Podcasts about Venice

GATTO WORK IN PROGRESS REVIEW What the–? The new Pixar movie is already out?! Not quite! One of the great things about the Annecy Film Festival is getting to see Work in Progress presentations for upcoming features, with directors and artists sharing their secrets, progress, and the development behind their projects. Set in Venice, Gatto […]

It wasn't long ago when studios took the biggest jewels of their fall slates — the Gravitys and Jokers and First Mans — to the Venice Film Festival to kick off awards season and put A-list talent on a gondola. But this year, not so much: The Venice lineup is light on flashy studio premieres — don't look for Tom Cruise and Digger or Timothée Chalamet and Dune: Part Three or Jeremy Strong and The Social Reckoning — and heavy on indie and international titles. Elaine Low and Sean McNulty talk to Ankler awards editor and Prestige Junkie host Katey Rich about how the studio calculus on festival season has shifted — and how best picture winner One Battle After Another was a canary in the coal mine for this year's underwhelming slate. Then: Katey sticks around to talk with Elaine and Natalie Jarvey about the top Emmy storylines — including the Television Academy's controversial decision to boot major categories from the primetime show (sorry, David Harbour and Dakota Fanning) and why, with the final season of Hacks and prohibitive drama frontrunner The Pitt leading the way, this could be the last stand for HBO Max before the merger. Also: Elaine and Sean on Donald Trump‘s sudden renewed enthusiasm to bring production back to Hollywood and why there's actual bipartisan support for federal film and TV tax incentives. Make Hollywood great again? Learn more about your ad choices. Visit megaphone.fm/adchoices

15 When therefore they had dined, Jesus saith to Simon Peter: Simon son of John, lovest thou me more than these? He saith to him: Yea, Lord, thou knowest that I love thee. He saith to him: Feed my lambs.Cum ergo prandissent, dicit Simoni Petro Jesus : Simon Joannis, diligis me plus his? Dicit ei : Etiam Domine, tu scis quia amo te. Dicit ei : Pasce agnos meos. 16 He saith to him again: Simon, son of John, lovest thou me? He saith to him: Yea, Lord, thou knowest that I love thee. He saith to him: Feed my lambs.Dicit ei iterum : Simon Joannis, diligis me? Ait illi : Etiam Domine, tu scis quia amo te. Dicit ei : Pasce agnos meos. 17 He said to him the third time: Simon, son of John, lovest thou me? Peter was grieved, because he had said to him the third time: Lovest thou me? And he said to him: Lord, thou knowest all things: thou knowest that I love thee. He said to him: Feed my sheep.Dicit ei tertio : Simon Joannis, amas me? Contristatus est Petrus, quia dixit ei tertio : Amas me? et dixit ei : Domine, tu omnia nosti, tu scis quia amo te. Dixit ei : Pasce oves meas.[17] "Feed my sheep": Our Lord had promised the spiritual supremacy to St. Peter; St. Matt. 16. 19; and here he fulfils that promise, by charging him with the superintendency of all his sheep, without exception; and consequently of his whole flock, that is, of his own church.Pope Pius X, Joseph Sarto, was born at Riese in Veneia on June 2, 1835. He was curate, parish priest, bishop of Mantua, patriarch of Venice. He was elected pope on August 4, 1903. As chief pastor of the Church he realized the value of the liturgy as prayer of the Church and spared no effort to propagate the practice of frequent and daily Communion. He died on August 14, 1914 and canonized on May 29, 1954.

Triggernometry is proudly independent. Thanks to the sponsors below for making that possible: - Venice is private, unbiased AI. No conversation logs sitting on someone else's server. No refusals dressed up as safety. Try it at https://venice.ai/lp/triggernometry and get 20% off your first month - We use Ground News to escape the echo chamber and stay fully informed. Go to https://ground.news/triggernometry to save 40% on the Ground News unlimited access Vantage plan. - Expat Money: download the report to understand offshore banking, second passports, asset protection and international business https://expatmoney.com/trigger - Wild Alaskan Company: premium, wild-caught seafood. Go to https://wildalaskan.com/TRIG for $35 off your first box Join our exclusive TRIGGERnometry community on Substack! https://triggernometry.substack.com/ OR Support TRIGGERnometry Here: Bitcoin: bc1qm6vvhduc6s3rvy8u76sllmrfpynfv94qw8p8d5 Shop Merch here - https://shop.triggerpod.co.uk/ Advertise on Triggernometry: https://trigger-brands.com | or enquire at marketing@triggerpod.co.uk Find TRIGGERnometry on Social Media: https://twitter.com/triggerpod https://www.facebook.com/triggerpod/ https://www.instagram.com/triggerpod/ About TRIGGERnometry: Stand-up comedians Konstantin Kisin (@konstantinkisin) and Francis Foster (@francisjfoster) make sense of politics, economics, free speech, AI, drug policy and WW3 with the help of presidential advisors, renowned economists, award-winning journalists, controversial writers, leading scientists and notorious comedians. Learn more about your ad choices. Visit megaphone.fm/adchoices

April 2025: Liberation Day. President Trump announces sweeping new tariffs. And then, the dollar did something a safe haven currency is not supposed to do: it fell.Tarek Hassan (Boston University, CEPR), working with Thomas Mertens, Jingye Wang and Tony Zhang, has been investigating what makes a currency the global anchor. Being the world's biggest economy helps, but what really matters is how far an economy's shocks affect world prices. Tariffs reduce this effect. But are we near a tipping point, when the euro takes over as the global reserve currency? We might be closer than you think and, if a change happens, it might happen more quickly than you think too.This is the third of four episodes drawn from papers commissioned for the second Economic Policy: Papers on European and Global Issues conference, held in Venice on 19 and 20 June 2026 and organised by CEPR, CESifo and Sciences Po.The research behind this episode:Hassan, Tarek A., Thomas M. Mertens, Jingye Wang, and Tony Zhang. 2026. "Openness, Integration, and the International Monetary Order." Conference draft, presented at the 2nd Economic Policy: Papers on European and Global Issues Conference, Venice, 19 to 20 June 2026. Forthcoming in Economic Policy.To cite this episode:Phillips, Tim, and Tarek A. Hassan. 2026. "The Dollar Anchor Is Slipping." VoxTalks Economics (podcast).About the guestTarek A. Hassan is Professor of Economics at Boston University, a Research Fellow of the National Bureau of Economic Research, and a Research Fellow of the Centre for Economic Policy Research. His research spans international finance, macro-finance, and the political economy of growth, from measuring firm-level political risk with large language models to, in this paper, the size and openness that decide which currency the world treats as safe.Research cited in this episodeLiberation Day and the April 2025 tariffs. On 2 April 2025, the White House announced a sweeping set of import tariffs. Hassan and his co-authors treat the market reaction to that announcement, in which the dollar fell even as US interest rates rose and US stocks underperformed, as the anomaly their model is built to explain; a currency behaving that way in a crisis usually counts as risky, not safe. CEPR has gathered further commentary on the announcement and its aftermath on its Trump and Tariffs page.Exorbitant privilege. A term coined in the 1960s for the advantage the United States gets from issuing the world's reserve currency, since foreign investors will hold dollar assets at a lower return than they would demand elsewhere. Hassan uses it to explain why Americans can borrow more cheaply than almost anyone else, and why losing anchor status would raise the US government's own borrowing costs.Effective size. The paper's central idea. It is not simply how big an economy is, but how much weight its shocks carry in setting world prices, which depends on both actual size and openness to trade and capital flows. Tariffs and capital controls both reduce a country's effective size without touching its GDP, which is how they can knock a currency out of contention as a global anchor.The Budget Lab at Yale's tariff tracker. The paper draws its estimate that the current average tariff on US imports and exports, once retaliation is included, runs at around 12% from The Budget Lab at Yale (2025), Where We Stand: The Fiscal, Economic, and Distributional Effects of All US Tariffs Enacted in 2025 Through April 2, a running assessment of US trade policy maintained by the nonpartisan Budget Lab at Yale.Ilzetzki, Reinhart, and Rogoff's exchange rate classification. Ilzetzki, Reinhart, and Rogoff. 2019. "Exchange Arrangements Entering the Twenty-First Century: Which Anchor Will Hold?" Quarterly Journal of Economics 134 (2). This dataset classifies the de facto exchange rate regime of 141 economies. Hassan and his co-authors use it to calibrate their model and to show that the share of countries pegging tightly to the dollar falls with country size almost exactly as their theory predicts.The Chinn-Ito index of capital account openness. Chinn, Menzie D., and Hiro Ito. 2006. "What Matters for Financial Development? Capital Controls, Institutions, and Interactions." Journal of Development Economics 81 (1): 163 to 192. This widely used index scores how open a country's capital account is to cross-border investment. China scores close to the bottom, in the same range as India, Russia, Brazil and Pakistan, while the United States and the eurozone score close to the maximum, which is central to why Hassan treats the renminbi as a non-contender for anchor status while capital controls remain in place.More VoxTalks Economics episodesTariffs, Uncertainty, and the Exchange Rate, the first episode in this series, in which Alfonso Merendino and Tommaso Monacelli offer another explanation of why the dollar fell rather than rose after the 2025 tariffs.How Exchange Rates Responded to Tariffs, in which Giancarlo Corsetti also tells Tim Phillips what happened to the dollar after Liberation Day, and why the textbook response did not show up.Related reading on VoxEU.orgTariffs and US Dollar Depreciations: Not So Surprising After All, a VoxEU column in which Giancarlo Corsetti, Simon Lloyd and Daniel Ostry argue that the dollar's fall after Liberation Day looks less puzzling once expected retaliation and long run risk are taken into account.Tariffs, Global Imbalances, and the Dollar, in which Oleg Itskhoki and Dmitry Mukhin examine whether tariffs aimed at shrinking the US trade deficit can actually work, and what trying would mean for the dollar.

This morning, breaks his silence on the wedding of the year, and the Adam Sandler detail is everything. Plus, Harry Styles and Zoe Kravitz's wedding plans leak, and Isla Fisher reveals the very specific ick that ended things with a recent date. ☕ Travis Kelce spills the untold tidbits from his and Taylor Swift's wedding☕ Harry Styles and Zoe Kravitz's wedding plans are taking shape☕ Sydney Sweeney takes her relationship with Scooter Braun to a new level (plus that Venice look)☕ The cause of death of a legendary star is confirmed☕ Nicole Kidman reveals the movie franchise she's dying to join☕ Isla Fisher's oddly specific dating ick Listen to our episode remembering Tim Curry here. TAKE THE SPILL'S WEEKLY POP CULTURE QUIZ HERE Become a Mamamia subscriber and get an all-access pass to everything we make, including exclusive podcasts and early listening, subscriber-only articles, monthly giveaways and our home workout app, MOVE. Get access to Very Peri, Mamamia's exclusive perimenopause series, for just $59. 25 world-leading experts, over 20 on-demand sessions, available now. We’ve sorted through the noise so you don't have to. Go to veryperi.com.au and join me today. You hot? Same. Buy today and save 40%THE END BITS Once you’ve devoured this morning’s celeb stories, get your daily news headlines from The Quicky here. Support independent women's media Follow us on TikTok, Instagram and Facebook. And subscribe to our Youtube channel. Read all the latest entertainment news on Mamamia... here. Discover more Mamamia Podcasts here. CREDITS Host & Executive Producer: Monisha Iswaran Mamamia acknowledges the traditional owners of the land on which we have recorded this podcastBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

On today's MJ Morning Show:Former Buccaneer arrested (Who???)Morons in the newsGuy in a Corvette arrested with stolen pills hidden somewhere on his person"Side ride" waitress blackmailed guy 67-year-old arrested for possession of cocaine, but it's how it was discoveredMystery package sent to MJ Morning ShowUncrustable lawsuitDo you tip the OWNER of a business?The buttsniffer is backLionel Richie checked into a hospital after a showA.I. generated songs about the California buttsnifferOreo-gateMJ InstagramResidents from Cobalt Apartments in Wesley Chapel can't retreive their belongingsCaught speeding in a Sarasota school zone 4 timesMichelle's Japanese plannerArgument at Subway over a toasting a sandwishThe 'Girl Grip'Argument over enchiladas ends in someone shot in New MexicoWho's new on OnlyFans? Donna Mills?Man arrested for exposing himself in a St. Petersburg park says he was creating OnlyFans contentArrested for cutting down a tree at a Venice crash memorialHead teacher in Nepal rescued hundreds of studentsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

