Podcasts about american ballet

durée : 00:25:07 - Benjamin Millepied, danseur, chorégraphe (2/5) - par : Thomas Vergracht - Figurant sur la scène de l'Opéra de Bordeaux, Benjamin Millepied partira très jeune en internat au Conservatoire de Lyon, pour une période trépidante d'apprentissages tous azimuts. Jusqu'à un stage décisif outre-Atlantique, à la School of American Ballet… - réalisé par : Béatrice Trichet

Join "Dance Talk” ® with Joanne Carey and special guests Stevn Melendez and Wendy Perron.In this episode of "Dance Talk” ® , host Joanne Carey engages with Steven Melendez, the artistic director of New York Theatre Ballet, and Wendy Perron, a dance historian and former editor of Dance Magazine. They discuss the significance of Judson Dance Theater, its impact on modern dance, and how its philosophies resonate with contemporary dance practices.The conversation explores the challenges of restaging historical works, the importance of audience engagement, and the political context of dance as a form of protest and expression.The episode culminates in a preview of an upcoming performance that aims to bridge the past and present of dance April 23-26.The Judson Dance Theater was a pioneering experimental dance collective that operated in New York City from 1962 to 1964. They performed at Judson Memorial Church in Greenwich Village, known for its social and artistic activism. Judson Dance Theater is widely recognized as a key force in the development of postmodern dance and its avant-garde approach influenced subsequent generations of choreographers. Steven Melendez was born in New York City in 1986 and started his ballet training with the LIFT Program at Ballet School New York at the age of 7. He has danced as a Soloist dancer with Ballet Concierto in Buenos Aires, Argentina, a Principal dancer with The Vanemuine Theater Ballet Company in Tartu, Estonia, and for over 15 years with New York Theatre Ballet. He was a national and international guest artist and teacher and has worked across Europe, Asia, and Central and South America. Steven co-choreographed his first large-scale work, Song Before Spring, for New York Theatre Ballet which was named a Dance Europe critic's choice “Best Premiere” of 2016. Steven is currently a member of the alumni advisory committee on diversity and inclusion for School of American Ballet and served as the Hiland Artistic Director for National Dance Institute New Mexico. Steven was named as the Artistic Director of New York Theatre Ballet in April of 2022Wendy Perron is a dancer/choreographer turned writer/editor/scholar. She trained in modern dance and ballet and earned a BA from Bennington College and an MA from SUNY Empire State College. She danced with the Trisha Brown Company in the 1970s and choreographed more than 40 works for her own group, which received commissions from Lincoln Center Festival, the Joyce Theater, Jacob's Pillow, and the Danspace Project. Perron has taught at Bennington, Princeton, NYU Tisch School of the Arts, and the Conservatory at SUNY Purchase. In the early 1990s she served as associate director of Jacob's Pillow. She was the editor in chief of Dance Magazine from 2004 to 2013, and has also written for the New York Times, the Village Voice, vanityfair.com, and journals in Europe and China. An authority on Judson Dance Theater and postmodern dance, Perron has lectured across the country and in Russia and China. In 2011 she was the first dance artist to be inducted into the New York Foundation for the Arts' Hall of Fame. Her second book, The Grand Union: Accidental Anarchists of Downtown Dance, 1970-1975, met with acclaim when it was published in 2020. She has recently performed with Yoshiko Chuma and the School of Hard Knocks in downtown venues. Her new online series, “Unsung Heroes of Dance History,” presents research on dance artists outside the “canon.” She has been on the Juilliard faculty since 2019.To see this performancehttps://nytb.org/tickets“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ https://dancetalkwithjoannecarey.com/Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

This week around the Rosin Box, hosts Claire Kretzschmar and Soloist Aarón Sanz are talking about students on stage, with the help of two dancers at either end of that journey: 12-year-old (soon to be 13!) Theo Rochios, a current student at the School of American Ballet, and Soloist Harrison Coll, who is a substitute teacher at SAB. They share some of the challenges, thrills, and lessons dancers take on while at the School, and trade stories about the ultimate students-on-stage ballet: George Balanchine's The Nutcracker®. (1:05:11) Edited by Gus Reed Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

In this episode I am joined by Lars Nelson, a professional dancer with New York City Ballet since 2010. Lars shares his captivating journey from singing in the Grand Rapids Choir of Men and Boys to falling in love with ballet during a performance of The Nutcracker. He discusses his rigorous training in Michigan, his transformative experiences at the School of American Ballet, and his transition from student to professional at New York City Ballet.Lars also reflects on his most cherished and challenging roles, including dancing in George Balanchine's Kammermusik No. 2 and Square Dance. He opens up about the honor of dancing in the corps de ballet, the camaraderie within the company, and how he keeps performances fresh even after 15 years on stage.Beyond ballet, Lars shares his journey pursuing a Bachelor of Business with a focus on Supply Chain Operations Management at Penn State, offering insight into balancing academics with a demanding dance career. Connect with Lars:INSTAGRAM: instagram.com/larsikistlerEMAIL: larsnelson1@gmail.comLinks and Resources:Get your copy of The Intentional Career Handbook1-1 Career Mentoring: book your complimentary career callLet's connect!My WEBSITE: thebrainyballerina.comINSTAGRAM: instagram.com/thebrainyballerinaQuestions/comments? Email me at caitlin@thebrainyballerina.com

On today's episode of "Conversations On Dance", we are joined by esteemed teacher and repetiteur Darla Hoover. Darla tells about how her early training at CPYB including teaching regularly, her time working with Balanchine at the School of American Ballet and later as a member of the New York City Ballet, her process to prepare for her stagings of Balanchine's work and how she tailor makes a syllabus for the needs of individual schools. Note: When Darla refers to Marcia, she is talking about Marcia Dale Weary who founded Central Pennsylvania Youth Ballet. LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.

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"Dance Talk” ® with Joanne Carey and special guest Sara Adams In this episode of "Dance Talk” ® host Joanne Carey interviews New York City Ballet soloist Sarah Adams. They discuss Sarah's journey from a young girl dreaming of ballet to becoming a soloist in one of the most prestigious ballet companies in the world. Sarah shares her early experiences in dance, the challenges of moving to New York City, her apprenticeship, and the excitement of being promoted to soloist. The conversation highlights the dedication, passion, and community within the dance world. In this engaging conversation, Sara shares her experiences and insights as a ballerina, discussing the joy of dance, the challenges faced in the industry, and the importance of collaboration and growth. She reflects on her favorite roles, the unpredictability of scheduling, and the significance of setting goals while finding joy in the art of dance. Sara emphasizes the need for strength training and movement, and offers valuable advice for dancers and individuals alike. Sara Adams was born in Dennis, Massachusetts, and began her dance training at the age of six at the Mid-Cape Ballet Academy. She later studied at the Boston Ballet School, before taking a summer course at the School of American Ballet, the official school of New York City Ballet, during the summer of 2003. She enrolled as a full-time student at SAB from 2003 to 2008. She became an apprentice with NYCB in June 2008 and became a member of the corps de ballet in September 2009. In February 2017, Ms. Adams was promoted to soloist. For more information on New York City Ballet and to go see Sara perform: https://www.nycballet.com/discover/meet-our-dancers/soloists/sara-adams/ Follow Sara @sara_jane_adams “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠ Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share.   Please leave us review about our podcast!   “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Justin Leaf is a Minneapolis-based ballet teacher, choreographer, and performance artist whose multifaceted career spans over two decades. A graduate of The Juilliard School with a BFA in Dance Performance, Justin's training also includes The Kirov Academy, School of American Ballet, and Pacific Northwest Ballet School.As a dancer, Justin was a company member with James Sewell Ballet and Minnesota Dance Theatre, and has also performed works by Ernesta Corvino, John Kelly, Morgan Thorson, George Stamos, and others through independent engagements. Critics have described them as “a fascinating and beguiling dancer—so lanky, loose, and idiosyncratic that [their] fine-tuned ballet chops take you by surprise” (Deborah Jowitt, The Village Voice).In their extensive teaching career, Justin has worked with various schools and companies, including Ballet Hispánico, James Sewell Ballet, Minnesota Dance Theatre, Ballet Co.Laboratory, and Minnesota Ballet. Their teaching is influenced by their professional experiences and mentorship under master teachers Andra and Ernesta Corvino.As a choreographer, Justin has created works presented by organizations such as Minnesota Dance Theatre, James Sewell Ballet, and Minnesota Orchestra. Their performance work currently encompasses dance, theater, and vocal artistry. Since 2006, they have frequently performed as Mistress Ginger, a glittering cabaret persona. As Ginger, they authored Mistress Ginger Cooks!: Everyday Vegan Food for Everyone (2014).Justin is honored to have received awards such as the Zaraspe Prize for Outstanding Choreography, a Minnesota SAGE Award for Best Performance, a McKnight Fellowship for Dancers, and a Next Step Fund Grant.

