Podcasts about Eisenstein

An Imaginary Cinema: Sergei Eisenstein and the Unrealized Film (Cornell UP, 2024) explores the unfinished cinematic projects developed and abandoned by Soviet filmmaker Sergei Eisenstein between 1927 and 1937. Centred on seven major film concepts, the book examines what it means for a work of art—particularly a film—to remain unfinished or unrealised, and how these projects fit within Eisenstein's broader theoretical and practical framework. Offering unique insight into the history of film production in Stalinist Russia, An Imaginary Cinema contrasts Eisenstein's experiences with both the Soviet film industry and Hollywood, and considers the technological transitions that shaped early cinema. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An Imaginary Cinema: Sergei Eisenstein and the Unrealized Film (Cornell UP, 2024) explores the unfinished cinematic projects developed and abandoned by Soviet filmmaker Sergei Eisenstein between 1927 and 1937. Centred on seven major film concepts, the book examines what it means for a work of art—particularly a film—to remain unfinished or unrealised, and how these projects fit within Eisenstein's broader theoretical and practical framework. Offering unique insight into the history of film production in Stalinist Russia, An Imaginary Cinema contrasts Eisenstein's experiences with both the Soviet film industry and Hollywood, and considers the technological transitions that shaped early cinema. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

An Imaginary Cinema: Sergei Eisenstein and the Unrealized Film (Cornell UP, 2024) explores the unfinished cinematic projects developed and abandoned by Soviet filmmaker Sergei Eisenstein between 1927 and 1937. Centred on seven major film concepts, the book examines what it means for a work of art—particularly a film—to remain unfinished or unrealised, and how these projects fit within Eisenstein's broader theoretical and practical framework. Offering unique insight into the history of film production in Stalinist Russia, An Imaginary Cinema contrasts Eisenstein's experiences with both the Soviet film industry and Hollywood, and considers the technological transitions that shaped early cinema. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

An Imaginary Cinema: Sergei Eisenstein and the Unrealized Film (Cornell UP, 2024) explores the unfinished cinematic projects developed and abandoned by Soviet filmmaker Sergei Eisenstein between 1927 and 1937. Centred on seven major film concepts, the book examines what it means for a work of art—particularly a film—to remain unfinished or unrealised, and how these projects fit within Eisenstein's broader theoretical and practical framework. Offering unique insight into the history of film production in Stalinist Russia, An Imaginary Cinema contrasts Eisenstein's experiences with both the Soviet film industry and Hollywood, and considers the technological transitions that shaped early cinema. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

An Imaginary Cinema: Sergei Eisenstein and the Unrealized Film (Cornell UP, 2024) explores the unfinished cinematic projects developed and abandoned by Soviet filmmaker Sergei Eisenstein between 1927 and 1937. Centred on seven major film concepts, the book examines what it means for a work of art—particularly a film—to remain unfinished or unrealised, and how these projects fit within Eisenstein's broader theoretical and practical framework. Offering unique insight into the history of film production in Stalinist Russia, An Imaginary Cinema contrasts Eisenstein's experiences with both the Soviet film industry and Hollywood, and considers the technological transitions that shaped early cinema. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In this episode of Wild Rivers Film Radio, hosts Sue Wright and Ozy Pops sit down with filmmaker Eric Eisenstein to talk about his short film, Blueberries. Eric shares the motivation for this project and the process of creating a film in a forty-day film competition. The conversation weaves together concept development, writing, casting, shooting, […]

In this episode of The Responsive Lab, hosts Carly Berna and Scott Holthaus sit down with capital campaign expert Amy Eisenstein of Capital Campaign Pro to demystify one of the most ambitious and often misunderstood fundraising tools in a nonprofit's playbook: the capital campaign. Amy shares her journey from development director to co-founder of a firm that has guided hundreds of organizations through campaigns ranging from $3M to $150M. You'll learn the key elements of a successful campaign, including when to launch, who should consider one, how to engage donors, and why feasibility studies aren't about saying “no,” they're about choosing the right path forward. This episode includes practical advice, like: Why your internal team shouldn't carry a campaign alone How feasibility studies help you plan, not pause What stewardship looks like during a multi-year fundraising effort How technology can reduce burnout and elevate donor engagement Why donor joy and fundraisers' happiness habits matter in long campaigns Links from the episode: Listen to the All About Capital Campaigns podcast Learn more about Capital Campaign Pro Learn more about Virtuous at virtuous.org/learnmore and download your free Nonprofit CRM Checklist at virtuous.org/crmchecklist

American Outdoor Brands, Kraft Heinz and EquipmentShare are just of the few of the companies that have utilized Chapter 100 bonds in Columbia/Boone County for major job projects over the years. Columbia Regional Economic Development Incorporated (REDI) president Paul Eisenstein joined host Fred Parry in-studio Saturday morning on 939 the Eagle's "CEO Roundtable" program. Mr. Eisenstein tells listeners that there's been $750-million in new investment in Columbia/Boone County in the past 20 years, thanks to Chapter 100. Mr. Eisenstein also discussed air service at Columbia Regional Airport during the one-hour interview, including the return of United Airlines to COU and the popular daily Denver flight. Paul grew up in the St. Louis area and earned degrees from both St. Louis University and Washington University. He worked for the state Department of Economic Development (DED) in Jefferson City for about eight years before taking the REDI job seven months ago:

Selle nädala Kuku Raadio järjejutuminutites saame teada, kes siis ikkagi oli kuulus filmirežissöör Eisenstein, ehk lihtsalt Eisen? Kas geeniaalne lavastaja või propagandist, suur armastaja või südametu egoist? Keerulise suurmehe põneva elu toob meieni Guzel Jahhina uus romaan „Eisen" kirjastuselt Tänapäev.

Darshali Vyas is a pulmonary and critical care fellow at Massachusetts General Hospital. Stephen Morrissey, the interviewer, is the Executive Managing Editor of the Journal. D.A. Vyas, L.G. Eisenstein, and D.S. Jones. The Race-Correction Debates — Progress, Tensions, and Future Directions. N Engl J Med 2025;393:1029-1036.

Hvem er AIPAC, hvorfor er USA så involvert i Midtøsten, og hva beteryr det å være en antisionist? Vi har snakket med Peter Eisenstein, en jødisk aktivist og lærer, opprinnelig fra Los Angeles, men bosatt i Oslo. Han ser også på seg som anti-zionist og anti-imperialist. Han er nestleder for fredspartiet FOR - Fred og Rettferdighet og medlem i organisasjonen Jødiske Stemmer for Rettferdig Fred.

Charles Eisenstein (born 1967) is an American public speaker, author, and activist. His books include The Ascent of Humanity, Sacred Economics, and The More Beautiful World Our Hearts Know is Possible.Eisenstein's work covers a wide range of topics, including the history of human civilization, economics, spirituality, and the ecology movement. Key themes explored include anti-consumerism, interdependence, and how myth and narrative influence culture. According to Eisenstein, global culture is immersed in a destructive "story of separation", and one of the main goals of his work is to present an alternative "story of interbeing". Much of his work draws on ideas from Eastern philosophy, the spiritual teachings of various indigenous peoples, and New Age themes.https://charleseisenstein.org

Charles Eisenstein (born 1967) is an American public speaker, author, and activist. His books include The Ascent of Humanity, Sacred Economics, and The More Beautiful World Our Hearts Know is Possible.Eisenstein's work covers a wide range of topics, including the history of human civilization, economics, spirituality, and the ecology movement. Key themes explored include anti-consumerism, interdependence, and how myth and narrative influence culture. According to Eisenstein, global culture is immersed in a destructive "story of separation", and one of the main goals of his work is to present an alternative "story of interbeing". Much of his work draws on ideas from Eastern philosophy, the spiritual teachings of various indigenous peoples, and New Age themes.https://charleseisenstein.org

On this break episode of Floating Through Film, the guys are coming back to a new series we started called FTF Theory where we try to discuss some film theory/criticism. This week we're going through one of Eisenstein's famous essay's on cinema that he wrote in 1920, 'Methods of Montage'. The conversation also lead to a deeper discussion on the concept of montage generally and how its perception has changed over time. We then conclude by reviewing Eisenstein's 1925 classic film, Battleship Potemkin (1:26:29). We hope you enjoy!Episode Next Week: The Phoenician Scheme + Top 5 Wes Anderson MoviesMusic:- Intro: Early Summer- Outro: Ivan the Terrible (https://www.youtube.com/watch?v=p4AP_tjQCHs&list=PLh53GQtLtOqIa6Vo-AyuXE6_E4YstIu1_&index=1&ab_channel=TuganSokhiev-Topic)Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s)Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker)Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm)Podcast Links Spotify and Apple: https://linktr.ee/floatingthroughfilmLetterboxd: https://letterboxd.com/floatingfilm/Email: floatingthroughfilm@gmail.com

Gotthold Eisenstein war ein faszinierender und zugleich tragisch unbekannten Mathematiker des 19. Jahrhunderts. Mit nur 29 Jahren verstorben, hinterließ Eisenstein ein Werk, das bis heute in der Zahlen- und Funktionentheorie nachhallt. Aber es ist auch die Geschichte eines Mannes, der mit Armut, Krankheit und gesellschaftlicher Ausgrenzung gekämpft hat. Wir sprechen über sein kurzes Leben und seine große Leidenschaft - die Mathematik, sowie den Traum, endlich seinem Mathe-Vorbild Carl Friedrich Gauß zu begegnen.Schon gehört? Hier geht's zur Folge über Alexander von Humboldt.“Behind Science” gibt's jeden Samstag – am Science-Samstag. Zwischendurch erreicht ihr uns per Mail und Instagram, und hier gibt's unsere Links, die gerade wichtig sind. Nutzt im Mai gerne unseren Buah-Code behindscience10, wenn ihr knackige Snacks sucht. Hosted on Acast. See acast.com/privacy for more information.

BIBLIOTECA SUBMERSA é a nova série de episódios do Podcast da Raphus Press, uma ironia bastante séria com o conceito de canônico e marginal, de popular e elitista, de aceito e não aceito, a partir das obras de autores que, aparentemente, tinham alguma influência (ou relevância) de certas obras ou autores no passado e que, hoje, parecem ausentes das livrarias, cadernos culturais, canais de vídeo na Internet. Nossa inspiração é Jorge Luis Borges e uma conhecida citação de Virginia Woolf: “Livros usados são selvagens, destituídos; surgem em grandes bandos de penas variadas e possuem certo encanto que falta aos volumes domesticados de uma biblioteca.”Episódio de hoje: Inversões e Perspectivas (“A Perspectiva Inversa”, de Pável Floriênski)Obras citadas: “A Perspectiva Inversa”, de Pável Floriênski (Editora 34, 2024); “Arquipélago Gulag”, Aleksandr Soljenítsyn (Carambaia, 2024); “Zanguézi”, Velimir Khlébnikov (Nauta, 2025); “Sobre as artes do livro”, William Morris (Ateliê Editorial, 2020).O livro a respeito da Biblioteca de Eisenstein, da Kinoruss, está em pré-venda neste link: https://www.kinoruss.com.br/product-page/a-biblioteca-infinita-de-s-eisenstein-the-endless-library-of-s Conheça nosso novo projeto “Câmera Obscura”, que traz pela primeira vez o horror refinado do veterano Reggie Oliver ao Brasil: https://www.catarse.me/camera_obscuraEntre para a nossa sociedade, dedicada à bibliofilia maldita e ao culto de tenebrosos grimórios: o RES FICTA (solicitações via http://raphuspress.weebly.com/contact.html).Nosso podcast também está disponível nas seguintes plataformas:- Spotify: https://open.spotify.com/show/4NUiqPPTMdnezdKmvWDXHs- Apple: https://podcasts.apple.com/us/podcast/podcast-da-raphus-press/id1488391151?uo=4- Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xMDlmZmVjNC9wb2RjYXN0L3Jzcw%3D%3D Apoie o canal: https://apoia.se/podcastdaraphus.Ou adquira nossos livros em nosso site: http://raphuspress.weebly.com. Dúvidas sobre envio, formas de pagamento, etc.: http://raphuspress.weebly.com/contact.html.Nossos livros também estão no Sebo Clepsidra: https://seboclepsidra.lojaintegrada.com.br/buscar?q=Raphus+Press

✨

What if a capital campaign could be your nonprofit's ticket to long-term growth? Fundraising expert Amy Eisenstein joins the podcast to bust common myths and share practical insights from decades of experience. From feasibility studies to board engagement, she lays out what it really takes to run a successful campaign—no wealthy board members required.

Conheça o meu novo canal: História e Cinema!https://www.youtube.com/watch?v=CxRhBySgz7sUma das maiores indústrias do mundo moldou opiniões, espalhou ideologias e fez a gente chorar ao decorrer da sua história. Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre o que foi a História do Cinema.-Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahoraConheça o meu canal no YouTube, e assista o História em Dez Minutos!https://www.youtube.com/@profvitorsoaresOuça "Reinaldo Jaqueline", meu podcast de humor sobre cinema e TV:https://open.spotify.com/show/2MsTGRXkgN5k0gBBRDV4okCompre o livro "História em Meia Hora - Grandes Civilizações"!https://a.co/d/47ogz6QCompre meu primeiro livro-jogo de história do Brasil "O Porão":https://amzn.to/4a4HCO8Compre nossas camisas, moletons e muito mais coisas com temática História na Lolja!www.lolja.com.br/creators/historia-em-meia-hora/PIX e contato: historiaemmeiahora@gmail.comApresentação: Prof. Vítor Soares.Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre)REFERÊNCIAS USADAS:- BAZIN, André. O que é o cinema? São Paulo: Perspectiva, 2014.- BORDWELL, David; THOMPSON, Kristin. A arte do cinema: uma introdução. São Paulo: Martins Fontes, 2013.- COSTA, Antonio da. História do cinema mundial. Lisboa: Edições 70, 2011.- EISENSTEIN, Sergei. A forma do filme. São Paulo: Perspectiva, 2002.- KRACAUER, Siegfried. Teoria do filme: a redenção da realidade física. Campinas: Papirus, 2001.- MONACO, James. Como ver um filme. São Paulo: WMF Martins Fontes, 2010.- ROCHA, Glauber. Revolução do Cinema Novo. São Paulo: Cosac Naify, 2003.

Parce qu'au cinéma, on ne fait pas que monter des marches : on les dévale aussi. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The Shmuze - Rabbi Chaim Eisenstein - Pre-Shavuot Chizuk by Shapell's Rabbeim

en este episodio de Dirección Coral Online te cuento cómo la colaboración entre Eisenstein y Prokofiev en Alexander Nevsky se convirtió en un hito del cine y la música coral, exploramos el montaje como lenguaje musical, los desafíos de la filmación, la creación conjunta de la partitura, su transformación en cantata y cómo los vaivenes políticos de la Segunda Guerra Mundial impactaron en la película y en la vida del propio Eisenstein.anotate en mi newsletter gratuita: https://www.dopplerpages.com/gusespada-D9EA4/Form6-62234

Sergei Eisenstein's Battleship Potemkin tells a very complete story in only about 70 minutes. The black-and-white, silent flick is based on a real-life mutiny aboard a ship in the waters of the Black Sea near Ukraine. Of course, the incredibly influential Odessa Steps sequence is what people remember best...and it's the extremely violent result of this "war" against your own oppressive rulers. Eisenstein made one of the greatest Russian motion pictures ever here, but the storytelling and modern-feeling technical achievements (especially the editing) make this far more than just a old Communist propaganda film. So don't just hang out in your hammock below-deck and starve on a government boat. No, rise up, comrades, and devour the 664th edition of Have You Ever Seen, the one about Battleship Potemkin. Canadians and Americans (not Russian or Ukrainian residents, unfortunately) can order Sparkplug Coffee and get a onetime 20% discount. Use our "HYES" promo code to achieve that. The website is "sparkplug.coffee/hyes". Subscribe to Have You Ever Seen for weekly classic movie reviews. Rate our show and write a review about it in your app too. And look for us on YouTube (@hyesellis in the search bar). Communication options? One is email (haveyoueverseenpodcast@gmail.com). Another is social media: ryan-ellis and @bevellisellis on Bluesky...@moviefiend51 and @bevellisellis on Twi-X.

Apoya al Podcast como FAN de Terraescribiente en IVOOX o en PATREON y escucha todos los audios sin Restricción! Bienvenidos un episodio de "Crítica y Resumen" en TERRAESCRIBIENTE. Hoy tenemos la cuarta novela de la miserable Herejía de Horus: "LA HUIDA DE LA EISENSTEIN: La Herejía se Extiende" HH Libro 4. Escucha el Resumen y la Crítica literaria de esta novela de Dan Abnett. Crítica y Resumen: MAC (Terraescribiente) Por favor sigue y suscríbete a las siguientes redes: Canal de Whatsapp: https://whatsapp.com/channel/0029VaCcO2s1NCrQqLpfFR3u Escucha el audilibro completo en: Patreon: patreon.com/Terraescribiente Twitter: https://twitter.com/TerraEscriba Telegram: https://t.me/+62_TRJVg-3cxNDZh Instagram: www.instagram.com/terraescribiente/ Tik tok: www.tiktok.com/@terraescribiente Youtube: www.youtube.com/@Terraescribiente También subscríbete a TERRAESCRIBIENTE en ITUNES Y SPOTIFY! Dale me gusta a cada Podcast y coméntalos! Ayuda mucho! Gracias!

En este episodio de La Cinemafia, tenemos el honor de conversar con Luis Alberti, reconocido actor mexicano conocido por su papel como Brandon López Morales en Rosario Tijeras y recientemente como el capitán Armando Guerrero en Contraataque, disponible en Netflix. ​ A través de nuestro formato de "Cinegrafía", exploramos los gustos y experiencias cinematográficas de Luis, descubriendo las películas y directores que han influido en su carrera y vida personal. Desde sus inicios en el cine con películas como La jaula de oro y Eisenstein en Guanajuato, hasta su premiada actuación en Mano de obra, que le valió el Ariel al Mejor Actor en 2020, Luis comparte anécdotas y reflexiones sobre el séptimo arte.​ Acompáñanos en esta íntima conversación para conocer más sobre las inspiraciones y preferencias cinematográficas de Luis Alberti, y cómo estas han moldeado su destacada trayectoria en la actuación. Síguenos en:YouTube: La CinemafiaInstagram: @lacinemafia, @lachicaalmodovar, @anuarac1Producido y Distribuido por Genuina Media babbel.com/CINEMAFIA

“We should note the force, effect, and consequences of inventions which are nowhere more conspicuous than in those three which were unknown to the ancients, namely printing, gunpowder and the compass. For these three have changed the appearance and the state of the world.” wrote Francis Bacon in 1620. And almost everybody agreed.Printing changed everything, but how exactly did it change everything? That is a question nobody posed properly until Elisabeth L. Eisenstein got on the academic stage in the 1970s and the debate has not yet stopped. In this episode I will try to take you through some of Eisenstein's ideas on the how of the change and, in the end, attempt a raincheck on what we can learn from it for the information revolution we are living through right now. No worries, this is still the History of the Germans, so we will talk facts and dates and processes, with only occasional attempts at breaking into the ivory tower…The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the...

