Podcast appearances and mentions of Marc Chagall

durée : 00:54:59 - Les Nuits de France Culture - par : Albane Penaranda - En avril 1970, François le Targat et Françoise Malettra interviewent Marc Chagall dans sa maison de Vence. L'émission "Une soirée chez Marc Chagall" sera l'occasion pour le peintre, qui a plus de 90 ans, de revenir sur l'affection qu'il porte à sa région d'adoption et sur sa vie de créateur Je ne voudrais pas parler de moi. Il me semble que plus on en parle moins on voit clair en soi, moins on se sent compréhensible,  moins on se sent d'ici. On s'éloigne. * Si c'est sur cette déclaration que Marc Chagall ouvre la soirée, le peintre va cependant se livrer sur son amour pour sa région d'adoption. Il découvre la côte d'azur au début des années 20 en compagnie de Robert Delaunay. L'artiste  qui ne connait alors de la France que sa capitale, nous fait part de son émerveillement :  Il m'a semblé tout de suite être enveloppé de nuages roses, d'une vapeur parfumée émanant des fleurs et d'un renouveau de jeunesse ».  L'effet enchanteur de la région lui procure un véritable coup de foudre :  En me rapprochant de Nice, j'ai senti, comme tant d'autres artistes qui y ont vécu, que je pouvais m'arrêter là. aucun autre lieu ne donne cette sorte d'impression. Une approche incompréhensible, une clarté, une joie irraisonnée, l'insouciance, trop peut-être.. Installé à Vence en 1948, puis à Saint-Paul de Vence ou il finira ses jours, l'attachement de Marc Chagall à cette terre d'adoption le conduit  à faire don à la ville de Nice d'une partie de ses ouvres consacrée à la bible. L'architecte André Hermant qui compte parmi  les invités de cette soirée radiophonique,  est chargé de la construction de ce musée national du message biblique.  "J'habite ici, je fais don ici" dira simplement le peintre. Plus sombre est l'artiste quand il se  confie sur les difficultés qu'il rencontre lorsqu'il crée. Sa peinture poétique et tendre ne nous laisse peut-être pas soupçonner que  Marc Chagall est un créateur perclus de doutes et qu'il souffre d'une intranquillité permanente :  Il n'y a rien au monde qui peut me calmer, rien, rien, rien, absolument rien. Je suis souriant mais je suis plein d'inquiétude. Avec Marc Chagall, Jacques Bounin, Louis Trotabas, Louis  Gautier-Vignal, Charles Alfred, Hervé de Fontmichel et André Hermant. Par Françoise Malettra et François Le  Targat Soirée chez Marc Chagall (1ère diffusion :  30/04/1970) Archive Ina-Radio France Indexation web : Odile Joëssel, documentation sonore de Radio France

There aren't many multilingual, multinational television shows that have been running for nearly seven decades. But what makes the Eurovision Song Contest so special to me is not the music, or the dancing, or the costumes that range from spangletastic to tear-off: no, it's the people butting heads about language. Historian Dean Vuletic, author of Postwar Europe and the Eurovision Song Contest, recounts the many changes in Eurovision's language rules, and its language hopes and dreams. This is the first of a two-part Eurovisionallusionist. In the next instalment: dictators. Protests. Boom Bang-A-Bang Ding-a-Dong Diggi-Loo Diggi-Ley. Find out more about this episode at theallusionist.org/eurovision1, where there's also a transcript. The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow,instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow. Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get glimpses into how the podsausage is made, regular livestreams, AND membership of the delightful Allusioverse Discord community with whom I will be watching the Eurovision final next month. The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin's own songs via PaleBirdMusic.com. Our ad partner is Multitude. If you want me to talk lovingly and winningly about your product or thing, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by: • Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Squarespace, your one-stop shop for building and running a beautifully designed website. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

In our last two episodes we looked at how waves of political violence swept over post-World War I Europe.  But not all revolutions are political.  In this episode, we investigate revolutions in art, architecture, film and music - movements that dramatically altered the European cultural landscape.  Topics covered include: Josephine Baker (4:49), Dada (17:00), Surrealism and Dali (27:22), Marc Chagall (32:04), Writing and James Joyce (35:36), Architecture and Erich Mendelsohn (45:22),  Walter Gropius and Bauhaus (54:00), Film and the Cabinet of Dr. Caligari (100:16), Der Blaue Engel (108:33) and Jazz (112:17).note: website will be updated next week.

Rabbi Jacobson will discuss the following topics: Chassidus Applied to Chof Zayin Adar  Did the Rebbe give us any hints or do anything unusual before Chof Zayin Adar?   What are we supposed to do after the Rebbe's stroke?  What were the Rebbe's last public words before Chof Zayin Adar?   What lessons can we learn from the occurrences of the painful years of 5752-5754 after 27 Adar? How did it affect you? Lessons from Beis Nissan  Please give a short summary and discuss a few innovative ideas of the Rebbe Rashab?  Did the artist Marc Chagall visit the Rebbe Rashab?  Would it be appropriate for our yeshivos to have art and music classes so we can help develop talented artists in our community?  Chassidus Applied to Vayikra   Why is the alef of Vayikra smaller than the other letters?  Why doesn't it say who called Moshe?  What is the spiritual significance of the various types of animal, grain, and incense Temple offerings? And how do we accomplish that today?  What is done if someone cannot afford an offering he is obligated to bring?  What is the spiritual significance of reading the daily Nasi in the month of Nissan?  Can you please comment on the recent controversy around women becoming “halachik advisors”? 

