Podcasts about pollock theater

Mr. Rogers' wizard-like powers with children and the moment Tom Hanks first appeared on set as Fred arise in this conversation between screenwriter/producer/actor Noah Harpster and Pollock Theater director Matt Ryan about A Beautiful Day in the Neighborhood. In this video, Harpster recounts his deep personal connection to the story and describes the joy of acting in scenes with Tom Hanks. Series: "Carsey-Wolf Center" [Show ID: 35572]

Mr. Rogers' wizard-like powers with children and the moment Tom Hanks first appeared on set as Fred arise in this conversation between screenwriter/producer/actor Noah Harpster and Pollock Theater director Matt Ryan about A Beautiful Day in the Neighborhood. In this video, Harpster recounts his deep personal connection to the story and describes the joy of acting in scenes with Tom Hanks. Series: "Carsey-Wolf Center" [Show ID: 35572]

Mr. Rogers' wizard-like powers with children and the moment Tom Hanks first appeared on set as Fred arise in this conversation between screenwriter/producer/actor Noah Harpster and Pollock Theater director Matt Ryan about A Beautiful Day in the Neighborhood. In this video, Harpster recounts his deep personal connection to the story and describes the joy of acting in scenes with Tom Hanks. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35572]

Mr. Rogers' wizard-like powers with children and the moment Tom Hanks first appeared on set as Fred arise in this conversation between screenwriter/producer/actor Noah Harpster and Pollock Theater director Matt Ryan about A Beautiful Day in the Neighborhood. In this video, Harpster recounts his deep personal connection to the story and describes the joy of acting in scenes with Tom Hanks. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35572]

Mr. Rogers' wizard-like powers with children and the moment Tom Hanks first appeared on set as Fred arise in this conversation between screenwriter/producer/actor Noah Harpster and Pollock Theater director Matt Ryan about A Beautiful Day in the Neighborhood. In this video, Harpster recounts his deep personal connection to the story and describes the joy of acting in scenes with Tom Hanks. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35572]

Mr. Rogers' wizard-like powers with children and the moment Tom Hanks first appeared on set as Fred arise in this conversation between screenwriter/producer/actor Noah Harpster and Pollock Theater director Matt Ryan about A Beautiful Day in the Neighborhood. In this video, Harpster recounts his deep personal connection to the story and describes the joy of acting in scenes with Tom Hanks. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35572]

Mr. Rogers' wizard-like powers with children and the moment Tom Hanks first appeared on set as Fred arise in this conversation between screenwriter/producer/actor Noah Harpster and Pollock Theater director Matt Ryan about A Beautiful Day in the Neighborhood. In this video, Harpster recounts his deep personal connection to the story and describes the joy of acting in scenes with Tom Hanks. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35572]

Mr. Rogers' wizard-like powers with children and the moment Tom Hanks first appeared on set as Fred arise in this conversation between screenwriter/producer/actor Noah Harpster and Pollock Theater director Matt Ryan about A Beautiful Day in the Neighborhood. In this video, Harpster recounts his deep personal connection to the story and describes the joy of acting in scenes with Tom Hanks. Series: "Carsey-Wolf Center" [Show ID: 35572]

Mr. Rogers' wizard-like powers with children and the moment Tom Hanks first appeared on set as Fred arise in this conversation between screenwriter/producer/actor Noah Harpster and Pollock Theater director Matt Ryan about A Beautiful Day in the Neighborhood. In this video, Harpster recounts his deep personal connection to the story and describes the joy of acting in scenes with Tom Hanks. Series: "Carsey-Wolf Center" [Show ID: 35572]

Mr. Rogers' wizard-like powers with children and the moment Tom Hanks first appeared on set as Fred arise in this conversation between screenwriter/producer/actor Noah Harpster and Pollock Theater director Matt Ryan about A Beautiful Day in the Neighborhood. In this video, Harpster recounts his deep personal connection to the story and describes the joy of acting in scenes with Tom Hanks. Series: "Carsey-Wolf Center" [Show ID: 35572]