If you've been following the financial news lately, you may have noticed something unusual: the bond market is getting a lot of attention.After a year of tariff shocks, interest-rate whiplash, tax policy changes and persistent questions about inflation and the national debt, bonds have moved from the financial pages into the broader economic conversation. And whenever markets get nervous about where the economy, inflation or government borrowing may be headed, attention tends to turn pretty quickly to the bond market.Because this isn't just Wall Street inside baseball.The bond market influences the interest rate on your mortgage. It influences how much the federal government pays to borrow money. It affects companies trying to finance everything from infrastructure to AI data centers. And it can offer some important clues about how investors are feeling about inflation, growth, recession risk and even the creditworthiness of the United States.So perhaps it's time we understood bonds a little better.And I have to admit, after more than a decade of hosting So Money, I don't think we've ever dedicated an entire episode to them.Today, we are fixing that.My guest is Robin Wigglesworth, one of the financial journalists who has been covering these markets up close for years. Robin is an editor at the Financial Times, where he leads FT Alphaville, its influential markets and finance blog. He's also the author of Trillions, his acclaimed history of the index-fund revolution and the rise of passive investing and ETFs.His new book is called A Fabulous Debt: The Epic Story of How Bonds Built the Modern World, and it comes out September 22.And I should emphasize: this is not a book about how to build a bond portfolio.Robin has written essentially a people's history of the bond market — and somehow made bonds genuinely entertaining. The story begins in Venice in 1171, takes us through Amsterdam and the development of modern finance, and brings us to America and Alexander Hamilton, whose decisions about government debt helped establish the creditworthiness of the young United States.Robin's larger argument is that we tend to think the stock market is the star of the financial system, when really the bond market is the foundation underneath it. In fact, as he tells me in our conversation, bonds are the “bedrock that the entire house rests upon.”We talk about what the 10-year Treasury yield can tell you about the economy — and why it matters more to mortgage rates than many people realize. We talk about America's nearly $40 trillion national debt and the big question: At what point does all of this borrowing actually become a problem?We also get into something I found fascinating: bonds have quietly financed some of the biggest transformations in modern history. Railroads. Canals. Telecommunications. The internet. And now, potentially, the enormous buildout of artificial intelligence.There are also fraudsters, scoundrels and some truly wild financial schemes along the way — including one man who essentially invented an entire country so he could sell its bondsLearn more about Farnoosh's upcoming literary workshop Book to Brand. Early bird registration is now open! Hosted on Acast. See acast.com/privacy for more information.

Father Casey Jones is a priest of the Diocese of Venice, Florida. He currently serves as the pastor of St. Elizabeth Seton Parish and school in Naples, Florida. In Today's Show: What's the point of praying and asking God for something when His plan is already set in stone? ​​Father, how do we know about the conversation between Pontius Pilate and Jesus? What happened to the gold, frankincense, and myrrh from the Three Kings? What was the first relic? And more. Visit the show page at thestationofthecross.com/askapriest to listen live, check out the weekly lineup, listen to podcasts of past episodes, watch live video, find show resources, sign up for our mailing list of upcoming shows, and submit your question for Father!

Here is Elder Michael Fear's sermon on 8/30/26 titled, "From Enemy To Disciple" from Acts 9:1-9. Freedom Bible Church is a nondenominational church located at 5550 S. Sumter Blvd in North Port, Florida. The name “Freedom” comes from 2 Corinthians 3:17, "Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom." Our desire is to be a God-centered church, not man-centeredFreedom Bible Church is a Bible based church located at 5550 S. Sumter Blvd in North Port, Florida. The name “Freedom” comes from 2 Corinthians 3:17, "Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom." Our desire is to be a God-centered church, not man-centered.Website: https://freedombiblechurch.com/Facebook: https://www.facebook.com/freedombiblepcInstagram: https://www.instagram.com/freedombiblechurchOur church members come from North Port, Wellen Park, West Port, Port Charlotte, Punta Gorda, Venice, and Englewood.

Changing the numbering system to be more suggestive of a bracket. Sixtus is the third one seed, if you will. Image: Sandro Botticelli, 1480, Pope Sixtus II Popes names Sixtus (originally Xystus): St Sixtus I 117 or 119 to 126 or 128 Martyr St Sixtus II 257 to 258 Famous martyr, in the Roman Canon St Sixtus III 432 to 440 Sixtus IV 1471 to 1484 Sistine Chapel named for him Sixtus V 1585 to 1590 Great reformer of the Papal States and Curia   Sixtus or Xystus I: the earliest pope we have covered so far, in the very uncertain period of the second century, during the reign of Hadrian. The chronicles that look back to this time do not agree on the dates of his ministry and otherwise only record a few vague details. He is supposed to have placed the chanting of the Sanctus at its present place in the Mass, right after the Preface; he is also recorded to have been martyred, although nothing seems to be preserved about the event.   Sixtus / Xystus II: pope during the persecution of Valerian in the third century. His brief reign saw a reconciliation with St. Cyprian and churches in Africa and Asia Minor, which had been requiring heretics to be rebaptized. The persecution was stepped up in August 258 and Pope Xystus was beheaded with four deacons in a cemetery where he was celebrating Mass; two more deacons were executed the same day; the last and most famous deacon, Lawrence, survived a few days to be captured and according to legend roasted to death. Pope Sixtus to this day is mentioned in the full version of the Roman Canon of the Eucharistic Prayer.   Sixtus / Xystus III: prior to his election as pope, a correspondent with St. Augustine. Approved the acts of the Council of Ephesus and rededicated the restored basilica of St. Mary Major. This historical period included continued disputes with both Pelagians and Nestorians. Defended and maintained papal supremacy over Illyricum. Succeeded by Leo the Great.   Sixtus IV: pope of the late fifteenth century. Born of poor parents; became a Franciscan and a notable theologian. Unfortunately once pope he became a traditional nepotist and involved the Papal States in wars to put his nephews in charge of Florence and Ferrara, and wars of this nature continued to absorb papal attention through the beginning of the Reformation. He opposed and annulled the decrees of the Council of Constance and was successful in turning the Church away from conciliarism. He was a great builder and is said to have made Rome much more livable, helping continue its recovery from the Avignon period of the papacy. He reorganized and essentially refounded the Vatican Library and most famously built the Sistine Chapel.   Sixtus V: also of poor birth and Dalmatian ancestry, whose family had fled from Turkish expansion; supposedly a swineherd as a boy. Also became a Franciscan and rose to prominence in that order, also for a time appointed to the Inquisition in Venice. Accompanied the future Gregory XIII to Spain to investigate claims that the Archbishop of Toledo was a heretic, and the two did not get along. During Gregory XIII's long reign he was sidelined. Similarly to his time as an inquisitor, he proved to be an effective but severe and even brutal ruler of the Papal States. He had perhaps ten thousand to thirty thousand brigands to deal with and nearly exterminated them. He put the papal finances in order and built many useful and beautiful buildings, but seems to have taxed the economy into a stupor. Of particular significance, he created fifteen Congregations to organize the cardinals and created much of the current structure of the Curia. He caused editions of the Septuagint and the Vulgate to be printed, although his edition of the Vulgate is not considered to be of high quality, and even at the time was recalled and corrected in 1592 due to many errors already recognized. He was supposedly on the point of forcing the Jesuits to change their name from the "Society of Jesus" and change some of the rules of the order when he died. For a change he was actually notably non-nepotistic.   Why Sixtus VI: A cardinal would take this name in order to revive the memory of Sixtus II (and I), recognizing that the Church in so many parts of the world faces persecution on a massive scale. That by itself might be enough. The early modern era Popes Sixtus, especially Sixtus V, might contribute to the idea especially if 1) the cardinal is a Franciscan and 2) he plans to address the Vatican finances and the organization of the Curia at large.  

For Episode 507 of the Next Best Picture Podcast, I am joined by Nadia Dalimonte, Cody Dericks, Daniel Howat, Larry Fried & Tom O'Brien. This week is a special one, for effective September 1st, NBP will be celebrating its 10th anniversary, and how fitting such a milestone episode falls right before our team heads off to Venice, Telluride, TIFF, and NYFF to deliver the best coverage we can for this upcoming awards season. This week, we're discussing the films premiering at the Venice International Film Festival and what we're specifically looking forward to from that festival. For this week's NBP poll question, as the fall film festivals kick off, we're asking everyone for the second time this year, "Which Film Do You Think Will Be The Next Best Picture Oscar Winner?" And we reveal the winner of last week's NBP poll, for the release of "Coyote vs. Acme," where we asked everyone, "Which Is Your Favorite Film That Combines Live Action And 2D Animation?" We also share our reactions to the trailers for "Fjord," "Possible Love," "The Social Reckoning," "A Talent For Murder" & "Unabomber." We are still answering your fan-submitted questions, but our answers will now be released separately the day after, in a new show called Mailbag Monday (and that is where we will announce the winners of the 2008 NBP Film Community Awards)! So stay tuned for that and many other updates from Next Best Picture as this year's awards season continues. Thank you all for listening, subscribing, and supporting us. Enjoy! https://youtu.be/b_KAgkjHVJM Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Triggernometry is proudly independent. Thanks to the sponsors below for making that possible: - Venice is private, unbiased AI.No conversation logs sitting on someone else's server.No refusals dressed up as safety.Try it at https://venice.ai/lp/triggernometry and get 20% off your first month - Dose for your Liver: Get 35% off your first subscription: https://dosedaily.co/TRIGOr use code TRIG at checkout.- Take control of your cellular health today. Go to https://qualialife.com/TRIG and save 15% to experience the science of feeling younger.- Find your forever cookware @hexclad and get 10% off at https://hexclad.com/TRIG#hexcladpartner Join our exclusive TRIGGERnometry community on Substack! https://triggernometry.substack.com/ OR Support TRIGGERnometry Here: Bitcoin: bc1qm6vvhduc6s3rvy8u76sllmrfpynfv94qw8p8d5 Shop Merch here - https://shop.triggerpod.co.uk/ Advertise on Triggernometry: https://trigger-brands.com | or enquire at marketing@triggerpod.co.uk Find TRIGGERnometry on Social Media: https://twitter.com/triggerpod https://www.facebook.com/triggerpod/ https://www.instagram.com/triggerpod/ About TRIGGERnometry: Stand-up comedians Konstantin Kisin (@konstantinkisin) and Francis Foster (@francisjfoster) make sense of politics, economics, free speech, AI, drug policy and WW3 with the help of presidential advisors, renowned economists, award-winning journalists, controversial writers, leading scientists and notorious comedians Learn more about your ad choices. Visit megaphone.fm/adchoices

