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In this episode, we step inside the shadows of some of the most haunted churches where faith endures, but so do the spirits who refuse to let go. We begin in rural Indiana, at a small chapel where visitors report being pursued by the dark silhouette of a man who appears only long enough to send them fleeing into the night. From there, we travel to a historic Chicago parish shaken by sightings of shrouded monks who drift through between pews, terrifying more than a dozen parishioners in a single weekend. Our journey continues north to Montreal's famed oratory, where the preserved heart of a revered saint may be binding his presence to the grounds. We'll also stop at an Iowa college campus chapel, where the tragic death of a young woman left behind unanswered questions, lingering sorrow, and reports of a presence still searching for resolution.Ghosts & Legends of Crawfordsville, Indiana by Christopher and Christina HuntThe Big Book of Illinois Ghost Stories by Troy TaylorThe Mammoth Book of True Hauntings edited by Peter HainingTrue Ghost Stories: Haunted Heartland from the American Midwest by Beth Scott and Michael NormanTrue Ghost Stories: Real Haunted Churches and Cathedrals by ZaYou can also use this link to text us your story :)If you have an experience, story, or anything else you'd like to share with us, you can email us at Opeaghost@gmail.com You can also follow us on Instagram, Join our Facebook group : Ope, A Ghost, or Follow us on YoutubeToodles!
The Storm explores the world of lift-served skiing year-round. Join us.WhoLonie Glieberman, Founder, Owner, & President of Mount Bohemia, MichiganRecorded onNovember 19, 2025About Mount BohemiaClick here for a mountain stats overviewOwned by: Lonie GliebermanLocated in: Lac La Belle, MichiganYear founded: 2000, by LoniePass affiliations: NoneReciprocal partners: Boho has developed one of the strongest reciprocal pass programs in the nation, with lift tickets to 34 partner mountains. To protect the mountain's more distant partners from local ticket-hackers, those ski areas typically exclude in-state and border-state residents from the freebies. Here's the map:And here's the Big Dumb Storm Chart detailing each mountain and its Boho access:Closest neighboring ski areas: Mont Ripley (:50)Base elevation: 624 feetSummit elevation: 1,522 feetVertical drop: 898 feetSkiable acres: 585Average annual snowfall: 273 inchesTrail count: It's hard to say exactly, as Boho adds new trails every year, and its map is one of the more confusing ones in American skiing, both as you try analyzing it on this screen, and as you're actually navigating the mountain. My advice is to not try too hard to make the trailmap make sense. Everything is skiable with enough snow, and no matter what, you're going to end up back at one of the two chairlifts or the road, where a shuttlebus will come along within a few minutes.Lift count: 2 (1 triple, 1 double)Why I interviewed himFor those of us who lived through a certain version of America, Mount Bohemia is a fever dream, an impossible thing, a bantered-about-with-friends-in-a-basement-rec-room-idea that could never possibly be. This is because we grew up in a world in which such niche-cool things never happened. Before the internet spilled from the academic-military fringe into the mainstream around 1996, We The Commoners fed our brains with a subsistence diet of information meted out by institutional media gatekeepers. What I mean by “gatekeepers” is the limited number of enterprises who could afford the broadcast licenses, printing presses, editorial staffs, and building and technology infrastructure that for decades tethered news and information to costly distribution mechanisms.In some ways this was a better and more reliable world: vetted, edited, fact-checked. Even ostensibly niche media – the Electronic Gaming Monthly and Nintendo Power magazines that I devoured monthly – emerged from this cubicle-in-an-office-tower Process that guaranteed a sober, reality-based information exchange.But this professionalized, high-cost-of-entry, let's-get-Bob's-sign-off-before-we-run-this, don't-piss-off-the-advertisers world limited options, which in turn limited imaginations – or at least limited the real-world risks anyone with money was willing to take to create something different. We had four national television networks and a couple dozen cable channels and one or two local newspapers and three or four national magazines devoted to niche pursuits like skiing. We had bookstores and libraries and the strange, ephemeral world of radio. We had titanic, impossible-to-imagine-now big-box chain stores ordering the world's music and movies into labelled bins, from which shoppers could hope – by properly interpreting content from box-design flare or maybe just by luck – to pluck some soul-altering novelty.There was little novelty. Or at least, not much that didn't feel like a slightly different version of something you'd already consumed. Everything, no matter how subversive its skin, had to appeal to the masses, whose money was required to support the enterprise of content creation. Pseudo-rebel networks such as ESPN and MTV quickly built global brands by applying the established institutional framework of network television to the mainstream-but-information-poor cultural centerpieces of sports and music.This cultural sameness expressed itself not just in media, but in every part of life: America's brand-name sprawl-ture (sprawl culture) of restaurants and clothing stores and home décor emporia; its stuff-freeways-through-downtown ruining of our great cities; its three car companies stamping out nondescript sedans by the millions.Skiing has long acted as a rebel's escape from staid American culture, but it has also been hemmed in by it. Yes, said Skiing Incorporated circa 1992, we can allow a photo of some fellow jumping off a cliff if it helps convince Nabisco Bob fly his family out to Colorado for New Year's, so long as his family is at no risk of actually locating any cliffs to jump off of upon arrival. After all, 1992 Bob has no meaningful outlet through which to highlight this advertising-experience disconnect. The internet broke this whole system. Everywhere, for everything. If I wanted, say, a Detroit Pistons hoodie in 1995, I had to drive to a dozen stores and choose the least-bad version from the three places that stocked them. Today I have far more choice at far less hassle: I can browse hundreds of designs online without leaving the house. Same for office furniture or shoes or litterboxes or laundry baskets or cars. And especially for media and information. Consumer choice is greater not only because the internet eliminated distance, but also because it largely eliminated the enormous costs required to actualize a tangible thing from the imagination.There were trade-offs, of course. Our current version of reality has too many options, too many poorly made products, too much bad information. But the internet did a really good job of democratizing preferences and uniting dispersed communities around niche interests. Yes, this means that a global community of morons can assemble over their shared belief that the planet is flat, but it also means that legions of Star Wars or Marvel Comics or football obsessives can unite to demand more of these specific things. I don't think it's a coincidence that the dormant Star Wars and Marvel franchises rebooted in spectacular, omnipresent fashion within a decade of the .com era's dawn.The trajectory was slightly different in skiing. The big-name ski areas today are largely the same set of big-name ski areas that we had 30 years ago, at least in America (Canada is a very different story). But what the internet helped bring to skiing was an awareness that the desire for turns outside of groomed runs was not the hyper-specific desire of the most dedicated, living-in-a-campervan-with-their-dog skiers, but a relatively mainstream preference. Established ski areas adapted, adding glades and terrain parks and ungroomed zones. The major ski areas of 2025 are far more interesting versions of the ski areas that existed under the same names in 1995.Dramatic and welcome as these additions were, they were just additions. No ski area completely reversed itself and shut out the mainstream skier. No one stopped grooming or eliminated their ski school or stopped renting gear. But they did act as something of a proof-of-concept for minimalist ski areas that would come online later, including avy-gear-required, no-grooming Silverton, Colorado in 2001, and, at the tip-top of the American Midwest, in a place too remote for anyone other than industrial mining interests to bother with, the ungroomed, snowmaking-free Mount Bohemia.I can't draw a direct line between the advent of the commercial internet and the rise of Mount Bohemia as a successful niche business within a niche industry. But I find it hard to imagine one without the other. The pre-internet world, the one that gave us shopping malls and laugh-track sitcoms and standard manual transmissions, lacked the institutional imagination to actualize skiing's most dynamic elements in the form of a wild and remote pilgrimage site. Once the internet ordered fringe freeskiing sentiments into a mainstream coalition, the notion of an extreme ski area seemed inevitable. And Bohemia, without a basically free global megaphone to spread word of its improbable existence, would struggle to establish itself in a ski industry that dismissed the concept as idiotic and with a national ski media that considered the Midwest irrelevant.Even with the internet, Boho took a while to catch on, as Lonie detailed in his first podcast appearance three years ago. It probably took the mainstreaming of social media, starting around 2008, to really amp up the online echo-sphere and help skiers understand this gladed, lake-effect-bombed kingdom at the end of the world.Whatever drove Boho's success, that success happened. This is a good, stable business that proved that ski areas do not have to cater to all skiers to be viable. But those of us who wanted Bohemia before it existed still have a hard time believing that it does. Like superhero movies or video-calls or energy drinks that aren't coffee, Boho is a thing we could, in the ‘80s and early ‘90s, easily imagine but just as easily dismiss as fantasy.Fortunately, our modern age of invention and experimentation includes plenty of people who dismiss the dismissers, who see things that don't exist yet and bring them into our world. And one of the best contributions to skiing to emerge from this age is Mount Bohemia.What we talked aboutSeason pass price and access changes; lifetime and two-year season passes; a Disney-ski comparison that isn't negative; when your day ticket costs as much as your season pass; Lonie's dog makes a cameo; not selling lift tickets on Saturdays; “too many companies are busy building a brand that no one will hate, versus a brand that someone will love”; why it's OK to have some people be angry with you; UP skiing's existential challenge; skiing's vibe shift from competition to complementary culture; the Midwest's advanced-skier problem; Boho's season pass reciprocal program; why ski areas survive; the Keweenaw snow stake and Boho's snowfall history; recent triple chair improvements and why Boho didn't fully replace the chair – “it's basically a brand-new chairlift”; a novel idea for Boho's next new chairlift; the Nordic spa; proposed rezoning drama; housing at the end of the world; could Mount Bohemia have a Mad River Glen co-op-style future?; why the pass deadline really is the pass deadline; and Mount Bohemia TV.What I got wrong* I said that Boho's one-day lift ticket was “$89 or $92” last time Lonie joined me on the pod, in fall, 2022. The one-day cost for the 2022-23 ski season was $87.