Send us a textOriginal Air Date: March 5, 2024We're joined by Maria Kowroski, the artistic director of the New Jersey Ballet. Maria, who shares her journey from Michigan to the School of American Ballet and eventually the New York City Ballet, reflects on her unique path to becoming a ballerina, driven by a profound passion for dance. The episode unfolds with an exploration of the New Jersey Ballet's rich history since its founding in 1958 and making its home theater the Mayo Performing Arts Center in Morristown.As Maria takes on the dual role of overseeing both the New Jersey Ballet company and school, the podcast delves into the challenges faced in maintaining interest in ballet post-pandemic. Maria provides valuable insights into the audition process for the company, shedding light on the criteria she considers, including technique, musicality, and a team player attitude. The episode also touches upon the intimate details of Maria's personal journey, the impact of mentors, and pivotal moments in her career.As the conversation evolves, Mike and Maria explore the transition from dancer to artistic director, discussing the unexpected nature of this shift and the newfound passion that led Maria to her current role. Technical hiccups add a humorous touch to the episode, keeping the conversation engaging and dynamic. The podcast concludes with Maria's vision for the New Jersey Ballet's future, emphasizing the importance of innovative programs, engaging performances, and the unique experience offered by live ballet shows.Listeners are encouraged to explore the New Jersey Ballet's upcoming programs, with Maria extending an invitation to experience the diversity, affordability, and artistic excellence showcased by the company. Whether you're a seasoned ballet enthusiast or a first-time attendee, this episode provides a fascinating glimpse into the world of dance, artistry, and the enduring legacy of the New Jersey Ballet.njballet.orgGET YOUR JERSEY FEST TICKETS NOW! https://www.seetickets.us/event/jersey-fest/588283Music: "Ride" by Jackson Pinesjacksonpines.comThank you to our sponsors:Lasso: lassoinc.comNew Jersey Lottery: njlottery.comNew Jersey Innovation Institute: njii.comMake Cool Sh*t: makecoolshit.coUCS Advisors: ucsgreatness.comAlbert & Whitney CPAs:  awcpasllc.comMayo Performing Arts Center: mayoarts.org/events-calendarContact the show: mike@greetingsfromthegardenstate.com Support the show

"Dance Talk” ® with Joanne Carey and special guest  Paloma Hererra In this episode of "Dance Talk”, host Joanne Carey speaks with celebrated ballerina Paloma Herrera about her journey from a young girl discovering her passion for ballet to becoming a principal dancer at the American Ballet Theater and now serving as the artistic director of the Kaatsbaan Ballet Intensive. Paloma shares her experiences, the importance of mentorship, and her vision for nurturing the next generation of dancers. The conversation highlights the significance of support systems in a dancer's career and the joy of pursuing one's passion in the art of dance. Paloma Herrera was born in Buenos Aires, Argentina, and began her training at the age of seven. In January 1991, having just turned 15 years old, she moved to New York and continued her studies at the School of American Ballet. After only six months, she joined the American Ballet Theatre and, in 1995, became the youngest Principal Dancer in American Ballet Theatre history at age 19. She has appeared in ballets ranging from Don Quixote, Romeo and Juliet, and Swan Lake, to Apollo, The Prodigal Son, and Stepping Stones. She has appeared as Guest Artist with great ballet companies around the world, including New York City Ballet, Kirov Ballet, Bolshoi Ballet, Tokyo Ballet, Teatro Colon, and National Ballet of Cuba, to name a few. She retired from American Ballet Theatre at the end of November 2015, right before turning 40. Since that, she moved back to her home, Buenos Aires, Argentina, and continued to teach all over the world. In 2016, she wrote her autobiography that was presented at Feria del Libro in 2017. That same year, she also launched her own perfume Paloma Herrera, in 2019 her second fragrance Paloma Herrera Passion, and in 2022 her third fragrance Paloma Herrera Fantasy. In Argentina she received the award: Konex de Platino, Maria Ruanova and distinctions by the Honorable Camara de Diputados de La Nación, Medalla del Bicentenario by the government of the Buenos Aires city, among many others, and since 2012 she is a member of the gallery of popular idols of the Argentine Government House.  In 2017, she became the artistic director of Ballet Estable del Teatro Colon, where the company has grown immensely since she arrived. She resigned in 2022. To find out more about Kaaatsbaan Summer Ballet Intensive https://kaatsbaan.org/ “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠ ⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠ Follow Joanne on Instagram @westfieldschoolofdance YOUTUBE:  ⁠⁠https://www.youtube.com/channel/UC4NldYaDOdGWsVd2378IyBw⁠⁠ Tune in. Follow. Like us. And Share.   Please leave us review about our podcast!   “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Igor Burlak danced professionally with Miami City Ballet, Kansas City Ballet, Atlantic Southeast Ballet and as a principal with Minnesota Ballet. Since retiring from the stage, Igor has had an extensive career working as a Company Manager, Ballet Master, Choreographer, Instructor, Realtor and Photographer.We covered SO MUCH in this episode, from Igor's training at the School of American Ballet to appearing in THE Center Stage. We get expert tips on taking a great dance photo, dealing with onstage snafus and transitioning into a brand new career outside of the dance world. Plus, Igor spills the secret behind the magical moving bed in NYCB's Nutcracker. This episode truly has it all!Key Moments: Early dance training at the School of American Ballet [1:40] Igor's transition from student to professional [3:40] How Igor began teaching and choreographing [5:27] What he hopes to instill in his students as an instructor [7:20] The biggest hurdles dancers are facing today [8:23] Igor's work as a dance photographer and his tips for dancers to feel more comfortable in front of the camera [9:32] How he transitioned into a new career as a realtor [14:43] Dancing as an extra in Center Stage [18:05] Dancing in the iconic filmed version of the NYCB Nutcracker [19:04] Advice for dancers dealing with a mistake on stage [20:42] His biggest piece of advice for dancers pursuing a career [28:30]Connect with Igor:WEBSITE (real estate): www.igorburlakrealestate.comWEBSITE (photography): igorburlakphotography.comLinks and Resources:Get your copy of The Ultimate Audition Guide1-1 Career Mentoring: book your complimentary career callLet's connect!My WEBSITE: thebrainyballerina.comINSTAGRAM: instagram.com/thebrainyballerinaQuestions/comments? Email me at caitlin@thebrainyballerina.com

Send us a textGuest: Alice RobbWriterIn this engaging conversation, Eileen and Amy interview Alice Robb, author of 'Don't Think, Dear: On Loving and Leaving Ballet', exploring her journey from the ballet world to becoming a writer. They discuss the emotional complexities of loving ballet, the impact of dreams (in regards to her first book), and the importance of curiosity, especially as we learn. Alice shares her insights on body image, the need for change in ballet training, and how writing this book has allowed her to illuminate problematic themes that have influenced how some readers approach teaching dance moving forward. The conversation highlights the significance of inclusivity, the need for disruption and the acknowledgement of diverse paths within the dance world.Alice (she/her) is the author of two non-fiction books: Why We Dream (Picador 2019), which was translated into fifteen foreign languages, and Don't Think, Dear: On Loving and Leaving Ballet (HarperCollins 2023), which has been called “devastating” (New York Times); “beautiful, difficult, and compelling” (Vanity Fair); “nuanced, intimate” (Guardian); “enlightening, perceptive” (Wall Street Journal).  Don't Think, Dear uses her childhood at the School of American Ballet as a jumping-off point for an exploration of femininity, beauty, pain, the body, and ballet's place in the modern world.Her journalism and essays have appeared in Vogue, Vanity Fair, the Washington Post, the Guardian, the New Statesman, the Financial Times, the Times Literary Supplement and elsewhere.Follow / Learn More / Mentions:IG: @alicelrobb Website: https://alicerobb.com/ Don't Think Dear: On Loving and Leaving BalletWhy We Dream: The Transformative Power of Our Nightly JourneySharon EyalBatsheva Dance CompanyGagaHortonABT & SABSupport the showM.O.V.E. with Eileen + Amy is a Kaia Evolutions Podcast.New episodes air on Wednesdays when in season.To learn more about Eileen + Amy, be sure to follow them on IG at @ekielty + @amyreah and keep up to date on the podcast at @movewitheileenandamy. For more information about Kaia Evolutions, a culmination of Eileen's life's work and a love letter to her sister, Katie, who died by suicide in 2019 - visit https://www.kaiaevolutions.com/ or follow on IG at @kaia.evolutions If you want to share part of your dancer / movement artist journey with us, email us at movepod@kaiaevolutions.com*If you or anyone you know is in need of support, please call the National Suicide Prevention Lifeline at 800.273.8255 OR text 988. You are not alone.

