Podcasts about Murakami

There has been a lot of hype around Japanese superstar slugger Munetaka Murakami, as he was posted this offseason. With his posting nearing expiration, many are wondering which MLB team might make a move for the first baseman, or if there is a chance that he might not sign at all and stay in Japan for next season.On this episode of Baseball Bar-B-Cast, Jake Mintz and Jordan Shusterman talk about the fascinating posting of Murakami and why teams like the New York Mets, Boston Red Sox, and Seattle Mariners, among a few others, could be a suitable fit for his services. They then get into the flurry of transactions that have gone on over the past few days, including Jorge Polanco going to Queens, the Philadelphia Phillies picking up Adolis García and an update to the Scott Boras Scoreboard.Later, Jake and Jordan take a look at a couple of rosters for the World Baseball Classic, including the superstar power on Team USA and why the Dominican Republic squad is loaded on offense. They then ask a few questions pertaining to each team that could help them figure out which team could come out on top in the 2026 edition of the tournament. 1:14 – The Opener: Murakami signing soon31:40 – Predictions for his landing spot36:36 – Around the League57:09 – Scott Boras Scoreboard update1:02:02 – World Baseball Classic: Team USA roster1:11:09 – A look at Team DR Subscribe to Baseball Bar-B-Cast on your favorite podcast app:

Headlines and 12th Man News with GREGG BELL (Tacoma News Tribune)- As far as regular-season games, this one is about as big as it gets! What the buzz at the VMAC about weather implications on Thursday? What's the biggest challenge the Seahawks face? Will we see philosophical changes from the Seahawks because of the magnitude of the game and the opponent? What is Gregg's key to the game this week? Latest injury report? Will Charles Cross be ready to go? Will Adams be out for the Rams? :30- The Mariners hot stove is simmering… Over the weekend, Jorge Polanco signed a 2-year, $40 million deal with the NY Mets. It sounds like the M's made a competitive offer, but he followed the money to NY and we can't fault him for that. So, now the team has to find someone to fill that hole left by Polanco. Who will it be? Is Brendan Donovan a good fit? :45- There's a lot at stake on Thursday apparently… Do the rules need to change for field goals? It's getting too easy for teams and kickers to take advantage of the current kicking rules. See omnystudio.com/listener for privacy information.

RICK NEUHEISEL (CBS Sports) Last time we talked to Coach, we were hoping he'd be getting a shot at the Coug head coaching job. That didn't happen, but he wishes nothing but the best for Kirby Moore. What will happen with the Michigan head coaching vacancy? Will Jedd leave Montlake? :30- The Old Judge is here! The honorable Cornelius Buckhole the 99th is presiding… - Bring on the rainy & windy weather on Thursday, it can only help the Seahawks against the Rams - Kirby Moore was the right hire for the Cougs - Murakami is on your Christmas wish list - Candy Cane is the Candy Corn of Christmas… :45- We close out the Tuesday show with one last thing! See omnystudio.com/listener for privacy information.

En el noticiero Baseball News de hoy analizamos todos los movimientos más importantes del mercado de MLB

Hello Interactors,Spain's high-speed trains feels like a totally different trajectory of modernity. America prides itself on being the tech innovator, but nowhere can we blast 180 MPH between city centers with seamless transfers to metros and buses…and no TSA drudgery. But look closer and the familiar comes into view — rising car ownership, rush-hour congestion (except in Valencia!), and growth patterns that echo America. I wanted to follow these parallel tracks back to the nineteenth-century U.S. rail boom and forward to Spain's high-spe ed era. Turns out it's not just about who gets faster rail or faster freeways, but what kind of growth they lock in once they arrive.TRAINS, CITIES, AND CONTRADICTIONSMy wife and I took high-speed rail (HSR) on our recent trip to Spain. My first thought was, “Why can't we have nice things?”They're everywhere.Madrid to Barcelona in two and a half hours. Barcelona to Valencia, Valencia back to Madrid. Later, Porto to Lisbon. Even Portugal is in on it. We glided out of city-center stations, slipped past housing blocks and industrial belts, then settled into the familiar grain of Mediterranean countryside at 300 kilometers an hour. The Wi-Fi (mostly) worked. The seats were comfortable. No annoying TSA.Where HSR did not exist or didn't quite fit our schedule, we filled gaps with EasyJet flights. We did rent a car to seek the 100-foot waves at Nazaré, Portugal, only to be punished by the crawl of Porto's rush-hour traffic in a downpour. Within cities, we took metros, commuter trains, trams, buses, bike share, and walked…a lot.From the perspective of a sustainable transportation advocate, we were treated to the complete “nice things” package: fast trains between cities, frequent rail and bus service inside them, and streets catering to human bodies more than SUVs. What surprised me, though, was the way these nice things coexist with growth patterns that look — in structural terms — uncomfortably familiar.In this video

Enemy Alien was screened in 2022. This short documentary film tells the story of Joseph Clement Kisaburō Murakami (Jo Murakami), a Broome-born Japanese Australian who, as a teenager during WWII, was sent with his family to an internment camp as an “enemy alien.” A Sydney-based Japanese family, the Kasugas, portrayed the Murakami family in the film. This story was first published in 2022. - 2022年４月に94歳で亡くなった村上ジョセフ・クレメント・喜三郎（ジョー村上）さんを主人公にした、短編ドキュメンタリー映画「Enemy Alien」。村上家を演じた、春日家のインタビューを再度お聞きください。

The offseason officially rolls on for the Chase for 28 crew, but optimism is in short supply. In Episode 117, Chris, the Podcast Padre, and the Podcast Paisan return to break down a Yankees winter that feels frozen in time. From the shocking qualifying offer acceptance by Trent Grisham to the continued reliance on analytics over fundamentals, the guys question whether Brian Cashman and the front office truly understand what this team needs to win in October.The conversation spans roster construction, positional logjams, and the growing frustration of running back essentially the same team. They debate Volpe's future, Ben Rice's role, the impossibility of moving Giancarlo Stanton's contract, and whether the Yankees are leaning too heavily on pitching to mask offensive flaws. Add in lockout speculation, ownership spending concerns, Asian market rumors, and a lively trivia debate, and this episode captures exactly how uneasy Yankees fans feel heading into 2026.Key Topics DiscussedWhy the Yankees made (and lost) the Trent Grisham qualifying offer gambleHow MLB qualifying offers work—and why this one backfiredHas baseball passed Brian Cashman by?Analytics vs. “using your eyes” in roster decisionsThe Yankees' youth movement paradox: Domínguez, Jones, Volpe, WellsBen Rice as catcher or first baseman—and the ripple effectsLefty-heavy lineups, balance, and Yankee Stadium roster philosophyFrustrations with bottom-of-the-lineup productionDebating contact hitters vs. power-first approachesAsian market targets: Murakami, Okamoto, Imai, and posting-system realitiesGiancarlo Stanton's contract and the need to free the DH spotPitching reliance: Cole's age, Rodón's value, and rotation trustLockout speculation and the Dodgers changing the financial landscapeAre the Yankees still true AL East favorites?Yankees Trivia

After several years working at Mistubishi and then for her family office foundation investing in the public markets, Rei Murakami found a new goal while she was working out of Singapore: to get into venture capital investing. She joined our Certificate in Venture Capital for its third cohort in 2022 and a year later founded Kadan Capital, an early stage venture firm investing in fintech and AI startups across Asia. She goes on call to share her journey from Japan to Singapore, from the public markets to venture capital, and going from Insignia Ventures Academy's 12 week program to setting up Kadan Capital. Rei also hosts Kadan's podcast True Founders StoriesTimestamps(00:30) Introducing Rei and her journey from Japan to Singapore;(02:00) Why Rei became interested in venture capital;(02:59) Rei's Insignia Ventures Academy experience;(05:39) Starting Kadan Capital with a focus on fintech and AI in Southeast Asia;(09:18) Rei's value-add as an investor;(11:00) Rei's views on the Japan-Southeast Asia cross-border venture activity and investing in Japan;(14:12) Advice for founders on expanding to Japan;(16:03) Rei's views on exits in Southeast Asia;(18:38) Learnings on being a venture capitalist; (20:07) Make or break moment in Rei's career;Directed by Paulo JoquiñoProduced by Paulo JoquiñoFollow us on LinkedIn for more updatesThe content of this podcast is for informational purposes only, should not be taken as legal, tax, or business advice or be used to evaluate any investment or security, and is not directed at any investors or potential investors in any ⁠⁠⁠⁠⁠⁠Insignia Ventures⁠⁠⁠⁠⁠⁠ fund. Any and all opinions shared in this episode are solely personal thoughts and reflections of the guest and the host.

If you had Phillip Rivers return to the NFL on your 2025 bingo card, congrats! While it's not official, Rivers worked out for the Colts last night and it's highly possible he could un-retire and sign with the Colts who are dealing with a VERY difficult situation at QB. The Seahawks have faced their fair share of backup quarterbacks, but this week against the Colts is on another level. :30- The Winter Meetings are ongoing and activity is slow! - Are we happy with the trade return for Harry Ford? - Could Mitch Garver make a reduced-rate return to the Mariners? - The Mariners are being mentioned in Ketel Marte trade rumors. - CJ Abrams could also be a possibility… - What's up with Murakami? He has to sign with a team by 12/22, the clock is ticking. :45- The Kraken dropped their 6th straight game, losing to the Wild at home last night and that may not have been the worst thing to happen! See omnystudio.com/listener for privacy information.

If you had Phillip Rivers return to the NFL on your 2025 bingo card, congrats! While it's not official, Rivers worked out for the Colts last night and it's highly possible he could un-retire and sign with the Colts who are dealing with a VERY difficult situation at QB. The Seahawks have faced their fair share of backup quarterbacks, but this week against the Colts is on another level. :30- The Winter Meetings are ongoing and activity is slow! - Are we happy with the trade return for Harry Ford? - Could Mitch Garver make a reduced-rate return to the Mariners? - The Mariners are being mentioned in Ketel Marte trade rumors. - CJ Abrams could also be a possibility… - What's up with Murakami? He has to sign with a team by 12/22, the clock is ticking. :45- The Kraken dropped their 6th straight game, losing to the Wild at home last night and that may not have been the worst thing to happen!

On March 20th, 1995, the Tokyo subway system was flooded with sarin nerve gas in a coordinated terrorist attack by the religious cult Aum Shinrikyō. Led by the charismatic new-age guru, Shoko Asahara, the well-funded and technologically ambitious Aum organization manufactured and deployed chemical weapons in an attempt to bring about the end of the world. In the chaos that followed, 13 people were killed, thousands were injured, and the international community shuddered at the possibility of future attacks by fringe political groups.    SOURCES: Amarasingam, A. (2017, April 5). A history of sarin as a weapon. The Atlantic.  Cotton, Simon. “Nerve Agents: What Are They and How Do They Work?” American Scientist, vol. 106, no. 3, 2018, pp. 138–40.  Danzig, Richard; Sageman, Marc; Leighton, Terrance; Hough, Lloyd; Yuki, Hidemi; Kotani, Rui; Hosford, Zachary M.. Aum Shinrikyo: Insights Into How Terrorists Develop Biological and Chemical Weapons . Center for a New American Security. 2011. Gunaratna, Rohan. “Aum Shinrikyo's Rise, Fall and Revival.” Counter Terrorist Trends and Analyses, vol. 10, no. 8, 2018, pp. 1–6.  Harmon, Christopher C. “How Terrorist Groups End: Studies of the Twentieth Century.” Strategic Studies Quarterly, vol. 4, no. 3, 2010, pp. 43–84. JSTOR, http://www.jstor.org/stable/26269787.  “IHT: A Safe and Sure System — Until Now.” The New York Times, 21 Mar. 1995. Jones, Seth G., and Martin C. Libicki. “Policing and Japan's Aum Shinrikyo.” How Terrorist Groups End: Lessons for Countering al Qa'ida, RAND Corporation, 2008, pp. 45–62.  Kaplan, David E. (1996) “Aum's Shoko Asahara and the Cult at the End of the World”. WIRED.  Lifton, Robert Jay. Destroying the World to Save It: Aum Shinrikyo, Apocalyptic Violence, and the New Global Terrorism. 1999. Murakami, Haruki. Underground: The Tokyo Gas Attack and the Japanese Psyche. Translated by Alfred Birnbaum and Philip Gabriel. 2001. Murphy, P. (2014, June 21). Matsumoto: Aum's sarin guinea pig. The Japan Times.  Reader, Ian. Religious Violence in Contemporary Japan: The Case of Aum Shinrikyo.  2000. Tucker, Jonathan B. “Chemical/Biological Terrorism: Coping with a New Threat.” Politics and the Life Sciences, vol. 15, no. 2, 1996, pp. 167–83.  Ushiyama, Rin. “Shock and Anger: Societal Responses to the Tokyo Subway Attack.” Aum Shinrikyō and Religious Terrorism in Japanese Collective Memory., The British Academy, 2023, pp. 52–80.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Chris Cooper interviews Professor Akira Murakami from Birmingham University. lostincitations@gmail.com

Welcome to Episode 121 of Tablesetters — and today we're joined by one of the most essential voices in global baseball storytelling. Jim Allen, longtime NPB writer, analyst, historian, and the force behind jballallen.com and its weekly newsletter, sits down with us for a deep, far-reaching conversation about the heartbeat of Japanese baseball and its growing impact on MLB. For decades, Jim's reporting has been the bridge that helps English-speaking fans understand not just NPB players, but the culture, structures, and histories that shape them. From the posting system to player development pathways, from extra-inning philosophy to editorial norms, and from national identity to modern pitch-design trends, Jim brings context you simply can't find anywhere else. And with Tatsuya Imai, Munetaka Murakami, Kona Takahashi, and others drawing MLB attention — all while Ohtani, Yamamoto, and Sasaki redefine the top of the sport — this is the perfect moment to have him on. In our conversation, Jim takes us inside how the posting system actually works: the incentives that guide both leagues, how timing and leverage shape negotiations, and why the 2013 reforms solved some issues while pushing others into new territory. We break down Imai's rise into a front-line starter, why his growth feels so intentional, and what parts of his profile give him the best chance to translate quickly to MLB. Jim also helps untangle the narrative around Murakami's 56-homer “Japanese-born record,” how it's framed against Balentien's 60, and what American fans need to understand about how that story was built and why it stuck. We dig into the philosophical gap between MLB's open-ended extra innings and NPB's 12-inning limit, what that says about pace, workload, and cultural logic, and how that contrast resurfaced when Yamamoto appeared in the World Series on almost no rest. From there, we look at Japan's relationship with the WBC — Ohtani's commitment, the national pride attached to the tournament, and how fans weigh those responsibilities against MLB club preferences. Jim also breaks down why narrow milestones and highly specific statistical labels catch fire so quickly in Japanese media, and what American audiences often miss about that editorial tradition. We explore how public sentiment in Japan has shifted regarding stars leaving for MLB, from the tension-filled Matsuzaka era to today's more normalized wave of early departures. And we close with a look ahead: the next generation of NPB names to know, plus Jim's thoughts on Anthony Kay's breakout season and Trevor Bauer's polarizing stint in Japan. It's one of our most wide-ranging episodes yet — part baseball, part culture, part analytics, part history — and Jim guides all of it with clarity, nuance, and generosity.

We're breaking down a loaded crop of Japanese players with special guest Yakyu Cosmopolitan (2:10)! ... Munetaka Murakami has transcendent power but struggles with strikeouts (3:56). ... What is Tatsuya Imai's upside as a pitcher (16:52)? ... Kazuma Okamoto is more well-rounded hitter than Murakami (28:15). ... Kona Takahashi profiles as more of a low-end streamer type (38:08). ... What are the ideal landing spots for these names (42:55)? ... Can any of these former MLB pitchers make an impact (45:07)? ... Who are some other Japanese stars we need to know for the future (47:41)? Subscribe to our YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/FantasyBaseballToday⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Download and Follow Fantasy Baseball Today on Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://sptfy.com/QiKv⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow our FBT team on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@FBTPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@CPTowers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@CBSScottWhite⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@Roto_Frank⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join our Facebook group at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/fantasybaseballtoday⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sign up for the FBT Newsletter at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.cbssports.com/newsletters/fantasy-baseball-today/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For more fantasy baseball coverage from CBS Sports, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.cbssports.com/fantasy/baseball/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To hear more from the CBS Sports Podcast Network, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.cbssports.com/podcasts/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

¡Hola! ¿Qué tal?Bienvenido, bienvenida a un nuevo episodio de Hello Jaume! versión newsletter.En esta edición:ChatGPT: 18% - Yo: 82%Audio - Yo 100%Hace nada estuve en Madrid. De hecho, grabé este episodio mientras caminaba por la calle, justo después del anterior, porque me vinieron un par de reflexiones nuevas. Madrid siempre me da material.En el episodio anterior conté que me había comprado un par de gorras.Bueno… pues al final fueron cuatro.Tengo una excusa y es que son modelos que en Barcelona no encuentro ni de casualidad. O no sé dónde buscarlos. Quizá ambas cosas.También volví a cambiar los pendientes de Sandra. Ya era casi una misión paralela del viaje. Y claro, entre paseo y paseo… otra gorra caía. Era inevitable jajaja

Every MLB offseason there seems to be a new Japanese baseball sensation set to take Major League Baseball by storm. With the arrivals of Roki Sasaki and Yoshinobu Yamamoto, teams are hoping to find similar superstars across the globe to help bolster their chances of bringing home a championship.On this episode of Baseball Bar-B-Cast, Jake Mintz and Jordan Shusterman are joined by Japanese baseball expert Yuri Karasawa as they discuss Munetaka Murakami, Tatsuya Imai and Kazuma Okamoto all being posted this offseason. Will their games translate to MLB and which players could end up where? These questions and more are answered in this must-listen conversation.Later, Jake and Jordan talk about the four qualifying offers that were accepted this week and why some of them were a bit questionable, including Trent Grisham returning to the Yankees and Shota Imanaga going back to the Chicago Cubs. The guys then close out the episode by making their weekly picks for The Good, The Bad & The Uggla.5:36 – Yuri Karasawa joins the show12:29 – Munetaka Murakami breakdown25:57 – Get to know Kazuma Okamoto34:50 – What to expect from Tatsuya Imai45:20 – Yoshinobu Yamamoto's heroics55:19 – Around the League: QO surprises1:21:43 – The Good, The Bad & The Uggla Subscribe to Baseball Bar-B-Cast on your favorite podcast app:

- Headlines and Thursdays with SOFTY. When Softy joins the show, everything is on the table! From KJR sleepovers to re-signing Josh Naylor; that's how things start! Is it enough if the only moves the Mariners make this offseason are bringing back Naylor, Suarez and/or Polanco? The Dawgs head to the Rose Bowl to face UCLA on Saturday- can they figure out what they're doing on the road? When Sark says he's not going anywhere, does Softy believe him? :30- Steve Sarkisian is sick of the rumors that he's leaving Texas and he set the record straight. Do we believe him? :35- It's fact or fiction time and Bucky REALLY likes one game this week! :45- When Jerry joined us yesterday, he gave us some insight into which top prospects might play a prominent role on the 2026 Mariners team. See omnystudio.com/listener for privacy information.

