Podcasts about Ballet

Tanveer Alam is a Toronto-based dancer and choreographer who specializes in Kathak, a style of Indian classical dance that traces back to the 18th century. Tanveer is one of the creative forces behind the “Kathak & Ballet” programme, which will be on stage as part of the Fall for Dance North Festival in Toronto later this month. He sits down with Tom Power to talk about the history and hallmarks of Kathak dance, what Kathak has in common with ballet, and what's needed to ensure that South Asian dance continues to thrive in Canada.Fill out our listener survey here. We appreciate your input!

Creativity is more than expression—it's impact. In this episode, United Arts Collier CEO Elysia Dawn shows how arts organizations can build stronger, more inclusive communities by using creativity as a bridge between people, cultures, and causes. Her story reminds nonprofit leaders that when we remove barriers to participation, we create space for connection, healing, and shared purpose. A former professional ballet dancer turned arts leader, Elysia has dedicated her life to sharing the transformative power of creativity. Drawing on her experiences performing with world-class companies and curating programs at the Metropolitan Museum of Art, she now leads a movement in her hometown to make the arts accessible for all—championing collaboration, advocacy, and community pride through United Arts Collier. Along the way, she opens up about the realities of nonprofit leadership—funding, inclusivity, and sustainability—and how creative problem-solving and storytelling can help organizations thrive. Whether you lead a nonprofit, support the arts, or believe in the power of creativity, this episode is a reminder that the arts don't just enrich lives—they strengthen communities. Prefer Video? Watch the full episode on YouTube: https://youtu.be/_fWCJdZtCEI Standout Quotes “The arts are for everybody—we're here to lower barriers and bring people together.” (28:10) “Creative collaboration is how we stretch our reach and resources—it's what keeps nonprofits sustainable.” (35:42) “Follow your heart, but keep your eyes and ears open to how you can serve your community.” (48:08) Chapters & Timestamps 00:00 – Welcome & Introduction to IMPACTability® 01:04 – From Ballet to Boardroom: Elysia's Journey into Nonprofit Leadership 06:10 – Lessons from The Met: Blending Art, Strategy, and Audience Growth 12:44 – Returning Home: Leading Through Creativity in Collier County 17:59 – The Mission: Arts Education, Advocacy & Access 22:20 – Building Community Through Collaboration & Inclusion 29:10 – The Healing Power of the Arts: Wellbeing and Connection 34:33 – Funding, Sustainability & Creative Problem-Solving in the Arts 42:45 – Honoring the Past, Inspiring the Future: The Collier Arts Archive Project Guest Bio Elysia Dawn believes in the power of creativity to connect people and strengthen communities. A Naples native and former professional ballet dancer, she knows firsthand how the arts can shape lives—and she's made it her mission to ensure those opportunities are accessible to everyone. Today, as CEO of United Arts Collier, Elysia leads with both artistry and strategy, bringing people together across Collier County through arts education, community partnerships, and advocacy. Her journey from performing with Boston Ballet and Complexions Contemporary Ballet to curating performances at the Metropolitan Museum of Art taught her that creativity isn't just about performance—it's about purpose. Elysia's leadership reflects her belief that the arts can be a force for unity, healing, and economic growth. She continues to serve on statewide and regional councils that champion arts and culture, while keeping her focus rooted in community—using collaboration and inclusion to turn creative vision into real-world impact. Learn More & Connect Website:

Hosts Claire Kretzschmar and Soloist Aarón Sanz are back for another cozy conversation around The Rosin Box. This week, they're joined by Soloist Alexa Maxwell and Principal Dancer Gilbert Bolden III, who have plenty to share about inspiration and motivation, whether for their daily practice, during repetitive performance periods, amidst injuries and other challenges, and beyond. Alexa shares that it's all about the music—she's a "classical music girly"—and that she likes to bunhead out as she's learning a new role; for Gilbert, new audience members, quiet instances of beauty in his everyday life, and cherished passages in well-known ballets can help sustain his art. As all four dancers agree, "If you're open to it, you can be inspired all the time." (54:13) Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

Even before Misty Copeland became the first Black woman to be named a principal dancer at the illustrious American Ballet Theatre, she electrified the world of ballet. A prodigy who didn't start dancing until she was 13, she grew up in a transient and often chaotic home. But after she was discovered in a Boys & Girls Club in Los Angeles by a ballet teacher who wanted to expose more kids to the art form, she quickly shot into the national spotlight. As a teen, she studied at the prestigious San Francisco Ballet School and American Ballet Theatre's Summer Intensive. She joined American Ballet Theatre in 2000 and was promoted to principal just five years later, becoming the first Black woman ever to earn the title in the company's 75-year history. Talking Volumes: Misty Copeland Copeland stepped away from the stage in 2020, after an injury and then the pandemic forced a pause. She officially retires this October, but as she told Kerri Miller at Talking Volumes in September, she's eager to enter the next chapter of her life where she can focus on giving back.“Bunheads,” her book series for young dancers, is just one example. At Talking Volumes, a warm and playful Copeland talked about her love of ballet, how dance transformed her life and what comes next. Musical guests for this special Sunday matinee Talking Volumes were Aby Wolf and Eric Mayson.

Tim Rinehart is the Principal Double Bassist of the Oregon Symphony. A graduate of Rice University's Shepherd School of Music, Tim studied with Paul Ellison while also earning a Bachelor of Science in Mathematics. He is the winner of the 2025 International Society of Bassists Orchestral Division Competition and has performed with numerous prestigious orchestras including the Boston Symphony, London Symphony, and Houston Symphony. Tim shares his journey through multiple auditions in a single season, revealing the breakthrough preparation strategies that led to winning his current. He discusses mental performance techniques, systematic practice methods, committee expectations, his education with Paul Ellison at Rice University, and his new role with the Oregon Symphony. Connect with Tim: Website Instagram YouTube Oregon Symphony profile Connect with DBHQ: Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast: Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.   Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. Theme music by Eric Hochberg

Eva Stone believes every young woman in ballet should learn to choreograph, and she is on a mission to make that happen. In this episode, the Pacific Northwest Ballet faculty member shares why she sees choreography as essential to developing artistic confidence, voice, and agency in female dancers. She talks about her New Voices program, which gives young women the opportunity to create their own work, and how the experience transforms the way they approach dance, creativity, and leadership. Eva also reflects on her own unconventional path to PNB, the importance of building resilience through rejection, and why empowering dancers to think and create for themselves is key to the future of ballet. Learn more about Eva on her website. Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok: @BalletHelpDesk

Thank you Jule Dancewear for sponsoring this episode! If you're looking for a supportive new leo, flattering tights, or soft legwarmers, look no further.

