Podcasts about San Francisco Ballet

Today's guest, Kati Hanlon Mayo, Academy Associate Director for Charlotte Ballet's Upper School, trained at The Boston School of Ballet under the direction of E. Virginia Williams & Violette Verdy. At the age of 15, she became a member of Boston Ballet 2 before joining North Carolina Dance Theatre (now Charlotte Ballet) as a principal dancer. She also performed with Chautauqua Ballet Company under the direction of Jean Pierre Bonnefoux.Her students have gone on to professional careers with companies throughout the world, including: New York City Ballet, Nederland Dans Theater, San Francisco Ballet, Boston Ballet and Houston Ballet. Kati has been a guest teacher for The Alvin Ailey American Dance Theater, The Chautauqua Institution, Regional Dance America and she is a repetiteur for the Salvatore Aiello Trust. She is a certified instructor of Dance for Parkinson's Disease through The Mark Morris Dance Group and she also completed her instructor certification with Progressing Ballet Technique.In our conversation, Kati shares about the value of mentors, allowing yourself to grow, and staying focused on your training despite the distractions of competing for roles, navigating the unknowns, and all the things that can pull your focus from your technique.Thanks for listening to our conversation, thanks for sharing this episode with a friend and for leaving a review. Takeaways from our conversation:-mentors help you understand what you don't know-a life in dance starts at a young age; requiring both physical and emotional strength and maturity-stay connected to the joyful adventure of danceLearn more about Kati and Charlotte Ballet - including their summer program at Charlotteballet.org.You can learn more about dance education and career planning for dancers at theballerinatist.com#dance #danceeducation #professionaldancer #dancecompany #ballet #ballerina #summerdanceprogram

Garen Scribner is a producer, manager, and arts leader with over 20 years of experience on stage and behind the scenes. Credits include four seasons of the 6x Emmy-nominated broadcast TV series BROADWAY SANDWICH (Creator, Host), the 10-part limited series AND THE TONY NOMINEES ARE (Producer), and the film WAITING PLACES (Producer), all for New York Public Media (PBS/WNET/ALL ARTS). On stage, Garen starred as Jerry in the Broadway and National Tour productions of An American in Paris after a decade as a soloist with the San Francisco Ballet and artist of Nederlands Dans Theater. Garen is the Artistic Director of the San Francisco Dance Film Festival and the founder of Pilot MGMT, a management and production company representing many of the world's most extraordinary dance-based artists. He holds a Master's degree in Public Administration from Harvard University and lives in Santa Monica, CA with his husband Geoff and their dog Maya. Rebecca Soldinger is an Emmy Award winning television producer with over two decades in the business. She currently serves as the Creator and Executive Producer of the 6-time Emmy nominated series, "Broadway Sandwich." Previous credits include 17 seasons at "Rachael Ray," and "Tamron Hall." Want to try our Broadway fitness program for free? ⁠⁠www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Karen LeFrak is a celebrated Composer, Pianist and Children's Book Author. She has composed a number of moving music scores, including “Sleepover At The Museum, which have been presented around the world by the NY Philharmonic, National Symphony, American Ballet Theater and the Mariinsky Ballet. Her newest work is called “Miami Concerto for Guitar and Orchestra” and features World Class guitarist Sharon Isbin. As an author Karen has written several acclaimed children's books including “Jake the Philharmonic Dog” and “Best In Show”.My featured song is called “Cousins” from the album Trippin by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Ranked in the Top 1% of all podcasts with listeners worldwide on every continent in 200 countries!Click here for All EpisodesClick here to SubscribeClick here to receive our podcast emailsClick here to rate and review the podcast—----------------------------------------Connect with Karen:www.karenlefrak.com—----------------------------------------ROBERT'S RECENT SINGLES:“DAY AT THE RACES” is Robert's newest single. It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called "Fun, Upbeat, Exciting!"CLICK HERE FOR ALL LINKS____________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

The San Francisco Ballet's production of “Frankenstein” opens again on Saturday. Tamara Rojo is the Artistic Director of the San Francisco Ballet, and the first woman to lead the company. KALW's Jenee Dardin spoke with Tamara about how dance offers a physicality to 'The Creature's' emotional struggle.

On today's show, we'll pay homage to the late D'Wayne Wiggins of Tony! Toni! Tone!, then the San Francisco Ballet is getting ready for their production of “Frankenstein,” and why an Oakland author wanted to write a children's book about “Star Trek's” Nichelle Nichols.

This week Ivy Slater, host of Her Success Story, chats with her guest, Sonia Kostich. The two talk about Sonia's unique merger of arts and finance, her role in fostering artistic talent at Baryshnikov Arts, and the importance of building relationships and support systems in every career phase.  In this episode, we discuss: How Sonia Kostich transitioned from a professional ballet dancer to a career in finance, going to college at 42 and working at Goldman Sachs. What inspired her to reinvent herself and pursue a new path after a successful 20-year career in dance. When Sonia made the decision to take the next step in her life and focus on education and a new career direction. Why Sonia believes keeping strong relationships and a support network is crucial, especially during major life transitions. How the skills and discipline from a dance career can translate into success in the business world. The importance of staying open to possibilities and being willing to step into the unknown as part of personal and professional growth. Sonja Kostich- Executive Director of Baryshnikov Arts brings with her both the knowledge and experience of having been a professional dancer for over two decades as well as significant business acumen derived from her business education and time working at Goldman Sachs. Through a unique and successful professional trajectory, she now merges her artistic and business experience as an arts leader. Ms. Kostich was hired by Mikhail Baryshnikov at the age of 17 to join American Ballet Theatre from The School of Classical Ballet, the training school for ABT created by Mr. Baryshnikov, consisting of only seven female students and five male students. She later danced with the San Francisco Ballet and the Zurich Ballet, Mikhail Baryshnikov's White Oak Dance Project, and in multiple collaborations with opera/theater director Peter Sellars, before co-founding OtherShore, which she co-directed for six years. Her experience in ballet, contemporary, and modern dance resulted in a diverse international career that spanned across artistic disciplines.  Upon retiring from dancing, Ms. Kostich returned to school, obtaining a Bachelor of Business Administration (BBA) in Accounting and Business Communication from Zicklin School of Business, CUNY Baruch College, where she graduated Salutatorian at the age of 42. Following, she began a full-time position at Goldman Sachs in the Finance Division with a focus on regulatory capital requirements. Simultaneously she obtained an MA in Arts Administration, eventually returning to the dance world, first as the finance manager at Mark Morris Dance Group and then as program manager at New York City Center. From 2018 to 2022, she served as the Chief Executive and Artistic Officer at Kaatsbaan Cultural Park, a 153-acre artist sanctuary located in Tivoli, NY, where she led the successful rebrand and revitalization of the over 30-year organization, bringing it to award-winning status for its significant artistic and economic contributions to the Hudson Valley.  In October 2022, Ms. Kostich joined Baryshnikov Arts as its new Executive Director. As a female Korean American, born in Seoul, Korea, and raised in Minnesota, her history, both personal and professional, lends itself to cultivating and supporting new perspectives as Baryshnikov Arts expands its capacity to create multi-platform and collaborative havens for artistic expression, innovation and freedom and especially as we commit further to elevating and sharing the stories of artists of diverse cultures and histories. Social Media Links: Instagram handle:  @sonja.kostich  

