Podcast appearances and mentions of julian rankin

In this episode, Andrew Allen speaks with Julian Rankin, Executive Director of the Walter Anderson Museum of Art (WAMA), about the impact of coastal artist Walter Anderson. They explore Anderson's role in promoting creativity and his misunderstood vision, discuss the museum's growth over the past 30 years, and highlight recent expansions like a new restaurant and green space. Rankin also discusses the museum's educational goals, community engagement, and exciting events like the "Silent Light" festival. They reflect on the resilience shown during Hurricane Katrina and the museum's ongoing efforts to support the creative economy in Ocean Springs, Mississippi. Listen to learn about Walter Anderson's legacy and the vibrant cultural experiences at WAMA! 3 Key Listener Takeaways Expansion and Integration of the Walter Anderson Museum of Art: Over the past 30 years, the Walter Anderson Museum of Art has significantly expanded, moving beyond just showcasing art to incorporating modern amenities like a restaurant, coffee shop, and public green space. This expansion also includes thematic explorations such as foodways and marine education and engaging events like the "Silent Light" festival and Flowerfest, which resonate with The Mississippi Coasts' cultural and artistic heritage. Walter Anderson's Enduring Legacy and Community Engagement: Walter Anderson's impact as an artist goes beyond his watercolors and block prints; his vision of integrating creativity into the community remains central to the museum's mission. The museum emphasizes educational engagement and the creation of meaningful experiences, aligning with Anderson's ethos. Agnes Grinstead Anderson's dedication to education further underscores the museum's focus, while initiatives like the audio guide and the support for local events reinforce this engagement. Historical Challenges and Resilience of WAMA: The museum faced significant hurdles during Hurricane Katrina and the COVID-19 pandemic, which affected both its physical premises and visitor numbers. Despite these challenges, the museum demonstrated resilience, leveraging its slight hill location for protection and adopting creative solutions to navigate the pandemic. Additionally, the museum collaborates closely with the community and local businesses, such as the food and beverage sector, to ensure sustainability and continued cultural contribution.   Episode Highlights: - Walter Anderson's life, work, and lasting impact on the art community.
 - The significant role of Agnes Grinstead Anderson in fostering educational engagement through museums.
 - The museum's evolution and recent expansions including new dining establishments and public spaces.
 - Exciting events like "Silent Light" and "Flowerfest," capturing the spirit of community fusion and celebration.
 - Stories of resilience and creativity from Hurricane Katrina to COVID-19 challenges.
 - Insights into the symbiotic relationship between art, culture, and local businesses.


Reminding you why the Mississippi Gulf Coast is such a great place to live, work, and play

Reminding you why the Mississippi Gulf Coast is such a great place to live, work, and play

Reminding you why the Mississippi Gulf Coast is such a great place to live, work, and play

Reminding you why the Mississippi Gulf Coast is such a great place to live, work, and play

Reminding you why the Mississippi Gulf Coast is such a great place to live, work, and play

Reminding you why the Mississippi Gulf Coast is such a great place to live, work, and play

Reminding you why the Mississippi Gulf Coast is such a great place to live, work, and play

Reminding you why the Mississippi Gulf Coast is such a great place to live, work, and play

Reminding you why the Mississippi Gulf Coast is such a great place to live, work, and play

Leslie Barker speaks with Julian Rankin, director of the Walter Anderson Museum of Art. The two discuss Art Museum Month, happening through the month of August, which grants visitors free admission to seven participating art institutions in the state. Julian also talks about Walter Anderson, his work at the Museum and in the Ocean Springs community as well as his passion for multimedia storytelling. See acast.com/privacy for privacy and opt-out information.

Reminding you why the Mississippi Gulf Coast is such a great place to live, work and play

In which hosts Julian Rankin and Corey Christy talk comedy and crudeness circa 2003-2013.

In which hosts Julian Rankin and Corey Christy tour the beautiful state of Mississippi where, believe it or not, people actually DO vacation.

In which hosts Julian Rankin and Corey Christy deconstruct and rebuild a Mississippi Christmas, complete with James Earl Jones and Morgan Freeman as Santa Claus.

In this episode, Michael sits down with Peter Zapletal of Puppet Arts Theatre to explore the magic of puppetry. We also stop by the Walter Anderson Museum of Art to see how Julian Rankin and Tony DiFatta are putting the "A" in S.T.E.A.M. And, a new Play Together featuring Scott's favorite game, CLUE.