« Un podcast, une œuvre » explore le thème de l'exil et ses représentations : un sujet qui traverse l'histoire de l'art et nos sociétés, mais aussi une expérience vécue par certains artistes. À travers cinq épisodes dédiés aux œuvres de Marc Chagall, Clément Cogitore, Barthélémy Toguo, Shen Yuan et Sara Rahbar, cette saison donne la parole aux artistes et aux personnes concernées.Episode 3 : Barthélémy Toguo, Rédemption, 2012-2014Dans cet épisode, l'artiste camerounais Barthélémy Toguo évoque les rapports de pouvoir entre pays du Nord et pays du Sud, un thème qui imprègne son œuvre Rédemption mais aussi son parcours d'artiste. Fondateur d'un centre culturel au Cameroun, Toguo œuvre pour le développement de l'art contemporain africain et sa reconnaissance internationale, comme en témoignent Barbara Kokpavo, directrice de la galerie ghanéenne Soview, et Armelle Dakouo, directrice de la foire d'art contemporain africain AKAA.Crédits :Réalisation et production : Seham BoutataMontage : Alexandra LonguetEditorialisation et production : Clara GouraudMixage : Ivan GarielAvec la participation de Sophie Fourestier, Barthélémy Toguo, Armelle Dakouo et Barbara KokpavoExtraits musicaux : Aihe Ni Kpe We du T.P. Orchestre Poly-Rythmo, Shakara de Fela Kuti, Kitoko de Kokoroko, Abusey Junction de Kokoroko, Redemption song de Bob Marley, Water no get enemy de Fela Kuti, Amanke Dionti d'Ablaye Cissoko et Volker Goetze Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Jusqu'à ce que la mort vous sépare, et au-delà ! L'amour est l'un des rare sentiments qui - dans les arts du moins - peut triompher de la mort. De nombreux récits et artistes ont imaginé cette émotion de façon presque divine, sacrée, et éternelle. Une sélection d'œuvres et de récits en témoigne... Une façon de renouer avec le romantisme et d'élever artistiquement l'âme des amoureux.Sans doute l'épisode le plus cheesy de tous. Car dans la mort il n'est pas question de problématiques sociales. Seul l'amour le plus fort et le plus pur compte. Qu'ils soient artistes, écrivains, cinéastes ou poètes, leur cœur tendre a dégouliné dans leurs œuvres, pour le plus grand plaisir de ceux qui savent regarder et écouter. ..Featuring. Khalil Gibran, Dante et la Divine Comédie, Sandro Botticelli, Paolo et Francesca, Ary Scheffer, I Will Always Love You, Dolly Parton, Shakespeare, Leonardo di Caprio, Roméo et Juliette, Gustav Klimt, Céline Dion, Marc Chagall, Cyrano, et un pâle imitateur de Cyrano*** Retrouvez Art Talks Coffret! Dans des coffrets assemblés à la main, numérotés et signés, retrouvez un livre d'art, le podcast, et dix œuvres satyriques, en lien avec les séries d'Art Talks. Ils sont tirés en 100 exemplaires seulement, et c'est un magnifique objet d'art à offrir, ou simplement pour compléter la découverte du podcast.Rendez-vous sur : https://www.art-talks.frRetrouvez les œuvres du podcast et suivez Art Talks sur Instagram @art.talks.podcast Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Talk Art Christmas Special!!!! We meet the one and only Julian Clary, comedy pioneer, camp icon and bonafide Talk Art hero!!!! BORN TO MINCE!!!!We discuss living with art, the lasting influence of his art teacher and the fine art of Christmas pantomimes! We learn about his interest in the work of Keith Haring, Peter Blake, Jean Cocteau, queer life in the 1980s and his admiration for Noël Coward, Lindsay Kemp and Renaissance Art! We also have an art quiz in the style of Mastermind, to encourage maximum festive drama!!!After studying Drama and English at Goldsmiths College, University of London, Julian Clary began working on the cabaret and alternative comedy scene in the 1980s, first under the alias Gillian Pieface and later as The Joan Collins Fan-club. We reminisce about Fanny the Wonder Dog and Julian's hosting of groundbreaking TV show Sticky Moments with stage sets inspired by painter Marc Chagall, plus his radical stand-up comedy performances on Friday Night Live, which returned in October 2022 for a special, critically acclaimed & award-nominated brand new episode, as part of the 40th anniversary of Channel 4!Julian made his London Palladium debut in 2016 and returns to the stage in 2022! This Christmas join comedy superstars Dawn French and Julian Clary, with Alexandra Burke making her Palladium pantomime debut, as they lead the cast of a brand-new production of Jack and the Beanstalk at London's iconic home of pantomime! Book tickets now: https://palladiumpantomime.com/ or @PalladiumPantoVisit Julian's Instagram: @JulianClaryRenownedHomosexual and his official website: https://JulianClary.co.uk/HAPPY HOLIDAYS EVERYONE!!! Thank you for another amazing year!!! With love, Russell and Robert X Hosted on Acast. See acast.com/privacy for more information.

Die Kunst des Kunsthandels und der Kampfkunst - zwei faszinierende Persönlichkeiten im Persönlich Angela Rosengart wurde als junge Frau vom Jahrhundertkünstler Pablo Picasso gemalt, ihre Familie war mit Ausnahmekönner Marc Chagall befreundet. Die mittlerweile 90jährige Luzernerin lernte die Kunst des Kunsthandels von ihrem Vater. Als 17jährige wollte sie lieber eine Zeichnung von Paul Klee anstelle eine Abendkleides. 1992 gründete die Kunsthändlerin die Stiftung Rosengart, deren Zweck es ist, die Kunstsammlung zu erhalten und der Öffentlichkeit zur Verfügung zu stellen. Roger Stutz war als Kind introvertiert und wurde deshalb von den Eltern ins Kung Fu Training geschickt um durch die chinesische Kampfkunst an Selbstbewusstsein zu gewinnen. Der Luzerner war fasziniert von der Lebensschule und Einstellung und erarbeitete sich einen Aufenthalt im berühmten Shaolin Kloster in China. Im Jahre 2006 wurde er offiziell von Shi Yong Xin, dem Abt des Shaolin Klosters, in den Shaolin Orden aufgenommen und erhielt den Namen Shi Yan Long. Heute führt er eine Kung Fu Schule und einen buddhistischen Tempel in Kriens.

