Podcasts about Charlie Chaplin

Christophe Hondelatte raconte l'année 1978 en puisant dans les archives d'Europe 1. Cette année-là… deux pieds nickelés volent le cercueil de Charlie Chaplin, Mesrine se fait la belle de la prison de la santé, un pont s'effondre à Tours et trois fous traversent l'Atlantique en Ballon.

Today we learn why Susie is feeling nostalgic about the Challenge and Sarah never got full closure after her season. We hear about an author who Susie suspected of misrepresenting scientific facts, who now was found to be a plagiarist, and she feels vindicated in sniffing out a scammer. We discuss the girls basketball team who was forced to play in a boys tournament, won, and then was denied the trophy because they are...girls. Susie talks about a man who hasn't worn shoes in twenty years, and she is not happy about it at all. We discuss the privilege he is leveraging to do this, and we debate why shoes are even necessary. Susie reveals how Reuters caught one company claiming to recycle shoes while it turns out they were just dumping them off for donations and resale. Plus, Susie reveals some unsavory gossip about Charlie Chaplin that is changing our opinion of the film legend. Join our book club, shop our merch, sign-up for our free newsletter, & more by visiting The Brain Candy Podcast website: Connect with us on social media: BCP Instagram: Susie's Instagram: Sarah's Instagram: BCP Twitter: Susie's Twitter: Sarah's Twitter: This episode is sponsored by BetterHelp. Give online therapy a try at and get on your way to being your best self. Get 20% off your first order at Get a FREE 1-year supply of Vitamin D AND 5 free travel packs with your first purchase at Get 10% off during your first 3 months at More podcasts at WAVE:  

*Machines whirring* Chaplin goes ham in the Little Tramp's last hurrah. Punch that time card for banana-loving beauties, gibberish ditties, and confounding contraband. The person most confused by the film this week was: the poor old Gentleman Who Ordered the Roast Duck.See omnystudio.com/listener for privacy information.

Do you have some explaining to do? Do you poop out at parties? Well aside from that new Gorillaz album, this week we have a lot to celebrate! We walk down slapstick memory lane and learn about the life and epic career of the queen of comedy, Lucille Ball. For a woman who never gave up and put such a positive spin on things, how can you not love her? To send in topics of interest, please email quiteabitpodcast@gmail.comFollow us on instagram/facebook/youtube:https://linktr.ee/quiteabitpodcast Sources for this episode: “Love, Lucy” - an autobiography by Lucille Ballhttps://en.wikipedia.org/wiki/Lucille_Ball

The sport of table tennis or ping pong, or as it was once known, Whiff Waff, has arguably had a more significant impact on world history than any other sport. In this episode, we look at the life of Ivor Montagu, the man who built table tennis into an international sport while also making films with Alfred Hitchcock, hanging out with Charlie Chaplin and spying for the Soviets during the War. Mick Molloy and Titus O'Reily examine a sport that connects Leon Trotsky, Joseph Stalin, Chairman Mao, King Charles, HG Wells, George Bernard Shaw and General Douglas MacArthur. Follow Sports Bizarre on:  Instagram Facebook Twitter TikTok YouTubeSee omnystudio.com/listener for privacy information.

Join me for a break down of Chapter 7 of Breaking Dawn, 'Unexpected', in which Edward blames all of Bella's symptoms on PMS, everything Bella knows about biology she learned from Charlie Chaplin, and Kaure speaks Portuguese not Spanish... 'Breaking Down Bad Books' is a podcast analysing trashy bestsellers from a literary perspective. Currently covering Stephenie Meyer's saga-ending Breaking Dawn, and E.L. James' dreadfully unerotic Fifty Shades Freed on Patreon. Previously covered Twilight, New Moon, Eclipse, Fifty Shades of Grey, Fifty Shades Darker, 365 Days, Divergent, Insurgent, The Maze Runner, and The Da Vinci Code.Sign up to be a patron at www.patreon.com/breakingdownbadbooks for access to exclusive bonus episodes where I will be breaking down E.L. James' Fifty Shades Freed with new episodes every Friday. You can also gain access to all of the previously published 365 Days, Fifty Shades Darker, Insurgent and The Maze Runner recaps.Read along with me and let me know your thoughts on Twitter @PodBreakingDown or Instagram @breakingdownbadbooks or email me at breakingdownpod@gmail.com. You can also leave a voicemail at www.speakpipe.com/breakingdownbadbooks.Hosted by Nathan Brown, who you can find on Twitter and Instagram @nathanbrown90. Support this show http://supporter.acast.com/breaking-down. Hosted on Acast. See acast.com/privacy for more information.

We're thrilled to be joined by Academy-Award winning Production Designer Rick Carter, who has four decades of experience working on Hollywood productions, including with his own personal “Mt. Rushmore” of blockbuster directors: Stephen Spielberg, Robert Zemeckis, James Cameron and J.J. Abrams. Carter walks us through how he tackled his latest Oscar-nominated project, The Fablemans, and recounts numerous other experiences on some of the most memorable movies over the past 40 years, as he elaborates on his approach to the role of the Production Designer, and how his understanding of cinema as an art form has evolved over the years.Here are some of the references from this episode, for those who want to dig a little deeper:Rick Carter's exhibit at El Segundo's ESMoASome of the projects Rick has worked on:The Fabelmans (2022)Amazing Stories (TV Series 1985–1987)Back to the Future (1985), Part II (1989), Part III (1990)Forrest Gump (1994)Avatar (2009)Star Wars: Episode VII - The Force Awakens (2015)Star Wars: Episode IX - The Rise of Skywalker (2019)complete IMDB creditsOther movies and moviemakers mentioned:Steven SpielbergRobert ZemeckisJames CameronJ.J. AbramsLeni RiefenstahlJohn FordBlow-Up (1966)The Greatest Show on Earth (1952)Mogambo (1953)The Wizard of Oz (1939)The Adventures of Robin Hood (1938)Gunga Din (1939)The Thief of Bagdad (1940)McCabe & Mrs. Miller (1971)Rio Bravo (1959)Minority Report (2002)Charlie Chaplin's “The Tramp” characterThe Beatles at the Hollywood Bowl, 1964For more on world-building check out these episodes:Episode 11: Alex McDowell on world-building, production design, and Ready Player OneEpisode 12: Ann Pendleton-Jullian on world-building, architecture, and wicked problemsShare your thoughts via Twitter with Henry, Colin and the How Do You Like It So Far? account! You can also email us at howdoyoulikeitsofarpodcast@gmail.com.Music:John Williams - The Fabelmans (Original Motion Picture Soundtrack)The Wizard of Oz: Complete Soundtrack by Harold Arlen and E.Y. HarburgJohn Williams ~ Amazing Stories“In Time” by Dylan Emmett and “Spaceship” by Lesion X.––––––––––––––––––––––––––––––In Time (Instrumental) by Dylan Emmet  https://soundcloud.com/dylanemmetSpaceship by Lesion X https://soundcloud.com/lesionxbeatsCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: https://bit.ly/in-time-instrumentalFree Download / Stream: https://bit.ly/lesion-x-spaceshipMusic promoted by Audio Library https://youtu.be/AzYoVrMLa1Q––––––––––––––––––––––––––––––

The first episode recorded in person! We went to Kansas to see a jam packed lineup of 1923 films, all with live score! In this episode we get to Harold Lloyd's magnum opus, Charlie Chaplin directing high drama, and Cecil B. DeMille building Egypt on the beach! Just a heads up, the audio for this one is a bit lower quality, since we recorded most of it in a car.  You can watch along with our video version of the episode here on Youtube! You can check out our Instagram, Twitter, and other social media crap here: http://linktr.ee/1w1y And you can watch and form your own opinions from our 1923 Films Discussed playlist right here! PART 1 The Covered Wagon The Uncovered Wagon  Two Wagons, Both Covered It's a Gift Miss Fatty's Seaside Lovers Luke's Movie Muddle Get Out and Get Under Safety Last! PART 2 Miles of Smiles Bell Boy 13 Little Old New York The Pilgrim A Woman of Paris The Medicine Bottle The Ten Commandments The Lost City of Cecil B. DeMille See you next year!

On this weeks episode, we're going back to the classics to take a look at the silent film Modern Times! Modern Times is a film that follows Charlie Chaplin's memorable character The Tramp employed at a state-of-the-art factory where the inescapable machinery completely overwhelms him, and where various mishaps keep getting him sent to prison. Very soon when an orphan girl (Paulette Goddard) gets introduced into the film, things become even crazier as they progress. How do the modern times of this film compare to our modern times now? What are some of the things that made the film so memorable? We discuss all this and more on this weeks episode!

