Podcasts about wordsworth

In a world increasingly dominated by visual and electronic noise, Robert Waxler and David Beckman's You Say, I Say: Staying Alive with Literature, Language, and Friendship (Rivertown Books, 2025) captures the enduring power of literature-not to resolve the great questions of human existence, but to help us explore those questions in ways that are eye-opening, life-changing, and profound. In September, 1962, two 18-year-old freshmen at Brown University named Bob Waxler and David Beckman first crossed paths. They quickly discovered they had a lot in common, especially an abiding fascination with language, literature, and the life of art. Four years later, as college seniors, they collaborated on a small book of poems, which brought them a flurry of attention, then faded into memory as the two friends began separate life journeys-Bob becoming a professor of literature at a Massachusetts college, David working as an advertising and promotion writer in New York with sidelines as a poet, playwright, and actor. In 2014, an article in the Brown alumni journal rekindled their connection. It sparked an exchange of emails that gradually blossomed into this book-an extended dialogue between two old friends on poetry, life, the passage of time, and the power of the written word. In You Say, I Say, Waxler and Beckman trade observations, opinions, questions, and arguments about the ways in which literature transforms, challenges, disturbs, and inspires us. Spurred by lifetimes largely dedicated to "deep reading," they debate the meaning and value of works ranging from Dante's Inferno and Shakespeare's King Lear to Tolstoy's Death of Ivan Ilych; the poems of Wordsworth, Blake, Coleridge, and Keats; and the works of T.S. Eliot, Kafka, Beckett and Joyce. They often uncover new and surprising facets of classic works in the glare of post-modern experience. And they even exchange a couple of new poems-their own work-triggering reflections on the creative process and its many unexpected twists. Along the way, Waxler and Beckman delve into questions that have haunted generations of readers and critics. And they reveal, directly and indirectly, how encounters with literature have shaped their intellects and their lives.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In a world increasingly dominated by visual and electronic noise, Robert Waxler and David Beckman's You Say, I Say: Staying Alive with Literature, Language, and Friendship (Rivertown Books, 2025) captures the enduring power of literature-not to resolve the great questions of human existence, but to help us explore those questions in ways that are eye-opening, life-changing, and profound. In September, 1962, two 18-year-old freshmen at Brown University named Bob Waxler and David Beckman first crossed paths. They quickly discovered they had a lot in common, especially an abiding fascination with language, literature, and the life of art. Four years later, as college seniors, they collaborated on a small book of poems, which brought them a flurry of attention, then faded into memory as the two friends began separate life journeys-Bob becoming a professor of literature at a Massachusetts college, David working as an advertising and promotion writer in New York with sidelines as a poet, playwright, and actor. In 2014, an article in the Brown alumni journal rekindled their connection. It sparked an exchange of emails that gradually blossomed into this book-an extended dialogue between two old friends on poetry, life, the passage of time, and the power of the written word. In You Say, I Say, Waxler and Beckman trade observations, opinions, questions, and arguments about the ways in which literature transforms, challenges, disturbs, and inspires us. Spurred by lifetimes largely dedicated to "deep reading," they debate the meaning and value of works ranging from Dante's Inferno and Shakespeare's King Lear to Tolstoy's Death of Ivan Ilych; the poems of Wordsworth, Blake, Coleridge, and Keats; and the works of T.S. Eliot, Kafka, Beckett and Joyce. They often uncover new and surprising facets of classic works in the glare of post-modern experience. And they even exchange a couple of new poems-their own work-triggering reflections on the creative process and its many unexpected twists. Along the way, Waxler and Beckman delve into questions that have haunted generations of readers and critics. And they reveal, directly and indirectly, how encounters with literature have shaped their intellects and their lives.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In a world increasingly dominated by visual and electronic noise, Robert Waxler and David Beckman's You Say, I Say: Staying Alive with Literature, Language, and Friendship (Rivertown Books, 2025) captures the enduring power of literature-not to resolve the great questions of human existence, but to help us explore those questions in ways that are eye-opening, life-changing, and profound. In September, 1962, two 18-year-old freshmen at Brown University named Bob Waxler and David Beckman first crossed paths. They quickly discovered they had a lot in common, especially an abiding fascination with language, literature, and the life of art. Four years later, as college seniors, they collaborated on a small book of poems, which brought them a flurry of attention, then faded into memory as the two friends began separate life journeys-Bob becoming a professor of literature at a Massachusetts college, David working as an advertising and promotion writer in New York with sidelines as a poet, playwright, and actor. In 2014, an article in the Brown alumni journal rekindled their connection. It sparked an exchange of emails that gradually blossomed into this book-an extended dialogue between two old friends on poetry, life, the passage of time, and the power of the written word. In You Say, I Say, Waxler and Beckman trade observations, opinions, questions, and arguments about the ways in which literature transforms, challenges, disturbs, and inspires us. Spurred by lifetimes largely dedicated to "deep reading," they debate the meaning and value of works ranging from Dante's Inferno and Shakespeare's King Lear to Tolstoy's Death of Ivan Ilych; the poems of Wordsworth, Blake, Coleridge, and Keats; and the works of T.S. Eliot, Kafka, Beckett and Joyce. They often uncover new and surprising facets of classic works in the glare of post-modern experience. And they even exchange a couple of new poems-their own work-triggering reflections on the creative process and its many unexpected twists. Along the way, Waxler and Beckman delve into questions that have haunted generations of readers and critics. And they reveal, directly and indirectly, how encounters with literature have shaped their intellects and their lives.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In a world increasingly dominated by visual and electronic noise, Robert Waxler and David Beckman's You Say, I Say: Staying Alive with Literature, Language, and Friendship (Rivertown Books, 2025) captures the enduring power of literature-not to resolve the great questions of human existence, but to help us explore those questions in ways that are eye-opening, life-changing, and profound. In September, 1962, two 18-year-old freshmen at Brown University named Bob Waxler and David Beckman first crossed paths. They quickly discovered they had a lot in common, especially an abiding fascination with language, literature, and the life of art. Four years later, as college seniors, they collaborated on a small book of poems, which brought them a flurry of attention, then faded into memory as the two friends began separate life journeys-Bob becoming a professor of literature at a Massachusetts college, David working as an advertising and promotion writer in New York with sidelines as a poet, playwright, and actor. In 2014, an article in the Brown alumni journal rekindled their connection. It sparked an exchange of emails that gradually blossomed into this book-an extended dialogue between two old friends on poetry, life, the passage of time, and the power of the written word. In You Say, I Say, Waxler and Beckman trade observations, opinions, questions, and arguments about the ways in which literature transforms, challenges, disturbs, and inspires us. Spurred by lifetimes largely dedicated to "deep reading," they debate the meaning and value of works ranging from Dante's Inferno and Shakespeare's King Lear to Tolstoy's Death of Ivan Ilych; the poems of Wordsworth, Blake, Coleridge, and Keats; and the works of T.S. Eliot, Kafka, Beckett and Joyce. They often uncover new and surprising facets of classic works in the glare of post-modern experience. And they even exchange a couple of new poems-their own work-triggering reflections on the creative process and its many unexpected twists. Along the way, Waxler and Beckman delve into questions that have haunted generations of readers and critics. And they reveal, directly and indirectly, how encounters with literature have shaped their intellects and their lives.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

