Podcasts about Venice Biennale

Judy Chicago is an artist who works in sculpture, performance, needlework, and even fireworks. Sh has been making art for over 50 years and is the subject of a career retrospective at the Venice Biennale called The Materiality of Judy Chicago. Chicago is also the subject of a career retrospective at the Venice Biennale right now. She joins us to chat about the career-spanning exhibition, the art skills she gained from taking classes in auto body school, and much more!See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Athens is a city full of contradictions. Planned and chaotic at the same time. Monumental and improvised. Historically layered and constantly transforming. It is exactly between these opposites that the master thesis Brave New Axis by Spyridon Loukidis, Markos Georgios Sakellion and Georgios Thalassinos from the National Technical University of Athens unfolds. The three architects received the prestigious EUmies Young Talent Award 2025 for their work — one of the most important European awards for emerging architects, presented during the Venice Biennale. Their project begins with a nearly forgotten historical axis running through the center of Athens. But instead of understanding the city as a rigid geometric order, they reinterpret Athens as a network of relationships, fragments, atmospheres and public spaces. Their work moves somewhere between urban design, architectural theory, collage, political vision and spatial storytelling. The drawings recall Archigram, Superstudio and radical architectural visions — while simultaneously addressing very real issues such as public space, housing, urban voids and the future of European city centers. Today, we talk with them about Athens, urban fragments, new strategies for European cities and why architecture today may be less about objects and more about relationships.

Silicon Bites Ep366 | 2026-07-14 | the book and movie Stalker: enter at your own risk, assume everything is hazardous, and stop looking for redemption in the rubble. You may find things of use in the Zone of contagion, but what you find may also corrupt and kill you. ZONE OF CONTAGION: In a single fortnight, the IOC has reinstated the Russian Olympic Committee, Netflix has expanded a Russian cartoon empire into more than a hundred countries, and the Venice Biennale has already spent a season laundering the pavilion of a state that bombs museums and conducts daily human safaris in Kherson Oblast. All while Russian glide bombs hit bus stops in Sumy and ballistic missiles land in Kyiv's residential districts. The West keeps searching for the "good Russia" — the culture, the art, the sport — as if finding it would redeem the state committing the crimes. This is weakness and naivety that will get us all killed. And it is based on extraordinary weakness that verges on complicity with evil. This fictitious good Russia is a convenient excuse for us to take no action to defeat the real Russia – the one attacking Ukraine and us. This blindness to Russia's evil intent must stop. ----------ACTIVE CAMPAIGN:We are raising funds for 5 of 15 Vampire DronesSilicon Curtain for Kupiansk Vampires. Dzyga's Paw, together with Jonathan Fink, is joining forces to raise $40,000 to provide the Khartiia Brigade with Vampire Drones.https://dzygaspaw.com/silicon-curtain-for-kupiansk-vampires----------SUPPORT THE CHANNEL:https://www.buymeacoffee.com/siliconcurtainhttps://www.patreon.com/siliconcurtainhttps://www.gofundme.com/f/scaling-up-campaign-to-fight-authoritarian-disinformation----------TRUSTED CHARITIES ON THE GROUND:Save Ukrainehttps://www.saveukraineua.org/Superhumans - Hospital for war traumashttps://superhumans.com/en/UNBROKEN - Treatment. Prosthesis. Rehabilitation for Ukrainians in Ukrainehttps://unbroken.org.ua/Come Back Alivehttps://savelife.in.ua/en/Chefs For Ukraine - World Central Kitchenhttps://wck.org/relief/activation-chefs-for-ukraineUNITED24 - An initiative of President Zelenskyyhttps://u24.gov.ua/Serhiy Prytula Charity Foundationhttps://prytulafoundation.org----------SOURCES:NPR — "IOC clears way for Russian athletes to return to Olympics" (8 July 2026)IOC — "IOC provisionally lifts suspension of Russian Olympic Committee" (7 July 2026)Sportico — "IOC Ban on Russian Athletes Lifted Ahead of Los Angeles 2028 Olympics" (7 July 2026)Marathon Handbook — "Russia Cleared To Return To The Olympics As IOC Lifts Its Suspension" (7 July 2026, incl. World Athletics Council decision of 3 July 2026)Meduza (English) — "British lawmakers demand ban on Russian cartoon 'Masha and the Bear' over 'propaganda'" (3 July 2026)Propastop — "Masha and the Bear: Why Did Russian Media Go on the Defensive?" (6 July 2026)The Telegraph (via Yahoo News) — "The Russian children's cartoon embroiled in Putin's soft-power war" (July 2026)Georgia Today — "Netflix faces criticism after expanding global access to Russian cartoon Masha and the Bear" (late June 2026)Euronews — "EU countries back suspension of funding for the Venice Biennale over Russian participation" (12 May 2026)Artforum — "Russia's Venice Pavilion Will Be Closed to Public for Duration of Biennale" (28 April 2026)EUobserver — "Russia's pavilion at the Venice Biennale won't whitewash its crimes against humanity" (8 May 2026)AP / Reuters (via US News) — "Russian attacks kill 6, wound 29, as Ukrainian forces target oil tankers" and "Russian Strikes Kill Eight, Wound Dozens" (11 July 2026)Al Jazeera — "At least 22 killed in Kyiv as Zelenskyy warns of 'massive Russian strike'" (2 July 2026)The Moscow Times — "Nine Dead as Russia, Ukraine Exchange Strikes" (12 July 2026)Background: Arkady & Boris Strugatsky, Roadside Picnic (1972); Andrei Tarkovsky, Stalker (1979).----------

Ninety-six per cent of Black British adults don't swim regularly. That's the statistic from the Black Swimming Association that my guest came across while she was deep in research about bodies of water / about what they hold, what they absorb, what they promise. Phoebe Boswell is a Kenyan-British artist whose work has been shown at the Venice Biennale and in major institutions and collections worldwide. In this conversation, Phoebe talks about her latest large-scale commission for Art on the Underground, we move through scales of blue, now running alongside the escalators at Notting Hill Gate and Bethnal Green subway stations in London. She shares how she works with communities without extracting from them, why she stopped painting for twenty years and what brought her back, and what she has come to understand about figuration, freedom and the responsibility that comes with the work. You will leave with a deeper sense of what it means to make work that holds rupture and joy at the same time - and the courage it takes not to resolve them. KEY TAKEAWAYS Phoebe holds two things at once - A figurative practice that she describes as lovemaking - a sustained attention to the body, particularly the Black female body, as a way of truly seeing. And alongside it, a refusal to stay in the language of identity alone. Making work that holds rupture and joy at the same time isn't a flaw to be fixed. It's a way of working: that stays true to pain, history and politics while refusing to let go of tenderness, nuance, and beauty. Phoebe's approach to figuration, community and public space asks us to think more deeply about how we see who we work with. What we owe the people in and around our work, not just as subjects or audiences, but as co-holders of meaning. BEST MOMENTS “Art became a way of coming back to myself… it was a process of trying to re-see the self that had been kind of shattered. It was proclaiming myself, reminding myself that I'm still here.” “Art is this place for me to sense, to taste, or to test the borders of my own truth in a way that I don't think is always possible in real life. I think you go through seasons.” “Trust the porous borders between your projects. To return to what you left, changed. And to keep making work that is for the people in it, before it is for anyone else.” “I don't want to be free off the back of anyone else.” EPISODE RESOURCES https://www.phoebeboswell.com/ https://www.instagram.com/phoebe.boswell/ HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com ** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