* I said that Powder Mountain, Utah, may extend their no-lift-ticket-sales-on-Saturdays-and-Sundays-in-February policy, which the mountain rolled out last year, to other dates, but their sales calendar shows just eight restricted dates (one of which is Sunday, March 1), which is the same number as last winter.Why you should ski Mount BohemiaI can't add anything useful to this bit that I wrote a few months back:Or didn't say three years ago, around my first Boho pod:Podcast NotesOn Boho's season passOn Lonie's LibraryA Boho podcast will always come loaded with some Lonie Library recommendations. In this episode, we get The Power of Cult Branding by Mattew W. Ragas and Bolivar J. Bueno and The 22 Immutable Laws of Branding by Al Ries and Laura Ries.On Raising Cane'sLonie tells us about a restaurant called Raising Cane's that sells nothing but chicken fingers. Because I have this weird way of sometimes not noticing super-obvious things, I'd never heard of the place. But apparently they have 900-ish locations, including several here in NYC. I'm sure you already know this.On Jimmy BuffettThen again I'm sometimes overly attuned to things that I think everyone knows about, like Jimmy Buffett. Probably most people are aware of his Margaritaville-headlined music catalog, but perhaps not the Boomers-Gone-Wild Parrothead energy of his concerts, which were mass demonstrations of a uniquely American weirdness that's impossible to believe in unless you see it:I don't know if I'd classify this spectacle as sports for people who don't like sports or anthropological proof that mass coordinated niche crowd-dancing predates the advent of TikTok, but I hope this video reaches the aliens first and they decide not to bother.On “when we spoke in Milwaukee”This was the second time I've interviewed Lonie recently. The first was in front of an audience at the Snowvana ski show in Milwaukee last month. We did record that session, and it was different enough from this pod to justify releasing – I just don't have a timeline on when I'll do that yet. Here's the preview article that outlined the event:On Lonie operating the Porcupine Mountains ski areaI guess you can make anything look rad. Porcupine Mountains ski area, as presented today under management of the State of Michigan's Department of Natural Resources:The same ski area under Lonie's management, circa 2011:On the owner of Song and Labrador, New York buying and closing nearby Toggenburg ski areaOn Indy's fight with Ski CooperI wrote two stories on this, each of which subtracted five years from my life. The first:The follow-up:On Snow Snake, Apple Mountain, and Mott Mountain ski areasThese three Mid-Michigan ski areas were so similar it was frightening – the only thing I can conclude from the fact that Snow Snake is the only one left is that management trumps pretty much everything when it comes to which ski areas survive:On Crystal Mountain, Michigan versus Sugar Loaf, MichiganI noted that 1995 Stu viewed Sugar Loaf as a “more interesting” ski area than contemporary Crystal. It's important to note that this was pre-expansion Crystal, before the ski area doubled in size with backside terrain. Here are the Crystal versus Sugar Loaf trailmaps of that era:I discussed all of this with Crystal CEO John Melcher last year:On Thunder Mountain and Walloon HillsLonie mentions two additional lost Michigan ski areas: Thunder Mountain and Walloon Hills. The latter, while stripped of its chairlifts, still operates as a nonprofit called Challenge Mountain. Here's what it looked like just before shuttering as a public ski area in 1978:The responsible party here was nearby Boyne, which bought both Walloon and Thunder in 1967. They closed the latter in 1984:The company now known as Boyne Resorts purchased a total of four Michigan ski areas after Everett Kircher founded Boyne Mountain in 1948, starting with The Highlands in 1963. That ski area remains open, but Boyne also owned the 436-vertical foot ski area alternately known as “Barn Mountain” and “Avalanche Peak” from 1972 to '77. I can't find a trailmap of this one, but here's Boyne's consolidation history:On Nub's Nob and The HighlandsWhen I say that Nub's Nob and Boyne's Highlands ski area are right across the street from each other, I mean they really are:Both are excellent ski areas - two of the best in the entire Midwest.On Granite Peak's evolution under Midwest Family Ski ResortsI've written about this a lot, but check out Granite Peak AKA “Rib Mountain” before the company now known as Midwest Family Ski Resorts purchased it in 2000:And today:And it's just like “what you're allowed to do that?”On up-and-over chairliftsBohemia may replace its double chair with a rare up-and-over machine, which would extend along the current line to the summit, and then continue to the bottom of Haunted Valley, effectively functioning as two chairlifts. Lonie explains the logic in the podcast, but if he succeeds here, this would be the first new up-and-over lift built in the United States since Stevens Pass' Double Diamond-Southern Cross machine in 1987. I'm only aware of four other such machines in America, all of them in the Midwest:Little Switzerland recently revealed plans to replace the machine that makes up the 1 and 2 chairlifts with two separate quads next year.On Boho's Nordic SpaI never thought hot tubs and parties and happiness were controversial. Then along came social media. And it turns out that when a ski area that primarily markets itself as a refuge for hardcore skiers also builds a base-area zone for these skiers to sink into another sort of indulgence at day's end and then promotes these features, it make Angry Ski Bro VERY ANGRY.For most of human existence we had incentives to prevent ostentatious attention-seeking whining about peripheral things that had no actual impact on your life, and that incentive was Not Wanting To Get Your Ass Kicked. But some people interpreted the distance and anonymity of the internet as a permission slip to become the worst versions of themselves. And so we have a dedicated corps of morons trolling Boho's socials with chest-thumping proclamations of #RealSkierness that rage against the $18 Nordic Spa fee taped onto each Boho $99 or $112 season pass.But when you go to Boho, what you see is this:And these people do not look angry. Because they are doing something fun and cool. Which is one more reason that I stopped reading social media comments several years ago and decided to base reality on living in it rather than observing it through my Pet Rectangle.On the Mad River Glen Co-Op and Betsy PrattSo far, the only successful U.S. ski area co-op is Mad River Glen, Vermont. Longtime owner Betsy Pratt orchestrated the transformation in 1995. She passed away in 2023 at age 95, giving her lots of years to watch the model endure. Black Mountain, New Hampshire, is in the midst of a similar transformation. On Mount Bohemia TVBoho is a strange, strange universe. Nothing better distills the mountain's essence than Mount Bohemia TV – I mean that in the literal sense, in that each episode immerses you in this peculiar world, but also in an accidental quirk of its execution. Because the video staff keeps, in Lonie's words, “losing the password,” Mount Bohemia has at least four official YouTube channels, each of which hosts different episodes of Mount Bohemia TV.Here's episodes 1, 2, and 3:4 through 15:16 through 20:And 21 and 22:If anyone knows how to sort this out, I'm sure they'd appreciate the assist. Get full access to The Storm Skiing Journal and Podcast at www.stormskiing.com/subscribe
One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west
One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices
David Utterback is a multiple-time James Beard Award honoree and the first Nebraska-based chef to be named a finalist for Best Chef: Midwest (2023). As the chef and owner of Omaha's acclaimed restaurants Yoshitomo, Ota, and Koji (his flagship Japanese restaurant, high-end omakase counter, and izakaya concept, respectively), he has earned national recognition for redefining Japanese cuisine in the American Midwest—with even The Washington Post declaring Ota as one of the country's best sushi restaurants. A self-taught sushi chef, David isknown for melding Midwestern ingredients with Japanese precision and technique, creating a style that honors tradition while pushing the boundaries of what sushi can be.Born to a Japanese mother and American father, David's path to sushi was unconventional. After years of being immersed in Omaha's indie punk scene, a job at a local sushi restaurant shifted his focus and ultimately sparked a lifelong passion. In 2008, a formative trip to Japan– including a meal at Sukiyabashi Jiro and a rare apprenticeship offer from Jiro Ono himself – solidified his commitment to mastering the craft on his own terms. Guided by self-study, his mother's translations of Japanese culinary texts, and countless omakase experiences across Japan and the U.S., David has forged a style that is both deeply personal and distinctly regional.He continues to challenge expectations of where exceptional sushi can be found – and what it can taste like.Send us a textFirecracker Farm Small-batch Spicy Salt Family farm with a secret blend of Carolina Reaper, Ghost, and Trinidad Scorpion peppers.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show
Recho Omondi, host of The Cutting Room Floor, handles candor with the ease of someone who has little interest in performance and every interest in clarity. Over seven years, her once-modest podcast has steadily entered the cultural foreground, helped along by her habit of thinking — and learning — in public. She moves fluidly between roles: moderating conversations, appearing on other platforms, or steering her own interviews with a mix of composure and quiet provocation. There is an unmistakable steadiness to her presence, never loud, yet impossible to misread. Raised by a single Kenyan father, the youngest of three, and shaped equally by the American Midwest and a constellation of international cities, her education was as experiential as it was academic. Unbothered by imposter syndrome, assured in unfamiliar rooms, and pragmatic about a future she believes has no fixed ceiling, Recho isn't one to ask for anyone's permission. The goal with her work is to encourage people to think for themselves — to trust instinct, interrogate what is handed to them, and question the comfortable consensus wherever it appears. “There's never been a room I didn't feel worthy of. Every room I've ever been in, I've thought, ‘Oh, finally.'” - Recho Omondi Episode Highlights: A childhood of dual worlds: Recho grew up in small Midwest towns while spending every summer traveling through Europe and Kenya, giving her a uniquely global perspective from a young age. Raised by a single Kenyan father with big expectations: Her dad — an afropolitan ER doctor — emphasized reading, travel, ballet, theater, and intellectual curiosity, shaping her worldview and ambition. Independence born from the absence of a mother: Without a maternal figure at home, she learned self-sufficiency, adaptability, and emotional self-navigation — traits that now show up in her confidence and presence. The pre-med years and the turning point into fashion: Initially on a pre-med path, she realized fashion was her true calling after immersing herself in magazines and secretly visiting SCAD during spring break. Her fashion label as a crash course in business: Running her own brand for seven years taught her everything — production, trademarks, operations — a real-world business school built through trial and error. The Cutting Room Floor's origin story: The podcast was born from frustration with how designers were misunderstood and siloed. She created the space she wished existed — honest conversations with the people themselves. Her stance on confidence and imposter syndrome: She has never experienced imposter syndrome; every room she's entered has felt right. Her self-assurance stems from upbringing, birth order, and early exposure to diverse worlds. The recurring themes she sees across all conversations: Capitalism's exhaustion, the tension between humanity and technology, and the truth that fashion is really about culture — not clothes. Her critique of fashion media and Vogue today: Recho believes American Vogue has lost its edge and that Anna Wintour should have passed the baton around 2010 — while global editions and independent magazines remain strong. What's contemporary now: Kindness — not niceness. In a world overwhelmed by speed, noise, and digital disconnection, genuine empathy and presence feel modern, radical, and necessary. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this powerful and unfiltered part 3 of episode 266, host Mike Ritland sits down with former U.S. Army Green Beret and Afghan-American Kawa Mawlayee — a first-generation immigrant who fled Soviet-occupied Afghanistan as a child, grew up in the American Midwest, and went on to serve 23 years in Special Forces, including multiple combat tours. What starts as a discussion about Trump's leadership style, tariffs, and manufacturing quickly evolves into a raw, no-holds-barred exploration of the biggest issues facing America in 2025: foreign policy hypocrisy, the military-industrial complex, the Israel-Palestine conflict, Islamophobia and the myth of “Sharia law takeover,” America-First nationalism vs. endless overseas entanglements, accountability in leadership, the future of the U.S. military under Pete Hegseth, and whether the country is sliding toward internal conflict. Kawa brings a rare perspective: a Muslim Green Beret who loves America deeply, calls out both parties, refuses PAC money, and isn't afraid to criticize Israel, U.S. foreign policy, or the current administration — all while still serving in the National Guard Special Forces. The result is one of the most honest, nuanced, and at times uncomfortable conversations you'll hear from two combat veterans who actually agree on far more than they disagree. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Episode Notes S6E39 -- Join us as we dive into the mind of Grammy ward winning bassist David Ellefson. He'll be in the house telling tales from his days with Megadeth to his newest endeavors with his band Ellefson and Kings of Thrash along side of Jeff Young and much much more. David Ellefson: is an American musician, best known for his long tenure as the bassist and backing vocalist for thrash metal band Megadeth across two stints. Ellefson initially became an accomplished bassist and honed his songwriting skills while leading several of his own bands through the club scene of North America's Midwest region before relocating to Los Angeles. He was then the bassist of Megadeth from 1983 to their breakup in 2002, and again from 2010 to 2021. Ellefson co-founded the hard rock band the Lucid in 2021 alongside vocalist Vinnie Dombroski (Sponge), guitarist Drew Fortier (formerly of Bang Tango), and drummer Mike Heller (Fear Factory, Malignancy, Raven). In addition to playing bass guitar in Megadeth and the Lucid, Ellefson had various side projects, which include Temple of Brutality, F5, Killing Machine, and Metal Allegiance. HELPFUL LINKS: VETERANS: https://www.va.gov/.../mental-health/suicide-prevention/ ADDICTION: https://lp.recoverycentersofamerica.com/.../continuum-of.../ Due you know someone that has lost their lives due to addiction? Or even someone that has made a full recovery? Reach out to Johnny Whitaker so they can help to celebrate the lives lost/ lives recovered at overdoseawareness0831@gmail.com ___________________________________________ Follow our guest https://en.wikipedia.org/wiki/David_Ellefson https://www.davidellefson.com/ https://www.instagram.com/davidellefsonbass/?hl=en ______________________________ Toking with the Dead: https://www.stilltoking.com/ ————————————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 ————————————— Produced by Leo Pond and The Dorkening Podcast Network MORE ABOUT THE GUEST: Ellefson formed F5 following Megadeth's 2002 disbandment. The band featured Ellefson on bass, Dale Steele on vocals, Steve Conley on lead guitar, John Davis on rhythm guitar, and former Megadeth bandmate Jimmy DeGrasso on drums. Their first album, A Drug for all Seasons, was released in 2005. F5 appeared in support for Disturbed in February 2006 and toured the American Mid-West in the summer of 2006. Ellefson also appeared on the new Killing Machine record Metalmorphosis in 2006 alongside DeGrasso; he has also been working with Temple of Brutality. Ellefson is currently a member of the melodic power metal band Avian, which features singer Lance King. He commented in an interview with Alternative-Zine.com that "Megadeth was really just a starting point for me, creatively".[7] Ellefson played five tracks for the Soulfly album Prophecy and also played on one track on Dark Ages. He also worked with underground emcee/Record producer Necro for his album entitled Death Rap. In 2019 Ellefson was inducted into the Metal Hall of Fame, he has since joined the Hall of Fames board of directors In May 2019 Ellefson along with business partner Thom Hazaert formed Ellefson Films and are producing the upcoming found footage horror film Dwellers; written, directed by, and starring Drew Fortier with James L. Edwards and Douglas Esper co-starring. On top of producing the project, Ellefson and Hazaert will also be appearing in the film as featured cameos. Find out more at https://still-toking-with.pinecast.co Send us your feedback online: https://pinecast.com/feedback/still-toking-with/520a2ff5-b1c3-499d-bb99-d298c90012db
In today's episode, I'm pleased to welcome mother–son cookbook author team Jyoti and Auyon Mukharji, authors of Heartland Masala: An Indian Cookbook from an American Kitchen. Before we dive in: If you are ready to start your own cookbook project with clarity and direction, The Creative Cookbook Blueprint is available for a few more days. This resource provides a structured path to begin organizing your recipes, shaping your stories, and moving toward a publishable cookbook. Details are linked in the show notes section below. Heartland Masala is a vibrant, richly illustrated celebration of Indian home cooking, written from the heart of the American Midwest. Rooted in both tradition and diaspora, the book blends recipes from Punjab, Bengal, and throughout India with the lived experience of a family that has called Kansas City home for decades. In this conversation, we explore: Inspiration — How Heartland Masala was born from years of Joyti teaching, family heritage, and the desire to preserve Indian home cooking in a Midwestern context. Process — Their collaborative mother–son workflow, recipe testing, adapting regional dishes, and shaping the book's structure. Storytelling — Why they included essays, cultural notes, culinary history, memories, and narrative elements to deepen the reader's connection to Indian food. Legacy & Impact — What they learned from writing across generations and what they hope the book will contribute to readers, family, and culture. The book features beloved classics such as Saag Paneer and Vindaloo, lesser-known gems like Bengali Murgh Rezala and Anglo-Indian Spiced Liver Toast, as well as inventive new creations, including Masala Brussels Sprouts and Spiced Watermelon. Jyoti and Auyon even include a handful of cocktail recipes, adding a playful touch to the collection. Their work is a testament to the richness of Indian cuisine, the power of family collaboration, and the vibrant interplay between heritage and place. Things We Mention in This Episode: The Creative Cookbook Blueprint Heartland Masala HQ on Substack
US and the World It has been for the most part a wide-open harvest season across the greater American corn belt. This is not only been reflected in the American Midwest but right across Ontario. Harvest has moved quickly and as we are into mid-October corn harvest is ramping up or in full swing throughout […] The post Market Trends Report – October & November 2025 appeared first on Grain Farmers of Ontario.
It's part 2 of our dive into the Insect Apocalypse, with our good friend Dr. Jason Dombroskie from the Cornell University Insect Collection!In this part, Jason fills us in on the drivers of the Insect Apocalypse and - most importantly - what we can do about it.This episode was recorded on August 21, 2025 at Rattlesnake Hill Wildlife Management Area in Dalton, NY.. Episode NotesDuring the episode, we made the claim that 40 million acres of the US is lawn, and that that area is equal to all of the country's National Parks put together. True? Well, sort of. The claim that the U.S. has about 40 million acres of lawn—roughly equal to all our national parks combined—is only partly true. A NASA-funded study led by Cristina Milesi estimated that turfgrass covers about 128,000 km² (≈31 million acres) of the continental U.S., making it the largest irrigated “crop” in the country (Milesi et al., Environmental Management, 2005; NASA Earth Observatory). Later analyses and popular summaries often round that up to ≈40 million acres (e.g., Scienceline, 2011; LawnStarter, 2023). By comparison, the total land area of all officially designated U.S. National Parks is about 52.4 million acres, while the entire National Park System—which also includes monuments, preserves, and historic sites—covers about 85 million acres (National Park Service, 2024). So while lawns and parks occupy areas of similar magnitude, lawns do not actually equal or exceed the combined area of the national parks. Is it better to mulch leaves on your lawn or leave them be? Here's what we found: It's generally best to mulch your leaves with a mower rather than rake or remove them. Research from Michigan State University found that mowing leaves into small pieces allows them to decompose quickly, returning nutrients to the soil and reducing weeds like dandelions and crabgrass (MSU Extension, “Don't rake leaves — mulch them into your lawn”, 2012). Cornell University studies similarly show that mulched leaves improve soil structure, moisture retention, and microbial activity (Cornell Cooperative Extension, “Leaf Mulching: A Sustainable Alternative”, 2019). However, in garden beds, wooded edges, or under shrubs, it's often better to leave leaves whole, since they provide winter habitat for butterflies, bees, and other invertebrates that overwinter in leaf litter (National Wildlife Federation, “Leave the Leaves for Wildlife”, 2020). The ideal approach is a mix: mow-mulch leaves on grassy areas for turf health and leave them intact where they naturally fall to support biodiversity and soil ecology. Episode LinksThe Cornell University Insect Collection Also, check out their great Instagram feedAnd their annual October event InsectapaloozaFind out more about the recently discovered species of Swallowtail, Papilio solstitius, commonly known as the Midsummer Tiger Swallowtail- https://www.sci.news/biology/papilio-solstitius-13710.htmlSponsors and Ways to Support UsThank you to Always Wandering Art (Website and Etsy Shop) for providing the artwork for many of our episodes.Support us on Patreon.Works CitedBiesmeijer, J.C., Roberts, S.P., Reemer, M., Ohlemuller, R., Edwards, M., Peeters, T., Schaffers, A.P., Potts, S.G., Kleukers, R.J.M.C., Thomas, C.D. and Settele, J., 2006. Parallel declines in pollinators and insect-pollinated plants in Britain and the Netherlands. Science, 313(5785), pp.351-354. Boyle, M.J., Bonebrake, T.C., Dias da Silva, K., Dongmo, M.A., Machado França, F., Gregory, N., Kitching, R.L., Ledger, M.J., Lewis, O.T., Sharp, A.C. and Stork, N.E., 2025. 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Meta-analysis reveals declines in terrestrial but increases in freshwater insect abundances. Science, 368(6489), pp.417-420. Wagner, D.L., Fox, R., Salcido, D.M. and Dyer, L.A., 2021. A window to the world of global insect declines: Moth biodiversity trends are complex and heterogeneous. Proceedings of the National Academy of Sciences, 118(2), p.e2002549117. Wagner DL, Grames EM, Forister ML, Berenbaum MR, Stopak D. Insect decline in the Anthropocene: Death by a thousand cuts. Proceedings of the National Academy of Sciences. 2021 Jan 12;118(2):e2023989118. WallisDeVries, M.F. and van Swaay, C.A., 2017. A nitrogen index to track changes in butterfly species assemblages under nitrogen deposition. Biological Conservation, 212, pp.448-453. Warren, M.S., Hill, J.K., Thomas, J.A., Asher, J., Fox, R., Huntley, B., Roy, D.B., Telfer, M.G., Jeffcoate, S., Harding, P. and Jeffcoate, G., 2001. Rapid responses of British butterflies to opposing forces of climate and habitat change. Nature, 414(6859), pp.65-69. Warren, M.S., Maes, D., van Swaay, C.A., Goffart, P., Van Dyck, H., Bourn, N.A., Wynhoff, I., Hoare, D. and Ellis, S., 2021. The decline of butterflies in Europe: Problems, significance, and possible solutions. Proceedings of the National Academy of Sciences, 118(2), p.e2002551117. Wilson, E.O., 1987. The little things that run the world (the importance and conservation of invertebrates). Conservation biology, pp.344-346. Yang, L.H. and Gratton, C., 2014. Insects as drivers of ecosystem processes. Current opinion in insect science, 2, pp.26-32.Visit thefieldguidespodcast.com for full episode notes, links, and works cited.