In today's episode, we will be taking a deeper dive into the history of police portrayals in media. From Charlie Chaplin to Olivia Benson, when did cops become the protagonist and where are these good cops when the credits roll? Tune in. Follow us on Instagram: @thinbluecrimepod And TikTok: @thinbluecrime Link to everything

This Week's Sponsors: – Blinkist - 40% off and a 7-day free trial of the reading app: Code: Monews – Apostrophe - Only $5 For First Derm Visit + Medication Discount: Code: Monews Headlines: – Alex Murdaugh Found GUILTY Of Killing Wife and Son (02:00) – Wild Winter Weather And Snow Across California– What This Means for the Ongoing Drought? (13:25) – FBI Arrests Michigan Man Looking To Kill Jewish Members Of State Government (16:35) – Is George Santos Done? House Ethics Panel Launches Investigation (20:00) – Justice Dept. Says Trump Can Be Sued By Police Over January 6 (22:30) – Signs That Global Warming Is Hitting South Pole (23:40) – New Study: Global CO2 Emissions Rose to Record in 2022 (24:50) – Hidden Tunnel Discovered Within Great Pyramid of Giza (26:00) – On This Day: Rodney King; Charlie Chaplin; Zoolander (30:20) – What We're Watching, Reading, & Eating (34:00) Links: What Mosheh is Reading: Uncovered: How the Media Got Cozy with Power, Abandoned Its Principles, and Lost the People (Book Link)  What Jill is Reading: The Vanishing, Tablet Magazine.  – Please remember to subscribe to the podcast and leave us a review. – Mosheh Oinounou (@mosheh) is an Emmy and Murrow award-winning journalist. He has 20 years of experience at networks including Fox News, Bloomberg Television and CBS News, where he was the executive producer of the CBS Evening News and launched the network's 24 hour news channel. He founded the @mosheh Instagram news account in 2020 and the Mo News podcast and newsletter in 2022. Jill Wagner (@jillrwagner) is an Emmy and Murrow award- winning journalist. She's currently the Managing Editor of the Mo News newsletter and previously worked as a reporter for CBS News, Cheddar News, and News 12. She also co-founded the Need2Know newsletter, and has made it a goal to drop a Seinfeld reference into every Mo News podcast. Follow Mo News on all platforms: Instagram: https://www.instagram.com/mosheh/ Twitter: https://twitter.com/mosheh Facebook: https://www.facebook.com/MoshehNews Snapchat: https://t.snapchat.com/pO9xpLY9 Youtube: https://www.youtube.com/moshehnews TikTok: https://www.tiktok.com/@mosheh Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on Podcast Like It's 1992… we are watching Chaplin with Tallie Medel!We talk about Robert Downey Jr's performance, Roger Ebert's scathing review on this biopic, and Charlie Chaplin's impact on Hollywood.Patreon: patreon.com/PodcastlikeitsTwitter: http://twitter.com/podcastlikeitsInstagram: instagram.com/podcastlikeitsReddit: reddit.com/r/podcastlikeits Hosted on Acast. See acast.com/privacy for more information.

When Yasmin Williams plays guitar, it looks like she's trying to play something else. With the instrument laying on her lap, she attacks it from above with both hands, producing a kaleidoscopic array of sounds. Williams is also a fan of Earth Wind & Fire, and inspired by them she's added the kalimba, or thumb piano, to her music. By taping the kalimba to the body of her guitar, she's able to play both instruments at once; her distinct style also leaves her tap shoe-wearing feet available for her to make beats. Yasmin Williams performs her new soundtrack to Charlie Chaplin's silent film The Kid remotely, for the Soundcheck Podcast, from Brookfield Place. 

Spoilers! goes back. WAY back. To 1931. It's Charlie Chaplin in CITY LIGHTS! Pappy hosts Stevie, Josh & Brett! ************** A hapless but resilient tramp (Charlie Chaplin) falls in love with a blind flower girl (Virginia Cherrill) on the tough city streets. Upon learning that she and her grandmother are to be evicted from their home, the tramp undertakes a series of attempts to provide them with the money they need, all of which end in humiliating failure. But after a drunken millionaire (Harry Myers) lavishly rewards him for saving his life, the tramp can change the flower girl's life forever. Release date: March 7, 1931 (USA) Director: Charlie Chaplin Music composed by: Charlie Chaplin, José Padilla, Alfred Newman, Arthur Johnston Screenplay: Charlie Chaplin, Harry Crocker, Harry Carr, Harry Clive Producer: Charlie Chaplin Box office: 4.25 million USD (worldwide rentals)

In today's PWTorch Dailycast Saturday Double-Feature, first up is "Nick & Tom's Intercontinental Adventure" with Tom Colohue and Nick Barbati. Nick and Tom celebrate the elevation of Dominik Mysterio, Rhea Ripley, and Omos as we head into a WrestleMania that will heavily feature all three.Then we jump back ten years (2-20-2013) to PWTorch columnists Pat McNeill interviewing former WWE and TNA women's wrestler Shelly Martinez. Topics include fantasy dream singles and tag matches, the latest on Kevin Thorn, what separates WWE stars from the tip-top main-event WWE stars, whether WWE or TNA treats women's wrestling better, Shelly bumping for "Charlie Chaplin" in the Hoodslam promotion, various Hoodslam stories, WrestleMania Weekend appearances for PWS, road stories in California, her future in wrestling, other projects, and more! Then in the previously VIP-exclusive Aftershow, McNeill is joined by PWTorch assistant editor James Caldwell to discuss the big news of the day including Jack Swagger's arrest and Raw TV ratings, plus Live Events Center.

Kinderpsychiater Binu Singh wil ons bewust maken van het belang van de eerste duizend dagen van een mensenleven. Deze hogesnelheidsmaatschappij is gemaakt voor volwassenen en houdt geen rekening met het opgroeiend kind. We vechten voor onze individuele vrijheid maar spelen daarbij vaak onze verbinding kwijt. En hoe moet het verder? Wat weet ze over haar eigen geboorte in India? Wat heeft ze met Charlie Chaplin? En wat met de kinderopvang? Luister naar 'Touché' met Binu Singh!

Charlie Chaplin, Spike Mulligan and even a classic Charles Dickens; legendary comic Shaun Micallef talks all about the books that made him. 

On today's episode, Scott interviews Andrew Greene, the founder/conductor of the Peacherine Ragtime Society Orchestra. Mr. Greene is one of the leading authorities on orchestral ragtime and silent film accompaniment in the U.S. He is also the curator of several prominent orchestral collections, that totals over 15,000 selections, and focuses heavily on the music of 1882 to 1935. The Peacherine Ragtime Society Orchestra presents programs that highlight the music of the late 1800s and early 1900s, by composers such as Irving Berlin, George Gershwin, and the King of Ragtime, Scott Joplin. Their silent film programs feature the biggest names of the day, such as Charlie Chaplin, Buster Keaton, and Laurel & Hardy, just to name a few. Along with his ragtime orchestra, this conductor and curator, certainly GOT CHOPS! Follow Andrew & the PRSO on Website: https://www.peacherineragtime.com/ Instagram: https://www.instagram.com/peacherineorchestra/ Facebook: https://www.facebook.com/peacherineragtime YouTube: https://www.youtube.com/@peacherineragtime Spotify: https://open.spotify.com/artist/51xdb6UyT7RMLyqsJDrBAs Follow Got Chops on Instagram: https://www.instagram.com/gotchopspodcast/ Listen to Got Chops Podcast on - Spotify: https://open.spotify.com/show/6Pjh7tC3aTpeMFEhmn4fp4?si=699ae5b84e544cb5 - Apple Podcasts: https://podcasts.apple.com/us/podcast/got-chops/id1587699754 - Anchor: https://anchor.fm/gotchops - YouTube: https://www.youtube.com/playlist?list=PLp5wwP8DvMPkqI4VM2VMlcufn6a-CzlHM Follow Scott on Instagram: https://www.instagram.com/scottgrimaldimusic/ Twitter: https://twitter.com/GrimaldiMusic Website: www.grimaldimusic.com Spotify: https://open.spotify.com/album/6DKn05Vy0ABShIU37u58vR --- Send in a voice message: https://anchor.fm/gotchops/message

On this episode of Made in Hollywood Mark and William interview acting coach, Tracy Martin. You may also hear irrelevant things in this episode about Deadline, Judging Amy, Disney, Your Hollywood Coach, Lucille Ball, Desi Arnaz, Desilu Productions, Kobe Bryant, LA Lakers, Lebron James, Harold Lloyd, Charlie Chaplin, and Buster Keaton.