"Dance Talk” ® with Joanne Carey and special guest Lar Lubovitch.In this episode of "Dance Talk” ® with Joanne Carey, host Joanne Carey interviews renowned choreographer Lar Lubovitch, who shares his journey into the world of dance, his artistic influences, and his experiences at Juilliard. Lubovitch discusses the importance of intuition in dance, the correlation between painting and choreography, and the defining moments that shaped his career. He reflects on his first choreographic experience and the evolution of the Juilliard Dance Department, highlighting the significance of mentorship and the transformative power of dance. In this conversation, Lar Lubovitch shares his journey in the world of dance, discussing the importance of movement poetry, the essence of dance as a higher value, and the significance of improvisation in choreography. He reflects on his recent Lifetime Achievement Award and the sense of community within the dance world. Lubovitch emphasizes the ongoing process of learning and evolving as a dancer and choreographer, encouraging others to embrace the journey of creation and expression in dance.Lar Lubovitch is one of America's most versatile, popular and widely seen choreographers. Based in New York City, Lubovitch's company has performed throughout the world, and his dances have also been performed by many other major companies, including American Ballet Theater, Joffrey Ballet, New York City Ballet, Paris Opera Ballet, Royal Danish Ballet, San Francisco Ballet, Alvin Ailey American Dance Theater, and many others. His dances are renowned for their musicality, rhapsodic style and sophisticated formal structures. His radiant, highly technical choreography and deeply humanistic voice have been acclaimed worldwide.THE COMPANY. The Lar Lubovitch Dance Company is internationally renowned as one of the world's best dance companies. Founded in 1968, the company is now celebrating its 56th anniversary. The 50th season kicked off with a preview performance on Nov 13 (2017) at Lincoln Center's Clark Studio Theater, and culminated with performances from April 17-22 (2018) at the Joyce Theater. Celebrated for both its choreographic excellence and its unsurpassed dancing, the company has created more than 120 new dances and performed before millions throughout the United States and in more than 40 foreign countries. During 2023, the company created two new dances. The first, Conversing With Brahms, premiered in Dallas in April, and the second, Desire, premiered at the Guggenheim Museum in NYC on December 5, 2023. During 2024, the company is creating Many Angels, together with Alvin Ailey American Dance Theater.⁠https://lubovitch.org/Company/Lar_Lubovitch/lar_lubovitch.html⁠“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠ ⁠⁠Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Grace Holmes, the head of San Francisco Ballet School, joins us to discuss her vision for the school, from training curriculum and performance opportunities to scholarships and student wellness. We also discussed the culture at SFBS, recent changes to the trainee program, and how the school prepares students for professional careers. Tune in for an in-depth look at one of the country's top ballet schools and what's ahead under her leadership. You can learn more about San Francisco Ballet School at these links: SFBS Summer Intensive Programs  School Year Programs Read Summer Reviews of SFBS Read Year-Round Reviews of SFBS More Links: Support Ballet Help Desk Buy Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Ranu Mukherjee, a painter, textile, and film installation artist, who was recently appointed as Dean of the Film and Video School at CalArts in Los Angeles. Ranu discusses her background, her collaborative work with choreographers, and her latest project designing a curtain for the San Francisco Ballet's 'Cool Britannia'. She shares insights into her inspirations, including forests and their literary forms, and her early experiences that led her to become an artist. The episode concludes with Emily's regular segment, 'Three Questions', discussing influential works and inspiring places.About Artist Ranu Mukherjee:Ranu Mukherjee's work has been the subject of solo exhibitions at the 18th Street Arts Center, Los Angeles (2022-2023) de Young Museum, San Francisco (2018-2019); the Pennsylvania College of Art and Design (2017);  the Asian Art Museum, San Francisco (2016); the Tarble Art Center, Charleston, IL (2016) and the San Jose Museum of Art, CA (2012), among others. Her most recent immersive video installations have been was presented in Natasha, Singapore Biennale 2022-2023, the 2019 Karachi Biennale (2019) and Los Angeles County Museum of Art (2016) as well as in numerous international group exhibitions. Mukherjee has been awarded a 2023 Artadia Award,a Pollock Krasner Grant (2020); a Lucas Visual Arts Fellowship at Montalvo Arts Center, Saratoga, CA (2019-2024); an 18th Street Arts Center Residency, Los Angeles (2022); Facebook Artist in Residence (2020);  de Young Museum Artist Studio Program (2017); the Space 118 Residency, Mumbai (2014); and a Kala Fellowship Award and Residency, Berkeley (2009). Her work is in the permanent collection of the Asian Art Museum, San Francisco; de Young Museum, San Francisco; the Escallete Collection at Chapman University; the JP Morgan Chase Collection, New York; the Kadist Foundation, San Francisco and Paris; the Oakland Museum of California; the San Jose Museum of Art; and the San Francisco International Airport, among others. In 2021 Gallery Wendi Norris released Shadowtime, a major monograph on Mukherjee's work over the past decade featuring a conversation with author and climate activist Amitav Ghosh, and an essay by Jodi Throckmorton, curator of Mukherjee's first solo museum exhibition at the San Jose Museum of Art. Mukherjee co-created Orphan Drift, a London-based cyber-feminist collective and avatar making combined media works since 1994. They have participated in numerous exhibitions and screenings internationally including in London, Oslo, Berlin, Oberhausen, Glasgow, Istanbul, Vancouver, Santiago, Capetown, and the Bay Area.Mukherjee received her B.F.A. in Painting, from the Massachusetts College of Art, Boston, MA in 1988, and her MFA in Painting at the Royal College of Art, London, UK in 1993.  She serves on the Board of Trustees at the San Jose Museum of Art, and the Board of Directors at Bridge Live Arts. She is a Professor and Chair of Film at California College of the Arts, San Francisco. Visit Ranu's Website:  RanuMukherjee.comFollow  on Instagram:  @RanuMukherjeeFor more on 'Cool Britannia' at the San Francisco Ballet - CLICK HERE.For more on Ranu's book, 'Shadowtime' - CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

CLOSER THAN YESTERDAY, documentary feature film Two young San Francisco Ballet dancers compete on the world stage at the Helsinki International Ballet Competition. http://closerthanyesterday.com/ Review of the film: https://festivalreviews.org/2025/01/27/feature-film-review-closer-than-yesterday-directed-by-lisa-le-lievre/ Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

On today's episode of "Conversations On Dance" we are joined by Elizabeth Yntema the president and founder of Dance Data Project, an organization that promotes gender equity through its research and analysis. Dance Data Project has just released its Artistic and Executive Director compensation report and Elizabeth helps us comb through the data to explore things like the remaining gender pay gap and pay increases for executives in spite of deficits. Visit dancedataproject.com to view the full report. https://www.dancedataproject.com/ddp-research/artistic-and-executive-compensation-report-2024/* ADDITIONAL NOTE regarding dancer compensation * Follow up from DDP: "In FY22, 1 company within the Largest 10 reported dancer salaries - San Francisco Ballet. In FY23, 4 companies within the Largest 10 reported dancer salaries - San Francisco Ballet, American Ballet Theatre, Houston Ballet, and Pacific Northwest Ballet. Notably, all of the dancers with reported salaries were principal dancers."According to the IRS, here are the guidelines for which persons must be listed on Form 990s: "The organization must also list up to 20 current employees who satisfy the definition of key employee (persons with certain responsibilities and reportable compensation greater than $150,000 from the organization and related organizations), and its five current highest compensated employees with reportable compensation of at least $100,000 from the organization and related organizations who are not officers, directors, trustees, or key employees of the organization."Be in touch with Dance Data Project: https://www.dancedataproject.com/contact-us/.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.

Today I have the privilege of speaking with the divine Juliet Doherty. Juliet was born in Albuquerque, New Mexico, which is slightly more Breaking Bad than “Swan Lake,” but Juliet's grandparents owned a ballet studio which passed to Juliet's mother, and so the artistic genes ran deep. Juliet was renowned worldwide from an early age, competing in competitions around the world, winning the Youth America Grand Prix twice, and appearing in the cult movie First Position. By 16, Juliet was dancing with the San Francisco Ballet, where after training as an apprentice, she accepted a contract into the company, but company life wasn't for Juliet. In this most beautiful conversation, Juliet talks about her road to the stage, her diverse training, and her decision to branch out and carve her own artistic life away from the ballet. We discuss her reasons for leaving the San Francisco Ballet, diving into the wild of freelance work, the joys and the burdens of social media, and what continues to drive her passion as a freelance dancer and actress.Juliet continues to perform and act around the globe, while continuing as an MDM Dance Muse. Juliet has just finished a tour with Ballet International Gala in Brisbane. To continue to follow all of Juliet's wonderful adventures, you can find her on Instagram @julietdoherty.Follow @talkingpointespodcast and never miss an episode! Talking Pointes is produced on the lands of the Gadigal People of the Eora Nation, to whom we pay our greatest respects. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