Today, we explore a region shrouded in mystery … An isolated land of rugged hills, carved river valleys, and secluded relics of ages past. The American Midwest.Specifically, a region untouched by the many terraforming glaciers that flattened much of what we now refer to as the Upper Midwest. What we find might surprise you... Recording Locations: Maquoketa Caves State Parkhttps://www.iowadnr.gov/places-go/state-parks/all-parks/maquoketa-caves-state-parkPotosi, Wisconsin https://www.potosibrewery.com/Governor Dodge State Parkhttps://dnr.wisconsin.gov/topic/parks/govdodgeMines of Spain - Dubuque, Iowahttps://www.minesofspain.org/Highway 20, East of DubuqueWorks Cited: https://www.jstor.org/stable/30068294?searchText=glacial%20movement&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dglacial%2Bmovement%26so%3Drel&ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&refreqid=fastly-default%3A7adbd841d5b02ad978f1d3558444b56bhttps://www.jstor.org/stable/30054867?searchText=the+driftless+region&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dthe%2Bdriftless%2Bregion%26so%3Drel&ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&refreqid=fastly-default%3Ada2488f7a1a6ca5cd9e7a59f1218795c&seq=1https://data.wgnhs.wisc.edu/pubshare/ES057.pdfhttps://eaglebluffmn.org/driftless/https://www.iowadnr.gov/places-go/state-parks/all-parks/maquoketa-caves-state-parkhttps://scholarworks.uni.edu/cgi/viewcontent.cgi?referer=&httpsredir=1&article=1430&context=jiashttps://www.wisconservation.org/the-driftless-region/https://geology.utah.gov/map-pub/survey-notes/glad-you-asked/ice-ages-what-are-they-and-what-causes-them/https://www.agatemag.com/2021/02/the-driftless-the-land-and-humans/https://www.rafamedina.com/research/bryda/Noah and Noodles here! We want to extend a heartfelt thanks to every listener of Backroad Odyssey. Your support fuels our passion and inspires us to keep sharing stories and discover overlooked locations. Follow each adventure visually at:https://www.instagram.com/backroadsodyssey/
OEG celebrates 500 offshore turbine toilet installations while BlackRock acquires AES for $38 billion, signaling continued investment despite global wind auction slowdowns and European wind droughts. Sign up now for Uptime Tech News, our weekly email update on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard's StrikeTape Wind Turbine LPS retrofit. Follow the show on Facebook, YouTube, Twitter, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary Barnes' YouTube channel here. Have a question we can answer on the show? Email us! Welcome to Uptime News. Flash Industry News Lightning fast. Your host, Allen Hall, shares the renewable industry news you may have missed. Allen Hall 2025: There's good news today from the wind energy sector, and it starts of all places with toilets. OEG and Aberdeen Headquartered company just reached a milestone. They've installed their 500th in turbine welfare unit across the UK's offshore wind sector. If you've ever worked on an offshore wind turbine, you know why this matters. These aren't just convenience facilities. Their dignity and their safety. The other difference between a dangerous transfer to a standby vessel and staying on the job. The units operate in the harshest offshore conditions with no external power or water. Nine offshore wind farms now have these facilities and they're making offshore work accessible for [00:01:00] women helping retain a more diverse workforce. And while OEG celebrates 500 installations, something much larger is happening in the American Midwest. Gulf Pacific Power. Just completed a major transaction with NL Green Power North America. Gulf Pacific acquired all of E L's interest in five operating wind facilities, totaling over 800 megawatts of capacity. The portfolio includes Prairie Rose in Minnesota, Goodwill and Origin, and Rocky Ridge in Oklahoma, and a facility in North Dakota. Projects with long-term power purchase agreements and high credit counterparties. And then there's BlackRock. The world's largest asset manager is placing a $38 billion bet on American clean energy. They're close to acquiring power Giant a ES, which have give BlackRock ownership of nearly eight gigawatts of wind power capacity. A [00:02:00] ES leads in sign deals with data center customers with artificial intelligence driving unprecedented electricity demand. That positioning matters. The weather numbers tell their own story about wind's challenging year. Most of Europe recorded wind speeds four to 8% below normal in the first half of this year. The wind drought curtailed generation in Germany, Spain, France, and the United Kingdom. But the Northeastern United States saw winds seven to 10% above average in parts of Norway, Sweden, and Northern China also benefited. And in storm, Amy, which is passing through the uk, it drove wholesale electricity prices negative for 17 hours. 20 gigawatts of wind power flooded the grid and the grid paid users to consume electricity. Too much wind, not enough demand. The offshore wind industry faces real headwinds. Global awards fell more than 70% in the first nine months of this year. Of about 20 gigawatts of expected auctions, [00:03:00] only 2.2 gigawatts have been awarded. Germany, the Netherlands and Denmark are preparing new frameworks to restore investor confidence and Japan designated two promising offshore zones, but confidence there is still shaken when Mitsubishi pulled out of its first auction due to some sorry costs. So here's what we have. An Aberdeen company celebrating 500 toilet installations that transform working conditions. A Midwestern power company expanding its wind portfolio by 800 megawatts and the world's largest asset manager, betting $38 billion on American energy infrastructure. All while offshore auctions stall globally, all while Europe experiences a wind drought and the UK experiences at times too m...
In this episode, we dive into Heartland Masala, a vibrant new cookbook that pairs 99 recipes from Indian cooking instructor Jyoti Mukharji with cultural and historical essays by her son, Auyon Mukharji. Part memoir, part culinary guide, this joyful collaboration celebrates Indian cuisine, family traditions, and the immigrant experience in the American Midwest. Packed with dazzling recipes, rich storytelling, and stunning visuals, it's both a feast for the table and for the heart. Recommended CookbookMy Bombay Kitchen Traditional and Modern Parsi Home Cooking by Niloufer Ichaporia King
On this episode, Marc talks to Sahan Jayasuriya, author of "Don't Say Please: The Oral History of Die Kreuzen," published in August of 2025. It's a thorough look at the band who began in the early 80s as one of the most vital and unique hardcore groups, but quickly evolved past that tag toward mixture of punk, metal, and proto-grunge that influenced many indie-rock bands of the 90s. Sahan tells the Die Kreuzen story through interviews with band members, people who worked with them and helped them, and many musicians who admired them both then and now.As he writes, "It's debatable whether Die Kreuzen could have ever happened at any other time or in any other place besides the American Midwest during the 1980s... In hindsight, Die Kreuzen's eventual formation feels inevitable: four wildly talented individuals with shared influences who were seemingly made to play music together."You can buy Don't Say Please here.We hope you enjoy Marc's conversation with Sahan Jayasuriya!
A single streetlight blinks, and a very important tapestry starts to fray. Welcome to Unprepared Casters: Wild Things! Meet our scrappy teens played by Grace, Dillin, and Nick as Haley introduces them to a world of magic beyond any of their wildest imaginations: The American Midwest. Content Warnings: strong language Learn more about your ad choices. Visit megaphone.fm/adchoices
https://abcnews.go.com/Health/americans-spend-time-reading-fun-time-screens-study/story?id=124807367Our website - www.perksofbeingabooklover.com. Instagram - @perksofbeingabookloverpod Facebook - Perks of Being a Book Lover. To send us a message go to our website and click the Contact button. You can find Sam Sussman at www.samevansussman.org or on IG at @sam_sussman. Our guest is debut novelist Sam Sussman whose book Boy From the North Country comes out this week. Sam originally wrote a short memoir piece for Harper's Magazine that referred to the possibility that he might be Bob Dylan's son but really the essay focused on his relationship with his mom, who had had a love affair with the musician. Eventually, Sam decided to explode the moment, or the series of moments of his life and with his mother, to get a better handle on who he was and how much that was about who his mom was and how she had raised him, not whether his father was Dylan. The book is receiving high marks in early reviews, and Sam has been making the rounds in newspapers and magazines, including a profile by the New York Times. Publisher's Weekly, Kirkus, The Library Journal, and the American Library Association have all given Boy From the North Country starred reviews. And for our book rec section of the show, we're thinking about books that center on male relationships. We realize that our guests and listeners are primarily female, but we thought we would equal the playing field a little by talking about books that deal with father-son relationships, male friendships or brotherly love. We have a multigenerational story about the men in a Mexican-American family, a group of friends in a small town of the American Midwest, a pair of quirky Irish friends, a memoir about two very different guys at Harvard, two Greek heroes and their deep relationship, and boys from different cultures who develop a bond in unlikely circumstances. Books Mentioned in this Episode: 1- Boy From the North Country by Sam Sussman 2- The Celebrants by Steven Rowley 3- The Guncle by Steven Rowley 4- In Search of Lost Time by Marcel Proust 5- Anima Rising by Christopher Moore 6- The Last Mona Lisa by Jonathan Santlofer 7- The Lost Van Gogh by Jonathan Santlofer 8- A Five Star Read Recommended by Fellow Book Lover Megan Burnett - The Weight of Ink by Rachel Kadish 9- We Should Not Be Friends: The Story of a Friendship by Will Schwalbe 10- The Sons of El Rey by Alex Espinoza 11- Shotgun Lovesongs by Nickolas Bulter 12- A Forty Year Kiss by Nickolas Butler 13- The Song of Achilles by Madeline Miller 14- Circe by Madeline Miller 15- Nowhere Boy by Katherine Marsh 16- Leonard and Hungry Paul by Ronan Hession Media Mentioned - 1- The Silent Type: On Possibly Being Bob Dylan's Son- https://harpers.org/archive/2021/05/the-silent-type-on-possibly-being-bob-dylans-son/ 2- School Cell Phone Ban Increases Library Visits - https://www.wave3.com/2025/09/02/school-cell-phone-ban-creates-surge-jcps-library-visits/ 3- Reading for Pleasure Declines - https://abcnews.go.com/Health/americans-spend-time-reading-fun-time-screens-study/story?id=124807367 4- The Four Seasons (Netflix 2025) 5- The Four Seasons (1981) 6- How the Passionate Male Friendship Died --https://www.theatlantic.com/family/archive/2025/05/men-friendship-history/682815/
Hayley Campbell and Ali Plumb join Sarah-Jane Mee to review the new BBC reality show Stranded on Honeymoon Island, which asks whether newlyweds who barely know each other can survive on a desert island.There's also reviews of the Finnish action thriller Omerta, and the much-anticipated spinoff of the U.S Office The Paper, starring Domhnall Gleeson as the editor of a dying local newspaper in the American Midwest.
What is behind the drive for small communities of like-minded people? The MAHA millionaire farm, the white nationalists in Arkansas, the makeshift Texas beguinage? Are we re-entering an age of utopian experimentation or are we creating cults? Jessa and Nico discuss the history of utopian projects in the American Midwest, how people from the United States have been bothering South Americans for decades with their "intentional communities," and why Swifties only want to talk to other Swifties. Shownotes and references: http://theculturewedeserve.substack.com
Looking back, even just this year, Cultivating Place has had multiple conversations with plantspeople from around the country about the inspirational plants from, and places known as, prairies. An iconic and beloved ecosystem strongly identified with the American Midwest. As summer warms and mellows into its Augustness, we're in conversation this week with two humans who are cultivating their place with the specific purpose of keeping native extant prairie alive and thriving. Stephen Packard and Eriko Kojima of the Somme Prairie Grove Nature Preserve in Illinois join CP today to share more about their prairie place. In the summer of 2021, the Forest Preserves of Illinois' Cook County Board of Commissioners approved a resolution recognizing Somme Prairie Grove as the 27th dedicated Illinois Nature Preserve managed by the Forest Preserves of Cook County. Part of the Somme Preserves located in Northbrook in north Cook County, Somme Prairie Grove offers 85 acres of high-quality mesic savanna and dry-mesic woodland. The site supports many conserved native plant species, and savanna and shrubland breeding birds. Somme Prairie Grove has benefited from a vibrant stewardship community—led by the North Branch Restoration Project—since 1980 and represents one of the oldest and most comprehensive savanna and woodland restorations in the Midwest. The recovery of Somme Prairie Grove is credited to the longstanding participation of this cohort of dedicated and talented community volunteers, including both the volunteer who kicked it all off, Stephen Packard, and a volunteer since 2015, Eriko. In this back-to-school moment here in the U.S. let us remember there is always more to learn, and we owe a great deal to the teachers – be they 4th grade teachers, nobel prize winning professors, other big G gardeners, prairies or other beloved ecosystems of our places. Listen in - and Enjoy! Cultivating Place now has a donate button! We thank you for listening over the years, and we hope you'll continue to support Cultivating Place. We can't thank you enough for making it possible for this young program to grow and engage in even more conversations like these. The show is available as a podcast on SoundCloud and iTunes. To read more and for many more photos, please visit www.cultivatingplace.com.
Burning Bright and Chris Paul dive into Badlands (1973), Terrence Malick's haunting debut inspired by real-life events. They explore the film's unsettling blend of beauty and brutality, following the crime spree of Kit and Holly across the American Midwest. The hosts unpack Malick's unique storytelling style, the dreamlike cinematography, and how the film juxtaposes innocence with violence. Along the way, they discuss the performances of Martin Sheen and Sissy Spacek, the sparse yet impactful dialogue, and the ways the film challenges viewers to question morality, influence, and the romanticizing of outlaws. It's a layered conversation that connects the movie's themes to broader cultural narratives, making this episode as thought-provoking as the film itself.
In this episode of The Hydrogen Podcast, Paul Rodden takes a fresh look at the wave of green hydrogen project cancellations that have shaken headlines and investor confidence.Rather than panic over missed climate targets, we dig into what really matters:✅ The 29 GW of projects stalled—and what that tells us
Hit the road—and the stacks—with literary powerhouses Tommy Orange (Wandering Stars and Pulitzer Prize finalist There There) and Kaveh Akbar (National Book Award finalist Martyr!). The two best friends pulled over during their joint book tour to share their favorite indie bookshops, rising Western writers, and unconventional creative sanctuaries, including a Los Angeles spa where Kaveh's imagination flows. Part literary love letter, part buddy comedy, this episode is jam-packed with engrossing settings and memorable characters, including Tommy's unsung (but still heroic) hometown of Oakland, California; Seattle's charming poetry bookstore, where Kaveh tied the knot; and Jack London's not-so-friendly ghost. Bookstores we'll browse in this episode: - Marcus Books, Oakland, California (Tommy's favorite bookstore in Oakland) - Open Books, Seattle, Washington (poetry-only bookstore where Kaveh got married) - Elliott Bay Book Company, Seattle, Washington (a massive bookstore where Kaveh had a public reading the night before his wedding) - Changing Hands Bookstore, Tempe and Phoenix, Arizona (host Michelle's favorite local bookstore) - Powell's Books, Portland, Oregon - Sausalito Books by the Bay, Sausalito, California - Underground Books, Sacramento, California Books Tommy Orange and Kaveh Akbar recommend: - The Thousand Crimes of Ming Tsu by Tom Lin - Bad Indians: A Tribal Memoir by Deborah A. Miranda - We Survived the Night by Julian Brave NoiseCat - A Heartbreaking Work of Staggering Genius and The Circle by Dave Eggers Guests: Tommy Orange writes fiction that hits “like a thunderclap.” An enrolled member of the Cheyenne and Arapaho tribes of Oklahoma, he was born and raised in Oakland, California, and his urban Indigenous identity pulses through his work. His debut novel, There There, became an instant classic for its unflinching, kaleidoscopic portrayal of contemporary American Indian life, earning it a spot as a Pulitzer Prize finalist and winning the American Book Award. His much-anticipated second novel, Wandering Stars, expands the story of There There's characters and traces the impact of U.S. violence on Native lives across generations. Tommy is known for his lyrical style, sharp cultural insight, and generous heart—on and off the page. He currently lives with his wife and two sons in Oakland, where he's working on new projects that further challenge and broaden the literary landscape. Kaveh Akbar is a literary alchemist who conjures poetry that's equal parts mystic, ecstatic, and searingly honest. Born in Tehran and raised in the American Midwest, he's the author of two acclaimed poetry collections—Calling a Wolf a Wolf and Pilgrim Bell—and editor of The Penguin Book of Spiritual Verse: 110 Poets on the Divine. Kaveh's words have lit up the pages of the New Yorker, the New York Times, the Paris Review, and The Best American Poetry. He's known for asking the big questions—about addiction, grace, and what it means to be fully alive. His debut novel, Martyr!, a finalist for the National Book Award, is a propulsive, wildly original story about art, faith, and the ghosts who follow us. He lives with his spouse in Iowa City, and is the Director of the English and Creative Writing Major at the prestigious University of Iowa.
Join "Dance Talk” ® with Joanne Carey and special guests husband and wife team, Jessica Lopes and Isaac SharrattIn this episode of "Dance Talk” ® with Joanne Carey , host Joanne Carey interviews Jessica Lopes and Isaac Sharratt, a married couple who both dance with the Minnesota Ballet. Joanne met Jessica & Isaac while working together on The Raffaella Ballet in South Bend , Indiana. The couple caught Joanne's eye early on during the rehearsal process standing out in their style of partnering and support of each other.Jessica & Isaac share their individual journeys into the world of ballet, how they met, and the challenges and joys of being a couple in the dance industry. The conversation also touches on the impact of the pandemic on their careers and the intricacies of partnering in dance. Together, Jessica and Isaac discuss the dynamics of their dance partnership, emphasizing the importance of communication, conflict resolution, and personal growth. They reflect on their experience working on the Raffella Ballet . As they transition from performance to choreography, they share insights on embracing change and the realities of a dance career, offering valuable advice for those navigating similar paths.Jessica Lopes was born in Brazil ,trained in 2014 at Escola de Dança Alice Arja, joined Miami City Ballet's Pre-Professional Program in 2016. Returning to Brazil she joined Cia de Ballet do Rio de Janeiro as a Corps de Ballet member. Jessica returned to the states in 2017 and joined Milwaukee Ballet 2 Program where she had the opportunity to perform in ballets such as Michael Pink's Swan Lake and Dracula, excerpts of August Bournonville's “Napoli”, and Bruce Well's “ A Midsummer Night's Dream." In 2019 Jessica joined American Midwest ballet for three seasons, including a digital series during the lockdown where Mrs. Lopes had the pleasure to perform Frank Chavez's “If Only” with her husband, Isaac. Jessica has had the opportunity to work with many renowned choreographers during her training and career . Issac Sharratt began ballet training in Tucson, Arizona, training first at Tucson Regional Ballet and then Ballet Tucson in 2004. He was awarded scholarships to attend several summer intensive programs including; San Francisco Ballet, Pacific Northwest Ballet, Houston Ballet, and Milwaukee Ballet. At 16 he spent three more years with Ballet Tucson as a company member. He worked closely with ballet superstars John Gardner and Amanda McKerrow, as well as renowned Jeffery Graham Hughs, Pamela Raymond, and Lawrence Peck. He moved from Ballet Tucson in 2008 to join the Milwaukee Ballet II program, spending only one year in the program before being asked into the company. Mr. Sharratt was cast in several world premiere full-length ballets by Michael Pink, doing lead roles in many and playing the title role in Michael Pink's Beauty and the Beast. Over his time in Milwaukee Ballet Mr. Sharratt has had the opportunity to work with many renowned choreographers. Most recently Mr. Sharratt danced with American Midwest Ballet from its 2019-2022 seasons. During the company's digital series Mr. Sharratt was given the opportunity to perform Frank Chaves' “If Only” with his wife, Jessica. Mr. Sharratt is also an aspiring choreographer, having set many pieces on Milwaukee Ballet's second company and main company, as well as having choreographed on Ballet Minnesota in 2017, and various solos for both domestic and international competitions.The Raffaella Ballethttps://raffaellaballet.org/“Dance Talk” ® with Joanne Careywherever you listen to your podcasts. https://dancetalkwithjoannecarey.com/Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."
Welcome to this new series, “Something Psalmic,” in which I invite my guests to share what's lifting their spirits and offering them healing and hope right now.In this episode, I sit down with Dr. Almut Furchert, a German-American scholar, therapist, philosopher, and founder of Cloister Seminars. Raised in a pastor's family in East Germany and now living in the American Midwest, Almut brings a deep well of wisdom drawn from psychology, monastic spirituality, and personal experience of cultural exile and spiritual homecoming.“It's the connection to the soul; it's singing the Psalms. It's like breathing in and breathing out. It's the food for the soul.”—Dr. Almut FurchertTogether, we explore what it means to live a “psalmic” life—one shaped by sacred rhythms, seasons, and the soul's quiet longings. Almut shares how her healing journey was nurtured through the Benedictine monasteries of the Midwest, where the daily chanting of Psalms became food for the soul and a sanctuary for rediscovering sacred work. She also speaks beautifully about Hildegard of Bingen, music as soul-practice, and the quiet yet powerful rituals that anchor her daily life.If you're longing for peace, grounding, and inspiration in uncertain times, this conversation will offer you a gentle invitation to find your own sacred rhythm, and perhaps, something psalmic in your life, too.Follow Almut's Substack at https://cloisternotes.substack.com/Find Almut's writings and teachings on www.cloisterseminars.org.Featured Song: Psalm 1: Their DelightThis first Psalm, set to the Irish traditional tune BánChnoic Éirann Ó, speaks of being like trees planted in streams of water, where we can flourish and thrive.Find out more about “Summer for the Spirit” at www.kiranyoungwimberly.com/summerDownload your free guide: “7 Spiritual Practices for Wellbeing in Uncertain Times”Become a Supporting/Paid SubscriberYou'll get: * Complimentary access to the Habits for the Spirit course* Videos of the conversations in Substack * The Psalms for the Spirit Journal ebook* Invitations to future offerings for supporting subscribers throughout the yearPsalms for the Spirit is a listener-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Thanks for listening to Psalms for the Spirit! This post is public so feel free to share it. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit psalmsforthespirit.substack.com/subscribe
As we continue to evolve, so does our show format and in this episode we continue our friend therapy to discuss and process world events including US involvement in the Middle East and the murder of legislators in the American Mid West. We apologize if this is not what you signed up for - frankly, it's not what we signed up for, either. Connect with us on social @wretchedhivepodcast or text to 562.455.4483 Like the show? Subscribe to Other Stuff or buy us a coffee at buymeacoffee.com/podcastcreative
AP correspondent Julie Walker reports Canadian wildfire smoke causes 'very unhealthy' conditions in some parts of the U.S. and reaches Europe.