Penelope Noir joins Rosetta and Milly on the airwaves for a kōrero about Ballet fashion - in particular, the history of pointe shoes! Whakarongo mai nei!

===== MDJ Script/ Top Stories for October 10th Publish Date:  October 10th    Commercial: From the BG AD Group Studio, Welcome to the Marietta Daily Journal Podcast.    Today is Friday, October 10th and Happy Birthday to Van Halen I’m Keith Ippolito and here are the stories Cobb is talking about, presented by Times Journal The Georgia Ballet presents Dracula Kent leads fundraising in Marietta Council race Two students arrested for bringing weapons, drugs onto South Cobb High campus Plus, Leah McGrath from Ingles Markets on budgeting All of this and more is coming up on the Marietta Daily Journal Podcast, and if you are looking for community news, we encourage you to listen and subscribe!  BREAK: Ingles Markets 6 STORY 1: The Georgia Ballet presents Dracula The Georgia Ballet is kicking off its 65th season with something deliciously dark—Dracula. Running Oct. 23–26, 2025, at the Jennie T. Anderson Theatre in Marietta, this marks the company’s first-ever production of the gothic classic. Choreographed by Norbe Risco (of Kentucky Ballet Theatre fame), the ballet dives into Bram Stoker’s eerie world of moonlit castles, restless spirits, and, of course, the seductive Count himself. Jonathan Harker’s business trip? Yeah, it spirals into a nightmare of terror and temptation. Under Artistic Director Daet Rodriguez, The Georgia Ballet continues to push boundaries, blending tradition with bold, new works. Heads up: this one’s not for the little ones—recommended for ages 12+ due to its mature themes. Oh, and here’s a fun touch: Hamp & Harry’s will be serving up themed cocktails in the lobby. Performances are limited, so grab your tickets soon at georgiaballet.org or call 770-528-0881. STORY 2: Kent leads fundraising in Marietta Council race Councilman Carlyle Kent is leading the money game in the Ward 5 race for Marietta City Council, outpacing both former Councilman Reggie “Game Changer” Copeland and retiree Kenneth Wright. As of the latest fundraising deadline, Kent’s pulled in over $7,880—far more than his opponents, who’ve both pledged to keep their campaigns under $2,500. Kent’s spent about $3,800 so far, leaving him with $4,082 in the bank. His expenses? Campaign staples like shirts, yard signs, postcards, and even a $955 video camera. Notable backers include former Gov. Roy Barnes ($1,500), ex-Councilman Johnny Sinclair ($250), and a mix of local business owners, church leaders, and community figures. Kent even chipped in $400 himself. The final fundraising deadline is Oct. 25—just ahead of the Nov. 4 election. STORY 3: Two students arrested for bringing weapons, drugs onto South Cobb High campus  Cobb Police arrested two students after finding weapons and drugs in a car parked at South Cobb High School last Friday. Inside the vehicle? A loaded gun with 14 rounds, two knives, a THC vape, and less than an ounce of marijuana. Jentry Henson, of Austell, and Kensley Merriweather, of Powder Springs, now face multiple charges, including felony drug possession and carrying weapons in a school safety zone. Merriweather was also charged with an additional felony for allegedly having a THC vape on her. Both teens, born in 2008, were released on bond—$16,720 for Henson and $27,720 for Merriweather. The school district emphasized there was no threat to the community and encouraged parents and students to use the district’s anonymous tip line to report concerns. We have opportunities for sponsors to get great engagement on these shows. Call 770.799.6810 for more info.  We’ll be right back. Break: TRUCK A PALOOZA STORY 4: Artists to chalk the streets at Marietta’s Chalktoberfest Chalktoberfest is back this weekend, ready to transform Marietta Square into a kaleidoscope of color—and draw a crowd of 40,000 to 60,000 art lovers. Hosted by the Marietta Cobb Museum of Art, this two-day festival combines jaw-dropping chalk art with craft beer, live performances, and a whole lot of community spirit. It all kicks off Saturday, 10 a.m. to 5 p.m., and continues Sunday, 11 a.m. to 5 p.m. Admission? Totally free. What started in 2013 with 20 artists has exploded into a global event, featuring 100 artists from places like Italy, Mexico, and Ukraine. Each artist is sponsored by local businesses—so many, in fact, that organizers had to turn some away this year. And the impact? Huge. Executive Director Sally Macaulay says the festival brings $5.2 million to the city and national recognition to the museum. Sunday’s community chalk competition lets kids (ages 9–17) join the fun, while Saturday’s beer festival offers 120+ brews. Tickets for the beer fest are $55 at the door or $50 online in advance. New this year? Aerial performers will dazzle the crowd with acrobatic routines. Street closures start Friday afternoon, so plan ahead. And the weather? Perfect—sunny and mid-70s all weekend. For tickets and details, visit chalktoberfest.com. STORY 5: Cobb, Marietta Teachers of the Year honored with handprints in Walk of Honor On a crisp fall day in Glover Park, two extraordinary teachers left their mark—literally. Hailey Howdyshell of Marietta City Schools and Amanda Dillard of Cobb County Schools unveiled their handprints on the Teacher Walk of Honor, surrounded by cheering students, proud families, and teary-eyed colleagues. “This isn’t just about me,” Howdyshell, a first-grade teacher, said. “It’s about the kids, my mentors, my team—everyone who’s shaped me.” Dillard, a special education teacher at Pope High, reflected on her journey: “I never planned to teach, but my students showed me why I was meant to.” She’s known for her relentless dedication, helping kids of all abilities find their version of success. The ceremony, part of the Cobb Chamber’s monthlong celebration, will wrap up with a pep rally and a car giveaway for the honorees. But for these two, the real reward is the impact they make every single day. And now here is Leah McGrath from Ingles Markets on budgeting We’ll have closing comments after this. Break: Ingles Markets 7 Signoff-   Thanks again for hanging out with us on today’s Marietta Daily Journal Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at mdjonline.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network Show Sponsors: www.ingles-markets.com See omnystudio.com/listener for privacy information.

