Podcast appearances and mentions of jackie wullschlager

Finally, gay art and writing is getting the attention it deserves. We celebrate with novelist Philip Hensher and critic Jackie Wullschlager. Plus: Twitter's favourite poet Patricia Lockwood remembers growing up in the American Midwest with her gun-toting Catholic 'priestdaddy'. See acast.com/privacy for privacy and opt-out information.

With John Wilson. Marc Chagall's paintings filled with colour, floating figures and Jewish motifs are among the most distinctive in art. A new exhibition at Tate Liverpool traces the creation of Chagall's style by following his early years as an artist in Paris and his native Russia. Jackie Wullschlager, author of the biography Chagall: Love and Exile, reviews. St Colmcille, the patron saint of Derry/Londonderry, returns for a public pageant on a city-wide scale, starting this evening. Frank Cottrell Boyce, the writer behind the London 2012 Opening Ceremony, discusses how he created the story for this weekend's events in the UK's City of Culture. Many aspects of the city's history are celebrated, culminating in a showdown on the river front between St. Colmcille and his monstrous nemesis. Singer-songwriter Laura Marling reflects on her new album Once I was an Eagle, and explains why she has chosen to base herself in Los Angeles. She also brings her guitar to the Front Row studio, to perform. And the Irish writer Colm Tóibín makes his selection for the Cultural Exchange: Poem by Elizabeth Bishop, a reflection on a small painting of a scene in rural Nova Scotia, where the poet spent time as a child. Producer Jerome Weatherald.

With Mark Lawson. Emma Watson returns to the big screen in a new film The Perks of Being a Wallflower, in which a young man falls for Sam (played by Watson) while under the protective eyes of two fellow students who take him under their wing. Rebecca Nicholson reviews. The 2012 Turner Prize exhibition opens tomorrow, featuring works by the four shortlisted artists. Spartacus Chetwynd, Luke Fowler, Paul Noble and Elizabeth Price are competing for the £25,000 award. Art critic Jackie Wullschlager gives her verdict. The production company behind Spooks and Ashes To Ashes now bring us Hunted, a TV drama series which focuses on a highly-skilled operative for an elite private intelligence firm. She has faced a threat to her life which might have been an inside job. Gabriel Tate reviews. And as Halifax-based theatre company Northern Broadsides celebrate their 20th anniversary, founder Barrie Rutter and company members reflect on their tradition of performing classic plays in northern voices in non-velvet spaces. Producer Jerome Weatherald.

Anne McElvoy talks to the Pulitzer Prize winner, Katherine Boo about her book, Behind the Beautiful Forevers. Jackie Wullschlager reviews the literally luminous new show at Tate Liverpool which features the late work of Twombly, Turner and Monet; one of our New Generation thinkers, Timothy Secret, reflects on how we mourn our dead and Uta Frith, Harry Collins and Marcus Chown explore a new twist on the legacy of one of the great scientific minds of the 20th Century, Alan Turing.

From Dickens’ London to Wordsworth’s Lakes via the painter George Shaw’s suburban “edgelands”, the British landscape has long permeated writing and visual art. On the opening of the British Library’s exhibition Writing Britain: Wastelands to Wonderlands, Jan Dalley talks to the poet Owen Sheers; the exhibition’s curator Jamie Andrews; and FT art critic Jackie Wullschlager. The travel writer Robert Macfarlane is on the line. Plus, Faber's 1998 recording of Harold Pinter reading his poem “Joseph Brearley 1909-1977” © Faber & Faber Produced by Griselda Murray Brown See acast.com/privacy for privacy and opt-out information.

With Mark Lawson. A major Damien Hirst retrospective exhibition opens this week at Tate Modern. Damien Hirst discusses his success and the reaction he gets from cab-drivers, and critic Jackie Wullschlager gives her verdict. In his new film This Must Be The Place, Sean Penn is almost unrecognisable as Cheyenne, a fifty year-old Goth and former rock star, who sets off on a journey of discovery after his father's death. Jenny McCartney reviews. Michael Grade has held top positions at the BBC, ITV and Channel 4. He's now presenting a Radio 2 series examining Britain's television industry. The former BBC Chairman discusses commissioning Dennis Potter's The Singing Detective in the BBC toilets, being asked to lower ratings at ITV, and the moment he thought that Bob Geldof had ended his career. Producer Rebecca Nicholson.

Kate Winslet and Jodie Foster star in Roman Polanski's film Carnage, an adaptation of Yasmina Reza's play about two couples who meet to discuss their sons, one of whom has knocked out the other's front teeth. Although things start out cordially, cracks soon begin to show. Novelist Julie Myerson gives her verdict. Director Sacha Mirzoeff discusses the years of negotiation behind his three part TV documentary series Protecting Our Children. Given unprecedented access to social workers and families in Bristol, Mirzoeff reveals the pressures of filming the complex dilemmas faced by child protection teams. The first-ever British production of Samuel Beckett's Waiting For Godot with a cast of black actors is about to open at the West Yorkshire Playhouse. Actors Jeffery Kissoon and Patrick Robinson and director Ian Brown reflect on how this casting changes the play. Migrations, a new exhibition at Tate Britain, explores how British art has been shaped by artists from abroad over the last five centuries. The show moves from works by the Dutch artists van Dyck and Maurice Gheeraerts to contemporary artists such as Steve McQueen and Mona Hatoum. Jackie Wullschlager reviews. Producer Nicki Paxman.

Established in 1895, the Venice Biennale has been called anachronistic - with its focus on separate national pavilions despite the international nature of today's art market. Is it an outdated model? If so, why are more countries than ever taking part this year? It is a series of exhibitions not an art fair - yet Venice has long been a centre of trade. Just how commercial is its Biennale? Jan Dalley puts these questions to Jackie Wullschlager and Peter Aspden, and picks some highlights ahead of the 54th Venice Biennale. Produced by Griselda Murray Brown See acast.com/privacy for privacy and opt-out information.

Established in 1895, the Venice Biennale has been called anachronistic - with its focus on separate national pavilions despite the international nature of today's art market. Is it an outdated model? If so, why are more countries than ever taking part this year? It is a series of exhibitions not an art fair - yet Venice has long been a centre of trade. Just how commercial is its Biennale? Jan Dalley puts these questions to Jackie Wullschlager and Peter Aspden, and picks some highlights ahead of the 54th Venice Biennale. Produced by Griselda Murray Brown See acast.com/privacy for privacy and opt-out information.

Is it acceptable for an artist to have his work produced by others? And what are the implications of the artist as businessman on conceptual art as we know it? As a new generation of artists openly declare themselves marketing men, FT arts editor Jan Dalley discusses the business of art with Jackie Wullschlager, FT visual arts critic, and Peter Aspden, FT arts and culture writer. See acast.com/privacy for privacy and opt-out information.

It's been a big week for contemporary British art. First the opening of the British Art Show 7 in Nottingham, then the second instalment of Newspeak at the Saatchi Gallery in London. To round it off, on Sunday Channel 4 will show “Modern Times”, the fifth in its series The Genius of Britain, this time presented by Janet Street-Porter. Peter Aspden, FT arts writer, and John Lloyd, FT television columnist, discuss art and celebrity: Charles Saatchi, Damien Hirst and the inimitable Janet Street-Porter. FT art critic Jackie Wullschlager reports on the British Art Show. Does it really represent the art of the nation? Produced by Griselda Murray Brown See acast.com/privacy for privacy and opt-out information.