On this episode I'm joined by Alexa Kumiko Hatanaka as we discuss her latest work on view in the 61st edition of the Venice Biennale.  Alexa is a Japanese-Canadian artist who brings together historical and sustainable craft technologies of her heritage, including hand-papermaking, natural dye, linocut, gyotaku (printing real fish), and washi (Japanese paper). Her work, taking the form of sewn paper sculpture, large-scale print installation, collaborative performances and wearable washi, addresses contemporary questions of climate change and mental health, informed by a decade of community-engaged projects in Nunavut (high arctic) and lived experience with bipolar. Our conversation is thoughtful, intimate, and expansive, centering on how art can create spaces for vulnerability, collective healing, and deeper ways of knowing. ---------------------------------Follow & Subscribe Subscribe on SubstackFollow Light Work on Instagram Follow Folasade Ologundudu on InstagramYouTube - Subscribe to the Light Work YouTube Channel 

We're getting ahead of Shark Week this year with a story of an ocean mystery: why do great white sharks have a kind of secret gathering place in the Pacific Ocean? Plus: an installation at this year's Venice Biennale might take you back to the stories you read as a kid. White Shark Café: The mysterious meeting spot for great whites in the middle of the Pacific Ocean (Live Science)Mind-Bending Slanted Chapel Recreates the Fairy-Tale Moment Before It's Huffed and Puffed Down (My Modern Met)Want more shark-themed episodes of this show? Back us on Patreon, chum

The artist and sculptor Sir Anish Kapoor talks to John Wilson about his career and cultural influences. Renowned for his innovative, often monumental works, Kapoor gained international recognition in the late 1980s. He represented Britain at the Venice Biennale in 1990 and won the Turner Prize the following year. His public artworks include Cloud Gate in Chicago, the Orbit sculpture next to the London Arena, commissioned to mark the 2012 Olympics, and the 110m-long structure of giant rings and connecting wires known as Temenos in Middlesborough. In 2025 a piece called Butchered, a collaboration with Greenpeace, was installed on to an active Shell oil rig in the North Sea as a protest against the fossil fuel industry. The Hayward Gallery in London is one of several cultural institutions around the world that is hosting major exhibition of the work of Anish Kapoor in 2026.Producer: Edwina Pitman

In this special episode, author and contemporary art historian Clare Carolin joins EMPIRE LINES live, to discuss the British government's deployment of art as an instrument of war in the North of Ireland and the Falklands (Malvinas) in the 20th century, and their research in the archives and collections of the Imperial War Museum (IWM) in London.This episode was recorded live as part of A Conversation about Art, Media, and the State, with Laleh Khalili, Munira Cheema, Asif Akhtar, and Jamie Hakim at Bush House, King's College London in June 2026. Find all the information online: kcl.ac.uk/events/a-conversation-about-art-media-and-the-stateThe Deployment of Art: The Imperial War Museum's Artistic Records Committee, 1968–1982 (2025) by Clare Carolin is published by Routledge.Dissenting Counter-Publics in Pakistani Social Media and Cafe Culture (2025) by Munira Cheema is published by Palgrave Macmillan.Both are available in all good bookshops and online.Read about Clare Carolin's lecture-performance, How to Build a Decolonial Peace Museum (A Provocation in Three Parts), at On Radicalism, the Contemporary Art Society (CAS) Annual Conference 2025 in London: contemporaryartsociety.org/sites/default/files/attachments/On Radicalism (1 May 2025)%2C report by Jelena Sofronijevic.pdfFor more about the Venice Biennale 2026, and EVA International in 2016, read this article for the Contemporary Art Society: contemporaryartsociety.org/explore/resources/minor-keys-view-61st-venice-biennaleFor more about the Kipling family and the National College of Arts (NCA Lahore), hear contemporary artist Suleman Aqeel Khilji on the painting Elevation (Chiltan) (2025-2026), recorded at White Cube Paris: pod.link/1533637675/episode/YWYwMDNkMTgtNmJjOC00ZGZhLTlhYmItZWUzZjUyY2Y4ZjEyPRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: ⁠⁠instagram.com/empirelinespodcast⁠⁠Support EMPIRE LINES on Patreon: ⁠⁠patreon.com/empirelinesEMPIRE LINES is a project within the ecosystem of Radical Ecology (2025-2026).

Pio Abad talks to Ben Luke about his influences—from writers to musicians, and, of course, other artists—and the cultural experiences that have shaped his life and work. Abad explores objects and images that have personal resonance and political potency. His primary medium is installations comprising multiple materials, forms and methods, from fine pen drawings and textiles to photography and text. The foundation of his work is an engagement with the history and present of his homeland, the Philippines, where he was born in 1983, and where his parents were involved in the struggle against the dictatorship of Ferdinand Marcos in the 1970s and 1980s. The conditions of that brutal regime, its propaganda and visual excess, the international power structures of which it was part, and its legacies today have been fundamental to his practice. In recent years, he has expanded his work to explore broader themes relating to collections of art and artefacts, and the histories of violence, theft and exploitation that underpin them.He discusses his interest in the seductive power of objects in telling complex stories and reflects on the importance of writing and drawing to his work, how his large-scale forensic drawings are a means of “excessively remembering” to counter forgotten histories, and about honouring unnamed artists from non-Western cultures through painstaking depicting their works. He recalls his memories of his aunt, the artist Pacita Abad, and her formative effect on his own artistic trajectory, as well as his position as curator of her estate. He reflects on the importance of Felix Gonzalez-Torres, especially in his balance between weighty subject matter and formal economy, the drawings of Henri Michaux and Egon Schiele, and the writers Jorge Luis Borges, Hisham Matar and Teju Cole. He gives insight into his life in the studio and answers our usual questions, including the ultimate: what is art for?Look out for a video version of this interview on the YouTube channels of The Art Newspaper and Bloomberg Connects.Pio Abad, In Minor Keys: 61st Venice Biennale, Venice, Italy, until 22 November. Watch the full-length video version of this interview on the YouTube channels of The Art Newspaper and Bloomberg Connects. Hosted on Acast. See acast.com/privacy for more information.

