Podcasts about pieces

Brady is excited to see the return of Mac Jones while Brock Purdy sits out, but LaVar considers the Niners cooked. It’s a bounce-back opportunity for Quinn’s Wins! Plus, M&M’s vs Reese’s Pieces, all-time Bills TD leaders and much more!See omnystudio.com/listener for privacy information.

Kat Crosswell is based in Oakland. Her novel is about a Black family living in  Chicago in the 1970s. It's called, “Pieces of Eight: A Harper Family Mixtape.” It came out earlier this year. 

One of our listeners admits SHE did something stupid, just to MEET a guy. Was it her idea? No. Was it effective? Find out in your Second Date Update podcast!See omnystudio.com/listener for privacy information.

One of our listeners admits SHE did something stupid, just to MEET a guy. Was it her idea? No. Was it effective? Find out in your Second Date Update podcast!See omnystudio.com/listener for privacy information.

What happens when a restless teen obsessed with learning Spanish turns her determination into a lifelong adventure? Meet Regina Winkle-Bryan, founder of Bold Spirit Travel, a company that helps women confidently take their first solo journeys in community with others.Regina shares how failing Spanish 101 didn't stop her—it fueled her. From immersive travel and early stumbles to building a successful women-centered travel company, Regina's story is a masterclass in persistence, creativity, and believing in your inner voice—even when it feels out of sync with everyone around you.We also talk about the transformative power of travel later in life—especially after divorce, retirement, grief, or illness—and why solo travel (or “solo-ish” travel) can help us reclaim independence, courage, and joy.Whether you're dreaming of Spain's Camino de Santiago, struggling to give yourself permission to go alone, or just need a boost of encouragement—this one's for you.Connect with Regina at https://www.boldspirittravel.com/journeys.You Will Learn:How failing at a goal (like language learning) can still lead you exactly where you need to goWhy solo travel often creates community, not isolationWays travel helps midlife women build resilience, especially after major life transitions

The Break Room (WEDNESDAY 9/10/25) 7am Hour 1) Tommy says if you can't afford to go out to eat, don't bother trying to find cheaper ways to do it 2) Pieces of the stadium 3) That speed sign had it comin'!

This week's Dollar Bin Discoveries is “Sweet Like Candy”!  Mike unwraps some oddball weirdness with Reese's Pieces #2, while Jessika digs into the goofy mayhem of Groo vol. 2 #40. Tune in for comics that are silly, satirical, but probably not sugar-free.

One of our listeners admits SHE did something stupid, just to MEET a guy. Was it her idea? No. Was it effective? Find out in your Second Date Update podcast!See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

What to listen for:Our hosts, Robin Greubel, Stacy Barnett, and Crystal Wing, dive deep into a counterintuitive training philosophy sparked by their recent interview with Petra Ford: sometimes accepting imperfection creates better performance in complex behavior chains.The conversation began with Petra's story about reinforcing her dog even when she knew it wasn't sitting perfectly square. When working on complex detection behaviors, trying to perfect every element simultaneously can destroy the bigger picture. As Robin notes with her recall-refine work over 600 feet of varied terrain, if she withheld reinforcement because her dog's elbows weren't perfectly down, she'd be punishing extraordinary effort over a minor detail.Crystal's breakthrough came through Denise Fenzi's exercise that forced her to reward every single repetition—even mistakes. When her dog Checkmate downed instead of sitting, Crystal still had to reward it. "I thought it would ruin my training," she admits, "but instead it ruined my frustration." The exercise revealed that her dogs were trying harder than she'd realized. They weren't being disobedient; they were navigating the learning process.The Dames of Detection emphasize balance throughout. Yes, reward imperfect efforts when building complex chains or working through challenging problems. But don't reside there permanently—sloppy chains help no one. The key is reading patterns: one mistake is information, three times becomes a training issue to address.Every attempt provides valuable information. Whether working detection, obedience, or protection sports, dogs need to feel free to try without fear of shutdown. When handlers create that emotional safety through strategic reinforcement—even of imperfect attempts—dogs develop the grit and resilience needed for complex work.Key Topics:Petra Ford's Philosophy on Complex Behavior Chains (00:59)Recall-Refine Over Distance: When Good Enough is Great (02:52)Teaching Scent Theory vs. Perfect Alerts (05:00)Crystal's Breakthrough: Rewarding Every Repetition (12:33)Building Duration Behaviors (22:41)Reading Patterns vs. One-Off Mistakes (36:20)Final Takeaways on Clarity and Balance (41:51) Resources:K9 Detection Collaborative Episode 142: Talking Training with Petra Ford Pt 1K9 Detection Collaborative Episode 143: Talking Training with Petra Ford Pt 2We want to hear from you:Check out the K9 Detection Collaborative FB page and comment on the episode post!K9Sensus Detection Dog Trainer AcademyK9Sensus Foundation can be found on Facebook and Instagram. We have a Trainer's Group on Facebook!Scentsabilities Nosework is also on Facebook. Here is a Facebook group you should join!Crystal Wing (CB K9) can be found here!You can follow us for notifications of upcoming episodes, find us at k9detectioncollaborative.com

WOE'S HOLLOW & THE EXPORTS HALL!! Severance Full Episode Reaction Watch Along:   / thereelrejects   LIQUID IV: Visit http://www.liquidiv.com & use Promo Code: REJECTS SEVERANCE Season 2, Episodes 1, 2, & 3 REACTION:    • SEVERANCE SEASON 2 Episode 1, 2, & 3 REACT...   Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With the 77th Primetime Emmy Awards coming up this weekend, Greg 'n John RETURN to give their Severance Reaction, Recap, Commentary, Analysis, & Spoiler Review! Greg Alba & John Humphrey continue their deep dive into Apple TV+'s mind-bending psychological thriller, Severance, with episodes 3, 4, and 5 of Season 2. Created by Dan Erickson and directed by Ben Stiller, the series follows Mark Scout (Adam Scott – Parks and Recreation, Party Down) and his co-workers at Lumon Industries, who undergo a “severance” procedure that surgically divides their work and personal memories. In these episodes, tensions escalate as Mark and Helly R. (Britt Lower – Casual, Man Seeking Woman) dig deeper into Lumon's disturbing secrets, while Irving B. (John Turturro – The Batman, The Night Of) continues his emotional connection with Burt Goodman (Christopher Walken – Catch Me If You Can, The Deer Hunter). Dylan (Zach Cherry – Shang-Chi and the Legend of the Ten Rings) begins questioning his reality even further, and Cobel (Patricia Clarkson – Sharp Objects, Pieces of April) tightens her grip on the severed employees. Harmony's surveillance and manipulations push the characters into dangerous territory, while the mysterious break room, hidden files, and cryptic corporate rituals create some of the season's most chilling moments. Packed with emotional revelations, shocking twists, and unforgettable visuals, these mid-season episodes cement Severance as one of the most gripping and critically acclaimed series on Apple TV+. Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Today Josh and Drusilla are joined by filmmaker Owen Kline (Funny Pages) to discuss his grandfather's film Who Killed Teddy Bear? (1965). From Wikipedia: “Who Killed Teddy Bear? is a 1965 American neo-noir crime thriller film,[3] directed by Joseph Cates and starring Sal Mineo, Juliet Prowse, Jan Murray and Elaine Stritch. The film was written by Arnold Drake and Leon Tokatyan.[4] The film follows a New York City discotheque hostess who is stalked by a sexual predator. Though it contains no nudity, the movie touches on taboo topics such as pornography, voyeurism, incest, and lesbianism. It also became notable for showing Times Square and 42nd Street in its seedier era.[5] Also discussed: Frankie Cosmos, Ghost World, Daniel Clowes, OK Soda, The Public Enemy (1931), 30s gangster films, Pieces (1982), Girl Group Sounds: One Kiss Leads to Another, Paul Bartel's Private Parts, Paul Morrissey films, Warhol Girls, the career of Robert Cates, a lot of background on Who Killed Teddy Bear, and more.  NEXT WEEK: Enys Men: (2022)Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/‪@sisterhyde.bsky.social Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

What really makes change stick? In this episode, I'm breaking down the three essential pieces you need for real life healthy change. We'll dive into 3 key pieces that create the greatest results: 1. Expert Guidance – Why having the right voice and expert direction matters in cutting through the endless health noise out there and avoiding unncessary trip ups. 2. Accountability – The power of checking in and what you can gain when those check-ins are meant for healthty growth. 3. Community – How surrounding yourself with like-minded people creates energy, support, and momentum for healthy living. If you've been trying to do it all alone and feel like you keep slipping back into old patterns, this episode is for you. I'll show you the support pillars you need to lean on for real, lasting change.  My Healthy Me Reset small group starts this month! Doors will be open for a short time and group size will be limited so make sure to get on the waitlist if you'd like to join us at www.emilyvinzantmd.com

Thanks for watching and listening!Gordon announced a 16-month reading plan focused on Robert Greene's books and shared his progress on "The Laws of Human Nature" while posting daily videos on social media.He introduced two upcoming workshops focused on personal development and marketing strategies, with giveaways and in-person sessions scheduled for specific dates. Gordon launched a comprehensive challenge combining social media engagement, reading, physical activity, and goal-setting, along with tools to help participants track their progress and achieve their objectives by the end of 2025.Links mentioned:09.16.25 Starting at Zerohttps://capitalizeyourbestlife.com/thrive09.23.25 Capitalize Marketing Lab "30 Pieces of Content"https://www.facebook.com/share/17j4jyh3As/Capitalize the Rest of 2025 Challenge Checklisthttps://capitalizemarketing.gumroad.com/l/capitalizetherestof2025

With all of us Celtic fans reeling from boardroom chaos and transfer frustration, this week's Huddle Breakdown Interview offers a welcome break from the turmoil. James sits down with Ted Knutson — co-founder of StatsBomb and pioneer in football analytics — for a wide-ranging interview. Ted shares his journey from gambling at Pinnacle to reshaping recruitment at clubs like Brentford and Brighton, explains why set pieces and throw-ins can “break the game,” and compares the analytics adoption curve in football and the NFL. They also cover Tony Bloom's brilliance at Brighton and USG, the 49ers' influence at Leeds, and what Celtic could learn from smarter clubs abroad. This is a rare chance to hear directly from one of the most influential minds in modern football. Hosted on Acast. See acast.com/privacy for more information.