Fluent Fiction - Italian: Unveiling Secrets: An Artistic Journey in Venice Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-08-29-22-34-02-it Story Transcript:It: Il sole d'estate splendeva brillante sopra il Museo d'Arte di Venezia.En: The summer sun shone brightly over the Museo d'Arte di Venezia.It: Tra i tanti turisti, Alessio camminava nervoso per i corridoi, lanciando sguardi concentrati sulle opere appese.En: Among the many tourists, Alessio walked nervously through the corridors, casting focused glances at the artworks hanging there.It: Accanto a lui, Gianna osservava con occhi attenti le delicate sfumature nascoste sotto gli strati di polvere.En: Beside him, Gianna carefully observed the delicate nuances hidden beneath layers of dust.It: "Devi fidarti di me, Alessio," disse Gianna toccandosi una ciocca di capelli biondi.En: "You must trust me, Alessio," said Gianna, touching a lock of her blonde hair.It: "Quell'opera è qui, ne sono sicura.En: "That artwork is here, I'm sure of it."It: "Alessio sospirò, nascondendo la sua insicurezza dietro un sorriso forzato.En: Alessio sighed, hiding his insecurity behind a forced smile.It: “Sei così sicura di questo?En: "Are you so sure about this?It: L'hanno dichiarato disperso da decenni.En: It's been declared lost for decades."It: ”"Ho visto libri e descrizioni che coincidono," rispose Gianna, con una nota di passione nella voce.En: "I've seen books and descriptions that match," replied Gianna, with a note of passion in her voice.It: "C'è una mostra dimenticata nel seminterrato, lì potrebbe nascondersi.En: "There's a forgotten exhibit in the basement; it might be hidden there."It: "La decisione era difficile.En: The decision was difficult.It: Alessio conosceva il suo dovere: trovare quel quadro.En: Alessio knew his duty: to find that painting.It: Era l'eredità della sua famiglia, simbolo di valore e di storia.En: It was his family's legacy, a symbol of value and history.It: Tuttavia, non poteva rischiare la sua credibilità senza una vera pista.En: However, he couldn't risk his credibility without a real lead.It: Camminarono, passando tra le stanze affollate di voci e di arte.En: They walked, passing through rooms crowded with voices and art.It: Scese la prima rampa di scale verso il seminterrato, un luogo ignorato dai più.En: They descended the first flight of stairs toward the basement, a place ignored by most.It: Le pareti scure erano coperte di ragnatele, e l'aria era ferma e silenziosa.En: The dark walls were covered with cobwebs, and the air was still and silent.It: "Credi in me," disse Gianna con un sorriso dolce.En: "Believe in me," said Gianna with a sweet smile.It: "A volte, la bellezza è nascosta, basta solo guardare oltre la superficie.En: "Sometimes, beauty is hidden; you just have to look beyond the surface."It: "In un angolo polveroso, coperto da un vecchio lenzuolo, trovarono il dipinto dimenticato.En: In a dusty corner, covered by an old sheet, they found the forgotten painting.It: Era il lavoro della vita del bisnonno di Alessio, e il cuore di quest'ultimo si riempì di emozione.En: It was the life's work of Alessio's great-grandfather, and his heart filled with emotion.It: "Lo stanno per spostare per restauri," disse Gianna mentre svelavano il pezzo, "ma se agiamo subito, riusciremo a salvarlo.En: "They're about to move it for restoration," said Gianna as they unveiled the piece, "but if we act quickly, we can save it."It: "La scoperta fu un successo.En: The discovery was a success.It: Gli occhi di Alessio brillavano mentre presentava il quadro davanti al consiglio del museo.En: Alessio's eyes shone as he presented the painting to the museum board.It: Finalmente, la storia della sua famiglia era al sicuro, e lui aveva dimostrato il suo valore.En: Finally, his family's history was safe, and he had proven his worth.It: Gianna, dal canto suo, ricevette il meritato riconoscimento.En: Gianna, for her part, received the recognition she deserved.It: La sua intuizione artistica aveva salvato una parte importante della storia, ed ora si sentiva apprezzata.En: Her artistic intuition had saved an important piece of history, and now she felt appreciated.It: Alessio e Gianna uscirono dal museo, accarezzati dalla brezza veneziana.En: Alessio and Gianna left the museum, caressed by the Venetian breeze.It: Il sole tramontava dipingendo il cielo di arancio e oro.En: The sun was setting, painting the sky with orange and gold.It: Entrambi avevano trovato qualcosa di prezioso: per Alessio, la fiducia in se stesso, per Gianna, la consapevolezza della sua bravura.En: They had both found something precious: for Alessio, confidence in himself; for Gianna, the awareness of her prowess.It: Insieme, avevano riscritto una pagina di storia.En: Together, they had rewritten a page of history. Vocabulary Words:the corridors: i corridoicarefully observed: osservava con occhi attentithe nuances: le sfumaturethe basement: il seminterratodeclared lost: dichiarato dispersothe decision: la decisionelegacy: l'ereditàcredibility: la credibilitàthe cobwebs: le ragnatelethe surface: la superficiea dusty corner: un angolo polverosothe sheet: il lenzuoloemotional: di emozionefor restoration: per restaurithe discovery: la scopertathe museum board: il consiglio del museothe recognition: il riconoscimentoartistic intuition: l'intuizione artisticaprecious: preziosoconfidence: la fiduciaprowess: la bravuraa page of history: una pagina di storiafocused glances: sguardi concentratinervously walked: camminava nervosothe forgotten exhibit: la mostra dimenticatathe flight of stairs: la rampa di scaleignored by most: ignorato dai piùsilent air: l'aria silenziosasweet smile: un sorriso dolcelife's work: il lavoro della vita

What happens when you combine Disney magic, Italy, and the entire family? Lauren is back from an incredible Adventures by Disney vacation through Italy, traveling from Rome to Venice! This week, she takes us along for the journey and shares what it's really like to experience Italy with Adventures by Disney.

Tommy Rosen, Gagan Levy, and Raghu Markus explore addiction and the everyday choices that shape recovery and a meaningful life.Be part of the Recovery 2.0 community with online recovery meetings that are open to anyone: Click Here to RegisterThis time on Mindrolling, Tommy, Gagan and Raghu explore: Growing up in a home filled with anxiety and developing a sense that something is always wrongHow oftentimes addiction comes from seeking relief and homeostasis Distraction and Procrastination as forms of addictionRam Dass's approach to working with habits of the mindFacing the long, dark night of the soulThe ‘nitty-gritty' of how we choose to live our livesThe five core tenets of Tommy's program, ‘Recovery 2.0'How working the 12-steps guarantees a spiritual experienceTending to the needs of mind, body, and soul About Tommy Rosen:Tommy Rosen is the founder and host of the Recovery 2.0: Beyond Addiction Online Conference and presents workshops annually at Esalen, Omega, and Kripalu. One of the pioneers in the burgeoning field of Yoga and Recovery, he holds advanced certifications in both Hatha and Kundalini Yoga and has 20 years of recovery from acute drug addiction. Tommy and his wife, noted yoga instructor, Kia Miller, live in Venice, California, where they teach yoga and grow organic vegetables in their backyard. Check out Tommy's upcoming retreats and his book, Recovery 2.0. “In recovery circles, we see a lot of people who struggle for a lifetime. They aren't going to implode their life like we did, but if you asked any human being, do you want to ‘get through life' or do you really want to seize this day and realise yourself, your heart's desires and dreams, everyone would say ‘of course I do'. Well, maybe you have to change the ways that you're facing a 24-hour period of time.” –Tommy RosenAbout Gagan Levy:Gagan Levy is the Founder/CEO of Guru, an award-winning creative agency dedicated to serving purpose-driven movements, brands, and organizations. They work with impactful brands like Patagonia, Traditional Medicinals, Nalgene, Non-GMO, The Organic Alliance, Bring Change to Mind and many natural products brands, including EO / Everyone Products, OM Mushroom Superfoods, and REBBL. Gagan also serves as Chief Evangelist at MAHA Global, a platform focused on helping businesses adapt to stakeholder needs using data-driven reputation intelligence. As former Co-chair of Social Venture Circle, one of the country's most prestigious impact investor and social business communities, Gagan leads the way to a next economy that is regenerative, just, and prosperous for all. Gagan Levy is also a current board member to his prolific teacher Ram Dass' Love Serve Remember Foundation, he has been instrumental in strategizing how to connect the greatest wisdom keepers of our time to a new generation. Grab a copy of Gagan's book, Start Your Own Damn Cult, A Founder's Field Guide, for a practical and actionable framework for building from coherence, holding power without unraveling, and winning without wrecking yourself, your team, or the planet.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Trusting that God will provide, Ignatius begs and travels through Rome and Venice before finally reaching Jerusalem. He longs to remain in the Holy Land and help souls, but the Franciscan authorities order him to leave — forcing him to surrender even this deeply cherished desire. About the Series We are bringing you the entire text of “The Autobiography of St. Ignatius Loyola” in podcast form. Over 12 episodes, join our pilgrimage guides Fr. Jack Bentz, SJ, and Cameron Bellm as we make our way through this spiritual classic. The series premiered on Wednesday, July 29, 2026, with episode 2 dropping Friday, July 31 — the Feast of St. Ignatius Loyola. These first two episodes and the remaining 10 episodes (dropping on subsequent Fridays) will all appear here on the AMDG podcast feed. The series is edited by Frank Tuson, who also composed all the music you hear on the podcast. The podcast uses a translation of the “Autobiography” by Fr. Parmananda Divarkar, SJ. The text is read by Fr. George Drance, SJ. Produced by Mike Jordan Laskey. "The Autobiography of Saint Ignatius Loyola Podcast," a special-edition series of AMDG, is a production of the Jesuit Media Lab, which is a project of the Jesuit Conference of Canada and the United States. www.jesuits.org/ www.beajesuit.org/ twitter.com/jesuitnews facebook.com/Jesuits instagram.com/wearethejesuits youtube.com/societyofjesus www.jesuitmedialab.org/

Show Notes The premise sounds like a stunt. Five strangers, one room, six hours, one original song. Meanwhile the show's host sits at a keyboard with a text prompt and half an hour. Grégoire Gensollen, Producer and Chief Operating Officer at Tucker Tooley Entertainment, built that episode of Band of Strangers knowing he could not predict the outcome, which is precisely why he made it. Gensollen comes to this from the traditional side of the business. He grew up in Marseille, trained as an industrial engineer, moved into management consulting, then rerouted through business school at UCLA Anderson into Lionsgate and later FilmNation, where he ran distribution strategy and film finance across a run that included The King's Speech, The Imitation Game, Nebraska, Mud, and Looper. Ten years ago he partnered with Tucker Tooley. What he says he remembers from two decades of that work is not the tooling. It is who was in the room. The origin of Band of Strangers is a documentary called The Unknown Tour, made by two filmmakers who outfitted a bus with a recording studio and drove across the country finding musicians on street corners, in dive bars, and in gospel churches. The pandemic put the idea on hold. When Gensollen and his team picked it up again, they made a decision that would have been unthinkable inside the studio system: skip the networks entirely and release directly on YouTube. Not for reach, but for control of the entire chain, and to protect a show about collaboration from the unscripted television reflex that turns every format into a competition with prize money and manufactured conflict. The constraint that holds it together is the song. Every episode has to produce one, on a clock, or there is no episode. What varies is the entry point. A mariachi band at El Pueblo on Olvera Street laying a first track that hip hop artists in Leimert Park then struggle to find the rhythm inside. Buskers on the Venice boardwalk writing separately. Artists displaced by the Altadena fires building an anthem about rebuilding rather than grieving. Gensollen is candid that the stumbles stay in the cut, because the friction is the story. On AI, he is neither evangelist nor holdout. He describes it as a tool his company will have to use to stay competitive, not against other producers but against creators working alone in their kitchens with the full chain in hand. He also draws a line: optimization, yes. Creative engine, no. His argument is structural rather than sentimental. Prediction models and comparables, the benchmarking method he learned at Lionsgate, tell you where the ceiling is on a category that already exists. A producer's job is to make the thing that does not exist yet. That distinction is the real subject of this conversation. The question is not whether a machine can produce a competent song in thirty minutes. It clearly can. The question is who decides what is worth making, and whether an industry trained on comparables still knows how to recognize the thing it has no comparable for. Host Sean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/ Guest Grégoire Gensollen, Producer and Chief Operating Officer at Tucker Tooley Entertainment | On LinkedIn: https://www.linkedin.com/in/gregoire-gensollen/ Resources Tucker Tooley Entertainment | https://www.tooleyentertainment.com/ Band of Strangers | https://www.bandofstrangers.com/ Band of Strangers, Can AI beat REAL musicians? [Blind Test], the episode discussed in this conversation | https://www.youtube.com/watch?v=Gi0nadrsK8Y Band of Strangers: Angelenos from different communities make music together from scratch, Los Angeles Downtown News | https://www.ladowntownnews.com/arts_and_entertainment/band-of-strangers-angelenos-from-different-communities-make-music-together-from-scratch/article_7f9978b0-18c2-4330-b160-b167c10e8856.html Music Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/ Keywords gregoire gensollen, tucker tooley entertainment, band of strangers, sean martin, ai music, creator economy, youtube original series, music collaboration, songwriting process, unscripted television, film production, generative ai, artist discovery, independent distribution, music, creativity, art, artist, musician, music evolves, music podcast, music and technology podcast

