Podcast appearances and mentions of Roman Polanski

JLR's porta potty match in Rochester. Defensive end for the Dallas Cowboys, Marshawn Kneeland, is believed to have passed away from suicide. Former NFL player, Antonio Brown, has been extradited from Dubai to the United States.  Roman Polanski. McDonald's quarter pounder bought in 1995 has not changed. Charlie has a secret. 

Should Rover buy the Enterprise Lego set and have JLR build it? Where is Duji Charlie's FedEx driver is upset with him. The Tesla shareholders approve Elon Musk's pay package of one trillion dollars. Tucker Carlson receives backlash for having white nationalist Nick Fuentes on his show. Update to the mercury vapor light at the Larocque household. JLR's porta potty match in Rochester. Defensive end for the Dallas Cowboys, Marshawn Kneeland, is believed to have passed away from suicide. Former NFL player, Antonio Brown, has been extradited from Dubai to the United States. Roman Polanski. McDonald's quarter pounder bought in 1995 has not changed. Charlie has a secret. During a press conference at the White House a man passes out. The sandwich thrower was found not guilty.

JLR's porta potty match in Rochester. Defensive end for the Dallas Cowboys, Marshawn Kneeland, is believed to have passed away from suicide. Former NFL player, Antonio Brown, has been extradited from Dubai to the United States.  Roman Polanski. McDonald's quarter pounder bought in 1995 has not changed. Charlie has a secret. See omnystudio.com/listener for privacy information.

Should Rover buy the Enterprise Lego set and have JLR build it? Where is Duji Charlie's FedEx driver is upset with him. The Tesla shareholders approve Elon Musk's pay package of one trillion dollars. Tucker Carlson receives backlash for having white nationalist Nick Fuentes on his show. Update to the mercury vapor light at the Larocque household. JLR's porta potty match in Rochester. Defensive end for the Dallas Cowboys, Marshawn Kneeland, is believed to have passed away from suicide. Former NFL player, Antonio Brown, has been extradited from Dubai to the United States. Roman Polanski. McDonald's quarter pounder bought in 1995 has not changed. Charlie has a secret. During a press conference at the White House a man passes out. The sandwich thrower was found not guilty. See omnystudio.com/listener for privacy information.

This week, the boys head back to Roman Polanski-ville for the third time to discuss the pivotal 1965 film “Repulsion”. This “dangerous” film is Polanski's first English-language movie, shot in London during the peak of the French New Wave (Polanski is a Polish-French filmmaker). “Repulsion” offers indie-film groundedness, a gritty reality, noir-inspired neorealism, and an upheaval of social values of the time- sexual liberation, classism, irony, and iconoclasm. Also, we all had different levels of enjoyment, which led to one of our finest broad conversations! Grab a beer and listen along. linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 3:34 John's mini-review of “Back to the Future: 40th Anniversary”; 8:27 Gripes; 20:34 1965 Year in Review; 41:03 Films of 1965: “Repulsion”; 1:12:06 What You Been Watching?; 1:22:34 Next Week's Episode Teaser Additional Cast/Crew: Gérard Brach, David Stone, Catherine Deneuve, Ian Hendry, John Fraser, Gilbert Taylor, Yvonne Furneaux, James Villiers. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Weapons, The Monkey, Welcome to Derry, Pennywise, Say Something, Task, It: Part One, It: Part Two, The Haunting of Hill House, The Vanishing, Mr. Scorcese, The Tenant, Chinatown, Rosemary's Baby. Gripes & News: AMC, IMAX, AI, The NYC Marathon, Running in Movies, FEUD: Disney + Google (YouTube TV) Additional Tags: Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

Jean Dujardin è il protagonista di questo film di Roman Polanski che racconta le indagini del tenente colonnello Georges Picquart sull'Affare Dreyfus: un caso di spionaggio, ma anche il maggiore conflitto politico e sociale nella Francia di fine Ottocento. Una pellicola Leone d'argento alla Mostra del cinema di Venezia. Nel cast anche Louis Garrel.See omnystudio.com/listener for privacy information.

Front Row Classics is celebrating Halloween a couple days late with 1968's Rosemary's Baby. Brandon welcomes back Larry Aubrey to discuss Roman Polanski's horror classic. The two discuss the political climate which informs several of the movies themes. They also chat about the perfect casting of Mia Farrow, John Cassavetes and Ruth Gordon in her Oscar winning performance.