If you're enjoying the content, please like, subscribe, and comment! Please consider supporting the show! https://creators.spotify.com/pod/show/worldxppodcast/support Shannon's Links: https://www.empress-music.com/ https://www.instagram.com/shannonrugani https://www.shannonrugani.com/ A California native, Shannon Rugani trained with San Francisco Ballet School on a full merit scholarship, joining San Francisco Ballet in 2004 as one of the youngest company members in history. In 2014, she left SFB to join the original cast of the Tony Award winning Broadway musical, An American In Paris. In 2019, Shannon decided to focus on her music career as a singer/songwriter, under the stage name EMPRESS®. Shannon started composing music at age 4, and in 2023 went back to her roots to write symphonies for ballets. Most recently she's been commissioned to write her first full length score for a ballet about Marilyn Monroe that will premiere at Oregon Ballet Theater in Portland Oregon in April 2025. Shannon's latest role as a mom to a baby girl born, January 2024, is her most exciting and fulfilling one yet! ______________________ Follow us! @worldxppodcast Instagram - https://bit.ly/3eoBwyr @worldxppodcast Twitter - https://bit.ly/2Oa7Bzm Spotify - http://spoti.fi/3sZAUTG YouTube - http://bit.ly/3rxDvUL #music #broadway #ballet #dancing #dance #musical #singer #songwriter #composer #symphony #orchestra #audition #ballerina #explore #explorepage #podcastshow #longformpodcast #longformpodcast #podcasts #podcaster #newpodcast #podcastshow #podcasting #newshow #worldxppodcast --- Support this podcast: https://podcasters.spotify.com/pod/show/worldxppodcast/support

Today it's just Michael and Rebecca checking in. Please take 5 mins to take our listener survey. We want to hear from you!LINKS related to this episode:Take our listener survey: https://forms.gle/UU6eFZD2WH6JCmjG7Episode with Silas Farley: https://www.conversationsondancepod.com/episodes-transcripts/416-silas-farley-teacher-and-choreographer. If you donate dance books to a local dance school, please let us know! We would love to hear about it: info@conversationsondancepod.com.Episode with Mathilde Froustey, Principal Dancer with San Francisco Ballet: https://podcasts.apple.com/us/podcast/conversations-on-dance/id1128237763?i=1000413007256Golden State Ballet's Nutcracker: https://www.goldenstateballet.org/LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.

In just 2 days the San Francisco Ballet is set to open their Nutcracker performances at the War Memorial Opera House. But the show is in jeopardy...

In this episode of Pivot with Purpose, I chat with Marina Shiferman about her pivot from Ballerina to San Francisco Realtor®. After studying at the Kirov Ballet Academy and competing at the highest level, Marina's life shifted when she was diagnosed with a brain tumor. Her resilience and passion led her to build a thriving business in luxury real estate, where she honed her skills in connecting clients with exceptional properties. Now, with her agency ‘Together In Luxury', Marina combines her deep understanding of ballet's grace and precision with her expertise in the luxury world. She founded the agency to create authentic partnerships between the world's top ballerinas and luxury brands, ensuring each campaign captures the essence of both art and elegance. Driven by her love for ballet and luxury, Marina is passionate about elevating brands and ballerinas to new heights, creating timeless moments of beauty and sophistication.Marina's story is a powerful testament to resilience and redefining success on your terms. Dive in as we unpack her journey and what it means to pivot with purpose!Topics Covered:(01:31) Marina's early career journey in luxury real estate and her pivot to founding “Together in Luxury,” a unique talent agency.(04:57) Marina's ballet career, and how a health challenge led to an unexpected identity shift.(12:20) An inspiring moment at a women's summit that gave Marina the courage to publicly share her story.(16:45) Marina's journey in creating a partnership with the San Francisco Ballet and how intuition guided her in building her career.(20:56) Marina opens up about her struggles with mental health and the life-changing impact of therapy in overcoming past traumas.(24:52) Marina's daily non-negotiables for mental well-being and her boundaries for maintaining balance in her life.(32:03) Looking to the future with Marina.Marina's insights on purpose and self-discovery are both relatable and inspiring. Connect with her on social media and keep up with her incredible journey!Connect with Marina!WebsiteMarina's InstagramTogether In Luxury InstagramMeghan Houle Method Career Community & Recruitment Resources: LinkedIn Meghan Houle Instagram Pivot with Purpose Instagram Book a Call With Meghan Subscribe to the Pivot with Purpose Blog Season 6 Sponsor TripleTen TripleTen's boot camps turbocharge your journey into the world of tech, equipping you with the cutting-edge skills needed for a game-changing career pivot. Ranked at the top of the charts, Tripleten's programs in Software Engineering, Quality Assurance, Business Intelligence Analytics, and Data Science are the ultimate launchpad for your career transformation. Learn more about TripleTen: https://tripleten.com/

This is Derek Miller Speaking on Business. Ballet West is the ninth largest professional ballet company in the country and is the second-largest performing arts organization in Utah with an international reputation for artistic excellence since its founding in 1963. Executive Director Michael Scolamiero joins us with more. Michael Scolamiero: Ballet West is home to America's first Nutcracker, which all started when our founder, Willam Christensen, choreographed the first full-length version of The Nutcracker in the United States in 1944. This year, we are celebrating 80 years of The Nutcracker, which has become officially known as a Living Historic Landmark by the state of Utah, the first such designation of its kind in the country. We are the only company that presents this version in the United States, which Christensen first created for the San Francisco Ballet during the height of WWII to provide family entertainment to audiences during a difficult time in the world. It was ideal because of the vast number of children used in the production, when so many able-bodied dancers were enlisted in the military. Thanks to Christensen, The Nutcracker has become synonymous with the holiday tradition and has become a major revenue stream for ballet companies around the world. Derek Miller: For over 60 years, Ballet West has expanded its footprint in our community through innovative performances and preeminent training in dance. To learn more, or to get tickets for The Nutcracker, visit balletwest.org. I'm Derek Miller with the Salt Lake Chamber, Speaking on Business. Originally aired: 11/14/24

Dance Talk” ® with Joanne Carey and special guest, Sonja Kostich In this episode of Dance Talk, host Joanne Carey chats with Sonja Kostich, the president and executive director of Baryshnikov Arts. Sonia shares her inspiring journey from her early years in dance, through her transition from a professional dancer to a career in finance, and ultimately to her current role in arts administration. The conversation highlights the importance of collaboration in the arts, the challenges of career transitions, and the innovative programming at Baryshnikov Arts that supports artists in their creative processes. Sonia emphasizes the value of taking risks and stepping outside of one's comfort zone to discover new opportunities in life and art.  Sonja Kostich brings with her both the knowledge and experience of having been a professional dancer for over two decades as well as significant business acumen derived from her business education and time working at Goldman Sachs. Through a unique and successful professional trajectory, she now merges her artistic and business experience as an arts leader. Ms. Kostich was hired by Mikhail Baryshnikov at the age of 17 to join American Ballet Theatre from The School of Classical Ballet, the training school for ABT created by Mr. Baryshnikov, consisting of only seven female students and five male students. She later danced with the San Francisco Ballet and the Zurich Ballet, Mikhail Baryshnikov's White Oak Dance Project, and in multiple collaborations with opera/theater director Peter Sellars, before co-founding OtherShore, which she co-directed for six years. Her experience in ballet, contemporary, and modern dance resulted in a diverse international career that spanned across artistic disciplines.Upon retiring from dancing, Ms. Kostich returned to school, obtaining a Bachelor of Business Administration (BBA) in Accounting and Business Communication from Zicklin School of Business, CUNY Baruch College, where she graduated Salutatorian at the age of 42. Following, she began a full-time position at Goldman Sachs in the Finance Division with a focus on regulatory capital requirements. Simultaneously she obtained an MA in Arts Administration, eventually returning to the dance world, first as the finance manager at Mark Morris Dance Group and then as program manager at New York City Center. From 2018 to 2022, she served as the Chief Executive and Artistic Officer at Kaatsbaan Cultural Park, a 153-acre artist sanctuary located in Tivoli, NY, where she led the successful rebrand and revitalization of the 30+ year organization, bringing it to award-winning status for its significant artistic and economic contributions to the Hudson Valley. In October 2022, Ms. Kostich joined Baryshnikov Arts as its new Executive Director. As a female Korean American, born in Seoul, Korea, and raised in Minnesota, her history, both personal and professional, lends itself to cultivating and supporting new perspectives as Baryshnikov Arts expands its capacity to create multi-platform and collaborative havens for artistic expression, innovation and freedom and especially as we commit further to elevating and sharing the stories of artists of diverse cultures and histories. More about Baryshnikov Arts ⁠⁠https://baryshnikovarts.org/⁠ Follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