There is a saying in Spanish: get burned by hot milk, and the sight of a cow makes you cry. New research implies that, decades after a populist government leaves office, the central bank it once tried to control is still flinching.Martín Uribe (Columbia) and Nicolás Magud (IMF) have investigated the long-run effect of populist governments that leaned on their central banks to print money and feed inflation. They find that these central banks raise interest rates more aggressively than others when inflation drifts above target, even decades later.This is the second of four episodes drawn from papers commissioned for the second Economic Policy: Papers on European and Global Issues conference, organised by CEPR, CESifo and Sciences Po.The research behind this episode:Jácome, Luis, Nicolás E. Magud, Samuel Pienknagura, and Martín Uribe. 2026. "Fiscal Populism and Monetary Policy Rules." Conference draft, presented at the 2nd Economic Policy: Papers on European and Global Issues Conference, Venice, 19-20 June 2026. Forthcoming in Economic Policy.To cite this episode:Phillips, Tim, Martín Uribe, and Nicolás E. Magud. 2026. "Fiscal Populism and Monetary Policy." VoxTalks Economics (podcast).About the guestsMartin Uribe is the Robert A. Mundell Professor of Economics at Columbia University and a Research Associate of the National Bureau of Economic Research. His research spans international macroeconomics and the theory of monetary and fiscal policy, with recent work on tariff shocks, fiscal dominance, and the long-run legacy of high inflation on how central banks set policy. He is editor-in-chief of the Journal of International Economics.Nicolás E. Magud is a Senior Economist in the International Monetary Fund's Western Hemisphere Department. His research spans open-economy macroeconomics, with a focus on fiscal policy, exchange rates, capital flows, and capital controls, much of it drawn from Latin America's long experience of inflation and central bank reform.Research cited in this episodeThe populist leaders database. Funke, Manuel, Moritz Schularick, and Christoph Trebesch. 2023. "Populist Leaders and the Economy." American Economic Review 113 (12): 3249-88. The authors classify a leader as populist if their rhetoric splits society into "the people" against "the elites," then divide populists into left-wing, whose target is economic elites, and right-wing, whose target is foreigners and minorities. Deficit monetisation and "unpleasant monetarist arithmetic." Sargent, Thomas J., and Neil Wallace. 1981. "Some Unpleasant Monetarist Arithmetic." Federal Reserve Bank of Minneapolis Quarterly Review 5 (3). The paper that established the mechanism this episode turns on: when a government's deficit is financed by its own central bank printing money rather than by selling bonds to the public, the result is inflation. It gives the paper's account of populism and central bank credit its theoretical backbone.Local projections difference-in-differences. Dube, Arindrajit, Daniele Girardi, Oscar Jorda , and Alan M. Taylor. 2025. "A Local Projections Approach to Difference-in-Differences." Journal of Applied Econometrics 40 (7): 741-58. The statistical method behind the paper's headline charts. It compares countries that have just installed a populist government against "clean" control countries with no recent populist history, tracking central bank credit year by year after the change of regime.The Central Bank Independence Extended (CBIE) index. Romelli, Davide. 2022. "The Political Economy of Reforms in Central Bank Design: Evidence from a New Dataset." Economic Policy 37 (112): 641-88. A dataset scoring central bank laws on their independence, including limits on lending to government. The paper uses it to show that countries with a populist past, especially a left-wing one, now have stricter legal limits on central bank lending than countries with no such history.Argentina, Chile, and Mexico. The paper's three historical case studies. In Argentina, governments from Perón onward repeatedly rewrote central bank law to permit financing of the treasury, contributing to repeated bouts of high inflation and, eventually, hyperinflation in the 1980s. In Chile, the Allende government printed money to fund an expansion of the state, and inflation reached roughly 600% in 1973 before the government was overthrown. In Mexico, President Echeverría's public investment drive in the 1970s was financed in part by the central bank, feeding an inflation and currency crisis that culminated in the country's 1982 default. Uribe and Magud point to these episodes as the historical template their statistical results describe.Related reading on VoxEUCentral bank independence: An update, a VoxEU column in which Sylvester Eijffinger and Jakob de Haan argue that legal independence alone does not shield a central bank from political pressure to loosen policy.Recent trends in central bank independence, in which Davide Romelli, whose index this paper uses to track legal independence, documents a fresh wave of reforms strengthening central banks worldwide since 2016.

Triggernometry is proudly independent. Thanks to the sponsors below for making that possible: - Venice is private, unrestricted AI. No conversation logs sitting on someone else's server, no pre-approved list of subjects you're permitted to think about, no refusals dressed up as safety. *Try it at https://venice.ai/lp/triggernometry and get 20% off your first month - Take Hillsdale College's online courses for free at https://hillsdale.edu/trigger - Earn a yield on gold https://monetary-metals.com/triggernometry/ - BUBS Naturals Collagen Peptides. Go to https://bubsnaturals.com and use code: TRIG for 20% off Join our exclusive TRIGGERnometry community on Substack! https://triggernometry.substack.com/ OR Support TRIGGERnometry Here: Bitcoin: bc1qm6vvhduc6s3rvy8u76sllmrfpynfv94qw8p8d5 Shop Merch here - https://shop.triggerpod.co.uk/ Advertise on Triggernometry: https://trigger-brands.com | or enquire at marketing@triggerpod.co.uk Find TRIGGERnometry on Social Media: https://twitter.com/triggerpod https://www.facebook.com/triggerpod/ https://www.instagram.com/triggerpod/ About TRIGGERnometry: Stand-up comedians Konstantin Kisin (@konstantinkisin) and Francis Foster (@francisjfoster) make sense of politics, economics, free speech, AI, drug policy and WW3 with the help of presidential advisors, renowned economists, award-winning journalists, controversial writers, leading scientists and notorious comedians. Learn more about your ad choices. Visit megaphone.fm/adchoices

Using glass as a medium to capture and refract light, David Yeshia seeks to freeze moments of transition, combining myriad elements to manipulate their visual and symbolic effects. Also a metaphor for his life at the time, Yeshia was smashing glass and rebuilding the fragments into something beautiful. A new breed of "artrepreneur," he emerged from the Covid pandemic bringing art out of the gallery and into the public marketplace by developing accessible and affordable works.  A self-taught Canadian glass artist known for his signature fused glass techniques, Yeshia has developed innovative methods including his "Glass Netting" technique, "Glascade" and signature "Free Mosaic" forms exploring glass as both structure and light. He was nominated for the Emerging Glass Artist of the Year Award by the Glass Art Society and has created sculptural works for government commissions and collectors across Canada. His work is sold at Walt Disney World, and his process-focused storytelling has attracted over 400,000 followers across social media, with his videos reaching tens of millions of views. Yeshia attended Concordia University Fine Arts, graduating in 2013 with a Bachelor of Arts Degree with a double major in Theater and Religious Studies. In 2017, as an exotic mushroom cultivator in Montreal, Yeshia's business was hit hard by the Covid pandemic's impact on the restaurant and food industries. At 30 years old, he moved back in with his parents in the countryside just outside of Pembroke, Ontario—emotionally drained, uncertain about the future, and feeling like a failure. Dejected, without direction, he began to experiment with glass in the stained glass studio of his father, Jeffrey Melamed, an architect turned stained glass artist.  Says Yeshia: "When I was struggling and trying to rebuild my life, my family rallied around me. Their enthusiasm for my work gave me the encouragement and confidence to keep going. My mother began attending markets, my father helped with displays, shows, and accounting, and my sister brought her creativity and many great product ideas." Yeshia's business Artglas has expanded to Markham, Ontario, and now employs a staff of seven. Early on, a pivotal meeting with Disney's Keith Bryan inspired the artist's early series of fused glass art and eventually led to his ongoing contract to design and produce ornaments for Disney. In September 2026, Artglas will return to exhibit in "The Transparent Breath," an International exhibition of glass jewelry held at Venice Glass Week. Specializing in experimental fusing techniques to create contemporary glass jewelry that represents the Canadian identity, Yeshia's Venice collection showcases his unique talents of incorporating 24-karat gold and silver into the glass. "This will be our fifth time at Venice Glass Week. It was an honor to be amongst some of the greatest glass artists of our time, in one of the world's most historic hubs of the arts," said Yeshia. "And it was overwhelming connecting with artists from all over the world, sharing our work and creativity in such an inspiring environment." In 2027, Yeshia's company will also expand its online education and subscriber platforms, open a gallery and second studio space, and create more room for one-of-a-kind and conceptual work. Artglas also has new commercial projects in development, including a Disney concept still awaiting approval. Says Yeshia: "As Artglas grew, I had to learn how to wear many different hats, including artist, maker, employer, marketer, content creator, educator, salesperson, and business owner, while still preserving the meaning, symbolism, and quality of the work."    

Textbook economics says a tariff should strengthen a country's currency. Since the start of 2025, as US tariffs rose ... and the dollar fell.In the first of four episodes of Voxtalks based on papers presented at the second Economic Policy: Papers on European and Global Issues conference, Alfonso Merendino (Bocconi University) and Tommaso Monacelli (Bocconi University, CEPR) tell Tim Phillips what they found when they looked for reasons. Their conclusion: for tariffs, it's not size, it is how permanent people expect it to be. They call this structural trade policy uncertainty. When that uncertainty is low, a tariff behaves exactly as the textbook says. When it's high, the same tariff can weaken the currency, shrink output and pull down inflation instead.The research behind this episode:Merendino, Alfonso, and Tommaso Monacelli. 2026. "Tariffs, Uncertainty, and the Exchange Rate." Conference draft, presented at the 2nd Economic Policy: Papers on European and Global Issues Conference, Venice, 19-20 June 2026. Forthcoming in Economic Policy.To cite this episode:Phillips, Tim, Tommaso Monacelli, and Alfonso Merendino. 2026. "Tariffs, Uncertainty, and the Exchange Rate." VoxTalks Economics (podcast).About the guestsTommaso Monacelli is Professor of Economics at Bocconi University and a Research Fellow of IGIER Bocconi and CEPR. His research spans international macroeconomics, monetary policy and the business cycle, with recent work on tariffs and monetary policy, supply chain uncertainty and inflation, and heterogeneous bank models of monetary transmission. He is co-editor of the Journal of International Economics and was managing co-editor of Economic Policy from 2016 to 2021.Alfonso Merendino is a PhD student in Economics at Yale University and a Research Fellow at the Social Economics Lab. He recently completed a research placement in macroeconomic modelling at the European Central Bank, and holds a Bachelor's and Master's degree in Economics from Bocconi University, where this paper was written.Research cited in this episodeStructural trade-policy uncertainty (S-TPU). The paper's central measure, capturing uncertainty not about the size of a tariff but about how persistent the trade-policy regime behind it will be. Merendino and Monacelli split observed US tariff rates from 1990 to 2025 into a persistent component and a short-lived transitory one, using a state-space model with separate volatility for each, and define S-TPU as the volatility of the persistent component.The 2017 US withdrawal from the Trans-Pacific Partnership. The authors' example of a pure S-TPU shock. The withdrawal changed no tariff rate on impact, but it reshuffled expectations about the durability of US trade policy, and their index of structural uncertainty spikes at this point."Liberation Day" tariffs, April 2025. The sweeping tariff package announced by the Trump administration on 2 April 2025. The paper treats this, alongside the 2018 Section 301 tariffs on China, as one of two clearly identified tariff shocks used to anchor its statistical model.Aggregate trade-policy uncertainty index. Caldara, Dario, Matteo Iacoviello, Patrick Molligo, Andrea Prestipino, and Andrea Raffo. 2020. "The Economic Effects of Trade Policy Uncertainty." Journal of Monetary Economics 109: 38-59. This newspaper-based index of trade-policy uncertainty mixes announcement noise with genuine regime change; Merendino and Monacelli show that conditioning on it, rather than on their narrower S-TPU measure, erases the state-dependent pattern they document.Narrative-dominance identification. The technique the authors use to isolate tariff shocks in their statistical model, adapted from Juan Antolín-Díaz and Juan F. Rubio-Ramírez. 2018. "Narrative Sign Restrictions for SVARs." American Economic Review 108 (10). Rather than imposing a full statistical model, the method anchors identification to a small number of clearly documented policy events, such as the 2018 and 2025 tariff rounds, and lets everything else, including the sign of the exchange-rate response, be estimated freely from the data.More VoxTalks Economics episodesThe second Economic Policy: Papers on European and Global Issues conference follows the first, held in Paris in December 2025. Three earlier VoxTalks Economics episodes from that Paris conference asked what comes next for Ukraine's economy.What's next for Ukraine: Investment, in which Yuriy Gorodnichenko and Maurice Obstfeld argue that forgiving Ukraine's war debt, rather than treating it as an obstacle, is essential to attracting the $40 billion a year that reconstruction needs.What's next for Ukraine: Reconstruction, in which Edward Glaeser, Martina Kirchberger, and Andrii Parkhomenko argue that postwar Tokyo, not Warsaw or Berlin, is the right model for rebuilding Ukraine's cities.What's next for Ukraine: The labour market, in which Giacomo Anastasia documents the surprising resilience of Ukraine's wartime labour market.Related reading on VoxEUTariffs and US dollar depreciations: Not so surprising after all, a VoxEU column in which Giancarlo Corsetti, Simon Lloyd, and Daniel Ostry argue that the dollar's fall after Liberation Day is explained by foreign retaliation, a different mechanism from the persistence channel that Merendino and Monacelli identify.Tariffs, the dollar, and equities: High-frequency evidence from the Liberation Day announcement, in which Jonathan Hartley and Alessandro Rebucci show that the dollar depreciated on impact on 2 April 2025, against the standard prediction, and trace this to foreign investors rebalancing away from US equities.

Episode 350, and apparently the milestone gift is discovering that the United States is now paying the mortgage with the credit card. Chris and Rajeil unpack Scott Bessent's decision to supersize Treasury bond buybacks just as long-term yields hit 19-year highs and the national debt crossed $40 trillion. We go from Venice's first bond market to the Treasury-Fed Accord, Japan's yield-curve-control experiment, and why governments have a long, ugly history of trying to bully borrowing costs lower. Then there's the timing: the accelerated program starts September 9, runs through November 4, and somehow manages to wrap up one day after the midterm elections. Pure coincidence, obviously. Add a Fed already fighting inflation, a tapped-out consumer, and markets beginning to question the price of American debt, and Episode 350 asks the uncomfortable question: when the smoke alarm gets too loud, are we fixing the fire—or just pulling the battery?