As I continue to advance the tree and perennial food nursery here at my farm, I'm always on the lookout for new resources on anything about growing and breeding perennial food sources, the history of their cultivation, and the cultures that were and are connected to these woodland and orchard based staple foods. For that reason I was super excited to see the new title “Feed us with Trees” from my friends at New Society Publishers, by author Elspeth Hay. Elspeth is a writer, public radio host, and creator of the Local Food Report, a weekly feature that has aired on CAI, the Cape & Islands NPR Station, since 2008. Deeply immersed in her own local food system, she writes and reports for print, radio, and online media with a focus on food and the environment. Elspeth's work has been featured in the Boston Globe, NPR's Kitchen Window, Heated with Mark Bittman, The Provincetown Independent, and numerous other publications. Through her conversations with growers, harvesters, processors, cooks, policy makers, Indigenous knowledge-keepers, scientists, researchers, and visionaries, she aims to rebuild our cultural store of culinary knowledge—and to reconnect us with the people, places, and ideas that feed us. In this session, Elspeth shares her journey of developing a passion for perennial food systems, particularly focusing on nuts and tree-based staple crops. Her early exposure to nature evolved into an obsession with acorns and other tree nuts. Her research went on to reveal the extensive use of tree nuts as staple foods across the northern hemisphere and the historical as well as the cultural shifts that led to their decline in favor of annual grain crops. Elspeth delves into the nutritional and ecological benefits of these perennial foods, the complexities of modern industrial agriculture, and the resurgence of interest in tree crops, especially in the American Midwest. She also explores innovative recipes and culinary uses of nuts, especially acorns and chestnuts, while emphasizing the importance of integrating perennial crop systems into modern diets and agricultural practices. This conversation covers a lot of ground from land management, economic models, and the promising future of perennial food systems. As with all the books that I focus on from my friends at new society publishers, we're running a book giveaway for “Feed us with Trees.” By now you know the drill. Send me a message on our Discord community. If you're not already a member you can sign up through the links on our homepage or the bio on Instagram. I'll choose a winner one week after this episode goes live, and If you live anywhere in North America we'll send a physical copy. Everywhere else you'll receive a digital version.
Tonight, we'll read “O Pioneers!” a 1913 novel by American author Willa Cather. Set on the windswept prairies of Nebraska, “O Pioneers!” tells the story of Alexandra Bergson, a determined young woman of Swedish-American descent who takes over her family's farm. Cather's quiet, poetic prose captures both the hardships and beauty of prairie life at the turn of the twentieth century, and Alexandra's journey reflects broader themes of endurance, transformation, and connection to the land. The novel marked the beginning of Cather's Great Plains Trilogy, which also includes The Song of the Lark and My Ántonia. Though she wrote this trilogy while living in New York City, Cather drew inspiration from her own upbringing in Nebraska and from the lives of immigrants who shaped the American Midwest. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices
For decades, the Chicago-based architect Jeanne Gang has captured the imaginations of critics and the public alike with her environmentally aware projects. Her latest, an expansion of New York's American Museum of Natural History, has turned heads and inspired leagues of visitors. On this episode, Dan speaks with the visionary talent on her upbringing in the American Midwest, studying abroad in Paris and how those experiences helped shape her career, what actionable idealism is, why she loves birding, and much more. Hosted on Acast. See acast.com/privacy for more information.
Get in your old jalopy and get ready for a trek across the American Midwest in this iteration of Good Movie Podcast? In Peter Bogdonovich's classic Paper Moon (1973) real life father and daughter duo Ryan and Tatum O'Neal play a pair of light hearted con men. Daniel is out here to hock some bibles, Jonathan is after his money and who knows maybe we will pick up the Texas showgirl Grant Farrokh along our mad cap way. If you have some Daddy issues under the surface, or else yearn for the times of a country in the wake of The Great Depression...well maybe not that last thing, then this is the episode for You. Get ready to feast on some Coney Islands and Nehei's, keep a smile on, and keep on chasing that Ol' Paper Moon. Rate, Review, Subscribe, and Listen to Us on Podbean/iTunes/Stitcher/Spotify Follow us on Instagram:@animewasnotamistakepodcast Or on Facebook:@animewasnotamistakepod Music Provided by: Cab Calloway, Irving Mills and Clarence Gaskill – “Minnie the Moocher” – RCA Instrumental/Karaoke Version Dave Flesischer – “Let's All Go to the Lobby”- National Film Registry/Library of Congress Kansas Joe McCoy, Herb Morand– “Why Don't You Do Right” – Claudia Santoro Instrumental/Karaoke Version
Episode #206 of World Awakenings celebrates 50 years of A Course in Miracles with a board member of the Foundation for Inner Peace, Celina Granato. From a young age, Celina she wanted to understand the nature of reality. By her mid-twenties, she had explored various paths in search of genuine peace when she was introduced to A Course in Miracles, which became her primary spiritual practice, guiding her through life's challenges by focusing on a thought system of true forgiveness. Originally from the American Midwest and raised in a salt-of-the-earth community with a multicultural upbringing, Celina sees interpersonal relationships as some of the greatest opportunities for doing inner work. Now a student of the Course for over 20 years, she understands the Course as a self-study practice for the mind and being uncompromising to the principles of the Course leads to genuine spiritual growth. She is currently the Chief International and Communications Officer at the Foundation for Inner Peace. The official publisher of A Course in Miracles!If you would like to subscribe to the new TV network, New Reality TV, just click this link.To see the list of the top 20 metaphysical podcasts in the world on feedspot.com, click this link https://podcast.feedspot.com/metaphysical_podcasts/The book discussed by Karl & Celina is "The Disappearance of the Universe" by Gary RenardFor more information about A Course in Miracles, and to easily read the entire book online, go to https://acim.org/acim/en/
One-on-one pod today, Chris is in Jackson Hole, WY, and Jason is home in Glendale. We discuss how early is too early in the day to wash your car, a trip to the OC, the Citizen, and NextDoor apps, the fertility clinic bombing in Palm Springs, Raising Cane's in the Middle East, Chris' running retreat, extreme activities for extreme people, trouble at Taylor Swift's lake house, the Foo Fighters just lost a foo, when the sound of someone eating drives one to a murderous rage, Chris adopted a TJ travel tip, a recent podcast appearance from Chris, and a deep dive into Domenique Ansel's back catalog of treats. ~See us live in the American Midwest this summer~ twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, we are travelling back to the American Midwest, where I will chat with Cincinnati-based James Beard nominated chef Jose Salazar. And we will revisit my 2024 interview with Chicago-based James Beard Award-winning pastry chef Mindy Segal.Heritage Radio Network is a listener-supported nonprofit podcast network. Support Eat Your Heartland Out by becoming a member!Eat Your Heartland Out is Powered by Simplecast.
In this week's episode, we take a look at how research can both help and hinder writers, and offer tips for effective research for fiction. This coupon code will get you 25% off DRAGONTIARNA: OMNIBUS ONE at my Payhip store: DRAGONOMNI25 The coupon code is valid through April 14th, 2025. So if you need a new book to read for spring, we've got you covered! 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 245 of The Pulp Writer Show. My name is Jonathan Moeller. Today is March 28th, 2025, and today we are looking at some of the challenges of research for writers. Before we get into that, we'll do Coupon of the Week, an update my current writing and audiobook projects, and then Question of the Week. First up, Coupon of the Week. This week's coupon code will get you 25% off the ebook of Dragontiarna: Omnibus One at my Payhip store, and that is DRAGONOMNI25. This coupon code will be valid through April the 14th, 2025. So if you need a new ebook to read for spring, we have got you covered. Let's have an update on my current writing projects. I'm currently 70,000 words into Shield of Battle, which I believe will put me on chapter 16 of 24, so I'm about two thirds of the way through the rough draft. I'm still hoping to have it out towards the end of April, if all goes well. I am 7,000 words into Ghost in the Corruption, which will be the sequel to Ghost in the Assembly, and hopefully that will be out sometime after Shield of Battle. In audiobook news, recording is underway for both Shield of Deception and Ghost in the Assembly. Brad Wills will be recording Shield of Deception and Hollis McCarthy will be recording Ghost in the Assembly. So I am looking forward to both those audiobooks and that's where I'm at with my current writing and audiobook projects. 00:01:25 Question of the Week Now it's time for Question of the Week, which is intended to inspire interesting discussions of enjoyable topics. This week's question, do you read comics books or graphic novels, Marvel, DC, indie manga, whatever? No wrong answers, obviously, including “I don't read comics.” Ryan says: I don't read comic books, they just don't appeal to me. I prefer world building through writing as opposed to images, and I think you don't get the same feel for characters in a comic as you do in a novel. Justin says: Once upon a time, I did read comics. It's been a long time since I knew of the mainstream comics interested me, sadly. I have read some manga in the last year, but any associated light novel wins handily. There are a few web comics to keep up with. I have bought books and merch from the Foglios for Girl Genius and Tayler for Schlock Mercenary, but even then, it's been years since my last purchase. Juana says: I love Batman. End of story. John says: I enjoy graphic novels, mainly for the art. Most recent read was The Wizard of Earthsea graphic novel, which is a true work of art published just this month. Randy says: Marvel/DC stuff, not much anymore. I can sit down and read Peanuts, Pearls Before Swine, etc. collections anytime, probably not the “comics” you meant. Jenny says: Rat Queens! So good! Gary says: I don't read comics. Bob says: Nope. Used to devour DC and Marvel as a kid. Wish I still had some of them. Probably worth big bucks now. Tom says: I used to be a Marvel Zombie. Seriously, I have 20-30 long boxes filled with comics. I had to kick the habit though. Nowadays it's mostly just a few TV show based series. Would love to read some Frostborn graphic novels though! And finally, Tracy says: I don't read comics. For myself, I agree with many of the commenters where my answer is I don't read comics. It's not out of snobbery or disdain for the art form. It just doesn't speak to me or hold my interest. Of course not all art speaks to all people at all times. I was curious about this topic because I see people discussing comic books online all the time, but apparently the industry is in bad shape financially with multiple bankruptcies and closures and so forth. So I was wondering if comics were kind of more of a vintage art form that is less popular with younger generations as the older generations start to die off. But you never know. Things always are on a wheel and come around again. 00:03:36 Main Topic of the Week: Writing Adjacent Activities: Research So now back to our main topic or to start with our main topic, research challenges for writers. As I mentioned two episodes ago, I'm working on a new podcast series about what I call writing adjacent activities. What do I mean by this? I'm talking about tasks that seem like they're part of the writing process but really belong in a different category. These tasks are important, but they can also be a pitfall if you spend too much time on them or don't use that time correctly. In this series, we will focus on a few of these tasks and how they can benefit or hinder your writing process, even though they seem like good uses of time and may be beneficial. In this episode, we'll talk about research for fiction writing. How much research is necessary and how does research help? When does it get to the point where it becomes a pitfall instead of an asset? What are some things that work well for me when researching matters for my books? First of all, why should writers even have to research in order to write a work of fiction? Why can't we just make up details since the characters and the plot are also made up? Why research? Research can help provide crucial information for the plot. For example, of a spy novel set in World War II focuses on the Canadians battling the British is inaccurate to the point of farce. Knowing which countries were Axis and which were Allies is an important piece of research that should have been done for that story in advance of writing it. There's a British TV series called The Goes Wrong Show about a group of inept actors putting on bad plays that's quite funny, and one of the episodes has them putting on a play that is widely criticized for its lazy historical research, which includes such things as Winston Churchill being a prime minister during the Vietnam War. In the show, of course, this is played for comedy as part of how bad the actors are, but you don't want to do this in real life. Research prevents factual errors that can distract readers. Some of the biggest examples of this are military terminology, the British peerage system, and information about weapons like guns. All of these things have very distinct details that