Rosemary’s Baby Front Row Classics is celebrating Halloween a couple days late with 1968’s Rosemary’s Baby. Brandon welcomes back Larry Aubrey to discuss Roman Polanski’s horror classic. The two discuss the political climate which informs several of the movies themes. They also chat about the perfect casting of Mia Farrow, John Cassavetes and Ruth Gordon … Continue reading Ep. 374- Rosemary’s Baby →

Roman Polanski not only directed Rosemary's Baby, but he also adapted the screenplay from the Ira Levin novel of the same name.  Most consider this film to be one of the greatest Horror classics ever made.  Paramount Executive Robert Evans had a vision to produce Rosemary's Baby and played a big part in putting it all together by casting the right actors.  The Actors Room delves into what it took to make this wonderful and creepy film.

Narodila se 22. října 1943 v Paříži a její ledová krása fascinuje publikum od roku 1968, kdy se její portrét objevil na titulní straně časopisu Newsweek. Patří mezi největší světové filmové hvězdy, navrhuje ale i módní doplňky od brýlí, přes boty až po šperky. Spolupracovala s vynikajícimi režiséry jako Roman Polanski nebo Luis Buñuel a hereckými partnery jako Depardieu, Delon nebo Mastroianni. Vydala jedinečnou knihu pamětí Ve vlastním stínu a její podobu má socha Marianne.

Narodila se 22. října 1943 v Paříži a její ledová krása fascinuje publikum od roku 1968, kdy se její portrét objevil na titulní straně časopisu Newsweek. Patří mezi největší světové filmové hvězdy, navrhuje ale i módní doplňky od brýlí, přes boty až po šperky. Spolupracovala s vynikajícimi režiséry jako Roman Polanski nebo Luis Buñuel a hereckými partnery jako Depardieu, Delon nebo Mastroianni. Vydala jedinečnou knihu pamětí Ve vlastním stínu a její podobu má socha Marianne.Všechny díly podcastu Příběhy z kalendáře můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

For this bonus episode of the Alternate Ending podcast, Tim is once again joined by film scholar Will Quade, author of the recent article "We Accuse: Antisemitism and Historical Remembrance in the Films of the Dreyfus Affair" published in The International Journal of the Image. They're here to discuss the remarkable path to distribution of the controversial 2019 Roman Polanski film An Officer and a Spy, which has only just received a North American release in the fall of 2025. Together, they explore questions of the conflicting politics driving the film's delayed release, the conflicting politics within the film itself, and the reasons why the film itself forces a reckoning with the complicated and unpleasant questions it raises.

Roman Polanski's Rosemary's Baby (1968) didn't just invent occult horror: it cursed Hollywood itself. A young couple moves into New York's Dakota building, only to find their new neighbors are part of an ancient Satanic conspiracy. What begins as domestic paranoia becomes a slow descent into psychological terror and a film that redefined horror forever. Richard Lewis, MonteCristo, and Thorin open the Four Play: Occult Horror Arc with the movie that birthed the genre, discussing Polanski's eerie direction, Mia Farrow's haunting performance, and how Rosemary's Baby set the stage for everything from Hereditary to Suspiria. Control Body Odor ANYWHERE with Mando and get 20% off + free shipping with promo code FOURPLAY at shopmando.com! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Il y a 55 ans, au mois de mai 1968, une jeune actrice américaine, blonde et bronzée, posait en bikini sur une plage de Cannes, invitée au 21eme Festival. Elle y accompagnait son mari, un réalisateur promis à une carrière célèbre, Roman Polanski. Un an plus tard, Sharon Tate, 26 ans, enceinte mourait lors d'une nuit de terreur à Hollywood. Sous les coups de couteaux d'adeptes guidés par le sombre gourou californien Charles Manson. L'affaire va glacer d'effroi l'Amérique et le monde. Cinq morts ce soir-là même si l'histoire ne va retenir que le visage et le nom de Sharon Tate.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Jaume Segalés y su equipo hablan de Corazón de oro y de Un dios salvaje. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: "Un Dios Salvaje" Célebre obra de la dramaturga francesa Yasmina Reza que fue estrenada en 2006 y que Roman Polanski llevó al cine en 2011. Ahora podemos disfrutar de esta trepidante comedia negra en el Teatro Alcázar (c/ Alcalá, 20), que está celebrando este año su centenario, hasta junio de 2026. Tamzin Townsend dirige al elenco conformado por Luis Merlo, Natalia Millán, Juanan Lumbreras y Clara Sanchís, que dan vida a los dos matrimonios que se reúnen, en la casa de uno de ellos, para hablar de un incidente entre sus hijos. Uno de los niños, de nueve años, ha golpeado al de la otra pareja en el parque. Todo empieza de manera cordial, excusándose y alegando que ambos son niños. La tolerancia y la comprensión aflora entre los padres de las criaturas, pero a medida que avanza la conversación, la actitud va cambiando y cada uno va tomando partido por su hijo. El civismo se pierde y da paso a un enfrentamiento verbal en defensa de sus respectivos vástagos que deriva en un todos contra todos, incluso dentro de las parejas. Es el momento en el que emerge, en cada uno de los personajes, ese Dios Salvaje que se revela contra la insatisfacción en sus vidas. Entrevistamos a Clara Sanchís. "Corazón de oro" Hoy nos vamos hasta el salvaje oeste norteamericano. Un western que enmarca una historia de amistad, de amor y, sobre todo, de bondad. ¿Qué papel tuvieron los españoles en la conquista del lejano oeste? Editado por Planeta, "Corazón de oro" es la nueva novela de Luz Gabás, a quien entrevistamos. Vuelve con este nuevo libro después de que ganara el Premio Plantea en 2022con "Lejos de Lusiana".

