Podcasts about Juilliard School

This episode of The Other Side of the Bell, featuring trumpet performer, ensemble leader and recording artist CJ Camerieri, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "CJ Camerieri Trumpet Interview" And, find the expanded show notes, transcript and more photos here --- "If you want to have a career in this, you have to know why you're the right person to call, and why you have a skill set that's exactly right for this particular thing. It's hard to make a living at it if they can just hire a different person and pay 'em less." - CJ Camerieri Julliard grad, Grammy winner, collaborator with Bon Iver, Paul Simon, Rufus Wainwright, Sufjan Stevens, Ben Folds, Bruce Hornsby and so many more, CJ Camerieri is the personification of passion: starting piano lessons at 4 years old and never looking back. But it's one thing to be music-obsessed from childhood, it's another to forge a successful, sustainable career in a cutthroat industry. Our conversation today is a fascinating and introspective look into the the business side of music: the back end, the royalties, the songwriting credits, the mindset and the versatility required to succeed and thrive. For CJ, this has meant being adaptable, embracing different styles of music, being open to change and doing things that others may be less interested in. But also, always, doing it for joy, not just a paycheque. You'll rarely meet someone more passionate about trying new things and taking on new challenges. Hence the formation in 2008 of yMusic, "A chamber ensemble with a unique mission: to work on both sides of the classical/popular music divide, without sacrificing rigor, virtuosity, charisma or style." The threads of yMusic are woven throughout our conversation today. Transitioning to a new music scene can reignite your passion, while touring teaches practical lessons about maintaining your craft. CJ will inspire you with his insight and innovation! About CJ Camerieri: Since graduating from The Juilliard School in 2004 with a degree in Classical Trumpet Performance, CJ Camerieri has become an esteemed artist, songwriter, producer, and an indispensable collaborator for some of the most important artists of our time. Camerieri is a two-time Grammy award winner (Best New Artist, 2011 and Best Alternative Album, 2011) and a co-founder of the acclaimed contemporary classical sextet yMusic (who the New Yorker has called "six contemporary classical polymaths who playfully overstep the boundaries of musical genres"). Camerieri has toured the world as a core member of Paul Simon's band since 2013 and with artists such as Bon Iver, Sufjan Stevens, Ben Folds, Plastic Ono Band, and Sting, among many others. He has contributed to over 300 recordings and has commissioned over 100 new works of chamber music featuring the trumpet, including pieces by Andrew Norman, Gabriella Smith, Nico Muhly, Marcos Balter, Ryan Lott, and Missy Mazzoli. In 2021 Camerieri debuted his solo project CARM, which was highlighted by performances on The Colbert Show and Tiny Desk Concert. For Paul Simon's "Farewell Tour" in 2018, Camerieri brought yMusic into Simon's touring band. This resulted in contemporary classical arrangements of the artist's iconic songs being performed in arenas around the world, as well as in featured performances on Saturday Night Live and The Colbert Show. His trio project, Heavy MakeUp, featuring himself, Edie Brickell, and Trever Hagen just released their second full length record on Sony Records. Camerieri is also an accomplished French Horn player, keyboardist, arranger, composer, and improviser—comfortable in all styles and genres of music. In addition, Camerieri has held numerous chairs on Broadway; played principal trumpet with orchestras such as Orpheus, The Knights, and Orchestra of St. Lukes; and has written arrangements for many types of ensembles on countless recordings and performances.   Episode Links: yMusic: https://www.ymusicensemble.com Linktree: linktr.ee/CJ_Camerieri Instagram: @carm_band Bob Reeves Brass Events and Appearances: Bob Reeves Brass pre-owned instruments, find your next treasure! https://trumpetmouthpiece.com/collections/used-instruments   Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - Courtesy CJ Camerieri Audio Engineer - Ted Cragg

Before his role on Apple TV+'s hit comedy "Shrinking," Michael Urie was a native Texan active in Speech & Drama all through high school. He trained in theatre studies at Collin County Community College before being accepted at the Juilliard School, where he was the recipient of the John Houseman prize for excellence in classical theater. In 2006, Urie joined the cast of ABC's dramedy UGLY BETTY, appearing as Marc St. James, the assistant of Wilhelmina Slater (Vanessa Williams). Twice he and the cast were nominated for Screen Actors Guild awards for Outstanding Performance by an Ensemble in a Comedy Series. Urie has also appeared regularly on other hit shows such as YOUNGER, PARTNERS, THE GOOD WIFE, and THE GOOD FIGHT. He's returned often to his theater roots, making a Broadway debut in the second revival of HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING. His performance in the one-man show BUYER & CELLAR won him a Clarence Derwent Award and Drama Desk Award. Additional theater credits include TORCH SONG on Broadway, THE TEMPERAMENTALS, and HAMLET with the Shakespeare Theatre Company. These are the unforgettable stories that landed Michael Urie right here. Credits: Shrinking Ugly Betty Elsbeth Jersey Boys Live The Good Wife What's Your Emergency Guest Links: IMDB: Michael Urie, actor Instagram: @MichaelUrieLikesIt THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition THE BRIDGE FOR ACTORS: Become a WORKING ACTOR (50% off special) THE PRACTICE TRACK: Membership to Practice Weekly CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com APPLE PODCASTS: Subscribe to That One Audition on Apple Podcasts SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: HOST/PRODUCER: Alyshia Ochse WRITER: Maddie McCormick WEBSITE & GRAPHICS: Chase Jennings SOCIAL: Alara Cerikcioglu

Welcome back to Living Your Truth with Tavares.I'm your host, Tavares Garrett, and this is Season 11, BONUS Episode. Today's conversation is about one-word KEHLANI.WE CELEBRATE YOU KEHLANI!!!Kehlani Ashley Parrish was born on April 24, 1995, in Oakland, California. They were adopted and raised by their aunt when their mother, who had a drug addiction, served time in jail. Kehlani's father, who also had a drug addiction, died when they were a toddler. During their teenage years, they attended the Oakland School for the Arts, where they initially practiced dance, particularly ballet and modern dance.Early in her life, Kehlani aspired to train as a dancer at the Juilliard School, but they had a knee injury in junior high, which led them to turn their attention towards singing. While living with their aunt, Kehlani was exposed almost exclusively to R&B and neo soul artists, such as Lauryn Hill, Erykah Badu and Jill Scott, whom today they describe as some of their early musical influences. When they were 14, Kehlani was recruited to join a local pop cover band, PopLyfe.Kehlani's singing career effectively began when they started out as a member and lead vocalist for the group called PopLyfe. The band's music was produced by former Tony! Toni! Tone! member D'Wayne Wiggins. Within two years, the group performed throughout the Bay Area and other cities. In 2011, they auditioned for the sixth season of America's Got Talent, and eventually finished in fourth place. During their final appearance, judge Piers Morgan told Kehlani, "You've got real talent, but I don't think you need the group."Kehlani is a vegan.  They have spoken about their past experiences being a survivor of sexual assault and rape.Kehlani has been diagnosed with borderline personality disorder (BPD) and bipolar disorder. In an interview with Power 106, Kehlani discusses their attempted suicide was due to the negative media response as well as their first major heartbreak. They state that their album was therapeutic through their difficult time. During their recovery, they got a tattoo that says "perdida y encontrada" which in English translates to "lost and found".Today we're going to explore the album KEHLANI, and why so many people love it, what it says about personal responsibility, and how accountability can become one of the greatest forms of freedom you'll ever experience. KEHLANI YOU'RE LOVED AND YOU ARE SEEN.LOVE,Living Your Truth w/ Tavares PodcastTavares A Garrett Links⁠⁠⁠⁠https://linktr.ee/tavaresagarrett⁠⁠⁠⁠Amazon Books by TAG Publishing⁠⁠⁠https://www.amazon.com/stores/author/B08778562H⁠⁠⁠The Body Synthesis Mind, Body, Nutrition, Results. ⁠⁠⁠Body Synthesis - Mind, Body, Spirit, Nutrition, Results.⁠⁠⁠The Body Synthesis Store Link ⁠⁠⁠https://payhip.com/thebodysynthesis⁠⁠⁠The Black Love Xperience Podcast hosted by Am & T ⁠⁠⁠https://anchor.fm/black-love-xperienc⁠⁠⁠ TAG MGMT Media Coverage Activations⁠⁠⁠www.tagmgmt.net

In this episode, Merideth Hite Estevez joins me to talk about what happens when a lifetime of chasing excellence quietly empties out the joy that started it all. We dig into the idols hiding inside performance and perfectionism, why she redefines art not as a talent for the gifted few but as something anyone can do out of love, and what it means to create as an act of worship instead of proof of worth. It's a conversation about shame, recovery, and the spiritual thread running through every creative act - whether you call yourself an artist or not.Dr. Merideth Hite Estevez is a coach, educator, oboist, and author of The Artist's Joy. Through her workshops, her award-winning podcast Artists for Joy, and her one-to-one coaching, she is a spiritual space-maker for artists, leading thousands in various fields to creative recovery. Dr. Estevez has performed with top orchestras and holds degrees in oboe from The Juilliard School and Yale School of Music. Her writing, which Publishers Weekly calls “expansive and joyful,” illuminates the spiritual journey of the artist. Her next book, Art Is How God Loves Us, debuts in July 2026. She hails from Abbeville, SC, but now lives in Metro Detroit, Michigan, with her husband, Rev. Dr. Edwin Estevez, and their two children.Merideth's Book:Art is How God Loves UsMerideth's Recommendation:CounterweightsConnect with Joshua: jjohnson@shiftingculturepodcast.comGo to www.shiftingculturepodcast.com to interact and donate. Every donation helps to produce more podcasts for you to enjoy.Follow on Facebook, Instagram, Twitter, Threads, Bluesky or YouTubeSupport the podcast and the ministry that my wife and I do around the world. Just click on the support the show link below Support the show

durée : 01:28:09 - par : Aurélie Moreau - Fondé en 1969 à la Juilliard School, le Quatuor de Tokyo a mené une prestigieuse carrière internationale jusqu'en 2013, faisant preuve d'une perfection technique et d'un style remarquables. Aujourd'hui : Brahms, Beethoven, Schubert, Mendelssohn… - équipe : Cécile Bonnet des Claustres, Etienne Rouch - invités : Aurélie Moreau Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

rWotD Episode 3331: Andrea Olmstead Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Wednesday, 17 June 2026, is Andrea Olmstead.Andrea Olmstead (born September 5, 1948) is an American musicologist and historian.Reared in Grand Forks, North Dakota, Olmstead studied violin with Burton Kaplan in New York and with Lea Foli at the Aspen Music Festival; she was a member of the New York Youth Symphony and the National Orchestral Association. She then embarked upon the study of musicology; her instructors included Gustave Reese, George Perle, H. Wiley Hitchcock, Barry S. Brook, James Haar, Brian Fennelly, and Jan LaRue. Her teaching career took her to The Juilliard School, from 1972 until 1980; the Aspen Music School, from 1973 to 1976; the Boston Conservatory, from 1981 to 2004; the New England Conservatory, from 2006 to 2018; and the University of Massachusetts, Amherst, from 2009 until 2010. The author of numerous books, she has also produced articles in Journal of Musicology, Perspectives of New Music, The Journal of the Arnold Schoenberg Institute, Tempo, Musical America, and The Musical Quarterly, reviews, program notes, and liner notes; she has also given pre-concert lectures and produced CDs. From 2005 until 2007 she was the Christopher Hogwood Research Fellow of the Handel and Haydn Society Orchestra and Chorus. Olmstead is especially well-regarded for her work on the music of Roger Sessions and for her history of The Juilliard School. Vincent Persichetti; Grazioso, Grit, and Gold, was awarded the 2019 ASCAP-Deems Taylor Award for Outstanding Musical Biography. Other honors have included three awards from the National Endowment for the Humanities, and she has spent time as a visiting scholar at the American Academy in Rome and as a fellow of the Virginia Center for the Creative Arts. Olmstead is married to composer Larry Thomas Bell, for whom she adapted the play Holy Ghosts by Romulus Linney into an opera libretto; in 2009 she produced its premiere in Boston.Olmstead's papers are held by the New York Public Library, to which she donated them in 2013.This recording reflects the Wikipedia text as of 00:40 UTC on Wednesday, 17 June 2026.For the full current version of the article, see Andrea Olmstead on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kajal.

How do we bring our full musical selves to the stage?In this Season 6 finale of The Piano Pod, concert pianist, composer, arranger, educator, and artistic leader David Berry joins host Yukimi Song for a rich and deeply personal conversation on virtuosity, improvisation, composition, contemporary music, artistic identity, and the connections that unite seemingly different musical worlds.A graduate of the Eastman School of Music and The Juilliard School, Berry has built a multifaceted career as a performer, educator, curator, and advocate. Equally at home with Liszt, George Walker, James P. Johnson, contemporary composers, and his own original works, he embodies the spirit of this season's theme: Creativity and Connection.Throughout the episode, listeners will hear excerpts from Berry's own compositions and arrangements, including Joshua Fought the Battle of Jericho and Sometimes I Feel Like a Motherless Child.Featured Music & RecordingsJoshua Fought the Battle of Jericho Sometimes I Feel Like a Motherless Child Danse Andalouse by Joaquín Nin James P. Johnson: Yamekraw – A Negro Rhapsody Adolphus Hailstork: Chamber Works Featuring the premiere recording of Hailstork's Piano Quintet Detroit with The Harlem Chamber Players. SpotifyTiny Glass Tavern — Let Us Dance, Let Us Sing Featuring David Berry's performance of Joshua Fought the Battle of Jericho. SpotifyPublicationsJoshua Fought the Battle of Jericho for solo piano David Berry, Since Jesus Came Into My Heart: 10 Stylish Arrangements for Solo Piano Lillenas Publishing Company, 2024 David BerryWebsite FacebookThe Piano PodBecome a VIP Member / Unlock Exclusive Content on Substack Season 6 Piano Music PlaylistNominate Guests for Season 7: Culture and Courage HERE#DavidBerry #ThePianoPod #PianoPodcast #ClassicalMusic

Ted Rosenthal is the real deal. He's a Grammy nominated jazz pianist and composer and one of the leading lights in this genre. He has performed worldwide as a soloist, with his trio, and with many jazz greats including Gerry Mulligan, Wynton Marsalis, Jon Faddis, Art Farmer, Phil Woods, and James Moody.  All are jazz icons. He's a Winner of the Thelonious Monk International Competition. He's released 19 CDs as a leader. He's performed with the Boston Pops, Detroit Symphony and Phoenix Symphony among others.  He has been accompanist for many of the top jazz vocalists including Ann Hampton Callaway, Kurt Elling and Barbara Cook. His jazz opera, “Dear Erich,” was commissioned and premiered by New York City Opera. He's also been commissioned by Alvin Ailey American Dance Theater. He is on the faculties of The Juilliard School and Manhattan School of Music. My featured song is my cover of Thelonious Monk's “Well, You Needn't”. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Reflections Click here for Special Collections Click here for Robert's Project Grand Slam Click here for Legends Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH TED:www.tedrosenthal.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production:Kymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

The Pitt enjoyed an outstanding first season run. It was critically acclaimed, scooped up a number of significant accolades, and also amassed a passionate fan base that came to care deeply for the characters. It's an undeniably wonderful opportunity to get the chance to join the cast of a proven hit, but it also comes with a significant amount of pressure. Not only are you jumping aboard a fast-moving train on set, but you're also challenged to craft a character that fans will come to love just as much as their Season 1 favorites. Laëtitia Hollard managed to do just that as nurse Emma in The Pitt Season 2.The Pitt enjoyed an outstanding first season run. It was critically acclaimed, scooped up a number of significant accolades, and also amassed a passionate fan base that came to care deeply for the characters. It's an undeniably wonderful opportunity to get the chance to join the cast of a proven hit, but it also comes with a significant amount of pressure. Not only are you jumping aboard a fast-moving train on set, but you're also challenged to craft a character that fans will come to love just as much as their Season 1 favorites. Laëtitia Hollard managed to do just that as nurse Emma in The Pitt Season 2.Emma Nolan (Hollard) is fresh out of nursing school and is assigned to shadow the nurses at Pittsburgh Trauma Medical Center's Emergency Department. Emma is essentially thrown into the deep end on July 4. Her first day on the job throws a vast array of challenges her way, including the task of preparing Louie (Ernest Harden Jr.) to be laid to rest, caring for a sexual assault victim, being attacked by a patient herself, and then some, and Emma navigates it all with a staggering amount of grace and kindness. Hollard turned Emma into an impossibly lovable character, leaving many with fingers crossed tight that she'll return for Season 3.While attending the 2026 Overlook Film Festival in New Orleans for her feature film debut, Larry Fessenden's Trauma or, Monsters All, she took the time to sit down for a Collider Ladies Night interview to discuss the remarkable things she accomplished a mere year after graduating from the Juilliard School, Emma's biggest moments in The Pitt Season 2, and her hopes for the character's Season 3 storyline. Hosted on Acast. See acast.com/privacy for more information.

Jeremy Snape explores why psychological safety and high standards aren't mutually exclusive with Risa Steinberg, creative director at the Juilliard School of Dance. Discover how the best leaders balance demanding expectations with genuine care, creating environments where people feel safe to take risks whilst being pushed to reach their full potential.Looking to take your leadership to the next level? Why not join our next cohort of the Winning Mindset for Leaders Programme featuring inspirational insights and success strategies from some of the world's leading minds. This flexible twelve week digital coaching experience will give you the confidence and clarity you need to thrive in uncertain times. Learn more here Winning Mindset for Leaders Programme - Sporting EdgeConnect with JeremyContact hello@sportingedge.com LinkedIn https://www.linkedin.com/in/jeremysnape/ Website https://www.sportingedge.com/

Dane Laffrey is a Tony Award-winning designer, creative and producer based in New York City. He studied at Australia's National Institute of Dramatic Art and resided in Sydney from 2002 - 2006. On Broadway he's designed the set for The Lost Boys (Palace) Maybe Happy Ending (Belasco) which won the 2025 Tony Award for Best Musical and for which Dane won Tony, Drama Desk Awards and Henry Hewes Awards, Parade (Jacobs) which won the 2023 Tony Award for Best Revival of a Musical; set and costumes for Charles Dickens' A Christmas Carol (Nederlander), which he co-conceived with director Michael Arden and for which he is nominated for Hewes and Tony Awards; the 2018 Tony-winning revival of Lynn Ahren's and Stephen Flaherty's Once On This Island (Circle in the Square) for which he received Henry Hewes, Drama Desk and Tony Award nominations; set and costumes for the acclaimed Deaf West revival of Duncan Sheik and Steven Sater's Spring Awakening (Brooks Atkinson); set for the Broadway premiere of Sam Shepard's Fool For Love (Friedman). In New York, around the US, and internationally Dane has designed world premiere plays and musicals by writers including Todd Almond, Will Aronson and Hue Park, Nell Benjamin, Rachel Bonds, Nilo Cruz, Lindsey Ferrentino, David Greenspan, Noah Haidle, Lucas Hnath, Sam Hunter, Sarah Jones, Tom Kitt, Michael John LaChiusa, Dan LeFranc, Matthew Lopez, Craig Lucas, Charles L. Mee, Alan Menken, Kim Rosenstock, Martin Sherman, Jenny Schwartz, Stephen Schwartz and Jen Silverman. Dane's work in New York has been seen at theatres including Roundabout Theatre Company, Manhattan Theatre Club, Lincoln Center Theatre, The Public Theatre, Second Stage Theatre, Atlantic Theatre Company, Transport Group, MCC, Playwrights Horizons, B.A.M. Harvey, Vineyard Theatre, The Joyce, SoHo Rep., Labyrinth, The New Group and Rattlestick Playwrights Theatre, among others. His work has been seen at major theaters around the US including Center Theatre Group, The Geffen Playhouse, The Goodman, The Humana Festival, The Hollywood Bowl, The Old Globe, Huntington Theatre Company, Arena Stage, Dallas Theatre Center, Actor's Theatre of Louisville, Williamstown Theatre Festival, Baltimore Center Stage, Deaf West / Wallis Annenberg Center, Shakespeare Theatre D.C., Denver Center Theatre Company, Cincinnati Playhouse in the Park, South Coast Rep., Baltimore Center Stage, Seattle Rep., Woolly Mammoth, Two River Theatre, Goodspeed Musicals, The Studio Theatre D.C, Yale Opera, Long Wharf Theatre, Chautauqua Theatre Company, Signature Theatre Company, and others. Internationally, Dane has worked in Hamburg, Tokyo, Osaka, Fukuoka, Oslo and throughout Australia. Dane has served on the advisory committee for Lincoln Center Theatre's LCT3 and as a guest artist / guest designer at Yale School of Music, The Juilliard School, NYU, Carnegie-Mellon University,  Interlochen Arts Academy, The University of Western Sydney and NIDA. He has served on the faculty of Purchase College. Dane won a 2017 Obie Award for Sustained Excellence of Set and Costume design and has been nominated for 3 Tony Awards, 3 Drama Desk Awards, an Outer Critics Circle Award, 9 American Theatre Wing Henry Hewes Design Awards, 5 Ovation Awards (winning 2), and a Sydney Theatre Award, as well as numerous regional accolades.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Vikingur Ólafsson gehört zu den wenigen Pianisten, die die Klassikszene gerade neu definieren. Der Isländer begeistert ein breites Publikum – auch Menschen, die sonst kaum klassische Konzerte besuchen. Als Kurator des neuen «Pulse»-Festivals in Luzern sorgte er mit innovativen Formaten für Aufsehen. Gleichzeitig steht er für kompromisslose musikalische Qualität: einst als besessener Übe-Nerd an der Juilliard School, heute als Künstler mit klarem Fokus – aktuell auf Beethovens Sonate op. 109, die im Zentrum seines neuen Albums steht. Ólafsson verbindet Bach mit Beethoven, Virtuosität mit Neugier – und Tiefe mit Zugänglichkeit. Privat bleibt er bewusst geerdet: Familie, Alltag, Island. Ein Pianist, der Tradition ernst nimmt – und sie neu erlebbar macht. Talk: ca. 2' Musikfrage: ca. 24' Warum bekommt man bei schöner Musik Gänsehaut? Neurolog Lutz Jänke erklärt. Neu in meiner Playlist: ca. 29'20'' Youkali von Kurt Weill mit Barbara Hannigan: def. ein Lied, das die Härchen aufstellt. Grandios gesungen! Wochenrückblick: ca. 35' Der Siemens Musikpreis geht an Jordi Savall Eine neue Lehre in Bern verbindet Lehre und Musik Und: Manon Mullener gewinnt den Swiss Jazz Award Ausgehtipp: ca. 47'38'' Festival Usinesonore in La Neuveville zum 10. Mal

Hazel is a professional French horn artist and a founding member of The Alphorn Project. She is a faculty member at the Boston University School of Music and the Longy School of Music. Hazel spends her summers as a faculty artist and teacher at the Brevard Music Center in North Carolina and Cormont Horn Camp in New Hampshire; she also maintains a private horn studio in Arlington, MA. Originally from St. Paul, Minnesota, Hazel graduated from Harvard University in 2003 with a BA in Biological and Social Anthropology. At Harvard, she studied horn with James Sommerville and was highly active in the chamber and orchestral music scene, receiving both the David McCord Prize for Music and the Louis Sudler Top Senior Prize in the Arts. Hazel studied with Caroline Lemen and Kendall Betts in St. Paul, and with Julie Landsman at The Juilliard School, where she received a Graduate Performance Diploma in 2004. She spent two summers as a Tanglewood fellow, and she has also enjoyed summers performing at the Marlboro Chamber Music Festival, the Pacific Music Festival, and the Aspen Music Festival. Resources & Links: Official Website: hazeldeandavis.com YouTube Channel: Hazel Dean Davis on YouTube Faculty Profiles: Hazel Dean Davis | Boston University College of Fine Arts (or direct link) Hazel Dean Davis | Longy School of Music (or direct link) Hazel Dean Davis | Cormont Horn Camp (or direct link) We want to thank our sponsors ANNA and Alpensong

This episode is sponsored by Flipping 50 Menopause Fitness Specialist. Flipping 50 Menopause Fitness Specialist.- Become a health & fitness coach who finally speaks midlife women's language. Learn how to design workouts that balance hormones that actually get results for women in menopause. Other Episodes You Might Like: Previous Episode - Rebounding vs Whole Body Vibration After 50 Which? When? Worth It? #FEDFitness Next Episode - 4 Fitness Mistakes That Fail Us Over 50 More Like This - Does Hormonal Phase and Training Intensity Change How Hard You Can Train? New Science Finally Tested It Resources: Don't know where to start? Book your Discovery Call with Debra. Leave this session with insight into exactly what to do right now to make small changes, smart decisions about your exercise time and energy. Use Flipping 50 Scorecard & Guide to measure what matters with an easy at-home self-assessment test you can do in minutes. Join the Hot, Not Bothered! Challenge for your best start, restart or reset in or after menopause with 10 Days of coaching, short workouts, and clarity on how to exercise optimally. The hidden cost of diet culture is showing up in ways many women in midlife! Never expected—low energy, stubborn weight changes, poor recovery, burnout, hormone disruption, and feeling frustrated despite “doing everything right.” If you've been exercising harder, eating less, and still feeling exhausted or frustrated with your body, this episode will hit home fast. We unpack how chronic dieting, underfueling, and overtraining quietly impact metabolism, bone health, hormones, and confidence during menopause and beyond. You'll learn why recovery is no longer optional after 40, how low energy availability may be sabotaging your results, and why the old “eat less, move more” advice can backfire in midlife.  This conversation exposes the hidden cost of diet culture and offers a smarter, healthier path forward for active women who want strength, energy, and longevity. My Guest: Heidi Skolnik is a nationally recognized sports nutrition expert, exercise physiologist, and co-author of the New York Times bestselling book The Whole Body Reset. She is also the author of the upcoming book Your GLP-1 Game Plan, focused on helping women thrive while using weight loss medications. Heidi has spent nearly three decades at Hospital for Special Surgery as part of The Women's Sports Medicine Center and currently oversees Performance Nutrition at The Juilliard School and the School of American Ballet. Her extensive experience includes working with professional sports organizations including the New York Knicks, New York Giants, and New York Mets. Known for translating complex science into practical advice, Heidi brings a realistic approach to nutrition, believing healthy eating can include both nutrient-dense foods and occasional treats like M&M's. Questions We Answer in This Episode: [00:09:04] Is there really a way to eat to support your cycle? [00:10:55] What beliefs and diet culture myths are women still carrying that no longer serve them? [00:15:55] What fueling mistakes are active midlife women making, even compared to elite athletes? [00:21:13] How does energy deficiency or underfueling show up in postmenopausal women? [00:43:00] Why do so many women feel stuck, frustrated, and out of control with their bodies in midlife? [00:52:40] Why are so many women struggling with appetite, hunger, and belly fat concerns in midlife? If this episode made you flip your workout routine — share it!

Healthcare today can feel overwhelming—not just for patients, but for the teams caring for them. After a major illness or injury, recovery isn't handled by one doctor alone; it often involves a whole network of specialists, from physical therapists to nurses to social workers, all trying to help someone regain their independence and quality of life. Even with all the advances in modern medicine, one question still lingers: how do you get everyone working together in a way that truly feels seamless?So what happens when a physician approaches medicine not just as a science, but as a performance? What can healthcare learn from the way musicians interpret, adapt, and lead in real time?Welcome to I Don't Care. In the latest episode, host Dr. Kevin Stevenson sits down with Dr. Kevin Estes, a Physical Medicine and Rehabilitation (PM&R) physician whose career spans both the concert hall and the clinic. Together, they explore how Estes' background in orchestral conducting and classical music informs his unique approach to patient care, team leadership, and medical decision-making.Key takeaways from the conversation…PM&R physicians as “conductors”: How these specialists lead and coordinate complex, multidisciplinary care teams—bringing together physical therapy, nursing, and medical specialists to deliver unified, patient-centered treatment across every stage of recovery.Creativity and flexibility in care: Why the ability to adapt, interpret, and think beyond rigid protocols is essential not only in music performance, but also in navigating unpredictable patient outcomes and personalized rehabilitation plans.An unconventional career path: The journey from Juilliard-trained musician to physician—and how that unique background shapes a more holistic, creative, and empathetic clinical perspective in modern medicine.Dr. Kevin Estes is a board-certified Physical Medicine and Rehabilitation physician specializing in post-acute care and traumatic brain injury rehabilitation. Before entering medicine in his early 40s, he built a successful career as a professional musician and conductor, earning a master's degree from the prestigious Juilliard School. His work included serving as music director at a prominent New York City church and collaborating with elite musicians in one of the world's most competitive artistic environments. Today, he brings that same discipline, creativity, and leadership into his medical practice, helping patients rebuild function and meaning after life-altering conditions.

Some conversations stay with you because of what a person has accomplished. Others stay with you because of who that person became along the way. Internationally acclaimed bassoonist Frank Morelli is both. His story is about far more than music. It's about what happens when a lifetime of dedication shapes not only an artist, but a human being.There's something deeply moving about a person who spends a lifetime devoted to music and still meets the world with humility and a genuine sense of wonder. In this heartfelt episode of Speaking of Travel, Frank reflects on the deeper journey behind a life in music and the ways it shaped not only his career, but his understanding of purpose and gratitude.For more than 60 years, Frank's path has carried him around the world, from concert halls and international performances to decades spent mentoring and encouraging young musicians. Yet what stands out most is not simply his remarkable career, but the kindness and sincerity he brings to every part of his life.There is a gentleness in Frank that immediately puts people at ease. Even after years of recognition and accomplishment, he remains deeply grateful for the experiences music has given him. His love for teaching shines throughout this episode, along with his belief that music can open hearts and create connection in ways few things can.This conversation moves beyond performance and into something far more human. It becomes a reflection on what happens when someone continues evolving through every season of life.“The longer I've lived with music, the less it feels like performance and the more it feels like gratitude.”Frank Morelli continues to inspire not only through his artistry, but through the quiet grace and humanity he brings to the world around him.

durée : 00:06:47 - L'Opéra-Comique a noué un partenariat avec la Juilliard School et la Villa Albertine à New York. L'objectif : faire se rencontrer et travailler ensemble de jeunes artistes des deux pays, lors de séances de coaching et des concerts, en mai. Qu'apportent à ces derniers ces échanges internationaux ? - réalisation : Sofia Anastasio Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Le point commun entre Orson Welles, Alfred Hitchcock, François Truffaut et Brian de Palma ? La musique, entêtante et d'une grande originalité, qui a fait de Bernard Herrmann durant de nombreuses années l'homme-orchestre indispensable d'Hollywood.Franck Ferrand nous plonge dans la vie fascinante de Bernard Herrmann, l'un des plus grands compositeurs de musique de film du XXe siècle. Découvrez comment ce génie new-yorkais a marqué à jamais l'histoire du cinéma grâce à ses collaborations légendaires avec des réalisateurs tels qu'Orson Welles et Alfred Hitchcock.Né dans une famille d'immigrants juifs russes à New York, Bernard Herrmann montre très tôt un talent exceptionnel pour la musique. Après des études à l'Université de New York et à la Juilliard School, il se fait rapidement remarquer dans le milieu de la radio et se voit confier la direction de l'orchestre de la CBS. C'est là qu'il rencontre le jeune prodige Orson Welles, avec qui il va vivre une collaboration fructueuse et mouvementée.Ensemble, ils vont révolutionner la musique de film avec leur travail sur des chefs-d'œuvre comme Citizen Kane et La Splendeur des Amberson. Herrmann développe alors un style musical unique, fait de motifs courts et obsédants qui viennent souligner l'intensité des images à l'écran.

durée : 00:25:07 - par : Judith Chaine - Dans ce troisième épisode des Grands Entretiens, Vikingur Olafsson revient sur ses années à la Juilliard School, ses maîtres, la création de son label et la rencontre décisive qui l'a conduit sur la scène internationale. - réalisation : Marie-Christine Ferdinand, Béatrice Trichet - invités : Víkingur Ólafsson Pianiste islandais (Reykjavik, 14 février 1984 -) Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

A graduate of the New England Conservatory and The Juilliard School, Adewumi became the first jazz trumpeter to receive the prestigious Paul & Daisy Soros Fellowship in 2017. He went on to win 1st place at the 2019 Carmine Caruso International Jazz Trumpet Competition, the 2024 ASCAP Young Jazz Composer Award and Gregory Morris Composing Fellowship, and in 2025 received the NYSCA/NYFA Artist Fellowship. Adewumi has been voted a “Rising Star” in the DownBeat Critics Poll. The Flame Beneath The Silence is Adewumi's debut as a leader, after work with Moran, Halvorson, Dave Douglas, Frank Carlberg and others. It finds the trumpeter, born in New Hampshire to Nigerian immigrants, with three of the most important voices in modern jazz: vibraphonist Joel Ross, bassist Linda May Han Oh and drummer Marcus Gilmore. The album was recorded live at Brooklyn's Ornithology, an intimate and engaging showcase for Adewumi's skills as a composer, collaborator and conceptualist. Support the show

Original airdate: February 23, 2021 There comes a point when you realize it's not that you don't have something to say—it's that something is holding you back from saying it fully. Finding your voice isn't just about speaking clearly or confidently. It's about feeling safe to express who you truly are, without shrinking or second-guessing yourself. In this episode, I'm joined by renowned vocal coach Denise Woods, who has worked with some of Hollywood's most recognizable voices, including Halle Berry, Will Smith, and Idris Elba. With a background at The Juilliard School and decades of experience, Denise brings both technical expertise and deep insight into what it really takes to be heard. We explore why so many of us struggle to speak up, how those patterns are formed, and what it means to use your voice as a reflection of your true self. Denise also shares practical ways to strengthen your voice, communicate with greater clarity, and show up with more presence in your everyday life. This conversation is an invitation to stop holding back—and start expressing yourself with honesty, confidence, and ease For those in a quiet season of change, the audiobook of The Nomadic Soul is something you can sit with and return to over time. Listen here: https://bit.ly/4dw2H8V  

Behind every standing ovation is a body quietly keeping score. From Broadway stages to rehearsal studios, performing artists push physical limits in ways that blur the line between discipline and injury. This episode explores the often-hidden world of performing arts medicine—where physiatrists care for musicians, dancers, and artists navigating overuse injuries, recovery, and longevity in their craft. How do you treat a body that can't simply “take time off”? And what does it mean to heal when performance itself is part of identity?In this episode, we are joined by Dr. François DeAsis, DO, a physiatrist, performing arts medicine specialist, violinist and pianist (since the age of 4-years-old), and the founder of Medicine for Musicians, which that seeks to empower and support performing artists at every stage of their career, from education and outreach to personalized medical care.Dr. DeAsis received his DO (Doctor of Osteopathic Medicine) from Midwestern University, completed his Physical Medicine & Rehabilitation Residency at Nova Southeastern University, and is currently completing his Performing Arts Medicine Fellowship at the University of North Texas Health Science Center. Dr. DeAsis has worked with artists from all over the world, including those at The Juilliard School, Minnesota Orchestra, Lyric Opera of Chicago, and many other ensembles and universities.Follow Friends of Franz Podcast: Website, Instagram, FacebookFollow Christian Franz (Host): Instagram, YouTube

Will Leathers has quickly established himself as a prominent voice in the world of classical trumpet. After studying at the Juilliard School, Will became Principal Trumpet for both the Nashville Symphony Orchestra and the Santa Fe Opera, a remarkable achievement for someone at his stage in their career. He has collaborated with numerous top ensembles and is recognized by CBC Music as one of Canada's '30 Hot Classical Musicians Under 30.'In this episode, we delve into Will's evolving orchestral career, highlighting the challenges and triumphs that come with auditions, such as his experiences with the Nashville Symphony and Santa Fe Opera. We also explore his solo recordings, including his recent album "Blue Sky, Purple Clouds," which features a fascinating blend of traditional and innovative sounds and is partially infuenced by his synesthesia. Will shares his insights on musicianship, the artistic process, and the importance of adaptability in today's diverse musical landscape. As he says, 'Chasing excellence means you're always looking for ways to make something better or more interesting.'

Send a textIn this episode of Skin Anarchy, Dr. Ekta Yadav sits down with Elana Drell Szyfer, president of Cosmetic Executive Women (CEW) and one of the most influential leaders in the global beauty industry. With more than three decades of experience spanning companies like Chanel, L'Oréal, Avon, Estée Lauder, and RéVive, Elana offers a rare behind-the-scenes look at how careers in beauty evolve—and what it takes to navigate an industry that constantly reinvents itself.Elana's path into beauty was anything but conventional. Originally a history major who imagined a future in nonprofit arts philanthropy, her first role at the Juilliard School focused on connecting donors with scholarship recipients. A shift toward business studies eventually led her into the beauty world through a position at Chanel's family office. Determined to move closer to the operating side of the industry, she studied trade publications, reached out to industry leaders directly, and ultimately landed at L'Oréal—where her career in beauty truly began.Over the next two decades, Elana built a foundation in marketing leadership across some of the industry's largest brands. Later, she transitioned into the entrepreneurial side of beauty, leading privately backed companies and guiding brands through transformation, acquisition, and growth—including her tenure as CEO of RéVive. Along the way, she witnessed firsthand how dramatically the beauty landscape has evolved, from traditional advertising and retail counters to today's fragmented world of social media, influencer discovery, and science-driven storytelling.As she steps into her new role at CEW, Elana reflects on leadership, the future of marketing, and the growing need for clarity around industry buzzwords like biotech and longevity.Listen to the full episode to hear Elana Drell Szyfer share lessons from her career and her vision for the future of the beauty industry.Learn more about CEWDon't forget to subscribe to Skin Anarchy on Apple Podcasts, Spotify, or your preferred platform.Reach out to us through email with any questions.Sign up for our newsletter!Shop all our episodes and products mentioned through our ShopMy Shelf!Support the show

ARKAI is a GRAMMY® award-winning electroacoustic duo that has captivated audiences around the world with their creative imagination and cutting-edge string music. Graduates of the famed Juilliard School, ARKAl's signature sound has led them to hundreds of shows around the world that include esteemed performances at GRAMMYs On The Hill and Carnegie Hall, opening for GRAMMY and Oscar-winning musician Jon Batiste, and joint recording projects like ICARUS - Orchestral Version with piano sensation Tony Ann and Decca Records. They recently opened and performed with Ann at the legendary Troubadour club in LA for back to back sold out shows. As songwriters & performers, their creative versatility has led to collaborations with GRAMMY-award winning music producers, Hollywood trailer houses, Cirque du Soleil acrobats and olympic gymnasts, contemporary dance companies, chart-topping musicians, and full-scale symphony orchestras. ARKAl's sophomore album, Brightside, was released in 2025, created in collaboration with producers Jonas W. Karlsson, Donny Bravo, and Charlie Heat. ARKAl is a voting member of the Recording Academy (GRAMMYs). www.ArkaiMusic.com  www.Instagram.com/arkaimusic  Spotify https://open.spotify.com/album/2uKlHTuXAa9qacjncF1s4L?si=n7zTjY1bTzKwjLfdFaCeGg About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Getty Images photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Currently, 870,000 global downloads in over 40 countries. Visit us at: www.MusicMattersPodcast.com Follow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell  voice over intro by Nigel J. Farmer          

Fans of opera often say that a production either ends in cheers or tears; someone winds up wed or dead. But what about podcasts?  On this final episode of Key Change, co-hosts Anna Garcia and Olga Perez Flora fire up the trusty time machine to find out. And, they've got company: OG co-hosts Andrea Fellows Fineberg and Brandon Neal. Buckle in for one last trip around the Opera For All Voices universe before this epic six-year journey comes to an end. "Key Change has been so many things for so many people, and now it's over," says Andrea, reflecting on the legacy that this podcast leaves behind. Perhaps a bit dramatic! But the show has played a vital role within the larger context of Opera For All Voices, supporting new, diverse works for smaller spaces together with major opera companies. "The things that we do that have a lasting impact are the work of the community engagement department at Santa Fe Opera and the work of the Santa Fe Opera in the first place. It's changed the capital O art form forever," Andrea observes. "And, we've all been some part of that." Audience included. The Key Change team captured intimate moments of the creative process alongside the breathless joys of performance. They chronicled moments with legendary artists (oh, hey Peter Sellars!) and students alike, and revealed the importance of telling hard truths. "I think that speaks to the longevity of the thing," says Brandon. "Key Change will reverberate as long as that work needs to be done. I think we can be happy with that." Cue curtain. KEY CHANGE RECOMMENDED EPISODES Season 1, Episode 1 - Setting the Stage - wherein Andrea and Brandon start the journey and ask, "What if we fail? What if we succeed?" Season 1, Episode 2 - What's in a name? - wherein the back-of-the-napkin planning of OFAV is discussed Season 2, Episode 2 - A Seat at the Table - wherein Brandon engages in conversation with colleagues of color from across the industry Season 2, Episode 3 - Bring Your Folding Chair - wherein that conversation of diversity, equity, inclusion, and belonging continues Season 2, Episode 6 - The Universe is Made of Stories featuring Peter Sellars - wherein we all bask in the glow of stage director Peter Sellars Season 3, Episode 2 - Singing a Call to Action - wherein we learn about producing opera during a global pandemic Season 4, Episode 7 - Telling Hard Truths featuring Jacqueline "Cookie" Hamer Flakes - wherein we listen and take in the words of Fannie Lou Hamer's daughter Season 6, Episode 3 - Taking Care of the Art featuring Chandler Johnson - wherein we get a candid look at what it takes to build a career in opera Season 6, Episode 4 - Rise to the Occasion of Your Opera Career featuring Chandler Johnson - wherein the conversation continues with audition insights most young singers never get to hear FEATURED IN THIS EPISODE Olga Perez Flora - Co-Host of Key Change and Associate Professor of Voice, University of New Mexico Anna Garcia - Co-Host of Key Change and Arts Administrator Andrea Fellows Fineberg - Writer, Producer, and Former Director Of Community Engagement & Education, Santa Fe Opera, Co-Creator of Opera For All Voices, and Original Co-Host of Key Change Brandon Neal - Senior Producer of Creative Enterprise Programming, The Juilliard School; Co-Creator of Opera For All Voices and Original Co-Host of Key Change MENTIONED IN THIS EPISODE Opera For All Voices Santa Fe Opera Community Engagement Santa Fe Opera Young Technicians Program Santa Fe Opera Young Voices Program University Of New Mexico New Mexico Philharmonic Opera Omaha Opera on the Avalon Olga Perez Flora Car Talk *** Key Change is a production of The Santa Fe Opera, Department of Community Engagement & Education. Share your favorite opera moments and questions with Community Engagement: agarcia@santafeopera.org Produced and edited by Andrea Klunder at The Creative Impostor Studios Hosted by Anna Garcia & Olga Perez Flora Audio Engineering: Collin Ungerleider & Kabby at Kabby Sound Studios in Santa Fe Technical Director: Edwin R. Ruiz Production Support from Alex Riegler Show Notes by Lisa Widder Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello Cover art by Dylan Crouch This podcast is made possible due to the generous support of the Hankins Foundation, Principal Education Sponsor of the Santa Fe Opera. To learn more, visit SantaFeOpera.org/KeyChange.

Obie Award–winning director, revered educator, and Richard Rodgers Dean and Director of the Drama Division at The Juilliard School, EVAN YIONOULIS joins host Nathan Winkelstein for a riveting conversation about one of William Shakespeare's most under-explored plays, King John. Yionoulis reads Constance's famous speech from Act 3, Scene 4 — “Thou art not holy to belie me so. I am not mad.” — sparking a rich discussion on the play's political tensions, emotional depth, and startling resonance with today's world. Together, they unpack the history behind the drama, its complexities, and why it still matters now.

When American figure skating phenom and gold medal favorite Ilia Malinin imploded on the ice at this Winter Olympics, I wanted to discover what we could all learn — and possibly apply to our own lives — from that heartbreaking failure. So I called Noa Kageyama — a veteran performance psychologist on the faculty of the Juilliard School and Cleveland Institute of Music. Why reach out to someone who works with musicians for insights on athletic performance? Because, as you'll learn in this conversation, the mental training needed to maximize your performance on any stage, or field, or class, or boardroom, have certain things in common — techniques that we can all benefit from when we're aiming to do our best when it matters most.For more fascinating insights from Noa Kageyama head over to https://bulletproofmusician.com

durée : 00:25:19 - David Krakauer, clarinettiste (3/5) - par : Judith Chaine - Le clarinettiste David Krakauer découvre le jazz à New York avec Anthony Coleman avant de se former à la musique classique à Paris et à la Juilliard School. De Duke Ellington à John Cage, il traverse les univers du jazz et de la musique contemporaine, guidé par passion et curiosité. - réalisé par : Pierre Willer Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Dr. Maya Shankar, cognitive scientist, creator, executive producer, and host of the podcast A Slight Change of Plans, and author of The Other Side of Change, joins me on this episode. Maya was a Senior Advisor in the Obama White House, where she founded and served as Chair of the White House Behavioral Science Team. She also served as the first Behavioral Science Advisor to the United Nations under Ban Ki-moon, and as a core member of Pete Buttigieg's debate preparation team during his 2020 presidential run. Maya has a postdoctoral fellowship in cognitive neuroscience from Stanford, a Ph.D. in cognitive psychology from Oxford on a Rhodes Scholarship, and a B.A. from Yale. She's been profiled by The New Yorker and has been the featured guest on NPR's All Things Considered, Freakonomics, and Hidden Brain. She's a graduate of the Juilliard School of Music's pre-college program, where she was a private violin student of Itzhak Perlman.

What if change isn't something to fear but something that can reveal who we really are? Cognitive scientist and podcast host Dr. Maya Shankar shares how to navigate uncertainty, redefine identity, and uncover growth on the other side of change. We talk about finding purpose when life takes an unexpected turn, why “possible selves” matter, and the surprising role distraction and gratitude play in resilience.Maya's Book:The Other Side of Change: Who We Become When Life Makes Other PlansThrive Global Article:Maya Shankar on The Other Side of ChangeAbout Our Guest:Maya Shankar is a cognitive scientist and the creator, executive producer, and host of the podcast, A Slight Change of Plans, which Apple awarded as the Best Show of the Year 2021 and which received an Ambie award from the Podcast Academy in 2022. Maya was a Senior Advisor in the Obama White House, where she founded and served as Chair of the White House Behavioral Science Team. She also served as the first Behavioral Science Advisor to the United Nations under Ban Ki-moon, and as a core member of Pete Buttigieg's debate preparation team during his 2020 presidential run.Maya has a postdoctoral fellowship in cognitive neuroscience from Stanford, a Ph.D. in cognitive psychology from Oxford on a Rhodes Scholarship, and a B.A. from Yale. She's been profiled by The New Yorker and been the featured guest on NPR's All Things Considered, Freakonomics, and Hidden Brain. She's a graduate of the Juilliard School of Music's pre-college program, where she was a private violin student of Itzhak Perlman.About Lainie:Lainie Rowell is a bestselling author, award-winning educator, and TEDx speaker. She is dedicated to human flourishing, focusing on community building, emotional intelligence, and honoring what makes each of us unique and dynamic through learner-driven design. She earned her degree in psychology and went on to earn both a post-graduate credential and a master's degree in education. An international keynote speaker, Lainie has presented in 41 states as well as in dozens of countries across 4 continents. As a consultant, Lainie's client list ranges from Fortune 100 companies like Apple and Google to school districts and independent schools. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/lainierowell⁠⁠⁠⁠⁠⁠⁠⁠⁠.Website - ⁠LainieRowell.com⁠Instagram - ⁠⁠⁠⁠⁠⁠⁠⁠@LainieRowell⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn - @LainieRowellX/Twitter - ⁠⁠⁠⁠⁠⁠⁠⁠@LainieRowell ⁠⁠⁠⁠⁠⁠⁠⁠Evolving with Gratitude, the book is available ⁠⁠⁠⁠⁠here!⁠⁠⁠⁠⁠⁠⁠ And now, Bold Gratitude: The Journal Designed for You and by You is available too!Both Evolving with Gratitude & Bold Gratitude have generous bulk pricing for purchasing 10+ copies delivered to the same location.

Maya Shankar is a cognitive scientist and the creator, executive producer, and host of the podcast, A Slight Change of Plans, which Apple awarded as the Best Show of the Year in 2021. Maya was a Senior Advisor in the Obama White House, where she founded and served as Chair of the White House Behavioral Science Team. She also served as the first Behavioral Science Advisor to the United Nations, and as a core member of Pete Buttigieg's debate preparation team during his 2020 presidential run. Maya has a postdoctoral fellowship in cognitive neuroscience from Stanford, a Ph.D. in cognitive psychology from Oxford on a Rhodes Scholarship, and a B.A. from Yale. She's been profiled by The New Yorker and been the featured guest on NPR's All Things Considered, Freakonomics, and Hidden Brain. She's also a graduate of the Juilliard School of Music's pre-college program. And most recently, Maya is the author of the book, The Other Side of Change. In this episode we discuss the following: I loved Maya's insight about identity. When she injured her finger and could no longer play the violin, she was devastated because she identified as a violinist. But when she looked more broadly at the motivations that drove her, she realized that connection, growth, care, and contribution were underlying motivations. And violin wasn't the only way to accomplish her ultimate goals. By anchoring our identity to deeper motivations rather than specific roles or activities, we create a more resilient sense of self while also creating more opportunities for us to achieve our goals.

Sean Mason stands as one of the most compelling jazz pianists, composers, and record producers of his generation. A Grammy Award nominee, Bessie Award winner, and Bistro Award recipient, Mason has quickly distinguished himself in contemporary music through his innovative approach and profound connection to jazz tradition. His discography, highlighted by his critically acclaimed 2023 debut album The Southern Suite and Grammy-nominated collaborations, reflects an artist of significant impact on the global jazz landscape. Mason's musical journey began at age 13 in his native Charlotte, North Carolina, where he taught himself piano, influenced by gospel music and the music of Ray Charles. At 15, his talent led him to enroll in the JazzArts Initiative Camp in Charlotte, North Carolina. At age 17, Mason won the inaugural Loonis McGlohon Young Jazz Competition, an award that included an opportunity to perform as guest soloist with Delfeayo Marsalis. A pivotal moment arrived in 2017 while Mason was attending the University of North Carolina at Greensboro (UNCG). He met Branford Marsalis, who was giving lessons there. Marsalis, recalling their encounter, recounted how Mason impressed him by quickly learning and memorizing complex pieces. Marsalis subsequently advised Mason to consider The Juilliard School, telling him directly: "You might want to consider Juilliard. Go to their website, put in your audition tape, and they will call you." He also contacted his brother, Wynton Marsalis, Director of Juilliard Jazz, asking him to "Be on the lookout for this kid." This significant endorsement propelled Mason to Juilliard, where he was accepted and enrolled in 2018, leading to his relocation to New York City for his studies. Upon arriving in New York in 2018, Mason quickly established himself in the city's jazz scene through his work as a sideman. Concurrently, he formed his own trio, featuring bassist Butler Knowles and drummer Malcolm Charles. This trio performed at notable New York City jazz venues such as Dizzy's Club and Smoke Jazz Club. From 2019 to early 2020, Mason's trio cultivated a dedicated following through a consistent after-hours residency at Smalls Jazz Club, performing every other Monday, from 1:00 AM to 4:00 AM. This residency continued until the onset of the COVID-19 pandemic. During this initial period in New York, Mason also contributed as the pianist for the soundtrack of the 2020 Netflix film Ma Rainey's Black Bottom. The years following the pandemic saw Mason continue his vital work as a sideman, touring globally with various artists and contributing to numerous album recordings. His versatility expanded into film and theatre; he served as pianist for the soundtrack of the 2021 Emmy-nominated History Channel documentary Tulsa Burning: The 1921 Race Massacre, and the Netflix film Rustin. In theatre, Mason was involved in various musical roles for Broadway productions such as Hadestown and Phantom of the Opera.. During this time, Mason also served as musical director for The Soapbox Presents, a Harlem-based performing arts organization. In August 2022, Mason was recognized by NPR's Jazz Night in America as a member of their inaugural Youngbloods class, a sub-series featuring up-and-coming jazz musicians acknowledged for revolutionizing the genre. Also in 2022, Mason formed his quintet, the ensemble featured on his debut album The Southern Suite. This group, consisting of Tony Glausi (trumpet), Chris Lewis (tenor saxophone), Felix Moseholm (bass), and Domo Branch (drums), performed on a two-week tour sponsored and presented by Jazz at Lincoln Center as part of an initiative to develop new music. On October 27, 2023, he released his debut album as a leader, The Southern Suite, on Blue Engine Records, Jazz at Lincoln Center's in-house label. This marks Mason's emergence as a formidable bandleader, composer, and recording artist. Featuring his quintet, the album received widespread critical acclaim. Jazziz Magazine praised its "captivating blend of sophistication and raw emotion," noting its "contemporary jazz sound rooted in tradition while remaining utterly fresh." Paris-Move lauded it as "a powerful and sophisticated work" and "a masterpiece of contemporary jazz." NPR recognized the album as part of his "meteoric rise" and praised its unique sound. The Southern Suite is a deeply personal exploration of Mason's North Carolina roots, woven into a cohesive artistic statement. Mason's artistic contributions were further recognized with a Bessie Award in 2023 for Outstanding Sound Design and Music Composition for his work on The Jazz Continuum. His creative spirit continued to flourish in 2024 with two notable co-releases. He joined forces with poet Mahogany L. Browne for Chrome Valley, a project that uniquely blends jazz with spoken word. The same year, on August 23, 2024, Mason's collaborative album My Ideal with acclaimed vocalist Catherine Russell arrived on Dot Time Records. This duo album quickly earned a Grammy Award nomination for Best Jazz Vocal Album at the 67th Annual Grammy Awards. My Ideal was further honored with a 2025 Bistro Award for Outstanding Recording, with critics frequently commending Mason's "sophisticated and nuanced piano playing" and his profound ability to complement Russell's vocals through a deep understanding of jazz standards. Today, Sean Mason maintains an active and extensive international performance schedule as a bandleader and solo artist. He consistently presents at major jazz festivals and prestigious venues across the globe, solidifying his position as a dynamic and influential force in contemporary jazz.

Composer Michelle DiBucci is a versatile artist whose work spans theater, opera, dance, and film. Michelle has made significant contributions to contemporary music, having collaborated with renowned ensembles like the Kronos Quartet and created works performed at prestigious venues such as Alice Tully Hall and the Komische Oper in Berlin. Her rich background includes studying under esteemed composers like Louis Andriessen and teaching at Juilliard since 1992, where she shares her passion for music and theater with aspiring artists.In this first part of our conversation, we explore Michelle's early influences, from her childhood experiences with television soundtracks to her pivotal moment of discovering the relationship between music and visual storytelling. She shares her journey from acting to composing, detailing how mentorship shaped her path and the lessons learned along the way. Michelle's insights into music composition reveal the intricate balance between creativity and the realities of the industry.[Subscriber Content] In the second part, we delve deeper into her composition approach and the collaborative process behind her compositions. Michelle discusses memorable projects, including her opera based on Charlotte Solomon's life, and highlights her thoughts on the changing landscape of music education and the impact of technology on future generations of musicians. This section offers valuable perspectives on navigating a career in music, alongside a reflection on the importance of live performances in an increasingly digital world.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

International Arrivals speaks with interdisciplinary artist Miguel Alejandro Castillo (Venezuela/USA) (https://www.instagram.com/love.entirely) about his journey to the US to study dance and his work as a choreographer, dancer, and director. Castillo addresses the impact of immigration on his identity, his body, and the challenges of navigating bureaucratic language. He discusses loud and clear, a performance piece he created with Daniel de Barrito and visual artist Lexi Hota which explores the Venezuelan diaspora through folkloric elements and masks. He reflects on how his performances serve as an archive for diasporic experiences and his own memories. Castillo was recently awarded the winner of The Juilliard School's Marcus Directing Fellowship for 2025-26.

Dance education is evolving , and studio owners are standing right at the center of it.   As our industry evolves, the studios that will thrive are the ones willing to look beyond technique and toward something deeper: leadership, curiosity, collaboration, and belonging.   In this powerful conversation, Olivia Mode-Cater and Inner Circle Program Director Lisa DeMaio sit down with Alicia Graf Mack, newly named Artistic Director of Alvin Ailey American Dance Theater, to explore what it truly means to prepare dancers for the future, not just the stage. This conversation was originally recorded earlier in the Transform My Dance Studio journey and is being re-shared to close out the year, as Alicia steps into this powerful new chapter of leadership. This episode dives deep into what dance education must become in order to truly serve today's dancers and tomorrow's leaders. From pedagogical practices rooted in care and curiosity, to collaborative training models, to the role of equity, diversity, inclusion, and belonging in dance spaces, Alicia challenges studio owners to think beyond technique and toward transformation.  This conversation is about legacy, not just in titles or institutions, but in the ripple effect studio owners create every single day through their teaching, leadership, and choices.  If you're ready to raise dancers who are confident, adaptable, and prepared for a changing industry, this episode will challenge and inspire you.  What You'll Learn in This Episode:  Why pedagogical approach matters more than the steps you teach  How curiosity and collaboration shape stronger, more resilient dancers  What it means to prepare dancers for a 21st-century career  How dance builds confidence, leadership, and life skills  Lessons Alicia learned from iconic mentors Arthur Mitchell and Judith Jamison  Why belonging is essential for excellence in dance education  How studio owners can take practical steps toward equity and inclusion  Where the dance industry is heading and how studios can lead the way  Why longevity in dance requires becoming a multi-hyphenated professional  Alicia Graf Mack is the Artistic Director of Alvin Ailey American Dance Theater and a former principal dancer with the world-renowned company. She previously served as Dean and Director of the Dance Division at The Juilliard School from 2018 to 2025, becoming the first Black person and youngest individual to hold the role. A celebrated artist, educator, and leader, Alicia has performed with Dance Theatre of Harlem, Complexions Contemporary Ballet, and Alonzo King LINES Ballet, and collaborated with artists including Beyoncé, Alicia Keys, and John Legend. She is the host of the podcast Moving Moments and is dedicated to shaping the future of dance through leadership, education, and storytelling.  Join our growing community of people just like you inside our free Facebook group. Click here to join!

Music as Cultural Storytelling w/Clipper EricksonFrom Juilliard to Dett's rediscovery: a pianist's mission to reveal hidden brilliance.Clipper Erickson has been hailed by Fanfare as “one of the finest pianists of his generation…a consummate musician.” A devoted musical explorer, he made his debut at age 19 with the Young Musicians Foundation Orchestra in Los Angeles before training at The Juilliard School, Yale University, and Indiana University under legendary pianist John Ogdon. His artistry has earned international acclaim on stages such as the Kennedy Center and Carnegie Hall, as well as through his landmark Navona Records release My Cup Runneth Over – The Complete Piano Works of R. Nathaniel Dett, named a Gramophone UK “Critic's Choice” and Album of the Year in 2016. Today, Erickson continues to champion overlooked voices in American music while sharing his passion with students at the Westminster Conservatory and through master classes worldwide.Linkhttps://www.clippererickson.com/Tags:Arts,Composer,Culture,Music,music education,Music History,Music Interviews,Performing Arts,pianist,recording artist,Music as Cultural Storytelling w/Clipper Erickson,Live Video Podcast Interview,Phantom Electric Ghost Podcast,PodcastSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

Bryan Carter is a Grammy and Tony Award-winning drummer, vocalist, composer, arranger, orchestrator, and bandleader. After completing his training at The Juilliard School, Carter played with legendary artists including McCoy Tyner, Wynton Marsalis, Kenny Barron, and Kurt Elling. In addition to working in the worlds of film, television, and Broadway, Bryan founded "Jazz at Pride," a non-profit organization dedicated to curating performances and educational engagements featuring world-class artists from the LGBTQIA+ community. Bryan most recently served as co-orchestrator for Broadway's “Some Like It Hot,” for which he and his co-orchestrator Charlie Rosen made history as the first orchestrators to sweep all three major awards in a single season: the 76th Annual Tony Awards for Best Orchestrations, the Outer Critics Circle Awards, and the Drama Desk Awards for Outstanding Orchestrations. Rosen and Carter continued their streak of success at the 66th Annual GRAMMY Awards, winning the title of Best Musical Theater Album as producers on the recording. In the fall of 2024, Bryan premiered “Rustin in Renaissance,” a seven-movement oratorio on the life of civil-rights pioneer Bayard Rustin. The premiere was held at Jazz at Lincoln Center's Appel Room and coincided with the 20th anniversary of “The House of Swing.” In this episode, Bryan talks about: Playing multiple instruments and musical roles since early childhood  His orchestration role on “Some Like It Hot” that garnered him a Tony and a Grammy His experience at Julliard, and feeling like the curriculum put him in too small a box Looking around for “who was hiring” in New York and what that looks like on that scene The New York tradition of older established artists seeking out younger musicians and giving them a platform Writing and playing for George Clooney's Broadway production of “Good Night and Good Luck” How using piano for composition has made him think of drumming from an arrangement standpoint  Welcoming how different performers offer different interpretations of what he writes ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage

durée : 00:24:59 - Francesco Tristano, pianiste (3/5) - par : Judith Chaine - À 16 ans, Francesco Tristano quitte le Luxembourg pour la Juilliard School. Il s'immerge dans la vie musicale new-yorkaise, expérimente synthés et séquenceurs et pose les bases de son univers où piano et musique électronique se rencontrent. - réalisé par : Adrien Roch Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:25:07 - Itzhak Perlman, violoniste (2/5) - par : Judith Chaine - Prodige en son pays, Itzhak Perlman nous raconte la naissance de son rêve américain. Invité de l'émission Ed Sullivan Show alors qu'il n'a que treize ans, le violoniste est révélé aux yeux de millions d'américains, qu'il va rejoindre dès sa majorité pour entrer à la Juilliard School. - réalisé par : Adrien Roch Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:25:10 - Itzhak Perlman, violoniste (3/5) - par : Judith Chaine - Après avoir débarqué à la Juilliard School de New York, Itzhak Perlman nous raconte comment il a découvert les idoles de ses disques fétiches en concerts : Yehudi Menuhin, David Oïstrakh, Zino Francescatti et surtout Jascha Heifetz. - réalisé par : Adrien Roch Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

For the past decade, The Royal Conservatory of Music in Toronto, Canada, has partnered with leading neuroscientists to develop an early childhood education program that uses music to strengthen the cognitive foundations of lifelong learning. Designed for children from six months to four years old, this innovative approach nurtures essential learning skills through the power of music and integrates technology to prepare future-ready minds. On October 31, 2025, The Royal Conservatory of Music will host the global launch of Smart Starts, a groundbreaking program that brings together experts in music, cognitive development, and technology to redefine early childhood education. I am looking forward to attending this symposium, called Music and the Mind, which will be packed with incredible speakers, and in the next episode will feature highlights from that day. In this episode, my guest — the CEO and President of the RCM — joins me to discuss lifelong learning, the importance of creativity, the intersection of artistic and artificial intelligence, and the vision behind Smart Starts. Alexander Brose is the President & CEO of The Royal Conservatory of Music (RCM) in Toronto, Canada. Before joining RCM, he was the inaugural Executive Director and CEO of the Tianjin Juilliard School in China, The Juilliard School in New York City's first and only branch campus. There, he worked closely with colleagues both in Tianjin and New York to create an inclusive and supportive institutional culture that upheld the educational and artistic excellence of Juilliard and respected the surrounding influences of China. Prior to that, he was the Vice President for Development at the Aspen Music Festival and School in Colorado, where he was responsible for all fund-raising and strategic relationship-building activities, raising US$75M as part of a capital campaign, and working with AMFS leadership to create a new strategic vision for the organization. Mr. Brose began his career spanning a decade in senior management roles at the San Francisco Conservatory of Music in California, including Director of Admissions and Associate Vice President for Advancement. Raised in South Korea, Hong Kong, and the United States, Mr. Brose received his Bachelor of Arts degree in Asian Studies, with a concentration in China, from Cornell University in Ithaca, New York. An award-winning vocalist, Mr. Brose has performed in prestigious concert venues across the globe, including on the U.S. nationally-syndicated radio show “A Prairie Home Companion,” at the Seoul National Arts Center in South Korea, with the Glimmerglass Festival in Cooperstown, N.Y., and with the Grammy Award-winning San Francisco Symphony Chorus, among others. He has served as a member of the Board of Governors of the Recording Academy (Grammys) in the United States and the American Chamber of Commerce in China. He currently sits on the advisory councils of the Cornell University Glee Club, the school's oldest student organization, as well as the Tianjin Juilliard School. A sought-after public speaker, Mr. Brose has presented at major arts conferences and universities in both the U.S. and China. Links: Alexander Brose: https://www.rcmusic.com/about-us/michael-and-sonja-koerner-president-and-ceo RCM Neuroscience: https://www.rcmusic.com/about-us/rcm-neuroscience Music and the Mind Symposium (October 31st 2025): https://www.rcmusic.com/about-us/news/global-launch-of-rcm-early-childhood-music

This episode of The Other Side of the Bell, featuring trumpet performer and recording artist Dave Adewumi, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Dave Adewumi trumpet interview"   About Dave Adewumi: Dave Adewumi is a trumpet player and composer recognized as one of the leading new voices in jazz. A graduate of the New England Conservatory and The Juilliard School, he went on to win 1st place at the 2019 Carmine Caruso International Jazz Trumpet Competition, the 2024 ASCAP Young Jazz Composer Award and Gregory Morris Composing Fellowship, and in 2025 received the NYSCA/NYFA Artist Fellowship. Adewumi has been voted a “Rising Star” in the DownBeat Critics Poll and has performed on some of the world's most celebrated stages, including Carnegie Hall and the Kennedy Center, and has appeared on The Late Show with Stephen Colbert and The Tonight Show Starring Jimmy Fallon.  His collaborations span a wide spectrum of artists, from Harry Connick Jr., Raye and Busta Rhymes, to Mary Halvorson, Jason Moran, Ingrid Laubrock and Dave Douglas.   Episode Links: Dave Adewumi website: daveadewumimusic.com Dave on Instagram (@str8outdawumi) Altus Band on Instagram (@altus.band) Altus Band website: altus.band   Upcoming Events: Greg Black Mouthpieces, November 7 & 8 North Carolina Music Educators Association Conference, November 9 & 10 Book your alignment here!   Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - Dave Adewumi Audio Engineer - Ted Cragg

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Joseph Alessi, principal trombone of the New York Philharmonic. About Joseph Alessi: Joseph Alessi was appointed Principal Trombone of the New York Philharmonic in the spring of 1985. He began musical studies in his native California with his father, Joseph Alessi, Sr. As a high school student in San Rafael, California, he was a soloist with the San Francisco Symphony before continuing his musical training at Philadelphia's Curtis Institute of Music. Prior to joining the Philharmonic, Mr. Alessi was second trombone of The Philadelphia Orchestra for four seasons, and principal trombone of L'Orchestre symphonique de Montreal for one season. In addition, he has performed as guest principal trombonist with the London Symphony Orchestra in Carnegie Hall led by Pierre Boulez. Mr. Alessi is an active soloist, recitalist, and chamber music performer. In April 1990 he made his solo debut with the New York Philharmonic, performing Creston's Fantasy for Trombone, and in 1992 premiered Christopher Rouse's Pulitzer Prize- winning Trombone Concerto with the Philharmonic, which commissioned the work for its 150th anniversary celebration. His most recent appearance with the Philharmonic as soloist was in performances of the Tan-Dun Trombone Concerto in March of 2024. Mr. Alessi also has appeared as soloist with the New York Philharmonic in performances of concerti by Kazimierz Serocki, Bramwell Tovey, William Bolcom, Chick Corea, and William Grant Still. Composed especially for Mr. Alessi, he performed the world premiere of the Chick Corea Trombone Concerto with the Säo Paulo Symphony Orchestra in August of 2021. Joseph Alessi has recorded and performed extensively with five prominent trombone quartets; The New York Trombone Quartet resulting in the only recording of Bartok's 4th String Quartet, Aries Trombone Quartet, Four of a Kind Trombone Quartet, the World Trombone Quartet, and Slide Monsters Trombone Quartet. Other solo engagements have included the New Japan Philharmonic, Nagoya Philharmonic, Gulbenkian Symphony, Costa Rica Symphony, National Symphony Orchestra of Taiwan, Tokyo Metropolitan Symphony, Orchestra of Teatro Bellini, Mannheim National Theater Orchestra, Hauge Philharmonic, Helsinki Philharmonic, and the Colorado, Nashville, Alabama, Santa Barbara, Syracuse, and Puerto Rico symphony orchestras. Mr. Alessi has also participated in numerous festivals, including the Festivale Musica di Camera in Portogruaro, Italy; Cabrillo Music Festival; Swiss Brass Week; and Lieksa Brass Week in Finland. He was featured in the 1997 International Trombone Festival in Feldkirch, Austria, and the International Meeting of Brass Instruments in Lille, France. In 2002 Mr. Alessi was awarded an International Trombone Association Award for his contributions to the world of trombone music and trombone playing, and in 2014, was elected President of that association. Mr. Alessi is currently on the faculty of The Juilliard School; his students now occupy posts with many major symphony orchestras in the U.S. and internationally. As a clinician for the Eastman-Shires Instrument Co., he has also given master classes throughout the world and has toured Europe extensively as a master teacher and recitalist. He has performed as soloist withseveral leading concert bands, including the U.S. Military Academy Band at West Point, U.S. Army Band (Pershing's Own), and the U.S. Marine Band (President's Own).  In addition, he has performed with the Maria Schneider Orchestra, the Village Vanguard Orchestra, and has recorded with jazz greats, J.J. Johnson and Steve Turre. Mr. Alessi's discography includes many releases on the Summit record label, including the Trombonastics, and a disc with New York Philharmonic Principal Trumpet Philip Smith entitled Fandango; he also recorded New York Legends on the Cala label. His live recording of the Rouse Concerto with the New York Philharmonic can be heard on Volume II of the recent release, An American Celebration, on New York Philharmonic Special Editions, the Orchestra's own recording label. Mr. Alessi was invited by the International Trombone Association to record a solo disc of newly composed works, which was distributed to the Association's membership of 5,000 trombonists. in early 1999 and is now available as Beyond the End of the Century through Summit Records. His recording of George Crumb's Starchild on the Bridge record label, featuring Mr. Alessi as soloist, won a Grammy Award for 1999– 2000. Other recordings featuring Mr. Alessi are with the Canadian Brass (Sony Classical and Philips Records). Further information about Mr. Alessi can be found on his website, www.slidearea.com. Mr. Alessi plays exclusively on a Shires- Alessi model trombone.   As a conductor, Mr. Alessi has conducted the Juilliard Trombone Choir, the Danbury Community Orchestra and the New York Concerti Sinfonietta in Carnegie Weill Recital Hall and will conduct the World Doctor's Orchestra in November of 2025. 

Interview Date: March 23rd, 2025Episode Summary:This episode spotlights Robert Garland, Artistic Director of Dance Theatre of Harlem (DTH)—former principal dancer, DTH's first resident choreographer, and a Juilliard BFA graduate. Beyond the concert stage, Garland's work spans New York City Ballet, The Royal Ballet, Oakland Ballet, and commercial projects from Sesame Street to Nike and the NAACP Image Awards.Garland traces DTH's roots to Arthur Mitchell's 1969 vision and explains how Mitchell's lecture-demonstration model built audiences and access. He folds in a vivid business/history lesson on George Balanchine—from the Ballets Russes and Coco Chanel's short ballet skirt to the Harlem Renaissance's jazz influence that helped shape neoclassicism and, crucially, how smart repertoire and audience-building choices drove growth. On the business side, Garland stresses that relationships power opportunities and fundraising—“contacts become contracts”—and lifts the curtain on the theater's “cottage industry” (development, marketing, production, stage management). For dancers, he offers pragmatic guidance: cultivate musicianship and form, be multifaceted (social, lighting, admin), and understand cycles of work—pace your week so you peak for shows. He unpacks today's video-first auditions, urging care with presentation, while affirming many legitimate pathways (college, company route, or self-directed study).Show notes:(0:00) – Robert Garland introduction & career highlights(09:41) – Dance Theatre of Harlem origin & mission(14:55) – Juilliard audition story and scholarship journey(16:56) – Balanchine, Coco Chanel, and neoclassicism explained(25:51) – “Contacts = Contracts”: relationships fuel opportunities(33:16) – Careers beyond stage: marketing, production, education(38:27) – Arts education builds empathy and compassion(42:34) – Audition process and rise of video submissions(51:41) – Transition into commercial/TV work with hip-hop artists(1:12:11) – From dancer to choreographer to creative leadershipBiography:Artistic Director Robert Garland was a member of the Dance Theatre of Harlem Company from 1985-1998, achieving the rank of principal dancer. After creating a work for the DTH School Ensemble, Arthur Mitchell invited Mr. Garland to create a work for The Dance Theatre of Harlem Company and appointed him the organization's first Resident Choreographer. Before becoming DTH Artistic Director, he was Director of the Dance Theatre of Harlem school. In 2023, Mr. Garland was appointed the Artistic Director of Dance Theatre of Harlem. His works for the company include Higher Ground, New Bach, Return, Nyman String Quartet No. 2, and The Cookout among others, many are in his signature postmodern-urban-neo-classical style.  In addition to choreographing several ballets for DTH, Mr. Garland has also created works for New York City Ballet, Britain's Royal Ballet, Oakland Ballet and many others.  His commercial work has included music videos, commercials and short films, including the children's television show “Sesame Street”, a Nike commercial featuring New York Yankee Derek Jeter, the NAACP Image Awards, a short film for designer Donna Karan, and the “Charmin Cha-Cha” for Proctor and Gamble. Mr. Garland holds a Bachelor of Fine Arts Degree from the Juilliard School in New York City.Connect on Social Media:Instagram -https://www.instagram.com/robertgarlandWebsite - dancetheatreofharlem.org

Join "Dance Talk” ® with Joanne Carey and special guest Janet Eilber this episode of  "Dance Talk” ® with Joanne Carey, host Joanne Carey  speaks with Janet Eilber, the artistic director of the Martha Graham Dance Company. They discuss Janet's early beginnings in dance, her time at the Juilliard School, being a teenager in NYC as well as her experiences with the Martha Graham Technique, and the profound impact of Martha Graham's teachings on her career. Janet shares insights into her roles within the company, the creative process of Martha Graham, and the legacy she aims to uphold as artistic director. They also explore the upcoming celebrations for the 100th anniversary of the company, innovative projects, and the importance of engaging audiences through open rehearsals.Janet Eilber has been Artistic Director of the Martha Graham Center of Contemporary Dance Company since 2005 pioneering new forms of audience access to the Graham legacy. Ms. Eilber is a graduate of the Juilliard School where she was mentored by teachers of the Graham and Limón legacies and directed by José Limón in several of his classics. While still at Juilliard, she was invited to join the Graham Company where she worked closely with Martha Graham for almost a decade. She danced many of Graham's greatest roles, had roles created for her by Graham, and was directed by Graham in most of the major roles of the repertory. She soloed at the White House, was partnered by Rudolf Nureyev, starred in three segments of Dance in America, and worked with Graham's major collaborators such as Isamu Noguchi, Aaron Copland and Halston.  She has since taught, lectured, and directed Graham ballets internationally for companies such as the Dutch National Ballet and the Paris Opera Ballet. Apart from her work with Graham, Ms. Eilber has co-starred in films such as Whose Life is it Anyway? with Richard Dreyfuss, and Romantic Comedy with Dudley Moore.  She was featured in several television series in the 1980s, and danced and acted on and off Broadway directed by such greats as Agnes DeMille and Bob Fosse. For her performance in Stepping Out directed by Tommy Tune, she was nominated for a Drama Desk Award for Featured Actress in a Play. Ms. Eilber received four Lester Horton Awards for her reconstruction and performance of seminal American modern dance. She served as Director of Arts Education for the Dana Foundation, guiding the Foundation's support for Teaching Artist training and contributing regularly to its publications. She is a Trustee Emeritus of the Interlochen Center for the Arts and was recently honored with a Doctorate of Fine Arts from the Juilliard School.At the 2022 celebration of the 50th anniversary of her first performance with the Martha Graham Dance Company, Ms. Eilber received a congratulatory letter from President and First Lady Biden saluting her half-century contribution to the arts in America.  She is married to screenwriter/NYU professor John Warren, with whom she has two daughters, Madeline and Eva.To find out more⁠https://marthagraham.org/company/⁠⁠⁠⁠Follow the company on Instagram@marthagrahamdance⁠“Dance Talk” ® with Joanne Careywherever you listen to your podcasts. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠⁠Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Freelancing is a kind of freedom. Freedom from a regular schedule, an office, or a permanent boss. But with freelance work comes responsibility. Part of your job as a freelancer is deciding what the work should be and finding the clients who are going pay you to do it. Not only are you responsible to them, but you’re responsible for yourself, your family, the tax man, and more. In the music notation software and related technology world of Scoring Notes, it’s possible to have freelance work in which those tools are used regularly. Paul Beck is principal librarian of the Milwaukee Symphony, concert librarian for Renée Fleming, and formerly librarian at, among other institutions, The Metropolitan Opera, The Juilliard School, and the Aspen Music Festival & School. Paul joins Philip Rothman and David MacDonald to talk all about his decades of experience both as a freelance music preparer and salaried performance librarian, and to offer a wealth of insights and practical advice for anyone seeking freedom — and responsibility — as a freelancer. This wide-ranging and detailed conversation explores the methods and manners of pursuing freelance work; the differences and similarities among being a freelancer, independent contractor, part-time employee, and full-time employee — and the benefits and drawbacks of each; managing your time and boundaries as a freelancer; the importance of mentors; essential tools; and specific advice about finances, invoices, and payment processing options. More from Scoring Notes: An interview with librarian Paul Beck Road report: Copland’s Rodeo in Milwaukee How to charge for music preparation Chronology of a perfect music printing job The tale of the tape The staples of printing self-published music

This episode of The Other Side of the Bell, featuring rising trumpet star Will Leathers, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Will Leathers trumpet interview" About Will Leathers: Will Leathers earned Bachelor's and Master's degrees from The Juilliard School in 2022 and 2023 and was the first undergraduate classical trumpeter to receive the prestigious Kovner Fellowship. In 2022, while still completing his studies, Will secured the highly sought-after position of Principal Trumpet for both the Nashville Symphony Orchestra and the Santa Fe Opera, an extraordinary accomplishment for a musician at his stage of career. He continued to break barriers, being recognized by CBC Music as one of Canada's “30 Hot Classical Musicians Under 30,” solidifying his place as one of his generation's most promising classical musicians. He has performed with world-renowned ensembles, including New York Philharmonic Brass, Cleveland Orchestra, St. Louis Symphony Orchestra (Guest Principal Trumpet), Toronto Symphony Orchestra (Guest Principal Trumpet), and Philadelphia Orchestra (Guest Associate Principal Trumpet). He also performs as a concerto soloist, both on piano and trumpet. Will's artistry has also led him to collaborations with elite chamber ensembles, including The National Brass Ensemble, where he was invited to perform and record with some of the finest brass musicians from major American orchestras, American Brass Quintet, Rodney Marsalis Philadelphia Big Brass, and Santa Fe Chamber Music Festival Orchestra. He has been a part of a number of recordings such as "Deified", an album by the National Brass Ensemble, and Soundtrack for the film Rustin Produced by Barack and Michelle Obama's production company Higher Ground. Will released his debut album, "Blue Sky Purple Clouds," in 2025, a collaboration with Michael Gaspari. It is now available on all major streaming services.   Episode Links:   Website: willleathers.com Instagram: @leathersboy Bandcamp: willleathers.bandcamp.com Buy the album: Blue Sky, Purple Clouds   Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Selected Artist Photographs - Sophia Szokolay  Audio Engineer - Ted Cragg

Join Conversations on Dance hosts Rebecca King Ferraro and Michael Sean Breeden for a live podcast recording with one of the Vail Dance Festival's most celebrated returning artists and this year's Artist-in-Residence, Melissa Toogood. Toogood, a Bessie Award-winning dancer and former member of the Merce Cunningham Dance Company, has just been named Director of The Juilliard School's Dance Division and will share her vision for the next chapter of one of the world's most prestigious conservatories. She also debuts a new work for the Festival's NOW: Premieres program this year.This episode is brought to you by Discover Vail and was recorded live from the Vail Dance Festival on July 29, 2025.Tickets to Conversations on Dance at the 2025 Vail Dance Festival on sale now! https://vaildance.org/conversations-on-dance/LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.