Jeff Scott is a Grammy award winning French horn player, composer and arranger. He plays chamber, solo, orchestral, Broadway, ballet, classical, jazz and pop. As a composer Jeff writes what he calls Urban Classical Music. It's rooted in European traditions and informed by African American culture. He was a member of the acclaimed wind quintet Imani Winds for 24 years. This quintet was honored with a permanent installation at the Smithsonian Museum of African American History.My featured song is my recording of Thelonious Monk's “Well, You Needn't” from the album Miles Behind. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH JEFF:www.musicbyjeffreyscott.com—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Guest: Samantha O'NeilHosted by: Courtney Ortiz DECAdance Competition provides a totally unique competition and “un”convention experience, with genre-specific adjudicators, live music at their “un”convention, and complimentary meals for studio owners! On this week's episode of Making the Impact, Courtney sits down with DECAdance Competition owner Samantha Tirone O'Neil to learn more about this incredible company in our first IDA-affiliated Competition Spotlight! Products and services mentioned in this episode include:Omara Floors - sprung floors for dancersRelative Motion - structured, measurable training designed for both dancers and teachersLearn more about the Andrea Michaels Scholarship Help support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4 - 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!This episode is sponsored by:DECAdance Competition - IDA Affiliated CompetitionView their 2026 tour dates and register now!http://www.decdancecompetition.comFollow your Hosts & Guests!Courtney Ortiz - @courtney.ortizSamantha O'Neil - @decadancecompJoin our NEW Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow us on social media at @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

In this episode, we speak with composer and flutist Dr. Sarah Bassingthwaighte about her groundbreaking Concerto for Double Bass and Orchestra, recently recorded by the London Symphony Orchestra with soloist Stephen Schermer. We dig into Sarah's approach to composition, the experience of writing this piece, balancing a solo bass with a full orchestra, and much more. Enjoy, and check out the sheet music for this cool new piece in our store!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect With Us Join Our Newsletter - https://jason-heath-llc.ck.page/double-bass-news Double Bass Resources: https://doublebasshq.com/ Double Bass Sheet Music: https://shop.doublebasshq.com/ Double Bass Merch: https://shop.doublebasshq.com/collections/merch   Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!   Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

WMAL GUEST: TAMAS DETRICH (Artistic Director of the Stuttgart Ballet) BALLET HERALD: The Stuttgart Ballet Returns to Kennedy Center After More Than 30 Years TIX: Tickets-c=Center.com/Kennedy-Center-Opera-House Where to find more about WMAL's morning show: Follow Podcasts on Apple, Audible and Spotify Follow WMAL's "O'Connor and Company" on X: @WMALDC, @LarryOConnor, @JGunlock, @PatricePinkfile, and @HeatherHunterDC Facebook: WMALDC and Larry O'Connor Instagram: WMALDC Website: WMAL.com/OConnor-Company Episode: Thursday, October 9, 2025 / 8 AM HourSee omnystudio.com/listener for privacy information.

WMAL GUEST: RIC GRENELL (President of the Kennedy Center) WEBSITE: Kennedy-Center.org SOCIAL MEDIA: X.com/RichardGrenell Where to find more about WMAL's morning show: Follow Podcasts on Apple, Audible and Spotify Follow WMAL's "O'Connor and Company" on X: @WMALDC, @LarryOConnor, @JGunlock, @PatricePinkfile, and @HeatherHunterDC Facebook: WMALDC and Larry O'Connor Instagram: WMALDC Website: WMAL.com/OConnor-Company Episode: Wednesday, October 8, 2025 / 8 AM HourSee omnystudio.com/listener for privacy information.

Dancer Daria Breslin shares her path from early training in Maryland to professional life with City Ballet of San Diego. She talks about the lessons learned at Pittsburgh Ballet Theatre and Nashville Ballet, the importance of mentorship and community, and the realities of auditions and feedback. Daria's story offers an honest look at what it takes to stay grounded, grow as an artist, and find your place in the ballet world.  Learn more about Daria on her Instagram: @daria.ballerina18/ Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok:  Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Ever been given a ballet correction that just didn't make sense? You're not alone! In this episode, Allie Christensen (founder of Align Fitness and the Dancer Strong platform) joins me to talk about how adult dancers can interpret, understand, and apply the feedback we hear in class. We dive into 3 of the most common corrections (like "don't force your turnout") and explore what they really mean, how to translate them into your own body, and how building strength and awareness outside the studio can make every correction more effective. Whether you're new to ballet or a seasoned adult dancer, this conversation will change the way you receive and apply the feedback you're getting in class.... Let's get into it!Referenced in the episode: Inside Ballet Technique (Amazon Affiliate link)Don't forget to register for Allie's London Intensive for Adults! This event will cover the most requested topics for adult dancers: Alignment, Turnout, Flexibility and Extensions. Each session will include detailed explanations, cross-training exercises, ballet class cues, and hands-on guidance with Allie, followed by a ballet class to implement what you worked on. If you're looking for a chance to really get into the details that will take your dancing to the next level, this is the event for you!Connect with Allie on Instagram @alignfitnessbyallieCheck out the Dancer Strong platformClick below to join the Corps de Ballet

In this exclusive holiday-season episode of the Ash Said It Show, we sit down with Tricia Ekholm from Atlanta Ballet to explore their upcoming season — including the return of their iconic production of The Nutcracker at Cobb Energy Performing Arts Centre. Whether you're a seasoned ballet lover or a first-time attendee, this episode offers a behind-the-scenes look at:

Guests - Kiyah Rush, Megan Friedman, Brandi GeorgeHosted By - Courtney Ortiz and Lesley MealorIn Episode 235 of Making The Impact - A Dance Competition Podcast, we are excited to learn more about the world of dance convention assistants. Studio owners Megan Friedman and Brandi Rush join us, along with professional assistant Kiyah Rush to give us the inside scoop on what it takes to land this type of opportunity!Topics Include: The benefits of being a student-level assistant What other opportunities exist for assistants besides being on stage What skill sets dancers should have before becoming an assistantHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceKiyah Rush - @KiyahrushBrandi George - @bgeorge811Megan Friedman - @megfriedmanThe PAC Dance Studio - @thepacdancecoThis episode is sponsored by:YoungArtsApplications are open for the 2026 National YoungArts Competition, available for artists ages 15-18 or in grades 10-12. Deadline to apply is October 8th, 2025. Learn more at www.YoungArts.orgIDA Affiliated Competition - Elevation On Tour!View their upcoming 2026 Tour Dates on their website!Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

In this episode, Charles Gambetta introduces his innovative bass position system that addresses traditional limitations in fingerboard comprehension. His method combines Roman numerals with Arabic numbers to provide contextual information that enhances physical and mental connections during play. Charles explains how starting students at the 'primary lock' position and focusing on finger placement and shift intervals improves intonation. He also demonstrates how this approach benefits various playing styles and has transformed his teaching approach. Enjoy, and be sure to check out Charles' article on this approach in the New York ASTA Journal.   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us all things double bass double bass merch double bass sheet music   Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!   Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here.   theme music by Eric Hochberg

October 1956: the Bolshoi Ballet lands in London with 80 tons of scenery, KGB minders in tow, and a troupe led by Galina Ulanova and Maya Plisetskaya. Covent Garden reels at their scale and power – 45 minutes of applause, queues in the rain, a stage too small for their vast sets. Meanwhile, across Europe, the Hungarian Uprising explodes. Ballet, politics, glamour, tanks — three weeks that shook London and rewrote the story of British ballet.

Inside Nashville Ballet's 2nd Annual Open House event. Hear interviews with School of Nashville Ballet Directors - Jennifer and Dmitri Kulev, Company Apprentices - Graham Barnes and Summer Montenegro and Production Stage Manager - Helen Moreau. 

Eugene Ballet has grown from a small regional company into a thriving school and professional ensemble. Founder Toni Pimble, Artistic Director Jennifer Martin, and School Director Sara Lombardi discuss the company's journey, their approach to dancer training, including how dancers in their Aspirant program move into the company, as well as how they're shaping ballet's future in Oregon and beyond. Read reviews of Eugene Ballet Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok:  Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

What happens when two professional ballet dancers decide to shake up traditional dancewear with a mix of honesty, humor, and bold design? Enter Barre Trash...In this episode I talk to the founders, Lucas & Louis, about the story behind the name Barre Trash, how the brand speaks to dancers who feel outside the mold, and how adults are changing ballet culture for the better. We also dig into the realities of going from dancers to dancewear creators, their favorite designs to wear to class, and their vision for Barre Trash in the years ahead.For adult dancers especially, this episode is full of encouragement, laughs, and reminders that you do belong in ballet. Tune in to hear how Barre Trash is keeping ballet real, relatable, and a little less serious.

Laman Hendricks is an acrobatic gymnast, Azerbaijani and Caucasus folk dancer, teacher, and choreographer, as well as the Artistic Director and Founder of Dances of Caucasus. Born and raised in Azerbaijan and Turkey, she trained in classical ballet and folk dance at the Baku Choreography Academy while also competing as a member of Azerbaijan's national gymnastics team and founding the country's first post-Soviet women's cycling team. A silver medalist in both cycling and mountain climbing, Laman has combined her athleticism with artistry, earning recognition at the 2015 Rakkas Istanbul International Dance Festival for her innovative performance as a male Caucasus dance part. She has since performed and taught at festivals and events across the United States and internationally, sharing the rich traditions of Azerbaijani dance while continuing to explore the intersections of ballet, gymnastics, Middle Eastern dance, and folk heritage.In this episode you will learn about:- How a 1001 Nights ballet production sparked her lifelong curiosity about belly dance.- The transition from professional ballet training to belly dance, and tips for loosing up your shimmies.- The challenges of cultural stigma around belly dance and the tension of being recognized only as a folkloric dancer.- Folklore versus belly dance, and how folk dances enrich belly dance but are undervalued at festivals.- How Azerbaijani and Caucasus dances remain a parallel passion alongside Laman's belly dance career even today.Show Notes to this episode:Find Laman Hendricks on Instagram, and website. Check links of ballet productions mentioned in the interview: Fikret Amirov - "1001 nights" 1983Fikret Amirov - "1001 nights" 1981A scene from Alibaba and 40 thief's From movie “Koroglu”Details and training materials for the BDE castings are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast

This episode highlights the unique perspective of a 'ballet boyfriend' or fiancé (congrats Rebecca and Glenn). Join us for a fun and heartfelt episode where we hear from our two friends' significant others, Frankie and Glenn, and what they have learned about the dance world during their time in a relationship with a dancer.

Bongani Bingwa speaks to Artistic Director Dane Hurst about Joburg Ballet’s Spring Season of Dance, running 3–12 October at Joburg Theatre, showcasing a blend of classical favourites and bold new works in three productions: SANDT Spring Gala, Celestial Bodies, and First Light. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

In this episode of Rhee Gold's DanceLife podcast, Stacey Morgan and Rhee Gold dive into how dance studio owners can (and must!) evolve with the changing needs of today’s families and dancers. From rethinking class times to better suit working parents, to embracing the rise of homeschool programs and redefining what a "competitive" program looks like—this episode is packed with insights to help you thrive in 2025 and beyond. They explore: Why 5:30 PM is the new 10:00 AM for preschool classes How homeschool movement programs are replacing traditional daytime classes The importance of offering “middle ground” training options between rec and comp Why parents are pushing back on overcommitted competition schedules Creative ways to use your studio during downtime (and keep it profitable!) Community engagement as a meaningful part of your studio's performance culture Letting go of ego and redefining what “success” really looks like

Associate Artistic Director and host Wendy Whelan is back for another enlightening New Combinations conversation. This week, she's joined by choreographer Jamar Roberts, whose newest work for the company will premiere during the Fall Fashion Gala on October 8, timing he describes as "full-circle," considering his own forays into fashion design. His collaboration with designer Iris van Herpen has been uniquely fruitful, as well as his selection of music by Arca, with both informing this ballet that speaks to the times—"but dance," he adds, referring to the joy and beauty the work also inspires. (33:43)  Edited by Emilie Silvestri Music: "Sisyphus" by Andrew Wegman Bird Wixen Music Publishing, Inc. as agent for Muffet Music Co

What is your view on nudity, walking around your house, sleeping naked? Miranda brings us the news. Chris went to a Jewish wedding. And the gang has their banana eating contest. www.sandpipervacations.comwww.nonewfriendspodcast.com

Guests - Tracey Boon and Rachel PerlmanHosted By - Courtney Ortiz and Lesley MealorThis season on Making The Impact - A Dance Competition Podcast, we're throwing it back to episodes we loved from previous seasons! Today on the podcast, we are headed back in time to 2021 with a topic that is still relevant now - how to develop a competitive mindset. This episode originally aired on May 6, 2021. Topics Include: Ideas to encourage the development of a competitive mindset How to keep your competitive mindset from hindering your success Goal setting and re-focusing so that your biggest competitor is yourselfHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceTracey Boon - @traboon1Rachel Perlman - @fuelmovesweatThis episode is sponsored by:YoungArtsApplications are open for the 2026 National YoungArts Competition, available for artists ages 15-18 or in grades 10-12. Deadline to apply is October 8th, 2025. Learn more at www.YoungArts.orgJoin our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Winston "Jack" Budrow, former ISB board member, passed away on September 4, 2024, at age 79 after a brief hospice stay. Jack retired from Michigan State University's College of Music, where he served as professor of double bass and co-chair of the string area. His distinguished career encompassed both performance and teaching, including positions with the Houston Symphony and as principal bass in the North Carolina Symphony. His students have secured positions in prestigious orchestras worldwide, from Atlanta to Oslo. During summers, Jack also taught at the Interlochen Center for the Arts. For his exceptional teaching, Jack received Michigan's 2014 String Teacher of the Year award from the American String Teachers Association and the ISB's 2017 Special Recognition Award for Teaching. He will be remembered for his joyful presence and rollicking humor. This interview was conducted by John Grillo and Jason Heath in 2008, and a partial transcript of the interview is available here.   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us all things double bass double bass merch double bass sheet music   Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!   Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

In this episode of #NoThirds, we sit down with Fran Veyette, co-founder of Veyette Virtual Ballet School, to talk about the realities of ballet training and the role parents play in a dancer's journey. Fran shares why training smarter is more important than training harder, what families should consider when choosing summer intensives, and how experiences in a company setting can shape a dancer's future. We also look at the parenting side of ballet, including how to support your child while letting them face disappointment, why every child needs a different approach, and the life skills dancers should build early to prepare for a professional career. For parents and dancers, this episode offers practical insights into navigating the highs, lows and big decisions of pre-professional training. Interested in working with Fran at Veyette Virtual Ballet School? Check out our Back to Dance Guide for an  exclusive discount. Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Concert de l'Orchestre national de France a Reduta, commentaire de la musicologue Viera Polakovicova. Le 80e anniversaire d'Emile Bartko, ancien directeur de longue date du Ballet du Théâtre national slovaque. Un des meilleurs producteurs de vin slovaque Peter Matysak est décédé.

Davit Karapetyan, Director of The School of Philadelphia Ballet, joins us to talk about how the school is structured and how dancers move through its levels, from the pre-professional program to PBII and beyond. He explains how auditions are evaluated, what adjudicators look for, and the common mistakes dancers should avoid. We also dig into how scholarships are awarded and renewed, the housing available to students, and what families should consider when deciding if it is time to move to a company-affiliated school. Karapetyan discusses the realities of career planning at the postgraduate level, how many dancers transition into PBII and the main company, and the skills students need both inside and outside the studio before leaving home for residential training. Finally, he shares his perspective on navigating the financial realities of ballet, managing expectations in a competitive field, and what he wishes young dancers and parents better understood about the path to a professional career. Read Reviews of The School of Philadelphia Ballet Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok:  Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI  

In this episode of After Class, I talk about crying in my car last week after ballet class in a moment of frustration and defeat (yep, it happens!), and diving into the lessons I'm learning (work in progress) about patience, self-compassion, and the emotional side of returning to ballet as an adult. If you've ever ugly cried after class — or just want a little encouragement — this episode is for you!Support the showFollow Hannah on Instagram @thebusybunheadExplore blog posts, merchandise & resources for adult ballet dancers like you at thebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.com

RUNDOWN   We've got full-on playoff fever! Mitch transforms into “Mr. Playoffs,” breaking down worst-case scenarios, magic numbers, and the Mariners' path to clinching the AL West, the No. 2 seed, and even the slim shot at the top seed. From playoff math to the weekend's biggest headlines on the field — the Seahawks crush the Saints 44–13 behind special teams fireworks and a near-perfect day from Sam Darnold. Mitch is joined by Brady Farkas and Joe Doyle to break down one of the most cathartic series in Mariners history — a sweep of the Astros in Houston. The trio cover dominant starting pitching, Victor Robles' season-saving catch, and Brian Wu's ace-level performance despite injury concerns. Mitch, Jacson Bevens and Brady Henderson break down Seattle's 44–13 demolition of the Saints. The discussion includes Sam Darnold's near-perfect day, a record 95-yard punt return by Tory Horton, and another statement from Mike Macdonald's defense despite missing key starters. Mitch and Rick Neuheisel dive into a loaded week of college football, from Nebraska's collapse to Washington's upcoming showdown with No. 1 Ohio State. Rick shares why Husky QB Julian Sayin is already on his Heisman radar, reflects on his emotional return to Husky practice, and explains where UW must hold up against the Buckeyes. They also preview Oregon–Penn State, Alabama–Georgia, and talk Clemson's stunning stumble, before Rick makes his Week 5 pick.   GUESTS   Brady Farkas | Host, Refuse to Lose Podcast (Mariners on SI) Joe Doyle | MLB Draft & Mariners Analyst, Over-Slot Substack Brady Henderson | Seahawks Insider, ESPN Jacson Bevens | Writer, Cigar Thoughts Rick Neuheisel | CBS College Football Analyst, Former Head Coach & Rose Bowl Champion   TABLE OF CONTENTS   0:00 | Mr. Playoffs: Mariners' Magic Number Math Gets Real 24:11 | BEAT THE BOYS - Register at MitchUnfiltered.com 27:25 | Seahawks Roll, Mariners Sweep, and Huskies Brace for Ohio State 48:03 | GUEST: Mariners No-Table; Sweeping Houston, Woo's Injury, and Cal's MVP Push 1:25:15 | GUEST: Seahawks No-Table; Darnold Shines, Defense Dominates, Special Teams Explodes 1:51:55 | GUEST: Rick Neuheisel; on Huskies' Big Test, Ducks at Penn State, and College Football Chaos 2:35:33 | Other Stuff Segment: John Denver's hometown mystery and the 351 area code in Massachusetts, Dennis Leary's Worcester roots, the formation of the J. Geils Band and their hits Freeze Frame, Love Stinks, and Centerfold, Dodgers legend Clayton Kershaw's retirement and Hall of Fame résumé, Kyler Murray's social media misstep in a Michael Vick jersey, a bizarre disqualification at the US Mid-Amateur golf championship involving Mercer Island's Paul Mitzel, a scandal at the World Stone Skimming Championship in Scotland, Stanford basketball's surprise five-star commitment from Aziz Olajuwon, SeaTac Airport ranking 17th out of 20 major airports, and frustrations with inconsistent TSA rules across airports, before moving into RIPs: Robert Redford, and former Cowboys linebacker D.D. Lewis, remembered for saying Texas Stadium had “a hole in the roof so God can watch His favorite team play,” at 79. HEADLINES include researchers in Norway suggesting the first butthole might have been for sperm instead of poop, a highway spill of M&Ms, NASA denying a three-eye atlas is an alien ship, and two teenagers in China ordered to pay $300,000 after peeing in a restaurant hot pot.

In a special two-part Hear the Dance Episode, host Silas Farley leads us on a wide-ranging discussion of Jerome Robbins' 1971 ballet The Goldberg Variations. In this first part, Farley is joined by former NYCB Dancer Bruce Wells, an original cast member, and current Principal Dancer Emilie Gerrity, one of the ballet's present-day interpreters. Wells shares the challenges Robbins faced after an injury forced him to choreograph from a wheelchair, as well as highlights from the year-long creative process. Gerrity describes the "class" section of this monumental ballet as "simple but beautiful," and recalls learning the work from original dancer Christine Redpath, among other memorable coaches. (1:12:53) Written by Silas Farley Edited by Emilie Silvestri MUSIC:  Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Aria with Variations in G, BWV 988 (1742), "The Goldberg Variations" by Johann Sebastian Bach All music performed by New York City Ballet Solo Pianist Susan Walters Quotations from the writings of Lincoln Kirstein are © 2019 by the New York Public Library (Astor, Lenox and Tilden Foundations) Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, by Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Bach: Music in the Castle of Heaven by John Eliot Gardiner Bach's Musical Universe: The Composer and His Work by Christoph Wolff Thirty Years: Lincoln Kirstein's The New York City Ballet by Lincoln Kirstein Repertory in Review: 40 Years of the New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein

In the second part of this deep dive Hear the Dance discussion of Jerome Robbins' The Goldberg Variations, host Silas Farley is joined by former NYCB Dancers and current Repertory Directors Christine Redpath and Jean-Pierre Frohlich. Redpath, an original cast member of Goldberg, digs into Robbins' approach to the creation of this remarkably multi-faceted ballet, while Frohlich remembers the adjustments the choreographer made through the ensuing performances. Both talk about coaching Goldberg on today's company members and the ways in which the work has influenced the dancemakers of today. (42:29) Written by Silas Farley Edited by Emilie Silvestri MUSIC: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Aria with Variations in G, BWV 988 (1742), "The Goldberg Variations" by Johann Sebastian Bach All music performed by New York City Ballet Solo Pianist Susan Walters Quotations from the writings of Lincoln Kirstein are © 2019 by the New York Public Library (Astor, Lenox and Tilden Foundations) Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, by Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Bach: Music in the Castle of Heaven by John Eliot Gardiner Bach's Musical Universe: The Composer and His Work by Christoph Wolff Thirty Years: Lincoln Kirstein's The New York City Ballet by Lincoln Kirstein Repertory in Review: 40 Years of the New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein

Guests - Lex Dorohoy and Amy TullyHosted By - Courtney Ortiz and Lesley MealorIn Episode 233 of Making The Impact - A Dance Competition Podcast, we tackle a tricky topic - how many solos does a dancer really need? IDA judges and dance educators Lex Dorohoy and Amy Tully join us to break it down and reveal the ideal number of solos for a successful season.Topics Include: The benefits of doing multiple solos The challenges that come with doing multiple solos What the judges really think when the same dancer comes out on stage again and againHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceLex Dorohoy - @alexadorohoy_Amy Tully - @amyttullyThis episode is sponsored by:YoungArtsApplications are open for the 2026 National YoungArts Competition, available for artists ages 15-18 or in grades 10-12. Deadline to apply is October 8th, 2025. Learn more at www.YoungArts.orgJoin our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

In this episode, we're joined by Gaelen McCormick, President of the International Society of Bassists, to discuss her groundbreaking book Teaching Violin, Viola, Cello, and Double Bass: Historical and Modern Pedagogical Practices, co-authored with Dijana Ihas and Miranda Wilson. Gaelen shares insights on the historical development of bass pedagogy and how teaching methods have evolved over centuries. We explore the fascinating evolution of bass pedagogy from 1800 to the present day, with special focus on how George Vance and Hal Robinson's Double Bass Project revolutionized bass education. We also discuss the valuable transferable skills that musicians develop through bass playing and apply to other professional contexts, along with examining the significant leap forward in teaching methodologies that has occurred since 2000.   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!   Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

Deanna Seay, Training Coordinator at the School of Richmond Ballet, joins us to talk about how dancers move through the school, from early training to the pre-professional program, trainee level, and second company. She explains what adjudicators look for in auditions (and common mistakes), how scholarships work at different levels, and why not all of Richmond Ballet's trainees come from full-time training backgrounds. We also cover when families should consider a company-affiliated school, the culture Richmond Ballet aims to foster, and how students are prepared for both company life and a sustainable professional career. Read Reviews of The School of Richmond Ballet Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok:  Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI  

My favourite autobiographies from David Hallberg, Leanne Benjamin & David McAllister! ____ Join the Balanced Ballerinas EXCLUSIVE Teachers Facebook Group here: https://www.facebook.com/groups/balancedballerinasteachers My Instagram! @thebalancedballerina Community Instagram! @balancedballerinas Facebook - Balanced Ballerinas And join the SECRET Facebook group here: https://www.facebook.com/groups/balancedballerinas/ Join the Balanced Ballerinas FREE 5 Day Challenge here: www.balancedballerinas.com/challenge Prenatal, healing or beginner ballet student? This course was designed for you: https://www.balancedballerinas.com/butterballet My Signature 12 Week Adult Ballet Course: https://www.balancedballerinas.com/12weekadultballetcourse The Marketing Blueprint For Dance Teachers & Studio Owners: https://www.balancedballerinas.com/TMB

As the sunshine gets warmer in Perth, opportunities to go out are increasing. The reporter is Yasuo Imanari from Perth. - だんだん日差しが暖かくなってきたパースでは、お出かけのチャンスが増えて来ています。詳しくは今週の『オーストラリアワイド』で。リポーターはパースの今城康雄さんです。

Dr. Ian Smith, author of Eat Your Age: Feel Younger, Be Happier, Live Longer, shares simple diet adjustments for healthier living. Plus, trailblazing ballet dancer Misty Copeland discusses her new picture book, Bunheads, Act 2: The Dance of Courage, which tells the story of young ballerinas finding community together. And actor Garrett Hedlund stops by to talk about Season 3 of the Paramount+ series Tulsa King and the mentorship he's received from co-stars Sylvester Stallone and Samuel L. Jackson. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of Rhee Gold's Dance Life Podcast, Rhee Gold and Stacey Morgan dive into the busy season of studio registration and why it's crucial not to panic if your enrollment numbers aren't where you'd hoped—yet. This candid conversation explores how the dance studio business has evolved, and why September and October can be just as critical for attracting new students as the traditional registration period. You'll learn how to analyze your schedule using the red-yellow-green method, how to market specific classes (not just your studio), and how to adapt to the modern needs of dance families who value convenience and clarity. They also share actionable strategies like simplifying your registration process and building smart landing pages that convert browsers into enrollments. Whether you're a studio owner or a dance teacher, this episode is packed with insight, encouragement, and practical tools to help you confidently navigate the early season and beyond.

Hear the Dance host Silas Farley returns for a deep-dive discussion with former Principal Dancer Merrill Ashley and Repertory Director Glenn Keenan on George Balanchine's Ballade, a ballet returning to the NYCB stage after a hiatus of more than 20 years. Keenan shares that when she was a student at the School of American Ballet, Ashley's "humongous care and attention" as a teacher helped shape her approach to her current role, and that watching Ashley in the studio today has been both helpful and inspiring. Ashley recalls the surprise of learning that Balanchine had chosen to make this first work post-heart surgery on her; as he told her then, Ballade is "like skating," though she describes it as one of the most challenging ballets she ever performed. (1:02:43) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Ballade for piano and orchestra, Op. 19 (1881) by Gabriel Fauré All music performed by the New York City Ballet Orchestra Reading List:  Dancing For Balanchine by Merrill Ashley Mr B: George Balanchine's 20th Century by Jennifer Homans Gabriel Fauré: A Musical Life by Jean-Michel Nectoux, Translated by Roger Nichols Dancing Across the Atlantic: USA – Denmark, 1900-2014 by Erik Aschengreen and Grete Hvam

