Podcast appearances and mentions of Roman Polanski

Rewind. Spend some time with Sandy and Terry as they explore one of the most iconic last lines in cinema, "Forget it, Jake. It's Chinatown," from the 1974 film CHINATOWN, written by Robert Towne, directed by Roman Polanski, and starring Jack Nicholson and Faye Dunaway. In this episode, they reveal the fascinating story of how this memorable line nearly didn't make it and why!Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

En ce jour de mai 1986, la star du jour au Festival de Cannes, celle pour laquelle un public nombreux et franchement disparate vient s'écraser sur les barrières Nadar ou saturer la croisette, et ben cette star mesure soixante mètres de long.On attend comme tous les jours des acteurs américains, des lunettes noires, des robes du soir, des arrivées en voiture sombre, et ben non, c'est un bateau pirate qui entre dans la baie au ralenti, toutes voiles dehors. Immense coque sombre, trois mâts dressés qui dominent les yachts modernes, avec ses cordages tendus de partout, et surtout, sa rangée de bouches à feu à bâbord comme à tribord. Les gens sur les terrasses n'en croient pas leurs yeux. Mais qu'est-ce que c'est que ce truc ? On le dirait sorti tout droit du XVII° siècle !Ce navire qui n'a rien de mystérieux se nomme en fait, le Neptune. Il a été construit pour Pirates, le nouveau film de Roman Polanski. Et on le constate, là, ce n'est pas un décor de studio, c'est un vrai bateau, qui est fait pour naviguer, avec ses ponts, ses cales, ses trois mâts, ses canons et ses passerelles. Une folie !Quand le bruit court que c'est pour la promotion d'un film, on croit bien évidemment à un coup digne d'Hollywood, et c'est du jamais vu entre parenthèses, pour la promo d'un film américain. Et bien pas du tout, c'est une production française et italienne, il a coûté, on le devine, une fortune, c'est tout bonnement une première à l'échelle européenne.Un projet qui est sur les rails depuis des années. Le budget a été cyclopéen et le tournage compliqué. Polanski veut en effet retrouver l'esprit des grands films d'aventures d'autrefois, ceux où l'on voyait vraiment la mer, la tempête et les abordages.Par contre, pour interpréter le rôle principal, celui du pirate à la barbe noire, Polanski a choisi un acteur américain, une vieille gloire d'Hollywood en fin de carrière. Et pourquoi a-t-il choisi Walter Matthau ? Parce que son film est aussi un pastiche et qu'il lui fallait non seulement un vieux pirate mais aussi une nature comique. Polanski veut en effet refaire le coup de son Bal des vampires, le premier film d'horreur burlesque de l'histoire qui lui avait valu de se faire remarquer dans les années 60. Bref, le même genre de tête fatiguée avec un air filou que son gâteux chasseur de vampires, sauf qu'ici il s'agit d'un capitaine pirate donc, avec un sens de l'autorité quand même !Dois-je vous dire qu'à Cannes, tout le monde parle de cet incroyable bateau. Il fait plus d'effet que le casting : le meilleur acteur du film flotte dans le port, peut-on lire dans un article. C'est méchant car il faut bien le dire : Walter Matthau est extraordinaire.Mais lorsque Pirates est enfin projeté en ouverture du Festival, l'accueil est assez froid. Cela dit, on ne s'en étonne pas plus que ça : à Cannes, il arrive souvent que la promotion réussisse mieux que l'œuvre. Car aujourd'hui encore, quand on reparle de ce Cannes 86 dont beaucoup ont oublié le vainqueur, Mission, très beau film d'ailleurs : l'image qui reste est celle du bateau pirate.Un matin de mai 1986, sur la Croisette, Roman Polanski a amené un galion espagnol pour vendre son film en dolby stéréo et pendant quelques heures, ça a marché. Il faut dire que pour l'heure, le public et Hollywood ont plus la tête dans les nuages que sur l'océan. La preuve : à la rentrée 1986, on ira tous voir Tom Cruise …

This week, the boys keep it positive as they reconvene in John Lennon's old home to watch the devil's son get birthed in “Rosemary's Baby”. We've done a surprising number of Roman Polanski movies considering, you know, his past. But this movie rocks. Screwed up, but it rocks. We discuss. John also gives a mini-review of “Mortal Kombat 2”. Grab a beer and listen along! linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 3:56 “The Devil Wears Prada 2” mini-review; 15:16 1968 Year in Review; 32:09 “Rosemary's Baby”: Films of 1968;01:13:47 What You Been Watching?; 1:20:42 Next Week's Episode Teaser Additional Cast/Crew: Mia Farrow, John Cassavettes, Ruth Gordon, Ralph Bellamy, Signey Blackmer, Karl Urban, Adeline RudolphMehcad Brooks, Jessica McNamee, Tati Gabrielle, Josh Lawson, Simon McQuoid.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
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Comme Roland Garros, le Festival de Cannes est chaque année pour les écoliers et les étudiants, attaché à la période des examens qui approchent et d'un blocus qui ne laisse que peu de temps aux loisirs. Alors on regarde le midi et le soir, ces images à la télé, au JT ou dans des émissions spéciales.En 1986, tenez, on aime ça hein, les années 80, c'est le visage sympathique de Sydney Pollack qu'on voit partout puisqu'il préside le jury à qui incombe de désigner le meilleur parmi les vingt films en compétition. Il est Américain, tout auréolé des sept Oscars que son dernier film, Out of Africa, vient de recevoir. Oui, Meilleur film et Meilleur réalisateur, il a d'autant plus sa place à la tête des jurés, le Sydney, que quatre ans plus tôt, il nous a offert la comédie la plus drôle et intelligente qu'on ait vue alors. Dans Tootsie, il y met en scène un Dustin Hoffman, acteur de théâtre new yorkais élitiste et exigeant, qui par défi, se déguise en actrice et berne tout le monde en se faisant engager dans un soap télévisé.Énorme succès, celui qu'on présentait déjà comme un vieux de la vieille dans ce monde des années 80 où le cinéma change et se renouvelle tellement, est désormais au premier plan, alors on y croit au palmarès qu'il présentera en fin de festival.Mais on n'y est pas encore. Durant ces premiers jours, tout Hollywood est déjà là puisque Woody Allen y projette, hors compétition, Hannah et ses sœurs, probablement le meilleur film de sa carrière, le plus drôle et le plus émouvant. Steven Spielberg est de la partie aussi. Après E.T. et un second Indiana Jones, il vient promouvoir La Couleur Pourpre, le film qui va changer l'image qu'on a de lui, de machine à fabriquer des blockbusters.Mais celui qui passe le moins inaperçu question marketing est certainement le Pirates de Roman Polanski. Il faut dire que la production a amené avec elle le bateau trois mâts d'époque de ce vieux pirate de Walter Mathau, ancré dans la baie de Cannes. C'est impressionnant de l'y voir, aucun photographe, aucune télé ne va le manquer. Quant au film lui-même, il se veut un pastiche comique du film de pirates, cher à toute une génération, dans la veine de ce qu'il avait fait avec Le Bal des vampires près de vingt ans auparavant. On y va donc pour le grand spectacle, et pour rire aussi. Si le film n'est pas un chef d'oeuvre, il nous fait passer un très bon moment et surtout, il y a fort à parier qu'il ait fortement inspiré ceux qui se mettront un jour autour d'une table pour créer Le Pirate des Caraïbes.Enfin, en compétition en cette année 1986, dix ans après le Taxi Driver qui l'a révélé, revoici Martin Scorsese, un des vieux amis de Spielberg, et puis aussi Robert Altman, monsieur M.A.S.H., qu'on retrouve toujours avec plaisir comme Amélie Nothomb, à chaque rentrée.Oui, il se dégage du monde du cinéma, une sensation de vivacité, de créativité rare en cette année 1986. Les films de genre sont de plus en plus ambitieux, les films d'auteur ont un public plus nombreux que jamais, bref de quoi alimenter bien des conversations passionnées et de longues queues devant le guichet des salles dont on a cru un temps que la télévision allait provoquer leur fermeture.

