Podcasts about Saatchi Gallery

In this powerful episode of She Who Paints, Michelle is joined by Canadian artist, author, and mother of three, Brandi Hofer—a creative force known for her bold, expressive portraits and her mission to empower women through art. Brandi opens up about the challenges of burnout, the pressure to do it all, and how hitting rock bottom became the catalyst for redefining her life and creative career. Her artwork has been featured on national television, in international publications, and exhibited at the prestigious Saatchi Gallery. Brandi's work is collected and celebrated by notable creatives and influencers including Jillian Harris, Sarah Baeumler, Jenna Kutcher, Andrew Salgado, Jann Arden, and Sarah Nicole Landry. Brandi shares how she rebuilt her life and art business with intention, boundaries, and joy. If you're a creative soul navigating burnout or seeking alignment in your practice, this conversation is filled with inspiration and truth. Connect with Brandi Hofer: Website: www.brandihofer.ca Instagram: @brandihofer Book: Color Me Happy Connect with Michelle Schultz: Website: www.michelleschultzstudio.com Instagram: @michelleschultzstudio Join the Collector Circle: Sign up here She Who Paints: https://www.instagram.com/shepaintscollective/

In this episode Gary Mansfield speaks to Maya Land (@artisticsideoflife_) Maya Land is a London-based artist known for her surreal collages, meticulously crafted from vintage imagery. Her work explores contemporary social and political issues, reimagined through the lens of nostalgic aesthetics. By blending elements from different eras, she creates compelling pieces that resonate with modern audiences. Land's artistic process begins with sourcing materials from vintage magazines, books, and photographs. She carefully assembles these fragments into cohesive narratives, highlighting the contrasts and connections between past and present societal themes. Her innovative approach has earned her international acclaim, with exhibitions in prestigious galleries across Europe, including the Saatchi Gallery in London. Outside of traditional galleries, Land actively engages with her audience through social media. On Instagram, she shares her creative process and connects with a global following. One notable project celebrated the National Gallery's 200th anniversary, where she reimagined a century-old image in her signature surreal style, seamlessly merging historical and contemporary art. Maya Land's distinctive collages encourage viewers to reflect on modern society's complexities while appreciating the enduring beauty and relevance of the past. For more information on the work of Maya Land go tohttps://www.mayalandart.com To Support this podcast from as little as £3 per month: www.patreon/ministryofarts For full line up of confirmed artists go to https://www.ministryofarts.orgEmail: ministryofartsorg@gmail.comSocial Media: @ministryofartsorg Hosted on Acast. See acast.com/privacy for more information.

David Humphrey has maintained a forty-year commitment to making formally inventive, psycho-socially engaged paintings. Over this time he has  continued to transform images from the public realm into imaginative hybrids of the social and eccentrically individual, the historic and vividly contemporary. His work celebrates the peculiar nesting within the familiar.  Mixing various representational schema with improvisational abstraction, he tells stories of vexed intimacy, political/ socio reality, and imaginative projections crashing into the real. David Humphrey (b. 1955) has been the subject of 44 solo exhibitions including McKee Gallery, NY; Sikkema Jenkins, NY; Fredric Snitzer Gallery, Miami; and Contemporary Art Center, Cincinnati. His work is in the collections of several museums and public collections including Walker Art Center, Minneapolis; Carnegie Museum of Art, Pittsburgh; The Metropolitan Museum of Art, NY; Museum of Fine Arts, Boston as well as the Saatchi Gallery, London. He is currently teaching in the MFA program of Columbia. He was awarded the Rome Prize in 2008. Humphrey has had five solo exhibitions at Fredericks & Freiser. David Humphrey, Colored Drinks, 2024 Acrylic on canvas 72 x 60 inches David Humphrey, Plant Thoughts, 2024 Acrylic on canvas 60 x 72 inches David Humphrey, Wolf, 2024 Acrylic on canvas 54 x 44 inches

Szot (b. 1976)  has exhibited his work in many  galleries across the United States from New York to Los Angeles and Texas. Szot's paintings have been exhibited in the Saatchi Gallery in London and, in 2014, the artist was invited to participate in the Whitney Museum Art Party. His work is in  public collections, including Credit Suisse, and  numerous private collections, such as  Beth DeWoody and the Bass Family. The artist currently lives and works in both Los Angeles, CA and Brooklyn, NY. Ejecta, 80 x 58 inches, oil, metal leaf and charcoal on linen, 2024. Good Luck Flag (Diptych), 74 x 100 inches, oil, metal leaf and charcoal on linen, 2024. Soft Story,  52 x 70 inches oil, metal leaf and charcoal on linen, 2024.

Episode 86 of I Like Art Podcast: “Leaping without Looking”- Interview with Canadian artist Brandi Hofer. What is a “Be Brave Day”? Canadian artist Brandi Hofer talks about how she uses “be brave days” to go after her big dreams and land amazing opportunities as an artist and business owner. Hear about Brandi's portrait class and how ANYONE can learn her portrait-making techniques. Leave this episode feeling a little braver, energized and more inspired! If you love the show, we would love for you to follow and subscribe or even write a review! Sara releases new episodes on Tuesdays/Wednesdays and loves to share her passion for art for everyone, sharing the stories of today's living artists, telling stories from the studio and most importantly-  using this space to encourage YOU discover your creative voice and live more creatively! Thank you again for listening and joining Sara!    This episode is sponsored by: Sara's upcoming workshop for artists/creatives: How To Create + Sell Your Artist Calendar, her upcoming Calendar Pre-Sale and the sale of her original paintings.  Click here to learn more about the workshop and to register: https://www.saraglupkerart.com/store-1/p/calendarworkshop.  Use Code: HAPPY at checkout for 20% off this course. Must register before August 29, 2024 To Pre-Order one of Sara's 2025 Calendars: https://www.saraglupkerart.com/shop/p/2024calendar-x48rn   About this episode's featured artist: Taken from Brandi Hofer's website:  “Hello, I'm Brandi Hofer, and I wear many creative hats. I'm an artist, muralist, author, podcaster, and educator, with a passion for making meaningful connections through art. I'm proud to be a collected Canadian Artist, with my work exhibited internationally and across North America. Recently, I had the privilege of showcasing my pieces in the vibrant art scene of NYC. A highlight of my career has been the completion of my largest project to date, a monumental 3082 sq/ft mural titled Choose Love and Join Hands in Truth and Reconciliation. Along with the installation of this massive project, we ran an Indigenous Mentorship Program. To celebrate the project we held an unveiling and Final Ceremony with elders blessing, dancing and drumming. This collaboration with my community holds great personal significance. In 2021, I took my commitment to creative education further by founding an Art Academy in partnership with my local public school district, with a focus on inclusivity, diversity, and self discovery. Additionally, I established the Colour Me Happy online Community, Book, and Podcast, aiming to spread creative joy far and wide. In the coming years, I'm excited to take my educational workshops to the next level by building an eco-friendly artist residency and arts centre right here in Canada. My artwork has been featured on national television and has graced the pages of international publications and the prestigious Saatchi Gallery. I'm grateful for the support of collectors like Jillian Harris, Sarah Baeumler, Jenna Kutcher, Andrew Salgado, Jann Arden, and Sarah Nicole Landry (thebbirdspapaya). My studio, where my children and I create, is nestled in the tranquil Canadian prairies. It's not just a space, but a sanctuary for artistic expression and shared moments of creativity.” ‍ Connect with this episode's featured artist Brandi Hofer here:  Website: https://www.brandihofer.ca/ Instagram: https://www.instagram.com/brandihoferstudios/ Instagram/ Colour Me Happy Community: https://www.instagram.com/colourmehappycommunity/ Facebook: https://www.facebook.com/BrandiLHofer Check out Brandi's Online Portrait Class: https://brandihoferstudios.thrivecart.com/portrait-class/?_gl=1*1cjtoae*_ga*MTQ1NzU0MjQyNS4xNzIzNzY1OTcx*_ga_05JXSG6TKL*MTcyNDc1NjYwMi4zLjEuMTcyNDc1NjcyNS4wLjAuMA..   Listen to Brandi interview Sara on her podcast: Colour Me Happy: https://podcasts.apple.com/dk/podcast/giving-yourself-permission-to-create-overcoming-imposter/id1549968568?i=1000666358155   Things mentioned during the episode: Movie: Atomic Habits Music: Feist The Art Queens Society: https://www.artqueens.co/   Follow I Like Art Podcast on Instagram:  https://www.instagram.com/ilikeart.podcast/ Watch the latest I Like Art Podcast Interviews on YouTube: https://www.youtube.com/@ILikeArtPodcast    Find Sara Glupker- Podcast host here: Instagram: https://www.instagram.com/saraglupker Website: https://www.saraglupkerart.com Facebook: https://www.facebook.com/SaraStrongGlupkerArtist

Have you ever wondered what it would be like to breathe yourself into your own body? To flow with the out-breath of trees into your own fractaling lungs, to dance ribbonlike into an ancient ceiba's vasculature, to stitch an ecosystem together as a mycelium highways sparkling with energy? In this episode we explore the transformational potential of virtual reality through the work of Marshmallow Laser Feast, an artist collective that has emerged as a leading VR creators in the last decade. They exhibited internationally from London to New York, Melbourne to Seoul, their work included in major exhibitions at institutions including the Barbican Centre, Saatchi Gallery, Sundance Film Festival, and SXSW. 'In The Eyes Of The Animal' was nominated for the Design of the Year by Design Museum Beazley Awards and won the Wired Innovation Award (2016). Most recently, the team at MLF won the Tribeca Film Festival Storyscapes Award for Innovation in Storytelling and Best VR Film at VR Arles Festival for ‘TreeHugger, Wawona'. Ersin Han Ersin is the director of MLF and describes to us how they use dazzlingly aesthetic real-time VR experiences to explore the invisible perspectives of nature's lifeworlds – and how they are constantly pushing the bounds of what technology makes possible in expanding our ecological sensitivities. I enquire into:Who they need to speak to in order to create their masterpieces and translate the umwelts of other species? What other scientists, poets, musicians, make this possible?What is it that virtual reality can create that no other medium can?What is the building block of a multisensory story?What are some of the astounding ways that other beings experience the world that are divergent from the human?How could global education be redesigned based on kinesthetic educative tools like VR?Episode Website Link.Show Links:Marshmallow Laser FeastTED talkVimeo of MLFSoulful connection with trees: DartingtonLifeworlds Episode with Karen BakkerObservations on Being by MLFAI piece from Berggruen InstituteAbandon Normal Devices FestivalLook out for meditations, poems, readings, and other snippets of inspiration in between episodes.Music: Electric Ethnicity by Igor Dvorkin, Duncan Pittock & Ellie Kidd Hosted on Acast. See acast.com/privacy for more information.