Welcome back to another episode of Talks To-Go! Jill and George talk with our next special guest father/daughter duo, Alicia Mae Holloway and Kenny Holloway. Alicia is a dancer from Morgantown, West Virginia who began her professional career with the Suzanne Farrell Ballet and performed with the Dance Theatre of Harlem where she worked with Alicia Keys, Aretha Franklin, and Gladys Knight. She has shot music videos, was on the cover of PEOPLE Magazine Winter/Spring 2023 Health Edition, served as a co-chairwoman of the School of American Ballet's Visiting Faculty program and was a contestant on The Bachelor. Kenny is a husband, friend and avid fisherman who loves his family and friends dearly. A retired Director of Public Works for the city of Morgantown, he now spends the majority of the time doing what he loves most. You guessed it…fishing. No reservations necessary.  All TALKS are TO-GO. Follow our guests: Alicia: @aliciamaeholloway_ Follow us: Instagram: @talkstogopodcast TikTok: @talkstogopod Jill: @jillmorgannnn George: @georgealanruthvo

Today I'm talking with Juliana Rubio Slager. She co-founded Ballet 5:8 in 2012 and is known for her unique ability to engage audiences in discussions of life and faith through choreography. She has created over 50 works for the Company and School during her tenure at Ballet 5:8. She has had the privilege of working daily at the School of Ballet 5:8 and has guest taught at over 100 schools across the United States. In 2023 Rubio Slager was awarded the coveted position of National Visiting Fellow at the School of American Ballet.Ballet 5:8 tours nationally, bringing her critically acclaimed ballets such as Reckless, Butterfly, The Space in Between and BareFace to audiences across the nation. Julianna Rubio Slager is a groundbreaking figure within the field, as one of the few Mexican American Artistic Directors and Resident Choreographers of professional ballet companies in the world. She hopes that her leadership and creative work at Ballet 5:8 will pave the way for other women and under-represented artists in professional ballet.Website: ballet58.orgYouTube: @ballet58IG: @ballet58 Tiktok: @ballet58chiFacebook: @ballet58I'm so grateful to know Julianna, and to have seen ballet 58 grow. It's definitely played an important role in our lives, and the journey of my daughter's dance career.Ok amigos, thank you so much for listening please rate and review this podcast so we can get more ears listening to these stories and can continue elevating la cultura. You can also comment on our YouTube video if you're watching online. I always like to hear from people and how they resonate with the stories I share. Enjoy the rest of the day/afternoon/evening whenever you're listening, y nos vemos next week! 

City Ballet The Podcast returns just in time for the upcoming 24-25 Season. Hear the Dance host Silas Farley is joined by legendary former Principal Dancer and current School of American Ballet faculty member Kay Mazzo and Principal Dancer Anthony Huxley to discuss George Balanchine's Duo Concertant, one of the new works to premiere during the 1972 Stravinsky Festival. Mazzo shares her memories of the speed with which Balanchine choreographed each of the four movements, and commiserates with Huxley on the many unique challenges the ballet presents, including interacting with the piano and violin that share the stage—a "commentary on the festival itself," in Farley's words, as it honored Stravinsky's music and his importance to the Company. (48:57)  Written by Silas Farley Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky All music performed by the New York City Ballet Orchestra Reading List: Stravinsky and Balanchine: A Journey of Invention by Charles M. Joseph Mr. B: George Balanchine's 20th Century by Jennifer Homans Stravinsky's Ballets by Charles M. Joseph Stravinsky Inside Out by Charles M. Joseph An Autobiography by Igor Stravinsky Stravinsky: A Creative Spring: Russia and France, 1882-1934 by Stephen Walsh Stravinsky: The Second Exile: France and America, 1934-1971 by Stephen Walsh Stravinsky: Chronicle of a Friendship by Robert Craft Stravinsky: Discoveries and Memories by Robert Craft The Stravinsky Festival of The New York City Ballet by Nancy Goldner Balanchine's Ballerinas: Conversations with the Muses by Robert Tracy Balanchine Variations by Nancy Goldner

Former New York City ballet dancer, Silas Farley, first learned about dance in the context of worship at his church—a perspective that would stick with him through grueling training at the School of American Ballet and through his professional career. Silas shares the nerve-wracking story of taking a leap of faith towards dance over other paths, how he got to see a unique and beautiful dream come to life on stage and help others realize their dreams too, and how he got to embody his love for the Lord through movement.    Quotes “My first encounter with dance was dance as worship, not dance as performance, and that really resonated with me.” - Silas Farley “Getting to dance in the New York City Ballet was like someone who wanted to be an astronaut and actually got to go to the moon. The days were long, hard, and deeply rewarding, beginning with morning classes, rehearsing all day, and then performing most nights of most weeks of the year. That pace of work was relentless, but it was also deeply gratifying.” - Silas Farley  “It was kind of an embodied form of prayer to get to come into the theater and to work in this beautifully embodied art form and to do it for the glory of my King Jesus—kind of offering to the Lord through performing and working. I feel incredibly close to God when I dance.” - Silas Farley “I always think about how Jesus is God made man, that He is the incarnation of God. He has a body, and in His resurrection, He shows us the glorious potential and future for the body.” - Silas Farley “In my final year in the company, there were more dancers of color than had ever been in the history of the company. That felt really, really special and really significant—a beautiful shift in the evolution of the art form. I thought it a great privilege and joy to be at the New York City Ballet at a point in the institution's story when part of that original vision was starting to be realized.” - Silas Farley  “I hope I get to spend the rest of my life dancing, laughing, singing, and thanking God for His great, great grace and love.” - Silas Farley   Resources Mentioned in This Episode Southern Methodist University New York City Ballet George Balanchine Patricia McBride School of American Ballet Professional Children's School Harvard University Lincoln Kirstein Colburn School Cassia Farley   Connect with Sally Lloyd-Jones Jesus Storybook Bible Facebook Jesus Storybook Bible Instagram  Sally's website Sally's Facebook Sally's Instagram *Episode produced by Four Eyes Media*  

Serene Mechel-Dillman talks about the global success of her film documenting first-hand accounts of the terminally ill who have used medical aid in dying (MAID). Airing on Amazon Prime, Take Me Out Feet First has been in the top five TV documentaries for the past three months, with more than 24 million minutes of viewing. About Serene A New York native and dancer with a passion for the visual arts, Serene attended The School of American Ballet, Tenafly High School then The University of Vermont. Post graduation, she opted out of law school and worked at an advertising agency in New York, founded a company that imported baskets from Haiti, then moved to Los Angeles to work in production on television commercials. Commercial production stuck and she worked her way up until she became a producer. In 2014 Serene conceived and directed the documentary film, “Getting to The Nutcracker”, a behind the scenes look at what it takes to produce the classic ballet from auditions to final performance. The movie garnered 7 major festival awards, including a Grand Jury Prize, Audience Award, Best Direction, and Best Feature Documentary. Her second documentary, “The 5th Dementia” is about a Los Angeles-based band whose members live with Alzheimer's, dementia and Parkinson's. They are able to sing and play music despite their neurodegenerative diseases. "Take Me Out Feet First" is her first documentary series. The first 6 episodes of season 1 are currently airing on Amazon Prime. Look for season 2 later this year. Key Takeaways Medical aid in dying (MAID) is the practice where a physician provides a terminally ill patient with the means to voluntarily and intentionally end their own life. This usually involves prescribing a lethal dose of medication that the patient can self-administer. "Medical aid in dying" is distinct from "assisted suicide." Medical aid in dying involves the self-administration of prescribed medication by terminally ill patients, and there are strict safeguards in place to prevent abuse. Oregon's Death with Dignity Act, enacted in 1997, has not reported a single instance of abuse since its initiation 27 years ago. The term "suicide" implies a desire to die, whereas medical aid in dying is a choice made by individuals facing an unavoidable terminal illness. Compassion & Choices is a nonprofit organization in every US state that advocates for end-of-life care options, including medical aid in dying. The organization works to expand and improve end-of life care and ensure that patients can make their own decisions about their treatment and how they wish to spend their final days.

The Adult Ballet Studio has another special guest for this episode! Cecelia Beam, faculty member for adult ballet and dance classes for people with Parkinson's at San Francisco Ballet, is in the studio. Cecelia is a former dancer, training at School of American Ballet in New York City and graduating from the high school ballet program at the University of North Carolina School of the Arts. After dancing in Oakland, California, North Carolina, Indiana and New York, Cecelia found teaching. She earned a master's degree in ballet at Indiana University and has taught ballet at universities and private ballet schools, including Mills College, Indiana University, and San Francisco Ballet School.  She has a passion for teaching ballet for adults, and in addition to that, she manages and is the lead teacher for San Francisco Ballet School's Dance Class for People with Parkinson's and has coordinated San Francisco Ballet Adult Education Programs for more than 15 years. She shared some of the ways she structures her classes to make them as inclusive as possible while remaining committed to ballet technique and challenging her students. She also talked about the ways she's seen ballet change throughout her time studying it, and where she hopes things are headed in the future. Check it out! Learn more about Cecelia and her classes at SF Ballet: https://www.sfballet.org/artist/cecelia-beam/  Learn about Cecelia's work with the Parkinson's Foundation: https://www.parkinson.org/living-with-parkinsons/stories/cecelia-beam  Donate to the Parkinson's Foundation: Donate here! Learn about SF Ballet's adult program and Dance Class for People with Parkinson's: https://www.sfballet.org/school-community/adult-programs/parkinsons/ Email Cecelia: ceceliasballetclass@gmail.com  Vote for The Adult Ballet Studio in the arts category for The People's Choice Podcast Awards! Voting ends July 31. https://www.podcastawards.com/app/signup Music in this episode: Waltz of the Flowers - Tchaikovsky Barroom Ballet - Silent Film Light - Kevin MacLeod Barroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310 Artist: http://incompetech.com/ @eblosfield  | theadultballetstudio@gmail.com Support this podcast on Patreon! https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link --- Support this podcast: https://podcasters.spotify.com/pod/show/elizabeth-blosfield/support

