Each week we bring you the story of a song, from its origins and early recordings through cover versions good and bad. Each episode is written and presented by an FT music critic or contributor. Formerly called FT Arts.
From the unstoppable rise of hip-hop to the 'millennial whoop', what does today's new music sound like? And how has social media changed the relationship between artists and fans?Harriet Fitch Little, India Ross and Griselda Murray Brown discuss Drake, Cardi B and DJ Khaled - in particular 'Wild Thoughts' ft. Rihanna and Bryson Tiller from 2017, which leans heavily on the melody and mood of Santana's 1999 hit 'Maria Maria', the coming-of-age soundtrack for the oldest cohort of millennials. Warning: this podcast contains a live 'millennial whoop'. See acast.com/privacy for privacy and opt-out information.
When "Wuthering Heights" was released 40 years ago this year, it became the first song written and performed by a woman to reach number one in the UK charts. What was the song's — and Bush's — special appeal? Why have there been more parodies than straight covers? And why is it so popular now, with re-enactments of the music video taking place around the world? FT music writers Jude Rogers, Helen Brown and David Cheal discuss the song and its afterlife. See acast.com/privacy for privacy and opt-out information.
Set against a backdrop of protest and upheaval, the songs released in 1968 represent a turning point in music. FT pop writers David Cheal and Peter Aspden are joined by author Tot Taylor to debate the year's most important songs and artists, from Tyrannosaurus Rex, The Beatles and Pink Floyd to Joni Mitchell and Tim Buckley. See acast.com/privacy for privacy and opt-out information.
What makes a good Christmas song? Should it be cheesy or serious? And why do millennials love them? FT pop writers discuss festive classics old and new - from carols to Mariah Carey, Greg Lake to Phil Spector, Sufjan Stevens to Run-DMC. Plus, which 2017's best Christmas song: Gwen Stefani's 'You Make it Feel Like Christmas' or Sia's 'Santa's Coming for Us'? See acast.com/privacy for privacy and opt-out information.
Billie Holiday’s 1939 'Strange Fruit' was called 'the first significant protest in words and music, the first unmuted cry against racism'. Other singers attempted it, from Nina Simone and Diana Ross to Jeff Buckley and Kanye West. But could any match the power of the impassioned original? FT pop writers David Cheal, Fiona Sturges and Helen Brown discuss the song's origins and afterlife. See acast.com/privacy for privacy and opt-out information.
From Bob Dylan to Adele, the song that was first called 'a spare ballad undermined by greetingcard lyrics' is now a karaoke tearjerker. FT pop writers David Cheal and Helen Brown debate the origins, meanings and cover versions of 'Make You Feel My Love'. See acast.com/privacy for privacy and opt-out information.
In a special episode to mark the publication of The Life of a Song book, FT pop critics Helen Brown, David Cheal and Ludovic Hunter-Tilney debate whether a song can really change the world. Hear the stories behind the hits, from Bowie's 'Starman' to Jay-Z's 'Hard Knock Life (Ghetto Anthem)'. See acast.com/privacy for privacy and opt-out information.
It achieved distinction in an era of elemental riffs, and journeyed effortlessly to and fro across the Atlantic. It also marked a turning point in the career of the greatest guitarist who ever lived: Jimi Hendrix. FT pop writers Peter Aspden and David Cheal discuss "Wild Thing" 50 years after Hendrix's groundbreaking performance at the Monterey Pop festival. See acast.com/privacy for privacy and opt-out information.
The singer’s old label boss called the song ‘a morbid mess’, but it shot to number one in the US. Ahead of the 40th anniversary of Elvis’s death in August, FT pop writers Peter Apsden and David Cheal discuss the song's origins, dark appeal and afterlife. Credits: 104pro Media, Legacy Recordings, Entertain Me Ltd, Spectrum, Omnivore Recordings, Vengeance Records See acast.com/privacy for privacy and opt-out information.
