Podcast appearances and mentions of joan neuberger

Join hosts Jason, Tony, and our new co-host, Paul, on Episode One of Season Two! On this episode we discuss Sergei Eisenstein's epic two-part Soviet masterpiece Ivan the Terrible, released in 1945 and 1958 respectively. The films were commissioned by Joseph Stalin in 1941 as a means to rehabilitate Ivan the Terrible's image for a contemporary Soviet audience. Stalin celebrated Part 1, but the state banned Part 2. A third part had been in the works, but was abandoned by Eisenstein after the suppression of the second part. Our discussion touches on this history and many other topics, including Soviet montage, dialectical art construction, Eisenstein's queerness, his fraught relationship with Stalin, and more.  This is the first episode of a new format in which we take book or movie recommendations from each of us, which are found below:  Tony's book recommendations: Sergei Eisenstein: A Life in Conflict by Ronald Bergan (2016) Narrative, Apparatus, Ideology, edited by Philip Rosen (1986) Film Form: Essays in Film Theory by Sergei Eisenstein (1949) Paul's book and film recommendations: This Thing of Darkness: Eisenstein's Ivan the Terrible in Stalinist Russia by Joan Neuberger (2019) Ivan the Terrible by Joan Neuberger  Battleship Potemkin (1925; dir. Sergei Eisenstein) Jason's movie recommendations: Come and See (1985; dir. Elem Klimov)  The Ascent (1977; dir. Larisa Shepitko)  Wings (1966; dir. Larisa Shepitko)  Please subscribe to the podcast, and don't forget to leave a review! Follow Jason on Twitter at @JasonAChristian and Anthony at @tonyjballas; follow Paul on BlueSky at @ptklein.com. Paul writes about movies at www.howtoreadmovies.com. Paul's handle on Letterboxd is https://letterboxd.com/ptklein/; Jason's is https://letterboxd.com/exilemagic/.  Our logo is by Jason Christian  The theme music for this episode and all forthcoming episodes is by DYAD (Charles Ballas and Jeremy Averitt).  Please drop us a line anytime at coldwarcinemapod@gmail.com. Happy listening!  

On this episode we have the privilege of speaking with History professor and Eisenstein expert Dr. Joan Neuberger who among many things is also co-host and co-creator of 15-Minute History podcast and the public history project Not Even Past. ABOUT THE GUEST: https://minio.la.utexas.edu/colaweb-prod/person_files/0/373/joan_neuberger_profile_image.jpeg Dr. Neuberger received her PhD from Stanford University in 1985. She is currently a professor in the History Department at the University of Texas at Austin. Dr. Neuberger studies modern Russian culture in social and political context, with a focus on the politics of the arts. She is the author of an eclectic range of publications, including Hooliganism: Crime and Culture in St Petersburg, 1900-1914 (California: 1993), Ivan the Terrible: The Film Companion (Palgrave: 2003); co-author of Europe and the Making of Modernity, 1815-1914 (Oxford: 2005); and co-editor of Imitations of Life: Melodrama in Russia (Duke: 2001) and Picturing Russia: Explorations in Visual Culture (Yale: 2008); Everyday Life in Russian History: Quotidian Studies in Honor of Daniel Kaiser (Slavica, 2010); and The Flying Carpet: Studies on Eisenstein in Honor of Naum Kleiman (Mimésis International. 2017). Her most recent book is This Thing of Darkness: Eisenstein's Ivan the Terrible in Stalin's Russia (Cornell: 2019). We encourage you to check out her public history site, Not Even Past, www.notevenpast.org and also the related podcast "15-Minute History" at www.15minutehistory.org which she co-hosts and co-founded. Both are great and fun resources! NOTE: This episode was recorded on February 21, 2020 at the University of Texas at Austin. Thanks for listening and if you like us and support open academic programming, please take a second to rate the show on Apple Podcasts, TuneIn, or on our Facebook page. We so appreciate your support!! CREDITS Co-Producer: Tom Rehnquist (Connect: facebook.com/thomas.rehnquist) Co-Producer: Matthew Orr (Connect: facebook.com/orrrmatthew) Logistics/Assistant Producer: Cullan Bendig Associate Producer: Lera Toropin Associate Producer: Samantha Farmer Associate Producer: Milena D-K Supervising Producer: Kathryn Yegorov-Crate Production Assistant: Luis Camarena Executive Editor/Music Producer: Charlie Harper (Connect: facebook.com/charlie.harper.1485 Instagram: @charlieharpermusic) www.charlieharpermusic.com Executive Producer & Creator: Michelle Daniel (Connect: facebook.com/mdanielgeraci Instagram: @michelledaniel86) www.msdaniel.com DISCLAIMER: The views expressed on this episode do not necessarily reflect those of the show or the University of Texas at Austin. Special Guest: Joan Neuberger.