September is just around the corner and with the start of the new month comes the fall film festival circuit. Taylor Antrim served as a guest host on today's episode and was joined by fellow Vogue editors and cinephiles Liam Hess and Lisa Wong Macabasco. They discussed the slate of fall film festivals ahead. Liam will be attending Venice—the first and most glamorous of the bunch—and then Taylor and Lisa will both be headed to Toronto International Film Festival (TIFF) as well as New York Film Festival (NYFF). “We do get the opportunity sometimes to see some of these festival films before they come out in the festivals because they're trying to drum up support from Vogue and other, other outlets,” Taylor explained. As such, they began their conversation by shouting out some of the films they've already had the chance to see. First on that list was the New York centric film Paper Tiger, by James Gray starring Adam Driver, Miles Teller, and Scarlett Johansson. “There's a lot of wigs and suits and accents that are a little over the top,” Lisa noted of the thriller that takes places in Queens, New York in the eighties. After watching the film, Taylor found himself asking his group chats “Is Adam Driver a great actor or not?” The cohort weighed in on this quandary.  They weighed in on All of A Sudden, Ryusuke Hamaguchi's French language debut, Fjord, Cristian Mungiu's legal thriller starring podcast favorite Renate Reinsve and Sebastian Stan,  Hope, an action film starring two-time Vogue cover star Ho-yeon, and Gentle Monster, a vehicle for an incredible performance from Léa Seydoux. In a final lightning round, they each shared the two films they are most excited to see at the festivals. For Liam, he is looking forward to catching Possible Love by Lee Chang-dong and Primetime, a striking portrayal of television host Chris Hansen. Lisa is excited for Bucking Fastard, starring the Mara sisters as twins, and Misty Green, Chris Rock's directorial return promising a commentary about race in Hollywood. Taylor rounded it out with Ink from Danny Boyle, a biographical film about Rupert Murdoch's acquisition of The Sun, and Magazine, an indie pick from Vogue contributor Alexandra Pechman.  Also on today's episode, Chloe is joined by Marley Marius to talk about the big news of the week: the reported return of Prince Harry and Meghan Markle to the UK. They also discuss the latest movies they've seen (Paw Patrol for Chloe and Novak Djokovic: The Wolf in Winter for Marley) and which stars they are most excited to see on the Venice red carpet (hint: it starts with Parker and ends with Posey). And they gushed over Margaret Qualley's Chanel barefoot sandals which she rocked at a recent red carpet appearance for The Dog Stars in London. The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn more about your ad choices. Visit podcastchoices.com/adchoices

What do you get when two 22-year-olds with almost no money decide that the canals of Southern California need gondolas? In the case of David F. Black and his friend Mike O'Toole, you get a leaky Pakistani fishing boat, an old lifeguard dory, plenty of people convinced the idea will never work, and eventually one of the most unusual Italian-inspired businesses in America. More than four decades later, gondolas are still gliding through the canals of Naples Island in Long Beach, California.

Ben, Brian, and Ted declare this one Oops All Feedback (or, as Ben coins it, "oopsitizers"): five tape machine clips plus reviews and community wins. Ben's avionics go pop-pop-pop over Columbus under an occluded front, and the crew lands on static as the likely culprit, with a side of "do you have static wicks?" Mark (1DullGeek) returns with the owner-maintenance addendum: anyone can replace a cylinder, only an A&P can sign it back into service, half the work is reading the maintenance manual, and his torque wrenches visit a calibration lab every year. Tango Hotel plans to fly the entire Mississippi from Lake Itasca to Venice, Louisiana, sandbars included. Ray in Australia asks how to survive "dropping out the bottom of the flight school sausage machine." Dan, almost 60, regroups with a new instructor at a slower pace (spite is very motivating). And Sierra Mike, 59, calls midlife "a fairly optimistic actuarial assumption" and reports that his instrument rating is temporarily delayed, not canceled.Plus: Delta Foxtrot passes his instrument checkride on the first attempt a month before his 66th birthday, Aviator Mo's five-star review orders Ben to stop whining, the non-event event moves to Saturday, September 19 at McCollum Field (RYY) with Elevation Chophouse after, and Brian connects it all to the Center for Land Use Interpretation and the way little airplanes teach you to read the landscape. Tonight's wisdom: learn from the mistakes of others, because you won't live long enough to make them all yourself.Mentioned on the show:Center for Land Use Interpretation: https://clui.org/

In this episode, Chris Cochrane guest-hosts for his brother Ray and devotes the whole show to one event: Disney’s D23 2026 fan convention in Anaheim. Friday night delivered Marvel’s new X-Men cast, Adam Driver as Mister Sinister, a fresh Avengers: Doomsday trailer, and a release date for Frozen 3. Saturday turned to the parks, with Villains Land, an Indiana Jones dark ride, the long-awaited Expedition Everest yeti repair, and a Monsters Inc land opening in 2027. – Want to start a podcast? It’s easy to get started! Sign up at Blubrry – Thinking of buying a Starlink? Use my link to support the show. Subscribe to the Newsletter. Email Chris if you want to get in touch! Like and Follow Geek News Central’s Facebook Page. Support my Show Sponsor: Best Godaddy Promo Codes Get 1Password Full Summary Chris Cochrane opens the show and explains why this episode breaks the usual format. Instead of six or eight unrelated stories, the entire episode covers Disney’s D23 convention, which he compares to Apple’s WWDC. For newcomers, he notes that D23 is Disney’s official fan club, named for the company’s founding year of 1923. This year’s event ran two nights at the Honda Center: Friday for movies and television, Saturday for the theme parks. Marvel Finally Casts the X-Men Friday’s headline was the X-Men. The Associated Press put the crowd near 12,000, and Marvel Studios used that stage to name its rebooted team. Christopher Abbott plays Professor Charles Xavier, Inde Navarrette plays Rogue, and Maya Boyd plays Storm. Adam Driver rounds out the group as the villain Mister Sinister. Meanwhile, Samara Weaving, Kit Connor, and Sadie Sink were already known as Emma Frost, Cyclops, and Jean Grey. Jake Schreier directs, and the film arrives May 5, 2028. Chris calls the lineup spot-on casting. He singles out Weaving as a perfect match for the comics, and he points out that Sink already appeared as Jean Grey in Spider-Man: Brand New Day. Navarrette is the least established name, coming off a breakout role in an indie horror film. Boyd, meanwhile, was the name he knew least, with what he believes is a Broadway background. Above all, Chris hopes Marvel does the team justice, and he recommends the animated revival X-Men ’97 on Disney+ as the best place to start. Frozen 3 Gets a Date and a Chaotic Reveal Frozen 3 lands November 24, 2027. That is the Wednesday of Thanksgiving week, the same slot the first two films used. The story centers on Anna and Kristoff’s wedding, which a new villain, an evil Ice Queen, disrupts. Jennifer Lee returns to direct with Trent Correy, and the full voice cast is back. However, the reveal itself fell apart. Kristen Bell and Idina Menzel performed a darker arrangement of “Frozen Heart.” Meanwhile, the audio failed, the video failed, and a set of doors never opened. Menzel asked the crowd whether they should try it again, and Bell simply narrated everything that was supposed to happen. Afterward, Josh Gad sang “Oooh, Samantha,” a new love song for Olaf. Chris is here for it, since Olaf is one of the franchise’s best comic characters. Pixar, Disney Animation, and the Rest of Friday Night Pixar chief Pete Docter laid out a packed slate. Incredibles 3 hits summer 2028 and follows Violet and Dash sneaking out at night to fight crime. Chris hopes that finally shows a grown-up Jack-Jack. Coco 2 follows in November 2029 with Benjamin Bratt returning as Ernesto de la Cruz. That has fans puzzling over how a villain already in the Land of the Dead comes back. Additionally, Pixar showed an original called Ghost Market and a Venice-set cat film called Gatto. On the Disney Animation side, Zootopia 3 is confirmed. The live-action Tangled arrives March 31, 2028 with Kathryn Hahn as Mother Gothel. Chris considers that casting perfect after her turn in Agatha All Along. A live-action Lilo & Stitch sequel, a new Simpsons movie, a Bluey movie, and a Kingdom Hearts anime series round out the list. For Star Wars fans, Ahsoka returns January 20, 2027. Chris also offers a hot take: he prefers Rogue One to the entire sequel trilogy. Consequently, he welcomes original stories like Ryan Gosling’s upcoming Starfighter. Adam Driver Is Mister Sinister Driver appeared by video rather than in person. He told the crowd that he and Kevin Feige had talked for years about joining the Marvel Cinematic Universe. Then he announced he would play Magneto. After a long pause, he corrected himself to Nathaniel Milbury, which is Mister Sinister’s human alias. The gag landed because fans had floated Driver for Magneto for years. For anyone new to the comics, Chris explains that Mister Sinister is a geneticist obsessed with mutant DNA, a manipulator rather than a brawler. The cast met backstage only minutes earlier, so Chris is curious how their chemistry develops. Notably, Christopher Abbott previously worked with Driver on HBO’s Girls. The script comes from Beef creator Lee Sung Jin and The Bear co-showrunner Joanna Calo, two prestige-television names that have Chris excited. Why the X-Men Took Thirty Years to Reach the MCU A business story underlies the casting. In the 1990s, a financially struggling Marvel sold film rights to raise cash. Fox ended up with the X-Men and the Fantastic Four, and Sony took Spider-Man. As a result, Marvel Studios built its connected universe from 2008 onward without some of its most famous characters. The Hugh Jackman era of X-Men films belonged to Fox, with a separate continuity and no crossovers. That changed in 2019, when Disney closed its $71 billion purchase of 21st Century Fox’s film and television studio. Most coverage framed the deal as a streaming play, but it also brought the X-Men home. Chris sums it up neatly: Disney signed the paperwork in 2019, cast the film in 2026, and audiences see it in 2028. Ryan Gosling’s Starfighter, Ghost Rider, and VisionQuest Lucasfilm dated Star Wars: Starfighter for May 28, 2027. Gosling plays Kade Auberon, a pilot from the wrong side of the galaxy tied to the fastest starfighter ever built. Before he walked out, Disney played clips of him as a kid on The Mickey Mouse Club. Gosling said the company changed his life then and is changing it again now. He is also playing Ghost Rider in the Marvel universe. That thrills Chris, since Nicolas Cage last carried the character on the big screen. Meanwhile, the Disney+ series VisionQuest arrives October 14. Paul Bettany returns as Vision and James Spader as Ultron, and the trailer drops the two androids into oddly mundane human situations. Bettany joked that Vision has “rather inconveniently died several times.” Chris agrees the character has been through the wringer since WandaVision. The Avengers: Doomsday Trailer Avengers: Doomsday opens December 18, with Joe and Anthony Russo directing. Robert Downey Jr., Chris Evans, and Hayley Atwell introduced the new footage. It offers the clearest look yet at Downey as Doctor Doom, who fights off Thor and takes his hammer. Evans appears as Captain America holding a baby, and Ian McKellen shows up as a haggard, long-haired Magneto. One quieter shot has Doom staring at a portrait of a lost wife and child. That frames him as a grieving avenger rather than a world-ender. He also commands an army of comic-accurate Sentinels. The cast pulls from the Avengers, the Fantastic Four, and the legacy Fox X-Men, including Patrick Stewart. Hugh Jackman also appeared on screen to say he is willing to return as Wolverine, though that was not a confirmation. Chris, a self-described Marvel nerd, closes with a theory. He suspects the MCU’s Tony Stark was actually Victor von Doom, adopted by the Starks, which would explain the Downey casting. He also predicts the Fox-era X-Men die off in this film and that Thor may be the major casualty. If it happens, he wants credit for calling it. Sponsor: GoDaddy Economy hosting $6.99/month, WordPress hosting $12.99/month, domains $11.99. Website builder trial available. Use codes at geeknewscentral.com/godaddy to support the show. Disney Parks Around the World Saturday’s Disney Experiences showcase covered parks, resorts, and cruise ships, with Neil Patrick Harris hosting. Hong Kong Disneyland gets an Avengers pavilion that reshapes its Stark Expo skyline. Shanghai Disneyland is building the first land devoted entirely to Spider-Man, complete with a new coaster. Since Spider-Man is his favorite hero, Chris hopes to visit once it opens. Closer to home, Avengers Campus at Disney California Adventure is doubling in size with two rides opening in 2028. Avengers: Infinity Defense brings back Jeremy Renner, Anthony Mackie, Chris Hemsworth, and Downey, while Stark Flight Lab adds Brie Larson. A Coco boat ride into the Land of the Dead is also coming, with no height requirement. Chris admits he prefers California Adventure to Disneyland because the rides are better. Overseas, Disneyland Paris will retire its Star Wars Hyperspace Mountain overlay at the end of 2027 and restore the original Jules Verne theme. Paris also gets the first ride ever based on The Lion King. Tokyo Disneyland adds Sugar Rush: Sweet Rescue, the first Wreck-It Ralph ride, plus a Space Mountain launch sequence designed with YouTuber Mark Rober. Finally, Disney Cruise Line announced three more ships, including the Disney Believe in 2027 and an entirely new class in 2029. Back in Anaheim, Tomorrowland is getting reimagined, which Chris welcomes because the land badly needs an update. The Magic Happens parade and the Remember Dreams Come True fireworks are both returning. For the tech crowd, Millennium Falcon: Smugglers Run now has a Fortnite crossover, where in-game missions unlock content on the real ride. Every New Walt Disney World Ride and Land Chris ranks the Florida parks Hollywood Studios first, then Epcot, Animal Kingdom, and Magic Kingdom. Magic Kingdom leads the announcements with Villains Land, now the official name. It features a Maleficent coaster through an enchanted briar and a boat ride through the Evil Queen’s catacombs. Reporting puts its scale near Star Wars: Galaxy’s Edge, and Glenn Close appeared in character as Cruella to announce it. Piston Peak, the Cars area replacing Tom Sawyer Island, adds two more rides, though their exact names remain unsettled. Additionally, the Carousel of Progress gets new scenes and a recast. Jamie Lee Curtis and Bryan Cranston will voice Mom and Dad starting late spring 2027. Chris, invoking Heisenberg, calls Cranston the GOAT. At Animal Kingdom, the Indiana Jones ride now has a name: Indiana Jones and the Myth of the Jade Serpent. It tells an original 1950 story inside a Maya temple, and Harrison Ford personally served as the physical model for the animatronic. Nearby, the Tropical Americas land brings Antonio’s Fiesta de Encanto, with more than fifty animal animatronics and no height requirement. Then comes the fix park regulars have wanted for years. The Expedition Everest yeti broke soon after the ride opened. Rather than fix it, Disney lit it with a strobe for over a decade, earning the nickname disco yeti. Now it is being repaired and returned to full motion. Chris rates Everest among his top five rides anywhere, and he suggests riding it before the fix so you can compare. Over at Epcot, Spaceship Earth gets its first major story rewrite in nearly twenty years, shifting from communication history to human connection. Dreamfinder also returns to Journey Into Imagination, and Disney Experiences chairman Thomas Mazloum introduced that news with two words: “we heard you.” Mazloum added that Disney has more projects underway than at any point in its history. After this rundown, Chris believes him. Monsters Inc Land Opens in 2027 Monstropolis begins opening at Hollywood Studios in early 2027, but in stages. The headline door coaster will not be ready on day one. It is the first suspended coaster in any Disney park. It also uses Disney’s first vertical lift, hauling riders about forty feet straight up before launching them into the door vault. Instead, the land opens with the Glob Theater’s “Welcome to Monstropolis” show and Harryhausen’s, a working sushi restaurant lifted from the first film. The stage show features an original song by Randy Newman, his first ever written for a theme park attraction. Chris also notes that the restaurant name honors stop-motion legend Ray Harryhausen. Wrapping up, Chris names the X-Men casting and the Doomsday trailer as his favorite moments of the weekend. He hopes to cover more movie news on future shows, and he plugs Dune: Part Three, which also opens December 18. Chris signs off with the usual mentions: GNC Insider at geeknewscentral.com/insider, email at geeknews@gmail.com, the newsletter, and modern podcast apps at podcastapps.com. He also thanks GoDaddy for over twenty years of support. The post Huge Announcements From D23!! #1873 appeared first on Geek News Central.