avid readers in a certain genre will notice and be upset about if they're incorrect. You'll notice that successful thriller writers tend to put a lot of time into researching and lovingly describing various pieces of military hardware in their books. For a genre like historical romance, the distinction seems unimportant to a modern American, but to a debutante in Regency England, the difference between marrying a baron and a duke is immense and the titles can't be used interchangeably in a work of historical fiction. For example, the duke and baron would be addressed differently and enter a room in a different order, but more importantly, in a status conscious marriage market like the debutante season, a duke would be a highly sought after potential husband while a baron might be less of a catch, especially if the family is not so wealthy. This detail changes the characters and plots completely. To return to the firearm examples, for one of the famous errors that sometimes new writers do is a character puts a silencer on a revolver, which doesn't work because you can't silence a revolver. Much of the noise comes from the rear of the weapon when it's fired in addition to the muzzle flash and muzzle noise, so there are little details like that (both for weapons and the British peerage system) that you do need to watch out for. Research can give you ideas or add depth through details. For example, someone writing a romance novel about two rival managers in a theme park could discover that this particular theme park has an intricate underground system of tunnels that includes storage areas and staff break rooms. The writer realizes this would give good opportunities for the characters to have a conversation or confrontation in a more private place than outside of a busy ride. What are some good sources for research? Not all research is going to the library and looking at books that haven't been checked out in 10 years or so. Sometimes research for writing fiction is about checking or learning basic facts like street names, what the word is for cat in Spanish, or what a certain chain store was named in 2008. Making these details up only makes sense if the places and languages are completely fictional. Where more academic and in depth research comes in is when a high level of informational accuracy is required by genre convention, like in thrillers, historical fiction, a legal drama, or a medical thriller. One of the criticisms of the relatively recent Disney Plus show She Hulk was that although She Hulk's profession is a lawyer and she spends all of her time doing lawyer things, none of the writers had a background in law and it seemed like their legal advisor was quite hands off in their approach. They tried to write around it instead, and the results were disappointing to both fans of the source material and new viewers because as I've often said before, you don't need to be totally accurate, but it needs to feel accurate. Anyone watching the show would know that the American legal system works nothing like the way it's portrayed, not even in the abstract. One of the additional complaints about the show is that they missed the chance to showcase the character by barely showing them doing any actual work or to only show it as a farce, making She Hulk seem more frivolous and unlikable without her defining trait of being a really good lawyer. Trying to write around factual information is usually not the best solution, and it could hurt the reader's feeling of immersion or cause them just to feel annoyed. For genres that require a high level of information accuracy, try starting with the general overview books and then looking at more specific information as needed. You don't need to become an expert in every piece of medieval weaponry to write a historical or a fantasy book, but you do need to know the basics in order to have the characters use them in a convincing way. As I've said before, I often talk about how verisimilitude is the goal in writing. You need to know and share just enough to make the reader feel convinced and have the characters be able to act in a believable way in the world there inhabiting. Often writers are advised to use YouTube for research because it's free and usually easy to understand. However, YouTubers usually don't cite their sources and incorrect information often gets reshared this way. That said, it can still be useful. For example, if we go back to our example of the theme park romance novel, the writer could find YouTube footage of what the line looks like for a certain ride without having to go see it in person and determine from the footage if a child could really climb over a railing to escape their parents, for example, if that was one of the plot contrivances the writer wanted to put in the book. I would strongly recommend you don't use a LLM program like ChatGPT for research, and if you do, you should cross-reference and double check its answers for accuracy because ChatGPT essentially makes stuff up. Unlike a search engine ChatGPT essentially guesses at its answers instead of retrieving them. For example, if you ask ChatGPT who the spouse of one reality star is, it confidently lists her brother as her husband because the names are very frequently paired and they had the same last name, ChatGPT made a guess and that guess was quite wrong. It's also important to note that it's not trained on recent information. It won't, for example, be able to tell you on what date a movie is going to come out in two weeks because it may not have access to that information yet, and it might instead give you the premiere date for previous films or guess at a date. How much research is necessary and when is it a pitfall instead of an asset? Too much research can keep you from starting to actually write. It's a real temptation if you enjoy research to spend months bogged down in every possible source of information. It's also good to take a step back, look at your book's outline, and determine what's truly needed. When you're writing, you can add a note, “research this” and note about what fact you need to look up and then keep going. It isn't a great idea to stop writing every time you need to look up a specific fact. Doing that can often lead to research spirals that take too much time and then you lose your writing momentum. Having researched too much can also drag down the plot with a lot of info dumps. We've all encountered books where the writer very clearly put in a lot of research into a very specific topic, so they were going to put all that research into the book, even if it was to the book's detriment. It's natural to want to use as much of your research as possible, but in reality, the only research that is good for the reader is what benefits the plot or adds to the feeling of verisimilitude without stopping the plot in its tracks. What are some things that have worked for me when researching subjects for my books? Because I write fantasy and science fiction, I tend not to do that much research. Usually it's if I need to look up a specific fact to increase the verisimilitude. I had to do that quite a bit with Silent Order because that's science fiction and therefore a bit more fact-based. So I wanted to make sure I had things like the speed of light in kilometers or the amount of kilometers in a light year, for example, make sure that I had those numbers accurate. However, when I'm writing and there's something I want to look up later, I tend to literally just type “look this up later” and then keep going in the book. This actually happens quite a bit in the Cloak Games and Cloak Mage series because while that's set in a fantasy setting, that fantasy setting is a version of our own world. I do need to look things up reasonably frequently, like where this town is located or how long you would take to fly from Chicago to Boston, for example. So very often I will just type “look this up later”, and then in the editing process, I will actually look that up and make sure that I have a good information source, not ChatGPT, and then add that fact into the book as necessary. One thing I would recommend watching out for is that if the entire plot of the book hinges on a certain fact, like for example, say that you have in your book, the entire plot revolves around the fact that on average it takes about seven to eight hours to drive from Milwaukee to Detroit, it's a good idea to look it up and make sure that is actually true. If for example, you, let's talk hypothetically, if you weren't familiar with the geography of the United States and you had the plot being that it takes only three hours to drive from Milwaukee to Detroit, your book will not work because anyone remotely familiar with the American Midwest knows that if you are driving from Milwaukee to Detroit around the southern side of Lake Michigan, it takes at least seven hours and depending on traffic conditions, it can easily go much higher very quickly. So if you do have a fact around which the entire plot of your book hinges, it's a good idea to research that fact first and make sure that's accurate, so you can avoid the scenario where you write the book and then people are laughing at you because you wrote it only takes three hours to drive from Milwaukee to Detroit. So to sum up, research in fiction is very different from in the academic world, but that doesn't mean that's not important. Like so many things in life, it's all about balance. You don't want to go too far down the research rabbit hole to the detriment of finishing your book, but you do need enough information to maintain verisimilitude, but not an excess of detail that will derail the plot or keep you from finishing the book you want, just enough that it makes sense. An example for that for me would be one of the plot lines in Cloak of Spears which revolves around nuclear fusion. The book sold pretty well and people liked it, but I did get a email from an expert in nuclear fusion saying that the way I had described things is not actually how nuclear fusion works, and the fact of the matter was that thankfully for that book, it didn't matter because the actual intricacies of how nuclear fusion works is beyond my grasp and frankly beyond the grasp of most people. So I'd included enough verisimilitude to that the book worked for most people, but it was not enough to fool an actual expert in nuclear physics. So that brings me to a Abraham Lincoln quote I remember where he says, “you can fool some of the people some of the time and the rest of the people some of the time, but you can't fool all of the people all of the time.” And that is true with research and fiction. You'll want to do just enough to get verisimilitude so that you can fool most of the people, but you can't always expect to fool everybody. If you are writing about something which has subject matter experts, you may find that you'll have the subject matter experts writing to you and pointing things out. But what's important is that you do it well enough to fool most of the general audience, if not the subject matter experts. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.
Movie of the Year: 1996Fargo (feat. iFanboy's Josh Flanagan)Is Fargo (1996) Really a True Story? This week on Movie of the Year, our panel of film obsessives takes a deep dive into the Coen Brothers' legendary crime thriller, Fargo (1996). From its bleak, snow-covered landscapes to its uniquely offbeat characters, Fargo is a film that has stood the test of time. But does it have what it takes to be crowned the best movie of the year? Tune in as we dissect this darkly comedic masterpiece.The Genre of Fargo (1996): Crime, Comedy, or Both?One of Fargo (1996)'s greatest strengths is its ability to seamlessly blend genres. Is it a crime thriller? A dark comedy? A neo-noir? The film walks the tightrope between tension and absurdity, crafting a world where violent criminals, desperate schemes, and Minnesota Nice collide in unforgettable ways. Our hosts explore how Fargo defies genre conventions and why this unique blend makes it such a compelling film.For more discussions on genre-bending movies, check out our deep dive into The Big Lebowski or No Country for Old Men.The Setting of Fargo (1996): More Than Just SnowFargo (1996) isn't just a movie—it's an immersive experience of the American Midwest. Despite its title, most of the film unfolds in Minnesota, capturing the distinct speech patterns, mannerisms, and cold, barren beauty of the region. We discuss how the Coen Brothers use the setting as a character itself, influencing the tone, the story, and even the humor. Would Fargo be the same film without its chilling, small-town backdrop? We break it all down.For more insights on film settings, read our analysis of There Will Be Blood.Is Fargo (1996) a True Story? The Real vs. the FictionalFrom the opening title card claiming “This is a true story,” Fargo has left audiences debating its origins for nearly three decades. Is Fargo (1996) really based on actual events? Or was that just another Coen Brothers trick to pull us deeper into their world of deception? We uncover the truth behind the film's inspiration and discuss how its true crime aesthetic enhances its mystique.Want to learn more about real vs. fictionalized crime films? Check out our episode on Zodiac.Special Guest: Josh Flanagan from iFanboyJoining us this week is none other than Josh Flanagan from iFanboy! As a longtime film and comic book expert, Josh brings his signature wit and insight to the discussion. He shares his personal experience watching Fargo (1996) for the first time, his thoughts on the Coen Brothers' unique storytelling, and how Fargo fits into the larger landscape of 1996 cinema.For more of Josh's takes on film and pop culture, visit iFanboy.Does Fargo (1996) Deserve to Win Movie of the Year?After breaking down the film's genre-bending brilliance, its unforgettable setting, and the enduring mystery of its “true story” origins, we finally ask the big question: Does Fargo (1996) deserve the title of Movie of the Year? Listen in as we debate its legacy, compare it to other contenders from 1996, and ultimately decide whether Marge Gunderson's world of crime and comedy is worthy of the top spot.Subscribe now and join us for this deep-dive into Fargo (1996), a film that remains just as sharp, chilling, and darkly hilarious as it was in 1996.Recommended Further Reading:IMDB - Fargo (1996)Rotten...
