Podcasts about Totally Wired

The greatest latest tunes for 3 hours, Totally Wired with Hunter, Thanks to Flying Out.

The greatest latest tunes for 3 hours, Totally Wired with Hunter, Thanks to Flying Out.

Kaitlyn is back this week for Totally Wired! Running you through the hottest tracks released over the last couple of weeks. She speaks to Georgia Knight about her debut record 'Beanpole' for Long Player, thanks to NZ On Air.  Thanks to Flying Out! 

Kaitlyn is back this week for Totally Wired! Running you through the hottest tracks released over the last couple of weeks. She speaks to Georgia Knight about her debut record 'Beanpole' for Long Player, thanks to NZ On Air.  Thanks to Flying Out! 

Kaitlyn takes over Totally Wired while Hunter is away and Matthew Crawley takes on Long Player with Cootie Cuties, talking through their album '2 CUTE 2 DIE', thanks to NZ On Air.  Thanks to Flying Out

Hunter is on leave and Oto of WALAO! hops on Totally Wired to recap you on fresh tunes from the week past. Featuring Long Player with The Beths discussing their new album Long Line was a Lie. Thanks to NZ On Air Music and Flying Out Record Store.

For some who had been following The Fall since 'Live At The Witch Trials' and 'Dragnet', 1988's 'The Frenz Experiment' with its more polished and slightly commercial sound might have seemed to be a bit of a sellout. Not so for this week's guest, Manchester record shop co-owner and bass player (The Suncharms) Richard Farnell. Catching them live at a record shop in-store appearance while playing hooky during a school trip into London may have sealed the deal for him, but he contends there's more to this era of The Fall than the unlikely chart success of their covers of 'Victoria' and 'There's A Ghost In My House' might attest. Songs discussed in this episode: There's A Ghost In My House - The Fall;  Time Will Tell - The Suncharms; Mr Pharmacist, Totally Wired, Rebellious Jukebox, Fol De Rol, Frenz, Carry Bag Man, Get A Hotel - The Fall; Victoria - The Kinks; All Day and All of the Night - The Stranglers; Victoria - The Fall; Tonight I'm Gonna Rock You Tonight - Spinal Tap; Athlete Cured, In These Times, The Steak Place, Bremen Nacht, Guest Informant, Oswald Defence Lawyer - The Fall; Distant Lights - The Suncharms

It's jangly and jarring, but irresistibly hypnotic.  Mark E Smith chants this incantation as if he is literally crawling out of his skin. The performance is teeth grinding punk rock in its distilled essence. a portrait of a poet in service to anarchy. And, funny. Deeply biting and ironical, this was DJ champion, John Peel's favorite group. The lyrics here seem improvised, but he's a gonzo beat poet extraordinaire - he's written it all down, and delivers it with his signature repetition in a discordant bray.  “You don't have to be weird to be wiredYou don't have to be an American to be strangeYou don't have to be strange to be strangeYou don't have to be weird to be weird”After seeing the Sex Pistols in '76 Mr Smith had a vision that carried him for 42 years through a ridiculous number of personnel changes. It doesn't matter who is playing as long as Mark is at the mic. He said once, “if it's me and your granny, it's The Fall”.Mark was a difficult, complex man who died in 2018 at the age of 60, leaving behind 32 studio albums and countless live versions. One could pick out practically any Fall tune, and experience that singular voice - “attitude personified,” one journalist dubbed it. I chose this cut because it makes me smile every time I hear it. I hate being in that condition myself, but it's fun to vicariously share Mark's flirtation with psychosis. 

For this episode we're joined by the Brooklyn-based Andrew Smith, author of the bestselling Moondust, the "dotcom swindle" saga Totally Wired and the brand-new Devil in the Stack. We start by asking Andrew about the peripatetic childhood that took him from Greenwich Village to Hastings via San Francisco's summer of love. A riveting account of auditioning to replace Mick Jones in the Clash leads us to our guest's recollections of writing in the '80s and '90s for Melody Maker and The Face — and eventually becoming chief pop critic at London's Sunday Times. Jumping to Andrew's new book — with its subtitle A Coding Odyssey — we ask him about music's "digital revolution" in the mid-'80s, with particular attention to the ubiquity of Yamaha's DX7 keyboard. From there we revisit his 1995 interview with Björk – an artist who overtly embraced electronic sounds in that decade — and then listen to two audio clips from David Toop's absorbing encounter with the Icelandic maverick six years later. After a fascinating discussion about A.I. – its upsides and its threat not merely to musicians but to humanity at large — we return to the mid-'90s to celebrate the all-too-short life of the Notorious B.I.G., hip hop's "King of New York" in that all-too-violent decade. Mark provides quotes from recently-added library pieces about Captain Beefheart (1969), the Sex Pistols (1978) and oddly Francophobe goths Sisters of Mercy (1987), and Jasper wraps up the episode with his thoughts on articles about pop fanzines (2003) and writer, photographer and recent podcast guest Val Wilmer (2024). Many thanks to special guest Andrew Smith. Devil in the Stack: A Coding Odyssey is published by Grove Press and available now. Visit Andrew's website at andrewsmithauthor.com for more details. Pieces discussed: Andrew Smith on RBP, Björk: An International Word, Sound and Fury: Radiohead, Björk audio, Notorious B.I.G.: B.I.G. Trouble, Biggie, Tupac et al: Hollywood or Bust-up, Black Metropolis: Notorious R.I.P., Captain Beefheart & His Magic Band: Trout Mask Replica, The Sex Pistols: Never Mind the Bollocks, Here's the Sex Pistols, The Sisters Of Mercy: After The Flood, The Fanzine Editor: Publish And Be Damned and Val Wilmer: Deep Blues 1960–1988 (Café Royal).