It always fascinates me when people with other artistic backgrounds settle on making films. They end up creating an art form that is noticeably different than their peers. My guest, Australian director Peter Skinner, spent five years as a sculptor, and then with the precision that art form requires, turned his focus into making astonishing films like his most recent, TWO UGLY PEOPLE (2025).It's a hard film to describe but a beautiful one to watch. The impetus for the story of TWO UGLY PEOPLE came in the form of a question: " how do I tell a story about two people who want be together, but the only way they can be together is by being strangers?" and Peter actualized that here, in a work worthy of a sculptor.In this episode, Peter and I talk about:the Letterboxd comment of " Peter Skinner is one of Australia's most exciting emerging filmmaking talents";how he got involved in filmmaking and the path of his classmates;sculpture's role in telling stories, directing, and cinematography;what he learned from making four shorts before his feature;how he describes TWO UGLY PEOPLE;the title!;the role of feedback for a film that is pushing boundaries of what people normally see on screen;the cinematography and production design of the film;how they found a space six hours away from Sydney;the festival and release strategy for the film -- and the crazy "pre-selection" process for Venice (is this common?!);the distribution process for the film;what's next for him.Peter's Indie Film Highlight: BABYTEETH (2019) dir. by Shannon MurphyMemorable Quotes:"I made figurative sculptures and that were based on myths and obviously very, narrative-based. But a sculpture is a, a physical object that sits in a space that if it's a static object, doesn't do anything other than sit there. So you have to tell a story as economically as possible, but also as much as you can in the static frame. So then when you look at filmmaking, filmmaking is just that 24 times a second over an hour and a half of a film." " Imagine you're a painter and you have to buy all the materials and you have to paint all the thing, and you've never painted a big painting before, but it's gonna cost you a million dollars, and then people have to really like it. It's almost a fool's errand.""I wanted to make a film I've never seen before."" It's like these places that hold every room is its own story, and I'm just telling you the story of these two people in these two rooms."Links:Follow Seymour Pictures On Instagram

Here is Pastor Frank Vargo's sermon on 8/23/26 titled, "Friends And Final Words" (The Closing of 2 Timothy) from 2 Timothy 4:9-22. Freedom Bible Church is a nondenominational church located at 5550 S. Sumter Blvd in North Port, Florida. The name “Freedom” comes from 2 Corinthians 3:17, "Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom." Our desire is to be a God-centered church, not man-centeredFreedom Bible Church is a Bible based church located at 5550 S. Sumter Blvd in North Port, Florida. The name “Freedom” comes from 2 Corinthians 3:17, "Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom." Our desire is to be a God-centered church, not man-centered.Website: https://freedombiblechurch.com/Facebook: https://www.facebook.com/freedombiblepcInstagram: https://www.instagram.com/freedombiblechurchOur church members come from North Port, Wellen Park, West Port, Port Charlotte, Punta Gorda, Venice, and Englewood.

Download SAILY in your app store and use our code sbp at checkout to get an exclusive 15% off your first purchase! For further details go to https://saily.com/sbpChapters:0:00 Intro0:31 Arusha, Tanzania3:05 Atlanta, US4:13 Austin, US5:50 Baghdad, Iraq6:33 Bali, Indonesia8:37 Bangkok, Thailand11:40 Budapest, Hungary12:04 Buenos Aires, Argentina13:19 Cairo, Egypt14:31 Chengdu, China15:10 Chicago, US15:21 Chongqing, China16:54 Delhi, India17:43 Florence, Italy19:39 Fukuoka, Japan21:26 Hanoi, Vietnam22:14 Hiroshima, Japan24:17 Hargeisa, Somaliland25:55 Ho Chi Minh, Vietnam26:20 Hong Kong27:13 Houston, US28:04 Istanbul, Turkey28:51 Kashgar, China29:24 Kyiv, Ukraine29:50 Los Angeles, US31:00 Lahore, Pakistan31:36 London, England32:20 Lviv, Ukraine33:05 Madinah, Saudi Arabia33:44 Medellín, Colombia34:19 Nairobi, Kenya34:53 Nashville, US35:44 New York, US37:10 Osaka, Japan38:32 Paris, France39:25 Portland, US39:48 Rome, Italy40:10 Salt Lake City, US40:41 San Antonio, US40:51 Sapporo, Japan42:57 Seattle, US43:31 Seoul, South Korea44:06 Seville, Spain44:33 Taipei, Taiwan45:08 Tijuana, Mexico45:38 Tokyo, Japan47:16 Tulum, Mexico47:34 Venice, Italy47:49 Washington DC, US49:14 Doha, Qatar50:01 Ranking the S-tier citiesSupport the show on Patreon to get access to unfiltered travel content. Early access to every video, extended cuts, and uncensored content. https://www.patreon.com/smallbrainedamericanFollow the show ⬇️ Facebook https://www.facebook.com/realsmallbrainedamericanInstagram https://www.instagram.com/smallbrainedamerican/X https://x.com/SmallBrainedUSA

Shakespeare and law school might not be as far apart as you thought. Guest Len Niehoff is a professor of law at the University of Michigan Law School and the author of the recent book Meeting Shakespeare at the Bar: Reading the Bard Through the Lens of the Law, a book written for both lawyers and non-lawyers offering practical insights into how Shakespeare's works illuminate the questions of law, ethics, and advocacy. As an innovative professor and a lifelong fan of the Bard, Niehoff began studying, and encouraging students to study, Shakespeare's interest in the rule of law, what puts the rule of law at risk, personal responsibility, and how law can be twisted into the unlawful. “It was kind of a natural transition to turn to Shakespeare,” he says. Indeed, Measure for Measure and The Merchant of Venice have trials at their heart. But Niehoff and his students look at how the law works it into other plays, such as Julius Caesar, MacBeth and Hamlet. Now imagine a group of lawyers meeting up with Shakespeare one evening at a local bar, sharing war stories, funny moments, and issues of ethics, and morality and the law. That's the book. Niehoff's fascinating examination of Shakespeare's work and the law may have you thinking about the human condition differently. Have a question, comment, or suggestion for an upcoming episode? Get in touch at MRogson@SkywardInsurance.com or JAReederJr@gmail.com. Resources Mentioned:  “Meeting Shakespeare at the Bar: Reading the Bard Through the Lens of the Law,” by Leonard M Niehoff “Tanner v. United States”, Justia  “Cattle: Related Cases,” AnimalLaw.info Twombly and Iqbal, “Twiqbal,” Wikipedia “The Crucible,” by Arthur Miller “Shakespeare Unlimited Podcast,” Folger Shakespeare Library “Macbeth,” Shakespeare, full play “Titus Andronicus,” Shakespeare, full play “Henry VI, Part 2,” Shakespeare, full play “Othello,” Shakespeare, full play “Hamlet,” Kenneth Branagh, full movie, free, YouTube American Bar Association American Bar Association Litigation Section Subscribe to Litigation Radio: https://play.megaphone.fm/rhyxdryztyy2v3itq6sdlq

Venice founder Erik Voorhees says crypto's real job was never speculation. It's becoming the rails AI agents actually need. Plus, why he sold equity, not tokens. ======================================================== Thank you to our sponsors! Visit 1inch to swap tokenized securities, crypto and more. Simple. Secure. Self-custodial. Whatever asset you're buying - swap it at http://unchainedcrypto.com/go/1inch-sn ======================================================== Stripe bought OpenRouter this month in one of the cleanest crypto-to-AI pivots yet, and Erik Voorhees says most of the industry drew the wrong lesson from it. Voorhees, founder and CEO of Venice AI, joins Kain Warwick and Taylor Monahan to argue that crypto's job was never to serve crypto people, it was to become the financial rails a decentralized AI future actually needs. He pushes back on the instinct to abandon tokens for pure AI plays, and on the assumption that America deserves to win the AI race just because it is America. They get into why Voorhees sold Venice's equity but refused to sell its VVV tokens, why he says the big labs are losing money "hand over fist" subsidizing $200-a-month plans, how DeepSeek reset the cost curve for inference, and why he calls the moderation layer sitting inside today's AI models "deceptive." His answer for who should actually win the AI race has nothing to do with flags. Hosts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kain Warwick⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Host of Uneasy Money and Founder of Infinex and Synthetix ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Taylor Monahan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Co-host of Uneasy Money and Security Expert Guest: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Erik Voorhees - Founder and CEO of Venice AI Timestamps

In this episode of Chronicles, Luca and Rory conclude their discussion of Childe Harold's Pilgrimage with Canto IV. They explore Byron's love of Venice, and his ruminations on the fallen glory of Rome.