️ Descripción del episodio / video El hombre es el niño del padre. Con esta cita de Wordsworth abrimos una reflexión íntima, emocional y poderosa sobre la figura del padre en la construcción de la identidad masculina. En este episodio de La teoría de la mente (o en este vídeo de AMADAG TV), nos sumergimos en un tema tan profundo como silenciado: la huella del padre en la vida de los hombres. ‍ A lo largo de más de 25 años en consulta, hemos escuchado cientos de historias marcadas por el deseo de aprobación, el peso del juicio, el miedo a decepcionar o la imposibilidad de ser vistos realmente por quien debió abrirnos la puerta a la vida. No se trata de restar importancia a las madres, sino de rescatar esa parte esencial de la experiencia masculina que muchas veces queda oculta bajo la coraza del silencio o la exigencia. A través de la historia de la famosa carta de Franz Kafka a su padre —un documento brutal, tierno y demoledor— exploramos cómo el amor no expresado, el juicio constante o la ausencia de reconocimiento pueden dejar cicatrices duraderas. Pero también nos acercamos a figuras como Richard Feynman o Pablo Picasso, quienes nos muestran cómo un padre puede abrir ventanas, inspirar mundos y legitimar el camino de un hijo. ️‍ ️ La figura del padre es más que un modelo: es, a veces, un portero simbólico que decide si mereces estar en la fiesta de la vida o si te colaste por error. Ese “ticket” simbólico es el que muchos hombres persiguen durante años, sin saber que quizás el botón que activa esa validación no está en sus manos, sino en la capacidad (o la limitación) del padre para reconocer sin desaparecer. En muchos casos, el camino hacia la salud emocional consiste en reconocer que ese permiso nunca llegó... y aún así seguir adelante. Dar el paso de convertirse en el padre que no se tuvo, ofrecerse uno mismo el reconocimiento que faltó y entender que no era Dios... era solo un hombre, con miedos, límites y su propia historia no resuelta. ✨ Porque tal vez no podamos cambiar el pasado, pero sí podemos escribir un nuevo presente. Un presente donde la curiosidad es una forma de amor, donde podemos mirar con ternura al niño que fuimos y decirle: “Lo hiciste bien, ahora sigue tu camino.” Palabras clave (SEO) relación padre hijo,hombres y sus padres,herida paterna,psicología del padre,relación paterna,figura del padre,trauma paterno,validación del padre,autoestima masculina,relación con el padre,kafka y su padre,carta al padre,psicología masculina,psicología emocional,paternidad,masculinidad y emociones,roles familiares,amor paterno,aceptación del padre,ausencia del padre,conflicto padre hijo,autoafirmación masculina,terapia para hombres,niño interior masculino,heridas emocionales Hashtags #RelaciónPadreHijo, #PsicologíaMasculina, #Kafka, #AutoestimaMasculina, #HeridaPaterna, #LaTeoríaDeLaMente Títulos sugeridos (con fórmulas clickbait) 4 cosas que todo hombre necesita escuchar de su padre (y casi nunca oye) Por qué dejar de buscar la aprobación de tu padre lo cambia todo Esta carta jamás fue leída… pero liberó a millones de hijos 5 heridas que te deja un padre que nunca te reconoció Esta manera de sanar tu relación con tu padre te cambiará para siempre Enlaces recomendados Nuestra escuela de ansiedad: www.escuelaansiedad.com Nuestro nuevo libro: www.elmapadelaansiedad.com Visita nuestra página Web: http://www.amadag.com Facebook: https://www.facebook.com/Asociacion.Agorafobia/ Instagram: https://www.instagram.com/amadag.psico/ ▶️ YouTube Amadag TV: https://www.youtube.com/channel/UC22fPGPhEhgiXCM7PGl68rw

Send us a textImagine this: William Wordsworth, in the early 1800s, walking the hills of England's Lake District. He stops to watch a field of daffodils swaying in the breeze, and suddenly, the moment becomes eternal. For Wordsworth, nature is not just scenery — it is a teacher, a healer, even a kind of companion. The world outside reflects the life within.  And it's reflective moments like these that remind us: literature is never written in isolation… it's a conversation that stretches across centuries. Wordsworth's vision would echo far beyond his own time.” For Wordsworth, nature is not just scenery — it is a teacher, a healer, even a companion. The world outside reflects the life within.Now, shift forward a century. Robert Frost, in rural New England, standing at a fork in a snowy path. His tone is different. Nature is still the stage, but here it is a testing ground. The woods are ‘lovely, dark and deep,' but they are also a reminder of choices, obligations, even mortality. But Frost's world carried a sharper edge. If Wordsworth saw nature as a gentle teacher, Frost often saw it as a mirror of human struggle — full of choices, boundaries, and unanswered questions. Where Wordsworth sought transcendence, Frost leaned into ambiguity. Yet both, in their own ways, turned the soil of everyday life into poetry that still speaks to us today.What ties these two poets together? Both reject lofty, artificial language. They wanted poetry in the voice of ordinary people — the farmer, the shepherd, the walker on a country road. Both believed that truth could be found in the quietest moments: a walk by a river, a stone wall between neighbors, a road not taken.But here's the tension. Wordsworth looks at nature and sees transcendence — a spiritual renewal. Frost looks at the same natural world and sees ambiguity, sometimes even danger. And yet, together, they teach us how a flower, or a snowfall, or even the silence of the woods can become a doorway to the deepest truths about human life.Support the showThank you for experiencing Celebrate Creativity.

Ronan Wordsworth addresses a persistent recruitment and retention crisis in Five Eyes militaries, spanning decades. Younger generations, particularly Gen Z, favor STEM careers offering flexibility and better pay over military discipline. Militaries are responding with increased advertising, flexible service models, lateral entry for skilled professionals, and significant pay raises and bonuses. Low morale, stemming from unpopular past wars and perceived institutional guilt, also significantly impacts retention rates. 1870 GARDE NATIONAL

In this episode of the Anglotopia podcast, Jonathan Thomas explores the beauty and cultural significance of Cumbria and the Lake District. He shares his personal experiences, literary connections, and the planning process for his trip, including a writer's retreat. The conversation delves into the stunning landscapes, historical sites, and the unique charm of the region, emphasizing its importance in British culture and literature. Links Derwent Pencil Museum Wordsworth House visit Brougham Castle article Ullswater steamer boat experience Hardknott Roman Fort Muncaster Castle podcast interview episode "The Shepherd's Life" by James Rebanks "English Pastoral" by James Rebanks "The Place of Tides" by James Rebanks "The Natural World of Winnie the Pooh" by Kathryn Aalto Writing Wild: Women Poets, Ramblers, and Mavericks Who Shape How We See the Natural World by Kathryn Aalto "Adventures in Anglotopia" by Jonathan Thomas Takeaways Cumbria and the Lake District are remote yet culturally rich destinations. The region is deeply connected to British literature, especially with figures like Wordsworth. Planning a trip to Cumbria requires careful consideration of travel logistics. Exploring the Lake District offers breathtaking views and unique experiences. The writer's retreat provided invaluable insights into writing about landscapes. Driving the Hardknott Pass is a thrilling adventure for travelers. Cumbria is a popular holiday destination for British tourists. The local cuisine, including Cumbria sausage and Kendall mint cake, is worth trying. The landscape of Cumbria is characterized by its mountains and lakes. Future visits to Cumbria should include more literary and historical sites. Sound Bites "Many would argue that the soul of British culture and literature kind of lives in the Lake District, mostly because of its connections with William Wordsworth and his poetry." "It was the furthest point that the Romans went when they had conquered Britain. They actually built a fort at Hardknot that had a view of the Irish Sea." "The Hardknott Pass is Britain's most steepest and dangerous road... it has a 15% grade. The regulations on US highways are like that the grade can't be more than 3 or 4%. So this is 15%." "After she became famous, rich and famous from the Beatrix Potter books, she dedicated herself to preserving the landscape of the Lake District... The reason so much of the Lake District landscape is protected is because of Beatrix Potter." "It's a place British people travel for holiday... if you really want to get a sense of Britishness and how they vacation and how they holiday then Cumbria and the Lake District is the place to go for that." "Every turn of the road is like the most beautiful place you've ever seen... I had just had no idea how incredibly beautiful England and Britain's mountain landscapes can be." "The sun doesn't set to like 11 p.m. in the summer... we had these author events that would go to like 11 o'clock and there was still like this twilight at 11 p.m." "Getting to Cumbria and the Lake District is the hard part... it's very remote. It's as far away from London as you can get going into Scotland." "It's really been a place where people kind of scrap in existence... There was never a lot of wealth generated there like in other places like say the Cotswolds." "You really the best way to get around is by car because the Lake District is very poorly served by trains and buses because it's so remote." Chapters 00:00 Introduction to Cumbria and the Lake District 05:11 Literary Connections and Personal Journey 10:37 Planning the Trip to Cumbria 17:05 Exploring the Lake District 23:42 The Writer's Retreat Experience 25:21 Cumberland Lake District: A Legacy of Farming and Writing 26:33 Transformative Writing Retreat Experiences 28:19 The Journey of Self-Publishing and Creative Growth 29:56 Exploring the Hard Knot Pass: A Thrilling Adventure 32:49 Historical Insights: The Hard Knot Roman Fort 34:09 Serendipitous Discoveries: Riding the Steam Railway 35:09 Moncaster Castle: A Historical Exploration 38:03 Reflections on the Cumbria Experience 39:58 Cultural and Historical Significance of the Lake District 43:29 Travel Tips and Recommendations for the Lake District 49:09 anglotopia-podcast-outro.mp4 Video Version

Summer scrambled us, Slushies, from UAE to North Carolina, from D.C. to Scotland and back, from North Carolina to New York City, and to Philly, of course. Phew! Sam has just returned after a month-long residency through the Hawthornden Foundation in Scotland in an actual castle where she worked on her novel. The crew came together on Zoom to discuss two poems by Elvira Basevich, “Beautiful Girls” and “Pallas Athena”. The first poem transports Kathy and Marion to their teenage days on the Jersey shore. For Marion, the ending of the poem with its Beauty in the bathroom mirror, recalls the energy of Ada Limón's “How to Triumph like a Girl”.     The discussion of “Pallas Athena” notes the poem's foresight to mark a memory as it's made, which sends Marion to Wordsworth's Tintern Abbey and has Lisa mis-marking that poem as the one with daffodils. Imagining the future while in the past also reminds Marion of André Aciman's discussion of arbitrage and Tintern Abbey in the New Yorker. We talk about endings, Slushies, and how hard it is to nail the dismount. Last but not least, we celebrate the release of Marion's new book of poems, Gladiola Girls, with a group photo. Be sure to check out the picture to peep how Kathy's chrome manicure matches the book's color scheme.   At the table: Kathleen Volk Miller, Marion Wrenn, Samantha Neugebauer, Lisa Zerkle, and Sebastian Rametta (sound engineer)   Elvira Basevich is assistant professor of philosophy at University of California, Davis. Her first poetry collection, How to Love the World (Pank 2020), was shortlisted for the National Jewish Book Award. Her poems have recently appeared in Pleiades, On the Seawall, Diode, & The Laurel Review. Lately, she's been writing a lot about her father who returned to Russia years ago without saying goodbye.   Website:  www.elvirabasevich.com   Instagram: @elvirabasevich   BEAUTIFUL GIRLS   I used to line up with teenage girls on the boardwalk like oysters on the half shell. We kissed each other  for practice. We guessed how much nakedness we  could fit inside our mouths, swallow whole or spit out.  These are some of my best memories. Sitting on  lifeguard chairs till dusk talking about life.  Dates, gulls, the milky surf came to us, but they  had to climb a ladder to our perch. Bring an offering  of beer and cigarettes. Even then, we admitted few.  Our bodies were a salvation then, a cause for celebration, something new to smell and taste and touch every  morning, the threshold of a pagan's afterlife:  an all-you-can-eat buffet of physical pleasures. All these  years later, even without the hours of applying makeup  in the bathroom mirror, matching mesh crop tops to low risers, taking selfies, I feel so beautiful.  I don't mean that metaphorically, as in Plato's description  of a beautiful soul as a chariot pulled by two winged  horses, but the real, pulsating thing: the Beauty  who looks back from the bathroom mirror and smiles.   PALLAS ATHENA   We tracked deer in the snow, studied philosophy  and mathematics. Like you, I inherited  my father's passions: the love of war, physical beauty,  America's Funniest Home Videos. I can still hear  his laughter in a hotel in upstate New York  on our only family trip. Soviet émigrés with blue hair and adult grandchildren preferred to speak in English and eat hot dogs and hamburgers rather than piroshki and cold cuts with slivers of wobbly jellied fat. We ice skated among pine trees and rooks. Napped in cots before waiting in a buffet line  in a wood-paneled cafeteria. Pallas, that weekend  you took care of me like a big sister.  You showed me a bloom of wildflowers by  the frozen river, a dusk replete with angels,  reminders that this too won't last, but  it will become my favorite memory of my father.  That was your greatest strength: to have  the foresight to remember a moment as it faded.  You didn't judge me when I left all my doors  and windows open and called out to my father,  Come in. That sometimes we don't choose  the angels that we believe in, as a house  does not choose the ghosts who wander its halls.

BANG! @southernvangard radio Ep445! Get ya screw face on this week with us this week, Vangardians! The best new joints on the planet are found here week after week - and we often times get the opportunity to present WORLD EXCLUSIVES like we did this week, thanks to our good friends DJ BROWN 14 and RAHIEM SUPREME. They have a new album dropping at the top of September and we have TWO, count em TWO WORLD EXCLUSIVES in the mix this week, one of which features RLX & VIC SPENCER. Doe also managed to drop a VINLY ONLY TWITCH ONLY SET - which you can only get the replay of on PATREON.COM/SOUTHERNVANGARD. Last but not least, remember to take care of your star player at ALL costs ‘cause it's that #SMITHSONIANGRADE #YOUWAAAAALCOME // southernvangard.com // @southernvangard on all platforms #hiphop #rap #undergroundhiphop #boombap ---------- Recorded live August 10, 2025 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on all platforms #SmithsonianGrade #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks ---------- Pre-Game Beats - Brainorchestra Talk Break Inst. - “Giant Stepped” - Black Milk “Southern Vangard Theme” - Bobby Homack & The Southern Vangard All-Stars “Ironclad” - Nowaah The Flood & The Mali Empire “Break The Glass” - Halfcut & Cole The God ft. Guilty Simpson & Joey Knuckles “Noyd's Theme” - Rasheed Chappell & Mickey Blue “Different” - SoulChef ft. Bumpy Knuckles “Culture” - Eccentrak ft. Termanology & DJ React “Back To The Essence” - Cymarshall Law & Slimline Mutha ft. Wordsworth & DJ Phillip Lee “No Comply” - Fashawn & Marc Spano ft. Blu Talk Break Inst. - “Have A New” - Black Milk “Silhouettes” - Citero (prod. Dub Helix) “What's The Answer” - Blame One & Aloe Blacc prod. by Chill-Ill “Don't Stop" - Mecca:83 ft. Phat Kat & Guilty Simpson (Pitch 92 Remix) “Bet Your Life (Remix)” - maticulous ft. Masta Ace, Blu & Justo The MC “They Like When We Rhyme Together” - The Fifth Degree ft. Terror Van Poo X Bernadette Price (prod. CNR JAXX, cutsTone Spliff) “Cocaine & Vodka” - Halfcut & Cole The God "All Night” - Minister Hyde & Mondo Slade prod. King R.E.M Talk Break Inst. - “OG” - Black Milk “FAFO” - Ras Kass “Triple Beat Team” - 9th Uno ft. Detales and LeZeppo “Black Scrolls” - Dios Negasi ft. RJ Payne “More Doe” - XP the Marxman & Orlando “Collateral Damage” - Jalen Frazier & godBLESSbeatz ft. J-Classic “Community” - JID ft. Clipse & Marco Plus “Drop A Dime” - Rahiem Supreme x DJ Brown13 ** WORLD EXCLUSIVE ** “Knowledge 2 Knowledge” - Rahiem Supreme x DJ Brown13 ft. RLX & Vic Spencer ** WORLD EXCLUSIVE ** Talk Break Inst. - “All I Ever” - Black Milk ** TWITCH ONLY SET ** 808 VINYL BOOM TICKY TOCKYS ** ** PATREON.COM/SOUTHERNVANGARD ** ----------

Stefan Collini, FBA. Professor Emeritus of Intellectual History and English Literature, University of Cambridge.The Donald Winch Lectures in Intellectual History.University of St Andrews. 11th, 12th & 13th October 2022.In the course of the nineteenth and twentieth centuries, universities expanded to include a wide range of what came to be regarded as academic ‘disciplines'. In Britain, the study of ‘English literature' was eventually to become one of the biggest and most popular of these subjects, yet it was in some ways an awkward fit: not obviously susceptible to the ‘scientific' treatment considered the hallmark of a scholarly discipline, it aroused a kind of existential commitment in many of those who taught and studied it. These lectures explore some of the ways in which these tensions worked themselves out in the last two hundred years, drawing on a wide range of sources to understand the aspirations invested in the subject, the resistance that it constantly encountered, and the distinctive forms of enquiry that came to define it. In so doing, they raise larger questions about the changing character of universities, the peculiar cultural standing of ‘literature', and the conflicting social expectations that societies have entertained towards higher education and specialized scholarship.Handout - Lecture 3: Syllabuses1. ‘“English”, including Anglo-Saxon and Middle English along with modern English, including what we ordinarily call the “dull” periods as well as the “great” ones, is an object more or less presented to us by nature.'2. ‘In the 1880s, an exciting duel between two great publishing houses brought the price of the rival National and World Libraries (Cassell's and Routledge's, respectively) down to 3d in paper and 6d in cloth. And not only were prices cut: the selection of titles was greatly enlarged, the old standbys - Milton, Pope, Cowper, Thomson, Burns, Goldsmith, and the rest - being joined by many other authors who had seldom or ever appeared in cheap editions.'3. ‘Sir John Denham (1615-1668) is familiar from the oft-quoted couplet in his poem of Cooper's Hill, the measured and stately versification of which has been highly praised. He died an old man in the reign of Charles II, with a mind clouded by the sudden loss of his young wife, whom he had married late in life. John Cleveland (1613-1659), author of the Rebel Scot and certain vigorous attacks on the Protector, was the earliest poetical champion of royalty. Butler is said to have adopted the style of his satires in Hudibras. Colonel Richard Lovelace (1618-1658) ....'4. ‘Poetry: More advanced poems from Chaucer (e.g. The Prologue), Shakespeare, Spenser, Milton, Pope, Wordsworth, Tennyson, or from selections such as The Golden Treasury; Shakespeare, (Histories, Comedies or easier Tragedies). Prose: Plutarch's Lives, Kinglake, Eothen, Borrow, Lavengro, Ruskin, Sesame and Lilies, Frowde [sic; ?Froude], selected short studies, Modern prose Comedies (e.g. Goldsmith and Sheridan), Selections from British Essayists (e.g. Addison, Lamb, Goldsmith), Macaulay, Essays or selected chapters from The History.'5. ‘In the 1930s favourite Higher Certificate set books and authors among the various Boards include: The Faerie Queene, Marlowe's Faustus, Bacon's essays, Sidney's Apologie for Poetrie, Hakluyt, The New Atlantis, Shakespeare, Chaucer, Milton, Lamb, Carlyle, Pope, Dryden, Scott and the Romantic poets. These texts and authors changed hardly at all between 1930 and 1950 (and represent a very similar situation to that of 1900-1910).'6. ‘An Honours Degree in English Language and Literature at present entails, in every University in England, some knowledge both of Latin or Greek at the outset, and of Old English later.' This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit standrewsiih.substack.com

Full show: https://kNOwBETTERHIPHOP.com Artists Played: Overlordz, JBiz, MyGrane McNastee, conshus, MoZaic, MidaZ, Synopse, Travisty the Lazy Emcee, Jewbei, Merna, MRKBH, Rico James, Demae, Skipp Whitman, Tane, Sam-Kun, CORTEX, Kassa Overall, Juni Ali, Wordsworth, The Jack Moves, Yugen Blakrok, MELONYX, The Heart and Brain, Isaiah Irahkiev, M-Dot, Hermanos Gutierrez, Leon Bridges, BuddieRoe, Sly Drexler, OutKast, GOODie MOb, IMAKEMADBEATS

Seamus and Mark look at four elegies written for family members, ranging from the romantic period to the 2010s, each of which avoids, deliberately or not, what Freud described as the work of mourning. William Wordsworth's ‘Elegiac Stanzas Suggested by a View of Peele Castle' (1807) is an oblique memorial to a brother that seems scarcely able to mention its subject. Like Wordsworth, Denise Riley's elegy for her son, ‘A Part Song' (2012), embraces the atemporal nature of poetry as a protest against the destructive power of time, but also uses dramatic shifts in register to openly question the use of ‘song' as a method of mourning. Robert Lowell's elegies for his parents, from Life Studies (1959), offer a startling resistance to the traditional elegiac mode by spurning the urge to grandiloquence with a series of prosaic vignettes. Anne Carson's ‘Nox' (2010) goes further by challenging the idea of a coherent account of someone's life entirely, with a sequence of fragments contained within a single sheet of paper, ranging from poems and translations to telephone conversations, photographs and drawings, as a deliberately disordered memory of her relationship with her brother that nonetheless exposes the purest ingredients of elegy. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: ⁠https://lrb.me/applecrld⁠ In other podcast apps: ⁠https://lrb.me/closereadingsld Poems discussed in this episode: William Wordsworth, ‘Elegiac Stanzas Suggested by a View of Peele Castle' https://www.poetryfoundation.org/poems/45516/elegiac-stanzas-suggested-by-a-picture-of-peele-castle-in-a-storm-painted-by-sir-george-beaumont Robert Lowell, selections from 'Life Studies' https://www.londonreviewbookshop.co.uk/stock/life-studies-robert-lowell Denise Riley, ‘A Part Song' https://www.lrb.co.uk/the-paper/v34/n03/denise-riley/a-part-song Anne Carson, Nox https://www.londonreviewbookshop.co.uk/stock/nox-anne-carson Next episode: ‘Poems of 1912-1913' by Thomas Hardy.

Welcome back to another Seerine Tarot daily collective for Tuesday, July 29th, 2025. Let me tell you—this one's layered like a 10-card spread and Nova's chew toy drama. Today's message? That remote work blessing you've been praying on might just be knocking… but it's holding hands with extra tasks. Is it really a perk if the pay raise comes prepackaged with more stress? Hmmm. The King of Pentacles got love for you (Ace of Cups energy strong), but don't sleep—the Queen of Swords sees through it all. This reading is giving:

Vita e opera di William Wordsworth, considerato insieme a Coleridge, il fondatore del movimento romantico in Inghilterra. Commento della poesia “Daffodils”.

Biografia e opere di Samuel Taylor Coleridge, poeta e filosofo tra i fondatori del Romanticismo inglese e autore de La ballata del vecchio marinaio.

1/ MR SKIP & THA GOD FAHIM. No limit.2/ NAPOLEON DA LEGEND. Mackandal.3/ RECOGNIZE ALI & TRAGEDY KHADAFI. Black code. feat. TRIFE DIESEL y DJ TRAY.4/ NICO MISERIA. Alfafar.5/ LOOPER PADAWAN. Flores rojas.6/ FEL SWEETENBERG. War of art. feat. DJ DJAZ.7/ M.DOT AND CONFIDENCE. 24 to 1.8/ CRIFATEMII & SEMPAISTILO. Vueltas y vueltas.9/ GORKA2H. Quien es quien. feat. Sin fin.10/ MEMPHIS BLEEK. You should know.11/ FASHAWN & MARC SPANO. Ashtrays and angels.12/ JUANINACKA & CICLO. Larga vida al rey.13/ LA ICE & ALES FABIANI. Treinta monedas.14/ DYNAS AND JAH FREEDOM. Read the message. feat. WORDSWORTH, FINALE Y DJ JON DOE.15/ CURCI & MIKE SUMMERS. Lift Yourself.16/ ERGO PRO. La Bestia Prod Gese Da O.17/ Res_Co & Laertes L. Liebheart - Calm and burn #2.Escuchar audio

My friend Simon Curtis, who has died aged 70, was one of the small band of people who work tirelessly, for no pay and few thanks, to promote poetry. An excellent poet himself, he edited two magazines and helped many struggling writers into print.His heroes were Wordsworth, Hardy and Causley. His own poetry, which rhymed and was perfectly accessible, was distinguished by, in his words, its "shrewd, ironic and Horatian tone". It ranged from accomplished light verse, which was often very funny, to deeply affecting poems about family bereavement. He appeared in the Faber Poetry Introduction 6 (1985).Simon was born in Burnley, Lancashire, the son of Susan, an English teacher, and the Rev Douglas Curtis, a vicar, and grew up in Northamptonshire. Armed with an English degree from Cambridge University, and a PhD from Essex, on Darwin as writer and scientist, he became a lecturer in comparative literature at Manchester University. He was active in the Hardy Society, editing the Thomas Hardy Journal for several years, worked quietly for the Campaign to Protect Rural England, and spent a lot of time caring for his mother, who lived to a great age.Eventually, he moved to Plymouth and in 2010 took over from me as the editor of the little magazine The Interpreter's House, which he made, in Hardy's phrase, "a house of hospitalities". We were both determined that it shouldn't be just a platform for the editor's friends but should be open to good poets of all stripes.But early in 2013 all plans had to be shelved as this active outdoor man was diagnosed with incurable cancer. Though paralysed below the waist, he remained positive, continued to watch the yellowhammers outside his window and never allowed his many visitors to feel downhearted. Shoestring Press rushed out a volume of his new and selected poems, Comet Over Greens Norton, which contains all his best work.Simon was old-fashioned in the best kind of ways, a former 1960s student who canvassed for Labour but who dressed conservatively and retained a stiff upper lip and immaculate manners. He hated pollution, literary infighting, and public greed and waste. He loved bird-watching, football, woodcuts and the Lake District.-bio via Merryn Williams' 2014 Obituary for Curtis in The Guardian This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Elizabeth Bancroft went to England with her husband, historian George Bancroft, for three of the most dynamic years in European history. As Ambassador to England from the United States, George moved in the highest circles. In his wife's letters to their sons, her uncle, her brother, and Mrs. Polk (the President's wife), we see glimpses not only of early Victorian English life, but also of Queen Victoria herself! Mrs. Bancroft speaks of dinners with Benjamin Disraeli, visits to Wordsworth, weekends in the country with Louis Napoleon and Sir Robert Peel with such matter of fact aplomb that one cannot help being impressed.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Elizabeth Bancroft went to England with her husband, historian George Bancroft, for three of the most dynamic years in European history. As Ambassador to England from the United States, George moved in the highest circles. In his wife's letters to their sons, her uncle, her brother, and Mrs. Polk (the President's wife), we see glimpses not only of early Victorian English life, but also of Queen Victoria herself! Mrs. Bancroft speaks of dinners with Benjamin Disraeli, visits to Wordsworth, weekends in the country with Louis Napoleon and Sir Robert Peel with such matter of fact aplomb that one cannot help being impressed.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

What I'm After (Sir Charles Remix) / Lords O... 5:52 Keep On Rockin / Lords Of The Undergroun... 2:39 Everything's Fine / Degiheugi & Miscellaneo... 3:48 Rakim / Cookin Soul x Westside Gunn 2:04 Tha Riddle Of Steel / Tha God Fahim & Nich... 2:18 Citrus Nioxide (Feat. Danny Brown) (Prod. B... 4:21 Read The Message feat. Wordsworth, Finale... 3:42 Life Is What You Make It feat. Chubb Rock &... 4:18 Shaolin Vs. Lama / Raekwon & Inspectah De... 3:52 Endangered Innocence (Feat. Ghostface Kill... 4:06 Here We Are Heard (Feat. The Impossebulls... 3:04 All Guns Full Ammo feat. Onyx (prod. by C-L... 4:01 It Factor (Feat. El-P) / Boldy James & Real B... 3:55 Plaid Patterns (Feat. Awon & Debonair P) / F... 4:05 Mmm Hmm / Tone Spliff 3:11

This week, Andy Zaltzman is joined by elite-tier Bugler and guest producer Belinda (as well as Nish Kumar and Tom Ballard) delivering a show so saucy it might get you banned from the Vatican gift shop.

Dr. Carolyn Weber returns to the show to peruse Jack's bookshelf and explore the poetry of William Wordsworth.[Show Notes]

Have you ever wondered why Jane Austen isn't counted among the Romantics of her era when she is now known now as the most romantic of writers? Julia and Katy take a deep dive into what Romantism was (poets such as Wordsworth and Byron) and discuss how Jane connected or criticised the literary movement of her era. In short, this episode is everything you need to know about Romanticism and were too afraid to ask!We end with our latest news about Jane Austen events and Julia's new book The Wordsworth Key which you can find here: https://www.amazon.co.uk/Wordsworth-Key-page-turning-historical-adventure-ebook/dp/B0DSZ94PDW/ or at your local bookseller.

Bianca speaks to Cindy Anderson from Wordsworth Books about the rise in Romantasy and some book recommendations for the coming season. Lunch with Pippa Hudson is CapeTalk’s mid-afternoon show. This 2-hour respite from hard news encourages the audience to take the time to explore, taste, read and reflect. The show - presented by former journalist, baker and water sports enthusiast Pippa Hudson - is unashamedly lifestyle driven. Popular features include a daily profile interview #OnTheCouch at 1:10pm. Consumer issues are in the spotlight every Wednesday while the team also unpacks all things related to health, wealth & the environment. Listen live – Lunch with Pippa Hudson is broadcast weekdays between 13:00 and 15:00 (SA Time) https://www.primediaplus.com/station/capetalk Find all the catch-up podcasts here https://www.primediaplus.com/capetalk/lunch-with-pippa-hudson/show-podcasts/lunch-with-pippa-hudson/ Subscribe to the CapeTalk daily and weekly newsletters https://www.primediaplus.com/competitions/newsletter-subscription/ Follow us on social media: CapeTalk on Facebook: www.facebook.com/CapeTalk   CapeTalk on TikTok: www.tiktok.com/@capetalk   CapeTalk on Instagram: www.instagram.com/capetalkza  CapeTalk on X: www.x.com/CapeTalk  CapeTalk on YouTube: www.youtube.com/@CapeTalk567  See omnystudio.com/listener for privacy information.

Full show: https://kNOwBETTERHIPHOP.com Artist Played: The Beat Ministry, Wordsworth, WordChemist, MurDoc, Marz Mello, conshus, Truly Def, Aubrey West, Juni Ali, Seun Kuti, Egypt 80, Sampa The Great, Silas Short, Adrian Quesada, Angelica Garcia, Royce Wood Junior, 14KT, Buff1, Y A N A, Gena, Gnarly, The Workin Class, Chev, Noveliss, Serebii, Bathe, DJ Design, Gennessee, Che Noir, Tryf Bindope, Tekbeatz, Femi Kuti, Travisty The Lazy Emcee, PFM, lavender, OutKast, GOODie MOb, IMAKEMADBEATS

Think you know the Lake District? Think again. Join us on an epic audio journey as we peel back the layers of Cumbria to reveal a side you probably never expected—one bursting with art, heritage, and culture. When most people picture the Lake District, they see shimmering lakes, rugged fells, and charming country inns. And yes, all that is spectacular—but what if we told you this region is so much more than scenic hikes and boat trips? Beyond the well-trodden trails, Cumbria has long been a magnet for creatives, from poets and painters to musicians and makers. And it's not just about Wordsworth and his daffodils—Cumbria's cultural scene is alive and kicking.  Artists, musicians, and theatre-makers have put down roots here, turning former textile mills into buzzing creative hubs and filling historic venues with new concepts and fresh exhibits. We're stepping off the tourist trail to explore a different side of Cumbria. Think ancient abbeys, maritime museums that tell the region's shipbuilding past, and grand houses that played a key role in the early Quaker movement.  There's even an auto museum packed with classic cars and unexpected stories and vintage treasures. So, if you thought the Lake District was all about hiking boots and boat trips, get ready to see it in a whole new way. Thanks to Cumbria Tourism for supporting this episode of Travel Goals. The Let's Go Culture project is funded by the UK government through the UK Shared Prosperity Fund and is supported by Westmorland & Furness Council. #UKSPF ***** Hi, I'm your podcast host, Portia Jones [nicknamed Pip Jones]. I'm a freelance travel journalist, podcaster, and Lonely Planet author.  If you love to travel, check out my travel website and subscribe to my travel newsletter to get travel guides and new episodes of the Travel Goals podcast delivered straight to your inbox. Connect with us on social media: Travel Goals on Instagram | Travel Goals on Facebook  Travel Goals is produced and owned by South Girl Production Music and Podcasting Ltd.  Email us to discuss working together or with any questions about the podcast.  Enjoy the show, and don't forget to leave us a rating and review on Apple Podcasts and Spotify.

We begin a week of selections from Lyrical Ballads with today's nostalgic and pastoral poem, “Lines Written a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, 1798.” Happy reading!Jonathan Kerr of the Wordsworth Trust writes about the revolutionary context of the Lyrical Ballads and the revolutionary nature of the project itself:“Wordsworth and Coleridge's first major literary undertaking and a pioneering work of English Romanticism – came into being at a tumultuous moment in England's history…Not since the English Revolution had the country faced such alarming upheaval and discord within its borders.On first glance it might not seem like the little collection authored by Wordsworth and Coleridge has much to do with this heady and factional atmosphere. Lyrical Ballads came about in the spring and summer of 1798, when the Coleridge and Wordsworth families lived as neighbours in the secluded village of Holford, Somerset. Wordsworth and Coleridge had only known one another a short time, but they became quick friends and mutually-admiring colleagues. The small village provided both poets with a break from the spirited goings-on of cities like London and Bristol, which could often be dangerous places for young men with unorthodox opinions. Coleridge and Wordsworth, both committed reformers through the early years of the French Revolution, knew this is as well as anybody, and their retreat into the country was motivated as much by concerns for their personal security as anything else.…Whether or not Wordsworth and Coleridge continued to sympathize with the revolution abroad, there can be little doubt that with Lyrical Ballads the two were committed to one kind of revolution at least, a revolution in the sphere of poetry and art. Lyrical Ballads is among other things an attempt to purify poetry of the cold conventions which had come to dominate the literary scene, at least according to both poets; in place of this, Wordsworth and Coleridge wanted to bring poetry back to what is most common and recognizable, and also most important, within our emotional, social, and imaginative lives. If this doesn't seem like such an extraordinary undertaking today, this might owe to the remarkable success of Wordsworth and Coleridge's quiet revolution on the literary front.” This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today is the Vernal Equinox. We're promised incremental victories of light. But early spring is no darling — not here in the high desert. Here, she can be chafing and mercurial; she can show up in sputtering, immature fits and freezes; in mean winds that would cut down the most tender and flower-faced among us without reason.Earlier this week, the sky howled and turned the color of mud at mid-day. Cell phones blared out public safety warnings. Dust agitated at every seam.What's a nervous system to do? Have mercy on the tender-hearted, Lord — on the dream of apricots and cherries, and the boy at school pickup who is rubbing and rubbing his nose against the back of his chapped hand.Like you, I am learning to find refuge. I am learning to take shelter in the soft aliveness of my body; remembering in adulthood what came so easily and imaginatively to my younger self — how to build a fort, how to tuck into a small world of my own making.So, I gather a reading light, a ball of yarn, knitting needles, and a poetry collection, and I tent a wool blanket over my head to hole up for the duration.One thing I know for sure is how a poem can serve like the keel of a boat, offering stability and resistance against sideways forces. A poem — a few words that, when linked together at an angle just so, can carry us into and beyond their meaning. And so it is with this needfulness, under a blanket in my living room, that I come to Wordsworth's “Lines Written in Early Spring,” a meditation he wrote in 1798 on the joyful, interwoven consciousness of nature — a “thousand blended notes” of birdsong — and humanity's grievous failure to remember its place under the canopy of all things.In the grove where the speaker sits, twigs “spread out their fan,” flowers “enjoy the air,” and Nature, personified, is a force with a “holy plan.” But human beings, the speaker laments, have lost the splendrous sensibilities of spring: “If such be Nature's holy plan / Have I not reason to lament / What man has made of man?”It occurs to me that man has done many good things with his hands. I am thinking now of a live performance of Rachmaninoff's Piano Concerto No. 2, or the sweater that Wendy-from-the-yarn-shop just masterfully knitted, or the perfectly packaged mini-waffles my friend Ted brought back from a recent trip to Japan.But much of the time, we get things at least half-wrong. Like seed-creatures, we struggle to find our way upward through hard ground. We move too quickly, unaware of our conditions, and make mistakes. We forget to pause and remember the purpose of our unearthing. And we forget the interweave, the garden of our original belonging.So, I'm teaching myself how to knit. Novice that I am, it's awkward work. It's near-in. I tink (a new word for me, a semordnilap that refers to the act of un-stitching) almost as often as I knit. I struggle to position my hands, to maintain the right angle, I poke around and lose count and then I have to begin again.And in all this seeming progress and unraveling, as I return to mistakes embedded long ago, a new pattern — peaceful and even elegant — is steadily emerging. Oh, nervous system, dear friend. I am un-stitching and stitching myself back together again. I am braiding threads of myself into an artwork of my own making, which is weaving me back into something greater than my own making. And when the thing is ready, I will hold it up in wonder. I will hold it to my cheek.Together, we are making sense of being human in an era of radical change. Your presence here matters. Thank you for reading, sharing, ‘heart'ing, commenting, and subscribing to The Guest House. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit shawnparell.substack.com/subscribe

Talking points: masculinity, culture, gratitude, anger, poetryI don't typically get starstruck or awed in interviews, even though I've talked to many incredible people. But David? Well, he's had an immense impact on my life, and so much of my work and way of thinking lives inspired by him. He joined me in Seattle and shared so much wisdom, beauty, and of course, poetry. Dig into this one.(00:00:00) - What is the “conversational nature of reality”, why the unknown is so uncomfortable, and the fear of “descent”(00:18:44) - How the need for control kills off meaning and purpose, and how real poetry and philosophy come from NOT knowing what to say(00:25:53) - David reads “Blessing of the Morning Light”(00:32:42) - How does a man start building a relationship to the unknown parts of himself, and David's relationship with his father(00:44:24) - The role of anger and the power of poetry(00:56:16) - On forgiveness and male friendship(01:31:57) - How do you properly thank someone who's had a profound impact on you?David Whyte is an internationally renowned poet and author, and a scintillating and moving speaker. Behind these talents lies a very physical attempt to give voice to the wellsprings of human identity, human striving and, most difficult of all, the possibilities for human happiness. He draws from hundreds of memorized poems, his own and those of other beloved poets such as Wordsworth, Emily Dickinson, Keats, Pablo Neruda, Fleur Adcock and the sonnets of Shakespeare. He is the author of ten books of poetry, three books of prose on the transformative nature of work; a widely-acclaimed, best-selling book of essays, and an extensive audio collection.Connect with David-Website: https://davidwhyte.com/-Instagram: https://www.instagram.com/davidjwhyte/-Facebook: https://www.facebook.com/PoetDavidWhyte/-YouTube: https://www.youtube.com/@poetdavidwhyte-SubStack: https://davidwhyte.substack.com/***Pick up my book, Men's Work: A Practical Guide To Face Your Darkness, End Self-Sabotage, And Find Freedom: https://mantalks.com/mens-work-book/Heard about attachment but don't know where to start? Try the FREE Ultimate Guide To AttachmentCheck out some other free resources: How To Quit Porn | Anger Meditation | How To Lead In Your RelationshipBuild brotherhood with a powerful group of like-minded men from around the world. Check out The Alliance. Enjoy the podcast? If so, please leave a review on Apple Podcasts, Stitcher, or

1/2: #AFRICA: WAGNER GROUP TAKEOVER FOR GOLD. RONAN WORDSWORTH, @GPFUTURES 1911 NIGERIA

2/2: #AFRICA: WAGNER GROUP TAKEOVER FOR GOLD. RONAN WORDSWORTH, @GPFUTURES 1823

PREVIEW: AFRICA: RUSSIA: PRC: Colleague Ronan Wordsworth explains the transformation of Francophone Africa colonies to Wagner Group outposts that usher in China resource exploitation while grabbing larger shares of the gold fields. More later. 1885

durée : 00:55:18 - Very Good Trip - par : Michka Assayas - Au menu de ce Very Good Trip, la voix d'une femme qui ne ressemblait à aucune autre. Michka Assayas consacrait cette émission à Marianne Faithfull à l'occasion de la sortie d'un album ou elle ne chantait pas mais récitait ses poèmes anglais préférés, Tennyson, Wordsworth, Keats et Byron.

Today's poem, though written for the far more infrequent crowning of monarchs, contains plenty of sentiments fitting for a quadrennial presidential inauguration. Happy reading.On a pillar on the west wall of Poets' Corner in Westminster Abbey is a white marble bust to poet and clergyman John Keble. The bust is signed and dated by Thomas Woolner, 1872 and is just inscribed 'JOHN KEBLE'. The memorial was originally much more elaborate and was in the south west tower chapel of the nave (now St George's chapel), placed between Dr Thomas Arnold and William Wordsworth. The bust, on a foliated corbel, was set within a decorated oval frame set with jewels with two small pillars either side of the bust. Above was a decorated cross and below a square tablet with the inscription:In memory of John Keble, author of the Christian Year. Born 1792. Died 1866. In quietness and in confidence shall be your strength. Isaiah xxx.15. He rests in peace at Hursley of which he was Vicar 30 years.When the chapel was redesigned in 1932 the memorials there were all moved - Arnold to the north west nave chapel and Wordsworth to Poets' Corner. Only the bust of Keble was retained and mounted on a new Purbeck marble bracket in the Corner.He was born at Fairford in Gloucestershire on 25th April 1792, son of the Reverend John Keble and his wife Sarah (Maule). After education at home he attended Oxford University. In 1827 he published his popular work The Christian Year. He was professor of poetry at Oxford and became rector of Hursley in Hampshire in 1836. With Newman and Pusey he instigated the Oxford Movement. He married Charlotte Clarke but there were no children. He died on 29th March 1866 and is buried at Hursley. Keble College in Oxford was founded in his memory.-bio via Westminster Abbey This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

In his final Sophia Lecture, “Finitude and the Infinite,” Dr Iain McGilchrist grapples with the vital role that the imagination plays in the perception of reality, and what this power can disclose about reality itself. He shows that imagination has the capacity to make contact with an illimitable, irreducible, and inexhaustible world, one that presents itself to us under the aspects of finitude and infinitude. Beginning with the English Romantic poets, McGilchrist shows how these artists resisted the habits of perception that can be associated with the brain's left hemisphere. This part of the brain is adept at rendering, representing, and modeling, but it does so at the cost of simplifying whatever it constructs. Poets like Wordsworth, Keats, Shelley, and Blake strove to remove the film of familiarity from their vision. For them, imagination was the power that made intuitive connections and integrative “leaps,” giving access to a richer, unbounded reality not subject to the strictures of reductive categories. In dialogue with physicists, philosophers, and mathematicians, McGilchrist ultimately shows how the vision of the world offered by the Romantic poets lays claim to the infinite and the eternal. For these artists, eternity is “adverbial”: it is a way of being, a manner, and a modality. McGilchrist convincingly shows us that we, too, can decline to see the world through categories that are measurable, predictable, and countable—but finally lifeless; like the poets whom he takes as his main interlocutors in this lecture, we can, instead, open ourselves to reality's boundless, vital, and infinite character. Authors and Works Mentioned in this Episode: William Wordsworth - Preface to the Lyrical Ballads Samuel Taylor Coleridge - Biographia Literaria Percy Bysshe Shelley - A Defence of Poetry Max Scheler William Blake Richard Feynman James A. Shapiro Denis Diderot Barbara McClintock William James Albert Einstein Leonhard Euler William Wilson Morgan Richard Feynman The Ancient of Days (William Blake, 1794, watercolor etching) Nicholas of Cusa - De Docta Ignorantia Jason Padgett Gottfried Wilhelm Leibniz Galileo Galilei David Hilbert Henri Bergson Richard Wagner Isaac Luria - Lurianic Kabbalah Edward Nelson Alfred North Whitehead Eugène Minkowski Heraclitus Jordan Peterson Zeno of Elea John Milton John Keats Jorge Luis Borges Martin Heidegger Tao-te Ching William Blake - “The Tyger” Emily Dickinson Marianne Moore Robert Browning - “Two in the Campagna” Bhagavad Gita Peter Cook John Polkinghorne Mary Midgley René Descartes Friedrich Wilhelm Joseph von Schelling J. B. S. Haldane Lee Smolin Eugene Koonin Hildegard of Bingen - The Choirs of Angels Christ Pantocrator and Signs of the Zodiac C. S. Lewis Johannes Kepler Jesus

Full show: https://kNOwBETTERHIPHOP.com Artist Played: Colette Chantel, conshus, AMiAM, Omar Saleem, Philly Wyld Chyld, Sai T, Errol Eats Everything, Thee Sacred Souls, Stu Bangas, Wordsworth, Elzhi, Joao Selva, Ras Kass, Obvious Bane, TOKiMONSTA, MyGrane McNastee, Miramar, Connie Price and The Keystones, Fullee Love aka Soup of Jurassic 5, Hasizzle, Professor Shorthair, Catpack, Bruk Rogers, Trini Elev8, D-Rock aka Rock Solid, Crazy DJ Bazarro, Nejma Nefertiti, Napoleon Da Legend, The Bongo Hop, Nidia Gongora, Paradox, John Da Lemon, Jermiside, Killer Mike and Sleepy Brown, OutKast, GOODie MOb, IMAKEMADBEATS

V6EP55: "One Time For Rick - Top 5 Hip-Hop Albums Of 2024 (Special Edition)"Dub, Jig, and Pat return for the last episode of 2024. They get into what they've been up to for the holidays and show off brand new items for the "Show-N-Prove" segment before jumping right into "Timeline Tingz" where they discuss a possible joint album between Eminem and 50 Cent, and Jay-Z's accuser allowed to remain anonymous. "Just Brandess" shares what she thinks about Hip-Hop in 2024 and her expectations for Hip-Hop in 2025 before sharing her thoughts on the passing of our brother Rick0378. One Time For Rick! The squad then pays homage to Rick, discussing the affect he's had and still has on the podcast, his extensive knowledge on Hip-Hop, Marvel and how selfless and giving he was. They then give Kincee Babyface Pearlis a call to say a few words about Rick. *We encountered some technical difficulties* In the "Yes Yes Ya'll" and "Droppin' Gems" segment, the squad shares their personal top ten Hip-Hop albums of 2024. The squad then average their lists into a collective top five discussing the reasoning behind why they chose the albums that they chose and Dub pulls some of Rick's Did You Knows out of the archives to share them. All of that plus much more on an all-new episode of Hip Hop Marvels Podcast! "WE GOT IT LOCKED FROM THE BLOCK TO THE COMIC SHOP!"SHEDRICK EUGENE LUCAS (1973-2024) R.I.P.HHMP TOP 5 HIP-HOP ALBUMS OF 2024:1. "GNX" Kendrick Lamar 2. "Might Delete Later" J. Cole3. "Chromakopia" Tyler The Creator4. "Blue Lips" ScHoolboy Q5. "Glorious" GloRillaDISCLAIMER: Lists are subjective... These are our PERSONAL choices. Let us know your top 5 Hip Hop albums of 2024!FANTASTIC 4:1. Da Beatminerz, Wordsworth, The Last Emperor - It's Not Enough (One of Rick's Favorites)2. Illpo - Mar A Lago3. Lil' Baby, Young Thug, Future - Dum, Dumb & Dumber4. Mad Skillz - 2024 Rap UpSPONSORED BY:Alpine Bagel CafeUniversity of North Carolina at Chapel Hill, CAROLINA UNION,209 South Rd, Chapel Hill, NC 27599       LISTEN-SHARE-RATE-SUBSCRIBE: Pandora, Apple Podcasts, Amazon Music, Spotify, Audible, TuneIn, iHeartRadio, Castbox, Stitcher, Podcast Addict & anywhere else you get your podcasts!Have a question,  comment or suggestion? Email us: hiphopmarvels@gmail.comHIP HOP MARVELS is movement focusing on the impact Marvel Comics/Entertainment has on the culture of Hip Hop and vice-versa. Your friendly neighborhood plug for all things Hip Hop and Marvel! "WE GOT IT LOCKED FROM THE BLOCK TO THE COMIC SHOP!"Creator/Executive Producer/Host: DJ Dub Floyd (@djdubfloyd)Producer/Director/Sound: Hasani Wizzard (@dovestatus) Director/Music/Host: Pat Mulli (@southerndrawl_410_side_ent)Co-Host: Rick 0378 (@braille378)Co-Host: E-Ray (@lionheadcircle)Co-Host: Double T (@t91t91)Co-Host: JigPool (@jigpoolnc) Correspondent/Co-Host: Brandess (@8tiesbaby82)HHMP Intro: Bash Brothers - Precyce Politix (@cyceboogie), Mallz (@mallzini), Sharp Cuts (@sharpcutsofficial)Music: Sharp Cuts (@sharpcutsofficial), Tecknowledgy (@teckbeats), Kreatev (@kreatev)www.hiphopmarvels.comTwitter: @hiphopmarvelsIG: @hiphopmarvelsFB: https://www.facebook.com/hiphopmarvelsYouTube: https://www.youtube.com/@hiphopmarvels

BANG! @southernvangard radio Ep422! Better late than never, folks. The holiday season is something' else, ain't it? This may or may not be the last show of 2024 - if it is - YOU WAAAAALCOME and if it isn't…YOU WAAAAALCOME #SmithsonianGrade #WeAreTheGard // southernvangard.com // @southernvangard on all platforms #hiphop #undergroundhiphop #boombap ---------- Recorded live Dec 15, 2024 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on all platforms #SmithsonianGrade #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks ---------- Pre-Game Beats - Vanderslice "Southern Vangard Theme" - Bobby Homack & The Southern Vangard All-Stars Talk Break Inst. - "Epic Miraculous Music For The Season" - Kev Brown "Something Strange" - Wordsworth & Stu Bangas "Shameless" - Dookie Bros "My First Android" - OC from NC "Capo" - Fashawn & Little Vic "Detonate" - Venomous2000 ft. DJ Grazzhoppa & DJ Spin "Boom Bap Or Die" - Termanology & Tek ft. Flash Is Hip Hop (prod. Nottz) "Walk Thru The Door" - NapsNdreds ft. Wordsworth (prod. D.R.U.G.S. Beats) "Words On Words" - Backwood Sweetie & K!NG jvmes ft. Knowitall Talk Break Inst. - "Rudy N Nem" - Kev Brown "Too Foul For Primetime" - Stu Bangas ft. Apathy X A-F-R-O X DJ Jon Doe "Allahs Interlude" - OC from NC ft. DJ Flash "Buena Vida" - The Musalini ft. Blannco (prod. Jose Cienfuegos) "Bounce & Nod" - Blame One & Chill-Ill "One Eyed King" - Fashawn & Little Vic "Vamos" - Fokis x DJ Sticky "When We Do It" - Spectac & Amiri ft. DJ Shakim ft. DJ Shakim "Doin' What You Never Did" - B-Real & Psycho Les "Wrath" - P.U.R.E. Talk Break Inst. - "I Miss U" - Kev Brown "Raining Sledgehammers" - Napoleon Da Legend & JR Swiftz ft. D-Styles "I Shit You Not" - Dookie Bros "Oh!" - Wordsworth & Stu Bangas "$MFD" - Money Mogly ft. Big J CSB "Top Rope" - Le Zeppo x 9th Uno ft. Hus Kingpin "Fools Gold" - M.A.V. x K Sluggah "Trillselda 2" - Bun B & Statik Selektah ft. Westside Gunn, Conway The Machine & Boldy James "Where To Begin" - Flee Lord & Richard Milli ft. Eddie Kaine & Rim Talk Break Inst. - "I'm Wakin Up Early!" / "Let's Go Play N Stuff" / "I Miss U" / "Once A Year" - Kev Brown

Episode 200: In this milestone episode, the 200th episode of Infinite Banter, Mark takes a trip down memory lane, with 20 segments highlighting past guests that span some of the episodes that have helped the show reach 200 episodes. There are flashback segments from a wide range of past interviews featuring- Jayson Warner Smith, Russell Todd, Theodus Crane, Pamela Davis-Noland, Nathan Hamill, Roxanne Perez, B. Brian Blair, Kyle Farnsworth, Akrobatik, Wordsworth, Res, Silver Spinner, Spyder D, DJ Chill Will, DJ Real One, EC Illa, Chubs, Young Zee, Kool Kim, Money B and Kool Rock Ski. Mark reflects on reaching the milestone episode and gives some of his favorite #200 issues of select comic books. Episode is dedicated to the memory of Mark Beans aka PreachCheck out our sponsor Super 7, for the latest in action figures and merch featuring pop culture icons. Click the link for the latest figures and more- https://super7.com/INFINITEBANTERPODCAST

BANG! @southernvangard radio Ep419! Hey you - yeah I said you - YOU WAAAAALCOME! #SmithsonianGrade #WeAreTheGard // southernvangard.com // @southernvangard on all platforms #hiphop #undergroundhiphop #boombap ---------- Recorded live November 17, 2024 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on all platforms #SmithsonianGrade #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks ---------- Pre-Game Beats - Klim Beats "Southern Vangard Theme" - Bobby Homack & The Southern Vangard All-Stars Talk Break Inst - "Meandher" - CJ The Cynic ** WORLD EXCLUSIVE ** "Black Jack" - Tableek ft. Boogie Fields (prod. Roddy Rod) "Say A Word For Me" - Poe Mack "Deep Cuts" - Brother Ali (prod. Ant) "The Madness" - Stu Bangas & Wordsworth ft. DJ Jon Doe, Breeze Brewin & John Robinson "FIRE" - Psycho Les, Eric Bobo & Stu Bangas ft. Blahzay Blahzay "Live Illustrators" - Machacha ft. Jay Royale, WateRR & DJ FMD Talk Break Inst - "Curtains" - CJ The Cynic ** WORLD EXCLUSIVE ** "Slipping Away" - Spit Gemz "Don't Be Tellin Me" - El Gant & Shyste (prod. Ab The Audicrat) "Double Barrel" - Jamil Honesty x Giallo Point ft. Substance810 & DJ Grazzhoppa "The Counts" - Brother Ali (prod. Ant) "Friends" - Tableek ft. Suadela (prod. Roddy Rod) "Head Strong" - Casual & Albert Jenkins "Cornerstore Shrine" - Codenine x BoneWeso Talk Break Inst - "Cbros" - CJ The Cynic ** WORLD EXCLUSIVE ** "Written In Stone" - Eto, Rick Hyde & Flee Lord (prod. Richard Milli) "Reach Not" - Gravity Propulsion ft. Crimeapple "Art Basel In Spain" - SAM R I & William Bostick ft. Doza The Drum Dealer & Chester "Tan Hue" - Bub Styles & Vinyl Villain ft. Lukah "Burn In Ivory" - Chino XL (prod. Body Bag Ben) "Free Shots" - Westside Gunn ft. Conway The Machine (prod. Conductor Williams & Statik Selektah) "Judas" - Eto (prod. Chup The Producer) "Tesla Test Drive" - Codenine x BoneWeso Talk Break Inst - "NewDr0wn" - CJ The Cynic ** WORLD EXCLUSIVE **

#NILE RIVER VALLEY: All against All. Ronan Wordsworth. @GPFutures undated Suez Canal

#UKRAINE: Drones take command. Ronan Wordsworth, @GPFutures 1883 Ukraine?

If you're enjoying the Hardcore Literature Show, there are two ways you can show your support and ensure it continues: 1. Please leave a quick review on iTunes. 2. Join in the fun over at the Hardcore Literature Book Club: patreon.com/hardcoreliterature Thank you so much. Happy listening and reading! - Benjamin

1/2: #WESTERN SAHARA: Francophone Africa and the tangle of  post-colonial anarchy. Ronan Wordsworth, @GPFutures 1770

2/2: #WESTERN SAHARA: Francophone Africa and the tangle of  post-colonial anarchy. Ronan Wordsworth, @GPFutures 1900 CENTRAL AFRICAN REPUBLIC

PREVIEW: AUSTRALIA: SECOND ISLAND CHAIN: Conversation with colleague Ronan Wordsworth of #GPFutures regarding the fortifying of the Second Island Chain with the Northern Territory of Australia as the anchor -- preparing for the PLA attack on the First Island Chain. More tonight. 1942 Northern Territory at Stokes Hill

OCEANIA: defending the Second Island Chain, Ronan Wordsworth, @GPFutures https://geopoliticalfutures.com/the-us-strengthens-the-second-island-chain/ 1943 Northern Territory

1/2: #SUDAN: Warlords and Russia switching sides. Ronan Wordsworth, @GPFutures. https://geopoliticalfutures.com/sudans-forever-war/ 1356 RED SEA

2/2: #SUDAN: Warlords and Russia switching sides. Ronan Wordsworth, @GPFutures. https://geopoliticalfutures.com/sudans-forever-war/ UNDATED CROSSING THE RED SEA