Tori Wrånes is a multi-disciplinary, or as she herself likes to call it ‘trans-disciplinary' artist working largely with performance, sound, sculpture and installation.  Her immersive, fantastical, world-building shows challenge the viewer to rethink traditional ideas of identity, language, social hierarchy and the human body itself.  Tori has performed and exhibited her work in all corners of the globe and was most recently given the honour of representing the Nordic Pavilion at the 61st Venice Biennale.  Explore more of Tori's work here

Some of the most important visual artist working today are sound artists. It seems that sound in general has been growing in importance at the museum recently. Exhibitions come with soundtracks, sculptures make noise, and musical performance of one kind of another is everywhere in and around the art. Ben Davis wanted to dig into this “sonic turn” in art, if that's what it is—and the artist Tarek Atoui is a great person to talk to. Born in Lebanon and based in Paris, Atoui's work often takes the form of environments, with sculptures that double as experimental musical instruments, to be activated by the audience or performers. This form of art is both unique and clearly resonates with a bigger trend of using sound to activate the museum as an event space and a space of gathering. At the current Venice Biennale, Atoui is part of the Qatar Pavilion for a project called “Untitled 2026 (A Gathering Of Remarkable People),” working with a super-group of famous figures from the worlds of art, music, and food to make an environment that evolves for the course of the Biennale. And later this year, Atoui will be the next artist to do the giant Turbine Hall commission for the Tate Modern in London, occupying one of the most highly watched pieces of exhibition space in the international art world. Where does this genre of hybrid art come from? Where is it going? What are its challenges?

Highlights from the new Summer issue: an exploration of seasonal scents, why turquoise is a mainstay colour during the warmer months and a look inside a new pavilion at the Venice Biennale with Ayan Farah.See omnystudio.com/listener for privacy information.

Episode No. 763 is a summer clips episode featuring artist Jes Fan. The Yale University Art Gallery is presenting "Jes Fan: Unbounded" through June 28. The exhibition spotlights how Fan makes sculptures that combine elegant abstract forms with an experimental and innovative approach to materials. Fan's sculptures often explore the porousness of identity, and incorporate living matter, such hormones, and fluids, such as glass. Fan's work has been exhibited in the 2024 Whitney Biennial, the 2022 Venice Biennale, the 2021 New Museum Triennial at the New Museum, New York, the MIT List Visual Arts Center, the Contemporary Arts Center, Cincinnati, and more. As mentioned on the program: Stills from Fan's 2023 video Palimpsest. Byung-Chul Han's book Saving Beauty. For more images, see Episode No. 658.

Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember? They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:03) Architecture as a Living Transformation(1:42) The Intuitive Knowledge of Living Art(2:20) Preserving the Human Core of Expression(3:14) The Medina and the Geometry of Childhood(6:35) The Social Spaces of Rooftops(8:27) The Twin Dynamic and Confrontation with 'l'autre'(10:21) Contextual Echoes & Traces of the Site(12:12) The Temples of Water(13:15) The Mosque as Pure Spatiality(15:49) Building Culture with Yves Saint Laurent & Pierre Bergé(16:57) The Wast ed-dar (وسط الدار) and the Heart of a Building(18:31) The Smells and Sounds of Home(19:44) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Episode No. 762 features artist John Akomfrah. The Menil Collection, Houston is showing "John Akomfrah: The Hour of The Dog" through October 11. The work, co-commissioned by the Menil and the Baltimore Museum of Art, explores the history of the US civil rights movement between 1954 and 1963. The presentation was curated by Michelle White and Cecilia Wichmann. Akomfrah is one of the world's most celebrated film-based artists. His work often investigates memory, colonialism, diaspora, and the intersection of time and aesthetics. He has had solo exhibitions at several Smithsonian museums, the San Francisco Museum of Modern Art, and at the Tate Britain. He represented the UK in the 2024 Venice Biennale, a year after the UK honored him with a knighthood. This is Akomfrah's third time on the program. His previous visits were on Episode No. 332 and Episode No. 339. Air date: June 11, 2026.

Australian-born artist, filmmaker and speculative architect Liam Young discusses his work and cultural influences with John Wilson. Young creates imaginary future worlds through films and art installations to provoke discussion about present-day social and environmental issues – including climate change, energy, migration, and technology. His films, including Planet City and The Great Endeavour, have been shown at the Venice Biennale and museums including MOMA and the Smithsonian and the Barbican Centre in London has staged a major exhibition of his work called In Other Worlds. He holds guest professorships at universities including Princeton, MiT and Cambridge. In the commercial sector, Liam Young works as a consultant to major brands and the film industry on designing visions of the future.Producer: Edwina Pitman

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember? They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:03) Architecture as a Living Transformation(1:42) The Intuitive Knowledge of Living Art(2:20) Preserving the Human Core of Expression(3:14) The Medina and the Geometry of Childhood(6:35) The Social Spaces of Rooftops(8:27) The Twin Dynamic and Confrontation with 'l'autre'(10:21) Contextual Echoes & Traces of the Site(12:12) The Temples of Water(13:15) The Mosque as Pure Spatiality(15:49) Building Culture with Yves Saint Laurent & Pierre Bergé(16:57) The Wast ed-dar (وسط الدار) and the Heart of a Building(18:31) The Smells and Sounds of Home(19:44) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Researcher, artist, and curator Pietro Consolandi traces the ‘wetland turn' in art, ecology, and environmental justice, via Giovanni Pellegrini's 2025 documentary film, The Venice Lagoon, a legal person.Nature Speaks: Listening for Rights of Nature in Venice and Europe is at Ocean Space in Venice until 11 October 2026. The Research Unit, curated by Pietro Consolandi and Amalia Rossi, is co-produced by TBA21–Academy and NICHE Centre for Environmental Humanities, Ca' Foscari University of Venice, in collaboration with IDRA (Initiative for the Rights of Water) and the Confluence of European Water Bodies. You can join the next Citizens' Assembly for the Rights of the Lagoon on 10 October 2026.The Venice Lagoon, a legal person (2025) is available to watch online.For more about water bodies in Europe, hear Klima Biennale Wien festival director Sithara Pathirana on climate justice, public space and the rights of the river Danube through Austria, Central, Eastern, and Southeastern Europe, in the episode about Superflux's sculptural installation, Nobody Told Me Rivers Dream (2025): pod.link/1533637675/episode/ZWQ4Mzg0Y2MtMWFkMy00ZmJkLWIyZjUtNGU3MmJmODM2ODExOn the flows between Wales and Venice, listen to artist ⁠Taloi Havini⁠, winner of Artes Mundi 10, on their film Habitat (2017) at Mostyn in Llandudno, and work with Ocean Space in Venice: pod.link/1533637675/episode/e30bd079e3b389a1d7e68f5e2937a797On archaeologist Marija Gimbutas, hear Emilija Škarnulytė on their film installation, Burial (2022), part of Folkestone Triennial 2025: pod.link/1533637675/episode/ZmJmZTIzMGItOTg0OC00YjhhLThkMjMtMWQ3Y2E5ZDU5MDAzAnd for more about Southampton's coastal connections to Europe, hear curators Ros Carter and Sofie Krogh Christensen on Pia Arke's Camera Obscura (1990) at John Hansard Gallery in Southampton and KW Institute for Contemporary Art in Berlin: pod.link/1533637675/episode/OWVhZjc3YWItNDRiYy00MTYyLTk0ZmItZmE5MmJlZDY1YmI1PRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: ⁠⁠instagram.com/empirelinespodcast⁠⁠Support EMPIRE LINES on Patreon: ⁠⁠patreon.com/empirelinesEMPIRE LINES is a project within the ecosystem of ⁠Radical Ecology⁠ (2025-2026).