In this episode you will hear a short conversation I had with Joan Neuberger. I asked her some questions about public history and film studies and her project "Not even past". Among other things, the news is about the latest issue of "Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe". And in my diary, I will explain what so-called "Small disciplines" actually are. "Film Studies bling-bling" is about hidden and well-known treasures, big and small diamonds from Film Studies. In each episode, we have a "Bling of the month"; scholars from Film Studies who are interviewed about their research. In the news section, you hear from current research projects or book publications, or whatever struck my way strolling around in the Film Studie's universe. To keep this podcast visible for you we decided to add it to the Indiefilmtalk Catalogue in consultation with the podcast-creators. More informations on: www.indiefilmtalk.de ---------- Project Website "Die filmische Straßenlandschaft in Potsdam" - https://filmische-stadt.projekte-filmuni.de/team.html Social Media - @indiefilmtalk Webseite - https://indiefilmtalk.de/

Guest: Joan Neuberger on This Thing of Darkness: Eisenstein's Ivan the Terrible in Stalin's Russia published by Cornell University Press. The post Eisenstein's Ivan the Terrible appeared first on The Eurasian Knot.

Guest: Joan Neuberger on This Thing of Darkness: Eisenstein's Ivan the Terrible in Stalin's Russia published by Cornell University Press. The post Eisenstein’s Ivan the Terrible appeared first on SRB Podcast.