Episode 219: This week the rent is due when slumlord Rob of The Cinemigos comes around for our review of 1976's The Tenant. Make sure to come back next week for our take of Overlord from 2018.Become a supporter of this podcast: https://www.spreaker.com/podcast/a-cut-above-horror-review--6354278/support.

“Well, to tell ya the truth, I lied a little.” Alex and Nick break down one of the essential films of the New Hollywood movement, Roman Polanski's “Chinatown.” The guys discuss their favorite Jack Nicholson performances, Polanski's infamous career, Faye Dunaway's disturbing performance, John Huston as one of the best movie villains of all time, Robert Towne writing one of the best screenplays of all time, and much more.Part 6 of the WAYW New Hollywood Film Project.Follow @WAYW_Podcast on Twitter / Instagram / LetterboxdSend mailbag questions to whatareyouwatchingpodcast@gmail.com

Your devil-may-care hosts slide into the world of the supernatural as they talk about THE NINTH GATE (1999) directed by Roman Polanski and starring Johnny Depp and Frank Langella. It's a spooky romp into Unsane Therapy. Every book has a life of its own… LINKSWee Freekz FBUnsane Radio WebsiteTarr and Fether's WebsitePsycho Cinema FBUnsane Radio … Continue reading "Unsane Radio 0313 – The Ninth Gate"

Le 9 août 1969 à Los Angeles aux Etats-Unis, quatre adeptes de la communauté de Charles Manson viennent de pénétrer dans la villa du réalisateur Roman Polanski. Il est absent. Sa femme, la comédienne Sharon Tate, est là avec trois amis…Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Le 9 août 1969 à Los Angeles aux Etats-Unis, quatre adeptes de la communauté de Charles Manson viennent de pénétrer dans la villa du réalisateur Roman Polanski. Il est absent. Sa femme, la comédienne Sharon Tate, est là avec trois amis…Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

 *NEW!* On this episodes annotated deep dive, The Cultists present Roman Polanski's The Ninth Gate (1999).  A slow and cozy burn of paranoia through warm-lit and dusty streets, The Ninth Gate tells that classic tale of a bored and bitter book dealing mercenary who happens upon an ancient esoteric puzzle concealed in the pages of the text — a one shot, all-consuming mystery that many a mad man has tried to solve for centuries — but that Johnny Depp's Robert/Dean/Lucas Corso might happen to solve instead through sheer divine apathy. (Albeit with a heavy green-eyed stalker assist). Curiously based on only half of Arturo Pérez-Reverte's novel, The Dumas Club, (and on the B plot of the novel at that), Polanski's adaptation transforms Reverte's postmodern parable about the dangers of of looking too closely at a text, into a modernist love letter to the practice of… looking too closely at a text.  Topics Include: Comparisons to The Dumas Club and the details from the novel that help shape the more esoteric parts of the film; the book market value of all those old tomes; the abstract tradition of Grimoires; the occult golden age of Prague; fallen angels, The Grigori , and other lesser diablos; the paradox of making a modernist film out of a postmodern source, and a (somewhat brief) history of the devil, or how satan(s) became Satan. Episode Safeword: Salvation