Adriana Pierce is a dancer, choreographer, and director based in New York City, and she joined the studio to talk about her work elevating queer artists in ballet, creating community, and her career in classical ballet as well as musical theater!  Adriana is the founder of Queer the Ballet, an initiative with the mission to widen the scope of classical ballet by producing queer work by queer dance artists. Queer the Ballet says on its website that it seeks to “queer” our ballet spaces and explore choreography often absent from ballet stages. After training at School of American Ballet, Adriana began her dancing career with New York City Ballet and Miami City Ballet before realizing another dream of hers - working in Broadway, film and tv! She appeared in the 2018 Broadway revival of Carousel, in Steven Spielberg's 2021 West Side Story film, and in the 2019 limited series on FX, Fosse/Verdon.  She's currently the associate director and associate choreographer for Justin Peck's “Illinoise" on Broadway. Adriana's other choreographic work features movement and partnering that allows dancers of all genders equal agency, dismantling the traditional gender dynamics of dance. Her choreography has been performed by American Ballet Theatre, Carolina Ballet, Columbia Ballet Collaborative, Ashley Bouder Project, and more. She's also completed residencies with Center for Ballet and the Arts at NYU and Bridge Street Theatre, and she was recognized by Dance Magazine as one of 25 to watch in 2022. Follow Adriana on Instagram: @adriprc Follow Queer the Ballet on Instagram: @queertheballet Check out Adriana's work: www.adrianapierce.com Support Queer the Ballet: www.queertheballet.com/donate Get tickets to Queer the Ballet's upcoming performance, Dream of a Common Language: https://ci.ovationtix.com/36678/production/1194112?performanceId=11435956 Get tickets for Illinoise: https://illinoiseonstage.com/tickets/ Music in this episode: Waltz of the Flowers - Tchaikovsky Barroom Ballet - Silent Film Light - Kevin MacLeod Barroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310 Artist: http://incompetech.com/ @eblosfield | theadultballetstudio@gmail.com Support this podcast on Patreon! https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link --- Support this podcast: https://podcasters.spotify.com/pod/show/elizabeth-blosfield/support

As we prepare for opening night of Spring performances, Associate Artistic Director and New Combinations host Wendy Whelan catches up with sought-after choreographer Amy Hall Garner between rehearsals for her first commission for NYCB, premiering in just over a week. Garner shares the long, dance-rich journey—including summer sessions at the School of American Ballet, studying modern, tap, and jazz, and performing on Broadway—that led to this moment in her dance-making career. "I love being in the studio," she says of the creative process. "I think that's a sacred space." (40:04)  Edited by Emilie Silvestri Music: "Sisyphus" by Andrew Wegman Bird Wixen Music Publishing, Inc. as agent for Muffet Music Co

Hello Everyone, I am so excited for you all to listen to this really pleasant conversation I had with Tiler Peck. The world renowned, incredibly dynamic, musical and versatile dancer of today. People have said about her "I don't even have to hear the music to be able to know what it sounds like when I watch you dance." Tiler Peck started dancing at her mother's studio at the age of two and was introduced to various dance styles. She worked with former Bolshoi principal dancer Alla Khaniashvili and former New York City Ballet dancers Patricia Neary and Yvonne Munsey. Peck's journey led her to the School of American Ballet (SAB) and eventually to New York City Ballet. She had to navigate the transition from jazz to ballet and overcome feelings of comparison and insecurity. P eck's musicality is a defining characteristic of her dancing, and she describes it as being an extension of the music. She believes in breaking the rules and being fearless on stage. In this conversation, Tiler Peck discusses the importance of musicality in ballet and how it can be taught. Can it be taught to the degree Tiler is gifted? She emphasizes the need for dancers to listen to the music and become comfortable with it, allowing it to guide their movements. Tiler also shares her experience as a perfectionist and how it has both helped and hindered her progress. She highlights the importance of finding a balance between striving for perfection and letting go to fully express oneself. Tiler also talks about the significance of downtime and having experiences outside of ballet, which can enhance a dancer's artistry and bring more depth to their performances. Let's meet Tiler! Chapters 00:00 Introduction and Early Dance Training 04:12 Transition to Ballet and School of American Ballet 07:32 Working with Former Bolshoi Principal Dancer 10:42 Choosing Ballet as the Focus 20:35 Musicality and Jazz Background 25:14 Maintaining Musicality in Ballet Training 27:45 Nerves and Performing 29:23 Definition of Musicality in Dance 35:28 Developing Musicality as a Student 36:24 The Importance of Musicality in Ballet 39:04 Teaching Musicality in Ballet 41:19 The Relationship Between Technical Ability and Musicality 42:56 Stretching Time and Musicality 47:10 The Pitfalls of Perfectionism 51:49 The Importance of Downtime and Life Outside of Ballet 56:28Finding Yourself Outside of Ballet 01:05:50 Exploring Other Creative Fields 01:09:10Takeaways and Conclusion ------ Enjoy! Like and subscribe! ---------------------------------- 14 day free trial to the BWI platform https://balletwithisabella.com/select-a-plan/ * My website - Online classes and courses Memberships to enhance you training Live classes and more! https://balletwithisabella.com MOST RECENT CLASSES AND COURSES GRAND ALLEGRO COURSE https://balletwithisabella.com/course/grand-allegro-course/ MAT MADNESS 14 DAY CHALLENGE https://balletwithisabella.com/course/mat-madness/ ABSOLUTE BEGINNER 8 WEEK COURSE https://balletwithisabella.com/plan/absolute-beginner-course/ * Listen to my podcast to enhance your mindset as a dancer! become more confident, with higher self esteem and self belief. Join thousands of listeners! https://open.spotify.com/show/72hZ7nnhKSG97VofHYPBOW?si=8ebb73d9aedf425e * Follow me on Instagram https://www.instagram.com/balletwithisabella * Follow me on TIKTOK www.tiktok.com/@balletwithisabella Join the BWI Community! Your secret weapon to excellence https://balletwithisabella.com/select-a-plan/

This week at The Rosin Box, hosts Claire Kretzschmar and Soloist Aarón Sanz are joined by NYCB dancers and "real-life" couple Emily Kikta and Peter Walker to talk about partnering—onstage and off. Peter and Aarón share their memories of learning from legendary former Principal Dancer Jock Soto, who taught partnering at the School of American Ballet when they were students, while Claire and Emily reflect on the ways in which pas de deux challenge their stamina while offering opportunities to take risks. The most important element for a successful partnership, they all agree, is simple, if not always easy: communication. (56:23)  Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

Episode Summary: Professional dancer and choreographer Anthony Carr shares insights from his career journey. Anthony's dance path began at age four, guided by his mother's influence as a dancer. He transitioned from ballet to hip hop, finding solace and freedom in the latter despite initial setbacks.  He reflects on his experiences in various dance schools and becoming an associate choreographer of The Wiz in NYC, emphasizing the role of mentors and support in his journey.  His story includes shifts from New York to Los Angeles, and even Canada working on films like Hairspray. He shares experiences of auditioning for TLC and touring with Corbin Bleu.  Anthony also touches on mentorship and parental support in dance, advising parents to give dancers space to learn and grow independently. He discusses choreography and working with directors, praising the skills of choreographers like Marguerite Derricks and Jamal Sims. Anthony's admiration for industry legends like Mikhail Baryshnikov and Michael Jackson is evident, showcasing his appreciation for their talent and impact. The episode concludes with Anthony encouraging dancers to embrace discomfort, take risks, and support each other, emphasizing the importance of staying passionate about the art form. Show notes: 0:03 Dance industry insights and experiences. 2:15 Dance career path and transition from ballet to hip hop. 5:56 Dance career paths and financial sustainability. 9:29 Dance career, business, and personal growth. 16:35 Dance motivation and rejection. 19:44 Dance career paths and experiences. 26:43 Dance mentorship and parental support. 29:33 Choreography and working with various directors. 36:13 Dance career inspiration and industry legends. 39:25 Dance career paths and industry insights. 45:41 Transitioning from competition dancer to industry professional. 48:36 Dance choreography and training with a professional. 53:50 Dance training and career sustainability. 57:14 Dance career, inspiration, and advice with Broadway choreographer Anthony Morigerato. Biography: Born and raised in the Bronx, Anthony "Kanec" Carr emerges as a distinguished figure in the global arts scene, renowned for his prowess as a dancer, choreographer, and actor. His journey commenced at New York City's prestigious School of American Ballet, demonstrating early on his unwavering commitment to his craft. Simultaneously, he pursued his education at the Professional Performing Arts School (PPAS), showcasing a dedication to both his artistic and academic pursuits. This dual focus propelled his growth, culminating in a fusion of exceptional raw talent and intensive technical training in ballet, tap, jazz, musical theatre, and hip hop by the age of 17. Kanec swiftly found himself gracing the stage alongside multi-platinum selling recording artists such as Justin Bieber, Missy Elliott, Usher, Chris Brown, Cardi B, and TLC, among other illustrious names. His portfolio boasts featured roles in prominent movies and television shows, including notable appearances in Step Up 1 & 3, FAME, Hairspray, the Justin Bieber 3D Movie, and Glee. His stage presence has illuminated celebrated venues like the Grammys and the Oscars, as well as various other prestigious musical award ceremonies. Kanec's creative genius extends to choreography, where his artistry has enriched the work of acclaimed artists like Neyo, Eric Bellinger, and Daddy Yankee. His choreographic creations have been showcased on televised events such as "So You Think You Can Dance," attesting to his ability to craft compelling movement narratives. Currently contributing to the choreography team for Broadway's "The Wiz" in NYC, Kanec's journey exemplifies a lifelong passion for dance, choreography, and the performing arts.  Website:  Kanec Carr | IDC Official Site (innovationdancecenter.com) Connect on Social Media: https://www.instagram.com/klassikkanec/ https://www.facebook.com/AnthonyLeeCarr