Mr. Rogers' wizard-like powers with children and the moment Tom Hanks first appeared on set as Fred arise in this conversation between screenwriter/producer/actor Noah Harpster and Pollock Theater director Matt Ryan about A Beautiful Day in the Neighborhood. In this video, Harpster recounts his deep personal connection to the story and describes the joy of acting in scenes with Tom Hanks. Series: "Carsey-Wolf Center" [Show ID: 35572]

Mr. Rogers' wizard-like powers with children and the moment Tom Hanks first appeared on set as Fred arise in this conversation between screenwriter/producer/actor Noah Harpster and Pollock Theater director Matt Ryan about A Beautiful Day in the Neighborhood. In this video, Harpster recounts his deep personal connection to the story and describes the joy of acting in scenes with Tom Hanks. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35572]

Mr. Rogers' wizard-like powers with children and the moment Tom Hanks first appeared on set as Fred arise in this conversation between screenwriter/producer/actor Noah Harpster and Pollock Theater director Matt Ryan about A Beautiful Day in the Neighborhood. In this video, Harpster recounts his deep personal connection to the story and describes the joy of acting in scenes with Tom Hanks. Series: "Carsey-Wolf Center" [Show ID: 35572]

Mr. Rogers' wizard-like powers with children and the moment Tom Hanks first appeared on set as Fred arise in this conversation between screenwriter/producer/actor Noah Harpster and Pollock Theater director Matt Ryan about A Beautiful Day in the Neighborhood. In this video, Harpster recounts his deep personal connection to the story and describes the joy of acting in scenes with Tom Hanks. Series: "Carsey-Wolf Center" [Show ID: 35572]

The difficulty of restaging real world trauma on a film set, the challenge of character development based on individuals with non-disclosure agreements, and the power of women speaking truth to power all arise in this conversation about Bombshell (2019) between director Jay Roach and Pollock Theater director Matt Ryan. In this video, Roach discusses the amazing reaction of the cast and crew of Bombshell after the films initial studio backer pulled out weeks before production was set to start. Series: "Carsey-Wolf Center" [Show ID: 35410]

The difficulty of restaging real world trauma on a film set, the challenge of character development based on individuals with non-disclosure agreements, and the power of women speaking truth to power all arise in this conversation about Bombshell (2019) between director Jay Roach and Pollock Theater director Matt Ryan. In this video, Roach discusses the amazing reaction of the cast and crew of Bombshell after the films initial studio backer pulled out weeks before production was set to start. Series: "Carsey-Wolf Center" [Show ID: 35410]

The difficulty of restaging real world trauma on a film set, the challenge of character development based on individuals with non-disclosure agreements, and the power of women speaking truth to power all arise in this conversation about Bombshell (2019) between director Jay Roach and Pollock Theater director Matt Ryan. In this video, Roach discusses the amazing reaction of the cast and crew of Bombshell after the films initial studio backer pulled out weeks before production was set to start. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35410]

The difficulty of restaging real world trauma on a film set, the challenge of character development based on individuals with non-disclosure agreements, and the power of women speaking truth to power all arise in this conversation about Bombshell (2019) between director Jay Roach and Pollock Theater director Matt Ryan. In this video, Roach discusses the amazing reaction of the cast and crew of Bombshell after the films initial studio backer pulled out weeks before production was set to start. Series: "Carsey-Wolf Center" [Show ID: 35410]

The difficulty of restaging real world trauma on a film set, the challenge of character development based on individuals with non-disclosure agreements, and the power of women speaking truth to power all arise in this conversation about Bombshell (2019) between director Jay Roach and Pollock Theater director Matt Ryan. In this video, Roach discusses the amazing reaction of the cast and crew of Bombshell after the films initial studio backer pulled out weeks before production was set to start. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35410]

The difficulty of restaging real world trauma on a film set, the challenge of character development based on individuals with non-disclosure agreements, and the power of women speaking truth to power all arise in this conversation about Bombshell (2019) between director Jay Roach and Pollock Theater director Matt Ryan. In this video, Roach discusses the amazing reaction of the cast and crew of Bombshell after the films initial studio backer pulled out weeks before production was set to start. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35410]

The difficulty of restaging real world trauma on a film set, the challenge of character development based on individuals with non-disclosure agreements, and the power of women speaking truth to power all arise in this conversation about Bombshell (2019) between director Jay Roach and Pollock Theater director Matt Ryan. In this video, Roach discusses the amazing reaction of the cast and crew of Bombshell after the films initial studio backer pulled out weeks before production was set to start. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35410]

The difficulty of restaging real world trauma on a film set, the challenge of character development based on individuals with non-disclosure agreements, and the power of women speaking truth to power all arise in this conversation about Bombshell (2019) between director Jay Roach and Pollock Theater director Matt Ryan. In this video, Roach discusses the amazing reaction of the cast and crew of Bombshell after the films initial studio backer pulled out weeks before production was set to start. Series: "Carsey-Wolf Center" [Show ID: 35410]

The difficulty of restaging real world trauma on a film set, the challenge of character development based on individuals with non-disclosure agreements, and the power of women speaking truth to power all arise in this conversation about Bombshell (2019) between director Jay Roach and Pollock Theater director Matt Ryan. In this video, Roach discusses the amazing reaction of the cast and crew of Bombshell after the films initial studio backer pulled out weeks before production was set to start. Series: "Carsey-Wolf Center" [Show ID: 35410]

The difficulty of restaging real world trauma on a film set, the challenge of character development based on individuals with non-disclosure agreements, and the power of women speaking truth to power all arise in this conversation about Bombshell (2019) between director Jay Roach and Pollock Theater director Matt Ryan. In this video, Roach discusses the amazing reaction of the cast and crew of Bombshell after the films initial studio backer pulled out weeks before production was set to start. Series: "Carsey-Wolf Center" [Show ID: 35410]

Tying together the Infinity War saga, crafting emotionally satisfying sendoffs to beloved superheroes and dispatching supervillain Thanos all arise as topics in this conversation about Avengers: Endgame (2019) between screenwriters Christopher Markus and Stephen McFeely and Pollock Theater director Matt Ryan. McFeely and Markus also discuss their extensive contributions to the Marvel Cinematic Universe including previous work on Avengers: Infinity War (2018), Captain America: Civil War (2016), and Captain America: Winter Soldier (2014). Series: "Carsey-Wolf Center" [Show ID: 35325]

Tying together the Infinity War saga, crafting emotionally satisfying sendoffs to beloved superheroes and dispatching supervillain Thanos all arise as topics in this conversation about Avengers: Endgame (2019) between screenwriters Christopher Markus and Stephen McFeely and Pollock Theater director Matt Ryan. McFeely and Markus also discuss their extensive contributions to the Marvel Cinematic Universe including previous work on Avengers: Infinity War (2018), Captain America: Civil War (2016), and Captain America: Winter Soldier (2014). Series: "Carsey-Wolf Center" [Show ID: 35325]

Tying together the Infinity War saga, crafting emotionally satisfying sendoffs to beloved superheroes and dispatching supervillain Thanos all arise as topics in this conversation about Avengers: Endgame (2019) between screenwriters Christopher Markus and Stephen McFeely and Pollock Theater director Matt Ryan. McFeely and Markus also discuss their extensive contributions to the Marvel Cinematic Universe including previous work on Avengers: Infinity War (2018), Captain America: Civil War (2016), and Captain America: Winter Soldier (2014). Series: "Carsey-Wolf Center" [Show ID: 35325]

Tying together the Infinity War saga, crafting emotionally satisfying sendoffs to beloved superheroes and dispatching supervillain Thanos all arise as topics in this conversation about Avengers: Endgame (2019) between screenwriters Christopher Markus and Stephen McFeely and Pollock Theater director Matt Ryan. McFeely and Markus also discuss their extensive contributions to the Marvel Cinematic Universe including previous work on Avengers: Infinity War (2018), Captain America: Civil War (2016), and Captain America: Winter Soldier (2014). Series: "Carsey-Wolf Center" [Show ID: 35325]

Tying together the Infinity War saga, crafting emotionally satisfying sendoffs to beloved superheroes and dispatching supervillain Thanos all arise as topics in this conversation about Avengers: Endgame (2019) between screenwriters Christopher Markus and Stephen McFeely and Pollock Theater director Matt Ryan. McFeely and Markus also discuss their extensive contributions to the Marvel Cinematic Universe including previous work on Avengers: Infinity War (2018), Captain America: Civil War (2016), and Captain America: Winter Soldier (2014). Series: "Carsey-Wolf Center" [Show ID: 35325]

Tying together the Infinity War saga, crafting emotionally satisfying sendoffs to beloved superheroes and dispatching supervillain Thanos all arise as topics in this conversation about Avengers: Endgame (2019) between screenwriters Christopher Markus and Stephen McFeely and Pollock Theater director Matt Ryan. McFeely and Markus also discuss their extensive contributions to the Marvel Cinematic Universe including previous work on Avengers: Infinity War (2018), Captain America: Civil War (2016), and Captain America: Winter Soldier (2014). Series: "Carsey-Wolf Center" [Show ID: 35325]

Archivist Regina Longo (Brown University) joins UCSB’s Harold Marcuse (Department of History) for a discussion of Claude Lanzmann’s final film Shoah: Four Sisters (2018), a four-part miniseries that was screened over two days at the Pollock Theater. Longo’s work includes extensive restoration of Claude Lanzmann’s landmark documentary footage of testimonials from the Holocaust, and in conversation with Marcuse she offers deeper insight into the history of the film and the women it concerns. Longo explains how Lanzmann’s Shoah was initially funded and produced, how hundreds of hours of footage is being carefully restored from original prints and made available online, and how Four Sisters both influences and is situated in a legacy of film, legal testimony, memoir, and other post-war efforts to represent the un-representable horror of the Shoah. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34842]

Archivist Regina Longo (Brown University) joins UCSB’s Harold Marcuse (Department of History) for a discussion of Claude Lanzmann’s final film Shoah: Four Sisters (2018), a four-part miniseries that was screened over two days at the Pollock Theater. Longo’s work includes extensive restoration of Claude Lanzmann’s landmark documentary footage of testimonials from the Holocaust, and in conversation with Marcuse she offers deeper insight into the history of the film and the women it concerns. Longo explains how Lanzmann’s Shoah was initially funded and produced, how hundreds of hours of footage is being carefully restored from original prints and made available online, and how Four Sisters both influences and is situated in a legacy of film, legal testimony, memoir, and other post-war efforts to represent the un-representable horror of the Shoah. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34842]

Archivist Regina Longo (Brown University) joins UCSB’s Harold Marcuse (Department of History) for a discussion of Claude Lanzmann’s final film Shoah: Four Sisters (2018), a four-part miniseries that was screened over two days at the Pollock Theater. Longo’s work includes extensive restoration of Claude Lanzmann’s landmark documentary footage of testimonials from the Holocaust, and in conversation with Marcuse she offers deeper insight into the history of the film and the women it concerns. Longo explains how Lanzmann’s Shoah was initially funded and produced, how hundreds of hours of footage is being carefully restored from original prints and made available online, and how Four Sisters both influences and is situated in a legacy of film, legal testimony, memoir, and other post-war efforts to represent the un-representable horror of the Shoah. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34842]

Archivist Regina Longo (Brown University) joins UCSB’s Harold Marcuse (Department of History) for a discussion of Claude Lanzmann’s final film Shoah: Four Sisters (2018), a four-part miniseries that was screened over two days at the Pollock Theater. Longo’s work includes extensive restoration of Claude Lanzmann’s landmark documentary footage of testimonials from the Holocaust, and in conversation with Marcuse she offers deeper insight into the history of the film and the women it concerns. Longo explains how Lanzmann’s Shoah was initially funded and produced, how hundreds of hours of footage is being carefully restored from original prints and made available online, and how Four Sisters both influences and is situated in a legacy of film, legal testimony, memoir, and other post-war efforts to represent the un-representable horror of the Shoah. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34842]

Archivist Regina Longo (Brown University) joins UCSB’s Harold Marcuse (Department of History) for a discussion of Claude Lanzmann’s final film Shoah: Four Sisters (2018), a four-part miniseries that was screened over two days at the Pollock Theater. Longo’s work includes extensive restoration of Claude Lanzmann’s landmark documentary footage of testimonials from the Holocaust, and in conversation with Marcuse she offers deeper insight into the history of the film and the women it concerns. Longo explains how Lanzmann’s Shoah was initially funded and produced, how hundreds of hours of footage is being carefully restored from original prints and made available online, and how Four Sisters both influences and is situated in a legacy of film, legal testimony, memoir, and other post-war efforts to represent the un-representable horror of the Shoah. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34842]

Archivist Regina Longo (Brown University) joins UCSB’s Harold Marcuse (Department of History) for a discussion of Claude Lanzmann’s final film Shoah: Four Sisters (2018), a four-part miniseries that was screened over two days at the Pollock Theater. Longo’s work includes extensive restoration of Claude Lanzmann’s landmark documentary footage of testimonials from the Holocaust, and in conversation with Marcuse she offers deeper insight into the history of the film and the women it concerns. Longo explains how Lanzmann’s Shoah was initially funded and produced, how hundreds of hours of footage is being carefully restored from original prints and made available online, and how Four Sisters both influences and is situated in a legacy of film, legal testimony, memoir, and other post-war efforts to represent the un-representable horror of the Shoah. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34842]

Archivist Regina Longo (Brown University) joins UCSB’s Harold Marcuse (Department of History) for a discussion of Claude Lanzmann’s final film Shoah: Four Sisters (2018), a four-part miniseries that was screened over two days at the Pollock Theater. Longo’s work includes extensive restoration of Claude Lanzmann’s landmark documentary footage of testimonials from the Holocaust, and in conversation with Marcuse she offers deeper insight into the history of the film and the women it concerns. Longo explains how Lanzmann’s Shoah was initially funded and produced, how hundreds of hours of footage is being carefully restored from original prints and made available online, and how Four Sisters both influences and is situated in a legacy of film, legal testimony, memoir, and other post-war efforts to represent the un-representable horror of the Shoah. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34842]

Archivist Regina Longo (Brown University) joins UCSB’s Harold Marcuse (Department of History) for a discussion of Claude Lanzmann’s final film Shoah: Four Sisters (2018), a four-part miniseries that was screened over two days at the Pollock Theater. Longo’s work includes extensive restoration of Claude Lanzmann’s landmark documentary footage of testimonials from the Holocaust, and in conversation with Marcuse she offers deeper insight into the history of the film and the women it concerns. Longo explains how Lanzmann’s Shoah was initially funded and produced, how hundreds of hours of footage is being carefully restored from original prints and made available online, and how Four Sisters both influences and is situated in a legacy of film, legal testimony, memoir, and other post-war efforts to represent the un-representable horror of the Shoah. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34842]

Visual storytelling and genre blending are central topics in this wide-ranging discussion between Quiet Place screenwriters Scott Beck and Bryan Woods and Pollock Theater director Matt Ryan. Beck and Woods reflect on and explain their desire to build a monster/sci-fi/horror/silent film that paid homage to classic television and cinema creators like Rod Serling, Alfred Hitchcock, and Charlie Chaplin while fashioning a new experience for contemporary viewers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34569]

Visual storytelling and genre blending are central topics in this wide-ranging discussion between Quiet Place screenwriters Scott Beck and Bryan Woods and Pollock Theater director Matt Ryan. Beck and Woods reflect on and explain their desire to build a monster/sci-fi/horror/silent film that paid homage to classic television and cinema creators like Rod Serling, Alfred Hitchcock, and Charlie Chaplin while fashioning a new experience for contemporary viewers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34569]

Visual storytelling and genre blending are central topics in this wide-ranging discussion between Quiet Place screenwriters Scott Beck and Bryan Woods and Pollock Theater director Matt Ryan. Beck and Woods reflect on and explain their desire to build a monster/sci-fi/horror/silent film that paid homage to classic television and cinema creators like Rod Serling, Alfred Hitchcock, and Charlie Chaplin while fashioning a new experience for contemporary viewers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34569]

Visual storytelling and genre blending are central topics in this wide-ranging discussion between Quiet Place screenwriters Scott Beck and Bryan Woods and Pollock Theater director Matt Ryan. Beck and Woods reflect on and explain their desire to build a monster/sci-fi/horror/silent film that paid homage to classic television and cinema creators like Rod Serling, Alfred Hitchcock, and Charlie Chaplin while fashioning a new experience for contemporary viewers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34569]

Lisa Bruce has made feature films both domestic and internationally, both independently and with major studios. She was a producer on "Darkest Hour," a film starring Gary Oldman as Winston Churchill that follows his early days as Prime Minister while Hitler closes in on Britain during World War II. She is joined in conversation with Matt Ryan at the Pollock Theater at UC Santa Barbara. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33180]

Lisa Bruce has made feature films both domestic and internationally, both independently and with major studios. She was a producer on "Darkest Hour," a film starring Gary Oldman as Winston Churchill that follows his early days as Prime Minister while Hitler closes in on Britain during World War II. She is joined in conversation with Matt Ryan at the Pollock Theater at UC Santa Barbara. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33180]

Lisa Bruce has made feature films both domestic and internationally, both independently and with major studios. She was a producer on "Darkest Hour," a film starring Gary Oldman as Winston Churchill that follows his early days as Prime Minister while Hitler closes in on Britain during World War II. She is joined in conversation with Matt Ryan at the Pollock Theater at UC Santa Barbara. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33180]

Lisa Bruce has made feature films both domestic and internationally, both independently and with major studios. She was a producer on "Darkest Hour," a film starring Gary Oldman as Winston Churchill that follows his early days as Prime Minister while Hitler closes in on Britain during World War II. She is joined in conversation with Matt Ryan at the Pollock Theater at UC Santa Barbara. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33180]

Lisa Bruce has made feature films both domestic and internationally, both independently and with major studios. She was a producer on "Darkest Hour," a film starring Gary Oldman as Winston Churchill that follows his early days as Prime Minister while Hitler closes in on Britain during World War II. She is joined in conversation with Matt Ryan at the Pollock Theater at UC Santa Barbara. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33180]

Lisa Bruce has made feature films both domestic and internationally, both independently and with major studios. She was a producer on "Darkest Hour," a film starring Gary Oldman as Winston Churchill that follows his early days as Prime Minister while Hitler closes in on Britain during World War II. She is joined in conversation with Matt Ryan at the Pollock Theater at UC Santa Barbara. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33180]

How do writers on a television comedy develop their material? Writers from current and recent comedies come together at the Pollock Theater at UCSB. They take stories "ripped from the headlines" and discuss how they would handle them in their shows - through jokes, characters, and stories. The writers are from television comedies: Cheers, M*A*S*H, Frasier, According to Jim, Ellen, Drew Carey, Newhart, Bob, and The Simpsons. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 24204]

How do writers on a television comedy develop their material? Writers from current and recent comedies come together at the Pollock Theater at UCSB. They take stories "ripped from the headlines" and discuss how they would handle them in their shows - through jokes, characters, and stories. The writers are from television comedies: Cheers, M*A*S*H, Frasier, According to Jim, Ellen, Drew Carey, Newhart, Bob, and The Simpsons. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 24204]