The romantic maze of islands, once a center of formidable power and wealth, still seduces visitors with its unique setting steeped in elegant decay. For European travel information, visit https://www.ricksteves.com.

CUJO is a podcast about culture in the age of platforms. Episodes drop every other week, but if you want the full experience, we recommend signing up for a paid subscription. Paid subscribers also get access to our CUJOPLEX Discord and The Weather Report, a monthly episode series where we take stock of where the cultural winds are blowing and tell you what's rained into our brains. Catch last month's episode, where we dig into the rise of “waiting-in-line culture” in cities across America, the Spotify vs. Kalshi saga, Lebron James' post-factual free agency, and more.Hi pals. While we're off on vacation this week, we decided to do something a little different for this week's show.If you checked out last month's Weather Report, you probably heard that Andrea recently had the opportunity to participate in a multimedia installation at LA's National Museum of the Aftermath called “California Gothic” that dives into the question of what Los Angeles, and the lives of those who live there, will look like after collapse.The project is the brainchild of Gina Delvac and James Kim, two of the most creative minds working in audio storytelling today. For “California Gothic,” they commissioned audio creators, journalists, writers, and artists (Andrea included) to imagine a future where their favorite place in Los Angeles no longer exists, and then to create a speculative audio story about it — short prose, an intimate fiction scene, an ambient piece, or something surreal that doesn't fall into any of those. They ask: What memories reverberate from this place? What memories can still be heard? What have we lost?While “California Gothic” was (at the time anyway) a one-off event, we were so moved by the vision and creativity of these experimental pieces – which range from sound collages, to surrealist scifi, to letters from future selves – that we thought it would make for a sweet summer treat to feature them here on CUJO.Today's episode features six of those pieces, each imagining a different place in Los Angeles as remembered in a post-apocalyptic future. But first, Gina joins us for a quick chat about the meaning of “California Gothic,” why spoken audio should be recognized as an art form as much as a commercial output, and what's in store for the project beyond “California Gothic.” If you have ideas or want to get involved with future iterations of the project, reach out to Gina at gdelvac@gmail.com California GothicCuratorsGina Delvac is a native Angelena and podcast showrunner, audio creator, and curator. Her work includes projects like Call Your Girlfriend, Bandsplain, and Lost Notes: Groupies.James Kim is the EP of original programming at Lemonada, and he previously made the fiction podcast Moonface, the Apple TV documentary series Magnificent Jerk, and was the showrunner for the HBO/TCM show Talking Pictures.ContributorsJennifer Swann: Shatto 39 Lanes bowling alley, Koreatown (18:45)Jenn Swann is a journalist, radio producer, and the writer and host of the podcast series My Friend Daisy. She's on Substack and Instagram.Angel Carreras: The Thai Boxing Institute, Venice (24:21)Angel Carreras is a journalist and audio producer. Say hi to him on Instagram and pls listen to whatever econ thing he helped make at NPR. Henry Johnson: Frogtown (27:40)Henry is an artist and native Angeleno based in Los Feliz. He works in television. Molly Lambert: The Southwest Museum tunnel, Mt. Washington (31:07)Molly Lambert is a podcaster, journalist, and writer in Los Angeles. She hosts the podcast Mollyworld. Sophie Bridges: Barndall Park darkroom, East Hollywood (36:30)Sophie Bridges is a writer and audio producer. She's the producer and story editor of the podcast Shell Game, and she lives in the last city on earth (Los Angeles).Kristen Torres: Echo Park Lake (44:37)Kristen Torres is a freelance podcast and video producer based in Los Angeles. She recently became a great-aunt and feels like her weird aunt powers grow stronger by the day.Andrea Domanick: The Sunset Strip, West Hollywood (51:42)Andrea Domanick grew up watching the Strip change on Holloway Drive, where the (real) Sunset Strip sinkhole ruptured this summer. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theculturejournalist.substack.com/subscribe

Friday of the 20th Week in Ordinary Time Memorial of Pope St. Piux X, 1835-1914; at 23, he was ordained and became a chaplain; in 1875, he became episcopal chancellor of Treviso and spiritual director of the diocesan seminary; in 1884, Bishop of Mantua; and, in 1893, Patriarch of Venice; when elected pope in 1903, he chose as his motto, "To renew all things in Christ"; his papacy achieved a restructuring of the Roman Curia, revised guidelines for priestly formation, work toward a revision of the Code of Canon Law, a catechism, liturgical reforms, encouragement of frequent communion, and the establishment of the Biblical Institute in Rome; he died just before the start of World War I Office of Readings and Morning Prayer for 8/21/26 Gospel: Matthew 22:34-40

Can a mountain of zucchini turn into a homemade pizza you can't stop taking “just one more” slice of?In this bite-sized episode, we share delicious moments about the best things we ate this week to inspire each other – and you!By the end of this episode, you'll discover a standout Smitten Kitchen recipe for a thin-crust summer pizza that's loaded with zucchini yet somehow still crispy, golden, and nutty with browned Gruyère.You'll also want to try a saucy, spicy breakfast dish inspired by a recent visit to a street food stand in Los Angeles.Tune in for a quick dose of home cooking inspiration!***For more recipes and cooking inspiration, sign up for our free Substack here.And join us on our live monthly calls by upgrading your subscription to paid!***Links:Smitten Kitchen's summer squash pizzaChilaquiles from ChiLAquiles on Venice and Hauser in Los AngelesChilaquiles master recipe from Rick Bayless, and a store-bought sauce recommendation (and great article!) by Jarret Melendez from EpicuriousAlso mentioned:Giada's scarpaccia video and her recipe (gluten-free!)And a vegan version of scarpaccia from Earth To Rocco ****Got a cooking question? Leave us a message on our hotline at: 323-452-9084For more recipes and cooking inspiration, sign up for our Substack here.Are you a local to Portland or planning a visit? You can now book a private farmers' market tour with Sonya through Airbnb Experiences! Or order Sonya's cookbook Braids for more Food Friends recipes!

n this episode of Venice Talks, Monica speaks with drinks writer, podcaster and author Susan L. Schwartz about her new book, A Guide to Drinking in Venice.Venice is a city where drinking is never just about what is in the glass. It is about ritual, place, history and the people behind the bar. Susan takes us through the research and stories behind the book, from traditional bacari and Venetian drinking habits to cocktails, wine, coffee and the changing bar scene of the city.We also talk about what surprised her while researching the book, how Venice's drinking culture differs from what visitors often expect and why understanding where and how Venetians drink can reveal so much about the city itself.Key Notes from This EpisodeHow the idea for A Guide to Drinking in Venice beganWhat inspired Susan to dedicate an entire book to Venice's drinking cultureThe research behind the book and the people she met along the wayWhy Venice is about much more than just SpritzBacari, wine bars, cocktail bars and the different ways of drinking in the cityThe role of tradition in Venetian drinking cultureHow Venice's bar and cocktail scene has evolved in recent yearsWhat visitors often misunderstand about drinking in VeniceSome of Susan's favourite discoveries while researching the bookHow a drink can become a way of understanding the history and identity of a placeIf you love Venice, food, wine, cocktails and the stories hidden behind everyday Venetian rituals, this is an episode to listen to with a glass in hand.Remember to follow and subscribe to Venice Talks so you never miss a new conversation with the people who make Venice the extraordinary, complex and endlessly fascinating city it is.

Schoolteacher A.J. Mackinnon sailing and rowing the locks and canals of the UK across the English Channel to Romania in a small dinghy. Years later, boarded another little boat to voyage from Romania to Venice. 

Triggernometry is proudly independent. Thanks to the sponsors below for making that possible: - We use Ground News to escape the echo chamber and stay fully informed. Go to https://ground.news/triggernometry to save 40% on the Ground News unlimited access Vantage plan. - Venice is private, unrestricted AI. No conversation logs sitting on someone else's server, no pre-approved list of subjects you're permitted to think about, no refusals dressed up as safety.*Try it at https://venice.ai/lp/triggernometry and get 20% off your first month - Discover the foundations of Western civilization with 321 - free online course on God, the world, and your place in it. Do the course at https://321course.com/trigger - Take control of your cellular health today. Go to https://qualialife.com/TRIG and save 15% to experience the science of feeling younger - Enter Ridge's biggest giveaway yet, a Lamborghini, a Hennessey, a Bronco, or $100,000 cash, free at https://Ridge.com, and get 10% off with code TRIGGERNOMETRY. Join our exclusive TRIGGERnometry community on Substack! https://triggernometry.substack.com/ OR Support TRIGGERnometry Here: Bitcoin: bc1qm6vvhduc6s3rvy8u76sllmrfpynfv94qw8p8d5 Shop Merch here - https://shop.triggerpod.co.uk/ Advertise on Triggernometry: https://trigger-brands.com | or enquire at marketing@triggerpod.co.uk Find TRIGGERnometry on Social Media: https://twitter.com/triggerpod https://www.facebook.com/triggerpod/ https://www.instagram.com/triggerpod/ About TRIGGERnometry: Stand-up comedians Konstantin Kisin (@konstantinkisin) and Francis Foster (@francisjfoster) make sense of politics, economics, free speech, AI, drug policy and WW3 with the help of presidential advisors, renowned economists, award-winning journalists, controversial writers, leading scientists and notorious comedians. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bijan Maleki and Kris Bullock are back to break down a potentially important shift in the macro setup for crypto. With the U.S. Treasury stepping up long-dated bond buybacks, long-end yields are falling and the dollar is weakening - conditions that could become increasingly supportive for bitcoin, gold, and other risk assets. Kris also digs into PUMP, which has recently overtaken Hyperliquid in 30-day protocol revenue, and explains why he's considering adding it to the Real Vision model portfolio. They compare the setup with HYPE, run through the usual crypto charts, and look for the strongest opportunities across the market.

Max's secret from his recent San Francisco trip is exposed, LA restaurants that are making the best of Summer ingredients, a short farmer's market report, Mei Lin and more at Chain's new mall pop-up, Vin Folk's tasting menu, 80s music, bad restaurants to enjoy, living in Venice, Jordo's comfort food, "annihilating" podcasters Jonah Hill style, Saint James instructions, reservation apps, Sphere talk, more hot dog toppings, and the best new dish at Matū Kai is probably going away.

How did medieval builders create monuments that still leave us awestruck? How were vast cathedrals, temples and cities constructed and embellished?From Canterbury Cathedral and the palaces of Great Zimbabwe and Venice, to Cambodia's Angkor Wat, some of the greatest achievements of the middle ages depended on extraordinary stonemasons.Dr Eleanor Janega is joined by Simon Warrack to hear the inside stories of the exquisite craftsmanship behind these architectural wonders.MOREA Stonemason's SecretsListen on AppleListen on SpotifyMythbusting Medieval BuildingsListen on AppleListen on SpotifyGone Medieval is presented by Dr. Eleanor Janega. Audio editor is Amy Haddow, the producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Watch Matt and Eleanor's new documentary The Rise of the Plantagenets by subscribing to History Hit. Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week, PLUS early access ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

Italy is full of incredible places, and while Rome, Florence, and Venice get most of the attention, smaller cities like Verona are doing just as much but with fewer crowds and better prices. Beautiful Venetian architecture, stunning ancient Roman ruins, and grand Renaissance churches make Verona a destination that will surely be growing more and more popular in the near future. Add to it the fact that it's within hours of several incredible day trips like Lake Garda and Padua, and you have a city that is worth taking up multiple days of your Italian Itinerary!