Most of the time, this podcast focuses on the products of those who create historical fiction—specifically, novels. But what goes into producing a work of historical fiction—especially in a dictatorship where the wrong choice, or even the right choice at the wrong moment, can send the unwitting author to the Gulag? And what if the creator is not an unknown toiling in the dark to produce manuscripts “for the desk drawer,” as the Soviet literati used to say, but the nation’s foremost filmmaker operating at the personal behest of Joseph Stalin? Such is the dilemma that faces Sergei Eisenstein in 1941, when he begins his unfinished trilogy Ivan the Terrible, an epic ordered by the Soviet government to glorify the Russian past and justify state terror. Often written off, especially in the West, as a toady to Stalin, Eisenstein—as Joan Neuberger nimbly shows in her new and fascinating study, This Thing of Darkness: Eisenstein’s Ivan the Terrible in Stalin’s Russia (Cornell University Press, 2019)—approached his complicated and risky project with a mixture of enthusiasm and caution. Over the course of five years, despite complaints about budget overflows and production delays, through exile and war and shifts in the party line, personal conflicts and health problems, Eisenstein skillfully alternated between tactics of submission and defiance in support of his idiosyncratic but richly textured portrayal of a tortured autocrat whose childhood traumas led him to ever more extreme exercises of power, even as his excesses stripped him of friends and family, leaving him alone against the endless, unstoppable waves—of progress? of the future? of his own battered conscience? Only the viewer can decide. Part I won the Stalin Prize, the USSR’s highest honor, although not without controversy. Stalin personally banned Part II before release, and Eisenstein died with Part III unfinished. In this master work about a master filmmaker, Neuberger shines a light on all three. In doing so, she highlights the many decisions any author must make while balancing historical accuracy against dramatic potential and character motivation against a verifiable past. Fortunately, for most of us the stakes are nowhere near as high as they were for Sergei Eisenstein. C. P. Lesley is the author of nine novels, including Legends of the Five Directions (The Golden Lynx, The Winged Horse, The Swan Princess, The Vermilion Bird, and The Shattered Drum), a historical fiction series set during the childhood of Ivan the Terrible, and Song of the Siren, published in 2019. Find out more about her at http://www.cplesley.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most of the time, this podcast focuses on the products of those who create historical fiction—specifically, novels. But what goes into producing a work of historical fiction—especially in a dictatorship where the wrong choice, or even the right choice at the wrong moment, can send the unwitting author to the Gulag? And what if the creator is not an unknown toiling in the dark to produce manuscripts “for the desk drawer,” as the Soviet literati used to say, but the nation’s foremost filmmaker operating at the personal behest of Joseph Stalin? Such is the dilemma that faces Sergei Eisenstein in 1941, when he begins his unfinished trilogy Ivan the Terrible, an epic ordered by the Soviet government to glorify the Russian past and justify state terror. Often written off, especially in the West, as a toady to Stalin, Eisenstein—as Joan Neuberger nimbly shows in her new and fascinating study, This Thing of Darkness: Eisenstein’s Ivan the Terrible in Stalin’s Russia (Cornell University Press, 2019)—approached his complicated and risky project with a mixture of enthusiasm and caution. Over the course of five years, despite complaints about budget overflows and production delays, through exile and war and shifts in the party line, personal conflicts and health problems, Eisenstein skillfully alternated between tactics of submission and defiance in support of his idiosyncratic but richly textured portrayal of a tortured autocrat whose childhood traumas led him to ever more extreme exercises of power, even as his excesses stripped him of friends and family, leaving him alone against the endless, unstoppable waves—of progress? of the future? of his own battered conscience? Only the viewer can decide. Part I won the Stalin Prize, the USSR’s highest honor, although not without controversy. Stalin personally banned Part II before release, and Eisenstein died with Part III unfinished. In this master work about a master filmmaker, Neuberger shines a light on all three. In doing so, she highlights the many decisions any author must make while balancing historical accuracy against dramatic potential and character motivation against a verifiable past. Fortunately, for most of us the stakes are nowhere near as high as they were for Sergei Eisenstein. C. P. Lesley is the author of nine novels, including Legends of the Five Directions (The Golden Lynx, The Winged Horse, The Swan Princess, The Vermilion Bird, and The Shattered Drum), a historical fiction series set during the childhood of Ivan the Terrible, and Song of the Siren, published in 2019. Find out more about her at http://www.cplesley.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most of the time, this podcast focuses on the products of those who create historical fiction—specifically, novels. But what goes into producing a work of historical fiction—especially in a dictatorship where the wrong choice, or even the right choice at the wrong moment, can send the unwitting author to the Gulag? And what if the creator is not an unknown toiling in the dark to produce manuscripts “for the desk drawer,” as the Soviet literati used to say, but the nation’s foremost filmmaker operating at the personal behest of Joseph Stalin? Such is the dilemma that faces Sergei Eisenstein in 1941, when he begins his unfinished trilogy Ivan the Terrible, an epic ordered by the Soviet government to glorify the Russian past and justify state terror. Often written off, especially in the West, as a toady to Stalin, Eisenstein—as Joan Neuberger nimbly shows in her new and fascinating study, This Thing of Darkness: Eisenstein’s Ivan the Terrible in Stalin’s Russia (Cornell University Press, 2019)—approached his complicated and risky project with a mixture of enthusiasm and caution. Over the course of five years, despite complaints about budget overflows and production delays, through exile and war and shifts in the party line, personal conflicts and health problems, Eisenstein skillfully alternated between tactics of submission and defiance in support of his idiosyncratic but richly textured portrayal of a tortured autocrat whose childhood traumas led him to ever more extreme exercises of power, even as his excesses stripped him of friends and family, leaving him alone against the endless, unstoppable waves—of progress? of the future? of his own battered conscience? Only the viewer can decide. Part I won the Stalin Prize, the USSR’s highest honor, although not without controversy. Stalin personally banned Part II before release, and Eisenstein died with Part III unfinished. In this master work about a master filmmaker, Neuberger shines a light on all three. In doing so, she highlights the many decisions any author must make while balancing historical accuracy against dramatic potential and character motivation against a verifiable past. Fortunately, for most of us the stakes are nowhere near as high as they were for Sergei Eisenstein. C. P. Lesley is the author of nine novels, including Legends of the Five Directions (The Golden Lynx, The Winged Horse, The Swan Princess, The Vermilion Bird, and The Shattered Drum), a historical fiction series set during the childhood of Ivan the Terrible, and Song of the Siren, published in 2019. Find out more about her at http://www.cplesley.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most of the time, this podcast focuses on the products of those who create historical fiction—specifically, novels. But what goes into producing a work of historical fiction—especially in a dictatorship where the wrong choice, or even the right choice at the wrong moment, can send the unwitting author to the Gulag? And what if the creator is not an unknown toiling in the dark to produce manuscripts “for the desk drawer,” as the Soviet literati used to say, but the nation’s foremost filmmaker operating at the personal behest of Joseph Stalin? Such is the dilemma that faces Sergei Eisenstein in 1941, when he begins his unfinished trilogy Ivan the Terrible, an epic ordered by the Soviet government to glorify the Russian past and justify state terror. Often written off, especially in the West, as a toady to Stalin, Eisenstein—as Joan Neuberger nimbly shows in her new and fascinating study, This Thing of Darkness: Eisenstein’s Ivan the Terrible in Stalin’s Russia (Cornell University Press, 2019)—approached his complicated and risky project with a mixture of enthusiasm and caution. Over the course of five years, despite complaints about budget overflows and production delays, through exile and war and shifts in the party line, personal conflicts and health problems, Eisenstein skillfully alternated between tactics of submission and defiance in support of his idiosyncratic but richly textured portrayal of a tortured autocrat whose childhood traumas led him to ever more extreme exercises of power, even as his excesses stripped him of friends and family, leaving him alone against the endless, unstoppable waves—of progress? of the future? of his own battered conscience? Only the viewer can decide. Part I won the Stalin Prize, the USSR’s highest honor, although not without controversy. Stalin personally banned Part II before release, and Eisenstein died with Part III unfinished. In this master work about a master filmmaker, Neuberger shines a light on all three. In doing so, she highlights the many decisions any author must make while balancing historical accuracy against dramatic potential and character motivation against a verifiable past. Fortunately, for most of us the stakes are nowhere near as high as they were for Sergei Eisenstein. C. P. Lesley is the author of nine novels, including Legends of the Five Directions (The Golden Lynx, The Winged Horse, The Swan Princess, The Vermilion Bird, and The Shattered Drum), a historical fiction series set during the childhood of Ivan the Terrible, and Song of the Siren, published in 2019. Find out more about her at http://www.cplesley.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most of the time, this podcast focuses on the products of those who create historical fiction—specifically, novels. But what goes into producing a work of historical fiction—especially in a dictatorship where the wrong choice, or even the right choice at the wrong moment, can send the unwitting author to the Gulag? And what if the creator is not an unknown toiling in the dark to produce manuscripts “for the desk drawer,” as the Soviet literati used to say, but the nation’s foremost filmmaker operating at the personal behest of Joseph Stalin? Such is the dilemma that faces Sergei Eisenstein in 1941, when he begins his unfinished trilogy Ivan the Terrible, an epic ordered by the Soviet government to glorify the Russian past and justify state terror. Often written off, especially in the West, as a toady to Stalin, Eisenstein—as Joan Neuberger nimbly shows in her new and fascinating study, This Thing of Darkness: Eisenstein’s Ivan the Terrible in Stalin’s Russia (Cornell University Press, 2019)—approached his complicated and risky project with a mixture of enthusiasm and caution. Over the course of five years, despite complaints about budget overflows and production delays, through exile and war and shifts in the party line, personal conflicts and health problems, Eisenstein skillfully alternated between tactics of submission and defiance in support of his idiosyncratic but richly textured portrayal of a tortured autocrat whose childhood traumas led him to ever more extreme exercises of power, even as his excesses stripped him of friends and family, leaving him alone against the endless, unstoppable waves—of progress? of the future? of his own battered conscience? Only the viewer can decide. Part I won the Stalin Prize, the USSR’s highest honor, although not without controversy. Stalin personally banned Part II before release, and Eisenstein died with Part III unfinished. In this master work about a master filmmaker, Neuberger shines a light on all three. In doing so, she highlights the many decisions any author must make while balancing historical accuracy against dramatic potential and character motivation against a verifiable past. Fortunately, for most of us the stakes are nowhere near as high as they were for Sergei Eisenstein. C. P. Lesley is the author of nine novels, including Legends of the Five Directions (The Golden Lynx, The Winged Horse, The Swan Princess, The Vermilion Bird, and The Shattered Drum), a historical fiction series set during the childhood of Ivan the Terrible, and Song of the Siren, published in 2019. Find out more about her at http://www.cplesley.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode we speak with Joan Neuberger, author of the new book, This Thing of Darkness: Eisenstein’s Ivan the Terrible in Stalin’s Russia. Joan Neuberger is Professor of History at the University of Texas at Austin. She has written extensively in print and online about Eisenstein, film, and modern Russian cultural history. We spoke to Joan about what makes Ivan the Terrible one of the greatest films of all time, what Eisenstein’s unpublished diaries and manuscripts tell us about his true intentions with the film, and what specific political messages he wanted to convey the audience. Watch Ivan the Terrible on YouTube: https://www.youtube.com/watch?v=jJmsV10MTJE https://www.youtube.com/watch?v=i5g-Ss9BDR4 As a loyal listener to the podcast we’d like to offer you a special 30% discount on Joan’s book. To receive your discount please go to cornellpress.cornell.edu and use the promo code 09POD. If you live in the UK use the discount code CSANNOUNCE and visit the website combinedacademic.co.uk.