Ed Scott was the first ever non-white owner and operator of a catfish plant in the nation. The former sharecropper-turned-landowner was part of a class-action lawsuit that resulted in upon one of the largest civil rights settlements in U.S. history. With the settlement of Pigford v. Glickman in 1999, almost $1 billion dollars has been issued to over 13,000 African American farmers to date. In 2010, the second half of the case was settled for another $1.2 billion in Pigford II. Scott’s legal battle and personal history inspired Julian Rankin to write Catfish Dream: Ed Scott’s Fight for his Family Farm and Racial Justice in the Mississippi Delta. In this episode, Rankin speaks with his cousin, the ABA Journal’s Brenan Sharp, about how Rankin came to meet Scott; how his background in visual arts informs his writing; and what Scott’s story shows us about the struggle for racial and economic justice in the Mississippi Delta. Special thanks to our sponsor, Headnote.

Ed Scott was the first ever non-white owner and operator of a catfish plant in the nation. The former sharecropper-turned-landowner was part of a class-action lawsuit that resulted in upon one of the largest civil rights settlements in U.S. history. With the settlement of Pigford v. Glickman in 1999, almost $1 billion dollars has been issued to over 13,000 African American farmers to date. In 2010, the second half of the case was settled for another $1.2 billion in Pigford II. Scott’s legal battle and personal history inspired Julian Rankin to write Catfish Dream: Ed Scott’s Fight for his Family Farm and Racial Justice in the Mississippi Delta. In this episode, Rankin speaks with his cousin, the ABA Journal’s Brenan Sharp, about how Rankin came to meet Scott; how his background in visual arts informs his writing; and what Scott’s story shows us about the struggle for racial and economic justice in the Mississippi Delta. Special thanks to our sponsor, Headnote.

Deep South Dining is all about the culture of southern flavor and for the near future Colorado too! Carol is out of the studio for a bit but she and Malcolm will still bring you a delicious show every Monday, Today they welcome food and culture writer Sherry Lucas to the show to talk about preserving and canning some of the Mississippi produce for later in the year. Also we talk with Julian Rankin about the great food event coming to the Walter Anderson Museum (Ocean Springs) that will celebrate the food of the newly named Secret Coast. See acast.com/privacy for privacy and opt-out information.

On today's show: Find out why Mississippi one of the states suing the federal government over an immigration program. Then, find out how Mississippi measures up to the nation on cancer policies. And in our book club meet Mississippi author Julian Rankin with his new book, "Catfish Dream". Guests include: Matt Steffey - Mississippi College School of Law Kimberly Hughes - American Cancer Society's Cancer Action Network in Mississippi Julian Rankin - Author, "Catfish Dreams"

Malcom White talks to Julian Rankin about his book Catfish Dreams. The book tells the story of African-American catfish farmer and Mississippi Native Ed Scott. See acast.com/privacy for privacy and opt-out information.

Cotton, we’re told, is the fabric of our lives. But what does that look like for contemporary Mississippians, at a time in history when most are removed from the agricultural realities of the cotton field? How does cotton’s global history of social stratification still infiltrate our lives? How do modern folks alter the conversation by claiming the cotton tee as a democratic vehicle for personal voice and identity? The Center for Art & Public Exchange at the Mississippi Museum of Art in Jackson decided to tackle these questions in a recent program in their Re:frame series. We gathered local podcasters and the public inside the galleries of White Gold: Thomas Sayre, an immersive 2000 square foot exhibition by artist Thomas Sayre that meditates on the complexities of a southern cotton field. This discussion was held in conjunction with national tee shirt day and alongside a pop up exhibition of cotton tees by local designers. We looked at art together, we created a platform for a wide range of voices, and we recorded it. The Center for Art & Public Exchange – CAPE for short – is an initiative of the Mississippi Museum of Art in Jackson, supported by the W.K. Kellogg Foundation. CAPE’s purpose is to use original artworks, exhibitions, programs, and engagements with artists to increase understanding and inspire new narratives in contemporary Mississippi. CAPE’s Re:frame program is sponsored by the Southern Poverty Law Center. This episode of Let’s Talk Jackson was hosted by the Julian Rankin, The Center for Art & Public Exchange, and the Mississippi Museum of Art and produced by Beau York Podcast Panelists: Garrad Lee, Chellese Hall, and Melvin Robinson Special Thanks to our Season 6 sponsor, Primos Cafe! Learn how you can have a little taste of Mississippi ready to sweeten up your next celebration at PrimosCafe.com

When he was shut out of the industry during the 1980s catfish boom, Scott turned 160 acres of arable farmland into catfish ponds and built a processing plant of concrete and stainless steel atop the bones of an old tractor shed. In doing so, he marched into history. Scott used food as a weapon and a megaphone: feeding civil rights workers, employing dozens of his friends and neighbors, joining a class action suit against the federal government, and providing an example of perseverance for future generations.  This episode is adapted from the book Catfish Dream: Ed Scott’s Fight for His Family Farm and Racial Justice in the Mississippi Delta by Julian Rankin (published by University of Georgia Press; Southern Foodways Alliance Studies in Culture, People, and Place series). Learn more at www.catfishdream.com.  Julian Rankin wrote this episode. Beau York of Podastery Studios in Jackson, MS, was the producer.