Podcasts about Twombly

"Könnt ihr noch? - Kunst und Demokratie" im Schloss Herrenchiemsee, bis 12. Oktober / "Fünf Freunde: Cage, Cunningham, Johns, Rauschenberg, Twombly" im Museum Brandhorst, bis zum 17. August

Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

A Funny ThursdayFirst a look at the events of the dayThen The final weekly Jack Benny program, originally broadcast May 22, 1955, 70 years ago, Trouble with Twombly. Jack is having trouble with Twombley, the sound effects man. Eugene Twombley was really the name of one of the sound effects men on the program, but Mel Blanc plays the part. The last show of the season, the series and the last regularly scheduled weekly Jack Benny radio show, except for repeats. A funny and touching last show. No mention is made that this is the end of the series, primarily because nobody knew it was!  American Tobacco Company didn't make the announcement until the final show had aired. The cast discusses plans for the summer. The two CBS telephone operators appear. The Sportsmen sing the commercial to the tune of, "Bye Bye Baby" (called "Bye, Bye Benny").   More on the ending of the radio show here.  https://tralfaz.blogspot.com/2013/04/leaving-behind-radio.htmlFollowed by  The Screen Directors Playhouse, originally broadcast May 22, 1949, 76 years ago, Her Husband's Affairs starring Lucille Ball. A farce about a married couple trying to get to Bermuda. They are forever sidetracked by crazy inventions.Then the news from 76 years ago, followed by the Martin and Lewis show,  originally broadcast May 22, 1949, 76 years ago, with guest star John Garfield. Dean takes Jerry down to the gym to build his muscles and toughen him up. Guest John Garfield goes a few rounds with Jerry. Followed by The Fred Allen Show, originally broadcast May 22, 1949, 76 years ago, Babysitting. The program's guest is "Colonel Stoopnagle" (Frederick Chase Taylor), who tells the story of "The Tortoise and The Hare," as Fred becomes a baby sitter. Fred announces that the skit will be concluded on the Henry Morgan Show which follows!Finally, Lum and Abner, originally broadcast May 22, 1942, 83 years ago, Jewels on Squire's Property.   Lum and Abner suspect that there is a fortune in jewels hidden on a property owned by Squire Skimp.Thanks to Adele for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

Short-Answer QuizWhat is the fundamental purpose of personal jurisdiction, and what constitutional provision provides its basis?Personal jurisdiction ensures a court has the authority to compel a defendant to appear and litigate in the forum. Its constitutional basis lies in the Due Process Clause of the Fourteenth Amendment, preventing individuals from being unfairly haled into court in distant or unconnected locations.Explain the difference between general and specific personal jurisdiction, providing a brief example of how each might arise.General jurisdiction exists when a defendant's contacts with the forum state are so continuous and systematic that they can be sued there for any claim, even if unrelated to those contacts (e.g., a corporation with its headquarters in a state). Specific jurisdiction arises when the lawsuit directly relates to the defendant's specific contacts with the forum state (e.g., a contract dispute stemming from a sale made in the state).What are the two primary bases for subject matter jurisdiction in federal courts, and what is a key requirement for each?The two primary bases are federal question jurisdiction and diversity jurisdiction. For federal question jurisdiction, the plaintiff's claim must arise under federal law and be evident in the well-pleaded complaint. For diversity jurisdiction, the case must be between citizens of different states (or a state and a foreign national) with an amount in controversy exceeding $75,000, and there must be complete diversity of citizenship.How does venue differ from jurisdiction, and what is the primary goal of venue rules?Jurisdiction concerns a court's power to hear a case (either over the person or the subject matter), while venue dictates the specific geographic district where the case should be heard. The primary goal of venue rules is to ensure a convenient and appropriate location for the litigation, considering factors like the parties' residences and where the events occurred.Describe the key elements that must be included in a complaint under Federal Rule of Civil Procedure 8.A complaint must contain a short and plain statement of the grounds for the court's jurisdiction, a short and plain statement of the claim showing that the pleader is entitled to relief, and a demand for the relief sought by the pleader.How have the Twombly and Iqbal Supreme Court decisions impacted the federal pleading standard?These decisions raised the pleading standard beyond mere notice pleading, requiring complaints to contain sufficient factual allegations to state a claim that is plausible on its face. This means the factual narrative must be more detailed and suggest a likelihood of liability, rather than just reciting the elements of a cause of action.What are the two main ways a defendant can respond to a complaint after being served? Briefly explain each.A defendant can file an answer, which requires them to admit or deny each of the plaintiff's allegations and assert any affirmative defenses they may have. Alternatively, a defendant can file a pre-answer motion under Rule 12(b), which raises legal objections to the complaint, such as lack of jurisdiction, improper venue, or failure to state a claim.List three examples of affirmative defenses a defendant might assert in their answer.Examples of affirmative defenses include the statute of limitations (the lawsuit was filed after the legal deadline), res judicata (the issue has already been decided by a court), and estoppel (the plaintiff is prevented from asserting a claim due to their prior conduct or statements).Under what circumstances can a party amend their pleading "as a matter of course"?A party can amend their pleading once as a matter of course within 21 days after serving the original pleading, or if the pleading is one to which a responsive pleading is required, within 21 days after service of a responsive pleading or a motion under Rule 12(b), (e), or (f), whichever is earlier.

Ignatowitsch, Julian www.deutschlandfunk.de, Kultur heute

Metzdorf, Julie www.deutschlandfunkkultur.de, Fazit

Welcome back to the Bar Exam Toolbox podcast! This is the last of three episodes in which we review the substantive Civil Procedure law we've covered on the podcast. We're concluding this series by tracking how a civil lawsuit unfolds, from pleadings to judgment.  In this episode, we discuss: Starting a lawsuit: pleadings and service of process Defendant's response and Rule 12 motions Amendments and pre-trial resolutions Joinder of parties Final judgment and post-judgment motions Resources: Private Bar Exam Tutoring (https://barexamtoolbox.com/private-bar-exam-tutoring/) Bell Atlantic Corp. v. Twombly (https://en.wikipedia.org/wiki/Bell_Atlantic_Corp._v._Twombly) Ashcroft v. Iqbal (https://en.wikipedia.org/wiki/Ashcroft_v._Iqbal) Podcast Episode 208: Listen and Learn – Motions to Dismiss a Case (https://barexamtoolbox.com/podcast-episode-208-listen-and-learn-motions-to-dismiss-a-case/) Podcast Episode 286: Listen and Learn – Conclusory Pleadings Under Rule 12(b)(6) (Civ Pro) (https://barexamtoolbox.com/podcast-episode-286-listen-and-learn-conclusory-pleadings-under-rule-12b6-civ-pro/) Podcast Episode 203: Listen and Learn – Motions for Summary Judgment (Civ Pro) (https://barexamtoolbox.com/podcast-episode-203-listen-and-learn-motions-for-summary-judgment-civ-pro/) Podcast Episode 262: Listen and Learn – Motions for Judgment as a Matter of Law and Motions for New Trial (Civ Pro) (https://barexamtoolbox.com/podcast-episode-262-listen-and-learn-motions-for-judgment-as-a-matter-of-law-and-motions-for-new-trial-civ-pro/) Podcast Episode 145: Listen and Learn – Permissive Joinder and Required Joinder (https://barexamtoolbox.com/podcast-episode-145-listen-and-learn-permissive-joinder-and-required-joinder/) Podcast Episode 153: Listen and Learn – More Types of Joinder (Civ Pro) (https://barexamtoolbox.com/podcast-episode-153-listen-and-learn-more-types-of-joinder-civ-pro/) Podcast Episode 148: Listen and Learn – Claim and Issue Preclusion (Civil Procedure) (https://barexamtoolbox.com/podcast-episode-148-listen-and-learn-claim-and-issue-preclusion-civil-procedure/) Download the Transcript (https://barexamtoolbox.com/episode-306-spotlight-on-civil-procedure-part-3-the-civil-lawsuit/) If you enjoy the podcast, we'd love a nice review and/or rating on  Apple Podcasts (https://itunes.apple.com/us/podcast/bar-exam-toolbox-podcast-pass-bar-exam-less-stress/id1370651486) or your favorite listening app. And feel free to reach out to us directly. You can always reach us via the contact form on the Bar Exam Toolbox website (https://barexamtoolbox.com/contact-us/). Finally, if you don't want to miss anything, you can sign up for podcast updates (https://barexamtoolbox.com/get-bar-exam-toolbox-podcast-updates/)! Thanks for listening! Alison & Lee