Samira Ahmed is joined by author Anita Sethi and critic Tim Robey to review time-skipping sci-fi epic The Beast, where human emotions are perceived as a threat; the second series of Nida Manzoor's We Are Lady Parts, where the all-female Muslin punk band are recording their first album; they also give their verdict on the Beyond Fashion photography exhibition at the Saatchi Gallery, which tracks how fashion photography has become an art form in its own right.Presenter: Samira Ahmed Producer: Paula McGrath

We meet artist Shaqúelle Whyte to explore his current solo exhibition at Pippy Houldsworth Gallery in London.Whyte imagines fictional environments in his paintings, creating an enigmatic atmosphere that contributes to his psychoanalytic approach. The painted medium is paramount for the artist whose broad, loosely rendered brushstrokes are mirrored in his expansive compositions, in which time and space expand and contract across the canvas. Although non-linear, narrative plays a central role in Whyte's work, which sees him carry certain motifs over from one painting to the next. These recurring details contribute to the sense of theatre that pervades his work; Whyte directs his subjects as though they are actors and his canvas a stage. Despite excluding himself from the work representationally, the stories he crafts reflect his everyday life and innermost thoughts. The figures in Whyte's paintings act as conduits for his subconscious. Giving form to thought through paint, he generates a sense of introspection through his characters' often averted or guarded faces. At once enigmatic and familiar, Whyte's paintings evoke the surreal and shape the ephemeral, ultimately leaving his world open to the viewer's own interpretation.Shaqúelle Whyte (b. 2000, Wolverhampton) lives and works in London. He received a BA in Fine Art from the Slade School of Fine Art and an MA at the Royal College of Art. He is currently exhibiting his first solo show with Pippy Houldsworth Gallery, Yute, you're gonna be fine. Recent group shows include Present Tense, Hauser & Wirth, Somerset (2024); Buffer, Guts Gallery, London (2022); Seasons in the City, curated by Artuner, Palazzo Capris, Turin (2022); Showstopper, Saatchi Gallery, London (2022); and WHAT NOW?, PM/AM Gallery, London (2022). Whyte has taken part in residencies at The Fores Project, London (2022); AM/PM, London (2022); and the Denise Israel Scholarship, Rome (2021), amongst others.Follow @Shaq.Whyte and @PippyHouldsworthGalleryVisit the final weekend of Shaqúelle Whyte's solo exhibition. Last chance! His show runs until this Saturday 25th May: https://www.houldsworth.co.uk/exhibitions/147-shaquelle-whyte-yute-youre-gonna-be-fine/press_release_text/ Hosted on Acast. See acast.com/privacy for more information.

Keltie Ferris was born in Kentucky in 1977 and currently lives and works in Brooklyn, New York. He graduated with a BFA from the Nova Scotia College of Art and Design and an MFA from the Yale School of Art in 2006.Keltie has had recent solo shows at Mitchell-Innes & Nash, Morán Morán, Klemm's Gallery, Gana Art Sounds, the Speed Museum in Louisville, KY, the University Art Museum at SUNY Albany, the Santa Monica Museum of Art, just to namw a few. His works have been included in group exhibitions at institutions, including Klemm's Gallery, G Gallery, Seoul, the American Academy of Arts and Letters, the Asheville Art Museum, Morán Morán, Makasiini Contemporary, Maruani Mercier,  Saatchi Gallery, the Contemporary Arts Museum of Houston, and the Brooklyn Museum. He was awarded the Rosenthal Family Foundation Award in Painting by the Academy of Arts and Letters in 2014. Sound & Vision is supported by the New York Studio School, Golden Artist Colors and Fulcrum Coffee.

Fear can hold us back and make us feel stuck. But if we don't face the things that scare us, how will we ever progress? That's certainly the case for us creatives. Whether we're afraid of going freelance, starting a side project, applying for that job, or making a complete lifestyle shift, embracing what terrifies us could actually lead us to happiness. And if it doesn't? Well, there's always a lesson to be learned. Joanna Henly is no stranger to change. She spent her childhood moving around, as her parents' careers dictated. On making new friends at different schools and getting used to new roots, she naturally built resilience and, as a result, didn't shy away from her fears. That's not always been the case. Just like any of us, Joanna has her ups and downs. But in 2019, she suddenly decided to leave London for Lisbon, completely changing her entire lifestyle and career. And when the global pandemic happened, that only encouraged her to pursue her dreams even more. She became a creative mentor and now works with aspiring, emerging and mid-term career artists to propel their creativity and careers forward. She's taken everything she's experienced from her own journey of being an illustrator, muralist, fine artist, and digital and VR painter to help others. Joanna has worked with Reebok, Google, Vivienne Westwood, and Wacom. She's presented her work and ideas as inspiration sessions for Apple and sold out workshops and masterclasses at venues including The V&A, The Saatchi and National Portrait Galleries. Her artworks have even hung in the Saatchi Gallery and Somerset House, while her books are stocked at the Tate and National galleries. She's curated and exhibited solo shows in London and Hong Kong. More recently, she's presented ideas and interactive art with everyone from Google to fashion giants Galliano, painted in VR for the Land Rover Evoque world premiere, and so much more. So, how on earth do the rest of us face and overcome fear? How do we move forward as creatives and discover new ways of working and living? Essentially, how do we become unstuck and move forward? Joanna gives some excellent advice for anyone itching to make a significant change this year. This season is sponsored by MPB, the largest global platform for buying, selling, and trading used photo and video equipment. Visit MPB.com to find out more.

Trudy Benson Trudy Benson received her Master of Fine Arts from the Pratt Institute in 2010 and her Bachelor of Fine Arts from Virginia Commonwealth University in 2007. She has been the subject of recent solo exhibitions at Galerie Krinzinger, Vienna, Austria; Weber Fine Art, Greenwich, CT; SUNNY, New York; Massif Central, Brussels, Belgium; Miles McEnery Gallery, New York; and Ceysson & Bénétière, Saint-Étienne, France. Her work has been included in recent group exhibitions at Krinzinger Schottenfeld, Vienna, Austria; Eric Firestone Gallery, East Hampton, NY; m.simons, Amsterdam; Mother Gallery, Beacon, NY; Miles McEnery Gallery, New York; and Gaa Projects, Cologne, Germany. Benson's work may be found in the collections of the Aïshti Foundation, Beirut, Lebanon; Beth Rudin DeWoody Collection, New York; Hudson Valley MOCA, Peekskill, NY; Portland Museum of Art, ME; Saatchi Gallery, London; Schwartz Art Collection, Harvard Business School, Cambridge, MA; and the Susan and Michael Hort Collection, New York. The artist lives and works in Newburgh, NY. In a departure from her first exhibition with Miles McEnery Gallery in October 2021, Benson's compositions have turned to emphasize fine line work made with an airbrush. From afar, warped planes buzz with motion; when the viewer steps closer, densely-scribbled marks are revealed as the source rather than solid blocks of color. The paintings are rendered in color combinations from monochromatic palettes to power clashing hues, creating harmony in the unexpected. Trudy Benson, A Cross Across, 2023 Acrylic and oil on canvas 34 x 40 inches 86.4 x 101.6 cm Trudy Benson, Radiant Sky, 2023, Acrylic and oil on canvas, 60 1/4 x 80 inches, 152.4 x 203.2 cm Trudy Benson, Tests Her Limits, 2022, Acrylic and oil on canvas, 61 x 77 inches, 154.9 x 195.6 cm

A huge feature of immersive experiences is the intense sensory experience and different routes that participants can take through physical spaces - from the complex architecture of shaping narrative and agency to creating worlds with audience experience in mind, making this work is a multifaceted process for creatives and production. In this episode Dr Joanna Bucknall talks with Colin Nightingale and Hannah Price about the rewards and challenges they have experienced when creating immersive worlds and the burgeoning language that makers use to describe creating different types of audience journeys.Our Guests:Colin Nightingale is Co-Founder of A Right/Left Project and co-creator of Beyond The Road a sound and visual art installation/walk through album experience which premiered at Saatchi Gallery in 2019 before transferring to Seoul in 2021. Colin is a member of the core creative team at Punchdrunk for over 20 years and is currently Associate Creative Producer. Find Colin on Instagram and LinkedinHannah Price is an award winning director and creative director, working across theatre, immersive, VR, digital, and game performance directing. Hannah is the Creative Director of the Gunpowder Plot. Find Hannah on Instagram and TwitterHosted by Dr Joanna Bucknall and produced by Natalie Scott for the Immersive Experience Network's, Knowledge Bank. Funded by Arts Council England.Find us on Linkedin: https://www.linkedin.com/company/immersive-experience-network/ Follow us on Instagram @immersiveexperiencenetSign up to our Mailing List https://immersiveexperience.network/sign-upThe Immersive Experience Network is made possible by the support of our industry partners. Illusion Design & Construction, Mance Communications, White Light, Unlocked Vision, Clockwork Dog, d&b audiotechnik, Scene2, Little Lion Entertainment , Entourage, and Vista Insurance. Hosted on Acast. See acast.com/privacy for more information.