GGACP celebrates the 40th Anniversary of the acclaimed comedy “Local Hero” (released February 17, 1983) by revisiting this 2018 interview with one of Gilbert and Frank's favorite actors, Peter Riegert. In this episode, Peter discusses the fleeting nature of fame, the contrivances of romantic comedies, the randomness of on-screen chemistry and the profound influence of Charlie Chaplin, Buster Keaton and the Marx Brothers. Also, James Garner lays down the law, Burt Lancaster marches on Washington, Maurice Micklewhite becomes Michael Caine and Peter remembers the late, great James Gandolfini. PLUS: The Firesign Theater! “The Million Dollar Movie”! “When You Wish Upon a Weinstein”! Gilbert bonds with Chico's daughter! And Peter “kisses” Humphrey Bogart and Jimmy Stewart! Learn more about your ad choices. Visit megaphone.fm/adchoices

The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT I spent a few days in London, UK ahead of Integrated Systems Europe - in part to break up the trip and flights, but much more so to meet with several companies and see some projects that I'd only been able to see in photos and videos. The one I particularly wanted to see was Outernet London, a very ambitious, multi-faceted development in the city's center that has, as its visual centerpiece, a huge set of wall and ceiling LED screens that are fully open to the public and positioned in such a way that they can't be missed as people flow from a main exit of the busy Tottenham Court Road Underground station. I assumed, wrongly, that this exists primarily to run Digital Out Of Home advertising and compete with big screens like those in nearby Leicester Square and Piccadilly Circus. But there is much more to Outernet, as I learned walking and talking with the developments Chief Commercial Officer, Ben Maher. The audio may be a bit hit and miss, as we did this on the go and in the crowds that were there even on a chilly January afternoon. Subscribe to this podcast: iTunes * Google Play * RSS TRANSCRIPT Ben Maher: We have this incredibly famous set of assets on this side of the district, which is Denmark Street. So as a business, we've been a landlord on Denmark Street for over 25 years looking after the music stores and we've made, as we said, a huge number of acquisitions, meaning that we own nearly all of the property there by Parcel two or three, and we run a baker for Baker Policy. So if we lose a music store, we replace it with music because we wanna maintain it, sorry, I don't know how familiar you're with Denmark Street, but as an asset, we wanna maintain this as one of the nice, iconic music streets in the world.  The first music store opened in 1911, Charlie Chaplin wrote the song, Smile here in 1926. The Melody Maker was founded here in 1954. The Enemy was found here. The owner of the Enemy went around the street with a ledger of all of the music that was sold, and that became the first-ever music chart, which was compiled on this street. Elton John had his first job as a runner here, and it was the home of the labels, the writers, it was the home of the lawyers, and the management, so people would hang out here in the hope of being discovered. But importantly, talent would wanna be discovered and they'd hang out in the cafe here, this was called the Gioconda Cafe and you'll see Tim Hannaly, the home of British music. But importantly it would be people like Marc Bolan, it would be Jimmy Hendrick, and David Bowie moved and converted an ambulance onto the street and lived here. So it really was an incredible, authentic crucible for music. We've maintained the music stores. We put in a 55-room luxury hotel residence, so you stay in the rooms where Frankie Fraser, the Richardson, the Gangland fame, their bar, which was called the Pannaly Bar. Number six Here, out the back is the News House that Malcolm McLaren rented for the Sex Pistols. So you can now stay in that, that's the Anarchy Suite. It's complete with their original graffiti.  Did big pressure wash it down?  Ben Maher: No. For better or worse, it's there and it's good. It has a great two listings on it now, but again, in a building like this, incredible history, and Hypnosis were based here. They were the world leading album cover designers. So they created album covers for the likes of Led Zeppelin and Pink Floyd, Dark Side of the Moon was created in that room. When you stay in the rooms, they have names. Like Hypnotized for that room, and then Kiss the Sky is the name of the room where Hendrick used to jam. This is the store where Bob Marley bought his most famous guitar, which was destined for a dustbin for a car mechanic from Essex. This is where the Stones did some of their first-ever recordings and people recorded here all the way through to the likes of the Brit Brats, Adele, and other incredible artists. So all of this is part of the district, and as I said, we've not tried to Disney-fy this area. We've tried to preserve it. The area dates back all the way to about the 7th century when the church was created to support the Hospital. But once you build infrastructure, communities develop, so this became one of the first slums in London. It was home to 3000 residencies, and over 500 distilleries and this is where Hogarth depicted the Gin riots. So when you see things like that's where that occurred, and this is where it's depicted. You have elements like Dickens who live down the road in Bloomsbury, wrote Oliver Twist here, and Robert Stevenson. There's incredible history to the area. That is all really important when you're creating platforms and telling stories so that you understand the context within which you exist, not just the recent history. I'll come to some of the other music venues. So now we're going to enter the district. Importantly, we have 30,000 square feet of offices, we have 18 retail units, we have popups. We have 13 bars and restaurants and we obviously have screen-enabled spaces. So this first space is the arcade, The Now Arcade. As you can see, it's a full-screen enabled, three-mill pixel-pitched laden environment. All are equipped with acoustic audio. So we have venue-quality audio in all our spaces.  And the audio is on the bars down below?  Ben Maher: The district as a whole, through all the spaces, is made up of 230 million pixels. It has 192 kilometers of CAT6 table enabling this and I think it is really important, we have positioned this as a canvas. We've positioned this as a storytelling platform, and that's really important to start with content first so that you can establish the context and the interest of the audience to allow you to tell better brand stories and deliver brand messages. So that has always been the ethos of what we're doing. We don't stand with one editorial voice or polarizing thought around what we say. We try to democratize access to the platform. So we try to provide as many different interest groups and users to create for the platform because, in all honesty, screens are relatively cheap against the cost of actually feeding them, and creating environments that remain interesting all the time is the biggest challenge we have. So again, one of the things we want to do by using multi-sensory environments is to hand back some of that control to the audiences, not only to create for the platform but also to control their experiences. So although we start with audio-visual, we're on a sort of a technical journey on a path to bleed out new technologies and ensure that people can then interact and control generative experiences for themselves.  All of the spaces have cameras in them, for example, which will allow for interactivity. So you can come into this space, you might receive a standing ovation or trigger a Mexican wave. The joy of technology as it stands at the moment, and you won't hear talk of Covid. But the reality is people now understand better the reasons to be utilizing QR codes. So these screens can become a launchpad or anything: to commerce, obviously AR experiences, or anything else that we wanna leave. It makes data exchange a much cleaner and more natural sort of methodology. So really important for us to be able to control all of those elements. As we head down, this provides a queuing function for our venue as well, we have a 1500-person capacity music venue underground, which is the largest new music venue built in central London in the 1940s. This is load in, load out, for the venue. So again, we've configured the streets so that we can have a clean, easy ecological load in, and load out so vehicles can come and jack power straight from the main rather than running their engines and things like that, which is smart. As we come into the district now, you'll see that we have what was a very traditional maze of News Street. So this was Denmark Place, and we've got here the ability to gate and control the environment so we can create all sorts of experiences and fields and allow people to have events or dress a district in any interesting manner. So five different egress and ingress points across the district. On this side, we've got 14 more hotel rooms because the residences are based in 16 different buildings. So a really different unique point for the hotel.  Here we have what will be the Denmark Street Recording Studio which will be a pro bono recording studio, again, adding to the ecosystem that we have, bringing people and rewarding talent, just as Denmark Street always did. This is the more historical and music side of the district. This is the more modern screen-enabled place. On the rooftop here. We have an 8000-square-foot modern Chinese restaurant called Tattoo. We have another restaurant on the fourth floor, which will open later this quarter that's called Cavo. They have a rooftop garden here which is joined by a glass bridge, which leads over to the fourth-floor restaurant. So what you'll see here is we have 2600 LEDs across the runway here. So when we create a red carpet leading to the venue, we can light it up through LED color hues so that we can control those environments.  So you've got show control, so you can orchestrate the whole thing? Ben Maher: Brand colors, mood, you name it. We've obviously lifted up causes such as Holocaust Memorial and also for the Ukraine crisis and things like that, that's really important. We understand our environment, we understand the mood.  If you think of the context of certainly out-of-home and. storytelling, smart cities, and IoT play a big part in city planning now, and our environment should be able to adjust to those needs and requirements. We shouldn't just be screaming at audiences. We should be creating dialogue and also understanding the context within which we sit. So for example, or within GDPR, if somebody comes in, I know if they're looking for WiFi, where their SIM card originates. I know what their default language is. I don't need to invade their privacy. But I can assume when the 50th Dutch person or the 200th Canadian crosses the threshold, I might play the national anthem and change the color of the district. So that creates incredible surprise and delight.  And that would be data triggered?  Ben Maher: Completely. We can utilize a custom stack, which controls all of the programs for the district, and that proprietary technology allows us to configure different environments, to configure the different spaces, either in unison or alternatively to have them operate autonomously. And I think it's really important, our point of difference is having that versatility of space. It doesn't just do one thing. We do four core things. We can hold events in our spaces, so that could be a private or public events. We have 32s spots in our spaces, which is, essentially a standard TVC, monetization. We can do sponsorship. BMW has been a sponsor of our art program. We've presented our wellness program in association with Panadol and importantly, this new stage is gonna be about branded content, telling stories in a slightly longer form in an audiovisual sense in the public domain, and I think it was one of the most incredible moments I've had since being here, reaffirming that we've got an environment that has that versatility and what we wanna do is bring that longer storytelling moment to the form because brands are doing things with brand advocates, with talent. They're doing things based on purpose or the craft that they create. So we've had driving stories. We've had the launch of the Beatle's actual master Revolver album, the videos that went with that, and again, that creates a different environment. It creates a different context. We've done interactive games, so again, as I said, what you don't wanna be in any environment is a terrible magician. If you do your best trick on the first day, or second day, it's diminishing returns. You're not doing anything innovative or different.  That's a mistake made over and over again? Ben Maher: Yeah, and I think it's also quite been quite cathartic knowing that we don't know everything about this space because no one's ever done this anywhere in the world. So to say that we don't fully understand how the public reacts to work, we have to embrace versatility. So knowing, for example, on the left here we have popup two. On the back corner of the building, we have another popup, which is about twice the size. These spaces are fully screen-enabled and audio enabled as you see here. If they're not being used for an event, they'll be programmed with our content so that they're relevant. TMP, for example, Take More Photos is a grassroots creative collective. They release briefs on social media and people can submit their photographs and then it curates an exhibition based on the brief. So they do one on Welcome to London. So this one's Welcome to Love in London. They'll do one for International Women's Month, or they'll do one for Black History Month. They did one for the World Cup, for example. Now these are organizations that don't have budgets typically. So this is pro bono stuff, right?  Ben Maher: Very much, but again, it exactly comes down to what I said before, which is we want to give access to the platform. We wanna hear different voices to be representative and inclusive of our communities. Was that part of the pitch as well to Westminster Town Council or something like that? Look, we're building, but it's going to have all sorts of community involvement?  Ben Maher: Good question. So importantly, when we were talking before, when I showed you everything in front of us, that's Westminster, the road here literally the line down the middle is Camden. So Camden has a very different approach to Westminster. They're just different borrows and it's what you expect, different councils. So we were applying to Camden for our licenses. This area historically had a number of late licenses and bar licenses for the different premises that were here previously and have historically been a musical district. So again, it's quite an entertainment-based space.  Yeah, I was gonna say they'd be in the mindset anyways for this.  Ben Maher: Importantly, they have embraced what we're doing, but they have also gone on the journey of understanding what we're doing. Because it's very new. So that is always a challenge. The building and its main purpose of it though is an interesting public space. So if we had created a new private, totally private and shut environment, I don't think we would've been received in the same manner.  If you've got a second, you might want to stop for a second only because we're gonna watch the Summer Palace and it's about two and a half minutes long and you'll want to see this, but this is a good example of our house content. Something we commissioned to play in the public domain, which allows brands to sit alongside incredible experiences, and as you can see, people naturally get their phones out to record. I'll tell you the story about how it began. So we ran a camp home for Italian Airways before Christmas, they were one of the first brands to use the space for a commercial message, and they made us nervous. We didn't know what was gonna come cause no one had we've got best practice guides. We've got creative specs, and they created an experience where planes fly over the head of amazing landmarks in Italy and people applauded. For somebody who's worked for 25 years in advertising, yeah, that's an incredible thing to be able to say, quite a lovely experience. But this was part of the commission that we did or RFP that we did for people to create for the space, and it's an ethereal journey through space-time. But interesting it uses the ceiling as the main communication plan.  