Jaume Segalés y su equipo hablan de arquitectura y de la obra A la fresca. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: Arquitectura: Arte, funcionalidad y marco regulatorio Entrevistamos al profesor de la Escuela Técnica Superior de Edificación de la Universidad Politécnica de Madrid, Gregorio García López de la Osa, para analizar la situación actual del ámbito de la Arquitectura en España. El 28 de enero entrevistamos al pintor y arquitecto Manolo Oyonarte con motivo de su exposición "Los Nenúfares y Twombly" que aún podemos ver, hasta el 16 de marzo, en un nuevo centro cultural muy especial: La Neomudéjar, ubicada en un espacio que antiguamente albergó talleres ferroviarios de la estación de Atocha y que fue inaugurada en 2013 como museo dedicado a la experimentación y a las artes de vanguardia. Una entrevista que dio pie a hablar no sólo de pintura si no también del papel de la Arquitectura como Arte, ya que Oyonarte se decantó artísticamente por la pintura debido al excesivo marco regulatorio de la Arquitectura. "A la fresca" Los actores Luis Rallo, Israel Frías y Alberto Berzal se han puesto en manos del dramaturgo Pablo Rosal para alumbrar el segundo trabajo de su compañía teatral Los despiertos. El resultado es ‘A la fresca', una aguda obra (todas las de su autor lo son) que puede entenderse como un homenaje a la conversación humana en su sentido más idealizado, es decir, como consecuencia de una necesidad espontánea de comunicación en la que poco importan la condición social, la ideología o los intereses particulares de los interlocutores. Entrevistamos a uno de sus protagonistas, Israel Frías.

Jaume Segalés y su equipo hablan de suelo rústico, de la novela Los crímenes del caviar y de la exposición Los Nenúfares y Twombly. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: Inversión en suelo rústico El campo ha sido uno de los grandes protagonistas del año pasado, especialmente por las incertidumbres derivadas de la sequía y de las directrices legales europeas que provocaron grandes movilizaciones agrarias y ganaderas. Y también ha sido relevante la actividad inversora en fincas rústicas. Así lo refleja el "Informe sobre la Inversión en Suelo Rústico en 2024" realizado por Cocampo, plataforma especializada en el acceso y en la digitalización de los mercados rurales y en la compraventa y alquiler de fincas rústicas. Además, cabe destacar que 2025 ha empezado fuerte en este ámbito, ya que las operaciones de transmisión de propiedades han alcanzado el mejor dato de los últimos quince años. También llama la atención que el perfil de los inversores cada vez es más variado, con un aumento significativo de los institucionales y de las empresas extranjeras. Entrevistamos a Regino Coca, fundador y CEO de Cocampo. Novela "Los crímenes del caviar" Entrevistamos a su autora, Reyes Calderón, que en este libro vuelve a situar a la juez Lola MacHor como protagonista. Seis muertes simultáneas con una única conexión: un exclusivo y secreto grupo conocido como el Club del Caviar. Juan Iturri, comandante de la Interpol, sabe que se la han jugado cuando su superior le cita en un lujoso restaurante para presentarle a dos hombres con un encargo que no puede rechazar: investigar la muerte de seis personas muy ricas y poderosas en la elitista urbanización de Sotogrande. Todos el mismo día y todos del mismo modo. Una casualidad imposible que ha acabado con la vida de un matrimonio dueño de una farmacéutica, de un príncipe árabe, de un cardenal candidato a suceder al papa, de un empresario muy conocido y, lo más sorprendente, de un reputado médico al que Iturri conocía muy bien. Se trata del doctor Jaime Garache, el marido de ella, de Lola MacHor, la juez de la que aún, después de tantos años, sigue enamorado y con la que deberá volver a reunirse para hacer lo que mejor saben, investigar. Exposición "Los Nenúfares y Twombly" Hoy proponemos visitar un lugar muy peculiar situado al lado de la Estación de Atocha y muy próximo al Paseo del Arte: el Centro de Artes de Vanguardia y Residencia Artística Internacional 'La Neomudéjar' (c/ Antonio Nebrija, s/n). Inaugurado en 2013, se trata de un museo dedicado a las creaciones más innovadoras. Un espacio muy particular ,que pertenecía a la antigua estación, donde podemos ver, hasta el 16 de febrero, la exposición "Los Nenúfares y Twombly", compuesta por 30 obras de expresionismo abstracto del pintor y arquitecto madrileño Manolo Oyonarte. Una muestra inspirada en la combinación de la esencia y de la estética de "Los Nenúfares" del impresionista francés Claude Monet y de los peculiares grises del estilo del artista estadounidense Cy Twombly. Entrevistamos a Manolo Oyonarte.

[If you check these episode descriptions in all the past entries, you'll find links to some of the stuff we talk about on the show! Don't miss out on that! ] Tonight we welcome back to the table Niccolai Twombly. He's been in bands like TERMINALLY, YOUR ABORTED GHOST; COLD DAYZ, and BRANCH DAVIDIAN. We dive deep into our favorite artists, whom we absolutely love and we swear they never put out disappointing material. We do current events, we talk about Niccolai's time in the glass industry, and we have an all around good time with another great guest! Enjoy! Terminally, Your aborted Ghost https://open.spotify.com/artist/08J7HsQn4xCv7hvTNVyDnh?si=1uVNlUgfQYinb95AC9iyWg https://music.apple.com/us/artist/terminally-your-aborted-ghost/1667340532 https://www.facebook.com/TerminallyYourAbortedGhost/ COLD DAYZ https://www.facebook.com/colddayzhc/ https://music.apple.com/gb/artist/cold-dayz/1200466969 BRANCH DAVIDIAN https://www.facebook.com/branchdavidian/ https://www.instagram.com/branchdavidianofficial/ https://open.spotify.com/artist/0FiXYSwbiLOWkhSdgr6Uag https://music.apple.com/us/artist/branch-davidian/1185518630 HRL ahardrocklife@gmail.com dirtyrockrecords@usa.com pelleklive212@proton.me we still got a discord! https://discord.gg/55jueYRA

In this episode of Creative Guts, co-hosts Laura Harper Lake and Sarah Wrightsman sit down with artist Nate Twombly! Nate is a freelance illustrator whose work includes drawings and paintings based on New England, seasonality, camping, sports, music, robots, and sometimes folklore and sci-fi. Nate primarily creates his illustrations digitally these days, but has dabbled with everything from acrylic, watercolor, egg tempera, and pen and ink. His folk art is reminiscent of the work of Grandma Moses and Horace Pippin! Nate, who has been painting and drawing since he was little, actually started in photography and still loves vintage cameras and collecting old photographs!Find Nate's work online at www.natedraws.com and on Instagram at www.Instagram.com/natedrawss. Listen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Be friends with us on Facebook at www.Facebook.com/CreativeGutsPodcast and Instagram at  www.Instagram.com/CreativeGutsPodcast. If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax-deductible donation at www.CreativeGutsPodcast.com. Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show!

In this conversation, hosted by Brooke Waters and Jason Clark, Jason Twombly shares his journey as a spiritual development coach, focusing on transforming pain into power and fostering relational connections. He discusses the importance of meditation, the concept of union with God, and the need for vibrant communities of faith. The dialogue also touches on personal loss and the impact of faith transitions on family dynamics, emphasizing the significance of emotional healing and relational skills in spiritual growth. They also discussed family dynamics during spiritual transitions, emphasizing the importance of heartfelt communication and emotional check-ins. Finally, they discussed how to cultivate a culture of emotional intelligence and attunement, highlighting the significance of check-ins and heart-to-heart connections. The dialogue also touches on the need for churches to become more relational and the power of shared experiences, including lighthearted moments like taco stories, to foster deeper connections. For more information on Jason Twombly ⁠www.jasontwombly.comwww.jasontwombly.substack.com ⁠ Please rate, review, share, and subscribe! Podcast intro and outro music by ⁠Wilde Assembly --- Support this podcast: https://podcasters.spotify.com/pod/show/rethinking-god/support

Today we will be speaking with Joanne about the second edition of her book, Trauma and Dissociation Informed Internal Family Systems: How to Successfully Treat Complex PTSD and Dissociative Disorders, and asking Joanne some follow-up questions to the interview we did with her two years ago, in November 2022. We find this conversation very interesting and valuable for those using IFS with clients with severe complex trauma. We hope you enjoy it and find it useful.