Edward Burtynsky is regarded as one of the world's most accomplished contemporary photographers. His remarkable photographic depictions of global industrial landscapes represent over 40 years of his dedication to bearing witness to the impact of human industry on the planet. Edward's photographs are included in the collections of over 80 major museums around the world, including the National Gallery of Canada in Ottawa; the Museum of Modern Art, the Metropolitan Museum of Art, and the Guggenheim Museum in New York; the Reina Sofia Museum in Madrid; the Tate Modern in London, and the Los Angeles County Museum of Art in California.Edward was born in 1955 of Ukrainian heritage in St. Catharines, Ontario. He received his BAA in Photography/Media Studies from Toronto Metropolitan University (formerly Ryerson University) in 1982, and has since received both an Alumni Achievement Award (2004) and an Honorary Doctorate (2007) from his alma mater. He is still actively involved in the university community, and sits on the board of directors for The Image Centre (formerly Ryerson Image Centre).In 1985, Edward founded Toronto Image Works, a darkroom rental facility, custom photo laboratory, digital imaging, and new media computer-training centre catering to all levels of Toronto's art community.Early exposure to the General Motors plant and watching ships go by in the Welland Canal in Edward's hometown helped capture his imagination for the scale of human creation, and to formulate the development of his photographic work. His imagery explores the collective impact we as a species are having on the surface of the planet — an inspection of the human systems we've imposed onto natural landscapes.Exhibitions include: Anthropocene (2018) at the Art Gallery of Ontario and National Gallery of Canada (international touring exhibition); Water (2013) at the New Orleans Museum of Art and Contemporary Art Center in Louisiana (international touring exhibition); Oil (2009) at the Corcoran Gallery of Art in Washington D.C. (five-year international touring show), China (toured internationally from 2005 - 2008); Manufactured Landscapes at the National Gallery of Canada (toured from 2003 - 2005); and Breaking Ground produced by the Canadian Museum of Contemporary Photography (toured from 1988 - 1992). Edward's visually compelling works are currently being exhibited in solo and group exhibitions around the globe, including at London's Saatchi Gallery where his largest solo exhibition to-date, entitled Extraction/Abstraction, is currently on show until 6th May 2024.Edward's distinctions include the inaugural TED Prize (which he shared with Bono and Robert Fischell), the title of Officer of the Order of Canada, and the International Center of Photography's Infinity Award for Art. In 2018 Edward was named Photo London's Master of Photography and the Mosaic Institute's Peace Patron. In 2019 he was the recipient of the Arts & Letters Award at the Canadian Association of New York's annual Maple Leaf Ball and the 2019 Lucie Award for Achievement in Documentary Photography. In 2020 he was awarded a Royal Photographic Society Honorary Fellowship and in 2022 was honoured with the Outstanding Contribution to Photography Award by the World Photography Organization. Most recently he was inducted into the International Photography Hall of Fame and was named the 2022 recipient for the annual Pollution Probe Award. Edward currently holds eight honorary doctorate degrees and is represented by numerous international galleries all over the world. In episode 224, Edward discusses, among other things:His transition from film to digitalStaying positive by ‘moving through grief to land on meaning'Making compelling images and how scale creates ambiguityDefining the over-riding theme of his work early onThe environmental impact of farmingWhether he planned his careerWhy he started a lab to finance his photographyAnd how being an entrepreneur feeds into his work as an artistVertical IntegrationExamples of challenging situations he has facedThe necessity for his work to be commoditisedHis relative hope and optimism for the future through positive technologyThe importance of having a hopeful component to the workHow he offsets his own carbon footprint Referenced:Joel SternfeldEliiot PorterStephen ShoreJennifer BaichwalNicholas de Pencier Website | Instagram“The evocation of the sense of wonder and the sense of the surreal, or the improbable, or ‘what am I looking at?', to me is interesting in a time where images are so consumed; that these are not for quick consumption they're for… slow. And I think that when things reveal themselves slowly and in a more challenging way, they become more interesting as objects to leave in the world. That they don't just reveal themselves immediately, you can't just get it in one quick glance and you're done, no, these things ask you to look at them and spend time with them. And I discover things in them sometimes that I never saw before. They're loaded with information.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.

In this episode Jordan talks with visionary AI photographer and creative director AI.S.A.M about the power of AI tools for creatives, and it's impact of process, and workflow and creativity. AI.S.A.M is on the forefront of the design, fashion and film industry working with legends such as Valentino and Spike Jonze. ...... Brought to you by The Squad. ------------------------------- JORDAN BAYNE OFFICIAL WEBSITE ⁠⁠⁠⁠⁠⁠⁠⁠https://www.jordanbayne.com⁠⁠⁠⁠⁠⁠⁠⁠ TWITTER ⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/jordanbayne⁠⁠⁠⁠⁠⁠⁠⁠ INSTAGRAM ⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/jordan_bayne⁠⁠⁠⁠⁠⁠⁠⁠ LINKEDIN ⁠⁠⁠⁠⁠⁠⁠⁠https://www.linkedin.com/in/jordan-bayne⁠⁠⁠⁠⁠⁠⁠⁠ ------------------------------ The Film3 OG and the Next Wave of Cinema Podcast is hosted by Jordan Bayne, the award winning filmmaker and thought leader behind the Film3 Movement. This podcast has conversations with the cutting edge thought leaders, artists, filmmakers and creators who are trailblazing the Film3 Movement alongside Jordan and The Squad to create a better future for filmmakers. ------------------------------ RESOURCE LINKS THE SQUAD OFFICIAL WEBSITE ⁠⁠⁠⁠⁠⁠⁠⁠https://www.filmsquad.io⁠⁠⁠⁠⁠⁠⁠⁠ THE SQUAD TWITTER ⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Film3Squad⁠⁠⁠⁠⁠⁠⁠⁠ THE SQUAD DISCORD ⁠⁠⁠⁠⁠⁠⁠⁠discord.gg/K9DEfNaSYn⁠⁠⁠⁠⁠⁠⁠⁠ THE SQUAD INSTAGRAM ⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/film3squad⁠⁠⁠⁠⁠⁠⁠⁠ THE SQUAD YOUTUBE ⁠⁠⁠⁠https://www.youtube.com/channel/UCF-bQ4_cNRth0XE-C60wzvw⁠⁠⁠⁠ ------------------------------ AI.S.A.M X https://twitter.com/ai_s_a_m AI.S.A.M INSTAGRAM https://www.instagram.com/ai.s.a.m/ BIO: AI.S.A.M London-based AI photographer and creative director AI SAM, artfully uses AI to merge the real with the artificial, thereby challenging our perceptions of authenticity in virtual worlds. His pioneering work in AI photography, which captures moments within fabricated environments, goes beyond questioning traditional artistic boundaries; it actively blurs the lines between physical and digital existence. This endeavor enables the exploration of a multiplicity of selves across various realities, reshaping our understanding of selfhood and identity. AI.S.A.M's work stands at the forefront of a new artistic frontier, where AI and digital consciousness converge to expand our existential understanding. It suggests that our essence transcends physical existence, venturing into the realms of virtuality and imagination. Clients and collaborators include Valentino, Spike Jonze, the Saatchi Gallery and Sothebys. Click SUBSCRIBE so you never miss an episode.

rWotD Episode 2475: Heather Tweed Welcome to random Wiki of the Day where we read the summary of a random Wikipedia page every day.The random article for Monday, 12 February 2024 is Heather Tweed.Heather Tweed (born 1959) is a visual artist, educator and writer based in the UK whose artwork is exhibited nationally and internationally. Graduating from Exeter College of Art and Design in 1983, she first came to national attention with her Anubis Other World Tour series of exhibitions beginning in 1997.She has had solo exhibitions in London, Edinburgh, Bristol, Bath, Birmingham, Yorkshire and Exeter and in many groups shows, and been selected for exhibition by the Saatchi Gallery. In 2009 her Abscission series of installations took place during the Edinburgh Fringe Festival. In 2010 her Lost Not Found: Abscission was part of the official Edinburgh Art Festival.This recording reflects the Wikipedia text as of 01:17 UTC on Monday, 12 February 2024.For the full current version of the article, see Heather Tweed on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Amy Neural.

Francesca DiMattio is an artist born in NYC who lives and works between Manhattan and Upstate New York. Recent solo exhibitions include Wedgwood at Pippy Houldsworth Gallery, London (UK), Sèvres at Nina Johnson, Miami (FL), Boucherouite at Salon 94 Bowery, New York (NY); Francesca DiMattio: Housewares at the Blaffer Art Museum, Houston (TX) and Vertical Arrangements at the Zabludowicz Collection, London (U.K.). Her work is in the collections of the San Francisco Museum of Modern Art, San Francisco (CA), the Ruth and Elmer Wellin Museum of Art at Hamilton College, Clinton (NY); the Perez Art Museum, Miami (FL); the Frances Young Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs (NY); the Saatchi Gallery, London (U.K.); the Bass Museum of Art, Miami Beach (FL) and the Zabludowicz Collection. Francesca DiMattio's work has been covered by the New York Times, Art Newspaper, T Magazine, The New Yorker, Vogue, W Magazine and World of Interiors, among others.