¿Cuántas veces habremos sido cómplices de un abusador sin quererlo? Es la pregunta que cualquiera se puede formular casi cualquier día del año viendo las noticias y que se elevan a la enésima potencia en 'Querer', la nueva serie de Alauda Ruiz de Azúa. La Premio Goya a mejor dirección novel por 'Cinco lobitos', que expone en cuatro episodios la historia de Miren, a quien interpreta magníficamente Nagore Aranburu, una mujer que, después de 30 años de matrimonio, decide denunciar a su marido por violación. La serie de 4 episodios llega a Movistar Plus.El Prado ha recreado el taller de Rubens para contarnos cómo trabajaba y se relacionaba con sus ayudantes. Allí ha Íñigo Picabea para guiarnos por el taller y preguntar sobre el "estatuto del artista" del siglo XVI nos va a guiar por ese lugar. Además vamos a bailar 'El lago de los cisnes' con Olga Baeza y Tamara Rojo, que llega a Madrid con el San Francisco Ballet. Hacemos el payaso con Daniel Galindo y lo cuestionamos todo, eso hace la ciencia, con Miguel Ángel Delgado que hoy viene a hablar de 'Nuestras primeras veces', de Nicolas Teyssandier, publicado por Periférica.Escuchar audio

This week Jeremy and Reid are joined by pod fam (and dad fan) Joseph Walsh. Topics include San Francisco Ballet's upcoming season, New York City Ballet's sneeky switcherooos, Heath Ceramic Tiles, Industry, Between The Temples, and toddler wilderness camp. San Francisco Ballet ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ⁠⁠➩ WEBSITE⁠⁠ ◦ ⁠⁠YOUTUBE ⁠⁠◦⁠⁠ ⁠⁠⁠⁠INSTAGRAM⁠⁠⁠⁠ ⁠⁠ ⁠➩ SUPPORT ◦ ⁠✨VIA VENMO!⁠⁠✨ ◦ ⁠⁠PATREON⁠⁠ ◦ ⁠⁠THE MERCH⁠⁠ ⁠⁠➩ REID⁠⁠ ◦ ⁠⁠JEREMY⁠⁠ ◦ ⁠⁠JACK⁠⁠ ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ⁠⁠➩ withdanceandstuff@gmail.com⁠

Dance Talk” ® with Joanne Carey and special guest, Artistic Director & CEO, Christine Cox, Ballet X In this episode of “Dance Talk” ® with Joanne Carey, join host Joanne Carey as she chats with Special Guest, Christine Cox,  Artistic and Executive Director of Ballet X. Together they discuss Christine's journey in the dance world, the founding of Ballet X, and its mission. Christine also shares about her love of music and how it plays an integral role in her artistry. The conversation also touches on the outreach and education programs Ballet X is known for within the community and the dance world. Together they also discuss the life skills that dance instills in individuals. Christine emphasizes the importance of supporting artists and the community and its the value of dance in society.  Check out this episode, it wont disappoint and neither will the company's upcoming season! Christine Cox Cox was a full-time company member with Pennsylvania Ballet from 1993 until her retirement from the stage in 2006. She trained in classical ballet at the Pennsylvania Ballet School and continued at the Performing Arts School of Philadelphia, spending summer sessions at the Joffrey and San Francisco Ballet schools. Some of her featured roles included Rum and Coca Cola in Paul Taylor's Company B, Eve in Margo Sappington's Rodin, Mis En Vie the Cowgirl in Agnes DeMille's Rodeo, and principal female roles in Jerome Robbins' Fancy Free and The Concert. During this time, Cox served for ten years as the rehearsal assistant of the children's corp for Pennsylvania Ballet's annual production of Balanchine's The Nutcracker. Prior to joining the Pennsylvania Ballet, she danced with BalletMet (Columbus, OH), as a guest artist with Ballet Hispanico (New York, NY), and with the American Repertory Ballet (Princeton, NJ). Cox is the proud mother of two young boys, Warren and Wesley. For Information on Ballet X https://www.balletx.org/about-us/staff/christine-cox/ YOUTUBE ⁠https://youtu.be/ABCFzZ83Voc And follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  https://dancetalkwithjoannecarey.com/ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Plus: We get a tour of the truly bizarre events at Europe's “tram Olympics” courtesy of the event's founder, Wieland Stumpf. Also: Michaela Mabinty DePrince overcame nearly unimaginable odds to blaze a trail in the world of dance. We remember her with Tamara Rojo, artistic director of the San Francisco Ballet; and Reno, Nevada is the site of a real life Succession drama for Rupert Murdoch and his heirs, we'll set the scene with The New York Times' Jim Rutenberg.

On January 26 of 2024, San Francisco Ballet premiered a commissioned work by Canadian American choreographer Aszure Barton. It was titled “Mere Mortals” and explored the science and ramifications of AI through the ancient myth of Pandora. With a brand-new score by world-renowned British electronica composer Sam Shepherd, aka Floating Points, and video and sound design by Barcelona-based Hamill Industries, “Mere Mortals” was a big gamble for new artistic director Tamara Rojo as she closed out her first season with the Ballet. It paid off. Not only was “Mere Mortals” a hit with critics, with the San Francisco Chronicle calling it “a passionate success,” but it also proved to be a box-office bonanza, so much so that San Francisco Ballet brought the production back to the stage just three months later for several encore performances. Perhaps more importantly, many in the audience were first-time ballet-goers, many of whom saw the piece more than once.In this arts climate when so many dance companies are struggling to get even their regular audiences back in the door, what was it about “Mere Mortals” that made it such a hit? In this interview, Aszure opens a window into her choreographic practice and how it may have contributed to an event equally invigorating to her dancers and her audience.Aszure is the artistic director of Aszure Barton & Artists, which she founded very early in her career as a creative outlet for the collaborative and anti-hierarchical instincts she'd had to repress in her dance education. Two decades later, Aszure Barton & Artists, which includes a core staff of creative collaborators, has created work all over the world with a wide array of artists and institutions, including Mikhai Baryshnikov, Nederlans Dans Theater and Alvin Ailey American Dance Theater. Aszure is currently the choreographer in residence at Hubbard Street Dance Chicago and is also developing a new piece in partnership with trumpeter and composer Ambrose Akinmusire. 

Details on the San Francisco Ballet lawsuit, why we never work out our arms, and girly football things.

"Once Was Gleaming" The California-born Tanner Porter is a composer, arranger, performer, vocalist and songwriter. Her voice is otherwordly and wonderful, and set against her complex orchestral arrangements, it evokes everyone from Kate Bush to Tori Amos. Her debut album The Summer Sinks was a stone cold stunner and her new album Once Was Gleaming picks up where Summer left off, offering a stirring and moving song-cycle that's filled with breathtaking musical finesse, and almost cinematic compositional scope. Tanner's orchestral music has been commissioned by the Louisville Orchestra, Albany Symphony Orchestra, the New York Youth Symphony, and Nu Deco Ensemble, among others. She's collaborated on ballets that were premiered by the Boston Ballet and the San Francisco Ballet, had short operas commisioned by Barnard College and Columbia University's New Opera Workshop and she's been busy on Broadway in ILLINOISE, with music by Sufjan Stevens as a vocal/guitar understudy for two roles. Tanner has been a composer-in-residence with the Louisville Orchestra's 2023-2024 Creators Corps, a fellow of the Aspen Music Festival,and her works have been presented at Carnegie Hall, the New World Symphony's New World Center, and the Prototype Festival. She was a 2019 recipient of the American Academy of Arts and Letters Charles Ives Scholarship. Tanner holds degrees in composition from the University of Michigan and the Yale School of Music. Once Was Gleaming is as sweeping as it is dramatic, punctuated by strings and electronica and a voice that soars through it all with inexplicable beauty. It's revelatory work. www.tannerporter.com (http://www.tannerporter.com) www.bombshellradio.com www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com Email: editor@stereoembersmagazine.com (mailto:editor@stereoembersmagazine.com) Twitter: @emberseditor IG: @emberspodcast

Katie checks in with Artistic Director (and former principal dancer) of Smuin Contemporary Ballet, Celia Fushille.