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember? They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:03) Architecture as a Living Transformation(1:42) The Intuitive Knowledge of Living Art(2:20) Preserving the Human Core of Expression(3:14) The Medina and the Geometry of Childhood(6:35) The Social Spaces of Rooftops(8:27) The Twin Dynamic and Confrontation with 'l'autre'(10:21) Contextual Echoes & Traces of the Site(12:12) The Temples of Water(13:15) The Mosque as Pure Spatiality(15:49) Building Culture with Yves Saint Laurent & Pierre Bergé(16:57) The Wast ed-dar (وسط الدار) and the Heart of a Building(18:31) The Smells and Sounds of Home(19:44) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Monocle on Culture returns. Robert Bound is joined by culture editor Sophie Monaghan-Coombs, fresh from the Venice Biennale, to discuss everything from the pavilions to the protests. Plus: we hear from artists Michael Armitage and Lorna Simpson.See omnystudio.com/listener for privacy information.

Arthur Jafa is probably the most revered artist of the last decade. Born in 1960, in Tupelo, Mississippi, he came up through the world of cinema. But Jafa also found his way into the art world with his difficult video work and strange objects. In art, his reputation went viral in 2016 with the video, Love Is the Message, the Message Is Death. It is a collage of found footage from social media that included police violence against Black people and also moments of viral celebration and joy. It was both experimental and accessible, and drew huge crowds when it was first shown at Gavin Brown's Enterprise in New York. A follow-up film, called The White Album, won the Golden Lion for Best Artist as part of the main show of the Venice Biennale back in 2019. And this month, Jafa is back in Venice, this time in a two-person show called “Helter Skelter,” curated by Nancy Spector, pairing him with the famous artist Richard Prince, also known for using found and appropriated imagery to disorienting effect. That show opened alongside the Venice Biennale at the Prada Foundation, and was one of the few things during the opening weekend that everyone could agree was a must-see event. Jafa has also curated a show currently on view at the Museum of Modern Art, called “Less Is Morbid,” a deliberately packed display of his favorite art. He is also one of the winners of this year's Art Basel Award, to be honored at that fair. In the middle of all this intense activity, Jafa agreed to talk to Artnet's Ben Davis about his art, his view of art history, and what comes next.

What exactly is a biennale, and why do they matter in the art world? In this solo episode, I'm breaking down one of the art world's most iconic and contested formats, from its origins at the very first Venice Biennale in 1895 to the sprawling, politically charged mega-exhibitions we know today.In the episode, we move through the history of how biennales evolved from nationalist showcases into curator-led events grappling with postcolonial discourse, identity politics, and climate change. I then touch on some of the most influential editions across Venice, São Paulo, Kassel, and beyond. We get into the controversies, including the the Dana Schutz and Open Casket debate at the 2017 Whitney Biennial, the board resignation that followed artist protests in 2019, and the antisemitism scandal that overshadowed Documenta 15 in 2022.Sources:Paintings from the Venice Biennale – ListoryIn 1895, the 1st Venice Biennale faces its first censorship scandal – Arte BrasileirosThe Dana Schutz Emmett Till painting controversy at the Whitney Biennial – The GuardianWarren Kanders resigns from Whitney Museum board – The New York TimesStatement by Taring Padi on dismantling People's Justice – Documenta FifteenWho Killed the Independent Curator? – Frieze- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/Research and Creative Assistant: Iris Epstein

MoneyFM 89.3 Saturday Mornings Show host Glenn van Zutphen is joined in the studio by Robbie Hoyes-Cock and Joseph Bakhsh of Art Vault Asia to preview this extraordinary showcase — Leica’s first oil‑on‑canvas exhibition in Southeast Asia, timed with the auspicious Year of the Fire Horse. This week on Leaders in Action, we spotlight a landmark moment in Asia’s contemporary art scene: “Fire Horse – The Decisive Moment,” a major exhibition by internationally acclaimed Beijing‑based artist Ma Dongmin, presented by Art Vault Asia in partnership with Leica Singapore. The exhibition features 23 works from Ma’s celebrated Blue Fire Horse Collection, including new pieces like Twilight Ascension, Radiant Storm, Velvet Thunder, and Celestial Pulse. Ma Dongmin — a three‑time Venice Biennale honouree — is known for his “misty lens” technique, blending Eastern philosophical depth with Western conceptual rigour. We explore:

Kate Adie introduces stories on President Trump's visit to China, the Palestine marathon, the Venice Biennale boycott, a young woman's search for her mother in India, and living in the fast lane with Sierra Leone's First Lady.Laura Bicker has been in Beijing where military parades, red carpets and singing choirs of children greeted Donald Trump as he arrived for talks with President Xi. So what progress was made in China-US relations after a frosty period?Wyre Davies has been in Bethlehem watching on as runners from around the world took part in the 10th Palestine Marathon - a burst of positivity after the race was postponed amid the war between Hamas and Israel, following the October 2023 attacks.The Venice Biennale and the Eurovision song contest were both founded with the intention of bringing nations together through art - but Kirsty Lang finds, upon visiting Venice, an art festival swept up in a clash with global politics. In the Indian state of Maharashtra, Tanya Datta travels with a young woman in search of her birth-mother after she was adopted by a French family and grew up in France. As she goes to the place of her birth, she finds an unexpected connection.And Megha Mohan recounts a hair-raising journey travelling in the motorcade of Sierra Leone's first lady, Fatima Bio - en route to interview her in the Presidential Palace. Series Producer: Serena Tarling Production Coordinators: Katie Morrison & Sophie Hill Editor: Richard Fenton-Smith