Headlines and 12th Man News with GREGG BELL (Tacoma News Tribune) The Seahawks are looking to get back on track against a 1-9 Titans team, but there are some O-Line concerns. We get Gregg's key to the game, injury updates, Ken Walker possibilities and more! :30- The Mariners keep getting mentioned in connection with Murakami, do we want him? :35- Chuck doesn't like his Fact or Fiction pick, so let's see how it goes! :45- Sam Darnold is fully taking the blame for last week's loss, can he put that behind him and be the Sam Darnold we've seen most of the season? See omnystudio.com/listener for privacy information.

Headlines and 12th Man News with GREGG BELL (Tacoma News Tribune) The Seahawks are looking to get back on track against a 1-9 Titans team, but there are some O-Line concerns. We get Gregg's key to the game, injury updates, Ken Walker possibilities and more! :30- The Mariners keep getting mentioned in connection with Murakami, do we want him? :35- Chuck doesn't like his Fact or Fiction pick, so let's see how it goes! :45- Sam Darnold is fully taking the blame for last week's loss, can he put that behind him and be the Sam Darnold we've seen most of the season?

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Powerleegirl hosts, the mother daughter team of Miko Lee, Jalena & Ayame Keane-Lee speak with artists about their craft and the works that you can catch in the Bay Area. Featured are filmmaker Yuriko Gamo Romer, playwright Jessica Huang and photographer Joyce Xi.   More info about their work here: Diamond Diplomacy Yuriko Gamo Romer Jessica Huang's Mother of Exiles at Berkeley Rep Joyce Xi's Our Language Our Story at Galeria de la Raza     Show Transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    Ayame Keane-Lee: [00:00:46] Thank you for joining us on Apex Express Tonight. Join the PowerLeeGirls as we talk with some powerful Asian American women artists. My mom and sister speak with filmmaker Yuriko Gamo Romer, playwright Jessica Huang, and photographer Joyce Xi. Each of these artists have works that you can enjoy right now in the Bay Area. First up, let's listen in to my mom Miko Lee chat with Yuriko Gamo Romer about her film Diamond Diplomacy.    Miko Lee: [00:01:19] Welcome, Yuriko Gamo Romer to Apex Express, amazing filmmaker, award-winning director and producer. Welcome to Apex Express.   Yuriko Gamo Romer: [00:01:29] Thank you for having me.    Miko Lee: [00:01:31] It's so great to see your work after this many years. We were just chatting that we knew each other maybe 30 years ago and have not reconnected. So it's lovely to see your work. I'm gonna start with asking you a question. I ask all of my Apex guests, which is, who are your people and what legacy do you carry with you?    Yuriko Gamo Romer: [00:01:49] Oh, who are my people? That's a hard one. I guess I'm Japanese American. I'm Asian American, but I'm also Japanese. I still have a lot of people in Japan. That's not everything. Creative people, artists, filmmakers, all the people that I work with, which I love. And I don't know, I can't pare it down to one narrow sentence or phrase. And I don't know what my legacy is. My legacy is that I was born in Japan, but I have grown up in the United States and so I carry with me all that is, technically I'm an immigrant, so I have little bits and pieces of that and, but I'm also very much grew up in the United States and from that perspective, I'm an American. So too many words.    Miko Lee: [00:02:44] Thank you so much for sharing. Your latest film was called Diamond Diplomacy. Can you tell us what inspired this film?   Yuriko Gamo Romer: [00:02:52] I have a friend named Dave Dempsey and his father, Con Dempsey, was a pitcher for the San Francisco Seals. And the Seals were the minor league team that was in the West Coast was called the Pacific Coast League They were here before the Major League teams came to the West Coast. So the seals were San Francisco's team, and Con Dempsey was their pitcher. And it so happened that he was part of the 1949 tour when General MacArthur sent the San Francisco Seals to Allied occupied Japan after World War II. And. It was a story that I had never heard. There was a museum exhibit south of Market in San Francisco, and I was completely wowed and awed because here's this lovely story about baseball playing a role in diplomacy and in reuniting a friendship between two countries. And I had never heard of it before and I'm pretty sure most people don't know the story. Con Dempsey had a movie camera with him when he went to Japan I saw the home movies playing on a little TV set in the corner at the museum, and I thought, oh, this has to be a film. I was in the middle of finishing Mrs. Judo, so I, it was something I had to tuck into the back of my mind Several years later, I dug it up again and I made Dave go into his mother's garage and dig out the actual films. And that was the beginning. But then I started opening history books and doing research, and suddenly it was a much bigger, much deeper, much longer story.   Miko Lee: [00:04:32] So you fell in, it was like synchronicity that you have this friend that had this footage, and then you just fell into the research. What stood out to you?    Yuriko Gamo Romer: [00:04:41] It was completely amazing to me that baseball had been in Japan since 1872. I had no idea. And most people,   Miko Lee: [00:04:49] Yeah, I learned that too, from your film. That was so fascinating.    Yuriko Gamo Romer: [00:04:53] So that was the first kind of. Wow. And then I started to pick up little bits and pieces like in 1934, there was an American All Star team that went to Japan. And Babe Ruth was the headliner on that team. And he was a big star. People just loved him in Japan. And then I started to read the history and understanding that. Not that a baseball team or even Babe Ruth can go to Japan and prevent the war from happening. But there was a warming moment when the people of Japan were so enamored of this baseball team coming and so excited about it that maybe there was a moment where it felt like. Things had thawed out a little bit. So there were other points in history where I started to see this trend where baseball had a moment or had an influence in something, and I just thought, wow, this is really a fascinating history that goes back a long way and is surprising. And then of course today we have all these Japanese faces in Major League baseball.   Miko Lee: [00:06:01] So have you always been a baseball fan?   Yuriko Gamo Romer: [00:06:04] I think I really became a fan of Major League Baseball when I was living in New York. Before that, I knew what it was. I played softball, I had a small connection to it, but I really became a fan when I was living in New York and then my son started to play baseball and he would come home from the games and he would start to give us the play by play and I started to learn more about it. And it is a fascinating game 'cause it's much more complex than I think some people don't like it 'cause it's complex.    Miko Lee: [00:06:33] I must confess, I have not been a big baseball fan. I'm also thinking, oh, a film about baseball. But I actually found it so fascinating with especially in the world that we live in right now, where there's so much strife that there was this way to speak a different language. And many times we do that through art or music and I thought it was so great how your film really showcased how baseball was used as a tool for political repair and change. I'm wondering how you think this film applies to the time that we live in now where there's such an incredible division, and not necessarily with Japan, but just with everything in the world.   Yuriko Gamo Romer: [00:07:13] I think when it comes down to it, if we actually get to know people. We learn that we're all human beings and that we probably have more in common than we give ourselves credit for. And if we can find a space that is common ground, whether it's a baseball field or the kitchen, or an art studio, or a music studio, I think it gives us a different place where we can exist and acknowledge That we're human beings and that we maybe have more in common than we're willing to give ourselves credit for. So I like to see things where people can have a moment where you step outside of yourself and go, oh wait, I do have something in common with that person over there. And maybe it doesn't solve the problem. But once you have that awakening, I think there's something. that happens, it opens you up. And I think sports is one of those things that has a little bit of that magical power. And every time I watch the Olympics, I'm just completely in awe.    Miko Lee: [00:08:18] Yeah, I absolutely agree with you. And speaking of that kind of repair and that aspect that sports can have, you ended up making a short film called Baseball Behind Barbed Wire, about the incarcerated Japanese Americans and baseball. And I wondered where in the filmmaking process did you decide, oh, I gotta pull this out of the bigger film and make it its own thing?    Yuriko Gamo Romer: [00:08:41] I had been working with Carrie Yonakegawa. From Fresno and he's really the keeper of the history of Japanese American baseball and especially of the story of the World War II Japanese American incarceration through the baseball stories. And he was one of my scholars and consultants on the longer film. And I have been working on diamond diplomacy for 11 years. So I got to know a lot of my experts quite well. I knew. All along that there was more to that part of the story that sort of deserved its own story, and I was very fortunate to get a grant from the National Parks Foundation, and I got that grant right when the pandemic started. It was a good thing. I had a chunk of money and I was able to do historical research, which can be done on a computer. Nobody was doing any production at that beginning of the COVID time. And then it's a short film, so it was a little more contained and I was able to release that one in 2023.   Miko Lee: [00:09:45] Oh, so you actually made the short before Diamond Diplomacy.   Yuriko Gamo Romer: [00:09:49] Yeah. The funny thing is that I finished it before diamond diplomacy, it's always been intrinsically part of the longer film and you'll see the longer film and you'll understand that part of baseball behind Barbed Wire becomes a part of telling that part of the story in Diamond Diplomacy.   Miko Lee: [00:10:08] Yeah, I appreciate it. So you almost use it like research, background research for the longer film, is that right?    Yuriko Gamo Romer: [00:10:15] I had been doing the research about the World War II, Japanese American incarceration because it was part of the story of the 150 years between Japan and the United States and Japanese people in the United States and American people that went to Japan. So it was always a part of that longer story, and I think it just evolved that there was a much bigger story that needed to be told separately and especially 'cause I had access to the interview footage of the two guys that had been there, and I knew Carrie so well. So that was part of it, was that I learned so much about that history from him.   Miko Lee: [00:10:58] Thanks. I appreciated actually watching both films to be able to see more in depth about what happened during the incarceration, so that was really powerful. I'm wondering if you can talk a little bit about the style of actually both films, which combine vintage Japanese postcards, animation and archival footage, and how you decided to blend the films in this way.   Yuriko Gamo Romer: [00:11:19] Anytime you're making a film about history, there's that challenge of. How am I going to show this story? How am I gonna get the audience to understand and feel what was happening then? And of course you can't suddenly go out and go, okay, I'm gonna go film Babe Ruth over there. 'cause he's not around anymore. So you know, you start digging up photographs. If we're in the era of you have photographs, you have home movies, you have 16 millimeter, you have all kinds of film, then great. You can find that stuff if you can find it and use it. But if you go back further, when before people had cameras and before motion picture, then you have to do something else. I've always been very much enamored of Japanese woodblock prints. I think they're beautiful and they're very documentary in that they tell stories about the people and the times and what was going on, and so I was able to find some that sort of helped evoke the stories of that period of time. And then in doing that, I became interested in the style and maybe can I co-opt that style? Can we take some of the images that we have that are photographs? And I had a couple of young artists work on this stuff and it started to work and I was very excited. So then we were doing things like, okay, now we can create a transition between the print style illustration and the actual footage that we're moving into, or the photograph that we're dissolving into. And the same thing with baseball behind barbed wire. It became a challenge to show what was actually happening in the camps. In the beginning, people were not allowed to have cameras at all, and even later on it wasn't like it was common thing for people to have cameras, especially movie cameras. Latter part of the war, there was a little bit more in terms of photos and movies, but in terms of getting the more personal stories. I found an exhibit of illustrations and it really was drawings and paintings that were visual diaries. People kept these visual diaries, they drew and they painted, and I think part of it was. Something to do, but I think the other part of it was a way to show and express what was going on. So one of the most dramatic moments in there is a drawing of a little boy sitting on a toilet with his hands covering his face, and no one would ever have a photograph. Of a little boy sitting on a toilet being embarrassed because there are no partitions around the toilet. But this was a very dramatic and telling moment that was drawn. And there were some other things like that. There was one illustration in baseball behind barbed wire that shows a family huddled up and there's this incredible wind blowing, and it's not. Home movie footage, but you feel the wind and what they had to live through. I appreciate art in general, so it was very fun for me to be able to use various different kinds of art and find ways to make it work and make it edit together with the other, with the photographs and the footage.    Miko Lee: [00:14:56] It's really beautiful and it tells the story really well. I'm wondering about a response to the film from folks that were in it because you got many elders to share their stories about what it was like being either folks that were incarcerated or folks that were playing in such an unusual time. Have you screened the film for folks that were in it? And if so what has their response been?    Yuriko Gamo Romer: [00:15:20] Both the men that were in baseball behind barbed wire are not living anymore, so they have not seen it. With diamond diplomacy, some of the historians have been asked to review cuts of the film along the way. But the two baseball players that play the biggest role in the film, I've given them links to look at stuff, but I don't think they've seen it. So Moi's gonna see it for the first time, I'm pretty sure, on Friday night, and it'll be interesting to see what his reaction to it is. And of course. His main language is not English. So I think some of it's gonna be a little tough for him to understand. But I am very curious 'cause I've known him for a long time and I know his stories and I feel like when we were putting the film together, it was really important for me to be able to tell the stories in the way that I felt like. He lived them and he tells them, I feel like I've heard these stories over and over again. I've gotten to know him and I understand some of his feelings of joy and of regret and all these other things that happen, so I will be very interested to see what his reaction is to it.   Miko Lee: [00:16:40] Can you share for our audience who you're talking about.   Yuriko Gamo Romer: [00:16:43] Well, Sanhi is a nickname, his name is Masa Nouri. Murakami. He picked up that nickname because none of the ball players could pronounce his name.   Miko Lee: [00:16:53] I did think that was horrifically funny when they said they started calling him macaroni 'cause they could not pronounce his name. So many of us have had those experiences.   Yuriko Gamo Romer: [00:17:02] Yeah, especially if your name is Masanori Murakami. That's a long, complicated one. So he, Masanori Murakami is the first Japanese player that came and played for the major leagues. And it was an inadvertent playing because he was a kid, he was 19 years old. He was playing on a professional team in Japan and they had some, they had a time period where it made sense to send a couple of these kids over to the United States. They had a relationship with Kapi Harada, who was a Japanese American who had been in the Army and he was in Japan during. The occupation and somehow he had, he'd also been a big baseball person, so I think he developed all these relationships and he arranged for these three kids to come to the United States and to, as Mahi says, to study baseball. And they were sent to the lowest level minor league, the single A camps, and they played baseball. They learned the American ways to play baseball, and they got to play with low level professional baseball players. Marcy was a very talented left handed pitcher. And so when September 1st comes around and the postseason starts, they expand the roster and they add more players to the team. And the scouts had been watching him and the Giants needed a left-handed pitcher, so they decided to take a chance on him, and they brought him up and he was suddenly going to Shea Stadium when. The Giants were playing the Mets and he was suddenly pitching in a giant stadium of 40,000 people.    Miko Lee: [00:18:58] Can you share a little bit about his experience when he first came to America? I just think it shows such a difference in time to now.    Yuriko Gamo Romer: [00:19:07] Yeah, no kidding. Because today they're the players that come from Japan are coddled and they have interpreters wherever they go and they travel and chartered planes and special limousines and whatever else they get. So Marcie. He's, I think he was 20 by the time he was brought up so young. Mahi at 20 years old, the manager comes in and says, Hey, you're going to New York tomorrow and hands him plane tickets and he has to negotiate his way. Get on this plane, get on that plane, figure out how to. Get from the airport to the hotel, and he's barely speaking English at this point. He jokes that he used to carry around an English Japanese dictionary in one pocket and a Japanese English dictionary in the other pocket. So that's how he ended up getting to Shea Stadium was in this like very precarious, like they didn't even send an escort.   Miko Lee: [00:20:12] He had to ask the pilot how to get to the hotel. Yeah, I think that's wild. So I love this like history and what's happened and then I'm thinking now as I said at the beginning, I'm not a big baseball sports fan, but I love love watching Shohei Ohtani. I just think he's amazing. And I'm just wondering, when you look at that trajectory of where Mahi was back then and now, Shohei Ohtani now, how do you reflect on that historically? And I'm wondering if you've connected with any of the kind of modern Japanese players, if they've seen this film.   Yuriko Gamo Romer: [00:20:48] I have never met Shohei Ohtani. I have tried to get some interviews, but I haven't gotten any. I have met Ichi. I did meet Nori Aoki when he was playing for the Giants, and I met Kenta Maya when he was first pitching for the Dodgers. They're all, I think they're all really, they seem to be really excited to be here and play. I don't know what it's like to be Ohtani. I saw something the other day in social media that was comparing him to Taylor Swift because the two of them are this like other level of famous and it must just be crazy. Probably can't walk down the street anymore. But it is funny 'cause I've been editing all this footage of mahi when he was 19, 20 years old and they have a very similar face. And it just makes me laugh that, once upon a time this young Japanese kid was here and. He was worried about how to make ends meet at the end of the month, and then you got the other one who's like a multi multimillionaire.    Miko Lee: [00:21:56] But you're right, I thought that too. They look similar, like the tall, the face, they're like the vibe that they put out there. Have they met each other?    Yuriko Gamo Romer: [00:22:05] They have actually met, I don't think they know each other well, but they've definitely met.   Miko Lee: [00:22:09] Mm, It was really a delight. I am wondering what you would like audiences to walk away with after seeing your film.   Yuriko Gamo Romer: [00:22:17] Hopefully they will have a little bit of appreciation for baseball and international baseball, but more than anything else. I wonder if they can pick up on that sense of when you find common ground, it's a very special space and it's an ability to have this people to people diplomacy. You get to experience people, you get to know them a little bit. Even if you've never met Ohtani, you now know a little bit about him and his life and. Probably what he eats and all that kind of stuff. So it gives you a chance to see into another culture. And I think that makes for a different kind of understanding. And certainly for the players. They sit on the bench together and they practice together and they sweat together and they, everything that they do together, these guys know each other. They learn about each other's languages and each other's food and each other's culture. And I think Mahi went back to Japan with almost as much Spanish as they did English. So I think there's some magical thing about people to people diplomacy, and I hope that people can get a sense of that.    Miko Lee: [00:23:42] Thank you so much for sharing. Can you tell our audience how they could find out more about your film Diamond diplomacy and also about you as an artist?    Yuriko Gamo Romer: [00:23:50] the website is diamonddiplomacy.com. We're on Instagram @diamonddiplomacy. We're also on Facebook Diamond Diplomacy. So those are all the places that you can find stuff, those places will give you a sense of who I am as a filmmaker and an artist too.    Miko Lee: [00:24:14] Thank you so much for joining us today, Yuriko. Gamo. Romo. So great to speak with you and I hope the film does really well.    Yuriko Gamo Romer: [00:24:22] Thank you, Miko. This was a lovely opportunity to chat with you.   Ayame Keane-Lee: [00:24:26] Next up, my sister Jalena Keane-Lee speaks with playwright Jessica Huang, whose new play Mother of Exiles just had its world premiere at Berkeley Rep is open until December 21st.    Jalena Keane-Lee: [00:24:39] All right. Jessica Huang, thank you so much for being here with us on Apex Express and you are the writer of the new play Mother of Exiles, which is playing at Berkeley Rep from November 14th to December 21st. Thank you so much for being here.   Jessica Huang: [00:24:55] Yeah, thank you so much for having me. It's such a pleasure.   Jalena Keane-Lee: [00:24:59] I'm so curious about this project. The synopsis was so interesting. I was wondering if you could just tell us a little bit about it and how you came to this work.   Jessica Huang: [00:25:08] When people ask me what mother of Exiles is, I always say it's an American family story that spans 160 plus years, and is told in three acts. In 90 minutes. So just to get the sort of sense of the propulsion of the show and the form, the formal experiment of it. The first part takes place in 1898, when the sort of matriarch of the family is being deported from Angel Island. The second part takes place in 1999, so a hundred years later where her great grandson is. Now working for the Miami, marine interdiction unit. So he's a border cop. The third movement takes place in 2063 out on the ocean after Miami has sunk beneath the water. And their descendants are figuring out what they're gonna do to survive. It was a strange sort of conception for the show because I had been wanting to write a play. I'd been wanting to write a triptych about America and the way that interracial love has shaped. This country and it shaped my family in particular. I also wanted to tell a story that had to do with this, the land itself in some way. I had been sort of carrying an idea for the play around for a while, knowing that it had to do with cross-cultural border crossing immigration themes. This sort of epic love story that each, in each chapter there's a different love story. It wasn't until I went on a trip to Singapore and to China and got to meet some family members that I hadn't met before that the rest of it sort of fell into place. The rest of it being that there's a, the presence of, ancestors and the way that the living sort of interacts with those who have come before throughout the play.   Jalena Keane-Lee: [00:27:13] I noticed that ancestors, and ghosts and spirits are a theme throughout your work. I was wondering if you could talk a little bit about your own ancestry and how that informs your writing and creative practice.   Jessica Huang: [00:27:25] Yeah, I mean, I'm in a fourth generation interracial marriage. So, I come from a long line of people who have loved people who were different from them, who spoke different languages, who came from different countries. That's my story. My brother his partner is German. He lives in Berlin. We have a history in our family of traveling and of loving people who are different from us. To me that's like the story of this country and is also the stuff I like to write about. The thing that I feel like I have to share with the world are, is just stories from that experience.   