On this episode of the Super Retro Podcast, we dove into pure 90s nostalgia kicking it off with the legendary TV show NBA Inside Stuff and the unforgettable moments of Shaq shattering backboards. We shared our Top 3 favorite vintage clothing pieces, took a trip down memory lane walking through a classic Foot Locker at the mall, and vibed out to the timeless Do or Die anthem “Po Pimp” and the feelings it stirred back in the day.From debating the best non-human 80s sidekick, cracking open the mailbag, and enjoying some fire Discord Drops, to a Hauk update and a fit check that was absolutely lit—this episode is stacked with retro energy from start to finish!Today's episode was brought to you by Salty Water. Hydrate Your Inner Warrior! Support our sponsors:IG: https://www.instagram.com/drinksaltywater/Buy: https://tinyurl.com/4c4kz9ceWebsite: https://drinksaltywater.com/Discord: https://discord.gg/superretroMaster list on our NES collection: https://superretropod.com/nes-game-list-super-retro/Join our channel: https://www.youtube.com/channel/UCMP4yO-dFGayGUkT_MVYrhQ/joinEmail: SuperRetroPod@gmail.comAll things Super Retro: https://linktr.ee/superretroInstagram: https://www.instagram.com/superretropodcast/TikTok: https://www.tiktok.com/@superretropod

This episode explores the Virgo–Pisces polarity and the invitations of this Pisces Lunar Eclipse. The episode is started out with Jeff Hinshaw inviting you to balance grounded devotion with dreamy surrender: tending to daily routines, health, and service (Virgo) while opening to flow, intuition, and spiritual expansion (Pisces). Then, Jeff is joined by the painter and sculptor Susan Carr, whose work embodies this very polarity. A Pisces Sun, Virgo Moon, and Leo Rising, Susan channels both meticulous craft and ethereal vision in her art. Together, we explore five of her transformative paintings.  To see the visual of these painting, there is a Cosmic Cousins Substack article that includes these 5 paintings: The Fool as a self-portrait carrying ancestral karma Ace of Wands, erupting with fiery new beginnings The Moon, a meditation on body, pain, and primal transformation Self-Portrait with Mask, invoking octopus medicine and paired with Mary Oliver's poetry Picking Up the Pieces, a political and grief-centered reflection echoing the Marseille Death card Susan's journey with grief, creativity, and healing is both moving and inspiring. From discovering Cosmic Cousins in 2017 during a period of profound loss, to now sharing her art as a channel for transformation, her story reminds us that devotion, flow, and intuitive expression can turn pain into beauty and service into love. Settle in, breathe, and join us as we explore art, astrology, and the sacred dance of Virgo and Pisces with Susan Carr. ______________________________________________ NEW OFFERING 6-month Astrology Journey, Monday nights, starting in October! ______________________________________________ Cosmic Cousins Links Cosmic Cousins Memberships Cosmic Cousins Substack Cosmic Cousins Instagram Intro & Outro Music by:  Felix III Mentorship w/ Jeff Hinshaw Deep Dive Astrology Reading Tarot Soul Journey 

THAT CRAZY OPENING SHOT + KEANU REEVES CAMEO!!! Severance Full Episode Reacton Watch Along:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order! Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With the show nominated for SEVERAL Emmys & on the heels of an INCREDIBLE first season, Greg 'n John RETURN to give their Severance Reaction, Recap, Commentary, Analysis, & Spoiler Review! Greg Alba & John Humphrey dive into Apple TV+'s Emmy-winning psychological sci-fi thriller Severance Season 2 with their Reaction, Review, Commentary, and Breakdown of Episodes 1, 2, and 3. Created by Dan Erickson and directed by Ben Stiller (Escape at Dannemora, Tropic Thunder), the series continues to explore the unsettling world of Lumon Industries, where employees undergo the “severance” procedure that splits their work and personal identities into two separate consciousnesses. These opening episodes pick up after the Season 1 cliffhanger, with Mark Scout (Adam Scott – Parks and Recreation, Party Down) grappling with the fallout of the “innie” revelations while navigating his fractured “outie” life. Helly (Britt Lower – Casual, Man Seeking Woman) wrestles with her identity after her shocking discovery in the Season 1 finale, while Irving (John Turturro – The Night Of, The Batman) continues to struggle with memories bleeding between his innie and outie selves, especially his connection with Burt (Christopher Walken – The Deer Hunter, Catch Me If You Can). Meanwhile, Dylan (Zach Cherry – Succession, Shang-Chi and the Legend of the Ten Rings) faces emotional fallout from his brief contact with his outside family, and Harmony Cobel (Patricia Clarkson – Sharp Objects, Pieces of April) maneuvers within Lumon's dangerous power plays. The new season escalates the mystery, featuring the chilling “overtime contingency,” cryptic new directives, and the haunting question of how far Lumon's control really reaches. With eerie visuals, tense workplace paranoia, and standout performances, these episodes deliver some of the most shocking and highly searched moments in the series so far—including deeper dives into Lumon's history, unsettling new imagery from the department, and revelations that expand the mythology of the show. Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Aiden answers your questions about conceptualization and making the adult brain better at Chess. Send your questions to @AidenAtDontMove on Twitter, or aiden@dontmoveuntilyousee.it To learn more about Don't Move Until You See It and get the free 5-day Conceptualizing Chess Series, head over to https://dontmoveuntilyousee.it/conceptualization

From the archives: 1-12-23Ever since the affadavit was released last week, there have been many questions surrounding the evidence provided within it's pages and how that evidence will stack up to scrutiny when the defense team begins to prod it for holes.In this episode, we hear from Paul Mauro, a former NYPD Investigator about the five key pieces of evidence that the prosecution used to gain probable cause to enact an arrest.to contact me:bobbycapucci@protonmail.comsource:Idaho murders: 5 key pieces of evidence against Bryan Kohberger | Fox NewsBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