*The definitive and bestselling account of Charles Manson* 'A sprawling, fast-paced account of Manson's life' The Times ' Fascinating' Daily Mail __________ Los Angeles, California. 1969. Seven people are found shot, stabbed and beaten to death in Beverley Hills. Among them is actress Sharon Tate, the beautiful young wife of Roman Polanski. It soon became apparent that a happyish cult known as 'The Family' was responsible. Their charismatic and manipulative leader, Charles Manson, took the public's imagination. As the world watched in morbid fascination, the sensational and horrifying details of the case slowly emerged. Coming Down Fast is the definitive and most revealing account of one of the most notorious criminals in history, charting Manson's terrifying rise from petty-criminal to one of the most recognisable icons in criminal history. Including never-before-published photographs, this is the definitive book about Charles Manson.https://amzn.to/3VFdd3qBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Listen to the rest of this premium episode by subscribing at patreon.com/knowyourenemy.Roman Polanski's 2019 film about the Dreyfus affair, An Officer and a Spy, only recently made it's U.S. "premier," running for a few weeks in August at Film Forum in New York City. When it originally was released, it couldn't find an American distributor (and likewise was shunned by streaming services), a consequence of the MeToo moment meeting Polanski's criminal past—in 1978 he fled to Europe after being indicted for the rape of a 13 year-old girl in the United States. Polanski's past is particularly relevant for his film about the falsely accused Jewish officer in the French military, to whom, in publicity materials circulated when An Officer and a Spy came out in Europe in 2019, the director explicitly compared himself.Of course, we couldn't possibly have had on any other guest than John Ganz to help us understand the politics of the Dreyfus affair, both in 1895 and 2025, and what to make of Polanski's cinematic rendering of it. Topics include: Polanski's life and crimes; Hannah Arendt's treatment of the Dreyfus affair in The Origins of Totalitarianism; anti-semitism in 19th and early 20th century France; the way Polanski largely ignores the political convulsions caused by the Dreyfus affair, instead handling it more as a crime procedural, and why he might have done so; and more.Sources:John Ganz, "Reading, Watching," Unpopular Front, Aug 10, 2025— "Gramscians vs Sorelians," Unpopular Front, Jan 23, 2021— "The Third Republic and Today," Unpopular Front, Jan 27, 2021— "The Century of Rubbish," Unpopular Front, Feb 2, 2021— "From Republic to Reaction," Unpopular Front, Feb 4, 2021David Bell, "An Officer and a Spy," H-France, March 2021Hannah Arendt, The Origins of Totalitarianism (1951)

Phil and Emily continue their mini series on Oscar-winning Best Director follow-ups from the 2000s with Oliver Twist (2005), Roman Polanski's adaptation of Charles Dickens' classic. They're joined by writer and producer Bryan Cogman, who may be one of the few people to have actually seen the film in theaters.The conversation dives into Polanski's unexpected choice to follow The Pianist with this family-oriented Dickens adaptation, why it feels strangely muted compared to both the director's darker films and other Dickens adaptations, and how Ben Kingsley's nuanced turn as Fagin stands out amidst an otherwise flat production. Together, they unpack Dickens' enduring influence, the many Oliver Twist adaptations across history, and how this version fits into Polanski's complicated legacy and the cinematic landscape of 2005.If you want more deep-dive discussions, exclusive mini series, and bonus content, join our Patreon at patreon.com/PodcastLikeIts. Hosted on Acast. See acast.com/privacy for more information.

Is the convicted sex criminal Roman Polanski worth defending? Particularly in the context of “An Officer and a Spy”, his vaguely autobiographical 2019 movie about the Dreyfus case, the first Polanski film in a decade to be shown in the United States. Writing in Liberties Quarterly, Charles Taylor answers yes, intelligently making the case that we should concentrate on evaluating Polanski's art rather than his crimes. But I wonder about the wisdom of Polanski making a film about, of all things, the Dreyfus Affair - the celebrated 19th century French case of the persecution of an innocent Jewish military officer. Taylor's Liberties piece is entitled “Polanski's Nation of Pain” in reference to the manifold tragedies of the filmmaker's life. But there's also the unimaginable pain Roman Polanski has inflicted on any number of innocent women and girls. No, I don't think I'll be paying to see “An Officer and a Spy”. Not even if it's a good movie. 1. The Separation Dilemma Can we truly separate art from artist? Taylor argues yes - judging work solely on artistic merit regardless of the creator's character. But this becomes harder when the artist may be using their platform to craft narratives about innocence and persecution.2. Subject Matter Matters Polanski's choice to make a film about the Dreyfus Affair - a famous case of false accusation and the persecution of an innocent man - feels particularly tone-deaf given his own history of victimizing others. The "what" an artist chooses to explore can't be divorced from the "who" is exploring it.3. Cultural Gatekeeping vs. Access There's tension between those who believe controversial artists' work should still be available to audiences (let people decide for themselves) and those who argue that some crimes should disqualify someone from cultural participation and profit.4. The Victim's Paradox Even Samantha Geimer, Polanski's victim, has spoken against his continued prosecution - yet this doesn't resolve the broader question of accountability. Individual forgiveness doesn't necessarily translate to cultural rehabilitation.5. Economic Ethics Beyond just artistic judgment lies the question of financial support. You can acknowledge artistic skill while refusing to economically reward it - choosing not to pay for tickets becomes a form of moral statement separate from aesthetic evaluation.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