I'm a big fan of these kinds of environments where you look at it and there will be any number of people here who will assume that that's real. Ben Maher: Oh yeah, and the joy is we're using a 3mm pixel pitch so you can create that depth of illusion. The total resolution size here is about 6k, so it's not without its challenges, and we have found it unforgiving for things like raw photo footage because it's just so unforgiving on talent so then we can use templating and things like that to accommodate lower resolution assets, but still have them looking credible in the space. The use of negative space. So not always trying to fill every pixel is also incredibly powerful, so we're trying to utilize that as well. For this, I used to present this in VR, so people are presenting on teams and zoom in VR during the lockdown, trying to explain what we're doing because it's one. It's one thing explaining a new ad format, but it's a different thing explaining a new environment altogether.  Yeah, I'm somebody who's been around this medium, if you wanna call it the technology for 20+ years now and not seen something like this before, particularly the way it's stitched together with everything else, quite honestly, not just, here's this big screen. Be excited! Ben Maher: Yes, and I think we have to create, as I said, multipurpose and interesting use environments because cities deserve them. You've got, as I said, as many on the weekends as 350,000 people coming through this area and it is becoming an attraction. You, we have six to eight hours of free art programming in this building on a Sunday. And people email and go, can I see this? When is this happening? And that I think is a good testament to doing things the right way. It's new. We are learning. When we first opened the now trending space, which is the smallest of the spaces, that silver Line proved an incredibly challenging threshold for some people. Because it was like an anthropological experiment. They didn't know whether they could step in. They didn't know what the transaction was. Because they'd never seen a free public entertainment space like that, and as you'd expect children and people who'd had a drink were the first ones to cross the threshold. But then interestingly put seating in there and people act completely differently. So the psychology of the spaces is also important. Another thing that may be of interest is that this hero screen here on the south wall and the east wall here is permanent deployments, as you can see the slight lines between the wall here, these screens on the north and west are on rails and they can completely retract ah, and the building can open up. So it's one of the first buildings in the world with kinetic staging built in.  You do have doors too, so you can close the area off for private events?  Ben Maher: You can see better with the white there. You can see the slacks between how they work. So we'll be bringing new appointments to view to city centers where you'll come with a real-time of day to actually see something happen. You can see, in fact, these ones are usually completely closed and they've been open today for windows. The small area here can operate as a retail unit. It's been a trainer store for Puma. It was a classroom for Mercedes F1 MG with Toto Wolff. It was a studio for the photographer ranking. It was a red carpet zone for Sky. It's been a party for Apple, and NBCU. So again, having addressable spaces that can do a lot, this pixel pitch at 3mm is akin to what they use in the Unreal Engine SFX studios. So that's essentially the backdrop that they shoot. White, shiny floor shows content. The resolution there, as I say, is 3mm-5mm pitch on the outside here because up higher which is still the highest resolution out of in Europe currently certainly at that scale.  Yeah, I've heard a few 6mm in New York, but not 5mm.  Ben Maher: So we're really pleased with it. But at that resolution, it's interesting. We do need higher-quality content. Because of that pitch, it can be unforgiving. You'll see Netflix is doing an incredible job. They're a very frequent client of ours, but the animation on here will always look incredible cause it obviously scales infinitely almost. But they produce beautiful output and the resolution is incredible.  That space, is it also leasable for if BMW wanted to launch a new electric vehicle or something, you could block off this? Ben Maher: Absolutely. So we held the launch of the new FIFA 23 there and did the FIFA Women's Summit. We've done live boxing with DAZN and Matchroom, so we've held boxing there. We've done events for UNICEF. We've done events for Mothers of Gucci, which is a Gala event. So yeah, we can do private things, but the best way we like the district is having the public in because the more spaces that you privatize, the less inviting the world is, and we want people to come in, experience things free, be entertained, and create moments that ultimately they wanna share and create a destination In the cities we're in. What would you do if there was a big England football match and I remember Lester Square got kinda destroyed, would you just close this off? Ben Maher: So we face the challenges that any public destination would face, and we have to manage the environment. So we do risk assessments on anything. We have a really good security team and we do all of the listening and monitoring of those feeds to know what's happening. We get advice from our partners like TFL, which are local. We've got Camden, and then we liaise with the greater London authorities and also the Emergency response services. So we got a good understanding of what's happening. But yes, we'll make a call based on what's going on to decide how we manage the district because we wanna keep people safe.  How many people work on this, setting aside security and all that, working with the canvas, and everything else? Ben Maher: So the Outernet team as a whole is around 80 people. So that'll divide up between everything from the scheduling to the sales teams to the data and center people, creative teams, et cetera. When did it open? Ben Maher: Officially, the arcade and the trending spaces opened around late August, and what they're now building came online from midday each day in November. So it's not been open for long, we're still very much in our infancy but it's nice as I said, to see the behavior of the public and have been here just over four years, to see it come to fruition is very rewarding.  Did it go through a lot of revisions?  Ben Maher: Yes, in terms of what you were good at? I think there were about 11 years of planning before I was even anywhere near this, and then once the planning is in place, you have to then reinterpret it as an experience as a platform, both for how stories are told, how stories are configured, how content is rendered out, how content is served and then how it can be taken to market for brands, storytellers, creators, you name it. So yes, a lot of revisions, and we're still revising.  There's a number of businesses, operating hotels, everything else. Is this element of it or its own business unit with its own P&L? Ben Maher: Outernet is a media business, and we control the screen-enabled spaces that you see above ground here.  I'm gonna assume that you're not plugged into programmatic or anything like that because it's a very distinct kinda canvas. Ben Maher: That is correct. We're not plugged into programmatic. It's not to say that we would never do it, but the reality is the way that the content needs to be served today, it is very unique. As I said, it's a proprietary stack. It uses lots of familiar techs but it's more programmed like a channel like a traditional broadcast channel as opposed to a media. There's a little bit of rendering that's required, let's just say.  I assume you know who was the LED supplier? Ben Maher: The screens are from AOTO. We went and did an analysis globally of the best screen providers and for what we needed AOTO had a great product, and this is certainly the biggest one of the first in, certainly the biggest deployment that they've done of this product. We're running one triple GPS and are now building a load. We did go as far as doing a sort of quality assessment. We visited factories. We even went as far as looking at where raw materials were mined, because of the importance of having single-batch silicon on a canvas of this scale to ensure that you didn't get that different, particularly obviously on the reds within this car, within this canvas was really important. Another important thing about the LEDs, we degrade panels at the same pace that they are running, so that if we need to replace them, we're replacing them either from our own environments or right into the environment. So again, they're in the same life stage of the panels to ensure high quality.  You have a pretty big spares pool, I would imagine? Ben Maher: We try our best, it's a revolving. If you look at this, this is a drone shoot done by one of the Wrigley Scott Associate directors that we met, and he shot it on an Icelandic beach and it is a music video. But if you look at how some of the B rolls so creating doesn't need all new assets, it can come from existing architecture. The supplier of this kind of creativity told you, here's what we would like you to do with it, or do they give you a license to say, look we'd like to do an edit, this is how it's gonna look?  Ben Maher: It depends on the creator, and it depends on where they are with them. If they're shooting for us, then we'd say, this is the brand kit and this is what you need to produce and this is how you need to play it out. We're always updating our learnings. We get new challenges and new opportunities and we learn from those. But as we see these mega canvases across the world. These sorts of fantastic pieces become more relevant because they'll play out across networks. Across other major cities. I think one of the questions you posed was, is London a model for elsewhere? It is, and we're in discussions in New York, LA, the Middle East, and Asia, at launching these networks and then sharing experiences, interestingly, might always be this exact look and feel. This was put together over 26 years across a horizontal plane. If you go to Manhattan, you're probably gonna have to use a vertical plane, and so it becomes a completely different onboarding process and journey. So it's gonna be interesting how we take our learnings and then we utilize those in other environments.  If you're gonna take this to other locations, does it have to be multifaceted in the same way, and that there's a retail component, there's a hospitality component, there's a restaurant component? Ben Maher: Every case is different. So if you look at environments creating a campus or a district in other cities, particularly New York, or more challenging real estate payment tables or even the planning commissions. So we have to look at them in each case often partnering with other established institutions is wise. We're lucky enough to have a huge foot here. In places like Manhattan, you have those big footfalls. In the other cities, you don't necessarily have this natural footfall. So you have to create a different style of destination or with another key destination to ensure the right sort of, so yeah each case on its own and understanding the needs and nuances of those cities and audiences as well. Yeah, because there are a lot of immersive attractions popping up now. They're almost all projection, but they're very much ticketed locations and it's programmed and it starts at this time and you're there for 45 minutes and exit through the gift shop.  Ben Maher: We're very happy to have you exit through the gift shop here as well. And don't get me wrong, there is some incredible projection technology out there. We've looked at it in our venues and in other places. We have other locations with theaters and other things and, we would certainly consider projection there, but for the kinda canvas and certainly some of the gaming engines and things and future-proofing, we wanted to do this pixel pitch to create a very unique and beautiful canvas that to be fair, I don't think we could have achieved in the same way with projection.  Yeah, it's very interesting. I've written about it and but it's so much more interesting to see it in person, but I think more than anything else, to kinda understand the macro idea as opposed to, oh look, a very big set of screens.  Ben Maher: What are these guys doing?  Why did they do that? Ben Maher: Which again, isn't a difficult question always, and I think just seeing the way the public interacts with it has been enough of a validation that cities deserve these interesting cultural spaces and they deserve to be free and in the public domain.  We're early in our journey. We need more brands coming and telling their stories as well, but telling them in a way that will ingratiate themselves to the public and, out-of-home has done an incredible job at providing public utility forever, in major cities. If we can this model out, certainly for multisensory spaces delivering that as well, I think it sets a good precedent for other cities and other developers across world. Are you affected at all by energy conservation requirements or requests?  Ben Maher: Yes, of course. We are obviously subject to the rising costs of energy as anyone naturally would be, but we have developed the most energy-efficient product that was available on the market. So the sort of coolness and the control of the environment, importantly, isn't prohibitive to doing this. We're not creating a huge carbon footprint that we cannot manage. We have all the relevant ESG scorecards. We're working with the ISO qualifications for energy and for our social corporate responsibilities. But it's also this sort of magnet or those people who are concerned about all the voice energy on these things, do they really need them versus other stuff that's drawing way more energy, but it's not anything you think about? Ben Maher: I think the fact that we're providing a storytelling platform and we're not just screaming at people in the public domain. We're supporting arts and culture everywhere. We have a charitable foundation that donates time, and money for different projects. So we've done projects around sustainability with Unger. We're doing things around social mobility. We've done things for AIDS charities, so we work with lots of different interest groups to provide them with platforms. We even audit the popups so that when we're looking at the brands we're working with, we're not just working with the same generic brands that you get on every high street in the world, right? We wanna ensure that these spaces are different and unique. So whether it's non-white owned businesses, whether it's LGBTQ+ owned business, female-owned, sustainable business, so again, being a conscious member of society, we don't just wanna be a bastian for people who want a big ass billboard.  So I think we've gone around things in a very different way. There is some incredible landmark out home structures in the UK and across Europe. But I do think we have good USPs and we do complement what is already in the market but with enough points of difference, yeah. We wanna attract people to this space and not cannibalize out-of-home budgets by sticking the same offering up. So if we can get more AV budget and that encourages people to do better and more in out-of-home, then that's a fantastic thing.  That's very impressive. Obviously, people like it.  Ben Maher: We're getting there. There's a piece called Heaven's Gate that is the new art exhibition and it is on Sunday and it was absolutely crackers in here, it was just crazy to see how people enjoyed it and it just says conceiving something and then seeing it come to fruition is such a unique and pleasurable thing to be able to do. So we're very proud of what we've done here.

Pour la septième édition du classement des Champions de la croissance réalisé par « Les Echos Week-End » et Statista c'est une start-up d'achat et vente de voitures de sport d'occasion qui se hisse en première place. Dans « La Story », le podcast d'actualité des « Echos », Pierrick Fay et ses invités reviennent sur les enseignements du palmarès de l'après-Covid.La Story est un podcast des « Echos » présenté par Pierrick Fay. Cet épisode a été enregistré en février 2023. Rédaction en chef : Clémence Lemaistre. Invités : Jean-Claude et Mickaël Laruelle, (fondateurs de GT Classic Cars) et Laura Berny (rédactrice en chef aux « Echos Week-end »). Réalisation : Willy Ganne. Chargée de production et d'édition : Michèle Warnet. Musique : Théo Boulenger. Identité graphique : Upian. Photo : iStock. Sons : The Score « The Champion » (2020), Shinichiro Yokota « Do It Again » (2015), « Blow Up, l'actualité du cinéma (ou presque) » Arte, NoGripFM, GT Classic Cars, Les Musiques des Films de Charlie Chaplin (1972), Kent « Allons z'à la campagne » (1993), « Le Gendarme de Saint Tropez » (1964). Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

1921 was short on big movies, but we get into the ones which stood out. Avant Garde animation that's good to put on in the background at a party, Charlie Chaplin weaponizing cuteness, and European ruminations on death! Fun times!  You can watch along with our video version of the episode here on Youtube! You can check out our Instagram, Twitter, and other social media crap here: http://linktr.ee/1w1y And you can watch and form your own opinions from our 1921 Films Discussed playlist here! -- One Week, One Reel -- Manhatta Opus 1/Opus 2 Rhythmus 21   -- Our Feature Presentation -- The Kid The Phantom Carriage Destiny   See you next year!  