The Adult Ballet Studio has another special guest for this episode! Cecelia Beam, faculty member for adult ballet and dance classes for people with Parkinson's at San Francisco Ballet, is in the studio. Cecelia is a former dancer, training at School of American Ballet in New York City and graduating from the high school ballet program at the University of North Carolina School of the Arts. After dancing in Oakland, California, North Carolina, Indiana and New York, Cecelia found teaching. She earned a master's degree in ballet at Indiana University and has taught ballet at universities and private ballet schools, including Mills College, Indiana University, and San Francisco Ballet School.  She has a passion for teaching ballet for adults, and in addition to that, she manages and is the lead teacher for San Francisco Ballet School's Dance Class for People with Parkinson's and has coordinated San Francisco Ballet Adult Education Programs for more than 15 years. She shared some of the ways she structures her classes to make them as inclusive as possible while remaining committed to ballet technique and challenging her students. She also talked about the ways she's seen ballet change throughout her time studying it, and where she hopes things are headed in the future. Check it out! Learn more about Cecelia and her classes at SF Ballet: https://www.sfballet.org/artist/cecelia-beam/  Learn about Cecelia's work with the Parkinson's Foundation: https://www.parkinson.org/living-with-parkinsons/stories/cecelia-beam  Donate to the Parkinson's Foundation: Donate here! Learn about SF Ballet's adult program and Dance Class for People with Parkinson's: https://www.sfballet.org/school-community/adult-programs/parkinsons/ Email Cecelia: ceceliasballetclass@gmail.com  Vote for The Adult Ballet Studio in the arts category for The People's Choice Podcast Awards! Voting ends July 31. https://www.podcastawards.com/app/signup Music in this episode: Waltz of the Flowers - Tchaikovsky Barroom Ballet - Silent Film Light - Kevin MacLeod Barroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310 Artist: http://incompetech.com/ @eblosfield  | theadultballetstudio@gmail.com Support this podcast on Patreon! https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link --- Support this podcast: https://podcasters.spotify.com/pod/show/elizabeth-blosfield/support

If Philip Glass or Steve Reich experimented with EDM, we would arguably find their Venn diagram convergence in Floating Points. In fact, Sam Shepherd (aka Floating Points) recently composed his first ballet for symphony orchestra and electronics, Mere Mortals, for the San Francisco Ballet. We’ll get you dancing to your own beat with the twinkly, vibrant track “Del Oro.”  

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Jeff Reynolds, the Bass Trombone of the Los Angeles Philharmonic from 1969-2006 Jeffrey Reynolds was born in Ohio, but spent most of his life in Southern California. A graduate of California State University at Long Beach, he was the bass trombonist with the Los Angeles Philharmonic starting in 1969.  His major teachers were Robert Simmergren and Roger Bobo, with help from Robert Marsteller, Tommy Johnson, and Byron Peebles. His orchestra experience includes the symphonies of Long Beach, Downey, Debut, American Youth, Orange County, San Francisco Ballet, San Diego, and Saint Louis. Chamber music experience includes the Summit Brass, the California Brass Quintet, L.A. Brass Society, the Los Angeles Brass, the Hollywood Trombones, L.A. Philharmonic Institute, and the Ojai Festivals.    

Jennifer Milner is a ballet coach and certified Pilates trainer specializing in working with dancers. After a successful career as a ballet and musical theatre dancer, she became certified in Pilates with Kelly Kane and mentored under Marika Molnar for her dance medicine certification. She's trained dancers from the Royal Ballet, New York City Ballet, American Ballet Theatre, San Francisco Ballet, and the Kirov Ballet.Jennifer and I talked all about her career as a dancer, from ballet to musical theatre. We discussed staying motivated as a freelance dancer, how to determine if you should take a gig (especially the unpaid ones!) and our plans to overhaul the current company audition process. Jennifer shares how a career-ending injury led her to her current passion and the work she does to shape healthy dancers, both physically and emotionally.Key Moments: Early training [1:40] Beginning her professional ballet career at 16 [4:16] Transitioning to a career in musical theatre [7:40] Staying motivated as a freelance dancer [17:05] Deciding when to take a job, even if it's not paid [20:56] Turning a career-ending injury into a new career [26:15] The biggest struggles dancers are currently facing [33:35] Her biggest piece of advice for dancers pursuing a career [47:30]Connect with Jennifer:HER WEBSITE: www.jennifer-milner.comINSTAGRAM: instagram.com/jennifer.milnerLinks and Resources:Click here for one FREE month of Danscend's Council for Educators with code BRAINY1-1 Career Mentoring: book your complimentary career callLet's connect!My WEBSITE: thebrainyballerina.comINSTAGRAM: instagram.com/thebrainyballerinaQuestions/comments? Email me at caitlin@thebrainyballerina.com

“Dance Talk” ® with Joanne Carey and special guest, choreographer and author, Vladimir Angelov. In this episode of “Dance Talk” ® with Joanne Carey, join host Joanne Carey as she chats with Special Guest, Vladimir Angelov, a renowned choreographer, and author. Together, they discuss his journey from Bulgaria to the United States and his passion for choreography. He shares his own journey as a choreographer and the satisfaction of contributing to the dance community.  Mr. Angelov is also the founder of the International Choreography Organization and Networking Services (ICONS) that provides resources and opportunities for choreographers worldwide and emphasizes the importance of recognizing and supporting choreographers in the dance industry. His recently published book, 'You, the Choreographer: Creating and Crafting Dance' , does just that. It is a valuable guide for choreographers of all genres in their creative process.  This engaging conversation explores the history and process of choreography, and also delves into the creative process of choreography, discussing the role of personal experiences, storytelling, and the exploration of norms and boundaries.  Mr. Angelov is considered by many of his colleagues a key international expert in choreography, especially in philosophy and theory of choreography, as well as traditional and experimental approaches to creative practices.  Vladimir Angelov (choreographer, author, lecturer, and executive director) graduated from the National School for Dance Arts in Sofia, Bulgaria. He studied philosophy at the University of Sofia and completed his master's degree in dance and choreography at American University in Washington, D.C. Mr. Angelov served as a choreographer at the Washington National Opera at the Kennedy Center in Washington, D.C., under the artistic direction of Placido Domingo. He also has choreographed for diverse musical, theater, film, and television productions. Mr. Angelov has created original contemporary ballets for companies such as Arizona Ballet, Atlanta Ballet, Indianapolis Ballet, Richmond Ballet, San Francisco Ballet, Washington Ballet in the United States, as well as Alberta Ballet in Canada, National Ballet of Finland, Ballet, National Ballet of Mexico, Ballet Manila in the Philippines, Tokyo City Ballet in Japan, Mariinsky Ballet in St. Petersburg, Russia, among others. Mr. Angelov has been regular guest lecturer at the George Washington University and the American University in Washington DC, USA, and has taught at numerous universities and seminars at dance companies in Austria, Brazil, Bulgaria, China, Finland, France, Germany, Japan, Mexico, and Russia. He is the Founding and Executive Director of the International Consortium for Advancement in Choreography – Dance ICONS, Inc., the International Choreographers' Organization and Networking Services – a global association for choreographers based in Washington, DC, USA.  For Information on Dance ICONS visit ⁠https://www.danceicons.org/pages/index.php?p=151221143635  You can purchase the book here https://www.routledge.com/You-the-Choreographer-Creating-and-Crafting-Dance/Angelov/p/book/9780367444464  Follow Joanne Carey on Instagram @westfieldschoolofdance And follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Hi everyone and welcome back to the podcast! Welcome to SERIES 7! for this weeks episode, I am joined by Shane Wuerthner, probably better known as Athletistry on Instagram. We talk about his journey through professional ballet training, audition season and his experience of turning down a contract at the Royal Danish Ballet, and how this led him to go on to dancer soloist roles at Vienna State Opera, San Francisco Ballet, and Queensland Ballet, where he retired to settle down in Australia. During lockdown Shane started personal training, which led him to where he is today, the creator of ‘Athletistry' and online service for dancers to improve their range and quality of movement. You can find Shane here; IG: @athletistry TikTok: @balletstrong YT: Ballet Strong I hope you enjoy the episode Romy xx