Jalena Keane-Lee: [00:28:03] That's really awesome. I guess I haven't really thought about it that way, but I'm third generation of like interracial as well. 'cause I'm Chinese, Japanese, and Irish. And then at a certain point when you're mixed, it's like, okay, well. The odds of me being with someone that's my exact same ethnic breakdown feel pretty low. So it's probably gonna be an interracial relationship in one way or the other.   Jessica Huang: [00:28:26] Totally. Yeah. And, and, and I don't, you know, it sounds, and it sounds like in your family and in mine too, like we just. Kept sort of adding culture to our family. So my grandfather's from Shanghai, my grandmother, you know, is, it was a very, like upper crust white family on the east coast. Then they had my dad. My dad married my mom whose people are from the Ukraine. And then my husband's Puerto Rican. We just keep like broadening the definition of family and the definition of community and I think that's again, like I said, like the story of this country.   Jalena Keane-Lee: [00:29:00] That's so beautiful. I'm curious about the role of place in this project in particular, mother of exiles, angel Island, obviously being in the Bay Area, and then the rest of it taking place, in Miami or in the future. The last act is also like Miami or Miami adjacent. What was the inspiration behind the place and how did place and location and setting inform the writing.   Jessica Huang: [00:29:22] It's a good question. Angel Island is a place that has loomed large in my work. Just being sort of known as the Ellis Island of the West, but actually being a place with a much more difficult history. I've always been really inspired by the stories that come out of Angel Island, the poetry that's come out of Angel Island and, just the history of Asian immigration. It felt like it made sense to set the first part of the play here, in the Bay. Especially because Eddie, our protagonist, spent some time working on a farm. So there's also like this great history of agriculture and migrant workers here too. It just felt like a natural place to set it. And then why did we move to Miami? There are so many moments in American history where immigration has been a real, center point of the sort of conversation, the national conversation. And moving forward to the nineties, the wet foot, dry foot Cuban immigration story felt like really potent and a great place to tell the next piece of this tale. Then looking toward the future Miami is definitely, or you know, according to the science that I have read one of the cities that is really in danger of flooding as sea levels rise.   Jalena Keane-Lee: [00:30:50] Okay. The Cuban immigration. That totally makes sense. That leads perfectly into my next question, which was gonna be about how did you choose the time the moments in time? I think that one you said was in the nineties and curious about the choice to have it be in the nineties and not present day. And then how did you choose how far in the future you wanted to have the last part?   Jessica Huang: [00:31:09] Some of it was really just based on the needs of the characters. So the how far into the future I wanted us to be following a character that we met as a baby in the previous act. So it just, you know, made sense. I couldn't push it too far into the future. It made sense to set it in the 2060s. In terms of the nineties and, why not present day? Immigration in the nineties , was so different in it was still, like I said, it was still, it's always been a important national conversation, but it wasn't. There was a, it felt like a little bit more, I don't know if gentle is the word, but there just was more nuance to the conversation. And still there was a broad effort to prevent Cuban and refugees from coming ashore. I think I was fascinated by how complicated, I mean, what foot, dry foot, the idea of it is that , if a refugee is caught on water, they're sent back to Cuba. But if they're caught on land, then they can stay in the us And just the idea of that is so. The way that, people's lives are affected by just where they are caught , in their crossing. I just found that to be a bit ridiculous and in terms of a national policy. It made sense then to set the second part, which moves into a bit of a farce at a time when immigration also kind of felt like a farce.   Jalena Keane-Lee: [00:32:46] That totally makes sense. It feels very dire right now, obviously. But it's interesting to be able to kind of go back in time and see when things were handled so differently and also how I think throughout history and also touching many different racial groups. We've talked a lot on this show about the Chinese Exclusion Act and different immigration policies towards Chinese and other Asian Americans. But they've always been pretty arbitrary and kind of farcical as you put it. Yeah.   Jessica Huang: [00:33:17] Yeah. And that's not to make light of like the ways that people's lives were really impacted by all of this policy . But I think the arbitrariness of it, like you said, is just really something that bears examining. I also think it's really helpful to look at where we are now through the lens of the past or the future. Mm-hmm. Just gives just a little bit of distance and a little bit of perspective. Maybe just a little bit of context to how we got to where we got to.   Jalena Keane-Lee: [00:33:50] That totally makes sense. What has your experience been like of seeing the play be put up? It's my understanding, this is the first this is like the premier of the play at Berkeley Rep.   Jessica Huang: [00:34:00] Yes. Yeah. It's the world premier. It's it incredible. Jackie Bradley is our director and she's phenomenal. It's just sort of mesmerizing what is happening with this play? It's so beautiful and like I've alluded to, it shifts tone between the first movement being sort of a historical drama on Angel Island to, it moves into a bit of a farce in part two, and then it, by the third movement, we're living in sort of a dystopic, almost sci-fi future. The way that Jackie's just deftly moved an audience through each of those experiences while holding onto the important threads of this family and, the themes that we're unpacking and this like incredible design team, all of these beautiful visuals sounds, it's just really so magical to see it come to life in this way. And our cast is incredible. I believe there are 18 named roles in the play, and there are a few surprises and all of them are played by six actors. who are just. Unbelievable. Like all of them have the ability to play against type. They just transform and transform again and can navigate like, the deepest tragedies and the like, highest moments of comedy and just hold on to this beautiful humanity. Each and every one of them is just really spectacular. So I'm just, you know. I don't know. I just feel so lucky to be honest with you. This production is going to be so incredible. It's gonna be, it feels like what I imagine in my mind, but, you know, plus,    Jalena Keane-Lee: [00:35:45] well, I really can't wait to see it. What are you hoping that audiences walk away with after seeing the show?   Jessica Huang: [00:35:54] That's a great question. I want audiences to feel connected to their ancestors and feel part of this community of this country and, and grateful and acknowledge the sacrifices that somebody along the line made so that they could be here with, with each other watching the show. I hope, people feel like they enjoyed themselves and got to experience something that they haven't experienced before. I think that there are definitely, nuances to the political conversation that we're having right now, about who has the right to immigrate into this country and who has the right to be a refugee, who has the right to claim asylum. I hope to add something to that conversation with this play, however small.   Jalena Keane-Lee:[00:36:43]  Do you know where the play is going next?   Jessica Huang: [00:36:45] No. No. I dunno where it's going next. Um, exciting. Yeah, but we'll, time will   Jalena Keane-Lee: [00:36:51] and previews start just in a few days, right?   Jessica Huang: [00:36:54] Yeah. Yeah. We have our first preview, we have our first audience on Friday. So yeah, very looking forward to seeing how all of this work that we've been doing lands on folks.   Jalena Keane-Lee: [00:37:03] Wow, that's so exciting. Do you have any other projects that you're working on? Or any upcoming projects that you'd like to share about?   Jessica Huang: [00:37:10] Yeah, yeah, I do. I'm part of the writing team for the 10 Things I Hate About You Musical, which is in development with an Eye Toward Broadway. I'm working with Lena Dunham and Carly Rae Jepsen and Ethan Ska to make that musical. I also have a fun project in Chicago that will soon be announced.   Jalena Keane-Lee: [00:37:31] And what is keeping you inspired and keeping your, you know, creative energies flowing in these times?   Jessica Huang: [00:37:37] Well first of all, I think, you know, my collaborators on this show are incredibly inspiring. The nice thing about theater is that you just get to go and be inspired by people all the time. 'cause it's this big collaboration, you don't have to do it all by yourself. So that would be the first thing I would say. I haven't seen a lot of theater since I've been out here in the bay, but right before I left New York, I saw MEUs . Which is by Brian Keda, Nigel Robinson. And it's this sort of two-hander musical, but they do live looping and they sort of create the music live. Wow. And it's another, it's another show about an untold history and about solidarity and about folks coming together from different backgrounds and about ancestors, so there's a lot of themes that really resonate. And also the show is just so great. It's just really incredible. So , that was the last thing I saw that I loved. I'm always so inspired by theater that I get to see.   Jalena Keane-Lee: [00:38:36] That sounds wonderful. Is there anything else that you'd like to share?   Jessica Huang: [00:38:40] No, I don't think so. I just thanks so much for having me and come check out the show. I think you'll enjoy it. There's something for everyone.   Jalena Keane-Lee: [00:38:48] Yeah. I'm so excited to see the show. Is there like a Chinese Cuban love story with the Miami portion? Oh, that's so awesome. This is an aside, but I'm a filmmaker and I've been working on a documentary about, Chinese people in Cuba and there's like this whole history of Chinese Cubans in Cuba too.   Jessica Huang: [00:39:07] Oh, that's wonderful. In this story, it's a person who's a descendant of, a love story between a Chinese person and a Mexican man, a Chinese woman and a Mexican man, and oh, their descendant. Then also, there's a love story between him and a Cuban woman.   Jalena Keane-Lee: [00:39:25] That's awesome. Wow. I'm very excited to see it in all the different intergenerational layers and tonal shifts. I can't wait to see how it all comes together.   Ayame Keane-Lee: [00:39:34] Next up we are back with Miko Lee, who is now speaking with photographer Joyce Xi about her latest exhibition entitled Our Language, our Story Running Through January in San Francisco at Galleria de Raza.    Miko Lee: [00:39:48] Welcome, Joyce Xi to Apex Express.    Joyce Xi: [00:39:52] Thanks for having me.    Miko Lee: [00:39:53] Yes. I'm, I wanna start by asking you a question I ask most of my guests, and this is based on the great poet Shaka Hodges. It's an adaptation of her question, which is, who are your people and what legacy do you carry with you?   Joyce Xi: [00:40:09] My people are artists, free spirits, people who wanna see a more free and just, and beautiful world. I'm Chinese American. A lot of my work has been in the Asian American community with all kinds of different people who dreaming of something better and trying to make the world a better place and doing so with creativity and with positive and good energy.   Miko Lee: [00:40:39] I love it. And what legacy do you carry with you?   Joyce Xi: [00:40:43] I am a fighter. I feel like just people who have been fighting for a better world. Photography wise, like definitely thinking about Corky Lee who is an Asian American photographer and activist. There's been people who have done it before me. There will be people who do it after me, but I wanna do my version of it here.   Miko Lee: [00:41:03] Thank you so much and for lifting up the great Corky Lee who has been such a big influence on all of us. I'm wondering in that vein, can you talk a little bit about how you use photography as a tool for social change?   Joyce Xi: [00:41:17] Yeah. Photography I feel is a very powerful tool for social change. Photography is one of those mediums where it's emotional, it's raw, it's real. It's a way to see and show and feel like important moments, important stories, important emotions. I try to use it as a way to share. Truths and stories about issues that are important, things that people experience, whether it's, advocating for environmental justice or language justice or just like some of them, just to highlight some of the struggles and challenges people experience as well as the joys and the celebrations and just the nuance of people's lives. I feel like photography is a really powerful medium to show that. And I love photography in particular because it's really like a frozen moment. I think what's so great about photography is that. It's that moment, it's that one feeling, that one expression, and it's kind of like frozen in time. So you can really, sit there and ponder about what's in this person's eyes or what's this person trying to say? Or. What does this person's struggle like? You can just see it through their expressions and their emotions and also it's a great way to document. There's so many things that we all do as advocates, as activists, whether it's protesting or whether it's just supporting people who are dealing with something. You have that moment recorded. Can really help us remember those fights and those moments. You can show people what happened. Photography is endlessly powerful. I really believe in it as a tool and a medium for influencing the world in positive ways.   Miko Lee: [00:43:08] I'd love us to shift and talk about your latest work, Our language, Our story.” Can you tell us a little bit about where this came from?   Joyce Xi: [00:43:15] Sure. I was in conversation with Nikita Kumar, who was at the Asian Law Caucus at the time. We were just chatting about art and activism and how photography could be a powerful medium to use to advocate or tell stories about different things. Nikita was talking to me about how a lot of language access work that's being done by organizations that work in immigrant communities can often be a topic that is very jargon filled or very kind of like niche or wonky policy, legal and maybe at times isn't the thing that people really get in the streets about or get really emotionally energized around. It's one of those issues that's so important to everything. Especially since in many immigrant communities, people do not speak English and every single day, every single issue. All these issues that these organizations advocate around. Like housing rights, workers' rights, voting rights, immigration, et cetera, without language, those rights and resources are very hard to understand and even hard to access at all. So, Nik and I were talking about language is so important, it's one of those issues too remind people about the core importance of it. What does it feel like when you don't have access to your language? What does it feel like and look like when you do, when you can celebrate with your community and communicate freely and live your life just as who you are versus when you can't even figure out how to say what you wanna say because there's a language barrier.    Miko Lee: [00:44:55] Joyce can you just for our audience, break down what language access means? What does it mean to you and why is it important for everybody?   Joyce Xi: [00:45:05] Language access is about being able to navigate the world in your language, in the way that you understand and communicate in your life. In advocacy spaces, what it can look like is, we need to have resources and we need to have interpretation in different languages so that people can understand what's being talked about or understand what resources are available or understand what's on the ballot. So they can really experience their life to the fullest. Each of us has our languages that we're comfortable with and it's really our way of expressing everything that's important to us and understanding everything that's important to us. When that language is not available, it's very hard to navigate the world. On the policy front, there's so many ways just having resources in different languages, having interpretation in different spaces, making sure that everybody who is involved in this society can do what they need to do and can understand the decisions that are being made. That affects them and also that they can affect the decisions that affect them.   Miko Lee: [00:46:19] I think a lot of immigrant kids just grow up being like the de facto translator for their parents. Which can be things like medical terminology and legal terms, which they might not be familiar with. And so language asks about providing opportunities for everybody to have equal understanding of what's going on. And so can you talk a little bit about your gallery show? So you and Nikita dreamed up this vision for making language access more accessible and more story based, and then what happened?   Joyce Xi: [00:46:50] We decided to express this through a series of photo stories. Focusing on individual stories from a variety of different language backgrounds and immigration backgrounds and just different communities all across the Bay Area. And really just have people share from the heart, what does language mean to them? What does it affect in their lives? Both when one has access to the language, like for example, in their own community, when they can speak freely and understand and just share everything that's on their heart. And what does it look like when that's not available? When maybe you're out in the streets and you're trying to like talk to the bus driver and you can't even communicate with each other. How does that feel? What does that look like? So we collected all these stories from many different community members across different languages and asked them a series of questions and took photos of them in their day-to-day lives, in family gatherings, at community meetings, at rallies, at home, in the streets, all over the place, wherever people were like Halloween or Ramadan or graduations, or just day-to-day life. Through the quotes that we got from the interviews, as well as the photos that I took to illustrate their stories, we put them together as photo stories for each person. Those are now on display at Galleria Deza in San Francisco. We have over 20 different stories in over 10 different languages. The people in the project spoke like over 15 different languages. Some people used multiple languages and some spoke English, many did not. We had folks who had immigrated recently, folks who had immigrated a while ago. We had children of immigrants talking about their experiences being that bridge as you talked about, navigating translating for their parents and being in this tough spot of growing up really quickly, we just have this kind of tapestry of different stories and, definitely encourage folks to check out the photos but also to read through each person's stories. Everybody has a story that's very special and that is from the heart   Miko Lee: [00:49:00] sounds fun. I can't wait to see it in person. Can you share a little bit about how you selected the participants?    Joyce Xi: [00:49:07] Yeah, selecting the participants was an organic process. I'm a photographer who's trying to honor relationships and not like parachute in. We wanted to build relationships and work with people who felt comfortable sharing their stories, who really wanted to be a part of it, and who are connected in some kind of a way where it didn't feel like completely out of context. So what that meant was that myself and also the Asian Law Caucus we have connections in the community to different organizations who work in different immigrant communities. So we reached out to people that we knew who were doing good work and just say Hey, do you have any community members who would be interested in participating in this project who could share their stories. Then through following these threads we were able to connect with many different organizations who brought either members or community folks who they're connected with to the project. Some of them came through like friends. Another one was like, oh, I've worked with these people before, maybe you can talk to them. One of them I met through a World Refugee Day event. It came through a lot of different relationships and reaching out. We really wanted folks who wanted to share a piece of their life. A lot of folks who really felt like language access and language barriers were a big challenge in their life, and they wanted to talk about it. We were able to gather a really great group together.    Miko Lee: [00:50:33] Can you share how opening night went? How did you navigate showcasing and highlighting the diversity of the languages in one space?    Joyce Xi: [00:50:43] The opening of the exhibit was a really special event. We invited everybody who was part of the project as well as their communities, and we also invited like friends, community and different organizations to come. We really wanted to create a space where we could feel and see what language access and some of the challenges of language access can be all in one space. We had about 10 different languages at least going on at the same time. Some of them we had interpretation through headsets. Some of them we just, it was like fewer people. So people huddled together and just interpreted for the community members. A lot of these organizations that we partnered with, they brought their folks out. So their members, their community members, their friends and then. It was really special because a lot of the people whose photos are on the walls were there, so they invited their friends and family. It was really fun for them to see their photos on the wall. And also I think for all of our different communities, like we can end up really siloed or just like with who we're comfortable with most of the time, especially if we can't communicate very well with each other with language barriers. For everybody to be in the same space and to hear so many languages being used in the same space and for people to be around people maybe that they're not used to being around every day. And yet through everybody's stories, they share a lot of common experiences. Like so many of the stories were related to each other. People talked about being parents, people talked about going to the doctor or taking the bus, like having challenges at the workplace or just what it's like to celebrate your own culture and heritage and language and what the importance of preserving languages. There are so many common threads and. Maybe a lot of people are not used to seeing each other or communicating with each other on a daily basis. So just to have everyone in one space was so special. We had performances, we had food, we had elders, children. There was a huge different range of people and it was just like, it was just cool to see everyone in the same space. It was special.    Miko Lee: [00:52:51] And finally, for folks that get to go to Galleria de la Raza in San Francisco and see the exhibit, what do you want them to walk away with?   Joyce Xi: [00:53:00] I would love for people to walk away just like in a reflective state. You know how to really think about how. Language is so important to everything that we do and through all these stories to really see how so many different immigrant and refugee community members are making it work. And also deal with different barriers and how it affects them, how it affects just really simple human things in life that maybe some of us take for granted, on a daily basis. And just to have more compassion, more understanding. Ultimately, we wanna see our city, our bay area, our country really respecting people and their language and their dignity through language access and through just supporting and uplifting our immigrant communities in general. It's a such a tough time right now. There's so many attacks on our immigrant communities and people are scared and there's a lot of dehumanizing actions and narratives out there. This is, hopefully something completely different than that. Something that uplifts celebrates, honors and really sees our immigrant communities and hopefully people can just feel that feeling of like, oh, okay, we can do better. Everybody has a story. Everybody deserves to be treated with dignity and all the people in these stories are really amazing human beings. It was just an honor for me to even be a part of their story. I hope people can feel some piece of that.    Miko Lee: [00:54:50] Thank you so much, Joyce, for sharing your vision with us, and I hope everybody gets a chance to go out and see your work.    Joyce Xi: [00:54:57] Thank you.   Ayame Keane-Lee: [00:55:00] Thanks so much for tuning in to Apex Express. Please check out our website at kpfa.org/program/apexexpress to find out more about the guests tonight and find out how you can take direct action.   Apex Express is a proud member of Asian Americans for civil rights and equality. Find out more at aacre.org. That's AACRE.org.   We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.    Apex Express is produced by  Miko Lee, Jalena Keene-Lee, Ayame Keene-Lee, Preeti Mangala Shekar, Anuj Vaida, Cheryl Truong, Isabel Li, Nina Phillips & Swati Rayasam. Thank you so much to the team at KPFA for their support and have a good night.       The post APEX Express – 11.20.25 – Artist to Artist appeared first on KPFA.