Twenty years after they headlined Glastonbury, Radiohead return to the British music festival. FT pop writers Ludovic Hunter-Tilney and David Cheal discuss the band's lullaby of despair 'No Surprises' from their 1997 album OK Computer. Credits: Sire/Warner Bros, mudhutdigital.com, XL Recordings, Easy Star, SKIP Records See acast.com/privacy for privacy and opt-out information.
David Honigmann looks at how a sleeping Keith Richards dreamt up a riff that would later develop into a number one hit for Rolling Stones and become one of the most recognisable rock anthems of all times. Credits: ABKCO Records Inc, Universal International Music B.V, Rhino Atlantic, Virgin Records Ltd. See acast.com/privacy for privacy and opt-out information.
David Cheal looks at how Bob Dylan took inspiration from an old Scottish border ballad while writing this era-defining apocalyptic vision of what he saw as the violent, ignorant and hypocritical socio-political landscape of 1960s America. Credits: Sony Music Entertainment Inc, A Wing & A Prayer Ltd, Vanguard Records, Virgin Records. Patti Smith Nobel ceremony recording courtesy of: Nobelprize.org. See acast.com/privacy for privacy and opt-out information.
Helen Brown looks at how Serge Gainsbourg's infamously salacious love song originally written for Brigitte Bardot would become a hit for the French composer and his English girlfriend Jane Birkin, despite facing widespread bans and condemnation. Credits: Mercury France, Mercury Music Group, Rarity Music, Parlophone UK, Barclay. See acast.com/privacy for privacy and opt-out information.
Ian McCann takes a look at one of the greatest and most culturally influential rap songs by genre pioneers Grandmaster Flash & The Furious Five. A hit urban anthem, it almost wasn't recorded... Credits: Castle Communications, Warner Bros, Wagram Music, The Island Def Jam Music Group, Atlantic Records See acast.com/privacy for privacy and opt-out information.
Sue Norris explores how a B-side by a little known American singer, Gloria Jones became a cult hit on the 1970s English northern soul scene, before being turned into one of the most recognizable pop songs of all time by Soft Cell. Credits: Universal Music TV, Universal Music Enterprises, Parlophone UK, Interscope Records, The Island Def Jam Music Group, Tacca Musique See acast.com/privacy for privacy and opt-out information.
Ian McCann looks at how a turn-of-the-century Neopolitan ballad was adapted into a hit for Elvis, before becoming an anthem for ice cream lovers and football fans alike. Credits: Bongiovanni, Delta, AP Music Ltd, Nuova Canaria, Randy's Group, Inc, Autarc Media GmbH See acast.com/privacy for privacy and opt-out information.
Helen Brown looks at how the most successful Disney song of all time became an unlikely favourite among prisoners and a "coming out anthem" for the LGBT community. Credits: Walt Disney Records, Black Crow Records See acast.com/privacy for privacy and opt-out information.
Peter Aspen looks at how The Eagles turned a few improvised chords into one of the most iconic, and enigmatic, rock songs of the 1970s. Credits: Rhino/Elektra, Parlophone UK, UMG Recordings, Elemental Records, Sony Music Entertainment See acast.com/privacy for privacy and opt-out information.
Sue Norris on how Cissy Houston and Gladys Knight respectively transformed the sound, and meaning, of Jim Weatherly's country number. Credits: X5 Music Group, Jim Weatherly, Carinco AG, Capitol Records LLC. See acast.com/privacy for privacy and opt-out information.
Harriet Fitch Little on how Dolly Parton's anti-work anthem went from the movies to the White House to a muddy field in Glastonbury. Credits: Sony Music Entertainment, Capitol Steps, Pumpin' UK Records, Dolly Records, BBC/Glastonbury See acast.com/privacy for privacy and opt-out information.
Amy Walker on how a saccharine love song was transformed by Otis Redding into a provocative and impassioned soul classic. Credits: Baierle Records, Cool Note, 104pro Media, Daxa production, Digital Remasterings, ABKCO Music & Records Inc., Rhino Atlantic, Universal Island Records, Roc-A-Fella Records, LLC/Shawn Carter See acast.com/privacy for privacy and opt-out information.