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with textile artist Maria Guzman Capron, as she discusses her journey from painting to textiles, influences from her multicultural background, her innovative textile design for the San Francisco Ballet, and her mission to incorporate craft into contemporary art.About Artist  Maria Guzman Capron:Maria A. Guzmán Capron was born in Italy to Colombian and Peruvian parents. She received her MFA from California College of the Arts in 2015 and her BFA from the University of Houston in 2004. Select solo exhibitions include The San Francisco Museum of Modern Art, San Francisco, CA; the Blaffer Art Museum, Houston, TX; Shulamit Nazarian, Los Angeles, CA; Texas State Galleries, San Marcos, TX and Guerrero Gallery, San Francisco, CA. Select group exhibitions include Boston University, Boston, MA; Contemporary Jewish Museum, San Francisco; Berkeley Art Center, Berkeley, CA; Shulamit Nazarian, Los Angeles, CA; The Mistake Room, Los Angeles, CA; Public Gallery, London, UK; NIAD Art Center, Richmond, CA; CULT Aimee Friberg Exhibitions, San Francisco, CA; Deli Gallery in Brooklyn, NY; and Buffalo Institute for Contemporary Art, Buffalo, NY. Her works have been written about in Hyperallergic, Variable West, Bomb Magazine, and Art in America. Capron's work is in the collection of the de Young Museum, San Francisco, CA, the Jorge M. Pérez, Miami, FL, and the Speed Museum, Louisville, KY. As a 2022 recipient of SFMOMA's SECA Award, her exhibition Respira Hondo was presented at SFMOMA through May 2023.For more about Maria, CLICK HERE. Follow Maria on Instagram:  @MariaGuzmanCapronLearn more about Maria's Scenic Curtain at the SF Ballet HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Get Melissa's guide to Summer Dance Programs - Melissa worked for Central Pennsylvania Youth Ballet, Boston Ballet, Miami City Ballet, and San Francisco Ballet's summer programs. She created an ebook for Parents with her tips and recommendations from her experiences in different cities with different companies so they can prepare their dancers to have a fun, meaningful experience at summer dance programs. Get the guide: https://hpdtn.com/thingsdancersneed/p/rockyoursummerdanceprogram Learn more about dance education and career planning for dancers: emceemovement.com

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview John Sebastian Vera and Nick Schwartz, trombonists and podcast hosts of The Trombone Retreat.  After you listen to this episode, head on over to The Trombone Retreat feed for the second half of this episode.  You can come see us at Booth #271 at the TMEA Convention, February 8th thru 10th, 2024 in San Antonio Texas.   About John Sebastian Vera John Sebastian Vera, a native of Texas, became the principal trombonist of the Pittsburgh Opera in 2010 and also joined the River City Brass as principal Trombone in 2015. He is also professor of trombone at Duquesne University and faculty member at the Cleveland Institute of Music where he teaches a course on Music Entrepreneurship and Digital Media as well as coach chamber music. In addition to the Pittsburgh Opera, Mr. Vera has played with the symphonies of Dallas, Detroit, Pittsburgh, Cleveland, the St. Paul Chamber Orchestra, Buffalo, Kennedy Center Opera House, Malaysian Philharmonic, New York City Ballet, Vermont, Harrisburg, Charleston, American Ballet Theatre, and Orquesta Sinaloa de las Artes in Mexico amongst others.  He began his studies with Jon Bohls in Texas and continued his education at Southern Methodist University where he studied with John Kitzman of the Dallas Symphony. He then spent a year studying with Ed Zadrozny as a graduate assistant at the University of Akron, and finished his graduate work in New York City at the Mannes College of Music studying with David Finlayson and James Markey of the New York Philharmonic.     In 2011, he spent the summer in Haiti volunteer teaching and performing in the Orchestre Philharmonique Sainte Trinite as well as the Ecole de Musique Dessaix Baptiste which became one of the more profound experiences of his life.   A dedicated chamber musician, he also was a founding member of the critically acclaimed Guidonian Hand Trombone Quartet in which he played from 2008-2014. With the quartet, John performed over 100 concerts and gave master classes all over the country. Heralded by the New York Times for their "expertly played performances" they have been recipients of numerous national grants which have enabled them to commission countless composers to create new and innovative works for four trombones.  In 2014 was the premiere of River of Fundament, a movie by film artist Matthew Barney, in which John recorded for and acted in along with the quartet.  Mr. Vera can also be heard on the HBO documentary The Words that Built America as well as on euphonium in the PBS documentary Abraham and Mary Lincoln, A House Divided as well as many commercial and video game soundtracks as well as James Markey's solo release, “On Base”. John is an Artist for Edwards Instruments and resides in Pittsburgh.  His favorite musicians include Sigur Ros, Radiohead, the Books, and Efterklang. When he can get away from the trombone he most enjoys basketball, traveling and reading about psychology and social science.  Check out his podcast he hosts with Nick Schwartz called the Trombone Retreat available everywhere you download your podcasts. Follow him on Instagram @js.vera.   About Nicholas Schwartz Nicholas Schwartz has a diverse career performing across North America, Europe, and Asia. After studying at The Juilliard School with then New York Philharmonic bass trombonist Don Harwood, he moved to San Francisco where he began freelancing throughout the Bay Area.  Since 2010, he has been the principal bass trombonist of the New York City Ballet Orchestra. He has also performed with the Pittsburgh Symphony, the New York Philharmonic, The Metropolitan Opera, The Philadelphia Orchestra, San Francisco Symphony, San Francisco Ballet, Orpheus Chamber Orchestra, St. Lukes Chamber Orchestra, the New York City Opera,  Atlanta Symphony, Minnesota Orchestra, The Malaysia Philharmonic, Mostly Mozart Festival, and Classical Tahoe.  Follow him on instagram @basstrombone444   About Third Coast Retreat The Third Coast Trombone Retreat is an 7-day trombone immersion welcoming talented college, high school, and amateur trombonists from across the country to the beautiful shores of Lake Michigan.   The Retreat takes place in the charming small town of Montague, MI. Truly an escape from the distractions of everyday life, the festival is nestled in a dense forest along the coast where happening across roaming deer is a common occurrence. The Retreat utilizes facilities all over the town from churches to coffee houses to historic barns to the beach.  We will perform not only for ourselves, but for the community. A fulfilling life of being a musician does not simply begin and end with winning an orchestral or teaching position. Mastering the instrument is only the first step.  Being an artist in the 21st century requires discovering one's unique voice and finding new ways to present the art-form to communicate and contribute to society.   Core to the retreat will be guest artist and faculty recitals, topical master classes including personal finance, performance anxiety and wellness as well as private lessons, orchestral section seminar, ensemble coachings, a trombone choir, a mock orchestral audition, and much more. In addition to the performance elements, the curriculum is expanded to include a talks about career-building, faculty bonfire Q&A, discussions on the mental approach to auditions and performances, wellness, meditation, and more.    

Part 2: My guest Nicole Kennedy is a Pilates Instructor and small business owner.  After a 6-year career with the San Francisco Ballet, she founded "Empowered Body Pilates" in 2016, starting out as a one-man-band. Today, Nicole works with a team of 4 instructors and is currently mentoring 4 aspiring instructors through the industry's most rigorous Pilates education program. When she's not in the studio she spends time with her husband and 10 month old son, and is preparing for her 40th birthday goal: a century cycling ride.Nicole and I talk about the evolution from always wanting "success" and perfection to embracing the ability to make meaningful contributions in the lives of those around you.We also explore the power of genuine community and creating a sense of belonging. FOLLOW:Host: Tiffany WaltersInstagram: @lifecoachforhumanityWebsite: https://lifecoachforhumanity.com/Guest: Nicole KennedyWebsite: https://www.empoweredbodypilates.comYou can view all video recordings at: https://bit.ly/2JYGe8S

Part 1: My guest Nicole Kennedy is a Pilates Instructor and small business owner.  After a 6-year career with the San Francisco Ballet, she founded "Empowered Body Pilates" in 2016, starting out as a one-man-band. Today, Nicole works with a team of 4 instructors and is currently mentoring 4 aspiring instructors through the industry's most rigorous Pilates education program. When she's not in the studio she spends time with her husband and 10 month old son, and is preparing for her 40th birthday goal: a century cycling ride. Nicole and I talk about the evolution from always wanting "success" and perfection to embracing the ability to make meaningful contributions in the lives of those around you.We also explore the power of genuine community and creating a sense of belonging.  FOLLOW:Host: Tiffany WaltersInstagram: @lifecoachforhumanityWebsite: https://lifecoachforhumanity.com/Guest: Nicole KennedyWebsite: https://www.empoweredbodypilates.comYou can view all video recordings at: https://bit.ly/2JYGe8S

“Dance Talk” ® with Joanne Carey In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest: Legendary Ballet Master,  Finis Jhung.  Listen in as he retraces his career that spans decades and continues to inspire generations. Meet the  master teacher as he reflects upon his life, career, and what brings him joy. He continues to inspire dancers of all all ages. And tells us to M-O-V-E our bodies! Finis Jhung's career spans six decades and has left his mark on Broadway, in film, and on stages across the world. While still a dancer, he studied with the greats—Valentina Pereyaslavec, Vera Volkova, Stanley Williams, Erik Bruhn, Rosella Hightower, and David Howard—and danced in the San Francisco Ballet, The Joffrey Ballet, and the Harkness Ballet. He danced for presidents and dignitaries and eventually founded and choreographed for his own ballet company. Now in the second phase of his career as a renowned and beloved dance instructor, Finis has taught everyone from prima ballerinas and Broadway stars to adult beginners. His goal is to make ballet accessible to everyone, to create innovative ways of teaching, and to inspire present and future generations of dancers. Not content with life in the studio, he has created more than 50 instructional dance videos, produced 18 music CDs, and authored The Finis Jhung Ballet Technique: A Guide for Teachers & Students—all so that aspiring dancers of every level can learn his techniques, without ever leaving home. In Ballet for Life: A Pictorial Memoir, he shares his own story for the first time, starting from humble roots in World War II Hawaii.Still actively teaching at the age of 86, his greatest joy is helping students find their “inner dancer.” Follow on Instagram @finisjhung Find out more https://finisjhung.com/about-finis-jhung/ ⁠Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast  “Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

As busy as composer Anna Clyne is this season — fulfilling commissions for new works and serving as a resident artist with the Helsinki Philharmonic Orchestra, BBC Philharmonic, and the Symphony Orchestra of Castilla y León — music accounts for a fraction of her artistic inspiration. That's because the Grammy-nominated British composer thrives on incorporating many creative disciplines outside of music into her work. Reviewing a roster of her recent engagements, you'll find critically acclaimed collaborations with visual artist Josh Dorman, filmmaker Jyll Bradley, and choreographers from London's Royal Ballet and the San Francisco Ballet. Clyne's immersive approach to music-making offers audiences new entry points for experiencing new music and understanding classical music's relationship to other branches of the arts. "Success for me is about reaching audiences," she says on the latest episode of the Classical Post podcast. "My role as a composer is to create something as beautiful as I can and to share that. When people come back with a piece that's been very moving for them, I feel I've been successful in sharing something with the world. That's a very humbling feeling." In this conversation, we discuss her ongoing partnership with the Orchestra of St. Luke's, how a Mark Rothko painting inspired her orchestral work Color Field, and the ways a lifelong love of literature is helping her to write an opera on the life of Emily Dickinson. Plus, Clyne discusses her wellness practices — from drawing and Japanese calligraphy to long walks with her adopted pup Penny — the joy of ending a long day with a Negroni, and her favorite place for classic steak frites in New York City. — ⁠⁠Classical Post⁠⁠® is a leading podcast based in New York. Our content uncovers the creativity behind exceptional music through dynamic deep-dive interviews with prominent artists in the world today. We are powered by ⁠⁠Gold Sound Media⁠⁠® — a creative studio providing omnichannel marketing and public relations services for the classical music industry.

We begin Part 2 by talking about his time with the San Francisco Ballet and how conducting ballet is so different from conducting orchestras. From there we move on to the New World Symphony and the studying of scores in preparation for rehearsals and concerts, how much time is involved, and the strategy he has for score analysis.

Chad Goodman is, to quote Christina Wallace from Forbes Magazine, "an entrepreneur bringing innovation to classical music." In his young life, Chad has started his own ensemble, the Elevate Ensemble, worked with the San Francisco Symphony and San Francisco Ballet as a conductor, and is currently a Conducting Fellow of the New World Symphony. So how did he do all of this at such a young age? He gives a lot of clues and practical advice in his book: "You Earned a Music Degree. Now What?" It was a pleasure to speak with him about the many aspects of his career and life.We begin by going back to the start of Chad's career, learning music and also learning the business of music. At a very young age, he founded the Elevate Ensemble. He talks about many of the different aspects of planning concerts, paying musicians, arranging concert venues, and the like. We trace his career to working with the San Francisco Symphony, assisting guest conductors, and how Manfred Honeck was such a profound influence on him.

“Dance Talk” ® with Joanne Carey  and special guest, Jillian Davis, company artist with Complexions Contemporary Ballet. In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest, Gillian Davis. Listen in as Joanne and Jillian recount that they are no strangers. Joanne shares how she recalls Jillian as a young dancer traveling far from home to attend the morning Adult Ballet class where Joanne kept up with her own ballet training. Joanne goes on to share with Jillian that she knew she had that "special something". Follow along as they talk bout Jillian's growth as a young ballet dancer to the powerhouse artist she is today as part of Complexions Contemporary Ballet. JILLIAN DAVIS (Dancer) from Kutztown, PA and began her ballet training at the age of 3. She studied with Risa Kaplowitz and Susan Jaffe at Princeton Dance and Theater Studio in Princeton, NJ. Jillian attended San Francisco Ballet, School of American Ballet, Pacific Northwest Ballet and LINES Ballet programs. Jillian has been a company member with Complexions since 2014. She has been part of Dwight Rhoden world premieres including Headspace, Strum, Gutter Glitter, Star Dust, Bach 25, Woke, Love Rocks, and a world-premiere solo, Elegy. She has also performed installation works by Desmond Richardson and an excerpt of Approximate Sonata by William Forsthye. Along with being a dancer with Complexions, Jillian is part of the core faculty for Complexions Dance Academy. Follow on Instagram @jillange93 Find out more about Complexions Contemporary Ballet https://www.complexionsdance.org/home Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Brothers Isaac and Esteban Hernández have performed on some of the most prestigious stages in the world. But their journey to the top rank of their industry had a unique start. Originally from Guadalajara, Mexico, Isaac and Esteban's first ballet teacher was their father, Héctor, and their first ballet studio was their home's backyard. Last year, they became the first siblings to achieve the rank of principal dancer for the San Francisco Ballet.

After two decades as an acclaimed dancer and star of the Alvin Ailey American Dance Theater, Jamar Roberts is one of today's most sought-after choreographers. The Bessie Award winner has created commissions for the Ailey company, New York City Ballet, San Francisco Ballet, and The Juilliard School, just to name a few. Jamar recalls how his early obsession with music made him want to move, candidly shares the challenges of learning to be an artist, and discusses how he developed his choreographic voice. Alicia surprises Jamar with a treasured gift he made for her years ago and explains her thoughts behind matching his energy when they were dance partners at Ailey.Check out Jamar Roberts on Instagram and the web.Follow Moving Moments on Instagram.Follow Alicia on Instagram.You can find out more about Artful Narratives Media on Instagram or the web.The Moving Moments theme song was composed by Saul Guanipa for Videohelper.Moving Moments was co-created by Alicia Graf Mack, Jessica Handelman, and David Krauss.This interview has been edited and condensed to fit the time format.Episode copyright © 2023 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

