that his parents will one day see him dance.We are thrilled to be sponsored by Energetiks. Energetiks specialise in creating sustainable, world class dancewear for the stars Energetiks is offering Talking Pointes listeners a 20% discount [available until the end of March 2024]. Listen for the code in the episode. Shop their extensive range online at energetiks.com.au or energetiks.com if you're listening from the US. T&Cs APPLY. @energetiks @energetiksusaTrigger WarningThis episode discusses ideas around suicide. For help for depression and anxiety, turn to Beyond Blue at beyondblue.org.auTalking Points is produced on the lands of the Gadigal and the Wanegal peoples to whom we pay our greatest respects. Talking Points is produced by Fjord Review. Remember to subscribe to get the latest episodes as soon as they're released. If you like us, please leave a five-star review. On the next episode of Talking Points, you'll hear from Dana Stephenson.Your host and producer is me, Claudia Lawson, with additional production by Penelope Ford and Clint Topic. Sound production and editing is by Martin Peralta at Output Media. For the latest in all things dance, head to fjordreview.com.

This day in history. Iceland volcano. Missing airplane windows. Snow geese in Dumas. Arts Council of Brazos Valley update. Ballet and sports. Toy Hall of Fame.

Join us for another round of cozy conversations at The Rosin Box, beginning with Associate Music Director Andrews Sill. Hosts Claire Kretzschmar and Soloist Aarón Sanz chat with Sill about how he came to this role with NYCB, why he prefers conducting for the ballet over symphonic performances, and which Balanchine work made him fall in love with the art form. With preparations for the return of George Balanchine's The Nutcracker® under way, Sill shares how he keeps familiar music fresh—and that despite 14 years wielding the baton for the Company, he's still moved by many productions. (50:57) Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

Jesse Dietschi recently released Gradient, his debut album with fellow Toronto musicians Ethan Ardelli (drums) and Ewen Farncombe (piano).  This album has been getting considerable acclaim and will be featured in the Debut Album Reviews section of the December 2023 edition of DownBeat Magazine, along with numerous radio programs throughout North America and Europe.   We talk about the story behind this album, how Jesse and I met several years ago at the Suzuki Association of the Americas Conference, what it's like balancing classical work like subbing with the Toronto Symphony with his jazz projects, and much more.   Enjoy, and be sure to check out October on Spotify and bandcamp, and be sure to follow along with Jesse on his website and Instagram!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsors!   Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university.   Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   theme music by Eric Hochberg

durée : 00:15:10 - Les Nuits de France Culture - par : Albane Penaranda - En 1975, la compositrice Germaine Tailleferre raconte une série de dix entretiens. Dans le 5ème, elle se souvient du scandale que fût la première représentation du ballet "Les Mariés de la Tour Eiffel" de Jean Cocteau, en 1921. L'histoire d'une noce folle qui s'invite à la Tour Eiffel...

If you own a dance studio, it's important to always be evolving. Don't get left behind, just because you've always done something that way or this way. Today Rhee & Stacey talk about the risk of falling behind if you don't stay up to date with the latest business & dance trends as a DSO.See omnystudio.com/listener for privacy information.

Guests - Nicole Perry and Keanu UchidaHosted By - Courtney Ortiz and Lesley MealorIn Episode 160 of Making The Impact - A Dance Competition Podcast, intimacy director and dance educator Nicole Perry and NEAMA co-founder and advocate for awareness of sexual abuse in the dance industry, Keanu Uchida, sit down for a candid conversation about improper behavior, unfair power dynamics, and abuse in the dance industry. *While we do not discuss any graphic details pertaining to sexual abuse in this episode, please take care when listening and preview this episode before listening with children*Topics Include: An explanation of power dynamics and boundaries as they pertain to the artistic dance community Red flags to look out for when researching or attending dance events How authority figures in the dance industry can work to make a safer space for young dancersHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members-onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearYour support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceNicole Perry - @Dancendrama Keanu Uchida - @keanu.uchidaCheck out our guest's current projects! NEAMA (Nonprofit Education and Advocacy for the Movement Arts)™️  Intimacy Direction in DanceCheck out Nicole's upcoming events on her website!This episode is sponsored by:Francisco Gella Dance Works - Season 5 Premier Sponsor!Educational and developmental programs, intensives, and seminars designed to empower students, parents, educators, and artists.Register now for an upcoming intensive, workshop or seminar!  Apolla Performance The benefit of a shoe + the comfort of a sock. Try Apolla Shocks and use code IMPACT10 for 10% off at checkout!Check out IDA Affiliated Competition Gems Dance Competition!View their 2024 tour dates and register now!Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Support the show

Theresa Ruth Howard fell in love with ballet as a little girl. And she was one of the aspiring ballerinas who got to live her dream. Howard went on to write about dance, and ultimately, to work with ballet companies that aspired to open the rarified art form to a more diverse pool of both dancers and audience members. Howard is also the founder of Memoirs of Blacks in Ballet, a project that seeks to make Black dancers' stories accessible to a wider audience. Vivian and Marcie spoke with Howard about her work, and about her vision for ballet in the 21st century and beyond.

Join us as Ballet Help Desk sits down with Robert Fulton, a dancer with Nevada Ballet Theatre and the Co-Founder of Ballet Scout. Robert takes us through not only how Ballet Scout can help with sourcing auditions, but he also talks, in detail, about what dancrs should consider when conducting their searches, thing to consider about programs and what matters in evaluating potential summer intensives. And, don't forget to check out the Ballet Help Desk Summer Intensive Boot Camp!

Sean Dorsey is a San Francisco-based choreographer, dancer, writer, teaching artist and cultural activist. Recognized as the U.S.' first acclaimed transgender modern dance choreographer, Dorsey has toured his work to more than 30 cities across the US and abroad – and taught with his explicitly trans-positive pedagogy in more than 35 cities.In July 2023, Sean Dorsey Dance presented the North Carolina premiere of the ADF commission “The Lost Art Of Dreaming”, a life affirming experience that invites the audience to reconnect with longing, embrace expansive imagination, connect with joy and pleasure, and propel ourselves toward loving Futures. This tour stop coincided with the ADF Movies by Movers screening of the film “If Cities Could Dance |Transgender Dancer Invites Trans & Queer People to Dream Big” directed by Lindsay Gauthier which profiles Dorsey and his work. The film is currently on a festival tour and recently won an Emmy.Clare and Hannah moderated this Q&A panel following the screening of the film. On the panel were Sean Dorsey, dancers Nol Simonse, Héctor Jaime, & David Le, costume designer Krystal Harfert, and Technical Director Emily Paulson.Special thanks to ADF Movies by Movers Artistic Director Jennifer Scully Thurston for the invitation!Learn and Explore More:Highlighted Dancefilms/Screendances:If Cities Could Dance | Transgender Dancer Invites Trans & Queer People to Dream BigDir. Lindsay Gauthier The Lost Art of Dreaming (trailer) Check out our Frameform Patreon page for 6 awesome resources we released over the past few months ranging from Technical Tips for Video Editing by Hannah, a visual guide to all things Frameform by Jen Ray, Zines by Clare, and more.

Can you believe it's already time for ballet summer intensive planning? You're thinking, "we just finished this summer! Well, buckle up! It's time for researching and developing that summer intensive audition list. Jenny and Brett give you a detailed overview of how to get it all done! Check out everything else you need to nail summer intensive season here: https://ballethelpdesk.com/summer-intensive-bootcamp

Guests - Brittany Nicholas and Miranda QuinnHosted By - Courtney Ortiz and Lesley MealorIn Episode 159 of Making The Impact - A Dance Competition Podcast, two incredible former competitive dancers turned professional dancers join us to talk about their experiences as swings and understudies, and how their time in the competition world helped prepare them for these unique roles on stages from Broadway to concert dance.Topics Include: A crash course on professional stage terminology The ins and outs of what it takes to be a swing and an understudy in both the concert dance world and Broadway Advice for young dancers interested in pursuing a career that includes swing and understudy workHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members-onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearYour support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceBrittany Nicholas - @brittnnicholas Miranda Quinn - @mirandaming4Check out our guest's current projects! See Brittany in "& Juliet" on Broadway! See Alvin Ailey Dance Theater at New York City Center from November 29th-December 31st!This episode is sponsored by:Francisco Gella Dance Works - Season 5 Premier Sponsor!Educational and developmental programs, intensives, and seminars designed to empower students, parents, educators, and artists. Register for an upcoming intensive!DecaDance Competition - IDA Affiliated CompetitionView their 2024 tour dates and register now!Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website atFrancisco Gella Dance Works In-person intensives & seminars for pre-professional dancers. Use code: MAKINGTHEIMPACT for $75 offDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show