One of the fascinating ironies about Los Angeles is that it is often movies in heightened genres like noir that best capture what the city really feels like to those born and raised in it (like this podcaster). Movies like Billy Wilder's acidic Hollywood takedown classic Sunset Boulevard and Roman Polanski's & Robert Towne's 70's new cinema classic Chinatown show sides of the city with a denizen's inside baseball knowledge. But there's also a neorealist strain in the films of John Cassavettes, Charles Burnett, and others that shows Los Angeles from a working class and middle class ground level. The way we actually live our life here. And finally, oddly, 60's and 70's B movies like 1977's totally couldn't be made today "The Van" show LA as it is because the moviemakers couldn't afford a budget to dress it up. They just shot what they could and captured LA without any soft lighting or makeup.  Join Secret Movie Club founder.programmer Craig Hammill (a 4th generation Los Angelino) as we discuss some of the known and underground gems that shine a real light on the city we who live here love. 

Paul and Erin review a pile of new movies, including FANTASTIC FOUR: FIRST STEPS, THE NAKED GUN, EDDINGTON, TOGETHER, WEAPONS, SACRAMENTO, THE LIFE OF CHUCK and BILLY JOEL: AND SO IT GOES, before revisiting the romcoms BABY BOOM and KATE & LEOPOLD, the only-in-New York flicks THE INCIDENT and SIX DEGREES OF SEPARATION, and the Roman Polanski flop swashbuckler PIRATES.

The show beings (for some reason) with a brief primer on Roman Polanski as it relates to Epstein stuff. Also the absolutely nonsense Sidney Sweeney ‘controversy’ in brief and life updates that include Casey’s triumphant return to having a job. A BIG OL TRUCKLOAD of pop culture topix include The Hunting Wives, Final Destination Bloodlines, […]

Talking 'bout my g-g-g-generation? Kind of! This week, the fellas discuss Andrzej Wajda's A Generation to complete the spiritual trilogy of films covered on the show. They discuss the inexperience of a young rebellion, the appearance of monster/actor Roman Polanski, working class criticism of the establishment, very disturbing subtle cinematography choices and much more. Next week: Be quiet out west... again. Questions? Comments? Suggestions? You can always shoot us an e-mail at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠forscreenandcountry@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   Full List: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/forscreenandcountry⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.twitter.com/fsacpo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠d⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Our logo was designed by the wonderful Mariah Lirette (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/its.mariah.xo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) A Generation stars Tadeusz Łomnicki, Urszula Modrzyńska, Tadeusz Janczar, Janusz Paluszkiewicz, Ryszard Kotys and Roman Polanski; directed by Andrzej Wajda. Learn more about your ad choices. Visit megaphone.fm/adchoices

La muerte del guionista y director Robert Towne coincidió con el 50º aniversario del estreno de “Chinatown” (1974) de Roman Polanski, el film que le hizo alcanzar la cima como escritor. Fue un homenaje que el nuevo Hollywood le brindó al cine negro, uno de los géneros que brillaron durante la era dorada, revitalizándolo al darle un enfoque más moderno y complejo. “Chinatown” consagró a Jack Nicholson como una gran estrella y confirmó a Faye Dunaway como una de las actrices más importantes de la década de los setenta. Fue una de esas películas que se rodaron entre trincheras, con el set siendo lo más parecido a un campo de batalla, pero el resultado final no solamente está por encima de los conflictos sino que no entenderíamos el cine policíaco y político posterior sin su existencia. Este reportaje pertenece al programa "El Cine de LoQueYoTeDiga" nº 440 (15x25) y fue emitido el 13 de julio de 2024.