In this new podcast episode, my guest Leslie Tagorda, brand astrologer, designer, podcast host, and author shares with us how astrology can be used as a tool for both personal & professional growth.  Leslie opens up about her personal journey and how astrology has helped her navigate through life.row. Leslie Tagorda (she/her), is a multiracial brand astrologer, designer, podcast host, and author. As an Aquarius (Sun), Sagittarius (Moon), Gemini (Rising) and Human Design Projector, she found her calling navigating visionary spiritual entrepreneurs and social impact makers, to their star-charted success in their spiritual journey through their work. Leslie: “The powerful smile and purpose you see now is relatively new. If you had met me as a brand designer 5 years ago, you would have met a woman that dimmed her light and felt lost in comparison and crippling self doubt. I have always loved astrology and I knew that we are multifaceted, more dynamic than just our Sun sign. All that I had learned about branding, our positioning, our why, our values, I could now see in my own natal chart. It was this a-ha moment, when I recognized what had always been right in front of my nose - an innovative way to specify a brand's position, voice and style using Astrology - without guessing, copying or comparing! At that instance of recognition, I decided to bring my deep spirituality and love of astrology out of the closet and fashion it into a strategic, practical tool to create soul-aligned brand identities, leadership and visibility. After all, our businesses and work are part of our soul's spiritual journey!  When not stargazing and advising, I'm a professional classical clarinetist with my nationally-recognized chamber ensemble Quinteto Latino and playing in groups like the San Francisco Ballet and the San Francisco Opera. I reside in the occupied land of the Ohlone Ramaytush currently called San Francisco with my husband and son.”  Check Out Leslie's Offerings here:  ⭐️ Written in the Stars - Intro To How To Read Your Natal Chart for Business - Learn how to create, direct and navigate your business using astrology in a way that is inclusive, empowering and 100% unique to you! StarPowered.com/WrittenintheStars ⭐️ Star-Powered Circle - Leadership + Community + astrology The vision I am holding for this new vessel is a gathering space for changemakers to heal, commune, co-create and radiate with astrology. StarPowered.com/Circle  ⭐️ Schedule a breakthrough AstroBrand® session where we chart your star-powered brand and position it exactly to your design, brand visibility and communication style. StarPowered.com/AstroBrand ⭐️ Astrology Books - Star power your success with Business Astrology Books + Strategic planning Astro tools for Entrepreneurs + Changemakers to work with your Star Powers for your best year yet Star Powered Brand Book - Available on Website + Amazon SOCIAL MEDIA LINKS: Podcast: Star Powered Podcast - StarPowered.com/Podcast Instagram: @bestarpowered Facebook Group:.facebook.com/groups/starpoweredpodcast Youtube:.youtube.com/@StarPowered/ And don't forget to subscribe to my Youtube channel or join my email list to be notified when my guided meditation is available. Own Your Journey! In our fast-paced world, many of us struggle with overthinking and worry which leaves us feeling overwhelmed or stuck. Hi! I'm Maria Grace Wolk. I'm a Filipina American entrepreneur, Psychotherapist, wife, and mom of two boys; My mission is to amplify diverse perspectives, break the mental health stigma, and inspire you to own your journey to wellness and fulfillment. Is there anything keeping you from changing your life? Watch my TEDx talk ⁠https://youtu.be/r0A2FXwyAsw⁠ to learn what happened when I left my comfort zone.

Can you imagine building a successful business that combines the world of dance, culinary arts, and family all into one unforgettable experience? Our guest, the incredibly talented Julia Adam, has done just that! As a former ballerina, choreographer, and artistic associate, Julia has navigated through the challenges of a demanding career and motherhood, ultimately creating her innovative concept JAD Experience in Sonoma County, California.From a young Canadian who dappled in figure skating before dedicating to ballet, to a National Ballet of Canada dancer, and a San Francisco Ballet principal dancer Julia's journey has been nothing short of inspiring. She shares with us her decision to pursue ballet over figure skating at a young age and the sacrifices she made along the way. We also discuss the competitive nature of the dance world and how Julia learned to embrace it, all while juggling the expectations of being a successful woman and mother.In this episode, you'll learn all about JAD Experiences, where farm-to-table food and live dance performances come together in a truly unique way. With the support of her husband Aaron and their children, Julia has built a thriving family business that encourages other women to create the life they desire. So, join us for this engaging and insightful conversation with Julia Adam, and be ready to feel inspired to follow your own dreams and passions!Click here for more information and to buy TICKETS to the 2023 Regenerare events, on July 7,8,9,14,15,16!Julia Adam Dance Tish and Ellen want to give a BIG thank you to everyone who helped support the show.  And, please support us with a monthly subscription and get a quarterly live  Q&A with Ellen and Tish.Obsessions - please use these links to support the show!Tish: cork stoppers for the Oui yogurt glass containers. Ellen:  Mason jars with solar fairy lights for your patio or deck What we talk about in this episode:  Ballet, dance, farm to table, sustainable farming, cattle, creativity, San Francisco Ballet, Memphis Ballet,  recycling, sustainability, motherhood,  Marin, travel with kids,  choreography, events, community.  Give us a review... Click hereWant to start podcasting?  Click here to let Buzzsprout know we sent you, this gets you a $20 Amazon gift card if you sign up for a paid plan, and help support our show Support the show

Wall Street Journal reporter Evan Gershkovich went to court in Moscow this week, to request his pre-trial detention be under house arrest, rather than jail. No surprise, he was denied. He's the latest American to be picked up and thrown behind bars by a foreign government – a trend on the rise, according to the James Foley Foundation, and it's breaking families apart. Three Americans detained in Iran are desperate to be freed, so much so, one of them – Siamak Namazi, made the bold decision to call this program from Evin Prison, and plead with President Biden to help free them all. But weeks pass, and there they remain, hostage to the political winds. Siamak's brother Babak has been working tirelessly for years to free him, and so has Tara Tahbaz on behalf of her father, Morad Tahbaz who is also detained there. The two of them spoke to Christiane alongside Jason Rezaian, who was imprisoned in Iran himself, before being released in a 2016 prisoner swap.  Also on today's show: Tamara Rojo, Artistic Director, San Francisco Ballet; Laura Trevelyan, former BBC journalist To learn more about how CNN protects listener privacy, visit cnn.com/privacy

I adore Arthur. In this episode, he and I talk about his current project, an expansion of the Beach Boys' “Good Vibrations”, his work with ballet's biggest stars, and the challenges of creating during times of social change. I appreciate his candor as we discuss difficult and necessary topics. Arthur is a fascinating creator and I can't wait for you to hear his interview in this episode of Front Row.Arthur Pita is an award winning choreographer and director. He has created for The Royal Ballet, San Francisco Ballet, Paris Opera Ballet, and many more. Arthur has created works for ballet stars Edward Watson, Natalia Osipova, Ivan Vasiliev, Sergei Polunin, Maria Kowroski, Sarah Lamb, and Robbie Fairchild. His own company, Ballo Arthur Pita, has created evening length works and performed and toured all over the world. He is an Olivier award nominee and he has choreographed for films such as Ex Machina, Jupiter Ascending, and Charlie's Angels.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Join me, Amy Lynn Durham, with Nenuca Syquia, the CEO and Co-Founder of Better Organizations by Design, BOxD, a BIPOC, a women-owned and led firm that makes the people-side of business growth less chaotic and more efficient. In this episode, we  discuss great insight on transforming chaotic situations and energy into an opportunity for quantum leaps within your company. We also discuss how to be a wise and compassionate leader while recognizing how to lift those we lead to excel in their expertise.Today on Create Magic At Work®:Methods to lead when experiencing massive changes Leading through a change curveTraits of a wise and effective change agentHow your energy as a leader can affect team morale and innovationNenuca has transformed businesses large and small - from Sanofi to The San Francisco Ballet. She was born and brought up in the Philippines and is currently based in the San Francisco Bay Area. She proudly leads a diverse team of consultants, coaches and specialists, located across the US, Canada, Latin America and the Philippines.Nenuca provides unique perspectives on: leadership, team effectiveness, diversity, equity and inclusion and the design of healthy, prosperous organizations. She holds a Masters of Industrial and Labor Relations from Cornell University and a Masters of Science in Organizational Development from the University of San Francisco.Connect with Nenuca: https://www.linkedin.com/in/nenucahttps://www.boxd.usQuote“I think as leaders, they control the weather. That's the number one thing I always tell leaders. You are absolutely entitled to your emotions, and you should display emotions because it is who you are and it is authentic to the experience that you're having. We also have to be aware because as leaders, we are extremely visible. Our voices carry more weight than other people who are sitting in different parts of the organization. And so I'm not saying that we need to mask our emotions, but we have to be aware of the impact that our own emotions have. So depending on where the leaders themselves are in that change curve, they have to be aware that this could actually pull people towards that. So if somebody is angry about a change that is occurring, it will most definitely leak onto their teams.” - Nenuca SyquiaConnect with Amy: https://msha.ke/createmagicatwork

We all know dancers are athletes of the arts and we are grateful to discuss this with the amazing Shane Wuerthner! Having danced for several years with Vienna State Opera, San Francisco Ballet, and Queensland Ballet, this ballet principal shifted his focus to strengthening dancers & artists  world wide though his company Athletistry Ballet Club. This is the perfect episode for any dancer struggling with certain technical abilities and curious how to overcome these obstacles through conditioning. Be sure to rate, review, subscribe, and refer a friend!SOCIALS:Shane Wuerthner - @athletistryUs! - @insidedancepodcastAlex - @alexyonkTaylor - @tbradchoreoSupport the show