- Headlines and Thursdays with SOFTY. When Softy joins the show, everything is on the table! From KJR sleepovers to re-signing Josh Naylor; that's how things start! Is it enough if the only moves the Mariners make this offseason are bringing back Naylor, Suarez and/or Polanco? The Dawgs head to the Rose Bowl to face UCLA on Saturday- can they figure out what they're doing on the road? When Sark says he's not going anywhere, does Softy believe him? :30- Steve Sarkisian is sick of the rumors that he's leaving Texas and he set the record straight. Do we believe him? :35- It's fact or fiction time and Bucky REALLY likes one game this week! :45- When Jerry joined us yesterday, he gave us some insight into which top prospects might play a prominent role on the 2026 Mariners team. See omnystudio.com/listener for privacy information.

Murakami writes "For me, running is both exercise and a metaphor." Throughout the book, he writes of how running informs his creative life.

For episode 268 of Yapping Yankees, I yap all about the Yankees early offseason rumor mill & options, most notably the Japanese players in Murakami, Okamoto & Imai, recent Yankees news in Grisham's qualifying offer & bringing Hill back, and every 2025 MLB award winner, especially Judge with his 3rd MVP!

Chrome NBA is officially back — and MJ's coating debate is suddenly relevant again.Topps Chrome NBA returns after 16 years and the hobby is buzzing. Plus, a new MJ Finest sale has reignited the great coating debate. We break down Murakami's posting, a 1,000-pack Topps giveaway, Debut Patch previews, Trout's dip, and Skenes' surge — plus the wildest Opening Rip we've had in months.Because every card has a story.Topics:Final U.S. penny trading cardCody Rhodes chase promoYamamoto's dramatic photo cardMJ coating debateMurakami postedTopps 1,000 pack giveawayDebut Patch previewChrme NBA returnsBuy-low Trout?Skenes' market spikeStory Links (all URLs): https://www.facebook.com/story.php?story_fbid=1282458560590145&id=100064780388234 https://www.facebook.com/reel/1514910322873158 https://www.instagram.com/p/DQkS7U0kjgT/ https://www.instagram.com/p/DQ9fdIFgNZK/ https://www.facebook.com/story.php?story_fbid=1395293088622105&id=100044242815620 https://www.si.com/collectibles/topps-is-giving-away-1-000-packs-of-cards-to-one-lucky-collector https://www.instagram.com/p/DQ7udFOEh91/ https://www.instagram.com/p/DQ65_TDjllG/ https://www.instagram.com/p/DQmTs6KErPv/ https://www.instagram.com/p/DRAs5HCkm_E/#TalkingShopPodcast #SportsCards #CardCollecting

On this week's Hot Sheet Show, J.J. Cooper, Geoff Pontes, Jesús Cano and Scott Braun discuss scouting reports for star Japanese players being posted to MLB, including Munetaka Murakami, Kazuma Okamoto and Tatsuya Imai.Later, we talk about the Pirates Top 10 Prospects that debuted Monday and some Arizona Fall League players who have stood out this season in the desert.We stream the Hot Sheet Show every Monday at 3:30 p.m. ET on YouTube.Time Stamps(0:00) Introduction (1:05) How will Munetaka Murakami translate to MLB? (4:10) Murakami's potential swing issues (6:00) Scouting Kazuma Okamoto (8:50) How much money will Tatsuya Imai will get? (14:30) Pirates Top 10 prospects for 2026: Depth behind Konnor Griffin & Termarr Johnson (22:45) Max Anderson's great AFL season (24:30) The return of Daniel Espino (26:00) More AFL pitchers who have stood outOur Sponsors:* Check out Progressive: https://www.progressive.com* Check out Uncommon Goods: https://uncommongoods.com/ba2022Support this podcast at — https://redcircle.com/baseball-america/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

(Episode 221): Pete Alonso and Edwin Diaz have officially opted out of their contracts! Will they return to Queens? Who is the bigger priority?... Munetaka Murakami has been posted! Could he replace Pete at 1B or is someone else in David Stearns plans? Plus, are the New York Mets in need of a "culture shift" in the clubhouse? Subway To Shea's Anthony Rivera discusses all that and more!____________________________________________Follow on X, Instagram, & Tik Tok: @SubwayToSheaSubscribe on YouTube: https://www.youtube.com/@subwaytoshea

We cover the top 8 stories of the week in the Ocho. 1. Seahawks vs Cardinals 2. Week 10 got underway last night… kind of 3. Week 11 of CFB kicks off tomorrow 4. Dawgs at Badgers 5. UW Men get win #2 6. Sounders head to Minnesota for a winner-take-all-game 3 7. The Stove is here! 8. Kraken in St Louis :30- DUSTIN NICKERSON is back in town and came into studio to catch up! He's opening for Nate Bargatze at CPA tonight and making us laugh with his stories. :45- It's time for a preview of the Big Ten matchups this weekend and our fantasy pickups See omnystudio.com/listener for privacy information.

Headlines and 12th Man News with GREGG BELL (Tacoma News Tribune) The Seahawks host the Cardinals on Sunday and this Arizona team's record doesn't quite show how tough of a team they can be. What are Gregg's keys to the game? :30- Hugh had some choice words about Kyler Murray! :35- We got a win last night, can we keep it going when Bucky makes his fact or fiction pick? :45- Murakami has been posted, could the Mariners get an early Christmas present? Plus, we take a look at the Nayroll! See omnystudio.com/listener for privacy information.

Headlines and 12th Man News with GREGG BELL (Tacoma News Tribune) The Seahawks host the Cardinals on Sunday and this Arizona team's record doesn't quite show how tough of a team they can be. What are Gregg's keys to the game? :30- Hugh had some choice words about Kyler Murray! :35- We got a win last night, can we keep it going when Bucky makes his fact or fiction pick? :45- Murakami has been posted, could the Mariners get an early Christmas present? Plus, we take a look at the Nayroll!

Bienvenidos a Baseball News, el noticiero diario en español de Grandes Ligas ⚾

- Lumberbuck is back! Have we been underestimating the Seahawks? Usually we are guilty of thinking our teams are better than the National folks give them credit for, but this time, we might need to be the ones to catch up. National talking heads are saying things like the Seahawks are at the front of the line as far as SB teams, and how will anyone defend them now? NFL has them #1 in their power rankings this week! We were positive this team would be better than the preseason talk and rankings had them listed, but even we couldn't predict this. :30- Jorge Polanco declined his option with the Mariners and will test free agency, but the Mariners could still bring him back if the price is right. Murakami is the latest Japanese sensation to head to the US and the Mariners are being mentioned in every conversation regarding the corner infielder, what would it cost? :45- Kyler Murray has been sent to IR, but how did it come to this? From supposedly getting ready to start on MNF, to the IR in just days, is it really the injury or was Arizona just done with the former first-round pick?

- Lumberbuck is back! Have we been underestimating the Seahawks? Usually we are guilty of thinking our teams are better than the National folks give them credit for, but this time, we might need to be the ones to catch up. National talking heads are saying things like the Seahawks are at the front of the line as far as SB teams, and how will anyone defend them now? NFL has them #1 in their power rankings this week! We were positive this team would be better than the preseason talk and rankings had them listed, but even we couldn't predict this. :30- Jorge Polanco declined his option with the Mariners and will test free agency, but the Mariners could still bring him back if the price is right. Murakami is the latest Japanese sensation to head to the US and the Mariners are being mentioned in every conversation regarding the corner infielder, what would it cost? :45- Kyler Murray has been sent to IR, but how did it come to this? From supposedly getting ready to start on MNF, to the IR in just days, is it really the injury or was Arizona just done with the former first-round pick? See omnystudio.com/listener for privacy information.

Federico Rampini"La lezione del Giappone"Il Paese che anticipa le sfide dell'OccidenteMondadori Editorewww.mondadori.itIl mondo sta riscoprendo il Giappone. Un sintomo è il boom di visitatori, che sconvolge un paese poco abituato all'overtourism. È una riscoperta che ha molte facce. La rinascita dell'industria nipponica è quasi invisibile, nascosta in prodotti ad altissima tecnologia di cui nessuno può fare a meno. Più vistoso è invece il «soft power» di Tokyo, che dilaga da decenni nella cultura di massa: dai manga agli anime, dai videogame alla letteratura, dal cinema al J-pop, adolescenti e adulti occidentali assorbono influenze nipponiche talvolta senza neppure saperlo. Il sushi è ormai globale quanto la pizza. Se si elencano tutte le mode nate nel Sol Levante, colpisce un'analogia con quel che fu l'Inghilterra dei Beatles negli anni Sessanta. Persino la sua spiritualità, dallo shintoismo al buddismo zen, ha esercitato una presa potente su noi occidentali, anticipando l'ambientalismo e il culto della natura come «divinità diffusa». Il Giappone è soprattutto un laboratorio d'avanguardia per le massime sfide del nostro tempo: fu il primo a conoscere denatalità, decrescita demografica, aumento della longevità. Dentro le soluzioni che sperimenta per invecchiare bene c'è una lezione per tutti noi. Federico Rampini, che lo frequenta da oltre quarant'anni, ci guida in questo viaggio fra i misteri di una civiltà antichissima e affascinante, un paese che condensa modernità e rispetto della tradizione come nessun altro, e ciononostante deve far fronte a numerosi paradossi: il paradiso delle buone maniere può essere vissuto come una prigione di conformismo, tanto che alcuni decidono di scomparire, evaporando nel nulla. E come conciliare i tassi di criminalità più bassi del mondo con l'esistenza della temuta mafia Yakuza? Anche la sua centralità geopolitica è fondamentale. Ottant'anni di dibattito sull'atomica acquistano una prospettiva nuova, quando li si ricostruisce da Hiroshima. Per non parlare del futuro della Cina e della sfida che essa lancia all'Occidente: nessuno è in grado di decifrarlo meglio dei giapponesi, che hanno millecinquecento anni di esperienza. Il Sol Levante, inoltre, è stato il primo a sperimentare i fulmini del protezionismo americano, fin dagli anni Settanta, ispirando Donald Trump. In un mondo in cui sempre più paesi riscoprono il capitalismo di Stato, le politiche industriali, la geoeconomia, la lezione del Giappone, preziosa quanto silenziosa, è la mappa di un futuro che riguarda tutti noi.Federico Rampini, editorialista del «Corriere della Sera», è stato vicedirettore del «Sole 24 Ore» e corrispondente de «la Repubblica» a Parigi, Bruxelles, San Francisco, Pechino e New York. Ha insegnato alle università di Berkeley, Shanghai e alla Sda Bocconi. È membro del Council on Foreign Relations, think tank americano di relazioni internazionali. Come esperto di geopolitica è public speaker per The European House – Ambrosetti. Ha pubblicato più di venti saggi di successo, molti tradotti in altre lingue, come i bestseller Il secolo cinese (Mondadori 2005) e L'impero di Cindia (Mondadori 2006). Tra i più recenti, Fermare Pechino (Mondadori 2021), Suicidio occidentale (Mondadori 2022), La speranza africana (Mondadori 2023) e Grazie, Occidente!(Mondadori 2024). Con suo figlio Jacopo, attore, è andato in scena a teatro in Trump Blues e A cosa serve l'America, e ha scritto il romanzo Il gioco del potere (Mondadori 2025). Ha realizzato per La7 i programmi televisivi «Inchieste da fermo» e «Inchieste in movimento».Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Et japansk firma står bag "den største store opgradering af lynlåsen i 100 år". Kan det virkelig passe? Vi skal også høre, hvad Murakami kan lære os om katastrofer, hvordan man lærer en timelang teatermonolog udenad, og hvordan gademusikanter protesterer mod Putin i Moskvas gader - og betaler prisen. Vært: Morten Runge Medvirkende: Mikkel Arndt: skuespiller Mette Holm: Journalist, litterær oversætter og Japan-kender Christel Arnevik: Ansvarlig for beklædning på Designskolen Kolding Katrine Stevnhøj: Ph.D. og Ruslands-ekspert Producer: David Jacobsen Turner Redaktør: Lasse Lauridsen

     This week- four tales of shivering fright to carry you through a chilly autumn night.     Kayako Saeki, with her son Toshio and cat Mar, is murdered by her jealous husband. Her anger and sorrow turn them all as onryo and place an insatiable curse on the house. Soon Toshio's teacher Kobayashi, the Murakami family, and all others who venture in will find nothing but misery. The first feature length entry in a thirteen entry franchise with entries on both sides of the globe, Takashi Shimizu's Ju-on: The Curse.     Three drug dealers try to buy some drugs found by an eccentric funeral director. As they walk to through the building, they are regaled with stories of terror and the supernatural. Rusty Cundieff's second feature is full of pointed social commentaries about police brutality, child abuse, racism, and gang violence. A 90s cult classic, backed by several fantastic performances, which would get a pair of sequels over twenty years later, Tales from the Hood.     Mark is a wannabe cinematographer living in Los Angeles. He struggles to establish his career, only finding work filming short pornographic scenes for a man he despises, and unable to form connects with women, often ending with brutal violence. All of that may change when he meets Michelle, a young woman he meets at work in a committed relationship with a similar background and interests. A rediscovered psychotronic exploitation that might be among the best of the subgenre. The first and tragically only feature written and directed by Christina Hornisher, Hollywood 90028.     Professor Hildern returns from an expedition in New Guinea with a remarkable discovery- a giant humanoid skeleton older than any previously recovered and twice as advanced. This is just the beginning of the puzzle as the Professor discovers exposure to water will cause rapid regeneration of tissue and cell which will change everything we know, a similar line of research that his psychiatrist brother is perusing. Directed by Hammer and Amicus regular Freddie Francis and starring the legends of British horror, Peter Cushing and Christopher Lee, The Creeping Flesh.     All that and Dave games on, Kevin wallows in the cinema room, Tyler gets his warm fuzzies on, and Craig cackles at the sights he has to show us all. Join us, won't you?   Episode 435: Skeleton Gelatin (and Further Tales from the Hood)

In our 112th episode, Mike Couillard is joined by former Razzball Ambulance Chaser and #1 Friend of the Pod, Keelin Billue, to discuss the latest MLB postseason happenings, the state of the Chicago White Sox, and her personal scouting report on Munetaka Murakami. You can find Keelin on BlueSky at @keelin12ft.bsky.social.You can find us on bluesky at @cardscategories.bsky.social, @mcouill7.bsky.social, and @jbrewer17.bsky.social. Email the pod at cardscategories@gmail.com.We have Cards & Categories swag for purchase here!Links to things discussed in the pod:Andrew Vaughn asserting his authority in the NLDSAnthony Volpe undergoes surgery on shoulder labrum tearThe 2025 Chicago White Sox, in all their gloryMunetaka Murakami officially will be posted this offseasonKeelin's post about MurakamiLink to the infamous 12-foot skeleton lawn decorationThe Razzball BlueSky Starter PackUpcoming baseball card release schedule:10/15: 2025 Bowman Chrome Sapphire10/22: 2025 Topps Holiday10/22: 2025 Topps Diamond Icons10/29: 2025 Topps Update11/3: 2025 Topps Allen & Ginter11/5: 2025 Panini Select Baseball11/12: 2025 Topps Pro Debut11/19: 2025 Panini National Treasures 

Steve Adams joins Darragh McDonald to discuss news that Japanese slugger Munetaka Murakami will be posted this offseason and the unprecedented eight managerial positions that are currently open. Listener email topics include what it would take for the Tigers to trade Tarik Skubal to the Mets, what contract Pete Alonso could get, if the White Sox will look to trade from their supply of back-end starters, if the Nationals should consider moving James Wood to first base, how the Mariners' roster is set up for postseason success and if they will bring Josh Naylor back next season. 

Kerry "Kato" Murakami is a now retired LEO with 28 years on the job, a Bjj Black Belt, and the founder of Rectitude Training. You can find Him. his training, and more here https://www.rectitudetraining.com You can find this shows sponsor RallyPointISRSolutions here https://www.rallypointisrsolutions.com You can find this shows sponsor Absolute Security and Lock here http://absolutesecurityandlock.com You can find this shows website here https://www.thedistinguishedsavage.com The views, information, and opinions expressed in this podcast are solely those of the host and guest speakers and do not necessarily represent those of any associated organizations, employers, or sponsors. The opinions and views shared do not reflect the positions of our sponsors or their affiliated companies. This podcast is for entertainment and informational purposes only and should not be considered professional advice in any field including but not limited to legal, medical, financial, or technical matters. All content is provided "as is" without warranties of any kind. We make reasonable efforts to ensure accuracy but cannot guarantee that all information presented is correct, complete, or up-to-date. Listeners should verify any critical information independently. Guest opinions belong to them alone. Our interviews with various individuals do not constitute endorsement of their views, products, or services. By listening to this podcast, you agree that we are not responsible for any decisions you make based on the information provided. Please consult with qualified professionals before making important decisions related to your health, finances, or legal matters. This podcast may contain explicit language or mature themes. Listener discretion is advised. © 2025 The Distinguished Savage, Savage Concepts LLC

What makes a traveler who's been to over 60 countries, keep returning to one place, year after year? For our guest today, Boyang Xue, the answer is simple: Japan.In this episode, we dive into his unforgettable gap year in Japan—learning Japanese at the same university where Murakami once studied, biking for a week between Tokyo and Izu peninsula, camping under starlit skies, hopping slow trains all the way to Hokkaido, and hiking through landscapes that few tourists ever see.Charming and full of stories, he shares not just adventures from Japan, but also tales from Colombia, Italy, Switzerland, and beyond. But no matter where he goes, Japan remains his true travel love.Join us for an episode filled with adventures, mishaps, slow travel magic, and a whole lot of inspiration for anyone dreaming of exploring Japan differently.--------------------------------------Follow Boyang on LinkedIn --------------------------------------To pick up copies of our journal, click hereLike our work? Follow, Like & Subscribe to our podcast from wherever you are listening in. We would also love to hear from you, so do write to us at:Email: ⁠⁠⁠⁠misadventuresofasneaker@gmail.com⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠@misadventuresofasneaker⁠⁠⁠⁠Blog: misadventuresofasneaker.substack.com-----------------------------------------------00:00:00 Trailer00:02:00 Episode & Guest intro00:08:30 Early travel stories00:11:30 A crazy trip to India      00:16:37 LATAM stories00:25:05 What's special about Japan00:29:51 Spending a ‘gap' year in Japan00:40:37 Bike trip in Japan          00:54:01 Onsen experiences00:59:04 Slow train trip in Japan01:04:00 Volcano erupting during the trip01:07:03 Train hack in Japan 01:12:56 Japanese food01:16:03 Japanese culture imbibed01:23:51 Lesser known places in Japan01:37:45 Settling down – Japan?01:47:23 Trip that went above and beyond01:53:43 Toodles and see you again soon

In our 108th episode, Mike Couillard and Jeremy Brewer discuss Cal Raleigh's historic run along with the latest news and happenings in MLB impacting the fantasy game. Then we overview the baseball card market for players that could likely play major roles in the Playoffs and those likely to be posted from Japan.You can find us on bluesky at @cardscategories.bsky.social, @mcouill7.bsky.social, and @jbrewer17.bsky.social. Email the pod at cardscategories@gmail.com.We have Cards & Categories swag for purchase here!Sign up here to get access to all of the Razzball tools to win your 2025 fantasy leagues!Links to things discussed in the pod:Cal Raleigh sets single-season HR record for switch-hittersTrey Yesavage called up in Toronto, brilliant in debutSan Francisco promotes Bryce EldridgeTarik Skubal leaves start with left side tightness, apparently okayYordan Alvarez suffers “pretty significant” ankle sprain crossing homeDodgers shelf Will Smith due to hand contusionZach Neto lands on IL with hand strain, likely done for yearAnthony Volpe has been playing through partial labrum tearMasyn Winn shut down, undergoing knee surgeryJarlin Susana undergoes lat surgeryUpcoming baseball card release schedule:9/24: 2025 Bowman Chrome10/1: 2025 Panini Three And Two11/5: 2025 Panini Select BaseballCARDS DISCUSSION (37:40)Postseason & Japanese Star Card StashesPlayer card markets discussed:Addison BargerHunter BrownOtto KempHarrison BaderAndy PagesKyle ManzardoMunetaka MurakamiTatsuya ImaiKazuma Okamoto

Haruki Murakami (b. 1949) is one of the rare writers who combines literary admiration with widespread appeal. Host Jacke Wilson is joined by lifelong Murakami fan Mike Palindrome to discuss what makes his novels so compelling, so mysterious, and so popular. Works discussed include The Wind-Up Bird Chronicle, Norwegian Wood, Kafka on the Shore, and many others. Special Bonus Quiz: Can you tell the difference between famous quotes by Murakami and YA novelist John Green? PLUS Jacke takes a look at the #17 Greatest Book of All Time, To Kill a Mockingbird, by Harper Lee. Note: The Haruki Murakami episode, which has been unavailable for several years, was originally released on April 1, 2018. Join Jacke on a trip through literary England (signup open through the end of September)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠John Shors Travel⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠historyofliterature.com⁠. Or visit the ⁠History of Literature Podcast Tour itinerary⁠ at ⁠John Shors Travel⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠gabrielruizbernal.com. Help support the show at ⁠patreon.com/literature ⁠or ⁠historyofliterature.com/donate ⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you're a coach or leader of any type of team, if you're not reading, you're not growing! This is the final episode of my "Leaders are Readers" series. You will hear 3 quotes and a powerful passage out of a book that will show you the impact on us if we read to gain different ideas, opinions, and perspectives as we navigate our role as leaders. I hope you have enjoyed this series on the importance of reading as much as I have enjoyed bringing it to you. If you have any great books to recommend for coaches or leaders, let me know by emailing me at scott@slamdunksuccess.com. And remember to Rate, Review, & Follow the show!For more information to help you on your road to becoming your best, check us out at SlamDunkSuccess.com or email me at scott@slamdunksuccess.com.As always, our background music is "Dance in the Sun" by Krisztian Vass.

"Niki. Kusama. Murakami. Love You For Infinity" - so heißt die neue Ausstellung im Sprengel Museum Hannover. Drei Ikonen der Gegenwartskunst werden hier vereint und treten in den Dialog. Was für Niki de Saint Phalle die Nanas sind, können für Yayoi Kusama die Polka-Dots und für Takashi Murakami die ikonischen Emoji-Flowers sein. Die Drei zeichnen sich aus durch farbintensive Gestaltungskraft und klare Statements zu Liebe, Sexualität, utopischem Denken oder existentieller Angst. Ihre Werke werden im Sprengel Museum in einer atemberaubenden Schau erstmals zusammen gezeigt. Flankierend zur Ausstellung wird an die großzügige Schenkung vor 25 Jahren erinnert, als Hannover mehr als 400 Werke von Niki de Saint Phalle erhielt und seitdem die weltweit größte Sammlung der Künstlerin beherbergt. Über ein ambitioniertes Ausstellungsprojekt spricht der Direktor des Sprengel Museums, Reinhard Spieler, mit Claudia Christophersen in NDR Kultur à la carte.

How come baseball, that most American of games, is even more popular in Japan than in its home country?  It's a story with roots into the nineteenth century, as Arion, Olly and Rebecca discover while  they investigate the events of September 1st, 1964, when the San Francisco Giants introduced their newest player, Masanori Murakami, during a game against the New York Mets: the first Japanese player in Major League Baseball. His remarkable composure earned him a standing ovation at Shea Stadium. What made this even more impressive was the fact that Murakami had only signed his contract a few hours before - after the Giants found a Japanese translator to ensure he understood what he was agreeing to.  The Retrospectors explain how Murakami's journey to the Major Leagues was almost accidental; discover how an American educator caught a wave of openness in Japan to establish baseball as a martial sport; and reveal why ‘Banzai' Babe Ruth felt personally betrayed by Pearl Harbor…  Further Reading: • ‘How MLB's First Japanese Player Made it to Big Leagues' (HISTORY, 2021): https://www.history.com/news/masanori-murakami-first-japanese-major-league-baseball-player • ‘Opinion | Banzai Babe Ruth: Baseball, Espionage, & Assassination During the 1934 Tour of Japan” by Robert K. Fitts' (The Washington Post, 2012): https://www.washingtonpost.com/opinions/banzai-babe-ruth-baseball-espionage-and-assassination-during-the-1934-tour-of-japan-by-robert-k-fitts/2012/06/08/gJQAqxTZOV_story.html • ‘Japanese Baseball is Awesome and You Need to Know More About it' (Stark Raving Sports, 2020): https://www.youtube.com/watch?v=BA4f9uKqsFI #Sport #Japan #60s This episode first aired in 2024 as a Sunday exclusive for members of Club Retrospectors Love the show? Support us!  Join 

Last time we spoke about the Soviet invasion of Manchuria. Following the atomic bombings of Hiroshima and Nagasaki amidst relentless Allied aerial campaigns, chaos engulfed Japan. Prime Minister Suzuki's cabinet debated surrendering to avoid annihilation while fearing for the imperial family's future. Meanwhile, the Soviet Union launched an unexpected invasion of Manchuria, rapidly advancing and catching Japanese forces off guard. As negotiations unfolded, a group of military conspirators, led by Major Hatanaka, attempted a coup to halt the surrender, believing they could rally support. They seized the Imperial Palace but failed to find the Emperor's recorded surrender speech amid the chaos. In a decisive moment, Emperor Hirohito accepted the Potsdam Declaration, stipulating the emperor's continuation, thus sealing Japan's fate. That same day, the world learned of Japan's capitulation, marking the end of the Pacific War. The once powerful nation now lay in ruins, yet the Emperor's decision bore the weight of a nation saved from further destruction, embodying a fragile hope for the future amidst the horrors of war. This episode is the Battle for South Sakhalin and the Kurile Islands Welcome to the Pacific War Podcast Week by Week, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about world war two? Kings and Generals have an assortment of episodes on world war two and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel you can find a few videos all the way from the Opium Wars of the 1800's until the end of the Pacific War in 1945.  As we previously discussed, the Japanese Empire made the difficult decision to surrender on August 14, amid the turmoil of the Soviet invasion of Manchuria and South Sakhalin. The following day, this decision was announced to the world. However, in Manchuria, General Yamada's Kwantung Army chose to continue fighting until they received a clear ceasefire order. At this moment, several developments unfolded. General Hongo's 44th Army was on a forced retreat toward the Hsinking-Mukden line under General Ushiroku's command, leaving their 107th Division trapped behind Soviet lines. Meanwhile, General Iida's 30th Army was redeploying to Hsinking, which was starting to be evacuated, while General Uemura's 4th Army had orders to withdraw to Meihokou, taking over positions left by the 30th Army.  The advance of enemy armored columns in the west was severely hindering the evacuation of Japanese nationals. On the 10th, the Kwantung Army requested the Manchukuoan Government to facilitate the evacuation of Japanese residents in Hainking and its surroundings. They directed the Continental Railway Command to prepare ten trains for this purpose, with the first train scheduled to depart from Hsinking that same day. However, the Manchukuoan Government found it nearly impossible to carry out the withdrawal swiftly. They managed to transport only the families of officers and civilians linked to the army, and these families had to flee with just a few hours' notice, taking almost nothing but the clothes on their backs. By the 12th, Hsinking was in a state of chaos. The advance of enemy armored units, coupled with the retreat of the main force of the 44th Army, led to the evacuation of the capital by the Kwantung Army General Headquarters. This turmoil coincided with the arrival of the first refugee trains, carrying Japanese evacuees from the western border areas, causing widespread panic among local residents. Many hurried to the already overcrowded train station, desperate to escape the unfolding crisis. In the face of enemy pressure, the 80th Independent Mixed Brigade and the 119th Division continued to resist assaults at Hailar and Pokotu, respectively. The 123rd Division and the 135th Independent Mixed Brigade were heavily engaged in the fortified regions of Sunwu and Aihun, and the 136th Independent Mixed Brigade was directed to reinforce Tsitsihar, while the 134th Division retreated to Fangcheng. General Shimizu's 5th Army prepared for a last stand at Mutanchiang, while the isolated 124th Division made plans to withdraw. The 132nd Independent Mixed Brigade had already retreated to Tachienchang, and the 128th Division was getting ready to confront the enemy advance at Lotzokou, with General Murakami's 3rd Army holding strong in the Tumen fortified region. Meanwhile, the Nanam Divisional District Unit successfully repelled an amphibious invasion in Chongjin, and the 88th Division's 125th Regiment staunchly defended Furuton on South Sakhalin. In a desperate bid to avoid further disaster, Yamada finally instructed Ushiroku to adhere to their original plan and prepare for a withdrawal to the Hunjen area, even if it meant leaving Japanese citizens and their cities vulnerable to the approaching Soviets. Ushiroku hesitantly agreed to the order but never got the chance to act on it. On August 15, Marshal Vasilevsky's offensive advanced much like the previous days, facing an enemy that continued to resist fiercely. To counter this, orders came to intensify the assault to gain control of key operational and strategic points as quickly as possible. In Marshal Malinovsky's Transbaikal Front, General Pliyev's cavalry-mechanized units encountered heavy opposition from the Inner Mongolian 3rd, 5th, and 7th Cavalry Divisions at Kanbao. Meanwhile, General Danilov's 17th Army pressed toward Chihfeng but was hindered by water shortages, intense heat, and challenging sandy terrain. General Managarov's 53rd Army began its advance toward Kailu, while General Kravchenko's 6th Guards Tank Army continued its march along two fronts. The 7th Guards Mechanized Corps moved east toward Changchun, while both the 9th Guards Mechanized Corps and the 5th Guards Tank Corps advanced southeast toward Mukden. Notably, General Lyudnikov's 39th Army finally captured Tepossi and Wangyemiao.  Heavy Japanese resistance persisted in the sector of the 36th Army, notably in the Hailar Fortified Region and along the road and rail line through the Grand Khingan Mountains leading to Pokotu. The Japanese 119th Infantry Division put up a determined defense of Pokotu, successfully delaying the Soviet forces of the 2nd Rifle Corps from August 15 to 17, despite heavy rainfall. Meanwhile, in the rear of the 36th Army, the fighting in Hailar remained intense. The 86th Rifle Corps employed heavy artillery to systematically dismantle enemy strongholds in the hills to the northwest and southwest of the city. Position after position fell to relentless artillery bombardments, combined with sapper and infantry assaults. Ultimately, the Soviets extinguished the last vestiges of Japanese resistance in Hailar on August 18 when the remaining garrison of 3,827 men surrendered. Concurrently, in Marshal Meretskov's 1st Far Eastern Front, forward detachments of General Zakhvatayev's 35th Army secured Poli. General Beloborodov's 1st Red Banner Army broke through the frontline of the 135th Division and initiated an assault on the last Japanese positions just outside Yehho. Meanwhile, General Krylov's 5th Army, having successfully breached the Ssutaoling heights the previous evening, launched attacks against the 126th Division's positions at Aiho but was ultimately repelled by the defenders. In light of these developments, Generals Kita and Shimizu decided to order a withdrawal toward Hengtaohotzu, which they executed successfully after sunset, leaving behind some units to cover the retreat. Further south, General Chistyakov's 25th Army split into two columns at Heitosai. The 17th Rifle Corps and the 72nd Mechanized Brigade advanced west toward the Taipingling Pass, while the 39th Rifle Corps, along with the 72nd and 257th Tank Brigades, headed southwest toward Wangching. The 17th Rifle Corps effectively breached the main defenses of the Japanese 128th Division, forcing it to retreat to second-line positions southwest of Taipingling. On the morning of August 15, enemy air activity against Army Headquarters intensified significantly. Meanwhile, the Army Commander and several staff officers set out via Pataohotzu to inspect the defenses in the Hoeryong area, where the 101st Regiment was retreating from the Chonghak sector. At noon, while at the headquarters of the 127th Division in Pataohotzu, General Murakami and his accompanying staff listened to the Emperor's broadcast announcing the termination of the war. Opinions among the officers were divided regarding the veracity of this broadcast. After a brief discussion, they decided to continue military operations as per existing instructions until they received a formal cessation order. Later that night, a formal order arrived from First Area Army Headquarters, directing that all active resistance be halted, though self-defense measures were still to be implemented if necessary. Around the same time, a report came in from the 1st Mobile Brigade indicating that their positions in the Wangching area, about 25 miles northeast of Army Headquarters at Yenchi, were under attack by a sizable Soviet tank force. In response, a counterattack force was hastily assembled, consisting of two infantry battalions from the 127th Division. They were directed to advance to Wangching along the Yenchi-Chiulungping road to confront the enemy tanks. These battalions likely included the 3rd Battalion of the 280th Regiment and the 3rd Battalion of the 281st Regiment. Additionally, the 88th Rifle Corps took control of Hunchun and crossed the Inanho River, where they encountered well-entrenched Japanese forces from the 112th Division. To further pressure the enemy, the 258th Rifle Division crossed the Tumen River at Hunyong to attack the Japanese right flank. In General Purkayev's 2nd Far Eastern Front, General Mamonov's 15th Army continued its two-pronged advance toward Chiamussu, while General Pashkov's 5th Rifle Corps pushed forward to Poli. Meanwhile, General Teryokhin's 2nd Red Banner Army assigned some elements to maintain the siege of Sunwu and Aihun while forward detachments bypassed these fortified regions, moving south toward Nencheng and Peian. In South Sakhalin, General Cheremisov's 16th Army faced fierce resistance from Japanese forces at Furuton. Admiral Andreyev's Northern Pacific Flotilla prepared for an amphibious landing at Toro, while the Pacific Fleet, under Admiral Yumashev, successfully landed Major-General Vasily Trushin's 13th Naval Infantry Brigade at Chongjin in the early hours of August 15. This effort aimed to relieve the besieged Soviet naval units and gradually push back against the defending Japanese forces. On August 16, the entire Soviet force, commanded by Lieutenant-General Sergey Kabanov, secured Chongjin city and its port after overcoming strong resistance, just as the 393rd Rifle Division was arriving in the area. Simultaneously, Andreyev's fleet departed from Sovetskaya Gavan and approached Toro in the early hours of the day. At 05:17, 141 marines from the initial reconnaissance detachment successfully landed ashore quietly, and by 06:00, they had taken the port with virtually no opposition. The reconnaissance group then advanced about three kilometers east, where they encountered heavy resistance; meanwhile, the rest of the marine battalion landed successfully by 10:00. After securing Shakhtyorsk at midday, the Soviet marines began their push south toward Esutoru, their main objective, while a supporting infantry battalion landed behind them. To the north, the 56th Rifle Corps managed to break through and capture Furuton, though it failed to seize the strategically significant Happo Mountain. In Manchuria, the 88th Rifle Corps continued its attacks on the 112th and 79th Divisions but was unsuccessful. The 39th Rifle Corps column advanced toward Tumen and Yenchi, while the 17th Rifle Corps column effectively expelled Japanese forces from the Taipingling area to secure the pass. By evening, units from the 1st Red Banner Army cleared Mutanchiang, and the 5th Army units moved south of the city to continue their southwest advance toward Ningan. The 15th Army executed a coordinated amphibious assault, successfully capturing Chiamussu. The 39th Army advanced along the railroad from Wangyemiao to Changchun, with its main force ultimately securing Taonan by the end of the day, while other units reduced the Halung-Arshaan fortified region. Finally, forward detachments of the 5th Guards Tank Corps and the 9th Guards Mechanized Corps secured Tungliao and Kaitung, respectively. On August 17, Prince Takeda Tsuneyoshi, on behalf of the Emperor, arrived at Hsinking to deliver the official ceasefire order. However, this did not cancel ongoing operational missions, as the order stipulated that the cessation of hostilities did not apply to unavoidable acts of self-defense during enemy attacks made before the completion of armistice negotiations. Tokyo's orders demonstrated that Yamada was authorized to conduct on-the-spot negotiations for an armistice with the Soviets. Consequently, the Manchurian Campaign continued amidst the negotiations. Pliyev's Soviet-Mongolian units successfully defeated the Inner Mongolians at Kanbao; the 17th Army overcame light opposition from the 108th Division to occupy Chihfeng; the 39th Army concentrated its forces at Taonan while the 94th Rifle Corps mopped up rear areas; and the 36th Army defeated the 119th Division to capture Pokotu. Simultaneously, the 2nd Red Banner Army directed heavy artillery and air strikes to reduce the Aihun and Sunwu Fortified Regions, while the 15th Army initiated a push south along the Sungari River toward Sansing. The 363rd Rifle Division passed through Chihsi, with the 66th Rifle Division focusing on Poli. Units from the 1st Red Banner Army advanced northwest toward Harbin, and the 72nd Rifle Corps marched southward along the east bank of the Mutan River, attempting unsuccessfully to cross the river north of Ningan. The 17th Rifle Corps pursued the 128th Division, and forward elements of the 10th Mechanized Corps moved sixty kilometers from the Taipingling Pass to secure the critical rail and road junction at Tahsingkou. Additionally, the reinforced 72nd Tank Brigade intercepted the counterattacking force of the 127th Division at Nianyantsun. The 39th Rifle Corps broke through the northern defenses of the 79th Division to seize the outskirts of Tumen, while the 88th Rifle Corps successfully pushed aside enemy defenders at Mayusan to occupy Onsang. At South Sakhalin, as the marine force surrounded Esutoru, the 22nd Independent Machinegun Company was deployed to support the marine assault, which quickly penetrated the urban area and secured the city by midday. Meanwhile, fighting continued around Mount Happo, where the 214th Tank Brigade was dispatched south toward the ultimate objective of Toyohara. However, given the distance involved, it was decided to conduct a second amphibious assault on the port of Maoka. On August 18, Yamada finally issued the ceasefire orders to the 1st, 3rd, and 17th Area Armies, as well as to the 4th Army and the 2nd Air Army. His chief of staff, Lieutenant-General Hata Hikosaburo, met with Marshal Vasilevsky in Harbin to discuss procedures for disarmament, the protection of Japanese nationals in Manchuria, and related matters. Meanwhile, the Kwantung Army Headquarters made extensive efforts to relay as much information as possible about the termination of hostilities and disarmament to its subordinate commands using all available communication methods. However, these efforts were hindered by the wide dispersal of forces, many of which initially refused to surrender. General Higuchi's 5th Area Army received the ceasefire orders on August 17. Although he quickly notified his units—particularly those in Sakhalin and the Kuriles, war continued in these islands for a short period as he sought to prevent a potential invasion of Hokkaido. In Sakhalin, Major Yoshio Suzuki, the Chief of Staff of the 88th Division, received Higuchi's combat order on the afternoon of August 16, preparations for ceasefire were already underway, such as the disbandment of mobilized units, the discharge of some troops, and the disposal of the regimental flag. The division had no tanks or aircraft, and certainly no anti-tank or anti-aircraft weapons that could withstand Soviet forces. In light of this, Suzuki quickly ordered the re-arming of units and the occupation of positions, in accordance with the desire of Mineki and Higuchi to prevent the fall of South Sakhalin and a possible invasion of Hokkaido. Civilians, at this point, were already voicing complaints, wondering if the military was still going to continue fighting. After the surrender of the 125th Infantry Regiment, the Japanese command in the Northern District was effectively assumed by the staff of the 88th Division stationed at Kamishikika. During the fighting on the central military road, by the morning of August 17, evacuation of the civilian population from Kamishikika had been completed, and the town was burned to the ground by Japanese forces' scorched earth tactics, along with an air raid by 20 Soviet aircraft. Kamishikika was abandoned on August 20, marking the start of a full retreat. The construction of a defensive line involving the destruction of the Uro Bridge and the Chidori River Bridge was considered but ultimately abandoned due to the presence of evacuees. Meanwhile, in the Kuriles, a new operation was unfolding. According to Vasilevsky's orders, once operations against Manchuria and South Sakhalin were sufficiently advanced, a small force from the Kamchatka Defense Region, supported by naval units from the Petropavlovsk Naval Base, was to conduct amphibious assaults on the Kuril Islands in preparation for a future landing at the port of Rumoi on Hokkaido's west coast On August 15, President Truman and Soviet Premier Stalin agreed that Japanese forces north of the 38th Parallel would surrender to the Soviets, while those to the south would surrender to the Americans. Stalin's agreement surprised the US, as there was little chance of American forces landing on the Korean peninsula at that time. In what many scholars interpret as an attempt to achieve reciprocal generosity from Truman, Stalin proposed amending the order to include the northern half of Hokkaido and all of the Kuril Islands in the region of surrender to Soviet forces. This northern portion, he stated, should be demarcated by a line drawn ‘from the town of Kushiro on the eastern coast . . . to the town of Rumoe (Rumoi) on the western coast . . .', with both towns included in the occupation area However, Truman only acquiesced concerning the Kuriles, honoring the pact reached at Yalta, while specifying that all the islands of mainland Japan were to surrender to General MacArthur. Nonetheless, concerned by the exclusion of the Kuriles from the original agreement, Stalin instructed Vasilevsky to organize landings to occupy the islands. This mission was assigned to Purkayev's 2nd Far Eastern Front and Yumashev's Pacific Fleet, which, in turn, designated Major-General Aleksei Gnechko's Kamchatka Defense Region and Captain Dmitri Ponomarev's Petropavlovsk Naval Base to execute the first landings on Shumshu and Paramushir, followed by a subsequent amphibious assault on Onekotan. These inexperienced commanders had limited time to plan for their operations, assemble the necessary commercial vessels for transportation, and hurriedly gather the army units dispersed across Kamchatka. Ultimately, the primary unit chosen for the landings was Major-General Porfiry Dyakov's 101st Rifle Division, supplemented by a battalion of marines. Meanwhile, Ponomarev managed to gather an invasion flotilla of 64 vessels. Although the Soviets had air superiority, it was unreliable due to the peculiar climatic conditions. “There were very peculiar climatic conditions in the Far East and Sakhalin; almost every airfield had its own special microclimate. In the coastal zone, frequent outbursts of moist sea air, forming a curtain of thick fog, caused a lot of trouble.”. The limited firepower of Ponomarev's flotilla forced the Soviets to land on the northeast corner of Shumshu, which could be targeted by the coastal guns at Cape Lopatka. Additionally, Gnechko planned a diversionary landing on the southeast side of the island. Opposing the Soviets, Higuchi had Lieutenant-General Tsutsumi Fusaki's 91st Division garrisoning the northern islands of Shumshu and Paramushir, the 41st Independent Mixed Regiment on Matsuwa Island, the 129th Independent Mixed Brigade on Uruppu Island, and Lieutenant-General Ogawa Gonosuke's 89th Division stationed on the southern islands of Etorofu, Shikotan, and Kunashiri.  Shumshu is the northernmost island in the Kuril chain, separated from Cape Lopatka, the southernmost tip of the Kamchatka Peninsula, by the 11-kilometer-wide First Kuril Strait. Covering an area of approximately 388 square kilometers and roughly oval in shape , Shumshu's proximity to Soviet territory, similar to its larger neighbor to the south, Paramushir, ensured that it was strongly defended. The garrison on Shumshu comprised about 8,500 troops, whereas the larger island boasted a garrison of approximately 14,500. The strait between the two islands narrows to about 2.5 kilometers at its smallest point, thus allowing these garrisons to provide mutual support. As Slavinsky notes: “Shumshu and Paramushir, with their naval bases located opposite each other on both sides of the Second Kuril Strait, were, in essence, a single key position.” The capture of Shumshu was crucial to the success of subsequent island operations. While there were several airfields on these islands, they housed very few aircraft, which had been withdrawn earlier to the Japanese main islands in preparation for the anticipated “final battle” with the Americans. However, Shumshu was defended by a tank force from the 11th Tank Regiment, commanded by Colonel Sueo Ikeda. This force consisted of thirty-nine medium tanks, including nineteen Type-97 Chi-Ha tanks and twenty Type-97 ShinHoTo Chi-Ha (improved Type-97) tanks, alongside twenty-five Type-95 Ha-Go light tanks. Both Shumshu and Paramushir were equipped with permanent defensive works along the coast and inland. On Shumshu, these defenses included 34 bunkers and 24 pillboxes within several powerful strongpoints, featuring around 100 guns of varying calibers, some reaching up to 100mm. Approximately 300 prepared firing points were established for both heavy and light machine guns. Most of Shumshu's coast is bordered by cliffs, leading to a concentration of the strongest defenses in areas deemed vulnerable to amphibious assault. Notably, a battery was installed in the wreck of the Soviet tanker Mariupol, which had become stranded on the beach between Cape Kokutan and Cape Kotomari in 1943. Although the island is relatively flat, it possesses several hills with sides that are nearly bare of trees, and these heights also housed additional strongpoints. Shumshu features 120 kilometers of roads, which facilitated terrestrial communication between various points. Additionally, the garrison constructed numerous dummy installations to mislead reconnaissance efforts. Nevertheless, Ponomarev's flotilla departed from Petropavlovsk-Kamchatsky at approximately 05:00 on August 17, moving slowly and stealthily toward their objective in foggy conditions. This weather ultimately forced Gnechko to cancel the planned diversionary landing. In any event, the first landing craft approached the beach at 04:22 hours on 18 August still hidden in the murk, but were forced to halt some 100–150m from shore in water up to 2m deep; they had been overloaded which prevented them getting closer in. The troops of the advanced detachment (two companies of marines, a maritime border guard company, and a submachine gun company) had then to wade, heavily burdened, to dry land. This went on undisturbed until personnel on one of the landing craft opened fire; this, spreading to the other ships, alerted the defenders, who replied with ‘promiscuous' machine-gun fire. Nevertheless, by 05:00 hours, and having suffered only ‘insignificant' losses, the advanced detachment was ashore and its main force, under Major Pyotr Shutov, was moving off the beach into the interior of the island. Two groups of marines moved left and right to deal with enemy positions on the capes flanking the landing ground. They managed to destroy several firing points, but were too few to overcome the stronger resistance nests protecting the gun positions. A series of hills inland formed the initial objective of the advance. Behind them, Dyatlov's first wave faced heavy bombardment from Japanese artillery, suffering significant casualties as the troops struggled to scramble ashore by 09:00. The second wave experienced a similar fate but managed to disembark by 13:00, joining the first wave in advancing on the high ground to the southwest. This second wave successfully repelled a series of Japanese tank counterattacks, resulting in the loss of Colonel Sueo. Despite being pushed back somewhat, the Soviets held their position while their aircraft targeted the naval bases on the island's southern side, aiming to hinder reinforcements from Paramushir. By nightfall, Gnechko's forces had secured a beachhead approximately 4 kilometers wide and 5 kilometers deep, while assault groups successfully destroyed Japanese artillery positions on Cape Kokutan and Cape Kotomari. Meanwhile, Kabanov's new Southern Defense Region command was ordered to quickly land naval units at Odaejin and Gensan to prevent the Japanese from evacuating their forces from Korea to the Home Islands. Consequently, a small naval force from the 13th Naval Infantry Brigade departed from Chongjin, successfully landing unopposed at Odaejin at 08:00 on August 18. Elsewhere in eastern Manchuria, the 25th Army consolidated its hold on northeastern Korea, dispatching the 10th Mechanized Corps west toward Tunhua and Kirin and northwest toward Tungchingcheng amidst the surrender of Murakami's 3rd Army. The 72nd Rifle Corps successfully crossed the Mutan River north of Ningan, while units from the 1st Red Banner Army and the 5th Army were deployed to receive and process surrendering Japanese units of Shimizu's 5th Army. To the north, the 2nd Red Banner Army maintained pressure on the Aihun and Sunwu Fortified Regions, leading to the surrender of the 123rd Division, although the 135th Independent Mixed Brigade continued to resist at Aihun. Be that as it may, the Japanese artillery positioned at Cape Kokutan and Cape Kotomari wreaked havoc on the second echelon, which was comprised of the 373rd Rifle Regiment. During this engagement, a patrol boat and four landing craft were lost, while eight others sustained serious damage. Once again, Soviet troops were forced to improvise ways to reach dry land; however, this time, the echelon's commander, Colonel P.A. Artyushen, along with his headquarters, managed to land via a torpedo boat. It took until 13:00 hours to fully disembark the second echelon, by which point its forward units had linked up with those forces advancing on the high ground to the southwest. By then, Artyushen had assumed command of all the forces ashore. While the number of troops was considerable, they still lacked heavy weapons, with only four 45mm anti-tank guns having been landed. Unsurprisingly, the Japanese counterattacked as soon as possible, with the advanced forward units under Shutov bearing the brunt of the assault. In a reversal of the combat situations previously encountered throughout the war with Japan, Soviet infantry now found themselves facing several tank attacks from the Japanese. One of these assaults was personally led by Colonel Sueo Ikeda, the commander of the 11th Tank Regiment, who was reported to be waving a samurai sword and Japanese flag from the turret, according to some accounts. Fortunately for the Soviets, these Japanese tanks were relatively weak compared to the T-34. While they posed a threat to unsupported infantry, they proved vulnerable to Degtyarev PTRD-41 anti-tank rifles and RPG-43 anti-tank grenades. The tank-led attacks were ultimately repelled, with Colonel Sueo perishing in the fighting. Despite being pushed back somewhat, the Soviets managed to withstand the onslaught. For his heroism during this challenging combat situation, in which he was wounded three times, Shutov was awarded the title of Hero of the Soviet Union, along with the Order of Lenin and the Golden Star medal. Despite being somewhat pushed back, the Soviets held their ground while their aircraft targeted the naval bases on the southern side of the island to hinder reinforcements from Paramushir. The weather cleared sufficiently in the late morning, allowing Soviet air strikes to commence that afternoon. These strikes involved groups of eight to sixteen aircraft and were primarily directed at the Kataoka and Kashiwabar naval bases, successfully preventing the transfer of Japanese reinforcements from Paramushir. However, the sky remained cloudy enough to hinder any close battlefield support. As Zakharov et al. described it, the situation on the ground “remained tense.” The thinning fog later allowed seven Japanese aircraft to appear at 10:30 hours, attempting to strike at the shipping gathered off the landing beach. Their first strike targeted the Kirov, but it was unsuccessful, and the attackers were driven off by anti-aircraft fire. A second attempt at 12:00 hours focused on the minesweeper T-525, which also failed, resulting in two of the attacking aircraft being shot down by gunfire.  By nightfall on 18 August, it was evident that the Soviet landing had succeeded to the point where the forces would not be driven back into the sea. The invasion force had established a beachhead approximately 4 kilometers wide and 5 kilometers deep, and they were capable of defending this position against any immediate Japanese counterattacks, despite most of their artillery still being stuck offshore. Gnechko, stationed at Petropavlovsk-Kamchatsky, ordered that enough artillery be transported ashore overnight to resume the offensive, with the goal of occupying the island by the end of 19 August. He also dispatched several self-propelled barges and kungas (shallow-draft boats used for fishing or transport) to assist with the unloading, although these vessels could not arrive until the following morning. To eliminate further artillery attacks on shipping, assault groups were formed to attack and destroy the Japanese strongpoints on Cape Kokutan and Cape Kotomari during the hours of darkness. Shortly after midnight on 17 August, a second order regarding the cessation of hostilities was received from the First Area Army, directing that all fighting be stopped. At daybreak, General Murakami dispatched his intelligence chief, Lt. Col. Fujimoto, to Chiulungping to inform the Soviet tank battalion commander of the end of hostilities. Simultaneously, he ordered all divisions under his command to cease all combat operations. At approximately 16:00 hours, the Soviet tank battalion commander arrived at the Army Officers Club in Yenchi, where he conferred with Major General Hanjiro Iketani, the Army Chief of Staff. The following day, General Iketani traveled to Wangching to conduct armistice negotiations. The 72nd Rifle Corps finally crossed the Mutan River north of Ningan, while units from the 1st Red Banner Army and the 5th Army were deployed to receive and process the surrendering Japanese units of Shimizu's 5th Army. Since the Army began its withdrawal, communications with Area Army Headquarters in Tunhua had been completely disrupted. On the morning of the 17th, a member of the Manchurian Telegraph and Telephone Company's Harbin office sent a message via railway telephone concerning disarmament, stating that he had been asked by the First Area Army Headquarters to relay the information. The Army Commander and his staff, however, suspected it might be another ruse from the enemy's fifth column. They agreed to exercise caution in addressing the matter and decided to send Staff Officer Maeda to Area Army Headquarters in Tunhua by railway gasoline engine car to verify the truth. Colonel Maeda proceeded to the railway station, and while preparing to depart, he received a railway telephone call from Staff Officer Tsumori at Area Army Headquarters regarding the cease-fire order. Subsequently, around 14:00 hours, the Army convened a meeting with representatives from each unit to announce the cease-fire orders. That evening, Soviet forces began entering Hengtaohotzu and immediately started disarming Japanese forces.  Looking west, the bulk of the 36th Army advanced southward and seized the railroad station at Chalantun amid the surrender of the 119th Division. The 86th Rifle Corps, after several days of intense artillery bombardment, finally extinguished the last remnants of Japanese resistance at Hailar, forcing the 80th Independent Mixed Brigade to surrender. Meanwhile, the 39th Army forces prepared for transport to Changchun and then on to the Liaotung Peninsula. The 17th Army moved toward the coast, capturing Pingchuan and Linguan before reaching the coastline at Shanhaiguan, directly across from the Liaotung Peninsula. Additionally, Pliyev's Soviet-Mongolian forces approached the outskirts of Kalgan, where they encountered a small contingent of the China Expeditionary Army. Indeed, with the surrender of the Kwantung Army, the war was coming to an end. However, several independent units, including the one mentioned, would continue to resist into the last days of August, thereby prolonging the Pacific War by another week. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. In August 1945, amidst Japan's turmoil, the Soviet Union surprisingly invaded Manchuria. As chaos ensued, Japanese forces in South Sakhalin faced robust Soviet resistance. Ultimately, Japan's surrender shattered its imperial power, marking a historic end to the Pacific War, leaving a nation in ruins yet igniting a fragile hope for the future beyond the horrors of conflict.

Last time we spoke about the atomic bombing of Nagasaki. In the summer of 1945, Japan faced its most devastating siege, characterized by an aerial campaign called "Starvation" that crippled its industrial capabilities. As resources dwindled and chaos reigned, the Allies intensified their firebombing efforts, targeting major cities. By July, Japan was on the brink of collapse, culminating in the atomic bombing of Hiroshima, where over 140,000 lives were altered or lost in a blinding flash. As the nation reeled from the destruction, the Japanese leadership was torn between surrender and continuing the fight. They faced not just the threat of American bombs, but also a Soviet invasion looming on the horizon. Days after Hiroshima, the atomic bomb "Fat Man" was dropped on Nagasaki on August 9, resulting in catastrophic casualties and extensive industrial losses. This attack further devastated an already weakened Japan, leaving the Emperor and his government grappling with the dire consequences. This episode is the Invasion of Manchuria Welcome to the Pacific War Podcast Week by Week, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about world war two? Kings and Generals have an assortment of episodes on world war two and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel you can find a few videos all the way from the Opium Wars of the 1800's until the end of the Pacific War in 1945.    August 9 stands as a catastrophic day in Japanese history. On this day, the nation faced the devastating impact of a second atomic bomb dropped on Nagasaki, along with the relentless Soviet invasion of Manchuria. Admiral Ivan Yumashev's Pacific Fleet moved to disrupt Japan's maritime communications in the Sea of Japan and provide support for offensive operations. At the same time, Soviet air forces targeted cities across Northeast Asia, striking both Manchuria and North Korea, as well as Japanese convoys in the Sea of Japan. General Twinning led a diversionary B-29 raid on Amagasaki, followed by a significant attack involving 108 aircraft on the rail yards at Marifu. In addition, Admiral Halsey's 3rd Fleet launched more strikes against airfields in northern Honshu and Hokkaido, where U.S. intelligence suspected a large Japanese air fleet and commando force was preparing for a desperate mission to Okinawa. Japanese paratroopers were gearing up for a new mission, codenamed Ken-go, but this time their target wasn't Okinawa. Similar to the earlier May 24 Raid on Yontan Airfield, Lieutenant General Sugawara Michio's Giretsu Kuteitai, also known as the “Heroic Paratroopers,” set their sights on the B-29 complex in the Mariana Islands for nighttime suicide raids. This operation marked the second planned assault on bases within the Mariana Islands, specifically aimed at destroying B-29 bombers. The plan involved deploying 60 transport aircraft to deliver 900 commandos during the nights of August 19 to 23. Around 300 personnel from Lieutenant Commander Daiji Yamaoka's 1st Kure Special Naval Landing Force initiated preparations at the end of June. Originally established for submarine-delivered raids on U.S.-held islands, these forces were now adapted to be flown in 30 Mitsubishi G4M 'Betty' twin-engine bombers, which had the necessary range for an unrefueled, one-way trip to the Marianas. The raid was initially scheduled for July 24. However, ten days earlier, U.S. carrier-based warplanes had attacked Misawa naval air base on Honshu Island, damaging or destroying many of the operation's bombers. Consequently, the raid was postponed to August 19, with the addition of 30 transport planes and 300 paratroopers from the army's 1st Raiding Regiment. Ultimately, however, on August 15, Japan surrendered, and Operation Ken-go was cancelled. Meanwhile, Admiral Shafroth's Bombardment Group unleashed heavy damage on the Kamaishi steel mill. The day after, to assist the Soviets, Halsey ordered additional airstrikes on northern Japanese airfields, causing extensive destruction. However, these were not isolated incidents; they were part of a sustained air-sea siege that had been intensifying for several months. The Allied blockade of Japan had severely impacted food imports, and industrial activity had nearly ground to a halt due to the ongoing blockade and bombings. By this point, six of Japan's ten largest cities had been completely destroyed, and over sixty smaller cities had been reduced to ashes from relentless incendiary raids. This scenario was a powerful manifestation of War Plan Orange in action. More critically, with the reality of Hiroshima's destruction echoing loudly, the Japanese government now grappled with the impending threat of complete annihilation, a grim reality they had never faced before in this war. Though they had recognized their defeat with the loss of Saipan and the initial Yawata raid, the stubborn resolve of the Japanese leadership had pushed them to prolong the conflict for an agonizing 14 months, clinging to the hope of a different outcome. Many now believed that peace was the only path to survival for the Japanese nation. As the crisis intensified, Prime Minister Suzuki and his cabinet engaged in heated discussions. He sought to persuade War Minister General Anami Korechika and Chief of the Army General Staff General Umezu Yoshijiro to accept the Potsdam Declaration on August 9. However, Suzuki and the militants could only agree that if there were any surrender, then it should ensure that the "national polity" or imperial family would continue in any postwar settlement. Anami and Umezu pushed for further, more favourable conditions. First, Japan would demobilize and disarm any IJA or IJN forces overseas. Second, Japanese courts would prosecute any war criminals. Third, after surrender the Allies would not occupy Japan. Chief of the Navy General Staff, Admiral Toyoda Soemu, agreed with Anami and Umezu. To break this deadlock, it became necessary to involve the Emperor directly. Around 2:00 AM on August 10, the cabinet convened with Emperor Hirohito, who ultimately agreed to accept the Potsdam Declaration and ordered an end to all military efforts, initiating the surrender process. Faced with no viable alternatives, all present reached a unanimous agreement. That morning, the Japanese government, through Swedish and Swiss intermediaries, sent an offer to accept the Potsdam Declaration, stipulating one condition: there would be no change to Japan's government structure, with Hirohito retaining his title as Emperor and sovereign ruler. Months afte the war Hirohito said this about his decision to surrender “The main motive behind my decision at that time was that if we . . . did not act, the Japanese race would perish and I would be unable to protect my loyal subjects [sekishi—literally, “children”]. Second, Kido agreed with me on the matter of defending the kokutai. If the enemy landed near Ise Bay, both Ise and Atsuta Shrines would immediately come under their control. There would be no time to transfer the sacred treasures [regalia] of the imperial family and no hope of protecting them. Under these circumstances, protection of the kokutai would be difficult. For these reasons, I thought at the time that I must make peace even at the sacrifice of myself.” Simultaneously, a new military campaign was underway, and several units of General Yamada's Kwantung Army were unexpectedly caught off-guard in Manchuria. In response, he implemented emergency measures and ordered commands to proceed with their plans for delaying operations. Upon learning of the Soviet declaration of war and the subsequent invasion led by Marshal Vasilevsky's Far East Command, Tokyo decided to place General Kozuki's 17th Area Army under the Kwantung Army. Furthermore, they instructed General Okamura Yasuji's China Expeditionary Army to transfer one army headquarters, along with six divisions and six brigades, to support this effort. As directed by Tokyo, the primary objective of the Kwantung Army was to defend Japanese territory in Korea. However, by the end of the first day of conflict, several border observation units had been completely destroyed while attempting to defend their positions. In the east, Lieutenant General Shimizu Noritsune's 5th Army, supported by the reinforced 128th Division, was confronting the main assault by Marshal Meretskov's 1st Far Eastern Front. To the south, Lieutenant General Murakami Keisaku's 3rd Army was engaged in defending against multiple penetrations along the border. In the northern sector, the 134th Division at Chiamussu was withdrawing towards Fangcheng, as planned, while flames engulfed Japanese houses in the city. General Uemura's 4th Army was preparing to face what they expected to be the main assault from General Purkayev's 2nd Far Eastern Front. Meanwhile, the 119th Division had already departed Hailar for Wunoerh, leaving only the 80th Independent Mixed Brigade behind. To the west, Lieutenant General Hongo Yoshio's 44th Army was confronting the formidable armored spearhead of Marshal Malinovsky's Transbaikal Front. Southwest of their position, the 108th Division was redeploying to the Chinhsien area. On August 10, the offensive led by Vasilevsky continued, as Colonel General Ivan Managarov's 53rd Army began crossing the border behind the now distant 6th Guards Tank Army. Recognizing that the 44th Army was not prepared to engage the overwhelming enemy armor in guerrilla warfare across the expansive terrain of western Manchuria, General Ushiroku made the independent decision to order Hongo to retreat to the Dairen-Hsinking line. This was where Lieutenant General Iida Shojiro's 30th Army was already establishing defensive positions. This decision contradicted Yamada's main strategy, which called for delaying the enemy advance at the borders.  Faced with what they deemed an illegal order, the Kwantung Army Headquarters convened an urgent staff conference. During this meeting, several opinions emerged: a sudden shift from established plans would likely create confusion; any attempt to counterattack after a withdrawal would likely fail if the enemy advanced quickly; and abandoning forward airfields prematurely would enable the enemy to advance unimpeded. To most participants, General Ushiroku's decision seemed to deliver a potentially fatal blow to the overall operational direction of the Kwantung Army Headquarters. However, since the 44th Army had already begun its withdrawal as ordered by General Ushiroku, Kwantung Army Headquarters was left with a fait accompli. Thus, they felt compelled to uphold the decision of the Third Area Army Commander, which was subsequently approved by General Yamada. Meanwhile, General Pliyev's cavalry-mechanized units advanced rapidly toward Kalgan and Dolonnor, reaching the foothills of the Grand Khingan Mountains. General Danilov's 17th Army also continued to encounter weak resistance, covering an additional 40 kilometers. General Lyudnikov's 39th Army bypassed the encircled 107th Division in the Halung-Arshaan and Wuchakou Fortified Regions. Here, the 5th Guards Rifle Corps moved toward Solun and Tepossi, while the 113th Rifle Corps advanced southeast toward Wangyemiao. The 94th Rifle Corps had to divert southward to support the 124th Rifle Division. In the east, General Luchinsky's 36th Army launched ongoing attacks against Hailar, with the 2nd Rifle Corps bypassing it to the east. Meanwhile, General Kravchenko's 6th Guards Tank Army reorganized its right-wing column and began crossing the Grand Khingan Mountains during the night, with both columns entering the central Manchurian plain by August 11. To the east, Meretskov continued his offensive. The 17th, 65th, and 72nd Rifle Corps of General Krylov's 5th Army advanced swiftly west and south, ultimately securing Machiacho, Laotsaiying, Suiyang, and Suifenho. This maneuver widened the zone of penetration to 75 kilometers and forced the 126th and 135th Divisions to withdraw their main forces to Yehho. In support, General Beloborodov's 1st Red Banner Army to the north broke through into open terrain, pushing rapidly westward to occupy parts of the cities of Pamientung and Lishuchen, along with their vital bridges across the Muleng River. Further south, General Chistyakov's 25th Army captured Tungning and successfully reduced its fortified region. Units in that area also secured Tumentzu, Hunchun, and Wuchiatzu. Lastly, General Zakhvatayev's 35th Army continued its operations far to the north. The 264th Rifle Division and the 109th Fortified Region seized Hutou and initiated a movement west along the railroad toward Hulin, while the 363rd and 66th Rifle Divisions pressed on with their advance northwestward. In northern Manchuria, General Purkayev continued his main assault, with General Mamonov's 15th Army reconnoitering key enemy strongholds south of the Amur River. After successfully crossing the river, the 34th Rifle Division and the 203rd Tank Brigade occupied Lopei and advanced through Fenghsiang to bypass the Hsingshanchen Fortified Region, leaving a force behind to reduce it. Meanwhile, the 361st Rifle Division captured Tungchiang, and the 388th Rifle Division secured Chienchingkou, preparing for an advance toward Fuchin. In support of these operations, General Pashkov's 5th Rifle Corps cleared Japanese forces from the Jaoho Fortified Region, while General Teryokhin's 2nd Red Banner Army was preparing to launch its offensive the following morning. On August 11, forward units landed at Heiho, Aihun, and Holomoching under the cover of artillery fire, quickly establishing a beachhead as additional forces crossed the Amur. However, due to a lack of crossing equipment, it took five days to transport all units across the river. Consequently, Teryokhin had to commit his forces piecemeal against the 123rd Division and the 135th Independent Mixed Brigade. This was not the only new offensive operation initiated by Purkayev on this day. A new target had emerged: South Sakhalin, known as Karafuto to the Japanese. As per Vasilevsky's plans, Major-General Leonty Cheremisov's 16th Army was deployed on North Sakhalin and along the mainland coast of the Tatar Strait, stretching from Sovetskaya Gavan to Nikolaevsk-on-Amur. If the invasion of Manchuria continued to progress favorably, this force was set to attack the Japanese-controlled portion of the island alongside the Northern Pacific Flotilla, commanded by Vice-Admiral Vladimir Andreyev, which was prepared to conduct amphibious operations against Esutoru and Maoka on the island's west coast. Opposing the Soviet forces, General Higuchi of the 5th Area Army positioned Lieutenant General Mineki Toichiro's 88th Division in the southern part of South Sakhalin, with only the 125th Regiment stationed to the north. Sakhalin shared many characteristics with several of the Manchukuoan border areas, presenting challenging terrain for mechanized warfare. The only viable invasion route south from the border at the 50th Parallel followed the Poronay River, located more or less in the center of the island. This river flows southward, flanked to the east and west by forested mountain ranges, as well as countless swamps and bogs. Both sides recognized the strategic importance of this potential invasion route and constructed extensive fortification networks. The Japanese fortifications were collectively known as the Koton, or Haramitog, fortified region. These defenses were built in three interlinked layers, with their western flanks anchored in the mountain range and eastern flanks in the wooded, swampy river valley. The permanent defenses spanned approximately 12 kilometers in frontage and extended up to 30 kilometers in depth, containing over 350 bunkers, pillboxes, artillery positions, and similar fortifications. These were protected by an elaborate network of infantry trenches, anti-tank ditches, minefields, and barbed wire. The heavy forest and brush made it challenging to locate these defenses. While enough vegetation had been cleared to allow for effective defensive fire, sufficient cover remained to obscure them from an attacking force. Consequently, the 16th Army would confront these formidable defenses without the advantage of surprise. At daybreak on August 9, reports emerged that the Soviet Army had unexpectedly invaded Manchuria from multiple directions. By 8:00 AM, telegraph lines were cut near Handa, a village located at the center of the Russo-Japanese border in Sakhalin. An excellent military road connected Handa to Kamishikuks, a region known as the Central Military Road area. At the same time, reports indicated that enemy forces were attacking the observation posts in this area. On August 10,  observation posts were forced to withdraw as the Soviet Army gradually advanced toward our main position in the Happo Mountains, situated about 10 kilometers south of the border. That evening, it was reported that the 125th Infantry had engaged in a skirmish, during which the Isunisawa Platoon, fighting near the Handa River bridge for over five hours, was wiped out. On that same day, the commander of the Fifth Area Army declared that not only had the Army engaged Soviet forces, but civilians in the area, including office workers and laborers, had also joined the battle in a desperate attempt to halt the advancing Soviet Army. By August 13, the National Volunteer Combat Teams were summoned. The recruitment of these volunteer combat teams from the general populace was unique to the Sakhalin campaign, aimed at creating the appearance of military readiness to deter the Soviet advance. Additionally, the 125th Regiment executed demolitions while retreating to establish stronger defensive positions on the western flank of Happo Mountain, northwest of Furuton. Given the unexpectedly favorable developments in Manchuria, the invasion of South Sakhalin was authorized on August 10. General Yumashev further directed Vice-Admiral Andreyev's naval forces to commence attacks on both South Sakhalin and the Kuriles. Major General Georgii Dziuba's air forces joined the effort, conducting reconnaissance flights over key Japanese ports that revealed Toro and Esutoru were almost entirely unprotected. In the early hours of August 11, the 56th Rifle Corps crossed the border and began its main advance along the central military road but encountered resistance at Handa, where around 100 defenders held them up for an entire day. Back in northern Manchuria, the 5th Rifle Corps embarked on a challenging march southwest toward Paoching, while Mamonov launched a bombing raid followed by an attack on Fuchin, which ultimately fell after a coordinated tank-infantry assault. Concurrently, the 4th Army headquarters and the bulk of the 149th Division received orders to retreat from Tsitsihar to Harbin. To the south, the 112th Fortified Region and the 6th Field Fortified Region crossed the Muleng River south of Mishan during the night. In the following days, they collaborated with units from the 35th Army to secure the Mishan Fortified Region. More importantly, the 26th and 59th Rifle Corps successfully secured Pamientung and Lishuchen, initiating a pursuit of withdrawing Japanese forces to the west and southwest. On August 11, the 5th Army advance continued, with reinforced forward detachments of the 65th and 72nd Rifle Corps reaching the Muleng River and preparing for an advance on Mutanchiang. At this juncture, Meretskov reassessed the situation and determined that his best opportunity for successful exploitation in the front zone lay within the 25th Army area. Consequently, he attached the 17th and 88th Rifle Corps to this command and placed the 10th Mechanized Corps in army reserve. This allowed the 17th and 39th Rifle Corps to commence a coordinated advance toward Wangching, Tumen, Tunhua, and Kirin. Looking west, Pliyev's units continued to encounter minimal resistance. The 17th Army was finally nearing the western foothills of the Grand Khingan Mountains. The lead brigade of the 5th Guards Tank Corps reached Lupei, while the 7th Guards Mechanized Corps completed its crossing of the Grand Khingan Mountains. The 39th Army maintained its holding operations against the Halung-Arshaan and Wuchakou Fortified Regions, coupled with main advances toward Solun and Wangyemiao. The 2nd Rifle Corps and the 205th Tank Brigade advanced along the railroad to Yakoshih. The 94th Rifle Division, supported by air and artillery, launched an assault and captured the southwestern portion of Hailar city before being reinforced by the entire 86th Rifle Corps. Meanwhile, the Soviet operational group on the right flank of the 36th Army broke through Japanese resistance at Manchouli, moving eastward along the rail line to join the Soviet forces besieging Hailar. As the Soviet armored units in the west made an unexpectedly swift advance, they were anticipated to reach Hsinking by August 15. On this same day, Yamada decided to relocate his headquarters to Tunghua. Additionally, during the night, a small naval force successfully conducted an assault landing at Yuki in North Korea, securing the port unopposed on August 12. Simultaneously, the 393rd Rifle Division pushed south into North Korea, quickly reaching Yuki before continuing toward Rashin. There, another small naval force landed on August 12, facing minimal resistance except for artillery fire. Meanwhile, the 25th Army advanced up to 40 kilometers in its main march southwest, prompting the commitment of the 10th Mechanized Corps to exploit further toward Wangching and beyond. The 5th Army had to eliminate a strong enemy position east of Taimakou before it could resume its advance to Mutanchiang. The 1st Red Banner Army pressed forward relentlessly, with the 26th Rifle Corps successfully bypassing Tzuhsingtun to advance on Hsientung, cutting the Linkou-Mutanchiang railroad line. The 363rd Rifle Division occupied Mishan while the 264th Rifle Division secured Hulin. The 171st Tank Brigade began a challenging advance southwest toward Chiamussu as the 15th Army reduced the Fuchin fortified region. Forward detachments of the 2nd Red Banner Army engaged Japanese advanced positions south of Holomoching and north of Aihun. After reducing Handa, the 56th Rifle Corps commenced an advance toward Furuton, although it faced delays from small enemy forces. Furthermore, in western Manchuria, Pliyev's Soviet-Mongolian formations and the 17th Army continued their advance through Inner Mongolia largely unopposed for the next two days. Throughout 12 and 13 August on the Trans-Baikal Front's right flank, the Soviet-Mongolian formations of General Pliyev swept across the Inner Mongolian deserts towards Dolonnor and Kalgan at a rate of ninety to one hundred kilometers a day, rudely shunting aside local cavalry forces. Pliyev's principal concern was providing his forces in the vast desert wastes sufficient food, fuel, fodder, and water. The 6th Guards Tank Army had to temporarily halt its advance as the 7th Guards Mechanized Corps reached Tuchuan. This pause was necessary due to severe fuel shortages, requiring an increase in fuel supplies before the offensive could resume. This situation allowed Ushiroku to withdraw the 63rd and 117th Divisions before they could be engaged. However, the 107th Division was less fortunate, as it was attacked by the 5th Guards Rifle Corps on the road to Solun. On the northern flank, the 36th Army continued its siege of the Hailar fortifications while the 2nd Rifle Corps seized Yakoshih and advanced up to Wunoerh. That day, Japan also received the initial Allied response to its surrender offer, penned by Secretary of State James Byrnes and approved by the British, Chinese, and Soviet governments. A critic of the Japanese imperial system, Byrnes insisted on an unconditional surrender but remained ambiguous regarding the future of the imperial family's position. The response included a statement that Japan's future form of government should be “established by the freely expressed will of the Japanese people.” Thus, even though the Soviet and Chinese governments aimed for the abolition of the imperial system, the Japanese could choose to retain their emperor, and likely would. Meanwhile, Secretary Stimson urged President Truman to accept the peace offer immediately, believing that, without an organized surrender supported by the emperor, U.S. forces would face “a score of bloody Iwo Jimas and Okinawas” across China and Southeast Asia. He cautioned that without the immediate capitulation of the Imperial Japanese Army and Navy, rogue military commanders might continue to resist. Retaining Hirohito would also aid Allied efforts to achieve a swift and orderly reconstruction while maintaining a compliant populace. The Japanese cabinet deliberated over the Allied response, with Anami and Suzuki, among other key military figures, arguing for its rejection unless an explicit guarantee for the imperial system was provided. Ultimately, however, Foreign Minister Togo and Marquess Kido Koichi succeeded in persuading Suzuki to support the acceptance of Byrnes' reply. Meanwhile, President Truman issued instructions prohibiting any further atomic weapons from being dropped on Japan without his approval, and he later ordered a complete halt to all bombings. Despite this, Halsey's 3rd Fleet remained in the area, preparing to launch additional strikes. Admiral Rawlings' Task Force 37 unfortunately had to retire at this point, though a token force was integrated into Admiral McCain's Task Force 38 to ensure British support until the end.  The Olympic timetable had called for Third Fleet to retire to Eniwetok and Manus in mid-August, but late on the night of August 10 Missouri intercepted a cryptic radio transmission: “Through the Swiss government, Japan has stated that she is willing to accept Allied surrender ultimatum at Potsdam, provided they can keep their Emperor.” Halsey had long predicted an early Japanese collapse, and had accordingly kept his logistic pipeline full. The following morning, August 11, flagships Missouri and King George V refueled simultaneously alongside oiler USS Sabine. Halsey recalled, “I went across to the ‘Cagey Five' as we called her, on an aerial trolley, just to drink a toast with Vice Admiral Rawlings.” Although Japan teetered near collapse, TF-37 lacked its own fast oilers and would have to retire immediately. With Nimitz's permission Halsey offered to sustain a token British force with Third Fleet so that the Royal Navy would be in “at the death.” Rawlings enthusiastically accepted. After replenishment, King George V, Indefatigable, Gambia, Newfoundland, and ten destroyers were re-designated TG-38.5 and absorbed into McCain's TF-38. The rest of TF-37, under Vian, reluctantly retired for Manus. In a truly desultory attack the following day, August 12, a single Japanese plane penetrated Buckner Bay, Okinawa undetected and torpedoed TF-95's just-arrived battleship Pennsylvania. Twenty Americans were killed, while Oldendorf and nine others were wounded. Back off Honshu, Halsey canceled August 12 strikes due to a typhoon. Late that night Third Fleet intercepted a confusing and ambiguous radio bulletin announcing that Japan had, with qualifications, accepted Allied terms. After a heated staff conference Halsey decided that, without firmer information, the following day's strikes were still on. Nevertheless, the prolonged negotiations were causing the Third Fleet considerable logistical problems; Halsey recalled, “Our galleys were reduced to serving dehydrated carrot salad. If the war was over, we could provision on the spot; if it was not, we would have to retire, reprovision, and return.” That night, a group of officers led by Major Hatanaka Kenji and Colonel Arao Okikatsu approached Anami, seeking his backing for a coup d'état to prevent Japan's surrender. Anami refused, leaving Hatanaka's conspirators to attempt the coup on their own. At the recommendation of American psychological operations experts, B-29 bombers spent August 13 dropping leaflets over Japan detailing the Japanese offer of surrender and the Allied response. In stark contrast, that same day, McCain's newly Anglo-American TF-38 launched 1,167 sorties against Tokyo, expending 372 tons of bombs and 2,175 rockets. Only seven planes and one pilot were lost, none to combat. Airborne opposition was virtually nil, as Lieutenant-General Kanetoshi Kondo, commander of Tokyo's defending 10th Hiko Shidan, “failed to urge his men to press the attack to the utmost, because it seemed absurd to incur additional losses with the war obviously lost and its termination due in a matter of days.”  Simultaneously, Suzuki's cabinet debated their reply to the Allied response late into the night but remained deadlocked. Back in Manchuria, on August 13, the 6th Guards Tank Army resumed its offensive by pushing reconnaissance units toward Tungliao and Taonan. The 39th Army continued its assault on Japanese units at Halung-Arshaan, while the 5th Guards Rifle Corps attacked and captured Solun. To the north, as the battle for Hailar raged on, the 2nd Rifle Corps engaged the determined 119th Division for control of the Grand Khingan passes west of Pokotu, achieving little progress over the next two days. Looking east, the 2nd Red Banner Army gathered sufficient forces to resume its offensive, successfully penetrating the defenses of the 123rd Division at Shenwutan and Chiko. They destroyed small Japanese outposts at Huma and Santaoka, further pushing the 135th Independent Mixed Brigade toward the main fortified region at Aihun. Additionally, the 15th Army reduced the fortified positions at Fuchin, while the 171st Tank Brigade continued its advance toward Chiamussu. To the south, the 66th Rifle Division finally occupied Tungan, cutting the highway and railroad to Hutou. Meanwhile, the 59th Rifle Corps reached and secured Linkou before turning south toward Mutanchiang. Advance elements of the 26th Rifle Corps attacked and occupied the railroad station at Hualin, though they could not secure crossing sites over the Mutan River due to the fierce resistance of a single battalion. During the night, heavy Japanese counterattacks forced Soviet forces back to a hill northeast of Hualin. More importantly, while the 45th Rifle Corps continued to reduce remaining Japanese strongpoints in the Volynsk, Suifenho, and Lumintai centers of resistance, the bulk of the 5th Army advanced 30 kilometers along the road and rail line, successfully approaching the outer fortifications of Mutanchiang by nightfall. Even farther south, the 25th Army pushed southwestward, with its three formations sharing a single road along the military rail line through the mountainous, heavily wooded area from Laoheishan to Heitosai. In South Sakhalin, the 56th Rifle Corps launched a siege attack against Furuton. However, the fierce resistance of the 125th Regiment successfully repelled Soviet assaults for the next three days. On the same day, in preparation for an amphibious invasion of Toro, two naval patrol craft reconnoitered Esutoru. Additionally, Meretskov approved the Seishin Operation in North Korea, leading to another small naval force landing successfully at Chongjin that afternoon. Soon after, they faced a strong Japanese counterattack, which drove the landing force out of the port and inflicted heavy losses on the Russians. The following morning, a naval infantry battalion was landed to retake Chongjin, but Japanese reinforcements from the Nanam Divisional District Unit arrived to contest the port. As the Russians were pushed back again, Yumashev decided to embark the 13th Naval Infantry Brigade for a third assault scheduled for August 15. To the north, the 393rd Rifle Division advanced south along the coast, reaching Kwangjuryong by August 14. Concurrently, after breaking through the 128th Division's main defenses at Lotzukou, the 25th Army reached Heitosai and prepared to launch its main attack against Murakami's 3rd Army. The 5th Army struck the right flank of Shimizu's 5th Army at Ssutaoling and in the hills southeast of Mutanchiang, while the 1st Red Banner Army attacked the northern and eastern flanks of the city and the railroad station at Yehho on the eastern bank of the Mutan River. The 35th Army began a rapid advance toward Poli and Linkou, encountering negligible opposition. Meanwhile, the 5th Rifle Corps reached Paoching, drove off its garrison, and continued marching toward Poli. In addition, the 15th Army finally reduced the Hsingshanchen Fortified Region, opening a more direct advance route toward Chiamussu. Meanwhile, the 2nd Red Banner Army succeeded in breaking through the outer Japanese defenses to besiege the Sunwu Fortified Region and surround the Aihun Fortified Region. To the west, the 36th Army continued to encounter strong resistance at Hailar and Wunoerh. The 5th Guards Rifle Corps initiated a southeastward pursuit along the railroad toward Wangyemiao, eventually catching elements of the 107th Division at Tepossi, while also engaging Japanese units retreating from the Wuchakou area. The forward detachment of the 7th Guards Mechanized Corps occupied Taonan after a march hindered by wet weather and Japanese kamikaze attacks. The 17th Army captured Taopanshin, and Pliyev's left column overcame a small Manchurian cavalry force, entering Dolonnor at the east end of the pass across the southern Grand Khingan Mountains. Back in the Pacific, the Allies grew restless as they awaited a Japanese response, ultimately interpreting the silence as a non-acceptance of the imposed peace terms. Consequently, Truman ordered a resumption of attacks against Japan at maximum intensity. More than 400 B-29 bombers launched daylight attacks, while over 300 conducted night raids, culminating in what would become the largest and longest bombing raid of the Pacific War. Furthermore, Truman began planning to drop a third atomic bomb on Tokyo. However, before he could proceed, Emperor Hirohito met with the most senior Army and Navy officers in the early hours of August 14, convincing them to cooperate in ending the war. The cabinet immediately convened and unanimously ratified the Emperor's wishes for an unconditional surrender. They also decided to destroy vast amounts of material related to war crimes and the war responsibilities of the nation's highest leaders. Shortly after concluding the conference, a group of senior army officers, including Anami, gathered in a nearby room and signed an agreement to execute the Emperor's order of surrender. This decision would significantly impede any attempts to incite a coup in Tokyo. During this meeting, General Kawabe Torashirō, Vice Chief of the Army General Staff, proposed that the senior officers present should each sign an agreement to carry out the Emperor's order of surrender, "The Army will act in accordance with the Imperial Decision to the last." An agreement was ultimately signed by each of the most important officers present, including Minister of War Anami, Chief of the Army General Staff Umezu, commander of the 1st General Army Field Marshal Sugiyama Hajime, commander of the 2nd General Army Field Marshal Hata Shunroku and Inspector-General of Military Training Doihara Kenji. When Umezu voiced concern about air units causing trouble, Vice Minister of War Wakamatsu Tadaichi took the agreement next door to the Air General Army headquarters, where its commander Kawabe Masakazu, the brother of Torashirō also signed. The document would serve to seriously impede any attempt to incite a coup in Tokyo. Simultaneously, the Foreign Ministry transmitted orders to its embassies in Switzerland and Sweden to accept the Allied terms of surrender, which were received in Washington at 02:49 on August 14. Anticipating difficulties with senior commanders on distant war fronts, three princes of the Imperial Family, who held military commissions, were dispatched to deliver the news personally. By 19:00, the text of the Imperial Rescript on surrender was finalized, transcribed by the official court calligrapher, and presented to the cabinet for their signatures. Around 23:00, the Emperor, with assistance from an NHK recording crew, made a gramophone record of himself reading the rescript. At long last, Japan had admitted defeat.  However at around 21:30 on 14 August, the conspirators led by Hatanaka set their plan into motion. The Second Regiment of the First Imperial Guards had entered the palace grounds, doubling the strength of the battalion already stationed there, presumably to provide extra protection against Hatanaka's rebellion. But Hatanaka, along with Lt. Col. Shiizaki Jirō, convinced the commander of the 2nd Regiment of the First Imperial Guards, Colonel Haga Toyojirō, of their cause, by telling him (falsely) that Generals Anami and Umezu, and the commanders of the Eastern District Army and Imperial Guards Divisions were all in on the plan. Hatanaka also went to the office of Tanaka Shizuichi, commander of the Eastern region of the army, to try to persuade him to join the coup. Tanaka refused, and ordered Hatanaka to go home. Hatanaka ignored the order. Originally, Hatanaka hoped that simply occupying the palace and showing the beginnings of a rebellion would inspire the rest of the Army to rise up against the move to surrender. This notion guided him through much of the last days and hours and gave him the blind optimism to move ahead with the plan, despite having little support from his superiors. Having set all the pieces into position, Hatanaka and his co-conspirators decided that the Guard would take over the palace at 02:00. The hours until then were spent in continued attempts to convince their superiors in the Army to join the coup. Hatanaka, Shiizaki, Ida, and Captain Shigetarō Uehara (of the Air Force Academy) went to the office of Lt. Gen. Takeshi Mori to ask him to join the coup. Mori was in a meeting with his brother-in-law Michinori Shiraishi. The cooperation of Mori, who was the commander of the 1st Imperial Guards Division, was vital. When Mori refused to side with Hatanaka, Hatanaka killed him, fearing Mori would order the Guards to stop the rebellion. Uehara killed Shiraishi. These were the only two murders of the night. Hatanaka then used General Mori's official stamp to authorize Imperial Guards Division Strategic Order No. 584, a false set of orders created by his co-conspirators, which would greatly increase the strength of the forces occupying the Imperial Palace and Imperial Household Ministry, and "protecting" the Emperor. The rebels, led by Hatanaka, spent the next several hours fruitlessly searching for the recordings of the surrender speech, failing to locate them amid a blackout caused by American bombings. Around the same time, another group of Hatanaka's rebels, led by Captain Takeo Sasaki, targeted Prime Minister Suzuki's office with the intent to kill him. When they found it empty, they opened fire with machine guns, devastating the office, and then set the building ablaze before departing for Suzuki's home. Fortunately, Hisatsune Sakomizu, the chief secretary to Suzuki's Cabinet, had warned Suzuki, enabling him to escape just minutes before the assassins arrived. After setting fire to Suzuki's residence, the rebels then proceeded to the estate of Kiichirō Hiranuma, aiming to assassinate him as well. Hiranuma managed to escape through a side gate, but the rebels torched his house too. In the aftermath, Suzuki spent the remainder of August under police protection, sleeping in a different bed each night to avoid detection. Around 03:00, Hatanaka was informed that the Eastern District Army was on its way to the palace to confront him and urged him to surrender. As Hatanaka saw his plan collapse around him, he pleaded with Tatsuhiko Takashima, the Chief of Staff of the Eastern District Army, for airtime on NHK radio to explain his intentions to the Japanese people. His request was denied. Meanwhile, Colonel Haga, commander of the 2nd Regiment of the First Imperial Guards, learned that the Army did not support Hatanaka's rebellion and ordered him to vacate the palace grounds. Just before 05:00, while his rebels continued their search, Major Hatanaka went to the NHK studios, desperately trying to secure airtime to convey his actions. However, slightly over an hour later, after receiving a phone call from the Eastern District Army, Hatanaka finally conceded defeat. He gathered his officers and left the NHK studio, feeling the weight of his failed coup. At dawn, General Tanaka learned that the palace had been invaded, so he went there to confront the rebellious officers. He berated them for acting against the spirit of the Japanese army and ultimately convinced them to return to their barracks. By 08:00 on August 15, the rebellion was entirely dismantled. Although they had held the palace grounds for much of the night, they ultimately failed to find the recordings. After his failed coup, Hatanaka took his own life before witnessing Japan's surrender. While TF-38 refueled on August 14, Halsey signaled McCain, stating, “I intend to strike the same general target area on the fifteenth.” McCain informed TF-38, “Our orders to strike indicate the enemy may have dropped an unacceptable joker into the surrender terms. This war could last many months longer. We cannot afford to relax. Now is the time to pour it on.” In fact, the Western Allies had sunk their last Japanese ships of the war that day, when submarines USS Torsk (SS-423) and USS Spikefish (SS-404) torpedoed I-373 and two small escort ships in the East China Sea, resulting in the death of 112 Japanese sailors. The following morning, August 15, the Third Fleet launched its first strike of 103 aircraft at 04:15 hours. At 06:14, just as the first strike was returning and the second strike was five minutes from the target, Halsey was ordered by Nimitz, “Air attack will be suspended. Acknowledge.” Shortly afterward, an officer burst in, waving a transcript—President Truman's official peace announcement. Halsey erupted with exuberance, “pounding the shoulders of everyone within reach.” He recalled, “My first thought at the great news was, ‘Victory!' My second was, ‘God be thanked, I'll never have to order another man out to die.'” However, within minutes, four retiring Hancock Hellcats were attacked by seven Japanese fighters, resulting in the Hellcats shooting down four without loss. Over Tokorazawa airfield, northwest of Tokyo, 20 IJAAF Ki-84 “Franks” ambushed six VF-88 Hellcats from Yorktown. The Hellcats managed to shoot down nine Franks but lost four of their own, along with their pilots. Rawlings' dawn strikes were intercepted by about 12 Zeros. Escorting Seafires shot down eight Zeros but lost one, while an Avenger downed a ninth Zero. Tragically, seven TF-38 flyers never returned. During the morning, Halsey launched his last strike of the war, but was soon ordered by Admiral Nimitz to suspend all air attacks. At 12:00, the Emperor's recorded speech to the nation, reading the Imperial Rescript on the Termination of the War, was finally broadcast. The war was over… or was it really? I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. As Prime Minister Suzuki and his cabinet debated surrender, the Emperor Hirohito finally accepted the Potsdam Declaration, conditionally ensuring the imperial family's continuity. However, conspirators attempted a coup to prevent the surrender, ultimately failing. By August 15, Japan officially surrendered, marking the end of the Pacific War.