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Asians and Asian Americans are numerous within the classical music industry, but their identities are often politicized and racialized in this Eurocentric musical genre. For the third episode of Obbligato on APEX Express, Isabel Li discusses this intersection with Mari Yoshihara, Professor of American Studies at the University of Hawaiʻi at Mānoa and Professor at the Center for Global Education at the University of Tokyo, Japan; author of many books, including Musicians from a Different Shore: Asians and Asian Americans in Classical Music (2007) and Dearest Lenny: Letters from Japan and the Making of the World Maestro (2019). Tonight's episode features music by Chinese American composer Zhou Tian. To learn more about Mari and her work, please visit her website: https://www.mariyoshihara.com/index.html  Musicians from a Different Shore: https://tupress.temple.edu/books/musicians-from-a-different-shore-2 Dearest Lenny: https://global.oup.com/academic/product/dearest-lenny-9780190465780?cc=jp&lang=en&  Transcript  Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    00:00:53 Isabel Li  Good evening. You're listening to KPFA 94.1 FM. My name is Isabel Li and I'm delighted to be hosting a new edition of Obbligato on Apex Express, which is a semimonthly segment specifically about AAPI identities in classical music. Tonight's guest is someone I have been incredibly excited to speak to because her writings have actually very much informed my studies and research. In fact, her books are exactly about the subject matter of Obbligato. I am honored to be speaking to Mario Yoshihara, Professor of American Studies at the University of Hawaiʻi at Mānoa and Professor at the Center for Global Education at the University of Tokyo, Japan; author of many books, including Musicians from a Different Shore: Asians and Asian Americans in Classical Music, published in 2007, and Dearest Lenny: Letters from Japan and the Making of the World Maestro, which was published in 2019. Welcome to Obbligato on Apex Express. Mari, how are you doing?  00:01:55 Mari Yoshihara  I'm doing fine. Thank you for having me.  00:01:58 Isabel Li  Of course, my first question for you is how do you identify and what communities are you a part of?  00:02:06 Mari Yoshihara  Oh well, that's actually a little bit complicated I am. I am a Japanese woman who have spent a little bit over well, maybe not more than a little more than half of my life in the United States. Born in New York but raised in Tokyo, educated mostly in Japan, but also earned my graduate degrees in the United States and most of my academic career has been in Hawaii, so I've been in American academia for almost 30 years now, but I also have a dual appointment with the University of Tokyo in Japan. So I split my time between Japan and Hawaii now.  00:02:54 Isabel Li  Can you tell us a little bit about your work and your books? I had a chance to read Musicians from a Different Shore, but how would you summarize your research to someone who might not have read your book?  00:03:04 Mari Yoshihara  So I am a scholar of American studies, which is an interdisciplinary field that has anything to do with America broadly defined. And within that, my area of expertise is about, well, I would say I'm a scholar of US cultural history. US Asian relations, mostly US, East Asian relations, especially in the cultural dimension, cultural studies, gender studies, Asian American studies, etc. And so I have written a number of books, both in English and Japanese, but the one that you're referring to, Musicians from a Different Shore, is a book that I did research for more than 20 years ago and was published in 2007. It's a study of Asians and Asian Americans and classical music. So it was partly historical in that I examined the ways. which Western music, so-called western classical music, was introduced to East Asia and how also East Asians became have become so successful and prominent in this field that is generally considered a white European elite art form, so it was partly historical, but then the rest of the book was based on my ethnographic field work and interviews among Asians and Asian Americans in classical music looking at how well who these people are in the first place and then also how musicians, Asian and Asian musicians themselves, understand the relationship between their racial and cultural identity on the one hand, and their practice of Western classical music on the other, so that was my study.   And then I also wrote another book called Dearest Lenny. It's about—the subtitle is Letters from Japan and the Making of the World Maestro. It's about Leonard Bernstein's relationship with two very special individuals in Japan. And through that story, I interweave an account of various things. For one thing, how Leonard Bernstein became a world maestro and also the relationship between politics and arts, gender, sexuality, art and commerce, etcetera, etcetera. So that was my most recent book published in English and then, I'm sure we'll talk more about this, but I'm currently doing a follow up research on the on Musicians from a Different Shore, taking into account all the changes that have been taking place in the classical music industry in the United States in the past, I would say five years or so especially so that's my that's the abbreviated version of my research.  00:05:55 Isabel Li  That's really cool, and I also want to ask you about these changes, if you can talk a little bit about the classical music world. I feel like classical music is one of those genres that seems to be unchanging on the outside. But as a scholar of classical music, what types of changes have you observed that has influenced how AAPI identities play into this world?  00:06:18 Mari Yoshihara  Yeah, I think especially in the last, I would say, yeah, 5 to 10 years, especially in the last five years, classical music industry in the United, I mean I say specifically in the United States because I don't see the similar kind of changes taking place in Japan where I'm currently located. And I also don't really know the situation in Europe. But the field of classical music in the US is changing. I think most significantly because of movements like the Black Lives Matter movement and also with the onset of COVID and the rise of anti Asian hate, there's been a lot more heightened awareness about how issues of race and also class shapes classical music. So there's a lot more vibrant conversations and debates about these topics in the industry and also in terms of AAPI community, are the biggest changes, the biggest change I'm seeing is that Asian and Asian American musicians themselves are being a lot more vocal and active in issues of race and racism in the field and there I've encountered many Asian and Asian American musicians who have, for instance, you know organized events or organizations, or taken up various forms of advocacy and activism on these issues. So compared to, say, 20 years ago, 20, 25 years ago, when I was doing the original research, I see a lot more kind of, you know, explicit awareness and awareness and articulation of these issues by Asian and Asian American musicians themselves.  00:08:12 Isabel Li  That's really interesting. Just because classical music is also one of those genres, that doesn't seem like a genre that most people explicitly associate with politics or activism. What are some examples of these, like activist movements that you've observed within the Asian American community in classical music?  00:08:32 Mari Yoshihara  So for instance, some Asian and Asian American musicians are are becoming a lot more vocal about the actual like racism or sexism that they have themselves experienced, or that they witness in the industry, like in in schools, conservatories, orchestras, opera companies, etc. Either through the media or you know their own writing, and also like speaking up within the organizations that they work in. So that's one. There are other kinds of advocacy and activism in that they demand more diverse repertoire, and I think the repertoire is in terms of the industry industry changes. That's the area that's changing the most, the the kind of repertoire that many orchestras for instance perform have become a lot more– I mean overall it's still very white, European centered– but in terms of the actual numbers of pieces that are performed, works by living, composers and composers of color, women composers, etcetera. That is significantly increased in the last 10 years and that is, you know significantly to do with the advocacy and activism on the part of, you know, artists of color.  So yeah, so things like that and then, you know, many Asian, Asian American artists are doing their own programming, for instance, like event organizing programming. So yeah, those are the areas that I see changes. I see things happening that I didn't see 25 years ago.  00:10:20 Isabel Li  Definitely. I remember reading your book, and your book has been published since 2007, so a lot of changes have happened since then. But in general, when you did your research at first, what how would you summarize the dynamic of Asian identities, Asian American identities in this very Eurocentric field, it's a juxtaposition of two different cultures and identities that a lot of people also observe in orchestras. There's a large population of Asian and Asian American musicians, conductors just in general. It's a very large population, but yet this identity is still not quite represented in media. It's not quite seen, so talk to us a bit about this juxtaposition and how you observe these dynamics in your research.  00:11:10 Mari Yoshihara  Yeah. So. The thing is, Asians and Asian Americans are indeed numerically overrepresented in classical music, in the sense that compared to the general public, the the the proportion of Asians and Asian Americans in the overall US population, the number of Asian and Asian Americans in classical music indexed by things like the student body at major conservatories or membership roster of US orchestras, etcetera, Asians and Asian Americans percentage is higher than the general population, right. So in terms of the numbers, Asians and Asian Americans are, quote unquote overrepresented. But those numbers are not reflected in the actual like voice, power and influence that they have in the industry.   So that was my finding back 2025 years ago and I think that's still true today. Also, the thing about Asian, Asian American musicians is that it's a racialized category. They are seeing and treated as Asian. It's this racial category. But their identities and experiences as Asians is not at all uniform, right?   Some of these Asian musicians are Asian Americans, like multi generational Asian Americans whose parents or grandparents or great grandparents etcetera have come to the United States and they themselves are U.S. citizens. So that's one group.   Many Asian musicians working in the United States are people who were born and raised in Asia, places like China or South Korea, Japan, etcetera, and came to the United States as international students to study music, often at the college level, college conservatory level, so obviously these people have very different sense of identity and experience as Asians compared to say, you know 3rd, 4th generation Chinese Americans or 1.5 Korean Americans.   There are other people who live in the United States because they were very talented, very young musicians, and the whole whole family immigrated to the United States specifically for their music education. So Midori, the famous violinist, Midori is a case, example of this, but there are also a number of other, especially among Koreans and Chinese. There are families, the whole family immigrated to the United States when the child was a very promising musician at age 7 or something. So that's one group. They too have a different sense of identity and experience of Asians than the two former groups that I that I talked about.   There are other people who also came to the United States because not because of the music education, but because of their parents' profession, for instance. And they have transnational kind of family ties and you know, they move, they go back and forth between US and Asia, for instance. And then there are also mixed roots families where one parent is Asian and the other is non Asian.   And then there are also Asians who were born and raised in Europe for other parts of the globe and then came to the United States, for either personal or professional reasons.   So in other words, they're all Asians in terms of their racial identity. But what that means is really quite diverse and their experience as Asian and Asian American musicians is also quite diverse. So it's not as if you know, just because they're Asian, they share some kind of experience and identities around which they coalesce. So that's, you know, that was true 20, 25 years ago. And I think that's still true today.  More and more Asian musicians are coming to the United States to study, study or work in classical music, but especially because of this, like new influence, this Asian category is becoming even more diverse. However, because of the COVID, you know the rise of Anti Asian hate during the COVID pandemic, I think that heightened the awareness of, you know, these different kinds of Asians, the heightened awareness that they are Asians. First and foremost, you know, in, in that in the sense of being racialized in the United States. So I have talked with a number of musicians, Asians and Asian American musicians, who did not really, hadn't thought about their Asianness before. It wasn't at the forefront of their identity before, but during this rise of anti Asian hate it they became they basically became more politicized. You know, they had quite a politicized language and awareness to think about race and racism especially against Asians and Asian Americans.  00:16:31 Isabel Li  Yeah, that's a great point. It is a such a diverse group and there are so many different identities, even within just the Asian American framework AAPI, as a label is very, very diverse. And that applies to classical music as well. But I think there's also this social perception of Asian and Asian Americans as a group that also relates to the model minority stereotype that's historically been present and, for example, a lot of people might think of, like a young Asian or Asian American musician as being like a prodigy because they are technically skilled at their instrument, where like these social perceptions that exist both in media and in the culture around us, why do you think that is?  00:17:15 Mari Yoshihara  Well, that as you said, there is a model minority myth and there is a stereotype of Asians and Asian Americans as being very studious and diligent, but also quiet, right? I mean, they just quietly follow, like, obedient, obediently follow the instructions and that translates in the field of music as the stereotype that Asian musicians are technically very proficient but artistically non expressive. I mean, that's a very common stereotype that yeah, you know, practically any Asian, Asian Americans in classical music have been subjected to, you know, quite regularly and frequently. And I think that, yeah, that just comes with the overall kind of racial stereotype of Asians and Asians and Asian Americans in American society at large. And also the fact that, you know, classical music, especially in terms of instrumental performance, it is an area that is, it's something that is, indeed, technically very demanding, right? You need many, many years of disciplined training and a lot of practice. And there is a myth of merit– well, no, not entirely a myth– but there is this this very, you know, dearly held faith in meritocracy in classical music. The idea that if you have the chops you will be rewarded, you will be recognized and you know, no matter what kind of great artistic idea you might have, if you can't play the notes, you can't play the notes. That kind of ethos of meritocracy is particularly strong in classical music because of the technical demands of the genre, and that and that kind of, you know, goes hand in hand with the model minority methods for Asian Americans.  00:19:20 Isabel Li  Definitely. That's really interesting and another part of your book that was quite fascinating to me when I first read it was chapter 3. You talked about the intersection of gender as well as, you know, racial identity in classical music. The chapter is called Playing Gender and you talk about, I think at large don't necessarily associate classical music with a discipline that provides a stable job. It is an art form and there is kind of an uphill battle for artists in a sense like a starving artist myth there. We're not even a myth. Like if there's a starving artist image, whereas the image of a very successful classical musician there's this duality that you also mentioned in one of your other chapters about class. So what really interested me in for this chapter was that there was this intersection of power in classical music of who would go down the path that might not be traditionally as successful. How do you think gender dynamics play into this and how do you think they might have shifted within the last two decades or so?  00:20:20 Mari Yoshihara  Huh. I'm not sure if it has shifted all that much in the last two decades, but as you said, because music I mean, not just classical music, but music. Like, you know, arts in general is a field that is very like economically insecure in terms of career, right?   But at the same time. Classical music is associated with kind of, you know, bourgeois identity and just kind of overall cultivation and so, many Asian, Asian American parents are very eager to send their kids to, say, piano lessons, violin lessons, cello lessons, etcetera. To, you know, give them a well-rounded education and also because it is considered useful tool, you know, when you're going to college and stuff like, you know being, you know, being able to show that you're very talented violinist, for instance, is believed to help your college application.  So there's this, you know, both stereotype and reality that like, you know, places like Julliard Pre-College, very competitive, you know, school, like music education program for kids is filled with Asian, Asian American, you know, students and their parents who are waiting, waiting for them to come out of school.   So there's that. But how gender plays into this is that while both men and women are do study music at a young age. When it comes to, you know, choosing say, college, like what they would, what they would pursue at the college level, far fewer male students tend to choose music as their college major or go to conservatory and pursue it as a as a career. But I think it's both their own choice. And also especially for Asian and Asian Americans, like parental pressure to not pursue music professionally because of, you know, financial insecurity.   So there's that, and also how that plays into the actual experiences of Asian, Asian Americans musicians who do study music is that I have heard from a number of female Asian musicians that either their peers or especially their teachers are doubtful that they are actually serious about music. There is a stereotype that, you know, say for instance, Japanese or Korean female students at Juilliard School, Manhattan School or whatever, they are there because they, you know, they want to study music and then find a good husband and marry, you know, a lawyer or doctor or engineer or something. [laughs] And and not that that doesn't happen. But that's a stereotype of, you know, that's a racialized and gender stereotype that comes from these, you know, gender and class and racialized dynamics.  00:23:35 Isabel Li  And just for clarification, is the classical music world at large still a male dominated field?  00:23:41 Mari Yoshihara  Yes. Oh yes. Definitely. I mean, it depends on the segment of you know, I mean classical music is itself quite diverse. So if you look at, for instance, the string section, especially the violin section of the New York Philharmonic for instance, you will find that like, I think the majority of those violin players are Asian women, perhaps. But if you look at say for instance, the Faculty of Conservatories or music directors and major orchestras and said, I mean still very male dominated.  00:24:23 Isabel Li  Yeah. Yeah, definitely. I like how your book also has so many different layers for each chapter. So Chapter 3 was about the gender intersection with this, with this identity, and Chapter 4, was it Chapter 4, I believe it was about class, Class Notes, and you've already mentioned a little bit about how class plays into the perception of music, how class influences gender even. But there's a statement in there that you said that, “it's misleading to characterize Asian musicians as just coming from the upper middle class.” And it makes sense that people would think of musicians coming from this economic bracket, because classical music is an in and of itself a very kind of expensive undertaking. You need so many lessons, so many instruments. But tell us why this statement would be misleading.  00:25:15 Mari Yoshihara  Because I mean, first of all, most of the overwhelmed, I would say overwhelming majority of the Asian, Asian American musicians that I interviewed come from middle class backgrounds, many of them from so-called like professional executive class backgrounds in, meaning that their parents hold these professional executive positions, right. And that's why they were able to afford advanced musical studies from a fairly young age. They need, you know, sustained and disciplined and often costly, you know, lessons, you know, competitions, etcetera, auditions, travel, etcetera. So that's for sure, yeah.   At the same time, there are also Asian musicians who come from less privileged backgrounds, you know, immigrant families who have, because quite a few. I mean overall Asian American population, many immigrants experience downward social mobility upon immigrating to the United States because of, you know, oftentimes linguistic barriers or you know, or plain old racism. And so you're not Asian families that immigrate to the United States, like, for instance, if the parents have professional positions back in South Korea, oftentimes they become, you know, for instance, you know, small business owners and they experience downward social mobility. I mean, that's a very common scenario. Yeah, so now all Asian, Asian American musicians grow up in a privileged environment.  00:27:06 Isabel Li  Definitely a great point. Now before we move on to some discussions about Mari's research. First of all, thank you for tuning in to Obbligato on APEX Express, we'll be taking a short music break and as mentioned earlier, a great way to increase diversity within classical music is to uplift works by living composers. If you're listening to my first.  00:27:26 Isabel Li  Episode 2 months ago, you'll know that I featured music by Chinese American composer Zhou Tian. I'm happy to say that coming up next is one of Zhou's compositions inspired by a trip to Italy. This is a piece called Hidden Grace performed by the Formosa Trio.  27:45 – COMP MUSIC – Hidden Grace  00:35:34 Isabel Li  That was a piece called Hidden Grace, composed by Zhou Tian for a fascinating instrumentation of flute, Viola and heart coming up for our second piece. In this interview, break another movement by Zhou Tian, the third movement of his double concerto for violin and Viola, called Rendezvous.  35:58 – COMP MUSIC – Double Concerto for Violin and Viola, III. Rendezvous  00:41:09 Isabel Li  Noah Bendix-Balgley on violin, Shanshan Yao on viola, and the Hangzhou Philharmonic, playing the third and final movement of Zhou Tian's Double Concerto for violin and viola. So back to the conversation with Professor Mari Yoshihara.  00:41:25 Isabel Li  As you also mentioned before, you're working on an updated version of Musicians from a Different Shore. Can you talk–I don't know how much you can talk about your, like upcoming projects, but are you using similar research methods to what you've done before using ethnographic field work? You've mentioned the new changing dynamics of classical music in the United States with new waves of activism and awareness. What are some new topics of your chapters that you might focus on? So for your 2007 publication, you talked about your gender and class and how these intersect with identity. Are there any new things that you're drawing upon here?  00:42:02 Mari Yoshihara  Yeah. So I'm using basically the same research method. I'm interviewing actually some of the same people that appeared in Musicians from a Different Shore. Some people kept in touch with over the years, I've gone back to them and interviewed them to see the trajectories of their careers since the first time I interviewed them. But then I've also interviewed a bunch of other, you know, new musicians that I'm speaking with for the first time. So it's essentially an interview and ethnographic fieldwork-based research.  I told you earlier about I think one of the biggest changes is, as I said before, the activism and advocacy on the part of Asian, Asian American musicians themselves. So I have one chapter about that. Like, what? How? What kinds of advocacy and activism they're engaged in.   Another big change that I'm seeing is that compared to 20 years ago, there are a lot more Asian musicians in the field of opera.  00:43:01 Isabel Li  Ohh yeah.  00:43:02 Mari Yoshihara  Uh. Both as singers. Yeah, many of them singers, but also in other, you know, like for instance opera, you know, pianist for opera or be opera directors, et cetera. There are many more Asians in this particular field than what I saw 20 years ago. And I talked about this a little bit in my first book, but opera is a very particular kind of field within classical music.   How race plays into opera is very different from other areas of classical music because it's a theatrical art form. It's visually oriented, you know art form. And because singers have to be cast in order to, you know, sing on stage. So the racial politics in opera, you know, unfolds very differently from, say, for pianists or cellists or conductors or or composers.   So I now have a whole chapter about opera, especially Madame Butterfly, that this very fraught work, you know, opera that many Asian and Asian Americans have love hate relationships. A lot of pigeon-holing that happens in that through that opera. But also, production of new opera by Asian and Asian American artists, composers, directors, singers, etcetera. So I have a whole chapter about that.   And then I also will have another chapter about, you know, what it means to, you know, sit at the table, basically. Like stand on the podium and sit at the table, stand on the podium. Not only, I mean I will, I will have a whole discussion about Asian and Asian Americans conductors, but not only in that literal sense of, you know, standing at the podium, but like being at the table like in other words, not only, Asian and Asian American musicians playing music that are given to them and they are assigned to them that they're hired to play, but also having a real voice in the organizational and institutional dimensions of classical music industry. So the kinds of people, Asians, who are in these positions more executive positions with decision making power what their experiences are like. I'm going to have a chapter about that.   So those are some of my ideas. I'm still in the middle of the project, so I can't. I can't see the whole picture, but those are some of my current ideas.  00:45:48 Isabel Li  I see. And do you have an idea of when this book will be published or an updated version?  00:45:54 Mari Yoshihara  Well [laughs], my goal rather ambitious goal is to have it published in 2027, because that would be 20 years since Musicians from a Different Shore, so that would be ideal if I can make that.  00:46:08 Isabel Li  Well, yeah. Nice. That's really exciting, definitely. I will also kind of bridge, I guess my part of the research into this part of the interview, since I'd love to talk to you a little bit more about how classical music in general is portrayed in media.   So as I've introduced myself before, I had a back, I have a background in media studies as well as music history and theory. And what was really interesting to me in my senior thesis while I was doing research for that was I coined this term and it could just be loosely associated with the genre of film. But it's the “classical music film.” So think of any narrative fictional film you can think of with a classical musician in there. So it could be like Amadeus, where I think of like Tár. If you watch Tár like a lot of these depictions are quite understandably white and European, but they my senior thesis I've never really seen any depictions of Asian American or Asian classical musicians? I was wondering if you have ever watched a film like that, or could maybe talk a bit about maybe the lack of representation in media, how media plays into how people perceive classical music as a genre as a whole.  00:47:23 Mari Yoshihara  That is a very interesting question. I think you know, because of the stereotype of Asian and Asian American model minority and model minority stereotype often is associated with, you know, violin or piano-playing Asian American kids, I think. Asian, Asian American characters who are, you know, these kind of musical classical music geniuses appear here and there. But the ones that center on such a character as the main, you know, like the protagonist, come to think of it, I'm not sure if I've seen. I mean, I've seen several Korean dramas, you know, character, but those are Korean dramas, not Asian American, so more American works with Asian classical musicians…  00:48:21 Isabel Li  And I think also classical music as a genre is. It's interesting because classical music is also kind of underrepresented. It's not quite in the mainstream. And then one of my final questions for you is I do also want to take a second to acknowledge that your book was actually one of the only books that I could find about this topic. I think there are not that many other books about Asian and Asian Americans in classical music. I think there are a few other books and a few and definitely some papers that talk about this, but what got you interested in this field? And I don't know if you think there's a scarcity of information, but do you think there's relative scarcity of information about this topic?  00:49:01 Mari Yoshihara  Yeah. So how I got into it is. So I was a pretty serious student of piano when I was a child. That's like, yeah, that really kind of preoccupied my childhood and adolescence. But then I, for various reasons I ended up not going to a music Conservatory and became an academic.   And then once I entered academia and became a scholar of American studies, all I was studying was like race, gender, class. I mean, that's what  we do in American studies. And my first book, which was originally my doctoral dissertation, was a cultural history of orientalism and white women. So that was a study of the intersections of race and gender and to some extent class in American history.   So once I finished that book, I was thinking about what projects to work on next. And I happened to turn on the TV, and it just so happens that the Vienna Phil New Year's concert, conducted by Seiji Ozawa was playing on the TV and that was sort of my “aha” moment because I had always known or, you know, kind of generally aware that Asians and Asian Americans are, if not necessarily overrepresented, but, you know, they're quite numerous, you know. They're present. Their numerical presence is quite notable in classical music that is often associated with white, you know, European culture, elite culture.  So I was kind of curious about that phenomenon, but I hadn't really thought too much about it until I watched Seiji Ozawa were conducting the Vienna Phil. And that's when I thought, well, maybe I can kind of combine my classical music background and my academic training in studies of race, gender, class into this project. So that's when I decided to work on. You know, this topic of Asians and Asian Americans, classical music.  I think the reason that there hadn't been at least a book-length study on the topic until my book is that for one thing, classical music is considered to be kind of a very abstract absolute form of music. This ethos that it is kind of transcends– that it is a universal, transcendental kind of genre, that is sort of above things like politics or race or gender. Like it shouldn't matter that these, you know, individual identity, racialized gender identity shouldn't matter vis-à-vis the universalism of classical music. I mean that kind of ethos is very strong in this particular genre of music. I think that has a lot to do with it.   And also the study of classical music until rather recently, like musicological study of classical music, really tended to be focused on the study of composers and their works, right? It was the textual that, like it, was an analysis of Beethoven Symphony or, you know, Bach Fugues, etcetera. Yeah. It was really focused on the study of the score, the study of the composer's ideas, as reflected in the score, I mean that was the centerpiece of musicological approach to classical music.  And so sort of more sociological anthropological study of the musical practice is a relatively new approach in in the field of musicology. I'm not a musicologist. So that's not how I'm trained. But I think the academic approach to classical music was not very, kind of, open to the kinds of topics that I raised in Musicians from a Different Shore.  00:53:12 Isabel Li  Definitely. I see. And my very final fun question for you is can you name three of your favorite classical music pieces for any recommendations you have for the audience who might be listening, who might be wondering what they will listen to next?  00:53:27 Mari Yoshihara  Well, OK well. Pieces well, because I wrote a book about Leonard Bernstein. I mean, I ended up– I wrote a book about Leonard Bernstein. Not necessarily because I was an avid fan of Bernstein. It just kind of happened this this project. But nonetheless of while I was doing research and writing the book I did listen to a lot of Bernstein. I and I have come to really love Bernstein music and so. And you know, of course, everybody knows West Side Story, but he actually wrote many other pieces that may not be as well known.   Well among the pieces that I like, I like…which one should I choose? I will choose. Ohh well, I'll choose a piece that I learned myself as a pianist.  I learned the piece called “Touches” that he wrote. It was a commission piece for the Van Cliburn International Piano Competition, and it's kind of yeah, it's a chorale and variation. So that's very interesting and very interesting and very Bernstein-esque so well.   I'll OK, as an American study scholar. I'll, I'll stick with American pieces. I like someone Barber a lot. I like Barber “Excursions,” which I also learned to play.  00:55:04 Isabel Li  Yeah.  00:55:09 Isabel Li  Tough question.  00:55:11 Mari Yoshihara  Umm, Mason Bates piece that I also learned, “White Lies For Lomax.” This one was also, I believe…was it commissioned by the Cliburn? But no, maybe it wasn't. Yeah, I think it was commissioned. But anyway, I played it at the Van Cliburn International– the amateur competition of the Cliburn competition.  I did all these. So like Bernstein, Bates, Amy Beach piece I also played. Yeah, I'll stop there. I I wish you had prepped me for that then [laughs]–  00:55:42 Isabel Li  Oh my gosh. Great responses.  00:55:46 Mari Yoshihara  Hard to think on the spot.  00:55:47 Isabel Li  Yeah, I totally get that. Whenever people ask me for my favorite composer, I never have an answer. No, so I totally get it.   Well, thank you so much for your time, Mari. And thank you for your wonderful insights. I'll put the link to your books so that people can learn about your works on APEX Express on kpfa.org. So thank you so much for your time, Mari.  00:56:07 Mari Yoshihara  Thank you.  00:56:09 Isabel Li  As mentioned, please check our website kpfa.org to find out more about Mari Yoshihara, her scholarship, and links to two of her books. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important.  00:56:31 Isabel Li  APEX Express is produced by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, and Cheryl Truong. Tonight's show was produced by Isabel Li. Thanks to the team at KPFA  for their support. Have a great night.  [OUTRO MUSIC]  The post APEX Express – 09.04.2025 – Obbligato with Mari Yoshihara appeared first on KPFA.

This week we finish up our Mount Rushmore of Crusty with some familiar and not so familiar faces. We jump over to the west coast to break down our predictions for the Pacific Division. And bring a fun announcement for anyone looking to watch more hockey.If you're wanting to join "The Princess League" this upcoming season make sure to email thehockeyprincess@gmail.com to join!Make sure to click like/subscribe!

My life-changing annual event, The Summit of Greatness, is happening September 12 & 13, 2025. Get your ticket today!I'm calling out the seven pieces of popular life advice that are secretly keeping you stuck and miserable. After sitting across from some of the world's most successful people for over 12 years, I've learned that the motivational quotes everyone shares on social media often lead us further from the life we actually want. From "follow your passion" to "success equals happiness," I'm breaking down why these seemingly inspiring messages can derail your dreams and what actually works instead. You'll walk away knowing how to spot the difference between achievement and fulfillment, and more importantly, how to align your daily actions with who you're meant to become.Make Money Easy: Create Financial Freedom and Live a Richer LifeThe Greatness Mindset: Unlock the Power of Your Mind and Live Your Best Life TodayThe Mask of Masculinity: How Men Can Embrace Vulnerability, Create Strong Relationships, and Live Their Fullest LivesThe School of Greatness: A Real-World Guide to Living Bigger, Loving Deeper, and Leaving a LegacyIn this episode you will:Discover why "following your passion" without a plan leads to burnout and financial instability instead of the life you dream ofTransform your relationship with difficult emotions by learning why "staying positive" all the time is actually toxic to your mental healthBreak free from passive waiting by understanding how to combine patience with proactive steps that create real opportunitiesLearn to recognize when "never give up" becomes harmful advice that keeps you trapped in situations that no longer serve youReplace fake confidence with authentic presence that attracts the right people and opportunities into your lifeFor more information go to https://lewishowes.com/1819For more Greatness text PODCAST to +1 (614) 350-3960More SOG episodes we think you'll love:Lewis Howes – greatness.lnk.to/1816SCDave Ramsey  – greatness.lnk.to/1758SCMark Manson – greatness.lnk.to/1750SC Get more from Lewis! Get my New York Times Bestselling book, Make Money Easy!Get The Greatness Mindset audiobook on SpotifyText Lewis AIYouTubeInstagramWebsiteTiktokFacebookX

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One game down, and there are no apparent issues for an Oregon Ducks football team that thumped Montana State 59-13 on Saturday in the season opener. Tyson Alger and Justin Myers break down what they liked, what they still need to see and more in this week's episode of The I-5 Corridor's Traffic Report. Then they dive into the comment war between Mike Gundy and Dan Lanning and close with Justin's big question: When did guys stop wearing mouth guards?For more, listen to this podcast in the player above or find us over on Apple or Spotify.Looking for more Oregon Ducks coverage? Lookout Eugene-Springfield is the new home for Tyson Alger's coverage of University of Oregon athletics.— Tyson Alger, The I-5 Corridor This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.i-5corridor.com

What if you could generate endless customers—before a single sales call ever happens? In this game-changing episode, Rory sits down with marketing legend Marcus Sheridan to unpack the exact content strategies that convert browsers into buyers. You'll discover Marcus's “Big 5” topics that every customer researches before making a purchase—and why ignoring them is costing you serious money. Marcus shares how he built the world's most trafficked swimming pool website (yes, really) using content that answered his customers' toughest questions—and how you can do the same. From pricing transparency to trust-based selling to publishing "best of" lists that AI loves, this is a masterclass in turning your content into a lead-generating machine. If you've ever struggled with content that gets views but not conversions, this episode will transform how you think, write, and sell. What You'll Learn: Why 80% of the sale happens before a buyer talks to you The 5 content types that build the most trust and drive the most revenue How to use “they ask, you answer” to dominate your niche The shocking truth about publishing your prices online How AI is choosing who gets seen—and how to make it pick you

Thank you, friends, for clicking on this episode of the Pondering Purple podcast, a source of information, insight and inspiration for those who love MKs and those who are MKs.···This episode is based on an article by the same name, which is available HERE....The Amazon page for Piece of Purple is HERE. For bulk order pricing of ten copies or me, please CONTACT me....More of my MK-related resources can be found at the following links:1. My most-read articles listed on my⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠. 2. My grand new book--everything I've ever taught about MKs in one place--⁠Pieces of Purple⁠!3. My ⁠⁠⁠⁠⁠⁠⁠⁠playlist⁠⁠⁠⁠⁠⁠⁠⁠ of video "nuggets" on Youtube.4. My novel about a missionary family, ⁠⁠⁠⁠⁠⁠⁠⁠Of Stillness and Storm⁠⁠⁠⁠⁠⁠⁠⁠.···Four ways to make sure you don't miss an episode:1. Click subscribe after you find Pondering Purple on the podcast platform of your choice.2. Friend and follow me on ⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠--I'll announce new episodes as they release. (Make sure you hit "Follow first" under the "Follow" tab.)3. Join ⁠⁠⁠⁠⁠⁠⁠⁠The MK Hub⁠⁠⁠⁠⁠⁠⁠⁠, a group on Facebook solely devoted to sharing new materials as I produce them.4. Receive email notifications by writing “subscribe to podcast” in the subject line of a message you send to ⁠⁠⁠⁠⁠⁠⁠⁠shellphoenix@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠. (I promise--that's all you'll receive. No newsy epistles or cat pictures!)···Please share this resource in your missionary, MK, and TCK circles. I'd love it if you also left a comment on whatever platform you use, so Pondering Purple can be less of a monologue and more of a conversation.···The title of the podcast is a nod to the complex, beautiful, sometimes confounding, always life-shaping and ideally life-enhancing effects of growing up in the color swirl of cultures and worlds.···Helpful definitions:· MK or Missionaries' Kid - the child of missionaries.· TCK or Third Culture Kid - someone who has spent a majority of his/her formative years in a culture other than his/her passport culture. This includes missionaries' kids, military kids, business kids, diplomats' kids, etc.

PFR Nation,Many of you have adult children or loved ones you hope will benefit from your financial success. But how confident are you in their financial skills? Will they be good stewards of the wealth you leave behind? Even if you don't plan to leave a fortune, your careful retirement planning might still create a sizable legacy.I just celebrated 17 years in financial services on 8/28! It's been a journey full of highs and lows, shaping my perspective on money and life itself. To mark the milestone, I'm sharing 10 key lessons I've learned as a financial advisor, entrepreneur, and content creator. My hope is that these insights can help you in your conversations with your adult children or beneficiaries! I hope you find it useful!KevinClick this link to fill out our Retirement Readiness Questionnaire⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Or,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ visit my website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Connect with me here:​⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠​⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join My Company Newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠This is for general education purposes only and should not be considered as tax, legal or investment advice.

On today's show, we're chatting with Belinda Van Santen, Vintage Category Manager at Vestiaire Collective. Vestiaire Collective is a global platform for pre-loved luxury and designer fashion, started in Paris in 2009, where Belinda is also based. Belinda has been with Vestiaire Collective for over a decade, one of the company's longest employees, who has great perspective on how the platforms' expertise in vintage has evolved and intensified over the years. Most recently, Vestiaire Collective has seen a 220% increase in vintage supply and 5x growth in searches over the past five years. Vintage-lovers, this one's for you –  let's dive right in! DISCUSSED IN THE EPISODE: [2:05] Belinda always loved flipping through fashion magazines for the photography, but she really fell in love with style when she moved to London in her 20s. [4:45] Once, Yoko Ono shopped at the vintage store where Belinda worked in Paris. [8:04] What it was like joining Vestiaire Collective in the early days with only 40 employees [10:18] How attitudes toward resale have dramatically changed in the last decade [18:11] How the fashion industry's relationship with its archives has changed  [21:46] The shift from Y2K trends to more 90s minimalism emerging [25:46] Underrated accessories to watch [27:42] Tips for searching vintage on Vestiaire [33:25] Belinda's personal style obsessions [35:20] The importance of patience in vintage shopping. EPISODE MENTIONS: Vestiaire Collective @vestiaireco Vintage Pieces at Vintage Prices: September 4-6, featuring daily drops of vintage from the 80s to 00s – all marked down to reflect their prices at the time of the release. Harry Styles wearing a chore coat inspired by French workwear Celine Phantom Vintage battles with Sophie and Fanny The Versace dress made famous by Jennifer Lopez Comme des Garcons ‘lumps and bumps' dress LET'S CONNECT: 

For many artists, an art career takes many twists and turns—an adventure shaped by different mediums, jobs, and ways of sustaining creative work  while at the same time, educating oneself with the histories of your chosen path.  On this episode of The Unfinished Print: A Mokuhanga Podcast, I speak with printmaker Charles Spitzack. We talk about his discovery of mokuhanga and how it connects to his broader printmaking practice. Charles shares his early experiences making mokuhanga, his teaching methods, and how his understanding of the medium developed through a Western American perspective. He also speaks about his time at the Mokuhanga Project Space, and his thoughts on the differences between oil-based and water-based mokuhanga. Please follow The Unfinished Print: A Mokuhanga Podcast and my own mokuhanga work on Instagram @andrezadoroznyprints or email me theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Charles Spitzack - website, Instagram Seattle Print Arts - is a printmaking association based in Seattle, Washington, United States. It maintains a membership and is dedicated to the exchange of knowledge related to various printmaking practices. More info can be found, here.  High Point Center for Printmaking -is located in Minneapolis, Minnesota, United States. It is dedicated to increasing the understanding of printmaking and operates a co-op, gallery, and educational programs. More info can be found, here.  Cornish College of the Arts - is an independent art college located in Seattle, Washington, United States. Its programs emphasize experimentation and critical thinking. More info can be found, here.  Mokuhanga (木版画) - is a Japanese word meaning "wood" and "print." Traditionally, it refers to a relief printing method using woodblocks, water, natural handmade papers, and water-based pigments. With the rise of the sōsaku hanga (creative print) movement in the early to mid 20th century, mokuhanga expanded to include works made with Western oil pigments as well. Today, mokuhanga can be difficult to define, as many artists experiment with new approaches while others remain dedicated to traditional water-based methods. This balance between innovation and tradition shows that mokuhanga is limitless, continually evolving while still grounded in its past. sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints.  Stephen Hazel (1934-20120 - was a painter and printmaker based in the Pacific Northwest. He created works on paper, and educated upon the subject. More info can be found, here.  Beautiful Display 10: Beauties of Chinatown (1977) 24" x 17 11/16" Katheleen Rabel - is an American printmaker, painter and sculptor. More info can be found, here.  Penedo Alto (sōsaku hanga) 50″ x 39″ Hideo Hagiwara (1913-2007) - was a mokuhanga printmaker who came of age during the sōsaku hanga period of the mid 20th Century in Japan. He studied printmaking with Un'ichi Hiratsuka (1896-1997). Hagiwara made prints that were expressive of the self and abstract. He taught at Oregon State University in 1967.   Lady No. 6 (1975) 24.75" x 18.25"  kentō - is the registration system used by printmakers in order to line up the colour woodblocks with your key block, or outline block, carved first.   floating kentō - is like the traditional kentō registration technique but is carved on an "L" shaped piece of wood, and not onto the wood block.  monotype print - is a unique print created from an image painted or drawn on a smooth surface, such as glass or metal, and then transferred to paper. Unlike most printmaking methods, where multiple copies of the same image can be produced, a monotype typically has a single, one-of-a-kind image. It's called a "mono" type because it is not part of an edition like traditional prints (e.g., lithographs, etchings), where you can make multiple copies.  Mike Lyon  -  is an American artist. His medium has varied throughout his career such as "square tiles," or "pixels," through to making mokuhanga, monoprinting, and machine-assisted etching, drawing and mezzotint. Mike Lyon also has a large woodblock print collection which he has curated for the public, here. More information about his work can be found, here. Mike's interview with The Unfinished Print can be found, here.  Grass 4 (2010) 77" x 22" Naoko Matsubara - is a Japanese/Canadian contemporary artist, and sculptor, who lives and works in Oakville, Ontario, Canada.  She has focused much of her artistic life on making mokuhanga and has gained critical acclaim for it.  Naoko Matsubara's interview with The Unfinished Print can be found, here.  Conducting (2004) 22.05" × 15.59" Katsutoshi Yuasa - is a Japanese contemporary artist, and sculptor, who works predominantly in mokuhanga. He has  produced an incredible mount of work. Katsu's interview with the Unfinished Print can be found, here.  On The Dawn of Night and Fog (2025) 39.37" in × 78.74" Antonio Frasconi (1919-2013) - was a Urugyuan printmaker who lived and worked in the United States. He cerated coloured woodcuts and was an educator and author. Frasconi's themes could be political in nature. More info can be found, here.  Cows (1955) 7 1/2" x 12 15/16" The Arts and Crafts Movement in America - flourished from the late 19th to early 20th century, emphasizing simplicity of design, and the use of natural materials as a response to industrial mass production. Inspired by the ideals of John Ruskin (1819-1900) and William Morris (1834-1896) in Britain, the movement in the United States was closely tied to architecture, furniture making, and decorative arts, promoting honesty and a functional beauty.  There was a link with social reform, criticizing modernity and industry and fostering communities of makers across the country. In Japan this folk movement was explored in the mingei movement of the early 20th Century.  William S. Rice (1873-1963) - was a painter, educator and woodblock artist from the United States. Having moved to California early in his life, Rice made landscape prints and paintings of California. At the 1915 Panama Pacific International Exhibition, Rice had a chance to see Japanese mokuhanga in person and was influence by those prints in his woodcuts.  The Windy Summit (1925) 9" x 12" Arthur Wesley Dow (1857-1922) - was an American printmaker who was greatly influenced by Japanese ukiyo-e. He wrote a book on the subject of printmaking called Composition which was published in 1905.    Lily (Ipswich Prints x 1901) 5½" x 4⅛"   Toledo Museum Shin Hanga Exhibitions (1930 & 1936) - were held at the Toledo Museum of Fine Arts in the United States. These two exhibitions played an important role in introducing Japanese woodblock prints to the American market. They were curated by J. Arthur MacLean and Dorothy L. Blair. Artist Hiroshi Yoshida (1876-1950) had traveled to the United States in the 1920s, helping to set the stage for these exhibitions. More info can be found, here.    Walter J. Phillips (1884–1963) - was a British-Canadian printmaker who began his career as a commercial artist. After moving to Canada, he produced etchings, watercolors, and color woodcuts. Influenced by Japanese ukiyo-e, Phillips's prints offer a distinctive view of Canada in the early to mid-20th century.My interview with Sophie Lavoie of The Muse/Lake Of The Woods/Douglas Family Arts Centre about the life and times of Walter J. Phillips can be found, here.      Warren's Landing, Lake Winnipeg (1931) 6.30" × 9.45"   Kathleen Hargrave - is a printmaker and kiln formed glass maker. Kathleen explored various printmaking methods but uses mokuhanga in her practice. Kathleen's mokuhanga is abstract and uses colour in a fantastic way. More info can be found, here.      Resilience 5   Pratt Fine Arts Center - is a nonprofit arts educator in Seattle, Washington. It offers classes and instruction on various artistic expressions such as blacksmithing, glass, jewelry, paintings and printmaking. More info can be found, here.     Mokuhanga Project Space - is a mokuhanga residency located in Walla Walla, Washington, USA. It was established in 2016 and is led by printmaker Keiko Hara. My interview with Keiko Hara and Benjamin Selby of MPS can be found, here. More info can be found, here.    Shoichi Kitamura - is a woodblock carver and printmaker based in Kyoto, Japan. Shoichi has been involved in MI Lab through his demonstrations on carving. More info can be found, here.    Utagawa Kuniyoshi - from The Series Bravery Matched With The Twelve Zodiac Signs. A Modern Reproduction 4.13" x 11.15" (2017) printed and carved by Shoichi Kitamura   April Vollmer - is an established artist who works predominantly in mokuhanga. Her book Japanese Woodblock Print Workshop is one of the most authoritative books on the subject and has influenced many mokuhanga artists. April's interview with The Unfinished Print can be found, here.     It Happened To Me  (1995) 11" x 14"   Andrew Stone - is an American mokuhanga printmaker based in Florence, Italy. He is also a baren maker. The baren is a mokuhanga specific tool. Andrew's interview with The Unfinished Print can be found, here.    Tutto Bene? (2024)   Davidson Galleries - is a gallery situated in Seattle, Washington. Opening in 1973 Davidson Galleries focus on works on paper. In their stable of artists is Charles Spitzack and Andy Farkas. More info can be found, here.    SGC International - the Southern Graphics Council is a member supported printmaking organization which supports printmakers throughout the world. It is located in Kennesaw, Georgia, United States. More info can be found, here.    Karen Kunc - is an American printmaker and Professor Emeritus at the University of Nebraska Lincoln and is based in Nebraska. Karen Kunc works in various artistic and printmaking styles but has worked in mokuhanga for many years. My interview with Karen Kunc for The Unfinished Print can be found, here. More information can be found on her website, here.      Weight of Air (2018) 12" x 24" Woodcut, etching, pochoir, watercolor   Tollman Collection  - is a well known Japanese art gallery located in Daimon, Tokyo, Japan and New York City, NY. More information can be found, here.    Ballinglen - is an arts foundation based in Ballycastle, Co Mayo, Ireland. The groups aim is to "enhance cultural awareness," of North County Mayo. This is done via fellowships, education, exhibitions and workshops. More info can be found, here.    Pomegranate - is a company which sells items such as jigsaw puzzles, holiday cards, etc using different types of artists  and their work in these pieces. More info can be found, here.    Gustave Baumann (1881-1971) - was a colour woodcut printmaker, and painter of German descent who made his life in the United States. More info can be found, here.      Marigolds (1960) colour woodcut 12 7/8" x 12 7/8" © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny  Intro music by Oscar Peterson, I Got It Bad (And That Ain't Good)  from Night Train (1963) Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)  Слава Українi If you find any issue with something in the show notes please let me know.  ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                  

Introducing the BeYouTiFul LadiesAuthors of the empowering new anthology, Loving Me To Pieces, these phenomenal women share their stories of resilience, healing, and self-love. Each chapter is a powerful piece of a larger journey—reminding us that even in brokenness, beauty and strength can emerge.Through transparency and testimony, the BeYouTiFul Ladies inspire women everywhere to embrace every part of themselves, rise above challenges, and walk boldly in their worth. Tune in and celebrate the release of Loving Me To Pieces—a movement of love, courage, and transformation.

This is it, we have reached the biggest and busiest fantasy draft weekend of the year. To put a bow on our draft season coverage we have all four of our Yahoo Fantasy experts share their final pieces of draft advice. Matt Harmon, Ray Garvin, Justin Boone and Scott Pianowski join the show to give you the final tips and tools you need heading into your most important drafts of the year. If you listen to one pod before your drafts this is the one to tune into.(3:00) - Ray Garvin's final pieces of draft advice (18:45) - Scott Pianowski's final pieces of draft advice (33:05) - Justin Boone's final pieces of draft advice (44:50) - Matt Harmon's final pieces of draft advice Subscribe to the Yahoo Fantasy Forecast on your favorite podcast app:

The most important swing players in every conference! The best players returning from injury next year! Bold predictions for week 1 of college football! The Sleepers Podcast is now available daily with new episodes every Monday-Friday!

What happens when a family secret rewrites everything you thought you knew? In this heartfelt and powerful conversation, author and mental health advocate Lisa Sugarman joins Persistence U with Lizbeth to share her story of losing her father—twice.Told as a child that her father died of a heart attack, Lisa didn't discover the truth about his suicide until 35 years later. That revelation not only reshaped her personal narrative but became the catalyst for a career shift toward suicide prevention and mental wellness. Lisa shares how grief changed her, the importance of breaking the silence around suicide, and how she's now helping others through her work with The Trevor Project, NAMI, Samaritans, and her own platform, The Help Hub.You Will Learn:How delayed grief and truth-telling can reframe our storiesThe impact of high-functioning individuals who suffer in silencePractical tools and resources for suicide prevention and survivor supportResources Mentioned:National Suicide & Crisis Lifeline: Dial or text 988Lisa Sugarman's resource platform: The Help HubThe Trevor Project: thetrevorproject.orgSamaritans SafePlace Support GroupsNAMI's Storytelling ProgramLizbeth's links Want to comment on the show? Connect at Lizbeth's author/podcast Facebook page Wanting great guests for your podcast, or to be a great guest on someone else's show? Join PodMatch here! Lizbeth's memoir Pieces of Me: Rescuing My Kidnapped Daughters can be ordered where books are sold, and is now a TV movie, #Stolen By Their Father on Lifetime.Lizbeth's second book, Grounded in Grit: Turn Your Challenges Into Superpowers is available to order wherever books are sold! Tilka Faces the Odds, One Man at a Time, new release novel https://books2read.com/u/4j760X Sign up to stay in the know on Lizbeth's latest podcast episodes, books, and appearances at https://lameredith.com

Marriage advice is everywhere, but much of it is outdated, misguided, or flat-out harmful to your relationship, no matter how well-intentioned it may be.• Happy couples don't fight - FALSE: Conflict is like exercise for your relationship and helps you grow stronger• The myth of "don't sweat the small stuff" can lead to an explosion after years of suppressing irritation• Compromise is outdated advice that leaves both partners with less than they want• Collaboration creates solutions that multiply the best of both positions instead of subtracting from each• Love is a foundation but requires communication skills, conflict resolution, and intentional connection to build lasting marriage• Your differences aren't proof you picked the wrong person - they can become your greatest strengths when you learn to navigate them together• Believing these myths sets expectations that don't match reality, which creates resentmentTo be part of my book launch team for "Bad Marriage Advice: Debunking Myths That Will Make You Miserable and What To Do Instead", releasing October 1st, email me at moni@monicatanner.com. For updates and bonuses, visit badmarriageadvice.com.Send us a text

Taylor Swift Engagement Organ Donor Raffle Top 6 Pieces of feedback from the flesh eating parasite Person died eating raw noodles SLP Are you actively using threads? Gilmore Girls doco coming GMail unsubscribe hack Don't use these emoji's on tinder Did you get engaged this year? Call up and we will celebrate you Gatekeeping friendship groups Bring home Herman Fact of the Day What's your pets fussy trait?See omnystudio.com/listener for privacy information.

In this episode we invite David Nathan to look back on his illustrious 60 years as "the British Ambassador of Soul". Our guest commences by recalling his gateway into Black American music: the covers of Shirelles and Miracles classics included on the first two Beatles albums. He furthermore describes the thrill of seeing Motown star Mary Wells supporting the Fab Four at Kilburn's State Cinema in October 1964, followed by his founding of the Nina Simone Appreciation Society. We hear about the Soul City record store David ran with the legendary Dave Godin – and about John Abbey's trailblazing Blues & Soul magazine, for which our guest began writing in 1968. Barney quotes from David's 1968 B&S profile of Aretha Franklin, with whom he later enjoyed a long friendship. The release of Make It Easy on Yourself – a box set David compiled of Dionne Warwick's immortal Scepter recordings – is the cue for us to hear clips from his 2012 audio interview with the Bacharach & David muse... and to learn about another "soulful diva" who became his close friend. We bring our guest's story more up-to-date with his reflections on yet another diva/pal, the one and only Chaka Khan. Mention of the former Rufus frontwoman's favourite producer, Arif Mardin, leads to discussion of Main Course, the Mardin-helmed album on which the Bee Gees "went disco" 50 long summers ago. David then reminisces about his own disco dalliances in '70s New York and his mid-'80s coastal switch to L.A.  We wrap up by paying tribute to another key white writer on Black R&B and soul: the late Michael Lydon, whose voice can be heard in this episode introducing his fabulous 1977 audio interview with the wicked Wilson Pickett. Mark and Jasper talk us out with their thoughts on (and quotes from) pieces recently added to the RBP library, including Jim Farber's 1978 interview with Earth, Wind & Fire's Maurice White and Ian Winwood's 2001 trashing of Creed live in Louisville. Many thanks to special guest David Nathan. Visit his website at davidnathan.com. Dionne Warwick: Make It Easy On Yourself – The Scepter Recordings 1962-1971 is out now on SoulMusic Records. Pieces discussed: Aretha Franklin: Aretha's Artistry, Dionne Warwick (2012), Chaka Khan: Back...From Back In The Day, Back on course with the Bee Gees, How the Bee Gees got into Disco: An Oral History of Main Course, Arif Mardin: Producer, Wilson Pickett (1977), Return of the Wicked Pickett, Top Tunes: The Beach Boys, Bobby Womack: Bobby's got Understanding, Earth Wind & Fire: Extraterrestrial R&B, Creed live and From Kingston with love.

Highlights of the show include a Lights Out Steel Cage match, Will Ospreay and Swerve Strickland getting written off from AEW due to injuries, and so much more!CONNECT WITH DENISE SALCEDO ON SOCIAL MEDIA! Tik Tok: https://www.youtube.com/denisesalcedo Twitter: https://twitter.com/_denisesalcedo Instagram: https://www.instagram.com/_denisesalcedo/ Facebook: https://www.facebook.com/denisesalcedovideos Patreon: https://www.patreon.com/c/denisesalcedo Denise's Pieces: https://www.youtube.com/@denisespieces

0:00 - Which positions groups are deepest on this Broncos roster? Are there some guys who the Broncos can trade away for a good haul in return? Some fringe roster guys who will be starters elsewhere?14:51 - The Avalanche vs DU Alumni game went down this weekend, and oh MAN it reminded us of the good ol' days. Peter Forsberg fed Milan Hejduk for a goal and it was hockey poetry. 32:44 - Which Broncos players are in the groove right now heading into the regular season?

Chris ist jetzt Sprayer und hat schon ein paar klasse Pieces in Bahnhofsnähe gesprüht! Echt chillig! Giulia fliegt jetzt Cargo-Flugzeuge und serviert den Europaletten aus Reihe 3 Tomatensaft. Ansonsten hören die beiden das Mozart Requiem und geben keine Erklärung ab. Ab geht die Post!Besuche Giulia und Chris auf Instagram: @giuliabeckerdasoriginal und @chris.sommerHier findest du alle Infos und Rabatte unserer Werbepartner: linktr.ee/drinniesTickets für DRINNIES beim New York Comedy Festival findet ihr hierUnd Tickets zur Tour durch Deutschland gibt es: drinnies.de18.10.2025 LEIPZIG, Gewandhaus20.10.2025 BERLIN, Philharmonie21.10.2025 KÖLN, Philharmonie04.11.2025 MÜNCHEN, Isarphilharmonie10.11.2025 FRANKFURT, Alte Oper11.11.2025 HAMBURG, Laeiszhalle Hosted on Acast. See acast.com/privacy for more information.

Episode Notes You can support the show and get episodes a week early by subscribing to our Patreon! You can follow Nora @Skulldaughter.exportaud.io on Bluesky! And don't forget to listen to thesecondbestgame.club! You can follow Autumn @autumnalcoffee.exportaud.io on Bluesky! For just $5 a month, you can keep up with all the bonus episodes of Coffee & Comic Books on the patreon! You can't find Curly online so don't try it! You can follow Em @polarbearsummer.online on Bluesky and keep up with her pods on the Abnormal Mapping network! You can follow Nia @foxmomnia.exportaud.io on Bluesky! She also makes the best anime podcast on the planet, Ghost Divers! Also Pootan. You can follow Ina @poyfuh.bsky.social on Bluesky! Make sure to check out her game, Pinfeather, on itch.io and read her fanfic on AO3 if you're cool. You can follow Molly @yerfriendmolly.bsky.social! Listen to Eidolon Playtest! Huge thanks to Boocanan for the assist on updating our classic logo.

Some healing can't be rushed. Some breakthroughs come wrapped in melody.In this episode of the Vitalize Podcast, your friendly neighborhood host Mr. Marcus Black sits down with the one and only Rachel Black—independent artist, soul-healer through song, and real-life queen—to talk about her most vulnerable and powerful project to date: Pieces of Me.We dive deep into what it means to live through trauma, depression, faith, and healing—and turn it into something that gives life to others. From on-stage confidence to behind-the-scenes breakthroughs, this one's about more than music. It's about truth. It's about transformation. It's about showing up when it's hard—and using your voice anyway.You'll hear:The power of pausing to rediscover your purposeWhat it takes to turn pain into artistryHow Rachel's healing journey shaped every songThe reason behind the music—and the faith that fuels itWhatever you're walking through, this episode reminds us that healing is possible, and your voice still matters. Go stream Pieces of Me—and let it speak to every piece of you.Because YOU CAN!

MeidasTouch host Ben Meiselas reports on world leaders losing it with Donald Trump in the aftermath of their meeting in Washington DC this week and they are going public with how pissed they are at Trump. Visit https://DoneWithDebt.com and talk to a strategist for FREE. Visit https://meidasplus.com for more! Remember to subscribe to ALL the MeidasTouch Network Podcasts: MeidasTouch: https://www.meidastouch.com/tag/meidastouch-podcast Legal AF: https://www.meidastouch.com/tag/legal-af MissTrial: https://meidasnews.com/tag/miss-trial The PoliticsGirl Podcast: https://www.meidastouch.com/tag/the-politicsgirl-podcast The Influence Continuum: https://www.meidastouch.com/tag/the-influence-continuum-with-dr-steven-hassan Mea Culpa with Michael Cohen: https://www.meidastouch.com/tag/mea-culpa-with-michael-cohen The Weekend Show: https://www.meidastouch.com/tag/the-weekend-show Burn the Boats: https://www.meidastouch.com/tag/burn-the-boats Majority 54: https://www.meidastouch.com/tag/majority-54 Political Beatdown: https://www.meidastouch.com/tag/political-beatdown On Democracy with FP Wellman: https://www.meidastouch.com/tag/on-democracy-with-fpwellman Uncovered: https://www.meidastouch.com/tag/maga-uncovered Coalition of the Sane: https://meidasnews.com/tag/coalition-of-the-sane Learn more about your ad choices. Visit megaphone.fm/adchoices

Discussing the effects of trauma in our lives, the ways in which we defend ourselves from it's impacts, and what we can do to heal so we can move forward as whole, more experienced and wiser beings.

A researcher uncovers vulnerabilities across Intel's internal websites that exposed sensitive employee and supplier data. The Kimsuky group (APT43) targets South Korean diplomatic missions. A new DDoS vulnerability bypasses the 2023 “Rapid Reset” fix. Drug development firm Inotiv reports a ransomware attack to the SEC. The UK drops their demand that Apple provide access to encrypted iCloud accounts. Hackers disguise the PipeMagic backdoor as a fake ChatGPT desktop app. The source code for a powerful Android banking trojan was leaked online. A Nebraska man is sentenced to prison for defrauding cloud providers to mine nearly $1 million in cryptocurrency. On this week's Threat Vector, David Moulton speaks with Liz Pinder and Patrick Bayle for a no holds barred look at context switching in the SOC. A UK police force fails to call for backup. Remember to leave us a 5-star rating and review in your favorite podcast app. Miss an episode? Sign-up for our daily intelligence roundup, Daily Briefing, and you'll never miss a beat. And be sure to follow CyberWire Daily on LinkedIn. Threat Vector Security analysts are drowning in tools, alerts, and tabs. On today's Threat Vector segment from Palo Alto Networks, we offer a snapshot from host⁠ David Moulton⁠'s conversation with⁠ Liz Pinder⁠ and⁠ Patrick Bayle⁠⁠. Together they take a no holds barred look at context switching in the SOC, what it costs, why it's getting worse, and how smarter design can fix it. You can listen to David, Patrick, and Liz's conversation⁠ here⁠. It's a must-listen for anyone building or managing a modern SOC. New episodes of⁠ Threat Vector⁠ drop each Thursday on the N2K CyberWire network and in your favorite podcast app. Selected Reading Intel data breach: employee data could be accessed via API (Techzine Global) North Korean Kimsuky Hackers Use GitHub to Target Foreign Embassies with XenoRAT Malware (GB Hackers) Internet-wide Vulnerability Enables Giant DDoS Attacks (Dark Reading) Drug development company Inotiv reports ransomware attack to SEC (The Record) UK ‘agrees to drop' demand over Apple iCloud encryption, US intelligence head claims (The Record) Ransomware gang masking PipeMagic backdoor as ChatGPT desktop app: Microsoft (The Record) ERMAC Android malware source code leak exposes banking trojan infrastructure (Bleeping Computer) Nebraska man gets 1 year in prison for $3.5M cryptojacking scheme (Bleeping Computer) South Yorkshire Police Deletes 96,000 Pieces of Digital Evidence  (Infosecurity Magazine) Audience Survey Complete our annual audience survey before August 31. Want to hear your company in the show? You too can reach the most influential leaders and operators in the industry. Here's our media kit. Contact us at cyberwire@n2k.com to request more info. The CyberWire is a production of N2K Networks, your source for strategic workforce intelligence. © N2K Networks, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hour 2: Instant reaction to the return of Andrew Thomas, Malik Nabers, and Cam Skattebo. Tiki loves working out during the breaks. Reaction to the news that Francisco Alvarez is headed to the IL.

James Clapper is in the hot seat this time because of his disregard for the NSA's warning. Also: the DC takeover has been wildly successful in its goals to secure the lawlessness and piss off the Dems. Obama Intel Chief James Clapper Told NSA Head To Get On Board With ‘Our Story' On Russiagate Intel https://dailycaller.com/2025/08/13/james-clapper-nsa-evidence-russia-hoax-declassified-emails/ DC man arrested for hurling sandwich at a federal law enforcement official https://www.pbs.org/newshour/nation/dc-man-arrested-for-hurling-sandwich-at-a-federal-law-enforcement-official Schumer: ‘No f‑‑‑ing way' Dems will back Trump DC takeover extension https://thehill.com/homenews/senate/5451159-schumer-trump-dc-extension/ Bon Charge - boncharge.com and use the code VINCE Jacked Up Fitness - Getjackedup.com Code: Vince Fatty 15 - Fatty15.com/Vince Fast Growing Trees - Fastgrowingtrees.com Code: Vince Learn more about your ad choices. Visit podcastchoices.com/adchoices

Stassi's in England with C-O-Lo, recording old-school style in a hotel room—no cameras, no plan, just like the early podcast days. But between a work trip, no nanny, and Beau forgetting the stroller, it's been pure survival mode. “Auntie Al” flew in to help wrangle the kids after the nanny couldn't go, while Messer decided mid-flight that he only wanted his mom (goodbye wine-and-period-piece fantasy). They dive deep into Stassi's period piece obsession—her best, worst, and most historically inaccurate picks—and sneak in a little countryside magic between toddler alarms and winding village roads. So they are here in England… surviving.Thanks for supporting our sponsors:Progressive: Visit Progressive.com to see if you could save on car insurance.Nutrafol: Nutrafol is offering our listeners $10 off your first month's subscription and free shipping when you go to Nutrafol.com and enter the promo code STASSI.LiquidIV: Go to LIQUIDIV.COM and get 20% off your first order with code STASSI at checkout.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.