Tyler Robinson, the 22-year-old suspect in the assassination of conservative activist Charlie Kirk, is not cooperating with investigators, Utah's governor said. As officials continue to search for a motive, we're learning more about the alleged gunman. CBS News' Carter Evans reports. In a rematch of last season's Super Bowl, the Philadelphia Eagles beat the Kansas City Chiefs on Sunday to keep the Chiefs winless to start their season. The NFL Today host James Brown breaks down the rematch and other highlights from around the NFL. HBO's medical drama, "The Pitt" beat out heavily-favored Apple TV's "Severance" for outstanding drama series at the Emmy Awards. Meanwhile, Apple TV's "The Studio" walked away with 13 awards and broke the Emmy record for the most wins by a comedy in a single season.The 2025 Emmy Awards delivered red carpet fashion, candid moments and first-time nominees alongside veteran stars. "CBS Mornings" co-host Gayle King caught up with some of the stars. Ballet star Misty Copeland joins "CBS Mornings" to discuss her new children's book "Bunheads, Act Two: The Dance of Courage." The sequel to her bestseller introduces readers to the ballet "Don Quixote" and inspires young dancers to persevere through setbacks. David Begnaud introduces the team behind CBS News Atlanta as the station launches its first newscasts. Built in just 12 weeks, the newsroom combines startup energy, immersive technology, and a mission to serve the community with heart. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Interview Date: January 5th, 2025Episode Summary:Larke Hasstedt, a talented dancer who transitioned from classical ballet to the commercial dance world. Larke, who was born into a dance family, began her training at a young age and eventually joined prestigious ballet companies like Pacific Northwest Ballet and Oregon Ballet Theater. However, her journey took a pivotal turn when she moved to Los Angeles to pursue a career in commercial dance.Larke shares her story of moving to LA with nothing but a dream and a self-imposed deadline to make it work. Through persistence and dedication, she landed an agent and went on to work with major artists like Beyoncé, Britney Spears, Usher, and more. Larke talks about the challenges of transitioning from ballet to commercial styles like hip hop and heels and offers insights into how dancers can make a similar shift in their own careers.She also shares advice on the importance of versatility, mental resilience, and hard work in the dance industry. Larke's teaching style, which blends her classical ballet background with commercial dance techniques, has gained recognition for creating beautiful lines and fluid movement. This episode is filled with valuable lessons on adapting to different dance styles, developing your unique career, and staying dedicated to your craft.Tune in to learn more about Larke's journey and the lessons she's learned along the way.Show Notes:(0:00) Introduction to Larke's dance background(5:00) Growing up in a dance family and early ballet training(10:00) Joining prestigious ballet companies like Pacific Northwest Ballet and Oregon Ballet Theater(15:30) The pivotal moment: transitioning from ballet to commercial dance(22:00) Moving to Los Angeles with a dream and a year to make it work(28:00) Securing an agent and booking jobs with top artists like Beyoncé, Britney Spears, and Usher(35:30) Adjusting ballet technique to fit commercial dance styles like hip hop and heels(42:00) Challenges faced and lessons learned in the commercial dance world(47:30) The importance of versatility and mental resilience in building a dance career(53:00) Creating a signature teaching style blending classical ballet and commercial dance(59:00) Advice for dancers looking to make a similar transition into commercial dance(1:05:00) How to balance ballet and commercial dance and maintain growth in both area(1:12:00) Larke's experience teaching and the evolution of her heels class(1:18:00) Reflecting on the different worlds of ballet and commercial dance(1:23:00) Larke's favorite career highlights and unforgettable moments (Super Bowl, Coachella)(1:30:00) Advice for aspiring dancers: believing in yourself and staying focused(1:36:42) Closing thoughts and inspiration from LarkeBiography:Larke Hasstedt started her dance training out very early, as both of her parents were professional ballet dancers. She trained with Pacific Northwest Ballet,San Francisco Ballet,Boston Ballet,and eventually joined Oregon Ballet Theater when she was only 17 years old.She did 8 seasons with them before leaving for Los Angeles.Once moving to LA, she had a dance career of over 20 years dancing for such artists as Beyonce, Chris Brown, Usher, Britney Spears, Jlo, Ariana Grande, Missy Elliot, Ciara, Miley Cyrus, Neyo,Cardi B, Snoop, Pitbull, Nicki Minaj, Christina Aguilera,Tinashe, Pharell, Rihanna and many more. She has been on shows such as The Voice,Ellen, Jimmy Kimmel, America's Got Talent and performed at The VMAS, American Music Awards,The Superbowl, Coachella, Bet Awards, Billboard Awards, Latin Grammys, Dick Clark's Rockin NYE and the Grammys.Currently she is teaching and sharing everything she has learned from the Ballet world to the industry with the next generation.Connect on Social Media:https://www.instagram.com/alottalarkehttps://www.facebook.com/larke.hasstedt

Ballet, burnout, and the hidden mental health battles of a top performer. In this powerful conversation, Sara Mearns — principal ballerina at New York City Ballet — opens up about her journey through a breakdown, therapy, and rediscovering joy in dance. Hear her unfiltered story about pressure, resilience, and the healing power of vulnerability. Ask Kati Anything ep. 279 | Your mental health podcast, with Kati Morton, LMFT Timestamps 00:00 – Introduction: Meet Sara Mearns 01:05 – Why ballet feels new every day 03:40 – The pressure of never feeling “good enough” 04:42 – Mental Health Coalition & Covid struggles 07:12 – The breaking point: burnout and depression 12:14 – Rediscovering balance through therapy 17:14 – The role of storytelling and books like The Midnight Library https://amzn.to/3HRAhsM 22:12 – The intimacy of dance partnerships 30:47 – When the audience goes silent: the ultimate performance high 35:17 – Deciding to become a professional ballerina at 12 39:01 – Why therapy should be part of training for all athletes 45:20 – The small shifts therapy creates over time 50:07 – How going public with her burnout helped others 53:58 – The future of ballet and mental health advocacy Follow along with Sara https://www.instagram.com/saramearns https://www.nycballet.com/ My new book is available for pre-order! Why Do I Keep Doing This? → https://geni.us/XoyLSQ If you've ever felt stuck, this book is for you. I'd be so grateful for your support. SPONSORS: To support this podcast, check out our sponsors & get discounts: oneskin.co - use the code KATI for 15% OFF betterhelp.com/katipod - (enjoy 10% off your first month) MY BOOKS Traumatized   https://geni.us/Bfak0j   Are u ok?    https://geni.us/sva4iUY  PARTNERSHIPS Nick Freeman |  nick@biglittlemedia.co Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosted By - Courtney Ortiz and Lesley MealorIn Episode 232 of Making The Impact - A Dance Competition Podcast, Courtney and Lesley hosted a live Q&A in July 2025 at the Dance Teacher Web in Las Vegas! Topics Include: Competition choreography do's and don'ts Inappropriateness at competition How to retain students when the grass might look greener at another studioHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceDance Teacher Web - @danceteacherwebThank you to Dance Teacher Web for hosting us at your teacher conference this summer! We loved connecting with so many fans! Visit their website to learn more and mark your calendar to attend their event next year in Las Vegas, NV - August 6-9, 2026. Use code: IMPACT50 for $50 off! www.danceteachersummerexpo.comThis episode is sponsored by:YoungArtsApplications are open for the 2026 National YoungArts Competition, available for artists ages 15-18 or in grades 10-12. Deadline to apply is October 8th, 2025. Learn more at www.YoungArts.orgJoin our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website atwww.impactdanceadjudicators.comSupport the show