Kate Adie introduces stories on President Trump's visit to China, the Palestine marathon, the Venice Biennale boycott, a young woman's search for her mother in India, and living in the fast lane with Sierra Leone's First Lady.Laura Bicker has been in Beijing where military parades, red carpets and singing choirs of children greeted Donald Trump as he arrived for talks with President Xi. So what progress was made in China-US relations after a frosty period?Wyre Davies has been in Bethlehem watching on as runners from around the world took part in the 10th Palestine Marathon - a burst of positivity after the race was postponed amid the war between Hamas and Israel, following the October 2023 attacks.The Venice Biennale and the Eurovision song contest were both founded with the intention of bringing nations together through art - but Kirsty Lang finds, upon visiting Venice, an art festival swept up in a clash with global politics.In the Indian state of Maharashtra, Tanya Datta travels with a young woman in search of her birth-mother after she was adopted by a French family and grew up in France. As she goes to the place of her birth, she finds an unexpected connection.And Megha Mohan recounts a hair-raising journey travelling in the motorcade of Sierra Leone's first lady, Fatima Bio - en route to interview her in the Presidential Palace.Series Producer: Serena Tarling Production Coordinators: Katie Morrison & Sophie Hill Editor: Richard Fenton-Smith

Welcome to The Times of Israel's Daily Briefing, your 20-minute audio update on what's happening in Israel, the Middle East and the Jewish world. Arts and culture editor Jessica Steinberg joins host Gabriella Jacobs for today's episode. We begin by discussing a series of vociferous protests against Israel’s inclusion in the 61st Venice Biennale contemporary art exhibition, including the jury’s resignation. Steinberg explains that these protests are only the most recent in a much wider cultural boycott of Israel. We move on to talk about “The Eichmann Trial,” a new play written by Motti Lerner and directed by Ilan Ronen and performed exactly where the senior Nazi party member was prosecuted 65 years ago. Through survivors' eye-witness emotional stories, the play reenacts their chilling accounts about what happened in the war, in concentration camps, in ghettos, and in the forests. Steinberg notes that the content of the play has extra resonance now, in a post-October 7, 2023, landscape. We close by exploring the creations of Yaacov Agam, one of the prominent and influential figures in the international and Israeli world of art. Agam's work "clearly reflects the spirit of Israeli creativity, innovation, breaking barriers, the connection between tradition and modernity, and a broad universal vision,” according to the first paragraph of the Hebrew text on the Israel Prize he recently received. Steinberg delves into how his artwork is inspired by his spiritual view of Judaism and his upbringing as the son of a rabbi. Subscribe to The Times of Israel Daily Briefing on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts. This episode was produced by Ari Schlacht.See omnystudio.com/listener for privacy information.

The meeting between President Donald Trump and his Chinese counterpart Xi Jinping will set the tone for three more this year. We examine what and what not to expect. Pepsi has been losing ground to Coca Cola recently; to catch up, it may have to become more like its rival. And this year's Venice Biennale is uncomfortably besieged by geopolitics. Guests and host:Simon Rabinovitch, Beijing bureau chiefShera Avi-Yonah, business correspondentAlexandra Suich Bass, culture editorRosie Blau, co-host of “The Intelligence”Jason Palmer, co-host of “The Intelligence”Topics covered: Trump/Xi summit, geopoliticsCoca Cola, Pepsi, businessVenice Biennale, cultureGet a world of insights by subscribing to Economist Podcasts+. For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

The meeting between President Donald Trump and his Chinese counterpart Xi Jinping will set the tone for three more this year. We examine what and what not to expect. Pepsi has been losing ground to Coca Cola recently; to catch up, it may have to become more like its rival. And this year's Venice Biennale is uncomfortably besieged by geopolitics. Guests and host:Simon Rabinovitch, Beijing bureau chiefShera Avi-Yonah, business correspondentAlexandra Suich Bass, culture editorRosie Blau, co-host of “The Intelligence”Jason Palmer, co-host of “The Intelligence”Topics covered: Trump/Xi summit, geopoliticsCoca Cola, Pepsi, businessVenice Biennale, cultureGet a world of insights by subscribing to Economist Podcasts+. For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

This year marks the tercentenary of polymath Sir John Vanbrugh, regarded as the rockstar architect of the Baroque era. Art historian Sir Charles Saumerez Smith, co-curator of the Vanbrugh exhibition at the Sir John Soane's Museum, and Rory Fraser who is writing a biography on Vanbrugh, discuss the man happy creating dramas for the British stage and dramatic buildings on the British landscape.Turner Prize-winning artist Lubaina Himid is known for her distinctive brightly coloured paintings of black characters. She reflects on representing Great Britain at this year's Venice Biennale, and her ambition as a painter to capture the awkward moment.Marking tonight's first semi-final of the Eurovision Song Contest, television critic Scott Bryan assesses this year's runners and riders aiming to win the song for Europe.Theatre and opera director Kip Williams on directing the UK premiere of the Pulitzer prize-winning opera Angel's Bone which has its UK premiere in Manchester tonight. Fresh from directing one-woman shows with Cynthia Erivo in Dracula, and Sarah Snook in The Picture of Dorian Gray, he talks about juggling the challenges of a contemporary genre-fusing opera.Presented by Nick Ahad Produced by Ekene Akalawu

Critics Ben Luke and Aviva Dautch bring us all the news from The Venice Biennale. Following the death of the great Shakespearean actor Michael Pennington, we speak to former RSC Director Gregory Doran about his impact on the stage. A new small exhibition Elizabeth I: Queen and Court Is running in London. It includes rarely seen portraits of The Virgin Queen that are normally held in private collections. Historians Tracy Borman and Siobhan Clarke join Tom to talk about the crossover between portraits and propaganda for 16th century monarchs Hilary Mantel's controversial 2015 short story, The Assassination of Margaret Thatcher, has been adapted for stage at the Liverpool Everyman Theatre. We speak to playwright Alexandra Wood about why she chose to re-tell this story now.Presenter: Tom Sutcliffe

6/16: Lorenzo Fiori discusses Secretary of State Marco Rubio's meeting with the Pope to mend relations. He also addresses controversy at the Venice Biennale, arguing art should serve as a bridge between nations during conflict. The segment concludes with celebrations for the 800th anniversary of St. Francis.1881