Like the sexually-liberated Tiger Queen from her scandalous bestselling 1907 novel Three Weeks, Elinor Glyn was bold, provocative and glamourous, with a magnetism that endeared her to international readers and Hollywood celebrities alike. (She counted Mary Pickford, Gloria Swanson, Rudolph Valentino, and Charlie Chaplin among her personal friends.) After introducing the concept of the steamy “romance novel” to the staid Victorian world, Glyn became a pioneer of the Hollywood movie industry and shaped how romance was, and still is, portrayed on the silver screen. Joining us is Hilary A. Hallett, Director of American Studies at Columbia University and author of Inventing the It Girl: How Elinor Glyn Created the Modern Romance and Conquered Early Hollywood. Discussed in this episode: Three Weeks by Elinor GlynMary PickfordGloria SwansonRudolph ValentinoCharlie ChaplinInventing the It Girl: How Elinor Glyn Created the Modern Romance and Conquered Early Hollywood by Hilary A HalletDaisy, the Countess of WarwickSarah BernhardtSarah Bernhardt as TheodoraAnthony ComstockEmma GoldmanClara BowLucy, Lady Duff GordonFor episodes and show notes, visit: LostLadiesofLit.com Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

DC Instacart workers owed $1.5m; Democratic Party of Virginia staff ratify new union contract; Teamsters at Keolis vote to strike; ATU condemns fatal shooting of hero Metro worker. Today's labor quote: Charlie Chaplin. Today's labor history: First daily labor newspaper. @wpfwdc #1u #unions #LaborRadioPod @AFLCIO @DCAttorneyGen @UFCW400 @vademocrats @Teamsters @KeolisNA @ATUComm @ATULocal689 @wmata Proud founding member of the Labor Radio Podcast Network.

Ben Model is a talented pianist who travels the world accompanying silent movies…but that's just the tip of the iceberg. He's a good guy who wears many hats: historian, proselytizer, promoter, preservationist, teacher, and distributor, to name just a few. He blew Leonard and Jessie's minds when he unveiled his research about variable running times for silent films and proved how Charlie Chaplin, Buster Keaton and others used the hand-cranking of the camera to their benefit. See for yourself at https://www.silentfilmmusic.com/wp-content/uploads/2018/01/Undercranking-lecture1.jpg You can learn more about Ben and his activities at www.silentfilmmusic.com.

This week includes one of the weirdest Doctor Who episodes of all time -- including a cameo by Charlie Chaplin and a very British Christmas! And the return of a favorite villain we really weren't expecting. Plus some praise and bitching about reconstructions...this one has it all! Twitter: @WorthWatching4 Facebook

The HOBI Gang welcomes special guest, Andrew from the Cincinnati Comic Expo to talk their first guests at the Expo! Plus the gang are debating who Sami Zayn should face at WrestleMania, living in the perfect sci-fi world, and the best way to watch Star Trek.  The guys also talk the reason Henry Cavill left the Witcher, the worst flavors of Oreos, James Gunn release his DC Films schedule, and we list our Top Five Favorite Uses of Music in Film and Television! This episode is sponsored by the Cincinnati Comic Expo.

This week, we check out of the greatest tennis players who has ever lived. He's a hall of famer, and a lot of his records still stand, today. He was also a real character, writing Broadway plays, starring in silent films, and hanging out with the biggest celebrities of his day, including Charlie Chaplin. He also led a life of secrecy from the general public, hiding his true life from the outside world. He is eventually arrested for a terrible crime, and when you think it can't get any worse, he does it again. And again. His tale has a pathetic ending, from one of the most prolific people of his time!!Hide your true self from the world, be the greatest tennis player on earth, while also selling insurance on the side, and never ever learn your lesson with "Big" Bill Tilden!!Check us out, every Tuesday! We will continue to bring you the biggest idiots in sports history!! Hosted by James Pietragallo & Jimmie Whisman Donate at... patreon.com/crimeinsports or with paypal.com using our email: crimeinsports@gmail.com Get all the CIS & STM merch at crimeinsports.threadless.com Go to shutupandgivememurder.com for all things CIS & STM!! Contact us on... twitter.com/crimeinsports crimeinsports@gmail.com facebook.com/Crimeinsports instagram.com/smalltownmurderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of the Learn Real Polish podcast, I talk about English comic actor, filmmaker and composer Charlie Chaplin. This podcast is designed to train and improve your Polish comprehension. Charlie Chaplin's life and career are really interesting, so I think listening to it will be a great way to improve your Polish. Sign up as a premium member at realpolish.pl to get access to the full Polish transcription of every episode of the podcast. The post RP439: Charlie Chaplin appeared first on Learn Polish Language Online Resource.

The brilliant singer-songwriter, David Pomeranz, has achieved success in virtually every entertainment medium. His songs have been recorded and performed by a long list of major artists including: Bette Midler, Kenny Loggins, Cliff Richard, Freddie Mercury, Kenny Rogers, Glen Campbell, Lou Rawls, John Denver, Missy Elliott, and Barry Manilow, who had international #1 hits with David's “Tryin' to Get the Feeling Again,” and “The Old Songs.” David's concert performances have delighted audiences worldwide. His recording and songwriting projects have earned him a total of 22 platinum and 18 gold albums, selling over 40 million records worldwide.At 19, Decca records signed David to a multi-album solo contract. He subsequently toured extensively with artists like: The Carpenters, Steely Dan, Air Supply, Randy Newman, Rod Stewart, The Doors and many more. David's solo albums include: "It's in Every One of Us,” "The Truth of Us,” “Time to Fly”, “New Blues,” “On This Day,” and “The Eyes of Christmas.”He's performed sold out concerts at The Kennedy Center, Hollywood Bowl, London Hippodrome, Universal Amphitheater, and hundreds more. David has written music and lyrics for major Motion Pictures like: "Big” and “King Kong." On TV, his songs have been featured on "Will and Grace,” “The Summer Olympic Games,” "Boston Legal,” “American Idol,” and Showtime's “Elvis Presley's Graceland,” for which he composed the score. He's also contributed songs to the hit London Musical, “Time,” starring Cliff Richard and Sir Laurence Olivier. For the Charlie Chaplin-based musical, “Little Tramp,' David wrote music, lyrics, and co-wrote the book with Steven Horwich. He also composed music for the Dickens classic, “A Tale of Two Cities” with lyrics by Steven Horwich and book by Steven Horwich and David Soames. And he composed the Tony-nominated musical, “Scandalous,” with Kathie Lee Gifford and composer, David Friedman.Beyond all that, David also hosts “SongSessions with David Pomeranz,” a popular podcast in which David talks shop with some of the most iconic songwriters of our time. Guests have included: Richard Marx, Melissa Manchester, Barry Mann, Paul Williams, Barry Manilow, Alan Bergman and more. SongSessions can be found at davidpomeranz.com and on major apps and platforms. 

GGACP celebrates the birthday (January 24) of the late, great character actor Marvin Kaplan with this ENCORE of a wildly entertaining conversation from 2016. In this episode, Marvin looks back on his memorable appearance in "It's a Mad, Mad, Mad, Mad World" and recalls working with screen legends Charlie Chaplin, Katharine Hepburn, Clark Gable, Jack Lemmon, Paul Newman and Lon Chaney Jr. (just to name a few). Also, Marvin praises Sam Jaffe, props up Broderick Crawford, remembers Zero Mostel and risks his life for Blake Edwards. PLUS: Fritz Feld! The talents of Strother Martin! Arnold Stang takes a fall! Stanley Kramer sacks Jackie Mason! And the return (once again) of Maria Ouspenskaya! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on The Tinsel Factory, the life and career of the worlds most famous Tramp: Charlie Chaplin. Support This Podcast: https://anchor.fm/tinselfactorypod Merch: https://shop.spreadshirt.com/the-tinsel-factory/all Venmo: @tinselfactorypod Buy Me a Coffee: buymeacoffee.com/tinselpod Letterboxd: https://letterboxd.com/tinselfactory/ Sources: The Real Charlie Chaplin (2021). dirs. Peter Middleton & John Spinney My Autobiography. by Charlie Chaplin (1964) Chaplin: His Life and Art by David Robinson (2013) --- Support this podcast: https://anchor.fm/tinselfactorypod/support

GGACP celebrates the birthday (January 19) of screen icon and activist Tippi Hedren by revisiting this memorable interview from 2017. In this episode, Tippi talks about her absorbing memoir ("Tippi"), her collaborations with co-stars Marlon Brando and Rod Taylor, her turbulent relationship with the legendary Alfred Hitchcock and her fifty-year mission to rescue and protect wild animals. Also, Cary Grant pays a visit, Sean Connery pays a compliment, JFK makes his move and Tippi befriends a raven from "The Birds." PLUS: Edith Head! "The Harrad Experiment"! Charlie Chaplin saves the day! Young Gilbert checks out "Marnie"! And the most dangerous movie ever made! Learn more about your ad choices. Visit megaphone.fm/adchoices

This internationally recognized jazz lounge has been running for more than a century. Its guests have included Frank Sinatra, Charlie Chaplin and less reputable icons like Al Capone.

Den har setts som komisk, camp och cool. Kallats pröjsare, preussare och porrig. Burits av militärer, musiker och moderiktiga män. Den är älskad och avskydd. Vi talar förstås om mustaschen. Skäggväxt på överläppen har under åren associerats med både diktatorer och fluktare. Den har fått förlöjligande öknamn som snorbroms och pornstache. Mustaschen har hånats, men den har också hyllats. Den är också gammal som gatan, redan från 600-talet finns avbildningar av mustaschen. Historiskt har den kopplats samman med militärmode, men i modern tid har mustaschen snarare förknippats mer med populärkulturella killar. Låt oss säga Charlie Chaplin, Freddie Mercury och Tom Selleck, listan kan göras lång. Och i veckans Stil dissekerar vi hur mustaschmodet genom decennierna skiftat och frågar oss om muschen nu är på väg att göra comeback? Vi tittar också närmare på den oönskade mustaschen, och den kamp som många kvinnor för mot hårväxten på överläppen. Hårborttagningsmetoderna är många, men hudterapeuten Nina Asgar visar oss en urgammal teknik, som under det senaste decenniet blivit populärare även i Sverige, nämligen trådning.Vi ringer också upp Dan Sederowsky, som är vice ordförande i Svenska Mustaschklubben. För det finns faktiskt just klubbar där mustaschprydda män träffas och umgås och samlar in pengar till välgörenhet. Det finns också mustaschtävlingar, både nationella och internationella, där män tävlar med sina mustascher i olika kategorier.Och så fördjupar vi oss i en av historiens mest ikoniska mustascher, nämligen den konstnären Salvador Dali gjorde till sitt signum. Det var på 1930-talet han började odla den, berättar Moderna Museets intendent John Peter Nilsson, och med åren blev den allt mer extrem. Dali använde sig ytterst medvetet av den så kallade "cykelstyremustaschen" för att odla sin image som ett underligt och avvikande original.Veckans gäst är Daniel Björk, modejournalist och chefredaktör för Bon Magazine.

Matt & Ty are back with a new episode on the Bruins and much more. (2:28) Vince McMahon might be selling WWE to a Saudi investment group. (7:56) The Damar Hamlin tributes got out of control, with people trying to top each other with their thoughts & prayers. (20:38) The Bruins continue to roll, but when is it OK to start getting irrationally nervous about the Presidents' Trophy curse? (31:30) Ty has a couple of ideas for realistic trade deadline targets for the Bruins. (35:57) The apparent continued lack of progress toward an extension for David Pastrnak is getting more concerning by the day. (44:22) The guys pick their "Big 3" worst dreams they've had in their lives. Subscribe to the Sports Hub Underground for new episodes every Thursday. Apple: https://apple.co/3AICTPR Spotify: https://spoti.fi/3j5ibDR Google: http://bit.ly/38pPKIG

CEC aka Stoney Shores interviews creators outside of Marquee Theatre before his yacht rock band, Yachtley Crew plays that night. Eric King with Strange Music and visionary marketing for Tech N9ne (the Charlie Chaplin of rap, as quoted by Quincy Jones) on MySpace during the early days of social networking and his time with C&C Music Factory. Plus, The Fawkeses talk about our fellow podcaster Cyber Shots aka Richard Campbell , Pleidian Librarians, beyond the ice wall, Coolio's moonshine, Rob Base, AREA 51 ice wall, etc. Plus, he runs into Crewpie Nikki Lambro, and songwriter Blythe Baines, Life Is Art Reality Show, Man Behind The Machine, and Maria Humphreys stop by to say hello. Also, call 561-203-9179 and leave your messages to be included in future episodes! Follow these links to connect with Cannabis Conundrum and Awesome Sauce Radio Podcasts, in addition to keeping up with Eric King from Talon Music! https://instagram.com/king_eric312?igshid=YmMyMTA2M2Y= . https://anchor.fm/richard-campbell .  https://anchor.fm/cannabis-Conundrum?ref=radiopublic .  https://anchor.fm/awesomesauceradio .  Niki Lambro art: https://instagram.com/nikilambro?igshid=YmMyMTA2M2Y= .  Blythe Baines music: https://open.spotify.com/artist/11T5aPjQHiRbtqpvnKDg9p .  Man Behind The Machine Podcast: https://anchor.fm/man-behind-the-machine .  Life Is Art Reality Show Podcast: https://anchor.fm/lifeisartrealityshow .  Strong Body Strong Soul Podcast: https://anchor.fm/maria-humphreys .   --- Send in a voice message: https://anchor.fm/inspiradoprojecto/message Support this podcast: https://anchor.fm/inspiradoprojecto/support

David Lynch, Lost Highway, Tuna Club of Avalon, Santa Catalina Island, LA's Edendale region, Silver Lake, Los Feliz, Tom Mix, Charlie Chaplin, Chaplin as pedophile, Hal Roach, Hollywood's rape culture, Patricia Douglas, Roscoe "Fatty" Arbuckle, Virginia Rappe, Cecil B. DeMille, Frank Lloyd Wright, Wright family, Lloyd Wright, Anne Baxter, Sowden House, George Hodel, Black Dahlia murder, Lynch's love for Wright and the Wright family's architecture, Mary Sweeney, Lost Highway's soundtrack, industrial scene, Trent Reznor, David Lynch Foundation, Transcendental Meditation, TM, Maharishi International University. TM overlap with Lynch's foundation, possible human trafficking at Maharishi International University, Mollie Tibbetts's murder, potential links to sex trafficking, I-80 as major hub of sex/human trafficking, Stephen Collins, Lynch giving up film career to focus on TM evangelism, Patricia Arquette and family lineage, Getty family, Natasha Gregson Wagner, Natalie Wood, Robert Blake, Bonny Lee Bakley, Marlon Brando, possibly of Brando in Lost Highway, eerie parallels between Lost Highway and Bakley murder, Elizabeth Frazer, Jeff Buckley, Memphis, Lynch's inside knowledge of Black Dahlia murder, Lost Highway as account of the Dahlia killing and ritual murder, Eric Wright as possible source, Alfred Hitchcock, Marnie, snuff films, possession Music by: Keith Allen Dennishttps://keithallendennis.bandcamp.com/ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Lara's book on Marion is very good, and meticulously researched. Marion has always fascinated me. We talk Citizen Kane, William Randolph Hearst, his boring parties, Marion's relationship with Charlie Chaplin, rumors of Marion's niece really being Marion and W.R.H. lovechild, and so much more. Enjoy my first show of 2023..YIKES!! Much Thanks to Lara for coming on the show. You can get Lara's book anywhere books are sold. https://www.amazon.com/Captain-Her-Soul-Marion-Davies/dp/0520384202/ref=sr_1_1?crid=RK74M5F3S1DO&keywords=Lara+Gabrielle&qid=1673101842&s=books&sprefix=lara+gabrielle%2Cstripbooks%2C99&sr=1-1 I wish everyone a belated Happy new Year!! I hope it's a great one for all. Love you all, Grace Check out my pinterest True Stories Of Tinseltown (how did I ever come up with that name?) Lot's of great pics, many with wonderful articles.  I'm going to FINALLY be posting to my instagram.  You can Contact me at              truestoriesoftinseltown@gmail.com   you can listen to podcast  www.truestoriesoftinseltown.com https://podcasts.apple.com/us/podcast/true-stories-of-tinseltown/id136374488 https://open.spotify.com/show/6iTSF8pIrVTbZ8QqNidVUy?  You can also listen on google play, YouTube, Amazon, I heart radio and anywhere podcasts are played. You can also IM me on my TSOTT Facebook page. I sometimes don't go on for a while, but will try be better at checking messages and posting. Best to email me.. www.facebook.com/truestoriesoftinseltown  

On this episode, I'll begin my weekly review of the top 52 movies of all time, according to IMDB, with a review of the 1936 silent film classic, Modern Times, starring the iconic Charlie Chaplin! I hope you enjoy!!

From the days of silent films to adapting to sound, few have been able to do it as well as Charlie Chaplin. Playing the dictator Hynkel and the barber during an alternate style to WW2 shows a hilarious yet horrifying side to war. In standard Chaplin style, there is definitely slapstick comedy but he's able to evolve it with the times to make a memorable story that everyone should check out if nothing else, for the last few minutes of the film. It really shows that it's not easy trying to be emperor of the world. 

A new year has arrived so we're taking the chance to revisit an old classic: Charlie Chaplin's The Gold Rush!You never eat the whole shoe!Check out the new show on the JET Network, Sailor Noob!http://www.twitter.com/noob_sailorCelebrate guilty pleasure movies with Kal on Craft Disservices!http://www.craftdisservices.comProspect with us on Facebook and Twitter and on our Discord!http://www.facebook.com/justenoughtropehttp://www.twitter.com/justenoughtropehttps://discord.gg/WVvCHVWqzfFollow our live stream adventures on YouTube!https://www.youtube.com/channel/UCv_yQ1TlPULKRSrlZa6JgtA/videosBuy us a mule on Patreon and Ko-Fi!http://www.patreon.com/justenoughtropehttps://ko-fi.com/justenoughtrope

Jennifer covers Clementine Duke's big, crazy party in 1928 and the first night of the 1977 NYC Blackout. The girls coin a new term for the men in Jackie Collins' books who often find themselves in a situation... they are in a real "dickle." Dana tells her secret of faking a phone call to get out of virtually any situation, and Jen has several Walmart experiences at once.Please rate, review and subscribe to Scandalous Diamonds anywhere you listen to your podcasts. We truly appreciate your support!

This week's Nose wants you to stop runnin' away like some fool of a moody school child. Could it be that the market for highbrow movies is drying up? Some of the numbers ain't great. Could it be that the golden age of streaming is coming to an end? Well, maybe. But it's not like we'll be starved for prestige TV next year. And: The Banshees of Inisherin is the fourth feature film written and directed by Martin McDonagh. It's nominated for eight Golden Globe Awards, including Best Picture — Comedy or Musical, Best Director, and Best Screenplay. It's the most nominations for any movie (or TV show, for that matter). The Banshees of Inisherin stars Colin Farrell, Brendan Gleeson, Kerry Condon, and Barry Keoghan. Some other stuff that happened this week, give or take: Terry Hall, Lead Singer of the Specials, Dies at 63 The ska vocalist and two-tone icon died following a “brief illness” Mike Hodges, British Director of ‘Get Carter,' ‘Croupier,' Dies at 90 Cecily Strong says farewell to Saturday Night Live An All But Definitive Guide to the Hollywood Nepo-Verse Actors, singers, directors who just happen to be the children of actors, singers, directors. Here Are the Nepo Babies We Love The term gets thrown around like it's a bad thing, but the world runs on nepo babies Netflix's Film Chief on Glass Onion and the Future of Theaters Netflix's film chief Scott Stuber says the company expects the sequel to Knives Out will reach more than 80 million accounts. The Seeds Of Avatar: The Way Of Water Were Planted In James Cameron's First Film James Cameron aims to finally put that ‘Titanic' door debate to rest, 25 years later Everything Is ‘30 Rock' Now From politics to TV, we are living in Liz Lemon's world Toward a unified theory of “millennial cringe” Remember when “epic bacon” was the height of comedy? An Unpublished Poem by Paul Newman Previously uncovered words from the eminent late actor, director, and philanthropist. Ana de Armas Fans' Lawsuit Puts Studios at Risk Over Deceptive Trailers Television Academy Reveals Emmy Rule Changes for 2023, Including New Replacements for Variety Talk and Sketch Categories The Christmas Movie That Became a Classic Because of a Mistake The role of accidents, chance and serendipity can be crucial to success. It's the reason people still watch a black-and-white film every year. Empire's 50 Greatest Actors Of All Time List, Revealed [Ed. note: Just at first glance, this list, voted on by readers, omits the likes of James Cagney and Charlie Chaplin and Henry Fonda and Jane Fonda and Cary Grant and Audrey Hepburn and Jack Lemmon and Steven McQueen and Spencer Tracy and Orson Welles. To name a few. I mean. Cary Grant! Charlie Chaplin!] The Best LGBTQ TV Shows and Movies of 2022 And what a queer year it was! The 20 Best Home Video Releases of 2022 You should buy a ticket at your local rep house for each title you buy, lest we run out of titles to laud here in the future. Best of Late Night 2022: A Rebuilding Year After a year of significant change, as hosts like Trevor Noah and Samantha Bee signed off, the future of late-night TV has never seemed more uncertain. The Best TV Title Sequences of 2022, Ranked The best movies and TV of 2022, picked for you by NPR critics GUESTS: Sam Hadelman: Works in music public relations and hosts The Sam Hadelman Show at Radio Free Brooklyn Irene Papoulis: Teaches writing at Trinity College Bill Yousman: Professor of Media Studies at Sacred Heart University Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

durée : 00:54:40 - Affaires sensibles - par : Fabrice Drouelle - Aujourd'hui dans Affaires sensibles, l'histoire d'une rupture entre un pays, les Etats-Unis, et une légende du cinéma, Charlie Chaplin.

Film music began as a solution to a problem. Early film projectors were really loud, therefore something was needed to cover up all the noise.  In addition, silent movies apparently seemed a bit awkward without any musical accompaniment.   Enter, usually, a pianist, who would improvise musical accompaniments to the events on the screen. None other than Dmitri Shostakovich got his first job as a cinema pianist, honing his improvisatory skills, and sometimes receiving cat calls and boos for his fantasy filled musings that tended to stray away from the action on the screen. Music in the silent film era had to help the audience in pointing out important moments to the audience,  enhancing the emotional effects of the story, and most importantly, it had to give a certain musical line to every character, giving to them the emotional depth that the audience couldn't get since they weren't going to hear their voice.  To do this, early film composers turned to the idea of the Leitmotif, an idea developed by the opera composer Richard Wagner. This idea would take hold even once "talkies" took over the screen, with composers such as Max Steiner, Charlie Chaplin, and others setting the stage for a century of brilliant music, by composers like Bernard Herrmann, John Williams, Dmitri Shostakovich, Rachel Portman, Hans Zimmer, Erich Wolfgang Korngold, Christopher Willis, and dozens and dozens more. Today on the show we'll talk about this development of film music, and also hear some of the greatest and most recognizable film music ever written. We'll also talk about why film music is sometimes looked down upon in the classical music world, and how we might begin to change that perception. Join us! 

He's been right (and wrong!) many times before, and now Dave's stepping up to the crystal ball once again. What sort of strategies, service styles, and so-stupid-they're-smart concepts will restaurants reinvent themselves around in the years to come? Tune in for the blizzard of predictions, and consider stealing an idea or two to make the prophecy come true. Discussed along the way: invite-only restaurants, the end of food photography, Dave's Korean-BBQ buffet, the point-forward model, convergent evolution, the sushi-bro scourge, eating good food while you're watching Tiesto, Charlie Chaplin, the dinner at the beginning of 'Goodfellas,' the 'Memento' approach to dating, the zhug moment, beef wellington, Oriental Garden, and throwing down the live-cooking gauntlet. Hosts: Dave Chang and Chris Ying Producers: Sasha Ashall, Jordan Bass, and Aleya Zenieris Learn more about your ad choices. Visit podcastchoices.com/adchoices