Film Studies masters graduate Esther Jolliffe joins Ally Pitts to discuss this biopic of the first tsar, which was voted 102nd greatest film of all time in the 2012 Sight and Sound Critics' Poll. Expect SPOILERS from about 13 minutes in until the end. Ivan the Terrible: part I stars Nikolai Cherkasov, Lyudmila Tselikovskaya, Serafima Birman, and Mikhail Nazvanov. This Thing of Darkness: Eisenstein's Ivan the Terrible in Stalin's Russia by Dr Joan Neuberger, which has been shortlisted for the 2020 Pushkin House Book Prize, is available from Cornell University Press.A list of podcast episodes in which Dr Joan Neuberger discusses This Thing of Darkness: www.podchaser.com/lists/this-thing-of-darkness-a-book-by-dr-joan-neuberger-on-serge-107a4VRRB3Find out more about #PodRevDay, a way to support your favourite podcasts: www.stephfuccio.com/podrevday The show's intro music is Cold by Sasha Ilyukevich and the Highly Skilled Migrants. You can find more of their music at: thehighlyskilledmigrants.bandcamp.com/ or: open.spotify.com/artist/1cXWmfhuDWyfKfsYADk96F If you'd like to get in touch and tell us what you thought of the film and/or the podcast episode, it would be great to hear from you! Here are some ways you can do that: Twitter: @RussophilesU Email: russophilesunite@gmail.com Facebook: www.facebook.com/groups/russophilesunite Instagram: www.instagram.com/russophiles_unite/ Letterboxd: letterboxd.com/Ally_ Support the show/fund Ally's caffeine habit at: ko-fi.com/russophilesunite Find Ally's other podcast appearances at: www.podchaser.com/creators/alistair-pitts-107ZzmUqmI