We're joined by Maria Kowroski, the artistic director of the New Jersey Ballet. Maria, who shares her journey from Michigan to the School of American Ballet and eventually the New York City Ballet, reflects on her unique path to becoming a ballerina, driven by a profound passion for dance. The episode unfolds with an exploration of the New Jersey Ballet's rich history since its founding in 1958 and making its home theater the Mayo Performing Arts Center in Morristown.As Maria takes on the dual role of overseeing both the New Jersey Ballet company and school, the podcast delves into the challenges faced in maintaining interest in ballet post-pandemic. Maria provides valuable insights into the audition process for the company, shedding light on the criteria she considers, including technique, musicality, and a team player attitude. The episode also touches upon the intimate details of Maria's personal journey, the impact of mentors, and pivotal moments in her career.As the conversation evolves, Mike and Maria explore the transition from dancer to artistic director, discussing the unexpected nature of this shift and the newfound passion that led Maria to her current role. Technical hiccups add a humorous touch to the episode, keeping the conversation engaging and dynamic. The podcast concludes with Maria's vision for the New Jersey Ballet's future, emphasizing the importance of innovative programs, engaging performances, and the unique experience offered by live ballet shows.Listeners are encouraged to explore the New Jersey Ballet's upcoming programs, with Maria extending an invitation to experience the diversity, affordability, and artistic excellence showcased by the company. Whether you're a seasoned ballet enthusiast or a first-time attendee, this episode provides a fascinating glimpse into the world of dance, artistry, and the enduring legacy of the New Jersey Ballet.njballet.orgMusic: "Ride" by Jackson Pinesjacksonpines.comThank you to our sponsors:Lasso: lassoinc.comNew Jersey Lottery: njlottery.comNew Jersey Innovation Institute: njii.comMake Cool Sh*t: makecoolshit.coUCS Advisors: ucsgreatness.comAlbert & Whitney CPAs:  awcpasllc.comMayo Performing Arts Center: mayoarts.org/events-calendarContact the show: mike@greetingsfromthegardenstate.comSupport the show

Julianna Rubio Slager is the artistic director and co-founder of Ballet 5:8 dance company out of Chicago. She returns for the second time to the podcast to talk about the powerful language of the body through dance and how it can speak in ways words cannot. We discuss misconcenptions about the body and dance among church culture and the importance of making peace with our bodies in surrender to God's work in our lives. Julianna is known for her unique ability to engage audiences in discussions of life and faith through her choreography. She has created over 50 works for the Company and School during her tenure at Ballet 5:8. In 2023 she was awarded the coveted position of National Visiting Fellow at the School of American Ballet. Ballet 5:8 Support the Podcast Connect with Libby Instagram @artandfaithpodcast  

From the artistic director of the Pacific Northwest Ballet and former principal dancer for the New York City Ballet comes a deeply personal memoir about one artist's journey from boyhood to ballet. Peter Boal's extensive background in ballet offers a unique glimpse into the world of dance with his diverse repertoire and artistic achievements, including collaborations with prominent choreographers and dancers, Boal's perspective resonates with both seasoned ballet enthusiasts and those new to the art form. Boal will discuss his journey as well as the challenges and triumphs of his career. Serving as a platform for fostering a deeper understanding of ballet's impact on contemporary culture, Boal's insights into the creative process, his role in shaping Pacific Northwest Ballet's repertoire, and his dedication to nurturing emerging talents within the dance community offer attendees the chance to gain insights into the dedication and discipline required in ballet, as well as the broader artistic influences that have shaped Peter Boal's journey. Whether one is an ardent ballet aficionado or simply curious about the world of dance, this event is poised to offer an enriching experience for all. Peter Boal is the Artistic Director of Pacific Northwest Ballet and Director of Pacific Northwest Ballet School. Born in Bedford, New York, he received his training at the School of American Ballet while performing children's roles with New York City Ballet. George Balanchine invited Boal to join the company as an apprentice in 1983, and he continued to dance for NYCB until his retirement in 2005. He has staged works by Balanchine, Ulysses Dove, and Jerome Robbins for PNB, PNB School, and other companies. His memoir, Illusions of Camelot, was released in 2023. Jackson Cooper is a nationally recognized queer arts leader who currently serves as the Major Gifts Manager at Pacific Northwest Ballet and a member of their Inclusion, Diversity, Equity, and Accessibility committee. In addition to his role at the ballet, Cooper serves as an Adjunct Professor for Seattle University's Arts Leadership program. Cooper is an accomplished writer, with two upcoming publications: A Kids Book About Kindness which comes out this year and a book on fundraising through Columbia Business School Press due out in 2026. Illusions of Camelot: A Memoir Third Place Books

“Dance Talk” ® with Joanne Carey and special guest, Seth Orza, founder and CEO of Orza Brand.  In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest, Seth Orza, former principal dancer with Pacific Northwest Ballet and the Founder and CEO of Orza Brand.  Listen in as they talk about his amazing career and the injury that led to his developing this innovative ballet shoe, Orza Pro One. Orza set out to create new technology that would focus on injury prevention and dancers' well-being. Working and developing the shoe with specialists and design engineers worldwide, they built the ORZA Pro One from the ground up. What started as an idea is now a new necessity for the international dance community.  Seth Orza  Founder and CEO of ORZA, a new shoe company committed to the mission of prolonging dancers' careers by helping to make their feet and bodies feel better. Seth is from San Francisco, where he grew up in a dance family. All five of his siblings danced, as did his father and mother. He trained at San Francisco Ballet School and on full scholarship at the School of American Ballet. In 1999, he joined New York City Ballet as an apprentice: He was awarded the Mae L. Wien Award for Outstanding Promise that same year. He became a corps de ballet member in 2000, and in 2007 he was promoted to soloist. Mr. Orza joined Pacific Northwest Ballet as a member of the corps de ballet in 2007, was promoted to soloist in 2008 and to principal in 2010.“Seth Orza has had a distinguished career as one of America's leading male dancers,” said Kent Stowell and Francia Russell, PNB's Founding Artistic Directors, in a statement. “Greatly admired by colleagues, choreographers, directors, and audiences, he is ideally positioned to use his experience to benefit dancers. ORZA PRO-ONE shows unique promise to enhance dancers' careers and lessen the pain and injuries they have always had to cope with.As Founder and CEO, Mr. Orza manages all aspects of the company, including managing the overall operations and resources of the company and acting as the main point of communication between investors and corporate operations.Orza is backed by an all-star team of medical professionals who are leaders in their respective fields. Our Medical Advisory Team includes Marika Molnar, Physical Therapist NYCB; Dr. Phillip Bauman, MD, FAAOS; Selina Shah, MD, FACP, FAMSSM, Dance & Sports Medicine and Karin Steere, DPT, MTC, CSCS University of Puget Sound. Follow on Instagram @orzabrand Find out more about Orza Brand Ballet Shoes ⁠https://orzabrand.com/⁠ Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

In this episode, Elizabeth Farrell joins us to talk about her time dancing for Agnes DeMille. Elizabeth danced with American Ballet theater for 13 years and during that time was chosen by DeMille to dance in a number of her ballets, including the lead role in her masterpiece, 'Rodeo'. Additional Resources Reference Footage Agnes DeMille Website Autobiography: Dance to the Piper & Promenade Home Oklahoma! Podcast Merch Disclaimer: Some of the links are affiliate links. This means that, at zero cost to you, I will earn an affiliate commission if you click through this link and finalize a purchase.

This week, Stauney talks about the Prima Ballerina, Maria Tallchief and how her pioneering spirit challenged the norms of the predominantly European art form and ushered in a new era for ballet in the United States. From her early training at the School of American Ballet to becoming the first American and Native American prima ballerina, Tallchief's career was marked by a relentless pursuit of excellence. This episode discusses the life and achievements of Maria Tallchief, from her formative years in the Oklahoma Osage Tribe to her extraordinary rise as a legendary ballet figure. We discuss her contributions of change to the future of ballet forever, her role in breaking down racial barriers, and her enduring influence on the world of dance. Maria Tallchief's remarkable and transformative odyssey is a testament to the enduring power of passion, talent, and cultural pride. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's likely that every single one of our listeners knows the name Cooper Nielson. He briefly broke Jody Sawyer's heart in the cult ballet movie Center Stage, and yet today, we speak with the man who played that role, Ethan Stiefel, who is far more interesting than the notorious Cooper Nielson. Ethan was born in Pennsylvania, and his father was a prison warden, and like many men before him, he was introduced to ballet by watching his sister's dance class. But by age 15, he had been accepted into the School of American Ballet where he trained with the likes of Rudolph Nureyev and Mikhail Baryshnikov. Upon graduation, he was accepted into the New York City Ballet, but the adventures didn't end there.In this wondrous conversation, Ethan talk so candidly about his life and career. We talk about his early years rising through the ranks at the New York City Ballet before defecting across the Lincoln Center Plaza to join American Ballet Theater as a principal, and Ethan and I cover so much more. We discuss what it's like for American men to grow up dancing in the US, how he became artistic director of the Royal New Zealand Ballet, managing a long distance relationship with his now wife, Gillian Murphy, and taking some time off for himself. Finally, we talk about playing Cooper Nielson and his new venture as the artistic director of the American Repertory Ballet.Ethan continues to live with his wife, Gillian Murphy, and their son in New Jersey in the US, while curating the new era of the American Repertory Ballet. For performance times and tickets, head to their website, arballet.org, or you can find them on Instagram, @arballet. While Ethan doesn't have Instagram, you can follow many of his adventures through his wife's Instagram. Gillian Murphy, also a principal dancer at ABT, @gillianemurphy. Ethan and I recorded our conversation remotely with Ethan dialing in from New Jersey on the East Coast of the US.We are thrilled to be sponsored by Energetiks. Energetiks specialise in creating sustainable, world class dancewear for the stars Energetiks is offering Talking Pointes listeners a 20% discount [available until the end of March 2024]. Listen for the code in the episode. Shop their extensive range online at energetiks.com.au or energetiks.com if you're listening from the US. T&Cs APPLY. @energetiks @energetiksusaTalking Points is produced on the lands of the Gadigal and the Wanegal peoples to whom we pay our greatest respects. Talking Points is produced by Fjord Review. Remember to subscribe to get the latest episodes as soon as they're released. If you like us, please leave a five-star review. On the next episode of Talking Points, you'll hear from Evie Ferris.Your host and producer is me, Claudia Lawson, with additional production by Penelope Ford and Clint Topic. Sound production and editing is by Martin Peralta at Output Media. For the latest in all things dance, head to fjordreview.com.