Les Ciné-Buddies enquetent sur le classique de Roman Polanski "Chinatown", 1974, starring Jack Nicholson et Faye Dunaway. Le nouveau fantastique videocast sur le film de Romain Lehnhoff, assisté de Diana Mosafir, Son Katia Lazareva maintenant disponible sur la chaine abracadaPod/KinoPod de Youtube. Likez et souscrivez à la chaine pour aider le show à continuer, merci.

This week on Monsters Up North, Sam and Dan dive into Roman Polanski's 1968 psychological horror classic, Rosemary's Baby. From Mia Farrow's unforgettable performance to the film's creeping paranoia and disturbing themes, the lads explore why this unsettling masterpiece still haunts audiences decades later.Join us as we discuss the film's legacy, hidden details, behind-the-scenes stories, and the lasting influence Rosemary's Baby has had on horror cinema.Follow Monsters up North:

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Discussing nostalgia and longing for the past by way of Thomas Hardy's TESS OF THE D'URBERVILLES and Roman Polanski's 1979 adaptation TESS. Listen to more on patreon.com/imsopopular

I studion sitter Martin, Panos, Ludvig, Theo och Kajsa Segle. Den här veckan är Kajsa Segle åter tillbaka i studion och har med sig två filmer på temat psykos. Hon recenserar prisbelönta A Beautiful Mind från 2001 samt Roman Polanskis skräckfilm Repulsion från 1965 och det blir en spännande diskussion kring hur psykisk ohälsa gestaltas i film. Theo har sett den senaste säsongen av Netflix-adaptionen av One Piece och bjuder på känslosamma minnen av upplevelsen. Ludvig har spelat det sprillans nya stadsbyggarspelet Nova Roma och Panos har sett Netflix-musikalen av Roald Dahls bok Matilda. Ömsom tungt, ömsom lättsamt, helt enkelt. 15:08 - Intro 19:53 - A Beautiful Mind + Repulsion 51:20 - One Piece S2 1:10:13 - Nova Roma 1:24:55 - Matilda the Musical Har DU något att säga till oss? Tips på något att prata om, åsikter om något vi sagt eller vill kanske bara säga hej? Skriv till oss på Facebook, följ oss på Instagram och TikTok @medisradio och mejla till oss på medisradio@gmail.com. Kolla även in vår YouTube-kanal, Medis Radio TV, där vi lägger ut allt från stora recensioner till klipp där vi spelar spel och pratar film. Musik: Intro: Get Hyped - Moose With a Scarf Outro: Back to You - Moose With a Scarf feat. Lauren Richards

Você já estava curtindo demais um filme e, do nada, aquela informação inconveniente sobre o diretor apareceu na sua timeline e arruinou tudo? Bem-vindo ao dilema mais chato, e necessário, da cultura contemporânea.Neste episódio, Rafael Arinelli, Daniel Cury e Fabiana Lima debatem sobre a relação espinhosa entre a obra e o artista. Sem respostas fáceis, sem julgamentos apressados, mas com muita discussão honesta e alguns incômodos necessários.O papo passa por casos que você já conhece: Woody Allen, cujos filmes parecem ecoar de forma perturbadora sua vida pessoal; Roman Polanski, condenado e aplaudido de pé em Hollywood na mesma década; e J.K. Rowling, cujo ativismo anti-trans transforma cada Galleon gasto em Hogwarts numa escolha política, queira você ou não.Para dar embasamento teórico ao debate, o episódio apresenta dois lados da moeda: a Morte do Autor, de Roland Barthes, que defende que a obra pertence ao público assim que sai das mãos de quem a criou; e o Intentismo, que insiste que ignorar o autor é dar um cheque em branco para quem produz arte.No fim, a conversa não é sobre cancelamento, é sobre consumo consciente. Afinal, onde você coloca seu tempo, sua atenção e seu dinheiro diz muito sobre quem você é.Coloque seus fones de ouvido e venha pensar junto!• 05m50: Pauta Principal• 1h26m04: Plano Detalhe• 1h42m17: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • André Marinho Moreira• Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Guilherme S. Arinelli• Thiago Custodio Coquelet• Wilmar Arinelli Jr• William SaitoFale Conosco:• Email: contato@cinemacao.com• X: https://cinemacao.short.gy/x-cinemacao• BlueSky: https://cinemacao.short.gy/bsky-cinemacao• Facebook: https://cinemacao.short.gy/face-cinemacao• Instagram: https://cinemacao.short.gy/insta-cinemacao• Tiktok: https://cinemacao.short.gy/tiktok-cinemacao• Youtube: https://cinemacao.short.gy/yt-cinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de R$30,00, você terá acesso a conteúdo exclusivo e muito mais! Não perca mais tempo, torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Daniel): Livro: A elegância do ouriço• (Daniel): Revista: Cascártica• (Daniel): Filme: Oi, Sumido!• (Fabi): Texto: What Do We Do with the Art of Monstrous Men?• (Fabi): Filme: Repulsa ao Sexo• (Fabi): Filme: Limite• (Fabi): Série: Hacks• (Rafael): Vídeo: Roda Viva - Erika Hilton• (Rafael): Vídeo: Erika Hilton mostra pilha de livrosEdição: ISSOaí

Dieser Film ist eine Warnung an die Welt! Eine skandalöse Enthüllung! EYES WIDE SHUT, Stanley Kubricks letzter Film, prophezeite bereits kurz vor der Jahrtausendwende das, was im Zuge der Skandale um Jeffrey Epstein und die Abgründe einer abgeschotteten Parallelwelt an die Öffentlichkeit geriet - so behaupten das jüngst unzählige Verschwörungserzählungen. Benjamin und Marcus sprechen darüber, wie in EYES WIDE SHUT Fakt und Fiktion aufeinandertreffen, wieso sich ausgerechnet das Kino Kubricks als ideale Grundlage für die gegenwärtige Meme-Kultur erweist, was dieser radikale Film über das Verhältnis von Begehren, Sexualität und Macht erzählt und was das mit David Lynch, Pier Paolo Pasolini und Roman Polanski zu tun haben könnte.

"Vivement la VIe République" entend-on depuis le début de la contestation contre la réforme des retraites... Alors que l'on parle régulièrement de la crise que traverse la démocratie française aujourd'hui, l'Histoire a peut-être des choses à nous apprendre. Comment sommes-nous passés d'une République à une autre depuis plus de deux siècles ? Quelles crises ont conduit à la fin de chacun de ces régimes ? Peut-on en tirer des enseignements pour réfléchir à la fin de la Ve ? Réponses dans cette série de podcasts avec Nicolas Roussellier, historien, auteur du livre devenu un classique La force de gouverner. Le pouvoir exécutif en France, XIXe-XXIe siècles (Gallimard). Dans ce troisième épisode, on analyse la longévité de la IIIe République.Retrouvez tous les détails de notre série de podcasts ici et inscrivez-vous à notre newsletter.Episode 1 : La Ière République : naissance d'un régime à la françaiseEpisode 2 : La IIème République : le spectre du pouvoir personnelL'équipe :Écriture et présentation : Charlotte BarisMontage : Ambre RosalaRéalisation : Jules KrotRédaction en chef : Xavier YvonAlternante : Marion GalardCrédits : La commune, Peter Watkins, J'accuse, Roman Polanski, Archive JT France 2, Echoes of France (La marseillaise), Django Reinhardt, Un peuple et son roi, de Pierre Schoeller, télévision Suisse Romande, INA, L'aventure c'est l'aventure, Claude Lelouch, Les Inconnus, Public SénatMusique et habillage : Emmanuel Herschon / Studio TorrentCrédits image : Keith Lance / Nastasic / iStockphoto / L'ExpressLogo : Anne-Laure Chapelain / Thibaut ZschieschePour nous écrire : laloupe@lexpress.fr Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Nuevo podcast de Par-Impar en torno a la clásica comedia de terror de Roman Polanski, El baile de los vampiros. El baile de los vampiros, o The Fearless Vampire Killers, parece una parodia de las películas de terror de la Hammer y la Universal... pero es de todo menos inofensiva. Roman Polanski, a un año de dirigir La semilla del diablo, realizó una comedia cartoon que tiene tanto de Scooby Doo como de sus títulos más inhumanos y pesimistas. Pero El baile de los vampiros es también la película por la que se recuerda a la célebre y malograda Sharon Tate, pareja de Polanski y tristemente asesinada en unos acontecimientos que todavía se recuerdan. En este nuevo podcast de cine de Par-Impar, Juanma González y Dani Palacios conversan sobre este clásico de la comedia negra en la que Polanski consiguió inyectar un inesperado pesimismo a su cuento de vampiros... además de un punto de vista muy europeo. El hecho de filmar con tanto lujo una parodia ya habla por sí mismo. n este nuevo podcast de cine de Par-Impar, Juanma González y Dani Palacios conversan sobre este clásico de la comedia negra en la que Polanski consiguió inyectar un inesperado pesimismo a su cuento de vampiros... además de un punto de vista muy europeo. El hecho de filmar con tanto lujo una parodia ya habla por sí mismo. La película representa un punto de inflexión en la carrera del director polaco, marcando su transición desde el cine de autor europeo más introspectivo, como Repulsión o Cuchillo en el agua, hacia una producción con vocación más internacional y comercial. Los colaboradores destacan que Polanski realiza aquí un homenaje satírico a las producciones de la Hammer Films, pero lo hace con una factura técnica y una elegancia visual que superan con creces a las obras originales que parodia. A diferencia de las parodias actuales que suelen caer en lo burdo, esta cinta mantiene un equilibrio perfecto entre la comedia y el género de terror, logrando inquietar al espectador mientras lo divierte. La figura de Sharon Tate ocupa una parte central de la conversación. La forma en que Polanski la filma trasciende la mera dirección; es la mirada de un hombre profundamente enamorado de su musa. Cada plano de Tate en la película, desde su primera aparición en la tina hasta el baile final, está cargado de una luminosidad y una perfección estética que hoy, conociendo su trágico final a manos de la secta de Charles Manson, adquiere una cualidad casi espectral. El programa recuerda cómo directores posteriores, como Quentin Tarantino en Érase una vez en... Hollywood, han intentado recuperar esa luz que Polanski capturó de manera definitiva en esta obra maestra del 67. Todo esto y mucho más en el episodio de Par-Impar. Te recordamos que puedes pinchar en el enlace para acceder a la web del programa y otros episodios.

In this episode, Alicia follows up with some spiderwebs from the Doris Day story, and how her son Terry factors into those terrible events on Cielo Drive on August 8, 1969. Terry and his longtime girlfriend Candice Bergen lived there in a fairy tale dream in 1968, before Sharon Tate and Roman Polanski moved into the home. Why did Terry and Candice move? Doris told them they must. This one is filled with all kinds of connections throughout those days in the Hollywood Hills and beyond, with all sorts of folks chiming in on and rounding out the details of this time from Doris and Terry's point of view. Want early, ad-free episodes, regular Dumpster Dives, bonus divorces, limited series, Zoom hangouts, and more? Join us at⁠ patreon.com/trashydivorces⁠! Want a personalized message for someone in your life?⁠ Check us out on Cameo⁠! To advertise on our podcast, please reach out to ⁠info@amplitudemediapartners.com⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Alicia follows up with some spiderwebs from the Doris Day story, and how her son Terry factors into those terrible events on Cielo Drive on August 8, 1969. Terry and his longtime girlfriend Candice Bergen lived there in a fairy tale dream in 1968, before Sharon Tate and Roman Polanski move into the home. Why did Terry and Candice move? Doris told them they must. This one is filled with all kinds of connections throughout those days in the Hollywood Hills and beyond, with all sorts of folks chiming in on and rounding out the details of this time from Doris and Terry's point of view. Continue your investigation with ad-free and bonus episodes on ⁠⁠⁠Patreon⁠⁠⁠! To advertise on Done & Dunne, please reach out to ⁠⁠⁠info@amplitudemediapartners.com⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Comme chaque mois, Raphaëlle de Barmon reçoit Sabine de la Moissonnière pour analyser quatre films. Les titres de ce mois : -Billy Eliott Réalise par Stephen Daldry 2000 -Rain Man Barry Levinson 1988 -The shop around the corner ou Rendez-vous De Ernest Lubitsh, 1940 -Le pianiste Film de Roman Polanski 2002

Charles Manson hält sich für Jesus, bewundert Hitler - und manipuliert seine "Manson Family" so geschickt, dass sie für ihn mordet. Am 29.3.1971 wird er zum Tode verurteilt. Von Philip Ritter.

This week in the Screening Room, Zeth is talking about the trials and tribulations behind the making of ‘Chinatown,' the 1974 film directed by Roman Polanski and starring Jack Nicholson and Faye Dunaway. Become an All Access member and get ad-free listening by visiting disgracelandpod.com. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

This week in the Screening Room, Zeth is talking about the trials and tribulations behind the making of ‘Chinatown,' the 1974 film directed by Roman Polanski and starring Jack Nicholson and Faye Dunaway. Become an All Access member and get ad-free listening by visiting disgracelandpod.com. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

As one journey ends, another begins! Join Ian and AC as they continue their tour through the winding hills of classic horror in Kicking the Seat's latest series, "Castle Freaks"!This year, the guys will look at the spine-tingling works of director William Castle, whose wild career intersected with the likes of Cary Grant, Orson Welles, Joan Crawford, Alfred Hitchcock, and Roman Polanski! Castle was known as a "gimmick director", who dreamt up fantastical, in-theatre scare stunts to accompany his most famous movies. But as we hope to show, his filmography is so much more than headline-grabbing tricks!We're kicking things off with 1959's House on Haunted Hill, in which Vincent Price plays an unhappily married millionaire who invites five strangers to spend the night in a haunted house. Those who survive through the next morning will pocket $10,000 each. But are there really spooks in the walls, or just illusions meant to mask something much more sinister?In this wide-ranging first episode, Ian and AC give an overview of William Castle's career and do a spoilerific deep dive into both the '59 House on Haunted Hill and the 1999 remake starring Geoffrey Rush!We hope you join us throughout the year for more thrills, chills, and electrifying surprises!Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow Links:Watch the House on Haunted Hill (1959) trailer.As mentioned in the show, AC reviewed the Film Masters Blu-ray of House on Haunted Hill (1959) at Horror 101 w/ Dr. AC.He also covered House on Haunted Hill and The Tingler on the Horror 101 YouTube channel. "Castle Freaks" is the next leg in our classic horror journey. If you're new to the channel, catch up with our 5-year "Hammerland" series, which wrapped up last year!

YUH 245 - Writers on Record - Alan R. Warren is the author of 30 investigative crime books on some of the most notorious cases in US history, including works on Rodney Alcala, DB Cooper and the Zodiac Killer. His latest book is Peace, Love and Murder, an inside look at the Tate La Bianca murders and it's evil mastermind Charles Manson. There have been many accounts of arguably the most infamous crime in American history, but our guest has interviewed many of the principal figures in the case, including Vincent Bugliosi, Tex Watson, Leslie Van Houten and Roman Polanski. #charlesmanson #sharontate #vincentbugliosi #helterskelter #thebeatles #flowerpower #truecrimeYUH Theme by David T and Mojo 3https://www.amazon.com/Insanity-Sobri...Alan R. Warren Officialhttps://www.alanrwarren.com/books/peace%2C-love%2C-%26-murderHouse of Mystery Radio show on NBC Radiohttps://www.alanrwarren.com/house-of-mystery-episodesPeace Love and Murder on AmazonYeah Uh Huh Social Stuff:YUH on Linktr.eehttps://linktr.ee/yeahuhhuhpodYeah Uh Huh on TikTokhttps://www.tiktok.com/@yeahuhhuhpodYeah Uh Huh on Facebookhttps://facebook.com/YeahUhHuhPodYeah Uh Huh on Twitterhttps://twitter.com/YeahUhHuhPod

A dispatch of wonderful garage sleaze from France made by a Boogie Chitz supergroup consisting of The Limiñanas, loose-of-mind Anton from Jonestown and Emmanuelle Seigner - the GILF wife of creepo director Roman Polanski.

Epstein files force Casey Wasserman to sell agency & Goldman Sachs lawyer to resign, Eli Zaret joins us for sports, Evan Dando in masturbating rehab, Meghan Markle lobbies for Brooklyn Beckham, and Rosie O'Donnell sneaks back into the US. Eli Zaret joins the show to chat Winter Olympics, ‘Quad God' Ilia Malinin's bad day, Simone Biles' new breasts, the disappearance of the WNBA, the disappearance of Nancy Guthrie, Polymarket pandemonium, MSU basketball floundering, Michigan passing Arizona for #1, Solomon Tuliaupupu to Montana for his 9th year of college football, the red-hot Detroit Pistons, thoughts on the return of Justin Verlander to the Detroit Tigers, Nick Castellanos' love of beer, Malik Beasley to play in Puerto Rico for Bad Bunny and much more. Leftovers Sports: John Tesh performed Roundball Rock prior to the NBA All-Star Game. Sarah Spain can't take JD Vance at the Olympics. Stanley Tucci is at the Olympics for some reason. Drew brags about his roof and gutter (with leaf guards!). Nobody knows anything about Puerto Rico. Drew educates us. Evan Dando of The Lemonheads was busted sending unsolicited ‘beat off' videos. Other Music: We bring up Tone Loc one time and he ends up in the hospital. Oasis is set to make a new album and tour in 2027. Tool is in talks for a residency at The Sphere in Las Vegas. Epstein Files: Jackie ‘The Joke Man' Martling is in there. Dr. Oz once invited Jeffrey Epstein to a party. Ashleigh Banfield thought Epstein was kind of cute. Tommy Mottola is a rash in the files and Jimmy Fallon has dumped him. Casey Wasserman thinks he's super hot and is selling his talent agency over his involvement with Epstein. Kathryn Ruemmler is the sacrificial lamb of Goldman Sachs. Roman Polanski seems to get quite the pass. Rashee Rice is plowing into influencer Rubi Rose now. Jasleen Singh has returned to the limelight online. She manifested her rich lifestyle by spending Akaash's money. Brooklyn Beckham has unfollowed Gordon Ramsay on social media. Meghan Markle is trying to broker an interview between Beckham and Oprah Winfrey. Why is the Meghan and Oprah interview scrubbed from the internet? Harry and Meghan have the Whitest children possibly ever. Nobody wants to air her garbage Cookie Queens documentary. James Van Der Beek's family raises $2.6M on GoFundMe. They just bought a $4,7M mansion last month! A lot of misinformation is swirling around Nancy Guthrie. Rosie O'Donnell has weaseled her way back into Trump's America. We somehow still have merch. Buy it before it's gone. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon)

Hoje, ‘No Pé do Ouvido, com Yasmim Restum, você escuta essas e outras notícias: Oposição na Câmara sinaliza apoio ao fim da escala 6×1. Ex-presidente do Rioprevidência é preso em investigação sobre investimentos no Banco Master. EUA derrubam drone iraniano no Golfo. Pesquisadores afirmam que a inteligência artificial geral já existe. Filme retrata caso de estupro de menina de 13 anos pelo diretor Roman Polanski. E obra de Michelangelo passa por grande limpeza na Capela Sistina.See omnystudio.com/listener for privacy information.

durée : 00:46:34 - Les Nuits de France Culture - par : Philippe Garbit - En 2008, le festival Premier Plan à Angers consacrait une rétrospective complète à l'oeuvre d'Alain Resnais et Michel Ciment proposait de revenir sur son parcours en compagnie de certains de ses collaborateurs de création : sa scripte, son monteur, son compositeur et un historien du cinéma. - réalisation : Virginie Mourthé - invités : Nicole Garcia Comédienne et réalisatrice française; Sylvette Baudrot Scripte, sur des films de Jacques Tati, Alain Resnais, Roman Polanski; Hervé de Luze Monteur (cinéma); François Thomas Historien du cinéma, collaborateur de la revue Positif et professeur à la Sorbonne Nouvelle

HORROR WITH SIR. STURDY EP 579: REPULSION – WHEN THE WALLS START TO BREATHE BACK  

The LA Times released a list of the best 101 films set in Los Angeles. The number one spot went to the 1974 film Chinatown, directed by Roman Polanski, starring Jack Nicholson and Faye Dunaway, with the backdrop of a 1930’s Los Angeles. Second place went to David Lynch’s Mulholland Drive (2001), and some other notable picks include Blade Runner (1982), Her (2013), Tangerine (2015) and Boyz n the Hood (1991). Joining Larry Mantle on FilmWeek to discuss some of the more surprising films included and their personal favorites are LAist film critics Manuel Betancourt, assistant editor of Documentary Magazine, and one of the contributors to the LA Times’ Best LA Movies list, and Wade Major, film critic for CineGods.com and author of the “Hollywood Heretic” Substack. You can read the LA Times’ 101 Best LA Movies list here.

Durante décadas, Hugh Hefner fue vendido como el símbolo de la liberación sexual. Pero detrás de las fiestas de la Mansión Playboy se ocultaba una oscura red de abuso, drogas, chantaje y cámaras ocultas. En este episodio explosivo descubrimos cómo el fundador de Playboy tenía cuentas en Castle Bank, una entidad controlada por la CIA para financiar operaciones secretas con dinero del narcotráfico. Exploramos las conexiones entre la Mansión y depredadores como Bill Cosby y Roman Polanski, las muertes sospechosas que la rodearon, y cómo el escándalo Iran-Contra demuestra que el Estado usó drogas para financiar guerras clandestinas. ¿Fue Playboy una pieza del aparato de inteligencia estadounidense? ¿O simplemente un nido de monstruos protegidos por el poder? Prepárate para descubrir que la verdad es más extraña —y más perturbadora— que cualquier teoría conspirativa. Y además... Ciencia de Vanguardia, con Pablo Fuente. Cuentos Fantásticos: El espejo y la máscara, de Jorge Katz. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

The penultimate episode in our Rise of A24 season features two psychological free falls, Denis Villeneuve's Enemy (2014) and the infamous Roman Polanski's The Tenant (1976)Special Guest: Hollywood Insider and great friend of the show, RyanSlipping identity is one of the better themes for existential horror, but its narrative power can easily list the story until it capsizes. There is perhaps nothing scarier than losing one's self. It is a fear so extreme and palpable, it is not spoke of often, which reflects on how on edge we have become in the age of social media. Our self identities have never been more slippery than right now, as our self image has become a kaleidoscope of algorithms, vibes, propaganda, and postmodern chicanery. Denis Villeneuve's Enemy (2014) seems almost out of time despite being written and shot during the hyper acceleration of social media. The movie starts with a quote "Chaos is order yet undeciphered." Yet, the entire film works to obfuscate the actual connection between the doppelgangers at the center of it story. The ending is notoriously opaque as well. All of this adds up to a classic A24 style film. A film that offers a lot of vibes and questions, but doesn't dare write a thesis statement that is decipreable. Roman Polanski's The Tenant (1976) comes from a different world than our own. Pre-internet and personal computer, The Tenant harkens back to Kafkaesque institutional paranoia and identity dissolution more commonly seen in Scandinavian film. Here the maleficent forces are clear and all around us. Small acts of coercion via social compliance begin to rewrite Trelkovsky's self-identity until he himself finally erases the last mark of his former self. It is easy to see how The Tenant has had a large influence beyond its limited social cachet. While uneven and unkempt, Polanski confidently and courageously explores his own sense of faltering self.

Forrest, Kristina Oakes, Conan Neutron and Kev talk about Quentin Tarantino's Once Upon a Time in Hollywood Starring Leonardo DiCaprio as the fading film star Rick Dalton and his stunt double Cliff Booth (Brad Pitt) who live in Hollywood, next door to Sharon Tate and Roman Polanski in 1969. Starring a huge cast, Leonardo DiCaprio, Brad Pitt, Margot Robbie, Margaret Qualley, Austin Butler, Dakota Fanning, Emile Hirsch, Sydney Sweeney, Al Pacino, Bruce Dern, Timothy Olyphant, Mikey Madison, Lena Dunham Tarantino's revisionist history of the night that destroyed the 1960s. The Manson Murders. #onceuponatime #leonardodicaprio #mansonfamily #charlesmanson #sydneysweeney #alpacino #tarantinofilms #tarantino #margotrobbie #sharontate #movies #filmpodcast #film #filmmaking #margaretqualley #truecrimecommunity #truecrimestories #losangeles #pauldano #podcast #livestream #livestreaming #moviepodcast #hollywood #leo We are also streaming on @thisspacetv throw them a followJoin our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtra

Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. This week, we hear reviews of two films: the 2019 "An Officer and a Spy," a film by controversial director Roman Polanski on the Dreyfus Affair, which is now playing in the United States, and the shattering documentary, "The Voice of Hind Rajab." But the pair opens the program by honoring director-actor Rob Reiner, who was slain over the weekend alongside his wife, Michele. We learn about his early acting work and hear about many of his groundbreaking films that have become enduring classics. Hoffman tells us about Polanski's cinematic childhood and early adult life -- he barely survived the Holocaust and his wife, Sharon Tate, was murdered by the Manson family. We then hear how Polanski skipped out on the sentencing after pleading guilty to engaging in unlawful sexual intercourse with a minor, a 13-year-old girl he was photographing for Vogue, and has lived outside of the US ever since, but still working consistently. And after all that, we learn about the merits of the film, "An Officer and a Spy." The final movie discussed is potentially even more controversial to several listeners, "The Voice of Hind Rajab." The film portrays the attempts of the Ramallah-based Red Crescent to send an ambulance to save the six-year-old Hind, who is trapped in a war zone in northern Gaza in a car with her family, who are all dead. Using the actual soundtrack from the terrified girl's phone calls for help, the film is a carefully crafted re-enactment of the impending tragedy. Hear which film(s) got a seal of approval on this week's The Reel Schmooze. The Reel Schmooze is produced by the PodWaves and can be found wherever you get your podcasts.See omnystudio.com/listener for privacy information.

From bomb sites in postwar Birmingham to the centre of British stage and screen, Martin Shaw's life has been shaped by curiosity, kindness and a refusal to play the part he was expected to play.In this episode of Full Disclosure, James O'Brien sits down with one of Britain's most enduring actors to trace the journey behind the performances. Shaw reflects on growing up with parents marked by war and frustration, discovering storytelling at school, and the teachers who unlocked a sense of freedom, confidence and purpose. He talks about leaving security behind for drama school, confronting imposter syndrome, and the moment he realised that great acting is not about showing off but about listening.The conversation moves through a remarkable career. From early theatre work and transformative mentors, to working with Roman Polanski on Macbeth, sharing kitchens with Anthony Hopkins, and navigating the highs and costs of fame after The Professionals. Shaw speaks candidly about alcohol, masculinity, spiritual searching and the quiet anger that can linger beneath success. He also explains why kindness on set matters to him, how one encounter with a fan reframed his view of his own work, and why the stage has always remained his creative home.

Le journaliste français Patrick Chauvel est dans L'atelier des médias pour un grand entretien. De la guerre du Vietnam à celle menée actuellement par la Russie en Ukraine, il a couvert des dizaines de conflits. Avec Steven Jambot, il revient sur son parcours, l'évolution du métier de reporter de guerre, l'archivage de ses photos au Mémorial de Caen et sa démarche auprès de tous les publics pour raconter la guerre et ses effets. Patrick Chauvel, 76 ans, aime rappeler qu'il est issu d'une famille de « conteurs ». Il a très tôt choisi la voie du reportage, pour vivre les récits qui avaient bercé son enfance. Après un passage formateur à France-Soir, où il a notamment travaillé pour la rubrique Les potins de la commère, une altercation avec Roman Polanski lui a valu d'être renvoyé. Le patron du quotidien, Pierre Lazareff, lui offrit cependant l'argent nécessaire pour s'envoler vers le Vietnam où il arrive juste avant l'offensive du Têt, en 1968. Face au scepticisme de son père qui lui prédisait des difficultés financières et lui rappelait que « la reconnaissance c'est pour les photographes morts », Patrick Chauvel était arrivé à Saïgon muni d'un aller simple.  L'évolution du métier et la peur de rater l'histoire Travaillant en argentique avec peu de pellicules, Chauvel a développé une précision extrême, loin de la « gâchette facile » du numérique actuel. L'envoi des films vers Paris était une épreuve logistique, nécessitant parfois de confier les précieux paquets à des passagers d'avion ou même d'utiliser un cheval pour atteindre un point de rapatriement (comme il l'a fait au Salvador). Ce reporter tout terrain a été blessé à de multiples reprises, des cicatrices pour autant d'« incidents de parcours ». Il cite d'ailleurs une phrase de Napoléon : « Se faire blesser ne prouve qu'une chose, c'est qu'on est maladroit ». Son angoisse principale n'est pas la blessure physique, mais de rater l'histoire en étant immobilisé, car « ​​​l'histoire qui est importante continue ». Au Vietnam, sa naïveté sur la guerre et ses enjeux s'est brisée lors d'une discussion avec un prisonnier nord-vietnamien francophone, qui lui a exposé l'idéologie de « l'ennemi ».  Le rôle de « sentinelle » face au déni Pour Patrick Chauvel, son métier a une dimension essentielle de transmission, car il travaille pour la « mémoire collective » et les livres d'histoire. Son cheval de bataille est de forcer le public à savoir, d'où son titre de « rapporteur de guerre », qu'il a donné à un de ses livres et un documentaire. Concernant les œillères du grand public, il est catégorique : « On ne savait pas, c'est pas recevable du tout. Si vous voulez pas savoir, c'est que vous n'avez pas envie de savoir ». Il considère que les journalistes agissent comme des sentinelles, alertant sur les dangers environnants. Les conflits récents, notamment la guerre menée en Ukraine par la Russie de Vladimir Poutine, ont bouleversé l'approche des terrains où il a tant travaillé. En Ukraine se mélangent les combats de tranchées – rappelant la Première Guerre mondiale – et la « guerre des étoiles » menée par les drones. Ces derniers sont désormais responsables de 80 % des pertes sur le front, rappelle Patrick Chauvel, rendant l'accès aux premières lignes extrêmement difficile et dangereux, notamment pour les médias et leurs fixeurs. La transmission aux nouvelles générations Patrick Chauvel a fait don de son fonds gigantesque (480 000 photos, 1 000 heures de films) au Mémorial de Caen pour assurer la pérennité de son œuvre. Il voit dans cette transmission un rôle essentiel auprès des jeunes, notamment à travers des conférences dans les écoles, collèges et prisons. Le journaliste, décoré de la Légion d'honneur en 2025, appelle la jeune génération à ne pas tenir la paix pour acquise. « L'élément naturel de l'homme, c'est la guerre, c'est pas la paix. La paix, c'est un travail, c'est une éducation ». À ce titre, Patrick Chauvel a été sollicité par la Ligue de l'enseignement pour un projet itinérant intitulé « Décrypter la guerre, penser la paix », qui cherche encore des partenaires. Il résume ainsi son rôle et celui de ses confrères : « Les photos qui vont être dans les livres d'histoire sont les nôtres. Nos récits sont dans les livres d'histoire. Et donc il faut absolument qu'on transmette ça. On peut pas garder ça pour nous. » Son message aux aspirants reporters est de ne pas attendre d'être financés, mais d'aller sur le terrain et de s'y installer en optant pour un pseudonyme afin d'être moins exposés.

DC Shooting & Immigration; Luddites; Zionism; Abolition; Facts, Poverty & Lies | Yaron Brook Show

This episode explores An Officer and a Spy (J'accuse in French), Roman Polanski's 2019 film about the Dreyfus Affair in France. The Dreyfus Affair is one of most significant events in late 19th/early 20th century, an event whose implications reverberated for decades in France and around the world. The Dreyfus Affair centered around the military trial of Captain Alfred Dreyfus on charges of treason. Wrongly convicted based on secret evidence and false information, Dreyfus's case would become a cause célèbres and synonymous with a miscarriage of justice. It also exposed and exacerbated tensions within French society while underscoring deep and pervasive levels of antisemitism.  Based on Robert Harris's 2013 novel of the same name, An Officer and a Spy focuses on the role of George Picquart, the military officer who helps uncover the truth behind Dreyfus's wrongful conviction, and Picquart's complex relationship with Dreyfus himself. Hewing closely to historical fact, the film highlights critical issues around law, truth, and justice, at the heart of the Dreyfus affair and why it remains so relevant today. Timestamps:0:00     Introduction 3:02      An overview of the Dreyfus case and key players 5:54.     Georges Picquart 13:14.    The struggle to overturn Dreyfus's conviction 17:54     Tensions over the Dreyfus affair and a lack of accountability 20:48    The “evidence” in the Dreyfus case 25:38     How the Dreyfus affair divided French society 30:16     Other films about the Dreyfus affair 33:54     The controversy around Roman Polanski as director 39:21      Legacies of the Dreyfus affair 45:13      The role of Colonel Henry Further reading: Begley, Louis, Why the Dreyfus Affair Matters (2009) Bredin, Jean‑Denis, The Affair: The Case of Alfred Dreyfus (1986) Doherty, Thomas, “From Méliès to Polanski: The Dreyfus Affair on Film,” Cineaste (2020) Harris, Robert, An Officer and a Spy (2013) Read, Piers Paul, The Dreyfus Affair: The Scandal That Tore France in Two (2013) Samuels, Maurice, Alfred Dreyfus: The Man at the Center of the Affair (2024) Zola, Émile, The Dreyfus Affair: J'Accuse and Other Writings (1998)  Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.htmlYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

Send us a textAn escaped mental patient embarks on a murder spree after escaping from an institution in 1987 Oakland, CA. He encounters a group of punks and they all regale each other with tales about their shared love of movies, people, places and memories beyond our knowable universe. On Episode 695 of Trick or Treat Radio we have another Patreon Takeover, this time with EF Contentment! EF has selected the films Freaky Tales and Nightmare (1981) for us to discuss! We also talk about underdog films, video nasties, and the romantic sleaziness of big cities in the 80s. So grab your favorite 80s mixtape, equip your favorite Nazi smashing weapon, and strap on for the world's most dangerous podcast!Stuff we talk about: Patreon Takeover, EF Contentment, High Spirits, Steve Guttenberg, Liam Neeson, The Buggering, Crying Game, Neil Jordan, Blood Diner, Night Patrol, The Unknown Comic, Billy Barty, The Being, Ryan Prows, Lowlife, C.M. Punk, Justin Long, Ricardo Zarate, Mike Nichols, Bill and Ted's Bogus Journey, Stargate, DTS audio, SDDS, Brotherhood of the Wolf, Ali, The Gulp of Mexico, Skydance Paramount, Howard Dean, Mike Dukakis, Roman Polanski, G.I. Joe, “Bubba”, Univeral Healthcare, Sara Ottoman, Ryan Gosling, Half Nelson, Sugar, Anna Boden, Ryan Fleck, Freaky Tales, Captain Marvel, Go, Mystery Train, Pulp Fiction, Maniac, Scott Pilgrim vs. The World, Green Room, the punk rock hip-hop and metal scenes, Lost Boys, Ishtar, Raising Arizona, Radio Days, Tom Hanks, Sid and Nancy, Big Trouble in Little China, Breaking Away, Top 5 Underdog Movies, Roger Ebert, Repo Man, David Cronenberg, Quentin Tarantino, Megadeth, Bill and Ted's Bogus Journey, plagiarism vs. homage, Nancy Reagan, TOO $HORT, Jay Ellis, Blade, The Fury, Brian De Palma, Three Days in the Valley, Nightmare, Romano Scavolini, Video Nasty, Trick or Treats, Death Wish Club, Basket Case, Alice Sweet Alice, Astron-6, Steven Kostanski, Deathstalker, Patton Oswalt, Daniel Bernhardt, Brain Dead Studios, Once Bitten, Lake Placid, Transylvania 6-5000, Razorback, Lifeforce, Gremlins 2, The Funhouse, Demon Witch Child, Night of the Demon, Jim Carrey, and generational trauma.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Crispian Mills knew he'd be onstage as he's from a “family of professional show-offs” but they begged him not to be an actor. He talks here about his extraordinary showbusiness childhood and the band that emerged from it full of psychedelia, echoes of the East and warm invitations to join the First Congregational Church of Eternal Love and Free Hugs. Along with … … his mother Hayley Mills playing him Tubular Bells to get him to sleep - “profoundly scary” … Roman Polanski's ‘special' Marlboro cigarettes when filming Tess in Brittany … grandfather John Mills being “discovered” by Noel Coward in Singapore and memories of him playing Gershwin and Cole Porter on the piano … “you need talent and hard work but nobody makes it without luck” … what the record store hippie told him when he bought Deep Purple In Rock aged 12 … leather jacket, polka dot shirt, Brian Jones bowl haircut, My Bloody Valentine gig – “I'd found my tribe!” … supporting Oasis at Knebworth – “I couldn't see how they were going to cut it” … Adam and the Ants, Rock Me Amadeus and playing Ramones songs in the school band … returning from Rishikesh in 1995 and watching the Beatles' Super-8 clips: “as if we'd been on the same holiday” … nostalgia for the big TV and radio events of the ‘90s … Shirley Manson's speech about the “tragedy” of the 21st C music business … and Kula Shaker's Mad Alchemy Liquid Light Show – “oil slides, pure analogue!” Tickets for their 2026 tour here: https://kulashaker.co.uk/pages/liveHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

This week we grapple with the problematics of Chinatown (1974), arguably one of the greatest neo-noirs, with a fraught and complicated history thanks to its director, Roman Polanski. Starring Jack Nicholson and Faye Dunaway, Chinatown represents the bleakness of noir amid the sunniness of LA, with a hefty dose of political and sexual corruption. Oof. TW for discussions of sexual assault and incest. Next week, we conclude Noirvember with a far happier entry: Who Framed Roger Rabbit?

Crispian Mills knew he'd be onstage as he's from a “family of professional show-offs” but they begged him not to be an actor. He talks here about his extraordinary showbusiness childhood and the band that emerged from it full of psychedelia, echoes of the East and warm invitations to join the First Congregational Church of Eternal Love and Free Hugs. Along with … … his mother Hayley Mills playing him Tubular Bells to get him to sleep - “profoundly scary” … Roman Polanski's ‘special' Marlboro cigarettes when filming Tess in Brittany … grandfather John Mills being “discovered” by Noel Coward in Singapore and memories of him playing Gershwin and Cole Porter on the piano … “you need talent and hard work but nobody makes it without luck” … what the record store hippie told him when he bought Deep Purple In Rock aged 12 … leather jacket, polka dot shirt, Brian Jones bowl haircut, My Bloody Valentine gig – “I'd found my tribe!” … supporting Oasis at Knebworth – “I couldn't see how they were going to cut it” … Adam and the Ants, Rock Me Amadeus and playing Ramones songs in the school band … returning from Rishikesh in 1995 and watching the Beatles' Super-8 clips: “as if we'd been on the same holiday” … nostalgia for the big TV and radio events of the ‘90s … Shirley Manson's speech about the “tragedy” of the 21st C music business … and Kula Shaker's Mad Alchemy Liquid Light Show – “oil slides, pure analogue!” Tickets for their 2026 tour here: https://kulashaker.co.uk/pages/liveHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

durée : 00:46:37 - La 20e heure - par : Eva Bester - L'acteur Damien Bonnard a tourné sous la direction des plus illustres réalisateurs, d'Abdellatif Kechiche à Kiyoshi Kurosawa, en passant par Roman Polanski et Christopher Nolan. Il inaugure une série de Cartes blanches dans l'émission "La 20e heure". - invités : Damien Bonnard - Damien Bonnard : Comédien - réalisé par : Lola COSTANTINI Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

JLR's porta potty match in Rochester. Defensive end for the Dallas Cowboys, Marshawn Kneeland, is believed to have passed away from suicide. Former NFL player, Antonio Brown, has been extradited from Dubai to the United States.  Roman Polanski. McDonald's quarter pounder bought in 1995 has not changed. Charlie has a secret. 

Should Rover buy the Enterprise Lego set and have JLR build it? Where is Duji Charlie's FedEx driver is upset with him. The Tesla shareholders approve Elon Musk's pay package of one trillion dollars. Tucker Carlson receives backlash for having white nationalist Nick Fuentes on his show. Update to the mercury vapor light at the Larocque household. JLR's porta potty match in Rochester. Defensive end for the Dallas Cowboys, Marshawn Kneeland, is believed to have passed away from suicide. Former NFL player, Antonio Brown, has been extradited from Dubai to the United States. Roman Polanski. McDonald's quarter pounder bought in 1995 has not changed. Charlie has a secret. During a press conference at the White House a man passes out. The sandwich thrower was found not guilty.

JLR's porta potty match in Rochester. Defensive end for the Dallas Cowboys, Marshawn Kneeland, is believed to have passed away from suicide. Former NFL player, Antonio Brown, has been extradited from Dubai to the United States.  Roman Polanski. McDonald's quarter pounder bought in 1995 has not changed. Charlie has a secret. See omnystudio.com/listener for privacy information.

Should Rover buy the Enterprise Lego set and have JLR build it? Where is Duji Charlie's FedEx driver is upset with him. The Tesla shareholders approve Elon Musk's pay package of one trillion dollars. Tucker Carlson receives backlash for having white nationalist Nick Fuentes on his show. Update to the mercury vapor light at the Larocque household. JLR's porta potty match in Rochester. Defensive end for the Dallas Cowboys, Marshawn Kneeland, is believed to have passed away from suicide. Former NFL player, Antonio Brown, has been extradited from Dubai to the United States. Roman Polanski. McDonald's quarter pounder bought in 1995 has not changed. Charlie has a secret. During a press conference at the White House a man passes out. The sandwich thrower was found not guilty. See omnystudio.com/listener for privacy information.

This week, the boys head back to Roman Polanski-ville for the third time to discuss the pivotal 1965 film “Repulsion”. This “dangerous” film is Polanski's first English-language movie, shot in London during the peak of the French New Wave (Polanski is a Polish-French filmmaker). “Repulsion” offers indie-film groundedness, a gritty reality, noir-inspired neorealism, and an upheaval of social values of the time- sexual liberation, classism, irony, and iconoclasm. Also, we all had different levels of enjoyment, which led to one of our finest broad conversations! Grab a beer and listen along. linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 3:34 John's mini-review of “Back to the Future: 40th Anniversary”; 8:27 Gripes; 20:34 1965 Year in Review; 41:03 Films of 1965: “Repulsion”; 1:12:06 What You Been Watching?; 1:22:34 Next Week's Episode Teaser Additional Cast/Crew: Gérard Brach, David Stone, Catherine Deneuve, Ian Hendry, John Fraser, Gilbert Taylor, Yvonne Furneaux, James Villiers. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Weapons, The Monkey, Welcome to Derry, Pennywise, Say Something, Task, It: Part One, It: Part Two, The Haunting of Hill House, The Vanishing, Mr. Scorcese, The Tenant, Chinatown, Rosemary's Baby. Gripes & News: AMC, IMAX, AI, The NYC Marathon, Running in Movies, FEUD: Disney + Google (YouTube TV) Additional Tags: Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

Front Row Classics is celebrating Halloween a couple days late with 1968's Rosemary's Baby. Brandon welcomes back Larry Aubrey to discuss Roman Polanski's horror classic. The two discuss the political climate which informs several of the movies themes. They also chat about the perfect casting of Mia Farrow, John Cassavetes and Ruth Gordon in her Oscar winning performance.

Rosemary’s Baby Front Row Classics is celebrating Halloween a couple days late with 1968’s Rosemary’s Baby. Brandon welcomes back Larry Aubrey to discuss Roman Polanski’s horror classic. The two discuss the political climate which informs several of the movies themes. They also chat about the perfect casting of Mia Farrow, John Cassavetes and Ruth Gordon … Continue reading Ep. 374- Rosemary’s Baby →

For this bonus episode of the Alternate Ending podcast, Tim is once again joined by film scholar Will Quade, author of the recent article "We Accuse: Antisemitism and Historical Remembrance in the Films of the Dreyfus Affair" published in The International Journal of the Image. They're here to discuss the remarkable path to distribution of the controversial 2019 Roman Polanski film An Officer and a Spy, which has only just received a North American release in the fall of 2025. Together, they explore questions of the conflicting politics driving the film's delayed release, the conflicting politics within the film itself, and the reasons why the film itself forces a reckoning with the complicated and unpleasant questions it raises.

*The definitive and bestselling account of Charles Manson* 'A sprawling, fast-paced account of Manson's life' The Times ' Fascinating' Daily Mail __________ Los Angeles, California. 1969. Seven people are found shot, stabbed and beaten to death in Beverley Hills. Among them is actress Sharon Tate, the beautiful young wife of Roman Polanski. It soon became apparent that a happyish cult known as 'The Family' was responsible. Their charismatic and manipulative leader, Charles Manson, took the public's imagination. As the world watched in morbid fascination, the sensational and horrifying details of the case slowly emerged. Coming Down Fast is the definitive and most revealing account of one of the most notorious criminals in history, charting Manson's terrifying rise from petty-criminal to one of the most recognisable icons in criminal history. Including never-before-published photographs, this is the definitive book about Charles Manson.https://amzn.to/3VFdd3qBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Listen to the rest of this premium episode by subscribing at patreon.com/knowyourenemy.Roman Polanski's 2019 film about the Dreyfus affair, An Officer and a Spy, only recently made it's U.S. "premier," running for a few weeks in August at Film Forum in New York City. When it originally was released, it couldn't find an American distributor (and likewise was shunned by streaming services), a consequence of the MeToo moment meeting Polanski's criminal past—in 1978 he fled to Europe after being indicted for the rape of a 13 year-old girl in the United States. Polanski's past is particularly relevant for his film about the falsely accused Jewish officer in the French military, to whom, in publicity materials circulated when An Officer and a Spy came out in Europe in 2019, the director explicitly compared himself.Of course, we couldn't possibly have had on any other guest than John Ganz to help us understand the politics of the Dreyfus affair, both in 1895 and 2025, and what to make of Polanski's cinematic rendering of it. Topics include: Polanski's life and crimes; Hannah Arendt's treatment of the Dreyfus affair in The Origins of Totalitarianism; anti-semitism in 19th and early 20th century France; the way Polanski largely ignores the political convulsions caused by the Dreyfus affair, instead handling it more as a crime procedural, and why he might have done so; and more.Sources:John Ganz, "Reading, Watching," Unpopular Front, Aug 10, 2025— "Gramscians vs Sorelians," Unpopular Front, Jan 23, 2021— "The Third Republic and Today," Unpopular Front, Jan 27, 2021— "The Century of Rubbish," Unpopular Front, Feb 2, 2021— "From Republic to Reaction," Unpopular Front, Feb 4, 2021David Bell, "An Officer and a Spy," H-France, March 2021Hannah Arendt, The Origins of Totalitarianism (1951)