« Un podcast, une œuvre » explore le thème de l'exil et ses représentations : un sujet qui traverse l'histoire de l'art et nos sociétés, mais aussi une expérience vécue par certains artistes. À travers cinq épisodes dédiés aux œuvres de Marc Chagall, Clément Cogitore, Barthélémy Toguo, Shen Yuan et Sara Rahbar, cette saison donne la parole aux artistes et aux personnes concernées.Episode 2 : Clément Cogitore, Parmi nous, 2011Dans ce film, Cogitore aborde le sujet des flux migratoires dans une atmosphère rappelant la Jungle de Calais.Alors qu'un jeune clandestin tente de rejoindre l'Angleterre, il découvre que dans la forêt agissent d'autres groupes, d'autres visages.Pour explorer cette fiction nourrie de réel, le podcast donne la parole à l'artiste, à la sociologue Yasmine Bouagga, qui a enquêté sur le camp de Calais en 2015, et à Shadi Abdulrahman, réfugié syrien ayant vécu à Calais.CréditsRéalisation et production : Seham BoutataMontage : Alexandra LonguetEditorialisation et production : Clara GouraudMixage : Ivan GarielLecture : Malika BerrichiAvec la participation d'Elisa Fedeli, Shadi Abdulrahman, Yasmine Bouagga et Clément Cogitore Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

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“Paris et nulle part ailleurs” 24 artistes étrangers à Paris. 1945-1972au Musée de l'histoire de l'immigration, Palais de la Porte dorée, ParisInterview de Jean-Paul Ameline, conservateur général du Patrimoine et commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 1er décembre 2022, durée 16'28. © FranceFineArt.https://francefineart.com/2022/12/02/3357_paris-et-nulle-part-ailleurs_palais-de-la-porte-doree/Communiqué de presse Commissariat de l'exposition :Jean-Paul Ameline, commissaire de l'exposition, en 1985, il a été conservateur au Musée National d'Art Moderne Centre Pompidou à Paris. Il a, par la suite, été conservateur général du Patrimoine en 2003 et chef de service des Collections modernes jusqu'en 2013. Il a été le commissaire de nombreuses expositions dont Face à l'Histoire. L'artiste moderne devant l'événement historique, 1933-1991 (1996), ainsi que Paris du Monde entier (l'artiste étranger à Paris 1900-2005) pour le National Art Center à Tokyo en 2007.Chloé Dupont, assistante exposition, Musée national de l'histoire de l'immigration. Diplômée en histoire de l'art à l'Université de Grenoble et en muséologie à l'École du Louvre, elle a notamment participé à la préparation de plusieurs expositions au musée d'Orsay, au Petit Palais et au musée Cernuschi.Paris et nulle part ailleursPar Jean-Paul Ameline commissaire de l'expositionLes historiens d'art le rappellent souvent : les artistes étrangers établis en France au début du XXe siècle ont longtemps été considérés par les écrivains d'art les plus conservateurs comme susceptibles de nuire à la pureté de l'art national.Leurs oeuvres, séparées de celles des artistes nés en France au Salon des Indépendants de 1924 puis à la Biennale de Venise de 1928, n'ont ensuite dû leur présentation avec leurs confrères français qu'aux plaidoyers des rares critiques qui les ont soutenus et notamment André Warnod qui, en 1925, fait pour la première fois d'eux des artistes de « l'École de Paris ».Alors que le prestige de la capitale puis la montée des totalitarismes en Europe centrale, méridionale et orientale les ont menés vers Paris, leur reconnaissance officielle par l'État français se fait chichement par la petite porte du musée des Écoles étrangères à la Galerie du Jeu de Paume où une salle comprenant notamment Marc Chagall, Juan Gris, Amedeo Modigliani, Pablo Picasso, Kees Van Dongen, Ossip Zadkine est attribuée en 1932 à l'École de Paris.En 1940, la défaite française face à l'Allemagne signe bientôt leur dispersion. Interdits d'exposition s'ils sont juifs, craignant de ne plus pouvoir créer en toute liberté, beaucoup quittent la capitale et s'installent hors de Paris ou à l'étranger. Pour le critique américain Harold Rosenberg, le « laboratoire du XXe siècle » a fermé suite à l'Occupation.Comment, dès lors, expliquer la venue en nombre, entre 1945 et 1970, des jeunes peintres et sculpteurs venus non seulement d'Europe, mais aussi des États-Unis, d'Amérique latine, du Maghreb, du Moyen et de l'Extrême-Orient ? Prestige de la « Ville lumière » ? Présence des maîtres qui ouvrent leurs ateliers à des élèves de toutes origines ? Politique généreuse (et rentable) d'accueil de l'École des beaux-arts de Paris et des académies privées ? Multiplicité des salons parisiens, largement ouverts aux artistes non français ? Jeunes galeries désireuses de se lancer dans l'aventure de la promotion de nouvelles avant-gardes ? Sans doute de tout à la fois.[...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

« Un podcast, une œuvre » explore le thème de l'exil et ses représentations : un sujet qui traverse l'histoire de l'art et nos sociétés, mais aussi une expérience vécue par certains artistes. À travers cinq épisodes dédiés aux œuvres de Marc Chagall, Clément Cogitore, Barthélémy Toguo, Shen Yuan et Sara Rahbar, cette saison donne la parole aux artistes et aux personnes concernées.Episode 1 - Marc Chagall, Autour d'elle, 1945Dans cette œuvre, peinte alors que Chagall vient de perdre sa femme aux États-Unis, se mêlent la nostalgie du pays de l'enfance et celle de l'être aimé. À travers les mots de l'artiste et les voix d'Itzhak Goldberg, historien de l'art, et de Marc-Alain Ouaknin, rabbin et philosophe, ce podcast évoque la mémoire, l'exil, le judaïsme, mais aussi Paris, New York et Vitebsk, ville natale de l'artiste en Biélorussie.Découvrez cette oeuvre de Chagall en HD sur le site internet du Centre Pompidou.Crédits Réalisation et production : Seham Boutata Montage : Alexandra LonguetÉditorialisation et production : Clara GouraudMixage : Ivan GarielLectures : Valentina Fedchenko et Emmanuel LemireAvec la participation de Marc-Alain Ouaknin et Itzhak Goldberg Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