In der Mittagsfolge sprechen wir heute mit Yannick Mayer, COO und Co-Founder von Eternalyst, über Non-Fungible Tokens, deren Akzeptanz in der Bevölkerung und in den Medien sowie über deren Zukunftsaussicht.Eternalyst handelt digitale Kunst, die auf der Blockchain in Form von Non-Fungible Tokens (NFTs) gespeichert ist. Mittlerweile versteigern, besitzen und stellen weltbekannte Akteure, wie die Auktionshäuser Christie's und Sotheby's sowie die Kunsthäuser Museum of Modern Art und die Saatchi Gallery, digitale Kunstwerke aus. Das Startup bietet auf der Grundlage von jahrzehntelanger Erfahrung professionelle Kuration von digitalen Kunstwerken und Kunstsammlungen an. Darüber hinaus hat das Unternehmen eine Expertise im Bereich Blockchain und sorgt für eine sichere Verwahrung digitaler Kunst nach höchsten Sicherheitsstandards. Außerdem gehören die Durchführung sämtlicher Transaktionen, Verwahrung der Zugangs-Codes, Versicherung der Sammlung sowie Performance-Updates zu dem Lösungsportfolio des Unternehmens. Eternalyst wurde im Jahr 2022 von Yannick Mayer, Lucas Pirker und Robert Seyfert in Vaduz gegründet. Das Liechtensteiner Startup hat bereits eine Vielzahl von Kunstsammelnden, Investierenden und Galerien von seinem Service überzeugt. Das übergeordnete Ziel ist es, die zentrale Anlaufstelle für die Bewertung, Kuration, Kauf, Verkauf und die Verwahrung digitaler Kunst zu werden.Digitale Kunst und die damit in Verbindung gebrachten NFTs waren in der Vergangenheit oft Gegenstand negativer Berichterstattungen, in der sie als hochspekulativ und wertlos beschrieben wurden. NFTs sind ein dezentrales Speichermedium, das die Blockchain-Technologie nutzt. Der Kunstwert wird dabei durch das auf dem NFT gespeicherte Werk bestimmt. Viele der negativen Berichterstattungen sind auf NFT-Projekte zurückzuführen, die Bilder und Kunstwerke in Form von NFTs mit geringem Wert veröffentlichten. Im Gegensatz dazu steht eine steigende Anzahl etablierter Künstlerinnen und Künstler, die digitale Kunst entdecken und nutzen. Durch die Speicherung in Form eines NFT auf der Blockchain ist digitale Kunst zudem nachverfolgbar, authentifizierbar und einzigartig.

Michael Najjar, Extrem-Foto- und Video-Künstler aus Berlin. Michael Najjar wurde 1966 in Landau geboren und studierte von 1988 bis 1993 an der »bildo Akademie für Medienkunst« in Berlin. In dieser Zeit beschäftigte er sich intensiv mit den visionären Theorien von Medienphilosophen wie Vilém Flusser, Paul Virilio und Jean Baudrillard. In seiner Arbeit hinterfragt Michael Najjar immer wieder die Beziehung zwischen Realität und Simulation. Seine Arbeit wird international ausgestellt und ist in zahlreichen Sammlungen vertreten. Darunter: Akademie der Künste, Berlin; Alfred Ehrhardt Foundation, Berlin; Museum Ludwig, Köln; Kunsthalle Hamburg/Galerie der Gegenwart, Hamburg; Deichtorhallen, Hamburg; Marta Museum, Herford; Edith Russ Haus für Medienkunst, Oldenburg; Kunstmuseum Wolfsburg; Saatchi Gallery, London; uvm. Zitat aus der Episode: »Frei nach Flusser: Eine Fotografie ist ein nulldimensionales Bild, weil es zu jeder Zeit an jedem Ort erscheinen und abgerufen werden kann.« »Zitat von einem meiner Dozenten: Du kannst nur etwas gut gestalten, wenn Du eine eigene Erfahrung damit gemacht hast.« »Bei mir ist der Drang danach Bilder zu generieren oft größer als das Risikobewusstsein.« »Mir war klar mit Tools wie Photoshop wird sich das Medium stark verändern.« »Mich hat immer interessiert, wie verändert das Internet die Megacities?« »Mich hat immer interessiert, wie greifen wir in unsere Physis ein mittels neuer medizinischer Technologien?« »Mich hat immer interessiert, welchen Einfluss haben Algorithmen auf die weltweiten Finanzströme?« »Die Leute müssen wieder was wagen. Sie müssen Risiken auf sich nehmen, um neue Sachen zu entdecken.« »Es gibt eine so genannte Technosphäre, die mittlerweile mehr als die gesamte Biosphäre wiegen soll.« https://www.michaelnajjar.com https://www.instagram.com/studio_michaelnajjar - - - Episoden-Cover-Gestaltung: Andy Scholz Episoden-Cover-Foto: Thomas Rusch https://www.instagram.com/thomasrusch/ In unseren Newsletter eintragen und regelmäßig gut informiert sein über das INTERNATIONALE FESTIVAL FOTOGRAFISCHER BILDER, den »Deutschen Fotobuchpreis« und den Podcast Fotografien Neu Denken. https://festival-fotografischer-bilder.de/newsletter/ Idee, Produktion, Redaktion, Moderation, Schnitt, Ton, Musik: Andy Scholz Der Podcast ist eine Produktion von STUDIO ANDY SCHOLZ 2020-2023.

Ekow Eshun is curating an exhibition exploring the idea of Sankofa, taking from the past what is good and bringing it into the present. Sarah Jilani teaches novels written by Ama Ata Aidoo (1942-2023) and Flora Nwapa (1931-1993). Sculptor Zak Ové is showing a work called The Mothership Connection as part of Frieze Sculpture display in London's Regents Park which brings together the form of a Pacific Northwest totem and a rocket with elements relating to African culture like tribal masks. They join Shahidha Bari for a conversation exploring African ideas about a better future. Producer: Marcus Smith The Mothership Connection is on display in Regents Park as part of Frieze London's sculpture display and he has work on show in an exhibition opening at the Saatchi Gallery. He also in the past curated an exhibition called Get Up Stand Up Now: Generations of Black Creative Pioneers Power to the People: Horace Ové's Radical Vision is running at the BFI in London and Pressure, his film which was Britain's first Black feature, has been newly restored by the BFI National Archive and is screening. Sarah Jilani teaches world literatures in English at City, University of London and is a New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council to showcase new research on radio. Ekow Eshun is a writer and curator. His most recent show In and Out of Time runs at Accra's Gallery 157 until December 12th 2023. You can hear him discussing ideas about The Black Fantastic in a previous episode of Free Thinking. You can find a collection of episodes exploring Black History on the Free Thinking programme website and available to download as Arts and Ideas podcasts https://www.bbc.co.uk/programmes/p08t2qbp

Michael Najjar, Extrem-Foto- und Video-Künstler aus Berlin. Michael Najjar wurde 1966 in Landau geboren und studierte von 1988 bis 1993 an der »bildo Akademie für Medienkunst« in Berlin. In dieser Zeit beschäftigte er sich intensiv mit den visionären Theorien von Medienphilosophen wie Vilém Flusser, Paul Virilio und Jean Baudrillard. In seiner Arbeit hinterfragt Michael Najjar immer wieder die Beziehung zwischen Realität und Simulation. Seine Arbeit wird international ausgestellt und ist in zahlreichen Sammlungen vertreten. Darunter: Akademie der Künste, Berlin; Alfred Ehrhardt Foundation, Berlin; Museum Ludwig, Köln; Kunsthalle Hamburg/Galerie der Gegenwart, Hamburg; Deichtorhallen, Hamburg; Marta Museum, Herford; Edith Russ Haus für Medienkunst, Oldenburg; Kunstmuseum Wolfsburg; Saatchi Gallery, London; uvm. Zitat aus der Episode: »Frei nach Flusser: Eine Fotografie ist ein nulldimensionales Bild, weil es zu jeder Zeit an jedem Ort erscheinen und abgerufen werden kann.« »Zitat von einem meiner Dozenten: Du kannst nur etwas gut gestalten, wenn Du eine eigene Erfahrung damit gemacht hast.« »Bei mir ist der Drang danach Bilder zu generieren oft größer als das Risikobewusstsein.« »Mir war klar mit Tools wie Photoshop wird sich das Medium stark verändern.« »Mich hat immer interessiert, wie verändert das Internet die Megacities?« »Mich hat immer interessiert, wie greifen wir in unsere Physis ein mittels neuer medizinischer Technologien?« »Mich hat immer interessiert, welchen Einfluss haben Algorithmen auf die weltweiten Finanzströme?« »Die Leute müssen wieder was wagen. Sie müssen Risiken auf sich nehmen, um neue Sachen zu entdecken.« »Es gibt eine so genannte Technosphäre, die mittlerweile mehr als die gesamte Biosphäre wiegen soll.« https://www.michaelnajjar.com https://www.instagram.com/studio_michaelnajjar - - - Episoden-Cover-Gestaltung: Andy Scholz Episoden-Cover-Foto: Thomas Rusch https://www.instagram.com/thomasrusch/ In unseren Newsletter eintragen und regelmäßig gut informiert sein über das INTERNATIONALE FESTIVAL FOTOGRAFISCHER BILDER, den »Deutschen Fotobuchpreis« und den Podcast Fotografien Neu Denken. https://festival-fotografischer-bilder.de/newsletter/ Idee, Produktion, Redaktion, Moderation, Schnitt, Ton, Musik: Andy Scholz Der Podcast ist eine Produktion von STUDIO ANDY SCHOLZ 2020-2023.

As we move toward October, the first a few intermittent episodes reminding us of the artistry behind our plant and garden love, the artistry underpinning mother nature herself. This week we're in conversation with artist Libby Ellis – photographer who sees the fullness of creation in the many faces of the flowers who delight us. Libby Ellis is a fine art photographer based on the island now known as Martha's Vineyard homeland of the Wampanoag people and nation who named the beautiful island Noepe. Monochromoatic and often single focused Ellis' work lands in my heart in a similar way as a Georgia O'Keeffe painting or a Dorothea Lange portrait – all of them capturing the essence of one subject while contributing insight into the workings of life itself – nature, plus the workings of humanity and its perceptions. In the case of Libby Ellis – the focal point include everyday flowers from Cosmos to musk roses, hibiscus to magnolia. And her work has been featured from various locations on Martha's Vineyard including the Featherstone Center for the Arts and the Carnegie Museum to London's Saatchi Gallery for the Royal Horticultural Society's 2022 Botanical Art and Photography exhibit, from the Harvard Divinity School to large scale projection against a high rise building in Denver, CO. Libby joins us from her studio in Edgartown MA (on the to share more about her photographic eye and gardener's heart.

Courtesy of the artist and Eli Klein Gallery © Zhang Dali Zhang Dali was born in Harbin, China in 1963. He graduated from the painting department at the Central Academy of Fine Arts in Beijing with a BA in 1987. An influential figure in socio-political artistic movements in China, Zhang Dali has, for decades, challenged the conventional with his social documentation in graffiti, sculpture, photography, and painting. Zhang was exiled from China after graduating from the Central Academy of Fine Arts and spent six years immersing himself in Western art and art history in Italy. Upon his return to Beijing, he developed a keen interest in portraiture (usually of himself), documentary and public urban art, often interrupting spaces with confrontational political statements. The photograph series 'A Second History' consists of propaganda and found images under the rule of Mao, which have been doctored or altered to the Chairman's artistic 'vision' of politics and appropriation. He is critically recognized as one of China's first graffiti and street artists. In 2011, Zhang Dali's work was featured in New Photography 2011 at the Museum of Modern Art in New York. The New York Times reviewed the show, mentioning that “the evocation of Orwellian busywork constantly varnishing truth for the benefit of dictatorial dominion is chilling to contemplate.” In 2014, Zhang Dali presented a comprehensive solo show at Klein Sun Gallery titled Square, which featured his cyanotypes, fiberglass sculptures, and paintings. Art in America praised Zhang's work as it ”compels his audience to acknowledge those who are damaged and marginalized, in hopes of expanding civic awareness and empathy” and stated that “it is now time for the Western media to accord Zhang recognition for his powerful, courageous artworks, which speak up for those who cannot freely speak for themselves." His work is in public collections including Museum of Modern Art, New York, NY; The Brooklyn Museum, Brooklyn, NY; The Saatchi Gallery, London, UK; Smart Museum, Chicago, IL; and Asia Society, New York, NY. Zhang Dali currently lives and works in Beijing, China. Zhang Dali Dove (41), 2021. Red cyanotype on cotton, 63 x 90 1/2 inches (160 x 230 cm) Courtesy of the artist and Eli Klein Gallery © Zhang Dali Zhang Dali Dove (57), 2023. Blue cyanotype on cotton, 59 x 74 3/4 inches (150 x 190 cm) Courtesy of the artist and Eli Klein Gallery © Zhang Dali Zhang Dali, Herbarium Pagoda Tree (S. japonicum) (2), 2020. Blue cyanotype on cotton, 53 1/8 x 37 3/4 inches (135 x 96 cm) Courtesy of the artist and Eli Klein Gallery © Zhang Dali

Pfister, Sandrawww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

An exploration of race and politics via the dancefloor.Today my guest is the photographer and filmmaker Jermaine Francis. Jermaine and I discuss his recent film Lost in Music: A Post Industrial Dreamscape - an exploration of race and politics within a dancefloor context. This work was recently presented alongside a discussion with the writer Nathalie Olah and photographer Edward "Eddie" Otchere at Camden Arts Centre.His practice works within documentary & portraiture, in the format of personal driven photo projects & editorials, exploring the issues that arise from our interaction in the everyday environment. He has published two books, Something That Seems So Familiar and Rhythms from the Metroplex. Jermaine's work can be found in publications such as i-D, 10 Magazine and the Wall Street Journal, and in exhibitions at GaleriePCP in Paris and Saatchi Gallery.I loved talking with Jermaine and I hope that you enjoy his words on his rich creative life as much as I did.Thank you for listening and for supporting Shade - the award winning independent art show highlighting the work of Black art practitioners via Patreon and Ko-fiSee you next time!Shade Podcast is hosted and produced by Lou MensahMusic generously composed for Shade by Brian JacksonShade InstagramShade websiteJermaine Francis instagram Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Art at War is a series about, well… Art and war. Each episode writer and ArtEZ alumna Lisa Weeda explores what art can do in times of conflict with a special guest. In this episode that guest is Anastasia Taylor-Lind.  Anastasia Taylor-Lind is an English/Swedish photojournalist who works for leading editorial publications all over the world on issues relating to women, population and war.  She is a 2016 Harvard Nieman Fellow, a TED fellow and a 2017 non-fiction Logan Fellow at The Carey Institute for Global Good. Her first book MAIDAN – Portraits from the Black Square, which documents the 2014 Ukrainian uprising in Kiev, was published by GOST books the same year.  Anastasia's  work has been exhibited internationally, in spaces such as The Saatchi Gallery, The Frontline Club, and The National Portrait Gallery in London. She also writes poetry. Check out Anastasia's website to get a grasp of her  work and portfolio: http://www.anastasiataylorlind.com Read a poem by her hand: https://www.theguardian.com/books/booksblog/2022/apr/25/poem-of-the-week-welcome-to-donetsk-by-anastasia-taylor-lind or look for her first poetry collection ‘One Language'. And follow her on instagram: https://www.instagram.com/anastasiatl/

In this episode of The Directors' Take podcast, your hosts Oz Arshad and Marcus are joined by Director and visual artist Riffy Ahmed, where they talk you through the experiences they had in shadowing the Directors' on Season 1 of HOUSE OF THE DRAGON and the upcoming season of TOPBOY.   -Riffy tells us her incredible story of how she had a show featured in the Saatchi Gallery. -We talk practically about how you should shadow on a high-end TV show. -We talk about our relationships with the Directors and Showrunners. -We cover what we learnt about the role of a Director working with the TV system and becoming a 'midwife'. -We touch on what it is to be a Second Unit Director in TV. -We talk about diversity in the TV & Film Industry based on our own experiences. -We talk about emotional resilience and the importance of on set experience.   Riffy Ahmed is a multi-disciplined visual artist and has had her work featured in Directors' Notes, Dazed and the Saatchi Gallery. Now signed to Independent talent, she is currently developing her own original TV and Feature work and most recently shadowed Myriam Raja on Season 3 of Netflix's TOPBOY.   http://www.riffy.com/   Nuggets of the Week   YouTube Channel: Great Art Explained Podcast: The Last of Us Podcast   Credits Music by Oliver Wegmüller   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com.

On this episode of Showcase, watch: Arab Modernities 00:02 Warhol in AlUla 02:19 London Protest Art 05:18 Designer Everything Everywhere 08:20 Talli Art 11:05 Hermitage Plants 13:52 Cold War Museum 16:29 Mike Nelson's ‘Extinction Beckons' 19:50 Street Art at Saatchi Gallery 22:50

This week, Charlotte Collins is joined by Harriet Russell, Emma Bigger & Georgina Blaskey. The four discuss gardening tips, what they've been watching recently & post-pandemic manners – plus, they recap the main trends from Milan Fashion Week & the spring fashion they're eyeing up this year…Sign Up to The FREE SheerLuxe Daily Email: https://sheerluxe.com/signupFollow Us On Instagram: https://www.instagram.com/sheerluxe/?hl=enBeyond The Streets, Saatchi Gallery | http://bit.ly/3ZeLHdk Gleneagles | https://gleneagles.com/ The Boys In The Band | NetflixFleishman Is In Trouble | NetflixSylvia, The Old Vic | https://bit.ly/3kFdKnp Trench Coat, Sleeper | http://bit.ly/41Msp0v Me & Em Trousers | http://bit.ly/3SJrVV1 Hosted on Acast. See acast.com/privacy for more information.

Liminal Gallery Podcast host, Louise Fitzjohn, speaks with contemporary artist Flora Bradwell, who has artwork in our current group exhibition 'Try a little...Tenderness' which opened on 4th February in our Margate-based Gallery. A compulsion towards the carnivalesque and a vibrant trashy aesthetic are key to Flora Bradwell's playful practice. Encompassing painting, sculpture, video and performance Flora's work revels in the generously grotesque. Compositions of frescoes, cult manifestoes and nursery rhymes are squeezed through a fantastical filter to create dimly recognisable imagined worlds. Camp and theatrics are employed to demonstrate the ridiculousness of patriarchal systems and gossip fuels visual flights of fancy as the props of daily life are put on a pedestal.​Bradwell completed her BA in Painting at City & Guilds of London Art School in 2009 and her MFA at The Slade School of Fine Art in 2021. While at the Slade Bradwell received the The Felix Slade Award, The Jeanne Szego Prize and Sarabande Emerging Artist Bursary.Bradwell is a recipient of the Gilbert Bayes Award 2023 and artist in Residence at Van Gogh Huis in April 2023. Bradwell's work has been exhibited, screened and performed internationally including at the Whitechapel Gallery, Nunnery Gallery, Saatchi Gallery, The Royal Academy of Arts in London, at Future DMND, LA, Zaratan, Lisbon and at the European Media Arts Festival, Osnabruck. Bradwell has completed residencies at Elephant Lab, London(2022), Cyprus College of Art, Paphos, SIM, Reykjavik (2021) and Colart, London (2019). Bradwell also curates art events, exhibitions and happenings across the UK and is Co-Director of Bad Art.Tender moments, tender flesh, tender touch, tender thoughts, tender heart, tender mind; try a little tenderness. A tender moment is encapsulated in an act of thoughtfulness; a cup of tea at the end of the day, a gift of flowers, a display of love. Tenderness is to give up one's time, attention, precious moments devoted to another. Tenderness is also pain, a moment of fragility, of weakness. It evokes skin which expands, shrinks, multiplies, and shivers to the touch. Skin which is a dying organism, for surely that is what we all are. A tender morsel of meat, deliciously melts in the mouth. Exploring these themes in contrasting ways ‘Try a little Tenderness' brings together the works of Ingrid Berthon-Moine, Flora Bradwell and Damien Flood whose practice is unified in the attempt to capture these fleeting moments. Read the full press release here:https://www.liminal-gallery.com/try-a-little-tendernessContact us: info@liminal-gallery.comFollow us on Instagram: @liminal_galleryWith original music by Lorenzo Bonari. Hosted on Acast. See acast.com/privacy for more information.

We explore the creative and commercial genius that emerged from the street-art movement of 1970s New York. We meet street art historian and creator of a new exhibition at Saatchi Gallery, Roger Gastman, and catch up with some of the scene's major players, Claudia “Claw Money” Gold, and Fab 5 Freddy. 

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, David Benjamin Sherry have a deeply personal and moving conversation about the decisions and influences that lead David to pursue photography and to work in the uniquely exuberant and process forward manner that he does. https://davidbenjaminsherry.com David Benjamin Sherry (Santa Fe, NM) is an artist whose work is both challenging and reinvigorating the American Western landscape tradition. His work revolves around interests in environmentalism, queer identity and alternative analog film processes. He's best known for his colorful landscape work, brought upon by the desire to explore the last remaining wilderness in America. Through numerous projects, Sherry's work expresses deep concern for the rapidly changing environment, while continuing to sustain a queer sensibility in the hetero-male dominated canon of landscape photography. Sherry has referred to himself as a “nostalgic futurist” and currently uses a large format 8x10 film camera in order to reflect and understand our connection within the contemporary American landscape. Sherry was born in 1981 in Stony Brook, NY and lives and works in Santa Fe, New Mexico. He received his BFA in Photography from Rhode Island School of Design in 2003 and his MFA in Photography from Yale University in 2007 where he was awarded the Richard Dixon Welling Prize. In 2010 he received the Rema Hort Mann Foundation Visual Arts Grant. Sherry taught Western Landscape and Large Format photography as a distinguished faculty member at the San Francisco Art Institute in 2018. In the fall of 2020, joined the Yale MFA Photography program as a Visiting Critic. A multi-part installation of his work was exhibited in Greater New York 2010 at MoMA PS1, New York, a survey show organized by Klaus Biesenbach Connie Butler, and Neville Wakefield. His work has been exhibited in numerous solo presentations and also included in many group presentations including: The Anxiety of Photography, Aspen Art Museum (2011), New York Minute at Garage Museum of Contemporary Art, Moscow (2011), Out of Focus at Saatchi Gallery, London (2012), Lost Line, LACMA Los Angeles County Museum of Art (2013), What is a Photograph? at ICP International Center for Photography, New York (2014), Fotofocus Biennial, Cincinnati, Ohio (2014) Color Fields at MassArt Museum (2015) and Ansel Adams In Our Time, Museum of Fine Arts, Boston (2018). His work is in permanent collections at The Whitney Museum of American Art, NY, The Nasher Museum of Art, Durham, NC, Walker Art Center, Minneapolis, MN, Wexner Center of the Arts, Columbus, OH, Los Angeles County Museum of Art, Los Angeles, CA, The Saatchi Collection, London, UK, The Alfond Collection of Contemporary Art, Cornell Fine Arts Museum, FL, and The Marciano Foundation, Los Angeles, CA Sherry's work has been featured in many prominent international publications, including Artforum, Aperture Magazine, Architectural Digest, Art in America, Interview Magazine, The New Yorker, New York Magazine, and The New York Times, among many others. In September 2014, his work was featured on the cover of The New York Times Magazine. In the spring of 2019, his work was featured on the cover of Aperture Magazine for the Earth issue. There are four monographs of his work: It's Time (Damiani, 2010); Quantum Light (Damiani, 2013); Earth Changes (Mörel Books, 2015) and his most recent monograph, “American Monuments” (Radius, 2019) features essays by top environmentalists and activists Terry Tempest Williams and Bill McKibben. David Benjamin Sherry is represented by Salon 94 Gallery, New York and Morán Morán Gallery, Los Angeles. Find out more at https://photowork.pinecast.co

This episode we're looking at how photography has the power to change attitudes and is increasingly blurring the lines between fashion and art. We talk to two young photographers. Mahaneela and Kwabena Sekyi Appiah-nti, exhibiting at The New Black Vanguard, which runs at the Saatchi Gallery till late January. The exhibition is curated by writer, critic and editor, Antwaun Sargent, is sponsored by Burberry and focuses on fashion portraiture that celebrates black culture. We chat to Maryam Eisler, the Iranian-born photographer whose exhibition ‘If Only These Walls Could Talk' is at the Alon Zakaim Fine Art Gallery on Cork Street. Her photographs are set in the gorgeous, world-famous hotel Nord-Pinus in Arles in the South of France, which she's used as a beautiful and glamorous setting to celebrate the beauty and sensuality of the female form. We discuss both exhibitions and have a fascinating conversation about the responsibility that photographers feel to document political shifts and current affairs and celebrate the power photography has, particularly via social media, to shift perceptions and ultimately change the world.

Portrait by Gabriella Marks Paula Wilson received an MFA from Columbia and a BFA from Washington University in St. Louis, MO. Alongside her current exhibition at Denny Dimin Gallery, she is currently exhibiting within a group exhibition Plein Air at MOCA Tucson and has an upcoming solo exhibition Toward the Sky's Back Door at The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs in 2023. She has also recently had an acquisition placed at Colby College Museum of Art. In addition, her upcoming Albuquerque Museum show: Nicola López and Paula Wilson: Becoming Land opens October 8th, 2022 and is part of a larger umbrella of shows titled: Historic and Contemporary Landscapes including work by Thomas Cole and Kiki Smith. Wilson's has held other recent solo exhibitions at Locust Projects, Miami, FL (2020-2021), 516 ARTS Contemporary Museum, Albuquerque, NM (2019), Smack Mellon, Brooklyn, NY (2018), and Denny Dimin Gallery, New York, NY (2018). She has been included in four exhibitions at the Studio Museum in Harlem, exhibitions at Tufts University Art Galleries (2021), Skidmore College (2015), Inside-Out Art Museum in Beijing (2014), Postmasters Gallery (2010), Weatherspoon Art Museum, Greensboro, NC (2010), Contemporary Arts Museum Houston (2009), Zacheta National Gallery of Art in Warsaw (2007), Sikkema Jenkins & Co. (2006), just to name a few.  Wilson's artwork is in many prestigious collections including, The Studio Museum in Harlem, the New York Public Library, Yale University, Saatchi Gallery, and The Fabric Workshop. Microhouse, 2022 Mixed Media. Courtesy of Paula Wilson and Denny Dimin Gallery Earth Angel, 2022 Acrylic and oil on muslin and canvas (relief, silkscreen, monotype, and lithography print), wooden and beaded jewelry made in collaboration with Mike Lagg. Courtesy of Paula Wilson and Denny Dimin Gallery Up My Sleeve, 2021 Acrylic on muslin and canvas (woodblock, relief, monotype, silkscreen, collagraph, and digital print) Courtesy of Paula Wilson and Denny Dimin Gallery

Raffi Kalenderian is an artist who studied painting at the University of California, in Los Angeles. Subsequently, he did artist residency at Idyllwild Arts Academy, California, and at Medium, St. Barthélemy. Raffi uses oil paint, watercolors, graphite, and colored pencils, sometimes combined with a collage of photocopied material. His portraits show people surrounded by domestic environments; patterns of clothing and furniture build elaborate abstractions. In his work, The artist reflects on leisure and portrays a young society that seems to be always waiting for something.  Raffi has held solo shows at the Buchmann Galerie, Berlin; Galerie Peter Kilchmann, Zurich; Brand New Gallery, Milan; Susanne Vielmetter Gallery, and Black Dragon Society gallery, both in Los Angeles. His participation in group shows was notably at Setareh Gallery, Dusserdolf; Saatchi Gallery, London, and Taymour Grahne Gallery, New York. His work is in the collections of the Los Angeles County Museum of Art, Los Angeles, CA Minneapolis Institute of Art, Minneapolis, MN and the Santa Barbara Museum of Art, Santa Barbara, CA.

Sarah Dwyer (b. 1974, Ireland) is a painter who lives and works in London. Drawing is at the heart of her process, often combined with painting, printmaking, and sculpture, resulting in reimaginings of the familiar through exuberant color palettes and lively approaches to mark-making. Incorporating both figurative and abstract imagery, her dynamic compositions are the result of processing her own surroundings and the human day-to-day experience, in addition to an indulgence in our desire for play. Surfaces, in turn, retain traces of process and development within their own archive and present the viewer with a navigable visual history. Dwyer earned a Master's in Painting from the Royal College of Art, London, in 2004 after an MFA from Staffordshire University in 2001. Her work has most recently been exhibited at Fabian Lang Gallery, Zurich; PiArtworks, London; Pigeon Park, Manor Place, London; in three solo shows at Josh Lilley Gallery, London; Hastings Contemporary, Hastings, UK; Hair & Nails Gallery, MN; Rochester Art Center, MN; Bloomberg Space, London, UK; Kyubidou Gallery, Tokyo, JP; Jane Lombard Gallery NY, NY; Fe McWilliam Gallery, NIR; Royal College of Art, London, UK; Saatchi Gallery, London, UK; The Walker Art Gallery, Liverpool, UK; Kevin Kavanagh Gallery, Dublin, IE. Cockshutt Lane 2022 150 x 120 cm 59 x47.2 inches, Oil and Pastel on Linen Fink 2022 100 x 75cm 39.4 x 29.5 inches Oil and pastel on linen Thrum 2022 150 x 120 cm 59 x47.2 inches, Oil and Pastel on Linen  

In this episode Gary Mansfield speaks to Charlotte Colbert (@colbertcharlotte) Language, psychoanalysis, socio-political constructions of gender and identity are at the heart of Colbert's practice. Spanning film, photography, ceramics, and sculpture, she questions narrative structures and storytelling, weaving surreal and fantastical mise en scene in a documentarian approach to characters, figures, and people. Fiction becomes a way to approach the truth and the most intimate emotions. Straddling the fine line between fine art and film, Colbert's films have strong philosophical undertones and often play on questions of time, space and identity, often dark and surreal with a hint of comedy.​Selected Shows: Mademoiselle, CRAC Centre Regional d Art Contemporain Occitanie, Sete, France (2018); From Selfie to Self Expression, Saatchi Gallery, London, UK (2017), Daydreaming with Stanely Kubrick; Guests V&A Museum of Childhood, London, UK; Istanbul International Art fair; Art Basel; Small is Beautiful, Flowers Gallery; Dancing at the edge of the World, Sara Zanin, Rome; Birth, TJ Boulting. Kensington + Chelsea Art Week (KCAW) is delighted to present its fifth annual Public Art Trail. West London will be brought to life with vibrant and immersive public art, free for all to enjoy for the duration of the summer.Opening on 18 June, the Public Art Trail will feature world-class sculpture, installations and exhibits throughout the borough. Presented across nine zones, the Art Trail will take up residence at some of West London's most beautiful and iconic sites, including Napoleon Garden in Holland Park, Sloane Street, Duke of York Square, Royal Avenue, Pavilion Road, Earl's Court, Notting Hill Gate, Kensington Memorial Park, Brompton Cemetery Chapel, and High Street Kensington. For more information on the Kensington + Chelsea Art Week go tohttps:// www.kcaw.co.uk | @kcawlondon To Support this podcast from as little as £3 per month: www.patreon/ministryofarts For full line up of confirmed artists go to https://www.ministryofarts.orgEmail: ministryofartsorg@gmail.comSocial Media: @ministryofartsorg See acast.com/privacy for privacy and opt-out information.

Spencer Tunick has been documenting the live nude figure in public, with photography and video, since 1992. Since 1994, he has organized over 100 temporary site-related installations that encompass dozens, hundreds or thousands of volunteers, and his photographs are records of these events. In his early group works, the individuals en masse, without their clothing, grouped together, metamorphose into a new shape. The bodies extend into and upon the landscape like a substance. These group masses, which do not underscore sexuality, often become abstractions that challenge or reconfigure one's views of nudity and privacy. The work also refers to the complex issue of presenting art in permanent or temporary public spaces. Spencer stages scenes in which the battle of nature against culture is played out against various backdrops, from civic center to desert sandstorm. In 2002 he started to work with standing positions for his group formations referencing traditional group portraiture. Now, for some installations, he adds objects that the participants are often holding or wearing and has included body paint. Spencer has and continues to make group installations/photographs elevating awareness of HIV/AIDS, LGBTQ rights, equality and climate change, among other issues. Near the end of installations, for the final setups, he sometimes separates the participants into smaller groups to make additional assemblages: sometimes by sex, sometimes by age, or even by hair color. However, no one is ever excluded from an installation because of the color of their skin, ethnicity, gender identity, sex, race, religion, or political affiliation. If you can make it to an installation you can participate, unless of course there are space limitations. Spencer could not make his art without the generosity of the participants. He is eternally grateful for their participation. He wishes he could credit everyone in his individual and group photographs but there are hundreds and thousands who have taken part collectively. In exchange for taking part, participants receive a limited edition print. Spencer's temporary site-specific photographic installations have been commissioned by the XXV Biennial de Sao Paulo, Brazil (2002); Institut Cultura, Barcelona (2003); The Saatchi Gallery (2003); MOCA Cleveland (2004); Vienna Kunsthalle (2008) and MAMBO Museum of Modern Art, Bogota (2016), among others.

Michelle Harton (b.1983) is an Irish artist who works mainly in acrylic and water soluble drawing materials. She has studied art at Fermanagh College in Northern Ireland, classical portraiture and figure painting and drawing at the private art school and international arts colony Studio Escalier in France, plein air painting with David Mynett in Majorca and is an alumni of the intensive Creative Visionary Program with Nicholas Wilton along with many years of self experimentation.Her previous work has included a collection on the folklore and legends of her hometown Cavan and a large solo exhibition based on the “Fairy Stories of Oscar Wilde”, a book her Grandmother gave her as a child. Her most recent exhibition was at StART in the world renowned Saatchi Gallery in London and is now represented in the UK by Vache Bleue Galleries.  Michelle is very interested in creating interactive art buying experiences.  Her first project of this kind "The Mystery Art Sale" saw her pre-sell 37 paintings in 30 days on social media to collectors who bought without knowing what their painting would look like. "The STOP PAINTING Project" handed the age old question of "When is a painting finished?" over to the art buyer through a constantly developing collection of 30 paintings that were painted over until they all sold. These projects have encouraged her to seek out newer, creative, fun ways to interact with art buyers. Her current work “The Land Of Gemini” is an exploration into the creation of mystical dream worlds for introspective art collectors as a place to escape to and meditate in to recharge their energy and spirit. Many of the works can be orientated in two directions allowing one painting to become two. The works are landscapes from a lucid dream world and the imagined wildflowers that grow there, with glimpses of a contemporary colourful take on the bucolic scenes of Ireland and countries Michelle has lived including Vietnam and Peru.On today's episode Michelle talks about her creative process and how Irish folklore has inspired her work. Interested in seeing some of Michelle's work. Go to her website at https://michellehartonart.com/Find Michelle on Instagram at https://www.instagram.com/michellehartonart/Find me on instagram at https://www.instagram.com/artconversationswithlisajayne/ or at my website at www.lisajayneirvine.com

How can an artist translate their studio practice into different architectural spaces? Why does the scale of a studio matter? How can an artist overcome creative block? What is the best way to approach a commission from a company like Facebook or ITV? What is it like to create a site-specific work in a mental health unit? Why is writing about other artists' work valuable to your own practice?After discovering Charley's work via the wonderful charity Hospital Rooms, I was excited to visit her South Bermondsey studio. Charley's paintings are very striking in their combination of clashing elements: she paints with bold strokes of colour and layers this with digital components, grids, glitchy symbols - many very familiar to viewers in this digital age. Charley says “By remixing the things that I've consumed visually and putting them onto a canvas I make fantastical worlds where intuitive smears of paint co-exist with hard-edged geometry, and the language of Modernist painting meets the everyday aesthetics of screen culture to make something new but strangely familiar. I believe that everyone should have a place to belong and if you don't fit into the real world, you have the power to make your own.'The world that Charley has created clearly appeals to many - she has exhibited internationally - at Saatchi Gallery and the Hauser & Wirth Showroom in London as well as galleries in Rome, Yantai, New York and Gdansk. Her clients include House of Vans, Facebook, ITV - and the amazing charity Hospital Rooms. Charley has a PhD in Fine Art Theory and Practice, she is a peer reviewer for The Journal of Contemporary Painting and on the editorial board of Turps Banana. She is a visiting tutor in Fine Art at City & Guilds of London Art School, a visiting painting mentor at Turps Art School and a Postgraduate Senior Lecturer at University of the Arts London.Follow @charleypeters____________________________________________Hosted and produced by Sophie Loxton Lucas, The Visible Artist podcast features individual artists and their paths to success within the creative world. Alongside conversations with an array of practicing artists, Sophie chats to key art world protagonists about their experiences of working with artists. The Visible Artist podcast is a must-listen for any artists looking to make their mark in today's art world. Follow the show @thevisibleartistpodcastFollow Sophie @sophieloxtonlucaswww.thevisibleartistpodcast.comPodcast cover by AmyIsla Mccombie Hosted on Acast. See acast.com/privacy for more information.

Carl Cox b2b Fatboy Slim at Saatchi Gallery, London Carl Cox b2b Fatboy Slim at Saatchi Gallery, London Carl Cox b2b Fatboy Slim at Saatchi Gallery, London Carl Cox b2b Fatboy Slim at Saatchi Gallery, London Carl Cox b2b Fatboy Slim at Saatchi Gallery, London Carl Cox b2b Fatboy Slim at Saatchi Gallery, London

Melissa LaBozzetta, an Italian-Australian artist based in Melbourne, a Global Ambassador for the Non-Violence Project Foundation (NVPF) supporting unique educational programs to prevent and reduce violence around the world she's in very good company.Joining other fellow Non-Violence Ambassadors for Peace: Yoko Ono, Sir Paul McCartney, Sir Ringo Starr, Lionel Messi, Patrizia Gucci, Oona Chaplin and many others artist Melissa Labozetta is a passionate advocate, creator and mother of three who's art is sold around the world.As a Non-Violence Ambassador Melissa has designed her own Knotted Gun sculpture, originally created by Swedish artist Carl Fredrik Reuterswärd as a symbol of peace in tribute to his friend John Lennon's death.Best known for her life drawings and abstract pieces, Melissa has named her sculpture Ocean of Love. The three-dimensional sculpture was painted with blues representing an ocean of trust, loyalty, sincerity, wisdom, confidence, and faith.The gold, which represents the countries worldwide, is also interpreted as the master healer.On February 14, 2020 the replicas of Ocean of Love sculpture will be launched and available soon after in prominent international galleries (including the Saatchi Gallery) to purchase and raise money for the Non-Violence Project Foundation.The funds will help the Foundation's work since 1993 in educating and raising awareness around the world on the benefits of resolving conflicts peacefully.“I'm hopeful that my sculpture moves people. I am also hopeful that this incredible piece starts a conversation that spreads love and resonates with people - the more we talk and communicate the message of hope and peace, the better we will be,” says MelissaI chat to the artist and mother of three about her strict Catholic upbringing, her rogue but adored Italian father, her erotic and sensual art honouring women everywhere and what it's like being married to an international football hero.

Sam is a textile artist and designer who has been working in the creative industry for 25 years. Three years ago, she decided to start ‘Child Of Project'. Sam says, ‘It was born from grief, from the death of my father, but it's kind of turned into the most beautiful creative project which is all about resilience and human strength'. I'll let her explain more, ‘The project… is all about opening up the conversation around addiction and recovery but in a really creative and contemporary way'. In fact, just a few weeks ago Sam had a meeting with the head of education and learning department at Saatchi Gallery who invited Child Of to do workshops and host an exhibition in December. Sam reveals, ‘it is an art project but it something we see long-term as a creative platform that's going change the way we look at addiction and also feed people with great information about creativity, art and technique and introduce them to different artists who are from all over, from all disciplines'.The exhibition will include ‘an ever-growing tapestry' which everyone can get involved with. All you need to do is join the crowdfund and as your reward you can send in a word or phrase to remember someone, a song lyric, or a secret you are ready to tell which will be made into ‘small pieces of art' and added to the tapestry. The exhibition will also include work Sam is doing with kids from the London East Alternative Provision School where they will produce designs which will be embroidered by @handandlocklondon. Plus, visual art she has been working on over the past few years based on conversations with people who have experienced addiction like ‘I was present for the first time'. The last piece of the exhibition is a film explaining all about the project. The interview was recorded on Monday 6th September at 9 am BST.www.crowdfunder.co.uk/child-ofwww.samdcruze.com/blog/child-of Where to find more info about Tinted Specs Podcast… Linktr.ee: linktr.ee/tintedspecspodInstagram: @tintedspecspod⚡️Facebook: @tintedspecspod - Tinted Glasses Podcast

In episode 176 UNP founder and curator Grant Scott is in his shed reflecting on exploring the breadth of photography, taken over shops on the high street, construction versus deconstruction, avoiding negative introspection and the importance of audience. Plus this week photographer Paul Wakefield on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' photographer out of a passion for nature, landscape and photography, developing a keen eye for detail from an early age, while trekking with his father in the hills of the Chinese New territories searching for birds, butterflies and snakes. He has followed a photographic trajectory marked by working outdoors often in challenging locations and won many awards for his commissions from International Advertising Agencies including a D&AD Silver Award and AOP Gold & Silver Awards among many others. He was nominated for the Prix Pictet in 2021 and his work has been exhibited in numerous galleries including The Photographers Gallery London, Saatchi Gallery, London and the Kodak Gallery Tokyo. Wakefield has published five books of photographs, three in collaboration with the travel writer Jan Morris. His monograph The Landscape won 1st Place at The International Photography Awards 2014. His next book of Signs of Devotion is to be published in India and the UK in 2022. www.paulwakefield.co.uk Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). Grant's book What Does Photography Mean to You? including 89 photographers who have contributed to the A Photographic Life podcast is on sale now £9.99 https://bluecoatpress.co.uk/product/what-does-photography-mean-to-you/ © Grant Scott 2021

Profit from Legal Interview: Lesley Samms MSc ANLP MACLesley has a background in finance and brand management, and is the Founder and Managing Director of Pure Arts Group, world renowned for professional artist support. She has a post graduate Masters degree in International event Management and is a qualified NLP coach.Lesley has been working in contemporary art for the past 20 years and during that time she has curated hundreds of exhibitions, including at the Saatchi Gallery in London. She has also delivered thousands of hours of professional development, mentoring and coaching for artists. Most recently she has launched Pure talks, in conversation with creatives, visionaries, shift makers and those that are making positive change in the world.• Website: https://www.pureartsgroup.co.uk/• Listen to the Pure Talks Podcast with Lesley Samms: https://podcasts.apple.com/us/podcast/pure-talks/id1553141733 Music Credit: Artist: Avaren Album: For Others' Use Song: “Precipice” License: Creative Commons — Attribution LicenseThis podcast contains attorney advertisement material.

On this episode of The Photography Lounge, your host Alastair Jolly has a conversation with the wonderful Flickr Pro, Alan Schaller.Alan is a London based photographer who specialises in black and white street photography. His work is often described as abstract and it incorporates elements of surrealism, geometry, high contrast and the realities and diversities of human life.He has been featured in publications including The Guardian, The New York Times, The Financial Times, The Washington Post and he regularly has exhibitions in galleries such as Saatchi Gallery, The Leica Galleries in London and throughout the US.As well as a wonderful Ambassador for Flickr he is well known as an Ambassador for Leica Cameras. Join Alastair and Alan as they discuss Alan's approach to Street Photography during the Pandemic and find out more about Alan's gear and style. We also get a little insight into the foundation of Street Photography International and what's ahead in the future for Alan. Watch Alan's SmugMug Film here: https://youtu.be/v4H6eWE1SPI Awards 2019: https://youtu.be/OzdCtzXpcXALearn more about Alan:Flickr: https://www.flickr.com/photos/alanschallerWebsite: https://alanschaller.com/Instagram: https://www.instagram.com/alan_schaller/Find out all about the features SmugMug & Flickr have to offer at:https://www.smugmug.com/https://www.flickr.comFollow SmugMug:Facebook: http://facebook.com/SmugMugTwitter: http://twitter.com/SmugMugInstagram: http://instagram.com/smugmugBlog: https://news.smugmug.comFollow Flickr:Facebook: https://www.facebook.com/flickr/Twitter: https://twitter.com/FlickrInstagram: https://www.instagram.com/flickr/Blog: https://blog.flickr.net

For our first interview, we have the amazingly talented artist Bunmi Agusto joining us! She just graduated from Central Saint Martins with a 1st, has had her work exhibited in the likes of the Saatchi Gallery and she dabbles in the world of professional Sim-ing (the game Sims). We spoke about everything: from World Microsoft competitions, secular buddhism and personal flaws, to how failure is embraced in the artistic space. Grab some tea (or a glass of wine) for a hilarious yet vulnerable sit down chat all about failure!

Prachi Gothi is an Indian abstract painter based in London. In this episode of the podcast she talks about the difference in art school education she  received in Mumbai and later in London.She discusses the evolution of her art practice, working at the Saatchi Gallery, following her gut and going full time as a painter,  and how 2020 has opened up new opportunities for her.Since the episode was recorded Roys Art Fair has been cancelled for Oct 2020.Follow Prachi on Instagram https://www.instagram.com/prachigothi/https://www.prachigothi.com/Follow me on Instagram https://www.instagram.com/thegitajoshi/

My guest for this episode of the podcast is Rebecca Wilson, the head curator at Saatchi Art. Saatchi Art started life as a portfolio website before it became a retail platform and is no longer associated with the Saatchi Gallery in London. In this episode Rebecca talks about how the platform evolved, and the various aspects of her work including vetting submissions for the website and for The Other Art Fair, sourcing art for interiors projects, and marketing. She also shares advice for artists to improve their visibility on the platform, take a listen.Follow me on Instagram @thegitajoshiBuy my book SHOW YOUR ARTAnd Saatchi Art on Instagram @saatchiart

Dee Rees talks about her new film, Mudbound, which explores the racial divide in 1940s Mississippi.As questions continue to be asked of The Old Vic's theatre board in light of the Kevin Spacey allegations, we discuss the role of the board in British theatre with Rt Hon Ed Vaizey MP, former Minister for Culture, Communications and Creative Industries and current board member of the National Youth Theatre plus Malcolm Sinclair, President of Equity, and theatre critic Lyn Gardner. Pussy Riot's Maria Alyokhina made headlines five years ago when she and two other members of the protest group were arrested following a performance of their Punk Prayer in Moscow's Cathedral of Christ the Saviour. Alyokhina was jailed for two years and sent to a penal colony. Samira meets the Russian activist and artist at the Saatchi Gallery in London where an exhibition dedicated to Post-Soviet protest art in Russia opens this week. Presenter: Samira Ahmed Producer: Hannah Robins.

What price the self in the 21st century? We may be living in the age of the "selfie" and of social media narcissism but is there anything fixed about the self? Philip Dodd and his guests, the novelist, Tom McCarthy, the sociologist, Susie Scott, the neuroscientist, Daniel Glaser and the painter, Dexter Dalwood explore the notion of identity today taking in the major Rauschenberg retrospective at Tate Modern, Erving Goffman's seminal work of sociology, The Presentation of the Self in Everyday Life and the way we all use words to constantly make and remake our selves. Robert Rauschenberg runs at Tate Modern from December 1st until April 2nd 2017. Dexter Dalwood's art is on show at the Saatchi Gallery in an exhibition called Painters' Painters which runs from 30 Nov 2016 - 28 Feb 2017. Tom McCarthy's novels include C and Satin Island Producer: Zahid Warley.