David Cheal traces the song's journey from a forgotten 1950s melodrama to an enduring love ballad covered by Nina Simone, David Bowie and George Michael. Credits: Old Style, Blooming Jazz Records, Rhino/Warner Bros., Parlophone UK, One Little Indian Ltd, Lakeshore Records, Sony Music Entertainment UK Ltd. See acast.com/privacy for privacy and opt-out information.
The Japanese hit has been renamed and redefined by western artists from the Gipsy Kings to Snoop Dogg. Credits: JB Production, K-Tel, New Jersey, 2012 Carinco Neue Medien AG See acast.com/privacy for privacy and opt-out information.
Paul Anka originally wrote the song for, and in the persona of, Frank Sinatra, claiming he'd "never written something so chauvinistic, narcissistic, in-your-face and grandiose." See acast.com/privacy for privacy and opt-out information.
For more than 50 years, this ballad's haunting charms have proved irresistible to many of the world's leading musicians. Credits: Firefly Entertainment, Black Sheep Music, X5 Music Group, Manhattan Records, UMC, Mute/BMG, Sony Music Classical, RCA Records Label See acast.com/privacy for privacy and opt-out information.
Songs can be mixed blessings. Screamin' Jay Hawkins' most famous one brought bliss to all who touched it - except its composer. Credits: AP MUSIC LTD, Universal Music International Ltda., Rhino See acast.com/privacy for privacy and opt-out information.
The song crystallises a moment in time between the optimism of the Summer of Love and the darkness on the desert horizon. Cathi Unsworth explores its history. Credits: Boots Enterprises, Inc., 4AD, Columbia, Ever See acast.com/privacy for privacy and opt-out information.
Joy Division's stripped-down sound signaled a new direction for music in 1978, but the lyrics to this song would prove horribly portentous. Credits: WM UK, London Records, Universal Music International Ltda, Palare, BBE See acast.com/privacy for privacy and opt-out information.
Ian McCann charts the transformation of UB40’s number one hit, from Neil Diamond’s country ballad to iconic reggae ditty. Credits: Virgin Records, Universal Music International Ltda, Sanctuary, Capitol Records, Authentic Jamaican Music, K-Licious Music See acast.com/privacy for privacy and opt-out information.
The song that defined Fleetwood Mac's high water mark went on to be covered by country-folk and hip-hop artists Credits: Rhino/Warner Bros, Charly Digital, Universal Music International Ltda, S4DK See acast.com/privacy for privacy and opt-out information.
David Honigmann follows Led Zeppelin's 'Stairway' from its origins in a Welsh cottage to 'Wayne's World', the White House and bedrooms everywhere See acast.com/privacy for privacy and opt-out information.
Prince wrote his song about partying in the face of nuclear threat during the cold war but it gets heavy rotation to this day See acast.com/privacy for privacy and opt-out information.
This 1853 Christmas Carol, set to the melody of a 13th-century Nordic Hymn, has since fallen into the hands of Joan Baez, Tom Jones and Ritchie Blackmore of Deep Purple. See acast.com/privacy for privacy and opt-out information.
Greg Lake died this week, and this track remains an enduring Christmas classic. Credit: Syco Music, Universal, Decca, Symphonia See acast.com/privacy for privacy and opt-out information.
Buddy Holly's 1958 London performance of the song inspired the young Mick Jagger to form his own band. Credits: Universal, Not Now Music See acast.com/privacy for privacy and opt-out information.
It's been the theme tune for the BBC's review series 'Film' since 1971, but Nina Simone's cover turned it into a civil rights anthem. Credits: Universal, Eagle Records, Rhino Atlantic, Decca See acast.com/privacy for privacy and opt-out information.
Gene Wilder died Listening to Ella Fitzgerald’s cover, but it was Judy Garland who brought “Over the Rainbow” to fame. Credits: Spectra Records, Warner Bros, Blackbird, Documents 2 See acast.com/privacy for privacy and opt-out information.
Leonard Cohen's most famous song nearly wasn't released after being rejected by his record label. It is now among the most covered songs, with notable contributions from Jeff Buckley, John Cale and Rufus Wainwright. Credits: Sony Music, UMOD, Syco Music, Columbia, Nonesuch See acast.com/privacy for privacy and opt-out information.
“Yesterday” came to Paul McCartney in a dream one night in 1963. It’s now among the most covered songs in history, with efforts from the likes of Elvis, Marianne Faithful and Marvin Gaye. Credits: EMI, TNA Records, RCA Legacy, Universal Music See acast.com/privacy for privacy and opt-out information.
Snippets of Isaac Hayes' classic were used by trip-hop pioneers Portishead and Tricky. Richard Clayton tells the life of a sample. Credits: Decca, Universal Music, Virgin EMI See acast.com/privacy for privacy and opt-out information.
The origin of Deep Purple's 1971 hit is almost as famous as its instantly recognisable guitar riff. Credits: Parlophone UK, Thompson Music P/L See acast.com/privacy for privacy and opt-out information.
Peter Aspden deconstructs the creation of Bob Dylan's legendary song over the course of a single day in the studio. This podcast was originally published in November 2015; it is republished in celebration of Bob Dylan's Nobel Prize for Literature. Credits: Columbia/Legacy See acast.com/privacy for privacy and opt-out information.
Originally sung by slaves, the spiritual became a jazz and blues hit in the 1960s, with a cover by the British blues-rock musician Graham Bond. Credits: Repertoire Records, Isis, Edition Ahorn, UMC See acast.com/privacy for privacy and opt-out information.
Fiona Sturges follows Patti Smith's lustful 1970s song of youthful abandon. Credits: Arista, Columbia, Coqueiro Verde Records, Stun Volume See acast.com/privacy for privacy and opt-out information.
Richard Clayton on how Tracy Chapman's searing ballad of low income life carried her to global acclaim. Credits: Elektra, King Tubby's Music, Virgin EMI See acast.com/privacy for privacy and opt-out information.
Boney M's unlikely disco ballad was a hit on both sides of the iron curtain but was banned by Soviet authorities. Harriet Fitch-Little explores its indestructible appeal. Credits: Ariola Express, Century Media, Super Cassettes Industries, MCI See acast.com/privacy for privacy and opt-out information.
Bruce Springsteen's bleak ballad of American life has been promoted by politicians from Ronald Reagan to Donald Trump. David Honigmann examines the song's fraught relationship with power. Credit: Columbia See acast.com/privacy for privacy and opt-out information.
Janis Joplin achieved a posthumous No.1 hit with a rueful tale of love and loss, written by her old flame, Kris Kristofferson, which in turn helped launch him to stardom. Richard Clayton follows the song's bittersweet success. Credits: Columbia/Legacy, UMC, Top Town Records, Rhino/Warner Bros, Play Digital, Ricordi See acast.com/privacy for privacy and opt-out information.
Billy Holiday's secular hymn was born out of a blazing family row and its swaying melody went on to become a jazz standard, with versions by Tony Bennett and Sonny Rollins. Mike Hobart follows its history. Credits: Jazz Moon, Saga, Columbia/Legacy, Island, Geffen Gold Mine See acast.com/privacy for privacy and opt-out information.
Kate Bush retreated to a farmhouse to craft her richly layered song of love and insecurity. It reaffirmed her place as a pre-eminent songwriter and went on to feature in the London Olympics closing ceremony. Richard Clayton follows its history. Credits: Noble & Brite, Beams, Frontiers Records, Elevator Lady, Italians Do It Better, Obsolete Media Objects See acast.com/privacy for privacy and opt-out information.
Before Julie Andrews' famous film performance, John Coltrane had turned this Broadway number into an off-kilter jazz classic. Mike Hobart charts its history. Credits: RCA, FourMatt, Hallmark, EMI, Decca, Universal. See acast.com/privacy for privacy and opt-out information.