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Warnings of Earthquake Judgments (1) (Audio) David Eells, 1/25/26 I'm going to talk to you today about many warnings about earthquakes that have been prophesied to come to America. Some of these are old, and some are recent, which confirms them because God is still speaking through His prophets. God warns ahead so that many get the warning. If it was immediately fulfilled it wouldn't be a warning. He has been patient and very merciful towards people.  A recent earthquake with a magnitude of 6.0 struck off the coast of Oregon at 7:25 p.m. PT on January 15, 2026, according to preliminary data. The quake occurred offshore at a shallow depth of about 7 km, which is why it was widely felt across western Oregon and coastal communities. No tsunami warnings were issued by the National Tsunami Warning Center, which is part of the National Oceanic and Atmospheric Administration (NOAA). Early reports indicate the epicenter was well offshore, but shallow quakes travel far — and fast. If you felt shaking, swaying, or a sudden jolt, you're not alone. The offshore area near the Oregon–California border is part of a seismically active region where earthquakes occur regularly due to the interaction between tectonic plates along the Cascadia Subduction Zone. Most earthquakes in this area occur offshore and are often not felt on land, though larger events have the potential to be widely felt along the Pacific Northwest coast. (This 6.0 quake, which happened very near a fault line, is a precursor to a much larger earthquake.) https://x.com/JosetteCaruso_/status/2012012701334024207?s=20 https://x.com/KristyTallman/status/2012057788932112687?s=20 It seems the Lord is blessing America to undo the damage done by liberals, who also have pushed the Land for Peace upon Israel, for which God said He would judge the US with earthquakes. It seems He is judging the liberals' rebellion against law and government. I believe the Lord told me that we are seeing spiritual earthquakes happening. We are certainly seeing spiritual shifts and separations of the earth here, a polarization of left from right. A clear separation of radical left from what is right. The Lord has shown us that He can fulfill prophetic dreams, visions, and prophecies in a physical or spiritual way (and sometimes both), depending on the actions of His people. Considering His mercy and grace being shown toward America, are we still going to see great physical quakes judging America? We are seeing tremendous precursors of earthquakes come and miraculously go as if by God's hand. He is still telling us He is going to judge apostate Christianity in America, bringing them into Babylonish captivity. Are these precursors being put down to show God's mercy once more, or are they a warning to pray against coming quakes? We saw massive riots and demonstrations on the East Coast in DC and the West Coast in Portland during and then following the inauguration. In the last several months, we've seen protests and riots against ICE, the National Guard, and other law enforcement in Los Angeles, Austin, Chicago, Dallas, New York City, Minneapolis, and other cities. These could be symptoms of the spiritual earthquakes. Are the physical quakes still coming, or will both be true? This event has been considered in the past as a potential warning of a POSSIBLE pending large earthquake on the west coast. Now, let me share with you some revelations the Lord has given concerning these earthquakes.     More Shaking and Tsunami to Come for Russia and Japan and then for California     8/3/25 Alison Pound (David's notes in red)   The Lord says: The ring of fire is erupting. One side has gone off. The other side, where California is, will react to the Russian side. Do you remember, I will shake the earth like a cottage. (A cottage has a flat floor, walls and a roof) Think of how big the Earth is. Then think of Me shaking it. One side goes down, the other side goes up. Then it is the turn of the first side to go up, whilst the other side goes down. There was no breakage, no land fell off into the sea on the Russian side. But when the Californian side reacts to the Russian side shaking, the land will break up, and a chunk will fall into the sea. Everyone will be able to see this chunk sticking up at the cracked edge and submerged under the sea at the outer sea edge. Keep watch. The shaking on the Russian side has not ended. There will be more before the other side reacts. On the Japan and Russia coastlines, there will be another tsunami. This will be most devastating. It will happen first, and then the shaking will begin on the US coastline. Alaska will not be devastated at this time. But the Japan tsunami and the Russia shaking will set off the other side of the ring of fire. No, this is not a tribulation quake. These are the birth pangs. They lead up to the tribulation. The tribulation begins in America after WWIII, when she is bombed. Then, in a series of events, the World Order will be brought down hard upon the whole earth. (The present day prosperity of NESARA/GESARA under Trump's administration will be reversed as we can clearly see in Revelation chapters 12 and 13.) A moment of triumph for satan. A moment is all I will grant him. To wear out the saints. The earthquakes will not stop when the tribulation begins. It will not be like that. Volcanic eruptions will continue. Weather events, tornadoes, hurricanes, floods, famines, plagues. But in all of this, I Am with you! TO HIS CHOSEN: You are Mine! Psalm 91. It will not come near to you. I will not allow it. I will preserve My beloved. All of My precious ones. Only those who have not prepared themselves by drawing near to the throne of Grace will be taken out of the way in those days. Sleep (death) will be a merciful act of God in those days. Isaiah 24:19 The earth is utterly broken down, the earth is clean dissolved, the earth is moved exceedingly. 20 The earth shall reel to and fro like a drunkard, and shall be removed like a cottage; and the transgression thereof shall be heavy upon it; and it shall fall, and not rise again.   To Whom it was Given to Hurt the Earth and Sea 01/04/26 Alison Pound Revelation 7:2   Thursday 1st January 2026 I Am about to visit Japan. And then California also. Everything I told you I would do, I will do to them. I Am about to do it. I told you. My true prophets will know because I will tell them. Just before I do it, I will tell them. I will say to them, it is time. I will tell them to brace for impact. Because you, and they, will feel the impact of what I Am going to do. The shaking and the destruction of the earth and the people in those places will be immense. Shocking. It will be all that the survivors around the earth can talk about for a long time. That is, when they start talking. Because when this happens, at first, they will not talk. The shock will hit them. Some will then shake their fists in the air and will no longer follow Me. These ones did not know Me at all well before. But others will turn to Me in a big way. Prepare for this. Many will want to talk about Me suddenly. They will have questions. They will want to get right with Me. And My hand of mercy will be outstretched to these. Be ready to speak. Donald Trump is going. He will go shortly after California goes. And California is about to go. The seabed is in turmoil. Out of California, the underwater volcanoes are coming to life. Angels have been sent to command them to erupt. Angels are My messengers. They put My judgments into action. Remember the scrolls and the decrees? (The Book of Revelation, see below) Keep watching and waiting. When you see that Japan has had a magnitude 8 earthquake, a tsunami will follow. Then you will know California is next. The shaking will shift tectonic plates. I will shake the earth like a cottage. I have not told you this before, but this earthquake, the one that takes out California, will be felt further away than any earthquake before it. Other volcanoes in the vicinity will also erupt. Remember, I told you to keep an eye on the ring of fire? This is the time. This is the time when shipping will be interrupted and new paths will be found for the ships in order to bypass the volcanic activity. [In 2012 the Lord spoke about this, but I just did not understand at the time. He said: Way below the earth's crust, there will be a disturbance far greater than any before. Out upon the waters of the Pacific, there is going to be a disturbance that comes from far below. Shipping will be lost at this time. There will become an area that must now be avoided.] The Earth will never be the same again after this. Many, many sea creatures will die and will be washing up on far shores. This will go on for months. Dear one, this will be a terrible time for the people of the earth. Very trying. But incredibly, the wicked will continue to be wicked. It will be like they think time is short and they must get a whole lot more wickedness in before they go. Their hearts will harden, if that were at all possible. And although I Am in judgment mode and I Am very angry, I will be very controlled and perfect in all My judgments. You will have access to Me at all times. I will not be like the angry father here on earth who does not want to talk to anyone when he is in his angry mode. I do not want you to keep away from Me. But draw near and remain. This is the only way. Revelation 7:1 And after these things I saw four angels standing on the four corners of the earth, holding the four winds of the earth, that the wind should not blow on the earth, nor on the sea, nor on any tree. 2 And I saw another angel ascending from the east, having the seal of the living God: and he cried with a loud voice to the four angels, to whom it was given to hurt the earth and the sea,   California! This is What is Going to Happen 6/23/22 McKana Isaiah 24:20-21(KJV) 20. The earth shall reel to and fro like a drunkard, and shall be removed like a cottage; and the transgression thereof shall be heavy upon it; and it shall fall, and not rise again. 21. And it shall come to pass in that day, that the LORD shall punish the host of the high ones that are on high, and the kings of the earth upon the earth. Considering the impending grave danger and catastrophe coming shortly, there is not enough warning to alarm and prepare the people in the regions. The imminent danger is not localized to a specific place or region. From what the Lord revealed to many of us, the nature and intensity might vary but the East, the West, the North, the South and the Center are in the same prophesied calamities of the judgment hands of Almighty God. The Lord has shown me in dreams and visions, over eight times, what is coming to California. The revelations given were: 1. Swarms of earthquakes in the ring of fire, two times. 2. A big earthquake in the region of California, many times. 3. Buildings in Los Angeles rattle, give off and crumble to the ground like dust. 4. Buildings all the way down the mountain range of the west coast rattle and crumble like the side of a mountain crumbling and falling off to the ground. 5. The land under the Pacific Ocean moves to the East, Northeast, and towards the East Coast. 6. The land from the floor of the Pacific Ocean moves, climbs over the coastline, and crumbles, bringing total destruction. 7. The land moving from the floor of the ocean, over the coastline, cracks the land along the fault line and breaks off the land to throw it down to the ocean. I have seen this in a vision which looked like “real action.” From these visions, dreams, and revelations, this is what is going to happen to California. There will be wide, big swarms of earthquakes along the ring of fire, under the ocean, on the coastline of North and South America, East of Australia, East of the small islands in the Pacific, East of the Philippines, East of China, Japan, Russia, and South of the land and coast of Alaska. This earthquake will bring about the movements of the floor of the ocean. The land of the floor of the Pacific Ocean, east [she means west] of California and Oregon, will move towards the East Coast. One part of the floor of the Pacific Ocean moves to the East and then to the northeast to be submerged under the land on the floor, subducted. The next part of the land from the floor of the Pacific Ocean, South and adjacent to the first one, will move towards the East Coast. It will climb over the East (West) Coast of California. It will crumble and fall back to the floor and will ultimately break off the East (West) Coast of California along the San Andria fault line. This land movement and the shaking, so big, will bring a big tsunami to go further East and inundate the inland. All, what I have seen.   One of the visions below will give a short glimpse of what is befalling California.   California Earthquake-Last Warning (Vision of October 15, 2017. 1:30 AM and 4:00 AM)  I see chairs and tables being pushed. A few, finely dressed people are pushing a whole set of tables and chairs as they are together, quarter of a football size, all at once, row after row. They are pushing them first to the East, then to the North and push them all to store them in a house, big auditorium-like setting. One group is pushing the set of tables and chairs to the North-East and storing them in the same way. They pushed it over a high cliff like stairs. After they are done, the whole stairs made of stone collapsed and sank to the ground, crumbling. I turned to the right, and a row of high-rise buildings was crumbling like the side of a mountain, falling to the ground with the dust cloud and debris falling to the ground. I looked far to the North. There is a range of mountain buildings. The buildings look resting on a small but very long range of hills. They started crumbling from the North down South. I started screaming loud “Sound the alarm, warn them, tell them!” to the station on the left, but it is too late. No alarm, no warning, no escape. The whole row after row of the buildings along the mountain range collapsed and fell to the ground with so many people in them. No warning, no time to escape, all gone. I held my head and started crying, screaming and shouting, then I woke up. Then at 4:00 AM, I saw another dream, the same region, first a standing metallic pole, a wave from the pole to the West and from the pole to the North. It is an Earthquake with the poll, Epicenter, close to and in the middle of the range of the mountain building I saw above, the fault lines. It is an Earthquake like we have never seen before, a California Earthquake. I have to think, inquire, and ask what it is. It is the land moving like a table Cascadia Subduction zone and the San Andreas fault line. I saw the California Earthquake few years ago. This one is a warning that time has run out and is imminent. Sudden without warning. Lord have mercy.   California  Summary of Visions and Dreams from 2016  1. Thou city who claims to be the City of the Angels, who has exalted yourself into heaven and sent all the dirty, filthy things of fashions and things, till even the foreign countries come here to pick up our filth and send it away, with your fine churches and steeples, and so forth, the way you do, remember, one day you'll be lying in the bottom of this sea The world is falling apart, fifteen hundred mile chunk of it, three to four hundred miles wide, will sink maybe forty miles down into that great fault out yonder. William Branham, 1933. 2. The earthquakes began in the west, around Idaho and Wyoming, and then quickly spread in every direction. I saw a huge earthquake hit Utah and then California. There were earthquakes all over California, but they were especially devastating in the Los Angeles and San Francisco areas. San Francisco appeared to turn upside down. Sarah Menet-1979 3. The United States is going to experience in the not-too-distant future the most tragic earthquakes in its history. One day soon this nation will be reeling under the impact of the biggest news story of modern times. It will be coverage of the biggest, most disastrous earthquake in history. It will cause widespread panic and fear. Without a doubt, it will become one of the most completely reported earthquakes ever. Television networks will suspend all programming and carry all day coverage. David Wilkerson Prophecy 1994 4. The shape of the United States is going to change if we do not cry out to God. Whenever man turns away from God it will start to decay. The Earth will not yield itself to you. Earthquakes are not going to strike only the coastal areas of the United States but also the Midwest of the United States. JOHN PAUL JACKSON, 2007 5. A massive Earthquake that seemed to crack off the coast of California. It reminded me of a saltine cracker that just cracks in two. The great cities of the West Coast fall into the ocean all the way from Mexico to Alaska and a giant wave flooded inside, and much of the West Coast was not there. It has disappeared into the Pacific Ocean. Maurice Sklar, March 14, 2014 6. The landscape of America is about to change. There will be many signs I perform as a warning for your nation. The Lord says, the oceans will come as far as the Rockies in some areas on the West Coast. The Grand Canyon will begin to fill with water. Dr Patricia Green, 7/7/2015 7. There is a massive earthquake coming to America, says the Lord. There is a massive earthquake that is about to take place; we have never heard of this kind. Everything will shake, says the Lord. My people are not listening says the Lord. This earthquake will wake up everyone, from the youngest to the oldest. Times are changing, and that means our earth is changing. Be ready for change these days. Everything will happen quickly, says the Lord. When the world is saying peace, peace, then comes a sudden destruction. Dawn Obrien 6/21/2016 8. I saw a very devastating Earthquake in the West Coast of the US, with collapsed buildings and the earth split, from South to North along a fault line, and people scrambling to save the victims. McKana, 5/23/2013   “Redmond #9 – Unforgettable”  Julie Teig - 5/5/2011 (David's notes in red) (First, I want to give a little background: I used to be a volunteer member with a group that helped with wine competitions for charity events, which is why God gave me this dream the way He did. Briefly, wines would be tasted and judged by professional wine makers, writers for wine magazines, and wine distributors, etc.) On or about May 5, 2011, I had the following dream: I was at work and someone had given me a very large bottle of red wine as a gift. I no longer drink much wine, so I decided to re-gift it to my boss, Bill, because I know he and his wife like to entertain and enjoy wine. My boss said, “Wow, this is great! Call Lindsey (his wife) and tell her you are coming over to dinner with this wine.” I felt a little uncomfortable about calling her and inviting myself to dinner, and I didn't really want to go because they had recently moved into a new high-rise condo downtown, and I had visited them previously, but I don't like heights too much. (They are on the 37th floor). The bottle of wine, like I said, was very large and, in my mind, I was thinking “magnum”, but the bottle appeared to be much larger than that. I told my boss, “Let's see what, if any, award the judges gave this wine in the competition!” The label on the wine bottle said, “Redmond #9” so I'm reading over the spreadsheet listing all the wines, searching for it, and I found it listed just as the label reads, “Redmond #9.” I noticed that it did not receive a medal, but in the comments made by the judges, it only said, “Unforgettable”. End of the dream, and I woke up. After playing it over in my mind several times, I knew I was to remember “Redmond #9, Unforgettable” So I started asking the Lord what that meant, and is it “unforgettable good” or unforgettable bad”…? I received a revelation then the following Saturday, May 7, when I was watching a video posted by Glynda Lomax where she was talking about the very strong feelings she was having about a large earthquake coming to America, and she kept saying “8+, 8+ earthquake,” and then I remembered my dream and the wine bottle, “Redmond #9, Unforgettable.” (meaning 8+ 'magnitude' earthquake) http://wingsofprophecy.blogspot.com/p/videos.html So I started searching on Google maps for “cities in the US named Redmond,” and I found in the first few hits Redmond, WA, and Redmond, OR. The two cities are approximately 6 hours and 330 miles apart. This area or location seemed relevant to someone's dream that was recently shared about a possible tsunami hitting the Western part of the US from an earthquake (upper US area). Then, even more recently, the supposed next BIG earthquake to hit at the 188-day interval shows it as the upper Northwest US. (I remember this but we've looked and cannot find it, it's lost from the site now)  In addition, since the wine bottle in my dream appeared to be much larger than a magnum, which holds the equivalent of 2 bottles of wine, I searched for wine bottle sizes. I found this chart very interesting! http://en.wikipedia.org/wiki/Wine_bottle   Volume (litres) Ratio Name Notes 0.1875 0.25 Piccolo "Small" in Italian. Also known as a quarter bottle, pony, snipe or split. 0.25 0.33 Chopine Traditional French unit of volume 0.375 0.5 Demi "Half" in French. Also known as a half bottle or split. 0.378 0.505 Tenth One-tenth of a U.S. gallon* 0.5 0.67 Jennie "White Spirit" in Welsh. Also known as a 50 cl bottle. Used for Tokaj, Sauternes, Jerez, as well as several other types of sweet wines. 0.620 0.83 Clavelin Primarily used for vin jaune. 0.750 1 Standard   0.757 1.01 Fifth One-fifth of a U.S. gallon* 1.5 2 Magnum   2.25 3 Marie Jeanne Also known as a Tregnum or Tappit Hen in the port wine trade. 3.0 4 Jeroboam (a.k.a. Double Magnum) Biblical, First king of Northern Kingdom. "Jeroboam" has different meanings for different regions in France.[5] 4.5 6 4.5 6 Rehoboam Biblical, First king of separate Judea 6.0 8 Imperial   6.0 8 Methuselah Biblical, Oldest Man 9.0 12 Mordechai Biblical, Cousin of Esther Queen of Persia 9.0 12 Salmanazar Biblical, Assyrian King 12.0 16 Balthazar Early Christian folklore, one of the Wise Men 15.0 20 Nebuchadnezzar Biblical, King of Babylon 18.0 24 Melchior Early Christian folklore, one of the Wise Men 20.0 26.66 Solomon Biblical, King of Israel, Son of David 25.0 33.33 Sovereign   27.0 36 Primat   30.0 40 Melchizedek Biblical and other Middle East religions   Then about a week later, a woman who used to work in our office in San Diego, CA, sent an update email telling us she was working in our Seattle, WA office now and that she and her family had finally arrived safely and had found a nice place to live in “Redmond, WA” which reminded me of my dream and prompted me to get this written down and send it to you.   Please Check Out of Hotel California Soon Brian Lake – 3/7/2022 “For nation will rise against nation, and kingdom against kingdom. And there will be earthquakes in various places, and there will be famines and troubles. These are the beginning of sorrows.” Mark 13:8 The Lord Jesus gave me a dream during the early morning hours of March 1, 2022. I found myself swimming in the Pacific Ocean somewhere off the coast of Southern California. The water started to churn, and all of the swimmers were being tossed around. After realizing that this was a tsunami, I started shouting for people to get to higher ground. The strength of the swirling waters made it very difficult for them to get back to shore. As I was starting to drown, I woke up. Christian prophetic warnings have gone out to California for nearly 100 years. Because the great earthquake has not yet happened, most Californians now ignore any and all earthquake warnings. Joseph Brandt was shown the great California earthquake in his 1937 dream/vision. He was also shown the collapse of the Boulder (Hoover) Dam. https://444prophecynews.com/dream-earthquake-sink-los-angeles-much-of-california-and-japan-joe-brandt/ Millions have hardened their hearts and refuse to leave the state. They love the good weather and numerous attractions that California provides. They love Hollywood, the Music Center, and their professional sports teams. They love swimming in the ocean and skiing in the mountains. (idolatry) Many of my family and friends do not understand or comprehend the magnitude and extent of this prophesied great earthquake. They remember the Northridge quake (1-17-1994) and the Whittier Narrows quake (10-1-1987). They reason that the next quake could not possibly be any larger than either of those two. Unfortunately, this quake will affect a wide area: from north of San Francisco to Cabo San Lucas. All of the beloved Pastors, Rabbis, and Priests in California have been warned, in one way or another, about this great earthquake. Most of them have chosen not to warn their congregations. As a result, the blood of their sheep will be on their own hands. (Ezekiel 33) All glory to the Lamb and the One who sits on the throne! In Messiah, Brian Lake   West Coast Evacuation Not as an Escape Clause 8/5/25 LaTonya Canada-Christ August 1, 2025 “LaTonya, take a message: “It is My will that My people love Me, truly love Me – not as an escape clause or insurance policy. I desire for them to actually enjoy My ways, right living, and honoring one another in the beauty of holiness. It is not inconceivable to think that I would want My people to want to be with Me, not as a chore or task, but in genuine fondness, service, and requited love. Why is this such a foreign idea? I want love and closeness as much as the next. But I will not accept scraps like a begging dog. For I am a GREAT KING! The offer is still open, but for some, it will be too late. That is all.” Jesus Christ, the Great King of kings.   Evacuate the West Coast 8/5/2025 - LaTonya Canada-Christ Saints, Last week, upon hearing of the earthquakes in Russia, I began to pray for my loved ones and friends. 16 years ago, we were called to warn WA churches and the West Coast state authorities of earthquakes, volcanoes, and tsunamis. So, I asked the Lord whether I should warn my family and friends who have refused the warnings previously to evacuate. And the following was His response. “LaTonya, I know you want to warn them, but they have been warned. They don't want Me, so what does it matter to warn them to move? Where can you go from Me? Pray that they discern a need for My salvation of their souls and return to Me.” For those who are not hardened, warn them to evacuate their sin and the West Coast, seeking the Lord's direction. The key is salvation first. When COVID happened, the Lord asked me a question. “Why do the people have to wait to lose everything before they heed My warnings to move?” He said, “When the disasters happen, then people figure out how to move, if they live to do so.” We are praying for all concerned. Jesus gave us free-will. Note: The 5 state authorities warned were Hawaii, CA, OR, WA, and Alaska. Psalms 2:8, Nehemiah 4:14, Deuteronomy 7:9, Ezekiel 36:24-33, Acts 17:30-31   I Will Not Stop It! Earthquake Warning 4/15/2019- Ken Dewey A MESSAGE FROM THE LORD I move at His command now: I AM that I AM and I move now to warn you again of the soon coming storm of Earthquakes coming upon many people. I speak first now of Japan, for I see that in the ground [plates of the Earth below Japan], alignment that is ready for another even greater Earthquake. I move to warn you that you, who have ears to hear, must hear, prepare your hearts and lives for this day is coming, that will be a most terrible time. If you are trusting in Me, I will move My mighty hand to help you, but I CANNOT STOP THE PLATES FROM MOVING because there is so much false worship of Idols in Japan, and men turning to stones to worship, I cannot hold My judgment upon such evil worship. In Japan, so many today are worshipers of themselves, and see themselves in the Light that are led to do all that is both false and evil, saying it is all good. SHAKING WILL COME. I SEE IT COMING. 1,2,3 IT WILL BE, shaking will start… The Shaking will be like a trigger on a gun, that when it happens, it pulls the shaking in the coast of North America. California is in direct hit of the coming shaking. For those who are watching, know that the plates are lining up for the shaking. All know that it is coming, and coming soon. Prepare your hearts for it, for I will NOT STOP IT. The sin is too great, and the door has been opened too wide for the enemy to destroy you. You have chosen him over Me, and walk deliberately away. I speak not just to Japan and California, for the shaking coming which I wrote in my Word will happen, and SHAKE MANY PLACES across America, and the World. But watch Japan, knowing that it triggers even more….. Know it is coming, prepare your hearts because the Shaking will come, even now it is in the ground, working. Thus saith the Lord, open your hearts now to Me and repent and receive My only way to escape. Run to the finished work and see your Savior, for HE HAS DONE ALL TO SAVE YOU. Do not put it off, do not be so deceived to think you will yet have time, because TIME IS SHORT. I have many people whom I love and will help them in their many trials and troubles. I WILL NOT FAIL YOU WHO TRUST ME. I have written this Word as I have heard it in Spirit Speaking. Lord, open your people's eyes to see and hearts to know and be ready for such a time coming. Help, O Lord, remember mercy. Desert Prophet Eve Brast, in a dream, saw 7 large earthquakes that went around the world, disrupting the crust. These first 3 revelations resemble this in magnitude and scope. Bill Weather was shown 8 signs by the Lord for a Mega Japan Quake and tsunami to ruin the U.S. West coastline as a sign of, weeks later, the coming of the California Mega Quake. (Dates are always subject to change due to the Lord's people praying and judgments being delayed, etc. A delay is not necessarily a delete. See: Prophecies, Dreams & Visions: Date setting and delays? How to judge the false.) Below are prophecies by Joe Brandt and William Branham from the 1930's that confirm what the Lord is showing Bill Weather: In 1937, Joe Brandt saw an Earthquake sink Los Angeles, much of California, and Japan. (Many times God lessens the severity of a judgment through prayers of faith.)    The Coming Earthquake Introduction by Jessica Madigan (Mei Ling) On Christmas Eve, in 1965, my husband, my closest friend, Fran Brandt, and her husband, Joe, were celebrating with sandwiches, and coffee, and fruit cake...For some reason, Joe—Fran's husband—ventured to speak of the coming California earthquake. ... Joe was saying that he had an accident—a fall from a horse when he was 17, and for days he had a concussion. During this period, a continuous dream came again and again—as if he were viewing a tremendous earthquake and inundation in California and other parts of the world. I listened—politely—made some comment, and turned to talk to Fran about a new movie—or some equally world-shaking event. I was vaguely aware that Joe had brought in a sheaf of papers—and he said he would put it in my downstairs desk [in 1965] until I had time to read the "dream". That time did not arrive until, by accident, I came across them this last week [in 1967]—pages upon pages—written in a boy's handwriting, about the coming California earthquake. It would take weeks to research all this material—but I phoned my former geology professor and read portions to him. COULD THIS HAPPEN? COULD CALIFORNIA GO DOWN IN JUST THIS WAY? WOULD OTHER AREAS BE AFFECTED IN A MATTER OF HOURS? He answered in the affirmative. Joe had written (sleeping and dreaming—and in drowsy awakening—about positions of various FAULTS, strata of rock, earth movements, so much material that a geologist of many years would scarcely attempt such a work [this geological data was omitted from Jessica's book]. Yet—here it was—waiting for me to find it for two years. ... Consciously, he knew nothing of geology or of the possibility of a coming earthquake. The notes are 30 years old—yellowed with age—and yet there is a clarity and an unbelievable reality in them. Some of the highlights must be given—because, I am certain now, as I was not certain on Christmas Eve of 1965, that the California earthquake WILL come . . . and its coming is close at hand. Since Joe covered the AREAS AROUND THE WORLD WHICH WOULD BE AFFECTED, not all of these can be given, ... but for those of us in THIS LAND . . . especially CALIFORNIA, these are the highlights of that vision.    Dream of an Earthquake Sinking Los Angeles, Much of California and Japan Joe Brandt - 1937 (Link) I woke up in the hospital room with a terrific headache—as if the whole world was revolving inside my brain. I remember, vaguely, the fall from my horse—Blackie. As I lay there, pictures began to form in my mind—pictures that stood still. I seemed to be in another world. Whether it was the future or it was some ancient land, I could not say. Then slowly, like the silver screen of the "talkies," but with color and smell and sound, I seemed to find myself in Los Angeles—but I swear it was much bigger, and buses and odd-shaped cars crowded the city streets. I thought about Hollywood Boulevard, and I found myself there. Whether this is true, I do not know, but there were a lot of guys my age with beards and wearing, some of them, earrings. All the girls, some of them keen-o, wore real short skirts. . . and they slouched along—moving like a dance. Yet they seemed familiar. I wondered if I could talk to them, and I said, "Hello," but they didn't see or hear me. I decided I would look as funny to them as they looked to me. I guess it is something you have to learn. I couldn't do it. I noticed there was a quietness about the air, a kind of stillness. Something else was missing, something that should be there. At first, I couldn't figure it out, I didn't know what it was—then I did. There were no birds. I listened. I walked two blocks north of the Boulevard—all houses—no birds. I wondered what had happened to them. Had they gone away? Again, I could hear the stillness. Then I knew something was going to happen. I wondered what year it was. It certainly was not 1937. I saw a newspaper on the corner with a picture of the President. It surely wasn't Mr. Roosevelt. He was bigger, heavier, big ears. If it wasn't 1937, I wondered what year it was. . . My eyes weren't working right. Someone was coming—someone in 1937—it was that darned, fat nurse ready to take my temperature. I woke up. Crazy dream. The next day: Gosh, my headache is worse. It is a wonder I didn't get killed on that horse. I've had another crazy dream, back in Hollywood. Those people. Why do they dress like that, I wonder? Funny glow about them. It is a shine around their heads—something shining. I remember it now. I found myself back on the Boulevard. I was waiting for something to happen and I was going to be there. I looked up at the clock down by that big theater. It was ten minutes to four. Something big was going to happen. I wondered if I went into a movie (since nobody could see me) if I'd like it. Some cardboard blond was draped over the marquee with her leg six feet long. I started to go in, but it wasn't inside. I was waiting for something to happen outside. I walked down the street. In the concrete they have names of stars. I just recognized a few of them. The other names I had never heard. I was getting bored, I wanted to get back to the hospital in Fresno, and I wanted to stay there on the Boulevard, even if nobody could see me. Those crazy kids. Why are they dressed like that? Maybe it is some big Halloween doings, but it don't seem like Halloween. More like early spring. There was that sound again, that lack of sound. Stillness, stillness, stillness. The quiet is getting bigger and bigger. I know it is going to happen. Something is going to happen. It is happening now! It sure did. She woke me up, grinning and smiling, that fat one again. "It's time for your milk, kiddo," she says. Gosh, old women of thirty acting like the cat's pajamas. Next time maybe she'll bring hot chocolate. Where have I been? Where haven't I been? I've been to the ends of the earth and back. I've been to the end of the world—there isn't anything left. Not even Fresno, even though I'm lying here right this minute. If only my eyes would get a little clearer so I can write all this down. Nobody will believe me, anyway. I'm going back to that last moment on the Boulevard. Some sweet kid went past, dragging little boys (twins, I guess) by each hand. Her skirt was up—well, pretty high—and she had a tired look. I thought for a minute I could ask her about the birds, what had happened to them, and then I remembered she hadn't seen me. Her hair was all frowzy, way out all over her head. A lot of them looked like that, but she looked so tired and like she was sorry about something. I guess she was sorry before it happened—because it surely did happen. There was a funny smell. I don't know where it came from. I didn't like it. A smell like Sulphur, sulfuric acid, a smell like death. For a minute I thought I was back in chem. [Chemistry class]. When I looked around for the girl, she was gone. I wanted to find her for some reason. It was as if I knew something was going to happen and I could stay with her, help her. She was gone, and I walked half a block, then I saw the clock again. My eyes seemed glued to that clock. I couldn't move. I just waited. It was five minutes to four on a sunny afternoon. I thought I would stand there looking at that clock forever waiting for something to come. Then, when it came, it was nothing. It was just nothing. It wasn't nearly as hard as the earthquake we had two years ago. The ground shook, just an instant. People looked at each other, surprised. Then they laughed. I laughed, too. So this was what I had been waiting for. This funny little shake. It meant nothing. I was relieved and I was disappointed. What had I been waiting for? I started back up the Boulevard, moving my legs like those kids. How do they do it? I never found out. I felt as if the ground wasn't solid under me, knew I was dreaming, and yet I wasn't dreaming. There was that smell again, coming up from the ocean. I was getting to the 5 and 10 store and I saw the look on the kids' faces. Two of them were right in front of me, coming my way. "Let's get out of this place. Let's go back East." He seemed scared. It wasn't as if the sidewalks were trembling—but you couldn't seem to see them. Not with your eyes you couldn't. An old lady had a dog, a little white dog, and she stopped and looked scared, and grabbed him in her arms and said: "Let's go home, Frou, Frou. Mama is going to take you home." That poor lady, hanging on to her dog. I got scared. Really scared. I remembered the girl. She was way down the block, probably. I ran and ran, and the ground kept trembling. I couldn't see it. I couldn't see it. But I knew it was trembling. Everybody looked scared. They looked terrible. One young lady just sat down on the sidewalk all doubled up. She kept saying, "earthquake, it's the earthquake," over and over. But I couldn't see that anything was different. Then, when it came, how it came. Like nothing in God's world. Like nothing. It was like the scream of a siren, long and low, or the scream of a woman I heard having a baby when I was a kid. It was awful. It was as if something—some monster—was pushing up the sidewalks. You felt it long before you saw it, as if the sidewalks wouldn't hold you anymore. I looked out at the cars. They were honking, but not scared. They just kept moving. They didn't seem to know yet that anything was happening. Then, that white car, that baby-sized one, came sprawling from the inside lane right against the curb. The girl who was driving just sat there. She sat there with her eyes staring, as if she couldn't move, but I could hear her. She made funny noises. I watched her, thinking of the other girl. I said that it was a dream and I would wake up. But I didn't wake up. The shaking had started again, but this time was different. It was a nice shaking, like a cradle being rocked for a minute, and then I saw the middle of the Boulevard seem to be breaking in two. The concrete looked as if it were being pushed straight up by some giant shovel. It was breaking in two. That is why the girl's car went out of control. And then a loud sound again, like I've never heard before—then hundreds of sounds—all kinds of sounds; children, and women, and those crazy guys with earrings. They were all moving, some of them above the sidewalk. I can't describe it. They were lifted up. And the waters kept oozing—oozing. The cries. God, it was awful. I woke up. I never want to have that dream again. It came again. Like the first time, which was a preview and all I could remember was that it was the end of the world. I was right back there—all that crying. Right in the middle of it. My eardrums felt as if they were going to burst. Noise everywhere. People are falling down, some of them are hurt badly. Pieces of buildings, chips, flying in the air. One hit me hard on the side of the face, but I didn't seem to feel it. I wanted to wake up, to get away from this place. It had been fun in the beginning, the first dream, when I kind of knew I was going to dream the end of the world or something. This was terrible. There were older people in cars. Most of the kids were on the street. But those old guys were yelling bloody murder, as if anybody could help them. Nobody could help anybody. It was then I felt myself lifted up. Maybe I had died. I don't know. But I was over the city. It was tilting toward the ocean—like a picnic table. The buildings were holding, better than you could believe. They were holding. They were holding. They were holding. The people saw they were holding and they tried to cling to them or get inside. It was fantastic. Like a building had a will of its own. Everything else breaking around them, and they were holding, holding. I was up over them—looking down. I started to root for them. "Hold that line," I said. "Hold that line. Hold that line. Hold that line." I wanted to cheer, to shout, to scream. If the buildings held, those buildings on the Boulevard, maybe the girl—the girl with the two kids—maybe she could get inside. It looked that way for a long time, maybe three minutes, and three minutes was like forever. You knew they were going to hold, even if the waters kept coming up. Only they didn't. I've never imagined what it would be like for a building to die. A building dies just like a person. It gives way, some of the bigger ones did just that. They began to crumble, like an old man with palsy, who couldn't take it anymore. They crumbled right down to nothing. And the little ones screamed like mad—over and above the roar of the people. They were mad about dying. But buildings die. I couldn't look anymore at the people. I kept wanting to get higher. Then I seemed to be out of it all, but I could see. I seemed to be up on Big Bear near San Bernardino, but the funny thing was that I could see everywhere. I knew what was happening. The earth seemed to start to tremble again. I could feel it even though I was high up. This time it lasted maybe twelve seconds, and it was gentle. You couldn't believe anything so gentle could cause so much damage. But then I saw the streets of Los Angeles—and everything between the San Bernardino mountains and Los Angeles. It was still tilting towards the ocean, houses, everything that was left. I could see the big lanes—dozens of big lanes still loaded with cars sliding the same way. Now the ocean was coming in, moving like a huge snake across the land. I wondered how long it was, and I could see the clock, even though I wasn't there on the Boulevard. It was 4:29. It had been half an hour. I was glad I couldn't hear the crying anymore. But I could see everything. I could see everything. Then, like looking at a huge map of the world, I could see what was happening on the land and with the people. San Francisco was feeling it, but she was not in any way like Hollywood or Los Angeles. It was moving just like that earthquake movie with Jeanette McDonald and Gable. I could see all those mountains coming together. . . I knew it was going to happen to San Francisco—it was going to turn over—it would turn upside down. It went quickly, because of the twisting, I guess. It seemed much faster than Hollywood, but then I wasn't exactly there. I was a long way off. I was a long, long way off. I shut my eyes for a long time—I guess ten minutes—and when I opened them I saw the Grand Canyon. When I looked at the Grand Canyon, that great big gap was closing in, and Boulder Dam was being pushed, from underneath. And then, Nevada, and on up to Reno. Way down south, way down. Baja, California. Mexico too. It looked like some volcano down there was erupting, along with everything else. I saw the map of South America, especially Colombia. Another volcano—eruption—shaking violently. I seemed to be seeing a movie of three months before—before the Hollywood earthquake. Venezuela seemed to be having some kind of volcanic activity. Away off in the distance, I could see Japan, on a fault, too. It was so far off—not easy to see because I was still on Big Bear Mountain, but it started to go into the sea. I couldn't hear screaming, but I could see the surprised look on their faces. They looked so surprised. Japanese girls are made well, supple, easy, muscles that move well. Pretty, too. But they were all like dolls. It was so far away I could hardly see it. In a minute or two, it seemed over. Everybody was gone. There was nobody left. [Brother Branham said: "Japan . . . she's ready to rock to pieces right now. And there's no way you can stop it, because they have neglected to do exactly what God told them to do. Instead of preach Gospel, they have built buildings, and had fine scholarships, and educations" (Uncertain Sound, #61-0415E)]. I didn't know time now. I couldn't see a clock. I tried to see the island of Hawaii. I could see huge tidal waves beating against it. The people on the streets were getting wet, and they were scared. But I didn't see anybody go into the sea. I seemed way around the globe. More flooding. Is the world going to be drenched? Constantinople. Black Sea rising. Suez Canal, for some reason seemed to be drying up. Sicily—she doesn't hold. I could see a map. Mt. Etna. Mt. Etna is shaking. A lot of area seemed to go, but it seemed to be earlier or later. I wasn't sure of time, now. England—huge floods—but no tidal waves. Water, water everywhere, but no one was going into the sea. People were frightened and crying. Some places they fell to the streets on their knees and started to pray for the world. I didn't know the English were emotional. Ireland, Scotland—all kinds of churches were crowded—it seemed night and day. People were carrying candles and everybody was crying for California, Nevada, parts of Colorado—maybe even all of it, even Utah. Everybody was crying—most of them didn't even know anybody in California, Nevada, Utah, but they were crying as if they were blood kin. Like one family. Like it happened to them. New York was coming into view—she was still there, nothing had happened, yet the water level was way up. Here, things were different. People were running in the streets yelling, "end of the world." Kids ran into restaurants and ate everything in sight. I saw a shoe store with all the shoes gone in about five minutes. 5th Avenue—everybody running. Some radio blasting—bigger—a loudspeaker—that in a few minutes, power might be shut off. They must control themselves. Five girls were running like mad toward the YMCA, that place on Lexington or somewhere. But nothing was happening in New York. I saw an old lady with garbage cans, filling them with water. Everybody seemed scared to death. Some people looked dazed. The streets seemed filled with loudspeakers. It wasn't daylight. It was night. I saw, like the next day, and everything was topsy-turvy. Loudspeakers again about fuel tanks broken in areas—shortage of oil. People seemed to be looting markets. I saw a lot of places that seemed safe, and people were not so scared. Especially the rural areas. Here, everything was almost as if nothing had happened. People seemed headed to these places, some on foot, some in cars that still had fuel. I heard—or somehow I knew—that somewhere in the Atlantic land had come up. A lot of land. I was getting awfully tired. I wanted to wake up. I wanted to go back to the girl—to know where she was—and those two kids. I found myself back in Hollywood—and it was still 4:29. I wasn't up on Big Bear at all, I was perched over Hollywood. I was just there. It seemed perfectly natural in my dream. I could hear now. I could hear, someplace, a radio station blasting out—telling people not to panic. They were dying in the streets. There were picture stations with movies—some right in Hollywood—these were carrying on with all the shaking. One fellow in the picture station was a little short guy who should have been scared to death. But he wasn't. He kept shouting and reading instructions. Something about helicopters or planes would go over—some kind of planes—but I knew they couldn't. Things were happening in the atmosphere. The waves were rushing up now. Waves. Such waves. Nightmare waves. Then, I saw again. Boulder Dam, going down—pushing together, pushing together breaking apart—no, Grand Canyon was pushing together, and Boulder Dam was breaking apart. It was still daylight. All these radio stations went off at the same time—Boulder Dam had broken. I wondered how everybody would know about it—people back East. That was when I saw the "ham radio operators." I saw them in the darndest places, as if I were right there with them. Like the little guy with glasses, they kept sounding the alarm. One kept saying: "This is California. We are going into the sea. This is California. We are going into the sea. Get to high places. Get to the mountains. All states west—this is California. We are going into the. . . we are going into the. . ." I thought he was going to say "sea," but I could see him. He was inland, but the waters had come in. His hand was still clinging to the table; he was trying to get up, so that once again he could say: "This is California. We are going into the sea. This is California. We are going into the sea." I seemed to hear this, over and over, for what seemed hours—just those words—they kept it up until the last minute—all of them calling out, "Get to the mountains—this is California. We are going into the sea." I woke up. It didn't seem as if I had been dreaming. I have never been so tired. For a minute or two, I thought it had happened. I wondered about two things. I hadn't seen what happened to Fresno and I hadn't found out what happened to that girl. I've been thinking about it all morning. I'm going home tomorrow. It was just a dream. It was nothing more. Nobody in the future on Hollywood Boulevard is going to be wearing earrings—and those beards. Nothing like that is ever going to happen. That girl was so real to me—that girl with those kids. It won't ever happen—but if it did, how could I tell her (maybe she isn't even born yet) to move away from California when she has her twins—and she can't be on the Boulevard that day. She was so gosh-darned real. The other thing—those ham operators—hanging on like that—over and over—saying the same thing: "This is California. We are going into the sea. This is California. We are going into the sea. Get to the mountains. Get to the hilltops. California, Nevada, Colorado, Arizona, Utah. This is California. We are going into the sea." I guess I'll hear that for days.    Confirming Prophecies of William Branham A prophecy that I made about 1935 or something like that, said: "The time would come that the sea would weep its way into the desert." Look what'll take place. If those thousands of square miles fall down into the lava of the earth and slide in, there'll be millions who die at one time. And that'll cause such a tidal wave. . . Remember, plumb up into the Salton Sea is a hundred or two hundred feet lower than the sea level. That water will probably come almost to Tucson with that tidal wave coming across there. And the sea shall weep its way into the desert (William Branham, Trying to do God a Service without being in the Will of God, p. 6:25). [The Spirit of the Lord came upon the Prophet as he was preaching in Los Angeles]: "We don't know what time. And you don't know what time that this city one day is going to be lying out here in the bottom of this ocean." "O, Capernaum," said Jesus, "Thou who exalted into heaven will be brought down into hell, for if the mighty works had been done in Sodom and Gomorrah, it'd have been standing till this day." And Sodom and Gomorrah lays at the bottom of the Dead Sea, and Capernaum's in the bottom of the sea. Thou city, who claims to be the city of the Angels, who's exalted yourself into heaven and sent all the dirty filthy things of fashions and things, till even the foreign countries come here to pick up our filth and send it away, with your fine churches and steeples, and so forth the way you do; remember, one day you'll be laying in the bottom of this sea. There's a great cavernous honeycomb under you right now. The wrath of God is belching right beneath you. How much longer will He hold together this sandbar hanging over that? That ocean out yonder, a mile deep, will slide plumb back to the Salton Sea. It'll be worse than the last day of Pompeii. Repent, Los Angeles. Repent the rest of you and turn to God. The hour of His wrath is upon the earth. Flee while there's time to flee and come into Christ." Let us pray." (Choosing a Bride, p. 35:3-5). [And again]: "The last meeting I had in California, while speaking, and didn't know nothing happened till I got on the street, It told California, I said, "Capernaum, Capernaum, the city that's called by the name of the angels (that's Los Angeles), you've exalted yourself into heaven, but you'll be brought down into hell. For if the mighty works had been done in Sodom that's been done in you, it would've been standing till this day." "Now, the last few days, the great roaring and popping. Then, here come out a paper of science that said, "It's all honeycombed; it's got to go under." They just know it." "And you watch, the water will come plumb back into the Salton Sea. Los Angeles is doomed for judgment. I tell you before it happened, that you might know when it does happen. I never spoke that by myself. And I've never had Him to tell me one thing but what happened. And you can bear record of that. That's right. When? I don't know." "I went out, and they told me what I said. And I listened, went back and searched the Scripture. You know, Jesus said, almost in the same words about Capernaum; and Sodom and Gomorrah was in the bottom of the Dead Sea, I suppose was then. And later, about a hundred years later, Capernaum slid into the sea, and it's in the sea. The same God that put Sodom in the sea for its sins, the same God that put Capernaum in the sea for its sins, the same God will put Los Angeles in the sea for its sins, that city of corruption." (Works is Faith Expressed, p. 8:61-64).

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Steve Suminski, Los Angeles and Bay Area studio musician and freelancer. About Steve: Steven Suminski is an active freelance and studio trombonist in the Los Angeles and San Francisco Bay Areas. He currently serves as Guest Principal Trombone with the Los Angeles Chamber Orchestra and holds posts as Principal Trombone with Symphony San Jose, Opera Santa Barbara and the Riverside County Philharmonic. Steven has appeared with many premier ensembles in the area, including the Los Angeles Philharmonic, Los Angeles Opera, Hollywood Bowl Orchestra, Santa Barbara Symphony, Long Beach Symphony and Los Angeles Master Chorale.  As a studio musician he has recorded for film and television projects working with composers such as John Williams, Christophe Beck, Michael Giacchino, James Newton Howard, Ludwig Göransson and countless others. Passionate about chamber music and performing new works, he is a member of the acclaimed Modern Brass Quintet and is a founding member of the award winning group Brass Pacifica, currently working for the educational division of the Music Center of Los Angeles. Steven began playing trombone at the age of nine, eventually moving to Los Angeles to study music performance at the University of Southern California. Currently he lives in the Los Angeles area and maintains an active teaching studio at Riverside City College.

Cally Banham, Oboe and English Horn player with the St. Louis Symphony Orchestra and founder of Cortango, joins the show in-studio to talk about her career, the prestige of SLSO, and the newly renovated Powell Hall which can be viewed at an open house this Saturday!

For Rachel S. Moore, the arts aren't just a mirror for society. They're a means of shaping it. As President and CEO of The Music Center in Los Angeles, she oversees one of the largest performing arts centers in North America, stewarding $3 billion in county assets and programming that reaches hundreds of thousands of Angelenos each year. A former professional dancer with American Ballet Theatre (she's also its former CEO and executive director), Rachel brings an artist's discipline to leadership—and a belief that creativity and civic life are deeply intertwined. In this episode, Rachel shares what ballet has taught her about resilience and collaboration, how The Music Center works to stay accountable to its community, and why building relevance doesn't just sustain our organizations, but strengthens democracy itself. LINKS: The Music Center

Fiona Chatwin, Executive Director and Artistic Director for Villa Musica, is joined by Nicole Olsson, Villa Musica Partnership Manager, and Steven Wade Adams, an acclaimed photographer, to discuss Villa Musica's 20th Anniversary; the November 15 opening of Intersection Arts; the importance of accessibility of music education; and its satellite programs.About Spotlight and Cloudcast Media  "Spotlight On The Community" is the longest running community podcast in the country, continuously hosted by Drew Schlosberg for 19 years.  "Spotlight" is part of Cloudcast Media's line-up of powerful local podcasts, telling the stories, highlighting the people, and celebrating the gravitational power of local.   For more information on Cloudcast and its shows and cities served, please visit www.cloudcastmedia.us. Cloudcast Media | the national leader in local podcasting.   About Mission Fed Credit Union  A community champion for over 60 years, Mission Fed Credit Union with over $6 billion in member assets, is the Sponsor of Spotlight On The Community, helping to curate connectivity, collaboration, and catalytic conversations.  For more information on the many services for San Diego residents, be sure to visit them at https://www.missionfed.com/

Simply put, music is a huge deal in the Northland, where we are charmed with several music centers to help us scratch our creative itch. There's no doubt that one of the most special - and historic - is the Sacred Heart Music Center, a prominent music venue in Duluth's Central Hillside neighborhood that is as stunning as it is significant. A community cornerstone for more than a century, this building dates back to 1896, constructed as the Sacred Heart Cathedral during times of urban renewal in the area. It's undergone many changes over the years, and today stands tall, as a 400-seat live music venue with renowned acoustics showcasing music of regional, national and international artists around the clock. This remarkable space is fit with an incredible recording studio, a famous Felgemaker organ and the distinction of being one of just three neo-Gothic churches with three towers unique to Northern Minnesota - and that's just the beginning. Today, Mark Nicklawske, a member on the Board of Directors for the Sacred Heart Music Center, is here to get us AMPED about this life-changing space.

Our host, Adrian Ellis, speaks with Rachel Moore, President & CEO of The Music Center in Los Angeles, about the organization's evolving role as both a cultural and civic anchor – from its response to recent local challenges and its leadership in the newly designated Grand Avenue Cultural District, to its commitment to democratic values, inclusive programming, and long-term relevance.Guest bio:Rachel Moore is the President & CEO of The Music Center in Los Angeles, one of the largest performing arts centers in the U.S., where she oversees programming, civic partnerships, and a portfolio of over $3B in public assets. A former professional dancer with American Ballet Theatre, she went on to become its CEO and spearheaded nationally recognized diversity and policy initiatives in the arts.With deep experience in cultural leadership, public service, and nonprofit finance, Moore has served on numerous boards, advised on arts equity and Olympic planning, and authored The Artist's Compass. She is a member of the American Academy of Arts and Sciences and continues to advocate for the civic value of the arts in public life.References:The Music Center: https://www.musiccenter.org/American Ballet Theater: https://www.abt.org/Grand Ave Cultural District: https://www.latimes.com/entertainment-arts/story/2025-04-01/la-county-board-of-supervisors-grand-avenue-cultural-district-broadBloomberg Connects: https://www.bloombergconnects.org/The Broad Museum Expansion: https://www.latimes.com/entertainment-arts/story/2024-03-27/broad-expansion-more-galleriesThe Colburn School Expansion: https://colburnschool.edu/future/Refik Anadol Is Opening the World's First A.I. Museum: https://news.artnet.com/art-world/refik-anadol-ai-museum-dataland-2543122GCDN LA Convening: https://gcdn.net/convening/los-angeles-2025/ LinkedIn:The Music Center: https://www.linkedin.com/company/music-center/Rachel Moore: https://www.linkedin.com/in/rachel-moore-4b5b445/ 

Meet the Whimzey twins, Todd Ramquist and Kiaralinda who dreamed and created this oasis of joy and wonderland. It started with a little beige house in Safety Harbor, Florida and now involves blocks of whimzey, art, music and more. Whimzeyland exploded into the art and music scene. Todd and Kiaralinda's labor of love was the Safety Harbor Art and Music Center - an Odditorium music venue and art gallery and more. You will feel their joy as you listen to their journey.

Meet the Whimzey twins, Todd Ramquist and Kiaralinda who dreamed and created this oasis of joy and wonderland. It started with a little beige house in Safety Harbor, Florida and now involves blocks of whimzey, art, music and more. Whimzeyland exploded into the art and music scene. Todd and Kiaralinda's labor of love was the Safety Harbor Art and Music Center - an Odditorium music venue and art gallery and more. You will feel their joy as you listen to their journey.

Guest and HostGuest: Seth Cluett, Director of Columbia University's Computer Music Center | On LinkedIn: https://www.linkedin.com/in/seth-cluett-7631065/ | Columbia University Computer Music Center Bio: https://cmc.music.columbia.edu/bios/seth-cluettHost: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/Show NotesMusic and technology have always shaped each other, and few places embody that relationship as deeply as the Computer Music Center (CMC) at Columbia University. In this episode of Music Evolves, Sean Martin sits down with Seth Cluett, Director of the Computer Music Center and Assistant Director of the Sound Art MFA program at Columbia, to explore the center's rich history, its role in advancing music technology, and how it continues to shape the future of sound.The Legacy and Mission of the Computer Music CenterThe CMC is housed in the same 6,000-square-foot space as the original Columbia-Princeton Electronic Music Center, which dates back to 1951 and is one of the world's oldest university-based electronic music research facilities. This was the birthplace of early electronic music, where pioneers learned to use cutting-edge technology to create new sounds. Many of those musicians went on to establish their own studios around the world, from Egypt to Japan.The center has played a role in major milestones in music history, including the work of Wendy Carlos, a former student known for Switched-On Bach, the score for Tron, and The Shining. The first piece of electronic music to win a Pulitzer Prize was also composed here. Today, under Cluett's leadership, the focus remains on creativity-driven technological innovation—allowing composers and artists to explore technology freely and push the boundaries of what's possible in sound and music.One of the center's guiding principles is accessibility. Cluett emphasizes the importance of lowering barriers to entry for students who may not have had prior access to music technology. The goal is to make sure that anyone, regardless of background, can walk into the studio and begin working with 80% of its capabilities within the first 20 minutes.Exploring the Labs and StudiosThe episode also includes a tour of the labs and studios, showcasing some of the center's groundbreaking equipment. One highlight is the RCA Mark II Synthesizer, the world's first programmable music synthesizer. Built in the late 1950s, this massive machine—seven feet tall and weighing over a ton—was instrumental in shaping the sound of early electronic music. The system worked by punching holes into paper to control sound generation, similar to a player piano. While no longer in use, the CMC has collaborated with iZotope to model some of its effects digitally.The tour also features Columbia's electronic music studio, which houses synthesizers from Buchla, Serge, and Moog—the latter being developed by Bob Moog, who was once an undergraduate at Columbia. The center's modern design emphasizes a seamless workflow between analog and digital technologies, allowing students to quickly create, process, and experiment with sound.Another key space is the immersive media and spatial audio research facility, which features a 12.1-channel loudspeaker sphere for ambisonic sound, along with a 32-capsule microphone that captures highly detailed audio environments. This technology is not only shaping music but also fields like virtual reality, data sonification, and interactive media.The Future of Music TechnologyLooking ahead, Cluett highlights the increasing interplay between AI, machine learning, and music composition. While some companies promote AI-generated melodies, he believes that truly expressive, human-driven composition remains essential. The role of technology, he argues, is not to replace human creativity but to enable new forms of expression. The CMC is at the forefront of this shift, experimenting with real-time audio processing, interactive performance systems, and embedded sensors that enhance live music experiences.As music and technology continue to merge, Columbia's Computer Music Center remains a key player in shaping the future of sound. Whether through pioneering hardware, software innovation, or fostering the next generation of creative minds, the center proves that music technology is not just about engineering—it's about expression, accessibility, and the pursuit of artistic joy.

Episode 160 Chapter 21, The San Francisco Tape Music Center. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 21, The San Francisco Tape Music Center from my book Electronic and Experimental music.   Playlist: THE SAN FRANCISCO TAPE MUSIC CENTER   Time Track Time Start Introduction –Thom Holmes 01:30 00:00 1.     Terry Riley, “Mescalin-Mix” (1960-62). Early tape collage and one of Riley's first works for tape. 14:23 01:38 2.     Terry Riley, “Concerto For Two Pianos and Five Tape Recorders” )1961).  Piano, LaMonte Young; piano and tape assemblage, Terry Riley. Recorded live. 1961 Riley-Terry_ConcertoForTwoPianos-b.wav 04:36 15:56 3.     Pauline Oliveros, “Apple Box Double” (performance 2008). This piece was composed for various configurations of apple crates that were touched and scraped with various objects while being amplified. The original dates from about 2006. This performance by Seth Cluett and Oliveros took place in 2008. 12:45 20:30 4.     Steve Reich, “Melodica” (1966). Tape piece and the last of Reich's works before moving onto instrumental composition in his minimalist style. 10:42 33:16 5.     Morton Subotnick, “Laminations” (1966). For orchestra and electronic sounds, on tape. By this point, Subotnick was working with an early model of a synthesizer built for the San Francisco Tape Music Center by Donald Buchla. This synthesizer material was also used for the opening of Silver Apples of the Moon the following year. 10:29 44:08 6.     Morton Subotnick, “Prelude No.4 for piano and electronic tape (1966). Another Subotnick work for instruments and tape with synthesized electronic sounds. 06:58 54:36 7.     Pauline Oliveros, “Alien Bog” (1967). Utilizing the original Buchla Box 100 series created for the Tape Music Center by Don Buchla and a tape delay system. 33:17 01:01:30 8.     Morton Subotnick, “Silver Apples of the Moon” (1967). Subotnick, recently departed from San Francisco and taking up shop at New York University, brought synthesizers constructed for him by Don Buchla when he was at the San Francisco Tape Music Center. This electronic composition represented a high point for the use of synthesizers at that time and was recorded on commission from Nonesuch Records. 32:01 01:35:00   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Episode 157 Chapter 18, The Columbia– Princeton Electronic Music Center, New York. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Playlist: THE COLUMBIA–PRINCETON ELECTRONIC MUSIC CENTER, NEW YORK Time Track Time Start Introduction –Thom Holmes 01:31 00:00 1.     Vladimir Ussachevsky, “Sonic Contours” (1952). Tape composition produced at the Columbia-Princeton Electronic Music Center. 07:24 01:36 2.     Otto Luening and Vladimir Ussachevsky, “Incantation For Tape” (1953). Tape composition produced at the Columbia-Princeton Electronic Music Center. 02:36 08:56 3.     Vladimir Ussachevsky, “Linear Contrasts” (1958). Tape composition produced at the Columbia-Princeton Electronic Music Center. 03:46 11:28 4.     Halim El Dabh, “Electronics And The Word” (1959). Tape composition produced at the Columbia-Princeton Electronic Music Center. 02:47 15:14 5.     Mario Davidovsky, “Electronic Study No. 1” (1960). Tape composition produced at the Columbia-Princeton Electronic Music Center. 05:44 17:56 6.     Otto Luening, “Gargoyles” (1960). Tape composition produced at the Columbia-Princeton Electronic Music Center. 09:27 23:42 7.     Vladimir Ussachevsky, “Wireless Fantasy” (1960). Tape composition produced at the Columbia-Princeton Electronic Music Center. 04:37 33:08 8.     Ihan Mimaroglu, “Prelude No. 8 (To the memory of Edgard Varèse)” (1966). Tape composition produced at the Columbia-Princeton Electronic Music Center. 04:00 37:44 9.     Pril Smiley, “Eclipse” (1967). Tape composition produced at the Columbia-Princeton Electronic Music Center. 07:56 41:38 10.   Milton Babbitt, “Occasional Variations” (1968-71).  Tape composition produced at the Columbia-Princeton Electronic Music Center. 09:56 49:46 11.   Bülent Arel, “Stereo Electronic Music No. 2 (1970). Tape composition produced at the Columbia-Princeton Electronic Music Center. 14:24 59:41 12.   Charles Dodge, “Changes” (1970). Tape composition produced at the Columbia-Princeton Electronic Music Center. 14:44 01:14:00 13.   Alice Shields, “The Transformation Of Ani” (1970). Tape composition produced at the Columbia-Princeton Electronic Music Center. 09:05 01:28:44 14.   Daria Semegen, “Electronic Composition No.1” (1971). Tape composition produced at the Columbia-Princeton Electronic Music Center. 05:53 01:37:48 15.   Bülent Arel and Daria Semegen, “Out Of Into” (1972). Tape composition produced at the Columbia-Princeton Electronic Music Center. 16:39 01:43:34 Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Tomorrow night at 8pm, The Arthur Zankel Music Center at Skidmore College in Saratoga Springs, NY will present the world premiere of “Trill 101” - a performance piece that marks the culmination of a year-long, Skidmore-commissioned, multidisciplinary project developed by Melanie Charles and the Make Jazz Trill Again family in collaboration with Skidmore students and faculty.

Fiona Chatwin, Artistic and Executive Director of Villa Musica, known as San Diego's Community Music Center, talks about the Center's history; a Prebys Foundation Grant to expand its Musica Biographies program; and its expansion to a new location in East County.About Spotlight and Cloudcast Media"Spotlight On The Community" is the longest running community podcast in the country, continuously hosted by Drew Schlosberg for 19 years.  "Spotlight" is part of Cloudcast Media's line-up of powerful local podcasts, telling the stories, highlighting the people, and celebrating the gravitational power of local. For more information on Cloudcast and its shows and cities served, please visit www.cloudcastmedia.us.Cloudcast Media | the national leader in local podcasting.  About Mission Fed Credit UnionA community champion for over 60 years, Mission Fed Credit Union with over $6 billion in member assets, is the Sponsor of Spotlight On The Community, helping to curate connectivity, collaboration, and catalytic conversations.  For more information on the many services for San Diego residents, be sure to visit them at https://www.missionfed.com/

Hey Dude, I briefly talk about being inducted into the Podcast Hall of Fame, before I flashback to my not so distant dreams of living in the 90s. QUOTE: "I didn't play it cool enough, so I dropped the ball." PEOPLE: Grant Baciocco, Hiram, Alicia Silverstone  PLACES: Orlando, Burbank, Westside, South L.A., San Bernadino THINGS: Podcast Hall of Fame, Dr. Floyd, Toiley T. Paper, Kittens for Christian, Reality Bites, Portlandia, SNL, mime, Music Center of Los Angeles, Clueless, Verge of the Fringe SOUNDS: birds, footsteps, gravel path, helicopter, wind,  Laguna Sawdust Cowbell Chimes  GENRE: storytelling, personal narrative, personal journal PHOTO: "Dream of the 90s Googled" shot with my iPhone XS RECORDED: January 3, 2025 in the "Cafe" under the flight path of the Bob Hope Airport in Burbank, California GEAR: iPhone XS voice memo recorder. HYPE: "It's a beatnik kinda literary thing in a podcast cloak of darkness." Timothy Kimo Brien (cohost on Podwrecked and host of Create Art Podcast) DISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised.

music and conversation about an upcoming program at HNMC in Spokane

It's time to celebrate Christmas with the St. Louis Symphony Orchestra! Julia Paine, 2nd bassoonist with the St Louis Symphony Orchestra, joins Andy and Sarah to talk about how she became a professional bassoon player and why she still loves playing, what she loves about playing Christmas music with the SLSO, and all of the upcoming Christmas performances. Find details for these performances at slso.org. A Baroque Christmas Friday, December 6, 10:30am CST Saturday, December 7, 7:30pm CST The Pillsbury Theatre at Washington University's 560 Music Center 560 Trinity Ave., St. Louis, MO 63130 Celtic Woman Christmas Symphony Sunday, December 8, 7:00pm CST Stifel Theatre 1400 Market Street, St. Louis, MO 63103 IN UNISON Christmas with Take 6 Friday, December 13, 7:30pm CST Stifel Theatre 1400 Market Street, St. Louis, MO 63103 The Muppet Christmas Carol in Concert Saturday, December 14, 7:00pm CST Sunday, December 15, 2:00pm CST Stifel Theatre 1400 Market Street, St. Louis, MO 63103 Mercy Holiday Celebration Tuesday, December 17, 7:30pm CST Wednesday, December 18, 7:30pm CST J. Scheidegger Center for Performing Arts at Lindenwood University 2300 W. Clay St., St. Charles, MO 63301 Saturday, December 21, 2:00pm CST Sunday, December 22, 2:00pm CST Stifel Theatre 1400 Market Street, St. Louis, MO 63103 How to Train Your Dragon in Concert Saturday, December 28, 7:00pm CST Sunday, December 29, 2:00pm CST Stifel Theatre 1400 Market Street, St. Louis, MO 63103 New Year's Eve Celebration Tuesday, December 31, 7:30pm CST Stifel Theatre 1400 Market Street, St. Louis, MO 63103 As you grab your morning coffee (and pastry, let's be honest), join hosts Andy Bates and Sarah Gulseth as they bring you stories of the intersection of Lutheran life and a secular world. Catch real-life stories of mercy work of the LCMS and partners, updates from missionaries across the ocean, and practical talk about how to live boldly Lutheran. Have a topic you'd like to hear about on The Coffee Hour? Contact us at: listener@kfuo.org.

Join us this week on the road for this special bonus episode. We travel to Noblesville, IN to see Rob Zombie/Alice Cooper live! So join us on our road trip as we discuss various ghost stories from rockstars! *Disclaimer*..We recorded this one from our phones so the audio quality isn't the best..

FREE Reclaim Concert this Thursday, July 18 at 7pm at Blossom Music Center!

Greg Bryan speaks with Anna Hurst on how God led her to plan a free worship concert in Northeast Ohio!  It's an amazing story of how God can use one ordinary person to do great things for His glory!I want to encourage all my friends in Northeast Ohio to attend a free worship concert on Thursday, July 18 at 7pm at Blossom Music Center.  Blossom Music Center is located at 1145 W Steels Corners Rd, Cuyahoga Falls, OH 44223 For more information, visitwww.ReclaimConcert.com

Greg Bryan speaks with Anna Hurst on how God led her to plan a free worship concert in Northeast Ohio!  It's an amazing story of how God can use one ordinary person to do great things for His glory!I want to encourage all my friends in Northeast Ohio to attend a free worship concert on Thursday, July 18 at 7pm at Blossom Music Center.  Blossom Music Center is located at 1145 W Steels Corners Rd, Cuyahoga Falls, OH 44223 For more information, visitwww.ReclaimConcert.com

In our 29th episode, Alex Darus is joined by Marc Bonus to discuss tips and tricks for picnicking at Blossom Music Center, Caesar salad's 100th anniversary and how Royal Docks Brewing Co. is innovating and expanding in the brewing space.

Imagine being a multi-talented artist, a composer who has crafted scores for TV and iconic films like Jeremiah Johnson and The Candidate. Now, imagine you're also an acclaimed actor, having graced countless movies and winning a Tony Award for Children of a Lesser God Picture collaborating with legendary directors such as Bob Fosse, Mike Nichols, and Stephen Sondheim. Oh, and did I mention your father was the renowned pianist Artur Rubinstein? Growing up, you played for distinguished guests like Stravinsky, Milhaud, and Lawrence Olivier. With that incredible background, you can only imagine how thrilling it was for me to chat with the extraordinary John Rubenstein!In Part 1, we delve into John's fascinating childhood and his initial steps into the world of composing. He began by writing for school projects and eventually transitioned into film scoring. John shares how the movie Chinatown influenced him and his special connection with trumpeter Uan Rasey, whose haunting solos left a lasting impact. We also explore the art of writing scores in Hollywood, discussing the nuances between composing for TV series and films. Then, we shift to John's acting career, highlighting his lead role in Pippin under the direction of the legendary Bob Fosse. We wrap up this segment by discussing the challenges of dealing with nerves and taking auditions.In Part 2, we take a detour to discuss a memorable evening when John starred in Children of a Lesser God at the Mark Taper Forum in Los Angeles, while his father performed at the Music Center. John reminisces about playing for George Szell and shares insights into his father's experience recording with Fritz Reiner. We conclude with a wide-ranging conversation covering John's favorite books and composers.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

In this episode I explore the legacy of St. Cecilia Music Center in Grand Rapids. I refer to an article in the May/June 2024 Michigan History Magazine written by Tiffany Dupont Novak and Ellen Arlinsky on the history of this incredible landmark in Grand Rapids, Michigan. For more information on Michael Delaware, visit: https://MichaelDelaware.com For tickets to the upcoming Del Shannon Concert on June 28th in Battle Creek, visit: https://events.humanitix.com/delshannonshow --- Send in a voice message: https://podcasters.spotify.com/pod/show/talesofsouthwestmipast/message

Sheikha Jawaher bint Mohammed Al Qasimi, wife of His Highness the Ruler of Sharjah and President of the Rubu' Qarn, inaugurated the Rubu' Qarn Music Center in the Mughaidir Suburb of Sharjah, in the presence of Sheikha Bodour bint Sultan Al Qasimi, President of the American University of Sharjah. The inauguration of this centre marks a significant achievement in the cultural journey of Sharjah, signifying the emirate's firm commitment to supporting talent and enhancing national identity through the arts. Listen to #Pulse95Radio in the UAE by tuning in on your radio (95.00 FM) or online on our website: www.pulse95radio.com ************************ Follow us on Social. www.instagram/com/pulse95radio www.facebook.com/pulse95radio www.twitter.com/pulse95radio

#259: Are you ready to get dancing, Los Angeles? Alvin Ailey American Dance Theater, yes, that iconic New York dance company, will be hitting the Music Center's stage here in Los Angeles. But this is more than just a tour. It's a homecoming.  In this episode, host Brian De Los Santos talks with HTLA's associate editor Aaricka Washington about her experience taking a community dance class with the company, and how it felt to be at the opening night of the Alvin Ailey company's 4 year L.A. residency. Join us as we get into Ailey's L.A. history and give you a rundown of what to expect at next season's shows.   Read Aaricka's piece on the Alvin Ailey residency here.

This week's episode is with Cathy Fink! We talk about her grammy nominations, collaborations, and how she has been mentoring different artists-in-residence at the Music Center at Strathmore. Her project from China to Appalachian with Marcy Marxer and Chao Tian. We explore how she views creativity and how she's driven to work on social justice issues. Her thoughts and advice for being a connected and balanced freelance musician and connecting adults and families through music.  “You get up everyday, you put in the work, the love, and make connections.”      https://www.cathymarcy.com https://cathyfinkmarcymarxer.bandcamp.com Support for Banjo Chat at the Patreon page  

Listen to WGN Radio's Dave Plier's complete interview with Grammy Award winning jazz great Branford Marsalis, about the influence of his father in music, playing with the likes of Miles Davis, Herbie Hancock, Sting, The Grateful Dead, his style of music and collaboration, and composing the moving sounds for the soundtrack of Netflix's civil rights story […]

Renowned saxophonist Branford Marsalis will soon head the Ellis Marsalis Center for Music. This is a homecoming for the musician, composer and educator, who is a member of the famed musical Marsalis family. Marsalis joins us for more on how New Orleans influenced his early life and highlights the successes of the Ellis Marsalis Center for Music over its 12-year history and shares his visions for the future of the institution as its new artistic director.  Everybody has a story to tell, but not everyone has the confidence, training or even the right words to tell it.  That's where the Arts Council of Baton Rouge comes in. Their creative writing workshop encourages storytellers — specifically those 55 years old and up — to put pen to paper.  Pam Bordelon, participant, editor and facilitator tells us more about the workshop and the anthology of short stories recently published by participants. Mardi Gras season is in full swing, and parades and balls aren't always accessible to everyone, especially for those with disabilities and the elderly.  Thankfully, at St. Margaret's at Mercy nursing home in New Orleans, if you can't go to the Mardi Gras, they bring the Mardi Gras to you.  Louisiana Considered producer Alana Schreiber attended the home's annual Mardi Gras ball last year. Today, we give that story a second listen. Today's episode of Louisiana Considered was hosted by Adam Vos. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman. You can listen to Louisiana Considered Monday through Friday at 12:00 and 7:00 pm. It's available on Spotify, Google Play, and wherever you get your podcasts.  Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to. Louisiana Considered is made possible with support from our listeners. Thank you!See omnystudio.com/listener for privacy information.

Musicians from the community music school perform selections from the holiday concert

Sydney Skybetter and producer Kamal Sinclair chat about the intersection of the cultural sector, emerging technologies, and the vintage hardware that shaped their childhoods. Are we all complicit in these complex cultural systems? Oh, and also, can we please bring back the Filofax? About Kamal: Kamal Sinclair supports artists, institutions, and communities working at the convergence of art, media, culture, and technology. Currently, she serves as the Senior Director of Digital Innovation at The Music Center in Los Angeles, which is home to TMC Arts, Center Theatre Group, Los Angeles Master Chorale, LA Opera, and LA Phil. Additionally, she serves as an advisor or board member to  Peabody Awards interactive Board, For Freedoms, NEW INC.'s  ONX Studio, Civic Signals, For Freedoms, MIT's Center for Advanced Virtuality, Starfish Accelerator, Juvenile Bipolar Research Foundation, and Eyebeam. Previously, she was the Director of Sundance Institute's New Frontier Labs Program, External Advisor to Ford Foundation's JustFilms and MacArthur Foundation's Journalism & Media Program, Adjunct Professor at USC's Media Arts + Practice program, and Executive Director of the Guild of Future Architects. She is the co-author of Making a New Reality. Sinclair got her start in emerging media as an artist and producer on Question Bridge: Black Males, where she and her collaborators launched a project with an interactive website and curriculum; published a book; exhibited in over sixty museums/festivals. Read the transcript, and find more resources in our archive: https://www.are.na/choreographicinterfaces/dwr-ep-4-fierce-on-the-palm-pilot-a-conversation-with-kamal-sinclair Like, subscribe, and review here: https://podcasts.apple.com/us/podcast/dances-with-robots/id1715669152  What We Discuss with Kamal (Timestamps): 0:00:00: Introduction to Kamal Sinclair 0:01:32: Discussion on the influence of Minority Report on technology and body interfaces. 0:04:56: Personal experiences with early mobile devices and anticipation of smartphones. 0:07:10: Exploring the cyclical nature of technology and imagining the future. 0:08:10: The role of a curator in identifying and bridging new forms of art and technology. 0:09:18: The importance of following the artist and supporting their vision. 0:10:38: Balancing the promise and ethics of technology in art. 0:12:29: Exciting emerging art in storytelling, aesthetics, and movement. 0:15:18: The power of imagination and action in shaping the future. 0:17:43: The relationship between bodies and technologies. 0:18:53: The influence of disability and otherly abled experiences on technology. 0:19:41: Dance historical perspectives on the bodies of the future. 0:21:26: The need to consider nature and relationships in future designs. 0:23:25: The negative impact of militarized surveillance technologies on marginalized groups 0:25:39: Discussion on the immersive VR experience of Birdly 0:27:02: Healing and altered states through immersive experiences 0:28:30: Managing complicity and the future of work for artists 0:30:41: Closing with the acknowledgement of not knowing 0:31:19: Show credits & thanks The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at www.choreographicinterfaces.org Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.  

We spoke with Cathy Holbrook, Executive and Artistic Director of St. Cecilia Music Center, about performing arts, music education, and music appreciation.  St. Cecilia Music Center was established in 1883 by nine Grand Rapids women, the organization was named for the legendary patron saint of music. During the earliest days, members met in each other's homes and performed for one another. By 1890, the society was sponsoring performances by world-renowned musicians. Online: SCMC

Marcy A. Bliss is the CEO of Wedgewood Pharmacy, the leading compounding pharmacy for animals in the US. She is responsible for all aspects of the pharmacy operation and for leading the delivery of extraordinary business results. In 2018, Wedgewood Pharmacy acquired Diamondback Drugs, based in Scottsdale, Arizona. Formerly the executive vice president of Business Operations and Marketing, Bliss began her career with Wedgewood Pharmacy in early 1999. Over the years, she assumed positions of increasing responsibility, many with a significant emphasis on pharmacy growth, the building of infrastructure, acquisitions, strategic partnerships, and regulatory compliance. She leads the company's public affairs and issues-management programs, and is frequently seen on Capitol Hill, protecting patient and prescriber access to compounded medication.  In addition to her role on the Board of Wedgewood Pharmacy, Marcy is a volunteer Chair of the Board of Trustees of the Appel Farm Arts & Music Center, and board member of many organizations including the New Jersey Business and Industry Association (NJBIA), IndeVets, and Together Women's Health. Previously, Marcy served on the board of directors of the Tobin Foundation for the Visually Impaired (Wilmington, DE). Bliss holds a B.S. degree in Business/Marketing and Management Studies from the University of Maryland. A life-long learner, she has continued her education at the Wharton School for Executive Education (University of Pennsylvania), the Hasso Plattner Institute of Design at Stanford University (California), as well as extensive leadership training from Gap International. Wedgewood Pharmacy has won two awards from the NJBIA for Business Success (growth) and Employee Satisfaction. Bliss has been recognized by Marcom as the 2017 Healthcare Innovator of the Year, by NJBIA in 2018 as one of NJ's 50 Most Powerful Women in Business, and by the Gloucester County Chamber of Commerce in 2019 as Businessperson of the Year. Anthony Grzib, R.Ph., Vice President, Quality, State-Regulated Pharmacies for Wedgewood Pharmacy, leads the quality control and quality assurance functions for the company's state-regulated pharmacies, working closely with the executive leadership team to develop and execute the corporate strategy, goals, and objectives. He oversees quality systems and ensures overall compliance with current applicable quality standards, as well as leads development of a quality culture that supports the company's values of customer focus, integrity, collaboration, and innovation while meeting the needs of the company's stakeholders and customers. Prior to joining Wedgewood in 2000, he was pharmacist-in-charge and Team Leader for CVS Pharmacy and for Eckerd Drugs. He began his career as a pharmacy technician at Eckerd Drugs.  Anthony is a member of the Alliance for Pharmacy Compounding, currently serving on APC's board of directors. He holds a B.S. degree in Pharmacy from the Rutgers University College of Pharmacy and has been in the pharmacy profession since 1990.

There's nothing like chatting with an author who immerses herself in her writing in a way you totally get.  Jaimie Engle isn't just a fabulous romance writer, she's also a screenwriter who has a movie that follows the same storyline as the book we're chatting about today.  Listen in as we learn all about how she got started in screenwriting and... how it changed the writing process for her! Note: links may be affiliate links that provide me with a small commission at no extra expense to you. This Book Isn't Just a Great Romance. It's Also a Heartwarming Movie! I always wondered if screenwriting would be a great way to write a really detailed outline for a book, and the verdict is in. According to Jaimie Engle, the answer is a resounding yes. But for me, the most exciting story was how she was just talking to a guy about movies, heard what they were looking for, said she'd have something to him, and boom!  Off she went to learn how to do it and get that sucker sold!  Way to go, Jaimie! Not only that, but she also went the extra mile in publishing her novel. All the bonus and other stuff you can find on her WEBSITE (with the special QR code at the end of the book) are so much fun! Like she has a SONG from the book? WHAT??? Just Jake by Jaimie Engle Amber Gibson, Entrepreneur Life is perfect. Amber runs Pops Place, a popular downtown Colorado Springs diner and a staple her parents passed down upon retirement. She also teaches music to underprivileged kids at The Music Center, where they put on a concert during Octoberfest at the Mining Museum each year. Amber's happy with life just the way it is. Until her ex-boyfriend Jake comes back on the scene. Jake Collins, Superstar. Life is perfect. Jake's a country music sensation discovered on TikTok by manager Marvin Banks. With fawning fans, cash in his pockets, and traveling on tour, Jake's got it all. Except for the passion to write his next hit. He's not feeling it anymore and can't figure out what's missing. Jake's sent back home, where he runs into high school sweetheart, Amber Gibson. Like most second-chance romances, the prospects don't look promising for Amber and Jake's reunion tour. But then, he connects with her newest student, Joaquin, a boy with Jake's same musical talents and abusive father. As Jake's falling in love with her students, Amber's falling back in love with him. He never stopped loving her…but his proposal may not be the one she's expecting. You can also watch Just Jake on Up! Follow Jaimie Engle on GoodReads and BookBub. Like to listen on the go? You can find Because Fiction Podcast at: Apple  Castbox  Google Play Libsyn  RSS Spotify Amazon and more!  

Disney fans rejoice! Today's show is all about the Walt Disney Concert Hall in Los Angeles, California. This stainless steel structure has been part of the Downtown L.A. skyline for almost twenty years now. It's an unmistakable building that exists due to a generous gift by Lillian Disney in honor of her husband, Walt. But Walt Disney's ties to the Music Center in Los Angeles began long before there was a concert hall named after him. Hear all about Walt's history with the Music Center as well as how other Disney family members got involved in the Walt Disney Concert Hall. Howard Sherman, the Music Center's Executive Vice President and Chief Operating Officer, visits the podcast to share insight about the design of the building, the gardens surrounding it, and the acoustically perfect concert hall. That and so much more in this episode. Find links and info related to this episode in the show notes. ------ GIVEAWAYS, BONUSES, SUPPORT, AND SAVE: Gain early access to episodes, take part in Ask Me Anything live streams, and gain more bonuses by joining on Patreon. Support the show at no additional cost to you. Get yourself a FREE audiobook on Audible, and do your regular shopping on Amazon and shopDisney using my special links. Save money at Whosits & Whatsits using discount code "DCTC." Get FREE DISNEY GIFTS from DCTC. ------ BE SOCIAL: Follow @DizneyCTC and @JeffDePaoli on Instagram. ------ CONNECT: Write me at Contact@DePodcastNetwork.com Leave a voicemail at 818-860-2569 Visit the show at DizneyCoastToCoast.com Sign up for the DCTC Newsletter ------ "Dizney Coast to Coast" is part of the DePodcast Network. Love the show? Leave a tip.

The second in our WP from the Vault series! Alex and Dave give a quick intro and then it's a re-release from April 26, 2022:Dead Heads Alex and Dave discuss the Grateful Dead's rockin', rollin', envelopin' show from June 24, 1985 at Riverbend Music Center in Cincinnati, Ohio. Topics include: phenomenal set-openers, a Cryptical Envelopment revival, mid-80s Dead setlists, the rise of amphitheaters in America, and the worst review in Grateful Dead history? Get on the bus and buckle up for a bumpy but worthwhile ride through an absolutely killer show! If you're enjoying the show, send us a note on Twitter, @workingmanspod, or Instagram, @workingmans_pod! Links: The show: https://archive.org/details/gd85-06-24.sbd.miller.25315.sbeok.shnf Grateful Seconds: http://www.gratefulseconds.com/

Carla Sands, Trump's US Ambassador to Denmark, joins Liberty & Justice Season 2, Episode 25. This is part two of our discussion.  Learn more about Ambassador Sands at  https://carlasands.com/about/. Watch every episode of Liberty & Justice at www.whitaker.tv.Carla Sands is an 8th-generation Pennsylvanian whose ancestors fought in the American Revolution and the Civil War. She is currently serving as the Vice Chair of the Center for Energy & Environment at America First Policy Institute.In 2021-2022 she ran as a GOP candidate for US Senate in Pennsylvania. Carla was appointed by President Trump in 2017 to represent the United States as Ambassador to Denmark, Greenland, and the Faroe Islands.  During her tenure, and as a result of her diplomacy, Carla with her embassy team, in cooperation with the White House and Department of Defense was able to forge a Common Plan for USA-Greenland Cooperation and a Partnership Declaration between the United States of America and the Faroe Islands. Additionally, while serving, U.S. exports to the Kingdom of Denmark rose by over 43% resulting in the creation of US jobs. She and her team worked to increase security in the high north while countering Russia and China. And continuously pressed Denmark to increase its defense spending in support of NATO.  For this work, the Department of Defense awarded Ambassador Sands their highest civilian honor, the Medal for Distinguished Public Service. Prior to her Ambassadorship in 2017-2021, and after the untimely passing of her beloved husband Fred in 2015, Carla became the first woman to serve as the Chairman & CEO of Vintage Capital Group, LLC. Prior to her Ambassadorship in 2017-2021, Carla served on the boards of Pepperdine University, the Los Angeles Police Foundation, the Museum of Contemporary Art in Los Angeles, UCLA School of Arts and Architecture, as well as, the Los Angeles Philharmonic and The Music Center (where she also served as the President of the Blue Ribbon).  She was appointed by California Governor Arnold Schwarzenegger to the California Cultural and Historical Endowment. While serving on these philanthropic boards, Carla also focused on raising funds for worthy causes and candidates. Carla and Fred wed in 1999 and together, they have a beautiful daughter Alexandra. After high school, Carla went to university and became the 3rd generation in her family to practice as a Doctor of Chiropractic in Pennsylvania. Matthew G. Whitaker was acting Attorney General of the United States (2018-2019).  Prior to becoming acting Attorney General, Mr. Whitaker served as Chief of Staff to the Attorney General. He was appointed as the U.S. Attorney for the Southern District of Iowa by President George W. Bush, serving from 2004-2009. Whitaker was the managing partner of Des Moines-based law firm, Whitaker Hagenow & Gustoff LLP from 2009 until rejoining DOJ in 2017. He was also the Executive Director for FACT, The Foundation for Accountability & Civic Trust, an ethics and accountability watchdog, between 2014 and 2017.   Mr. Whitaker is the Author of the book--Above the Law, The Inside Story of How the Justice Department Tried to Subvert President Trump.  Buy Matt's book here: https://amzn.to/3IXUOb8 Mr. Whitaker graduated with a Master of Business Administration, Juris Doctor, and Bachelor of Arts from the University of Iowa.  While at Iowa, Mr. Whitaker was a three-year letterman on the football team where he received the prestigious Big Ten Medal of Honor. Mr. Whitaker is now a Co-Chair of the Center for Law and Justice at America First Policy Institute and a Senior Fellow at the American Conservative Union Foundation. Matt is on the Board of Director

In this episode, we're talking to the vibrant and dynamic Dr. Victoria Waller about how to use creativity and a gifted child's interests to work on learning differences or practice executive function skills. An episode full of great ideas. You can find Dr. Waller's ebook “If you can Dream it, You can do it!' here. Memorable quote… “ “So any parent that thinks, but I'm not creative, forget it. I've never met a child that can't build something.” - Dr. Victoria Waller “Every child wants to learn and it's hard for them, some of them, and it looks like they don't want to, but they do want to. I think the children with differences are geniuses of our time.” - Dr. Victoria Waller Bio…  For over 40 years, Dr Victoria Waller has been a reading specialist and educational therapist. She helps children ages 5-11 who have trouble reading and writing, can't sit still in class, don't feel like they can participate—children whom teachers have all but given up on. Her book, Yes! Your Child Can - Creating Success for Children with Learning Differences, is #4 in Amazon's New Releases in Children's Learning Disorders. Every child can succeed in school and life, but some children need more help than others. She is here to help. Dr Waller holds a B.S in Education from Wayne State University, an M.Ed., is a certified reading specialist, and an Ed.D. focusing on reading and learning differences from the University of Cincinnati.  She has been awarded the University of Cincinnati's Distinguished Alumna College of Education Award, was one of three finalists for the L.A. Music Center's Bravo Award for Outstanding Teaching. Her articles on creative reading and writing projects for children have been widely viewed on U.C.L.A.'s Semel Institute for Neuroscience and Human Behavior website, and the award-winning Grandparentslink.com. She speaks about learning differences in children to many groups all over the United States. - - - - More… Love the podcast?  Leave a review, leave a tip or become a Podcast Patron.  - - - - Join our community and share the ups and downs with other parents of gifted kids. Find everything you need to know in our Unpacking Gifted Course. Free ebook: Top 10 Parenting Hacks for Parenting GIfted Kids and more. Subscribe to our newsletter. Sponsor this podcast or become a guest.  - - - - Linktree: @ourgiftedkids Facebook: @ourgiftedkidsonine  Free Facebook Group Instagram: @ourgiftedkids - - - - Episode Resources Instagram: @DrVictoriaWaller FaceBook: @DrVictoriaWaller Twitter: @DrVickiWaller Website: http://www.drvictoriawaller.com Amazon: Yes! Your Child Can: Creating Success for Children with Learning Differences Mr Doodles Andy Griffiths Books  ‘The Week Junior' magazine  Encanto Movie #013 Screen time, help! Jocelyn Brewer talks Broccoli & Digital Nutrition - - - - Hit play and let's get started!  

Today, on The L.A. Report California democrats gather in LA for the annual party convention. Officials take stock of the state's power supply. A preview of the free to low cost outdoor events hosted by the Music Center in downtown LA. Despite our gray skies now, hot summer weather is just around the corner. We visit the Rose Bowl Aquatic Center in Pasadena, where they'll show us their plan for keeping kids safe. Then, the story of how a Cambodian graduation ceremony at Cal State Long Beach became a moment to honor ancestors and help heal the still-fresh pain of genocide. Support The L.A. Report by donating now at LAist.com/joinSupport the show: https://laist.com

Carla Sands, Trump'sUS Ambassador to Denmark, joins Liberty & Justice Season 2, Episode 21. Learn more about Ambassador Sands at  https://carlasands.com/about/. Watch every episode of Liberty & Justice at www.whitaker.tv.Carla Sands is an 8th-generation Pennsylvanian whose ancestors fought in the American Revolution and the Civil War. She is currently serving as the Vice Chair of the Center for Energy & Environment at America First Policy Institute.In 2021-2022 she ran as a GOP candidate for US Senate in Pennsylvania. Carla was appointed by President Trump in 2017 to represent the United States as Ambassador to Denmark, Greenland, and the Faroe Islands.  During her tenure, and as a result of her diplomacy, Carla with her embassy team, in cooperation with the White House and Department of Defense was able to forge a Common Plan for USA-Greenland Cooperation and a Partnership Declaration between the United States of America and the Faroe Islands. Additionally, while serving, U.S. exports to the Kingdom of Denmark rose by over 43% resulting in the creation of US jobs. She and her team worked to increase security in the high north while countering Russia and China. And continuously pressed Denmark to increase its defense spending in support of NATO.  For this work, the Department of Defense awarded Ambassador Sands their highest civilian honor, the Medal for Distinguished Public Service. Prior to her Ambassadorship in 2017-2021, and after the untimely passing of her beloved husband Fred in 2015, Carla became the first woman to serve as the Chairman & CEO of Vintage Capital Group, LLC. Prior to her Ambassadorship in 2017-2021, Carla served on the boards of Pepperdine University, the Los Angeles Police Foundation, the Museum of Contemporary Art in Los Angeles, UCLA School of Arts and Architecture, as well as, the Los Angeles Philharmonic and The Music Center (where she also served as the President of the Blue Ribbon).  She was appointed by California Governor Arnold Schwarzenegger to the California Cultural and Historical Endowment. While serving on these philanthropic boards, Carla also focused on raising funds for worthy causes and candidates. Carla and Fred wed in 1999 and together, they have a beautiful daughter Alexandra. After high school, Carla went to university and became the 3rd generation in her family to practice as a Doctor of Chiropractic in Pennsylvania. Matthew G. Whitaker was acting Attorney General of the United States (2018-2019).  Prior to becoming acting Attorney General, Mr. Whitaker served as Chief of Staff to the Attorney General. He was appointed as the U.S. Attorney for the Southern District of Iowa by President George W. Bush, serving from 2004-2009. Whitaker was the managing partner of Des Moines-based law firm, Whitaker Hagenow & Gustoff LLP from 2009 until rejoining DOJ in 2017. He was also the Executive Director for FACT, The Foundation for Accountability & Civic Trust, an ethics and accountability watchdog, between 2014 and 2017.   Mr. Whitaker is the Author of the book--Above the Law, The Inside Story of How the Justice Department Tried to Subvert President Trump.  Buy Matt's book here: https://amzn.to/3IXUOb8 Mr. Whitaker graduated with a Master of Business Administration, Juris Doctor, and Bachelor of Arts from the University of Iowa.  While at Iowa, Mr. Whitaker was a three-year letterman on the football team where he received the prestigious Big Ten Medal of Honor. Mr. Whitaker is now a Co-Chair of the Center for Law and Justice at America First Policy Institute and a Senior Fellow at the American Conservative Union Foundation. Matt is on the Board of Directors for America First Legal Foundation and is a Senior Advisor to

Here are the news stories covered in this podcast: The town of Forestburgh in Sullivan County, New York has updated its zoning codes after five years of revision, with proposed modifications to the Neighborhood Business District (B1) parcel. The Bethel Town Board is addressing the regulation of short-term rentals due to the growing tourism industry in Sullivan County. A shooting in the Village of Monticello left three people wounded, including a 15-month-old infant who is in critical but stable condition. Monticello Police and the New York State Police are working together on the investigation. Students in Sullivan County schools experienced a mock trial for Law Day, led by local judges and prosecutors to give young people an opportunity to see the courtroom in action. Dr. Ellen Galligan has been appointed as the Officer in Charge at SUNY Sullivan, where she previously held various positions for 22 years. The town of Callicoon is recovering after a tornado hit the area in April, with most of the debris now cleaned up. The Liberty Central School District Mascot Committee has narrowed down the choices for the new school mascot to four options: the Lions, the Phoenix, the Redhawks, or the Wolves. The SUNY Sullivan Kite Festival provided the first 200 kids who arrived with a free kite, and families were able to spend quality time together. Steve's Music Center helped out a bass player in need by providing him with a bass guitar for his gig after he realized he left his at home. The Sullivan County Historical Society held its first-ever cornhole tournament in Hurleyville. A Cinco de Mayo event in Sullivan County featured cultural and ethnic foods, street performers, and a large crowd of people having fun.

Hey there, podcast fam! Are you ready for an episode packed with positivity and empowering, practical advice? We've got the one and only Dr. Victoria Waller joining us, and she's all about being strengths based! If you're a parent or caregiver of a child with learning differences, you won't want to miss this engaging and fun-filled conversation. Trust me, as both an educator and a parent, I recommend tuning in and joining us on this journey! Transcript available at ⁠⁠⁠⁠LainieRowell.com⁠⁠⁠⁠ About Our Guest: Victoria E. Waller, Ed.D. holds a B.S in Education from Wayne State University, an M.Ed., as a certified reading specialist, and an Ed.D. focusing on reading and learning differences, from the University of Cincinnati. Dr. Waller has been awarded the University of Cincinnati's Distinguished Alumna College of Education Award, was one of three finalists for the L.A. Music Center's Bravo Award for Outstanding Teaching, and was named the Local Hero in the L.A. Times for her Printer Pal Program, connecting students with nursing home occupants. She was the creator of the Disney Busy Bags for Travel on Planes and Cars for Disney/Hyperion Books and has created backpacks and toys for M&M Mars, Inc. Book: Yes! Your Child Can: Creating Success for Children with Learning Differences Website: drvictoriawaller.com Instagram: @drvictoriawaller About Lainie: Lainie Rowell is an educator, international consultant, podcaster, and TEDx speaker. She is the lead author of ⁠⁠⁠⁠Evolving Learner⁠⁠⁠⁠ and a contributing author of ⁠⁠⁠⁠Because of a Teacher⁠⁠⁠⁠. Her latest book, ⁠⁠⁠⁠Evolving with Gratitude⁠⁠⁠⁠, was just released. An experienced teacher and district leader, her expertise includes learner-driven design, community building, online/blended learning, and professional learning. Learn more at ⁠⁠⁠⁠linktr.ee/lainierowell⁠⁠⁠⁠. Twitter - ⁠⁠⁠⁠@LainieRowell ⁠⁠⁠⁠ Instagram - ⁠⁠⁠⁠@LainieRowell⁠⁠⁠⁠ Evolving with Gratitude, the book, is now available! ⁠⁠⁠⁠Purchase here!⁠⁠⁠ You can also get bulk orders for your staff (10 copies or more) at a discounted price! Just fill out the form linked below and someone will get back to you ASAP! ⁠⁠⁠⁠bit.ly/ewgbulkdiscount⁠

Related Links: To view all related links for this article, click link below: https://talkingtaiwan.com/rur-architecture-what-inspired-the-team-to-design-the-taiwan-music-center-and-kaohsiung-port-terminal-ep-230/ The Kaohsiung Port Terminal just opened on March 6th and I had a chance to speak with Jesse Reiser AR'81 and Nanako Umemoto AR'83 of Reiser+Umemoto, RUR Architecture, the architects behind its design. They are the team that also designed the Taipei Music Center which opened on September 5, 2020. We spoke about their 35-year-long careers in architecture, how they landed both of these projects in Taiwan, the inspiration behind the design of the projects, and what contributed to delays in completion. Both projects were expected to be completed and in operation by 2014. Also with us when we spoke was Jasmine Lee, the project manager for the Taipei Music Center and Kaohsiung Port Terminal projects at RUR Architecture.   We will be bringing back Jesse, Nanako and Jasmine to show us the Kaohsiung Port Terminal, Taipei Music Center and other architecture projects via video. That video will be posted on Talking Taiwan's YouTube channel at a later date. This episode of Talking Taiwan has been sponsored by NATWA, the North America Taiwanese Women's Association. NATWA was founded in 1988, and its mission is: 1. to evoke a sense of self-esteem and enhance women's dignity, 2. to oppose gender discrimination and promote gender equality, 3. to fully develop women's potential and encourage their participation in public affairs, 4. to contribute to the advancement of human rights and democratic development in Taiwan, 5. to reach out and work with women's organizations worldwide to promote peace for all.   To learn more about NATWA visit their website: www.natwa.com   Here's a little preview of what we talked about in this podcast episode:   ·      How Jesse, Nanako and Jasmine ended up choosing their careers in architecture ·      How things have evolved in Jesse and Nanako's 35-year-long careers in architecture ·      How Jesse and Nanako started teaching and how that has shaped their careers in architecture ·      How Jesse and Nanako started entering architecture competitions, and things transpired from there ·      The Dubai tower project that Jesse and Nanako worked on ·      The AIishan Mountain project that Jesse and Nanako won ·      The inspiration behind the Taipei Music Center ·      How and why the Taipei Music Center project changed over time ·      The purpose/function of the Taipei Music Center ·      How other projects like the stadium in Taipei aka the Taipei Dome have been delayed and not completed ·      How Aldo Rossi, Jesse's teacher and employer influenced the design of the Taipei Music Center ·      The indoor and outdoor performance space of the Taipei Music Center ·      Why it took over 10 years to complete the Taipei Music Center ·      The Taipei Music Center opened on September 5, 2020, and on October 3rd the 31st Golden Melody Awards were hosted there ·      The three functions of the music center: performance, history, production ·      Social media's impact on the visibility of the Taipei Music Center ·      What a surprise it was to win the design competition for the Kaohsiung Port Terminal ·      Why the Kaohsiung Port Terminal project took 13 years to complete and the adjustments that had to be made over time ·      How the Taipei Music Center and Kaohsiung Port Terminal projects were inspired by Jesse and Nanako's work in New York ·      Jesse and Nanako's work in New York ·      How teaching affects their approach to architecture projects ·      The O-14 tower in Dubai that Jesse and Nanako worked on ·      What it is like seeing one's architectural projects completed and come to life ·      Jesse, Nanako and Jasmine's thoughts on being architects and their advice for those interested in going into architecture   Related Links: To view all related links for this article, click link below: https://talkingtaiwan.com/rur-architecture-what-inspired-the-team-to-design-the-taiwan-music-center-and-kaohsiung-port-terminal-ep-230/

Hi everybody and welcome to this week's episode of Attendance Bias. I am your host, Brian Weinstein. A few months ago, I arranged an episode with a guest who wanted to talk about Phish's performance of “Free” from August 2, 2022 at the Blossom Music Center in Cuyahoga Falls, Ohio. After trying to set up a recording date and time with the guest, things eventually fell through. I was left with a great jam and a boatload of notes with no one to talk to about it.I put out a call on Phish Twitter and got such a response! It seemed like everybody wanted to talk about this jam, and I can see why. Luckily, we were able to arrange two guests for this fantastic jam: one returning guest–Mike Lowe, who was previously on Attendance Bias to discuss the all-time version of “Fluffhead” from Alpine Valley ‘99, and a brand-new guest: Mercedes from Phish Twitter, or you may know her better as ZzBenz. Either way, it was a perfect way to blend the familiar with the new to go over what several people referred to as the 2022 Jam of the Year.Moving through several sections, Phish took the second set opener and took the audience on a musical journey that felt like it was composed and spontaneous at the same time. But I don't want to spoil it. Let's join Mercedes and Mike to talk about Summer 2022, planetarium music, and Hansen, as we discuss “Free” from August 2, 2022 at Blossom.

On Jan. 14, 2023, the Music Center (link is external)in Los Angeles had a celebration concert to honor Jerry Moss. Many artists participated, and today's Listening Lyrics  plays some of their music. In 1960, Moss moved from New York to Los Angeles, where he teamed up with Herb Alpert,(link is external) forming Carnival Records in 1962 and running the company from an office in Alpert's garage. Discovering that the name was already taken, they dubbed their new company A&M Records. In 1987, Moss and Alpert sold A&M to PolyGram Records for a reported $500 million. Both continued to manage the label until 1993, when they left because of frustrations with PolyGram's constant pressure to force the label to fit into its corporate culture. In 1998, Alpert and Moss sued PolyGram for breach of the integrity clause, eventually settling for an additional $200 million.

Tonight: Check you flight status before you fly, get vaccinated for the holidays, striking UC student workers vote on contract, free music at the Music Center and more. Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.Support the show: https://laist.com

Dan and Sean have both been highlighting Philadelphia artists for years. Sean shares his story of travelling to the US from Dublin for a summer job at Appel Farm Arts and Music Center in the late 80s, and deciding to stick around (Sean calls it "the longest summer of my life"). From his days creating and booking the Appel Farm Arts and Music Festival to artist management and talent buying, to founding Addison Artists this year, Sean has also involved himself in Philly non-profits like PhillyCam, iCreate, and more. Dan and Sean talk about the importance of the community, or "ecosystem", as Sean calls it, and how you have to give back if you want to be part of it all. 

Coming up with ways to spark creativity in the classroom takes time, but it's so worth the time spent! In this episode of the Fueling Creativity in Education podcast, Dr. Cyndi Burnett and Dr. Matthew Worwood welcome Dr. Victoria Waller, an award-winning reading specialist and educational therapist who's been helping children with reading and learning differences for the past 40 years. Victoria is also the author of Yes! Your Child Can: Creating Success for Children with Learning Differences.   Listen in as Victoria highlights creative techniques teachers can use to help students who “don't enjoy learning.” She speaks on the valuable relationship between parent-led learning and teacher-led learning, along with how to engage children in learning activities that empower confidence in them. Plus, Victoria gives advice to educators who want to inspire creativity in students when they themselves don't feel creative. She also gives insight into strategies you can use to spark interest in high school students when learning about topics they aren't easily engaged in.   “Children with differences are geniuses of our time.” – Dr. Victoria Waller   Is interest the pathway to passion? How do you know when a child is interested in something? Are you a frustrated parent who's feeling unsure about your child's future? Tune in to hear Victoria's candid answers and advice!   Victoria's Tips for Teachers and Parents:  1. Give children the freedom to choose the projects they want to do. 2. Find out what your children's strengths are. 3. Do your own research, but also show your kids how to do their own research.   Recommended Resources: Yes! Your Child Can: Creating Success for Children with Learning Differences  The Week Junior Magazine  Listen to the episode with Scott Barry Kaufman   Eager to bring more creativity into your home or classroom?  Access a variety of creativity resources and tools & listen to more episodes of The Fueling Creativity in Education Podcast by visiting our website,  www.CreativityandEducation.com.   Subscribe to our monthly newsletter!   Have a question? Email Dr. Burnett and Dr. Worwood at questions@fuelingcreativitypodcast.com!   You can also find The Fueling Creativity in Education Podcast on Apple Podcasts, Spotify, Audible, and PodBean! Make sure to rate, review, and share the podcast if you enjoy it!   About Dr. Victoria E. Waller: Victoria holds a B.S in Education from Wayne State University, an M.Ed., as a certified reading specialist, and an Ed.D. focusing on reading and learning differences from the University of Cincinnati. She has been awarded the University of Cincinnati's Distinguished Alumna College of Education Award, was one of three finalists for the L.A. Music Center's Bravo Award for Outstanding Teaching, and was named the Local Hero in the L.A. Times for my Printer Pal Program, connecting students with nursing home occupants.   Her articles on creative reading and writing projects for children have been widely viewed on U.C.L.A.'s Semel Institute for Neuroscience and Human Behavior website, and the award-winning Grandparentslink.com. Victoria has spoken about learning differences in children to many groups all over the United States.    Visit Victoria's website Follow her on Instagram Follow her on Twitter Connect with her on Facebook Buy her book, Yes! Your Child Can

In this weekend edition: Grammy-award-winning Ozomatli is headlining a big free concert hosted by the Music Center in Downtown LA. We talk with singer and guitarist Raul Pacheco and the show and performing in the band's hometown of LA.   Asian Americans support abortion access at some of the highest levels among racial and ethnic groups surveyed. We'll talk about what effect it could have on some upcoming local elections. Then, an introduction to LAist Studios' newest show, How To LA, where this week host Brian De Los Santos explored the West Adams neighborhood of Los Angeles. This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.  Support the show: https://laist.com

Nicole Aloni has had many lives and many losses. She is a French-trained chef (she cooked for Julia Child and Queen Elizabeth to name a few), was the director of catering of the Music Center in Los Angeles, founded a restaurant, catering company, food manufacturing business and photography studio. She was married to the love of her life, Ami Aloni, a prominent personality in the Jewish musical life of L.A., most especially revered in the synagogue world as a composer, arranger, pianist, and conductor. After Ami's tragic passing, Nicole reinvented herself several more times. She authored articles and books about food and entertaining. She also wrote, produced, and performed her autobiographical one-woman show, Le Grand Fromage, which you can watch on YouTube! In this funny and poignant show, she cooks French food on stage as she tells the riveting stories of her life. It will have you laughing and keep you on the edge of your seat. Nicole is also a certified coach specializing in collaborating with creative risk-takers, entrepreneurs, performers, public speakers and those re-inventing. You are going to be glued to her every word!