In this first part of a special Hear the Dance episode, host and former NYCB Dancer Silas Farley is joined by dance scholar Jennifer Homans to discuss her recently published biography, "Mr. B: George Balanchine's 20th Century.” Homans describes how her own background as a dancer—including as a student at the School of American Ballet in the 1970s—and a return to Balanchine's works while facing personal loss inspired her lasting interest in the Company's founding choreographer. Farley and Homans dig into Balanchine's Georgian upbringing, the way the hardship and uncertainty of his years in Russia and France shaped his vocabulary, and the spirituality that infuses both his approach to the creative process and to the ballets he choreographed themselves. (1:03:58) Written by Silas Farley Edited by Gus Reed Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Symphony in Three Movements (1945) by Igor Stravinsky All music performed by New York City Ballet Orchestra Reading List:  Balanchine: A Biography by Bernard Taper George Balanchine: Ballet Master by Richard Buckle in Collaboration with John Taras Balanchine and the Lost Muse: Revolution and the Making of a Choreographer by Elizabeth Kendall George Balanchine: The Ballet Maker by Robert Gottlieb Balletmaster: A Dancer's Vision of George Balanchine by Moira Shearer By With To & From: A Lincoln Kirstein Reader by Lincoln Kirstein, Edited by Nicholas Jenkins Apollo's Angels: A History of Ballet by Jennifer Homans

In this episode, Marisa interviews dancer, choreographer, and artistic director of Toledo Ballet, Eric Otto. Eric shares his story about growing up dancing at his mom's ballet school in New York and then training at the School of American Ballet. They discuss his experiences performing in classical ballets and on Broadway, working with icon Twyla Tharp in Movin' Out. Eric provides insight into the world of dance, and encourages dancers that success comes from being authentic and passionate.Follow Eric @ericotto79Check out his website at https://ericottoballet.comCheck out Toledo Ballet's website for classes and upcoming performanceshttps://www.artstoledo.com/toledoballet/

“Dance Talk” ® with Joanne Carey  and special guest, Jillian Davis, company artist with Complexions Contemporary Ballet. In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest, Gillian Davis. Listen in as Joanne and Jillian recount that they are no strangers. Joanne shares how she recalls Jillian as a young dancer traveling far from home to attend the morning Adult Ballet class where Joanne kept up with her own ballet training. Joanne goes on to share with Jillian that she knew she had that "special something". Follow along as they talk bout Jillian's growth as a young ballet dancer to the powerhouse artist she is today as part of Complexions Contemporary Ballet. JILLIAN DAVIS (Dancer) from Kutztown, PA and began her ballet training at the age of 3. She studied with Risa Kaplowitz and Susan Jaffe at Princeton Dance and Theater Studio in Princeton, NJ. Jillian attended San Francisco Ballet, School of American Ballet, Pacific Northwest Ballet and LINES Ballet programs. Jillian has been a company member with Complexions since 2014. She has been part of Dwight Rhoden world premieres including Headspace, Strum, Gutter Glitter, Star Dust, Bach 25, Woke, Love Rocks, and a world-premiere solo, Elegy. She has also performed installation works by Desmond Richardson and an excerpt of Approximate Sonata by William Forsthye. Along with being a dancer with Complexions, Jillian is part of the core faculty for Complexions Dance Academy. Follow on Instagram @jillange93 Find out more about Complexions Contemporary Ballet https://www.complexionsdance.org/home Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

In this week's episode of GRUFFtalk: How to Age Better, host Barbara Hannah Grufferman talks with sports nutritionist Heidi Skolnik to take a deep dive into the many benefits of fiber, the ‘unsung hero' of nutrition and which many longevity experts believe is the ‘secret weapon' to aging better and living longer.  Here are a few of the things you'll learn by listening to this episode:  The Science Behind Fiber: Understand exactly what fiber is and the distinct types that can benefit our health.  The Connection Between Fiber and Gut Health: Dive into fiber's crucial role in digestion, gut health, and its direct link to a robust metabolism.  Combatting Diseases: Learn how a fiber-rich diet can reduce the risk of type 2 diabetes, stabilize blood sugar levels, and reduce your risk for common chronic diseases such as cancer, stroke, and heart disease.  Longevity's Link to Fiber: Unravel the research that connects higher fiber intake to a longer, more vibrant life.  Get to Your Healthy Weight: Decode the ways in which fiber assists in weight control, satiety, and overall calorie regulation.  Practical Tips: Get actionable advice on seamlessly incorporating more fiber-rich foods into your daily meals and snacks.  More about Heidi Skolnik:  Heidi Skolnik is a nutritionist and exercise scientist who works with professional athletes, Broadway stars, and also oversees Performance Nutrition for Julliard and the School of American Ballet. Heidi is also the co-author of the New York Times best-selling and wildly successful book “The Whole Body Reset”, which sheds light on how to stop age-related weight gain with while keeping muscles strong with the power of protein timing.  Learn more about Heidi Skolnik here:  Website: https://www.heidiskolnik.com  Connect with Barbara:  Website: https://www.barbarahannahgrufferman.com   Facebook: https://www.facebook.com/BarbaraHannahGruffermanAuthor  Instagram: https://www.instagram.com/barbarahannahgrufferman/  LinkedIn: https://www.linkedin.com/in/barbara-hannah-grufferman/  Learn more about your ad choices. Visit megaphone.fm/adchoices

Susan Pilarre was a dancer with the New York City Ballet for 16 years under the direction of George Balanchine. She then spent 37 years passing on his teachings at the School of American Ballet. We sat down to discuss Balanchine's legacy and what it has meant to her to be a part of it. Additional Resources: “Balanchine: A Biography” By Bernard Taper Watch footage referenced in the episode “In Balanchine's Classroom” a documentary by Connie Hochman Serenade Ornament Podcast Merch Disclosure: Some of the links are affiliate links. This means that, at zero cost to you, I will earn an affiliate commission if you click through the link and finalize a purchase.

Kick- Off Season 2 of “Dance Talk” ® with Joanne Carey and the Artistic Director of New York Theatre Ballet, Steven Melendez. In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest: Steven Melendez. Listen in as we have a candid chat about where Steven's career began, where it is now and where it is going. We also talk about the full-length documentary film Lift based on his life and the Lift Program at NYTB that serves children living inside homeless shelters in NYC through the art of ballet. It was in that very program that Steven discovered ballet and ballet discovered him. This is a talent whose mission is to "Bring the Dance Where the People Are'" and his new program "Between the Acts" is doing that by addressing diversity, equity and inclusion by creating greater access to dance." For NYTB, "the future of our organization and the future of dance lie with new audiences. " Steven Melendez, was born in New York City in 1986 and began his ballet training as part of the LIFT Scholarship Program at Ballet School New York at the age of seven. Later, he studied at the School of American Ballet and attended summer programs at San Francisco Ballet Academy, Houston Ballet Academy, and Kaatsbaan International School. 2001 Melendez joined New York Theatre Ballet (NYTB) as an apprentice and in 2006 was promoted to Principal. In 2004 he graduated from the American Ballet Theater Studio Company Associate Program. He was invited to Buenos Aires as a Guest Soloist for the 2006 season traveling and performing internationally. Melendez joined the Vanemuine Theater Ballet Company in Tartu, Estonia as a principal dancer in 2007 and in 2008 received a Diploma from the 5th Rudolf Nureyev International Ballet Competition in Budapest, Hungary, receiving special recognition for his secondround performance of Onegin. He was invited to perform in the gala entitled Celebrating the Classical Male Dancer and later represented Estonia at the 13th International Baltic Ballet Festival inRiga, Latvia. Melendez returned to NYC in March 2010 to NYTB as a Principal Guest Artist and rejoined the company full-time for the following season. Steven is a Van-Lier Fellowship recipient and a 2012 Clive Barnes Foundation Award Nominee. In 2015 Melendez celebrated his 15th season with NYTB and was a frequent guest artist at the Teatro Nacional de Costa Rica and Ballet Palm Beach. Melendez co-choreographed his first large-scale work, Song Before Spring, for New York Theatre Ballet which was named a Dance Europe critic's choice “Best Premiere” of 2016. Melendez has served as a faculty member of Ballet School New York and the Joffrey Ballet School Summer Program in New York City and has held an annual summer workshop in Nagoya, Japan for over 10 years. Since 2018 Melendez has been a member of the alumni advisory committee on diversity and inclusion for School of American Ballet. From 2019, he has been the Hiland Artistic Director for National Dance Institute New Mexico where he created Vastness, a socially distanced dance film for a global pandemic, which aired on New Mexico PBS. Steven is the subject of a feature-length documentary, LIFT, directed by Academy Award-nominated filmmaker David Petersen, with Executive Producers Sam Pollard and Jannat Gargi. In May 2022, Melendez was named Artistic Director of New York Theatre Ballet. Melendez succeeds NYTB founder and Artistic Director Diana Byer who held the position for 44 years. Follow on Instagram @nytheatreballet To get involved, check out their website https://nytb.org/⁠ Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest: Gavin Larsen, retired professional ballerina, author, writer and teacher. Gavin sits down with Joanne and talks about her career as a professional dancer, a writer and a teacher. Together they also reminisce; sharing dance stories from Gavin's book: Being a Ballerina, The Power and Perfection of a Dancing Life , and her career. The beauty that is ballet is not only evident in Gavin Larsen's writing, but in her conversation and her ability to make her words dance. Gavin Larsen, Born and raised in New York City, Ms. Larsen received her professional dance training at the School of American Ballet, the Pacific Northwest Ballet School and the New York School of Ballet. In 1992, she joined Pacific Northwest Ballet under the direction of Kent Stowell and Francia Russell, leaving the company in 1999 to join the Alberta Ballet, directed by Mikko Nissinen. In 2002, she performed with the Suzanne Farrell Ballet as a soloist at the Kennedy Center in Washington, D.C. In 2003 Ms. Larsen joined Oregon Ballet Theatre as a principal dancer under artistic director Christopher Stowell. Over the course of her career, Ms. Larsen danced prominent roles in ballets by George Balanchine, Jerome Robbins, James Kudelka, Christopher Wheeldon and Paul Taylor, among others, and originated roles in numerous ballets. She retired from performing in 2010 to focus on teaching, coaching and writing about dance. She was a founding member of Incoroporamento, a collaborative trio combining dance, poetry, and music, producing several performances to critical acclaim. Ms. Larsen has taught and coached widely across the country and has been a guest teacher for schools in Japan and Canada. She has been a regular contributor for Pointe, Dance Teacher, and Dance Spirit magazines, and her essay “Why I Dance” appeared in Dance magazine in 2009. Her writing has appeared in Dance/USA's In the Green Room, Oregon ArtsWatch, the Dancing Times, as well as the Threepenny Review, Page & Spine, and The Maine Review. In 2015 she was honored with a fellowship to the Helene Wurlitzer Foundation in Taos, NM, to pursue her work as a writer. Her memoir, Being a Ballerina: The Power and Perfection of a Dancing Life, was published by the University Press of Florida in 2021. She lives in Asheville, NC. Follow @gavinlarsen on Instagram Find out more about Gavin on her website https://gavinlarsen.com/ Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

This week on 'Conversations on Dance' we are joined by Philip Duclos, corps de ballet dancer with the Royal Danish Ballet. We talk with Philip about his training at the School of American Ballet and his first year in a company. He gives us a preview of what he will be dancing this year at the Vail Dance Festival, and tells us how he first came to be invited to the festival in 2021 while he was still a student at SAB.VAIL DANCE FESTIVAL TICKETS ON SALE NOW! Conversations on Dance events: https://vaildance.org/conversations-on-dance/Performance tickets: https://vaildance.org/LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

Dance Your Way to Healing with Courtney Ramm Born and raised in the heart of New York City, Courtney Ramm has followed her passion for dancing to a career as a professional dancer, choreographer, and teacher.  She's directed dance schools, performed, and taught worldwide, from Singapore to Thailand to Manhattan. Dancing since the age of two, you could say that Courtney was born to dance.  At age 8, she studied at the renowned School of American Ballet and, soon after that, performed on New York's most significant stages. By age 25, she had lived all over the world with a strong resume behind her.  Acting upon a strong inner calling, Courtney soon left the concrete jungle of Manhattan for the tropical jungle of Hawaii to start her own dance company. With a strong determination to succeed and an endless to-do list, Courtney got to work on building a new picture-perfect life for herself but always felt that something was missing - the perfect husband. Until one day, at a spiritual gathering, she would lock eyes with a man that would leave her feeling something was off, but she couldn't help the intensity of his stare. Ignoring all the warning signs, Courtney dove into a relationship, not grasping the graveness and outright danger of her decision, but soon realizing that she was going down a dark path and making life-altering mistakes while doing it. After exhausting every possible way to make things better and now the mother of two young children, Courtney knew that she had to find a way out, or she wouldn't make it.   Once out, Courtney would find herself feeling completely worthless and pretty much at rock bottom.   Seeking help from the outside world and returning to her love of dance, Courtney found a way to heal and rebuild a new life for herself and her children…realizing that she would make it. In her memoir, Eris Rising, Courtney tells her story of breaking deep karmic patterns, grappling with the calling of destiny, and reconnecting with her inner warrior to show others that it is possible to move forward after life-altering mistakes and inspire them to recover the true “genius” within. Now the founder and artistic director of Ramm Dance, a non-profit dance company that blends the love of dance with holistic healing, Courtney has changed long-held karma into a mission for helping others heal and rise from domestic violence. Listen in as Courtney, and I discuss growing up in the dance world, her life-altering mistakes, and how she turned it all around to find your own path to FEARLESS HAPPYNESS!

This week on Conversations on Dance, we are happy to bring you a chat with our friend, Damien Johnson. The topic of today's conversation was suggested by one of our listeners who was looking for us to delve into male specific training and some of the issues that arise that are different from females in the field. Damien is a permanent guest faculty member at The School of American Ballet, and a sought after teacher who is certified in the American Ballet Theatre National Training Curriculum in Pre-Primary-Level 3 as well as classical Pilates through Power Pilates. It was just announced that Damien will be stepping into the role of Upper Division Head at The Washington School of Ballet after his recent time as a faculty at Central Pennsylvania Youth Ballet.Damien is the perfect person to chat with about this topic as he shares advice for young male dancers navigating an aspiring career in ballet.Special thanks to Brett Elizabeth Gardner for this topic suggestion. As a parent of a male dancer, who is now a part of a second company, Brett has founded The Ballet Help Desk, to help other parents support their dancers as they navigate the serious ballet training path. The Ballet Help Desk provides an extensive digital library, featuring a collection of articles and videos. Users can explore various topics, ranging from the path to becoming a professional dancer to how to choose a ballet residential program to how ballet competitions fit into the mix. Be sure the check them out at ballethelpdesk.com.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

Eric Underwood is a former leading dancer with The Royal Ballet in London. Born in Washington DC, Eric began his dance training at the School of American Ballet before joining The Royal Ballet in 2006. Eric has also made a name for himself in the fashion world, modelling for brands like Louis Vuitton and Diesel in publications such as Vogue, GQ and Esquire. Throughout his career, Eric has been a vocal advocate for greater diversity and inclusivity in both the ballet and fashion industries – and has worked with organisations such as Ballet Black and The Black Iris Project to promote greater representation and opportunities for dancers of colour. Here, he sits down with SLMan editor Charlotte Collins to tell his fascinating story, talk through his fitness regime and share his top London recommendations for culture, going out and tailoring. Hosted on Acast. See acast.com/privacy for more information.

In part one of this week's special Hear the Dance episode, legendary former Principal Dancer Allegra Kent joins host and fellow former Principal Jared Angle to discuss her beginnings as a dancer. From joining Bronislava Najinska's intermediate class full of GIs fresh from World War II at the age of 11, to entering the School of American Ballet at 14, to premiering in the corps of Symphony in C as an apprentice a year later, Kent describes the whirlwind of her early years with the Company—capped off with the first featured role created for her: that of the lead in Balanchine's The Unanswered Question from Ivesiana. (40:37) Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Agon (1953-56) by Igor Stravinsky Based on themes from operas by Vincenzo Bellini, including La Sonnambula, Il Puritani, Norma and I Capuleti e i Montecchi (1830-1835) by Vittorio Rieti The Unanswered Question (1908) by Charles Ives Symphony No. 1 in C major (1855) by Georges Bizet All music performed by the New York City Ballet Orchestra

Join host, Joanne Carey as she sits down with Special Guest, Emilie Gerrity, newly promoted Principal Dancer with New York City Ballet. In this episode of "Dance Talk®" with Joanne Carey, Emilie candidly shares with Joanne her excitement surrounding her recent promotion to Principal Dancer and what that responsibility means to her. Emilie also shares that she continues to cherish her very first dance teacher who saw her promise as a young dancer and wants to be the best role model she can be for the new generation of dancers. Listen in as Emile talks about coming up through the ranks of New York City Ballet and the day she received the surprise announcement while waiting in the wings. Emilie wants people to know that hard work pays off, and this enchanting ballerina knows that her new role is just beginning. It's always a delight to chat with Emilie and even her cherished doggies, Fred and Maisel, joined the conversation. Emilie Gerrity was born in Danbury, Connecticut, and began her dance training at the age of five at Betty Jean's Dance Studio in Wappingers Falls, New York before studying at the New Paltz School of Ballet. Ms. Gerrity attended summer courses at the School of American Ballet, the official school of New York City Ballet, during the summers of 2004, 2005, and 2006, before enrolling as a full-time student in winter 2006. While at SAB, she performed George Balanchine's Concerto Barocco as part of Protégés II at the Kennedy Center in Washington, D.C. in June 2008. Ms. Gerrity was named as an apprentice in 2009 and joined the Company as a member of the corps de ballet in September 2010. In February 2023, Ms. Gerrity was promoted to principal dancer. Ms. Gerrity was a recipient of the Mae L. Wien Award for Outstanding Promise in 2009. You can also catch the January 2022 IGLive interview with Joanne Carey on Instagram @westfieldschoolofdance "Dance Talk” ® with Joanne Carey “Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real." Tune in, Follow, Like us and SHARE! And don't forget to leave us a review!