Quentin Tarantino's 2019 hangout revisionist "Manson Movie", ONCE UPON A TIME IN HOLLYWOOD, is our feature presentation this week. We talk QT clearing the film with Sharon Tate's sister and not clearing it with Roman Polanski, the studio bidding war, Robert Richardson's glorious backlight skills, Leonardo DiCaprio & Brad Pitt's bromance, the wild MK-Ultra Satanic Conspiracy lurking beneath 1960s Hollywood, and much more! We also pick our TOP 7 DEEP CUT TARANTINO CHARACTERS in this week's SILVER SCREEN 7! Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

1920's German expressionist The Cabinet of Dr. Caligari did more than inspire a whole kind of cinema-it also became the great-grandparent of a genre. The mind-bending dive into the psyche genre that saw three of its greatest examples all influence each other: Ingmar Bergman's 1966 Persona which begat in many ways Robert Altman's 1977 3 Women. And all those movies consciously or unconsciously begat David Lynch's 2001 masterpiece Mulholland Drive. Secret Movie Club founder.programmer Craig Hammill takes a look at the journey of inspiration of all these movies as well as side trips to other great examples of the genre like David Fincher's Fight Club, Roman Polanski's Repulsion, and Darren Aronovsky's Black Swan. 

In this episode, we review our 8th-ranked film for 1965, a psychological thriller directed by Roman Polanski and starring Catherine Deneuve as a psychotic manicurist. Support this project on Patreon!

The Ninth Gate, Roman Polanski, film noir, private detective films, occult detective films, Satanism, Gnosticism, Polanski's career when Gate dropped, Johnny Depp, Club Dumas, Biester Palace, Rothschild family, Chateau de Ferrieres, Surrealist Ball of 1972, Stanley Kubrick, Eyes Wide Shut, Château de Puivert, Catharism, Toledo and its reputation for magic in the Middles Ages, Picatrix, Necronomicon, Paris, France and its relationship with Satanism, The Grand Grimoire, Simon Necronomicon, Warlock Shoppe, Peter Levenda, Wilfrid Voynich, Voynich manuscript, OTO, AA, Church of Satan, Temple of Set, Martinism, The Ninth Gate's elite secret society vs. the one in Eyes Wide Shut, material vs spiritual paths, right vs left hand path, Janus, witchcraft, Sophia, The Ninth Gate as a Gnostic film, the Holy Spirit as Luciferian, Leon Bloy, Maria de NaglowskaMusic by: Keith Allen Dennishttps://keithallendennis.bandcamp.com/Additional Music: Stone Breathhttps://stonebreath.bandcamp.com/album/witch-tree-prophets Hosted on Acast. See acast.com/privacy for more information.

Roman Polanski becomes the new Press Secretary for a day. 

Breaker breaker, calling all cars, it's a big 10-4 on a new Altmania. We're talkin about Jonathan Demme's third or fourth "first movie" at this point - but this time it's his first film outside of the Corman wing. We talk about CB Radio fever of the 70s, other frequent fevers of the nose in the 70s, the writer of Citizens Band getting kicked off set, Freddie Fields and Tony Curtis tinkering with the movie, a mysterious threat from Roman Polanski, and we go all over joking and laughing the whole dang way. We hope you enjoy the episode, we're gonna 10-7 on outta here! Follow Altmania: https://altmaniapod.com https://estebannoel.com Support us on Patreon: https://patreon.com/altmania