During the Spanish Civil War (1936-39), which pitted a left-leaning Republic, suported by the Soviet Union,  against right-leaning nationalists, supported by the Nazi, more than 35,000 people from more than 50 countries went to Spain to fight against fascism for the Republic. Today’s guest, Lisa Kirschenbaum, talks about who some of those people were and […]

We've made it to 100 episodes! Join co-hosts Joan Neuberger and Christopher Rose as they look back on the origins of 15 Minute History, relive the awkwardness of the first few outings in the studio, recap their favorite episodes, share embarrassing moments with impressive guests in the studio, ponder the phenomenon of being asked to entertain serious questions at weddings, and give short glimpses into those April Fools' episodes that we never quite got around to recording.

Fifty years ago, on August 1, 1966, twenty-five year old student Charles Whitman killed 16 people and wounded at least 32 more at UT Austin. A former Marine sharpshooter, he went to the 28th-floor observation deck of the UT Tower and began shooting people on the ground as they walked by or tried to hide. A news cameraman set up a camera under the tower so the shooting was broadcast on television. Several police officers and a recently retired Air Force officer made their way to the top of the tower not knowing what they would find and, after the rampage had lasted 96 minutes, Houston McCoy and Ramiro Martinez killed the sniper. Later it was found that Whitman had killed his mother and wife in the early hours of the morning. These events were seared into the memory of everyone living in Austin, but historians have neglected the story and, for decades, the university avoided and eventually suppressed it. A small plaque on a hard to locate rock was only erected in 2008. Why? In Spring 2016, as the fiftieth anniversary neared, graduate students in the UT History Department's Public History seminar led by Joan Neuberger decided to make the history of the tower shooting more widely available and accessible to the public. They examined documents in local archives and wrote a collection of historical essays on many important aspects of that day’s events, as well as on the historical context, and the aftermath. And they put these essays on a website (BehindTheTower.org). In this episode, Neuberger discusses the project with four of those students: Itza Carbajal, Maria Hammack, Rebecca Johnston, and John Lisle.