O espírito... a luz, o amor Iniciado em 1912, o pintor de origem judaica nascido há 135 anos na Bielorrússia deixou-nos obras-primas extraordinárias. Marc Chagall, um dos maiores artistas do século XX, era maçom. Uma figura que juntamente com as suas raízes judaicas e os ensinamentos da Torá emerge com força em todas as suas obras, ricas em simbolismo e espiritualidade profunda e que parecem moldadas por uma força motriz, a que ele próprio chamou de Amor, que move o homem e o mundo. Nascida em 7 de julho há 135 anos em Vitebsk, Belarus, e falecida em 28 de março de 1985 em Saint-Paul-De-Vence, Moishe Segal, seu nome verdadeiro, foi iniciada em 1912 em São Petersburgo. E não é um caso que entre as suas obras-primas está também uma homenagem àquela que é seguramente a obra maçónica por excelência de Mozart, A Flauta Mágica. A sua é aliás a última cortina utilizada para a encenação do espetáculo na edição de 1967 no Metropolitan de Nova Iorque e apenas nestes dias a ser leiloada pela Bonhams, ao mesmo tempo que outra das suas obras-primas à venda na Phillips sempre em Nova Iorque. É o retrato de Le Père, executado em 1911, uma das quinze obras roubadas pelos nazistas durante a Segunda Guerra Mundial, que o governo francês devolveu no início deste ano aos legítimos proprietários. A pintura fazia parte da coleção de David Cender, um fabricante de instrumentos musicais de Łódź, na Polônia. A obra, agora estimada em US$ 6 a US$ 8 milhões, foi expropriada da coleção em 1940, antes de Cender ser enviado para Auschwitz com sua família. Em 1966 a pintura foi recomprada pelo próprio Chagall, que tinha um carinho especial pela pintura, por retratar seu amado pai. Em 1988, o arquivo Chagall doou a pintura ao Musée national d'art moderni, Centre national d'art et de culture Georges-Pompidou em Paris. Para criar o cenário mozartiano, comprado em 2007 pela Sotheby's para Gerard L. Cafesjian, magnata editorial e fundador do Cafesjian Center for the Arts na Armênia, Chagall trabalhou por três anos em contato próximo com o designer russo Volodia. O artista tinha 77 anos quando concluiu o projeto, que diz respeito à cena do final triunfal de Mozart, repleta de figuras arquetípicas, anjos trompetistas, animais fantásticos, violinos flutuantes, violoncelos e bailarinos, e caracterizada por aquele vórtice sublime que constitui o verdadeira assinatura do pintor. Uma vida de exílio a que viveu, marcada no próprio dia em que viu a luz por um devastador pogrom cossaco, acontecimento que o levaria a repetir várias vezes "nasci morto" sob o domínio dos czares, o artista, primogênito de nove irmãos, e filho de um comerciante, teve uma infância da qual guardou doces lembranças e que muitas vezes emerge não sem nostalgia em suas obras. Sua carreira artística começou em 1909, quando mudou-se para São Petersburgo, cidade que deixou no ano seguinte para Paris, onde ingressou na comunidade artística de Montparnasse. "Nenhuma academia poderia ter me dado tudo o que descobri devorando as exposições de Paris, suas vitrines, seus museus [...] Como uma planta precisa de água, minha arte precisava desta cidade", dirá mais tarde. Aqui fez amigos com grandes gênios como Guillaume Apollinaire, Robert Delaunay, Fernand Léger e Eugeniusz Zak e entrou em contato com as vanguardas da época, especialmente o cubismo, em relação ao qual manteve, no entanto, certo ceticismo, atraído como era mais para o lado invisível da realidade do que a sua fisicalidade, um lado sem o qual, ele argumentou, "a verdade externa não é completa". Pintura Sobrenatural Nesse período pintou suas primeiras obras-primas, como À Rússia, os burros e os outros, O Santo Vetturino, Eu e a aldeia, em que o memorial está predominante. Apollinaire definiu sua pintura como "sobrenatural", consagrando-o ao sucesso. De regresso à sua terra natal, com a eclosão da Primeira Guerra Mundial e a revolução, da qual participou ativamente em 1917, aí permaneceu até 1923. Em Vitebsk, onde se reencontrou com a f --- Send in a voice message: https://anchor.fm/malhete-podcast/message

In der Frankfurter Kunsthalle Schirn läuft gerade die Ausstellung „Welt im Aufruhr“, die Werke von Marc Chagall aus den heftigen 1930er und 40er Jahren zeigt. Die Bilder sind existenziell und düsterer als gewohnt und auch die für den Künstler typischen Engel wirken machtlos und traurig.

Husband and Wife introduce A Treasury of Jewish Folklore, edited by Nathan Ausubel, in this episode of the Sacrilegious Book Club.   Topics include Marc Chagall, the quintessential Jewish artist of the twentieth century; Attic Salt; and basic definitions of Mishna, Talmud, Agada, and Midrash.  Next time we will cover some entries from Part 1: Jewish Salt. We hope you'll get a copy of the book and read along with us.Skip the ads by joining Acast+ https://plus.acast.com/s/6331d364470c7900137bb57dThank you for stopping by Sacrilegious Discourse - Bible Study for Atheists!Check out these links for more information about our podcast and merchandise:Our Homepage: https://sacrilegiousdiscourse.com/Help support us by subscribing on Patreon: https://www.patreon.com/sacrilegiousdiscourse Join Acast+ to enjoy our podcast adfree and get EARLY access to our episodes! https://plus.acast.com/s/sacrilegious-discourse-bible-study-for-atheists. Hosted on Acast. See acast.com/privacy for more information.

Mechtild Borrmann schreibt Krimis, die in ihrer Heimat am Niederrhein spielen. Und sie schreibt zeitgeschichtliche Romane. Ihr neuester heißt „Feldpost“, führt nach Kassel und erzählt eine Geschichte über politische Verfolgung, Freundschaft, Verrat und eine verbotene Liebe in der Zeit des Nationalsozialismus. Dahinter stecken wahre historische Ereignisse. Wir sprechen mit der Autorin über ihre Recherchen im Deutschen Tagebucharchiv, über die Faszination von Schicksalen in der Nazizeit und im Zweiten Weltkrieg und über die Schauplätze ihres Romans in Kassel. Außerdem: Ausstellungen über einst „entartete Kunst“ im Kunstmuseum Basel und über einen der damals betroffenen Künstler, Marc Chagall, in der Frankfurter Schirn.

This week: uproar over the National Gallery in London's building plans—is it a sensitive makeover or like “an airport lounge”? We talk to the director of the National Gallery, Gabriele Finaldi, about the gallery's controversial plans for changes to its Sainsbury Wing, and to Rowan Moore, architecture critic at the Observer, about his views on the designs by the architect Annabel Selldorf, and how they respond to Robert Venturi and Denise Scott Brown's original Post-Modern building. Tokini Peterside-Schwebig, the director of Art X Lagos, tells us about the contemporary art scene in Nigeria's most populous city, and how the fair is addressing the climate emergency, as devastating floods wreak havoc in West Africa. And this episode's Work of the Week is Marc Chagall's The Falling Angel (1923/1933/1947), the centrepiece of a new exhibition at the Schirn Kunsthalle in Frankfurt, Germany.Art X Lagos, Federal Palace, Lagos, Nigeria, 5-6 NovemberChagall: World in Turmoil, Schirn Kunsthalle, Frankfurt, Germany, until 19 February 2023 Hosted on Acast. See acast.com/privacy for more information.

durée : 01:45:32 - Les Nuits de France Culture - Par Georges Charbonnier - Avec Henri Troyat, André Barsacq, Marc Chagall et Elsa Triolet - Réalisation Alain Trutat

A Ópera de Paris apresenta, em 23 de setembro de 1964, um deslumbrante novo teto, pintado como oferecimento pelo artista belarusso Marc Chagall, que passou grande parte de sua vida na França. O teto era característico das obras-primas de Chagall – infantil em sua aparente simplicidade, embora luminoso pelas cores e evocativo do mundo de sonhos e do subconsciente.Veja a matéria completa em: https://operamundi.uol.com.br/hoje-na-historia/37951/hoje-na-historia-1964-chagall-inaugura-pintura-no-teto-da-opera-de-paris----Quer contribuir com Opera Mundi via PIX? Nossa chave é apoie@operamundi.com.br (Razão Social: Última Instancia Editorial Ltda.). Desde já agradecemos!Assinatura solidária: www.operamundi.com.br/apoio ★ Support this podcast ★

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James Sherman is a founding member of the Tony-winning Victory Gardens Theater's Playwrights Ensemble and his new play, Chagall in School, opens this weekend at Theater Wit in Chicago, in a production by the Grippo Stage Company, directed by Georgette Verdin. Chagall in School follows the the young artist Marc Chagall struggling to find his voice amidst political, cultural, and artistic revolution – which, not coincidentally, happened almost exactly 100 years ago – James discusses the impulse that led to the play's creation; how plays like Chagall in School come to be: the mixed message of people encouraging you to become a playwright after seeing you act; how the first draft of any play is simply the author improvising; the relationship between revolutions in painting and revolutions in acting; and finally, how the audience is the crucial – and final – component for a brand new play. (Length 20:37) (PICTURED: John Drea and Yourtana Sulaiman as Marc and Berta Chagall in James Sherman's Chagall In School, directed by Georgette Verdin, Grippo Stage Company.) The post Chagall In School appeared first on Reduced Shakespeare Company.

durée : 00:52:00 - Les Nuits de France Culture - Oeuvres et chefs-doeuvres en France - Musée Marc Chagall à Nice : le message biblique de Chagall

durée : 01:30:00 - Les Nuits de France Culture - Marc Chagall : "Watteau pour moi c'est le génie, c'est incroyable les blancs, les gris, on peut devenir fou"

durée : 00:16:00 - Les Nuits de France Culture - Marc Chagall à propos de Gogol : "Il voyait lui aussi un monde fantastique plus réel que la réalité"

durée : 00:31:00 - Les Nuits de France Culture - Présence des arts - L'oeuvre gravée de Marc Chagall

durée : 00:22:10 - Les Nuits de France Culture - Marc Chagall : "A Paris en 1910 j'ai été enthousiasmé par Van Gogh, Seurat m'attirait et au Louvre j'ai vu Le Greco"

Le musée éponyme rassemble 17 peintures du message biblique de Marc Chagall. Un témoignage de foi à travers les œuvres d'un des plus grands peintres du XXe siècle.

Numero estivo per la rivista l'Amico dei Fanciulli, ricco di notizie che riguardano le attività delle Scuole Domenicali, feste e giornate comunitarie.Troverete un fumetto biblico curato da Max Cambellotti, il racconto "La vita di Corinna", un viaggio alla scoperta dell'artista Marc Chagall. E poi ancora le ricette, i consigli di lettura, giochi e passatempi, le proposte di bricolage...Presentiamo il libro con la direttrice Sara Tourn

In 1932, the Menzel family purchased Marc Chagall's painting, Jacob's Ladder, and hung it in their apartment in Brussels, Belgium. But as the Nazi regime advanced, the Menzels, fearing for their own safety, fled Brussels for the United States, leaving their Chagall painting behind. After the Allied Forces declared victory, the Menzels returned to their Brussels apartment, only to find their Chagall painting missing. The Einsatzstab Rosenberg, a Nazi Party organization responsible for looting cultural property like artwork, had stolen it during the war. But the Menzels were not about to let the fascists take anything else from them. They were determined to find and retrieve the Chagall. Mr. Menzel passed away in 1960, but his widow, Erna, refused to give up on the painting. In 1962, she found it. And the legal case that would follow was controversial and precedent-setting in New York State, the art world, and the field of post-war damages and reparations. Patreon: http://www.patreon.com/DasCriminal Sources: https://bit.ly/3ygv9Fz

Le peintre russe, Marc Chagall, a déclaré qu'à Saint-Paul de Vence se trouvait "la plus belle lumière qui soit". L'artiste a notamment participé à la fondation du nom du célèbre couple de marchands d'art, Aimé et Marguerite Maeght. Située à proximité du village, la fondation a fait connaître au monde, des artistes tels que Braque, Modigliani ou encore Miro... Comment le village est-il devenu le lieu des artistes ? La petite fille d'Aimé et Marguerite Maeght raconte sa jeunesse à Saint-Paul de Vence, entourée des célèbres peintres et amis de ses grands-parents. Etienne Baudu, journaliste à RTL explique pourquoi ce village est devenu mondialement connu. "Focus" est un podcast d'actualité quotidien. Du lundi au vendredi, Focus prend un peu de temps, un peu de champ, pour mieux comprendre ce qui se passe autour de nous, mieux comprendre notre époque, grâce aux reporters, correspondants et experts de RTL.

“Só o amor me interessa, e eu estou apenas em contato com coisas que giram em torno do amor”. É a partir desta citação do artista russo Marc Chagall que se desenvolve a exposição “Marc Chagall: sonho de amor” em cartaz até setembro no Centro Cultural Banco do Brasil, em Brasília. Os detalhes na reportagem de Nita Queiroz. Foto: © Chagall, Marc/AUTVIS, Brasil, 2022. --- Send in a voice message: https://anchor.fm/cultura-fm-braslia/message

  Subscribe Apple | Google | Spotify | Stitcher | iHeart   Support The Daily Gardener Buy Me A Coffee    Connect for FREE! The Friday Newsletter |  Daily Gardener Community   Historical Events   1686  Birth of Antoine de Jussieu ("Ann-twan do Jyou-sue"), French naturalist, botanist, and physician. Born in Lyon, Antoine was the son of an apothecary.  After touring Spain, Portugal, and southern France with his brother Bernard, he went to Paris and ultimately succeeded Joseph Pitton de Tournefort as director of the royal gardens.  In 1713, Antoine shared the first scientific reference to coffee with the Royal Academy of Sciences of France. He called it Jasminum arabicanum, but Carl Linneaus gave the official botanical classification forty years later in 1753. Antoine once wrote about finding plant fossils in a quarry. I observed on most collected stones the imprints of innumerable plant fragments which were so different from those which are growing in the Lyonnais, in the nearby provinces, and even in the rest of France, that I felt like collecting plants in a new world...  The number of these leaves, the way they separated easily, and the great variety of plants whose imprints I saw, appeared to me... as many volumes of botany... [in] the oldest library of the world.   1865 On this day, members of the John Wesley Powell expedition raided a garden on an island in the Green just above the mouth of the White River. The expedition had just thrown out more spoiled food, and the group faced the constant fear of hunger. In Powell of the Colorado (2015), William Culp Darrah wrote, Fresh fruit had been mighty scarce and the temptation to steal some greens was irresistible. The Major, Andy, and Bill Dunn filled their arms with young beets, turnips, carrots, and potatoes. The men rowed a few miles down the river and paused to enjoy the stolen fruit. Of course the season was not advanced enough to yield sizable vegetables, so Andy cooked up the whole mess as greens. It was a not-quite-unpleasant stew. After eating their fill and disposing of the remainder, the men resumed the journey. They had not gone a mile before all hands except Bradley and Howland were violently nauseated. Bradley explained that the potato tops were so bitter he had not eaten any. The Major said their illness was caused by a narcotic in the potato leaves, but Hall swore that it was all his fault; in their haste he had only half-cooked the stuff. Sumner wrote in his diary, "We all learned one lesson--never to rob gardens."   1887 Birth of Marc Chagall (born Moishe Shagal)(books about this person), Russian-French artist of Belarus. He was an early modernist and created in various formats, including paintings, drawings, stained glass, ceramics, and tapestries, among many others. The art critic Robert Hughes called Chagall "the quintessential Jewish artist of the twentieth century."  And Pablo Picasso once said, When Matisse dies, Chagall will be the only painter left who understands what color really is.   It was Marc Chagall himself who once wrote, Art is the unceasing effort to compete with the beauty of flowers – and never succeeding.   1907 Birth of Frida Kahlo (books about this person), Mexican painter. Frida is remembered for her portraits, self-portraits, and work inspired by Mexican nature and artifacts. She once wrote, I paint flowers so they will not die.   She also wrote, I wish I could do whatever I liked behind the curtain of “madness”.  Then I'd arrange flowers, all day long.  I'd paint pain, love and tenderness.  I would laugh as much as I feel like at the stupidity of others, and they would all say: “Poor thing, she's crazy!   Grow That Garden Library™ Book Recommendation The Ultimate Flower Gardener's Guide by Jenny Rose Carey  This book came out in 2020, and the subtitle is Simple Ideas For Small Outdoor Spaces. In this book, Jenny Rose Carey is essentially teaching a master class on ornamental gardening. If you are looking for ways to add interest, color combinations that are guaranteed to work instead of clash, and how to incorporate favorite blossoms or aspects of flowers, you'll find everything you're looking for in this very inspiring and jam-packed book on all kinds of beautiful flowers. Most flower experts teach color first. Jenny brings new dimensions into play - namely shape and texture. But Jenny's focus on texture and shape works surprisingly well - especially if you are someone who struggles with color in the garden. Shape and texture are two often overlooked floral elements, but they are equally important as color in garden design. Without shape and texture, gardens would lack that sense of excitement, mystery, and magnetism that exist in our most beloved gardens. Jenny also does a great job of keeping today's gardener in mind. She selected the annuals and perennials that she recommends in her book based on their ease of care, appeal to pollinators, and wildlife friendliness.  This book is 364 pages of beautiful flower gardening all season long - no matter how big or small your space - giving you the confidence you need to make flowers the focus of your dream garden. You can get a copy of The Ultimate Flower Gardener's Guide by Jenny Rose Carey and support the show using the Amazon link in today's show notes for around $27.   Botanic Spark 1932 Death of Kenneth Grahame, Edwardian British writer, and conservationist. Born in Edinburgh, Scotland, Kenneth is most famous for The Wind in the Willows (1908), one of the classics of children's literature. The book celebrates nature, friendship, loyalty, and adventure among four anthropomorphizing animals: Mole, Rat, Toad, and Badger. Kenneth had a lifelong appreciation of nature and landscapes.  Throughout Kenneth's life, the beauty of nature was a balm to his many sorrows, including the death of his mom and alcoholic father. When he was five, after his mom died, Kenneth and his siblings went to live with their grandmother, who lived in an old, dilapidated house with a huge attic to explore and an entire garden to play in. The garden backed up to willows that framed the shores of the Thames river and would later serve as the inspiration for the setting of The Wind in the Willows. During his miserable married life, Kenneth once confided in his wife that he felt a better understanding of nature and wildlife than of his own species, writing, I like most of my friends among the animals more than I like most of my friends among mankind. As a father, Kenneth began telling the story of The Wind in the Willows in installments at bedtime and in letters to his only son, Alastair, who Kenneth nicknamed "Mouse."    In the story, Kenneth wrote of 'the pageant of the river bank,' referring to the array of wildflowers in bloom: purple- and white-flowered comfrey, willow-herb, purple loosestrife, dog roses, and meadowsweet. Throughout his life, Kenneth's favorite indulgence was reading books in his garden. Sadly, Mouse's life story was tragic. He grew up battling chronic illness and blindness in one eye. He had challenging behaviors and was bullied in school. After his struggles grew worse in college, Alastair committed suicide at 19. At his funeral, Kenneth scattered lilies of the valley over his coffin. For twelve long years, Kenneth lived out the rest of his days with his wife. Kenneth never got over the loss of his darling Mouse, and he stopped writing altogether. Aside from lengthy trips to Italy to avoid friends and family,  Kenneth and his wife lived reclusively in their house along a riverbank until Kenneth's death from a stroke on this day in 1932. At Kenneth's funeral, the church was decorated with gifts of willow branches and flowers from children across England. Kenneth was buried next to his beloved Mouse in the cemetery at St. Cross Church.   Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.

Valmir Perez é Graduado em Educação Artística com bacharelado em Artes Plásticas e Licenciatura em Artes pela Unicamp - Universidade Estadual de Campinas (2001) e possui mestrado em Multimeios pelo Instituto de Artes da Unicamp (2007). Trabalhou 32 anos como Lighting Designer responsável pelo Laboratório de Iluminação da Unicamp. Atualmente trabalha como lighting designer autônomo. Sua experiência de mais de 30 anos em projetos de iluminação, design e artes, revela-se em inúmeros projetos de iluminação cênica, iluminação arquitetural de interiores e exteriores, projetos de estruturas cênicas e de iluminação cênica, computação gráfica, desenvolvimento de software na área de iluminação, ensino e pesquisa em design de iluminação arquitetural e artes plásticas. É membro honorário da ABIL - Associação Brasileira de Iluminação e membro fundador da ABRIC - Associação Brasileira de Iluminação Cênica. Atualmente membro diretor social na SBLuz, Sociedade Brasileira de Luz e Iluminação. Conferencista e palestrante em eventos sobre iluminação. Também contribuiu como articulista convidado na revista Lume Arquitetura. Parecerista convidado da Revista "A Luz em Cena" da UDESC. Descrição do livro: No livro de 289 páginas, divididas em 19 capítulos, o autor Valmir Perez traça um paralelo entre as ideias de grandes mestres da pintura e o design de iluminação apresentando a espiritualidade de Kandinsky; pesquisas de Monet; dramaticidade de Caravaggio; ousadia de Picasso; paixão pela sua época de Henri de Toulouse-Lautrec;olhar bondoso de Hopper; processos de formação de Paul Klee, além de Seurat, Henri Matisse, Jackson Pollock, Cézanne, Marc Chagall, Mondrian e Van Gogh. A publicação é a segunda voltada para o setor de iluminação lançado pela De Maio Comunicação e Editora. Autor: Valmir Perez Edição: 2012 Páginas: 289 Dimensões: 14cm x 21cm ISBN: 978-85-63292-01-8 www.luzearte.net.br Para adquirir envie um e-mail para: livro@luzearte.net.br

Bob Mendelsohn takes us on a journey to the days of Abraham in Canaan about 2000 BCE. Why does Abraham build four different altars or spaces for divine worship?  What does that tell us about the need for Sacred Space in our days? Mark Aarons, a journalist in Australia, wrote a book (1990) titled Sanctuary about Nazis finding their way amidst all the emigrating Europeans into our country during the decades after WW2. He even writes about Konrad Kalejs who was extradited back to Austria for trial in 1999. The Akedah story of Rich Robinson is found here at this link. The painting by Marc Chagall is found by your search engine on Sacrifice of Isaac.Pele is featured in the Historical Marker of the Week.Amanda McInnes is a Canadian but she also is having a tough time in the harsh winter of Sydney this year. She's reachable at this link. Support the show

Timestamps:00:10: Introductions, level setting01:40: Art preferences, visual art, architecture and an eye for design03:00: Importance of design and creation of spaces. With light comes energy 04:40: Music over television. Impacts on mood, evocative of time, place and people06:10: Does design impact thought and purpose?07:50: Visual and musical create environments. It's not just the living room that's full of art. The art creates the space09:45: The immersion factor between visual and musical and how they affect your position11:10: Stained glass, the play of light and color's impact on beauty. Paintings connected to light13:55: Concrete jungle of New York. More green than you'd imagine. Public works of art accessible to the people as opposed to the private skyscrapers16:10: Summer, light, community and immersion/engagement in the world18:20: Garden as cognition? Landscape, thought, design and the creation of rooms/spaces22:00: Conclusion and parting thoughtsSupport the show

“I can't believe you have that picture on your wall.”  “You like Chagall?” “I do. It feels like how being in love should be.”   นี่คือซีนในเช้าที่แสนเรียบง่ายของภาพยนตร์รักยุค 90 อย่าง Notting Hill บทสนทนาพูดถึงภาพเขียนชื่อ La Mariée ของ มาร์ก ชากาล (Marc Chagall) ศิลปินโมเดิร์นจากรัสเซีย ฝีมือเขาโดดเด่นจนปิกัสโซ่เคยพูดไว้ว่า “หลังจาก Matisse ตาย ศิลปินคนเดียวที่เข้าใจเรื่องสีก็มีแค่ Chagall นี่แหละ”   ศิลปะการต่อสู้ตอนนี้จะพาไปรู้จักกับเขาคนนี้ ผลงานของเขา ไปจนถึงการต่อสู้เพื่อนำภาพเขียนชื่อดังมาใช้ในหนัง กฎเกณฑ์เรื่องลิขสิทธิ์ที่ผู้กำกับ ริชาด เคอร์ทิส (Richard Curtis) ต้องทำตามอย่างเคร่งครัด จนทำให้ซีนนี้ของ Notting Hill มีความหมายขึ้นไปอีก ดำเนินรายการ : ภาสินี ประมูลวงศ์ 

https://lady.co.uk/%E2%80%98picasso-heaven-he%E2%80%99s-still-me%E2%80%A6%E2%80%99 (Lydia Corbett )is a French artist who has been working with watercolour and oils for over 40 years. She was the inspiration for https://www.pablopicasso.org/ (Pablo Picasso)'s series of paintings that became known as the https://www.dailymail.co.uk/femail/article-8075363/My-golden-weeks-Picassos-girl-ponytail.html (Ponytail Series). Her painting style is highly recognisable and she has been compared with that of https://www.tate.org.uk/art/artists/marc-chagall-881 (Marc Chagall.) You can find Been There Done That's forever home by https://btdtshow.com/ (clicking here). And tell us what you think about the series by rating and reviewing the show where you normally find podcasts. The show is produced by Dan Hall at https://pupmc.co.uk/ (Pup Media). Dan also presents his own podcast https://www.inthekeyofq.com/ (In the Key of Q).

- Mamy prace o tematyce religijnej, mamy obrazy, które poświęcone są jego wielkiej miłości do obu żon, jego przeżyciom dotyczącym przebywania w dwóch światach: fantastycznym i realnym. Mamy jeszcze całą serię pejzaży i bukiety kwiatów - wyliczała podczas Dwójkowej audycji kuratorka wystawy "Chagall" dr Anna Manicka z Muzeum Narodowego w Warszawie.

In questo episodio vi raccontiamo della vita di Marc Chagall e della mostra a lui dedicata a Milano.

Stephanie von Watzdorf is an accomplished creative director, curator and fashion designer with more than 30 years' experience. She is known for the artistic and intuitive style she brings to design, be it clothes, accessories, or soulful spaces. She currently works as a consultant specializing in fashion, accessories and interior design. Stephanie was born in Paris to a German/French father and a Russian mother. Her grandfather, Leonide Massine, was the renowned Ballets Russes choreographer whose friends and collaborators included Henri Matisse, Pablo Picasso, Marc Chagall, Leon Bakst and Igor Stravinsky. Stephanie's immersion into this richly artistic, wayfaring life instilled in her an appreciation for other cultures, fine fabrics, music, dance, language and nature. A graduate of Parson School of Design and recipient of Calvin Klein's Golden Thimble award, Stephanie refined her aesthetic working for venerable fashion houses including Yves Saint Laurent, Giorgio Armani, Ann Taylor, and Ralph Lauren. In 2004, she joined Tory Burch as the original vice president of design, where she led design development and ready-to-wear accessories for over seven years. In this episode, Stephanie speaks with Malia Mills about how her background, work experiences and love of travel culminated in 2011, when she founded Figue, a luxury fashion and lifestyle brand that captures the global gypsy-meets-jet-set spirit that is her native tongue. As creative director and the face of the label, Stephane grew a conscious company from the ground up, with roots in sustainability, heritage, travel and artisanship.

Dalla Yiddishkeit di Vitebsk, riprodotta con amore e nostalgia nella serie “Ma vie”, alle illustrazioni dei libri dell'amata moglie Bella Rosenfeld, incentrati sulla vita ebraica; dalla rappresentazione dell'orrore dei pogrom alle riproposizioni su tela delle vicende bibliche. L'opera di Marc Chagall continua ad affascinare il grande pubblico, rappresentando un racconto originale del mondo ebraico, delle sue radici e della sua vitalità. Un racconto al centro ora di una nuova mostra che porta dall'Israel Museum di Gerusalemme al Mudec di Milano oltre cento dipinti di Chagall.

Orphée depicts many tragedies, but songwriter Dom Flemons finds the joy in it: it resolves in the beautiful scene of two lovers embracing. Flemons pairs it with the tranquil “Blue Butterfly.” The instrumental song helps the emotional weight sink in. Find full transcripts and more information about this episode at https://www.nga.gov/music-programs/podcasts/dom-flemons-marc-chagall-orphee.html. Image credit: Marc Chagall, Orphée, 1969, stone and glass mosaic, National Gallery of Art, Washington, The John U. and Evelyn S. Nef Collection, 2011.60.104.1–10 Subscribe directly to Sound Thoughts on Art from the National Gallery of Art on Apple Podcasts, Google Podcasts, Spotify, Stitcher, or your favorite podcast app https://feeds.megaphone.fm/NGAT6207729686.  Still haven't subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks ABOUT THE NATIONAL GALLERY OF ART The National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity. More National Gallery of Art Content: Facebook: https://www.facebook.com/nationalgalleryofart Twitter: https://twitter.com/ngadc Instagram: https://www.instagram.com/ngadc/ Pinterest: https://www.pinterest.com/ngadc/_created/ E-News: https://nga.us4.list-manage.com/subscribe/post?u=e894a1837aca4526f7e8a11b3&id=2085ff9475

Orphée depicts many tragedies, but songwriter Dom Flemons finds the joy in it: it resolves in the beautiful scene of two lovers embracing. Flemons pairs it with the tranquil “Blue Butterfly.” The instrumental song helps the emotional weight sink in. Still haven't subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks

With a song in our hearts, the wind sweeping through the window, and our hands and faces inexplicably painted blue, this week Anne and Jim swing along with Domenico Modugno's international hit record, "Nel blu dipinto di blu" (also known as "Volare!"). Often covered (see this Spotify playlist or this Apple Music playlist), it was winner of the inaugural Grammy for both Record of the Year and Song of the Year. Listen as we tell this song's strange story, relate our memories of Modugno's hometown of Polignano a Mare in Puglia, and somehow work both painter Marc Chagall and the Italian Parliament into the conversation. Enjoy!

A Jungian psychotherapist who approaches the most seemingly ordinary human experience with the curiosity and reverence of a philosopher and a poet, Mitchell Smolkin, MACP, RP, is a profoundly interesting conversation partner. We work through some big questions in this episode. Specifically, we discuss how therapy can intersect with spirituality in moments of great suffering to be a profound meaning-making tool in our lives. How do we find dignity in suffering? [1:30] Accepting suffering and resisting violence to the individual; Carl Jung's influence and his “appetite for mythology” as a tool for making meaning; 12 Step Recovery as a framework. How can we use art and religious narratives to make meaning? [8:45] The Art of Marc Chagall; Religious narratives as a tool for making sense out of daily life; Video games as mythological frameworks. Why is it so difficult to talk about spiritual and religious identity? [13:30] Complexities of religious identities; Jewish rituals of collective mourning after the crusades; Spiritual practice as a collective connection rather than the modern idea of self-development. How do you work with religion and spirituality in the therapy room? [20:00] Transforming suffering into poetry; Charles Darwin - no single organism is exactly the same as another; Carl Jung - everyone has their psychology. How can we acknowledge and work with our cultural and spiritual inheritance in therapy? [27:30] Forgiving frailties of the individual human psyche, re: group fanaticism, mob mentality; Mass graves of Indigenous children in Canada and the Catholic Church; Reckoning with the realities of history without judging. What would you say to people who are suffering right now? [36:30] Healing involves connection, and connection requires risk; Intimacy comes with pain because it touches against our wounds; Going deep into the lexicon of our pain For Mitchell's podcast, look up "The Dignity of Suffering" wherever podcasts are found. Also, you can visit Mitchell at https://mitchellsmolkin.com/ For more of Matt Shedd's work, visit https://mattshedd.com. --- Send in a voice message: https://anchor.fm/finding-help/message

Welcome to season two! On this episode, Ellie speaks with Bella Meyer, owner and creative director of floral studio Fleurs Bella, and granddaughter of artist Marc Chagall. They speak about bringing color to New York, the magic of moss, and, of course, Marc Chagall.