Welcome to Old School, where we revisit some of our best episodes from previous years with some current reflections on why these episodes are still fascinating. In 1977, Roman Polanski raped 13-year old Samantha Geimer. But strangely, the rape itself wasn't as bad as what followed. Amanda and Chris join Samantha to sift through the trauma of thirty years of exploitation by the justice system and the media. Reach out to us at ⁠www.amandaknox.com⁠ X: @amandaknox IG: @amamaknox Bluesky: @⁠amandaknox.com⁠ ⁠Free: My Search for Meaning⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Demonic: How the Liberal Mob Is Endangering America by Ann Coulter. French Revolution chapter 6 All of Ann Coulter's Books are a must have on every Conservatives' bookshelf. Buy them Today... All of them!   The demon is a mob, and the mob is demonic. The Democratic Party activates mobs, depends on mobs, coddles mobs, publicizes and celebrates mobs—it is the mob. Sweeping in its scope and relentless in its argument, Demonic explains the peculiarities of liberals as standard groupthink behavior. To understand mobs is to understand liberals.   In her most provocative book to date, Ann Coulter argues that liberals exhibit all the psychological characteristics of a mob, for instance:   Liberal Groupthink: “The same mob mentality that leads otherwise law-abiding people to hurl rocks at cops also leads otherwise intelligent people to refuse to believe anything they haven't heard on NPR.” Liberal Schemes: “No matter how mad the plan is—Fraternité, the ‘New Soviet Man,' the Master Race, the Great Leap Forward, the Cultural Revolution, Building a New Society, ObamaCare—a mob will believe it.” Liberal Enemies: “Instead of ‘counterrevolutionaries,' liberals' opponents are called ‘haters,' ‘those who seek to divide us,' ‘tea baggers,' and ‘right-wing hate groups.' Meanwhile, conservatives call liberals ‘liberals'—and that makes them testy.” Liberal Justice: “In the world of the liberal, as in the world of Robespierre, there are no crimes, only criminals.” Liberal Violence: “If Charles Manson's followers hadn't killed Roman Polanski's wife, Sharon Tate, Clinton would have pardoned him, too, and he'd probably be teaching at Northwestern University.”   Citing the father of mob psychology, Gustave Le Bon, Coulter catalogs the Left's mob behaviors: the creation of messiahs, the fear of scientific innovation, the mythmaking, the preference for images over words, the lack of morals, and the casual embrace of contradictory ideas. Coulter traces the history of the liberal mob to the French Revolution and Robespierre's revolutionaries (delineating a clear distinction from America's founding fathers), who simply proclaimed that they were exercising the “general will” before slaughtering their fellow citizens “for the good of mankind.” Similarly, as Coulter demonstrates, liberal mobs, from student radicals to white-trash racists to anti-war and pro-ObamaCare fanatics today, have consistently used violence to implement their idea of the “general will.” This is not the American tradition; it is the tradition of Stalin, of Hitler, of the guillotine—and the tradition of the American Left. As the heirs of the French Revolution, Democrats have a history that consists of pandering to mobs, time and again, while Republicans, heirs to the American Revolution, have regularly stood for peaceable order. Hoping to muddy this horrifying truth, liberals slanderously accuse conservatives of their own crimes—assassination plots, conspiracy theorizing, political violence, embrace of the Ku Klux Klan. Coulter shows that the truth is the opposite: Political violence—mob violence—is always a Democratic affair. Surveying two centuries of mob movements, Coulter demonstrates that the mob is always destructive. And yet, she argues, beginning with the civil rights movement in the sixties, Americans have lost their natural, inherited aversion to mobs. Indeed, most Americans have no idea what they are even dealing with.             Only by recognizing the mobs and their demonic nature can America begin to defend itself.

This week in the Wrap Party, Zeth and Jake are talking about Roman Polanski and separating the art from the artist, handing out fresh music and movie recommendations, and responding to your voicemails, texts, emails, and DMs. Next week, get ready for our episode on Jane Fonda. In the meantime, Zeth and Jake want to hear from you. What are you watching and listening to? What did you think of the Roman Polanski episode? Join the party and give us your recs and reviews! Call or text (617) 906-6638, email disgracelandpod@gmail.com, or reach out on socials @disgracelandpod. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

As a child, Roman Polanski escaped from a Krakow ghetto on the day the Nazis took his father to a concentration camp. As a new filmmaker, he became the toast of young Hollywood with his 1968 horror masterpiece, Rosemary's Baby. But after the brutal murder of his wife, Sharon Tate, at the hands of the Manson family, Polanski unraveled. He wound up committing a heinous crime that led him to escape yet again – this time fleeing the country when an angry judge was ready to throw the book at him. This episode contains themes that may be disturbing to some listeners, including child sexual abuse. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week in the Wrap Party, Zeth and Jake are talking about John Holmes, Boogie Nights, commercials from the ‘80s and ‘90s, Gen X, the difference between Eddie and the Hot Rods and Eddie and the Cruisers, summer playlists, and washed-up protagonists. Next week, get ready for our episode on Roman Polanski. In the meantime, Zeth and Jake want to hear from you. What are you watching and listening to? What did you think of the John Holmes/Wonderland Murders episode? Join the party and give us your recs and reviews! Call or text (617) 906-6638, email disgracelandpod@gmail.com, or reach out on socials @disgracelandpod. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Josh and Drusilla discuss Roman Polanski's Repulsion. From wiki: “Repulsion is a 1965 British psychological horror thriller film directed by Roman Polanski, and starring Catherine Deneuve.[2] Based on a story written by Polanski and Gérard Brach, the plot follows Carol, a withdrawn, disturbed young woman who, when left alone in the apartment she shares with her sister, is subject to a number of nightmarish experiences. The film focuses on the point of view of Carol and her vivid hallucinations and nightmares as she comes into contact with men and their desires for her. Ian Hendry, John Fraser, Patrick Wymark, and Yvonne Furneaux appear in supporting roles.”Also discussed: B.O., Hacks, Oslo August 31st, Joaquim Trier, A24 vs Neon, Mission: Impossible, Tim Robinson, The Watcher, the Four B Movement, and more. NEXT WEEK: The Ugly Stepsister (2025)  Bloodhaus:https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/ Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://bsky.app/profile/joshuaconkel.bsky.socialhttps://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

Just in time for Adrian's birthday, we're gaslighting everyone about Rosemary's Baby from 1968! We'll discuss who almost played Rosemary, the curse surrounding the film, and once again try to separate the art from the artist because Roman Polanski is a criminal!Support "They're Coming to Get You" on Patreon.https://www.patreon.com/TheyreComingtoGetYou

What was it about this novel by Robert Harris that made it so ripe for an award-winning adaptation? In episode 347, join writer Luke Elliott and filmmaker James Bailey as they wade into a papal political thriller about the flawed men who are vying for the office, recount their own spiritual deconstructions, reflect on growing up as Christians, discover an unfortunate Roman Polanski connection with the author, and react to a surprising twist they didn't see coming. Join them next week for their deep dive into the film by Edward Berger! Pickup Conclave by Robert Harris at the Ink to Film Bookshop! https://bookshop.org/shop/inktofilm Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects! https://www.patreon.com/inktofilm Ink to Film's Twitter, Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Luke Elliott Website: www.lukeelliottauthor.com IG: https://www.instagram.com/lpelliott/ Threads: https://www.threads.net/@lpelliott Bluesky: https://bsky.app/profile/luminousluke.bsky.social James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/    

Wes & Erin continue their discussion of Roman Polanski's 1968 classic, and why it is that Satanic evil, when confronted with life's very frightening realities—including pregnancy itself—turns out to be so banal.

Le réalisateur Roman Polanski réagit à l'avis de Bertrand Tavernier sur son film "La Vénus à la fourrure". Tous les jours, retrouvez le meilleur de Laurent Gerra en podcast sur RTL.fr, l'application et toutes vos plateformes.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On the surface, “Rosemary's Baby” is a horror film about a woman who gets taken advantage of by a satanic cult and impregnated by the Devil. In the end, it seems to be a satire on the competing entrapments of domesticity and ambition, and the boring conventionality of people who hope that opposition to convention will allow them to retrieve their lost youth. Wes & Erin discuss Roman Polanski's 1968 classic, and why it is that Satanic evil, when confronted with life's very frightening realities—including pregnancy itself—turns out to be so banal.

Mama Cass' role as Hollywood's hippie den mother pulled her into the orbit of troubling company during the “Summer of Love.” The former singer of The Mamas and the Papas thrived in Laurel Canyon's social circles, which included her close friend Sharon Tate and Sharon's husband, filmmaker Roman Polanski. But Cass' alleged involvement in some of the long rumored-hedonistic events put her at the center of a counter-narrative that explosively disrupts the supposed motive for the Manson family murders. Decades later, there's plenty to debunk about the final years of Mama Cass' life— including a silly, fat-shaming myth surrounding her death that has persisted for nearly 50 years. This episode contains themes that may be disturbing to some listeners, including domestic violence and graphic descriptions of violence and sexual assault. Do you believe the accepted narrative around Helter Skelter as put forth by Vincent Bugliosi?? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. To see the full list of contributors see the show notes at www.disgracelandpod.com. This episode was originally published on December 13, 2022. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Sharon Tate was a sophisticated beauty who literally stopped traffic when she walked down the street. She began her movie career when America was becoming sexually liberated, and despite the ease with which she was made a sex symbol, she aspired to be respected as a serious actress. Decades later, however, she is perhaps best-remembered as one of the victims found brutally murdered at her Cielo Drive home, the one she shared with her husband, director Roman Polanski. Sharon and Roman welcomed regular guests to that home, including Sharon's friend, Mama Cass Elliot, who was at the center of the Manson murders and whose actions may be why the motive for the murders that America has come to accept as fact is actually false. This episode contains themes that may be disturbing to some listeners, including sexual assault and suicide. If you're thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Sharon Tate's entanglement with Charles Manson and her husband, filmmaker Roman Polanski, as well as her involvement in some of the long-rumored hedonistic events at her home on Cielo Drive put her at the center of a counter-narrative that explosively disrupts the supposed motive for the Manson family murders. Was Sharon Tate blissfully ignorant of the darkness that had been bubbling beneath Hollywood's shiny veneer for years? Or is there more to this story than we've been told in the past? This episode contains themes that may be disturbing to some listeners, including sexual assault. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices