Podcasts about Ballet

In this episode, I'm joined by Candis MacKinnon, an adult ballet dancer who recently attended her very first ballet retreat — the KM & Friends Adult Ballet Intensive. We chat about everything from pre-intensive nerves to surprising moments of growth, the power of community, and what made this event so special for adult dancers of all backgrounds.Whether you're thinking about signing up for your first adult ballet intensive, curious about the behind-the-scenes experience at KM & Friends, or a fellow attendee who just wants to relive the magic of the week with us, this conversation is full of insight, encouragement, and honest reflections. So grab your coffee and let's get into it...  ◡̈ Connect with Candis on Instagram @candiapplejuiceFollow Yelena @ballet_for_allFollow Hannah @thebusybunheadCheck out more resources here:youtube.com/@balletforallonlineballetclasses.comthebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.comSee you next time after class! ♥

Andakterna den här veckan tar avstamp i de fem världsreligionerna och har lättja som tema. Idag hör du Albin Tanke som utgår från sin kristna tro. Lyssna på alla avsnitt i Sveriges Radio Play. Ur andakten:Att vägra ge sig själv en frist, att strunta i att vila och hoppa över att ta en välbehövlig paus – det kan vara ett utslag av den berömda lättjan. Att helt enkelt inte bry sig om mina grundläggande behov och slarva med det viktigaste. När jag blir likgiltig inför att ta hand om mig, skapelsen och andra, då har jag nog missat målet? Och det kan få långtgående konsekvenser som kanske inte alltid visar sig direkt, med som på sikt kan bli ödesdigra.Så – lättja handlar nog inte så mycket om gåvan och nåden att ibland bara kunna lata sig ordentligt. Utan lättja handlar om likgiltighet för omsorg, hälsa och omhändertagande.Text:Psaltaren 23:1–3Musik:Prague's Ballet av Marius Neset med Marius Neset, Leif Ove Andsnes och Louisa TuckProducent:Susanna Némethliv@sverigesradio.se

Welcome to “The Season of Impending Doom”—that anxious few weeks before classes kick off when registration numbers aren’t quite where we want them, and every studio owner starts asking: “Is this the year it all falls apart?” In this refreshingly honest and practical episode, Stacey and Rhee tackle the universal pre-season panic and offer up thoughtful, strategy-rich advice for turning worry into action. From knowing when to breathe (and stop doom-scrolling) to how to target your marketing for real results, this episode is packed with insights you can implement today. Key Takeaways: It’s not just you. Many studio owners are still waiting for last-minute enrolments. (September and October are huge!) Ditch the vague dance promos. Be specific in your marketing. Promote exact class times and openings for better results. Less friction, more action. Long forms and decision fatigue are costing you leads. Keep your landing pages short and sweet. Let panic fuel progress. Instead of spiralling, use your nervous energy to fine-tune your strategies and get creative. Community is everything. Don’t suffer in silence. Reach out, compare notes, and find support in like-minded circles. This Episode is for You If: You’re in that awkward limbo between planning and term starting—and the phone isn’t ringing yet. You’re ready to shift from “doom mode” to strategy mode. You want actionable advice for getting those last few enrolments over the line. You need to be reminded: You’re not alone. You’ve got this.

Beatriz Izquierdo advierte del sharenting, el Ballet de Kiev, viajes con David Alonso y una ficción sonora de Alicia Parente sobre la Capilla Sixtina.

It's that time of year again! Get ready for daily drops from Conversations on Dance all throughout the 2025 Vail Dance Festival through August 3rd. Be sure to subscribe to the podcast so you don't miss a moment.Today we are joined by four dancers from LINES Ballert: Adji Cissoko, Lorris Eichinger, Ilaria Guerra, and Shuaib Elhassan. In this morning's conversation, explore the company's return to the Vail Dance Festival with a program that includes Ode to Alice Coltrane—a tribute to the legendary spiritual jazz icon—and Mother Goose, a mesmerizing reimagining of Ravel's beloved 1912 suite, Ma mère l'Oye. Hear behind-the-scenes insights into the creative process behind these visionary works and get to know the artists shaping them. The conversation will be followed by an open audience Q&A. This episode was recorded live from the Vail Dance Festival on July 26, 2025. Hosted on Acast. See acast.com/privacy for more information.

Send us a textRachel and Juj do a recap of their trips and we interview Alexis Breen.Alexis Tik Tok- @alexisbreen4Instagram- @alexisbreen_

The new documentary "Match in a Haystack" follows members of Ukraine's contemporary dance troupe as they prepare for their first performance since Russia invaded. Director Joe Hill and producer & movement director Stefanie Noll discuss the making of a film in a country at war --- and why dance and art matter in a time of crisis. *This segment is guest-hosted by Tiffany Hanssen.