Our ongoing series, The Forgotten Seconds, explores the lives and legacies of vice presidents who never reached the presidency. These individuals played crucial roles in shaping American history, yet their contributions are often overshadowed by those who held the highest office. Today, we continue with Hubert Humphrey, a man whose influence on civil rights, social policy, and American politics remains significant despite his near-miss at the presidency. Hubert Horatio Humphrey Jr., the 38th vice president of the United States, left an indelible mark on American politics. He was a champion of civil rights, a key figure in the Democratic Party, and a man whose career was shaped by both triumph and controversy. His life, however, did not begin in the corridors of power but in the small town of Wallace, South Dakota, where his family had deep roots in the American Midwest..., Podcast Notes: https://ancestralfindings.com/hubert-humphrey-the-forgotten-seconds/ Genealogy Clips Podcast: https://ancestralfindings.com/podcast Free Genealogy Lookups: https://ancestralfindings.com/lookups Genealogy Giveaway: https://ancestralfindings.com/giveaway Genealogy eBooks: https://ancestralfindings.com/ebooks Follow Along: https://www.facebook.com/AncestralFindings https://www.instagram.com/ancestralfindings https://www.youtube.com/ancestralfindings Support Ancestral Findings: https://ancestralfindings.com/support https://ancestralfindings.com/paypal #Genealogy #AncestralFindings #GenealogyClips
Picture a child who's equally at home running around Hawaiian beaches and sampling new foods on bustling Jakarta streets. This glimpse of youth belongs to Barack Obama, whose life story began long before he took office as the 44th President of the United States. Tracing his family history from Kenya and the American Midwest to his current endeavors shows us how different cultures and experiences laid the groundwork for his journey—complete with achievements, struggles, and lessons he carries forward. Podcast Notes: https://ancestralfindings.com/from-kenyan-shores-to-the-white-house-tracing-barack-obamas-roots/ Genealogy Clips Podcast: https://ancestralfindings.com/podcast Free Genealogy Lookups: https://ancestralfindings.com/lookups Genealogy Giveaway: https://ancestralfindings.com/giveaway Genealogy eBooks: https://ancestralfindings.com/ebooks Follow Along: https://www.facebook.com/AncestralFindings https://www.instagram.com/ancestralfindings https://www.youtube.com/ancestralfindings Support Ancestral Findings: https://ancestralfindings.com/support https://ancestralfindings.com/paypal #Genealogy #AncestralFindings #GenealogyClips
Welcome back to Not A Bomb podcast, the show where we tackle cinema's biggest box office failures and decide if they deserve a second chance. Troy and Brad bid farewell to the cinematic "bombs" of 2024 with an ambitious journey into the American frontier. Their latest viewing: Horizon: An American Saga - Chapter 1, a three-hour epic Western directed by none other than Kevin Costner. Banking on his vision, Costner poured $38 million of his own money into the project, envisioning it as the first chapter in a four-part saga that weaves together the lives of diverse characters navigating the rugged American Midwest. However, whispers of production drama have cast shadows over Horizon's future, raising the question: will it ascend as a masterpiece or be remembered alongside Costner's infamous Waterworld and The Postman? To assist with discussing this epic, the gang welcomes Jose from Watch Skip Plus. As usual, Jose brings his unique take on this box office bomb and also gives an update on the Watch Skip Plus podcast. Horizon: An American Sage - Chapter 1 is directed by Kevin Costner and stars Kevin Costner, Sienna Miller, Sam Worthington, Will Patton, Jamie Campbell Bower, and Giovanni Ribisi. Not A Bomb has has plenty of spooky designs in our Merch store! Head over to the Not A Bomb Tee Public store and check them out. Special thanks to Ted Blair for the amazing designs! We're committed to hearing your feedback and suggestions. If there's a cinematic flop you'd like us to delve into, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what drive us. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify. Cast: Brad, Troy, Jose
A conversation with Kevin Wolz, CEO of Canopy Farm Management and former founder of the Savannah Institute. Canopy provides tree planting and management services to farmers and landowners in the US Midwest. They establish perennial crops, timber plantings, conservation practices, and integrated agroforestry systems.We have been talking about agroforestry systems and investing before (see link at the bottom of this page!): trees were the answer to whatever your question was. But how do you start an agroforestry industry right in the middle of the belly of the beast, the American Midwest, where corn and soy are everywhere, leases are 1 to 3 years, and there are no trees as far as the eye can see? And especially here, trees are needed, not as magical carbon sequestration tools but as climate adaptation, against erosion, wind breaks, to protect animals and crops, nutrient leaking into streams, and, of course, to produce a lot of food integrated into the fields. What does it take to build an agroforestry industry here? What about finance, equipment, planting, seedlings, tree nursery, harvesting, markets, and much more?---------------------------------------------------Join our Gumroad community, discover the tiers and benefits on www.gumroad.com/investinginregenag. Support our work:Share itGive a 5-star ratingBuy us a coffee… or a meal! www.Ko-fi.com/regenerativeagriculture----------------------------------------------------More about this episode on https://investinginregenerativeagriculture.com/kevin-wolz.Find our video course on https://investinginregenerativeagriculture.com/course.----------------------------------------------------The above references an opinion and is for information and educational purposes only. It is not intended to be investment advice. Seek a duly licensed professional for investment advice.Thoughts? Ideas? Questions? Send us a message!https://foodhub.nl/en/opleidingen/your-path-forward-in-regenerative-food-and-agriculture/ Find out more about our Generation-Re investment syndicate:https://gen-re.land/Support the showFeedback, ideas, suggestions? - Twitter @KoenvanSeijen - Get in touch www.investinginregenerativeagriculture.comJoin our newsletter on www.eepurl.com/cxU33P! Support the showThanks for listening and sharing!
In this heartfelt interview, Jessica, a Korean adoptee raised in the American Midwest, shares her journey of self-discovery that led her to embrace Orthodox Judaism and reconnect with her birth family. She opens up about her search for identity, love, and acceptance, blending two worlds that seem worlds apart. Today she goes by, Nomi Spain-Levy and her story is filled with moments of courage, humor, and insight into what it means to truly belong. Watch for an inspiring look at family, resilience, and finding roots in the most unexpected places. Nomi's website: https://www.nomiknows.com/ Email: Nomi@nomiknows.com IG: https://www.instagram.com/nomiknowsnutrition/ WhatsApp Biz: +19179246318 ✬ SPONSORS OF THE EPISODE ✬ ► TheDreamRaffle: Win a $1M Apartment in Jerusalem Help support some of the most amazing organizations in Israel AND get entered into the chance to win a gorgeous apartment in the heart of Israel. Use Code LL for $10 OFF + 2-FOR-1 Tickets Get your raffle tickets here: → https://bit.ly/3CvehAz ► Touro: Your Dreams Can Come True If you or someone you know is thinking about next steps post-Israel, come to Lander to see the campus and meet the dean, faculty, rebbeim and students at the open house on Sunday November 17th at 12:45 pm. → Visit lcm.touro.edu/openhouse for more info and to register. Your future could start there! ► Twillory: HUGE SALE Use promo code: INSPIRE for $18 OFF → Here: https://Twillory.com/ ► BitBean: Industry Leading Enterprise Software for Innovative Seeking to optimize operations and scale your business? Bitbean empowers ambitious businesses with tailored software solutions. Automate workflows, streamline data management, and empower your workforce all while reducing your employee overhead by 30% or more. Contact Bitbean today for a FREE CONSULTATION → https://bitbean.link/HTWCXU ► Lchaim Legacy: An Interview For a Lifetime Record the stories of your life on video, giving future generations the chance to learn from your experiences and connect with their family history. → https://www.livinglchaim.com/lchaimlegacy ✬ IN MEMORY OF ✬ This episode is in memory of: • Shimon Dovid ben Yaakov Shloima • Miriam Sarah bas Yaakov Moshe ✬ Donate and Inspire Millions (Tax-Deductible) ✬ Your generous donation enables us at Living Lchaim to share uplifting messages globally, enrich lives, and foster positive change worldwide! Thank you! https://www.LivingLchaim.com/donate Our free call-in-to-listen feature is here: • USA: (605) 477-2100 • UK: 0333-366-0154 • ISRAEL: 079-579-5088 Have a specific question? email us hi@livinglchaim.comWhatsApp us feedback and get first access to episodes: 914-222-5513 Lchaim.
Lina Suh grew up in Seoul, Korea, the American Midwest, and New York. She received an MFA from the University of Southern California in film production, and previously a BFA from NYU's Tisch School of the Arts in Dramatic Writing. Lina produced award-winning fiction shorts in New York and Los Angeles, and directed a short humanitarian documentary FLOW ON THROUGH in Cambodia that was in a World Bank-issued “Water and Sanitation” guide distributed to NGOs in developing countries. Lina has taught screenwriting at ESRA (Ecole Superieure de Realisation Audiovisuelle) a French film school satellite in NYC. She directed short films SO F*CKING HAPPY FOR YOU and GOOD FACE (now in development as a one-hour drama series) as well as music videos for Los Angeles artists. Lina is in development to write and direct film and TV projects with an eye toward co-productions with Korea. Lina is also passionate about empowerment through education, and has volunteer tutored regularly. She was the story editor on DR. BRAIN, Apple TV+'s first Korean language series. Lina recently completed her first feature film MEETING YOU, MEETING ME as a writer/director.
Phosphorus is an element that wears many faces. Its overuse as a fertilizer has polluted freshwater ecosystems, transforming rivers and lakes from thriving communities to lethal zones devoid of life. Its role as an explosive has brought fiery death and suffering to many during times of war. And its dwindling global supply poses an existential threat to humanity. Because phosphorus is not just a destructive force - it is essential for all of life on this planet. In The Devil's Element: Phosphorus and a World Out of Balance, author Dan Egan explores the multi-faceted nature of phosphorus and the surprising ways this element has shaped our world. Egan, Journalist in Residence at the Center for Water Policy in the University of Wisconsin-Milwaukee's School of Freshwater Sciences, transports readers from the guano-covered islands off the coast of Peru to the fertile fields of the American Midwest, from the 17th century laboratories reeking of boiled urine to our tenuous future as the demand for this element outpaces its supply. Tune in to learn about this powerful yet underappreciated element. Learn more about your ad choices. Visit megaphone.fm/adchoices
A book of poetry dedicated to the human experience of the working class poor in the American Midwest... Buy and/or review At Least the Pain is Cheap HERE Get a free copy at: atleastthepainischeap@gmail.com
In May 2024, tractors across the American Midwest stalled. But that was only the first piece of a much larger story. Journalist Jason Koebler takes us to Nebraska and Illinois to find out what is going on with American tractors – and what Ukrainian hackers have to do with it. Read more of Jason's reporting on John Deere and the Right to Repair movement.
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