Max and Evan discuss the summer box office, movie news, and upcoming film festivals. Films coming to TIFF, Venice, NYFF, and probably Telluride are discussed. The conversation covers upcoming movies, including a new film starring Pedro Pascal and a biopic about Anthony Bourdain. It also delves into the new Spider-Man movie.Chapters00:00 New Setup and Background03:02 Summer Box Office and Movie Selections05:53 Movie News and Anticipation for Film Festivals29:27 Upcoming Movies33:28 The Anthony Bourdain Biopic51:15 The New Spider-Man Movie

The 2026 edition of Venice Immersive marks their 10-year anniversary, and I interviewed the co-curators Liz Rosenthal and Michel Reilhac about this year's selection that includes 30 projects in competition, 9 Best of selections, 3 Biennale College Cinema – Immersive projects, 26 VRChat worlds, as well as a special immersive event. Rosenthal and Reilhac talk about how the structures and forms of immersive storytelling have really matured, and how they're still really novel and compelling ways that artists are using XR and the affordances of immersive design to tell really compelling stories. The diversity and comprehensive scope of the selection each year reflects a vibrant creative exploration that is being grounded into more and more viable revenue streams through "location-based entertainment" or LBE. Be sure to check out the 121-page IDFA DocLab Immersive Think Tank Report 2026 that I wrote for more details on this emerging indie XR distribution ecosystem. Rosenthal and Reilhac talk about the latest trends of immersive storytelling, but also what keeps them coming back to this emerging medium. To me, it's one of the most vital and interesting aspects of the XR industry, and it is also where I'm seeing some of the most intersting innovations for the medium. I've now published 692 episodes on Immersive Storytelling on the Voices of VR podcast since 2014 with many more unpublished in my backlog yet to come. This accounts for over a third of all my coverage as it's a really great testing ground for really understanding the affordances of the medium as it is used to tell so many different types of stories across many contexts, and using many different combinations of disciplines. Check out my previous episode #1787 for some of my philosophical musings on "Blending the Elements of Experiential Design."I'll be attending this year's edition of Venice Immersive to both see the program and to interview as many of the featured creators as I can, and last year I topped more than 30 hours conducted onsite. I will update this post here once I post all of my coverage from Venice Immersive 2026. Selected Projects that You Can Watch at Home Right Now If you won't be able to make it Venice Immersive, then there are a number of Best of Selections that are available on the Oculus store, that are very much worth checking out. Spymaster Crafting Crimes: The Mona Lisa Heist Hotel Infinity The Amusement Little Nightmares VR: Altered Echoes All but one of the 26 VRChat worlds in the VRChat World Gallery are already publicly available, and I'll leave a list of links down below if you'd like to get an early start on worldhopping. There will be an official Hub world in VRChat with portals to all of the worlds published on September 2nd by the VeniceImmersive user account, and if you're onsite, then I'd highly recommend checking these out as a guided tour. Celestium by Lavryou Memory by LeraNibiru_art Blumea… by TontonDemon Frozen Signal by Lavryou The Antikythera Mechanism by Thrill, PHIAbunny Come Home by Aruse Arkani A World Of My Own by 襟草たぬ Demonhour – Chapter 1 by Kitsunaki [Jan Köster] Dawn Beyond… by TontonDemon Noctiluca by LuminaPalette {黒熊１３} I Feel Small by Fewiix Veiled Dark by Dean`, Karl Kroenen Patriki VR by DrMorro Specularium by jasper ｡ Spatialography by VoxelKei Limitless Pt․1˸ Enter The Void by HILL JR Fractured Winter by Lavryou town of connection by haruki_haru Vertical Horizon ⁄ 361 Degrees by Inloco Gallery Tokogrammetry Museum by Tokoyoshi A Wonderful Thing To Realize by Screaming Color [not currently public] Volare by Juice … Break 25: Sinto Feliz by PK Half Empty by yuri_ts Forgotten Empire by 3D Master Liminal Nightmares by ∗Lotus∗ [Autumn Boyd] To sign up for Venice Immersive, then check out these logistical details as well asl accreditation process. If you are already signed up, then these are the four dates to pay attention to for booking experiences: Thursday, August 27th at 2.00 pm CET to book for September 2nd-4th Saturday, August 29th at 2.00 pm CET to book for September 5th-7th Monday, August 31st at 11.00 am CET to book for September 8th-10th Friday, September 4th at 6.45 am CET to book for September 11th-12th And be sure to check out my write-up from last year for more tips and tricks for attending Venice Immersive. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Could Venice be the perfect place to drift off tonight? In tonight's story, Geoffrey takes you to the winding canals and hidden gardens of Venice, where Professor James Sterling's peaceful holiday uncovers a forgotten piece of the city's history. If you'd like an extra touch of calm, you can also watch this episode on Spotify, complete with soothing visuals

Episode Description:Nancy Cartwright is best known as the voice of Bart Simpson. But in this archive conversation, James is interested in the artist behind the voice.Nancy joins the show to talk about In Search of Fellini, the film she co-wrote with Peter Kjenaas based on her own trip to Italy in the 1980s. At the time, Nancy was already working as an actress and voiceover performer, but she became obsessed with Federico Fellini's La Strada. She studied scenes from the film in acting class, felt deeply connected to Giulietta Masina's performance, and eventually decided she wanted to get the rights to adapt La Strada for the stage.So she wrote Fellini letters. When she finally got a response telling her not to come because Fellini would be working, Nancy heard something else: he would be there.She went anyway.That decision becomes the central metaphor of the episode. Nancy describes the trip not as a business errand, but as an immersion into life, art, culture, language, risk, chance encounters, and personal transformation. The film's line—sometimes you have to travel far, far away to find what is closest to you—comes from one of those real encounters.James and Nancy also talk about her earlier career. Nancy explains how she found her way from speech competitions in Ohio to radio work, to studying with Daws Butler, to acting classes with Milton Katselas. She shares stories about auditioning for Cheers, getting a part after walking straight out of the casting room, and learning that if you surprise yourself, you can surprise everyone else.That lesson also applies to The Simpsons. Nancy originally went in to audition for Lisa, but when she saw Bart's description—“a 10-year-old school-hating underachiever and proud of it”—she knew instantly that was the part. She trusted the instinct.The conversation becomes a meditation on creativity. Mentorship matters. Preparation matters. But at some point, the artist has to do the work, throw it away, walk into the room, and trust what happens.Nancy's story is about voice acting, Fellini, and Bart Simpson. But it is also about making the leap from talent to authorship, from performing other people's words to finding the story only you can tell.Editorial Note:This is a From the Archive episode. References to In Search of Fellini as a new or limited-release film, The Simpsons at that point in its run, Nancy's projects, and release timing reflect the original recording period.What You'll Learn:Why Nancy Cartwright calls herself one of the most recognizable voices attached to an unrecognizable face.How Bart Simpson's voice fits into Nancy's own personality and childhood mischief.Why La Strada affected Nancy so deeply as a young actress.How Nancy's trip to Italy became the foundation for In Search of Fellini.Why “sometimes you have to travel far, far away to find what is closest to you” became the emotional center of the film.How Nancy learned voice acting from Daws Butler.What Milton Katselas taught her about surprising herself.Why walking out of a Cheers audition helped her get the role.How to create an effect without making it feel calculated.Why auditions are not just competitions, but opportunities to fulfill a decision.How Nancy knew Bart was the right role even though she had been called in for Lisa.Why artists need preparation, mentorship, instinct, immersion, and commitment.How The Simpsons has lasted through writing, love, improv, and a giant universe of relatable characters.Why Nancy believes artists have a responsibility to connect with people on a deeper wavelength.How making In Search of Fellini took more than 20 years of persistence, revision, and collaboration.Timestamped Chapters:[02:00] The Most Unknown Famous Person in the WorldJames introduces Nancy Cartwright and asks what it is like to be instantly recognizable by voice but not by face.[02:43] Bart Simpson Enters the RoomNancy demonstrates why millions of people know her even if they do not know what she looks like.[03:04] Bart on an AirplaneNancy tells the story of using Bart's voice on a flight to the UK and entertaining the cockpit crew before landing.[04:55] Beyond Bart SimpsonJames introduces Nancy's broader creative life and her film In Search of Fellini.[06:37] The Pearl Is the Autobiography of the OysterJames connects Fellini's idea of autobiography and art to Nancy's film.[06:54] Traveling Far Away to Find What Is ClosestNancy explains the line from the movie and how it came from her real trip to Italy.[07:47] Studying La StradaNancy describes discovering Fellini's La Strada in acting class and becoming captivated by Giulietta Masina's performance.[10:43] Mentors, Acting Class, and Early RolesJames connects Nancy's early acting work, voiceover success, Daws Butler, Milton Katselas, and her growing artistic identity.[10:47] The Cheers AuditionNancy tells the story of walking out of an audition and discovering that the casting team loved it.[11:39] Surprise Yourself, Surprise Everyone ElseNancy shares Milton Katselas's advice and James identifies the broader lesson behind the audition.[13:18] Authenticity vs. CalculationNancy explains why an effect only works when it is sincere, not staged.[13:52] The Lobster Hat AuditionNancy tells the story of Marian Rose White, a strange hat, thick glasses, and how she was already auditioning before she entered the room.[17:47] You Are On Before You Walk InJames and Nancy turn the audition story into a larger lesson about authenticity and preparation.[18:24] Twenty Years of Writing In Search of FelliniNancy explains how the film evolved through many versions before becoming the final story.[21:05] Finding the Authentic Artistic SelfJames connects Lucy's journey in the film to Nancy's own search for her artistic identity.[21:47] Why Nancy Went to ItalyNancy explains how studying La Strada turned into a real-life mission to find Fellini and ask for the rights.[22:14] Storytelling, Speech Competitions, and Childhood MischiefNancy talks about growing up as one of six kids, discovering performance, and realizing there was a little Bart in her from the beginning.[25:23] Finding Daws ButlerNancy explains how a Warner Brothers contact led her to Daws Butler and how that mentorship changed her career.[27:14] Learning the Professional CraftEven with natural talent, Nancy spent years studying before Daws felt she was ready to record a proper voiceover tape.[30:23] Ride the Horse in the Direction It's GoingNancy reflects on seizing the moment and following the career openings that appear.[31:00] Make a Decision and Back It FullyNancy explains how artists can overcome comparison and negative voices by committing to the choice they make.[33:34] Trust the Work, Then Throw It AwayNancy describes the balance between preparation and presence: do the work, then go in and trust yourself.[33:57] Auditioning for Lisa, Choosing BartNancy remembers seeing Bart's character description next to Lisa's and immediately knowing where her instinct pointed.[35:21] Art as a WavelengthNancy explains why art can reach people beyond logic and pull something out of them emotionally.[37:04] Letters to FelliniNancy describes writing Fellini repeatedly, finally getting a response, and deciding to go to Italy anyway.[39:07] Immersing Herself in ItalyThe trip becomes more than a meeting. Nancy wants to eat, drink, fall in love, learn the culture, and live inside the experience.[41:18] The Line That Became the MovieNancy explains how a chance encounter in Milan gave her the line about traveling far away to find what is closest.[43:19] Real Life Becomes FilmJames and Nancy connect the people and moments from her trip to the characters and scenes in In Search of Fellini.[44:34] Why Nancy Didn't Play ClaireNancy explains why she realized acting in the film as the mother would distract from the story.[46:02] Maria Bello, Mary Lynn Rajskub, and the CastNancy talks about the actors who brought the film to life and the commitment they brought to the work.[48:00] Returning to Italy After DecadesNancy and her collaborators retrace her old journey, draw from diaries and letters, and rebuild the story.[49:31] Art After FearNancy tells the story of finding a sculpture after a frightening encounter in Venice and how that moment stayed with her.[53:47] Yes, AndJames identifies the improvisational quality in Nancy's life: saying yes to the moment and letting the next connection appear.[56:46] Writing the Script in a WeekAfter years of drafts, the final version comes together quickly because the deeper material had been building for decades.[58:11] Everyone Has an Artist InsideJames and Nancy discuss Fellini's belief that people carry artistic potential that often gets shut down by ordinary life.[01:00:38] Fellini, Bart, and Surreal TruthJames connects Fellini's surreal realism to The Simpsons and Nancy's attraction to Bart.[01:03:50] From One-Woman Show to Feature FilmNancy explains how In Search of Fellini began as a monologue and one-woman show before becoming a movie.[01:07:08] Why The Simpsons LastedNancy credits Springfield's huge cast of relatable characters, the writers, the performers, and the love behind the work.[01:08:42] Nancy's Code for SuccessDo what you love, surround yourself with supporters, be professional, find a mentor, surprise yourself, and seize the moment.[01:10:43] Why the Movie Still Works Without Knowing FelliniJames says viewers do not need to know Fellini to connect with the story of finding the artist inside yourself.[01:12:00] James's Reaction to the FilmJames says the movie made him cry and describes it as a story about finding your authentic self.Additional Resources:Nancy Cartwright Official WebsiteIn Search of Fellini — NetflixNancy Cartwright BiographyNancy Cartwright — Fox / The Simpsons BioNancy Cartwright — Television Academy InterviewIn Search of Fellini — Spotted Cow EntertainmentNancy Cartwright on the Personal Inspiration Behind In Search of FelliniMy Life as a 10-Year-Old BoyLa Strada — The Criterion CollectionFederico Fellini — The Criterion CollectionDaws Butler — Television Academy InterviewsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bijan Maleki and Kris Bullock join Real Vision members to break down the crypto charts, market conditions, and trades that matter right now. They examine Bitcoin and PAXG, as gold begins to show strength again and outpace BTC. They also run through the altcoins showing interesting setups and take live questions from Real Vision members.

The boys finally visited a dinner pop-up they've been chasing, a blast from Max's past is back in Venice, Jordan's Peking duck rankings gets a polish, taste testing Swedish candy, and a Bourdain movie mini review.