Tyler Scheid has found a new co-host!? Who's better & cooler than Markiplier!? Mari Takahashi aka AtomicMari! Together they poke a little fun at Mark & discuss her journey as a professional ballet dancer, Survivor contestant, Smosh member, content creator, and into what she is doing today! Break in your pointe shoes, don your Survivor bandana, & compete against your friends in enjoying this episode! Learn more about your ad choices. Visit podcastchoices.com/adchoices

When is it really time for a dancer to move into full-time training? In this episode of #NoThirds, we unpack the big factors that go into that decision. From the benefits of full-time programs and the right age to make the switch to how the social environment and quality of teaching can shape a dancer's growth, we cover it all. Fran also gets honest about the trade-offs of staying local in after-school training. Plus, we discuss why things like physical therapy access, peer dynamics, and open communication matter so much. This episode offers real talk and helpful insights to guide dancers and parents as they consider the next steps. Learn more about Fran and Veyette Virtual Ballet School More Links: Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Crypto is changing every year, shimmering with new, sleek currency compatibilities and new, hip styles. The way we're using and holding crypto is changing, too. The Crypto Merchant points to Ballet cards as a fitting example.https://www.thecryptomerchant.com/collections/ballet The Crypto Merchant City: Daytona Beach Address: 609 South Ridgewood Avenue Website: https://www.thecryptomerchant.com/

MOSA Ballet School was founded by a mother who wanted to create the kind of school she would have wanted her daughter to attend -- a place where students are truly heard and respected. Combining classical ballet, contemporary dance, and holistic training, MOSA focuses on developing not just the performer, but the whole dancer. The school emphasizes self-evaluation, open communication, a supportive environment, and career preparation to nurture artistic and personal growth. Learn moe about Mosa on their website Links: Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

In this episode of Dance Studio 411, Jill Tirone chats with Bill Brown from Gerriets, a global leader in dance flooring solutions for over 75 years. They cover everything from choosing the right Marley floor to preventing injuries, cleaning and maintenance tips, and the latest innovations from Gerriets. Bill's technical theater background and passion for helping studios shine make this a must-listen for any studio owner.   Episode Timestamps [00:28] – Meet Bill Brown from Gerriets Dance Floors [01:36] – Bill's background in technical theater and his journey with Gerriets [03:52] – History of Gerriets: From curtains to Marley dance floors [06:00] – Why flooring matters: Cushioning, subfloors, and injury prevention [08:09] – Challenges of multi-use floors: Tap vs. ballet needs [09:36] – The Vario Beat floor: Balancing slickness and grip [09:58] – Overview of other popular Gerriets products like Vario Pro [12:19] – Common mistakes studio owners make when installing floors [15:45] – Cleaning tips and Gerriets new Vario Care product line [18:16] – Gerriets new dedicated dance floor website [19:22] – Rapid-fire Q&A: Mistakes, installation tips, and favorite projects [24:13] – Bill's favorite part about working in dance flooring [24:55] – Coolest venues Gerriet's has worked with [26:25] – Final thoughts and how to connect with Gerriets   Key Takeaways Subflooring is critical – Concrete floors can cause long-term joint issues without proper cushioning. Marley floors vary by dance style – Ballet, tap, and multi-use studios require different traction levels. The Vario Beat floor balances slickness for tap with grip for ballet thanks to its innovative embossing. Proper cleaning is essential – Use pH-neutral, non-abrasive cleaners to maintain Marley's surface. Gerriets Vario Care line includes daily and deep-clean products plus a protective finish to extend floor life. Ask questions before installing – Delivery logistics, subfloor prep, and correct flooring choice are key. Gerriets new website specifically for dance floors https://gerrietsdancefloors.com/ makes it easier for studio owners to find flooring solutions and request quotes. Bill's philosophy: The right floor supports dancers' health and enhances performance while lasting for years.   Links Mentioned in This Episode Gerriets Dance Floors: https://gerrietsdancefloors.com/ Energize Conference and Expo: https://www.energizeconference.com/ Dance Studio Owner: https://www.dancestudioowner.com/public/joinnow.cfm Rate, Review & Subscribe! If you loved this episode, be sure to subscribe and leave us a review. Your feedback helps us continue to bring valuable content to the dance community! Running a dance studio is hard work, and growing your studio is even more of a challenge. No matter if you're just starting out—or perhaps you're a well-established owner; we understand that it's a uniquely demanding and personal business to own and operate. Be more effective and productive.  As studio owners ourselves, we've been there. But, it's also very possible to be a happy owner of a thriving dance business that you love. Learn More About Membership: https://www.dancestudioowner.com/  Join us at the Energize Conference this August! Connect with other studio owners, gain access to resources and tools, and walk away feeling refreshed for the upcoming season. Learn more at energizeconference.com.

In this episode, I speak with Wife, Mom, Former Physical Therapist, Ballet Teacher, and Author Kathy Riley on Being Made For A Purpose and her book Grace full Ballet. Kathy enjoys talking to her students about their relationships with God by using devotionals and prayer at the end of her ballet classes. Listen as she shares on how you can honor the Lord by praying with your kids (students) and using discernment. Kathy encourages listeners to find those things that set your heart on fire because that is how God has designed you. Find Kathy :    the website   Scripture: Ester 4:14 For if you remain silent at this time, relief and deliverance for the Jews will arise from another place, but you and your father's family will perish. And who knows but that you have come to your royal position for such a time as this?”   1 Corinthians 10:31 So whether you eat or drink or whatever you do, do it all for the glory of God.   Philippians 3:10 I want to know Christ—yes, to know the power of his resurrection and participation in his sufferings, becoming like him in his death,   Psalm 46:10 He says, “Be still, and know that I am God; I will be exalted among the nations, I will be exalted in the earth.”   Isaiah 1:19 If you are willing and obedient, you will eat the good things of the land;   2 Timothy 2:21 Those who cleanse themselves from the latter will be instruments for special purposes, made holy, useful to the Master and prepared to do any good work.   Additional Scripture: Luke 11:28, Romans 9:21, Hebrews 4:12, Colossians 3:23,                 Psalm 103:15-16 REGISTER @ CFLEX Academy Arts Enrichment   Listen to our sister podcast:  Abundantly Rooted   Other Resourses: Grab your Artza Subscription Box and bring home a bit of Israel.  use promo code: ARTZAKRISTINARISINGER for 25% off   Check out our Linktree   Get the Books:  Life After Losing A Loved One: How to Turn Grief Into Hope Strength and Purpose Adventures of LiLy and Izzy Bee: The Imagination Journey 

Send us a textIn this episode of the Art Wank podcast, we speak with Australian artist James Drinkwater, known for his vibrant paintings, sculpture, poetry, and music. Drinkwater, originally from Newcastle, NSW, has built a reputation for his layered, gestural works and multidisciplinary practice. He won the Brett Whiteley Travelling Art Scholarship in 2014, which allowed him to work in Paris, and he has been a finalist in the Wynne and Dobell Drawing Prizes multiple times. Our conversation explores his deep connection to place, his creative experiments with dance and theatre, and the impact of his time in New York with Julian Schnabel.A significant part of our discussion centres on Drinkwater's collaboration with MIMA Lake Macquarie in 2019, where he was commissioned to create the sets and costumes for a contemporary ballet titled Storm Approaching Wangi – and Other Desires. The ballet was inspired by the watery landscapes around Lake Macquarie and the Australian modernist painter William Dobell. Drinkwater didn't just design the visuals; he also performed on stage, collaborating with choreographers Skip Willcox and Belle Beasley, and composer Joseph Franklin. This project was an opportunity for Drinkwater to translate his painterly language—texture, gesture, and colour—into a dynamic, physical space, extending his creative practice beyond the canvas. He reflects on how the experience allowed him to think about movement and space differently, enriching his approach to making art.We also delve into Drinkwater's time in New York, particularly his 2022–2023 residency at Julian Schnabel's property on Long Island. Schnabel, famous for his plate paintings and maximalist style, invited Drinkwater to work in his studio space. This intense, seven-week period inspired Drinkwater's exhibition American Salt – Montauk to the Bowery, which explored themes of memory, landscape, and artistic legacy. Drinkwater drew parallels between his own experiences in New York and those of Dobell, who had also found creative energy in the city. Although Dobell's time there was fleeting, Drinkwater sees the connection in the way both artists absorbed and transformed their environments into their art.Finally, Drinkwater shares his reflections on the interplay between disciplines in his practice, including a mid-career survey exhibition in Canberra. He speaks passionately about the importance of collaboration, travel, and memory in shaping his work. The episode closes with thoughts on how these experiences continue to push the boundaries of his artmaking, both in Australia and internationally.James currently has an exhibition at Newcastle Straightjacket Art Space with Braddon Snape - 19th July - 10th August. 

Sophie Flack Take a walk me down Fascination Street Podcast, as I get to know Sophie Flack. I was first introduced to Sophie as a result of a conversation with previous guest Yul Vazquez. Sophie is a former member of The Corp De Ballet with The New York City Ballet. After she retired from that, she got a degree from Columbia University, and then wrote a best-selling Young Adult novel called Bunheads, which explores the intricacies and heartaches of the life of a professional ballerina. Sophie has written for multiple magazines and publications about her experiences and has helped shine a light on some of the ways that these dancers are treated. Fairly recently, Sophie started a jewelry company which focuses on pieces that help de-stigmatize mental health and eating disorders. Her company is called MAD FINE, and some of the pieces include 'in the know' references to: Zanex, Klonopin, Prozac, and the abortion pill. She has pieces that align with emotional baggage, and even silly trophies. All of these pieces are designed to bring these issues to light and for the wearer to engage in conversations with like-minded individuals. These pieces are stunning, and unique. My personal favorite is the mixed metals cassette tape! Sophie is very vulnerable in this conversation. She openly discusses her previous battles with anorexia, self-doubt, and thoughts of suicide. Check out her jewelry, read her book, heck, just reach out and tell her you enjoyed her candor.

Want to look like an advanced dancer with minimal effort? In this episode, we're diving into three game-changing details for adult dancers: hands, eyes, and head placement. We talk about the nuances of how to properly extend your fingers, activate your eye line, and hold your chin that teachers don't always have time to explain in class. Whether you're dancing at home or in a studio, the tips in this episode will instantly elevate your lines and your confidence. Press play and level up your ballet game today!Follow Yelena @ballet_for_allFollow Hannah @thebusybunheadCheck out more resources here:youtube.com/@balletforallonlineballetclasses.comthebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.comSee you next time after class! ♥

Bruce Wolosoff is an acclaimed American pianist and composer known for his integration of classical, jazz and blues. He likes to compose in response to visual art. His music has been performed by the Chamber Music Society of Lincoln Center and many others, and his compositions span ballet, opera, chamber and orchestral music.My featured song is my version of the Thelonious Monk classic “Well, You Needn't” from the album Miles Behind by The Robert Miller Group. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH BRUCE:www.brucewolosoff.comhttps://www.reflectionsinmusic.org/______________________ROBERT'S RECENT SINGLES:“THE CUT OF THE KNIFE” is Robert's latest single. An homage to jazz legend Dave Brubeck and his hit “Take Five”. It features Guest Artist Kerry Marx, Musical Director of The Grand Ole Opry band, on guitar solo. Called “Elegant”, “Beautiful” and “A Wonder”! CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Christopher Stowell was born in New York City and received his training at Pacific Northwest Ballet School and the School of American Ballet. In 1985, he joined San Francisco Ballet where he danced for 16 years, appearing in theaters throughout the world. An established interpreter of the George Balanchine repertoire, Stowell has appeared in almost every Balanchine ballet performed by San Francisco Ballet. In 2003 Stowell was named the Artistic Director of Oregon Ballet Theatre, a position he held until 2012. In 2017, Stowell was named the first Associate Artistic Director of The National Ballet of Canada, a position he held until 2022. Stowell has taught and coached in San Francisco, New York, Japan, China and across Europe. He has created works for San Francisco Ballet, Pennsylvania Ballet, The National Ballet of Canada, The Los Angeles Ballet and Pacific Northwest Ballet as well as the New York City Ballet Choreographic Institute. His ballets are in the repertoire of Carolina Ballet, Grand Rapids Ballet, Ballet Idaho, Diablo Ballet, Orlando Ballet and Oregon Ballet Theatre. Stowell is a representative of the Balanchine Trust and has also staged the works of Mark Morris and Christopher Wheeldon. Last month, Stowell began his tenure as the Artistic Director of the Royal Winnipeg Ballet. Stowell brings a leadership philosophy centred on relationship-building and community connection to the Royal Winnipeg Ballet. He articulates a refreshing vision for making ballet accessible: bringing performances to unexpected spaces, letting audiences witness the creative process up-close, and strengthening relationships with regional communities. His dancer's directive: "be a student in the classroom and a wild animal on stage". Listen as Stowell shares insights from both sides of the stage and his plans to shape ballet's future in Winnipeg and beyond. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

This is part two of our series with siblings Bryce and Noelle Lee, who bring both the male and female ballet dancer perspective to the conversation. Bryce, founder of the Male Dance Connection, and Noelle share their experiences in ballet, highlighting both the challenges and successes male dancers face. They talk about the importance of mentorship, community, and creating supportive environments for boys in dance, as well as practical ways MDC helps, like guidance for summer programs. They also discuss how tough it can be for young boys in ballet today. As working dancers, they've built MDC to grow their network, supplement their income, and create opportunities beyond performing. Learn more about the Male Dance Connection on their website or on Instagram @themaledanceconnection Links: Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI  

In this two-part series, siblings Bryce and Noelle Lee bring both the male and female ballet dancer perspective to the conversation. Bryce, Founder of the Male Dance Connection, and Noelle share their experiences in ballet, highlighting the challenges and triumphs of male dancers. They discuss the importance of mentorship, community, and supportive environments for boys in dance, as well as practical ways MDC helps, like navigating summer programs. They also talk about how hard it can be for young boys in ballet today. As working dancers themselves, they've created MDC to expand their network, supplement their income, and build careers beyond performing. Learn more about the Male Dance Connection on their website or on Instagram @themaledanceconnection Links: Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI    

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She turned “I'm going to do that” into a Cirque du Soleil career and now she's rewriting the rules for Aerial Arts in dance studios. Meaghan Wegg shares how she went from farm kid to global performer, why aerial isn't as scary as you think, and the one thing teachers must stop skipping. If you've ever thought about adding hoop or silks to your studio… this is the sign. Listen now before your competitors do! Meaghan Wegg Meaghan grew up dancing where she studied Jazz, Tap, Hip Hop and Acro. In 2001, Meaghan was accepted in to L'Ecole Nationale de Cirque in Montreal where she specialized in aerial hoop and contortion with additional training in Ballet, Contemporary and Modern. Upon graduation in 2005, Meaghan performed professionally as a principal dancer in many roles, including the cast of ‘Tomorrow' (Pigeons, International) and the cast of ‘Loft' (7 Fingers). From 2009 – 2012, Meaghan performed on tour globally with Cirque Du Soleil's ‘Quidam' as a feature aerialist. Following an extremely successful performance career, Meaghan shifted her focus to coaching and choreography. In 2013 Meaghan graduated with a diploma from L'Ecole Nationale de Cirque (Montreal, Canada) with a major in Research of Acrobatics, and a minor in Hand to Hand partnering for dancers. Currently she works as a private acrobatic coach and choreographer, and attracts students from around the world with a focus on career development, choreography and professional stage preparation. Meaghan founded Move With The Beat dance competitions in 2013. She is the Australia, New Zealand and Singapore Division manager for Acrobatic Arts since 2015. Most recently she has launched her Aerial Arts Online syllabus guiding teachers with her course for their students and class preparations. Meaghan started The Academy Circus as a local London, Ontario circus and acrobatic facility in 2017. Meaghan recently has been hired for global choreographic projects in Australia, Montreal, France, China and India creating large scale shows for special events, Casino shows and year end performance university shows. She is passionate about welcoming everyone into the performance industry while sharing tips and tools about making it a reality. She is now an on call Artistic Coach with Cirque du Soleil. Meaghan is very happy to be settled in her home town of London Ontario with her small family! If you'd like more amazing content more tips and ideas check out our Acrobatic Arts Channel on YouTube. Subscribe Now! Connect with Acrobatic Arts on your favourite social media platform: Instagram: https://www.instagram.com/acrobaticarts/ Facebook: https://www.facebook.com/Acroarts Twitter: https://twitter.com/acrobatic_arts/ Learn more and register for our programs at AcrobaticArts.com

Pippa Hudson speaks to two local dancers who have been recognised at the annual Benois de la Danse, a competition so prestigious that it is sometimes referred to as the Oscars of the ballet world. Mthuthuzeli November and Joshua Williams were both recognised for their work last November in Chapter 2, which the new Cape Ballet Africa performed as part of its inaugural show, SALT. Lunch with Pippa Hudson is CapeTalk’s mid-afternoon show. This 2-hour respite from hard news encourages the audience to take the time to explore, taste, read, and reflect. The show, presented by former journalist, baker and water sports enthusiast Pippa Hudson - is unashamedly lifestyle driven. Popular features include a daily profile interview #OnTheCouch at 1:10 pm. Consumer issues are in the spotlight every Wednesday while the team also unpacks all things related to health, wealth & the environment. Thank you for listening to a podcast from Lunch with Pippa Hudson Listen live on Primedia+ weekdays between 13:00 and 15:00 (SA Time) to Lunch with Pippa Hudson broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show, go to https://buff.ly/MdSlWEs or find all the catch-up podcasts here https://buff.ly/fDJWe69. Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Actor, model and ballet dancer Eric Underwood joins Tanya Rose to share his travel secrets this week.In this episode, Eric shares his incredible experience visiting Japan with The Royal Ballet, how a wellness retreat in Germany cured his fish allergy and why he believes Lanzarote is an underrated travel destination…Plus, Eric discusses the incredible moment his portrait was displayed in Claridges' hall of fame and tells Tanya about the time he taught Kate Moss' daughter ballet!Don't forget to follow @travelsecretsthepodcast and remember, you can watch all of our episodes on YouTube.Places mentioned:Washington D.C, United StatesAmerican School of Ballet, New York CityCampling La Playa, IbizaSylt, GermanyLanzarote, SpainJapanOttolenghi, LondonClaridge's, LondonSouth Africa Hosted on Acast. See acast.com/privacy for more information.

In this candid conversation, I'm joined by Autumn Klein, a principal dancer and accomplished artist whose career includes performing with Texas Ballet Theater, Oklahoma City Ballet, Ballet Frontier, and Ballet North Texas. Autumn, who is also the co-founder of New Narratives Dance, shares her unconventional journey through the dance world - from overcoming gaps in her classical training, stepping away from dance to attend college, and rising to the rank of principal after returning to her professional ballet career.Key “Pointes” in this Episode

Let's be real, ballet class can get sweaty, smelly, and a little messy — especially when you're juggling adult life and a dance bag full of gear!

Whenever there's success at the top level of international rugby in New Zealand, more often than not there is one specific name involved. Known as the ‘Scrum Doctor', Mike Cron was an assistant coach for the All Blacks for more than 200 games, winning the 2011 and 2015 World Cups. He then came out of retirement in 2022 to join the Black Ferns, helping them win a world title as well, before shifting over to join the Wallabies. In the midst of all this, he's written a book: ‘Coach: Lessons from an All Black Legend'. Cron told Heather du Plessis-Allan that he's always had a thirst for knowledge, and found ideas from looking at other elite sports. “I've never been really interested in rugby coaching seminars,” he said. “They left me a bit bland, so to speak. Y'know, they just showed you a new drill or something.” Ballet and sumo are two sports he's pulled ideas from, saying the key is to go in with an open mind. “If you've got an open mind and you look and listen, there will be some, some bit of gold there for you.” LISTEN ABOVE See omnystudio.com/listener for privacy information.

Change is hard. Whether it's shifting schedules, moving studios, or letting go of team members, navigating transition can feel like emotional gymnastics—especially for dance educators and studio owners. In this heartfelt and practical episode, Rhee and Stacey dive deep into the discomfort of change and how it often leads to unexpected blessings. They share personal stories—from studio moves to life-altering career shifts—and reflect on what happens when you stop resisting and start trusting your intuition (yes, even when it feels terrifying). If you've ever faced a turning point in your business or life and didn’t know which way to leap, this one’s for you. Key Takeaways: Change is inevitable—and often necessary. What feels like a disruption might be a blessing in disguise. Your intuition knows. Stacey and Rhee explore how those gentle nudges (and sometimes big shoves) lead us exactly where we need to be. Studio shake-ups aren’t always bad. Whether it’s a rent increase or losing a staff member, what feels like a loss may actually be space for growth. Discomfort is part of the process. From packing boxes to difficult conversations, leaning into discomfort is how we evolve. Simplicity can be a powerful goal. Rhee shares how letting go of “bigger is better” has led to more clarity and peace. This Episode is for You If: You’re resisting change in your studio or business A team member or family is leaving and it feels like a catastrophe You’re navigating burnout or big transitions post-pandemic You want to make a big move—but fear is holding you back

I speak with Sharyn Mahoney, Executive Director of Rejoice School of Ballet in Nashville, TN. A former professional dancer, Sharyn worked in various roles at Nashville Ballet for over thirty years where she developed a relationship with Rejoice School Ballet before assuming leadership as its founder retired. She shares about maintaining a people-first orientation, keeping big-picture focus, and the continual learning process of leadership. Learn more about Sharyn and Rejoice School of Ballet: https://www.rejoiceballet.com/. You can learn more about dance education and career planning for dancers at ⁠theballerinatist.com

Imagine being told you'll live with chronic pain for the rest of your life... and then proving them wrong. In this powerful episode of Heal Yourself with Sarah Dawkins, we're joined by Cheryl Ilov, author, speaker, martial artist, dancer and former chronic pain patient, who shares how she went from debilitating back pain and a grim medical prognosis to dancing, pole fitness and martial arts in her 60's.With over 20 years of experience as a physical therapist, Cheryl integrates science with the art of movement to help others reclaim their health. Her story is a masterclass in self-awareness, courage and the innate power of the body to heal itself, naturally.

In this conversation, Sarah Wroth discusses the current state of the ballet program at Indiana University, addressing concerns about state mandates and program restructuring. She emphasizes the strong support from the community and alumni, clarifies the differences between degree options, and reassures that current students will not be affected by changes. The conversation also highlights the importance of clear communication and the program's commitment to preparing students for successful careers in dance. Learn more about the IU Dance Program on their website Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Join "Dance Talk” ® with Joanne Carey and special guests husband and wife team, Jessica Lopes and Isaac SharrattIn this episode of  "Dance Talk” ® with Joanne Carey , host Joanne Carey interviews Jessica Lopes and Isaac Sharratt, a married couple who both dance with the Minnesota Ballet. Joanne met Jessica & Isaac while working together on The Raffaella Ballet in South Bend , Indiana. The couple caught Joanne's eye early on during the rehearsal process standing out in their style of partnering and support of each other.Jessica & Isaac share their individual journeys into the world of ballet, how they met, and the challenges and joys of being a couple in the dance industry. The conversation also touches on the impact of the pandemic on their careers and the intricacies of partnering in dance. Together, Jessica and Isaac discuss the dynamics of their dance partnership, emphasizing the importance of communication, conflict resolution, and personal growth. They reflect on their experience working on the Raffella Ballet . As they transition from performance to choreography, they share insights on embracing change and the realities of a dance career, offering valuable advice for those navigating similar paths.Jessica Lopes was born in Brazil ,trained in 2014 at Escola de Dança Alice Arja, joined Miami City Ballet's Pre-Professional Program in 2016. Returning to Brazil she joined Cia de Ballet do Rio de Janeiro as a Corps de Ballet member. Jessica returned to the states in 2017 and joined Milwaukee Ballet 2 Program where she had the opportunity to perform in ballets such as Michael Pink's Swan Lake and Dracula, excerpts of August Bournonville's “Napoli”, and Bruce Well's “ A Midsummer Night's Dream." In 2019 Jessica joined American Midwest ballet for three seasons, including a digital series during the lockdown where Mrs. Lopes had the pleasure to perform Frank Chavez's “If Only” with her husband, Isaac. Jessica has had the opportunity to work with many renowned choreographers during her training and career . Issac Sharratt began ballet training in Tucson, Arizona, training first at Tucson Regional Ballet and then Ballet Tucson in 2004. He was awarded scholarships to attend several summer intensive programs including; San Francisco Ballet, Pacific Northwest Ballet, Houston Ballet, and Milwaukee Ballet.  At 16 he spent three more years with Ballet Tucson as a company member. He worked closely with ballet superstars John Gardner and Amanda McKerrow, as well as renowned Jeffery Graham Hughs, Pamela Raymond, and Lawrence Peck. He moved from Ballet Tucson in 2008 to join the Milwaukee Ballet II program, spending only one year in the program before being asked into the company. Mr. Sharratt was cast in several world premiere full-length ballets by Michael Pink, doing lead roles in many and playing the title role in Michael Pink's Beauty and the Beast. Over his time in Milwaukee Ballet Mr. Sharratt has had the opportunity to work with many renowned choreographers. Most recently Mr. Sharratt danced with American Midwest Ballet from its 2019-2022 seasons. During the company's digital series Mr. Sharratt was given the opportunity to perform Frank Chaves' “If Only” with his wife, Jessica. Mr. Sharratt is also an aspiring choreographer, having set many pieces on Milwaukee Ballet's second company and main company, as well as having choreographed on Ballet Minnesota in 2017, and various solos for both domestic and international competitions.The Raffaella Ballethttps://raffaellaballet.org/“Dance Talk” ® with Joanne Careywherever you listen to your podcasts. ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Hi friends! I'm so thankful to be back with this community and so thankful to be sharing this special episode! Landry was a client of mine for almost two years and is now a dear friend. In this conversation, we talk about her story with her body and food, struggles of pursuing ballet, finding freedom in Jesus and so much more! It's such a special episode and she is such a special person. I hope you enjoy! GabbiXx

Think watching ballet is just for inspiration? Think again. In this episode, we explore why adult dancers can actually improve their technique, artistry, and understanding just by watching professionals in action — on stage or on screen! Backed by neuroscience, we'll break down how observation fuels progress and why making time to watch ballet might be just as important as time spent in the studio... Grab your coffee (or tea) and let's get into it!Follow Yelena @ballet_for_allFollow Hannah @thebusybunheadCheck out more resources here:youtube.com/@balletforallonlineballetclasses.comthebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.comSee you next time after class! ♥

The dancer who managed to create a career in ballet despite being brought up in a Palestinian refugee camp after fleeing the Syrian war and against fierce opposition from his father.  

This is a rerelease of one of our popular episodes from our series on ballet summer intensives. Wondering how much the RAs see of student antics? More than you think! We're talking with Robert Fulton and Camille Kellems, both professional dancers and also RAs at ballet summer intensives. Get ready for a mix of insider info that's helpful for parents as well as hilarious anecdotes as Robert and Camille let us in on what really goes on behind the scenes. From dorm shenanigans to studio mishaps, they've seen it all and they're here to spill the tea.  Robert and Camille are also the founders of Ballet Scout. You can learn more about what they do on their website. Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Ever worried you're breaking an unspoken rule in ballet class? You're not alone. In this episode of After Class, we're diving into the most common ballet "faux pas". From standing in the front row to texting during barre, we're sharing the studio slip-up's, fashion mistakes, and technology no-no's to avoid for a successful class. Whether you're new to ballet or returning after a break, this episode will help you navigate class with the confidence of a seasoned dancer. Let's get into it!Follow Yelena @ballet_for_allFollow Hannah @thebusybunheadCheck out more resources here:youtube.com/@balletforallonlineballetclasses.comthebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.comSee you next time after class! ♥

In this special reverse-interview episode of Rhee Gold’s Dance Life Podcast, Stacey takes the spotlight to share her innovative two-semester recital model that’s redefining how her Australian studio operates—and retaining more students than ever. Recording on recital morning (yes, really!), Stacey dives deep into how splitting the season into two 20-week semesters, each ending in a full theatrical performance, has drastically improved student engagement, parent satisfaction, and overall studio retention. From rental costumes and washing lines with kangaroos, to streamlining backstage flow and sidestepping level placement drama—this episode is packed with real, practical strategies.

 Miriam Landis trained at the School of American Ballet, danced with Miami City Ballet, and now teaches at Pacific Northwest Ballet, all experiences that informed her work as the author of three young adult novels set in the ballet world. In this episode, she talks about the reality of the professional ballet path, the emotional and practical sides of stepping away from performing, and how her cultural background shaped her journey. Miriam also discusses what led her to transition out of ballet, how her training continues to influence her life, and why she keeps returning to ballet as a central theme in her writing. Miriam also offers her thoughts on the current challenges in ballet training, the need for change in how dancers are taught, and the generational shift she sees happening in the field. Interested in reading her books? Find them here! Learn more about Miriam on her website More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Louisiana is the only state where students have gotten better at reading since 2019. Officials credit new laws, and now, the final piece is taking effect: holding back third graders who are behind in reading. Education reporter Aubri Juhasz explains how schools are trying to help kids pass the test. Then, she joins WRKF's Karen Henderson to follow up on the state's new third-grade reading law. Four ensembles are gearing up to open the New Orleans Ballet Association's 2025-26 season. Upcoming performances include “Dance Theatre of Harlem,” and “Argentina's Tango After Dark.” Executive director Jenny Hamilton tells us what to expect at the series of performances.The Deep South continues to be left out of the tech industry boom.Yes there are exceptions like Huntsville, Alabama, but states like Missisisppi and Louisiana have not seen nearly as many high paying jobs the tech industry has bought elsewhere.Stephan Bisaha of the Gulf States Newsroom reports on the advantages of being a tech company in Mississippi…and what's holding the state back.__Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App, and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

Send us a text#38: This week on Rise Recover Live we revisit our conversation with Eugene Barnes (he/him). A Baltimore city native, Eugene is a person in long-term recovery and the Volunteer Coordinator for The Phoenix-DFW. Eugene started dancing at 11 years old and immediately fell in love with ballet. At 17, he accepted his first contract with a ballet company and spent 18 years dancing professionally. From his esteemed career as a professional dancer, to later working at a treatment center and then at The Phoenix, Eugene has adapted to many different spaces throughout his life. Tune into the episode to hear more from Eugene!To learn more about Eugene, follow him on Instagram @eugene_cliffer.---------------------------------------------------------------------------------If you or a loved one is experiencing a mental health or substance use related crisis, the following resources can provide immediate help.*If you are experiencing a medical or mental health emergency, please dial 911.- Dial 988 for the SAMSHA Suicide & Crisis Lifeline.  Available 24/7- Text “HOME” to 741-741 for the NAMI Crisis Text Line.  Available 24/7.- Dial 1-800-622-2255 to connect with a nearby treatment center & community resources through the NCADD Hope Line. Available 24/7.- Call or text 1-844-326-5400 for The GSCA CARES Warm Line.  Answered by Certified Addiction Recovery Empowerment Specialists with lived experience of Substance Use Recovery.  Available any day of the year, 8:30am-11pm ESTThis resource was shared by Tiffany: If you are a woman in need of support in the New Hampshire or Massachusetts area, Jasmine Grace is an organization that may be able to help.  You can learn more at their website: https://www.jasminegrace.org/---------------------------------------------------------------------------------Join the Phoenix community & sign up for classes with a single click by downloading The NewForm app! In the app, you can connect with Liz, Bryce and other listeners in The Rise Recover Live Podcast Group. Let us know what you thought about today's episode, and what you'd like to hear in future shows! We can't wait to chat with you there. Learn more about The Phoenix, sign up for classes, or become a volunteer at https://thephoenix.org/ . Find us on Instagram at @riserecoverlive