SCHEDULE OF THE JOHN BATCHELOR SHOW, 5-8-2026.1900 VERA CRUZ.1/16: Jeff Bliss discusses the Los Angeles mayor's race, highlighting actor Spencer Pratt's surprising success in a recent debate. Pratt earned 83% viewer support by using AI-generated campaign videos to critique incumbents Karen Bass and Nithia Ramen. Critics question if an actor can successfully navigate the city council.2/16: Jeff Bliss analyzes the California governor's race, focusing on Republican outsider Steve Hilton. Hilton positions himself as a reformer against Democrats like Xavier Becerra and Tom Steyer. The segment also touches on the construction of a new Las Vegas baseball stadium for the A's.3/16: Richard Epstein explores legal challenges regarding redistricting following Louisiana v. Kales. He details the evolution of the Voting Rights Act from addressing racial exclusion to modern debates over partisan gerrymandering. Epstein argues that while technology aids gerrymandering, it increases electoral risks in "wave" elections.4/16: Richard Epstein evaluates the Middle East crisis, advocating for unconditional surrender against bad actors like Iran. He criticizes current US foreign policy for ambiguity. Epstein emphasizes that long-term stability requires regime change and overwhelming force to break the influence of hostile regional powers.5/16: Jim McTague reports on Lancaster County's economy, noting a significant drop in restaurant foot traffic due to rising gasoline prices. While younger crowds have slowed spending, senior citizens remain active. The segment also covers the local job fair, where highly skilled technical positions remain in high demand.6/16: Lorenzo Fiori discusses Secretary of State Marco Rubio's meeting with the Pope to mend relations. He also addresses controversy at the Venice Biennale, arguing art should serve as a bridge between nations during conflict. The segment concludes with celebrations for the 800th anniversary of St. Francis.7/16: Bob Zimmerman examines the burgeoning private space industry in India and the US. He discusses the shortage of solid rocket boosters and competition between Lockheed Martin and Northrup Grumman. Additionally, Zimmerman describes a complex "dance" in orbit involving American, Russian, and Chinese inspector satellites.8/16: Bob Zimmerman critiques the failure of UK spaceports due to excessive bureaucracy. He provides updates on NASA's Curiosity rover, which recently freed a stuck rock from its drill on Mars. Furthermore, the Juno mission continues its observations of Jupiter's moons despite running low on fuel.9/16: Evan Ellis discusses the unprecedented US indictment of sitting Sinaloa Governor Ruben Rocha Moya for ties to the Sinaloa cartel. The indictment reveals deep corruption within the Mexican political system. Ellis explains how cartels utilize global networks and legitimate legal firms to launder billions.10/16: Evan Ellis analyzes Argentina's recovery, highlighting a 5% increase in industrial output. President Javier Milei's fiscal policies have stabilized the currency, though global factors keep inflation high. Despite economic progress, Milei's inner circle faces ongoing corruption investigations that could impact his political momentum.11/16: Evan Ellis reports on Venezuela's repressive regime, which continues to hold political prisoners despite an economic reopening. He discusses the US fuel blockade on Cuba and its humanitarian impact. Potential resolutions include naming a date for Venezuelan elections and ratcheting diplomatic pressure on the Cuban leadership.12/16: Evan Ellis examines neck-and-neck presidential races in Peru and Colombia. In Peru, the contest between Keiko Fujimori and Roberto Sanchez carries implications for relations with China. Colombia faces a similar choice between right-wing candidates and the leftist Ivan Cepeda, affecting future security cooperation.13/16: Tal Fortgang discusses St. Mary Catholic Parish v. Roy, a case involving state subsidies for religious schools. Colorado is accused of using secular conditions to exclude religious institutions from preschool programs. The case questions whether states can constitutionally bar religious parents from generally available public benefits.14/16: Tal Fortgang highlights an ecumenical coalition opposing discrimination against religious groups. He cites the Notre Dame Education Law Project as a leader in identifying and rooting out residual legal biases. The segment details specific hostilities in Colorado, where social progressivism often clashes with traditional religious institutions.15/16: Gene Marks observes steady business for construction and safety industries across the US. He notes that raw material costs have surged significantly. Despite inflation, consumer spending remains vigorous, with major retailers like Amazon reporting their strongest retail growth since the pandemic.16/16: Gene Marks explains how small businesses are developing custom AI applications to improve productivity. He highlights tools like Claude for automating sales quotes and executive summaries. However, researchers warn that AI's tendency toward sycophancy and charm can sometimes mislead users in professional settings.

Russia's annual Victory Day parade in Moscow coincided with a three-day ceasefire between Russia and Ukraine, announced by President Trump. President Zelensky ordered his forces not to target the event, which commemorates the defeat of Nazi Germany. It was much scaled back this year because of the war, with no armoured vehicles or ballistic missiles on display. Also in the programme: Hungary's new parliament is meeting, heralding a shift in direction under the new prime minister; and the Venice Biennale art exhibition starts today, with calls for boycotts of artists from Russia and Israel - but not everyone agrees. (Photo: Russian President Vladimir Putin attends a ceremony as the country marks the 81st anniversary of the victory in World War II. Credit: Alexander Nemenov/ EPA/Shuttershock)

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

We explore whether early controversies over this year’s Venice Biennale have eclipsed the art with our culture editor, Sophie Monaghan-Coombs. Plus: Russia’s Victory Day parade and our weekly Friday quiz.See omnystudio.com/listener for privacy information.

Three women with links to the jihadist Islamic State group have been arrested on returning home to Australia following years in detention in Syria. Also on the programme, Newshour goes to Baltimore to speak to families affected by the 2024 bridge collapse and now avoiding deportation, and protests against the Russian full-scale invasion of Ukraine rock the Venice Biennale.(Photo: Islamic State-linked families return to Australia, Melbourne, 7 May, 2026. Credit: Joel Carrett/EPA-EFE)

At the Venice Biennale, every two years, we expect big things from the artists picked to represent their countries. But I'm not sure anyone can quite prepare themselves for the universe of Florentina Holzinger. After years becoming a titan of the theater world, Holzinger is now getting one of the most visible slots in the art world, a national pavilion in the Giardini. She's representing Austria this year for what is surely going to be one of the most talked about pavilions. Known for feminist performances that push the human body—and, by extension, the viewer—to their absolute limits, she does not shy away from nudity or sexuality. Flesh hooks, stunt artistry, live tattooing, bodily fluids, heavy machinery—all of it is in play, and none of it is trying to be polite. The physicality of her practice is not for the faint of heart, nor for her performers. Her work tends to divide a room, something Holzinger seems entirely unbothered by. Opening May 9th, her exhibition called “Seaworld Venice” fills the Austrian Pavilion with water, turning it into an underwater theme park and a fully functional sewage treatment plant. Audiences can be part of the work: they can urinate in the onsite portable toilets, and their fluids will get cleaned and cycled back into the tanks. The work is about the human body, but it's also about ecology and about Venice itself, a city that is sinking, built on water it cannot drink, overwhelmed by the waste of mass tourism. Kate Brown spoke with Holzinger about what went into building her trailblazing project for Venice, about the move from theater and dance into the art world, and about what it means to make genuinely uncompromising work.

‘Art and politics can totally be separated!' said no one ever – apart from the organisers of the Venice Biennale, a.k.a. the Olympics of the art world. This week we're diving into the fallout from the Biennale's decision to allow both Russia and Israel to participate. We're also looking at a case study of why it's so problematic to welcome Moscow to events that showcase its (Kremlin-approved) cultural offerings: the film Mr Nobody Against Putin, whose co-director Pavel Talankin, we are happy to report, has now happily been reunited with his mislaid Oscar. A round of applause for Lufthansa!It's taken us many years to get over our bitterness that there are some other kids on the block called The Europeans, but since it's Europe Day this Saturday, we've decided to bury the hatchet. This week we're delighted to be joined by the Dutch writer Arnold van Bruggen, one half of the photo-documentary project The Europeans. Along with the photographer Rob Hornstra, Arnold is spending the decade chronicling life around a continent that, as he puts it, is being rocked by a perfect storm of political, social and environmental changes. We spoke to Arnold about the latest chapter of the project, in which they got to know the migrant workers who keep southern Spain's giant greenhouse region running. This interview is brought to you in partnership with the European Cultural Foundation.This week's Inspiration Station recommendations are Repro Uncensored, which is doing fine work highlighting a wave of shutdowns of queer Instagram accounts, and Rotraut Susanne Berner's seasonal Wimmelbilderbücher for kids.EUROPE DAY: How's your prep going? Got your Rösti at the ready? If you'd like to spend Saturday celebrating everything that's wonderful about this continent (and maybe discussing some things we could fix) in the presence of other human beings, our friends at the European Cultural Foundation have a great list of events, from film screenings to family days out. Find your nearest at europeday.eu. #HappyEuropeDay!DON'T MISS OUR INAUGURAL BOOK CLUB PODCAST: You still have a week to read Vincenzo Latronico's pleasingly short ‘Perfection', although we're confident you'll still enjoy next Thursday's conversation about possibly the Berlin novel of our time even if you've never heard of it. Book nerds may want to sign up to support the podcast this week, because we'll be bringing you a longer version of the conversation – brought to you in collaboration with the European Review of Books – on Patreon.Speaking of bonus content: you'll find some extra snippets of our conversation with Arnold van Bruggen at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/europeanspodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (or in your inbox if you subscribe via our website).The Europeans is made possible by listener contributions – we cannot continue to make the show without you! If you like what we do, you can chip in to help us cover our production costs on Patreon in many different currencies, or you can gift a donation to a superfan. You can also donate via our website if you prefer. And finally: we'd also love it if you could tell two friends about this podcast. We think two feels like a reasonable number.Resources for this episode:Amsterdammers can catch The (other) Europeans' exhibition Plastic Sea, Perfect Storm at Domo until next Wednesday. The book version launches at the same venue on May 7 at 4pm.Madrileños can catch the exhibition at PHotoESPAÑA from June 4.Produced by Katy Lee and Wojciech OleksiakMixing and mastering by Wojciech OleksiakMusic by Jim Barne and Mariska MartinaThe Europeans is proudly produced using Europe's own Hindenburg.YouTube | Bluesky | Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | Mastodon⁠⁠⁠⁠⁠⁠⁠⁠⁠ | Substack | hello@europeanspodcast.com

It's Venice Biennale opening week and so, as ever, this episode is our Venice special. The Biennale comprises many aspects: an international exhibition that this year features more than 100 artists in the Central Pavilion in the Giardini—Venice's easternmost gardens—and the Arsenale, the historic Venetian shipyards, as well as national pavilions and, across the city, countless official collateral exhibitions alongside major museum shows, performances and other interventions. We bring you our immediate impressions of this year's offering: Louisa Buck, Jane Morris and host Ben Luke review the main exhibition, In Minor Keys, curated by the late Koyo Kouoh and realised by five of her collaborators. Ben talks to two artists: Gabrielle Goliath whose work for the South African pavilion was cancelled and is being staged in a church in the heart of Venice, and Lubaina Himid, who is showing in the British pavilion in the Giardini. He also meets the writer and thinker Saidiya Hartman, two of whose essays have inspired a production called Minor Music at the End of the World, staged at Venice's Goldoni Theatre and featuring contributions from, among others, the artists Arthur Jafa, Precious Okoyomon and Okwui Okpokwaseli. And The Art Newspaper's digital editor, Alexander Morrison, talks to Daniella Kaliada, one of the team behind Official. Unofficial. Belarus., a collateral art project by Belarus Free Theatre. Finally, we always end our Venice specials with a historic masterpiece, and in this episode's Work of the Week, we look at two: Jacopo Tintoretto's The Last Supper and The Israelites in the Desert of 1591-92, the pair of paintings made for the presbytery of the Basilica of San Giorgio Maggiore. The paintings have just returned to the basilica after a major conservation project, funded by the charity Save Venice, and Ben spoke to Save Venice's Senior Researcher, Gabriele Matino, about them.In Minor Keys, 9 May-22 NovemberGabrielle Goliath: Elegy, Chiesa di Sant'Antonin, 5 May-31 JulyPredicting History: Testing Translation, British Pavilion, 9 May-22 NovemberOfficial. Unofficial. Belarus., Chiesa di San Giovanni Evangelista di Venezia, 9 May-22 NovemberVisit savevenice.org Hosted on Acast. See acast.com/privacy for more information.

Acclaimed author Siri Hustvedt on Ghost Stories, her memoir of her marriage to novelist, poet and filmmaker Paul Auster and her grief following his death in 2024. Following last night's live report on the controversies surrounding this year's Venice Biennale, we are joined by one of the curators of the Ukrainian Pavillion, to hear how a concrete sculpture of a deer rescued from the frontline of the conflict in Ukraine forms the centrepiece of their exhibit. As a new documentary - Salm Nan Daoine (Psalms of the People) explores how the Gaelic Psalm singing tradition is being kept alive in communities across Scotland and Ireland, singer and musician Rob MacNeacail talks about the history of the tradition and gives us a live demonstration in the studio. And as a major new project is launched by the National Theatre of Scotland to enable care-experienced people to tell authentic stories about their lives,, playwright Nicola McCartney is joined by the artistic director of The Big House, a London-based charity which empowers young care-experienced people through theatre to fulfil their potential through impactful stage productions. Presenter: Kate Molleson Producer: Mark Crossan

Antony Gormley joins Samira Ahmed. The sculptor and artist is best known for landmarks such as Angel of the North or the beach figures of Another Place, in Liverpool. But Antony has also been exhibiting drawings since the 80s and with the publication of the book Drawing he tells Samira what this art means to him.After the Devil Wears Prada 2 topped the box office this week, BBC New Generation Thinker Dr. Sarah Smyth and author and critic Hanna Flint discuss how films depict women, work and romance.Following the resignation of the entire jury last week, we discuss the fraught politics of the Venice Biennale with Ed Behrens, editor of visual arts magazine Apollo.Bruce Dickinson joins Samira to talk about the new documentary Iron Maiden: Burning Ambition.Presenter: Samira Ahmed Producer: Harry Graham

TODAY on the GWA Podcast: a very special bonus episode with Lubaina Himid, on her British Council Commission for the British Pavilion at Venice Biennale 2026, "Presenting History: Testing Translation". Returning to the podcast for the second time, Lubaina Himid is an acclaimed Lancashire-based artist working in paintings, sculpture, installations, archives, and more, whose career spans from the 1980s – when she was established as one of the leaders and trailblazers of Britain's Black Arts movement – to the 2020s, where she uses her art and her training in theatre to create all-encompassing works that tackle silenced histories. While you can go to episode 33 to hear a deep dive into Himid's life and work, today we are focusing on her pavilion for Great Britain at the 61st Venice Biennale! An event that happens every two years, thought of as the most important space to showcase art and artists, the Venice Biennale revolves around a central exhibition, this year curated by the late Koyo Kouoh, titled "In Minor Keys", and is often a signifier to define not just what is happening in the world, but how we can understand it through art. The rest of the Biennale is made up of pavilions – think of it like the Olympics of art, whereby countries have exhibition spaces, nominating an artist to stage a show to compete for the gold medal equivalent, The Golden Lion. For the British Pavilion this year Himid will showcase large multi-panel paintings drenched in her signature vibrant palette. In conversation with the British Pavilion's neoclassical architecture, the installation will present Britain as welcoming and airy, brimming with potential, albeit with an underlying sense of unease as the texts, images, and soundscape (made in collaboration with artist Magda Stawarska) subtly introduce tension. And I can't wait to find out more. Lubaina Himid's British Council Commission for the British Pavilion at the Venice Biennale will run from the 9th of May to the 22nd of November, 2026, and is curated by Ese Onojeruo.

This episode starts with some major life updates. Bradshaw shares the story behind his collarbone surgery, and Giana opens up about navigating iron infusions during pregnancy. As usual, one tangent leads to another, and we somehow end up talking about the Venice Biennale, tattoos, being emo, queer allyship, sugar addiction, and what it's like to lose friends far too early in life.Nearly 20 minutes in (classic), we finally settle into the heart of the episode, what to do when your yoga practice stops feeling good. We talk about pregnancy, injury, burnout, plateaus, and losing passion, those seasons when a practice that once felt nourishing starts to feel frustrating, stale, or disconnected.More importantly, we offer ideas for how to navigate it, including nervous system regulation, taking intentional breaks, exploring other movement modalities, finding new teachers, shifting your goals, reconnecting to what first drew you in, and giving yourself permission to let your practice evolve with you. Bradshaw also shares his experience with SI joint dysfunction and how pain reshaped his relationship to movement.We close with a bigger question. Did you love yoga, or did you love the transformation phase, the honeymoon phase of becoming someone new through it? Because even a “good addiction” can become unhealthy, and sometimes the path back is less about pushing harder and more about learning a new way to practice.We also share funny stories about getting the ick before the ick was a thing, and trying to impress doctors with our anatomy knowledge.Want to support our podcast? Join our Patreon for extra content

Day 1,527.Today, we take you to Lviv and hear an update from Dom's week in the west of the country – including a visit to a prisoner of war camp and speaking to soldiers who fought for Russia. Then we bring you the latest on strikes by both sides, as Tuapse refinery is hit for the fourth time in a fortnight, before discussing the end of what's being called the biggest military exercise involving European forces since the end of the Cold War.NOTE: Monday is a bank holiday in the UK. Normal service will resume on Tuesday.Contributors:Francis Dearnley (Host on Ukraine: The Latest). @FrancisDearnley on X.Dominic Nicholls (Host on Ukraine: The Latest). @DomNicholls on X.NOW IN FULL VIDEO WITH MAPS & BATTLEFIELD FOOTAGE:Every episode is now available on our YouTube channel shortly after the release of the audio version. You will find it here: https://www.youtube.com/@UkraineTheLatest CONTENT REFERENCED:Russia's Leningrad Oblast 'now a front-line region,' local governor says (Kyiv Independent):https://kyivindependent.com/russias-leningrad-oblast-now-a-frontline-region-local-governor-says-following-recent-ukrainian-attacks/ Venice Biennale jury resigns after row over Russian entry (The Telegraph):https://www.telegraph.co.uk/world-news/2026/04/30/venice-biennale-jury-resigns-row-russian-artists/ EMAIL US:Contact the team on ukrainepod@telegraph.co.uk . We continue to read every message, and seek to respond to as many on air and in our newsletter as possible.HIGHLIGHTS:Exclusive: ‘My face-to-face with Russian prisoners of war' Europe ends largest military drill since the Cold War Hosted on Acast. See acast.com/privacy for more information.

We talk a lot about biennials. Art is in some ways a very local, in-person thing. Yet artists and creators and writers are also part of a global conversation, looking at and thinking about each other across borders, and these big, recurring art festivals can serve as an opportunity or a prompt to think about what that bigger conversation. One of the biggest, the Venice Biennale, is coming up next month. It's centered around a show called “In Minor Keys,” curated by the late curator Koyo Kouoh. My colleague Jo Lawson-Tancred recently had an article looking at the artists in that show, comparing where they were from and how old they were to the last several editions, to see how the art conversation was evolving. Meanwhile, Ben Davis just published a big project this week, looking at the last four years of art biennials around the world, from the big ones in places like Istanbul, Gwangju, São Paulo, Sharjah, and Venice, to smaller or more experimental ones. He gathered all the names of artists to find out who has shown the most around the world since the 2022 Venice Biennale four years ago. Some are familiar names, some were total surprises. With Venice soon to open, Ben speaks with Jo to talk about what we've learned from our different projects about where the global art conversation has been and where it might be headed.

Mo Rocca takes a look at Cuba, how it is faring today and the impact of the Trump administration's policies concerning the island nation. Anthony Mason catches up with country superstar Kacey Musgraves, who opens up about going home after a breakup, the inspiration for her new songs and posing with a bull on her album cover. Elizabeth Palmer visits with British artist Jenny Saville, who has a major retrospective at the 2026 Venice Biennale. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices