Podcasts about Venice

A viral encounter with a bronze sculpture put our host, Madison Beale, in touch with the incomparable interdisciplinary artist Patricia Cronin this year. Today on the Artalogue, Beale sits down down with Cronin to discuss her career trajectory from humble beginnings to a global art world presence as multidisciplinary feminist artist behind Memorial to a Marriage and Shrine for Girls to unpack how a work of art can carry both intimacy and insurgency.Patricia traces her path from a Catholic childhood through the 1990s culture wars, with erotic Polaroids interrogating power, authorship and voyeurism. That same insistence on lived perspective inspired later works, like the three-ton neoclassical embrace installed on her own burial plot to answer legal and physical absence in public space, and three quiet altars in Venice layered with fabrics that invite viewers to better understand how the patriarchy harms us all. Beale and Cronin also face the present head-on: executive orders scaring museum programs into deplatforming artists, show cancellations rippling through the arts in the United States, and the subtler danger of self-censorship in the studio. Cronin shares a clear path for resisting authoritarianism, matching skills to message and building communities that outlast regimes. Patricia Cronin is an interdisciplinary feminist artist that examines issues of gender, sexuality, and social justice. Major bodies of work focus on the international human rights of LGBTQ+ persons, women, and girls, including “Memorial To A Marriage”, the world's first Marriage Equality monument. Cronin's work has been exhibited internationally, with solo exhibitions at institutions including the Tampa Museum of Art, The FLAG Art Foundation, the 56th Venice Biennale, the Brooklyn Museum, and the American Academy in Rome. She has also participated in significant group exhibitions around the world and received  various prestigious awards and fellowships. Cronin's works is collected by numerous museums, including Kelvingrove Art Gallery and Museum, Leslie-Lohman Museum of Gay and Lesbian Art, National Gallery of Art, Perez Art Museum Miami, Smithsonian National Portrait Gallery, Tampa Museum of Art, and Woodlawn Cemetery. She lives and works in Brooklyn, New York.If this conversation moves you, follow the show, share it with a friend who loves art and justice, and leave a review with the artwork that changed your life. Your stories help others find us and keep this community growing. Connect with the Artalogue: Madison Beale, HostBe a guest on The Artalogue Podcast

E & T are back this week catching up about Erica taping a set for Cracked Comedy Club, Teresa performing solo at a Law Firm's corporate gig, publicly putting out your sobriety on social media, and the viral couple who was kicked out of a San Fransisco bar after attacking the staff. The end of the episode features a Patreon Preview. Join the Patreon to support the show and get extra & ad free episodes here OR on Apple & Spotify Podcasts:⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/twostandupgals⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Resources mentioned: 5calls.org - StandwithMinnesota.com - Email your Senators through the contact forms on their websitesPodcast Recs: Pod Save America & I've Had It podcastWatch full episodes on our YouTube Channel Here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@TwoStandUpGalsPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See E & T in WASHINGTON D.C.! FEBRUARY 6th & 7th! Erica will be headlining the D.C. Comedy Loft with Teresa opening Feb 6th & 7th weekend! Get Tickets Here: ⁠https://www.dccomedyloft.com/shows/344043⁠Submit your questions here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twostandupgals@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠E & T GREECE TRIP! Crete, Greece (June 5th-11th, 2026): ⁠⁠⁠⁠⁠⁠⁠https://cretegreecewithericaandteresa.my.canva.site/⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ITALY TRIP! Oct 9th – Oct 17th, 2026 Venice, Florence, & Rome ($175 discount until end of January) Itinerary & sign ups here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://groups.goaheadtours.com/tours/erica-spera-vfsg2026⁠⁠⁠⁠⁠⁠⁠⁠⁠Not interested in Greece or Italy? Take our Travel Survey here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://forms.gle/mYY5Ss7szCowAj2u8⁠⁠⁠⁠⁠⁠⁠⁠⁠

Unlocked after 1 year for patrons only: We trace the struggles of Venice, through conquest, revolution, and depression, to fashion a place for itself in the modern world, to channe We trace the struggles of Venice, through conquest, revolution, and depression, to fashion a place for itself in the modern world, to channel or keep at bay the new floods -- of rising seas, of diseased canals, and of tourist hordes -- and most of all, to somehow square the circle of preservation and modernity. Image: The Palazzo dei Camerlenghi & Rialto Bridge on the Grand Canal in the flood of Nov. 4, 1966 Intro music: Giuseppe Verdi, La Traviata, overture Closing music: Giuseppe Verdi, La Traviata, brindisi / drinking song

There is a point while trying to explain “The Beauty” where the description simply gives up. FBI investigations. Global travel. Corporate greed. A miracle cure. Bodies everywhere, beautiful and horrific. Somewhere in the middle of all that, the sentences collapse, because the show isn't interested in being neat or easily digestible. It wants overload. It wants provocation. It wants you pausing mid-thought and realizing you're not doing it justice.Adapted from the graphic novel and brought to the screen by Ryan Murphy, “The Beauty” imagines a world where physical perfection is contagious. Beauty is a man-made virus, a commodity, and a power source capable of reshaping global economics and personal identity at the same time. The story jumps between Paris, Venice, Rome, New York, and beyond, moving like an espionage thriller while constantly undercutting itself with body horror and satire. The show stars Evan Peters, Rebecca Hall, Ashton Kutcher, Anthony Ramos, Jeremy Pope, and more.READ MORE: ‘His & Hers': Tessa Thompson On Dual Perspectives, THAT Ending, Valkyrie's MCU Return, & ‘Creed 4' [Bingeworthy Podcast]On this episode of Bingeworthy, Peters and Hall talk about what it was like stepping into one of Murphy's boldest creations yet, and why neither of them needed convincing.

It's Carnival time here in Rome, and before you say—why don't you go celebrate in Venice?—you should know that Carnevale originated in Rome. In this week's mini-episode, Tiffany recounts the ancient origins of this raucous pre-Lenten festival, what it was like to take part in Carnival in Rensaissance times, and how it's celebrated today. (Warning: this episode may make you drool.) Places mentioned in this episode: Pasticerria Regoli – Via dello Statuto, 60 (Esquilino) Forno La Renella – Via del Moro, 13 (Trastevere) By the way, don't miss your chance to visit Rome with us, on our intimate Rome listener trip, coming up in fall of 2026. Find out all about it here, or email us for more information! ------------------------------------- COME TO ROME WITH US: Our third annual Bittersweet Life Roman Adventure is in the books! If you'd like to join us in 2026, and be part of an intimate group of listeners on a magical and unforgettable journey to Rome, discovering the city with us as your guides, find out more here. ADVERTISE WITH US: Reach expats, future expats, and travelers all over the world. Send us an email to get the conversation started. BECOME A PATRON: Pledge your monthly support of The Bittersweet Life and receive awesome prizes in return for your generosity! Visit our Patreon site to find out more. TIP YOUR PODCASTER: Say thanks with a one-time donation to the podcast hosts you know and love. Click here to send financial support via PayPal. (You can also find a Donate button on the desktop version of our website.) The show needs your support to continue. START PODCASTING: If you are planning to start your own podcast, consider Libsyn for your hosting service! Use this affliliate link to get two months free, or use our promo code SWEET when you sign up. SUBSCRIBE: Subscribe to the podcast to make sure you never miss an episode. Click here to find us on a variety of podcast apps. WRITE A REVIEW: Leave us a rating and a written review on iTunes so more listeners can find us. JOIN THE CONVERSATION: If you have a question or a topic you want us to address, send us an email here. You can also connect to us through Twitter, Facebook, and Instagram. Tag #thebittersweetlife with your expat story for a chance to be featured! NEW TO THE SHOW? Don't be afraid to start with Episode 1: OUTSET BOOK: Want to read Tiffany's book, Midnight in the Piazza? Learn more here or order on Amazon. TOUR ROME: If you're traveling to Rome, don't miss the chance to tour the city with Tiffany as your guide!

Planning a trip to Venice, Italy and want to go beyond the tourist checklist? In this episode, we're sharing our ultimate Venice travel guide, packed with must-see sights, hidden gems, and local food experiences you don't want to miss. We cover the best things to do in Venice, from iconic landmarks to lesser-known areas, plus our favorite cicchetti crawl—including where to eat in Venice like a local and which bacari are actually worth your time. You'll also hear our honest tips on where to stay in Venice, whether it's your first visit or a return trip. If you're wondering: What are the best things to do in Venice, Italy? Where should you eat in Venice (beyond overpriced tourist traps)? How to have an incredible cicchetti crawl What are Venice's best hidden gems? Which hotels are best to stay in? …this episode has you covered. Whether you're planning a first trip to Venice or looking for fresh ideas for a repeat visit, this Venice destination guide will help you plan a more authentic, delicious, and stress-free trip. Tune in for practical travel tips, foodie recommendations, and everything you need to know before visiting Venice.   Relevant Links (may contain affiliate links, meaning if you make a purchase through these links, we earn a small commission-at no additional cost to you!): -Hotels: -AC Hotel Venezia: https://booking.stay22.com/worldwidehoneymoon/wR053N4vao -Al Mascaron Ridente: https://booking.stay22.com/worldwidehoneymoon/IRp1zeZN6c -Hotel Arlecchino: https://booking.stay22.com/worldwidehoneymoon/xxiOw4O307   -Water Taxi Ticket: https://getyourguide.stay22.com/worldwidehoneymoon/bHMSwqDIeS -VIP Boat Cruise: https://fas.st/t/MpipKTDN -San Marco After Hours Tour: https://fas.st/t/e3ycFNCy -Doge's Palace Ticket (Including Museo Correr Ticket): https://getyourguide.stay22.com/worldwidehoneymoon/oYnYxgUQe7 -Day Trip to Murano/Burano: https://fas.st/t/QnDfjWCw   Things to Do in Venice: -San Marco Square -Doge's Place -Bridge of Sighs at Doge's Palace -Museo Correr -San Marco Basilica (tour linked above) -VIP boat ride in Venice (linked above) -Gondola ride *You can do a quick ride across the Grand Canal for like €2-3 too! -San Pantalon Church to see the Martyrdom and Apotheosis of St Pantalon -Campo Santa Margherita -Leonardo da Vinci La Mostra di Venezia -Palazzo Contarini del Bovolo -Museo di Palazzo Grimani -Ride a Vaporetto -St. Mark's Campanile -Campanile di San Giorgio Maggiore   Where to Eat in Venice: Our cicchetti crawl: -Cantina do Mori -Enoteca al Volto -La Cantina -Vino Vero Other Restaurants:  -Antico Gatoleto Ristorante Pizzeria -Trattoria Agli Artisti -Pasticceria Nobile -Hostaria Osottoosopra -La Lanterna Da Gas   Traveling to France? Check out our Facebook Group called France Travel Tips to ask/answer questions and learn more!   Don't forget to follow along! Instagram: https://www.instagram.com/worldwidehoneymoon Facebook: https://www.facebook.com/worldwidehoneymoon TikTok: https://www.tiktok.com/@worldwidehoneymoon World Wide Honeymoon Blog: https://worldwidehoneymoon.com France Voyager Blog: https://francevoyager.com Subscribe to the World Wide Honeymoon blog here for monthly updates and tips + get our FREE trip planning guide: https://www.subscribepage.com/o4e5c2

Saundra Weddle joins fellow Venetianist Jana Byars to talk about her pathbreaking new release, The Brothel and Beyond: An Urban History of the Sex Trade in Early Modern Venice (Penn State UP, 2026). This book deepens our understanding of women's engagement in urban life through a close study of Venice's sex trade. Centering questions of gender, agency, and mobility, it reveals how sex workers were embedded in the social and spatial fabric of the city. From the fourteenth through the seventeenth centuries, the Venetian government attempted to control commercial sex by segregating it in municipal brothels in Rialto and later by minimizing the public's contact with sex workers, limiting their profits, and cracking down on recruitment. These decentralized efforts proved ineffective, and women who performed this labor lived and worked throughout the city. This book traces the diffusion of sex work from the brothels to the alleys, gondola landings, taverns, bathhouses, and peripheral squares of Venice. Saundra Weddle uses legislation, criminal records, contemporary chronicles, and other archival sources to reconstruct the networks of sex workers, procuresses, clients, landlords, and others who facilitated or profited from their labor. Using maps and photographs of key sites, Weddle demonstrates how the built environment both constrained and enabled women's practices, offering an alternative urban history that foregrounds embodied experiences and vernacular spaces. By assigning new meanings to everyday locations and spatial conditions, this study challenges monument- and elite-centered narratives of Venice and redefines the place of women within its urban history. It will be of interest to scholars of architectural and urban history, women and gender studies, early modern social history, and Italian studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Saundra Weddle joins fellow Venetianist Jana Byars to talk about her pathbreaking new release, The Brothel and Beyond: An Urban History of the Sex Trade in Early Modern Venice (Penn State UP, 2026). This book deepens our understanding of women's engagement in urban life through a close study of Venice's sex trade. Centering questions of gender, agency, and mobility, it reveals how sex workers were embedded in the social and spatial fabric of the city. From the fourteenth through the seventeenth centuries, the Venetian government attempted to control commercial sex by segregating it in municipal brothels in Rialto and later by minimizing the public's contact with sex workers, limiting their profits, and cracking down on recruitment. These decentralized efforts proved ineffective, and women who performed this labor lived and worked throughout the city. This book traces the diffusion of sex work from the brothels to the alleys, gondola landings, taverns, bathhouses, and peripheral squares of Venice. Saundra Weddle uses legislation, criminal records, contemporary chronicles, and other archival sources to reconstruct the networks of sex workers, procuresses, clients, landlords, and others who facilitated or profited from their labor. Using maps and photographs of key sites, Weddle demonstrates how the built environment both constrained and enabled women's practices, offering an alternative urban history that foregrounds embodied experiences and vernacular spaces. By assigning new meanings to everyday locations and spatial conditions, this study challenges monument- and elite-centered narratives of Venice and redefines the place of women within its urban history. It will be of interest to scholars of architectural and urban history, women and gender studies, early modern social history, and Italian studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

This guest episode is part 1 of a two part series! This week I have on my friends Martha, Mari & Daisy. We met through our local run club and today's topic is of course... all about running. We get into what inspired us to start running, their experiences running a marathon and relay race, and give motivational tips in case you are interested in a running journey. Plus, we share a bottle of white wine and I make them taste it like a true connoisseur. Wine Pairing: Trader Joe's Espiral Vinho VerdeIf you loved today's episode feel free to leave me a five star review and don't forget to follow my socials @thechattyfox_ !"Night in Venice" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/Podcast cover art by Angel aka CloudedTheory

Saundra Weddle joins fellow Venetianist Jana Byars to talk about her pathbreaking new release, The Brothel and Beyond: An Urban History of the Sex Trade in Early Modern Venice (Penn State UP, 2026). This book deepens our understanding of women's engagement in urban life through a close study of Venice's sex trade. Centering questions of gender, agency, and mobility, it reveals how sex workers were embedded in the social and spatial fabric of the city. From the fourteenth through the seventeenth centuries, the Venetian government attempted to control commercial sex by segregating it in municipal brothels in Rialto and later by minimizing the public's contact with sex workers, limiting their profits, and cracking down on recruitment. These decentralized efforts proved ineffective, and women who performed this labor lived and worked throughout the city. This book traces the diffusion of sex work from the brothels to the alleys, gondola landings, taverns, bathhouses, and peripheral squares of Venice. Saundra Weddle uses legislation, criminal records, contemporary chronicles, and other archival sources to reconstruct the networks of sex workers, procuresses, clients, landlords, and others who facilitated or profited from their labor. Using maps and photographs of key sites, Weddle demonstrates how the built environment both constrained and enabled women's practices, offering an alternative urban history that foregrounds embodied experiences and vernacular spaces. By assigning new meanings to everyday locations and spatial conditions, this study challenges monument- and elite-centered narratives of Venice and redefines the place of women within its urban history. It will be of interest to scholars of architectural and urban history, women and gender studies, early modern social history, and Italian studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

SummaryIn this episode, Brian and Anthony explore the diverse macro regions of Italy, focusing on the Northeast. They discuss the cultural richness, culinary delights, and travel tips for experiencing Italy beyond the typical tourist destinations. The conversation highlights the importance of understanding local customs, food, and the unique experiences each region offers. They emphasize the value of longer stays to fully immerse in the Italian lifestyle and enjoy the beauty of cities like Venice, Bologna, and Verona.TakeawaysTraveling in Italy requires understanding its diverse regions.The Northeast of Italy offers a unique blend of cultures and experiences.Venice is a major entry point for many travelers to Italy.Exploring lesser-known cities like Padova can enhance the travel experience.Culinary experiences in Italy vary greatly by region.Travelers should consider longer stays to fully enjoy their destinations.The Dolomites provide stunning landscapes and outdoor activities.Bologna is known as the food capital of Italy.Understanding local customs and food can enrich the travel experience.Traveling during off-peak times can lead to a more enjoyable experience.KeywordsItaly, travel, macro regions, Northeast, food culture, Venice, Bologna, Verona, Dolomites, tourismS05E07 Venice at the Crossroads: Where the Alps Beckon the Lagoonhttps://italywithbella.com

Father Casey Jones is a priest of the Diocese of Venice, Florida. He currently serves as the pastor of St. Elizabeth Seton Parish and school in Naples, Florida. In Today's Show: Can a Catholic Mass be said anywhere? How does Fr. Casey deal with homily writer's block? If we never told a priest how many times a mortal sin was committed, do we need to go back to confession? Is it a mortal sin not to do a form of penance on Fridays outside of Lent? Do we need to drink only water while fasting? What curricula would Fr. Casey recommend for children? Why are the Gospels anonymous if eyewitnesses wrote them? Are aliens demons? Advice on returning to confession. What graces should we be asking God for during the Mass? Visit the show page at thestationofthecross.com/askapriest to listen live, check out the weekly lineup, listen to podcasts of past episodes, watch live video, find show resources, sign up for our mailing list of upcoming shows, and submit your question for Father!

From delectable marchpane in Romeo and Juliet, and the herbs of the Merchant of Venice to stew'd prunes of Henry IV, and carving capons in Love's Labour's Lost, there is a wide gambit of meals consumed in Shakespeare's plays that span from bawdy feasts to elite noble banquets, and even popular meals eaten as much to control your behavior as they were seen as nourishment. The details about food found throughout Shakespeare's plays reflect the real foods enjoyed from the peasants to the royalty of Shakespeare's life.   This week we are diving into these delectable delights with food historian and author Sam Bilton, to talk about her latest book, Much Ado About Cooking—which was created in collaboration with Shakespeare's Globe---that allows us to get a literal taste of Shakespeare. Much Ado About Cooking takes Shakespeare's own food references and pairs them with real recipes from his lifetime, then reimagines those recipes for the modern cook so that you can easily make, and eat, food from the life of William Shakespeare. 

Here is Pastor Frank Vargo's sermon on 1/25/26 titled, "Our Undying, Unapproachable, Unseeable God" from 1 Timothy 6:15-16. Freedom Bible Church is a nondenominational church located at 5550 S. Sumter Blvd in North Port, Florida. The name “Freedom” comes from 2 Corinthians 3:17, "Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom." Our desire is to be a God-centered church, not man-centeredFreedom Bible Church is a Bible based church located at 5550 S. Sumter Blvd in North Port, Florida. The name “Freedom” comes from 2 Corinthians 3:17, "Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom." Our desire is to be a God-centered church, not man-centered.Website: https://freedombiblechurch.com/Facebook: https://www.facebook.com/freedombiblepcInstagram: https://www.instagram.com/freedombiblechurchOur church members come from North Port, Wellen Park, West Port, Port Charlotte, Punta Gorda, Venice, and Englewood.

Fluent Fiction - Italian: Mystery in Masks: Unraveling Venice's Hidden Secrets Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-01-25-08-38-20-it Story Transcript:It: Nella nebbia sottile del mattino, una lettera arrivò all'ufficio di Lorenzo.En: In the thin morning fog, a letter arrived at Lorenzo's office.It: L'invito era elegante, decorato con maschere dorate e piume scintillanti.En: The invitation was elegant, decorated with golden masks and shimmering feathers.It: La scritta era piccola, quasi invisibile: "Venezia.En: The writing was small, almost invisible: " Venezia.It: Carnevale.En: Carnevale.It: Segreto nascosto tra maschere e ombre.En: Secret hidden among masks and shadows.It: Risolvilo."En: Solve it."It: Lorenzo, giornalista alle prime armi, alzò il sopracciglio.En: Lorenzo, a rookie journalist, raised an eyebrow.It: La sua curiosità era pungente come il freddo invernale.En: His curiosity was as sharp as the winter chill.It: Aveva bisogno di una grande storia per brillare nel suo giornale.En: He needed a great story to shine in his paper.It: Sfogliò l'invito, cercando un indizio evidente, ma non c'era niente di chiaro.En: He flipped through the invitation, looking for an obvious clue, but there was nothing clear.It: La sera stessa, giunto a Venezia, fu travolto dalla festa del Carnevale.En: That evening, having arrived in Venice, he was swept up by the Carnival festivities.It: L'atmosfera era carica di magia.En: The atmosphere was charged with magic.It: Le calli strette erano gremite di maschere colorate, e il famoso Ponte dei Sospiri risuonava di risate.En: The narrow calli were crowded with colorful masks, and the famous Ponte dei Sospiri echoed with laughter.It: Mentre camminava distrattamente, Lorenzo si scontrò con una donna mascherata.En: As he walked absentmindedly, Lorenzo bumped into a masked woman.It: La maschera nascondeva il viso, ma gli occhi, misteriosi e affascinanti, catturarono i suoi.En: The mask hid her face, but her eyes, mysterious and captivating, caught his.It: Era Giulia, una figura enigmatica, nota in città per il suo amore per enigmi e segreti.En: It was Giulia, an enigmatic figure, known in the city for her love of puzzles and secrets.It: "Devi seguire il percorso nascosto," sussurrò Giulia.En: "You must follow the hidden path," Giulia whispered.It: La sua voce era come un canto, dolce e seducente.En: Her voice was like a song, sweet and seductive.It: Lorenzo era scettico.En: Lorenzo was skeptical.It: "E se fosse uno scherzo?"En: "What if it's a prank?"It: pensò.En: he thought.It: Ma l'idea di perdere una storia importante lo spinse a fidarsi.En: But the idea of missing an important story pushed him to trust.It: Con un cenno d'intesa, seguirono insieme le indicazioni dell'invito.En: With a knowing nod, they followed the directions on the invitation together.It: Attraversarono il labirinto di Venezia.En: They crossed the maze of Venice.It: Ogni angolo, un'allegoria.En: Every corner, an allegory.It: Piazza San Marco brillava sotto la luna invernale.En: Piazza San Marco shone under the winter moon.It: Giulia svelava piccoli segreti, sussurrando ciò che soltanto lei sapeva.En: Giulia unveiled small secrets, whispering things only she knew.It: Infine, giunsero in un luogo nascosto: un palazzo antico, avvolto dal silenzio.En: Finally, they reached a hidden place: an ancient palace, wrapped in silence.It: Lì, il messaggio dell'invito diventò chiaro.En: There, the message of the invitation became clear.It: Un gruppo d'élite stava orchestrando un complotto per appropriarsi di beni storici veneziani.En: An elite group was orchestrating a plot to seize Venetian historical assets.It: La maschera copriva i volti, ma non le intenzioni.En: The mask covered faces, but not intentions.It: Lorenzo, con occhi spalancati, capì la gravità del suo scoop.En: Lorenzo, with eyes wide open, understood the gravity of his scoop.It: Un grande scandalo da riportare.En: A big scandal to report.It: Ma c'era di più.En: But there was more.It: La collaborazione con Giulia gli aveva insegnato il valore della fiducia.En: The collaboration with Giulia had taught him the value of trust.It: Alla fine, seduti tra le ombre, Lorenzo propose a Giulia di raccontare insieme la storia.En: In the end, sitting among the shadows, Lorenzo proposed to Giulia to tell the story together.It: "Ogni storia ha più voci," disse sorridendo.En: "Every story has more voices," he said with a smile.It: Lei acconsentì con un cenno, e il suono delle campane del Carnevale riempì l'aria, accarezzando la nuova alleanza nata tra maschere e verità.En: She agreed with a nod, and the sound of Carnival bells filled the air, embracing the new alliance born between masks and truth.It: Lorenzo, arricchito da questa esperienza, ripartì da Venezia con una storia incredibile e una lezione preziosa.En: Lorenzo, enriched by this experience, left Venice with an incredible story and a valuable lesson.It: La fiducia, come il Carnevale, può nascondere misteri che solo insieme si possono risolvere.En: Trust, like the Carnival, can hide mysteries that only together can be unraveled. Vocabulary Words:the fog: la nebbiathe invitation: l'invitogolden: dorateshimmering: scintillantialmost invisible: quasi invisibilethe journalist: il giornalistathe eyebrow: il sopraccigliocuriosity: la curiositàthe chill: il freddothe clue: l'indiziothe festivities: la festathe atmosphere: l'atmosferanarrow: strettecrowded: gremitethe laughter: le risateabsentmindedly: distrattamenteto bump into: scontrarsi conthe mask: la mascheramysterious: misteriosicaptivating: affascinantienigmatic: enigmaticapuzzles: enigmithe path: il percorsoseductive: seducentesceptical: scetticoto trust: fidarsithe maze: il labirintothe allegory: l'allegoriato whisper: sussurrarethe plot: il complotto

...in which we head south over a snowy Dunmail Raise to immerse ourselves in the world of Arts and Crafts at Blackwell. In the company of Niall Hodson, Keeper of Collections at Lakeland Arts, we start our conversation taking a long view over wintry Windermere and the context in which the Arts & Crafts movement emerged – the rise of mass production in the Victorian age. Paying homage to John Ruskin – over the hill in Coniston – we consider the polymath visionary's founding contribution to a movement that encompassed social justice, art and architecture, and the impact of his iconic treatise The Stones of Venice that called for traditional craftsmanship, simplicity and the use of natural materials in everything from furniture to buildings. Entering Blackwell, we are immersed in the movement made real, with immaculately detailed stonework, wood carvings, floor tiles, stained glass and wallpaper showcasing the creative talents of dozens of local craftspeople, all designed into a coherent rural retreat for the wealthy Holt family of Manchester. Wandering through room after enchanting room, we meet two more key figures whose lives are intertwined with the house: William Morris – the revolutionary designer, craftsman, social activist, and founder of Morris & Co – and Blackwell architect Mackay Hugh Baillie Scott, whose extraordinary vision gave rise to one of Lakeland's finest, and most eccentric, houses. In divers quickfire ramblings that take in pubs, breweries and stag do's, we proceed into Blackwell's recent past, and its second life as an evacuees' boarding school, before closing by considering the legacy of one of the country's most important arts movements – as relevant as ever in the age of AI. Blackwell is open from now until 31 March: Monday – Saturday 10am – 4pm, then 1 April – 31 October: Monday to Saturday 10am – 5pm. The house is currently exhibiting 'Frances Priest Motif | Line | Colour' until 11 April, 2026. Explore the ceramic work of celebrated Edinburgh-based artist Frances Priest in an exhibition tracing 25 years of her artistic work. More about Blackwell can be found at: lakelandarts.org.uk/blackwell/

Fluent Fiction - Italian: A Venetian Journey: Memories, Love, & New Beginnings Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-01-23-08-38-20-it Story Transcript:It: Luca e Martina camminavano fianco a fianco attraverso Piazza San Marco.En: Luca and Martina walked side by side through Piazza San Marco.It: L'aria invernale era fresca, e piccole gocce di pioggia cadevano dolcemente attorno a loro.En: The winter air was crisp, and small raindrops gently fell around them.It: Le maschere colorate si affacciavano dalle vetrine dei negozi, promesse silenziose del prossimo Carnevale.En: Colorful masks peeked from store windows, silent promises of the upcoming Carnevale.It: "Luca, guarda!En: "Luca, look!It: È qui che papà ci portava a prendere il gelato," disse Martina con un sorriso nostalgico.En: This is where dad used to take us to get ice cream," said Martina with a nostalgic smile.It: I suoi occhi brillavano mentre indicava un piccolo caffè accanto alla piazza.En: Her eyes shone as she pointed to a small café next to the square.It: "Ricordo," rispose Luca, il tono calmo, quasi distaccato.En: "I remember," replied Luca, his tone calm, almost detached.It: "Papà adorava quel gelato al pistacchio."En: "Dad loved that pistachio ice cream."It: Giulia, la loro madre, camminava un passo dietro di loro, osservando i figli con occhi pieni di amore e comprensione.En: Giulia, their mother, walked a step behind them, watching her children with eyes full of love and understanding.It: Per un momento, il dolore della perdita sembrava dissiparsi con il dolce ricordo delle giornate passate.En: For a moment, the pain of loss seemed to dissipate with the sweet memory of past days.It: Luca era concentrato sul compito pratico che li aveva portati a Venezia: occuparsi del testamento del padre.En: Luca was focused on the practical task that had brought them to Venice: handling their father's will.It: Tendendo il foglio tra le mani, sentiva il peso della responsabilità.En: Holding the paper in his hands, he felt the weight of responsibility.It: Tuttavia, vedendo Martina così immersa nei ricordi, decise di mettere da parte i documenti.En: However, seeing Martina so immersed in memories, he decided to set the documents aside.It: "Martina, facciamo come facevamo una volta: esploriamo la città," propose, cercando di allentare la tensione tra loro.En: "Martina, let's do as we used to: explore the city," he proposed, trying to ease the tension between them.It: Martina annuì, riconoscente per il gesto del fratello.En: Martina nodded, grateful for her brother's gesture.It: "Mi piacerebbe."En: "I would like that."It: Dopo aver vagato per le strette calli, la famiglia trovò un gondoliere disponibile.En: After wandering through the narrow calli, the family found an available gondolier.It: Saliti sulla gondola, la maestosa serenità della Laguna di Venezia li avvolse.En: Once on the gondola, the majestic serenity of the Lagoon of Venice enveloped them.It: L'acqua tranquilla rifletteva il cielo grigio, mentre il gondoliere navigava silenziosamente tra i canali.En: The calm water reflected the gray sky as the gondolier silently navigated through the canals.It: "Davvero mi manca," Martina confessò all'improvviso, la voce tremante.En: "I really miss him," Martina suddenly confessed, her voice trembling.It: Luca, per una volta, depose la facciata riservata.En: Luca, for once, dropped his reserved facade.It: "Anche a me, sorella," ammise, permettendosi di mostrare il dolore che aveva trattenuto.En: "Me too, sister," he admitted, allowing himself to show the sorrow he had been holding back.It: Giulia ascoltava in silenzio, lasciando che i suoi figli condividessero il peso che avevano portato in modi così diversi.En: Giulia listened in silence, letting her children share the burden they carried in such different ways.It: "Vostro padre sarebbe così fiero di voi," disse infine, cercando di offrire conforto.En: "Your father would be so proud of you," she finally said, trying to offer comfort.It: Dopo la gondola, si ritrovarono seduti in un piccolo caffè tranquillo.En: After the gondola ride, they found themselves seated in a small, quiet café.It: L'atmosfera era accogliente, e il profumo del caffè riempiva l'aria.En: The atmosphere was cozy, and the aroma of coffee filled the air.It: Giulia aprì una piccola scatola di legno che aveva portato con sé.En: Giulia opened a small wooden box she had brought with her.It: Dentro, c'erano due piccoli ciondoli.En: Inside were two small pendants.It: "Questi sono per voi," disse dolcemente.En: "These are for you," she said softly.It: "Suo modo di dirvi che vi sarà sempre vicino."En: "His way of telling you he will always be close."It: Luca prese il suo e lo strinse forte, sentendo per la prima volta un sollievo.En: Luca took his and held it tightly, feeling relief for the first time.It: Martina, guardando il ciondolo, lasciò scendere una lacrima, ma con un sorriso dolce.En: Martina, looking at the pendant, let a tear fall, but with a sweet smile.It: "Sai," disse Luca a Martina, "forse il migliore ricordo è proprio qui, ora."En: "You know," Luca said to Martina, "perhaps the best memory is right here, right now."It: Martina annuì, trovando un nuovo senso di pace.En: Martina nodded, finding a new sense of peace.It: I tre, seduti insieme, sentirono che il legame familiare era più forte che mai, mentre il tempo scorreva dolcemente in una Venezia che continuava la sua vita, testimone di momenti infiniti di amore e memoria.En: The three of them, sitting together, felt that their family bond was stronger than ever, as time gently flowed in a Venice that continued its life, witness to endless moments of love and memory. Vocabulary Words:the square: la piazzacrisp: frescaraindrops: gocce di pioggiaupcoming: prossimonostalgic: nostalgicoshone: brillavanocalm: calmodetached: distaccatopain: il doloreloss: la perditatask: il compitowill: il testamentoresponsibility: la responsabilitàtension: la tensionenarrow: strettethe gondolier: il gondoliereenveloped: avvolsesorrow: il doloreburden: il pesocomfort: il confortoride: la corsaatmosphere: l'atmosferaaroma: il profumobox: la scatolapendants: i ciondolirelief: il sollievotear: la lacrimabond: il legamewitness: il testimonemoments: i momenti

Fluent Fiction - Italian: Lost in the Magic: A Carnival Adventure in Venice Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-01-23-23-34-02-it Story Transcript:It: Le luci colorate danzavano nei riflessi del Canal Grande mentre le maschere di carnevale trasformavano Venezia in un misterioso teatro vivente.En: The colored lights danced in the reflections of the Canal Grande while the carnival masks transformed Venezia into a mysterious living theater.It: Giulia sentiva l'eccitazione crescere nel suo cuore.En: Giulia felt the excitement growing in her heart.It: Finalmente, il Carnevale di Venezia!En: Finally, the Carnevale di Venezia!It: Aveva sempre sognato di immergersi in questo mondo di fantasia e mistero.En: She had always dreamed of immersing herself in this world of fantasy and mystery.It: "Giulia, stai attenta," disse Marco, aggiustando il cappello.En: "Giulia, be careful," said Marco, adjusting his hat.It: "È facile perdersi qui."En: "It's easy to get lost here."It: Giulia sorrise.En: Giulia smiled.It: "Non ti preoccupare, Marco.En: "Don't worry, Marco.It: È l'avventura che cerco!" rispose.En: It's the adventure I seek!" she replied.It: Accanto a loro, le stradine erano affollate di persone.En: Next to them, the narrow streets were crowded with people.It: Giulia si sentiva come una bambina in un mondo magico.En: Giulia felt like a child in a magical world.It: Poi videro Lorenzo.En: Then they saw Lorenzo.It: La sua mascherina dorata brillava sotto le luci; il suo costume era elegante e affascinante.En: His golden mask shone under the lights; his costume was elegant and captivating.It: "Vieni, seguimi." disse lui, con un sorriso enigmatico.En: "Come, follow me," he said, with an enigmatic smile.It: Marco tentennò.En: Marco hesitated.It: "Forse dovremmo restare insieme…" cominciò, ma Giulia era già incantata dall'atmosfera misteriosa di Lorenzo.En: "Maybe we should stick together..." he began, but Giulia was already enchanted by the mysterious aura of Lorenzo.It: "Portami nella vera magia del Carnevale," implorò Giulia, i suoi occhi pieni di desiderio di esplorare.En: "Take me to the true magic of the Carnival," implored Giulia, her eyes full of a desire to explore.It: Marco sospirò, sapendo di non poterla contenere.En: Marco sighed, knowing he couldn't hold her back.It: Con Lorenzo come guida, Giulia si perse tra le calli e i campielli.En: With Lorenzo as their guide, Giulia got lost among the alleys and small squares.It: I suoni della città erano musica vivente: il rumore dei passi sul ciottolato, i sussurri di maschere vicine, e il lontano suono di una fisarmonica.En: The sounds of the city were a living music: the clatter of footsteps on the cobblestones, the whispers of nearby masks, and the distant sound of an accordion.It: Improvvisamente, Lorenzo si fermò davanti a una porta incastonata in un palazzo dai colori pastello.En: Suddenly, Lorenzo stopped in front of a door set in a pastel-colored palace.It: "Questo è il ballo segreto," disse.En: "This is the secret ball," he said.It: Prese una maschera da uno dei suoi taschini e la porse a Giulia.En: He took a mask from one of his pockets and handed it to Giulia.It: Con la maschera d'argento sul volto, entrò in un mondo incantato.En: With the silver mask on her face, she entered an enchanted world.It: La sala era illuminata da candelabri e adornata con fiori.En: The hall was illuminated by chandeliers and adorned with flowers.It: Le persone danzavano elegantemente, ognuno un personaggio in un sogno vivente.En: People danced elegantly, each one a character in a living dream.It: Giulia sentì lo spirito del Carnevale avvolgerla completamente.En: Giulia felt the spirit of the Carnival completely envelop her.It: Nel frattempo, Marco, lasciato al suo ritmo, si ritrovò a una festa spontanea in un piccolo campo.En: Meanwhile, Marco, left to his own pace, found himself at a spontaneous party in a small courtyard.It: La musica era allegra e i locali lo invitarono a ballare.En: The music was cheerful, and the locals invited him to dance.It: Per la prima volta, Marco si lasciò andare.En: For the first time, Marco let go.It: Il mattino successivo, quando il sole dipinse la laguna di oro, Giulia tornò a trovare Marco.En: The next morning, when the sun painted the lagoon gold, Giulia returned to find Marco.It: Era piena di racconti e Marco di risate.En: She was full of stories, and Marco full of laughter.It: "Mi sono divertito," ammise Marco con un sorriso sincero.En: "I had fun," admitted Marco with a sincere smile.It: "Forse avevi ragione."En: "Maybe you were right."It: Giulia rise, felice di aver scoperto la magia del Carnevale e di aver condiviso questo cambiamento con suo cugino.En: Giulia laughed, happy to have discovered the magic of the Carnival and to have shared this change with her cousin.It: La loro avventura a Venezia, tra maschere e musiche, lasciò un segno che mai avrebbero dimenticato.En: Their adventure in Venezia, among masks and music, left a mark they would never forget.It: Entrambi impararono a seguire il flusso della vita, ad abbracciare l'ignoto e a godere dei momenti inaspettati.En: Both learned to go with the flow of life, to embrace the unknown, and to enjoy unexpected moments.It: E così, la città dei canali consegnò loro una esperienza che cambiò per sempre il loro modo di vedere il mondo.En: And so, the city of canals gave them an experience that forever changed their way of seeing the world. Vocabulary Words:the reflections: i riflessithe mask: la mascheramysterious: misteriosothe excitement: l'eccitazioneto immerse: immersersithe adventure: l'avventurathe narrow streets: le stradinethe costume: il costumecaptivating: affascinantethe aura: l'atmosferato implore: implorarethe alley: la callethe square: il campiellothe whispers: i sussurrithe accordion: la fisarmonicathe door: la portathe palace: il palazzopastel-colored: dai colori pastellothe ball: il ballothe pocket: il taschinoenchanted: incantatothe hall: la salathe chandelier: il candelabroto adorn: adornareto envelop: avvolgerespontaneous: spontaneathe courtyard: il campocheerful: allegrato let go: lasciarsi andareunexpected: inaspettati

What if the Renaissance wasn't a rebirth at all, but a survival strategy dressed in marble and Latin? We sit down with historian and novelist Ada Palmer to unwind the stories that turned a chaotic, war-ridden Italy into a “golden age” and explore why those stories still shape our politics, schools, and museums. Ada shows how nineteenth-century nationalism carved custom Renaissances for each country, how rulers redefined legitimacy as “having Roman stuff,” and why art, libraries, and Latin became tools of intimidation in a Europe full of insecure thrones.Step inside Florence with a visiting envoy and feel how a courtyard of emperor busts, a child reciting Greek, and a bronze that looks alive can flip alliances overnight. Follow the printing press not as a spark but as a response to a library boom, amplified by Venice's trade networks and the first book fairs. Track how Europe exported “no columns, no culture” across empires, pushing colonized elites to argue their rights in Ciceronian Latin because that was the only language of power the conquerors respected. And watch the myth of superiority assemble itself, piece by piece, into a worldview that still colors public debate.Ada also challenges the feel-good claim that destruction breeds creation. Michelangelo's own letters describe years lost to stress and war; peace and stability, not crisis, are what grow output and invention. Think of history as a river: trickles, leaf-widths, canoe-widths, all real beginnings depending on what you measure. Along the way, we touch on Machiavelli's brutal eyewitness era, the Ottoman refusal to play a game Italy would always win, and the practical mechanics of censorship—past and present—that rarely resemble Orwell.If you're ready to rethink the Renaissance, question neat timelines, and see how propaganda becomes common sense, this conversation will give you new lenses. Subscribe, share with a friend who loves history myths, and leave a review with the one “truth” about the past you're now willing to revisit.Send us a text Musis by Bitterlake, Used with Permission, all rights to BitterlakeSupport the showCrew:Host: C. Derick VarnIntro and Outro Music by Bitter Lake.Intro Video Design: Jason MylesArt Design: Corn and C. Derick VarnLinks and Social Media:twitter: @varnvlogblue sky: @varnvlog.bsky.socialYou can find the additional streams on YoutubeCurrent Patreon at the Sponsor Tier: Jordan Sheldon, Mark J. Matthews, Lindsay Kimbrough, RedWolf, DRV, Kenneth McKee, JY Chan, Matthew Monahan, Parzival, Adriel Mixon, Buddy Roark, Daniel Petrovic,Julian

In this episode of Venice Talks, Monica Cesarato sits down with Matteo Seguso, Murano glass engraver, to explore the world of engraved glass, craftsmanship, and time.The conversation moves inside the workshop and the gesture. We talk about engraving as a language, about the discipline of the hand, and about what it means to carry a centuries-old craft into the present without turning it into nostalgia.From Murano to the international stage, this episode reflects on tradition as a living practice, on the responsibility of making by hand today, and on why glass, when worked slowly, still has stories to tell.Key NotesMurano glass engraving and its role todayWorking glass by hand: time, discipline, and precisionTradition as a living, evolving practiceCraftsmanship versus mass productionThe relationship between material, gesture, and identityTeaching and passing on knowledgeThe future of handmade work in a fast, digital world

E & T are back this week in studio talking all about the 2026 Golden Globes! Recapping their favorite moments from Nikki Glaser's monologue, the iconic Wanda Sykes, what they would change about award shows, their thoughts on the new podcast category, who they think should be nominated for best stand-up comedy special, and more. The end of the episode features a Patreon Preview. Join the Patreon to support the show and get extra & ad free episodes here OR on Apple & Spotify Podcasts:⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/twostandupgals⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch full episodes on our YouTube Channel Here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@TwoStandUpGalsPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See E & T in WASHINGTON D.C.! FEBRUARY 6th & 7th! Erica will be headlining the D.C. Comedy Loft with Teresa opening Feb 6th & 7th weekend! Get Tickets Here: https://www.dccomedyloft.com/shows/344043Submit your questions here: ⁠⁠⁠⁠⁠⁠⁠⁠Twostandupgals@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠E & T GREECE TRIP! Crete, Greece (June 5th-11th, 2026): ⁠⁠⁠⁠⁠⁠https://cretegreecewithericaandteresa.my.canva.site/⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ITALY TRIP! Oct 9th – Oct 17th, 2026 Venice, Florence, & Rome ($175 discount until end of January) Itinerary & sign ups here: ⁠⁠⁠⁠⁠⁠⁠⁠https://groups.goaheadtours.com/tours/erica-spera-vfsg2026⁠⁠⁠⁠⁠⁠⁠⁠Not interested in Greece or Italy? Take our Travel Survey here: ⁠⁠⁠⁠⁠⁠⁠⁠https://forms.gle/mYY5Ss7szCowAj2u8⁠⁠⁠⁠⁠⁠⁠⁠

Dave Rubin of "The Rubin Report" talks about "Shark Tank's" Kevin O'Leary telling Fox News' Will Cain why the exposing of the massive fraud in California will quickly end Gavin Newsom's political career and 2028 election chances; Elon Musk and Palantir co-founder Joe Lonsdale sharing the biggest tell that someone is committing fraud; Donald Trump announcing his renewed push to investigate Ilhan Omar for her possible involvement in the Minnesota fraud scandal enveloping the Somali community, so that she can be deported; Don Lemon getting in over his head for his involvement in an anti-ICE protest in a Minneapolis church; Don Lemon's man-on-the-street interview blowing up in his face after he attempted to tell people that coming to America illegally was not a crime; Thomas Sowell giving the cold facts about the dangers of too much immigration; and much more. WATCH the MEMBER-EXCLUSIVE segment of the show here: https://rubinreport.locals.com/ Check out the NEW RUBIN REPORT MERCH here: https://daverubin.store/ ---------- Today's Sponsors: Noble Gold Investments - Whether you're looking to roll over an old 401(k) into a Gold IRA or you want physical gold delivered right to your home Noble Gold makes the process simple. Download the free wealth protection kit and open a new qualified account and get a FREE 10-ounce Silver Flag Bar plus a Silver American Eagle Proof Coin. Go to http://DaveRubinGold.com Venice.Ai - Use Ai that doesn't spy on you or censor the AI. Ai is valuable and you shouldn't need to give up your privacy to use it. Go to https://venice.ai/dave and use code DAVE to get 20% off a pro plan and enjoy private, uncensored AI. Prolon - Prolon's Fasting Mimicking Diet is a revolutionary, plant-based nutrition program that nourishes the body while keeping it in a fasting state. Prolon is offering 15% off their 5-day nutrition program for your post-holiday glow-up. Go to: http://ProlonLife.com/DAVE

This week's podcast episode is a re-release from two years ago, but the story it tells remains timeless. It explores the deep roots of Carnival in Verona, why gnocchi are inseparable from the celebration, what locals eat and drink during Carnival season, what else to see while you're in town, and how easy it is to pair Verona with a quick day trip to nearby Venice. When people think of Verona, the first images are often Shakespearean: Romeo and Juliet, the small balcony in the historic center, and the romance that clings to the city's stones. Others think immediately of wine—Valpolicella, Amarone, Soave—some of the Veneto's most celebrated bottles produced just beyond the city. But every winter, another identity takes center stage. Carnival in Verona transforms the city into a living expression of history, food, and neighborhood pride, and it does so earlier and longer than most Carnival celebrations in Italy.

[The images referred to in this talk can be found at https://www.stpauls.co.uk/sites/default/files/2026-01/2025%20-%207%20Dec%20St%20Pauls%20UNDERHILL%20SLIDES.pdf] Evelyn Underhill is best known as a theologian, mystic, and spiritual director – remembered by the Church each year on the 15th June. In the 1900s, long before her fame, she travelled extensively in Italy and France, painting, drawing and writing as she journeyed to glorious cathedrals, rural churches, and historic museums. Marking the 150th anniversary year of her birth, this event explores her lesser-known art and writing. The Revd Ayla Lepine will guide us on a pilgrimage with Underhill as a companion through the sacred art and architecture of Chartres, Amiens, Assisi, Siena, Venice, and beyond. The Revd Dr Ayla Lepine is Associate Rector at St James's Church, Piccadilly, before which she was Ahmanson Fellow in Art and Religion at the National Gallery. She has a PhD in art history from the Courtauld Institute of Art and her book 'Women, Art, God' will be published in 2026. She is a trustee of Art and Christianity, a Visiting Scholar at Sarum College in Spirituality and the Imagination, and a member of the St Paul's Cathedral Visual Arts Committee.

Here is Assoc. Pastor Nathanael Vargo's sermon on 1/18/26 titled, "Death to Hypocrisy" from Acts 5:1-11. Freedom Bible Church is a nondenominational church located at 5550 S. Sumter Blvd in North Port, Florida. The name “Freedom” comes from 2 Corinthians 3:17, "Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom." Our desire is to be a God-centered church, not man-centeredFreedom Bible Church is a Bible based church located at 5550 S. Sumter Blvd in North Port, Florida. The name “Freedom” comes from 2 Corinthians 3:17, "Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom." Our desire is to be a God-centered church, not man-centered.Website: https://freedombiblechurch.com/Facebook: https://www.facebook.com/freedombiblepcInstagram: https://www.instagram.com/freedombiblechurchOur church members come from North Port, Wellen Park, West Port, Port Charlotte, Punta Gorda, Venice, and Englewood.

On episode 327 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, AwardsWatch Associate Editor Sophia Ciminello, and AwardsWatch contributor Josh Parham to discuss their final Oscar nomination predictions for the 98th Academy Awards coming this week on January 22. It's been a long run of this phase of awards season, which truly starts all the way back at the Sundance Film Festival last January, where potential contenders debut, to summer blockbuster, big Christmas releases, and the critics awards, guild awards, Golden Globes and our gut instincts guide us to where we land today. From One Battle After Another to Sinners to Hamnet, and the abundance of international contenders from Cannes and Venice like Sentimental Value, It Was Just an Accident, The Secret Agent, No Other Choice and more, we find some categories eerily settled on (like Supporting Actor) but more with so many possibilities and variables who knows who's going to get it right. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen to it on our AwardsWatch YouTube page. This podcast runs 3h10m. We will be back next week to give our reactions to the 2026 Oscar nominations. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Writer and editor Mason Currey on what artists' routines can teach us about focus, discipline, procrastination, and building a sustainable creative life.You'll learn:What led Mason to writing, and the early pressures that shaped his relationship with the work.Why he started Daily Routines as a side project, and what he was trying to solve with it.The moment the blog went viral, and what changed when an audience arrived.What it took to turn a quote-collecting blog into a book, including the research and structure behind it.Why routines work best when they're personal and flexible rather than prescriptive.Ideas for protecting your best hours, including Nicholson Baker's “double morning.”The difference between physical routine and creative routine, and why both matter.A realistic way to design an hour of writing, including what to do when “nothing happens.”What Worm Zooms are, and why “small progress” can be a powerful creative philosophy.The question underneath every routine: how artists make time for the work while paying the bills.Resources and Links:

E & T are back this week talking about Sober January and Teresa hitting her 100 day sober streak! The gals also talk about their New Year Resolutions, a new sober club in NYC, prepping for NYE fun and gigs, how to not fall for the dopamine rush from shopping, getting hit on by Uber drivers, and male Uber drivers suing for sexual discrimination over a female driver only filter. The end of the episode features a Patreon Preview. Join the Patreon to support the show and get extra & ad free episodes here OR on Apple & Spotify Podcasts:⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/twostandupgals⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See Erica & Teresa perform LIVE in NYC at Gotham Comedy Club Tuesday Jan 20th! Discount Code: 5NKMT Tickets here: ⁠https://www.showclix.com/event/natalie-kate-moss-trust-benefit⁠Watch full episodes on our YouTube Channel Here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@TwoStandUpGalsPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Submit your questions here: ⁠⁠⁠⁠⁠⁠⁠Twostandupgals@gmail.com⁠⁠⁠⁠⁠⁠⁠E & T GREECE TRIP! Crete, Greece (June 5th-11th, 2026): ⁠⁠⁠⁠⁠https://cretegreecewithericaandteresa.my.canva.site/⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We only have a few spots left and may add another group for a different week! Fill out the form if you'd like to receive the info: ⁠⁠⁠⁠⁠https://forms.gle/bNcNaVpC81onJx8VA⁠⁠⁠⁠⁠ITALY TRIP! Oct 9th – Oct 17th, 2026 Venice, Florence, & Rome, ($100 discount until end of December) Itinerary & sign ups here: ⁠⁠⁠⁠⁠⁠⁠https://groups.goaheadtours.com/tours/erica-spera-vfsg2026⁠⁠⁠⁠⁠⁠⁠Not interested in Greece or Italy? Take our Travel Survey here: ⁠⁠⁠⁠⁠⁠⁠https://forms.gle/mYY5Ss7szCowAj2u8⁠⁠⁠⁠⁠⁠⁠