We and our guest YouTuber Joe Yang of Pause and Select discuss Shonen Jump manga Yokai Buster Murakami.   MAL Description:  Terrifying youkai from hundreds of years ago have been released into the present day. Kuin the exorcist stands tall to protect the peace of this world! But in this war of Youkai vs. Exorcist, regular high schooler Murakami has entered the battle!   Show Notes: • You can reach us at Twitter @shonenflopcast, Tumblr shonen-flop, or email shonenflop@gmail.com   • You can find our guest at youtube.com/channel/UCfpDNSkMPnmMwZHhUyplbZg   • Get Shonen Flop merch, including this episode's cover art, on a shirt, mug, print, or whatever else might catch your 1https://www.teepublic.com/stores/shonen-flop?ref_id=22733   • Become a member of our community by joining our Discord. You can hang out with us, submit your questions or six word summaries! Find it at https://discord.com/invite/4hC3SqRw8r   • Want to be a guest? You can ask to be on a future episode at bit.ly/shonen_flop_guest   Credits: • Manga by Ihara, Daiki   • Shonen Flop is hosted by David Weinberger and Jordan Forbes   • Additional editing assistance by Dylan Krider you can find his podcast, Anime Out of Context at animeoutofcontext.com   • Assistance with pronunciation, translation, and other miscellaneous research done by Tucker Whatley and MaxyBee   • Episode art by Merliel (IG: mer_liel)   • Cover art funded by our generous art benefactor Nigel Francis   • Special thanks to Finn K. for behind the scenes information on series lettering

MAL Description: Terrifying youkai from hundreds of years ago have been released into the present day. Kuin the exorcist stands tall to protect the peace of this world! But in this war of Youkai vs. Exorcist, regular high schooler Murakami has entered the battle!   Show Notes: • You can reach us at Twitter @shonenflopcast or email us shonenflop@gmail.com   • Help keep the show running by joining the Shonen Flop Patreon at patreon.com/shonenflop. Get perks like early access to episodes; picking series for us to cover; and exclusive episodes on manga like Undead Unluck, Magu-chan: God of Destruction, and Cypher Academy.   • Become a member of our community by joining our Discord. You can hang out with us, submit your questions or six word summaries! Find it at https://discord.com/invite/4hC3SqRw8r   • Get Shonen Flop merch, including this episode's cover art, on a shirt, mug, print, or whatever else might catch your eye https://www.teepublic.com/stores/shonen-flop?ref_id=22733   • Want to be a guest? You can ask to be on a future episode at bit.ly/shonen_flop_guest   Credits:   • Manga by Ihara, Daiki   • Shonen Flop is hosted by David Weinberger and Jordan Forbes   • Additional editing assistance by Dylan Krider you can find his podcast, Anime Out of Context at animeoutofcontext.com   • Assistance with pronunciation, translation, and other miscellaneous research done by Tucker Whatley and MaxyBee  

Get the full 2 hour interviews with THC+: Subscribe via our website and get the Plus show on your usual podcast apps with a custom RSS feed or at TheHighersideChats.com Subscribe via Patreon, including the full Plus archive, a dedicated RSS feed, Spotify, & payment through Paypal. Subscribe via check, cash, money order, or crypto with […] The post Aaron Murakami | Alternative Energy Invention Updates, The Multi Wave Oscillator, & Aether Physics appeared first on The Higherside Chats.