As we shift gears to prepare for the upcoming season, Artistic Director Jonathan Stafford and Associate Artistic Director Wendy Whelan take a moment to reflect on our just-concluded 76th year, from two strikingly unique and unforgettable world premieres—from Resident Choreographer Justin Peck and Artist in Residence Alexei Ratmansky—to the return of cherished repertory works, the invaluable presence of coaches Suzanne Farrell and Merrill Ashley in the rehearsal studios, and much, much more. They celebrate the freedom and boldness the company displayed in notable debuts, well-earned promotions, and bittersweet retirements, and look forward to the new works and multi-faceted performances on the horizon. (39:52) Edited by Emilie Silvestri Music: Capriccio for Piano and Orchestra (1929) by by Igor Stravinsky Symphony No. 3 in D major, Op. 29 (1875) by Peter Ilyitch Tschaikovsky

In this episode of After Class, Hannah shares how she prepared for an adult ballet intensive this summer, and what she did differently from previous years. From mindset shifts to training tweaks, she's breaking down what worked for her and what she recommends to other adult dancer considering an intensive. Whether it's your first intensive or fifth, you'll find helpful tips, honest reflections, and plenty of encouragement in this episode. So grab a cup of coffee and let's get into it!Follow Yelena @ballet_for_allFollow Hannah @thebusybunheadCheck out more resources here:youtube.com/@balletforallonlineballetclasses.comthebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.comSee you next time after class! ♥

Tula Jane and her Mother in the Wild read "Little Ballet Star" by Adele Geras.You can support us and the author by purchasing your very own copy here: https://amzn.to/460YaaGAs Amazon Influencers we are eligible to earn on qualifying orders.Become a Premium Monthly Subscriber to get* a 20% discount on Requests + Dedications *OPT-IN for EMAILS!* have your child greeted in the other episodes we publish* be invited to attend a monthly livestream Storytime on zoom with Mother in the Wild *OPT-IN for EMAILS! (These have been such beautiful, connective events…a wonderful way for listeners to meet us one-one-one!) Your support means the WORLD to us!)Click on the link below being sure to "opt-in" for emails so we can contact you to learn your children's names, offer you the discount code + send you the zoom link.https://podcasters.spotify.com/pod/show/mother-in-the-wild/subscribeWe appreciate you so much!

In episode 367 of The Physical Performance Show, sports physiotherapist Sue Mayes shares her expertise in foot and ankle injury management. With over 30 years of experience leading physiotherapy at the Australian Ballet and now a senior lecturer at La Trobe University, Sue provides groundbreaking insights into injury prevention and rehabilitation. Sue discusses her innovative research on ballet dancers and athletes, highlighting the importance of calf strength, strategic exercise implementation, and challenging traditional approaches to stretching. She reveals how implementing targeted calf raises reduced injury rates in professional dancers, and explains why prolonged stretching can be counterproductive. This episode offers a masterclass in foot and ankle assessment. Her practical advice spans from managing bone stress injuries to developing comprehensive rehabilitation strategies that support athletes' long-term performance and recovery.

In Part 2 of our two-part interview with physical therapist Erika Mayall, we explore how ballet schools are supporting dancer health—and where they still fall short. Erika offers practical advice for dancers and families without access to dance-specific care, busts common ballet injury myths, and shares her favorite recovery tools and daily habits for long-term wellness. She also discusses how to recognize genuine wellness support versus “checking the box” in schools and what one key change could improve injury prevention across ballet training. Erika also has a fantastic podcast called The Dance Physio Podcast that we think every dancer and their parents should tune in and listen to. Find it wherever you get your podcasts or learn more on her website. More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

In Part 1 of our two-part interview with physical therapist Erika Mayall of Allegro Performance and Wellness, we dive into why ballet dancers need specialized care from providers who truly understand the unique demands ballet puts on the body. Erika shares her journey into working with dancers, how injury prevention differs for ballet artists, common misdiagnoses, and early warning signs dancers and parents should watch for. She also offers guidance on choosing the right specialist and how dancers can advocate for themselves in healthcare settings. Stay tuned for Part 2, where Erika discusses dancer wellness in schools, recovery tools, and long-term health habits. Erika also has a fantastic podcast called The Dance Physio Podcast that we think every dancer and their parents should tune in and listen to. Find it wherever you get your podcasts or learn more on her website. More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Join us around the Rosin Box for our annual listener-contributed "Ask the Dancers" episode. Our intrepid hosts Claire and Aarón and special guest Corps de Ballet Member Lars Nelson answer your questions about rehearsal wear, dancing with Artist in Residence Alexei Ratmansky, remembering steps, and more—including, "Explain dogs at New York City Ballet." (39:06) Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

How often do we get to the end of a season, a recital or a competition and instead of taking time to reflect and celebrate how far we have come, we race to the next task on our to-do list? Rhee and Stacey feel guilty of this too! In today's episode they talk about the importance of taking time to celebrate, every step of the journey. Thanks to JackRabbit Dance for their support of the podcast, learn more at Jackrabbitdance.comSee omnystudio.com/listener for privacy information.

The American Ballet Theater's first Black female principal dancer on everything she's fought for and the decision to end her historic career with the company.Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.