When Principal Dancer with New York City Ballet Sara Mearns performs, she goes for broke, thus earning the nickname "Stage Animal" from famed choreographer Alexei Ratmansky. The star ballerina shares how she found the bravery to advocate for herself as a student at School of American Ballet, climbing the ranks to become a principal ballerina, and the advice Suzanne Farrell gave her to best prepare for performances. Sara explains how she has learned to maintain her physical and mental health, and her insatiable curiosity to explore modern and contemporary dance, thus earning herself another nickname from Alicia.Check out Sara Mearns on Instagram, YouTube, or at New York City Ballet.Follow Moving Moments on Instagram.Follow Alicia on Instagram.You can find out more about Artful Narratives Media on Instagram or the web.The Moving Moments theme song was composed by Saul Guanipa for Videohelper.Moving Moments was co-created by Alicia Graf Mack, Jessica Handelman, and David Krauss. This interview has been edited and condensed to fit the time format.Episode copyright © 2023 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Front Row, I chat with Dree about her work in film, including a new movie with Uma Thurman, whether or not she'd work on a Marvel film, and her time strutting down the runway. We chat about the funny way we met, on a scavenger hunt in Venice and we even talk about her time as a student at the School of American Ballet here in New York City.Dree Hemingway is an American model and actor. Her first lead in a feature length film in 2012's “Starlet” landed her and the ensemble cast a Robert Altman Award at the Independent Spirit Awards. She appears predominantly in independent films and models for fashion giants when she's not making films. Dree has walked and modeled for Givenchy, Calvin Klein, Thom Browne, Karl Lagerfeld, Chanel, Gucci, Valentino, Jean Paul Gaultier, and more. She has appeared in print many times for Vogue, Harpers Bazaar, V Magazine, W Magazine, Numero, and iD, to name a few. She is the daughter of actress Mariel Hemingway and the great granddaughter of famed author Ernest Hemingway.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Join host, Joanne Carey as she sits down with Special Guest, friend, dancer, choreography, curator , all around amazing human being! Claire Kretzschmar who recently retired as a soloist with New York City Ballet but not from the dance world! In this episode of "Dance Talk®" with Joanne Carey, you'll discover the beautiful story of healing depicted in ‘Rhaposide' which is based on the history of St. Bernadette, the Lourdes Sanctuary and the apparitions of the Blessed Virgin Mary. Claire expresses the ability the language of movement and music has to depict the stories of the healing, wonder, faith and hope and how as dancers, we reach into the human condition, offering a place of solice and love. Claire Kretzschmar is paving the way in the dance field as a woman of faith and we sit down to discuss how she has blended the two here depicted in the ballet ‘Rhapsodie' she choreographed at the NY Ballet Choreographic Institute in response to the COVID-19 Pandemic when she felt audiences needed to be uplifted with stories of hope and healing. Claire Kretzschmar is a former soloist dancer with New York City Ballet (NYCB) and a native of Winston-Salem, NC. As a child, she danced at Academy of Dance Arts, Wake Forest Community Ballet, and the University of North Carolina School of the Arts before continuing on to the School of American Ballet for her final year of high school. She joined NYCB as a corps member in 2011 and was promoted to soloist in 2018. With NYCB, Claire has performed featured roles in works by George Balanchine, Jerome Robbins, Alexei Ratmansky, Justin Peck, and Kyle Abraham. In 2018, she received a bachelor's degree in Communications from Fordham University, and she currently leads dance lectures, teaches ballet, and co-hosts "The Rosin Box" segment of NYCB's podcast. Claire also choreographs when the opportunities arise, and her most notable works include Rachmaninoff Suite and Rhapsodie for the New York Choreographic Institute and The Nutcracker Garage Show for the people of Winston-Salem. She is the recipient of the Janice Levin and Martin E. Segal Awards for rising artists, and she loves to spend her free time with family and friends. You can also listen to Claire's IGLive interview with Joanne Carey on Instagram @westfieldschoolofdance "Dance Talk” ® with Joanne Carey “Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real." Choreography: Claire Kretzschmar Music Composition: Lauren Vandervelden Film: Quinn Wharton. Tune in, Follow, Like us and SHARE!

PART EIGHT - "Blackness is a vehicle. It's a vehicle to get people where they need to go."For more content, follow us on Instagram @RococoPunchTRANSCRIPT - https://www.rococopunch.com/turningtranscripts See omnystudio.com/listener for privacy information.

On this episode of “DANCIN' Man: A Fabulous Invalid Podcast”, Jamie and Rob chat with their first cast member: Manuel Herrera. Originally from Charlotte, North Carolina, Manny trained at The School of American Ballet in New York before making his Broadway debut at age 17. “Bob Fosse's DANCIN'” marks his sixth Broadway show, and his fourth collaboration with director Wayne Cilento. On this episode, Manny chats about his life and career, and the experience of working with Wayne. For tickets and more information about the show, go to DancinBway.com. Find us on Twitter & Instagram: @fabulousinvalid Email us at: info@fabulousinvalid.com Jamie DuMont Twitter: @jamiedumont  Instagram: @troutinnyc Rob Russo Twitter: @StageLeft_NYC Instagram: @RRussoNY Learn more about your ad choices. Visit megaphone.fm/adchoices

Over ten years in the making, Jennifer Homans's treatise on choreographer George Balanchine introduces us to this complicated artist in a light not heretofore shown. With Lincoln Kerstein, Balanchine created the School of American Ballet, and then the New York City Ballet.One cannot study Balanchine without studying Russian history, at least immediately preceding the Revolution up to the early 80s.  In her Mr. B: George Balanchine's 20th Century,  Jennifer touches all bases.  Jennifer probably could not have written such thorough biography had she not been a professional dancer herself.  She is currently the dance critic at The New Yorker.She was a joy to chat with.

Eat less. How many times have you seen and heard that message? As a generation that grew up steeped in diet culture, most of us have it deeply internalized…often to our detriment. Underfueling among active women is extremely common and puts us at risk for low energy availability (LEA), which can lead to relative energy deficiency in sport (RED-S), a condition that not only hurts performance, but also can cause irreparable negative health consequences. LEA/RED-S can be especially difficult to spot in midlife women because the symptoms mirror those we experience during perimenopause. We dig into all of it this week to help you avoid LEA/RED-S and get the fuel you need to feel and perform your best with Heidi Skolnik, MS, CDN, FACSM of Nutrition Conditioning, LLC, and author of The Athlete Triad Playbook. Heidi is a sports nutritionist, exercise physiologist, and thought leader in her field. She has been part of The Women's Sports Medicine Center at Hospital for Special Surgery for over 20 years and oversees the nutrition program at The Juilliard School and the School of American Ballet. Heidi has sat on the Board of The National Osteoporosis Foundation for ten years and currently sits on the Medical Advisory Committee of The National Menopause Foundation. She is also the co-author of the NYTimes Best Selling The Whole Body Reset (Simon & Schuster and AARP). You can learn more about her and her work at http://heidiskolnik.com (heidiskolnik.com)   Resources: https://athletetriadplaybook.com/ (https://athletetriadplaybook.com/) https://www.frontiersin.org/articles/10.3389/fnut.2021.640621/full (https://www.frontiersin.org/articles/10.3389/fnut.2021.640621/full) Sign up for the online Fuelin webinar to gain more information on under fueling as an athlete at https://fuelin.app/feisty (https://fuelin.app/feisty) and follow along @feistymedia for more information and content related to Fueled is Fast. Fuelin is a training-based nutrition app that syncs with your training plan to make sure you are fueling properly to support your training and everyday life. Head over to http://fuelin.com/ (fuelin.com) to get started today. Get your tickets to the Hit Play Not Pause Summit at https://www.feistymenopause.com/hit-play-not-pause-summit (feistymenopause.com/hit-play-not-pause-summit) Tickets are just $20! **Support the Podcast**  InsideTracker: 20% off at http://insidetracker.com/feisty (insidetracker.com/feisty) Previnex: 15% off your first order with code HITPLAY at https://www.previnex.com/ (https://www.previnex.com/)  Bonafide: 20% off your first purchase when you subscribe to any product with code HITPLAY at  http://hellobonafide.com/hitplay (hellobonafide.com/hitplay) Nutrisense: Go to http://nutrisense.io/hitplay (nutrisense.io/hitplay) for $30 off any subscription to the CGM program This podcast uses the following third-party services for analysis: Podsights - https://podsights.com/privacy Chartable - https://chartable.com/privacy