Join hosts Jason, Tony, and our new co-host, Paul, on Episode One of Season Two! On this episode we discuss Sergei Eisenstein's epic two-part Soviet masterpiece Ivan the Terrible, released in 1945 and 1958 respectively. The films were commissioned by Joseph Stalin in 1941 as a means to rehabilitate Ivan the Terrible's image for a contemporary Soviet audience. Stalin celebrated Part 1, but the state banned Part 2. A third part had been in the works, but was abandoned by Eisenstein after the suppression of the second part. Our discussion touches on this history and many other topics, including Soviet montage, dialectical art construction, Eisenstein's queerness, his fraught relationship with Stalin, and more.  This is the first episode of a new format in which we take book or movie recommendations from each of us, which are found below:  Tony's book recommendations: Sergei Eisenstein: A Life in Conflict by Ronald Bergan (2016) Narrative, Apparatus, Ideology, edited by Philip Rosen (1986) Film Form: Essays in Film Theory by Sergei Eisenstein (1949) Paul's book and film recommendations: This Thing of Darkness: Eisenstein's Ivan the Terrible in Stalinist Russia by Joan Neuberger (2019) Ivan the Terrible by Joan Neuberger  Battleship Potemkin (1925; dir. Sergei Eisenstein) Jason's movie recommendations: Come and See (1985; dir. Elem Klimov)  The Ascent (1977; dir. Larisa Shepitko)  Wings (1966; dir. Larisa Shepitko)  Please subscribe to the podcast, and don't forget to leave a review! Follow Jason on Twitter at @JasonAChristian and Anthony at @tonyjballas; follow Paul on BlueSky at @ptklein.com. Paul writes about movies at www.howtoreadmovies.com. Paul's handle on Letterboxd is https://letterboxd.com/ptklein/; Jason's is https://letterboxd.com/exilemagic/.  Our logo is by Jason Christian  The theme music for this episode and all forthcoming episodes is by DYAD (Charles Ballas and Jeremy Averitt).  Please drop us a line anytime at coldwarcinemapod@gmail.com. Happy listening!  

Apoya al Podcast como FAN de Terraescribiente en IVOOX o en PATREON y escucha todos los audios sin Restricción! Bienvenidos un episodio de "Crítica y Resumen" en TERRAESCRIBIENTE. Hoy tenemos la cuarta novela de la Herejía de Horus: "LA HUIDA DE LA EISENSTEIN La Herejía se Extiende" HH Libro 4. Escucha el Resumen y la Crítica literaria de esta novela de James Swallow. Crítica y Resumen: MAC (Terraescribiente) Por favor sigue y suscríbete a las siguientes redes: Canal de Whatsapp: https://whatsapp.com/channel/0029VaCcO2s1NCrQqLpfFR3u Escucha el audilibro completo en: Patreon: patreon.com/Terraescribiente Twitter: https://twitter.com/TerraEscriba Telegram: https://t.me/+62_TRJVg-3cxNDZh Instagram: www.instagram.com/terraescribiente/ Tik tok: www.tiktok.com/@terraescribiente Youtube: www.youtube.com/@Terraescribiente También subscríbete a TERRAESCRIBIENTE en ITUNES Y SPOTIFY! Dale me gusta a cada Podcast y coméntalos! Ayuda mucho! Gracias!

1925: El Acorazado Potemkin y La quimera del oro Miremos hacia atrás. Cien años. Mil novecientos veinticinco fue y será siempre un año extraordinario y determinante para el cine. Ese mismo año estrenaron en el mundo El acorazado Potemkin y La quimera del oro. La primera, obra del realizador soviético Sergei Eisenstein, es un ejemplo claro del poder del lenguaje cinematográfico y de cómo su ejercicio es un arte en sí. Mucho se debate sobre si es la obra cumbre de Eisenstein, pero tenemos claro que es una película que se ha estudiado, se estudia y se seguirá haciendo en escuelas, cursos y talleres de cine de todo el mundo. La segunda es la película que el británico Charlie Chaplin escribió, dirigió y protagonizó para unir en una sola historia, un western atípico pero ejemplar, a la tragedia y a la comedia. Se trata de una historia que también eleva al lenguaje del cine al nivel de arte puro. Pero también y a su manera, muestra algunas grietas peligrosas del sueño americano. Dos obras cumbre del cine se estrenaron hace cien años: El acorazado Potemkin y La quimera del oro. Para comentarlas desde el amor puro que tenemos al cine invitamos a este episodio al crítico Sergio Huidobro, profesor cinematográfico, tallerista y amigo de Cinegarage. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us this week for our latest installment of the Modern Class of Casting Visionaries with the fabulous Casting Director, Neely Eisenstein!Over the past 10 years, Neely has cast nearly 30 films including the coming-of-age movie, SNACK SHACK written and directed by Adam Rehmeier, rom-com PLUS ONE starting Jack Quaid and Maya Erskine, and the Sundance favorite, EXTREMELY WICKED, SHOCKINGLY EVIL AND VILE starring Zac Efron. In this episode we dive in with Neely discussing...-Her unconventional start in casting that all stared with the toy industry-Her love of theatre -We sidetrack into how Shakespeare is having a resurgence in -Her outlook on how the industry was when she started all through how she sees it looking in the near future-The problems we as CDs are running into dealing with lack of willingness with agents to participate in helping to attach talent to Indies-How we can try to bridge gaps and get back on the right road -Diving into some current awards season controversy from the SAG awards to the BAFTAS and the casting awards being awarded to people who are not in casting-How amazing it is to be back in the room for casting sessions and how it “fills our cup right up”-Neely tells us what her favorite projects were to castMake sure to subscribe, rate and review! Follow us @tipsycastingResources: Neely's IMDB────────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting Journeys ⁠⁠⁠⁠⁠⁠⁠⁠⁠Get Casting Life Away Merch here!⁠⁠

Suscríbete al PATREON de Terraescribiente: patreon.com/Terraescribiente Bienvenidos a otro Podcast sobre Trasfondo de Warhammer 40k en Terraescribiente. “LA HEREJIA DE HORUS” Información fundamental para oyentes nuevos y veteranos. Se explicará en síntesis que fue la Herejía de Horus, sus batallas más importantes; en la segunda parte del podcast, se analizaran las novelas de la Herejía de Horus para que sepan cómo abordarlas, leerlas y cómo encontrar a su facción favorita dentro del trasfondo total. LISTADO DE NOVELAS 1 HORUS, SEÑOR DE LA GUERRA Las semillas de la herejía 2 FALSOS DIOSES Las raíces de la herejía 3 LA GALAXIA EN LLAMAS La herejía revelada 4 LA HUIDA DE LA EISENSTEIN La herejía se extiende 5 FULGRIM Visiones de la traición 6 EL DESCENSO DE LOS ÁNGELES Lealtad y honor 7 LEGIÓN Secretos y mentiras 8 BATALLA POR EL ABISMO Mi hermano, mi enemigo 9 MECHANICUM La guerra estalla en Marte 10 CUENTOS DE LA HEREJÍA 11 LOS ÁNGELES CAÍDOS Engaño y traición 12 LOS MIL HIJOS Todo acaba en cenizas 13 NÉMESIS La guerra en la sombra 14 EL PRIMER HEREJE La caída en el Caos 15 PROSPERO EN LLAMAS Los lobos atacan 16 LA ERA DE LA OSCURIDAD 17 LOS MUERTOS EXILIADOS La verdad se esconde en el interior 18 EL ASEDIO DE DELIVERANCE Fantasmas de Terra 19 LA BATALLA DE CALTH Y no conocerán el miedo 20 LOS PRIMARCAS 21 SIGNUS PRIME El ángel caído 22 SOMBRAS DE TRAICION 23 ANGEL EXTERMINATUS Sangre y hierro 24 TRAIDOR Sangre para el Dios de la sangre 25 LA MARCA DE CALTH 26 VULKAN VIVE Hacia el yunque de la guerra 27 EL IMPERIO OLVIDADO Una luz en la oscuridad 28 CICATRICES La legión dividida 29 ESPIRITU VENGATIVO La batalla de Molech 30 LA CONDENACION DE PYTHOS Rasgando el velo 31 LEGADOS DE TRAICION Que arda la galaxia 32 FUEGO LETAL Dentro de la Tormenta de Ruina 33 LA GUERRA SIN FIN La herejía engendra el castigo 34 PHAROS El ocaso de la luz 35 EL OJO DE TERRA 36 El SENDERO DEL CIELO Resistiendo a la Tormenta 37 LA GUERRA SILENCIOSA 38 ANGELES DE CALIBAN Emperadores y esclavos 39 PRETORIANO DE DORN De Alfa a Omega 40 CORAX Nunca más 41 EL SEÑOR DE LA HUMANIDAD Guerra en la Telaraña 42 GARRO Arma del Destino 43 LEGIONES QUEBRADAS 44 EL REY CARMESÍ Un Alma Dividida 45 TALLARN Guerra para un mundo muerto 46 TORMENTA DE RUINA Un Destino sin escribir 47 LA ANTIGUA TERRA A las puertas de Terra 48 LA CARGA DE LA LEALTAD 49 WOLFSBANE El lanzamiento de la lanza Wyrd 50 NACIDO DE LLAMAS El Martillo y el Yunque 51 ESCLAVOS DE LA OSCURIDAD El Caos indiviso 52 HERALDOS DEL ASEDIO 53 TITANDEATH Se acerca el Dios Máquina 54 LA DAGA ENTERRADA La Perdición de la Guardia de la Muerte ARCOS DE LECTURA: Lobos Lunares / Hijos de Horus (1) Horus, señor de la guerra + (2) Falsos dioses + (3) La galaxia en llamas + (29) Espíritu vengativo + (51) Esclavos de la oscuridad Hijos del Emperador (5) Fulgrim + (23) Angel exterminatus Ángeles Oscuros (6) El descenso de los ángeles + (11) Los ángeles caídos + (38) Angeles de caliban Legión Alfa (7) Legión + (39) Pretoriano de Dorn Ultramarines (8) Batalla por el abismo + (19) La batalla de calth + (25) La marca de calth Portadores de la Palabra (14) El primer hereje + (24) Traidor Guardia del Cuervo (18) El asedio de deliverance + (40) Corax Ángeles Sangrientos (21) Signus prime + (46) Tormenta de Ruina Guerreros de Hierro (23) Angel Exterminatus + (45) Tallarn Salamandras (26) Vulkan Vive + (32) Fuego letal + (47) ) La Antigua Terra + (50) Nacido de Llamas Cicatrices Blancas (28) Cicatrices + (36) El sendero del cielo + Novela (La Hermandad de la Tormenta) Mil Hijos (12) Los Mil Hijos + (44) El Rey Carmesi Guardia de la Muerte (4) La huida de la eisenstein+ (54) La Daga Enterrada Lobos Espaciales (15) Prospero en llamas +(49) Wolfsbane + (Novela: El Rey Lobo) Puños Imperiales (22) Sombras de Traición + Novela (Puño carmesí) + (39) Pretoriano de Dorn+ Novela (Templar) Manos de Hierro (5) Fulgrim + (23) Angel exterminatus +(30) La condenación de Pythos (43) Legiones Quebradas +Novela (Meduson Antología) Adeptus Mechanicum (9) Mechanicum + (53) Titandeath Caballeros Herrantes "Nathaniel Garro" (4) La huida de la Eisenstein + (42) Garro “Tylos Rubio” (19) La batalla de calth + (29) Espíritu vengativo "Las Legiones Destrozadas” (30) La condenación de pythos + (43) Legiones quebradas + (47) La Antigua Terra Batalla: Mil Hijos vs Lobos Espaciales (12) Los mil hijos + (15) Prospero en llamas Batalla: Portadores de la palabra vs Ultramarines (8) Batalla por el abismo + (19) La batalla de calth + (25) La marca de calth "Imperium Secundus" (27) El imperio olvidado + (34) Pharos + (38) Angeles de caliban Toda la música de este podcast es licenciada por Epidemic Sound, o son licencia Creative Commons de Royalty Free Kings. Transfondo y Lore Escrito por: MAC (Terraescribiente) Por favor sigue y suscríbete a las siguientes redes: Canal de Whatsapp: https://whatsapp.com/channel/0029VaCcO2s1NCrQqLpfFR3u Escucha los audiolibros en: Patreon: patreon.com/Terraescribiente Twitter: https://twitter.com/TerraEscriba Telegram: https://t.me/+62_TRJVg-3cxNDZh Instagram: www.instagram.com/terraescribiente/ Tik tok: www.tiktok.com/@terraescribiente Youtube: www.youtube.com/@Terraescribiente También subscríbete a TERRAESCRIBIENTE en ITUNES Y SPOTIFY! Dale me gusta a cada Podcast y coméntalos! Ayuda mucho! Gracias!

When you don't use a muscle or a skill, it's a well-known fact that atrophy inevitably sets in. To improve oneself, an active effort must be made to ensure progress. But what happens with the advent of AI, designed to make things easier? What implications will this have on the cognitive processes that require continuous refinement? In this thought-provoking episode of The Great Indoors, host Matthew Roberts speaks with renowned author and philosopher, Charles Eisenstein, about the evolving role of technology and its impact on aspects of our lives that were once firmly rooted in the tangible. They delve into the core concepts of Eisenstein's work, including Sacred Economics, and discuss the far-reaching implications of replacing the real with the digital. Through engaging anecdotes and philosophical reflections, Charles challenges us to reconnect with the material world, nurture authentic relationships, and consider why oral storytelling may become the future's most reliable tool for building trust. With increasing domination from ones and zeros, it's time to explore the possibilities of a more beautiful and connected world.

Chapter 1 What's Ghosted by Jana Eisenstein by Jana Eisenstein"Ghosted" by Jana Eisenstein is a captivating narrative that explores the complexities of modern relationships through the lens of ghosting—a phenomenon where one person abruptly cuts off all communication with another. The story follows the life of its protagonist as she navigates the emotional turmoil of being ghosted, reflecting on her experiences with love, loneliness, and self-discovery. Through her journey, Eisenstein weaves themes of vulnerability and resilience, showcasing how such dismissals can impact one's self-worth and interpersonal connections. The writing is both poignant and relatable, inviting readers to empathize with the characters' struggles while pondering the growing prevalence of digital communication in shaping our intimate lives.Chapter 2 Ghosted by Jana Eisenstein by Jana Eisenstein Summary"Ghosted" by Jana Eisenstein is a contemporary romance novel that explores themes of love, loss, and the complexities of relationships in the modern age of technology. The story follows the protagonist, who finds herself reeling from the sudden disappearance of her romantic partner, leading her into a journey of self-discovery and healing. As she navigates the emotional turmoil of being 'ghosted,' the protagonist reflects on the red flags she overlooked and the impact of social media on her connection with her partner. The narrative delves into her struggles with loneliness and the difficulty of moving on, highlighting how ghosting affects mental health and personal growth.Throughout the book, readers are drawn into the protagonist's internal monologue as she confronts her feelings of rejection and seeks closure. Along the way, she develops friendships and rekindles old connections, which help her on her path to understanding her self-worth and the importance of open communication in relationships.Ultimately, "Ghosted" serves as a poignant reminder of the importance of vulnerability and the need for authentic connections in an increasingly disconnected world. The book blends emotional depth with relatable experiences, making it a compelling read for anyone who has faced the challenges of modern dating.Chapter 3 Ghosted by Jana Eisenstein AuthorJana Eisenstein is an emerging contemporary author known for her work in the literary fiction genre. She gained attention with her novel "Ghosted," which was released in 2022. The book explores themes of love, loss, and the complexities of human relationships against a backdrop of supernatural elements, captivating readers with both its emotional depth and intriguing plot.In addition to "Ghosted," Jana Eisenstein has written several other books, including:"Echoes of the Heart" (2020) A poignant representation of the struggles and triumphs of romance."Shadows of Yesterday" (2021) A compelling tale that dives into the past lives of its characters."Beneath the Surface" (2023) A more recent work that intertwines mystery and magical realism, showcasing her evolving style.As for which of her books is considered the best, "Ghosted" has received widespread acclaim and is often highlighted for its unique narrative and emotional resonance. Readers and critics alike appreciate its rich commentary on grief and moving on while dealing with haunting memories. In terms of editions, the hardcover edition of "Ghosted" has been particularly well-received for its quality and design, making it a favorite among collectors.Overall, Jana Eisenstein is an author to watch as she continues to develop her voice in the literary world, and her works are recommended for anyone interested in thought-provoking fiction.Chapter 4 Ghosted by Jana Eisenstein Meaning & ThemeGhosted by Jana Eisenstein Meaning"Ghosted" by Jana Eisenstein typically explores themes of abandonment, emotional distance, and the complexities...

The Good News I According to St. John:  In the beginning was the Logos, and the Logos was with God, and the Word was God.  He was in the beginning with God.  All things were made through Him, and without Him was not any thing made that was made. (1:1-2)   Genesis 1: 26a, 27-28a Then God said, “Let us make man in our image, after our likeness… So God created man in his own image, in the image of God created He him; male and female created He them. And God blessed them, and God said unto them, Be fruitful, and multiply, and replenish the earth, and subdue it and rule...    SUBDUE?!  RULE?! Subdue into the pattern of the good, the beautiful and the true.   The Curse (expulsion from Eden) Using Beauty Against Itself? (the line of Cain) The End of the Good, Beautiful, and the True? (Nephalim etc.)   Genesis 9:1,7 And God blessed Noah and his sons, and said unto them, Be fruitful, and multiply, and replenish the earth... (every wild beast will dread you)... And you, be ye fruitful, and multiply; bring forth abundantly in the earth, and multiply therein.   Genesis 11 –  The Tower of Babel   The Restoration: Luke 3: 3-6 And he came into all the country about Jordan, preaching the baptism of repentance for the remission of sins;  As it is written in the book of the words of Esaias the prophet, saying, The voice of one crying in the wilderness, Prepare ye the way of the Lord, make his paths straight.  Every valley shall be filled, and every mountain and hill shall be brought low; and the crooked shall be made straight, and the rough ways shall be made smooth; And all flesh shall see the salvation of God. The Good News II According to St. John:  And the Logos become flesh and dwelt among us.  (1:14a) To all who received him, who believed in his name, He gave power to become children of God. (1:12) And according to St. Paul: In [Christ] you also, who have heard the word of truth, the gospel of your salvation, and have believed in him, were sealed with the promised Holy Spirit, which is the guarantee of our inheritance until we acquire possession of it, to the praise of his glory. (e.g. Ephesians 1:13-14).    St. Matthew 28:16-20 And Jesus came and spake unto them, saying, All power is given unto me in heaven and in earth. Go ye therefore, and teach all nations, baptizing them in the name of the Father, and of the Son, and of the Holy Spirit: Teaching them to observe all things whatsoever I have commanded you: and, lo, I am with you always, even unto the end of the world. Amen.   Beauty in Nature, Architecture, Art, Literature, Music, Fellowship, and THE GULAG?!   One Day in the Life of Ivan Denisovich   Gives insights into how people ended up in the Gulag This is really developed in the Gulag Archipelago  Ivan admitted that he surrendered to Germany to betray the USSR The young Gopchik gave milk to Ukrainian guerrillas The foreman was discharged for being the son of a kulak (SoanEotP) Some insights into the state of faith and religion in the USSR Corruption in the Russian Orthodox Church Faith of the peasant/redneck (represented by Ukrainian) Orthodox Faith and (beautiful) martyrdom of the Baptists One Day - On Beauty and Art (presages his essay) Two bookkeepers, also zeks, were toasting bread on the stove.  They'd rigged up a sort of wire griddle to keep it from burning. Tsezar was lolling at his desk, smoking his pipe.  He had his back to Shukhov and didn't see him.  Opposite him sat Kh-123, a wiry old man doing twenty years' hard.  He was eating gruel. "You're wrong, old man," Tsezar was saying, goodnaturedly.  "Objectively, you will have to admit that Eisenstein is a genius.  Surely you can't deny that Ivan the Terrible is a work of genius?  The dance of the masked oprichniki!  The scene in the cathedral!" Kh-123's spoon stopped short of his mouth. "Bogus," he said angrily.  "So much art in it that it ceases to be art.  Pepper and poppy seed instead of good honest bread.  And the political motive behind it is utterly loathsome — an attempt to justify a tyrannical individual.  An insult to the memory of three generations of the Russian intelligentsia!" (He was eating his gruel without savoring it.  It wouldn't do him any good.) "But would it have got past the censor if he'd handled it differently?" "Oh well, if that's what matters...  Only don't call him a genius — call him a toady, a dog carrying out his master's orders.  A genius doesn't adjust his treatment of a theme to a tyrant's taste." "Ahem!"  Shukhov cleared his throat.  He felt awkward, interrupting this educated conversation, but he couldn't just go on standing there. Tsezar turned around and held his hand out for the bowl, without even looking at Shukhov — the gruel might have traveled through the air unaided — then went back to his argument.  "Yes, but art isn't what you do, it's how you do it." Kh-123 reared up and chopped at the table with his hand. "I don't give a damn how you do it if it doesn't awaken good feelings in me!" Shukhov stood there just as long as he decently could after handing over the gruel, hoping Tsezar would treat him to a cigarette.  But Tsezar had entirely forgotten that Shukhov was behind him.  So he turned on his heel and left quietly. Never mind, it wasn't all that cold outside.  A great day for bricklaying. Walking down the path, he spotted a bit of steel broken off a hacksaw blade lying in the snow.  He had no special use for it right then, but you never knew what you might need later.  So he picked it up and slipped it into his trouser pocket.  Have to hide it in the Power Station.  Thrift beats riches.   Solzhenitsyn:  Beauty will Save the World   Part One:  The Ontology of Beauty One artist sees himself as the creator of an independent spiritual world; he hoists onto his shoulders the task of creating this world, of peopling it and of bearing the all-embracing responsibility for it; but he crumples beneath it, for a mortal genius is not capable of bearing such a burden. Just as man in general, having declared himself the centre of existence, has not succeeded in creating a balanced spiritual system. And if misfortune overtakes him, he casts the blame upon the age-long disharmony of the world, upon the complexity of today's ruptured soul, or upon the stupidity of the public. Another artist, recognizing a higher power above, gladly works as a humble apprentice beneath God's heaven; then, however, his responsibility for everything that is written or drawn, for the souls which perceive his work, is more exacting than ever. But, in return, it is not he who has created this world, not he who directs it, there is no doubt as to its foundations; the artist has merely to be more keenly aware than others of the harmony of the world, of the beauty and ugliness of the human contribution to it, and to communicate this acutely to his fellow-men. And in misfortune, and even at the depths of existence – in destitution, in prison, in sickness his sense of stable harmony never deserts him.   But all the irrationality of art, its dazzling turns, its unpredictable discoveries, its shattering influence on human beings – they are too full of magic to be exhausted by this artist's vision of the world, by his artistic conception or by the work of his unworthy fingers.   Part Two:  Can (Just) Beauty Save? One day Dostoevsky threw out the enigmatic remark: “Beauty will save the world.” What sort of a statement is that? For a long time I considered it mere words. How could that be possible? When in bloodthirsty history did beauty ever save anyone from anything? Ennobled, uplifted, yes – but whom has it saved? … It is possible to compose an outwardly smooth and elegant political speech, a headstrong article, a social program, or a philosophical system on the basis of both a mistake and a lie. What is hidden, what distorted, will not immediately become obvious. Then a contradictory speech, article, program, a differently constructed philosophy rallies in opposition – and all just as elegant and smooth, and once again it works. Which is why such things are both trusted and mistrusted… But a work of art bears within itself its own verification: conceptions which are devised or stretched do not stand being portrayed in images, they all come crashing down, appear sickly and pale, convince no one. But those works of art which have scooped up the truth and presented it to us as a living force – they take hold of us, compel us, and nobody ever, not even in ages to come, will appear to refute them. So perhaps that ancient trinity of Truth, Goodness and Beauty is not simply an empty, faded formula as we thought in the days of our self-confident, materialistic youth? If the tops of these three trees converge, as the scholars maintained, but the too blatant, too direct stems of Truth and Goodness are crushed, cut down, not allowed through – then perhaps the fantastic, unpredictable, unexpected stems of Beauty will push through and soar TO THAT VERY SAME PLACE, and in so doing will fulfil the work of all three? In that case Dostoevsky's remark, “Beauty will save the world”, was not a careless phrase but a prophecy? After all HE was granted to see much, a man of fantastic illumination. And in that case art, literature might really be able to help the world today? It is the small insight which, over the years, I have succeeded in gaining into this matter that I shall attempt to lay before you here today.   Part Three:  The Terrible Beauty of the Gulag And as I stand here today, accompanied by the shadows of the fallen, with bowed head allowing others who were worthy before to pass ahead of me to this place, as I stand here, how am I to divine and to express what THEY would have wished to say? Frequently, in painful camp seethings, in a column of prisoners, when chains of lanterns pierced the gloom of the evening frosts, there would well up inside us the words that we should like to cry out to the whole world, if the whole world could hear one of us. Then it seemed so clear: what our successful ambassador would say, and how the world would immediately respond with its comment. Our horizon embraced quite distinctly both physical things and spiritual movements, and it saw no lop-sidedness in the indivisible world. These ideas did not come from books, neither were they imported for the sake of coherence. They were formed in conversations with people now dead, in prison cells and by forest fires, they were tested against THAT life, they grew out of THAT existence. When at last the outer pressure grew a little weaker, my and our horizon broadened and gradually, albeit through a minute chink, we saw and knew “the whole world”. And to our amazement the whole world was not at all as we had expected, as we had hoped; that is to say a world living “not by that”, a world leading “not there”, a world which could exclaim at the sight of a muddy swamp, “what a delightful little puddle!”, at concrete neck stocks, “what an exquisite necklace!”; but instead a world where some weep inconsolate tears and others dance to a light-hearted musical. How could this happen? Why the yawning gap? Were we insensitive? Was the world insensitive? Or is it due to language differences? Why is it that people are not able to hear each other's every distinct utterance? Words cease to sound and run away like water – without taste, colour, smell. Without trace. As I have come to understand this, so through the years has changed and changed again the structure, content and tone of my potential speech. The speech I give today. And it has little in common with its original plan, conceived on frosty camp evenings.   Part Four:  The Babel of Local Scales Mankind has become one, but not steadfastly one as communities or even nations used to be; not united through years of mutual experience, neither through possession of a single eye, affectionately called crooked, nor yet through a common native language, but, surpassing all barriers, through international broadcasting and print. An avalanche of events descends upon us – in one minute half the world hears of their splash. But the yardstick by which to measure those events and to evaluate them in accordance with the laws of unfamiliar parts of the world – this is not and cannot be conveyed via soundwaves and in newspaper columns. For these yardsticks were matured and assimilated over too many years of too specific conditions in individual countries and societies; they cannot be exchanged in mid-air. In the various parts of the world men apply their own hard-earned values to events, and they judge stubbornly, confidently, only according to their own scales of values and never according to any others.   In one part of the world, not so long ago, under persecutions not inferior to those of the ancient Romans', hundreds of thousands of silent Christians gave up their lives for their belief in God. In the other hemisphere a certain madman, (and no doubt he is not alone), speeds across the ocean to DELIVER us from religion – with a thrust of steel into the high priest! He has calculated for each and every one of us according to his personal scale of values!   One world, one mankind cannot exist in the face of six, four or even two scales of values: we shall be torn apart by this disparity of rhythm, this disparity of vibrations. A man with two hearts is not for this world, neither shall we be able to live side by side on one Earth. Part Five:  Art Shares, Shapes, and Preserves Culture But who will co-ordinate these value scales, and how? … Who might succeed in impressing upon a bigoted, stubborn human creature the distant joy and grief of others, an understanding of dimensions and deceptions which he himself has never experienced? Propaganda, constraint, scientific proof – all are useless. But fortunately there does exist such a means in our world! That means is art. That means is literature.   …  They possess a wonderful ability: beyond distinctions of language, custom, social structure, they can convey the life experience of one whole nation to another.  [It also] becomes the living memory of the nation. Thus it preserves and kindles within itself the flame of her spent history, in a form which is safe from deformation and slander. In this way literature, together with language, protects the soul of the nation. But woe to that nation whose literature is disturbed by the intervention of power. Because that is not just a violation against “freedom of print”, it is the closing down of the heart of the nation, a slashing to pieces of its memory. … In some cases moreover – when as a result of such a silence the whole of history ceases to be understood in its entirety – it is a danger to the whole of mankind.   Part Six:  Lies and Suppression Destroy What is more, it is not simply crude power that triumphs abroad, but its exultant justification. … The young, at an age when they have not yet any experience other than sexual, when they do not yet have years of personal suffering and personal understanding behind them, are jubilantly repeating our depraved Russian blunders of the Nineteenth Century, under the impression that they are discovering something new. … And on top of this we are threatened by destruction in the fact that the physically compressed, strained world is not allowed to blend spiritually; the molecules of knowledge and sympathy are not allowed to jump over from one half to the other. This presents a rampant danger: THE SUPPRESSION OF INFORMATION between the parts of the planet.  Contemporary science knows that suppression of information leads to entropy and total destruction. Suppression of information renders international signatures and agreements illusory; within a muffled zone it costs nothing to reinterpret any agreement, even simpler – to forget it, as though it had never really existed. (Orwell understood this supremely.)  A muffled zone is, as it were, populated not by inhabitants of the Earth, but by an expeditionary corps from Mars; the people know nothing intelligent about the rest of the Earth and are prepared to go and trample it down in the holy conviction that they come as “liberators”. Part Seven:  Creating a Shared Human Story Friends! Let us try to help if we are worth anything at all! Who from time immemorial has constituted the uniting, not the dividing, strength in your countries, lacerated by discordant parties, movements, castes and groups? There in its essence is the position of writers: expressers of their native language – the chief binding force of the nation, of the very earth its people occupy, and at best of its national spirit. We shall be told: what can literature possibly do against the ruthless onslaught of open violence? But let us not forget that violence does not live alone and is not capable of living alone: it is necessarily interwoven with falsehood. Between them lies the most intimate, the deepest of natural bonds. Violence finds its only refuge in falsehood, falsehood its only support in violence. Any man who has once acclaimed violence as his METHOD must inexorably choose falsehood as his PRINCIPLE. And the simple step of a simple courageous man is not to partake in falsehood, not to support false actions! Let THAT enter the world, let it even reign in the world – but not with my help. But writers and artists can achieve more: they can CONQUER FALSEHOOD! In the struggle with falsehood art always did win and it always does win! Openly, irrefutably for everyone! Falsehood can hold out against much in this world, but not against art. And no sooner will falsehood be dispersed than the nakedness of violence will be revealed in all its ugliness – and violence, decrepit, will fall. That is why, my friends, I believe that we are able to help the world in its white-hot hour. Not by making the excuse of possessing no weapons, and not by giving ourselves over to a frivolous life – but by going to war! Proverbs about truth are well-loved in Russian. They give steady and sometimes striking expression to the not inconsiderable harsh national experience: ONE WORD OF TRUTH SHALL OUTWEIGH THE WHOLE WORLD. And it is here, on an imaginary fantasy, a breach of the principle of the conservation of mass and energy, that I base both my own activity and my appeal to the writers of the whole world.  

Join us as we reenter the lush and sensual world of Luca Guadagnino and discover “il costo dell'ecstasy” in his 2009 film I Am Love. Wilson savours the intentional mistakes in technique that feel like a part of the world of the film. Eli gives a brief lesson on editing, drawing parallels all the way back to the Eisenstein method of montage. Ben directs attention to the powerful scenes of melodramatic realisation across Guadagnino's work. Why not dine with us? Become love at our FREE patreon, discord server, and our socials @ www.deepcutpod.com

   Writer and intuitive healer Stella joins me to talk poop,

On today's cast we start our coverage of the Grey Knights by focusing on their origin from the Horus Heresy.  We open with, arguably the most exciting book of the Horus Heresy the Flight of the Eisenstein.  From Nathaniel Garro's discovery of the rebellion, through his journey back to Terra.  After that we focus on the formation of the Knights Errant and their adventures in service to Malcador.  We then close with the end of the Knights Errant as they are given an new purpose by the Emperor.Support the show

On todays cast we conclude our coverage of the Lore of Mortarian and Typhus.  We open with the events leading up to the Istvaan III massacre and the Flight of the Eisenstein.  Thereby marking the first serious public rift between Mortarian and Typhus.  We then spend some time talking about each of their paths post drop site massacre.  After that we dive into the conversion of the Death Guard to servants of Nurgle.  After that we spend time on the rise of Typhus in service to Nurgle, they become the best of friends.  We then finish with the most recent events in the 41st millenia for Typhus and Mortarian.Support the show

Llega a nuestra Torre un relato muy especial relacionado con el último programa de trasfondo y es que poco se habla de las enigmáticas Hermanas del Silencio y de las "Naves Negras" encargadas de recorrer la Galaxia en busca de psíquicos. En este formidable relato se desarrolla la historia después de la llegada del Eisenstein a Terra y la noticia de la rebelión de Horus, Señor de la Guerra a oídos del Emperador. Espero lo disfrutéis. Agradecer a nuestros Patreon nuestros cuervos de la tormenta su ayuda incondicional y a nuestro tendero de confianza, Lopez, de Multiversewar el apoyo a esta thunderhawk tan destartalada… www.multiversowar.com No dejéis de pasaros por nuestra pág web www.latorredelcuervo.com en la que encontraréis artículos con novedades del hobby, muchas reseñas de novelas, las más grimdark y menciones a eventos que puede te estes perdiendo en tu propia ciudad y que no sabes ni que los tienes al lado…todo esto en nuestra página web www.latorredelcuervo.com Lo dicho hermanos y hermanas de Deliverance!! Gracias a todos los cuervos de la tormenta por participar en este programa, en especial: Narracion: Rosa del estudio de Pintura @laratamojada Leilani: Alexa Amendera Kendel: Sarah Tankgirl Thessaly Nortor: Smooky Emilia Herkaaze: Viktoria Hyvin del podcast @espejodeAtropos Editado/efectos digitales y musicacalización por: ElCorintio/Antonio " Lobo" Salinas Cervi (podcast Partidas en mi Casa) Visítanos en nuestra Web: www.latorredelcuervo.com Apóyanos y entra en nuestro PATREON: https://patreon.com/latorredelcuervo Síguenos en: Facebook: La Torre del Cuervo Twitter: @LaTorredelCuervo Instagram: El_Corintio La Torre del Cuervo Youtube: Canal La Torre del Cuervo Esperamos tus comentarios!!!! info@latorredelcuervo.com

There's been a question gnawing at fans of Charles Eisenstein: what does he really feel about RFK Jr's pivot to Trump? The always aspiring poet-philosopher was hired as a messaging advisor to Bobby, after all. We've spotted little fragments of Eisenstein's exceptionally long essays sneaking their way into Bobby's speeches. There was some influence, for sure, even after Charles went on multiple Costa Rican sabbaticals right in the middle of campaign season and apparently cut his consulting rate down from $21k per month, perhaps out of the goodness of the heart he knows is possible. And yet, for weeks after Bobby jumped the shark, Charles remained silent. Until now, that is. With the publication of his recent 6,711-word essay, “Shades of Many Colors,” Eisenstein finally breaks his silence and lands firmly on the side of…well, we're not quite sure. But one thing that's emerged is Charles's penchant for not crediting the source of some of his galaxy-brained ideas. Today, we'll look at some of what Charles says in his latest opus, and try to figure out what exactly he's saying. Show Notes mRNA vaccine spike protein differs from viral version The effect of SARS-CoV-2 variant on respiratory features and mortality SARS-CoV-2 Infections in mRNA Vaccinated Individuals are Biased for Viruses Encoding Spike E484K and Associated with Reduced Infectious Virus Loads that Correlate with Respiratory Antiviral IgG levels. Autoimmune and Autoinflammatory Connective Tissue Disorders Following COVID-19 Risk of autoimmune diseases following COVID-19 and the potential protective effect from vaccination: a population-based cohort study The Lancet: Most comprehensive study to date provides evidence on natural immunity protection by COVID-19 variant and how protection fades over time Conspirituality 1: Coronation for Whom?  Brief: The New Age Origin Story of RFK Jr's Campaign — Conspirituality 86: Charles Eisenstein, New Age Q — Conspirituality   Disavowing Disinformation - North Atlantic Books  Inside the Last Weeks of RFK Jr.'s Campaign Charles Eisenstein - What is the Next Story? - Scientific and Medical Network Brian Swimme: The Cosmos Watching Itself (E35) ​Charles Eisenstein Whitewashes Trump, Caricatures & Demonizes Democrats in Post Decrying Caricatures & Demonization (Part 1) Charles Eisenstein Endorses Trump, but Thinks You're Not Clever Enough to Notice (Part 2)  Cardiac Events Following Mpox Vaccine Learn more about your ad choices. Visit megaphone.fm/adchoices

Having amassed more than 100 episodes in its run, PACCTS' sixth season will focus its sights on “the greatest films of all time” (both in the US and internationally), as assembled by the British Film Institute's 2022 Sight and Sound Poll of industry critics. Corey will be choosing American films from the list, and Paul will be choosing international ones.  Our goal is to examine the films that are considered great, and why that may be the case.   Ranked 54, Sergei Eisentstein's Battleship Potemkin (1925) is one of the rare films on the list to have appeared on every Sight and Sound Poll since its creation in 1952. Eisenstein was one of a collection of Soviet filmmakers who studied and theorized over this new artistic medium of cinema in order to unlock its singular potential for communication. Eisenstein himself was a proponent of montage, which Paul and Corey discuss in terms of its impact on the film and on all films that followed. They also dive deep into the historical events that surrounded the Russian Revolution of 1905 (the subject of the film), which Vladimir Lenin famously referred to as the October Revolution of 1917's "Great Dress Rehearsal."

Intro - :00 - 5:53____________________________________Coach Johnstone (Field Hockey) - 5:53 - 31:58____________________________________Andrew Bracken (Men's Cross Country) - 31:58 - 53:41____________________________________Kelsi Harris (Women's Cross Country) - 53:41 - 1:17:25____________________________________Russ Eisenstein (Broadcaster) - 1:17:25 - 1:54:09____________________________________Recap - 1:54:09 - 1:55:50See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Aliza Eisenstein is a Registered Dietitian/Nutritionist (RDN), licensed in the US and Israel, with close to 25  years of experience in health & nutrition. Aliza taught at Stern College before making aliyah in 2004. She managed the Special Diets department at the HASC Summer Program for 8 years. Aliza currently works in private practice, seeing clients virtually and in person. She recently developed a program combining her experience in the nutrition field with the increasingly popular coaching model to help women and girls eat right and feel good without the struggles of dieting. Aliza lives in Ramat Beit Shemesh and is a proud wife, mother, and recently minted grandmother. Learn more at https://www.alizaeisenstein.com/ _________________________________________________ This week's episode is sponsored by Toveedo! The Jewish videos your kids love, all in one happy place. Use code JOWMA10 for $10 off at ⁠https://toveedo.com/⁠! _________________________________________________ • Sponsor the JOWMA Podcast! Email digitalcontent@jowma.org • Become a JOWMA Member! www.jowma.org  • Follow us on Instagram! www.instagram.com/JOWMA_org  • Follow us on Twitter!www.twitter.com/JOWMA_med  • Follow us on Facebook! https://www.facebook.com/JOWMAorg • Stay up-to-date with JOWMA news! Sign up for the JOWMA newsletter! https://jowma.us6.list-manage.com/subscribe?u=9b4e9beb287874f9dc7f80289&id=ea3ef44644&mc_cid=dfb442d2a7&mc_eid=e9eee6e41e

Episode: 1214 Medieval Novgorod, more advanced than we realized.  Today, an old city coughs up a surprising secret.

Closing in on the end of the 1930s and Hollywood is firing off wacky comedies and technicolor extravaganzas! We also cover some Our Gang/Little Rascals shorts, Eisenstein's first talkie, and a very French proto-noir crime drama!  You can watch along with our video version of the episode here on Youtube! You can check out our Instagram, Twitter, and other social media crap here: http://linktr.ee/1w1y And you can watch and form your own opinions from our 1938 Films Discussed playlist right here! See you next year!  

Coming to town next weekend on Sunday, June 30, to the Magic Bag in Ferndale is a band that anyone who grew up in the nineties will definitely know. And if you don't, well, you should get acquainted with the alt-rock legendary sound of Letters to Cleo. The band has some new material to go with favorites like "I Want You to Want Me," "Here and Now," and "Cruel to Be Kind." To talk about the band, music, and the show, my guest is guitarist Michael Eisenstein. If it sounds like I'm a little excited, I'll put it on the table right now that I'm a fan. Michael shares stories along the band's journey — and the fresh energy they bring to their new material. We discuss how technology has changed the way they create music, contrasting the hands-on, live development of songs in the early nineties with today's digital collaboration. Michael reflects on the unique challenges and benefits of remote recording and how it has affected the band's creative process. We also get into the band's involvement with the iconic movie "Ten Things I Hate About You," sharing behind-the-scenes stories, including the thrilling experience of filming the closing shot from a helicopter. Michael talks about the gratifying experience of hearing from younger musicians who were influenced by Letters to Cleo and how the band continues to inspire the next generation of artists. Looking forward to their upcoming show at the Magic Bag, Michael shares his excitement about returning to the Midwest and performing in a venue that feels like home. He reminisces about past tours through Metro Detroit with other artists and the joy of reconnecting with old friends and fans. The intimate setting of the Magic Bag suits the band's vibe perfectly, promising a night of great music and energy. Don't miss Letters to Cleo at the Magic Bag in Ferndale on Sunday, June 30. Doors open at 7pm. Tickets: https://www.ticketweb.com/event/kickstand-productions-presents-letters-to-the-magic-bag-tickets/13463344?pl=magicbag p.s. - I want to put a pin in your calendar for Thursday, July 11, 2024. Our Daily Detroit Happy Hour returns, this time at The Royce in downtown Detroit from 4pm to 7pm. If you've got questions, email us at dailydetroit - at - gmail - dot - com. Follow us on Apple Podcasts: https://lnk.to/dailydetroitonapple Or Spotify: https://lnk.to/dailydetroitonspotify Thanks to our members: http://www.patreon.com/dailydetroit  

本期是「4.23世界读书日」特别节目，我们无望做最长的读书日节目，但我们可以做全网最晚上线的！电影巨辩筛选出129本有助于构建电影知识体系的电影书，分类详解每本书的内容和特点，优点和缺点。对大多数人来说，这些书无助于考研升学，无助于搞钱和自我提升，无助于我们每一天的生活，甚至无助于你从电影中享受到更多快乐。它是百分之百全然无用的。但我们聊书的过程中，却真的爽到了，是截至目前录得最爽的一期节目。为什么电影书会让我们这么爽？请谨慎收听。本次节目聊到的129本书（也有的是一套），具体书目详见下方。因为字数限制，部分英文书没有标注英文名。详细时间轴：04:23 防杠声明06:13 电影理论与美学《电影是什么》，安德烈·巴赞《当代电影分析》，雅克·奥蒙、米歇尔·玛利《电影艺术：形式与风格》，大卫·波德维尔、克里斯汀·汤普森《电影理论1945-1990》，弗朗西斯卡·卡塞蒂[Theories of Cinema, 1945-1990, by Francesco Casetti]《电影理论读本》，杨远婴编《电影理论与批评辞典》，雅克·奥蒙《电影研究关键词》，苏珊·海沃德《电影导演的电影理论》，雅克·奥蒙《电影实践理论》，诺埃尔·伯奇《电影声音：理论与实践》，伊丽莎白·维斯、约翰·贝尔顿编《声音》，米歇尔·希翁《作为媒介考古学的电影史》，托马斯·埃尔塞瑟《明星》，理查德·戴尔《电影中的表演》，詹姆斯·纳雷摩尔《宽忍的灰色黎明：法国哲学家论电影》，李洋编33:59 类型电影《电影／类型》，里克·奥特曼《好莱坞类型电影》，托马斯·沙茨《黑色电影：历史、批评与风格》，詹姆斯·纳雷摩尔《西部电影的发明：五十年文化史》，斯科特·西蒙《幻像电影：美国先锋电影1943-2000》，P·亚当斯·西特尼44:09 电影史与国族电影《电影史：理论与实践》，罗伯特·C·艾伦、道格拉斯·戈梅里《世界电影史》，克里斯汀·汤普森、大卫·波德维尔《牛津世界电影史》，杰弗里-诺维尔-史密斯 主编《日本电影史》，佐藤忠男《韩国电影史：从开化期到开花期》，金美贤、韩国电影振兴委员会《意大利电影：从新现实主义到现在》，彼得·邦达内拉《懊悔的迷雾：经典法国电影的文化与情感》，达德利·安德鲁《新浪潮》，米歇尔·玛利《当代法国电影指南》，福克斯、玛利、拉德纳《迷影：创发一种观看的方法，书写一段文化的历史 1944—1968》，安托万·德巴克《魏玛电影及之后：德国的历史想象》，托马斯·埃尔塞瑟《新德国电影史》，托马斯·埃尔塞瑟《闹鬼的银幕》，洛特·艾斯纳[The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt, by Lotte Eisner]64:53 好莱坞《美国电影史十卷本》[History of the American Cinema Volumes 1-10]《古典好莱坞电影：1960年之前的电影风格和制作模式》，大卫·波德维尔、珍妮特·斯泰格、克里斯汀·汤普森《巴别塔与巴比伦：美国无声电影的观众》，米莲姆·汉森《新好莱坞电影导论》，杰夫·金《逍遥骑士、愤怒公牛：新好莱坞的内幕》，彼得·比斯金《低俗电影：米拉麦克斯、圣丹斯和独立电影的兴起》，彼得·比斯金《电影战争：好莱坞和媒体如何限制我们观影》，乔纳森·罗森鲍姆《越战到里根时代的好莱坞》罗宾·伍德《岁月已逝》，凯文·布朗洛《体制的天才：好莱坞大片厂时期的电影制作》，托马斯·沙茨《史诗、奇观和大片：一种好莱坞历史》，谢尔顿·霍尔、史蒂夫·尼尔85:42 影人传记与研究《戈达尔：七十岁艺术家的肖像》，科林·麦凯布《侯麦传》，安托万·德巴克、诺尔·艾柏《帕索里尼传：安魂曲》，巴特·大卫·施瓦茨《罗西里尼的冒险》，泰格·加拉格[The Adventures Of Roberto Rossellini: HisLife and Film, Tag Gallagher]《铸就传奇：约翰·福特的生命与时光》，斯科特·埃曼《万里黄沙万里情：塞尔吉奥·莱昂内传》，克里斯托弗·弗雷林《卡赞自传》，伊利亚·卡赞[A Life, by Elia Kazan]《让·雷诺阿》，安德烈·巴赞《英格玛·伯格曼》，雅克·奥蒙《重访希区柯克》，罗宾·伍德《德莱叶的电影》，大卫·波德维尔《小津与电影诗学》，大卫·波德维尔[Ozu and the Poetics of Cinema, by David Bordwell]《爱森斯坦的电影》，大卫·波德维尔[The Cinema of Eisenstein, by David Bordwell]《弗里茨·朗的电影：视界与现代性的多重寓言》，汤姆·甘宁[The Films of Fritz Lang: Allegories of Vision and Modernity, by Tom Gunning]118:16 电影评论BFI经典电影解读系列《我生命中的电影》，弗朗索瓦·特吕弗《电影时代：宝琳·凯尔评论集》，宝琳·凯尔《美国电影：导演和导演之道，1929-1968》，安德鲁·萨里斯[The American Cinema: Directors And Directions, 1929–1968]《伟大的电影》系列，罗杰·伊伯特《电影精华：电影经典的必要性》，乔纳森·罗森鲍姆[Essential Cinema: On the Necessity of Film Canons, by Jonathan Rosenbaum]《庸俗的现代主义》，J·霍伯）[Vulgar Modernism: Writing on Movies and Other Media, by J. Hoberman]《艾吉论电影》，詹姆斯·艾吉[Agee on Film: Criticism and Comment on the Movies, by James Agee]《法伯论电影》，曼尼·法伯[Farber on Film: The Complete Film Writings of Manny Farber, by Manny Farber]《电影院与世界：二十年手册生涯》，塞尔日·达内[The Cinema House and the World: The Cahiers du Cinema Years, 1962–1981, by Serge Daney]《电影手册选集四卷本（1950-1978）》[Cahiers Du Cinéma: Volume 1-4, 1950-1978]《60风尚：中国学生周报影评十年》，罗卡编《淋漓影像馆》，李焯桃151:43 产业与制度《美国电影产业》，迪诺·巴里奥编[The American Film Industry, edited by Tino Balio]《好莱坞经济学：极端不确定性如何塑造电影产业》，阿瑟·德瓦尼[Hollywood Economics: How Extreme Uncertainty Shapes the Film Industry, by Arthur De Vany]《国家电影制度》，刘立行《银幕自由：国家电影审查的法律挑战，1915-1981》，劳拉·威腾-凯勒[Freedom of the Screen: Legal Challenges to State FilmCensorship, 1915-1981, by Laura Wittern-Keller]《电影节的历史、理论、方法、实践》，玛莉·德·法尔克158:02 创作与技术《故事：材质、结构、风格和银幕剧作的原理》，罗伯特·麦基《电影剧本写作基础》，悉德·菲尔德《编剧》，威廉·戈德曼《表演的艺术》，斯特拉·阿德勒《电影剪辑技巧》，卡雷尔·赖兹、盖文·米勒《眨眼之间：电影剪辑的奥秘》，沃尔特·默奇《欧洲剪辑大师访谈录》，罗杰·克里滕登《电影语言的语法》，丹尼艾尔·阿里洪《摄影师手记》，内斯托·阿尔曼德洛斯《制作电影：欧洲电影摄影百年史》，欧洲电影摄影师协会《如何拍电影：夏布罗尔导演札记》，克劳德·夏布洛尔《电影风格与技术：历史与分析》，巴里·索特173:38 访谈录《希区柯克与特吕弗对话录》，弗朗索瓦·特吕弗《对话比利·怀尔德》，卡梅伦·克罗《我是奥逊·威尔斯》，彼得·博格达诺维奇《究竟谁拍的这部电影：传奇导演谈话录》，彼得·博格达诺维奇《电影的节奏是心跳：罗贝尔·布列松谈话录》，米莲娜·布列松编《异端的影像：帕索里尼访谈录》，皮埃尔·保罗·帕索里尼《樱桃的滋味：阿巴斯谈电影》，阿巴斯·基阿鲁斯达米《胡金铨武侠电影作法》，山田宏一、宇田川幸洋《后台故事1-5：编剧访谈》[Backstory 1-5: Interviews with Screenwriters]188:48 华语电影研究《中国电影发展史》，程季华、李少白、邢祖文《电的影子》，陈力[Dianying/Electric Shadows, by Jay Leyda]《华语电影工业：方法与历史的新探索》，叶月瑜编《中国电影批评史》，李道新《北影纪事》，杨远婴编《中国电影：一个制度与观念的历史》，启之《银幕艳史：都市文化与上海电影1896-1937》，张真《回望纯真年代：中国著名电影导演访谈录（1981-1993）》，罗雪莹《北京电影学院故事：第五代电影前史》，倪震《看不见的影像》，张献民《台湾电影：政治、经济、美学（1949-1994）》，卢非易《台湾电影年鉴》《跨世纪台湾电影实录1898-2000》《台湾电影百年漂流：杨德昌、侯孝贤、李安、蔡明亮》，叶月瑜、戴乐为《杨德昌的电影世界》，让-米歇尔·付东《无人是孤岛：侯孝贤的电影世界》，詹姆斯·乌登《煮海时光：侯孝贤的光影记忆》，白睿文《三十年细说从头》，李翰祥《香港电影王国：娱乐的艺术》，大卫·波德维尔《香港电影：额外的维度》，张建德《冷战与香港电影》，李培德、黄爱玲编《香港的「中国」》，傅葆石、刘辉编《国泰故事》，黄爱玲编《风起潮涌：七十年代香港电影》，吴君玉编《超前与跨越：胡金铨与张爱玲》，卓伯棠编《乘风变化：嘉禾电影研究》，蒲锋、刘嵚《溜走的激情：80年代香港电影》，家明编《香港电影工业结构及市场分析》，陈清伟《新香港电影丛书》，阿克巴·阿巴斯编《王家卫：不只是拍电影》，约翰·鲍尔斯《银河映像，难以想像》，潘国灵编《光影言语：当代华语片导演访谈录》，白睿文推荐关注：电影巨辩的轻量版：电影巨辩5min联系：邮箱：dyjb1895@foxmail.com合作：dyjb1895（添加微信说明来意）

In this episode of "All About Capital Campaigns," hosts Amy Eisenstein and Andrea Kihlstedt delve into the critical components of accountability, habits, and motivation in the context of fundraising campaigns. Drawing on their extensive experience, they explore real-life scenarios highlighting the significance of staying accountable and cultivating productive habits. Discover the importance of taking concrete actions in fundraising endeavors, moving beyond procrastination and excuses. Eisenstein and Kihlstedt share practical insights on fostering motivation and developing consistent habits, essential for achieving success in capital campaigns. From scheduling donor calls to setting measurable goals, they offer actionable strategies for maintaining momentum and achieving fundraising targets. Learn how external accountability partners and structured systems can enhance campaign effectiveness, ensuring progress towards fundraising goals. Whether you're a development director, executive director, or involved in fundraising efforts, this episode provides invaluable guidance on navigating the challenges of capital campaigns. Tune in to gain actionable insights and elevate your fundraising initiatives to new heights. To see if your organization is truly ready for a capital campaign, download this free Readiness Assessment. This guide will help you evaluate six aspects of your organization, including the board and your case for support.