I have been selling direct to the consumer in the wine trade for over 35 years. The industry certainly is not what it was; in some ways, better, in other ways,  not so much. I've seen it all...well, at least most of it.  The month and year I started with the Original Wine of the Month Club, my father was featuring a Romanian wine; mind you, Romania was still under Soviet rule. In this episode, I speak with Dr. Marinella Ardelean, expert on Romanian wine. I have to tell you, having Marinella Ardelian on the show took me back, and not just because she reminded me that the first Romanian wine I ever sold—way back in 1989—was a $2.50 Sauvignon Blanc from a winery called Premiat. There's something poetic about opening an episode by unearthing an old newsletter my late father wrote about that wine, especially since it was the same month I joined the family business. Wine really does have a way of sharpening your memory. The nose, the flavor, even the price tag—they stick with you. The conversation started with that kind of serendipity, but Marinella Ardelian quickly brought us to the present. She's based in Venice, waves the flag for Romanian wine, and has this bright, unfussy way of making big topics feel accessible. I love guests like that—insightful without being pedantic, and uncannily good at weaving personal experience into global perspectives. Right off the bat, she fine-tuned the narrative: Romanian wine doesn't need to come "back" to the world stage, it needs to stand in the spotlight it deserves, shoulder to shoulder with France and Italy. I'll admit, I never would've guessed Romania is now in the top six worldwide for vineyard acreage—and domestically, folks there are still drinking 30 liters a year! Sure, the numbers dance around a bit, but the underlying story is about a country with real wine culture. We spent a little time reminiscing about the communist days, when the government controlled everything and Vinexport was king. But the part that struck me most was her clear-eyed take on why Romanian wine isn't chasing the bottom shelf in America. "Romanian wines are not cheap," Marinella Ardelian declared, and she meant it. With high domestic demand and only a sliver of production exported, those who do ship overseas bring quality, not just volume. She's keen on stories and education—Romanian wine, she said, needs context, not just curiosity. This segued beautifully into the broader question of how a wine region markets itself. Marinella Ardelian made a compelling case: you can't just sell the wine, you have to sell the country. Romanian wine, for her, is inseparable from Transylvanian castles, farm-to-table food, and the dramatic scenery. I found that refreshing. Too often, we get obsessed with varietals and forget there's a living culture behind every label. She also explained that since the fall of communism in 1989, a whole generation of winemakers has embraced indigenous grapes like Fetească Neagră—known as the "Black Maiden"—with all the finesse of Pinot Noir and the spice of Syrah. That's the kind of local color I live for. And with the second generation now taking the reins and forming actual cooperatives (something even Armenia, my ancestral homeland, struggles with), you can sense something big is building. Wine tourism, she told me, is finally taking off in Romania. Visitors can ride horses, hunt mushrooms, and sip estate wines in places that wouldn't be out of place in Bordeaux or Barolo. That's the future—experience, narrative, and authenticity. If there's a takeaway, it's that Romanian wine is at a crossroads, one foot in ancient soil, the other in the modern world. Marinella Ardelian has a vision for both—and I left our conversation convinced it's only a matter of time before the rest of the world catches on. I can't wait to revisit this story in a few years and see how far it's come.   Apple: https://podcasts.apple.com/us/podcast/wine-in-romania-meet-the-expert-and-wine/id1462215436?i=1000647229708 Spotify: https://open.spotify.com/episode/2kiWrgS5fH8p85I6iS6Gnp?si=McZCVWPEQ6W9T-3jfGGMCQ Wine Talks: https://www.winetalkspodcast.com/wine-in-romania-meet-the-expert-and-wine-comtessse-marinela-ardelean/  

As the British Museum opens Hawaiʻi: a kingdom crossing oceans, Ben Luke takes a tour of the exhibition with the museum's head of Oceania, Alice Christophe. We also hear about the museum's fresh approach to the stewardship of its collection of Hawaiian objects and materials. In Venice, one of the most famous palazzi on the Grand Canal, the Ca' Dario, is up for sale and we discuss the building, its history and its supposed curse with the founder of The Art Newspaper and former chair of the Venice in Peril charity, Anna Somers Cocks. And this episode's Work of the Week is Bathtub (1961-87), a late work made by Joseph Beuys, cast in bronze after his death in 1986. It is at the centre of a new show of Beuys's work at the Thaddaeus Ropac gallery in London, and I speak to Thaddaeus Ropac about the sculpture and its long journey to completion.Hawaiʻi: a kingdom crossing oceans, British Museum, London, until 25 May 2026.Joseph Beuys: Bathtub for a Heroine, Thaddaeus Ropac, London, until 21 March. Hosted on Acast. See acast.com/privacy for more information.

Strangers When We Meet is a street portrait project built as much on conversation as photography. In it, Tim Allen approaches people he has never met, talks with them, and then makes their portrait. Beneath that simple exchange sits a longer story about family influence and a decision to move his life to the town where he now photographs its people. The family thread isn't about cameras being passed down, but about a father who could talk to anyone, and how that way of meeting the world found its way into the work. We talk about Tim's book, Strangers When We Meet, published to raise funds for St Michael's Hospice, and his return to Artisans, a project documenting people who make things for a living. From the mailbag: Glenn Sowerby has been making street pictures at big-city football matches. Chris Hughes reckons he may already have made his one big picture for 2026, just days into the year, and Jeff Smeraldo is deep into proper family photographic history. Also today Valérie Jardin returns for the first of our monthly TEACH ME STREET features and she shares news about We are Minnesota, plus there's an invitation to come to Scotland in 2026 and further afield to India, Mongolia and Venice. Read more about our photographic adventures on our photography travel website, The Journey Beyond. Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily. WHY: A Sketchbook of Life is available here.

This episode features Tommaso, a vineyard consultant whose career spans from Venice and Montalcino to Burgundy, Bordeaux, and other renowned wine regions. Tommaso discusses his background in viticulture, the technical aspects of working in different European vineyards, and how he manages various grape varieties and regional challenges. The conversation highlights real-world issues such as vineyard management, adapting to climate change, and the critical decisions involved in harvest timing and vine care. A significant part of the discussion focuses on the curretage technique, a method for removing diseased wood from vines using specialized tools. Tommaso explains the origins of this approach, how it is applied in European vineyards, and its role in combating trunk diseases. The episode also covers Tommaso's work as a viticultural consultant specializing team training for vineyard surgery, adapting vineyard design to environmental pressures, and practical steps for maintaining vine health. This episode is well-suited for listeners interested in the technical and operational side of vineyard management.

Venice never stands still. It simply changes rhythm.In this episode of Venice Talks, Monica Cesarato sits down with Romena Brugnerotto to walk through Venice's 2026 cultural calendar, one month at a time. From the first signs of Carnival to the quiet glow of Christmas, this conversation follows the city as it moves through exhibitions, festivals, celebrations, and shared rituals.No lists to memorise, no pressure to see everything. Just a clear, human overview of what will shape Venice in 2026, told through events that matter and moments that define the year.Whether you live in Venice, return to it often, or are planning your next visit, this episode is an invitation to listen closely and choose your own season.Key NotesHow Carnival opens the cultural year in VeniceThe most anticipated exhibitions and art spaces of 2026The Biennale across art, dance, and musicSummer concerts in Piazza San MarcoCinema, craftsmanship, and creativity in early autumnFashion, glass, and design in the quieter monthsChristmas in Venice and the city's winter mood

On May 29th, 1453, Constantinople fell—and with it, the last continuation of Rome.But the real story isn't just Ottoman cannons and overwhelming numbers.It's the cold mathematics of power: betrayal, sabotage, and profit-driven neutrality.In this episode of Hidden Forces in History, we follow the receipts behind one of the most pivotal days in world history:why the city was still defensible (if help had come)how Genoa's colony of Galata stayed “neutral” while Ottoman ships passedwhy Venice negotiated safe passage instead of fightinghow Western Europe sent prayers instead of armiesand why the fall wasn't inevitable—it was a series of choicesBecause the most disturbing truth is this:Constantinople didn't fall because it was weak. It fell because powerful allies decided it was convenient to let it fall.If you want history as investigation—documents, incentives, and the people who benefited—subscribe for weekly deep dives into the hidden forces behind the official story.Question for you: Was this “inevitable”… or a calculated sacrifice?

Isn't Carrotty Bess great?Topics in this episode include why Stephen compares Shakespeare to Shylock, Shakespeare's father John Shakespeare and his many business ventures, his legal troubles caused by some of those business ventures, Shakespeare's corn-hoarding during a famine, the irony of Irish Nationalists being devoted to Shakespeare, Shakespeare's role in providing propaganda for Britain's colonial project, Mr. Deasy's thoughts on Shakespeare, Chettle Falstaff, the time Shakespeare sued a guy over some malt, how The Merchant of Venice stoked Elizabethan antisemitism, plays that Shakespeare wrote to please various monarchs, James I and Macbeth, political propaganda found in Shakespeare's comedies, and why Stephen's point-of-view as an Irish person alters his interpretation of Shakespeare.Support us on Patreon to get episodes early, and to access bonus content and a video version of our podcast. On the Blog:Decoding Dedalus: He drew Shylock out of his own long pocket.Blooms & Barnacles Social Media:Facebook | BlueSky | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube

A Year of Adventure: Why 2025 Set the Bar High2025 was stacked. International trips, deep dives into U.S. cities, mountain towns, beach escapes, national parks, and friendships that only happen when you travel together. From Europe to the Caribbean to coast-to-coast U.S. adventures, this year reminded us why we started The Travel Brats in the first place:Travel opens doors—to places, people, and moments you never forget. 

So, would you believe it. Today I chat with Jesse Sykes on A Year In Horror. Yes! Her from Jesse Sykes and the Sweet Hereafter. This is what it's all about. The film she wanted to cover was the 1973 classic Don't Look Now. A tale of loss of grief and a killer stalking the Venice canals.Jesse Sykes & the Sweet Hereafter 

Fluent Fiction - Italian: Finding Friendship: Luca's First Day in Venetian Wonderland Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-01-14-08-38-20-it Story Transcript:It: Sotto il cielo grigio di un inverno veneziano, Luca camminava lentamente lungo il canale.En: Under the gray sky of a Venetian winter, Luca walked slowly along the canal.It: L'aria era fredda, e il suono dell'acqua che lambiva le fondamenta delle case lo accompagnava mentre si dirigeva verso la sua nuova scuola.En: The air was cold, and the sound of the water lapping against the foundations of the houses accompanied him as he made his way to his new school.It: Era il primo giorno, e il suo cuore batteva forte nel petto.En: It was the first day, and his heart was pounding in his chest.It: Le strade strette e i ponti antichi della sua nuova città lo affascinavano, ma l'ansia di non conoscere nessuno lo faceva sentire un po' spaventato.En: The narrow streets and ancient bridges of his new city fascinated him, but the anxiety of not knowing anyone made him feel a bit scared.It: Raggiunse finalmente la scuola, un edificio accogliente e colorato che si affacciava su un piccolo campo dove la neve appena caduta brillava sotto la pallida luce del mattino.En: He finally reached the school, a welcoming and colorful building overlooking a small field where the freshly fallen snow sparkled under the pale morning light.It: All'entrata, fu accolto da Giulia, la sua vicina di casa.En: At the entrance, he was greeted by Giulia, his neighbor.It: Lei era un raggio di sole, sempre pronta con un sorriso.En: She was a ray of sunshine, always ready with a smile.It: "Ciao Luca!En: "Hi Luca!It: Sei pronto per il tuo primo giorno?"En: Are you ready for your first day?"It: lo salutò con entusiasmo.En: she greeted him enthusiastically.It: Luca fece un respiro profondo e annuì.En: Luca took a deep breath and nodded.It: "Sì, credo di sì," rispose, cercando di nascondere il suo nervosismo.En: "Yes, I think so," he replied, trying to hide his nervousness.It: Le lezioni iniziarono e Luca si sedette vicino a Marco, un ragazzo vivace e sempre al centro dell'attenzione.En: Classes began and Luca sat next to Marco, an energetic boy always at the center of attention.It: A prima vista sembrava sicuro di sé, ma Luca notò una nota di insicurezza nei suoi occhi.En: At first glance, he seemed confident, but Luca noticed a hint of insecurity in his eyes.It: Durante la pausa, Luca esitava.En: During the break, Luca hesitated.It: Si chiedeva se dovesse rimanere da solo o cercare di unirsi agli altri.En: He wondered if he should stay alone or try to join the others.It: Giulia e Marco giocavano a un gioco con altri bambini nel cortile.En: Giulia and Marco were playing a game with other children in the courtyard.It: Giulia alzò lo sguardo e fece segno a Luca di unirsi a loro.En: Giulia looked up and gestured for Luca to join them.It: Il cuore di Luca batteva forte.En: Luca's heart was pounding.It: Era un momento decisivo.En: It was a decisive moment.It: Decise di essere coraggioso, di uscire dalla sua zona di comfort.En: He decided to be brave and step out of his comfort zone.It: Avanzò verso il gruppo, le mani che tremavano appena.En: He moved towards the group, his hands barely trembling.It: "Ciao a tutti," disse con voce incerta ma determinata.En: "Hi everyone," he said with an uncertain but determined voice.It: "Posso unirmi a voi?"En: "Can I join you?"It: Giulia sorrise e Marco gli diede una pacca sulla spalla.En: Giulia smiled and Marco gave him a pat on the shoulder.It: "Certo, Luca!En: "Of course, Luca!It: Più siamo, meglio è!"En: The more, the merrier!"It: disse Marco con un ampio sorriso.En: said Marco with a broad smile.It: Giocarono insieme, ridendo e scherzando mentre la neve scricchiolava sotto i loro piedi.En: They played together, laughing and joking as the snow crunched under their feet.It: Piano piano, l'ansia di Luca svanì.En: Gradually, Luca's anxiety faded.It: Si sentì accolto, parte del gruppo.En: He felt welcomed, part of the group.It: Alla fine della giornata, Luca camminava verso casa al fianco di Giulia e Marco.En: At the end of the day, Luca walked home alongside Giulia and Marco.It: Sentiva il calore della loro amicizia crescere dentro di sé.En: He felt the warmth of their friendship growing inside him.It: Quel primo giorno di scuola si era trasformato in qualcosa di speciale.En: That first day of school had turned into something special.It: Aveva superato la paura e, con essa, aveva vinto una piccola battaglia personale.En: He had overcome his fear and, with it, had won a small personal victory.It: Si sentiva già più sicuro e felice.En: He already felt more confident and happy.It: Quando raggiunse il portone di casa, sapeva di avere trovato nuovi amici.En: When he reached the front door of his house, he knew he had found new friends.It: "Ci vediamo domani!"En: "See you tomorrow!"It: gridò loro, salutandoli con la mano.En: he shouted to them, waving goodbye.It: Giulia e Marco risposero con un allegro "A domani!"En: Giulia and Marco replied with a cheerful "See you tomorrow!"It: mentre scomparivano nella nebbia del canale.En: as they disappeared into the fog of the canal.It: La città di Venezia aveva accolto Luca, e quella sera, guardando fuori dalla finestra la magia delle luci riflettersi sull'acqua, sorrise.En: The city of Venice had welcomed Luca, and that evening, looking out the window at the magic of the lights reflecting on the water, he smiled.It: Aveva trovato il suo posto in quel nuovo mondo.En: He had found his place in that new world. Vocabulary Words:the canal: il canalethe air: l'ariathe foundation: la fondazioneto accompany: accompagnarethe anxiety: l'ansianarrow: strettothe bridge: il ponteto fascinate: affascinareto sparkle: brillareto greet: accogliereenthusiastic: entusiastato nod: annuirethe glance: lo sguardoto hesitate: esitarethe courtyard: il cortileto gesture: fare segnodecisive: decisivoto tremble: tremaredetermined: determinatobroad: ampiogradually: piano pianoto fade: svanirethe warmth: il caloreto overcome: superarethe victory: la vittoriato feel: sentirethe fog: la nebbiato reflect: riflettereto disappear: scomparirethe magic: la magia

Father Casey Jones is a priest of the Diocese of Venice, Florida. He currently serves as the pastor of St. Elizabeth Seton Parish and school in Naples, Florida. In Today's Show: Advice for those struggling with their faith. Is it healthy to write down each of our venial sins? What should I do if members of my family were Freemasons? When were the Apostles ordained priests? Is it possible to vow to live a consecrated life as a single parent? Can a female use a male saint's name for confirmation? What should we do if a host sticks to the roof of our mouth? Can a child make a spiritual communion if they are of the age of reason? Can a priest refuse to distribute communion on the hand to avoid sacrilege? Are Sundays not counted towards our Lenten Sacrifice? And more. Visit the show page at thestationofthecross.com/askapriest to listen live, check out the weekly lineup, listen to podcasts of past episodes, watch live video, find show resources, sign up for our mailing list of upcoming shows, and submit your question for Father!

Here is Pastor Frank Vargo's sermon on 1/11/26 titled, "Fight The Good Fight" from 1 Timothy 6:11-14. Freedom Bible Church is a nondenominational church located at 5550 S. Sumter Blvd in North Port, Florida. The name “Freedom” comes from 2 Corinthians 3:17, "Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom." Our desire is to be a God-centered church, not man-centeredFreedom Bible Church is a Bible based church located at 5550 S. Sumter Blvd in North Port, Florida. The name “Freedom” comes from 2 Corinthians 3:17, "Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom." Our desire is to be a God-centered church, not man-centered.Website: https://freedombiblechurch.com/Facebook: https://www.facebook.com/freedombiblepcInstagram: https://www.instagram.com/freedombiblechurchOur church members come from North Port, Wellen Park, West Port, Port Charlotte, Punta Gorda, Venice, and Englewood.

It is the first episode of 2026. So we look ahead at the next 12 months with a guide to big museum openings, biennials and exhibitions. Ben Luke is joined by Jane Morris, editor-at-large at The Art Newspaper and Cultureshock, and Gareth Harris, chief contributing editor at The Art Newspaper, to discuss the key art fairs, major museum building projects and the top biennials of the year, and we pick our exhibition highlights.All of the events discussed and many more are featured in The Art Newspaper's guidebook The Year Ahead 2026, an authoritative look at the year's unmissable art exhibitions, museum openings and significant art events. Visit theartnewspapershop.com. £14.99 or the equivalent in your currency.Events discussed:ART FAIRS: Art Basel Qatar, Doha, Qatar, 5-7 Feb; Frieze Abu Dhabi, 17-22 Nov; MUSEUM OPENINGS: Guggenheim Abu Dhabi, date tbc; V&A East, opens 18 Apr; Los Angeles County Museum of Art (Lacma), opens Apr; Lucas Museum of Narrative Art, opens 22 Sep; Dataland, Los Angeles, opens spring; New Museum, New York, date tbc. BIENNIALS: Venice Biennale, In Minor Keys, 9 May-22 Nov; Arthur Jafa and Richard Prince: Helter Skelter, Fondazione Prada, Venice, 9 May-22 Nov; Marina Abramović: Transforming Energy, Gallerie dell'Accademia, Venice, 6 May-19 Oct; Whitney Biennial, opens 8 Mar; Greater New York 2026, MoMA PS1, 16 Apr-17 Aug; EXHIBITIONS: Gainsborough: The Fashion of Portraiture, Frick Collection, 12 Feb-11 May; Raphael: Sublime Poetry, Metropolitan Museum of Art, New York, 29 Mar-28 Jun; Zurbarán, National Gallery, London, 2 May-23 Aug; Michaelina Wautier, Royal Academy of Arts, 27 Mar-21 Jun; James McNeill Whistler, Tate Britain, 21 May-27 Sep, Van Gogh Museum, Amsterdam, 16 Oct-10 Jan 2027; Seurat and the Sea, Courtauld Gallery, ​​13 Feb-17 May; Peggy Guggenheim in London: The Making of a Collector, Peggy Guggenheim Collection, Venice, 25 Apr-19 Oct; Royal Academy, London, 21 Nov-14 Mar 2027, Cezanne, Fondation Beyeler, Basel, 25 Jan-25 May; Leonor Fini, Schirn Kunsthalle, Frankfurt, 22 Oct-28 Feb 2027; Hilma af Klint, Grand Palais, 6 May-30 Aug, Matisse 1941-1954, Grand Palais, Paris, 24 Mar-26 Jul; Chez Matisse: The Legacy of a New Painting, Caixa Forum, Barcelona, 27 Mar-16 Aug; Fratino and Matisse: To See This Light Again, Baltimore Museum of Art, 11 Mar-6 Sep; Matisse's Femme au Chapeau: A Modern Scandal, SFMOMA, San Francisco, 16 May-7 Sep; Marcel Duchamp, MoMA, New York, 12 Apr-22 Aug; Mary Cassatt: An American in Paris, National Gallery of Art, Washington, DC, 14 Feb-30 Aug; Mary Cassatt: After Impressionism, Art Institute of Chicago, 6 Sep-3 Jan 2027; Modern Iran and the Avant-Gardes, 1948-78, Vancouver Art Gallery, 11 Dec-2 May 2027; Spectrosynthesis Seoul, Art Sonje Center, Seoul, 20 Mar-28 Jun; Carol Bove, Solomon R. Guggenheim Museum, New York, 5 Mar-2 Aug; New Humans: Memories of the Future, New Museum, New York, opens early 2026; Hurvin Anderson, Tate Britain, 26 Mar-23 Aug; Tracey Emin: A Second Life, 26 Feb-31 Aug; Ana Mendieta, Tate Modern, London, 9 Jul-10 Jan 2027. Hosted on Acast. See acast.com/privacy for more information.

Support us at https://buymeacoffee.com/whiskeytangent We haven't featured any Japanese whiskies on the podcast in over three years, so when Suntory came out with a smoky version of their classic fruit-and-spice Toki mainstay, we were intrigued to say the least. And we had lots of questions: How different was this from the original? How would it compare? And what cocktails could we make with it? Well, Suntory obliged with recipes and flavor to spare. But would we (along with Gabe) actually like anything at all? Press play and find out! Music Credits: Freedom courtesy of Choc Mic McNeil at https://open.spotify.com/artist/5Vb55i9ubwPnxUnY6OG3nH • Night in Venice and Living Voyage by Kevin MacLeod at https://incompetech.com/music/royalty-free/music.html

E & T are back this week talking about how they get into the holiday spirit, if a viral Turkey Trot prank is grounds for a breakup, servers flipping tables over terrible tips, the Diddy Documentary, Amy Schumer filing for divorce, and how Weight Watchers has caved to selling GLP-1s. The end of the episode features a Patreon Preview. Join the Patreon to support the show and get extra & ad free episodes here OR on Apple & Spotify Podcasts:⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/twostandupgals⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Submit your questions here: ⁠⁠⁠⁠⁠⁠Twostandupgals@gmail.com⁠⁠⁠⁠⁠⁠E & T GREECE TRIP! Crete, Greece (June 5th-11th, 2026): ⁠⁠⁠⁠https://cretegreecewithericaandteresa.my.canva.site/⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠We only have a few spots left and may add another group for a different week! Fill out the form if you'd like to receive the info: ⁠⁠⁠⁠https://forms.gle/bNcNaVpC81onJx8VA⁠⁠⁠⁠ITALY TRIP! Oct 9th – Oct 17th, 2026 Venice, Florence, & Rome, ($100 discount until end of December) Itinerary & sign ups here: ⁠⁠⁠⁠⁠⁠https://groups.goaheadtours.com/tours/erica-spera-vfsg2026⁠⁠⁠⁠⁠⁠Not interested in Greece or Italy? Take our Travel Survey here: ⁠⁠⁠⁠⁠⁠https://forms.gle/mYY5Ss7szCowAj2u8⁠⁠⁠⁠⁠⁠Watch full episodes on our YouTube Channel Here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@TwoStandUpGalsPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

For someone who's done a lot of horror movies, Rebecca Hall admits she's a bit squeamish. That, however, didn't stop her from taking on a role in the newest body horror series, The Beauty, which is set to premiere January 21st on FX.Rebecca first learned of the series when she grabbed breakfast at Buvette in the West Village with Ryan Murphy (who created the show Matthew Hodgson) who enticed her with three things: a fun premise (an STD that makes you so hot that you explode, sign Rebecca up!), great clothes (The Row to be specific, and who could say no to that?) plus a list of fabulous filming locations: Rome, Paris, and Venice all making the list.“He [Ryan] was very open to me. One of the joys for me of this job was that not many people asked me to just be myself for a character.” Rebecca told Senior Features Editor Marley Marius and Fashion Writer Hannah Jackson on Wednesday afternoon. This openness and collaborative spirit Ryan gives to his actors is what enticed Rebecca about working with him again on his series Monster, where she will play Lizzie Borden in which she called “entering her villain era” which was a lot of fun for her.When Rebecca is not on the job, she finds great joy in painting (many of her works have been either sold or exhibited), watching The Real Housewives of Salt Lake City (for which her husband is getting around to understanding), and dressing up in “crazy outfits” in her day-to-day quiet upstate life.Earlier in the episode, Chioma fills Chloe in about the behind-the-scenes of the new fabulous British Vogue cover with Jessie Buckley. They also chat what they are looking forward to about awards season and give a farewell to Will Welch who announced he is departing from GQ earlier this week. Learn about your ad choices: dovetail.prx.org/ad-choices

Please follow us on: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠ ⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook ⁠⁠⁠⁠⁠! Links for the Show: Fondazione FS Italiane National Railway Museum Strada dell'Olio DOP Umbria  Via di Linari In this episode, Kimberly Holcombe and Tommaso share insights from their friends who recently traveled to Italy during the Christmas holiday. They discuss historical train routes, exciting activities like driving a Ferrari through Tuscany, and adventurous hiking and biking options. Join us in this episode for unique ways to experience Italy beyond the typical tourist paths. Key Points: Christmas in Italy: Venice was less crowded than Rome during the holidays. Italian locals gather in Rome for Christmas, making it more crowded. Venice had crowds during specific events like the Santa Claus gondolier parade. Uber Black in Rome: Friends used Uber Black successfully in Rome, despite previous reliability concerns with standard Uber. Uber Black offers larger, luxury vehicles with professional drivers. Historical Exploration: Friends regretted not researching the history of Italian landmarks before their trip. Tommaso suggests spending ample time before the trip researching historical facts so they are better prepared once there. New Travel Options for 2026: Historical Train Journeys: Italy's historic railways, managed by La Fondazione FS Italiane. Binari Sensa Tempo (Timeless Tracks): Offers dozens of itineraries across the country. The National Railway Museum is in Pietrasara, outside Naples. The Christmas Market Train (Treno de Mercantini di Natale) runs from Sulmona to Roccaraso in Abruzzo. A day-long excursion from Torino to Canelli offers wine tastings in Piemonte. The train features Centoporte (100 Doors) carriages from the 1920s to the 1980s. Sommeliers offer tastings of regional wines like Barolos. Olive Mill Trains: Frantoi Aperti (Open Olive Mills) trains run every weekend through mid-November. Organized by Strada dell'Olio DOP Umbria (The Olive Oil Road). Visitors can taste fresh extra virgin olive oil and learn about production. Guided tastings led by professional tasters are available on board. The route runs from Arezzo to other Umbrian towns like Spoleto and Assisi. Promotes mindful travel and reduces carbon emissions. Luxury Driving: Drive a Ferrari through the hills of Tuscany. Prices are around 4,000 euros per day, or 2,000 euros per person for two. Multi-day excursions include high-end hotels. Adventure Hiking: Via Di Linari: An ancient 93-mile trail through medieval monasteries, abbeys, and a national park. The trail snakes through Emilia-Romagna and the Apennine Mountains into Tuscany. Best hiked in spring or fall, taking about nine days to complete. Sections are no more than 12 miles long. The website Camini Emilia Romagna provides detailed itineraries and accommodation options. Monasteri Aperti: Monks open their doors to hikers for hot meals on certain autumn weekends. Biking Expeditions: Flat, scenic rides connecting food capitals like Parma and Bologna to Venice. Explore historic sites like Ferrara, a UNESCO World Heritage site. Sardinia: Features rugged coastlines and routes for all levels. Sicily: Combines history and natural beauty, with cycling through the Valley of the Temples and around Mount Etna. Egadi Islands (Isola Egadi): Offers idyllic cycling vacations. Isola di Levanzo is ideal for mountain bikers. Isola di Favignana has paved roads and gravel paths. Isola Marettimo is for serious mountain bikers, featuring a small idyllic village.

Dave Rubin of "The Rubin Report" talks about "The View's" Whoopi Goldberg being put in her place by co-host Ana Navarro after she delivered an unexpected defense of Donald Trump's capture of Venezuela's Nicolás Maduro; John Fetterman being shocked by the Democratic Party's lack of support for Trump's capture of Nicolás Maduro; CNN's Jake Tapper going speechless after Scott Jennings explained the real reason that so many Democrats aren't being supportive of Trump's capture of Nicolás Maduro; Candace Owens seeming to actually believe that Turning Point USA leaders and Erika Kirk have been replaced by robots; White House Press Secretary Karoline Leavitt giving Fox News' Jesse Watters her hilarious reaction to Nick Shirley being responsible for exposing more Minnesota fraud and ending the career of Tim Walz; Elon Musk getting the last laugh after Tim Walz prematurely celebrated the decline of the price of Tesla stock; NYC Mayor Zohran Mamdani announcing his shocking plans to micromanage every landlord in New York City with his sweeping new powers; resurfaced video of Zohran Mamdani's newly appointed tenant advocate Cea Weaver showing her calling for the abolishing of private property and explaining why white homeowners will have to rethink their relationship to the home they own; and much more. WATCH the MEMBER-EXCLUSIVE segment of the show here: https://rubinreport.locals.com/ Check out the NEW RUBIN REPORT MERCH here: https://daverubin.store/ ---------- Today's Sponsors: Tax Network USA - If you owe back taxes or have unfiled returns, don't let the government take advantage of you. Whether you owe a few thousand or a few million, they can help you. Call 1(800)-958-1000 for a private, free consultation or Go to: https://tnusa.com/dave Venice.Ai - Use Ai that doesn't spy on you or censor the AI. Ai is valuable and you shouldn't need to give up your privacy to use it. Go to https://venice.ai/dave and use code DAVE to get 20% off a pro plan and enjoy private, uncensored AI. Rumble Premium - Corporate America is fighting to remove speech, Rumble is fighting to keep it. If you really believe in this fight Rumble is offering $10 off with the promo code RUBIN when you purchase an annual subscription. Go to: https://Rumble.com/premium/RUBIN and use promo code RUBIN

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