Welcome back to the Bar Exam Toolbox podcast! Today, as part of our "Listen and Learn" series, we're discussing a topic from Civil Procedure – specifically, when is a pleading conclusory under the Twombly/Iqbal standard for assessing Rule 12(b)(6) motions to dismiss. In this episode, we discuss: Overview of Federal Rule of Civil Procedure 12(b)(6) Legal conclusions vs. factual allegations Analysis of a hypothetical case involving motions to dismiss Resources: "Listen and Learn" series (https://barexamtoolbox.com/bar-exam-toolbox-podcast-archive-by-topic/bar-exam-toolbox-podcast-explaining-individual-mee-and-california-bar-essay-questions/#listen-learn) Podcast Episode 208: Listen and Learn – Motions to Dismiss a Case (https://barexamtoolbox.com/podcast-episode-208-listen-and-learn-motions-to-dismiss-a-case/) Bell Atlantic Corp. v. Twombly, 550 U.S. 544 (2007) (https://supreme.justia.com/cases/federal/us/550/544/) Ashcroft v. Iqbal, 556 U.S. 662 (2009) (https://supreme.justia.com/cases/federal/us/556/662/) Download the Transcript (https://barexamtoolbox.com/episode-286-listen-and-learn-conclusory-pleadings-under-rule-12b6-civ-pro/) If you enjoy the podcast, we'd love a nice review and/or rating on Apple Podcasts (https://itunes.apple.com/us/podcast/bar-exam-toolbox-podcast-pass-bar-exam-less-stress/id1370651486) or your favorite listening app. And feel free to reach out to us directly. You can always reach us via the contact form on the Bar Exam Toolbox website (https://barexamtoolbox.com/contact-us/). Finally, if you don't want to miss anything, you can sign up for podcast updates (https://barexamtoolbox.com/get-bar-exam-toolbox-podcast-updates/)! Thanks for listening! Alison & Lee

This episode is sponsored by Pisgah Coaching Institute founded by IFS-trained Master Coach, Brian Jaudon. Enrollment is now open for 2025 season! To learn more go to:  Pisgah Coaching   On today's episode I chat with Certified IFS Therapist Joanne Twombly. This episode, which premiered in Season 3, is one of the most popular and most downloaded of the entire series.  We discuss: Why we still need coping skills The "Fire Drill" exercise to quickly unblend from parts Integrating IFS into Phase Oriented Treatment  Why diagnosis is helpful - Burdens (and Self!) in Managers, Firefighters, and Exiles  Safe spaces - Hypnosis and trance states TW: We discuss trauma in this episode. There is discussion about 49 minutes into the episode that may be upsetting to some. ------ Get Joanna's book here: Trauma and Dissociation Informed Internal Family Systems: How to Successfully Treat C-PTSD, and Dissociative Disorders: https://a.co/d/icIF2ja Joanne wrote a chapter entitled "Integrating Phase Oriented Treatment of Clients with Dissociative Disorders" in the IFS: New Dimensions book, found here: https://a.co/d/aMQWiMJ Learn more about Joanne here: https://joannetwombly.net/ ----- Watch video Clips from select episodes on  The One Inside Podcast - YouTube Follow Tammy on Instagram @ifstammy: Tammy Sollenberger (@ifs.tammy) • Instagram photos and videos and on Facebook at The One Inside with Tammy Sollenberger: The One Inside: Internal Family Systems with Tammy Sollenberger | Facebook. ------ Jeff Schrum co-produces The One Inside Podcast. He is an IFS Level 1 Practitioner. ------ Are you new to IFS or want a simple way to get to know yourself? Tammy's book, "The One Inside: Thirty Days to your Authentic Self" is a PERFECT place to start. You can purchase it here: The One Inside: 30 Days To Your Authentic Self: Sollenberger, Tammy: 9780967688756: Amazon.com: Books or wherever books are sold. Sign up for Tammy's email list and get a free "Get to know a Should part of you" meditation on her website ------ Tammy is grateful for Jack Reardon who created music for the podcast. Jack is a graduate of Derek Scott's IFS Stepping Stones Program. You can follow Jack at bonzemusic on Instagram. ------ If you are interested in sponsoring an episode or two of The One Inside Podcast please contact Tammy at tammysollenberger@comcast.net    

Here is the second part of my interview with Joanne Twombly.   It was such an honor to speak with her, and learn from her. We continue to speak about her incredible book, named: "Trauma and Dissociation Informed Internal Family Systems." It is a MUST read for those of us in the field of trauma healing!   Thank you Joanne for being a part of this 2-part, special episode. 

Season 1, Episode 38, Release Date: 7-15-2024 Exploring Dissociation with Joanne Twombly Part 1   It was such an honor to have Joanne Twombly on the podcast! We speak about dissociation, and also about the integration of IFS and EMDR. Joanne wrote the first article with RIchard Schwartz that connected these two models.  She also has written "Trauma and Dissociation Informed Internal Family Systems: How to Successfully Treat Complex PTSD and Dissociative Disorders." This book was transformative for my work. In a clear and interested way, Joanne was able to share necessary information, so that we as therapist are able to better understand how to recognize and help people struggling with dissociation.   There were so many questions to ask, and Joanne was so gracious with her time, that I felt we could divide this conversation into two parts. In a day or two, I will publish the next section, so you can hear part two of our conversation. I hope you enjoy this conversation as much as I enjoyed having it :)

Today's poem is Cy Twombly's Untitled (Say Goodbye Catullus, to the shores of Asia Minor) by Javier O. Huerta. The Slowdown is your daily poetry ritual. In this episode, Major writes… “This week's episodes are a special feature on ekphrasis – poems which engage with works of art. Ekphrastic poetry sometimes pushes back against the idea of simple art made complicated in idea, born from an eccentric personality. Inspired by another famous Twombly painting, one that itself is inspired partly by a poem, today's poem realizes the frenetic sense of the artist's canvas is a conceptual product of a sophisticated and sometimes frustrating mind.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

Natalie interviews the "unwilling rebel of IFS" Joanne Twombly on her book, Trauma and Dissociation Informed Internal Family Systems: How to Successfully Treat Complex PTSD and Dissociative Disorders.   Topics Discussed Include: 1. The controversy with traditional IFS and coping skills 2. What is DID and Complex PTSD 3. Trauma and dissociative informed IFS 4. Parts and dissociation 5. Coping skills with IFS for dissociation and complex trauma   Joanne H. Twombly, MSW, LICSW (she/her/hers) is a psychotherapist in private practice in Arlington, MA, USA. She has over thirty years of experience working with C-PTSD and dissociative disorders and provides trainings and consultation. In addition to her book, “Trauma and Dissociation Informed Internal Family Systems,” she has written on EMDR and Dissociative Disorders, on EMDR and Internal Family Systems, and on working with perpetrator introjects. Her commitment to helping her clients heal and to providing quality training has resulted in her becoming an EMDR Consultant and a Trauma and Recovery Humanitarian Assistance Program Facilitator, Internal Family Systems Certified, and an American Society for Clinical Hypnosis Consultant. She is a past president of the New England Society for the Study of Trauma and Dissociation. In recognition of her achievements and her service on committees and the Board of the International Society for the Study of Trauma and Dissociation (ISSTD), she was honored with ISSTD's Distinguished Achievement Award and is an ISSTD Fellow.   Joanne Twombly: Website: https://joannetwombly.net/ Email: j.twombly@verizon.net Book Link: https://www.amazon.com/Trauma-Dissociation-Informed-Internal-Systems/dp/B0CY8VDW39/ref=sr_1_1?crid=26MTTBPT4XOY3&dib=eyJ2IjoiMSJ9.p64xxP2il_5TR_TfeSd5GMmPsqDx9wq0Wy4HIGD71-XICyni-I-n5Kr0c3VrNBDhUXbeJWLxFi5Eu9OP0oCnmnADjkwVllwHdJ4dSP4Sh_E.3IOdEWM8ym_4AQ8jrbB7yD2hJfg9MCX9kyk_EqlTIKE&dib_tag=se&keywords=joanne+twombly+trauma+and+dissociation+informed&qid=1712170613&sprefix=joanne+tw%2Caps%2C146&sr=8-1   Want to work with Natalie? Contact her below Website: https://www.ndwellnessservices.com/ Contact: https://www.ndwellnessservices.com/contact Instagram: @nataliedeering   This Episode was Sponsored by, Piper and Co. Find them @piperandco.creative       Interested in sponsoring an episode of the podcast? Upgrade your business and let more people know about your amazing services or products by reaching hundreds to thousands of people by sponsoring an episode for only $100!  Please email ndwellness.services@therapysecure.com for more information.  Thank you for the support!    *Please support the podcast by following, rating, and leaving a review*

Today, we revisit Joanne Twombley's amazing episode from 2022 on Trauma- and Dissociation-Informed IFS. Joanne H. Twombly, MSW, LICSW  is a psychotherapist in private practice in Arlington, MA. She has over thirty years of experience working with C-PTSD and dissociative disorders, provides trainings and consultation. She has written on EMDR and Dissociative Disorders, EMDR and Internal Family Systems, and on working with perpetrator introjects. Her commitment to helping her clients heal and to providing quality training has resulted in her becoming an EMDR Consultant and a Trauma and Recovery Humanitarian Assistance Program Facilitator, Internal Family Systems Certified, and an American Society for Clinical Hypnosis Consultant. She is a past president of the New England Society for the Study of Trauma and Dissociation. In recognition of her achievements and her service on committees and the Board of the International Society for the Study of Trauma and Dissociation (ISSTD) she was honnored with ISSTD's Distinguished Achievement Award and is an ISSTD Fellow.

Have you ever stood before a work of art, lost in its abstract forms, and felt a story unfolding within you? This episode takes you on a journey into the world of Cy Twombly, where art speaks in hushed tones of history, mythology, and a quest for essence. As we navigate through the intimate chambers of Twombly's mind, we begin to unravel the tapestry of ideas and emotions that his work provokes, from the echoes of his American roots to the whispers of ancient Rome that permeated his life after 1957.Join us as we share candid moments of personal discovery, where my appreciation for the textured and the imperfect collides with Twombly's layered canvases. The discussion traverses the artist's reluctance to offer context, leaving us to wander in the lush mystery of his expression, and challenges us to embrace the silent stories his pieces tell. With each brushstroke and scribble, Twombly invites us into a dialogue, a conversation that thrives in the spaces he claims through his art, leaving a resonance that lingers long after the gallery lights dim.As we wrap up, we reflect on the profound connections we forge with art, be it through cherished heirlooms or the fleeting moments we share with it in a museum. Discovering art becomes akin to a treasure hunt, where the thrill lies in both the anticipation and the unexpected joys. Whether you're whispering to a Twombly or nodding silently to a Joan Mitchell, this episode is an ode to the conversations we hold with art, the questions we ask, and the answers we find within ourselves. So come along, bring your voice to our exchange, and let's explore the narrative that awaits in the next gallery.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

I am delighted to introduce to you another of our LK10 Listed Facilitators. Victoria Twombly and her husband, Jason, are friends of mine and both are great group facilitators. In this episode, Victoria shares how she (reluctantly!) joined a Church 101 group three years ago. And, now she loves facilitates Church 101 groups as well as a LK10 Leader Team. You will love Victoria's spontaneous joy and enthusiasm.

Here's the second half of Jason's story. See #91 for part one.

This is episode is a first! In addition to my regular postings, I'm excited to begin to interview people who are living out the Relational Revolution. In this first interview, Jason Twombly tells his story.

Have you considered the unique investment potential of small mom-and-pop hotels and the revenue boosts from improved operations? Jonathan Twombly, a multifamily real estate expert, delves into his shift from law to real estate, emphasizing the untapped potential of independent hotels. He discusses the emerging trend of hotel-to-multifamily conversions and the importance of hands-on management. Drawing from his experiences, he underscores the value of building a solid investor list and offers listeners a detailed guide on multifamily deal syndication.   Learn more about ALTERNATIVE BUSINESS and INVESTMENT STRATEGIES through QUATTRO CAPITAL!   LinkedIn: /TeamQuattroCapital Instagram: @TeamQuattroCapital Facebook: @TeamQuattroCapital Website: www.TheQuattroWay.com  TikTok:@realestaterunwaypod   [00:00 - 11:45] Jonathan Twombly's Investment Journey Jonathan Wombley of Two Bridges Asset Management joins to discuss his contrarian investment view and playing in the mom-and-pop hotel space Jonathan founded Two Bridges in 2013, building a portfolio in the Carolinas, which he sold in 2019, foreseeing market challenges New real estate operators should weigh risks and not just chase numbers; evaluating properties beyond mere financials is crucial Twombly's focus has shifted to the independent hotel sector [11:46 - 21:14] Strategic Dive into Modern Hospitality Jonathan stumbled upon a neglected hotel in upstate New York, seeing potential in its prime location He identified a trend: older hotel owners not maximizing their assets or utilizing modern technology Initial marketing efforts alone increased revenues by 20% Post-renovation, the hotel could command much higher rates [21:15 - 31:34] Innovative Financing and Tech Approach Jonathan targets unique non-branded hotels for travelers desiring distinct experiences Hotel management costs fluctuate with occupancy; technology benefits independent hotels Traditional bank financing is limited for hotels; Jonathan eyes seller financing and fund-raising The financial landscape hints at the difficulty of small loans and the benefits of a cash acquisition fund [31:35 - 40:17] Unlocking the Power of Connections and Value Recognition Jonathan excels in connecting individuals and has a vast reach within his network Jonathan stressed the importance of diversifying investor sources after facing a significant setback He introduced his "Ultimate Checklist" for those interested in multifamily deal syndication   Resources Mentioned: The Ultimate Checklist to Buying Your First 100+ Unit Multifamily Property with Other People's Money - And Getting Paid to Do It! https://www.apartmentinvestorsclub.com/checklist/   Quotes:   "You're never going to get chastised for taking chips off the table and posting a profit. Especially if you're a young operator, take that quick win and don't try to time it just right." - Jonathan Twombly "I remember very distinctly having this moment where I was trying to convince somebody to hire me for a job that I don't want. And I realized the answer was no." - Jonathan Twombly   Connect with Jonathan through Linkedin or Go to his website: http://www.twobridgesmgmt.com   LEAVE A 5-STAR REVIEW + help someone who wants to explode their business growth by sharing this episode. Find out how team Quattro can help you by visiting www.TheQuattroWay.com. Real Estate Runway Podcast is all about alternative business and investment strategies to help you amplify life, and maximize wealth! Click here to find out more about the host, Chad Sutton.   Nectar: https://app.usenectar.com/quattro-capital   Entity Keeper:  Join the EntityKeeper community today to simplify the way you manage your entities and org charts while reducing manual errors. Easily organize corporate data, visualize ownership structures, store unlimited documents, and manage important filing dates with one secure solution. Click here to start simplifying your entity management with EntityKeeper now!  

Jack Benny, originally broadcast May 22, 1955, Trouble with Twombly. Jack is having trouble with Twombley, the sound effects man. Eugene Twombley was really the name of one of the sound effects men on the program, but the part is played by Mel Blanc. The last show of the series. Also Have Gun Will Travel starring John Dehner, originally broadcast May 22, 1960, Lucky Penny. Paladin hires out to young Dusty for $1.61, to keep his uncle from beating him and shooting his dog.Visit my web page - http://www.classicradio.streamWe receive no revenue from YouTube. If you enjoy our shows, listen via the links on our web page or if you're so inclined, Buy me a coffee! https://www.buymeacoffee.com/wyattcoxelAHeard on almost 100 radio stations from coast to coast. Classic Radio Theater features great radio programs that warmed the hearts of millions for the better part of the 20th century. Host Wyatt Cox brings the best of radio classics back to life with both the passion of a long-time (as in more than half a century) fan and the heart of a forty-year newsman. But more than just “playing the hits”, Wyatt supplements the first hour of each day's show with historical information on the day and date in history including audio that takes you back to World War II, Korea, and Vietnam. FDR, Eisenhower, JFK, Reagan, Carter, Nixon, LBJ. It's a true slice of life from not just radio's past, but America's past.Wyatt produces 21 hours a week of freshly minted Classic Radio Theater presentations each week, and each day's broadcast is timely and entertaining!#ClassicRadio #OldTimeRadio #Comedy #JackBenny #western #Paladin #JohnDehner #HaveGunWillTravel

"La vie en rose. Brueghel, Monet, Twombly" im Museum Brandhorst, bis 22. Oktober / "Flowers Forever" in der Kunsthalle München, bis 27. August / "Böse Blüten" in der ERES-Stiftung, bis 5. Mai

We talk with Joanne Twombly, a therapist and author, about Internal Family Systems.Her book link is HERE.Content Note: Content on this website and in the podcasts is assumed to be trauma and/or dissociative related due to the nature of what is being shared here in general.  Content descriptors are generally given in each episode.  Specific trigger warnings are not given due to research reporting this makes triggers worse.  Please use appropriate self-care and your own safety plan while exploring this website and during your listening experience.  Natural pauses due to dissociation have not been edited out of the podcast, and have been left for authenticity.  While some professional material may be referenced for educational purposes, Emma and her system are not your therapist nor offering professional advice.  Any informational material shared or referenced is simply part of our own learning process, and not guaranteed to be the latest research or best method for you.  Please contact your therapist or nearest emergency room in case of any emergency.  This website does not provide any medical, mental health, or social support services. ★ Support this podcast on Patreon ★

Welcome back to the Bar Exam Toolbox podcast! Today, as part of our "Listen and Learn" series, we're discussing the Federal Rules of Civil Procedure, and specifically Rule 12(b), which governs defenses and motions to dismiss, and is frequently tested on the bar exam.  In this episode, we discuss: Motions to dismiss based on the defenses enumerated in Rule 12(b) The requirements for an adequate pleading How a court will evaluate a claim to grant relief Two sample questions illustrating motions to dismiss a case Resources: “Listen and Learn” series (https://barexamtoolbox.com/bar-exam-toolbox-podcast-archive-by-topic/bar-exam-toolbox-podcast-explaining-individual-mee-and-california-bar-essay-questions/#listen-learn) Bell Atlantic Corp. v. Twombly (https://www.oyez.org/cases/2006/05-1126)  Ashcroft v. Iqbal (https://www.oyez.org/cases/2008/07-1015) Podcast Episode 92: Listen and Learn – Subject Matter Jurisdiction (https://barexamtoolbox.com/podcast-episode-92-listen-and-learn-subject-matter-jurisdiction/) Podcast Episode 169: Listen and Learn – Personal Jurisdiction (Civ Pro) (https://barexamtoolbox.com/podcast-episode-169-listen-and-learn-personal-jurisdiction-civ-pro/) Download the Transcript (https://barexamtoolbox.com/episode-208-listen-and-learn-motions-to-dismiss-a-case/) If you enjoy the podcast, we'd love a nice review and/or rating on Apple Podcasts (https://itunes.apple.com/us/podcast/bar-exam-toolbox-podcast-pass-bar-exam-less-stress/id1370651486) or your favorite listening app. And feel free to reach out to us directly. You can always reach us via the contact form on the Bar Exam Toolbox website (https://barexamtoolbox.com/contact-us/). Finally, if you don't want to miss anything, you can sign up for podcast updates (https://barexamtoolbox.com/get-bar-exam-toolbox-podcast-updates/)! Thanks for listening! Alison & Lee

What you'll learn in this episode: How synesthesia—the ability to hear colors and see music—has impacted William's work Inside William's creative process, and why he never uses sketches or finishes a piece in one sitting Why jewelry artists should never scrap a piece, even if they don't like it in the moment The benefits of being a self-taught artist, and why art teachers should never aim to impart their style onto their students How a wearer's body becomes like a gallery wall for jewelry About William Harper Born in Ohio and currently working in New York City, William Harper is considered one of the most significant jewelers of the 20th century. After studying advanced enameling techniques at the Cleveland Institute of Art, Harper began his career as an abstract painter but transitioned to enameling and studio craft jewelry in the 1960s. He is known for creating esoteric works rooted in mythology and art history, often using unexpected objects such as bone, nails, and plastic beads in addition to traditional enamel, pearls, and precious metals and stones. His work is in the collections of the Metropolitan Museum of Art, the American Museum of Crafts, the Cleveland Museum of Art, and the Museum of Fine Arts, Boston. A retrospective of his work, William Harper: The Beautiful & the Grotesque, was exhibited at the Cleveland Institute of Art in 2019. Additional Resources: William's Instagram Photos available on TheJewelryJourney.com Transcript: Rather than stifle his creativity, the constraints of quarantine lockdown and physical health issues helped artist-jeweler William Harper create a series of intricate jewels and paintings imbued with meaning. After 50+ years as an enamellist, educator and artist in a variety of media, he continues to find new ways to capture and share his ideas. He joined the Jewelry Journey Podcast to talk about his creative process; why he didn't want his art students to copy his style; and why he never throws a piece in progress away, even if he doesn't like it. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week. I'd like to welcome back one of today's foremost jewelers, William Harper. To say he is a jeweler leaves out many parts of him. He's a sculptor, an educator, an artist, an enamellist, and I'm sure I've leaving out a lot more. His work is in the collections of the Metropolitan Museum of Art, the American Museum of Crafts, the Museum of Fine Arts, and most recently he had a one-person show, “The Beautiful & the Grotesque,” at the Cleveland Institute of Art. I can't do justice to all of his work, so I'll let him try to do some. Bill, welcome to the program. William: Thank you. It's great to see you again. Sharon: It's so great to see you after everything we've gone through. Give us an overview of how you got into jewelry and enameling, your art, everything. How did you get into it? William: One of the questions you gave me to ponder ahead of time was if I was interested in jewelry when I was a child. I was not even interested in jewelry when I was in college, except for taking one course to make the wedding rings for my now ex-wife, but that was it. A few years later, I got a phone call from Florida State University asking me if I would like to interview for a job teaching jewelry and metals and enameling. I wrote back and said, “I don't think I'm the person you want, because I don't know very much about jewelry.” So, I said no. Two days later, they called me again, and I told them the same thing. Then two days later, they called me again and I said, “Let me think about this. You're on the quarter system. Are you willing to pay me for one quarter, when I'm not there and I'm cramming on how to teach jewelry?” The head of the department said, “That sounds like a great idea. As long as you can come three weeks ahead of the students, we'll be happy.” I'm basically self-taught except for watching people at a few workshops. I think being self-taught is a very valuable tool because I was not chained to the style or techniques of any major professor, which happens so much, especially to students coming out with MFAs. For years, their work will look pretty much like what their instructor was doing. I didn't have that. I was my own instructor, and I was able to play out, in my 55-year career, how to do what I saw vaguely in my mind. I should say at this point, I had synesthesia—I could never say it correctly—which is the ability to hear music and see colors or see a painting and hear music. I'm blessed with that. I used to think it was a chain around my neck, but I appreciate the fact that I can do something that very few people can do. Sharon: You mean you see a painting or you hear music and you think about how that translates into art or jewelry? I'll call what you do jewelry. William: Yeah. The strangest one is I can smell an odor, whether it's bad or something overly sweet, like old lady rose perfume or cigars, and I have an instant reaction where I see—I don't see things; I sense things in my mind. That's the way it works. Sharon: You've talked about the dichotomy in your work. Does that play into it? William: Oh, absolutely. I've always been in opposites. Long before I was doing jewelry, I had a very successful enamel career. I would usually make two different objects in the same physical format, but one would deal with sensations that are opposite of the other, such as light and dark, good and evil, colorful and noncolorful. That informed that work. Now, after all the years doing jewelry exclusively, I try to build diametrically opposed ideas into the forms. You mentioned the exhibition the Cleveland Institute of Art gave me a few years ago, “The Beautiful & the Grotesque.” The title of that show epitomized what I'm usually doing in my work. Sometimes it's not always obvious to the viewer, but it serves as a jumping point for me. If I can plug the catalogue— Sharon: Please do. William: Cleveland did a beautiful catalogue. Everything that was in the show was there. If you're interested in it, it's $25 plus $9.95 shipping. It adds up to $34.95. To get it, you can contact me at my email address, which is ArtWilliamHarper@mac.com. Sharon: ArtWilliamHarper@mac.com. William: Yes. Sharon: We'll have a thumbnail of that on the website so you can click on it and order it. William: Good, you've seen the catalogue. Can you vouch for how beautiful it is? Sharon: It's a beautiful catalogue. It has everything, the jewelry, the boxes, all of the art. When I say boxes, I'm thinking of the ones that are really art pieces. You said you think a lot of art is about thinking. What do you think about when you're doing your art? William: It often starts way before I actually begin making anything. That's a hard question to answer. For instance, I've done several series based on other artists, all of whom were painters. I prefer painting to jewelry right now, I have to say. But in terms of these influences, I would look at the work, for instance the work of Jean Dubuffet. He has incredibly beautiful, messy patterns that run— Sharon: Who? William: Jean Dubuffet. Sharon: Oh, Dubuffet, yes. William: I have loved his work for many, many years, and I have known that he was the instigator of what is called the art brut movement, which is art that is made by people that not only are not highly educated in universities or art departments, but they might have some kind of physical disability or mental disability, where they express themselves in these absolutely gorgeous, out of this world ways, not like any professional artist would do. Dubuffet collected those and was instrumental in having a museum set up—I think it was in Switzerland; I should know that—of this work. Talking about dichotomy, I wanted to catch that quality of not knowing what I was doing along with my sophisticated technique and taste. So, I did this series. I think there are 10 pieces. In order to do it, as I got into the third or fourth piece, I decided I wanted to write an essay about what the series meant to me being put into this catalogue. So, I gave it the name Dubu. Sharon: How? William: D-U-B-U. I came up with idea that a Dubu is a fantastical creature that can infect your mind and cause you to do absolutely glorious things. It was just something I made up in my mind. I should also say that I don't start a piece and finish it immediately. I don't even know where I'm going when I start a piece. I simply go into the studio and start playing around with the gold. I know that sounds silly, that somebody can play around with something as precious as gold. But in doing so, there's another dichotomy. I'm able to come up with forms that I would never be able to otherwise. At this point, I should mention I do absolutely no sketches, diagrams, or beginning things on paper to guide me. I simply allow the materials to guide me. I trust in them and my manipulation of them that they will start leading me to see what I want to be after. Sometimes these are small enamel pieces. Sometimes they're more complex with gold pieces. Sometimes they're a consideration of how to use a stone or a pearl. As I'm making these things, I know I can't use them necessarily in piece number one. So, my idea is, “O.K., go to my idea for piece number two and follow the same format of making things, simply because they amuse me.” I don't take myself seriously while I'm doing these things. I think that's part of why they're successful. I should say one of the qualities that my work has been lauded for is being humorous without being funny, without being a caricature. I have found that is a rather rough road to travel, but I'm able to facilitate it somehow. Anyway, I have these pieces I made, piece number one and piece number two. I still want to play around with making, let's say, a different kind of cloisonné enamel that had been used in pieces one and two. At that point, after I have made things that could become three different pieces, I take what I like and finish piece number one. As often as not, I think of the title first, which I know is a rather strange way to go about it. But in thinking of a title, it helps me guide the quality of the personage I'm dealing with. So, I finished piece number one. I don't take anything away from it at that point. When I get to piece number two, I'd better start making things for piece number four. There's this manipulation where all the pieces start moving around on my desk. When I start seeing there is a conclusion in making each one successfully, I know I can stop. Often in that process, I paint myself into a corner. I don't know where I'm going, but actually that's the best part in terms of the quality of the piece, because it gives me the opportunity to really think about what I'm after. After I've contemplated that, I'm able to get out of the corner, and I do piece number two and piece number three. This is a process I've used my entire career. I've done a series dedicated to Jasper Johns which is very intellectual, because he's a very intellectual artist. I did a series on Fabergé. I don't really like Fabergé. I admire him, but I don't like him particularly. In my series, each brooch had an egg-shaped enamel part as a part of the physicality of the piece. One of the things I don't like about Fabergé is that his work was very dry. It's beautiful, but it's dry. It doesn't have any kind of emotion attached to it at all. It was perfect for the Russian nobility because they were decadent. They were inbred. They proceeded far too long in this sociological process. So, I changed it by having in each piece a little zip that went from the outside peripheral into the center, which was like a sperm getting to the egg and fertilizing it. That's how I dealt with that matter. I've also done a series on Cy Twombly, who is my favorite painter. I know people wonder how I can be influenced by his work, which I admire for its messiness. I wish I could do it. People either get Twombly or they don't. When I look at a group of Twombly pieces, I'll have an idea of how to start meshing these into the same process I mentioned before, with the Dubus. I think I did the Twomblys 25 years ago and they still look fresh. That's how my process works. Sharon: How do you know if you've hit a wall? If you say, “This isn't going to work. I'm going to put it in the junk pile”? William: I don't put things in junk piles. It's too expensive and the enamel is too precious. I just put the elements aside. I know if I'm doing a series of 10 pieces, or if I decide I want it to be 12 pieces—it's never more than 12 in a series—by the time I get to 10 or 12, I had better have come to a conclusion with all those pieces and not have left off too many elements. I just put those aside. I might use them again in four years, five years. My work is rather slow because I think a lot about it, and I don't have drawings to follow. I don't think of myself as a designer; I think of myself as an artist who makes jewelry. There's a difference. Sharon: Do you know before you start how many pieces will be in a collection? Do you say, “I'm going to make 10 pieces. They're going to be in the collection, and I have no idea what it is”? William: Yeah, I generally set a goal for myself. There are other pieces I do that I call knee play pieces. Knee plays come from music. Robert Wilson collaborated on a piece that is now an iconic gem called Einstein on the Beach. It was in five acts, which, if you think my work is unintelligible, this work was almost totally unintelligible. But it appealed to a certain kind of mind as being exquisite. Between each act, without scenery or costumes or anything like that, there were groups of instrumentalists and vocalists who would improvise. With the knee play pieces, it's not determined what the music and the vocalization is going to be. The vocalization is not consisting of words; it's consisting of almost primal sounds that are put together with a cadence of Phillip Glass music. The reason they call it knee play is that they connect the acts. As soon as this group of pieces, the knee play music, is over from act one, they will usually suggest some kind of music or situation you're going to see in act two. That's sort of a meandering, intellectual approach, but I really like the idea. In my career, I haven't just made series. I've often done isolated pieces, and I would do those in order to open up thought processes I could use to get to the next series. Does that make sense? Sharon: Yes. Is that how you got to the collection you did during lockdown quarantine?

Joanne H. Twombly, MSW, LICSW (Pronouns: she/her/hers)is a psychotherapist in private practice in Arlington, MA. She has over thirty years of experience working with C-PTSD and dissociative disorders, provides trainings and consultation. She has written on EMDR and Dissociative Disorders, EMDR and Internal Family Systems, and on working with perpetrator introjects. Her commitment to helping her clients heal and to providing quality training has resulted in her becoming an EMDR Consultant and a Trauma and Recovery Humanitarian Assistance Program Facilitator, Internal Family Systems Certified, and an American Society for Clinical Hypnosis Consultant. She is a past president of the New England Society for the Study of Trauma and Dissociation. In recognition of her achievements and her service on committees and the Board of the International Society for the Study of Trauma and Dissociation (ISSTD) she was honnored with ISSTD's Distinguished Achievement Award and is an ISSTD Fellow.

Giovanni FrangiUna conversazione d'arteGiovanni Frangi, autoritratto di un artista che crede nella pitturaLa Repubblica, 4 febbraio 2022di Massimo RecalcatiIl nostro tempo è stato definito dal grande critico francese Jean Clair come il tempo della «morte clinica dell'arte»: la pittura appare in via di estinzione sostituita irreversibilmente da altre pratiche espressive come quelle della performance, della fotografia, del video, dell'installazione. Non si tratta però solo di un mutamento tecnico dei linguaggi. La morte clinica dell'arte implica anche la perdita del suo mistero, del carattere solenne della sua forma, della sua aura. Al suo posto troviamo invece il culto dell'abbietto, del disgustoso, dell'informe o il puro divertissement concettuale o percettivo.Mai come oggi, commenta Jean Clair, «l'arte è stata così cinica e ha così amato sfiorare la scatologia, la lordura e l'oscenità». Se questo è lo spirito del nostro tempo, sono sempre meno coloro che provano ad opporre alla deriva “basso materialista” dell'arte contemporanea la forza inesauribile e trascendente della pittura. Giovanni Frangi, uno dei pittori più interessanti del nostro Paese, è senza dubbio uno di questi. Da quarant'anni la sua ricerca pittorica si è sviluppata con rigore e vivacità preservando l'antica tavolozza del pittore. In tutti questi anni egli infatti non ha mai ceduto alle tentazioni di abbandonare il cavalletto per spingersi nei territori oggi frequentatissimi dell'esibizionismo provocatorio post-pittorico.In un bel libro titolato L'intervista, pubblicato dall'audace e intelligente editore Magonza e curato da Giovanni Agosti, storico dell'arte raffinatissimo e amico personale del pittore, Giovanni Frangi si confida a Luca Fiore in una conversazione a tutto campo. Ne scaturisce innanzitutto un ritratto dell'artista e della sua passione per la pittura. Essa nasce misteriosamente sin da bambino quando il piccolo Giovanni amava disegnare e dipingere usando bagnare le sue matite con la propria saliva. Una vocazione, diremmo senza paura di abusare della parola. Si perché se è vero, come ricorda lo stesso Frangi in questa intervista, che, per un verso, «la mano del pittore va educata», per un altro verso, è anche vero che questa educazione le consente poi di «andare avanti da sola» seguendo una sua propria misteriosa cadenza.È allora la mano stessa che «diventa intelligente». La pittura assume subito per il pittore questo carattere irrinunciabile come se avesse a che fare con una energia che esige di passare solo da lì: «Se non dipingo per lungo tempo sono a disagio e sto male», dichiara. Chi conosce il suo lavoro non può non riconoscere in questa dichiarazione la forza che attraversa fisicamente i suoi quadri e che trova la sua massima espressione nelle forme della natura alle quali Frangi da sempre dedica la propria arte: montagne, boschi, cascate, albe, isole, aurore, tramonti, cieli, notti, alberi, paesaggi. Ma questo libro non racconta solo la storia di una vocazione e di una formazione, o, meglio, di come una vocazione divenga passo passo una vera e propria formazione, ma attraverso questo racconto descrive anche un intero mondo intellettuale.Indubbiamente in esso ha un posto speciale lo zio di Frangi, fratello di sua madre, ovvero Giovanni Testori. Ma non solo. La galleria degli incontri è ampia e varia; Alda Merini, Aldo Busi, la Milano degli anni Settanta-Ottanta, le sue tensioni politiche e il suo mondo culturale, l'Accademia di Brera, i viaggi, la collaborazione con Giovanni Agosti, le sue grandi passioni che spaziano da Giacometti, al quale dedica la sua tesi in Accademia, a Boccioni, da Bacon a Schifano, da Guttuso a Morlotti, da Burri a Twombly, da Monet a Kiefer, da Van Gogh a Veronese, da Matisse a De Pisis, da Cézanne a De Staël.Quello che li unisce in un filo rosso impercettibile, ma fortemente presente in Frangi, è l'idea della pittura come possibilità di trovare un'immagine che fratturi la nostra percezione ordinaria del mondo. La sua pittura resta una pittura delle cose del mondo, una pittura vincolata alla natura, ma la stratificazione materica e l'uso vivo del colore che la caratterizza portano il quadro verso l'incanto di una immagine che non replica semplicemente le cose ma offre di esse una visione nuova e sorprendente. E questo accade soprattutto nel suo periodo nero, dove la rinuncia all'impatto espressionista del colore lo muove verso il limite stesso della pittura.È possibile dipingere il nero? È stata questa una delle stagioni più significative del suo intero percorso artistico: attingere al nero come attingere al limite espressivo del linguaggio. È il punto dove il cammino di Frangi s'incrocia con quello di altri due grandi pittori del nero: Rothko e Burri. Ma anche nel “periodo del nero”, l'incanto dell'immagine non si esaurisce. È quello che il pittore continua a ricercare incessantemente nel suo lavoro: «isolare un'immagine», rendere la sua presenza assoluta, immensamente sacra come l'evento stesso del mondo.http://www.giovannifrangi.it/«Alla fine, è vero, sono un pittore realista. Ed ero consapevole che non c'erano differenze tra fare un ritratto o un paesaggio. Solo più tardi mi sono accorto che avevo molta più libertà nel dipingere la natura.» A Milano, dal 2014 al 2018, in più puntate, Giovanni Frangi, uno dei maggiori artisti italiani di oggi, è stato al centro di un'intervista di Luca Fiore. Questo materiale è stato rimontato, tra il 2019 e il 2020, con la collaborazione di Giovanni Agosti. Ne è uscito un ritratto fuori del comune di un artista, quando il futuro si fa avaro e l'altra metà della propria strada si vorrebbe tutta impegnata dalle scelte della maturità. In mezzo ci sono la famiglia, gli amori, le città, gli amici, gli animali, i maestri - a partire da Giovanni Testori - tra vorticosi salti di piani, dove la nostalgia non occupa mai il centro della scena e dove le risate sono sempre dietro l'angolo. Quest'inchiesta, desultoria e appassionata, alla ricerca delle proprie radici espressive, è accompagnata da un apparato fotografico inconsueto, che trasforma il volume in un libro d'artista sui generis.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.it/

Lisa Twombly coaches women who have struggled with alcohol to LOVE their lives, sober. In a society that offers us a drink for every occasion, situation and season, finding joy, freedom and peace without drinking can feel impossible. Lisa guides women to find their fun, fulfilled and true selves with one-to-one and group coaching options delivered through a personalized and highly interactive app. You can find out more about Better Off Sober on Instagram @betteroffsober and you can join the free, private Facebook group for women Better Off Sober Sisterhood. Lisa is also a fierce activist, protest the recent ruling overturning Roe v. Wade. 

It seems wrong to call Frank Lloyd Wright a "modern" architect - he was born just two years after the end of the Civil War. But he lived a long life and some of his buildings still look something that landed from outer space.

Retired federal judge Nancy Gertner and class action lawyer Reuben Guttman discuss the impact of Twombly and Iqbal, two SCOTUS decisions that precipitated critical changes in pleading, class certification, and expert standards that have affected a complaint's capacity for making it past the motion-to-dismiss stage. In this wide-ranging interview, they talk about the challenges these decisions have on both judges and practitioners and how the landmark case of Brown v. Board might fare under post-Twiqbal standards. Topics4:02    Twombly/Iqbal's impact on pleading standards7:17    Why process and procedure matter  10:16  Changes pleading standards12:43  Changes in class certifications14:11  Rise of multidistrict litigation16:20  Changes in expert standards, both criminal and civil21:47  Experts in the civil rights arena25:40  Applying today's pleading and class certification standards to Brown v. Board 29:30  Rules that affect access to justice33:04  The benefit of a losing Supreme Court case36:04  Getting around these obstacles44:11  Judges, lawyers, and the legacy of discrimination cases48:35  Signoff questionQuote“I know from having been a criminal defense lawyer and civil rights lawyer and a judge, and now sort of a litigator as well, that what I may find ‘plausible' may be not what a jury finds ‘plausible.' That plausibility is, in fact, a contextual analysis—in context. And when I sat on the bench there were numbers of times, in fact, that my law clerk would say to me, ‘Judge, you can get rid of this case. You can get rid of this case. The allegations are not plausible.' And I would turn to the law clerk and say, ‘To whom? To you? To me? To some of my male colleagues on the bench?' So essentially, plausibility enabled the judges, who are not the most diverse group in the world, to make their own decisions about whether a case should proceed.” Judge Nancy GertnerResourcesJudge Nancy Gertner (bio)  Reuben Guttman (bio)Representative Opinions of Justice Ruth Bader Ginsburg (book) From Conley to Twombly to Iqbal (article)  Brown v. Board of Education complaint (PDF) Pretrial Advocacy (book) 

On the heels of its combination with New York City-based Putney, Twombly, Hall & Hirson in 2021, Bond, Schoeneck & King is pleased to announce that, effective June 1, 2022, the lawyers of Lazer, Aptheker, Rosella & Yedid, a Long Island-based law firm, will join Bond. With this latest combination, Bond will add offices in Melville, New York and West Palm Beach, Florida, resulting in Bond having 15 offices in five states and 275 lawyers. 

Episode 34 features a long-time friend of each of the 'Three Guys',  Stephen Twombly.    Stephen grew up in the Bradford section of Haverhill.    Stephen was know for his athletic prowess in baseball, football and track/field.  Stephen remains one of the best athletes to come out of the area excelling as an amateur pitcher!  After graduating from college, Stephen got into the car sales business.  Over the course of the last 30 years, Stephen became as Sales Manager at multiple dealerships.   Stephen is a sales leader for a luxury car dealership in Stratham, New Hampshire.The Three Guys Podcast discuss with Stephen: Past, current and overall evolution of the Auto Industry; what he teaches young sales managers about the sales process; What to do and not to so when buying their next car (especially for parents buying for their kids) and we discuss all those car sales apps and of course all the new Car Tech!  Lastly, Stephen is Expert Level on dining, lux travel and all things New England sports!  How to contact Stephen:stwombly@group1auto.com(603) 772-0000www.bmw@group1auto.comLink to all platforms:linktr.ee/thethreeguyspodcast Follow us: YouTube: https://m.youtube.com/channel/UCBMU8sGK_K9vE1PezCwKNawBrian Nazarian - IG @the_real_brian_nazarianDerek DePetrillo - IG @derekd0518 Brett J DePetrillo - IG @78brettzky Produced by The Three Guys Productions A Multi-Media/Integrated Marketing Solutions Company

Episode 34 features a long-time friend of each of the 'Three Guys',  Stephen Twombly.    Stephen grew up in the Bradford section of Haverhill.    Stephen was know for his athletic prowess in baseball, football and track/field.  Stephen remains one of the best athletes to come out of the area excelling as an amateur pitcher!  After graduating from college, Stephen got into the car sales business.  Over the course of the last 30 years, Stephen became as Sales Manager at multiple dealerships.   Stephen is a sales leader for a luxury car dealership in Stratham, New Hampshire.The Three Guys Podcast discuss with Stephen: Past, current and overall evolution of the Auto Industry; what he teaches young sales managers about the sales process; What to do and not to so when buying their next car (especially for parents buying for their kids) and we discuss all those car sales apps and of course all the new Car Tech!  Lastly, Stephen is Expert Level on dining, lux travel and all things New England sports!  How to contact Stephen:stwombly@group1auto.com(603) 772-0000www.bmw@group1auto.comLink to all platforms:linktr.ee/thethreeguyspodcast Follow us: YouTube: https://m.youtube.com/channel/UCBMU8sGK_K9vE1PezCwKNawBrian Nazarian - IG @the_real_brian_nazarianDerek DePetrillo - IG @derekd0518 Brett J DePetrillo - IG @78brettzky Produced by The Three Guys Productions A Multi-Media/Integrated Marketing Solutions Company

Jack Benny, originally broadcast May 22, 1955, 67years ago. Trouble with Twombly. Jack is having trouble with Twombley, the sound effects man. Eugene Twombley was really the name of one of the sound effects men on the program, but the part is played by Mel Blanc. The last show of the series. Also Have Gun Will Travel starring John Dehner, originally broadcast May 22, 1960, Lucky Penny. Paladin hires out to young Dusty for $1.61, to keep his uncle from beating him and shooting his dog.

Join Tennison and Ginelle as they interview their friend Jason Twombly.  Jason is a Spiritual Development Coach and LK10 Listed Facilitator living in Upstate NY.  He has a passion for training families to be vibrant, joy-fueled, and Jesus led so that they can live in the peace and power that God has intended for them.  Listen in as we talk about the importance of living in and having a Community of Practice.  True transformation, healing, spiritual formation, and character development can only happen in community.  This community is where you learn, practice, grow, connect, make mistakes and be reminded who you and how it is for you to ask within this community of people that you belong to.  We are designed to live in community and not alone.  This is God's plan from the beginning!You can contact Jason at:The Take Heart Community:https://takeheartcommunity.mn.coFacebook:https://www.facebook.com/OfficialJasonTwombly/Instagram:https://www.instagram.com/jason.twombly/

Join Tennison and Ginelle as they interview their friend Jason Twombly.  Jason is a Spiritual Development Coach and LK10 Listed Facilitator living in Upstate NY.  He has a passion for training families to be vibrant, joy-fueled, and Jesus led so that they can live in the peace and power that God has intended for them.  Listen in as we talk about, how to practically find peace in your body even after your mind has been quieted from the questions and anxiety that you may have been facing.  And how just "pulling up your bootstraps" is not enough.   We also, explore Jason's passion for men in this day and age to be the men that God design them to be.  You can contact Jason at:The Take Heart Community:https://takeheartcommunity.mn.coFacebook:https://www.facebook.com/OfficialJasonTwombly/Instagram:https://www.instagram.com/jason.twombly/

Xavier F. Salomon is the Frick's Deputy Director and Peter Jay Sharp Chief Curator. A noted scholar of Paolo Veronese, he curated the monographic exhibition on the artist at the National Gallery, London (2014). Previously, Salomon was Curator in the Department of European Paintings at the Metropolitan Museum of Art and, before that, the Arturo and Holly Melosi Chief Curator at Dulwich Picture Gallery, where he curated Van Dyck in Sicily, 1624–25: Painting and the Plague (2012) and collaborated with Nicholas Cullinan on Twombly and Poussin: Arcadian Painters (2011). As an Andrew W. Mellon Curatorial Fellow at the Frick (2004–6), he curated Veronese's Allegories: Virtue, Love, and Exploration in Renaissance Venice (2006). Salomon's other exhibitions for the Frick include Cagnacci's Repentant Magdalene: An Italian Baroque Masterpiece from the Norton Simon Museum (2016–17), Veronese in Murano: Two Venetian Renaissance Masterpieces Restored (2017–18), Murillo: The Self-Portraits (2017–18), Canova's George Washington (2018), Tiepolo in Milan: The Lost Frescoes of Palazzo Archinto (2019), and (with Aimee Ng and Alexander Noelle) Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence (2019–20). Salomon received his Ph.D. on the patronage of Cardinal Pietro Aldobrandini from the Courtauld Institute of Art. He has published in Apollo, The Burlington Magazine, Master Drawings, The Medal, The Art Newspaper, Journal of the History of Collections, and The Metropolitan Museum of Art Journal. Salomon also wrote (with Maira Kalman) the latest volume in the Frick Diptych series, Rembrandt's Polish Rider (2019). He is a trustee and a member of the Projects Committee of Save Venice. In 2018, Italy named Salomon Cavaliere dell'Ordine della Stella d'Italia. Follow us on Twitter and Instagram.

A lecture by Mary Jacobus. To launch her book Reading Cy Twombly: Poetry in Paint (Princeton University Press, 2016), Mary Jacobus explores the use of quotations in one of his major paintings. The American painter Cy Twombly (1928–2011), who lived in Rome from the 1950s onward, often spoke of himself as a ‘Mediterranean' painter. His vast tripartite canvas, Say Goodbye, Catullus, to the shores of Asia Minor, spans two decades and was finally completed to coincide with his 1994 MoMA retrospective. Previously known as Unfinished Painting, it exemplifies Twombly's use of quotation. Say Goodbye includes a palimpsest of passages drawn from Rilke, Cavafy, and Seferis, among others. At a distance, it appears empty. Close-up, it provides a literary archeology. How much do we need to know about Twombly's quotations and how do they affect the viewer's experience of his work?

If you like this episode, check out https://otrpodcasts.com for even more classic radio shows! Learn more about your ad choices. Visit megaphone.fm/adchoices

Cy Twombly's art was in many ways the perfect avatar of Cy Twombly the man. As an artist at the intersection between two major movements in the twentieth century, he was an unplaceable combination of art outsider and someone with high-art sensibility, an artist who eschewed Americana but was its apotheosis. In interviews, he was either intensely private or flippant toward the interviewer, qualities that only increased his appeal. In the March issue, Andrew Martin, author of the novel novel Early Work, reviews two new books about Twombly. In this conversation with web editor Violet Lucca, Martin upholds the ambiguities of the persona, the artist, and the art, and reflects on what we are to make of Twombly today. Read Martin's review: https://harpers.org/archive/2019/03/cy-twombly-fifty-days-at-iliam-the-art-and-erasure-of-cy-twombly/

Jack Benny, originally broadcast May 22, 1955, 63 years ago. Trouble with Twombly, last show of the series. Mel Blanc plays sound effect man Twombley, who feels he's not getting enough respect on the last show.

Akilah Hughes returns to catch us up on her life, hash out a few merch ideas and deal with some unexpected guests, including a radio icon and a man named Twombly. Hosted on Acast. See acast.com/privacy for more information.

Anne McElvoy talks to the Pulitzer Prize winner, Katherine Boo about her book, Behind the Beautiful Forevers. Jackie Wullschlager reviews the literally luminous new show at Tate Liverpool which features the late work of Twombly, Turner and Monet; one of our New Generation thinkers, Timothy Secret, reflects on how we mourn our dead and Uta Frith, Harry Collins and Marcus Chown explore a new twist on the legacy of one of the great scientific minds of the 20th Century, Alan Turing.